WEBVTT - Faye Webster Takes Off

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<v Speaker 1>Pushkin. Hey there, it's justin Richmond. Today we're gonna hear

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<v Speaker 1>a chat with one of my favorite artists from twenty

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<v Speaker 1>twenty one, Atlanta singer songwriter Faye Webster. We'll get into

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<v Speaker 1>her backstory in a minute, but first let's hear her

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<v Speaker 1>perform the title song off her new album, I Know

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<v Speaker 1>I'm Funny ha ha live from the Shangarlock control room.

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<v Speaker 1>Let's see. Don drink some sugame and we can argue

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<v Speaker 1>out the same thing. Talk about neighbors, food, I wonder

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<v Speaker 1>thing moving. I hope they don't know my one personally

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<v Speaker 1>some of it told them offt in this thing. The

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<v Speaker 1>fucking he kept my money you m h. I think

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<v Speaker 1>your sister's so pretty good drunken afy could they met me?

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<v Speaker 1>I made her laugh one time at dinner. She said,

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<v Speaker 1>I'm funny. No I think too. I know I'm funny.

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<v Speaker 1>Ha ha hm m M. I don't know. I keep

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<v Speaker 1>China on. We go through faces overs, but now we

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<v Speaker 1>both won will be rock stars. Got you base last

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<v Speaker 1>June birthday, same one the garphone linkin park Place. M

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<v Speaker 1>you look better with it anyways. That was Faye Webster

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<v Speaker 1>performing her song I Know I'm Funny ha ha. Fay

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<v Speaker 1>stopped by Changarla earlier this month, in between stops on

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<v Speaker 1>her tour opening for Wilco. The twenty four year old

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<v Speaker 1>singer Songwriters started releasing music independently when she was just

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<v Speaker 1>sixteen years old. In twenty seventeen, her second album was

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<v Speaker 1>released through Awful Records, home to the Atlanta hip hop collective.

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<v Speaker 1>Faye was a bit of an outlier on that rap

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<v Speaker 1>heavy label, but working with them gave her a different

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<v Speaker 1>perspective on recording than she otherwise would have had. In

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<v Speaker 1>the years since, Faye Webster has gotten critical acclaim from

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<v Speaker 1>Rolling Stone and Pitchfork, and even ended up with a

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<v Speaker 1>coveted placement on Barack Obama's twenty twenty Spotify playlist. On

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<v Speaker 1>today's episode, I talked to Faye about artists like The

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<v Speaker 1>Ramones and Garth Brooks influencing her writing style. Faye also

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<v Speaker 1>played some songs live, as well as an early demo

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<v Speaker 1>version of her song Years. This is broken record liner

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<v Speaker 1>notes for the digital age. I'm justin Richmond. Here's my

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<v Speaker 1>conversation with Fay Webster. How long you've been on tour already?

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<v Speaker 1>Like for this tour only like two weeks. It's kind

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<v Speaker 1>of short this stretch, but we had just got off

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<v Speaker 1>tour from a month long tour before this. Yeah, okay

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<v Speaker 1>on the East Coast. Was that your first tour back?

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<v Speaker 1>It was? How was that? Going back at it? It

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<v Speaker 1>was fun. I feel like the first like three shows

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<v Speaker 1>were like weird, but after the fourth shows like, oh,

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<v Speaker 1>this is completely like I understand because like the past year,

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<v Speaker 1>I just been like sitting at home. So it's just

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<v Speaker 1>like I forgot like how stressful of a hustle touring is.

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<v Speaker 1>But it's also like such a normal thing to me

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<v Speaker 1>at this point. Nice. So I think you just took

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<v Speaker 1>a second to get back into the groove. Did you

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<v Speaker 1>enjoy just staying at home for like a year year

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<v Speaker 1>and a half? Yeah, I left it, Yeah I did,

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<v Speaker 1>because when I'm not touring, I'm just like that's what

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<v Speaker 1>I'm doing. Anyways, it's very normal to me. When did

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<v Speaker 1>you first start toy? I think my first tour was

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<v Speaker 1>twenty seventeen. Twenty seventeen, so how old were you? I

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<v Speaker 1>was born in ninety seven, right, so I think that

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<v Speaker 1>sounds about right because my first tour I wasn't old

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<v Speaker 1>enough to drink and then I went to Europe and

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<v Speaker 1>I could drink there because the drinking age is low.

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<v Speaker 1>I remember getting like a really drunken Europe on my

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<v Speaker 1>first tour, and I like left my guitar and like

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<v Speaker 1>some crazy city that I could not get back to. Um.

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<v Speaker 1>I think I was in Glasgow, and then I think

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<v Speaker 1>I went back to London or something without damn, I

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<v Speaker 1>was hungover as buck and I left my guitar in Glasgow.

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<v Speaker 1>That sucks any other good tour stories. Probably my concept

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<v Speaker 1>of time is so messed up. Yeah, when I'm touring

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<v Speaker 1>and I feel like I don't think of things until

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<v Speaker 1>it's like, oh yeah, like I remember that, It's like

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<v Speaker 1>when was that? Where was that? But I don't know,

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<v Speaker 1>I have no idea. It's funny because I feel like

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<v Speaker 1>for most people who don't like just go on tour,

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<v Speaker 1>most people felt like the last year kind of warped

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<v Speaker 1>time for them, like they had no way to kind

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<v Speaker 1>of measure or account time. But for you, it was

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<v Speaker 1>just like that might not have been the case. It's

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<v Speaker 1>like normal if touring life just your normal sort of

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<v Speaker 1>life is a musician cause you just sort of have

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<v Speaker 1>that not being tethered to time, feeling yeah, was it

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<v Speaker 1>like different for you then the pandemic. Do think you

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<v Speaker 1>experienced it different? I guess so. I feel like it's

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<v Speaker 1>so different per person anyways, you know. But I feel

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<v Speaker 1>like over the pandemic time like flew by somehow, but

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<v Speaker 1>also like it was nice because it's just like in

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<v Speaker 1>the moment. But tour, it's like last week seems like

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<v Speaker 1>last month to me right now when you're actually moving around,

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<v Speaker 1>how do you enjoy it? I do. I feel like

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<v Speaker 1>I enjoy both, Like I enjoy being home, but I

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<v Speaker 1>also like I enjoy being on tour. It's like when

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<v Speaker 1>I'm on tour, I'm like I can't wait to get home,

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<v Speaker 1>and then when I'm home, I'm like, I can't wait

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<v Speaker 1>to get on tour. And I was just going through

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<v Speaker 1>this cycle for the rest of my life. When you

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<v Speaker 1>were younger, did you want to be a professional musician?

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<v Speaker 1>I go out, like to make a living touring and

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<v Speaker 1>making records or not really, I mean I wanted to

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<v Speaker 1>make music, and then it was like it wasn't like

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<v Speaker 1>senior year of high school and there was actually pressure

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<v Speaker 1>and it was like, hey, what do you want to

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<v Speaker 1>do when you grew up? And like that moment of

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<v Speaker 1>just like applying to colleges and stuff. I was like,

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<v Speaker 1>I guess this is the only thing I know how

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<v Speaker 1>to do. But I wasn't like, oh, I can't wait

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<v Speaker 1>to be a touring musician and like putting out records.

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<v Speaker 1>It was just like, I play music. That's all I

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<v Speaker 1>know what to do right now, right, And I feel

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<v Speaker 1>like that just like escalated into what it is. And

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<v Speaker 1>you would already put out a record by that point, right,

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<v Speaker 1>your first very first record, Yeah, you would put out

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<v Speaker 1>in high school? Yeah I did. Yeah, Well, got you

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<v Speaker 1>started playing music? Got you interested? My brother plays music

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<v Speaker 1>and he's a few years older than me, So I

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<v Speaker 1>feel like kind of just like sitting in my room

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<v Speaker 1>and hearing him through the walls in the house, I

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<v Speaker 1>was just like, that's kind of cool. What was he playing? Um?

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<v Speaker 1>He was like a Ramones Fane and like whatever, like

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<v Speaker 1>classic rock my dad listened to. I feel like he

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<v Speaker 1>kind of fell into that. So yeah, he was just

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<v Speaker 1>like in the basement setting up shitty amps and stuff,

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<v Speaker 1>shitty microphones and just like playing music, playing blitz greeg bop.

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<v Speaker 1>Yeah was it? And this was in Atlanta? Yes? Cool?

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<v Speaker 1>When do you start discovering like the larger music scene Atlanta.

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<v Speaker 1>When does that happen? Not? So like high school, I

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<v Speaker 1>was playing open mics all the time because there's the

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<v Speaker 1>only chance I had to play songs not in my bedroom.

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<v Speaker 1>And I think that's when I started to meet people

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<v Speaker 1>and be like, there's music that exists. That's not what

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<v Speaker 1>my parents are listening to. That's not what my brothers

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<v Speaker 1>listening to. Like that's crazy. I feel like it wasn't

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<v Speaker 1>untill like high school that I figured that out. Wow

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<v Speaker 1>were you writing at that time? Like, were you like

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<v Speaker 1>the songs you're playing at the open mics? Yeah, I

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<v Speaker 1>mean they sucked, but I was, yeah, I was writing songs.

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<v Speaker 1>What got you writing? I don't know. I feel like

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<v Speaker 1>when I learned a guitar, I was just playing covers

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<v Speaker 1>over and over and like even going to guitar lessons,

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<v Speaker 1>I would just print out lyrics and they would just

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<v Speaker 1>like write the chord above the lyric, like what it's

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<v Speaker 1>time to change to the chord, And I feel like,

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<v Speaker 1>I mean, I have like ten binders full of these lessons,

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<v Speaker 1>So I feel like I was just like, maybe I

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<v Speaker 1>should try to write my own songs to where they

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<v Speaker 1>can't do this to my songs like they can't tell

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<v Speaker 1>me what to play when you know, would you take

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<v Speaker 1>those into your teacher or would you would you just

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<v Speaker 1>quit lessons? And like, oh, eventually I switched teachers and

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<v Speaker 1>I started off with like a guitar teacher, and then

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<v Speaker 1>I went to like, oh, maybe I'll try a songwriting teacher,

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<v Speaker 1>and I would just like play songs. Just kind of

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<v Speaker 1>terrifying because they wrote good songs and I didn't feel

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<v Speaker 1>like I didn't even think about it, being like I

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<v Speaker 1>want to write my own songs. I think I just

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<v Speaker 1>like started doing it from all those guitar lessons that

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<v Speaker 1>I first took, where they just wrote the chords above

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<v Speaker 1>the lyrics. I feel like that's kind of when I like,

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<v Speaker 1>I would eventually choose to change the key of songs

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<v Speaker 1>just to like play those chords. Are those are the chords?

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<v Speaker 1>Like if you sit down the guitar, you just start

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<v Speaker 1>playing those more often than not. Flick. Yes. I don't

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<v Speaker 1>even know who they are and I truly cannot tell you.

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<v Speaker 1>And are there any songs that you've written using like

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<v Speaker 1>those exactly those chords? Uh? Yeah, a lot? Anything you

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<v Speaker 1>can play? Um, do you want to play a song? Sure?

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<v Speaker 1>Student to want something better. It's been my time but

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<v Speaker 1>nothing so pepe nothing you were so long for me

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<v Speaker 1>to I'm so alone and here I'm with me. I

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<v Speaker 1>went to what in such you mind? You seem pretty

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<v Speaker 1>lucky butt and leave little fully up too same she

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<v Speaker 1>wastes and no change his name and make it my

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<v Speaker 1>will you William? Will you will you will you? Will

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<v Speaker 1>you be with me? Will you will you will you

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<v Speaker 1>will you Willia? Will you be with me? M try

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<v Speaker 1>to eat truth, sleep, but everything seems born to me.

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<v Speaker 1>I don't know what to do. Got to friendsic see

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<v Speaker 1>but they cut two jobs and a baby. I just

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<v Speaker 1>want to see pending on her time apart. But the

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<v Speaker 1>distractions are in there, insental wor only two A couple

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<v Speaker 1>times thought you hear your likes, but I figured it

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<v Speaker 1>will you will you will you will you will you

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<v Speaker 1>will it be with me? Oh you will Lee bees,

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<v Speaker 1>will you will you? Who you leep? Busy O beus

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<v Speaker 1>O two chord songs. It's different, nice fucking love that

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<v Speaker 1>man like you have a really nice groove. There's also

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<v Speaker 1>a lot of repetition in your songs, which are like

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<v Speaker 1>well won two chords like you said yeah, like the

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<v Speaker 1>will you will you, and I feel like I appreciate

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<v Speaker 1>that in songwriting, just like sometimes like it should just

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<v Speaker 1>be simple, you know what I mean? Yeah, Like you

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<v Speaker 1>can play two chords and write a song. You can

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<v Speaker 1>play two chords and write a good song. The little

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<v Speaker 1>things that get overlooked is the cool shit to me,

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<v Speaker 1>influence creeping Yeah goodness, it's no shame in that it

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<v Speaker 1>doesn't love the Ramons. Yeah, we'll be right back with

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<v Speaker 1>Fay Webster. After a quick break, we're back with more

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<v Speaker 1>from my conversation with Fay Webster. Do you remember the

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<v Speaker 1>first song you wrote? Yeah, the first song I wrote,

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<v Speaker 1>I literally just like used the same melody as a

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<v Speaker 1>Miley Cyrus song and I changed the words, And I

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<v Speaker 1>remember my best friend got so mad at me, and

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<v Speaker 1>she was like delete this audio file, like you're going

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<v Speaker 1>to get sued, Like we're like an elementary school. Like

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<v Speaker 1>I was in like fifth grade, So I don't even

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<v Speaker 1>remember what it was, like what it egan was. I

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<v Speaker 1>just remember like I just changed the changed the lyrics,

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<v Speaker 1>used the same melody, and I was like I wrote

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<v Speaker 1>a song. My friends like no, what Miley song? What

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<v Speaker 1>what song did you change it was? I think it's

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<v Speaker 1>just called I miss you, okay, I don't know. It's

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<v Speaker 1>like very early. It was like I was really into

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<v Speaker 1>the song that she wrote with her dad on the airplane.

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<v Speaker 1>I don't know that one on the show and my dad.

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<v Speaker 1>I don't really get these references, but I don't Miley,

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<v Speaker 1>how'd you record that? I feel like my brothers had

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<v Speaker 1>like cool stuff, especially since he's older. Both of them

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<v Speaker 1>were into like making movies for a little bit, so

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<v Speaker 1>they had like the zoom recorder and like cool shit

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<v Speaker 1>connected to our PC. And I feel like maybe I

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<v Speaker 1>did it there. I don't even know. So fifth grade

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<v Speaker 1>you started writing and recording like the earliest stuff. Yeah,

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<v Speaker 1>which is crazy to think about because I don't remember

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<v Speaker 1>writing songs in fifth grade. But I remember, like performing

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<v Speaker 1>at my fifth grade graduation in one of your songs.

0:16:02.916 --> 0:16:08.636
<v Speaker 1>They did, but I sang the real one, Oh, the

0:16:08.716 --> 0:16:11.516
<v Speaker 1>real one, not your Okay, I should have seen your version.

0:16:11.796 --> 0:16:14.436
<v Speaker 1>I know. Did you play guitar? I performed that Did

0:16:14.476 --> 0:16:16.956
<v Speaker 1>you play the guitar? And was playing guitar? Wow, that's

0:16:16.996 --> 0:16:20.596
<v Speaker 1>fucking impressive for a fifth grader. But the first one

0:16:20.636 --> 0:16:25.236
<v Speaker 1>I ever learned was Lola the Kinks. Yeah, it's the

0:16:25.316 --> 0:16:29.636
<v Speaker 1>first one I ever learned. I don't know why. I

0:16:29.716 --> 0:16:32.996
<v Speaker 1>guess because my brother. Yeah, it's classic rock radio staple,

0:16:33.156 --> 0:16:36.676
<v Speaker 1>but the Kinks are incredible. Yeah, so classic rock punk

0:16:36.796 --> 0:16:39.756
<v Speaker 1>rock early on, like a Ramons at least is what

0:16:39.916 --> 0:16:42.196
<v Speaker 1>you were. That's just what you're hearing around the house. Yeah,

0:16:42.636 --> 0:16:44.876
<v Speaker 1>or like that's what my dad would play and my brother,

0:16:45.356 --> 0:16:48.396
<v Speaker 1>but then my mom would play like western swing music,

0:16:48.956 --> 0:16:52.756
<v Speaker 1>which I think I gravitated towards more like Texas playboys

0:16:52.836 --> 0:16:54.996
<v Speaker 1>and yeah, like a Sleep at the Wheel was one

0:16:54.996 --> 0:16:59.436
<v Speaker 1>of our favorite bands growing up. Wow, Alison Krause, Garth Brooks,

0:16:59.916 --> 0:17:02.636
<v Speaker 1>shit like that, Alison Krause, that's a really I don't know,

0:17:02.756 --> 0:17:05.156
<v Speaker 1>that's that's pretty evolved taste. I feel like, do you

0:17:05.236 --> 0:17:08.756
<v Speaker 1>think so? I feel like it makes so much sense.

0:17:09.596 --> 0:17:11.756
<v Speaker 1>And that's interesting you say that because I've said that

0:17:11.796 --> 0:17:14.796
<v Speaker 1>to people before and they're like, really, well, my mom

0:17:14.916 --> 0:17:17.076
<v Speaker 1>is from Texas and like grew up listening to like

0:17:17.756 --> 0:17:20.316
<v Speaker 1>soft country like that. I feel like they she just

0:17:20.396 --> 0:17:22.956
<v Speaker 1>put me on before she put on all of y'all. Man,

0:17:23.076 --> 0:17:25.076
<v Speaker 1>So what was it about Alison Krass that drew you in?

0:17:25.556 --> 0:17:28.796
<v Speaker 1>Definitely her voice. I was like, this is crazy, like

0:17:28.916 --> 0:17:34.236
<v Speaker 1>it truly sounds unreal. Like a cgi vocal woid. It's

0:17:34.236 --> 0:17:36.636
<v Speaker 1>just like too perfect all the time. It's heavenly. But

0:17:36.716 --> 0:17:38.996
<v Speaker 1>I also like that she played the violin. Yeah, I

0:17:39.076 --> 0:17:42.476
<v Speaker 1>like tried to take violin lessons a bunch and I

0:17:42.636 --> 0:17:45.436
<v Speaker 1>just sucked. I was so bad at it. I was like,

0:17:45.476 --> 0:17:48.316
<v Speaker 1>I can't do this. But it's also like, I mean,

0:17:48.396 --> 0:17:51.836
<v Speaker 1>growing up, I would only hear male artists, So I

0:17:51.876 --> 0:17:54.436
<v Speaker 1>feel like, finally when my mom started playing me Alison Cross,

0:17:54.516 --> 0:17:56.956
<v Speaker 1>I was like, oh, like girls can do this too. Yeah,

0:17:57.836 --> 0:18:01.596
<v Speaker 1>that's fucking sick. She was very inspirational for me. And

0:18:01.636 --> 0:18:03.996
<v Speaker 1>I gotta say, if you're only hearing male artis, especially

0:18:03.996 --> 0:18:06.036
<v Speaker 1>if it's like the Ramones and like Zeppelin, you know,

0:18:06.116 --> 0:18:08.796
<v Speaker 1>like your usual like her voice would really cut through

0:18:08.916 --> 0:18:12.476
<v Speaker 1>the noise. Truly, I'm not super familiar with Atlanta. When

0:18:12.476 --> 0:18:14.876
<v Speaker 1>I think of Atlanta, I think really great R and B,

0:18:15.236 --> 0:18:17.476
<v Speaker 1>really great hip hop, you know, like I guess there's

0:18:17.556 --> 0:18:19.556
<v Speaker 1>rock and roll bands around, Like I don't really you know,

0:18:19.596 --> 0:18:20.996
<v Speaker 1>but I don't really think of it like that way.

0:18:21.996 --> 0:18:24.476
<v Speaker 1>Was that like were you plugged into that stuff growing up?

0:18:24.636 --> 0:18:27.996
<v Speaker 1>Was were you hearing that? I mean born in ninety seven, Like, yeah,

0:18:28.236 --> 0:18:31.076
<v Speaker 1>everything's hitting at that I like Atlanta because it's just

0:18:31.236 --> 0:18:34.716
<v Speaker 1>like there's everything. It's like what do you want? And

0:18:34.796 --> 0:18:37.116
<v Speaker 1>then you can find that there. You can go see

0:18:37.196 --> 0:18:40.596
<v Speaker 1>like a garage rock band, and you can also go

0:18:40.716 --> 0:18:44.156
<v Speaker 1>see like sick ass rep and R and B artist,

0:18:44.236 --> 0:18:48.156
<v Speaker 1>and you can also go see like singers long writers

0:18:48.316 --> 0:18:50.676
<v Speaker 1>at like a weird open mic. I don't know, it's

0:18:50.716 --> 0:18:54.356
<v Speaker 1>like I really appreciate that about Atlanta. So once you

0:18:54.396 --> 0:18:56.076
<v Speaker 1>got to high school sort of finding your own music,

0:18:56.196 --> 0:18:59.396
<v Speaker 1>what were you finding? I feel like I was that's

0:18:59.436 --> 0:19:02.436
<v Speaker 1>when I was finding like folk music or like folk

0:19:02.756 --> 0:19:06.796
<v Speaker 1>rock music. I was listening to Daz's record Nothing Is

0:19:06.836 --> 0:19:09.396
<v Speaker 1>Wrong a Lot in high School is one of my

0:19:09.476 --> 0:19:11.916
<v Speaker 1>favorite records in high school. How did you end up

0:19:11.916 --> 0:19:14.916
<v Speaker 1>recording your first record in high school? My friend had

0:19:14.956 --> 0:19:16.796
<v Speaker 1>moved to Nashville, so I was just like going there

0:19:16.796 --> 0:19:19.836
<v Speaker 1>a lot and it was just like it was really

0:19:19.916 --> 0:19:22.276
<v Speaker 1>my dad that was like, you're you're playing these open

0:19:22.356 --> 0:19:24.156
<v Speaker 1>mics all the time and then you have like nothing

0:19:24.236 --> 0:19:28.556
<v Speaker 1>to give to people. I'm like, okay, do they even

0:19:28.636 --> 0:19:31.236
<v Speaker 1>want something? Like I didn't even know, but I had

0:19:31.316 --> 0:19:33.436
<v Speaker 1>these songs and it was just like I knew so

0:19:33.556 --> 0:19:35.996
<v Speaker 1>many people in Nashville that made music. And how'd you

0:19:36.076 --> 0:19:39.676
<v Speaker 1>know people there because my friend moved there that I

0:19:39.876 --> 0:19:43.476
<v Speaker 1>met also in like the open mic stuff. When she moved,

0:19:43.516 --> 0:19:45.836
<v Speaker 1>I would just like go visit her and like sing

0:19:45.996 --> 0:19:49.196
<v Speaker 1>with her and like play music with her. It's recorded

0:19:49.276 --> 0:19:51.636
<v Speaker 1>really well. It's just like in a house. I recorded

0:19:51.716 --> 0:19:54.436
<v Speaker 1>both my first two records, and just like bedrooms. You

0:19:54.556 --> 0:19:56.836
<v Speaker 1>had an engineer obviously on that, right, Yeah, because it's recorded,

0:19:56.876 --> 0:19:59.836
<v Speaker 1>it makes sense that I haven't listened to it. And

0:20:00.756 --> 0:20:04.396
<v Speaker 1>so long did you play anything off of that record?

0:20:04.476 --> 0:20:07.876
<v Speaker 1>Stof No, I barely play stuff off my self titled record.

0:20:08.156 --> 0:20:09.996
<v Speaker 1>Do you feel connection to any of the songs anymore?

0:20:10.476 --> 0:20:13.036
<v Speaker 1>Definitely not my first record. There's some songs on my

0:20:13.116 --> 0:20:16.156
<v Speaker 1>self title that I'm like, this still represents me in

0:20:16.276 --> 0:20:19.316
<v Speaker 1>some way, Like at one point it did really well

0:20:19.476 --> 0:20:22.076
<v Speaker 1>and it doesn't anymore. But I still like there's moments

0:20:22.116 --> 0:20:25.196
<v Speaker 1>where I'm like, I enjoyed playing the song because it

0:20:25.316 --> 0:20:29.276
<v Speaker 1>makes me feel like I just started playing music again.

0:20:29.516 --> 0:20:31.836
<v Speaker 1>My Self Titled was when I was just like, oh,

0:20:31.876 --> 0:20:34.476
<v Speaker 1>I'm taking this seriously now, how do you get from

0:20:34.996 --> 0:20:37.396
<v Speaker 1>that self titled or from the first record to the

0:20:37.436 --> 0:20:41.636
<v Speaker 1>self titled which was like it's pretty experimental for like, yeah,

0:20:41.836 --> 0:20:43.796
<v Speaker 1>Rold you might have been at the time. Yeah, I

0:20:43.876 --> 0:20:45.556
<v Speaker 1>don't know. I feel like the first one is like

0:20:45.836 --> 0:20:48.916
<v Speaker 1>very Nashville esque, and then when I realized that I

0:20:49.076 --> 0:20:53.236
<v Speaker 1>don't like Nashville, Like, I was just spending more time

0:20:53.596 --> 0:20:57.756
<v Speaker 1>back home in Atlanta, and like my brothers moved to Athens,

0:20:57.916 --> 0:20:59.516
<v Speaker 1>so I was spending a lot of time in Athens.

0:21:00.356 --> 0:21:03.116
<v Speaker 1>And just the music scene in Athens is really really sick.

0:21:03.396 --> 0:21:09.356
<v Speaker 1>What's that like? It's just like I literally call shit

0:21:09.516 --> 0:21:13.076
<v Speaker 1>like Athens rock, Like I don't know what you call it,

0:21:13.156 --> 0:21:15.636
<v Speaker 1>but it's like so I feel like it's it's like specific.

0:21:15.956 --> 0:21:19.116
<v Speaker 1>Is there like a band we could listen to or something? Well,

0:21:19.236 --> 0:21:22.196
<v Speaker 1>Rim is from Athens. Oh, I didn't realize that my

0:21:22.316 --> 0:21:25.556
<v Speaker 1>brother's in a really cool band called way Yuka, but

0:21:26.636 --> 0:21:28.876
<v Speaker 1>the wigs are from Athens. I don't know. It's kind

0:21:28.876 --> 0:21:30.556
<v Speaker 1>of iconic. And I was just like spending a lot

0:21:30.596 --> 0:21:33.156
<v Speaker 1>of time there and they had like shows and stuff

0:21:33.236 --> 0:21:36.196
<v Speaker 1>that I feel like Atlanta didn't really have the same

0:21:36.316 --> 0:21:40.676
<v Speaker 1>like intimate vibe as Athens did. A small town, I

0:21:40.916 --> 0:21:44.156
<v Speaker 1>don't know, I think so, And just like it's also

0:21:44.356 --> 0:21:47.556
<v Speaker 1>so supportive the way that Atlanta is supportive. So I

0:21:47.596 --> 0:21:49.196
<v Speaker 1>was spending also a lot of time in the air,

0:21:49.516 --> 0:21:52.236
<v Speaker 1>and that's when I was like meeting my brother's friends

0:21:52.316 --> 0:21:56.556
<v Speaker 1>that make music and like truly experiencing like what it's

0:21:56.596 --> 0:21:59.036
<v Speaker 1>like to be at a show or like what it's

0:21:59.116 --> 0:22:04.476
<v Speaker 1>like to like watch somebody record music. And that's when

0:22:04.516 --> 0:22:06.556
<v Speaker 1>I just like clicked with it and I've made on

0:22:06.916 --> 0:22:10.316
<v Speaker 1>all the rest of my records there. But I don't know,

0:22:11.236 --> 0:22:14.756
<v Speaker 1>it's really sick. How did you get on Awful Records

0:22:15.076 --> 0:22:18.036
<v Speaker 1>for that second record? I was just a fan. I

0:22:18.156 --> 0:22:22.676
<v Speaker 1>was literally a fan and was like messaging Etherial a lot,

0:22:22.996 --> 0:22:24.836
<v Speaker 1>just like sending my music, and he would like send

0:22:24.876 --> 0:22:28.676
<v Speaker 1>me his music eat humans would like sell photoprints at

0:22:28.676 --> 0:22:31.036
<v Speaker 1>their shows and I would like buy photos from him

0:22:31.076 --> 0:22:35.676
<v Speaker 1>and just like became friends. And then I think like

0:22:35.796 --> 0:22:37.676
<v Speaker 1>the year I dropped out of college, I was just

0:22:38.436 --> 0:22:41.836
<v Speaker 1>with them every day because I was just like watching

0:22:42.036 --> 0:22:45.156
<v Speaker 1>and learning. And then when it got time for me

0:22:45.236 --> 0:22:48.396
<v Speaker 1>to put out another record, they were just like like,

0:22:48.436 --> 0:22:51.996
<v Speaker 1>you're already here. You're already here every day, Like why

0:22:52.036 --> 0:22:54.716
<v Speaker 1>don't you just like do this with us? And how

0:22:54.756 --> 0:22:56.996
<v Speaker 1>would you explain that label to people? I feel like

0:22:57.316 --> 0:23:01.236
<v Speaker 1>maybe not. It's really like it was like a collective.

0:23:01.836 --> 0:23:04.636
<v Speaker 1>Like it didn't feel like I was on a label.

0:23:04.756 --> 0:23:08.436
<v Speaker 1>It just felt like I was a part of a

0:23:08.556 --> 0:23:11.916
<v Speaker 1>collective people that just like made cool shit. And it

0:23:12.076 --> 0:23:15.076
<v Speaker 1>wasn't even like all musicians. It was a very good

0:23:15.156 --> 0:23:19.156
<v Speaker 1>learning experience, an iconic like in Atlanta specifically, right, Yeah.

0:23:19.796 --> 0:23:21.516
<v Speaker 1>I mean to me, I was like when I joined,

0:23:21.596 --> 0:23:24.076
<v Speaker 1>I was like, even though I've been around these people

0:23:24.076 --> 0:23:26.076
<v Speaker 1>all day, it's like still some some people And I'm like,

0:23:26.196 --> 0:23:28.556
<v Speaker 1>that's crazy that, like you want to hang out with me,

0:23:28.836 --> 0:23:31.836
<v Speaker 1>Like I've just listened to your music for like so

0:23:32.116 --> 0:23:35.876
<v Speaker 1>long and like idolize you guys at the time, would

0:23:35.876 --> 0:23:37.636
<v Speaker 1>you say it was like pretty local, like a local

0:23:37.996 --> 0:23:41.756
<v Speaker 1>yeah thing. Yeah, it really was. I don't know, it

0:23:41.876 --> 0:23:45.556
<v Speaker 1>was so iconic. Yeah, I feel like I would I

0:23:45.636 --> 0:23:47.956
<v Speaker 1>would have not wanted to have it any other way.

0:23:48.396 --> 0:23:50.796
<v Speaker 1>It's really like unique stuff and it reminds me like

0:23:51.036 --> 0:23:53.636
<v Speaker 1>not in not in terms of like the production sound,

0:23:53.676 --> 0:23:55.036
<v Speaker 1>but just in terms of the vibe like of like

0:23:55.116 --> 0:23:58.236
<v Speaker 1>the Memphis like the old Memphis cassette tape like rap

0:23:58.356 --> 0:24:00.596
<v Speaker 1>scene like back in the nineties, or or even like

0:24:00.636 --> 0:24:02.116
<v Speaker 1>the Bay Area rap scene, Like it just has its

0:24:02.196 --> 0:24:06.316
<v Speaker 1>own really distinctive, unique sound that you don't hear anywhere else. Yeah,

0:24:06.316 --> 0:24:07.676
<v Speaker 1>when I listened to those off When I listened to

0:24:07.676 --> 0:24:10.756
<v Speaker 1>those songs from from Off, Agree, what was it like

0:24:10.876 --> 0:24:13.876
<v Speaker 1>collaborating with them? I feel like everything was like so

0:24:14.236 --> 0:24:17.556
<v Speaker 1>di iy in like a way that I prefer, Like

0:24:17.716 --> 0:24:21.036
<v Speaker 1>I prefer to make music in a bedroom with friends,

0:24:22.036 --> 0:24:27.516
<v Speaker 1>and I feel like, just like watching people just like

0:24:28.116 --> 0:24:31.676
<v Speaker 1>make music when they felt like it was something I

0:24:31.876 --> 0:24:34.476
<v Speaker 1>had never really seen before. Like I was so used

0:24:34.476 --> 0:24:38.116
<v Speaker 1>to like people just sitting on songs forever and perfecting

0:24:38.196 --> 0:24:40.316
<v Speaker 1>it and like I'm not going to make a record

0:24:40.476 --> 0:24:43.636
<v Speaker 1>till I have twelve songs ready, and this way, it

0:24:43.756 --> 0:24:47.876
<v Speaker 1>just felt like when they made music, it was like

0:24:48.756 --> 0:24:50.716
<v Speaker 1>that's what it's supposed to sound like in this moment,

0:24:51.596 --> 0:24:53.116
<v Speaker 1>which is kind of how I like to record to

0:24:53.156 --> 0:24:56.356
<v Speaker 1>this day because it's like, yeah, I just wrote a

0:24:56.396 --> 0:24:57.716
<v Speaker 1>song and it's like I need to get this off

0:24:57.796 --> 0:25:01.676
<v Speaker 1>my chest now. Yeah, it's like if you sit on

0:25:01.756 --> 0:25:04.196
<v Speaker 1>it for a month, like you might just like alter

0:25:04.356 --> 0:25:08.116
<v Speaker 1>it or change it. And I feel like watching Awful record,

0:25:09.196 --> 0:25:11.476
<v Speaker 1>just like one take it was like sound good, y'all,

0:25:11.516 --> 0:25:13.516
<v Speaker 1>sound good to be like, let's put it out tomorrow,

0:25:14.316 --> 0:25:16.756
<v Speaker 1>And I was like, dang, that's like what people should

0:25:16.756 --> 0:25:19.356
<v Speaker 1>do more often and how you how would you put

0:25:19.396 --> 0:25:22.356
<v Speaker 1>them out? We were using SoundCloud a lot, and were

0:25:22.396 --> 0:25:25.596
<v Speaker 1>you making physical copies of things at all? No? Actually,

0:25:25.716 --> 0:25:29.196
<v Speaker 1>my Self Titled didn't come out on vinyl until last year. Really, Yeah,

0:25:29.756 --> 0:25:33.596
<v Speaker 1>so I never had records until AMC. That was like

0:25:33.676 --> 0:25:36.116
<v Speaker 1>the first time I was like really making records. That's cool.

0:25:36.756 --> 0:25:39.676
<v Speaker 1>The songs and yourself Titled? Were those all written pretty

0:25:39.716 --> 0:25:41.876
<v Speaker 1>quickly then and just recorded? Or were those songs that

0:25:41.876 --> 0:25:44.276
<v Speaker 1>you'd been building from the time you did your first record.

0:25:44.516 --> 0:25:47.076
<v Speaker 1>I was kind of building them, but I was recording

0:25:47.116 --> 0:25:50.236
<v Speaker 1>them one by one, Like I think to make that

0:25:50.356 --> 0:25:52.636
<v Speaker 1>record it took over a year because I would write

0:25:52.676 --> 0:25:55.436
<v Speaker 1>a song and then drive to Athens and like play

0:25:55.516 --> 0:25:58.476
<v Speaker 1>it and record it and then go back home and

0:25:58.636 --> 0:26:02.076
<v Speaker 1>start over. You have a very different sound from most

0:26:02.196 --> 0:26:05.436
<v Speaker 1>things on that label, yeah, like or in that collective?

0:26:05.876 --> 0:26:07.436
<v Speaker 1>Was you music like a weird fit in a way

0:26:07.516 --> 0:26:11.156
<v Speaker 1>for that? Or I mean I never felt like an outcast,

0:26:11.716 --> 0:26:13.836
<v Speaker 1>Like I felt like that's where I belonged at the time,

0:26:14.956 --> 0:26:17.676
<v Speaker 1>But it was also like, oh, yeah, they don't know

0:26:18.036 --> 0:26:21.116
<v Speaker 1>what to do with me like like that, like I

0:26:21.356 --> 0:26:24.996
<v Speaker 1>can't record like a whole band set up in this bedroom,

0:26:25.036 --> 0:26:26.876
<v Speaker 1>Like I have to like go somewhere else and do this.

0:26:27.996 --> 0:26:30.076
<v Speaker 1>What is it about the live band that you feel

0:26:30.356 --> 0:26:34.836
<v Speaker 1>like works for your songwriting in your performance style? Like

0:26:34.956 --> 0:26:37.356
<v Speaker 1>you never got tempted to just like write a song

0:26:37.476 --> 0:26:39.316
<v Speaker 1>and like just do a quick production in your bedroom,

0:26:39.596 --> 0:26:42.396
<v Speaker 1>right like on Ableton or something. I don't know how

0:26:42.436 --> 0:26:46.956
<v Speaker 1>to use. I literally record all my vocals on garage

0:26:46.996 --> 0:26:50.916
<v Speaker 1>band on all of my records. That's great, um, but

0:26:52.156 --> 0:26:54.996
<v Speaker 1>I don't know. I mean I grew up playing instruments,

0:26:55.036 --> 0:26:58.316
<v Speaker 1>so it was just like I only knew instruments like

0:26:58.676 --> 0:27:01.876
<v Speaker 1>my I love singing on ship, but it's like I

0:27:01.996 --> 0:27:06.156
<v Speaker 1>could never make this, Like I can only like build

0:27:06.236 --> 0:27:08.996
<v Speaker 1>instrument after instrument. I feel like it's kind of just

0:27:09.276 --> 0:27:11.836
<v Speaker 1>all I've known how to do, like like dip into

0:27:11.916 --> 0:27:13.836
<v Speaker 1>that world. But like then yeah, go back to You

0:27:13.956 --> 0:27:15.516
<v Speaker 1>can send me a song and I'll sing on it,

0:27:16.196 --> 0:27:19.636
<v Speaker 1>but I cannot make this unless you teach me how

0:27:19.676 --> 0:27:21.556
<v Speaker 1>to use pro tool? Can you write to someone else's song?

0:27:21.596 --> 0:27:23.116
<v Speaker 1>Like if someone sends you something and they're like, hey,

0:27:23.156 --> 0:27:25.156
<v Speaker 1>can you or do usually send you lyrics? Just like

0:27:25.276 --> 0:27:26.996
<v Speaker 1>hey sing this or will you come up with your

0:27:27.036 --> 0:27:29.116
<v Speaker 1>own home? No? Yeah, I'll write my own works. How

0:27:29.196 --> 0:27:31.476
<v Speaker 1>different is that for you than It's very different, But

0:27:31.556 --> 0:27:33.676
<v Speaker 1>I feel like that was like one of the biggest

0:27:33.716 --> 0:27:36.556
<v Speaker 1>things I also took out of being on Awful is

0:27:36.596 --> 0:27:38.636
<v Speaker 1>like just because we're in the same room together and

0:27:38.716 --> 0:27:40.796
<v Speaker 1>you happen to want to make music right now, it's

0:27:40.796 --> 0:27:43.156
<v Speaker 1>like I'm the only person in the room, so it's

0:27:43.156 --> 0:27:46.036
<v Speaker 1>like I'm on the song like just by de Vault.

0:27:46.756 --> 0:27:48.396
<v Speaker 1>So yeah, it's like I just kind of learned and

0:27:48.516 --> 0:27:52.676
<v Speaker 1>like experimented that way, just like when it wasn't me

0:27:52.796 --> 0:27:56.756
<v Speaker 1>in the spotlight and like somebody wanted to just like

0:27:57.436 --> 0:28:00.036
<v Speaker 1>lend my voice or something. We'll be right back with

0:28:00.156 --> 0:28:07.436
<v Speaker 1>my conversation with Fay Webster after a quick break. We're

0:28:07.476 --> 0:28:10.836
<v Speaker 1>back with more from a Conversation with a Webster. Did

0:28:10.876 --> 0:28:12.836
<v Speaker 1>you grow up playing in a band at all? No,

0:28:13.236 --> 0:28:17.076
<v Speaker 1>I didn't. My brother did, but I did not. Have

0:28:17.196 --> 0:28:19.196
<v Speaker 1>some members of your band with you today. How long

0:28:19.236 --> 0:28:21.836
<v Speaker 1>have you been playing with these guys pistol and I'm

0:28:21.836 --> 0:28:23.916
<v Speaker 1>a pedal steel player. We've been playing together for seven

0:28:23.996 --> 0:28:28.236
<v Speaker 1>years now. That's kind of how I started, Like I

0:28:28.356 --> 0:28:31.596
<v Speaker 1>feel like I was playing music and then I added

0:28:31.716 --> 0:28:33.756
<v Speaker 1>him to the band, and then from there on for

0:28:33.876 --> 0:28:35.516
<v Speaker 1>the rest of the time. It's just like who let's

0:28:35.596 --> 0:28:37.556
<v Speaker 1>play with me and pistol, Like, who, let's be in

0:28:37.636 --> 0:28:40.236
<v Speaker 1>our band? How did you guys meet? I knew I

0:28:40.356 --> 0:28:42.436
<v Speaker 1>wanted pedal steel because it's just what I grew up

0:28:42.476 --> 0:28:46.956
<v Speaker 1>listening too. And every time I said, hey, can you

0:28:46.996 --> 0:28:48.596
<v Speaker 1>help me find a pedal steel player, it was like

0:28:49.636 --> 0:28:54.276
<v Speaker 1>thirty people said the same person. There's nobody else, like like,

0:28:54.436 --> 0:28:56.796
<v Speaker 1>this is the player that you need. That's cool. Let's

0:28:57.036 --> 0:28:58.876
<v Speaker 1>have a hard time founding like a bass player, like

0:28:58.956 --> 0:29:01.356
<v Speaker 1>a drum like a good drummer, you know, but like

0:29:01.436 --> 0:29:04.956
<v Speaker 1>it's a high bar to find like a pedal steel player. Yeah,

0:29:05.436 --> 0:29:07.876
<v Speaker 1>it's like we're really going to do this if I found,

0:29:08.476 --> 0:29:11.196
<v Speaker 1>you know, right, found someone. But it's like you just

0:29:11.356 --> 0:29:13.916
<v Speaker 1>have to like wait and really find the people that

0:29:14.076 --> 0:29:17.196
<v Speaker 1>just like have the chemistry and get you and I

0:29:17.276 --> 0:29:19.396
<v Speaker 1>don't have to explain shit, like you know what I mean,

0:29:19.516 --> 0:29:22.476
<v Speaker 1>like just people that help me represent what I'm trying

0:29:22.516 --> 0:29:25.436
<v Speaker 1>to get across. Do you always play in studio and

0:29:25.476 --> 0:29:29.076
<v Speaker 1>live like the same? Yeah, crew, we always record everything live.

0:29:29.316 --> 0:29:31.836
<v Speaker 1>That's great, and then I go home and redo vocals

0:29:31.956 --> 0:29:38.356
<v Speaker 1>at my kitchen. That's so funny. What is it about

0:29:38.436 --> 0:29:42.156
<v Speaker 1>like a band that helps you write. I think it's

0:29:42.236 --> 0:29:45.716
<v Speaker 1>more just like I have this song, and I've written

0:29:45.756 --> 0:29:49.436
<v Speaker 1>this song, and it's like, how can I make the

0:29:49.516 --> 0:29:53.516
<v Speaker 1>best representation of me in this song if other people

0:29:53.516 --> 0:29:55.756
<v Speaker 1>are going to hear it? Like I truly wanted to

0:29:55.796 --> 0:29:58.276
<v Speaker 1>be the best representation it could be. So what's the

0:29:58.396 --> 0:30:01.316
<v Speaker 1>process then, Like who would you go to first? You have?

0:30:01.516 --> 0:30:05.236
<v Speaker 1>I don't show anybody until we're in the studio. I

0:30:05.396 --> 0:30:08.076
<v Speaker 1>don't share I don't even like share it with our engineer,

0:30:08.876 --> 0:30:10.636
<v Speaker 1>just because I don't want people like plotting on it

0:30:11.316 --> 0:30:14.556
<v Speaker 1>be like oh this part, like it's so good to

0:30:14.636 --> 0:30:17.196
<v Speaker 1>play something right here, and I feel like that kind

0:30:17.196 --> 0:30:19.836
<v Speaker 1>of just like ruined not ruins it, but like I

0:30:19.916 --> 0:30:21.516
<v Speaker 1>feel like in the moment is when it's more like,

0:30:22.596 --> 0:30:25.116
<v Speaker 1>oh I just played that and it sounded good, So

0:30:25.236 --> 0:30:28.756
<v Speaker 1>like let's just do that again, right, and like record

0:30:28.796 --> 0:30:31.556
<v Speaker 1>it this time please? So you want people come up

0:30:31.596 --> 0:30:34.676
<v Speaker 1>with their part. It's like on the spot, not truly reconceived,

0:30:34.836 --> 0:30:37.356
<v Speaker 1>like oh I could do this and that's interesting. It

0:30:37.436 --> 0:30:41.676
<v Speaker 1>doesn't happen a lot anymore. Yeah, which is I feel

0:30:41.676 --> 0:30:43.596
<v Speaker 1>like from the other side of it, like if it

0:30:43.716 --> 0:30:46.396
<v Speaker 1>wasn't my song and somebody made me come to the

0:30:46.516 --> 0:30:48.916
<v Speaker 1>studio and record on demand, I would be freaked out,

0:30:49.836 --> 0:30:53.156
<v Speaker 1>but yeah, it's nice to be the only one that

0:30:53.316 --> 0:30:57.596
<v Speaker 1>knows what's about to happen, right, going from the self

0:30:57.636 --> 0:31:00.716
<v Speaker 1>title to Atlanta Millionaires Club, What was the jump there? Like?

0:31:00.836 --> 0:31:03.516
<v Speaker 1>How did you go from those songs in that place,

0:31:03.956 --> 0:31:06.396
<v Speaker 1>putting it out through Awful and then going to like

0:31:07.276 --> 0:31:10.276
<v Speaker 1>atlant A Millionaires Club. I don't know. I feel like

0:31:10.316 --> 0:31:14.476
<v Speaker 1>it was just like a natural evolution and it's not

0:31:14.556 --> 0:31:18.356
<v Speaker 1>even that different of a record, Like I feel like

0:31:18.476 --> 0:31:22.836
<v Speaker 1>throughout my three main records, there's always a song from

0:31:24.156 --> 0:31:26.436
<v Speaker 1>the latter record that could have been on the earlier one,

0:31:26.876 --> 0:31:30.156
<v Speaker 1>but not the one too before it. Otherwise it would

0:31:30.156 --> 0:31:32.876
<v Speaker 1>have just been like this weird out of place song,

0:31:33.236 --> 0:31:35.916
<v Speaker 1>Like too quick of an evolution, I feel like. But

0:31:36.036 --> 0:31:37.596
<v Speaker 1>I don't know. I feel like it was just like

0:31:37.956 --> 0:31:42.276
<v Speaker 1>the right time and place. I met secretly Canadian who

0:31:42.356 --> 0:31:44.076
<v Speaker 1>I love and they just like feel like family to

0:31:44.156 --> 0:31:47.396
<v Speaker 1>me at this point, and I just had more songs

0:31:47.436 --> 0:31:49.636
<v Speaker 1>and I was like cains, like, I guess it's time

0:31:49.636 --> 0:31:51.996
<v Speaker 1>to put out another record, And I feel like that's

0:31:52.116 --> 0:31:54.876
<v Speaker 1>kind of when I noticed that it wasn't just like

0:31:56.436 --> 0:31:59.316
<v Speaker 1>family listening to my stuff. Like, I feel like that's

0:31:59.356 --> 0:32:03.476
<v Speaker 1>when I kind of like got put on the radar.

0:32:03.916 --> 0:32:07.036
<v Speaker 1>It was truly the perfect time and perfect place in

0:32:07.156 --> 0:32:09.276
<v Speaker 1>my life. You were saying, how there's like always a

0:32:09.356 --> 0:32:11.956
<v Speaker 1>song like that wouldn't fit like a couple of albums ago,

0:32:11.996 --> 0:32:13.476
<v Speaker 1>but probably within the last but I feel like there's

0:32:13.476 --> 0:32:15.996
<v Speaker 1>and there's also I mean, your albums are like super very,

0:32:16.356 --> 0:32:19.236
<v Speaker 1>and there's always a song that it feels like it's

0:32:19.236 --> 0:32:21.956
<v Speaker 1>just a complete outlier just in general, you know, yeah,

0:32:22.156 --> 0:32:25.076
<v Speaker 1>like a landa Millionaire's Club, Like Flowers feels like a

0:32:25.276 --> 0:32:26.956
<v Speaker 1>like a very, you know, and there's a couple even

0:32:26.996 --> 0:32:28.676
<v Speaker 1>like Kingston sounds a little different than some of the

0:32:28.756 --> 0:32:31.796
<v Speaker 1>others exactly. It's like that could have been on myself titled,

0:32:32.316 --> 0:32:33.876
<v Speaker 1>but it feels on Run and Tell, then it would

0:32:33.876 --> 0:32:38.236
<v Speaker 1>have been like, yeah, like who just hopped on the sticks?

0:32:38.756 --> 0:32:41.236
<v Speaker 1>And then like on this new one too cheers. Yeah,

0:32:41.436 --> 0:32:43.916
<v Speaker 1>even Overslept sounds kind of different from the rest of

0:32:43.956 --> 0:32:47.516
<v Speaker 1>the Rapier. Yeah, could have been on AMC Like on

0:32:47.596 --> 0:32:49.636
<v Speaker 1>those songs that are kind of outliers. Do you look

0:32:49.676 --> 0:32:51.276
<v Speaker 1>to make a song that's very different from the rest

0:32:51.276 --> 0:32:53.636
<v Speaker 1>of the album, or is it just happen. It really

0:32:53.716 --> 0:32:57.476
<v Speaker 1>just happens, because I mean when I'm writing these songs

0:32:57.516 --> 0:33:01.356
<v Speaker 1>at home by myself, like they're all pretty fucking similar,

0:33:01.876 --> 0:33:04.716
<v Speaker 1>Like there's like they sound like they come out like

0:33:04.796 --> 0:33:06.596
<v Speaker 1>you was the writing them songs all right home. It's

0:33:06.596 --> 0:33:10.236
<v Speaker 1>just me being quiet as trying to write a song.

0:33:11.116 --> 0:33:14.156
<v Speaker 1>And then it's like, there's no way that my shitty

0:33:14.396 --> 0:33:18.356
<v Speaker 1>Cheers demo from my kitchen table sounds like what Cheers

0:33:18.436 --> 0:33:22.036
<v Speaker 1>sounds like. But it's just like when it was time

0:33:22.076 --> 0:33:24.476
<v Speaker 1>to like all sit together and save room and play it,

0:33:25.596 --> 0:33:29.036
<v Speaker 1>it was like, oh, like this is how it has

0:33:29.076 --> 0:33:30.876
<v Speaker 1>to sound or it's just gonna be weird. Was it

0:33:30.956 --> 0:33:33.396
<v Speaker 1>always as loud as it was? I don't remember. I

0:33:33.636 --> 0:33:36.716
<v Speaker 1>should go find the demo, but like I write songs

0:33:36.796 --> 0:33:39.476
<v Speaker 1>on an acoustic guitar at home, so it's not like

0:33:39.596 --> 0:33:42.316
<v Speaker 1>I'm like fucking rocking out. But then one and then

0:33:42.356 --> 0:33:43.796
<v Speaker 1>once you took it to the band, though, like, was

0:33:43.876 --> 0:33:47.476
<v Speaker 1>it like pretty like right away? Did it truly? Was? Really? Yeah?

0:33:48.556 --> 0:33:52.916
<v Speaker 1>I feel like that song specifically, like people were scrambling

0:33:53.116 --> 0:33:56.116
<v Speaker 1>because I started playing it. It's just like, oh, like

0:33:56.236 --> 0:33:59.876
<v Speaker 1>it should definitely sound this way. But I don't own

0:33:59.916 --> 0:34:02.636
<v Speaker 1>any cool shit. So I was just like people were

0:34:02.676 --> 0:34:05.156
<v Speaker 1>like pulling pedals out of closets and stuff because I

0:34:05.316 --> 0:34:07.516
<v Speaker 1>was like, my my guitar is just like I just

0:34:07.596 --> 0:34:10.716
<v Speaker 1>pluged straight into my amp all the time. But yeah,

0:34:10.836 --> 0:34:14.436
<v Speaker 1>just like ended up like that who cheers during the pandemic?

0:34:14.556 --> 0:34:16.796
<v Speaker 1>Oh here it is. It's called it used to be

0:34:16.876 --> 0:34:18.996
<v Speaker 1>called cheers to each other? And I was like, that's

0:34:19.036 --> 0:34:28.276
<v Speaker 1>a horrible name. This is risky bad name. Sorry, it

0:34:28.436 --> 0:34:40.796
<v Speaker 1>does kind of sound like that. It sounds exactly like

0:34:40.836 --> 0:34:49.356
<v Speaker 1>the record. Let me see that. The chorus sounds like

0:35:07.636 --> 0:35:11.636
<v Speaker 1>that sounds pretty pretty really good in your demos. It's

0:35:11.636 --> 0:35:14.156
<v Speaker 1>just like at my in my badge in my kitchen,

0:35:14.516 --> 0:35:18.996
<v Speaker 1>fucking great voice, thank you. That's crazy. Ever since I

0:35:19.116 --> 0:35:20.876
<v Speaker 1>heard the album, and I heard the song before that

0:35:20.876 --> 0:35:22.516
<v Speaker 1>albu because it came out before the album, but in

0:35:22.596 --> 0:35:26.636
<v Speaker 1>a good way. The Spanish guitar or the classical guitar,

0:35:26.716 --> 0:35:29.236
<v Speaker 1>whatever it'd be, I guess called on that song. How like,

0:35:29.356 --> 0:35:35.116
<v Speaker 1>how did that happen? Yeah? Well, I feel like when

0:35:35.196 --> 0:35:40.636
<v Speaker 1>I started to write a lot, that's when I was like,

0:35:40.956 --> 0:35:43.116
<v Speaker 1>I think I'm gonna like just try and buy different

0:35:43.156 --> 0:35:48.236
<v Speaker 1>guitars because every guitar play makes me write something completely different.

0:35:48.676 --> 0:35:51.596
<v Speaker 1>Like there's songs that I just like wrote on the

0:35:51.676 --> 0:35:54.876
<v Speaker 1>classical guitar that I could have not written on my harmony, etc.

0:35:55.716 --> 0:35:57.556
<v Speaker 1>And there's also moments in the studio where it's like

0:35:58.836 --> 0:36:00.956
<v Speaker 1>the band is playing, it's like, bro, this is not

0:36:01.036 --> 0:36:03.556
<v Speaker 1>the one for the pedal steel, or like bro, this

0:36:03.756 --> 0:36:06.596
<v Speaker 1>is not the one for the worldly like and you

0:36:06.716 --> 0:36:07.996
<v Speaker 1>need to go with like you know what I mean.

0:36:08.076 --> 0:36:10.876
<v Speaker 1>Like it's just certain moments I feel like that song

0:36:10.956 --> 0:36:13.836
<v Speaker 1>specifically was like this is how I wrote it, So

0:36:13.916 --> 0:36:16.556
<v Speaker 1>I feel like that's what it like, let's switch it up.

0:36:16.716 --> 0:36:18.156
<v Speaker 1>And I feel like I didn't really switch it up

0:36:18.196 --> 0:36:21.836
<v Speaker 1>until AMC and ha ha. It was when I was

0:36:21.876 --> 0:36:25.676
<v Speaker 1>really like, let's try playing other stuff. You wrote that

0:36:25.756 --> 0:36:29.196
<v Speaker 1>song on a classical guitar. Yeah, really, And I only

0:36:29.316 --> 0:36:33.556
<v Speaker 1>had like obviously my rhythm guitar and my vocals, and

0:36:33.636 --> 0:36:38.516
<v Speaker 1>then I put like just the classical guitar, uh, like

0:36:39.036 --> 0:36:42.116
<v Speaker 1>mimicking part on my demo? Do you mind playing a

0:36:42.196 --> 0:36:49.076
<v Speaker 1>bit of a good way? Sure? I didn't know being

0:36:52.916 --> 0:37:14.396
<v Speaker 1>usual me. I didn't know good from me too. He

0:37:14.676 --> 0:37:18.836
<v Speaker 1>makes me on a crap hie on a good week.

0:37:21.436 --> 0:37:25.876
<v Speaker 1>He makes me want a crab hie on a good wine.

0:37:28.436 --> 0:37:33.316
<v Speaker 1>He makes me want a crab hie on a good week.

0:37:35.676 --> 0:37:40.236
<v Speaker 1>He makes me want a crab high on a good wine.

0:37:41.996 --> 0:37:48.116
<v Speaker 1>You ain't just as much as me, don't you. I

0:37:48.316 --> 0:37:57.596
<v Speaker 1>can feel it when we took and I know you've

0:37:57.676 --> 0:38:04.436
<v Speaker 1>been having my mind slately and I'm sorry A full

0:38:04.676 --> 0:38:19.756
<v Speaker 1>sleep food. You make me Hi good. You make me

0:38:20.556 --> 0:38:28.036
<v Speaker 1>crew Hi a good one. You make me a crew

0:38:28.716 --> 0:38:41.236
<v Speaker 1>Hi cood. You make me a crew Hi one. Fuck

0:38:41.796 --> 0:38:44.716
<v Speaker 1>this fucking nuts? And did you know you're gonna have

0:38:44.756 --> 0:38:46.516
<v Speaker 1>the feature on overslept or how it? Or did that

0:38:46.596 --> 0:38:48.876
<v Speaker 1>you wanted a feature? I just knew I wanted when

0:38:49.236 --> 0:38:53.196
<v Speaker 1>because I just like, truly cannot finish it. And I

0:38:53.356 --> 0:38:58.316
<v Speaker 1>was obsessed with me Yihara. I am obsessed though, but yeah,

0:38:58.316 --> 0:38:59.676
<v Speaker 1>I was like, if she's not on it, then, to

0:38:59.756 --> 0:39:02.676
<v Speaker 1>be honest, I'm fake. If I got anybody else on

0:39:02.716 --> 0:39:04.876
<v Speaker 1>this record right now, I'm fake. What attracts you to her?

0:39:04.916 --> 0:39:07.076
<v Speaker 1>And then also what made you? Have you heard her music? Yeah,

0:39:07.556 --> 0:39:10.476
<v Speaker 1>she's so good and I feel like the first time

0:39:10.516 --> 0:39:14.716
<v Speaker 1>I heard her, I was just like is this me? Like?

0:39:15.236 --> 0:39:17.916
<v Speaker 1>Is this me and my band playing this song I've

0:39:17.956 --> 0:39:21.196
<v Speaker 1>never heard before? Like I feel so similar to her?

0:39:21.636 --> 0:39:25.476
<v Speaker 1>But it's also like her brain thinks of stuff I

0:39:25.516 --> 0:39:28.356
<v Speaker 1>can't think of, but like that I wish I thought

0:39:28.396 --> 0:39:31.756
<v Speaker 1>of you know what I mean, Just like the instrumentation

0:39:31.796 --> 0:39:35.156
<v Speaker 1>and shit on her records are so good. Yeah, I'm

0:39:35.196 --> 0:39:37.676
<v Speaker 1>just like, fuck, I wish I thought of that. I

0:39:37.956 --> 0:39:44.196
<v Speaker 1>really appreciate, like especially in like old Western swing music,

0:39:44.676 --> 0:39:50.596
<v Speaker 1>just like the really cheesy, classic traditional duo songs. Yeah,

0:39:50.836 --> 0:39:52.756
<v Speaker 1>would you say countries like your main Like is that?

0:39:52.916 --> 0:39:54.876
<v Speaker 1>Like is that the music you listen to the most?

0:39:54.916 --> 0:39:58.196
<v Speaker 1>Would you say? Or even? But I feel like that

0:39:58.516 --> 0:40:03.636
<v Speaker 1>is like perhaps the strongest route that I have. Then

0:40:03.676 --> 0:40:05.396
<v Speaker 1>it's like from there, I'll just like add on other

0:40:05.476 --> 0:40:08.636
<v Speaker 1>shit that inspires me. I feel like it does stem

0:40:10.316 --> 0:40:13.036
<v Speaker 1>from country music. Yeah, it's funny because I never really

0:40:13.116 --> 0:40:16.556
<v Speaker 1>thought of you. But like, you know, there's like obviously

0:40:16.596 --> 0:40:18.236
<v Speaker 1>the pedal steel is kind of like a giveaway that

0:40:18.276 --> 0:40:20.516
<v Speaker 1>you're into country, but like the songs don't sound particularly

0:40:20.556 --> 0:40:22.996
<v Speaker 1>country at all. You know, there's so many different like

0:40:23.196 --> 0:40:25.756
<v Speaker 1>elements in your tracks. You know, It's like there's a

0:40:25.836 --> 0:40:27.716
<v Speaker 1>little bit of everything, and a lot of the songs,

0:40:27.756 --> 0:40:29.596
<v Speaker 1>you know, like there's a lot of R and B feel,

0:40:29.676 --> 0:40:30.876
<v Speaker 1>it's like a good R and B feel on a

0:40:30.956 --> 0:40:34.076
<v Speaker 1>lot good like folk feel some country with the pedal

0:40:34.156 --> 0:40:37.356
<v Speaker 1>steel and then even with like the adding the classical guitar,

0:40:37.596 --> 0:40:39.916
<v Speaker 1>like the doubling on the on in a good way.

0:40:39.956 --> 0:40:42.556
<v Speaker 1>It's like that sounds like a classic like ballad, you know,

0:40:42.676 --> 0:40:45.196
<v Speaker 1>like move or something, and it's like all that stuff

0:40:45.236 --> 0:40:47.596
<v Speaker 1>kind of like just collides in a really cool way.

0:40:47.756 --> 0:40:49.396
<v Speaker 1>But I didn't really think of it as like country,

0:40:49.476 --> 0:40:51.356
<v Speaker 1>like I do you when you hear songs when you

0:40:51.436 --> 0:40:54.356
<v Speaker 1>write songs? Do you almost hear them most country songs? First?

0:40:54.756 --> 0:40:58.676
<v Speaker 1>Not really, But it's just like the way that I

0:40:58.836 --> 0:41:03.156
<v Speaker 1>know format is just like country music format, and what

0:41:03.316 --> 0:41:05.876
<v Speaker 1>what do you mean? Just like even the chords that

0:41:05.956 --> 0:41:09.316
<v Speaker 1>I prefer to write with that just feel like is

0:41:09.316 --> 0:41:11.916
<v Speaker 1>a good representation of me and I just like use

0:41:11.996 --> 0:41:15.156
<v Speaker 1>them a lot or just like like I said, the

0:41:16.676 --> 0:41:20.596
<v Speaker 1>classic format of like okay versus then chords the like

0:41:20.756 --> 0:41:22.636
<v Speaker 1>you know, Like I don't know, I feel like it

0:41:22.716 --> 0:41:26.236
<v Speaker 1>definitely all does stem from just like growing up in

0:41:26.356 --> 0:41:28.476
<v Speaker 1>years and years of listening to country music. Do you

0:41:28.516 --> 0:41:30.436
<v Speaker 1>mind playing a couple of those cours just showing the

0:41:30.516 --> 0:41:41.436
<v Speaker 1>chords that you is one of my favorite chords? Just curious,

0:41:41.436 --> 0:41:44.116
<v Speaker 1>like what chords he gravitates us. See Jeff Tweedy was

0:41:44.156 --> 0:41:46.276
<v Speaker 1>talking one time about how it just naturally every time

0:41:46.316 --> 0:41:48.236
<v Speaker 1>he plays he plays a g You just like that's

0:41:48.236 --> 0:41:51.676
<v Speaker 1>just the Cordy ghost too. Really, Yeah, that's it. I've

0:41:51.716 --> 0:41:55.076
<v Speaker 1>definitely enjoyed watching Jeff play guitar every night. Also, the

0:41:55.316 --> 0:41:59.596
<v Speaker 1>first show we played with him, I was like, are

0:41:59.636 --> 0:42:04.196
<v Speaker 1>you not using in years? No? He was like, no,

0:42:04.356 --> 0:42:06.636
<v Speaker 1>if if it's not coming out of a monitor, doesn't

0:42:06.676 --> 0:42:09.276
<v Speaker 1>sound like music to me. He's that crazy. Have you

0:42:09.276 --> 0:42:10.996
<v Speaker 1>been hanging with them a lot on tour. I haven't

0:42:11.076 --> 0:42:13.156
<v Speaker 1>really been an opener in a very long time, so

0:42:13.236 --> 0:42:15.396
<v Speaker 1>I kind of forgot what it's like, what it's like,

0:42:16.116 --> 0:42:21.996
<v Speaker 1>But I really like and appreciate just like the offstage

0:42:23.116 --> 0:42:25.676
<v Speaker 1>set up that they have, Like I feel like every

0:42:25.836 --> 0:42:31.676
<v Speaker 1>venue we have played it's been like very like community space,

0:42:31.716 --> 0:42:35.156
<v Speaker 1>backstage nice, and it's just like you're always running into people.

0:42:35.196 --> 0:42:38.116
<v Speaker 1>You're always like hearing shit. Like they have a jam

0:42:38.276 --> 0:42:40.996
<v Speaker 1>room before they go on stage, and it's like that's cool.

0:42:41.116 --> 0:42:43.676
<v Speaker 1>I never thought about to warm up before, like the

0:42:44.036 --> 0:42:46.716
<v Speaker 1>jam out together on a jam ra. Yeah, it's like, dang,

0:42:46.916 --> 0:42:49.836
<v Speaker 1>like I don't know, it's so cool. Wow, have you

0:42:49.916 --> 0:42:53.356
<v Speaker 1>gone into the jam room. You know, I'm scared. I

0:42:53.396 --> 0:42:56.036
<v Speaker 1>don't want to touch their stuff. I'm like, I probably

0:42:56.076 --> 0:42:58.756
<v Speaker 1>can't afford this. I'm not gonna touch it. If I

0:42:58.836 --> 0:43:00.356
<v Speaker 1>was on tour with them, I probably just asked Nell's

0:43:00.396 --> 0:43:03.316
<v Speaker 1>climb like a thousand and one questions. Dude, Nells is

0:43:03.636 --> 0:43:07.836
<v Speaker 1>my favorite person to talk to. I told him in Vegas.

0:43:07.876 --> 0:43:11.436
<v Speaker 1>I was like, my favorite guitar player is KK Slider

0:43:12.276 --> 0:43:13.996
<v Speaker 1>And He's like, I don't know who that is. I

0:43:14.036 --> 0:43:15.436
<v Speaker 1>don't know who that is either, And I was like,

0:43:15.596 --> 0:43:19.236
<v Speaker 1>hell yeah, beat you at your own game. And the

0:43:19.356 --> 0:43:21.996
<v Speaker 1>next day he looked him up and came back and

0:43:22.036 --> 0:43:25.636
<v Speaker 1>we talked about it. It's been beautiful having you. Oh yeah,

0:43:25.796 --> 0:43:31.956
<v Speaker 1>thank you so much. This has been beautiful. Thanks to

0:43:32.036 --> 0:43:34.716
<v Speaker 1>Faye Webster for coming through Shango Law and playing for us.

0:43:35.276 --> 0:43:36.796
<v Speaker 1>You can check out a playlist of all of our

0:43:36.836 --> 0:43:40.636
<v Speaker 1>favorite Faye Webster songs at Broken Record Podcast. Are you

0:43:40.716 --> 0:43:43.116
<v Speaker 1>sure to subscribe to our YouTube channel at YouTube dot

0:43:43.156 --> 0:43:46.276
<v Speaker 1>com slash Broken Record Podcast. We can find all of

0:43:46.356 --> 0:43:49.236
<v Speaker 1>our new episodes. You can follow us on Twitter at

0:43:49.356 --> 0:43:52.716
<v Speaker 1>broken Record. Broken Record is produced with help from Leah Rose,

0:43:53.036 --> 0:43:58.396
<v Speaker 1>Jason Gambrel, Martin Gonzalez, Eric Sandler and Jennifer Sanchez, with

0:43:58.556 --> 0:44:02.076
<v Speaker 1>engineering help from Nick jag Our executive producer is Mail

0:44:02.156 --> 0:44:06.356
<v Speaker 1>LaBelle Broken Record is a production of Pushkin Industries. If

0:44:06.396 --> 0:44:09.556
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0:44:21.716 --> 0:44:24.036
<v Speaker 1>and please remember to share, rate, and review us on

0:44:24.156 --> 0:44:26.796
<v Speaker 1>your podcast staff. Our theme music is by Kenny Beats.

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<v Speaker 1>I'm justin Mitch Hund