1 00:00:00,200 --> 00:00:04,160 Speaker 1: Warning, Today's episode contain's spoilers for Wicked for Good, The 2 00:00:04,280 --> 00:00:05,560 Speaker 1: Mighty nine, and. 3 00:00:06,200 --> 00:00:07,400 Speaker 2: The Metroid franchise. 4 00:00:23,440 --> 00:00:28,760 Speaker 1: Hello, I'm Rosie Knight and welcome to XRGC or Ripchat, 5 00:00:28,760 --> 00:00:31,600 Speaker 1: a weekly roundtable with our producers and special guests to 6 00:00:31,640 --> 00:00:33,840 Speaker 1: talk about all the things we're excited about in BB's TV, 7 00:00:34,080 --> 00:00:37,520 Speaker 1: comics and pop culture. In today's episode, we are joined 8 00:00:37,520 --> 00:00:41,600 Speaker 1: by Amelia Emboing to discuss two very different worlds of magic. 9 00:00:42,000 --> 00:00:46,360 Speaker 1: We will be talking our mostly spoiler free reactions to 10 00:00:46,479 --> 00:00:49,640 Speaker 1: Wicked for Good with Amelia and super producer Joel, as 11 00:00:49,680 --> 00:00:52,640 Speaker 1: well as digging into the lore of the books and 12 00:00:52,760 --> 00:00:56,680 Speaker 1: what changes from the movie to the musical to the 13 00:00:56,680 --> 00:01:00,320 Speaker 1: book and back again. And then in segment two, Amelia 14 00:01:00,320 --> 00:01:02,120 Speaker 1: will be joining me to give us the lowdown on 15 00:01:02,160 --> 00:01:05,960 Speaker 1: Amazon's The Mighty Nine, the new animation from the world 16 00:01:06,000 --> 00:01:09,960 Speaker 1: of Critical Role. And in segment three, come and we'll 17 00:01:10,000 --> 00:01:13,319 Speaker 1: be joining me to talk about the pitfalls of the 18 00:01:13,360 --> 00:01:17,080 Speaker 1: Metroid franchise inspired by the newest game, Metroid four. But 19 00:01:17,200 --> 00:01:24,559 Speaker 1: first we're gonna talk about Wicked. Hello, Lovely Witches, Amelia, 20 00:01:24,840 --> 00:01:27,240 Speaker 1: thank you for joining us. How's it going. 21 00:01:28,080 --> 00:01:30,280 Speaker 3: Thank you so much for having me babes. I'm so 22 00:01:30,319 --> 00:01:31,199 Speaker 3: excited to be here. 23 00:01:32,280 --> 00:01:36,440 Speaker 1: It's going to be delightful. And Joel, thank you for 24 00:01:36,520 --> 00:01:39,800 Speaker 1: joining us too, Me and you, well, all three of us. Really, 25 00:01:40,240 --> 00:01:43,440 Speaker 1: I know that we have enjoyed the Wicked franchise throughout 26 00:01:43,480 --> 00:01:48,720 Speaker 1: its years. Joelle. We did go to a Wicked eat 27 00:01:48,760 --> 00:01:53,040 Speaker 1: along for the first movie, which was really delightful in 28 00:01:53,200 --> 00:01:57,520 Speaker 1: La with your mom. It was it We Love You, Yes, 29 00:01:57,640 --> 00:02:01,760 Speaker 1: incredible black owned business, super fun. You get to eat 30 00:02:01,840 --> 00:02:04,120 Speaker 1: the movie as you watch, and I just generally have 31 00:02:04,200 --> 00:02:07,520 Speaker 1: been addicted to the first film soundtrack. I had seen 32 00:02:07,560 --> 00:02:10,080 Speaker 1: the movies. I mean, I'd seen The Fitter Show with 33 00:02:10,120 --> 00:02:13,440 Speaker 1: my system with one of my besties, Knee, but I 34 00:02:13,560 --> 00:02:17,360 Speaker 1: was not a huge Wicked Superstan. I just liked the 35 00:02:17,440 --> 00:02:20,119 Speaker 1: songs before the movie. The movie definitely kind of threw 36 00:02:20,160 --> 00:02:21,880 Speaker 1: me into it more. And now we are at this 37 00:02:22,000 --> 00:02:24,360 Speaker 1: point where after it being one of the most successful 38 00:02:24,400 --> 00:02:27,040 Speaker 1: movies of the year last year, we now end up 39 00:02:27,040 --> 00:02:30,519 Speaker 1: in a situation where Wicked for Good is coming out 40 00:02:30,800 --> 00:02:33,640 Speaker 1: and we've seen it, so we're gonna talk about it. 41 00:02:33,680 --> 00:02:35,639 Speaker 1: So I will start with you, Joelle, what were your 42 00:02:35,680 --> 00:02:37,800 Speaker 1: Wicked for Good feelings? 43 00:02:38,200 --> 00:02:41,720 Speaker 4: I was a Wicked Stan growing up saw the place 44 00:02:42,600 --> 00:02:46,919 Speaker 4: three times, had a sapphic bestie sang many a song 45 00:02:46,960 --> 00:02:51,359 Speaker 4: with her, really really enjoyed the musical, was astounded, and 46 00:02:51,639 --> 00:02:53,920 Speaker 4: I was one of those haters when the first trailer 47 00:02:54,000 --> 00:02:55,840 Speaker 4: came out. I was like, that is not the note 48 00:02:55,880 --> 00:02:59,480 Speaker 4: that she hits in the musical. You've scarred when you've 49 00:02:59,520 --> 00:03:02,600 Speaker 4: done Why is this happening? But then I saw the movie, 50 00:03:02,600 --> 00:03:05,520 Speaker 4: and I was of course captivated and moved and delighted. 51 00:03:05,600 --> 00:03:08,040 Speaker 4: And the press tour and all of it, it's all 52 00:03:08,080 --> 00:03:11,520 Speaker 4: of that leads up to here, where I feel both 53 00:03:11,840 --> 00:03:16,720 Speaker 4: a mixed sense of delightful anticipation and horrifying dread because 54 00:03:16,800 --> 00:03:20,720 Speaker 4: I know what Act two contains, and it's bleak, and 55 00:03:20,760 --> 00:03:24,200 Speaker 4: it moves at a musical pace, not a film pace, 56 00:03:24,240 --> 00:03:26,760 Speaker 4: which is to say we're skipping all across time. 57 00:03:26,800 --> 00:03:28,320 Speaker 2: We're moving quickly through things. 58 00:03:28,360 --> 00:03:31,440 Speaker 4: Things are happening in big musical ways, which is to say, 59 00:03:31,720 --> 00:03:33,840 Speaker 4: we're just singing our feelings at each other, and not 60 00:03:33,880 --> 00:03:35,280 Speaker 4: a lot of action is happening. 61 00:03:35,320 --> 00:03:38,000 Speaker 2: This will absolutely train wreck a movie. 62 00:03:39,600 --> 00:03:42,680 Speaker 4: Coming out of this movie, Rosie called me on A 63 00:03:42,680 --> 00:03:45,920 Speaker 4: movie is like someone's been crying and I had been 64 00:03:46,880 --> 00:03:48,800 Speaker 4: for good. You can't for good It's a song that 65 00:03:48,840 --> 00:03:54,160 Speaker 4: means so much to me again, a formative, impactful, childhood 66 00:03:54,200 --> 00:03:58,839 Speaker 4: bestie love situation. Have song means everything to me, and 67 00:03:58,960 --> 00:04:01,760 Speaker 4: the rendition they do of it is bring you to 68 00:04:01,840 --> 00:04:05,120 Speaker 4: your knees good. It is, Oh, they put their whole 69 00:04:05,160 --> 00:04:08,240 Speaker 4: hearts into It's really really good. But every concern I 70 00:04:08,280 --> 00:04:11,200 Speaker 4: had about the film kind of came through. It's too 71 00:04:11,280 --> 00:04:13,800 Speaker 4: bleak to start with. The pacing is all over the place. 72 00:04:14,440 --> 00:04:17,680 Speaker 4: You kind of don't get enough time to push in 73 00:04:17,680 --> 00:04:19,880 Speaker 4: the big changes a lot of the characters make in 74 00:04:20,000 --> 00:04:23,919 Speaker 4: act too to convince a film audience that those changes 75 00:04:23,920 --> 00:04:29,159 Speaker 4: feel realistic and impactful. I think where the sets were 76 00:04:29,160 --> 00:04:32,080 Speaker 4: so good in the first movie, I felt a little 77 00:04:32,160 --> 00:04:35,400 Speaker 4: lackluster on some of the production design in part two. 78 00:04:37,000 --> 00:04:39,960 Speaker 4: So if I were going to give it a rough grade, 79 00:04:40,000 --> 00:04:41,760 Speaker 4: I would say for me, it's like a C plus 80 00:04:41,800 --> 00:04:44,480 Speaker 4: B minus film, which is to say, holy cow, these 81 00:04:44,520 --> 00:04:48,360 Speaker 4: performances are incredible, the costumes are still really hitting, and 82 00:04:48,400 --> 00:04:52,400 Speaker 4: I care a lot about what's happening, and it's solid. 83 00:04:52,440 --> 00:04:55,160 Speaker 4: It's an okay movie, but it just doesn't work as 84 00:04:55,200 --> 00:04:56,359 Speaker 4: a whole for me. 85 00:04:57,160 --> 00:04:59,240 Speaker 1: I think that's a very fair take. I will say 86 00:04:59,320 --> 00:05:02,279 Speaker 1: I was this is the kind of casting that I 87 00:05:02,279 --> 00:05:05,560 Speaker 1: think is so good that for the most part, it 88 00:05:05,880 --> 00:05:09,600 Speaker 1: holds the movie together and keeps you invested because you 89 00:05:09,680 --> 00:05:13,039 Speaker 1: care about where these characters are going. But as I 90 00:05:13,120 --> 00:05:16,240 Speaker 1: was watching it, I did have I was describing this 91 00:05:16,240 --> 00:05:19,240 Speaker 1: to someone where even when I love a movie and 92 00:05:19,279 --> 00:05:21,440 Speaker 1: I can see it's really well made, which in this case, 93 00:05:21,480 --> 00:05:23,680 Speaker 1: I think the casting is incredible, the songs are incredible. 94 00:05:23,680 --> 00:05:25,880 Speaker 1: I love the way they use their reprises. I love. 95 00:05:26,279 --> 00:05:28,159 Speaker 1: I actually thought that the way that they kind of 96 00:05:28,720 --> 00:05:32,799 Speaker 1: zipped through the second act worked simply because in the play, 97 00:05:32,839 --> 00:05:37,120 Speaker 1: the second act can feel a little like you're waiting 98 00:05:37,320 --> 00:05:39,240 Speaker 1: for for good But I felt like they did a 99 00:05:39,240 --> 00:05:41,800 Speaker 1: good act job making it kind of action packed and 100 00:05:41,880 --> 00:05:46,680 Speaker 1: keeping you engaged. But does it feel like the first 101 00:05:46,720 --> 00:05:49,640 Speaker 1: Wicked movie? The answer is no, because they were able 102 00:05:49,680 --> 00:05:53,240 Speaker 1: to create out of the first act something that felt 103 00:05:53,279 --> 00:05:58,520 Speaker 1: like a whole movie, like a whole musical masterpiece, kind 104 00:05:58,520 --> 00:06:00,800 Speaker 1: of throwback to the old school. There were so many 105 00:06:00,880 --> 00:06:06,320 Speaker 1: fantastic homages and kind of brilliant set pieces, and this 106 00:06:06,440 --> 00:06:09,880 Speaker 1: movie does have incredible songs and set pieces. Does it 107 00:06:10,000 --> 00:06:12,680 Speaker 1: feel like an entire movie or does it feel like 108 00:06:12,720 --> 00:06:14,800 Speaker 1: an act? To it feels like an act too, And 109 00:06:14,839 --> 00:06:18,000 Speaker 1: I think in a post MCU world where we've been 110 00:06:18,000 --> 00:06:20,680 Speaker 1: having sequels that still managed to for the most part, 111 00:06:21,120 --> 00:06:24,000 Speaker 1: feel like an entire movie that you can jump onto, 112 00:06:24,080 --> 00:06:25,960 Speaker 1: I think that might be a bit of a problem 113 00:06:26,520 --> 00:06:29,360 Speaker 1: for some viewers, but I am going to say I 114 00:06:29,560 --> 00:06:32,839 Speaker 1: do think that if you watch both of them in 115 00:06:32,880 --> 00:06:36,440 Speaker 1: a row, it's probably like a very satisfying second act 116 00:06:36,760 --> 00:06:38,960 Speaker 1: on the level of what I feel when I see 117 00:06:38,960 --> 00:06:42,279 Speaker 1: the show is my that's my general feeling. I've only 118 00:06:42,279 --> 00:06:43,960 Speaker 1: seen it once so far. We'll be going to see 119 00:06:43,960 --> 00:06:49,360 Speaker 1: it again on Saturday. But Amelia as another lifelong Wicked stand 120 00:06:49,520 --> 00:06:51,159 Speaker 1: what were your feelings on Wicked? 121 00:06:51,560 --> 00:06:56,680 Speaker 5: For good me and Wi could have such a complicated relationship, Joelle, 122 00:06:56,720 --> 00:07:04,120 Speaker 5: you mentioned that the second act is bleak, and I 123 00:07:04,279 --> 00:07:05,240 Speaker 5: hate being. 124 00:07:05,040 --> 00:07:13,960 Speaker 3: The book person. No, it's not girl, it's bubblegum bullshit. 125 00:07:14,680 --> 00:07:18,800 Speaker 4: It is as compared to the book is bubble gum bullshit. 126 00:07:18,840 --> 00:07:21,000 Speaker 2: Just want to make sure to clarify. 127 00:07:21,720 --> 00:07:24,680 Speaker 5: As compared to the book, and like that is that 128 00:07:24,720 --> 00:07:28,200 Speaker 5: has always been my key struggle because like listen, the 129 00:07:28,200 --> 00:07:33,040 Speaker 5: first time I saw Wicked, obviously in awe, the set pieces, 130 00:07:33,120 --> 00:07:39,280 Speaker 5: the performances, the costumes, the music, it is all impeccable 131 00:07:39,960 --> 00:07:43,720 Speaker 5: except for that story. 132 00:07:44,240 --> 00:07:50,560 Speaker 3: Except for that story. It is it makes me insane. 133 00:07:50,800 --> 00:07:58,520 Speaker 5: It makes me insane because Wicked is such a deeply complex, difficult, 134 00:07:59,080 --> 00:08:04,520 Speaker 5: gritty political story. And anybody who thinks that Broadway is 135 00:08:04,600 --> 00:08:07,160 Speaker 5: just all bubblegum nonsense, I'm gonna need you to go 136 00:08:07,240 --> 00:08:09,720 Speaker 5: watch more plays because that's not true. So there's no 137 00:08:09,840 --> 00:08:11,080 Speaker 5: reason that we couldn't be there. 138 00:08:11,520 --> 00:08:14,400 Speaker 1: Emileiah tell us that what the ending of the book 139 00:08:14,520 --> 00:08:16,840 Speaker 1: is compared to the ending of the play and why 140 00:08:16,880 --> 00:08:21,000 Speaker 1: those changes feel so impactful because the the movie definitely 141 00:08:21,120 --> 00:08:23,760 Speaker 1: for good, definitely leans into the play and then even 142 00:08:23,840 --> 00:08:26,280 Speaker 1: expands the happy ending even more so. So could you 143 00:08:26,280 --> 00:08:28,520 Speaker 1: tell us a little bit about the book changes that 144 00:08:28,600 --> 00:08:29,720 Speaker 1: make such a big impact. 145 00:08:30,400 --> 00:08:33,640 Speaker 5: Yes, And before I get to that, I want to 146 00:08:33,640 --> 00:08:36,120 Speaker 5: be clear. I do like Wicked for Good, but I 147 00:08:36,240 --> 00:08:38,200 Speaker 5: like Wicked for Good in the exact same way that 148 00:08:38,240 --> 00:08:40,800 Speaker 5: I like Wicked the play, and that why. 149 00:08:40,600 --> 00:08:41,560 Speaker 3: Did you do this? 150 00:08:42,040 --> 00:08:46,840 Speaker 5: So in the novel they're I like just telling you 151 00:08:46,880 --> 00:08:49,600 Speaker 5: the ending is sort of is sort of complicated because 152 00:08:49,640 --> 00:08:51,760 Speaker 5: there are a billion things that lead to it. But 153 00:08:52,480 --> 00:08:56,240 Speaker 5: Fierro doesn't turn into a scarecrow. Fierro is murdered. Doctor 154 00:08:56,280 --> 00:09:01,840 Speaker 5: Diliman doesn't lose his voice. Doctor Dillarmond is murdered. Alphaba 155 00:09:02,640 --> 00:09:06,760 Speaker 5: is allergic to water. So like the entire Oh, people 156 00:09:06,800 --> 00:09:08,240 Speaker 5: are so empty headed they believe anything. 157 00:09:08,320 --> 00:09:11,439 Speaker 3: Stop it, that's it, that's real. 158 00:09:12,840 --> 00:09:16,439 Speaker 5: The function of a wicked is to be an exploration 159 00:09:16,679 --> 00:09:20,920 Speaker 5: of nature versus nurture. And they there's a line in 160 00:09:23,559 --> 00:09:26,720 Speaker 5: No One Mourns the Wicked that like, are people born wicked? 161 00:09:26,800 --> 00:09:28,720 Speaker 5: Or do they have a wickedness thrust upon them? And 162 00:09:28,760 --> 00:09:32,720 Speaker 5: that is the entire impetus of Maguire's book is was 163 00:09:32,760 --> 00:09:35,440 Speaker 5: the Wicked Witch of the West always evil? Is she 164 00:09:35,559 --> 00:09:39,080 Speaker 5: evil at all? Or was she made to be evil? 165 00:09:39,640 --> 00:09:42,520 Speaker 5: Now the flip side of that is that by the 166 00:09:42,640 --> 00:09:47,720 Speaker 5: time we have the climax of this story, Alphaba throp 167 00:09:48,360 --> 00:09:54,160 Speaker 5: is so furious and stricken with grief and rage that 168 00:09:54,600 --> 00:10:00,120 Speaker 5: she cannot see what is in front of her, at 169 00:10:00,160 --> 00:10:03,920 Speaker 5: least in the book, Glinda, Glinda giving the shoes away 170 00:10:04,679 --> 00:10:06,680 Speaker 5: isn't just some Oh yeah, I guess you can have 171 00:10:06,760 --> 00:10:12,359 Speaker 5: this dead girl shoes like it is in the movie. 172 00:10:10,600 --> 00:10:14,160 Speaker 3: This dead girl who I felped get murdered. PS will 173 00:10:14,160 --> 00:10:15,839 Speaker 3: get to that, Laer. I'm sure. 174 00:10:17,760 --> 00:10:20,920 Speaker 5: It's not just that it's she's trying to stop munchkin 175 00:10:21,080 --> 00:10:24,960 Speaker 5: Land from going into political disarray. And so the answer is, 176 00:10:25,240 --> 00:10:30,200 Speaker 5: give this random girl who fell in a house these shoes. Now, 177 00:10:30,400 --> 00:10:33,400 Speaker 5: Elfie furious, is like, she's going to take those straight 178 00:10:33,440 --> 00:10:36,800 Speaker 5: to the wizard who is destroying everything. Also, he's not 179 00:10:36,920 --> 00:10:41,360 Speaker 5: some fluffy little potunk idiot. He is absolutely a totalitarian, 180 00:10:42,000 --> 00:10:47,000 Speaker 5: lunatic dictator. So Elfie's furious, he's gonna take those shoes. 181 00:10:47,080 --> 00:10:49,040 Speaker 5: She's gonna take those shoes straight to the Wizard. We 182 00:10:49,120 --> 00:10:50,720 Speaker 5: cannot do this? How dare you? 183 00:10:50,800 --> 00:10:52,720 Speaker 3: What is wrong with you? And again this is towards 184 00:10:52,720 --> 00:10:55,920 Speaker 3: the end of her story. So she has either lost. 185 00:10:55,640 --> 00:10:58,120 Speaker 5: Everything or been betrayed by anything, and the one friend 186 00:10:58,160 --> 00:11:00,200 Speaker 5: she has left is like, yeah, sure, let's give these 187 00:11:00,200 --> 00:11:01,800 Speaker 5: shoes and let them hop all over there. 188 00:11:02,480 --> 00:11:07,360 Speaker 3: Problem. So Dorothy Gaale goes to the Wizard. The Wizard says, 189 00:11:07,480 --> 00:11:08,760 Speaker 3: go kill Alphaba. 190 00:11:09,120 --> 00:11:16,319 Speaker 5: Same she goes to Camico Castle and says, I'm not. 191 00:11:16,440 --> 00:11:17,240 Speaker 3: Here to kill you. 192 00:11:17,400 --> 00:11:20,160 Speaker 5: I'm truly just here to apologize for dropping a house 193 00:11:20,200 --> 00:11:23,000 Speaker 5: on your sister. I don't know what the problem is. 194 00:11:23,400 --> 00:11:26,600 Speaker 5: I don't know why he's so angry. I'm just here 195 00:11:26,640 --> 00:11:30,319 Speaker 5: to say I'm sorry, and she begs for forgiveness. 196 00:11:30,920 --> 00:11:32,079 Speaker 3: Now, going back to the. 197 00:11:32,080 --> 00:11:37,720 Speaker 5: Fierro death, Fierro and Alphaba don't have She doesn't like 198 00:11:38,360 --> 00:11:43,000 Speaker 5: skip away into the sunset with Glinda's fiance. Fierro is 199 00:11:43,080 --> 00:11:44,960 Speaker 5: very much married, has three kids, and they have an 200 00:11:44,960 --> 00:11:47,160 Speaker 5: illicit like awful affair. 201 00:11:48,840 --> 00:11:50,920 Speaker 3: From which Lure is burned the son of a witch. 202 00:11:52,679 --> 00:11:56,720 Speaker 5: So after everything happens, and after most of his family 203 00:11:56,760 --> 00:11:59,400 Speaker 5: is murdered by the wizard, she goes and begs for forgiveness. 204 00:11:59,480 --> 00:12:01,959 Speaker 5: His wife is like, girl, no, but the rest of 205 00:12:02,000 --> 00:12:03,760 Speaker 5: the rest of the family is like, sure, you can 206 00:12:03,760 --> 00:12:05,800 Speaker 5: stay here for eight years and like learned to be 207 00:12:05,840 --> 00:12:10,240 Speaker 5: a witch whatever. So then all of them are viciously 208 00:12:10,320 --> 00:12:12,440 Speaker 5: murdered by the wizard, except for nor who is kept 209 00:12:12,440 --> 00:12:15,040 Speaker 5: as a slave because again the wizard is a despot, 210 00:12:15,080 --> 00:12:18,120 Speaker 5: an absolute demon monster piece of garbage. 211 00:12:18,880 --> 00:12:20,080 Speaker 3: So all of them are murdered. 212 00:12:20,200 --> 00:12:23,439 Speaker 5: Then this random girl who drops a house on her 213 00:12:23,480 --> 00:12:26,600 Speaker 5: sister and walks around with these deeply powerful shoes that 214 00:12:26,800 --> 00:12:29,480 Speaker 5: could like destroy everything if they end up in the 215 00:12:29,480 --> 00:12:31,040 Speaker 5: Wizard's hand shows up and is like. 216 00:12:31,040 --> 00:12:36,280 Speaker 3: Will you forgive me? And Elfie flips out. She flips out, 217 00:12:36,480 --> 00:12:39,600 Speaker 3: this is her last Straw whoms to argue, you're begging 218 00:12:39,600 --> 00:12:42,000 Speaker 3: for forgiveness. You murdered my sister. I cannot do this. 219 00:12:42,440 --> 00:12:45,000 Speaker 5: So she's flailing all over the place. Her broom's on fire, 220 00:12:45,040 --> 00:12:49,439 Speaker 5: she's yelling. She accidentally sets her skirt on fire. Dorothy 221 00:12:49,800 --> 00:12:53,200 Speaker 5: grabs a bucket of water, tries to rescue her, melts 222 00:12:53,240 --> 00:12:57,360 Speaker 5: the witch. Then Dorothy takes the bottle of green alixir 223 00:12:57,520 --> 00:13:00,360 Speaker 5: that is left behind takes it to the Wizard. That's 224 00:13:00,360 --> 00:13:03,160 Speaker 5: how the Wizard realizes that Alphaba is his real daughter, 225 00:13:03,840 --> 00:13:07,080 Speaker 5: freaks out, knows that he has to escape. 226 00:13:07,080 --> 00:13:07,440 Speaker 3: Oz. 227 00:13:07,920 --> 00:13:10,439 Speaker 5: Manages to escape Oz right before the coup that is 228 00:13:10,480 --> 00:13:12,680 Speaker 5: meant to slaughter him arrives at a doorstep, so he 229 00:13:12,720 --> 00:13:16,280 Speaker 5: gets out safe. Oz is left in political disarray. Now, 230 00:13:16,559 --> 00:13:18,840 Speaker 5: the function of this ending is meant. 231 00:13:18,679 --> 00:13:21,240 Speaker 3: To be difficult. It's meant to be difficult. 232 00:13:21,720 --> 00:13:24,880 Speaker 5: And when you know, we go into these things as 233 00:13:24,880 --> 00:13:31,800 Speaker 5: critics and you constantly have the conversation of am I 234 00:13:31,960 --> 00:13:34,840 Speaker 5: mad that this wasn't what I wanted to be? 235 00:13:35,040 --> 00:13:36,520 Speaker 3: Or am I mad that it didn't. 236 00:13:36,320 --> 00:13:39,520 Speaker 5: Fulfill its promise as a film, And in this case, 237 00:13:40,000 --> 00:13:43,320 Speaker 5: it's I'm mad that this film didn't fulfill its promise 238 00:13:44,000 --> 00:13:50,040 Speaker 5: because what makes Part one of Wicked so good is 239 00:13:50,160 --> 00:13:56,319 Speaker 5: that John M. Chew and the writers introduce so much 240 00:13:56,480 --> 00:14:00,800 Speaker 5: more of the politics into Part one don't see in 241 00:14:00,840 --> 00:14:03,200 Speaker 5: the play at all. That is a huge part of 242 00:14:03,240 --> 00:14:07,800 Speaker 5: the reason as to why the first film is longer 243 00:14:07,800 --> 00:14:13,000 Speaker 5: than the entire play. So in that transaction, John M. 244 00:14:13,120 --> 00:14:18,079 Speaker 5: Chew and the writers set up an expectation of maybe 245 00:14:18,600 --> 00:14:23,760 Speaker 5: perhaps we will tell a more meaningful ending to this 246 00:14:23,920 --> 00:14:28,760 Speaker 5: story beyond it's fine if you lie, if you're nice, 247 00:14:29,120 --> 00:14:32,320 Speaker 5: and you know what, the Wizard of Oz in this 248 00:14:32,480 --> 00:14:36,400 Speaker 5: story also started off with good intentions. So all you 249 00:14:36,480 --> 00:14:42,480 Speaker 5: have done is restart the cycle with your saying bubblegum nonsense. 250 00:14:42,600 --> 00:14:46,880 Speaker 5: It makes me insane. Ending of this play and now 251 00:14:46,960 --> 00:14:48,880 Speaker 5: the subsequent ending of the film, it didn't have to 252 00:14:48,920 --> 00:14:51,000 Speaker 5: be that way, should they have gone with the ending 253 00:14:51,000 --> 00:14:55,800 Speaker 5: of the book. Also know, because audiences wouldn't have known 254 00:14:55,920 --> 00:14:58,600 Speaker 5: what to do with that, with the overarching aspect of 255 00:14:58,640 --> 00:15:02,160 Speaker 5: this story. But there is a answer in between those 256 00:15:02,200 --> 00:15:05,640 Speaker 5: two extremes that help solve the problem, and it's your 257 00:15:05,800 --> 00:15:09,480 Speaker 5: job as a creative team making the fourth adaptation of 258 00:15:09,520 --> 00:15:13,040 Speaker 5: this story to find that. And that takes us to 259 00:15:13,720 --> 00:15:17,880 Speaker 5: Wicked for Good's biggest problem which is it is so 260 00:15:18,080 --> 00:15:20,840 Speaker 5: beholden to the Wizard of Oz. And I'm sorry, but 261 00:15:20,920 --> 00:15:23,240 Speaker 5: when you're an adaptation of an adaptation of an adaptation 262 00:15:23,320 --> 00:15:26,320 Speaker 5: of an adaptation, you no longer have to attach yourself 263 00:15:26,360 --> 00:15:29,119 Speaker 5: to these things as tightly as you find it necessary 264 00:15:29,160 --> 00:15:32,080 Speaker 5: to do so. And I think No Place Like Home 265 00:15:32,520 --> 00:15:35,840 Speaker 5: is such a perfect example of that, because that song 266 00:15:36,600 --> 00:15:37,240 Speaker 5: is great. 267 00:15:37,440 --> 00:15:40,240 Speaker 1: It's a great song. If you don't have that line 268 00:15:40,560 --> 00:15:42,000 Speaker 1: no place like Home. 269 00:15:41,800 --> 00:15:43,440 Speaker 4: We got a positive this is This is to me 270 00:15:43,720 --> 00:15:45,720 Speaker 4: like the moment, right, this is the moment where I 271 00:15:45,720 --> 00:15:51,800 Speaker 4: immediately start veering away from the Stephanie Mills originates Dorothy 272 00:15:51,960 --> 00:15:54,920 Speaker 4: in The Whiz and sings Home, which is now a 273 00:15:55,120 --> 00:15:58,280 Speaker 4: Broadway standard. This song is so clearly trying to pay 274 00:15:58,360 --> 00:16:02,600 Speaker 4: homage to that song, but through a character who does 275 00:16:02,640 --> 00:16:06,760 Speaker 4: not and has not yet made this space her home. 276 00:16:07,200 --> 00:16:11,000 Speaker 4: What are we doing? Why is this here? I again, 277 00:16:11,320 --> 00:16:14,200 Speaker 4: beautifully sung. It's also a problem for me because this 278 00:16:14,240 --> 00:16:17,480 Speaker 4: is where you introduce in this story the plight of 279 00:16:17,520 --> 00:16:20,520 Speaker 4: the animals, which, to your point, Amelia, I was like, 280 00:16:20,560 --> 00:16:22,400 Speaker 4: I understand, you can't go as political as the book. 281 00:16:22,400 --> 00:16:23,800 Speaker 4: It's not as dark as the book's not meant to 282 00:16:23,800 --> 00:16:25,960 Speaker 4: be already set it up to be this very colorful, 283 00:16:25,960 --> 00:16:28,720 Speaker 4: poppy musical. I don't anticipate you going the book rout, 284 00:16:29,040 --> 00:16:31,320 Speaker 4: but the book is good because it makes you question things, 285 00:16:31,320 --> 00:16:34,160 Speaker 4: and it's actually trying to explore and ponder really deep 286 00:16:34,280 --> 00:16:36,280 Speaker 4: rich questions which we get in the first book. 287 00:16:36,440 --> 00:16:37,040 Speaker 2: And if this is. 288 00:16:37,000 --> 00:16:38,880 Speaker 4: Called for good and your final thing is about how 289 00:16:38,880 --> 00:16:41,000 Speaker 4: this friendship has made us both better human beings and 290 00:16:41,040 --> 00:16:43,840 Speaker 4: you have to fucking show me that. Sorry, And I 291 00:16:43,880 --> 00:16:45,920 Speaker 4: think you could have done that to me when I said. 292 00:16:45,680 --> 00:16:48,040 Speaker 2: Like, let me pitch John in the studio an idea 293 00:16:48,080 --> 00:16:48,480 Speaker 2: real quick? 294 00:16:48,680 --> 00:16:51,440 Speaker 4: What if instead of so closely following both the musical 295 00:16:51,720 --> 00:16:56,080 Speaker 4: and trying adhere to this original film slash book. 296 00:16:56,360 --> 00:16:59,320 Speaker 2: Again, an adaptation of an adaptation of an adaptation, Uh 297 00:16:59,560 --> 00:17:01,320 Speaker 2: what if you? I had focused on Alphaba. 298 00:17:01,080 --> 00:17:03,760 Speaker 4: Working with the animals and figuring that out and making 299 00:17:03,760 --> 00:17:06,040 Speaker 4: that your political event. With this whole idea of like 300 00:17:06,119 --> 00:17:09,160 Speaker 4: what is home when we currently look at our country 301 00:17:09,400 --> 00:17:14,120 Speaker 4: and immigration and politicians who don't necessarily speak for you, 302 00:17:14,200 --> 00:17:16,480 Speaker 4: there's a lot of themes you can very lightly play 303 00:17:16,560 --> 00:17:18,560 Speaker 4: with that aren't too overbearing. 304 00:17:19,440 --> 00:17:21,400 Speaker 2: I also think is a problem they were. 305 00:17:21,600 --> 00:17:22,879 Speaker 4: I'm not sure if this was what we're trying to 306 00:17:22,880 --> 00:17:25,560 Speaker 4: protect Ariana or if we don't want you to hate 307 00:17:25,640 --> 00:17:27,760 Speaker 4: Glinda too much. At the end, Glinda needs to make 308 00:17:27,800 --> 00:17:29,439 Speaker 4: a turn to do bad things, and she needs to 309 00:17:29,760 --> 00:17:33,040 Speaker 4: acknowledge and embrace doing the bad things instead of being 310 00:17:33,040 --> 00:17:33,360 Speaker 4: I'm just. 311 00:17:33,359 --> 00:17:33,920 Speaker 2: Dumb in area. 312 00:17:33,960 --> 00:17:34,320 Speaker 4: I don't. 313 00:17:34,640 --> 00:17:35,800 Speaker 2: I didn't know what was happening. 314 00:17:35,840 --> 00:17:37,480 Speaker 1: They did what now crazy? 315 00:17:37,520 --> 00:17:41,200 Speaker 2: I just never dawned on me. I don't at first. 316 00:17:41,240 --> 00:17:43,680 Speaker 2: I don't like women like this. I think it's really upsetting. 317 00:17:43,840 --> 00:17:47,000 Speaker 4: I don't think Arianna needs to be infantilized or Glinda. 318 00:17:47,040 --> 00:17:50,399 Speaker 4: Glinda makes some really strong choices that are really cruel 319 00:17:50,400 --> 00:17:54,120 Speaker 4: and hurt a lot of people. She has the most 320 00:17:54,160 --> 00:17:56,760 Speaker 4: useful song with the best cinematography ever. But maybe it's 321 00:17:56,760 --> 00:17:58,440 Speaker 4: time for my bubble to pop. The bubble is really 322 00:17:58,440 --> 00:18:01,959 Speaker 4: popping for you. Nothing changes, You keep all of your power. 323 00:18:03,160 --> 00:18:05,119 Speaker 4: Your friends are gone essentially, but you have kind of 324 00:18:05,160 --> 00:18:08,879 Speaker 4: already just say goodbye to them. He's but oh my god, guys, 325 00:18:08,920 --> 00:18:11,439 Speaker 4: the mirror scenes with John really showed. He was like, 326 00:18:11,520 --> 00:18:12,159 Speaker 4: He's like, I'm. 327 00:18:12,040 --> 00:18:13,480 Speaker 2: A director like you are. 328 00:18:13,960 --> 00:18:16,080 Speaker 4: John also gets a really great wedding scene in here, 329 00:18:16,119 --> 00:18:18,639 Speaker 4: which if you love the wedding and crazy rich Asians. 330 00:18:18,280 --> 00:18:22,040 Speaker 2: Strap in because it's over the tom just gorgeous. 331 00:18:22,359 --> 00:18:24,960 Speaker 4: But I don't understand why we couldn't have had these 332 00:18:25,040 --> 00:18:29,320 Speaker 4: very surfacy still reminiscent of the first film, sort of 333 00:18:29,359 --> 00:18:33,920 Speaker 4: overhaul rewrite of like Alphaba helping the animals, learning a little. 334 00:18:33,680 --> 00:18:34,280 Speaker 2: Bit about herself. 335 00:18:34,320 --> 00:18:36,080 Speaker 4: Hey, you have some privilege and power. Maybe you're not 336 00:18:36,119 --> 00:18:39,120 Speaker 4: acknowledging in this moment. Maybe we get a little bit 337 00:18:39,160 --> 00:18:41,680 Speaker 4: more of her and Fierro because that, guys, I don't 338 00:18:41,680 --> 00:18:45,000 Speaker 4: want to be too u outside of the movie, but 339 00:18:45,000 --> 00:18:48,080 Speaker 4: these two very homosexual people trying to convince me they're 340 00:18:48,080 --> 00:18:50,760 Speaker 4: in love with each other was not working. I don't 341 00:18:50,760 --> 00:18:52,680 Speaker 4: think that's their fault. They're great actors. I've both seen 342 00:18:52,680 --> 00:18:55,320 Speaker 4: them play straight before. I know they can. I'm not 343 00:18:55,359 --> 00:18:57,600 Speaker 4: saying gays can't play straight. I really love when they do. 344 00:18:57,640 --> 00:18:58,640 Speaker 4: We need opportunities. 345 00:18:58,680 --> 00:19:01,600 Speaker 2: But my god, I don't buy the romance. 346 00:19:02,240 --> 00:19:06,240 Speaker 1: I I do have to disagree, only slightly, because I 347 00:19:06,280 --> 00:19:10,920 Speaker 1: think what comes through is love for each other. Do 348 00:19:11,000 --> 00:19:15,480 Speaker 1: I think that they're probably gonna have a heterosexual LoveFest 349 00:19:15,600 --> 00:19:20,160 Speaker 1: night in clothes that were apparently knitted by like animals, 350 00:19:20,240 --> 00:19:24,119 Speaker 1: A sexy two piece knitted by forest animals. No, but 351 00:19:24,440 --> 00:19:26,040 Speaker 1: I do want to say, I think you guys are 352 00:19:26,080 --> 00:19:28,440 Speaker 1: both one. Amelia, thank you so much for the book law, 353 00:19:28,480 --> 00:19:30,720 Speaker 1: because I do think it's gonna be such a big 354 00:19:31,119 --> 00:19:33,960 Speaker 1: talking point. But would also say I do think there 355 00:19:34,000 --> 00:19:36,320 Speaker 1: was a lot of missopportunities here, because I do think, 356 00:19:36,359 --> 00:19:39,400 Speaker 1: for example, I think the chemistry casting between the three 357 00:19:39,440 --> 00:19:43,320 Speaker 1: of them is so good that there are moments where 358 00:19:43,359 --> 00:19:47,240 Speaker 1: even when I was the Dorothy stuff where You're just like, Glinda, 359 00:19:47,320 --> 00:19:50,240 Speaker 1: what the fuck? And I feel like, actually, in that 360 00:19:50,400 --> 00:19:54,080 Speaker 1: moment where they showed Glinda saying it and that you know, 361 00:19:54,160 --> 00:19:57,000 Speaker 1: oh go for her sister, start a rumor and you 362 00:19:57,080 --> 00:19:59,320 Speaker 1: have the Wizard and Miss Marrable behind her, that was 363 00:19:59,359 --> 00:20:02,119 Speaker 1: such a scared shot. I was like, Okay, they're leaning 364 00:20:02,160 --> 00:20:04,240 Speaker 1: into it. They know this is a terrible thing to do, 365 00:20:04,320 --> 00:20:06,600 Speaker 1: and it kind of gets skipped over. But even then, 366 00:20:07,080 --> 00:20:11,880 Speaker 1: moments after that, when Ariana Grande is like screaming for Fiero, 367 00:20:12,119 --> 00:20:16,159 Speaker 1: even after she's acknowledged that he loves Alphaba, there is 368 00:20:16,320 --> 00:20:19,480 Speaker 1: magic in the way that those three all love each other. 369 00:20:19,520 --> 00:20:21,280 Speaker 1: And I'm gonna just say something. I know I was 370 00:20:21,280 --> 00:20:23,080 Speaker 1: saying it last night, so were other people in the 371 00:20:23,080 --> 00:20:25,560 Speaker 1: theater when we watched it, but like on Monday Night, 372 00:20:25,560 --> 00:20:28,960 Speaker 1: I should say. But also guys, like the chemistry between 373 00:20:29,000 --> 00:20:33,359 Speaker 1: Arianna and Cynthia is so good that for it seems dumb. 374 00:20:33,520 --> 00:20:36,000 Speaker 1: Like there were guys coming out who are never usually 375 00:20:36,040 --> 00:20:38,320 Speaker 1: the make it gay kind of guys, who were like, okay, 376 00:20:38,359 --> 00:20:40,399 Speaker 1: but they were shooting it like they were gonna kiss, 377 00:20:40,760 --> 00:20:43,199 Speaker 1: Like the final moments are for good. They shoot it 378 00:20:43,240 --> 00:20:46,920 Speaker 1: so their faces look really close together, and they they 379 00:20:47,080 --> 00:20:49,800 Speaker 1: very much. But I'm just like even a cheek kiss. 380 00:20:50,040 --> 00:20:52,600 Speaker 1: There is a German staging where they do kiss and 381 00:20:52,640 --> 00:20:54,959 Speaker 1: they use the same dance from that staging. When they 382 00:20:54,960 --> 00:20:57,320 Speaker 1: did the Osdusk Ball, they used certain movements, so people 383 00:20:57,320 --> 00:20:59,800 Speaker 1: were hoping, I don't and as we know in the book, 384 00:21:00,040 --> 00:21:03,160 Speaker 1: book is very queer. There's all different kinds of relationships 385 00:21:03,160 --> 00:21:05,760 Speaker 1: in it, so I didn't expect them to come out 386 00:21:05,800 --> 00:21:07,919 Speaker 1: and be like they're gay. But I do think that 387 00:21:08,200 --> 00:21:12,000 Speaker 1: they missed out on just how fantastic that casting was 388 00:21:12,280 --> 00:21:14,040 Speaker 1: to mix it up a little bit and make it 389 00:21:14,080 --> 00:21:17,960 Speaker 1: more obviously a thropple an a a three kind of 390 00:21:18,080 --> 00:21:21,200 Speaker 1: way romance, because I think that that is actually one 391 00:21:21,200 --> 00:21:23,480 Speaker 1: of the things that made the first movie so good 392 00:21:24,119 --> 00:21:28,760 Speaker 1: is that main trio of casting because honestly, they all 393 00:21:28,760 --> 00:21:31,879 Speaker 1: seem kind of gay and that works for me in 394 00:21:31,920 --> 00:21:33,959 Speaker 1: that version. Now, guys, before we leave, I could talk 395 00:21:34,000 --> 00:21:36,679 Speaker 1: to you about this all day. I do want to 396 00:21:36,760 --> 00:21:40,960 Speaker 1: grab some box office predictions from you, guys, because the 397 00:21:40,960 --> 00:21:43,440 Speaker 1: first movie was a smash it. Amelia, what do you 398 00:21:43,480 --> 00:21:46,560 Speaker 1: think the opening domestic for Wicked for Good is going 399 00:21:46,600 --> 00:21:47,959 Speaker 1: to be? Do you think it's still gonna have a 400 00:21:48,000 --> 00:21:50,520 Speaker 1: massive opening weekend with a drop off? What's your thoughts? 401 00:21:51,040 --> 00:21:53,679 Speaker 5: Oh, yeah, it's it's still It's still gonna blow the 402 00:21:53,720 --> 00:21:59,159 Speaker 5: roof off. It doesn't matter that it's worse. People just 403 00:21:59,600 --> 00:22:02,120 Speaker 5: people just want to see these three together. People are 404 00:22:02,119 --> 00:22:07,280 Speaker 5: going to be very disappointed because everybody's separate, like it's 405 00:22:07,760 --> 00:22:11,320 Speaker 5: but like I think the conversations around it are are 406 00:22:11,359 --> 00:22:14,199 Speaker 5: what's going to spark that intrigue. Like, for example, I 407 00:22:14,320 --> 00:22:16,880 Speaker 5: fall between the two of you in the in the 408 00:22:17,040 --> 00:22:20,480 Speaker 5: chemistry situation, Like listen, as Long as Your Mind is 409 00:22:20,480 --> 00:22:22,520 Speaker 5: one of the best songs. I love it so much, 410 00:22:24,400 --> 00:22:27,080 Speaker 5: and I do agree with you, Rosie that those two 411 00:22:27,160 --> 00:22:30,800 Speaker 5: people have so much chemistry and once they get rolling, 412 00:22:31,000 --> 00:22:35,920 Speaker 5: it's believable. But they just start the song and then 413 00:22:36,000 --> 00:22:41,760 Speaker 5: start peeling off their clothes and it's so word at first, 414 00:22:42,640 --> 00:22:43,800 Speaker 5: I need a little four play. 415 00:22:44,720 --> 00:22:45,960 Speaker 2: It should have led up to a kiss. 416 00:22:46,000 --> 00:22:51,920 Speaker 6: It makes no sense, but I love you both office numbers, right, Yeah, 417 00:22:52,960 --> 00:22:56,080 Speaker 6: That's what I'm saying, is like that that intrigue of 418 00:22:56,200 --> 00:22:58,959 Speaker 6: like that conversation around like I don't know that was 419 00:22:59,000 --> 00:22:59,600 Speaker 6: so weird. 420 00:23:00,040 --> 00:23:01,919 Speaker 5: People want to see that for themselves. They want to 421 00:23:02,119 --> 00:23:05,200 Speaker 5: like they want to know, like what's going on here? 422 00:23:05,240 --> 00:23:07,320 Speaker 5: Because I believe all of these people have this level 423 00:23:07,320 --> 00:23:09,800 Speaker 5: of chemistry and so like what went wrong there? 424 00:23:09,840 --> 00:23:14,760 Speaker 3: Again? Cancer for play, let's have some. But but I. 425 00:23:14,640 --> 00:23:18,040 Speaker 5: Think I think it's going to be twofold in a 426 00:23:18,560 --> 00:23:20,879 Speaker 5: people are going to show up for this, regardless whether 427 00:23:21,000 --> 00:23:26,960 Speaker 5: that's right or wrong. Bu there are aspects that critics 428 00:23:27,119 --> 00:23:31,879 Speaker 5: and like people like us are are dissecting that that 429 00:23:31,960 --> 00:23:35,159 Speaker 5: they want to know more about. Tell me about this awkwardness, 430 00:23:35,200 --> 00:23:37,800 Speaker 5: tell me about this ending, like it can't possibly be 431 00:23:37,880 --> 00:23:38,240 Speaker 5: that bad. 432 00:23:38,359 --> 00:23:38,920 Speaker 1: It can. 433 00:23:40,760 --> 00:23:43,600 Speaker 3: Like those those moments are like a people, Well. 434 00:23:43,520 --> 00:23:45,840 Speaker 5: Now I'm curious and I have to know more about it, 435 00:23:45,880 --> 00:23:48,000 Speaker 5: whether it's good or bad. So I still think it's 436 00:23:48,000 --> 00:23:49,480 Speaker 5: going to blow the roof off. It might even be 437 00:23:49,640 --> 00:23:52,160 Speaker 5: the last one who can say Joe out any. 438 00:23:52,240 --> 00:23:58,359 Speaker 4: Forty thousand dollars opening weekend, shorter tail than fifty fifty 439 00:23:58,400 --> 00:24:02,639 Speaker 4: million opening weekend, and then a shorter tail than the 440 00:24:02,680 --> 00:24:03,360 Speaker 4: original had. 441 00:24:03,440 --> 00:24:06,080 Speaker 2: I just don't think the reason. 442 00:24:05,960 --> 00:24:08,399 Speaker 1: I need to give you a reality check. I love you. 443 00:24:08,520 --> 00:24:10,280 Speaker 1: The first movie opens like one hundred and sixty. I 444 00:24:10,320 --> 00:24:13,720 Speaker 1: don't think there's no way. I don't there's no way 445 00:24:13,760 --> 00:24:17,400 Speaker 1: it's doing fifty. It's easily over one hundred. I think 446 00:24:17,400 --> 00:24:19,280 Speaker 1: it could open to two and have like an eighty 447 00:24:19,320 --> 00:24:22,880 Speaker 1: percent drop off. But I also think that they are 448 00:24:22,920 --> 00:24:26,560 Speaker 1: doing double bills, and I do think if I was universal, 449 00:24:26,840 --> 00:24:30,200 Speaker 1: I would have encouraged or offered to basically every press 450 00:24:30,480 --> 00:24:32,320 Speaker 1: come and see it as part of a double bill, 451 00:24:32,600 --> 00:24:35,320 Speaker 1: because I actually am very interested to watch the two 452 00:24:35,320 --> 00:24:37,239 Speaker 1: of them together, because I think the second act will 453 00:24:37,280 --> 00:24:39,679 Speaker 1: be complimentary to the first act, as it is in 454 00:24:39,720 --> 00:24:42,040 Speaker 1: the play. I'm going for a round. I think it 455 00:24:42,040 --> 00:24:44,440 Speaker 1: could be anywhere between like one hundred and forty to 456 00:24:44,480 --> 00:24:48,000 Speaker 1: two hundred, depending on how much critics impact it, and 457 00:24:48,080 --> 00:24:50,600 Speaker 1: I don't think that will be much. But I do 458 00:24:50,640 --> 00:24:53,000 Speaker 1: think it's not gonna have as long legs, like you said, Joelle, 459 00:24:53,040 --> 00:24:56,879 Speaker 1: because a lot of the longer legs came from Oscar 460 00:24:56,960 --> 00:24:59,480 Speaker 1: people from people who like those girls are not getting 461 00:24:59,480 --> 00:25:01,800 Speaker 1: their oscars. This movie and the new songs are not 462 00:25:01,800 --> 00:25:06,560 Speaker 1: getting Oscar noms. Golden is gonna win, obviously. Yeah. An 463 00:25:06,600 --> 00:25:11,720 Speaker 1: interesting an interesting end or not end, because I will 464 00:25:11,720 --> 00:25:13,960 Speaker 1: say one of the big reasons in this you can 465 00:25:14,040 --> 00:25:18,560 Speaker 1: blame on corporate cynicism that this movie had the ending 466 00:25:18,560 --> 00:25:21,840 Speaker 1: it did and actually even expanded out the happy ending 467 00:25:21,920 --> 00:25:24,720 Speaker 1: from the movie is because there will be a Wicked 468 00:25:24,720 --> 00:25:27,919 Speaker 1: three and Ariana Grane is already talking about it, already 469 00:25:27,920 --> 00:25:30,160 Speaker 1: teasing it. They do not want to give up this movie, 470 00:25:30,160 --> 00:25:31,880 Speaker 1: so let's see if it makes enough money for them 471 00:25:32,040 --> 00:25:34,440 Speaker 1: to try and expand because Amelia, as you've said, if 472 00:25:34,440 --> 00:25:36,920 Speaker 1: they keep taking from the gregory stuff, there's no way 473 00:25:36,920 --> 00:25:39,880 Speaker 1: they can keep it being Pg. Thirteen and keep these 474 00:25:39,960 --> 00:25:43,800 Speaker 1: hooks in people. So I'm interested to see what happened next. 475 00:25:43,880 --> 00:25:46,800 Speaker 1: Definitely a mixed bag, but yes, Wicked for good. It's 476 00:25:46,840 --> 00:25:49,400 Speaker 1: out this weekend, and I agree with you, Amelia Discourse 477 00:25:49,520 --> 00:25:55,159 Speaker 1: Havers will enjoy this movie. Yeah, let's go to a 478 00:25:55,200 --> 00:25:57,640 Speaker 1: quick ad break. Joelle, thank you so much for joining us. 479 00:25:57,840 --> 00:25:59,840 Speaker 1: We appreciate you, and then we. 480 00:25:59,800 --> 00:26:12,320 Speaker 7: Will go straight in to the mighty nine and. 481 00:26:18,280 --> 00:26:21,720 Speaker 1: We're back, and I've joined once again by Amelia. Amelia, 482 00:26:21,760 --> 00:26:26,840 Speaker 1: thanks for sticking around for a completely different magical world. 483 00:26:27,600 --> 00:26:31,800 Speaker 1: So if you guys haven't watched Fox Marketerer or The 484 00:26:31,880 --> 00:26:34,840 Speaker 1: mighty nine, we are going to be digging in with 485 00:26:35,000 --> 00:26:40,520 Speaker 1: Amelia Embowing, one of the foremost Mighty nine and legend 486 00:26:40,600 --> 00:26:45,520 Speaker 1: of Fox Marketer hosts and writers who recently actually hosted 487 00:26:45,720 --> 00:26:51,000 Speaker 1: the mighty nine NYCC panel to launch the show. Amelia 488 00:26:51,160 --> 00:26:53,680 Speaker 1: is an incredible host who was an editor at IGN. 489 00:26:53,760 --> 00:26:55,879 Speaker 1: She was my editor. She was also my editor at 490 00:26:55,880 --> 00:26:58,520 Speaker 1: What to Watch. She's also a brilliant writer with credits 491 00:26:58,520 --> 00:27:03,760 Speaker 1: at DC Comics, Nerdiced and many more. And she has 492 00:27:03,760 --> 00:27:11,360 Speaker 1: built an incredible relationship with the creatives behind these two 493 00:27:11,400 --> 00:27:16,919 Speaker 1: fantastic animated questing shows that have been a huge smash 494 00:27:16,960 --> 00:27:19,359 Speaker 1: on Amazon Prime. So, Melia, could you tell us a 495 00:27:19,400 --> 00:27:23,080 Speaker 1: little bit about how you started that relationship and what 496 00:27:23,119 --> 00:27:24,800 Speaker 1: your journey to Critical World was. 497 00:27:25,359 --> 00:27:29,240 Speaker 5: Well, like, it's obviously this world is so intrinsically rooted 498 00:27:29,280 --> 00:27:29,800 Speaker 5: in D and D. 499 00:27:30,600 --> 00:27:35,680 Speaker 3: I don't play D and D. So my first. 500 00:27:35,320 --> 00:27:38,400 Speaker 5: Introduction was the legend of ox Machina, which I think 501 00:27:38,480 --> 00:27:41,320 Speaker 5: is so remarkable. You know, I love me and misfits story, 502 00:27:41,440 --> 00:27:46,120 Speaker 5: and that's very much the energy here. And then beyond that, 503 00:27:47,720 --> 00:27:51,480 Speaker 5: like obviously I started doing more and more interviews with 504 00:27:51,520 --> 00:27:52,640 Speaker 5: them and just. 505 00:27:52,600 --> 00:27:54,240 Speaker 3: Sort of built a rapport with the cast. 506 00:27:55,240 --> 00:27:59,280 Speaker 5: Part of that was possible because the woman who gave 507 00:27:59,320 --> 00:28:02,560 Speaker 5: me my start in this industry as a whole back 508 00:28:02,600 --> 00:28:07,840 Speaker 5: in the Amy Poehler Smart Girls days was Rachel Romero, 509 00:28:08,000 --> 00:28:11,040 Speaker 5: who was there one of their directors, like one of 510 00:28:11,080 --> 00:28:14,880 Speaker 5: their like she can't remember her exact title, but she like. 511 00:28:15,119 --> 00:28:16,840 Speaker 3: It was marketing pr something like that. 512 00:28:18,640 --> 00:28:23,879 Speaker 5: We reconnected throughout that process, and and you know, I 513 00:28:24,280 --> 00:28:26,480 Speaker 5: spoke to the cast more, and now we're at a 514 00:28:26,520 --> 00:28:28,879 Speaker 5: point where, like we we just have a really good rapport, 515 00:28:28,960 --> 00:28:31,760 Speaker 5: so it's really easy to work together or or build 516 00:28:31,800 --> 00:28:37,240 Speaker 5: good segments around around that. So far as New York 517 00:28:37,280 --> 00:28:41,480 Speaker 5: Comic Con is concerned, Like I am endlessly so thankful 518 00:28:41,520 --> 00:28:45,880 Speaker 5: that they allow me to participate as a teeny tiny 519 00:28:45,960 --> 00:28:46,920 Speaker 5: part of their world. 520 00:28:48,320 --> 00:28:50,440 Speaker 3: Obviously on that one, I'm I'm just a conduit. 521 00:28:50,520 --> 00:28:55,120 Speaker 5: I'm just there asking the questions to to to give them. 522 00:28:55,800 --> 00:28:59,560 Speaker 5: You know, the platform seems like the wrong word because 523 00:28:59,560 --> 00:29:01,520 Speaker 5: they wouldn't ever need me for a platform, But like 524 00:29:01,600 --> 00:29:03,000 Speaker 5: you understand, like I'm there. 525 00:29:03,560 --> 00:29:08,920 Speaker 1: Moderation is about helping have the best conversation. Do that, 526 00:29:08,960 --> 00:29:11,239 Speaker 1: but you are actually great at so yeah, it is 527 00:29:11,320 --> 00:29:13,959 Speaker 1: like being a vote. It's kind of like being like 528 00:29:14,000 --> 00:29:16,600 Speaker 1: you said, you're just that to help them share the 529 00:29:16,640 --> 00:29:17,240 Speaker 1: best stuff. 530 00:29:17,800 --> 00:29:20,600 Speaker 5: Yeah, Like there's so I always talk about the difference 531 00:29:20,600 --> 00:29:23,600 Speaker 5: between like being a moderator and doing an interview, like 532 00:29:23,640 --> 00:29:25,880 Speaker 5: those are two different things. When you're a moderator, I'm 533 00:29:25,920 --> 00:29:28,680 Speaker 5: there to make them look good. I am there to 534 00:29:28,680 --> 00:29:32,240 Speaker 5: to act as a act as a conduit between them 535 00:29:32,240 --> 00:29:35,800 Speaker 5: and the audience. And like for me, as somebody who 536 00:29:38,360 --> 00:29:41,000 Speaker 5: doesn't play D and D and is broadly just in 537 00:29:41,040 --> 00:29:46,560 Speaker 5: love with these shows, I like, I like to come 538 00:29:46,560 --> 00:29:48,480 Speaker 5: at it from that perspective because I think something that 539 00:29:48,520 --> 00:29:54,040 Speaker 5: has really helped me in this journey and like getting 540 00:29:54,040 --> 00:29:56,840 Speaker 5: to know Critical Role better is understanding that I will 541 00:29:56,920 --> 00:30:02,040 Speaker 5: never know more about this world than critters do. And 542 00:30:02,120 --> 00:30:04,560 Speaker 5: so like obviously we come to the other things that 543 00:30:04,560 --> 00:30:09,240 Speaker 5: we cover as not no walls, but like these these 544 00:30:09,320 --> 00:30:12,280 Speaker 5: experts who know, like I know more about Lord of 545 00:30:12,280 --> 00:30:14,880 Speaker 5: the Rings and the general audience member, I can provide 546 00:30:15,040 --> 00:30:19,280 Speaker 5: a service to the audience in that regard. But when 547 00:30:19,280 --> 00:30:24,040 Speaker 5: it comes to Critical Role, it really challenged me to 548 00:30:24,800 --> 00:30:28,360 Speaker 5: change the way that I come at coverage through the 549 00:30:28,360 --> 00:30:33,520 Speaker 5: way I interview stuff like that, because there's no question 550 00:30:33,680 --> 00:30:37,040 Speaker 5: that I'm asking that critters don't already know the answer to. 551 00:30:37,760 --> 00:30:39,880 Speaker 3: So that helped me change the. 552 00:30:39,840 --> 00:30:43,440 Speaker 5: Way that we discuss, discuss all of it, the way 553 00:30:43,720 --> 00:30:46,080 Speaker 5: the way I interview with them, the way I moderate 554 00:30:46,120 --> 00:30:46,920 Speaker 5: with them, et cetera. 555 00:30:47,400 --> 00:30:51,120 Speaker 1: If you're going to pitch the Legend of Volksmakana to 556 00:30:51,160 --> 00:30:54,600 Speaker 1: someone who's never watched it, because it has been a 557 00:30:54,640 --> 00:30:58,320 Speaker 1: way more accessible hit than I think probably even Amazon realized, 558 00:30:58,360 --> 00:31:01,800 Speaker 1: there's a huge imbount base, like you said, so obviously 559 00:31:01,840 --> 00:31:04,040 Speaker 1: it's a smart bet to walk with them. But I 560 00:31:04,160 --> 00:31:06,240 Speaker 1: found so many people who'd never played D and D 561 00:31:06,400 --> 00:31:09,040 Speaker 1: who loved this show. So if somebody hasn't listened to 562 00:31:09,080 --> 00:31:11,160 Speaker 1: Vox Macana doesn't know what they're getting into with the 563 00:31:11,240 --> 00:31:14,480 Speaker 1: Mighty Nine, what would be your pitch on the shows? 564 00:31:15,840 --> 00:31:18,960 Speaker 3: So first and foremost, it's so so critical. 565 00:31:19,320 --> 00:31:26,960 Speaker 5: Yeah, it's so very important to know that Mighty nine 566 00:31:26,960 --> 00:31:29,520 Speaker 5: and the Legend of Box Machina are completely different stories. 567 00:31:29,800 --> 00:31:33,959 Speaker 5: By design, all of these characters are very different, so 568 00:31:35,360 --> 00:31:41,480 Speaker 5: they're all they're all lovable misfits, but in in the 569 00:31:41,560 --> 00:31:47,840 Speaker 5: legend of Vox Macina, they're they're outcasts. In the mighty nine, 570 00:31:48,200 --> 00:31:54,080 Speaker 5: they're all very much anti heroes, like they're There's there's. 571 00:31:53,880 --> 00:31:57,040 Speaker 3: Some moral ambiguity in the legend of Vox Machina, but. 572 00:31:57,120 --> 00:32:01,360 Speaker 5: Mostly they are beloved goofy fuck ups that have been 573 00:32:02,320 --> 00:32:08,280 Speaker 5: ostracized for one reason or another. Vexenbax have like are 574 00:32:08,360 --> 00:32:12,440 Speaker 5: are distanced from their father. Keelith is constantly trying to 575 00:32:12,600 --> 00:32:19,640 Speaker 5: prove herself. Pike is like trying to like constantly reckoning 576 00:32:19,680 --> 00:32:24,720 Speaker 5: with her faith. Scanlon is in this go between of 577 00:32:24,880 --> 00:32:28,280 Speaker 5: I want desperately to be loved and to love, but 578 00:32:28,520 --> 00:32:31,600 Speaker 5: I'm afraid to have that or lose that, So I'm 579 00:32:31,680 --> 00:32:35,720 Speaker 5: just going to be a goofy goober, you know, all 580 00:32:35,760 --> 00:32:41,080 Speaker 5: of these things, and in critical or Sorry. In the 581 00:32:41,120 --> 00:32:43,400 Speaker 5: legend of Oxmakna, all of them sort of add their 582 00:32:43,440 --> 00:32:45,280 Speaker 5: comic relief at different moments of time. 583 00:32:47,000 --> 00:32:49,280 Speaker 3: In the ninety nine, that'll be a little bit different, 584 00:32:49,720 --> 00:32:50,680 Speaker 3: not entirely. 585 00:32:50,800 --> 00:32:53,920 Speaker 5: All of these characters are funny in different ways, but 586 00:32:54,080 --> 00:32:58,400 Speaker 5: maybe more snarky than goofy, or maybe just more dead 587 00:32:58,480 --> 00:33:04,080 Speaker 5: pan than silly. It is intentionally a much more difficult 588 00:33:04,120 --> 00:33:07,600 Speaker 5: story I think Nerdiced was the one who went with 589 00:33:07,640 --> 00:33:10,280 Speaker 5: the headline of mighty nine is all dungeons. 590 00:33:09,880 --> 00:33:12,560 Speaker 3: No dragons. That's very much true. 591 00:33:12,760 --> 00:33:16,080 Speaker 5: Vox Machina is very rooted, like it's it's very much 592 00:33:16,080 --> 00:33:19,440 Speaker 5: a dragon story. There are like that's you're going against 593 00:33:19,440 --> 00:33:21,960 Speaker 5: the Chroma Conclave. That is a huge aspect of all 594 00:33:22,000 --> 00:33:28,640 Speaker 5: of this in this overarching story in mighty nine, it's 595 00:33:28,720 --> 00:33:32,720 Speaker 5: it's different. It's it's still got so much magic, but 596 00:33:32,800 --> 00:33:36,760 Speaker 5: it's it's more ground level than you might think. And 597 00:33:36,800 --> 00:33:40,120 Speaker 5: none of that is derogatory. It's just really important that 598 00:33:40,160 --> 00:33:44,240 Speaker 5: people understand that they're coming into a story that is, yes, 599 00:33:44,320 --> 00:33:50,080 Speaker 5: a part of Xandria, but also also like it's grittier. 600 00:33:50,520 --> 00:33:53,560 Speaker 5: I've used that several times throughout this conversation, but like 601 00:33:53,640 --> 00:33:56,720 Speaker 5: that's that's a great explanation for it is like it's 602 00:33:56,800 --> 00:33:58,280 Speaker 5: it's more down in the dirt. 603 00:33:58,360 --> 00:34:03,120 Speaker 3: It's it's more these people, these people deserve to be 604 00:34:03,200 --> 00:34:06,640 Speaker 3: loved and are lovable, but they are not lovable. 605 00:34:06,280 --> 00:34:09,640 Speaker 5: Misfits, if that makes sense. They are they are people 606 00:34:10,320 --> 00:34:12,920 Speaker 5: going across their journeys. And I think Travis is the 607 00:34:12,960 --> 00:34:14,719 Speaker 5: one who brings this up a lot because it is 608 00:34:14,760 --> 00:34:17,120 Speaker 5: really important to know with Vox Makana, we start with 609 00:34:17,160 --> 00:34:21,239 Speaker 5: the team already together. They're already connected, they already have 610 00:34:21,360 --> 00:34:25,200 Speaker 5: their own little backstories and and that sort of connection. 611 00:34:25,320 --> 00:34:27,120 Speaker 5: In mightighty nine, that is not the case. We are 612 00:34:27,160 --> 00:34:35,600 Speaker 5: watching these people come together, and that journey will be bumpy, 613 00:34:36,920 --> 00:34:40,319 Speaker 5: like not in Caleb's sort of immediately come together, even 614 00:34:40,360 --> 00:34:44,440 Speaker 5: though there's a will they like, will she turn against him? 615 00:34:44,520 --> 00:34:47,000 Speaker 5: Won't she turn against him? That pretty much get the 616 00:34:47,040 --> 00:34:53,719 Speaker 5: episodes are out today, the episode check that it gets 617 00:34:53,760 --> 00:34:56,080 Speaker 5: resolved by the time we get to the other side 618 00:34:56,080 --> 00:35:00,480 Speaker 5: of this, this first batch of episodes. But you know, 619 00:35:00,480 --> 00:35:06,520 Speaker 5: there's always that question, you know, we we we get 620 00:35:07,120 --> 00:35:10,040 Speaker 5: we get them coming together at different points, which I 621 00:35:10,040 --> 00:35:12,560 Speaker 5: think is really important that they released these first three 622 00:35:12,560 --> 00:35:17,080 Speaker 5: because people who go in not knowing that these people 623 00:35:17,080 --> 00:35:19,680 Speaker 5: are not starting together, like it's very important so that 624 00:35:19,719 --> 00:35:20,840 Speaker 5: they get to the other side. 625 00:35:21,320 --> 00:35:22,640 Speaker 3: And all of these are. 626 00:35:22,560 --> 00:35:25,880 Speaker 1: Our well almost our Yeah, they're like. 627 00:35:26,040 --> 00:35:28,920 Speaker 5: They're in the forty to fifty minute range rather than 628 00:35:28,920 --> 00:35:33,200 Speaker 5: the twenty to thirty. So these are longer, deeper, more 629 00:35:33,280 --> 00:35:36,919 Speaker 5: complex stories with a with a deeper darkness to them 630 00:35:37,360 --> 00:35:40,760 Speaker 5: than Vox Machina does. 631 00:35:41,040 --> 00:35:42,879 Speaker 1: And I would say is and this is set twenty 632 00:35:42,960 --> 00:35:45,839 Speaker 1: years off the Volksmakina, Right, it's like I mean, it's 633 00:35:45,880 --> 00:35:50,080 Speaker 1: like a it's like same well, different timeline. Because one 634 00:35:50,080 --> 00:35:52,239 Speaker 1: of the coolest things about the show, and one of 635 00:35:52,239 --> 00:35:53,800 Speaker 1: the things that I think has drawn so many people 636 00:35:53,800 --> 00:35:57,040 Speaker 1: to it is the original cost of Cret Coral will 637 00:35:57,080 --> 00:35:59,799 Speaker 1: come back and do the voice acting right, So it 638 00:35:59,880 --> 00:36:02,720 Speaker 1: is really it's a crazy cast. You have your big 639 00:36:03,239 --> 00:36:06,880 Speaker 1: Vox Marketer people like Travis and Sam, but you also 640 00:36:07,000 --> 00:36:11,520 Speaker 1: have Ashley Johnson, you have Laura Bailey, Talis and Jaffy 641 00:36:11,840 --> 00:36:14,799 Speaker 1: like that, who is another critical role guy. So they 642 00:36:14,960 --> 00:36:20,000 Speaker 1: really do a fantastic job at of bringing in iconic 643 00:36:20,080 --> 00:36:23,520 Speaker 1: voice acting talent. But also in this season we get 644 00:36:23,840 --> 00:36:26,799 Speaker 1: Lucy Lou so they're also kind of broadening with the 645 00:36:26,840 --> 00:36:31,279 Speaker 1: popularity who we get to hear in the show. This 646 00:36:31,360 --> 00:36:33,399 Speaker 1: is in my opinion, and I worked on a piece 647 00:36:33,440 --> 00:36:35,799 Speaker 1: with you when you're still at IGN. We did a 648 00:36:35,840 --> 00:36:38,840 Speaker 1: state of animation piece. Vox Markner and maighty nine are 649 00:36:38,880 --> 00:36:42,320 Speaker 1: a big reason I think that adults are in America 650 00:36:42,400 --> 00:36:46,799 Speaker 1: are embracing animation. So if we have listeners who have 651 00:36:46,920 --> 00:36:49,480 Speaker 1: yet to take that step and still think about Disney 652 00:36:49,560 --> 00:36:52,600 Speaker 1: or still think about kid stuff, how would you describe 653 00:36:52,680 --> 00:36:56,600 Speaker 1: the kind of visual landscape of these shows, because they 654 00:36:56,600 --> 00:37:00,880 Speaker 1: are actually incredibly brutal and bloody, and but the animation 655 00:37:01,000 --> 00:37:01,600 Speaker 1: is stunning. 656 00:37:02,239 --> 00:37:06,640 Speaker 5: Yeah, uh tit mouse is is so exceptional as an 657 00:37:06,640 --> 00:37:11,719 Speaker 5: animation studio. Obviously, there is so much depth to both 658 00:37:11,760 --> 00:37:15,719 Speaker 5: Box Machina and Mighty nine, but they are also just 659 00:37:16,280 --> 00:37:21,359 Speaker 5: visually beautiful and taking it a step beyond that. The 660 00:37:21,520 --> 00:37:30,000 Speaker 5: sound design is so critical for that aforementioned like darkness 661 00:37:30,320 --> 00:37:33,320 Speaker 5: that you were discussing, like we watch people die tragically, 662 00:37:34,120 --> 00:37:37,839 Speaker 5: it will it will get worse in mighty nine, and 663 00:37:38,000 --> 00:37:39,040 Speaker 5: like so much of. 664 00:37:38,920 --> 00:37:41,400 Speaker 3: That is is. 665 00:37:41,000 --> 00:37:45,920 Speaker 5: Is not just in the core cast's performances, but it's 666 00:37:46,000 --> 00:37:50,560 Speaker 5: also in the way that the sound mixing comes through, 667 00:37:50,640 --> 00:37:53,799 Speaker 5: like the guttural noises, like the sounds that you make 668 00:37:54,040 --> 00:37:57,799 Speaker 5: as you die, Like it's not it's not fluffing those up, 669 00:37:57,920 --> 00:38:01,160 Speaker 5: it's not making it prettier, it's not make it more digestible. 670 00:38:03,000 --> 00:38:04,400 Speaker 3: Obviously, anime is in this. 671 00:38:04,719 --> 00:38:08,200 Speaker 5: Huge moment right now, and I would say to any 672 00:38:08,280 --> 00:38:11,040 Speaker 5: anime fan at all, like you're gonna love. 673 00:38:10,880 --> 00:38:12,759 Speaker 1: This, and also as well, I would say these are 674 00:38:12,760 --> 00:38:15,880 Speaker 1: two great in road shows for that because they also 675 00:38:16,560 --> 00:38:19,040 Speaker 1: stand apart from many of the other things that we 676 00:38:19,080 --> 00:38:22,399 Speaker 1: are watching at all times, which is homework shows. Now, 677 00:38:22,440 --> 00:38:24,759 Speaker 1: the good thing about both of these shows is if 678 00:38:24,760 --> 00:38:27,600 Speaker 1: you love them, you can go back and have hundreds 679 00:38:27,640 --> 00:38:33,279 Speaker 1: and hundreds of hours of incredible entertainment with these characters, 680 00:38:33,320 --> 00:38:35,600 Speaker 1: with these voices. But you do not have had to 681 00:38:35,680 --> 00:38:38,439 Speaker 1: enjoy any of that. In fact, you can just jump 682 00:38:38,480 --> 00:38:43,439 Speaker 1: into either of these as an action heavy, violent adult show. 683 00:38:43,640 --> 00:38:45,759 Speaker 1: If you are our listeners and you have listened to 684 00:38:46,360 --> 00:38:48,520 Speaker 1: watched Invincible, which I'm sure many of you have, and 685 00:38:48,600 --> 00:38:51,360 Speaker 1: have We've spoken about a lot of the highs and lows. 686 00:38:52,040 --> 00:38:56,240 Speaker 1: This is very akin in the notion of the ways 687 00:38:56,239 --> 00:38:58,880 Speaker 1: that it stretches the boundaries of what you expect to 688 00:38:59,080 --> 00:39:02,880 Speaker 1: see in an act animated series. So I'm really excited 689 00:39:03,239 --> 00:39:08,239 Speaker 1: for everyone to check this out. Amelia. Do you know 690 00:39:08,640 --> 00:39:12,600 Speaker 1: if this world is going to continue to grow as 691 00:39:13,840 --> 00:39:17,799 Speaker 1: the Critical Role success just continues to roll on. 692 00:39:18,840 --> 00:39:23,080 Speaker 5: I mean, so, I don't think Amazon's standing in their way, 693 00:39:23,080 --> 00:39:27,320 Speaker 5: because obviously they've ben a huge hip for them. I 694 00:39:27,360 --> 00:39:29,239 Speaker 5: would say that more sits on the shoulders of the 695 00:39:29,239 --> 00:39:31,279 Speaker 5: Critical Role team, like whether or not they want to 696 00:39:31,280 --> 00:39:35,759 Speaker 5: do that now mighty nine is doing, is doing two seasons. 697 00:39:35,480 --> 00:39:37,800 Speaker 3: Right off the bat, which we know already. 698 00:39:40,320 --> 00:39:44,080 Speaker 5: I don't see a reason why they would stop, especially 699 00:39:44,160 --> 00:39:47,120 Speaker 5: given their incredible partnership with Titmouse. You know, they love 700 00:39:47,400 --> 00:39:53,399 Speaker 5: they love working with those teams. I suspect that we 701 00:39:53,440 --> 00:39:59,200 Speaker 5: will see all of these campaigns in this form because 702 00:39:59,200 --> 00:40:05,279 Speaker 5: we're they're on four now. So I also, like, I 703 00:40:05,280 --> 00:40:10,879 Speaker 5: think it's so important that you mentioned the you don't 704 00:40:10,880 --> 00:40:14,080 Speaker 5: have to know all of this, all of this contact 705 00:40:14,760 --> 00:40:19,120 Speaker 5: that word uh to dive into this, because that's something 706 00:40:19,160 --> 00:40:21,960 Speaker 5: that that I talked to the cast about so much 707 00:40:22,120 --> 00:40:26,799 Speaker 5: in interviews is a you know, talk about why you 708 00:40:26,840 --> 00:40:29,239 Speaker 5: made this decision to make it accessible for everybody, but 709 00:40:29,360 --> 00:40:32,880 Speaker 5: be talk about how you've changed it. Because you mentioned Ashley, 710 00:40:33,000 --> 00:40:37,760 Speaker 5: and one of the remarkable things about both vox Manchina 711 00:40:38,200 --> 00:40:41,520 Speaker 5: and Mighty nine is that there were so many things 712 00:40:41,600 --> 00:40:46,160 Speaker 5: happening during during the recording of those original campaigns. You know, 713 00:40:46,280 --> 00:40:50,680 Speaker 5: Ashley and Laura kept getting pulled into acting gigs and 714 00:40:50,800 --> 00:40:54,120 Speaker 5: so or or life happened like travel, Laura had a baby. 715 00:40:54,360 --> 00:40:55,720 Speaker 3: Uh, you know, there were all. 716 00:40:55,600 --> 00:40:58,400 Speaker 5: Of these things that happened that meant that people couldn't 717 00:40:58,440 --> 00:40:59,760 Speaker 5: always be there to record. 718 00:41:00,480 --> 00:41:03,280 Speaker 3: And now that they're doing them. Now we get more 719 00:41:03,640 --> 00:41:05,200 Speaker 3: of those. 720 00:41:05,080 --> 00:41:09,439 Speaker 5: Characters, and the story is changing and evolving, and it's 721 00:41:09,480 --> 00:41:13,160 Speaker 5: still true to the original the original campaign, but there's 722 00:41:13,200 --> 00:41:15,879 Speaker 5: also more of it, or it's slightly different, or there's 723 00:41:16,400 --> 00:41:19,560 Speaker 5: there is always a surprise for even the critters who 724 00:41:19,600 --> 00:41:22,680 Speaker 5: know everything and the people who don't. And I think 725 00:41:23,400 --> 00:41:25,360 Speaker 5: to go back to your original point of whether or 726 00:41:25,400 --> 00:41:29,719 Speaker 5: not this will continue, Yes, so long as both parties 727 00:41:30,080 --> 00:41:33,040 Speaker 5: want to keep doing it. The audience eats it up 728 00:41:33,200 --> 00:41:37,040 Speaker 5: because there is something there for the hundreds of thousands 729 00:41:37,040 --> 00:41:40,960 Speaker 5: of critters and also the all of the new people 730 00:41:40,960 --> 00:41:43,359 Speaker 5: who come to the show without knowing anything, and that's 731 00:41:43,360 --> 00:41:46,279 Speaker 5: what's going to keep them fresh for literally as long 732 00:41:46,320 --> 00:41:48,080 Speaker 5: as they want to keep making these shows. 733 00:41:48,320 --> 00:41:51,560 Speaker 1: Yeah. Well, I'm very excited for everyone to see The 734 00:41:51,680 --> 00:41:55,040 Speaker 1: mighty nine. We were big fans of volks Makina when 735 00:41:55,040 --> 00:41:57,240 Speaker 1: it came out when we were doing X ray Vision 736 00:41:57,360 --> 00:42:00,040 Speaker 1: kind of early on in our career, and yeah, I 737 00:42:00,239 --> 00:42:02,840 Speaker 1: really excited for people to check this one out. Let 738 00:42:02,960 --> 00:42:04,759 Speaker 1: us know what you think about it in the discord, 739 00:42:04,800 --> 00:42:07,279 Speaker 1: and Amelia, thank you again for joining us with your 740 00:42:07,440 --> 00:42:10,920 Speaker 1: deep insights in the world of Voxmarkana in the mighty nine. 741 00:42:11,360 --> 00:42:13,160 Speaker 3: Thank you so much for having me and a great. 742 00:42:13,000 --> 00:42:32,200 Speaker 8: Time, and we're back and I am here with the 743 00:42:32,239 --> 00:42:35,000 Speaker 8: beautiful super producer Common Laurent. 744 00:42:35,239 --> 00:42:36,400 Speaker 1: How are you doing, babe? 745 00:42:36,960 --> 00:42:39,920 Speaker 9: I am doing so well. Thank you for having me 746 00:42:40,080 --> 00:42:43,239 Speaker 9: Hers so that we could talk about the fabulous meteor 747 00:42:43,400 --> 00:42:44,800 Speaker 9: Roids series. 748 00:42:45,160 --> 00:42:46,600 Speaker 1: Not the Meteoroid series. 749 00:42:46,640 --> 00:42:49,360 Speaker 10: That's how I started calling it earlier on Guys, and 750 00:42:49,400 --> 00:42:51,560 Speaker 10: then I almost called it that when I introduced the show, 751 00:42:51,680 --> 00:42:57,000 Speaker 10: but no, it's really called the Metroid prior series Metroid Okay, 752 00:42:57,000 --> 00:42:59,640 Speaker 10: So Common, I actually want to ask you, similar to 753 00:42:59,640 --> 00:43:01,200 Speaker 10: when I was speaking to the one full of Melia 754 00:43:01,239 --> 00:43:02,440 Speaker 10: who join us today. 755 00:43:03,280 --> 00:43:06,840 Speaker 1: What's your journey with Metroid because this is definitely a 756 00:43:06,880 --> 00:43:10,239 Speaker 1: franchise that you really love and in the leader to 757 00:43:10,320 --> 00:43:13,399 Speaker 1: Metroid Prime for coming out, it was your most anticipated game. 758 00:43:13,440 --> 00:43:14,400 Speaker 1: But we will get to that. 759 00:43:14,800 --> 00:43:17,480 Speaker 9: Yes, absolutely it was. We'll get to that. 760 00:43:18,560 --> 00:43:18,799 Speaker 2: Yeah. 761 00:43:18,920 --> 00:43:21,480 Speaker 9: I you know, as you as the listeners will know. 762 00:43:21,680 --> 00:43:25,520 Speaker 9: I am a huge fan of Alien. That is like 763 00:43:25,680 --> 00:43:30,360 Speaker 9: one of my favorite sci fi horror franchises, probably the 764 00:43:30,400 --> 00:43:33,440 Speaker 9: top one for me. And if you love Alien, you're 765 00:43:33,480 --> 00:43:37,920 Speaker 9: gonna love Metroid because what is Metroid inspired by Alien? 766 00:43:38,880 --> 00:43:42,320 Speaker 9: And so immediately once I realized those things as a kid. 767 00:43:42,600 --> 00:43:44,960 Speaker 9: I put that, you know, two and two together, and 768 00:43:45,000 --> 00:43:46,200 Speaker 9: I just remember thinking. 769 00:43:45,920 --> 00:43:47,160 Speaker 1: Like, oh, this is so cool. 770 00:43:47,480 --> 00:43:49,360 Speaker 9: I would be like, oh, did you know that the 771 00:43:50,719 --> 00:43:55,920 Speaker 9: monster in Metroid is called Ripley Ridley because that's the 772 00:43:56,160 --> 00:43:59,400 Speaker 9: character's name from Alien and it's an homage. And you know, 773 00:43:59,440 --> 00:44:03,400 Speaker 9: I love to really kind of lay those facts on people. 774 00:44:03,400 --> 00:44:04,920 Speaker 9: As a little nerdy child. 775 00:44:06,640 --> 00:44:08,759 Speaker 1: It's important for us to have those things that we 776 00:44:08,840 --> 00:44:11,680 Speaker 1: can nerd out about. You know, it shapes a lot 777 00:44:11,719 --> 00:44:14,760 Speaker 1: of our lives. That was like me in comic books. 778 00:44:14,760 --> 00:44:17,120 Speaker 1: You know, it's important to have those playground things where 779 00:44:17,120 --> 00:44:19,400 Speaker 1: you can be like, well, did you know? Did you know? 780 00:44:19,560 --> 00:44:22,040 Speaker 1: Absolutely so, I'm glad that was this for you. Do 781 00:44:22,080 --> 00:44:25,280 Speaker 1: you remember playing it for the first time and having 782 00:44:25,320 --> 00:44:29,160 Speaker 1: that realization at the end that she's a she's a 783 00:44:29,160 --> 00:44:29,720 Speaker 1: little girl. 784 00:44:30,400 --> 00:44:32,600 Speaker 9: Yes, I remember. 785 00:44:32,719 --> 00:44:33,080 Speaker 1: I was. 786 00:44:33,200 --> 00:44:38,760 Speaker 9: I was standing in my neighborhood target playing on a 787 00:44:38,800 --> 00:44:44,000 Speaker 9: little game Boy Advanced handheld demo and it was the 788 00:44:44,040 --> 00:44:48,560 Speaker 9: first game I played, was the Metroid Prime Fusion game, 789 00:44:48,600 --> 00:44:52,319 Speaker 9: which was the game Boy Advance game. And yeah, when 790 00:44:52,400 --> 00:44:56,759 Speaker 9: I died in the game, her suit falls off and 791 00:44:57,760 --> 00:45:00,760 Speaker 9: it's revealed, Oh my god, she's a bad a woman 792 00:45:00,920 --> 00:45:05,319 Speaker 9: who's kicking us over there and immediately fell in love 793 00:45:05,320 --> 00:45:08,239 Speaker 9: with the series from there. And yeah, so I have 794 00:45:08,440 --> 00:45:14,480 Speaker 9: followed the franchise through lots of different gaming systems, on 795 00:45:14,760 --> 00:45:23,040 Speaker 9: handheld and on console, and I was definitely really excited 796 00:45:23,239 --> 00:45:26,640 Speaker 9: for the lead up of the Metroid Prime for it's 797 00:45:26,719 --> 00:45:29,920 Speaker 9: taken a long time actually since the game. 798 00:45:30,080 --> 00:45:33,720 Speaker 1: Was gonna say it's not been great. 799 00:45:34,160 --> 00:45:38,040 Speaker 9: Yeah, there's been a rocky road in terms of production, 800 00:45:38,640 --> 00:45:43,440 Speaker 9: and so that's always worrisome. You know. I started to 801 00:45:43,480 --> 00:45:45,319 Speaker 9: think at one point that we were never even going 802 00:45:45,360 --> 00:45:47,879 Speaker 9: to see the game like that they were just going 803 00:45:47,920 --> 00:45:51,239 Speaker 9: to like, I hope that we had forgotten about it 804 00:45:51,239 --> 00:45:51,920 Speaker 9: and brush it. 805 00:45:52,440 --> 00:45:54,600 Speaker 1: I feel like that for a little bit. I'm not 806 00:45:54,719 --> 00:45:58,319 Speaker 1: gonna lie. There was a moment and I mean it 807 00:45:58,440 --> 00:46:01,320 Speaker 1: was like scraped. It was started. 808 00:46:02,040 --> 00:46:05,359 Speaker 9: We started with retro the original studio because m Yeah, 809 00:46:05,400 --> 00:46:10,360 Speaker 9: so it had a multiple like starting and stopping moments there. 810 00:46:10,400 --> 00:46:15,319 Speaker 9: So that's always worrisome. We see last what was it 811 00:46:15,320 --> 00:46:17,719 Speaker 9: earlier this year, we see the first teaser trailer and 812 00:46:18,160 --> 00:46:21,320 Speaker 9: you know, I'm excited to see Samus in a purple suit. 813 00:46:21,560 --> 00:46:23,759 Speaker 9: Excited about that. I'm not gonna lie, and she's got 814 00:46:23,760 --> 00:46:24,960 Speaker 9: a motorcycle. 815 00:46:24,600 --> 00:46:26,960 Speaker 1: Big question I want to ask you, Yeah, how do 816 00:46:27,040 --> 00:46:31,640 Speaker 1: you feel about Metroid not being a two D side scroller? 817 00:46:31,920 --> 00:46:34,880 Speaker 1: Because there's some games that I think can evolve past that. 818 00:46:35,440 --> 00:46:37,960 Speaker 1: But as someone who grew up playing a lot of platformers, 819 00:46:38,360 --> 00:46:41,200 Speaker 1: I really struggled when they made you know, a shut 820 00:46:41,200 --> 00:46:43,680 Speaker 1: over the Hedgehog and suddenly it was a third person 821 00:46:44,120 --> 00:46:46,680 Speaker 1: like you're following someone through a three D world, Like 822 00:46:46,760 --> 00:46:49,560 Speaker 1: I missed the platform and nature and the side scrolling 823 00:46:49,640 --> 00:46:51,880 Speaker 1: nature of it. Of course that has evolved. How do 824 00:46:52,000 --> 00:46:54,880 Speaker 1: you feel, which I mean, obviously this is a character 825 00:46:54,920 --> 00:46:57,960 Speaker 1: I think can definitely successfully exist outside of that, the 826 00:46:58,080 --> 00:47:00,600 Speaker 1: Metroid four is pushing it into an open and well 827 00:47:00,840 --> 00:47:03,240 Speaker 1: scenarios that really different. 828 00:47:03,840 --> 00:47:07,759 Speaker 9: Yes, yes, the Metroid Prime series is well loved, you know, 829 00:47:07,840 --> 00:47:12,319 Speaker 9: and and I do love the first Metroid Prime game 830 00:47:12,320 --> 00:47:16,680 Speaker 9: most especially is a very excellent Metroid game. I would 831 00:47:16,800 --> 00:47:21,200 Speaker 9: argue that it's like the only that particular first Metroid 832 00:47:21,239 --> 00:47:27,280 Speaker 9: Prime game is the only truly good first person shooter 833 00:47:28,560 --> 00:47:33,240 Speaker 9: of Metroid where it's in three D. The other games 834 00:47:33,280 --> 00:47:37,000 Speaker 9: are a little bit weaker. They don't really like establish 835 00:47:37,200 --> 00:47:41,200 Speaker 9: like the gameplay and the story enough to be really interesting. 836 00:47:41,880 --> 00:47:43,640 Speaker 9: And so when I heard that there was going to 837 00:47:43,680 --> 00:47:46,440 Speaker 9: be a fourth game. I was really excited, but yeah, 838 00:47:46,840 --> 00:47:49,399 Speaker 9: it is one of those I started thinking about it, 839 00:47:49,520 --> 00:47:51,840 Speaker 9: especially now that we've seen that it is going to 840 00:47:51,880 --> 00:47:54,680 Speaker 9: be open world. The open world to me, obviously, I'm 841 00:47:54,760 --> 00:47:56,719 Speaker 9: still I should preface all of this and say I'm 842 00:47:56,760 --> 00:47:59,359 Speaker 9: still going to buy this game and play it. Yeah, 843 00:47:59,440 --> 00:48:01,799 Speaker 9: it comes out because I am a die hard fan. 844 00:48:02,840 --> 00:48:06,279 Speaker 9: I played Metroid other M when that came out, which 845 00:48:06,360 --> 00:48:11,279 Speaker 9: was very controversial and a very bad game. So there 846 00:48:11,320 --> 00:48:13,160 Speaker 9: have been times too when it has been a two 847 00:48:13,200 --> 00:48:15,200 Speaker 9: D side scroller and it didn't work, and that is 848 00:48:15,239 --> 00:48:18,279 Speaker 9: an you know, Metrod other M is one example. But 849 00:48:18,640 --> 00:48:20,960 Speaker 9: for the most part, the franchise is a two D 850 00:48:21,360 --> 00:48:26,839 Speaker 9: side scroller game, platforming game, and I think, so far, 851 00:48:27,280 --> 00:48:32,600 Speaker 9: in my view, it excels best at that. Yeah, and that, 852 00:48:32,920 --> 00:48:36,040 Speaker 9: you know, most recently we had Metroid Dread that came out, 853 00:48:36,239 --> 00:48:39,919 Speaker 9: which was a two D side scroller, very very good, 854 00:48:40,000 --> 00:48:45,160 Speaker 9: excellent game. But it's one of those franchises that I 855 00:48:45,200 --> 00:48:48,680 Speaker 9: think is tricky to figure out how to adapt into 856 00:48:48,800 --> 00:48:52,000 Speaker 9: a three D first person shooter style. 857 00:48:52,239 --> 00:48:56,080 Speaker 1: Yeah, I agree. So let me ask you some some 858 00:48:56,239 --> 00:48:59,600 Speaker 1: hot talking points about this game. There has been a 859 00:48:59,680 --> 00:49:05,680 Speaker 1: lot of controversy because there was kind of the first 860 00:49:05,760 --> 00:49:10,239 Speaker 1: gameplay impressions came out and this was published today by 861 00:49:10,280 --> 00:49:14,200 Speaker 1: polygon Y, and basically a lot of the talk was 862 00:49:14,200 --> 00:49:18,640 Speaker 1: about this character, Miles Mackenzie, who's this kind of Quippi 863 00:49:18,760 --> 00:49:23,360 Speaker 1: nerd from the Galactic Federation, and he's gonna be snapping 864 00:49:23,440 --> 00:49:26,920 Speaker 1: and chatting, and people are kind of freaking out because 865 00:49:27,200 --> 00:49:30,160 Speaker 1: a lot of the thing that and he's white guy, psychic, 866 00:49:30,600 --> 00:49:34,880 Speaker 1: and a lot of people are kind of confused because 867 00:49:35,600 --> 00:49:38,480 Speaker 1: some of the stuff that has made Metroids so iconic 868 00:49:38,800 --> 00:49:45,319 Speaker 1: is the quiet, the isolation, Samus's journey on herself. So 869 00:49:46,280 --> 00:49:50,040 Speaker 1: is there gonna be too much Federation law, is there 870 00:49:50,080 --> 00:49:53,560 Speaker 1: gonna be too many characters? Or do you think maybe 871 00:49:53,600 --> 00:49:57,840 Speaker 1: people are so worried? And actually this is just building 872 00:49:57,840 --> 00:50:00,200 Speaker 1: on kind of those little teasers that we got the 873 00:50:00,239 --> 00:50:03,719 Speaker 1: original screens talking about the Galactic Federation, Like does that 874 00:50:03,800 --> 00:50:07,279 Speaker 1: kind of stuff make you excited, worried or not at 875 00:50:07,280 --> 00:50:10,160 Speaker 1: all kind of impact your feelings about the game going 876 00:50:10,200 --> 00:50:11,640 Speaker 1: in As a lifelong fan. 877 00:50:12,120 --> 00:50:15,719 Speaker 9: No, I definitely agree that the game's One of the 878 00:50:15,719 --> 00:50:18,440 Speaker 9: core elements of the games is that they are happening 879 00:50:18,600 --> 00:50:23,960 Speaker 9: in isolation, and Samus mostly is having to explore these 880 00:50:24,840 --> 00:50:27,680 Speaker 9: like landscapes in total isolation, which is part of what 881 00:50:27,760 --> 00:50:31,919 Speaker 9: makes it kind of scary and kind of, you know, suspenseful. 882 00:50:32,920 --> 00:50:35,279 Speaker 9: I this is actually the first I'm hearing about this 883 00:50:35,600 --> 00:50:40,719 Speaker 9: Miles character, so it does seem like he is going 884 00:50:40,760 --> 00:50:44,719 Speaker 9: to be kind of a Navvy inspired character that is 885 00:50:44,760 --> 00:50:49,240 Speaker 9: going to be constantly in your ear, kind of saying 886 00:50:49,320 --> 00:50:53,000 Speaker 9: things that you. I am worried about that that to me, 887 00:50:53,360 --> 00:50:56,640 Speaker 9: is not a Metroid Prime game player experience. 888 00:50:57,800 --> 00:51:00,319 Speaker 1: Do any of us need an extra white guy in 889 00:51:00,400 --> 00:51:03,759 Speaker 1: our evrrect gast advice? There's enough of that, guys. But 890 00:51:03,920 --> 00:51:07,640 Speaker 1: I will say I'm not gonna lie I have Obviously 891 00:51:07,680 --> 00:51:09,560 Speaker 1: a huge game for me in the last few years 892 00:51:09,800 --> 00:51:12,239 Speaker 1: was Breath of the Wild, as it was for everyone else, 893 00:51:12,280 --> 00:51:15,319 Speaker 1: completely changed the way I played games, not at all 894 00:51:15,320 --> 00:51:17,560 Speaker 1: what you would expect from a Zelda game, in my opinion, 895 00:51:17,760 --> 00:51:20,640 Speaker 1: probably still my favorite Zelda game of all time, taking 896 00:51:20,680 --> 00:51:23,759 Speaker 1: over from a Jura's Mask. So I will say there 897 00:51:23,800 --> 00:51:27,399 Speaker 1: are potential spaces where this can work. I also will 898 00:51:27,400 --> 00:51:30,600 Speaker 1: say I really love the newer pokemons, which I know 899 00:51:30,680 --> 00:51:33,680 Speaker 1: have not been hugely popular, from Let's Go Eve to 900 00:51:33,880 --> 00:51:37,080 Speaker 1: Scarlet and Violet. Despite all the issues. The riding around 901 00:51:37,120 --> 00:51:41,799 Speaker 1: on a motorcycle exploring is really fun, and that does 902 00:51:41,880 --> 00:51:46,120 Speaker 1: seem like what they're leaning into here, But from the screenshots, 903 00:51:46,160 --> 00:51:49,080 Speaker 1: it does not necessarily look like it's gonna avoid some 904 00:51:49,120 --> 00:51:53,239 Speaker 1: of the pitfalls of those kind of games like Pokemons, 905 00:51:53,280 --> 00:51:58,800 Speaker 1: specifically where there's not necessarily the money or time going 906 00:51:58,840 --> 00:52:01,080 Speaker 1: in to make sure that this which version doesn't have 907 00:52:01,320 --> 00:52:05,279 Speaker 1: weird finishing coints. Yeah, strange glitches and all of that 908 00:52:05,360 --> 00:52:07,760 Speaker 1: stuff I've grown up with and lived with my whole life. 909 00:52:07,760 --> 00:52:10,640 Speaker 1: But I do feel like with Metroid Prime four, or 910 00:52:10,760 --> 00:52:14,440 Speaker 1: as it is officially called, Metroid Prime Beyond Correct, I 911 00:52:15,520 --> 00:52:19,000 Speaker 1: do feel like here they would really have to come 912 00:52:19,040 --> 00:52:25,320 Speaker 1: out with a game changing version of an Open World 913 00:52:25,360 --> 00:52:26,839 Speaker 1: for it to really hit. 914 00:52:27,440 --> 00:52:27,800 Speaker 2: Yeah. 915 00:52:27,920 --> 00:52:30,839 Speaker 9: Yeah, and I think I think Open World is kind 916 00:52:30,840 --> 00:52:32,760 Speaker 9: of like a big risk that a lot of games 917 00:52:32,800 --> 00:52:35,680 Speaker 9: are taking these days, and it can be it's very 918 00:52:35,800 --> 00:52:38,879 Speaker 9: hit or miss. I still think that there are going 919 00:52:38,920 --> 00:52:40,759 Speaker 9: to be elements of this game that are going to 920 00:52:40,760 --> 00:52:44,320 Speaker 9: be very fun and very exciting. Yeah, and I'm sure 921 00:52:44,480 --> 00:52:46,719 Speaker 9: like certain parts. I'm sure riding around on the motorcycle 922 00:52:46,800 --> 00:52:49,080 Speaker 9: is probably going to be the most fun part of 923 00:52:49,120 --> 00:52:51,840 Speaker 9: it for me. That little tron bike that she that 924 00:52:51,960 --> 00:52:57,000 Speaker 9: she has. Yeah, so you know, I think it's good 925 00:52:57,040 --> 00:53:00,560 Speaker 9: to take. I'm glad that we're like taking these, but 926 00:53:00,680 --> 00:53:04,120 Speaker 9: I do want them to be more considered a little bit, 927 00:53:04,200 --> 00:53:08,759 Speaker 9: especially with a game franchise like Metroid. Who uh, you know, 928 00:53:08,920 --> 00:53:12,439 Speaker 9: I just feel like the Metroid franchise hasn't hasn't been 929 00:53:12,520 --> 00:53:15,040 Speaker 9: done its justice over the years. 930 00:53:15,200 --> 00:53:17,400 Speaker 1: You know, I agree, and I would also say as well. 931 00:53:18,680 --> 00:53:22,560 Speaker 1: The problem, I think is because of that. Everyone is 932 00:53:22,600 --> 00:53:25,840 Speaker 1: hoping that this can be that next level kind of game, 933 00:53:26,200 --> 00:53:29,360 Speaker 1: but it looks empty. That's the biggest problem that a 934 00:53:29,400 --> 00:53:32,319 Speaker 1: lot of people have had. When you drive around you know, 935 00:53:32,360 --> 00:53:34,799 Speaker 1: obviously Breath of the Wild, whether you're on a deer, 936 00:53:34,840 --> 00:53:37,120 Speaker 1: whether you're on a horse, whether you're on a cool motorbike, 937 00:53:37,600 --> 00:53:41,000 Speaker 1: there is on endless things to see. I still have 938 00:53:41,080 --> 00:53:45,040 Speaker 1: never finished that game properly because I just pick plants 939 00:53:45,120 --> 00:53:47,320 Speaker 1: and cook and add things to my book. It feels 940 00:53:47,320 --> 00:53:50,520 Speaker 1: like you're really in another world. Even with Pokemon. There 941 00:53:50,520 --> 00:53:53,880 Speaker 1: are many different lands to explore. There's always Pokemon running around. 942 00:53:53,920 --> 00:53:56,359 Speaker 1: Even if it is not as textured and incredible as 943 00:53:56,560 --> 00:53:59,000 Speaker 1: Breath of the Wild, it is full. What we have 944 00:53:59,120 --> 00:54:02,600 Speaker 1: seen so far is that the gameplay from this does 945 00:54:02,719 --> 00:54:06,480 Speaker 1: not look like it is from twenty twenty four twenty 946 00:54:06,480 --> 00:54:10,240 Speaker 1: twenty five. Even the graphics do not look particularly powerful. 947 00:54:10,280 --> 00:54:14,359 Speaker 1: There is on the Wikipedia a very notorious image of 948 00:54:14,880 --> 00:54:18,440 Speaker 1: shit Samus kind of like shooting these aliens and it 949 00:54:18,480 --> 00:54:25,240 Speaker 1: looks so zerosy Doom era graphics and then exactly and 950 00:54:25,440 --> 00:54:30,560 Speaker 1: while that could be a choice, because we are also 951 00:54:30,640 --> 00:54:35,359 Speaker 1: getting some really incredible retro throwback games now with like 952 00:54:35,480 --> 00:54:39,080 Speaker 1: Marvel Cosmic Invasion coming out soon the recent Ninja Tittles remasters, 953 00:54:39,440 --> 00:54:40,960 Speaker 1: but that is not what this is trying to do. 954 00:54:41,000 --> 00:54:42,759 Speaker 1: This feels like it's trying to be a tripol a 955 00:54:42,840 --> 00:54:46,920 Speaker 1: game for the Nintendo Switch to that maybe they have 956 00:54:47,160 --> 00:54:51,040 Speaker 1: not necessarily built out the way they need to come. 957 00:54:51,239 --> 00:54:55,200 Speaker 1: What would this game need before we jump off and aboo, 958 00:54:55,200 --> 00:54:57,520 Speaker 1: please do not put that out into the universe. That's 959 00:54:57,760 --> 00:55:00,640 Speaker 1: what you have some met train movie are in a 960 00:55:00,719 --> 00:55:03,880 Speaker 1: metroid movie stars, Sidney, sweetie, you are cussing us. I'm like, 961 00:55:03,960 --> 00:55:06,080 Speaker 1: let's just make Common the star. If we're going to 962 00:55:06,160 --> 00:55:10,320 Speaker 1: cast the blonde women, guys, come on Common. What would 963 00:55:10,360 --> 00:55:14,919 Speaker 1: you need for this movie too? I mean for this 964 00:55:15,080 --> 00:55:18,040 Speaker 1: game to blow you out of the water and be 965 00:55:18,120 --> 00:55:20,680 Speaker 1: a success, Like what would be the thing? 966 00:55:22,239 --> 00:55:26,399 Speaker 9: Uh, oh, my goodness. I think it needs to successfully 967 00:55:26,719 --> 00:55:30,960 Speaker 9: tied together the elements from where we left off on 968 00:55:31,000 --> 00:55:32,920 Speaker 9: the third game basically, and. 969 00:55:32,960 --> 00:55:34,200 Speaker 1: Also eighteen years ago. 970 00:55:34,400 --> 00:55:36,799 Speaker 9: Yeah, eighteen years ago by the way we left off 971 00:55:36,840 --> 00:55:38,799 Speaker 9: on the third game, and it needs to kind of 972 00:55:39,040 --> 00:55:42,080 Speaker 9: move the story forward. I need to feel like the 973 00:55:42,120 --> 00:55:44,839 Speaker 9: open world is justified. I need to feel like it's 974 00:55:44,880 --> 00:55:48,120 Speaker 9: not just thrown in there just to just to say 975 00:55:48,120 --> 00:55:51,480 Speaker 9: that they did it, you know what I mean? And 976 00:55:51,840 --> 00:55:58,560 Speaker 9: I I need it to be I think varied a 977 00:55:58,600 --> 00:56:01,200 Speaker 9: lot of what we have seen so far of the 978 00:56:01,480 --> 00:56:04,960 Speaker 9: open world shots they've shown it. The one shot that 979 00:56:04,960 --> 00:56:06,759 Speaker 9: they keep showing us of the open world is like 980 00:56:06,800 --> 00:56:09,560 Speaker 9: a desert, which is, like it. 981 00:56:09,640 --> 00:56:13,359 Speaker 1: Nice, nobody needs that, Yeah, and we need to drive 982 00:56:13,400 --> 00:56:13,879 Speaker 1: across the. 983 00:56:13,800 --> 00:56:16,399 Speaker 9: Desert, So I'm like, that looks really boring. I want 984 00:56:16,440 --> 00:56:19,319 Speaker 9: to see like we saw in the initial trailer. We 985 00:56:19,360 --> 00:56:22,520 Speaker 9: saw that really rich kind of it was a cutscene 986 00:56:22,560 --> 00:56:28,520 Speaker 9: shot of a really rich, dense green area. But I 987 00:56:28,520 --> 00:56:30,160 Speaker 9: want to see more of that, and I want to 988 00:56:30,200 --> 00:56:33,720 Speaker 9: know that there's going to be multiple little like areas 989 00:56:33,760 --> 00:56:35,879 Speaker 9: like that and not just one and then a bunch 990 00:56:35,920 --> 00:56:38,200 Speaker 9: of desert surrounding it. You know what I mean. 991 00:56:38,440 --> 00:56:44,480 Speaker 1: Yeah, so exactly. Hoping for a surprise, hoping for a surprise. 992 00:56:44,560 --> 00:56:47,480 Speaker 1: But guys, this movie, this game is coming out in 993 00:56:47,640 --> 00:56:51,320 Speaker 1: just a couple of weeks, so it's gonna be interesting 994 00:56:51,320 --> 00:56:54,640 Speaker 1: to see if this will be another huge flop for 995 00:56:54,719 --> 00:56:58,600 Speaker 1: twenty twenty five or if it will be an unexpected surprise. 996 00:56:59,000 --> 00:57:01,840 Speaker 9: Well I have I can tell you one thing. Nintendo 997 00:57:02,000 --> 00:57:05,200 Speaker 9: is going to be selling a Nintendo switch To to 998 00:57:05,280 --> 00:57:09,560 Speaker 9: my household for this game, so well, I am buying 999 00:57:09,760 --> 00:57:10,920 Speaker 9: switch too. 1000 00:57:11,239 --> 00:57:13,520 Speaker 1: First of all, switch To. It's worth it, guys. Even 1001 00:57:13,520 --> 00:57:15,200 Speaker 1: if you're just like me and you're just playing games 1002 00:57:15,200 --> 00:57:16,919 Speaker 1: you could play on your Switch one, but you're playing 1003 00:57:16,920 --> 00:57:20,040 Speaker 1: them on a giant, beautiful screen really fast. And if 1004 00:57:20,080 --> 00:57:22,520 Speaker 1: you're playing an indie game, it's the most beautiful thing 1005 00:57:22,560 --> 00:57:24,280 Speaker 1: you've ever seen. The indie game on. It does not 1006 00:57:24,360 --> 00:57:26,240 Speaker 1: have a lot of the issues of the Steam deck 1007 00:57:26,480 --> 00:57:29,959 Speaker 1: where it cannot play certain games. But I have yet 1008 00:57:30,000 --> 00:57:34,880 Speaker 1: to commit to a full remastered Triple A game on there. 1009 00:57:35,040 --> 00:57:37,400 Speaker 1: Come and I will tell you and to listeners if 1010 00:57:37,440 --> 00:57:40,720 Speaker 1: you are hoping to buy Metroid Prime for I will 1011 00:57:40,760 --> 00:57:44,000 Speaker 1: say it is going to be seventy dollars if you 1012 00:57:44,000 --> 00:57:47,720 Speaker 1: buy it from Nintendo directly, but there are multiple pre 1013 00:57:47,880 --> 00:57:50,560 Speaker 1: order offers that I saw from multiple different big box 1014 00:57:50,600 --> 00:57:52,800 Speaker 1: stores currently where you can get it for almost twenty 1015 00:57:52,800 --> 00:57:56,160 Speaker 1: dollars cheaper. So shop around, guys. It's Christmas is coming. Ye, 1016 00:57:56,320 --> 00:57:59,080 Speaker 1: you love a discouser out there, The deals are out there, 1017 00:57:59,120 --> 00:58:01,480 Speaker 1: and yeah, let's see what happens. I love a psychic power, 1018 00:58:01,520 --> 00:58:03,040 Speaker 1: I love a girl in a cool mech suit, and 1019 00:58:03,080 --> 00:58:06,720 Speaker 1: I love a motorbike. So fingers crossed, do something a 1020 00:58:06,760 --> 00:58:09,200 Speaker 1: little bit, a little bit different, but we will see you. 1021 00:58:10,080 --> 00:58:12,400 Speaker 9: I'm excited. Thank you, Rosie of. 1022 00:58:12,320 --> 00:58:15,440 Speaker 1: Course, thanks for having thanks for joining me. Enjoy the 1023 00:58:15,480 --> 00:58:17,880 Speaker 1: game when it does come out, and we'll definitely we'll 1024 00:58:17,920 --> 00:58:20,880 Speaker 1: definitely have you back on to talk about it. Okay, 1025 00:58:21,800 --> 00:58:24,240 Speaker 1: that's the episode. Thank you for listening, Thanks to my 1026 00:58:24,280 --> 00:58:28,080 Speaker 1: incredible guests, and we'll be back tomorrow with the biggest 1027 00:58:28,640 --> 00:58:30,360 Speaker 1: nerd news of the week. 1028 00:58:31,000 --> 00:58:39,600 Speaker 11: Bye x ray Vision is hosted by Jason Concepcion and 1029 00:58:39,760 --> 00:58:42,160 Speaker 11: Rosie Night and is a production of iHeart Podcast. 1030 00:58:42,520 --> 00:58:46,080 Speaker 1: Our executive producers are Joel Monique and Aaron Kaufman. 1031 00:58:46,320 --> 00:58:48,400 Speaker 11: Our supervising producer is Abuzafar. 1032 00:58:48,760 --> 00:58:52,720 Speaker 1: Our producers are Common Laurent Dian Jonathan and Fay Wack. 1033 00:58:52,840 --> 00:58:55,600 Speaker 11: A theme song is by Brian Vasquez, with alternate theme 1034 00:58:55,680 --> 00:58:56,920 Speaker 11: songs by Aaron Kaufman. 1035 00:58:57,120 --> 00:59:00,240 Speaker 1: Special thanks to Soul Rubin, Chris Lord, Kenny good Then 1036 00:59:00,360 --> 00:59:11,120 Speaker 1: and Heidi our discord moderator hmm