WEBVTT - Episode 134 w/ Faith Evans

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<v Speaker 1>And his drink chats, motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's agreed, is your boy in o R. He's a

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<v Speaker 1>Miami hippoper, mioneer up his dj e FN together they

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<v Speaker 1>drinking up with some of the biggest players in the

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<v Speaker 1>most professional unprofessional podcast and yet number one sorts for

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<v Speaker 1>drunk drinks. Motherfuckings New year' z. That's time for drink chance,

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<v Speaker 1>trink up, mother mother. What a good be hoping. He

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<v Speaker 1>is what it should be. This is your boy and

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<v Speaker 1>what his dj EF his drink chas motherfucking happy hour,

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<v Speaker 1>make some And we got one of the queens of

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<v Speaker 1>the culture in the building right now. When I say queen,

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<v Speaker 1>I'm talking about really Queen Royalty, married to the King,

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<v Speaker 1>came in this game on her own, did what she

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<v Speaker 1>had to do, still surviving, still just dropped the album

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<v Speaker 1>The King and I And if the case you didn't

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<v Speaker 1>know who I'm talking about, we told my motherfucking faith,

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<v Speaker 1>let me fast fast. So listen, we had the season

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<v Speaker 1>on here, seasons running around here, and he said, like

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<v Speaker 1>he's traumatized. He can't even smoke weed anymore, because he

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<v Speaker 1>said big they to smoke so much weed with him?

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<v Speaker 1>Are you anywhere there that I'm not traumatized, but I

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<v Speaker 1>might be near with the higher tolerance like big, but

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<v Speaker 1>I'm not quite as bad because back then, like he,

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<v Speaker 1>it would be a room full of us and like

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<v Speaker 1>hear anybody like you know, he had the hat as

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<v Speaker 1>he wants to, you know, a big blunt, put hash

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<v Speaker 1>in it. And then if you ain't smoking the hash blunt,

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<v Speaker 1>you gotta get out. If you fall asleep, you gotta

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<v Speaker 1>get out, like you know, you gotta get high, like

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<v Speaker 1>you ain't getting hot, you gotta get I'm not that bad, right,

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<v Speaker 1>So now your originally you're from Jersey? Correct? From the bricks?

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<v Speaker 1>I got a friend big up say, on Clinton Avenue.

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<v Speaker 1>It's very rough for that. I went to school actually

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<v Speaker 1>with my high school, but I went to school on

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<v Speaker 1>Clinton and Clinton Avenue and Clinton Place. So how does

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<v Speaker 1>your girl from Jersey link up a bad boy? How?

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<v Speaker 1>How did how did this this stuff? Was? This always

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<v Speaker 1>been your dream was to be a singer or well

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<v Speaker 1>a singer. Yes, I say, I've been singing since I

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<v Speaker 1>was like two years old, you know, since I could

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<v Speaker 1>basically talk. But my initial my initial audience was in

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<v Speaker 1>church and The first song I actually sang when it's

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<v Speaker 1>like when I was like three, was a song from

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<v Speaker 1>the flint Stones. I guess you know the Flintstones. I

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<v Speaker 1>remember in the Jackson's was like my favorite. No, it

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<v Speaker 1>was a song, Okay, you remember the episode when Bam

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<v Speaker 1>Bam and Pebbles performed that something that was like the

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<v Speaker 1>Hollywood Bowl, you remember, so we were on the same

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<v Speaker 1>mates and then they sang Atlanta Sunshine. That that was

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<v Speaker 1>my first song I sang in church. So I mean,

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<v Speaker 1>over the years, I knew I had a gift with singing,

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<v Speaker 1>and then later on I just started as a hobby

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<v Speaker 1>writing music. But I never knew I was gonna be

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<v Speaker 1>a re courting artists. I knew I wanted to make

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<v Speaker 1>money with my voice somehow, but the whole being a

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<v Speaker 1>signed artist to a label and not even in nothing

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<v Speaker 1>to do with church. You know, I sang another places, school,

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<v Speaker 1>I sang every way I could church. A lot of

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<v Speaker 1>people choirs over the church, and then you know why

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<v Speaker 1>to learn that church is kind of like ill because

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<v Speaker 1>it's either like you're either really good or you're like

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<v Speaker 1>really bad, and like people like people like you can't

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<v Speaker 1>you can't really say it you can't really say jerom

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<v Speaker 1>if you need to stop jeroe yourself saying with jero,

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<v Speaker 1>you can't really do that in church, you know what

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<v Speaker 1>I'm saying. But so it's either you're really good really

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<v Speaker 1>So how did how did you what made you want

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<v Speaker 1>to say this is gonna be a professional thing? Because

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<v Speaker 1>all of us know that, all of us successful artists

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<v Speaker 1>know that when we start out as a as a

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<v Speaker 1>striving artist, it's not a lot of money. So it's

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<v Speaker 1>it's a lot of it's a lot of what is

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<v Speaker 1>it de motivation not not motivation at first when you

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<v Speaker 1>first started. So how did you transition to say like,

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<v Speaker 1>I'm gonna stick with this, I'm gonna make this work.

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<v Speaker 1>You know what, It's crazy because I mean church wasn't

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<v Speaker 1>my only thing. Like I sang. I was the singer

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<v Speaker 1>with my jazz man in school, I did wedding students.

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<v Speaker 1>When I meant want to page it or two, I

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<v Speaker 1>just wanted to sing. And just so happens. You know,

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<v Speaker 1>a few people I knew got uh in the industry,

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<v Speaker 1>but I still was just singing everywhere. That was. It

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<v Speaker 1>was just about singing. Later on, when I recorded and

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<v Speaker 1>taught myself how to arrange records and produce myself, not

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<v Speaker 1>even knowing that would have anything to do with my

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<v Speaker 1>career later won't pretty much. I mean, by the time

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<v Speaker 1>I met Puck, I'm a fast forward. Red Man. One

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<v Speaker 1>of my best friends is rosing Over. Red Man's sister.

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<v Speaker 1>Red was my boyfriend when I was in the ninth grade.

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<v Speaker 1>So like when I heard y'all in the business always

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<v Speaker 1>some of my sessions and checked on me and stuff

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<v Speaker 1>like that. But right before red Kind, he was a

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<v Speaker 1>drummer in church when we met, you know, he was

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<v Speaker 1>still he was DJ and sself like prior to Eric,

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<v Speaker 1>and I'm kind of going to meet meeting him in

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<v Speaker 1>sensations and kind of discovering him in that sense. But

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<v Speaker 1>I was just always around it. My daughter's father actually,

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<v Speaker 1>he was a producer and he became a producer with

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<v Speaker 1>Christopher Wims, so I at she graduated from high school

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<v Speaker 1>william New York City. So I was around it. And

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<v Speaker 1>I actually left my full scholarship at Fordham University, my

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<v Speaker 1>academics because my daughter's father told me to move to

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<v Speaker 1>California with him. And yeah, had nothing to do with

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<v Speaker 1>me being an artist. But I got pregnant and you

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<v Speaker 1>know whatever, it just sounded way more fun than living

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<v Speaker 1>in Nork and get to the track. Nonetheless, by that time,

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<v Speaker 1>I was already kind of like super dope at just

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<v Speaker 1>a hobby recording myself. I had already been seeing everywhere.

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<v Speaker 1>But I met this dude yourself as well. I was

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<v Speaker 1>in the gospel group, and we made a couple of

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<v Speaker 1>a B side right because you know, but this is

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<v Speaker 1>when I'm like thirteen fourteen. But the dude that recorded

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<v Speaker 1>us was the lady's nephew. Let me just tell you

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<v Speaker 1>how God works. I ended up right off a Fordham row,

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<v Speaker 1>right off a grand concourse. I didn't know I was

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<v Speaker 1>gonna end up going for them university on the full scholarship.

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<v Speaker 1>Then when I was third team, four team, just so happens,

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<v Speaker 1>I get this full scholarship after my classes, which I was,

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<v Speaker 1>you know, I gotta go because I got the scholarship.

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<v Speaker 1>I would always go to the dude's house. I used

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<v Speaker 1>to get woomans for sneaking out the window to go

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<v Speaker 1>to this studio in the Bronx before I was of

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<v Speaker 1>age to really be doing it. So I really knew

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<v Speaker 1>how to record myself. Like I said, produced myself stacked

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<v Speaker 1>my vocals because he taught me how to use that

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<v Speaker 1>little task camp thing when you could go straight to

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<v Speaker 1>the cassette to work with. So by the time I

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<v Speaker 1>met Puff, I mean it was really I was just

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<v Speaker 1>the ride as my daughter's father. I was his ride

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<v Speaker 1>to the studio and waiting in the lounge and Puff

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<v Speaker 1>was working on his first album and he needed somebody

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<v Speaker 1>to see this part. And it was like she could say,

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<v Speaker 1>you know, and I went in there murdered it like

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<v Speaker 1>I stacked. It was like Mr Puffy, excuse me? Can

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<v Speaker 1>I changed around and I've made I murked it. I

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<v Speaker 1>know I did. As soon as I came out the booth,

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<v Speaker 1>he was like, you want to sign up my new label?

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<v Speaker 1>And I wasn't there for that at all. I know,

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<v Speaker 1>I had on the church girl outfit or something like.

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<v Speaker 1>I wasn't like, yeah, that wasn't like my thing. It's

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<v Speaker 1>like if it happens that way, okay. So I had

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<v Speaker 1>worked with I'll be sure prior to that. But he know,

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<v Speaker 1>he bade me just to do his demos. But again,

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<v Speaker 1>I was just there when my daughter's father he heard

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<v Speaker 1>me singing on the tape and like, oh ship, that's you,

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<v Speaker 1>like come up my ship up. So it was just

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<v Speaker 1>I was in that place at that time. But wherever

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<v Speaker 1>it was that I was gonna sing and make some money,

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<v Speaker 1>it's kind of where I want to be, whether it

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<v Speaker 1>was in a professional recording sense or at a wedding

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<v Speaker 1>or a retirement party. You know what I'm saying. All Right, Okay?

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<v Speaker 1>In the movie right Big Big walks out of the room,

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<v Speaker 1>and I believe Puff says, I'm gonna meet my meet

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<v Speaker 1>my artist. So you was already signed to a bad

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<v Speaker 1>Boy prior to you even know him. Big was on

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<v Speaker 1>that label. Oh yeah, yeah, yeah, Ben didn't know me either.

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<v Speaker 1>I think when we finally met at that it was

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<v Speaker 1>like this photo shoot because Monty Big had signed to

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<v Speaker 1>bad Boy when Puff was still at Uptown. UM Total

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<v Speaker 1>was signed before me as well, but and Craig mac.

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<v Speaker 1>But when I remember um being, I mean Puff had

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<v Speaker 1>this photo shoot. I had already worked on Usher's first album,

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<v Speaker 1>Marries My Life album. So while I was negotiating, when

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<v Speaker 1>I was doing backgrounds and arrangements, like I was writing

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<v Speaker 1>stuff and laying the demo, and most of the time

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<v Speaker 1>he would keep my backgrounds that I laid down. That

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<v Speaker 1>was like on Usher's first album and then marries My

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<v Speaker 1>Life albums, so that's still publishing. You get absolutely publishing

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<v Speaker 1>and that after AFM honey with them. But yeah, during

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<v Speaker 1>this time, I was negotiating my deal with Bad Boy Records.

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<v Speaker 1>So by the time, you know, Pop had his this

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<v Speaker 1>first photo shoot with his new artist. It ended up

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<v Speaker 1>just being me, Big and Craig Mac at the photo shoot.

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<v Speaker 1>I don't even remember. I don't think total made it right.

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<v Speaker 1>It was just us three and that's where me and

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<v Speaker 1>b first met. And he said he has seen me

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<v Speaker 1>coming in and out the near fact, because back then,

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<v Speaker 1>you know, Puff would have like the whole every home,

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<v Speaker 1>you know, somebody working on something different that he's you know, facilitating.

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<v Speaker 1>Big said he thought I was like a session singer,

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<v Speaker 1>you know, because he saw me going in and out

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<v Speaker 1>of session. We didn't know I was an artist on

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<v Speaker 1>the labeling, like somebody that kind of just got paid

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<v Speaker 1>to do backgrounds, which I kind of was getting paid

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<v Speaker 1>to do that. But I wasn't there as a session thing.

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<v Speaker 1>I was writing. I just was laying down and stuff that,

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<v Speaker 1>you know what I mean. But that's double checks. Hey, okay,

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<v Speaker 1>so um so he sings from the background the vocals

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<v Speaker 1>you're writing, And how is this that had that approach

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<v Speaker 1>when they come to you and they say, we would

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<v Speaker 1>like you to be an artist. Was you expecting that

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<v Speaker 1>that was something you didn't hear me when I was

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<v Speaker 1>at that first session with my daughter's father for Ussher

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<v Speaker 1>and he needed someone to sing that part. As soon

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<v Speaker 1>as I walked out the booth, he asked me that

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<v Speaker 1>I want to sign his new label. It's just that

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<v Speaker 1>in the time of him working out my deal, he

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<v Speaker 1>was also having me right and work on USh You

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<v Speaker 1>and Mary's album before I actually got to working on

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<v Speaker 1>my first project. Yeah, so I was, you know, working

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<v Speaker 1>on doing other things. I actually started working on my

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<v Speaker 1>first album, and because Puff really wasn't known at that time.

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<v Speaker 1>He was known, but he wasn't like what made you

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<v Speaker 1>put your trust in him? Well, you know what, it's

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<v Speaker 1>crazy because I knew nothing about the industry like that. Yeah.

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<v Speaker 1>I had a few friends that you know, kind of

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<v Speaker 1>made it or got signed and became successful. But um,

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<v Speaker 1>it's crazy because when I tell the story, I remember

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<v Speaker 1>when I came out and he was like, you want

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<v Speaker 1>to sign I'm like it really And he started writing

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<v Speaker 1>down numbers like we're about to work out a deal

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<v Speaker 1>right then, Like I'm like, oh, and it just so happens.

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<v Speaker 1>I have met this attorney who ended up being my

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<v Speaker 1>first attorney. UM in the industry. I met him when

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<v Speaker 1>I was writing with this producer from Jersey and the media.

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<v Speaker 1>I was like, I got a lawyer, Like you better

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<v Speaker 1>I'm not about to work out the deal right now.

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<v Speaker 1>But nonetheless, um, you know, it was just it was cool.

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<v Speaker 1>But it was like, on one hand, like, Okay, I

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<v Speaker 1>mean you're serious. But on the other hand, don't even

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<v Speaker 1>play me, like, don't think. I don't think I'm about

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<v Speaker 1>to do that right here right now, you know, don't

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<v Speaker 1>get me on. It was you know, it was all

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<v Speaker 1>new to him too, but I mean, it was a

0:11:59.360 --> 0:12:00.640
<v Speaker 1>great thing to be a part of it. When I

0:12:00.640 --> 0:12:03.320
<v Speaker 1>talked to my lawyer, he was like, well, I mean,

0:12:03.400 --> 0:12:04.640
<v Speaker 1>and ain't like I had not not so on to

0:12:04.679 --> 0:12:06.920
<v Speaker 1>take what I wasn't even out searching to get this

0:12:07.000 --> 0:12:09.840
<v Speaker 1>type of thing, don't I'll be sure. I kinda was,

0:12:10.640 --> 0:12:13.360
<v Speaker 1>you know, dancing with the idea of getting getting me

0:12:13.400 --> 0:12:15.360
<v Speaker 1>signed on his little imprint. But you know, it wasn't

0:12:15.400 --> 0:12:17.080
<v Speaker 1>something that I was that's all I wanted to do.

0:12:17.160 --> 0:12:18.960
<v Speaker 1>I was like whatever, if I could make some money

0:12:19.000 --> 0:12:21.200
<v Speaker 1>and if I feel like it's gonna work out good,

0:12:21.280 --> 0:12:24.280
<v Speaker 1>you know maybe, But it was just something concrete, and

0:12:24.559 --> 0:12:26.840
<v Speaker 1>it was I heard a little buzz about him. And

0:12:26.880 --> 0:12:34.319
<v Speaker 1>another side board to that story is sidebar mesa justice mother. Correct,

0:12:34.360 --> 0:12:36.280
<v Speaker 1>she used to come to my church. One of her

0:12:36.280 --> 0:12:39.079
<v Speaker 1>cousins was best friends with my cousin in Jersey. So

0:12:39.200 --> 0:12:42.960
<v Speaker 1>Misa used to visit my right and it's so crazy,

0:12:42.960 --> 0:12:45.680
<v Speaker 1>I'm like twit over Leven and they knew she was

0:12:45.760 --> 0:12:47.560
<v Speaker 1>like dating this guy, pump Daddy. I think he was

0:12:47.600 --> 0:12:50.079
<v Speaker 1>still in you know, Howard or whatever. I don't know

0:12:50.080 --> 0:12:52.160
<v Speaker 1>how old I was, but we knew that she was

0:12:52.240 --> 0:12:53.920
<v Speaker 1>dating this puff daddy guy. I didn't know who he

0:12:53.960 --> 0:12:58.200
<v Speaker 1>really was, you know. Fast forward how eight years later

0:12:58.240 --> 0:12:59.960
<v Speaker 1>I didn't think. I never knew I was gonna be

0:13:00.040 --> 0:13:02.480
<v Speaker 1>on to this man's label. So immediately she was kind

0:13:02.480 --> 0:13:05.600
<v Speaker 1>of one of my first confidence, one of the first

0:13:05.600 --> 0:13:07.560
<v Speaker 1>people that kind of really embraced me because we already

0:13:07.600 --> 0:13:09.760
<v Speaker 1>were familiar with each other just from her seeing me

0:13:09.800 --> 0:13:11.760
<v Speaker 1>singing in my church. So when I was like, oh

0:13:11.760 --> 0:13:14.720
<v Speaker 1>my god, she's like faith from New Jersey, Like I

0:13:14.760 --> 0:13:17.840
<v Speaker 1>know her from my cousin's church. You know that's my

0:13:17.920 --> 0:13:20.880
<v Speaker 1>cousin too. It so immediately like, that's my cousin. So

0:13:20.920 --> 0:13:24.000
<v Speaker 1>we were always pretty close from my entry into the

0:13:24.040 --> 0:13:25.959
<v Speaker 1>actual business, you know, me and me, so so that's

0:13:26.000 --> 0:13:28.719
<v Speaker 1>kind of how our relationship goes back. But it was

0:13:28.840 --> 0:13:31.760
<v Speaker 1>very random. I never you know, it's full circle, but

0:13:31.880 --> 0:13:34.280
<v Speaker 1>you never know the plans that God has for you.

0:13:34.280 --> 0:13:36.439
<v Speaker 1>You know, what was the first time that you got

0:13:36.440 --> 0:13:38.960
<v Speaker 1>into the industry and you was like disappointed? When because

0:13:39.160 --> 0:13:42.520
<v Speaker 1>because you know, we're all lied to what we expect

0:13:42.640 --> 0:13:45.520
<v Speaker 1>and what we're supposed to and then when we finally

0:13:45.559 --> 0:13:47.840
<v Speaker 1>realized it, it's like it's a it's a kick in

0:13:47.920 --> 0:13:50.920
<v Speaker 1>your throat. It's like, so, when when was it? When

0:13:50.960 --> 0:13:52.920
<v Speaker 1>was the first time you got disappointed? Like when you

0:13:53.320 --> 0:13:56.560
<v Speaker 1>realize the industry that you're really in. Than that's a

0:13:56.600 --> 0:14:00.080
<v Speaker 1>good question, but quite a hard one, you know, and

0:14:00.120 --> 0:14:02.160
<v Speaker 1>go on, you know who you're talking to the sh

0:14:02.320 --> 0:14:08.160
<v Speaker 1>out of a bit, like the first time. I mean,

0:14:08.280 --> 0:14:11.120
<v Speaker 1>tell you my first time I think about it, Okay,

0:14:11.120 --> 0:14:13.320
<v Speaker 1>I'll tell you my first time. My first time was

0:14:13.600 --> 0:14:16.520
<v Speaker 1>realizing that this was a business. Like I always thought

0:14:16.559 --> 0:14:18.800
<v Speaker 1>that I could just trust my friend or trust forever

0:14:19.160 --> 0:14:21.200
<v Speaker 1>and when I realized that I had to actually like

0:14:21.280 --> 0:14:24.400
<v Speaker 1>read the contracts and go over things and the person's

0:14:24.440 --> 0:14:26.920
<v Speaker 1>word wasn't good. Like that was the first time I

0:14:26.960 --> 0:14:28.640
<v Speaker 1>kicked myself in the ass, and I was like, why

0:14:28.640 --> 0:14:31.640
<v Speaker 1>have my head? Okay, you know, I think, okay, you

0:14:31.680 --> 0:14:33.320
<v Speaker 1>know what, Thank you because that kind of helped me

0:14:33.760 --> 0:14:36.120
<v Speaker 1>in the direction of where I can't go because there's

0:14:36.200 --> 0:14:37.800
<v Speaker 1>many things I can say. But I think one of

0:14:37.840 --> 0:14:42.360
<v Speaker 1>my first subconscious disappointments, whether I really was able to

0:14:42.400 --> 0:14:44.240
<v Speaker 1>handle it or change it or express it or not,

0:14:44.680 --> 0:14:47.600
<v Speaker 1>probably seeing my percentage I got on stuff that I

0:14:47.640 --> 0:14:50.440
<v Speaker 1>wrote on for other people, right, And but you know,

0:14:50.560 --> 0:14:53.160
<v Speaker 1>if you're that's something I learned over the years, how

0:14:53.200 --> 0:14:55.760
<v Speaker 1>to really even understand and get clear on those splits

0:14:56.040 --> 0:14:58.040
<v Speaker 1>you know what I'm saying beforehand and all that stuff

0:14:58.040 --> 0:15:00.280
<v Speaker 1>that you got a factor in samples, So was like

0:15:00.320 --> 0:15:02.160
<v Speaker 1>and it wasn't my project to begin with, so I

0:15:02.280 --> 0:15:04.920
<v Speaker 1>definitely wasn't the one choosing how much. But I'm like,

0:15:05.280 --> 0:15:07.560
<v Speaker 1>I wrote the whole bridge and half a hook, and

0:15:07.560 --> 0:15:10.200
<v Speaker 1>I'm like, point oh, oh, like you know what I'm

0:15:10.200 --> 0:15:13.320
<v Speaker 1>saying percent point zero zero six, like you know, but whatever,

0:15:15.000 --> 0:15:18.240
<v Speaker 1>but yeah, something like that probably was my very initial disappointment.

0:15:18.280 --> 0:15:21.040
<v Speaker 1>But then I realized, like, whoa, you didn't ask anybody

0:15:21.080 --> 0:15:22.520
<v Speaker 1>what was that going to be in the first place?

0:15:22.560 --> 0:15:26.200
<v Speaker 1>Or how you want drop that out? So, um, let

0:15:26.200 --> 0:15:28.560
<v Speaker 1>me ask you something like, um, when you when you

0:15:28.680 --> 0:15:33.840
<v Speaker 1>hear when you hear brothers battling, right, it can't it

0:15:33.920 --> 0:15:38.040
<v Speaker 1>can't sit right with you because you you've seen actual

0:15:38.160 --> 0:15:42.000
<v Speaker 1>battle battle like you've seen the worst of the worst.

0:15:42.360 --> 0:15:45.320
<v Speaker 1>So when you see brothers like battling on on wax,

0:15:45.600 --> 0:15:49.400
<v Speaker 1>what's the first thing you think of? Well, it depends

0:15:49.400 --> 0:15:52.640
<v Speaker 1>on if it's something that this is lyrically interesting, interesting

0:15:52.680 --> 0:15:54.480
<v Speaker 1>to me or not, because sometimes I'll be having to

0:15:54.520 --> 0:15:56.200
<v Speaker 1>catch up like, well, what are you mething about? What's

0:15:56.200 --> 0:15:58.640
<v Speaker 1>the song about? You know? Who said? What? Um? Man?

0:15:58.760 --> 0:16:00.600
<v Speaker 1>You know my kids or see Eason you know and

0:16:00.680 --> 0:16:04.320
<v Speaker 1>them might kind of how about like NAS and J

0:16:04.800 --> 0:16:07.040
<v Speaker 1>when you heard the and J. I mean, I think

0:16:07.040 --> 0:16:09.440
<v Speaker 1>it's okay when it's when it's just in the spirit

0:16:09.480 --> 0:16:13.000
<v Speaker 1>of um of competition, right. I don't really you know,

0:16:14.440 --> 0:16:17.520
<v Speaker 1>I don't never judge people's creativity anyway. You ain't coming

0:16:17.560 --> 0:16:23.000
<v Speaker 1>at me. I think have you ever think that someone

0:16:23.040 --> 0:16:25.640
<v Speaker 1>that you ever think someone made a record? U? Coming

0:16:25.680 --> 0:16:29.360
<v Speaker 1>at you, do I think, well, I mean specifically, I

0:16:29.400 --> 0:16:32.040
<v Speaker 1>know my my ex husband God blessed dead, but Big did.

0:16:32.160 --> 0:16:35.160
<v Speaker 1>And the thing is, in real life, he wasn't coming

0:16:35.200 --> 0:16:39.080
<v Speaker 1>at me. We were just come on, come on it.

0:16:41.840 --> 0:16:43.760
<v Speaker 1>So this is a fun fact that this is a

0:16:43.880 --> 0:16:47.760
<v Speaker 1>you know, that whole everything, biggie, And there's so many misconceptions,

0:16:47.800 --> 0:16:50.200
<v Speaker 1>but we laugh at certain things that only we kind

0:16:50.200 --> 0:16:53.440
<v Speaker 1>of know. Like what do you mean saying if faith

0:16:53.480 --> 0:16:58.320
<v Speaker 1>have twins, she probably had two. Yeah, I've had a

0:16:58.360 --> 0:17:03.520
<v Speaker 1>couple of things. Listen. Number one, my son c J.

0:17:03.920 --> 0:17:08.000
<v Speaker 1>When I first found out I was pregnant, it was twins. Okay, okay.

0:17:08.359 --> 0:17:10.480
<v Speaker 1>By the time I was four most pregnant, there was

0:17:10.520 --> 0:17:13.159
<v Speaker 1>like a disappearance something they called disappearing twins syndrome. So

0:17:13.240 --> 0:17:16.600
<v Speaker 1>the other, uh the other, you know, I'm something I

0:17:16.600 --> 0:17:22.119
<v Speaker 1>didn't develop. The other didn't developed right, Um, But Big

0:17:22.119 --> 0:17:25.800
<v Speaker 1>and I never had Big never question whether he you know,

0:17:26.000 --> 0:17:28.960
<v Speaker 1>I was forgot about him later on, you know, because

0:17:28.960 --> 0:17:31.840
<v Speaker 1>I was so livid and I just never even you know,

0:17:31.920 --> 0:17:34.160
<v Speaker 1>I just never addressed him to after CJ was born.

0:17:34.160 --> 0:17:35.359
<v Speaker 1>And one I didn't even had to be He just

0:17:35.480 --> 0:17:37.639
<v Speaker 1>was crying one day looking at each and I'm my

0:17:37.720 --> 0:17:39.600
<v Speaker 1>friend was so mad at him, my best friend who

0:17:39.600 --> 0:17:41.840
<v Speaker 1>was my manager now, and she cursed him out, like

0:17:41.880 --> 0:17:43.879
<v Speaker 1>I just I'm the type Like it's like because if

0:17:43.880 --> 0:17:48.280
<v Speaker 1>I go here, I'm like, that's the girl that documentary. Yeah,

0:17:48.720 --> 0:17:51.040
<v Speaker 1>Balyn and you said that you were big only to

0:17:51.080 --> 0:17:53.680
<v Speaker 1>stay there together for like two weeks and you looked

0:17:53.680 --> 0:17:57.280
<v Speaker 1>in the apartment. He was like like that you know

0:17:57.359 --> 0:17:59.520
<v Speaker 1>her mom Mary Flowers, Mary Flowers. That used to be

0:17:59.560 --> 0:18:05.560
<v Speaker 1>to promote you know, that was crazy because I see

0:18:05.600 --> 0:18:08.200
<v Speaker 1>the documentary of uncas. Yall sat down, y'all was eating

0:18:09.119 --> 0:18:11.119
<v Speaker 1>and I was talking about how this place you used

0:18:11.160 --> 0:18:14.000
<v Speaker 1>to go get this food, County House Country like so much.

0:18:14.200 --> 0:18:17.120
<v Speaker 1>So what was that? Was a spot in Brooklyn? Yeah,

0:18:17.240 --> 0:18:21.359
<v Speaker 1>twenty four hours, don't close. The whole point of that

0:18:21.440 --> 0:18:25.159
<v Speaker 1>scene was that big was mad greeting so we always

0:18:25.160 --> 0:18:27.119
<v Speaker 1>like she said, I've been thinking of Tim Mills and

0:18:27.160 --> 0:18:31.160
<v Speaker 1>it was pooring y'all, Like it was a big stuck

0:18:31.240 --> 0:18:33.040
<v Speaker 1>up on wild Ship. There's a show in the house.

0:18:33.200 --> 0:18:39.520
<v Speaker 1>What I'm saying, like that girl, how does the house

0:18:39.520 --> 0:18:43.480
<v Speaker 1>a little Jersey girl, like just right into Brooklyn even

0:18:43.520 --> 0:18:52.040
<v Speaker 1>though it is the brick little Jersey, But how did

0:18:52.280 --> 0:18:54.600
<v Speaker 1>how did it? Because when I see y'all, like, I'm

0:18:54.640 --> 0:18:56.800
<v Speaker 1>not gonna lie to you, and of course I'm the

0:18:56.800 --> 0:18:59.440
<v Speaker 1>outside of looking in. But when I mean even seeing

0:18:59.520 --> 0:19:02.360
<v Speaker 1>y'all back to when I see y'all, it's like it's

0:19:02.400 --> 0:19:06.200
<v Speaker 1>like it just goes together, like I think be even

0:19:06.200 --> 0:19:08.199
<v Speaker 1>more so than how does the Jersey girl end up

0:19:08.280 --> 0:19:11.120
<v Speaker 1>in Brooklyn? Because that's their substories to that Big used

0:19:11.160 --> 0:19:13.639
<v Speaker 1>to be when we did meet, And you know, I

0:19:13.880 --> 0:19:16.800
<v Speaker 1>hear my way around around Brooklyn already because I used

0:19:16.840 --> 0:19:27.320
<v Speaker 1>to go to as a Kywalkers. I like, he like

0:19:27.680 --> 0:19:30.439
<v Speaker 1>what you're doing up in this Like I'm like, I

0:19:30.520 --> 0:19:32.520
<v Speaker 1>used to go to this rehearsal at the shirts drive

0:19:32.640 --> 0:19:35.280
<v Speaker 1>my homeboy to hear you know, I'm just so I'm

0:19:35.359 --> 0:19:38.239
<v Speaker 1>new Jersey Drive. That's my nickname. That's what they called me.

0:19:38.400 --> 0:19:40.119
<v Speaker 1>But no, we I think it's more hot. Big and

0:19:40.240 --> 0:19:42.439
<v Speaker 1>I bind it. It was like our senses of humor,

0:19:43.400 --> 0:19:45.080
<v Speaker 1>you know, like they used to try and they always

0:19:45.160 --> 0:19:46.879
<v Speaker 1>joke on each other. And he tried to park on

0:19:46.960 --> 0:19:48.840
<v Speaker 1>me and I'm quick on the come back, you know,

0:19:48.960 --> 0:19:55.400
<v Speaker 1>so I could beat Bond. I'm going to front our back,

0:19:55.640 --> 0:19:58.440
<v Speaker 1>Oh ship than we are? We are? We are not

0:19:58.760 --> 0:20:04.359
<v Speaker 1>you go back you normal? Okay, actually I got that

0:20:04.600 --> 0:20:07.960
<v Speaker 1>way to look. There's gonna dude about just start from

0:20:08.040 --> 0:20:10.360
<v Speaker 1>random souls. I don't want to know where your your

0:20:10.800 --> 0:20:13.480
<v Speaker 1>head was at, where your space was at when you

0:20:13.560 --> 0:20:18.160
<v Speaker 1>recorded this, when you wrote it. Whatever. Honestly, I'm gonna start. Yeah,

0:20:18.480 --> 0:20:25.280
<v Speaker 1>you gonna see your brother last time. When I listened

0:20:25.280 --> 0:20:28.040
<v Speaker 1>back to that episode, I was like, dah, they said

0:20:28.119 --> 0:20:35.560
<v Speaker 1>she's got smoke listed smokes, So I'm gonna throw um.

0:20:35.600 --> 0:20:36.959
<v Speaker 1>I want to know where you was at, where your

0:20:36.960 --> 0:20:48.720
<v Speaker 1>head was at when you wrote um. I remember that

0:20:48.880 --> 0:20:50.919
<v Speaker 1>your first girl talk into the industry. That was my

0:20:51.000 --> 0:20:54.920
<v Speaker 1>first single, but I believe that may have been man

0:20:55.040 --> 0:20:56.960
<v Speaker 1>I have been no, no, no, it wasn't for Mary.

0:20:57.400 --> 0:21:01.840
<v Speaker 1>This may have been the first off checking song I

0:21:01.880 --> 0:21:04.520
<v Speaker 1>actually recorded when I finally started working on my album.

0:21:04.680 --> 0:21:06.960
<v Speaker 1>But the great thing of the story about that record,

0:21:07.000 --> 0:21:08.560
<v Speaker 1>I remember when I got the hook like it was

0:21:08.600 --> 0:21:11.119
<v Speaker 1>a and Pile was like this too, Like sometimes you

0:21:11.200 --> 0:21:13.760
<v Speaker 1>just you ain't even want to come to the session

0:21:13.960 --> 0:21:16.879
<v Speaker 1>because you just wanted to finish it. No shame, you

0:21:16.920 --> 0:21:18.760
<v Speaker 1>don't even want to get this input. And a lot

0:21:18.760 --> 0:21:21.120
<v Speaker 1>of time it was just like I want to finished,

0:21:21.560 --> 0:21:23.280
<v Speaker 1>you know, before you told me what else to do

0:21:23.480 --> 0:21:25.800
<v Speaker 1>before you say what you think about it. But I

0:21:25.880 --> 0:21:27.840
<v Speaker 1>knew when I finished that hook, I called him like,

0:21:27.880 --> 0:21:31.199
<v Speaker 1>come listen, and he called almost everybody that was in

0:21:31.280 --> 0:21:33.919
<v Speaker 1>any studio in the city to come and listen and

0:21:34.000 --> 0:21:36.159
<v Speaker 1>so but at the time, you know, I was I'm

0:21:36.200 --> 0:21:38.320
<v Speaker 1>super shock. I'm so used to recording by myself, so

0:21:38.359 --> 0:21:40.640
<v Speaker 1>when people staring at me and I had to kind

0:21:40.680 --> 0:21:43.280
<v Speaker 1>of finish it for everybody, was like, from Andre to

0:21:43.359 --> 0:21:46.520
<v Speaker 1>Michael Bivens to this, like everybody just came through because

0:21:46.520 --> 0:21:48.280
<v Speaker 1>he was like, Yo, come listen to this joint my

0:21:48.320 --> 0:21:50.479
<v Speaker 1>new artist. So I kind of knew it was like

0:21:50.520 --> 0:21:55.920
<v Speaker 1>the ship, like everybody, this is big thinking that why

0:21:56.440 --> 0:21:58.960
<v Speaker 1>we're wanting each other's sessions. A whole lot a lot

0:21:58.960 --> 0:22:01.439
<v Speaker 1>of this stuff was recorded already by the time I

0:22:01.480 --> 0:22:07.760
<v Speaker 1>came around. Who produced that, Chuck Thompson and that that

0:22:07.880 --> 0:22:10.320
<v Speaker 1>was like an introduction to the my headspace was. I

0:22:10.400 --> 0:22:13.399
<v Speaker 1>was excited. It was like a way for me to

0:22:13.440 --> 0:22:16.000
<v Speaker 1>mess my church harmonies that I learned from the Clock

0:22:16.080 --> 0:22:19.000
<v Speaker 1>Sisters over a hot ass beat, you know what I'm saying.

0:22:19.000 --> 0:22:21.919
<v Speaker 1>So it's a classic. It was then I used to

0:22:21.920 --> 0:22:24.280
<v Speaker 1>make stuff off off the top of my head. Now

0:22:24.320 --> 0:22:26.160
<v Speaker 1>I'll be thinking a lot harder about it. But I mean,

0:22:26.160 --> 0:22:28.000
<v Speaker 1>it was just it was it just came out right.

0:22:28.080 --> 0:22:29.760
<v Speaker 1>You know, it was meant to be that way. You

0:22:29.840 --> 0:22:31.520
<v Speaker 1>had that something too. I don't know if you remember.

0:22:31.840 --> 0:22:33.959
<v Speaker 1>I don't remember driving over the bridge in Brooklyn by

0:22:34.080 --> 0:22:36.720
<v Speaker 1>myself when I first heard flex dropping blobs and I'm

0:22:36.760 --> 0:22:45.040
<v Speaker 1>just crying, like thank you. A lot of a lot

0:22:45.040 --> 0:22:49.080
<v Speaker 1>of people don't understand or can't described the first time

0:22:49.119 --> 0:22:51.679
<v Speaker 1>you hear yourself on the radio. That gotta be like

0:22:51.680 --> 0:22:53.959
<v Speaker 1>like like a crivalent to like busting your first night.

0:22:55.400 --> 0:22:58.960
<v Speaker 1>I mean, like, I mean, I gotta be real with that,

0:22:59.240 --> 0:23:04.000
<v Speaker 1>Like I'm such a sucker nowadays. I heard your radio

0:23:04.119 --> 0:23:05.640
<v Speaker 1>the other day and they played one of my old

0:23:05.720 --> 0:23:08.680
<v Speaker 1>joys and I was like, fuck that ship, and the

0:23:08.800 --> 0:23:12.639
<v Speaker 1>old me just snuffed me, Like what the fun is?

0:23:12.680 --> 0:23:17.840
<v Speaker 1>You're just saying, are you still well? I mean, that's

0:23:18.440 --> 0:23:20.560
<v Speaker 1>that's different. You're a hip hop parties, what I mean.

0:23:21.119 --> 0:23:23.440
<v Speaker 1>You know, most of the time I'm hearing my classic stuff,

0:23:23.760 --> 0:23:26.800
<v Speaker 1>So it's not like I expect to hear my independent

0:23:26.840 --> 0:23:29.000
<v Speaker 1>records on the radio, to be quite honest, unless it

0:23:29.119 --> 0:23:30.960
<v Speaker 1>might be a Santimite station. That'd be like, I like

0:23:31.080 --> 0:23:33.600
<v Speaker 1>this joy, but you know, I hear my that I

0:23:33.720 --> 0:23:37.280
<v Speaker 1>perform all my classic stuff and that's the ship they think.

0:23:37.400 --> 0:23:40.679
<v Speaker 1>Is No, that's what girls on the crowd like. Now

0:23:40.680 --> 0:23:42.639
<v Speaker 1>she's still come on the run in between hip hop.

0:23:43.840 --> 0:23:45.480
<v Speaker 1>I don't know if you know he got to rock

0:23:45.560 --> 0:23:53.480
<v Speaker 1>the bell. It's not an old classic. Is actually pick

0:23:53.560 --> 0:23:55.920
<v Speaker 1>you up. I got to the party, to the launch party.

0:23:55.920 --> 0:24:02.680
<v Speaker 1>But yeah, listen to that station though. You know, but

0:24:02.960 --> 0:24:04.639
<v Speaker 1>I'd like to think we kind of inspired that with

0:24:04.800 --> 0:24:07.200
<v Speaker 1>Drink Chance because Drink chats. We are the people that

0:24:07.240 --> 0:24:09.359
<v Speaker 1>have been in this game ten years or more, you know,

0:24:09.400 --> 0:24:11.880
<v Speaker 1>the new guys, they got their own platform you could

0:24:11.920 --> 0:24:13.560
<v Speaker 1>go to, you know, the hot do these sevens of

0:24:13.600 --> 0:24:15.320
<v Speaker 1>the power one on fis. We want to praise people

0:24:15.359 --> 0:24:17.720
<v Speaker 1>who have time in this game. And you know, usually

0:24:17.760 --> 0:24:19.240
<v Speaker 1>when you have ten years or more in this game,

0:24:19.240 --> 0:24:20.800
<v Speaker 1>people want to kick you out, people want to call

0:24:20.840 --> 0:24:23.000
<v Speaker 1>you oh, and that's not what the has happened. We're

0:24:23.000 --> 0:24:26.399
<v Speaker 1>not to happen. We are legends every other genre music.

0:24:26.440 --> 0:24:29.119
<v Speaker 1>They picked them up otter ten years, were allowed us

0:24:29.160 --> 0:24:30.600
<v Speaker 1>to happen in hip hop. You know what I'm saying.

0:24:30.640 --> 0:24:36.280
<v Speaker 1>So she said something right now she said, because you're

0:24:36.280 --> 0:24:38.159
<v Speaker 1>a hip hop artist and I feel like you're a

0:24:38.240 --> 0:24:40.359
<v Speaker 1>hip hop artist. No, I didn't mean that. I was

0:24:40.400 --> 0:24:44.760
<v Speaker 1>speaking specifically to him, talking about hearing songs on the

0:24:44.880 --> 0:24:49.160
<v Speaker 1>radio whereas my genre of music. Yeah, there was a time,

0:24:49.240 --> 0:24:51.520
<v Speaker 1>like he said, there was a time when the power

0:24:51.600 --> 0:24:54.960
<v Speaker 1>stations were playing what you considered classic R and B

0:24:55.200 --> 0:24:58.560
<v Speaker 1>artists we were I wasn't considered that, and even all

0:24:58.600 --> 0:25:01.720
<v Speaker 1>the way up until two thousand five. You know, in

0:25:01.760 --> 0:25:03.840
<v Speaker 1>the last ten years, it's been it's a huge shift.

0:25:04.200 --> 0:25:07.480
<v Speaker 1>But I'm not really I'm not mad at that, you

0:25:07.480 --> 0:25:09.520
<v Speaker 1>know what I'm saying, long as I'm getting played somewhere.

0:25:09.800 --> 0:25:12.119
<v Speaker 1>But my point was to like, you're more likely to

0:25:12.200 --> 0:25:16.400
<v Speaker 1>be hearing some rap stuff on a power station as

0:25:16.400 --> 0:25:19.919
<v Speaker 1>opposed to my brand. I yeah, I kind of slide

0:25:19.960 --> 0:25:24.960
<v Speaker 1>through because I got so many records outside movements in

0:25:25.119 --> 0:25:27.800
<v Speaker 1>hip hop music. So yeah, I kind of when you

0:25:27.880 --> 0:25:29.720
<v Speaker 1>came out, it was just it just had that hip

0:25:29.720 --> 0:25:31.640
<v Speaker 1>hop field exact it was. It was on the clue

0:25:33.720 --> 0:25:37.439
<v Speaker 1>about my music. But I meant specifically him being a rapper.

0:25:37.720 --> 0:25:42.000
<v Speaker 1>That's kind of what I'm meant. Um, So what is

0:25:42.440 --> 0:25:44.479
<v Speaker 1>what are you listening to now? If we're going on

0:25:44.480 --> 0:25:48.200
<v Speaker 1>the car right now. What what are you listening to? Well,

0:25:49.560 --> 0:25:59.919
<v Speaker 1>um my, I'm so funny my iPod music, I lose Apple.

0:26:00.160 --> 0:26:07.960
<v Speaker 1>I'm keeping a new way. No guated, she still do

0:26:08.040 --> 0:26:19.440
<v Speaker 1>a little enjoyment. She's still that's not But I kind

0:26:19.440 --> 0:26:22.400
<v Speaker 1>of listened to classic stuff. I mean I do. There's

0:26:22.440 --> 0:26:24.680
<v Speaker 1>a lot of new artists that I appreciate, and and

0:26:24.960 --> 0:26:27.800
<v Speaker 1>you know, there's always just some new fresh talent out there.

0:26:27.800 --> 0:26:30.000
<v Speaker 1>I don't really, but I mean I know on heavy

0:26:30.080 --> 0:26:33.040
<v Speaker 1>rotation it's everything from like earth Wind and Fire to

0:26:33.200 --> 0:26:35.200
<v Speaker 1>your Nita Beaker to your mom's and the thought was,

0:26:35.320 --> 0:26:39.199
<v Speaker 1>just Stevie, wonder your shop up. I listened to so

0:26:39.280 --> 0:26:41.280
<v Speaker 1>much stuff. But then I also listened to a lot

0:26:41.280 --> 0:26:44.080
<v Speaker 1>of gospel music. I listened to a lot of jazz

0:26:44.160 --> 0:26:47.639
<v Speaker 1>music because I studied in saying jazz too when I

0:26:47.680 --> 0:26:49.639
<v Speaker 1>was in high school. So you know, I'm kind of

0:26:49.640 --> 0:26:51.439
<v Speaker 1>a little all across the board. My kids tend to

0:26:51.480 --> 0:26:54.119
<v Speaker 1>turn me onto um the artists that are kind of

0:26:54.160 --> 0:26:56.679
<v Speaker 1>like of the Mallenneial generation. If I don't already know

0:26:56.720 --> 0:27:04.800
<v Speaker 1>who they to see, I don't know what that heard

0:27:04.880 --> 0:27:12.240
<v Speaker 1>that man, That's how that's how everything sounds tonight. I

0:27:12.240 --> 0:27:13.960
<v Speaker 1>mean it's all though, that's it at all. It is

0:27:14.000 --> 0:27:16.120
<v Speaker 1>a few dot I don't A few are like would

0:27:16.119 --> 0:27:17.920
<v Speaker 1>you would you? Would you listen to him up? I

0:27:18.000 --> 0:27:21.080
<v Speaker 1>be listening that okay. TJ put me on a chance

0:27:21.119 --> 0:27:23.440
<v Speaker 1>to wrapp ups nothing. I started like a chance to

0:27:23.480 --> 0:27:26.639
<v Speaker 1>wrap up. Somebody knew how Sun and didn't he just

0:27:26.920 --> 0:27:30.119
<v Speaker 1>past And Danny loves her son too. Um, it's not

0:27:30.160 --> 0:27:42.160
<v Speaker 1>his son, that's just soundings. Yeah, don't glove his Sun.

0:27:44.200 --> 0:27:50.359
<v Speaker 1>Get the phone lead the weapon. That's what's leading the weapon,

0:27:50.920 --> 0:27:56.679
<v Speaker 1>the weapon that is his son. I like him though

0:27:56.760 --> 0:28:02.080
<v Speaker 1>he liked him too. He's like him A good to

0:28:02.720 --> 0:28:06.480
<v Speaker 1>that record, goddamnit, super Dub. I listened to everything, but

0:28:06.760 --> 0:28:09.160
<v Speaker 1>of course I like you know, I like all the classics. Ship.

0:28:09.760 --> 0:28:12.840
<v Speaker 1>We didn't access to it now you don't have access

0:28:12.880 --> 0:28:15.480
<v Speaker 1>to Ship before. Now we could. We're on our tunes.

0:28:16.000 --> 0:28:18.080
<v Speaker 1>We're gonna listening, you know what I'm saying. Well as

0:28:18.119 --> 0:28:20.240
<v Speaker 1>you can plug us up. We were there. So you

0:28:20.280 --> 0:28:22.199
<v Speaker 1>don't like to take advantage of listening to the classic

0:28:22.280 --> 0:28:24.879
<v Speaker 1>shain't nothing like listening to the infamous Small first album

0:28:25.960 --> 0:28:29.040
<v Speaker 1>the first Ship. We'll change. First off, I'm saying, I

0:28:29.160 --> 0:28:31.560
<v Speaker 1>like to listen to classic Ship. That's a part of

0:28:31.600 --> 0:28:34.639
<v Speaker 1>my workout, Like I got my little my workout mixed

0:28:35.119 --> 0:28:38.320
<v Speaker 1>first of all includes all you just said, quiet storm

0:28:38.440 --> 0:28:55.640
<v Speaker 1>shook mines, Um, don't don't super dug do before. She's

0:28:55.640 --> 0:29:05.240
<v Speaker 1>one of the homies mothers. That's we've been all night long.

0:29:08.680 --> 0:29:11.800
<v Speaker 1>How did you come up with that one? Well? I

0:29:11.960 --> 0:29:14.680
<v Speaker 1>was that song was inspired by church, So I was

0:29:14.760 --> 0:29:22.400
<v Speaker 1>kind of trying to think of a well, no, like

0:29:22.600 --> 0:29:25.640
<v Speaker 1>I was referring to like a church record in terms

0:29:25.680 --> 0:29:27.880
<v Speaker 1>of the tempo and the cadence. How would I approach

0:29:28.440 --> 0:29:31.120
<v Speaker 1>So it's a gospel record that kind of something like dan,

0:29:31.280 --> 0:29:33.720
<v Speaker 1>you know, dance when I think of what he's done,

0:29:33.760 --> 0:29:35.880
<v Speaker 1>I could dance all night. So it kind of was

0:29:35.960 --> 0:29:37.920
<v Speaker 1>inspired by that. We just kind of played around with

0:29:38.080 --> 0:29:42.080
<v Speaker 1>the melodies and lyrics. Yeah. I always kind of like, dang,

0:29:42.720 --> 0:29:44.960
<v Speaker 1>you know, this beat might remind me of this. What

0:29:45.160 --> 0:29:47.480
<v Speaker 1>song has the same tempo that has a slick little

0:29:48.480 --> 0:29:51.160
<v Speaker 1>cadence to it that I could kind of sen my

0:29:51.280 --> 0:29:53.560
<v Speaker 1>bite off of and make it my own. So so

0:29:54.760 --> 0:30:04.000
<v Speaker 1>the church do Um, sometimes I refer to rap, I

0:30:04.040 --> 0:30:10.080
<v Speaker 1>mean you will, I'll be writing sometimes I'll be like,

0:30:10.240 --> 0:30:12.280
<v Speaker 1>you know, when he approached like you know that in

0:30:13.000 --> 0:30:16.720
<v Speaker 1>my time, and you know gave me some balls. Know

0:30:16.880 --> 0:30:18.640
<v Speaker 1>you from somewhere? I keep looking at you. What do

0:30:18.760 --> 0:30:24.160
<v Speaker 1>I know you from drink Champs? You know we got

0:30:24.360 --> 0:30:29.400
<v Speaker 1>drop the mixtape. No, we've done we met past. That's

0:30:29.400 --> 0:30:33.960
<v Speaker 1>what I got, right, Okay, Now you got the ultimate one,

0:30:36.080 --> 0:30:41.400
<v Speaker 1>oh makeup song in the world, like whenever anybody is

0:30:41.480 --> 0:30:48.520
<v Speaker 1>bad and anybody and she's always come at So I

0:30:48.600 --> 0:30:53.840
<v Speaker 1>want to hear her version though I can't think, you

0:30:53.920 --> 0:30:56.960
<v Speaker 1>know what horrible, but you know that's like the ultimate,

0:30:57.080 --> 0:31:00.600
<v Speaker 1>like like like when when something goes wrong in relationship,

0:31:01.040 --> 0:31:04.120
<v Speaker 1>that record has to play when you're making up? Do

0:31:04.240 --> 0:31:08.360
<v Speaker 1>you know that that wall? Ironically enough, I was hoping

0:31:08.400 --> 0:31:10.080
<v Speaker 1>when I wrote it it was in the spirit of

0:31:10.720 --> 0:31:14.160
<v Speaker 1>okay because um, you know, Dick was already signed. But

0:31:14.200 --> 0:31:17.000
<v Speaker 1>by the time we got married, and you know, I

0:31:17.080 --> 0:31:19.120
<v Speaker 1>got him to finally move out of his mom's house

0:31:19.160 --> 0:31:22.480
<v Speaker 1>and we moved in together, he went on the road immediately,

0:31:22.560 --> 0:31:24.360
<v Speaker 1>so we really didn't get a whole lot of time

0:31:24.400 --> 0:31:27.800
<v Speaker 1>to really, you know, spend together and making our home.

0:31:27.920 --> 0:31:29.440
<v Speaker 1>You know, I was kind of meeting up with him

0:31:29.480 --> 0:31:31.760
<v Speaker 1>on the road and still trying to get the house

0:31:31.800 --> 0:31:34.400
<v Speaker 1>set up. Still trying to work on my record. So

0:31:35.080 --> 0:31:37.200
<v Speaker 1>it was more from the perspective of this is something

0:31:37.280 --> 0:31:39.680
<v Speaker 1>that I wish he would be saying to me. That

0:31:39.880 --> 0:31:41.560
<v Speaker 1>was why that was really every I was like, I

0:31:41.640 --> 0:31:44.880
<v Speaker 1>wish he would be saying this to me, you know someone. Yeah,

0:31:54.800 --> 0:32:00.840
<v Speaker 1>we didn't see the dreams. I definitely yeah. I mean

0:32:00.880 --> 0:32:07.000
<v Speaker 1>I've told this story before. Listen to no. I mean

0:32:07.080 --> 0:32:08.800
<v Speaker 1>that was really that. It was more like this is

0:32:08.840 --> 0:32:10.320
<v Speaker 1>what I want him to be saying. He was going

0:32:10.400 --> 0:32:13.960
<v Speaker 1>all the time, So it was like, damn, I'm you know,

0:32:14.120 --> 0:32:21.960
<v Speaker 1>trying my bad again. And this next one, this next

0:32:21.960 --> 0:32:24.320
<v Speaker 1>one is pretty much self explanatory. I'll be missing you.

0:32:24.480 --> 0:32:27.080
<v Speaker 1>But I got a chance to work with one twelve

0:32:27.160 --> 0:32:30.600
<v Speaker 1>and puff on that. Like, um, how did that record

0:32:30.640 --> 0:32:32.960
<v Speaker 1>come about? Obviously we know from on top of the minds,

0:32:33.080 --> 0:32:36.920
<v Speaker 1>but um how how how was this concept even like

0:32:37.000 --> 0:32:40.360
<v Speaker 1>you know, brought up well after Big Past, I didn't

0:32:40.360 --> 0:32:42.840
<v Speaker 1>really want to do anything. I had probably started recording

0:32:43.200 --> 0:32:45.400
<v Speaker 1>my you know, I may have recorded one song on

0:32:45.520 --> 0:32:48.760
<v Speaker 1>my second album, um, but I kind of shut down.

0:32:48.800 --> 0:32:51.320
<v Speaker 1>I didn't really wanted to record. I didn't I refuse

0:32:51.360 --> 0:32:53.440
<v Speaker 1>to record at Daddy's house. When I finally did start

0:32:53.480 --> 0:32:56.160
<v Speaker 1>back with Court and I was just like every like

0:32:56.600 --> 0:33:00.320
<v Speaker 1>everything you know. Um. But when puff up oas me

0:33:00.400 --> 0:33:02.080
<v Speaker 1>what the idea to do this tribute? You know, he

0:33:02.240 --> 0:33:03.960
<v Speaker 1>was like, I wanted to be the biggest tribute like

0:33:03.960 --> 0:33:05.920
<v Speaker 1>I'd ever done. And none of this came in my

0:33:05.960 --> 0:33:07.760
<v Speaker 1>mind about money and nothing. It was more about like

0:33:08.360 --> 0:33:11.000
<v Speaker 1>honoring big and he what he did say to make

0:33:11.040 --> 0:33:13.480
<v Speaker 1>me want to, you know, go on the studio was

0:33:14.000 --> 0:33:17.040
<v Speaker 1>I want, um the proceeds to go to the kids

0:33:17.080 --> 0:33:19.320
<v Speaker 1>to see j Antiana. So that's really what made me

0:33:20.160 --> 0:33:23.680
<v Speaker 1>do the record. Um, we didn't have this song at first.

0:33:23.800 --> 0:33:26.320
<v Speaker 1>The first time we went into record. What was meant

0:33:26.360 --> 0:33:30.440
<v Speaker 1>to be that tribute? You know that song? I'm sure

0:33:30.480 --> 0:33:32.680
<v Speaker 1>it's it might be how I'm elving in them? But

0:33:32.920 --> 0:33:40.360
<v Speaker 1>oh uh oh miss you, miss you. That was like

0:33:40.520 --> 0:33:42.760
<v Speaker 1>the loop they had and that ship was so sad

0:33:43.240 --> 0:33:48.320
<v Speaker 1>like it was just I'm like, we just quiet like

0:33:48.480 --> 0:33:51.080
<v Speaker 1>for three hours. Nobody came up with nothing, and then

0:33:51.840 --> 0:33:53.680
<v Speaker 1>I was like, I can't do like we I don't

0:33:53.680 --> 0:33:56.440
<v Speaker 1>think any of us like felt like we could do anything.

0:33:57.120 --> 0:33:59.959
<v Speaker 1>So the next day, um, maybe a day or too later,

0:34:00.120 --> 0:34:02.480
<v Speaker 1>when we came back to the studio, they had that

0:34:02.600 --> 0:34:05.840
<v Speaker 1>loop for the with the police thing, and it just

0:34:06.360 --> 0:34:09.120
<v Speaker 1>it just felt different, you know it was. It's like

0:34:09.320 --> 0:34:13.200
<v Speaker 1>in it you can hear where you can go lyrically

0:34:13.280 --> 0:34:15.879
<v Speaker 1>or melodically and express your pain, but it still felt

0:34:15.920 --> 0:34:18.840
<v Speaker 1>like a rejoy, like we can celebrate what he is

0:34:18.960 --> 0:34:20.600
<v Speaker 1>and what he is and wants to us, you know

0:34:20.640 --> 0:34:23.080
<v Speaker 1>what I'm like. So that's what it ended up being, Like,

0:34:23.239 --> 0:34:24.840
<v Speaker 1>let's make it feel like that. I don't want it

0:34:24.920 --> 0:34:26.520
<v Speaker 1>to feel so sad. I don't even know if I

0:34:26.560 --> 0:34:29.200
<v Speaker 1>could sing a couple of blonds on this other track,

0:34:29.400 --> 0:34:33.719
<v Speaker 1>like I was just crying like you know. So yeah,

0:34:33.800 --> 0:34:36.759
<v Speaker 1>it just felt a lot more celebratory when we came

0:34:36.840 --> 0:34:39.880
<v Speaker 1>in with the other track. Okay, so I'm actually two

0:34:39.960 --> 0:34:42.040
<v Speaker 1>more and then we're gonna go into the general joint

0:34:42.400 --> 0:34:48.800
<v Speaker 1>love like this. Where was you a love like this?

0:34:49.080 --> 0:34:52.800
<v Speaker 1>Actually I was. I had just falling in love with

0:34:52.960 --> 0:34:55.279
<v Speaker 1>my ex, my ex my second husband tied, my ex

0:34:55.360 --> 0:34:59.560
<v Speaker 1>husband tied, and this was post I was still not

0:34:59.680 --> 0:35:01.440
<v Speaker 1>wanting to work at Daddy's house. But you know, I

0:35:01.560 --> 0:35:05.040
<v Speaker 1>was into my second album and I had fallen in love.

0:35:05.160 --> 0:35:08.600
<v Speaker 1>So that's really what that song was about. And definitely

0:35:08.719 --> 0:35:11.640
<v Speaker 1>not expectedly, you know, I didn't expect that to be

0:35:11.880 --> 0:35:16.120
<v Speaker 1>like so soon after going through something. But you know,

0:35:16.719 --> 0:35:23.800
<v Speaker 1>I fell in love with him, and that's hard. I

0:35:23.880 --> 0:35:28.800
<v Speaker 1>got a hard study, always took a classes like I

0:35:28.960 --> 0:35:33.160
<v Speaker 1>never knew that with you that I like everybody. You know,

0:35:33.239 --> 0:35:35.400
<v Speaker 1>people in certain countries think me if Thatt Man Scoop

0:35:35.520 --> 0:35:37.080
<v Speaker 1>is a group I do. Oh, you know what I mean?

0:35:37.640 --> 0:35:39.719
<v Speaker 1>I never places. I've never been like, who are they?

0:35:39.800 --> 0:35:48.520
<v Speaker 1>They're great? You still enjoyed the game? I got one

0:35:48.560 --> 0:35:51.040
<v Speaker 1>more song question, but I want to ask you a

0:35:51.840 --> 0:35:57.600
<v Speaker 1>questions still, I could assist that you really still enjoyed

0:35:57.640 --> 0:36:02.480
<v Speaker 1>the game. Yes, you know what I um because I

0:36:02.640 --> 0:36:05.680
<v Speaker 1>know how to um sustain, you know, and it's not

0:36:05.840 --> 0:36:07.719
<v Speaker 1>so much. I knew how to do it while it

0:36:07.840 --> 0:36:10.680
<v Speaker 1>was being done, but I realized that a god is

0:36:10.719 --> 0:36:13.040
<v Speaker 1>gonna always sustain me. I'm here for a reason. You know,

0:36:13.440 --> 0:36:17.520
<v Speaker 1>I couldn't whatever it is, however, many units like I've

0:36:17.560 --> 0:36:19.960
<v Speaker 1>never measured my success on those type of things. You

0:36:20.040 --> 0:36:21.719
<v Speaker 1>feel me because this is all I wouldn't saying flu

0:36:21.880 --> 0:36:23.400
<v Speaker 1>but this was not my plan. I'm like, I know

0:36:23.480 --> 0:36:24.879
<v Speaker 1>I can sing, I know I want to make money

0:36:24.920 --> 0:36:28.279
<v Speaker 1>doing it, you know, but I also knew you gotta brain,

0:36:28.360 --> 0:36:31.200
<v Speaker 1>so you gotta go to college. You gotta full academic scholarship,

0:36:31.560 --> 0:36:34.000
<v Speaker 1>you know, and should happened. But I'm just like, I

0:36:34.080 --> 0:36:36.000
<v Speaker 1>gotta figure it out. I'm a hustle. I have my daughter.

0:36:36.080 --> 0:36:38.880
<v Speaker 1>When I was like scholarship, I was in a resource

0:36:38.920 --> 0:37:04.200
<v Speaker 1>froom girl, the resource like that's like, yeah, regular school,

0:37:04.440 --> 0:37:17.440
<v Speaker 1>that's a fact. So so. But because most people, most people, Um,

0:37:19.600 --> 0:37:24.439
<v Speaker 1>I get a great example. Uh, when Cameron and Jim

0:37:24.560 --> 0:37:29.640
<v Speaker 1>Jones was beefing, right, Cam had went, I believe Angie

0:37:29.680 --> 0:37:34.000
<v Speaker 1>Martinez and he said, I don't know why Jim is mad, because,

0:37:34.200 --> 0:37:39.919
<v Speaker 1>um he's playing with house money. And to me, I thought,

0:37:40.000 --> 0:37:42.359
<v Speaker 1>I sat back, I said, we're all playing with house money.

0:37:43.200 --> 0:37:45.120
<v Speaker 1>So you know what I'm saying, because the thing about

0:37:45.160 --> 0:37:47.680
<v Speaker 1>it is we're not supposed to be where we're at

0:37:47.960 --> 0:37:50.160
<v Speaker 1>the level of success, even if it's a dis amount

0:37:50.160 --> 0:37:52.920
<v Speaker 1>of success. Even if it's dis amount of success, the

0:37:53.080 --> 0:37:56.360
<v Speaker 1>odds of us actually making it makes us all have

0:37:56.560 --> 0:37:58.960
<v Speaker 1>house money. You know What's what I'm saying. So I

0:37:59.080 --> 0:38:01.640
<v Speaker 1>always look at it. My Baudy should tell me, say,

0:38:02.040 --> 0:38:04.680
<v Speaker 1>look at the person for the positivity in the first

0:38:04.760 --> 0:38:08.360
<v Speaker 1>before you look for anything else. So I just always

0:38:08.400 --> 0:38:09.920
<v Speaker 1>look at it. I just always look at it like

0:38:10.480 --> 0:38:13.000
<v Speaker 1>you know the fact that we survived and we're doing

0:38:13.120 --> 0:38:17.000
<v Speaker 1>things that we love, like we're all. We're all, We're all.

0:38:18.480 --> 0:38:20.960
<v Speaker 1>I mean, back to your point, I definitely I don't

0:38:21.239 --> 0:38:24.879
<v Speaker 1>remember your word and burden, but I definitely enjoy the game,

0:38:25.000 --> 0:38:26.680
<v Speaker 1>so to speak. But I look at it like it's

0:38:26.719 --> 0:38:29.359
<v Speaker 1>just a facet of my life. You know what I'm saying.

0:38:29.360 --> 0:38:31.719
<v Speaker 1>I don't look at it's not you know what I'm saying,

0:38:31.760 --> 0:38:33.759
<v Speaker 1>like it's so much I don't take home with me.

0:38:34.200 --> 0:38:37.440
<v Speaker 1>But it's like, damn, I gotta kind of really sometimes

0:38:37.520 --> 0:38:40.800
<v Speaker 1>taking the perspective, you are someone who is popular to

0:38:40.880 --> 0:38:43.040
<v Speaker 1>some people, you have touch some people with your music.

0:38:43.120 --> 0:38:45.239
<v Speaker 1>So but I don't walk out the house thinking that

0:38:46.239 --> 0:38:47.960
<v Speaker 1>just with that, like you know what I mean, I

0:38:48.000 --> 0:38:51.360
<v Speaker 1>don't even expect that i'd be really genuinely appreciate it

0:38:51.440 --> 0:38:53.759
<v Speaker 1>with somebody be like I love me, like really, oh

0:38:53.840 --> 0:39:02.160
<v Speaker 1>my god, thing like like a I don't you don't.

0:39:02.200 --> 0:39:04.239
<v Speaker 1>I meant, come on, what if you don't know about me? So,

0:39:04.400 --> 0:39:10.000
<v Speaker 1>I mean, look, it's stupid. Everybody has that. But I mean,

0:39:10.160 --> 0:39:13.200
<v Speaker 1>I'm appreciative for the blessings that I've gotten from it,

0:39:13.280 --> 0:39:15.680
<v Speaker 1>but I know that I'm here for reasons other than

0:39:15.800 --> 0:39:18.399
<v Speaker 1>my musical gift. You know what I'm saying. I've learned

0:39:18.400 --> 0:39:20.080
<v Speaker 1>a lot and learned how to maneuver and how to

0:39:20.160 --> 0:39:22.040
<v Speaker 1>kind of just be chill. You know, they always be

0:39:22.120 --> 0:39:24.440
<v Speaker 1>telling me like, y'all, you've really taught me a lot

0:39:24.480 --> 0:39:27.359
<v Speaker 1>about that because you just be like you could be there,

0:39:27.520 --> 0:39:29.320
<v Speaker 1>you'd be like, no, it's not even worth it. You

0:39:29.360 --> 0:39:32.560
<v Speaker 1>should do this. You know. It's more chest not checkers.

0:39:32.640 --> 0:39:35.320
<v Speaker 1>You know what I'm saying. You gotta appreciate it. It

0:39:35.480 --> 0:39:38.279
<v Speaker 1>could be worse, you know what I'm saying. It's when

0:39:38.320 --> 0:39:40.520
<v Speaker 1>you aim to be. But we is something that we

0:39:40.680 --> 0:39:42.719
<v Speaker 1>never thought we could do. I never thought i'd be

0:39:42.760 --> 0:39:44.680
<v Speaker 1>a wrapper, my nigga. So I'll get an about blue

0:39:44.800 --> 0:39:47.920
<v Speaker 1>or not. I appreciate with where I went and where

0:39:47.920 --> 0:39:50.280
<v Speaker 1>I'm at now, if I'm still relevant, somebody still welcome

0:39:50.280 --> 0:39:52.680
<v Speaker 1>to me here with my gona with you, I'll listen

0:39:52.680 --> 0:39:55.360
<v Speaker 1>to your ship. I'm cool with that. The end of

0:39:55.400 --> 0:39:59.719
<v Speaker 1>the day, we really be happy. And that's crazy of

0:39:59.880 --> 0:40:02.120
<v Speaker 1>the mystic with with you know what you guys have

0:40:02.280 --> 0:40:03.840
<v Speaker 1>done with the hand that you were done with, with

0:40:03.880 --> 0:40:06.800
<v Speaker 1>what happened with Big and stuff. You guys but I

0:40:06.840 --> 0:40:08.600
<v Speaker 1>don't want to. I don't want to do that just yet,

0:40:08.680 --> 0:40:11.400
<v Speaker 1>my bad e. But I want to get into this record, um,

0:40:11.600 --> 0:40:13.440
<v Speaker 1>because this is another thing. And when I think of this,

0:40:13.520 --> 0:40:16.560
<v Speaker 1>I think of my wife immediately because I love you.

0:40:31.440 --> 0:40:43.799
<v Speaker 1>So yeah, you know about with my name, But listen

0:40:43.840 --> 0:40:46.000
<v Speaker 1>what happened? What I'm frame? Was you back? What was

0:40:46.040 --> 0:40:50.800
<v Speaker 1>you trying to? Obviously it was emotional, but um, you know,

0:40:51.680 --> 0:40:55.480
<v Speaker 1>m all right, Fellas Drink, Champs, Army, all the guys

0:40:55.520 --> 0:40:58.319
<v Speaker 1>out there, this one was for you. Sixty six percent

0:40:58.360 --> 0:41:00.880
<v Speaker 1>of men lose their hair by age dirty five. The

0:41:00.960 --> 0:41:02.960
<v Speaker 1>thing is, when you start to notice hair loss is

0:41:03.000 --> 0:41:05.799
<v Speaker 1>too late, it's gone. It's easier to keep the hair

0:41:05.920 --> 0:41:08.800
<v Speaker 1>you have than to replace the hair you've lost. Trust me,

0:41:08.880 --> 0:41:12.560
<v Speaker 1>I know this is that hairline slowly starting to move backwards?

0:41:12.760 --> 0:41:15.680
<v Speaker 1>Any balls spots? Yet? How do you feel a year

0:41:15.719 --> 0:41:17.640
<v Speaker 1>from now if it's business as usually, you ain't doing

0:41:17.680 --> 0:41:20.080
<v Speaker 1>nothing about it? Do you want a ball spot to

0:41:20.120 --> 0:41:22.040
<v Speaker 1>pop up? Or do you want to do something about

0:41:22.040 --> 0:41:24.200
<v Speaker 1>it first? Do you want your hairline to recede or

0:41:24.239 --> 0:41:26.160
<v Speaker 1>do you want to do something about it first? Why

0:41:26.239 --> 0:41:29.520
<v Speaker 1>do you guys turn all these crazy weird solutions rubbing

0:41:29.560 --> 0:41:32.560
<v Speaker 1>stuff on their head that their cousins, cousin's friend told

0:41:32.600 --> 0:41:34.960
<v Speaker 1>them to put on there, or do nothing at all

0:41:35.480 --> 0:41:38.600
<v Speaker 1>when they can turn the medicine and science you see,

0:41:38.760 --> 0:41:40.960
<v Speaker 1>it's four hymns dot com. We've been telling you about them.

0:41:41.760 --> 0:41:45.320
<v Speaker 1>They got it. They are one stop shot for hair loss, skincare,

0:41:45.640 --> 0:41:50.480
<v Speaker 1>and all men's wellness. Thanks to science, baldness can be optional.

0:41:50.680 --> 0:41:54.040
<v Speaker 1>We believe in science people. Hymns connects you with the

0:41:54.120 --> 0:41:57.160
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0:41:57.320 --> 0:42:01.040
<v Speaker 1>loss well known generic equivalents to aime brand prescriptions to

0:42:01.120 --> 0:42:04.080
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0:42:04.120 --> 0:42:06.920
<v Speaker 1>oil pills or gas station counter supplements. Like Eddie Giggs,

0:42:07.080 --> 0:42:11.680
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0:42:29.239 --> 0:42:32.359
<v Speaker 1>PO box, whatever you know. We told you about Eddie

0:42:32.400 --> 0:42:36.520
<v Speaker 1>Giggs straight up, he loved the gas station joins those

0:42:36.600 --> 0:42:39.800
<v Speaker 1>packets for anything he had, any issue he had, for

0:42:39.920 --> 0:42:42.520
<v Speaker 1>hair loss, for for for for for you know, banging

0:42:42.560 --> 0:42:45.200
<v Speaker 1>out whatever. He was buying those packets and we was

0:42:45.280 --> 0:42:48.040
<v Speaker 1>always clowning him because they didn't work for him. Nothing

0:42:48.080 --> 0:42:50.480
<v Speaker 1>worked for him. But ever since we got for hims

0:42:50.520 --> 0:42:54.280
<v Speaker 1>dot com, he started using the products and he's starting

0:42:54.280 --> 0:42:57.759
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0:43:01.239 --> 0:43:05.440
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0:43:05.440 --> 0:43:08.279
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0:43:16.040 --> 0:43:19.880
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0:43:20.600 --> 0:43:26.600
<v Speaker 1>That's four Hymns dot com Forward slash drink. You know, okay,

0:43:26.719 --> 0:43:29.960
<v Speaker 1>good story about that song. That song was actually written

0:43:30.000 --> 0:43:31.600
<v Speaker 1>for j Loo. I didn't write I love it. I

0:43:31.680 --> 0:43:33.400
<v Speaker 1>think I arranged it and kind of, you know, did

0:43:33.520 --> 0:43:35.960
<v Speaker 1>my little harmony stuff that I But it was written

0:43:36.000 --> 0:43:40.120
<v Speaker 1>for j Lo. You no, it was written already. This

0:43:40.280 --> 0:43:42.840
<v Speaker 1>was on my third, my last album on bad Boy, Faithfully,

0:43:43.400 --> 0:43:45.080
<v Speaker 1>and you know, it was one of the songs that

0:43:45.719 --> 0:43:48.120
<v Speaker 1>um you know, puff kind of gave me that was

0:43:48.200 --> 0:43:49.840
<v Speaker 1>mostly written. I may and wrote a section on it,

0:43:49.920 --> 0:43:51.759
<v Speaker 1>but it was for the most part already written and

0:43:51.840 --> 0:43:53.279
<v Speaker 1>it was for Jlo. I don't know what happened. I

0:43:53.320 --> 0:43:55.880
<v Speaker 1>don't know if this was like after they wasn't together.

0:43:56.200 --> 0:43:58.360
<v Speaker 1>I don't know, but I had the demo and to

0:43:58.480 --> 0:44:02.120
<v Speaker 1>be just they broke up, he said, let me get

0:44:02.120 --> 0:44:05.200
<v Speaker 1>my record back. No, I don't know. Her voice wasn't

0:44:05.239 --> 0:44:06.680
<v Speaker 1>on it. I just know that it was a rich

0:44:06.760 --> 0:44:08.719
<v Speaker 1>because when I heard the Denmark could totally hear it.

0:44:09.160 --> 0:44:11.000
<v Speaker 1>I can hear it as a J Low record, you

0:44:11.080 --> 0:44:13.839
<v Speaker 1>know what I mean. It's it's a pretty um even

0:44:13.880 --> 0:44:15.840
<v Speaker 1>though it's one of my more popular records. And like

0:44:16.360 --> 0:44:19.239
<v Speaker 1>a lot of the U thirty five and under dudes

0:44:19.280 --> 0:44:20.880
<v Speaker 1>that be trying to haul at me, I'm like, how

0:44:20.960 --> 0:44:23.399
<v Speaker 1>did hell you know about me? Like that? I love

0:44:23.440 --> 0:44:29.359
<v Speaker 1>your video, like after my divorce, like mad young dudes

0:44:29.440 --> 0:44:47.600
<v Speaker 1>was trying to hoel But that was so I just

0:44:47.680 --> 0:44:49.200
<v Speaker 1>kind of I knew it was a hit record. It

0:44:49.320 --> 0:44:52.400
<v Speaker 1>just was like I had to definitely lay back me

0:44:52.520 --> 0:44:55.040
<v Speaker 1>being so used to sing. It's so soulful. It's a

0:44:55.080 --> 0:44:57.800
<v Speaker 1>real simple melody, so to be quite honest, it was

0:44:58.000 --> 0:44:59.600
<v Speaker 1>one of the songs that took a little longer for

0:44:59.680 --> 0:45:01.239
<v Speaker 1>me to or because I had to kind of lay

0:45:01.320 --> 0:45:04.320
<v Speaker 1>back and sing it real pretty, just simple and pretty.

0:45:04.400 --> 0:45:06.440
<v Speaker 1>And I think I took like three fourth sessions just

0:45:06.640 --> 0:45:09.440
<v Speaker 1>to like, you know, lay back like I got. I

0:45:09.760 --> 0:45:12.279
<v Speaker 1>know I'm doing too many. It feels too soul for

0:45:12.440 --> 0:45:15.319
<v Speaker 1>I needed this sound just real pretty, so but people

0:45:15.360 --> 0:45:18.280
<v Speaker 1>appreciate the record now. I heard you kind of allude

0:45:18.320 --> 0:45:21.920
<v Speaker 1>to this earlier. Um What has there ever been a

0:45:22.080 --> 0:45:24.480
<v Speaker 1>time where, like you know, um A and rs the

0:45:24.600 --> 0:45:29.000
<v Speaker 1>executives overbearing, so you had to actually, like you said,

0:45:29.040 --> 0:45:30.720
<v Speaker 1>I know, you said you should be called by yourself

0:45:31.200 --> 0:45:34.440
<v Speaker 1>a lot then you had to switch over. It was

0:45:34.600 --> 0:45:36.040
<v Speaker 1>was there a time you ever had to switch back

0:45:36.080 --> 0:45:37.480
<v Speaker 1>over to what you've been like? Yo, let me just

0:45:37.600 --> 0:45:42.800
<v Speaker 1>keep a skeleton bunch because you know, I'm just because

0:45:43.040 --> 0:45:47.279
<v Speaker 1>I can't really, to be quite honest, other than on

0:45:47.600 --> 0:45:52.279
<v Speaker 1>other people's records where I've been so much produced, you know,

0:45:52.480 --> 0:45:55.320
<v Speaker 1>very few far between Baby Phase when he did that

0:45:55.440 --> 0:45:57.880
<v Speaker 1>single for me, But typically I kind of produced my

0:45:57.960 --> 0:46:00.480
<v Speaker 1>own vocals, so I'm really kind of never had that problem.

0:46:00.520 --> 0:46:02.560
<v Speaker 1>It was more talking about puff, but I think that

0:46:02.719 --> 0:46:05.080
<v Speaker 1>was just the excitement in the beginning. He just wanted

0:46:05.120 --> 0:46:08.680
<v Speaker 1>to be you know, always, And it was like, okay,

0:46:08.800 --> 0:46:11.000
<v Speaker 1>we know you got a good opinion, but I don't

0:46:11.040 --> 0:46:13.200
<v Speaker 1>think it's good about this. You know what I'm saying, Like,

0:46:13.560 --> 0:46:16.759
<v Speaker 1>you're not a stacker, you're not a harmonizer. Let me

0:46:16.840 --> 0:46:19.279
<v Speaker 1>finish my harmonies before you tell me to change something,

0:46:19.360 --> 0:46:21.560
<v Speaker 1>you know. So it was like I have to new sessions.

0:46:21.560 --> 0:46:23.719
<v Speaker 1>I realized, don't even callt him to come listening to

0:46:25.040 --> 0:46:29.200
<v Speaker 1>you know. Okay, that's something because something just that stacker

0:46:29.400 --> 0:46:36.240
<v Speaker 1>and harmonies. Now, stacker is like doubling up. That's called sacker.

0:46:37.000 --> 0:46:43.560
<v Speaker 1>You know, it's called stacking stacking, but in singing sense,

0:46:43.600 --> 0:46:46.440
<v Speaker 1>it's stacking in a unison with the same note harmonies

0:46:46.440 --> 0:46:49.160
<v Speaker 1>when you add a different note creates a fuller sound. Right,

0:46:49.640 --> 0:46:51.719
<v Speaker 1>I got a good question for you. Ever wrote something

0:46:51.800 --> 0:47:07.480
<v Speaker 1>for somebody went to the studio, was like, well again,

0:47:27.200 --> 0:47:29.840
<v Speaker 1>to be honest, when I had that issue. Lucky for me,

0:47:30.040 --> 0:47:33.800
<v Speaker 1>it was posted the error of auto tuning stuff, you

0:47:33.880 --> 0:47:35.680
<v Speaker 1>know what I mean? Like I mean and said, can

0:47:35.719 --> 0:47:37.279
<v Speaker 1>you do that one again? Because it's not quite often

0:47:37.360 --> 0:47:39.480
<v Speaker 1>I've worked on other people's stuff, Like in the beginning

0:47:39.480 --> 0:47:41.640
<v Speaker 1>of my career. That was a little more part of

0:47:41.680 --> 0:47:44.680
<v Speaker 1>my hustle before I had a deal. But you know,

0:47:44.880 --> 0:47:47.040
<v Speaker 1>sometimes I don't just had the time to just sit

0:47:47.040 --> 0:47:49.200
<v Speaker 1>around write songs. I'm usually working on someone, I'm on

0:47:49.280 --> 0:47:52.000
<v Speaker 1>a project. I don't really just have songs to work

0:47:52.080 --> 0:47:54.000
<v Speaker 1>on for other people unless they really like, I want

0:47:54.040 --> 0:47:56.520
<v Speaker 1>you to work on my ship like that, And it

0:47:56.600 --> 0:47:58.560
<v Speaker 1>got to be you know, something that's worked my dying

0:47:58.640 --> 0:48:04.040
<v Speaker 1>wid Jusulia dying exactly because we do a tyger bone

0:48:04.200 --> 0:48:10.560
<v Speaker 1>should oh man, we just let's bring back. But I mean,

0:48:10.680 --> 0:48:13.360
<v Speaker 1>she is a late and it's not often I'm actually

0:48:13.360 --> 0:48:19.239
<v Speaker 1>a boy. Let me tell you that was that was

0:48:19.239 --> 0:48:22.200
<v Speaker 1>actually sexist with me. I'm gonna take that back because

0:48:22.239 --> 0:48:27.080
<v Speaker 1>tiger bone, that's right when I can tell the girl, man,

0:48:27.400 --> 0:48:31.040
<v Speaker 1>you get something with it later straight about that shot,

0:48:31.080 --> 0:48:34.600
<v Speaker 1>you're gonna go sit over. No, no, no, you gotta

0:48:34.640 --> 0:48:40.920
<v Speaker 1>drink because you know, I think I remember something. You

0:48:41.200 --> 0:48:45.279
<v Speaker 1>be honest with me seeing y'all together, and I don't

0:48:45.280 --> 0:48:48.040
<v Speaker 1>mean to get emotional, but it's like I know, big

0:48:48.120 --> 0:48:52.120
<v Speaker 1>Coach signs that like you know, like like like it's

0:48:52.160 --> 0:48:54.960
<v Speaker 1>a certain feeling, like you know when when you're homeboy

0:48:55.040 --> 0:48:57.279
<v Speaker 1>that you trust hangs out with the lady that you

0:48:57.440 --> 0:49:00.200
<v Speaker 1>love and like holding a dad like a certain fell

0:49:00.320 --> 0:49:03.320
<v Speaker 1>and like that. A man just likes that. It's just

0:49:03.400 --> 0:49:05.799
<v Speaker 1>like it's just like your writing them down to Yeah,

0:49:05.840 --> 0:49:12.719
<v Speaker 1>you's the reason why we connected. And I think you

0:49:12.760 --> 0:49:16.600
<v Speaker 1>know it's definitely certainly a supernatural thing. And we know

0:49:16.960 --> 0:49:18.840
<v Speaker 1>he's because I don't even it. It's only because of

0:49:18.880 --> 0:49:21.160
<v Speaker 1>the spirit catched on when you drove up. I didn't

0:49:21.160 --> 0:49:23.200
<v Speaker 1>even know that I was. That was favorite. I know.

0:49:23.280 --> 0:49:25.000
<v Speaker 1>I'm trying to tell you, come on, I'm looking like

0:49:25.120 --> 0:49:40.080
<v Speaker 1>you walk with me. I'm like, comes like, show, don't

0:49:40.120 --> 0:49:42.200
<v Speaker 1>take the shot. You haven't I haven't dropped your stuf in.

0:49:42.640 --> 0:49:46.719
<v Speaker 1>She she whips the brooke these buckets all the time,

0:49:46.800 --> 0:49:48.880
<v Speaker 1>like yo, can I borrow your minds to and people

0:49:51.080 --> 0:49:53.440
<v Speaker 1>like I got I was like, I don't care. I

0:49:53.560 --> 0:49:59.000
<v Speaker 1>just got a lot. I mean where the shower hasn't

0:49:59.000 --> 0:50:01.719
<v Speaker 1>take you didn't the poor big shot. But this is

0:50:01.880 --> 0:50:17.640
<v Speaker 1>like this is the fat, the fat, yea the tiger.

0:50:19.000 --> 0:50:23.080
<v Speaker 1>Last time I had tys that Frances, Oh, she's a veteran.

0:50:27.120 --> 0:50:30.520
<v Speaker 1>She to drink the whole. I'm not gonna lie. I

0:50:30.640 --> 0:50:33.600
<v Speaker 1>wasn't ready for that. That was actually tasty man that

0:50:33.719 --> 0:50:39.720
<v Speaker 1>was not spicy. There's a little spike that's like, you're

0:50:40.840 --> 0:50:45.400
<v Speaker 1>no no right now. So one of the one of

0:50:45.440 --> 0:50:51.200
<v Speaker 1>the one of the most uh it is souls I

0:50:51.280 --> 0:50:55.160
<v Speaker 1>ever met, tag on it. One of the most purous

0:50:55.239 --> 0:50:59.000
<v Speaker 1>souls I haven't met in hip hop. What's Big? I

0:50:59.120 --> 0:51:02.759
<v Speaker 1>always seen them some. Speaking of Branson, I went to

0:51:02.840 --> 0:51:05.160
<v Speaker 1>Branston one time. Only two people I've ever seen behind

0:51:05.200 --> 0:51:08.719
<v Speaker 1>the counter of Branson is red Man and Big. Okay, well,

0:51:09.000 --> 0:51:12.640
<v Speaker 1>red Man and to introduced me to Branson, who introduced

0:51:12.640 --> 0:51:20.759
<v Speaker 1>Big to Branson. Oh this is Branson has to be making.

0:51:22.320 --> 0:51:24.160
<v Speaker 1>I didn't know about Branston because I was boring them

0:51:24.200 --> 0:51:25.800
<v Speaker 1>big Jaws and Big, and I was like, were you

0:51:25.880 --> 0:51:29.680
<v Speaker 1>getting them jows? I was like red Man's uptown Branston

0:51:29.960 --> 0:51:37.879
<v Speaker 1>at the candy store store exactly lottipops, those tall man Eddie,

0:51:38.120 --> 0:51:42.799
<v Speaker 1>Eddie the candy man, and the other the young one.

0:51:42.880 --> 0:51:45.080
<v Speaker 1>Um I think it was Jay No No, I forgot

0:51:45.160 --> 0:51:48.480
<v Speaker 1>his name, but I know Eddie. We used to bump

0:51:48.520 --> 0:51:51.240
<v Speaker 1>hands before in the morning out there, but before before

0:51:51.520 --> 0:51:54.000
<v Speaker 1>Eddie passed. That's when I knew that they had like

0:51:54.480 --> 0:51:56.960
<v Speaker 1>some type of payola ship because one of my homies

0:51:57.000 --> 0:51:58.840
<v Speaker 1>had died from Queen's and we went up to to

0:51:58.880 --> 0:52:01.279
<v Speaker 1>get some. But we had all the champagne and we

0:52:01.440 --> 0:52:03.879
<v Speaker 1>brought all We brought all the champagne right in front

0:52:03.920 --> 0:52:06.960
<v Speaker 1>of Branston. The police just drove by. I didn't say nothing.

0:52:07.000 --> 0:52:09.640
<v Speaker 1>We smoked all the week that we had. You gotta

0:52:09.680 --> 0:52:11.520
<v Speaker 1>think about it. That spot was right around the corner

0:52:11.600 --> 0:52:13.920
<v Speaker 1>dog for like, oh yeah, but the police sation right

0:52:13.960 --> 0:52:16.759
<v Speaker 1>around the police right there, try Burbridge right there, the

0:52:16.840 --> 0:52:21.440
<v Speaker 1>Bronx to the left, the fish stole right here to

0:52:21.520 --> 0:52:26.000
<v Speaker 1>the right. Sometimes you do out there, you know what

0:52:26.040 --> 0:52:28.680
<v Speaker 1>I'm saying about that? Sometimes too in the morning and

0:52:30.600 --> 0:52:33.640
<v Speaker 1>people out there about me. Did you sit there for hours? Talk?

0:52:35.239 --> 0:52:36.719
<v Speaker 1>You'd be out there for two hours and go on

0:52:36.840 --> 0:52:40.799
<v Speaker 1>side ship with time and you'll sit with the more

0:52:40.880 --> 0:52:44.000
<v Speaker 1>day because they give your free job for two hours

0:52:44.040 --> 0:52:46.759
<v Speaker 1>here get your half hours to go home with. So

0:52:50.320 --> 0:52:54.359
<v Speaker 1>your relationship with what what what little Kim? I see

0:52:54.840 --> 0:53:01.480
<v Speaker 1>recently now it's it's prepared Back then, how was it? Well, Okay,

0:53:01.719 --> 0:53:04.239
<v Speaker 1>I don't know if it's fair to say that there

0:53:04.360 --> 0:53:08.880
<v Speaker 1>was ever a full relationship ever built. But in the beginning, um,

0:53:09.120 --> 0:53:10.799
<v Speaker 1>you know, I even see pictures. I'm like, oh, damn,

0:53:10.840 --> 0:53:12.879
<v Speaker 1>I remember that, Like, you know, I definitely once I've

0:53:12.920 --> 0:53:15.640
<v Speaker 1>realized this is Big Artists who I've been hearing about,

0:53:15.800 --> 0:53:17.480
<v Speaker 1>that's a part of the crew, because I met the

0:53:17.560 --> 0:53:19.920
<v Speaker 1>guys first. I think the first time I saw Kim

0:53:20.000 --> 0:53:22.640
<v Speaker 1>was at the Big Popa video shoot and I was like,

0:53:22.719 --> 0:53:23.920
<v Speaker 1>who was that girl? And he was like, oh, this

0:53:24.040 --> 0:53:26.560
<v Speaker 1>little Kim. I had heard about it before, but um,

0:53:27.360 --> 0:53:30.759
<v Speaker 1>I think by you know, initially, I was kind of

0:53:30.840 --> 0:53:32.879
<v Speaker 1>trying to be cool with it. I mean, I think

0:53:32.920 --> 0:53:35.160
<v Speaker 1>we worked pretty cool. I see pictures where you know,

0:53:35.360 --> 0:53:37.440
<v Speaker 1>I had on her glasses, she had online. You know.

0:53:37.920 --> 0:53:39.440
<v Speaker 1>I was kind of being cool with it because I

0:53:39.520 --> 0:53:41.760
<v Speaker 1>knew that was BIGS Artists, but I didn't know anything

0:53:41.840 --> 0:53:44.759
<v Speaker 1>about their um involvement. You know, I didn't know there

0:53:44.840 --> 0:53:47.480
<v Speaker 1>was in any kind of relationship. But I was new,

0:53:47.719 --> 0:53:50.080
<v Speaker 1>you know, I was new Today's circle, So I mean,

0:53:50.120 --> 0:53:51.759
<v Speaker 1>I wouldn't have known their history. And of course he

0:53:51.880 --> 0:53:54.880
<v Speaker 1>wasn't trying to tell me that ship. But when I

0:53:55.000 --> 0:53:57.000
<v Speaker 1>found out, of course, it was like damn. You know,

0:53:57.239 --> 0:53:59.719
<v Speaker 1>like damn, what the funk all this time? Right? You know,

0:54:00.320 --> 0:54:03.560
<v Speaker 1>but I can't say that, oh she you know with

0:54:03.760 --> 0:54:05.960
<v Speaker 1>some oh she's your friend and then she you know,

0:54:06.000 --> 0:54:08.359
<v Speaker 1>it wasn't like that or you know, we didn't really

0:54:08.400 --> 0:54:10.680
<v Speaker 1>build a relationship but have a history outside of me

0:54:10.760 --> 0:54:13.800
<v Speaker 1>meeting her through knowing that she's his artist and me

0:54:13.880 --> 0:54:15.640
<v Speaker 1>already kind of being cool with the guys for a

0:54:15.760 --> 0:54:18.279
<v Speaker 1>few months and you know, like okay, let me. You know,

0:54:18.520 --> 0:54:20.520
<v Speaker 1>he kind of said in the beginnings wanted me to

0:54:20.640 --> 0:54:22.719
<v Speaker 1>kind of be around her, but I think that was

0:54:22.800 --> 0:54:26.120
<v Speaker 1>just that dumb young ship because he realized why do that?

0:54:34.120 --> 0:54:37.440
<v Speaker 1>But now I mean, I think, I mean, just to

0:54:37.520 --> 0:54:40.160
<v Speaker 1>be clear, once a big passed away any ill feelings

0:54:40.239 --> 0:54:42.319
<v Speaker 1>to her. You know, we're not the window for me her,

0:54:42.360 --> 0:54:45.160
<v Speaker 1>ain't anybody else. You know, it wasn't really anything to

0:54:45.280 --> 0:54:48.799
<v Speaker 1>feel a way about. But we didn't necessarily see each

0:54:48.800 --> 0:54:51.560
<v Speaker 1>other and get to conversate. There may have been a

0:54:51.640 --> 0:54:53.560
<v Speaker 1>time or two that I ran into her and kind

0:54:53.600 --> 0:54:55.520
<v Speaker 1>of tried to say and she, you know, may not

0:54:55.600 --> 0:54:57.439
<v Speaker 1>have been really ready to receive this, so it didn't

0:54:57.440 --> 0:55:01.759
<v Speaker 1>go over so well. But story you on tour, Big

0:55:01.840 --> 0:55:07.520
<v Speaker 1>on tour, you're coming through kicking the door, whipping some

0:55:07.680 --> 0:55:15.000
<v Speaker 1>chicken ass something that just okay, yeah, I mean I

0:55:15.080 --> 0:55:17.640
<v Speaker 1>went to Virginia. Yeah, that's happening. You're talking about the

0:55:17.640 --> 0:55:27.719
<v Speaker 1>scene in the movie. You shut up, you can't. That's

0:55:27.760 --> 0:55:29.799
<v Speaker 1>why I ate up to this day. You know how

0:55:31.160 --> 0:55:33.040
<v Speaker 1>you know, how did you have to drop on big

0:55:33.120 --> 0:55:35.560
<v Speaker 1>How did you even okay? This is that? That's that

0:55:35.840 --> 0:55:40.360
<v Speaker 1>dumb young ship. I'm at home in New York and

0:55:40.560 --> 0:55:43.000
<v Speaker 1>he always well you know, they had a show, and

0:55:43.120 --> 0:55:44.879
<v Speaker 1>he will always hit me, you know when he gets

0:55:44.920 --> 0:55:47.160
<v Speaker 1>to wherever they're going, you know just how to say,

0:55:47.200 --> 0:55:49.440
<v Speaker 1>what's up. I'm just working on my Um, I wasn't.

0:55:49.480 --> 0:55:51.440
<v Speaker 1>I'm not like a clocking you and all that, but

0:55:51.560 --> 0:55:53.200
<v Speaker 1>he just he would always kind of check and I

0:55:53.280 --> 0:55:57.920
<v Speaker 1>got here boom this particular time, just out of nowhere.

0:55:57.960 --> 0:56:00.880
<v Speaker 1>It's like he was like, yeah, so, um, if you

0:56:01.000 --> 0:56:04.280
<v Speaker 1>call on my room, I'm letting l use my room tonight.

0:56:04.400 --> 0:56:07.360
<v Speaker 1>So and like, why are you telling me that I

0:56:07.440 --> 0:56:09.919
<v Speaker 1>haven't called yet? You haven't not answered yet. You feel

0:56:10.040 --> 0:56:13.719
<v Speaker 1>mean like you're telling too much. So I'm like, what

0:56:13.800 --> 0:56:15.520
<v Speaker 1>do you mean? And I know, going, well, that's a

0:56:15.600 --> 0:56:17.880
<v Speaker 1>lot like you were ain't about to give up your

0:56:18.000 --> 0:56:22.480
<v Speaker 1>room unless somebody be in there. So just immediately I'm like,

0:56:22.760 --> 0:56:26.120
<v Speaker 1>you know, Cagney and lazy. I was like, call me home.

0:56:27.960 --> 0:56:29.800
<v Speaker 1>I was like, yo, because you come watch China. Already

0:56:29.840 --> 0:56:31.839
<v Speaker 1>had my whole plan together and I made my flight.

0:56:32.160 --> 0:56:34.480
<v Speaker 1>I was like, that's just a thirty minute flight. I

0:56:34.480 --> 0:56:36.400
<v Speaker 1>already knew the room number because he told me. But

0:56:36.480 --> 0:56:38.560
<v Speaker 1>he's like, don't call my room because such and such

0:56:38.600 --> 0:56:41.560
<v Speaker 1>gonna be using it. And you know you have a session.

0:56:41.760 --> 0:56:46.560
<v Speaker 1>Are you kidding me? It was so close, you know what.

0:56:47.560 --> 0:56:49.440
<v Speaker 1>I already got the cab. My home girl came to

0:56:49.520 --> 0:56:51.719
<v Speaker 1>keep my daughter. She's like, what are you talking about?

0:56:51.760 --> 0:56:53.520
<v Speaker 1>What I said, I'll be back on going to Virginia.

0:56:53.560 --> 0:56:55.840
<v Speaker 1>She didn't realized I was really coming right back. I

0:56:55.960 --> 0:56:58.280
<v Speaker 1>got on the flight. It might have been a seven

0:56:58.360 --> 0:57:02.200
<v Speaker 1>dam flight, landed about eight thirty, got to the hotel

0:57:02.239 --> 0:57:16.400
<v Speaker 1>about nine nine thirty. Bump bum, you know. But when

0:57:16.440 --> 0:57:20.280
<v Speaker 1>I got to the hotel, why and I see how

0:57:20.440 --> 0:57:21.960
<v Speaker 1>the role man that he just happened to be he

0:57:22.000 --> 0:57:24.040
<v Speaker 1>ain't seen me though he checking out. I see him.

0:57:24.040 --> 0:57:27.240
<v Speaker 1>I'm do do you know how the cartho? I just

0:57:27.480 --> 0:57:30.200
<v Speaker 1>dipped around to the elevators, get up, stins locked on

0:57:30.280 --> 0:57:32.560
<v Speaker 1>the door, went straight to the door and they said

0:57:32.560 --> 0:57:34.800
<v Speaker 1>who is And I said, like, how's keeping? And the

0:57:34.880 --> 0:57:36.360
<v Speaker 1>girl open the door a little bit and I just

0:57:36.520 --> 0:57:39.400
<v Speaker 1>kicked it in and just started going for broke and

0:57:44.640 --> 0:57:52.080
<v Speaker 1>your favor at the record out. You know, I had

0:57:52.120 --> 0:57:57.600
<v Speaker 1>to go seeing I could have Thank god it was

0:57:57.760 --> 0:58:04.040
<v Speaker 1>one year ninety and fun you know Instagram, Instagra? Who

0:58:04.040 --> 0:58:05.840
<v Speaker 1>are you to day? The old town? Ye know what

0:58:05.840 --> 0:58:17.080
<v Speaker 1>I'm saying that right when doing with tmzad, I wanted it.

0:58:17.280 --> 0:58:19.680
<v Speaker 1>He came into. I came in the room. He that

0:58:19.760 --> 0:58:26.120
<v Speaker 1>I was out T's page. Just like father, I stick

0:58:26.200 --> 0:58:28.080
<v Speaker 1>to the story. He still wasn't that guy, wasn't it

0:58:29.960 --> 0:58:32.800
<v Speaker 1>under right? She thinks like this will enjoy like with

0:58:32.880 --> 0:58:35.800
<v Speaker 1>the cover over like he like yo, faces came in

0:58:35.920 --> 0:58:44.800
<v Speaker 1>head be not in the morning, sitting there. I'm sure

0:58:44.840 --> 0:58:55.080
<v Speaker 1>I don't like that. Who's she? I don't know, so

0:58:55.240 --> 0:58:59.720
<v Speaker 1>you tell me she just stay she carried da I

0:58:59.800 --> 0:59:05.640
<v Speaker 1>don't the next pie after look, sure he was over

0:59:05.640 --> 0:59:08.320
<v Speaker 1>there cough like yo. I said, you gotta be the

0:59:08.400 --> 0:59:11.800
<v Speaker 1>ruly shove. And it wasn't even about it was more

0:59:11.920 --> 0:59:14.800
<v Speaker 1>so like, don't sucking something my telsen. It wasn't. I

0:59:14.840 --> 0:59:16.640
<v Speaker 1>didn't even want to putting hands on nobody. That was

0:59:16.840 --> 0:59:21.720
<v Speaker 1>my intention at the moment. But it was like, son,

0:59:21.840 --> 0:59:23.840
<v Speaker 1>don't tell me no dumb ship like that, like I

0:59:23.920 --> 0:59:26.240
<v Speaker 1>can't let you just think that I'm stupid and I'm

0:59:26.280 --> 0:59:29.560
<v Speaker 1>really believing that, And she wanted to answer the door.

0:59:29.640 --> 0:59:42.080
<v Speaker 1>She might not have got sucked up stick here like

0:59:42.200 --> 0:59:47.880
<v Speaker 1>get that. Yeah, we wanted. I felt bad for after

0:59:47.960 --> 0:59:50.439
<v Speaker 1>that because I was like, look, I don't even funk.

0:59:50.480 --> 0:59:55.160
<v Speaker 1>I was like, well you should have stupid, you should

0:59:55.480 --> 1:00:14.520
<v Speaker 1>he just got Really, I'm like, you shut up. That

1:00:14.600 --> 1:00:19.120
<v Speaker 1>was actually real situation about it. So actually this is

1:00:19.160 --> 1:00:22.440
<v Speaker 1>the last time he was here with Jada kiss Well,

1:00:22.600 --> 1:00:25.360
<v Speaker 1>I don't have to ask you this, Um, did you

1:00:25.440 --> 1:00:29.240
<v Speaker 1>watch The Unsolved? You know what. I haven't, but I've

1:00:29.280 --> 1:00:30.800
<v Speaker 1>been hearing a lot about it and I want to

1:00:30.880 --> 1:00:34.320
<v Speaker 1>catch up on it because, um, you know, and when

1:00:34.360 --> 1:00:36.720
<v Speaker 1>people ask me about it, it's like using a pan.

1:00:36.880 --> 1:00:39.360
<v Speaker 1>So I can't have one that since I haven't seen it.

1:00:39.720 --> 1:00:42.959
<v Speaker 1>But certain things that I know when people as a viewer,

1:00:43.080 --> 1:00:47.960
<v Speaker 1>you don't necessarily always no, Okay, this is the story

1:00:48.040 --> 1:00:50.120
<v Speaker 1>of the detective. It doesn't mean it's not a true story,

1:00:50.160 --> 1:00:56.720
<v Speaker 1>but one side. But it's also something that has moved

1:00:56.800 --> 1:00:58.640
<v Speaker 1>other things that may help us in a way. So

1:00:58.720 --> 1:01:00.600
<v Speaker 1>it's like, you know, even though I haven't seen it,

1:01:01.080 --> 1:01:03.960
<v Speaker 1>there you know, things that kind of shift in people saying, oh,

1:01:04.040 --> 1:01:06.240
<v Speaker 1>we hurt that too, Like we know it is some

1:01:06.400 --> 1:01:08.600
<v Speaker 1>of that too, but that doesn't bring us to a

1:01:08.680 --> 1:01:10.960
<v Speaker 1>conclusion to make them arrest somebody. And there's a Johnny

1:01:11.000 --> 1:01:14.680
<v Speaker 1>Depp movie coming out to right right actually played herself

1:01:14.760 --> 1:01:17.800
<v Speaker 1>and that she did a little don't even know that

1:01:18.120 --> 1:01:20.120
<v Speaker 1>when she want when we were out there, Um, yeah,

1:01:20.200 --> 1:01:23.080
<v Speaker 1>she did a little quick seeing um instead of you know,

1:01:23.120 --> 1:01:24.880
<v Speaker 1>they had to just play herself kind of meeting with

1:01:24.960 --> 1:01:27.880
<v Speaker 1>the guy. Oh I didn't see that. I didn't see

1:01:27.880 --> 1:01:31.720
<v Speaker 1>that because I didn't I don't want to watch that

1:01:31.800 --> 1:01:34.240
<v Speaker 1>first one that first. I didn't want to. Yeah, I

1:01:34.320 --> 1:01:36.600
<v Speaker 1>just actually just watched it like like a month ago.

1:01:36.920 --> 1:01:38.760
<v Speaker 1>I just went through and like watching like the first one.

1:01:39.080 --> 1:01:44.280
<v Speaker 1>It's actually, Um, it's because you know, in the hood,

1:01:44.360 --> 1:01:47.120
<v Speaker 1>we always say if we know, the police know, but

1:01:48.080 --> 1:01:51.000
<v Speaker 1>we never we never had no proof of that until that,

1:01:51.320 --> 1:01:57.640
<v Speaker 1>Like like everything that we kind of like skeptical or speculating,

1:01:58.880 --> 1:02:00.600
<v Speaker 1>it was the same thing that they did. So I

1:02:00.720 --> 1:02:03.280
<v Speaker 1>kind of appreciated that from that. Obviously, I don't have

1:02:03.680 --> 1:02:07.120
<v Speaker 1>you know, as much interested invested into this as as

1:02:07.160 --> 1:02:10.480
<v Speaker 1>you got. What makes sense makes sense, make sense? So

1:02:10.600 --> 1:02:13.480
<v Speaker 1>I'm sitting back and I'm like a lot of this

1:02:13.960 --> 1:02:16.600
<v Speaker 1>that some of this was just just overwhelming, and it's

1:02:16.640 --> 1:02:19.520
<v Speaker 1>just over like I don't believe that, you know, puff

1:02:19.800 --> 1:02:22.600
<v Speaker 1>had anything to do with the other side, Like I can't.

1:02:22.800 --> 1:02:26.920
<v Speaker 1>I just can't. I just can't. But other things that

1:02:27.080 --> 1:02:29.880
<v Speaker 1>was involved in that I didn't believe, Like I didn't believe,

1:02:30.000 --> 1:02:33.800
<v Speaker 1>like the police knew. I believe the police, I would

1:02:33.840 --> 1:02:37.600
<v Speaker 1>be honest with you. I believe the police guys the

1:02:37.680 --> 1:02:44.080
<v Speaker 1>East Coast, West Coast Big War more than we actually. No,

1:02:46.240 --> 1:02:49.680
<v Speaker 1>the media definitely did well. They made up something that

1:02:49.800 --> 1:02:52.960
<v Speaker 1>didn't really exist. Yeah, it really wasn't that they made

1:02:53.040 --> 1:02:55.800
<v Speaker 1>They actually made it that man, the sort of thing

1:02:55.960 --> 1:02:57.600
<v Speaker 1>was happening at the time. When you see all this

1:02:57.640 --> 1:02:59.960
<v Speaker 1>stuff come around now, it makes you think of back

1:03:00.000 --> 1:03:03.120
<v Speaker 1>about like certain things that came across Like when we

1:03:03.280 --> 1:03:05.280
<v Speaker 1>was in the l A. The FEDS was actually following us,

1:03:05.360 --> 1:03:07.480
<v Speaker 1>Like what the funk? You know, what the fun was

1:03:07.560 --> 1:03:09.280
<v Speaker 1>y'all that day? You know what I mean at the

1:03:09.320 --> 1:03:12.080
<v Speaker 1>Soul training boards, but what happened this day? So you

1:03:12.200 --> 1:03:14.400
<v Speaker 1>always be thinking of all these like different things, but

1:03:14.520 --> 1:03:15.920
<v Speaker 1>you don't know much. So a lot of times you

1:03:16.000 --> 1:03:18.760
<v Speaker 1>hear about certain things, right, we don't that years later

1:03:18.840 --> 1:03:27.440
<v Speaker 1>were like that, why right? People relationship change. It's not

1:03:27.560 --> 1:03:30.360
<v Speaker 1>surprising what you're saying, because remember, years later we find

1:03:30.400 --> 1:03:31.880
<v Speaker 1>him out about all the stuff they were doing the

1:03:31.960 --> 1:03:34.720
<v Speaker 1>FEDS with the Black Panthers, and that's how they were

1:03:35.520 --> 1:03:37.720
<v Speaker 1>beefs between them, and then they had a whole program

1:03:38.000 --> 1:03:40.760
<v Speaker 1>that was like undercover doing stuff. So that's exactly what

1:03:40.880 --> 1:03:42.400
<v Speaker 1>they should have been doing in hip hop and probably,

1:03:42.400 --> 1:03:45.120
<v Speaker 1>I mean, it's kind of obvious they were. Well here's

1:03:45.160 --> 1:03:48.480
<v Speaker 1>the thing. I feel like they were able to um,

1:03:49.360 --> 1:03:53.600
<v Speaker 1>you know, to definitely heighten the fuel the fire more,

1:03:53.680 --> 1:03:57.200
<v Speaker 1>but and not to mention some involvement in the sense

1:03:57.280 --> 1:03:59.919
<v Speaker 1>of whatever their work they were doing with the Death

1:04:00.040 --> 1:04:03.120
<v Speaker 1>Road organization. And that's not too that's not me trying

1:04:03.120 --> 1:04:04.400
<v Speaker 1>to sum it up and pin it on that, but

1:04:04.480 --> 1:04:06.960
<v Speaker 1>I know there was there's clearly been. There's evidence and

1:04:07.120 --> 1:04:10.080
<v Speaker 1>and it's documented that there was involvement you know, with

1:04:10.200 --> 1:04:13.080
<v Speaker 1>the police and death row records or whatever, so um,

1:04:13.200 --> 1:04:16.120
<v Speaker 1>whatever that is. But I think that just they were

1:04:16.200 --> 1:04:19.760
<v Speaker 1>able to certainly um with the media as well, to

1:04:19.960 --> 1:04:21.880
<v Speaker 1>heighten that ship and add to it them it may

1:04:21.920 --> 1:04:24.439
<v Speaker 1>have helped them to cover up some other ship because

1:04:24.440 --> 1:04:28.160
<v Speaker 1>it's just people, you know how that Gold Street niggas gangsters.

1:04:28.240 --> 1:04:30.200
<v Speaker 1>You know what I mean, Yo, ship is you know

1:04:30.200 --> 1:04:32.360
<v Speaker 1>what I mean. Don't get me wrong. We've heard many

1:04:32.440 --> 1:04:35.440
<v Speaker 1>times and it wasn't in court, and it wasn't from

1:04:35.480 --> 1:04:38.560
<v Speaker 1>the people that should be making an arrest. Who the

1:04:38.640 --> 1:04:41.760
<v Speaker 1>person is that actually pulled the childer and killed Big

1:04:42.040 --> 1:04:44.200
<v Speaker 1>and not so much that that mean that's true, but

1:04:44.320 --> 1:04:46.880
<v Speaker 1>I think we kind of got an idea that it's believable.

1:04:47.280 --> 1:04:50.480
<v Speaker 1>But at the same time, you know, we it's not

1:04:50.640 --> 1:04:53.960
<v Speaker 1>up to us too. We can't we can't. We can't uh,

1:04:54.680 --> 1:04:58.240
<v Speaker 1>we can't legally implicate anyone, and we can't arrest anybody.

1:04:58.800 --> 1:05:03.120
<v Speaker 1>So it's like until that, you know, don't matter. It

1:05:03.200 --> 1:05:05.880
<v Speaker 1>don't matter what we think of what our conclusion based

1:05:05.920 --> 1:05:08.200
<v Speaker 1>on all these things is if the l a p

1:05:08.360 --> 1:05:11.320
<v Speaker 1>d doesn't choose to hold somebody at fall for his

1:05:11.480 --> 1:05:15.200
<v Speaker 1>murder us Again, that's why I suggest you watch it, because,

1:05:15.440 --> 1:05:18.680
<v Speaker 1>um it's kind of their point of view, and it's

1:05:18.720 --> 1:05:21.160
<v Speaker 1>like we've never seen that part, you know what I'm saying.

1:05:21.320 --> 1:05:25.440
<v Speaker 1>Um me again, Um, obviously I met Big, I never

1:05:25.520 --> 1:05:29.720
<v Speaker 1>got to met meet Tupac at all. I actually had

1:05:29.760 --> 1:05:35.560
<v Speaker 1>a record called l A l A Defending Big and

1:05:35.840 --> 1:05:39.040
<v Speaker 1>um So. But I never got to meet Tupac. I

1:05:39.160 --> 1:05:42.880
<v Speaker 1>never really got and and again all I heard was

1:05:43.040 --> 1:05:45.280
<v Speaker 1>rumor was all I heard was things. I remember me

1:05:45.440 --> 1:05:48.680
<v Speaker 1>landing in l A after it happened, and you know,

1:05:49.200 --> 1:05:51.720
<v Speaker 1>def jam or Tommy Boy, forget what labor I was

1:05:51.840 --> 1:05:54.360
<v Speaker 1>on um As soon as I landed, they had police

1:05:54.400 --> 1:05:56.600
<v Speaker 1>with me, and I was just like what it was like? Yo?

1:05:57.160 --> 1:05:59.480
<v Speaker 1>It was like, Yo, listen, we're not taking no chances.

1:05:59.600 --> 1:06:02.160
<v Speaker 1>You're Jervon's risking all this because y'all put it out there.

1:06:02.200 --> 1:06:04.000
<v Speaker 1>You know, y'all y'all were doing something he wasn't doing.

1:06:04.160 --> 1:06:06.920
<v Speaker 1>Y'all was making the response when we wasn't. That's how

1:06:06.960 --> 1:06:09.120
<v Speaker 1>I think it was because that's what the media made it.

1:06:09.480 --> 1:06:11.160
<v Speaker 1>I mean, because y'all wasn't speaking to us, and he

1:06:11.240 --> 1:06:15.479
<v Speaker 1>was telling y'all could do that. It was just because

1:06:15.480 --> 1:06:18.080
<v Speaker 1>they're doing this, because that's what they was making it.

1:06:18.200 --> 1:06:19.680
<v Speaker 1>You know what I mean. You're doing photos shoot for

1:06:19.680 --> 1:06:21.920
<v Speaker 1>a magazine and they put it out and they say

1:06:22.000 --> 1:06:24.160
<v Speaker 1>East coast versus West coast on the vibe. You know,

1:06:24.240 --> 1:06:26.560
<v Speaker 1>it was just they was all feeding into it, making

1:06:26.600 --> 1:06:28.480
<v Speaker 1>it something it wasn't, and Nick was just really just

1:06:28.600 --> 1:06:31.320
<v Speaker 1>feeding off it, you know what I'm Sayings have apologized

1:06:31.400 --> 1:06:35.440
<v Speaker 1>since then because they realized that ship started a lot

1:06:35.440 --> 1:06:36.560
<v Speaker 1>of you know what I mean, that's just started a

1:06:36.640 --> 1:06:38.680
<v Speaker 1>lot of ships. Ship was really real, like you really

1:06:38.720 --> 1:06:42.560
<v Speaker 1>couldn't go to certain places and an't like how this great.

1:06:43.520 --> 1:06:48.120
<v Speaker 1>Let me just tell you something. Um wow, that's nothing

1:06:48.120 --> 1:06:50.480
<v Speaker 1>the other day, but like last year or whatever. Right,

1:06:50.720 --> 1:06:55.400
<v Speaker 1>I'm at I'm at my hotel and Tupox movie came out.

1:06:56.080 --> 1:06:59.040
<v Speaker 1>So in my hotel room package was tickets to the

1:06:59.120 --> 1:07:07.320
<v Speaker 1>Tupac ship. So I'm like, who ship? So I'm like,

1:07:07.360 --> 1:07:09.920
<v Speaker 1>all right, cool, I had tickets already. So I walked

1:07:09.960 --> 1:07:12.000
<v Speaker 1>in there and it was the first time like I

1:07:12.080 --> 1:07:18.919
<v Speaker 1>actually was the only East coast, you know, West coast part.

1:07:19.080 --> 1:07:21.440
<v Speaker 1>You know how I hung out with Drake Father, my nigger.

1:07:23.440 --> 1:07:25.320
<v Speaker 1>There was something I said, ainything I don't know you

1:07:25.360 --> 1:07:38.640
<v Speaker 1>would from Mississippi. How you doing it exists? Exists? But

1:07:38.840 --> 1:07:42.320
<v Speaker 1>I stood there like it was the first time, like

1:07:42.400 --> 1:07:44.520
<v Speaker 1>I got I got to live in their world. And

1:07:44.600 --> 1:07:49.280
<v Speaker 1>they really we were really just confused. Motherfucker's because the

1:07:49.360 --> 1:07:51.960
<v Speaker 1>thing about like you to think about even you know,

1:07:52.160 --> 1:07:55.360
<v Speaker 1>you know, New York, we were separated. We established that

1:07:55.440 --> 1:07:58.200
<v Speaker 1>on like we're separated if right, meaning like you we'll

1:07:58.240 --> 1:08:00.720
<v Speaker 1>say you're from Brick City, you'll say you from Brooklyn

1:08:00.840 --> 1:08:04.080
<v Speaker 1>or whatever. But I didn't realize that everywhere else kind

1:08:04.120 --> 1:08:06.720
<v Speaker 1>of does the same thing too, Like like I was

1:08:06.800 --> 1:08:09.520
<v Speaker 1>sitting there and there was like game dude, seeing each

1:08:09.560 --> 1:08:13.000
<v Speaker 1>other's what's talking? But then they then they just walked away,

1:08:13.040 --> 1:08:20.640
<v Speaker 1>and I'm just like, pretty much, I don't know what

1:08:22.000 --> 1:08:27.360
<v Speaker 1>I said. I was like, yo, and mind I'm because

1:08:27.760 --> 1:08:29.679
<v Speaker 1>I'm the East Coast through they don't really they don't,

1:08:29.680 --> 1:08:31.439
<v Speaker 1>they don't really, they don't really see me. I don't

1:08:31.439 --> 1:08:33.200
<v Speaker 1>want me. The more work I have one dude. That's

1:08:33.200 --> 1:08:37.400
<v Speaker 1>where the guards me and one dude. So um, And

1:08:37.960 --> 1:08:40.040
<v Speaker 1>that was the first time I got to realize, like,

1:08:40.200 --> 1:08:42.000
<v Speaker 1>you know, I want you know what we were both.

1:08:42.120 --> 1:08:45.360
<v Speaker 1>We were both from manipulated, like we were taught to

1:08:45.520 --> 1:08:49.280
<v Speaker 1>think that we're different from them and they're different from us,

1:08:49.360 --> 1:08:52.360
<v Speaker 1>when really it's the same people just with a different act.

1:08:54.880 --> 1:08:56.559
<v Speaker 1>And we had to do so much ship over there.

1:08:56.560 --> 1:08:58.680
<v Speaker 1>It was like, yo, like you know, I don't have

1:08:58.760 --> 1:09:00.360
<v Speaker 1>a tality back then, you really just and give a

1:09:00.400 --> 1:09:02.479
<v Speaker 1>funk like you know that that's a new Yorkshire. You know,

1:09:02.600 --> 1:09:07.519
<v Speaker 1>we we go anywhere, like man funk all that, I'm

1:09:07.560 --> 1:09:17.000
<v Speaker 1>not gonna go nowhere. We got more now we keep going,

1:09:17.479 --> 1:09:19.639
<v Speaker 1>so you know that's that's I don't want to knock

1:09:19.680 --> 1:09:22.120
<v Speaker 1>streight down. So that's how I look and stuff like that.

1:09:22.280 --> 1:09:25.680
<v Speaker 1>What I'm saying, like, you know, one thing that that

1:09:25.800 --> 1:09:29.360
<v Speaker 1>I'm curious about is you and big relationship as both

1:09:29.439 --> 1:09:33.519
<v Speaker 1>being artists. How is that dynamic? How does that play

1:09:33.560 --> 1:09:38.080
<v Speaker 1>out to people that are artists with careers of their own? Um,

1:09:38.360 --> 1:09:41.880
<v Speaker 1>I think that probably how do you even have quality

1:09:41.960 --> 1:09:45.280
<v Speaker 1>time to start with? Just even that you know, we

1:09:45.439 --> 1:09:48.360
<v Speaker 1>just met. We were both already artists and it wasn't

1:09:48.400 --> 1:09:51.320
<v Speaker 1>like we were full fledged into It just happened so quick.

1:09:52.040 --> 1:09:54.240
<v Speaker 1>So I think the person that put more thought on

1:09:54.320 --> 1:09:58.360
<v Speaker 1>that than us was I mean, he liked the fact

1:09:58.400 --> 1:10:00.719
<v Speaker 1>that y'all had a relationship. I couldn't there like probably

1:10:00.800 --> 1:10:03.600
<v Speaker 1>on the business. But it's like I didn't even know

1:10:03.680 --> 1:10:05.680
<v Speaker 1>y'all were dating, Like I mean, I can think I

1:10:05.720 --> 1:10:07.760
<v Speaker 1>remember telling him like I think he likes me. But

1:10:08.080 --> 1:10:11.280
<v Speaker 1>you know, it was a matter of like two months

1:10:11.320 --> 1:10:15.519
<v Speaker 1>six you know, two months from us meeting to being married.

1:10:16.160 --> 1:10:19.880
<v Speaker 1>So it wasn't seven days like he's been said. It

1:10:20.000 --> 1:10:23.080
<v Speaker 1>was more like two months from us meeting and actually

1:10:23.080 --> 1:10:26.519
<v Speaker 1>getting married. But you know, I remember being such a

1:10:26.600 --> 1:10:28.840
<v Speaker 1>big deal. It's so funny. I'm like, what the fund is?

1:10:28.880 --> 1:10:31.200
<v Speaker 1>The big deal? Y'all told puff y'all like we have

1:10:31.320 --> 1:10:35.400
<v Speaker 1>to make this big old meet and announced it. You

1:10:35.479 --> 1:10:57.200
<v Speaker 1>are quipped, you have a catheter. I'm trying to the

1:10:57.240 --> 1:11:08.639
<v Speaker 1>next month drinking work. First they called me the only time.

1:11:08.880 --> 1:11:15.400
<v Speaker 1>First of all, first we could hear you first. I think.

1:11:15.400 --> 1:11:19.000
<v Speaker 1>I don't think there's no other guests requested trying your bone,

1:11:19.240 --> 1:11:21.559
<v Speaker 1>because that's what I'm want, Like, come on, get going

1:11:21.640 --> 1:11:24.320
<v Speaker 1>on the baby guy, man, come on, help, let's star

1:11:24.479 --> 1:11:26.479
<v Speaker 1>leave that out there. That's going on the big one. Pause.

1:11:29.560 --> 1:11:33.920
<v Speaker 1>That's that's three fucking great people over. I can't that's

1:11:33.960 --> 1:11:37.160
<v Speaker 1>the way. So rest in peace. I didn't get that.

1:11:37.680 --> 1:11:40.880
<v Speaker 1>Oh yeah, exactly, rest in peace. I didn't mean that.

1:11:41.600 --> 1:11:45.759
<v Speaker 1>But my son FaceTime with different strokes. There are suns

1:11:45.800 --> 1:11:54.240
<v Speaker 1>weird out. Mopster still alive though, still okay, And I

1:11:55.000 --> 1:12:03.120
<v Speaker 1>say killed name Louis is his name? That college slipping

1:12:03.120 --> 1:12:12.439
<v Speaker 1>backs to see what cocaine has. Two weeks ago was

1:12:12.520 --> 1:12:16.360
<v Speaker 1>there has about in front of the cannon ball. Damn,

1:12:16.439 --> 1:12:17.760
<v Speaker 1>I was punked up with that. Just now, man, I

1:12:17.800 --> 1:12:20.120
<v Speaker 1>feel bad about very cool man. Man, I didn't know

1:12:20.200 --> 1:12:24.680
<v Speaker 1>that not so um so you got don sounds so disappointed. Man,

1:12:25.880 --> 1:12:27.280
<v Speaker 1>that was my god. They compare me to for a

1:12:27.360 --> 1:12:39.320
<v Speaker 1>long time. He's like, now he's still alive. Listen, just

1:12:39.520 --> 1:12:41.880
<v Speaker 1>quite a few people. There's quite a few people who

1:12:41.960 --> 1:12:46.320
<v Speaker 1>had the craziest run in the music industry. Bad boy

1:12:47.160 --> 1:12:50.679
<v Speaker 1>that had one of the craziest one at one point.

1:12:50.800 --> 1:12:53.519
<v Speaker 1>If you didn't think they had the longest run, if

1:12:53.520 --> 1:12:58.639
<v Speaker 1>you ain't hip hop like strange eventI every nowaday, sorry

1:13:00.000 --> 1:13:08.880
<v Speaker 1>you don't have something you didn't you agree, Benji, y'all

1:13:09.320 --> 1:13:15.160
<v Speaker 1>had the illest one. Y'all tours, y'all dice games mostly

1:13:15.439 --> 1:13:18.880
<v Speaker 1>like like like describe y'all first toy like as a

1:13:19.000 --> 1:13:21.479
<v Speaker 1>as a bad boy family together. Let me tell you

1:13:21.520 --> 1:13:26.639
<v Speaker 1>about mine. Okay it was two years ago. I don't

1:13:26.640 --> 1:13:31.000
<v Speaker 1>know what the reunion tour. Okay, hold on part of that, Okay,

1:13:31.280 --> 1:13:36.280
<v Speaker 1>but hold I understand you didn't You didn't go because

1:13:36.840 --> 1:13:40.000
<v Speaker 1>the biggest jealousy or you didn't go because me and

1:13:40.080 --> 1:13:42.519
<v Speaker 1>Big was going through it. But on some other ship.

1:13:42.680 --> 1:13:45.160
<v Speaker 1>You know, I still was about my money and our career.

1:13:45.240 --> 1:13:49.000
<v Speaker 1>Ship was very separate, you know. Um, and they wanted

1:13:49.000 --> 1:13:51.240
<v Speaker 1>me to go on the tour, fucking saying it's promo

1:13:51.479 --> 1:14:21.439
<v Speaker 1>that means free, my niggah. Like I was okay, not

1:14:21.600 --> 1:14:24.200
<v Speaker 1>only on the personal side. I had found out about

1:14:24.240 --> 1:14:27.760
<v Speaker 1>Big and Camp. Then Big was already dating, um, Charlie Baltimore.

1:14:29.320 --> 1:14:37.360
<v Speaker 1>This so I listening happened. Not gonna don't avoid ship

1:14:37.520 --> 1:14:40.439
<v Speaker 1>you dot boyd ship. I'm not angry. It's so good.

1:14:41.400 --> 1:14:57.840
<v Speaker 1>I'm still Yeah, I was doing shows like you know,

1:14:58.040 --> 1:14:59.760
<v Speaker 1>getting Like I want to say, at the time, I

1:14:59.840 --> 1:15:01.760
<v Speaker 1>had maybe two singles out, but I had a gold

1:15:01.880 --> 1:15:03.680
<v Speaker 1>My album might even been gold. But I know I

1:15:03.800 --> 1:15:06.360
<v Speaker 1>had two gold singles for sure, and maybe my album

1:15:06.400 --> 1:15:09.640
<v Speaker 1>almost go. I'm getting paid like sevent just to do

1:15:09.800 --> 1:15:12.439
<v Speaker 1>two songs, three songs on the on the night, you know,

1:15:13.000 --> 1:15:16.080
<v Speaker 1>maybe seventy five gees. Like that was okay for me.

1:15:16.880 --> 1:15:18.519
<v Speaker 1>Why am I gonna go on a tour for free

1:15:18.840 --> 1:15:20.880
<v Speaker 1>and might have to fund somebody up, you know what

1:15:20.880 --> 1:15:22.600
<v Speaker 1>I mean? Like I don't want to even This is

1:15:22.640 --> 1:15:24.840
<v Speaker 1>me trying to be very not around that ship because

1:15:24.840 --> 1:15:39.200
<v Speaker 1>I don't want to do that right exactly exactly like

1:15:39.320 --> 1:15:42.240
<v Speaker 1>hell night doing that, and I um went to l

1:15:42.320 --> 1:15:45.560
<v Speaker 1>A because this producer was saying he would want to

1:15:45.600 --> 1:15:47.280
<v Speaker 1>pay me the write songs for his group, which is

1:15:47.400 --> 1:15:49.320
<v Speaker 1>who I was with in the club to night that

1:15:49.520 --> 1:15:51.760
<v Speaker 1>I met Tupac with when Tres was with Tupac in

1:15:51.800 --> 1:15:54.800
<v Speaker 1>the club in l A. Because I was just trying

1:15:54.840 --> 1:16:01.519
<v Speaker 1>to make money, this makes sense, and they was Tres Tres,

1:16:03.960 --> 1:16:06.400
<v Speaker 1>I don't Trench from Jersey used to be at Brehouse.

1:16:06.640 --> 1:16:08.160
<v Speaker 1>So he was some one like, Yo, my boy, Pad

1:16:08.240 --> 1:16:11.000
<v Speaker 1>want to meet you. I'm gonna I'm gonna be honest

1:16:11.080 --> 1:16:14.519
<v Speaker 1>with you. Right, I hadn't met you. We got we

1:16:14.560 --> 1:16:19.920
<v Speaker 1>gotta take a ball, not okay, right, cool? So I

1:16:20.040 --> 1:16:24.160
<v Speaker 1>haven't met you solo solo cool. You gotta Tau for

1:16:24.200 --> 1:16:37.120
<v Speaker 1>the Birk met you, Oh my god, And I knew

1:16:37.280 --> 1:16:41.679
<v Speaker 1>the most lovable person. I met you in Justice. Oh wow,

1:16:42.280 --> 1:16:45.120
<v Speaker 1>I met you in Justice and um we were just

1:16:45.280 --> 1:16:52.280
<v Speaker 1>there and I had smelled like wee and I knew

1:16:52.439 --> 1:16:55.479
<v Speaker 1>like like the type of person you was. So when

1:16:55.680 --> 1:16:59.240
<v Speaker 1>we visited the picture, I was like that pure and

1:16:59.360 --> 1:17:02.760
<v Speaker 1>I had just like I could tell like, yeah, knew

1:17:02.800 --> 1:17:05.680
<v Speaker 1>that I'm cool. No, I'm cool with everybody, and that's

1:17:05.720 --> 1:17:08.680
<v Speaker 1>not the experience of that that in hindsight, you know.

1:17:09.200 --> 1:17:12.240
<v Speaker 1>But and we were just on everything, just talking about

1:17:12.320 --> 1:17:14.639
<v Speaker 1>this like last night. But you know, it's like nigger,

1:17:14.720 --> 1:17:17.439
<v Speaker 1>you know me a big would I told Big I

1:17:17.560 --> 1:17:20.240
<v Speaker 1>met Pop like I would avoid Biggs calls some time

1:17:20.280 --> 1:17:22.080
<v Speaker 1>to that producer's house that I was working just on

1:17:22.240 --> 1:17:24.680
<v Speaker 1>my little bullshit. You know, we did dumb ship. But

1:17:24.800 --> 1:17:26.560
<v Speaker 1>then this time I took you. I was happy to

1:17:26.560 --> 1:17:28.840
<v Speaker 1>tell him because I knew, like Big did not want

1:17:28.840 --> 1:17:30.639
<v Speaker 1>to believe that. I didn't know Pop, but I knew

1:17:30.680 --> 1:17:32.680
<v Speaker 1>what he said about him, how he felt about him,

1:17:33.200 --> 1:17:35.160
<v Speaker 1>and so when he even had an inkle of like

1:17:35.600 --> 1:17:38.439
<v Speaker 1>at that time, it wasn't confirmed like he really feel

1:17:38.520 --> 1:17:40.120
<v Speaker 1>like that. But it was a little ship. It wasn't

1:17:40.120 --> 1:17:42.960
<v Speaker 1>no social you know what I mean. Like I don't

1:17:42.960 --> 1:17:45.040
<v Speaker 1>know if it was even so much direction at the time,

1:17:45.080 --> 1:17:48.599
<v Speaker 1>it wasn't. That article wasn't out. So I was happy, like, yo,

1:17:48.680 --> 1:17:50.439
<v Speaker 1>I met your boy poking. He told me he liked

1:17:50.479 --> 1:17:52.040
<v Speaker 1>my music and want to do something for me. I'm

1:17:52.080 --> 1:17:54.800
<v Speaker 1>thinking it was he didn't say don't do it, He's like,

1:17:54.840 --> 1:17:56.160
<v Speaker 1>you gonna do it. I was like, yeah, I gave

1:17:56.200 --> 1:18:00.320
<v Speaker 1>him Mark's number told how much it's gonna be. Yeah,

1:18:00.360 --> 1:18:02.560
<v Speaker 1>he was my he was bigg manager. So after a

1:18:02.600 --> 1:18:04.439
<v Speaker 1>certain point I let him be my manager because I

1:18:04.479 --> 1:18:07.080
<v Speaker 1>didn't have a manager when I got signed. But you know,

1:18:07.200 --> 1:18:09.240
<v Speaker 1>it wasn't. It wasn't something that I was hiding. You

1:18:09.360 --> 1:18:11.479
<v Speaker 1>put it. That's the point I'm making, And my point

1:18:11.640 --> 1:18:14.120
<v Speaker 1>was it Big would have said, don't do it it Big,

1:18:14.400 --> 1:18:17.439
<v Speaker 1>because we know Big wasn't. He wasn't on the garden

1:18:17.600 --> 1:18:20.120
<v Speaker 1>and he probably a little confused, like I don't think

1:18:20.120 --> 1:18:21.600
<v Speaker 1>that's true, because there's no way he could feel that

1:18:21.600 --> 1:18:23.760
<v Speaker 1>he could think. Would you understood how he tried to

1:18:23.840 --> 1:18:26.040
<v Speaker 1>use you as a causual tier the wall? Absolutely, and

1:18:26.160 --> 1:18:28.080
<v Speaker 1>not only I'm not only him. But the thing is,

1:18:28.200 --> 1:18:31.640
<v Speaker 1>at that time, I didn't even know the bigger situation.

1:18:31.880 --> 1:18:33.920
<v Speaker 1>When I went to the studio with cop I didn't

1:18:33.960 --> 1:18:35.600
<v Speaker 1>know he was signed to death Roll. I was on

1:18:35.760 --> 1:18:38.080
<v Speaker 1>stage with Pup at that Source Awards when she said

1:18:38.160 --> 1:18:40.720
<v Speaker 1>that I was there on stage but I didn't know.

1:18:41.720 --> 1:18:44.639
<v Speaker 1>I wasn't say I didn't know what you were talking about.

1:18:45.360 --> 1:18:48.960
<v Speaker 1>I had on a like a champagne colored su Chris Webber,

1:18:49.040 --> 1:18:56.519
<v Speaker 1>me and public I'm confused and clapping at like was

1:18:56.600 --> 1:18:59.439
<v Speaker 1>going on. And even when I went to studio, until

1:18:59.439 --> 1:19:01.280
<v Speaker 1>I walked in a studio, I didn't know Pop was

1:19:01.360 --> 1:19:05.160
<v Speaker 1>signed to death Row. Like I immediately was like, oh ship,

1:19:05.320 --> 1:19:07.599
<v Speaker 1>Like I knew other people from just whatever I've seen

1:19:07.680 --> 1:19:10.160
<v Speaker 1>in the media. I saw probably uh, I don't remember,

1:19:10.200 --> 1:19:13.680
<v Speaker 1>maybe Danny Way corrupt corrupt was there, you know what

1:19:13.680 --> 1:19:15.479
<v Speaker 1>I mean. But I just started being a cool person,

1:19:15.520 --> 1:19:17.880
<v Speaker 1>my hands smoking with everybody. You know, I'm gonna get

1:19:17.920 --> 1:19:20.040
<v Speaker 1>this hook done. But I felt a little weird because

1:19:20.560 --> 1:19:23.080
<v Speaker 1>I just didn't know he was on death Row. And

1:19:23.240 --> 1:19:25.479
<v Speaker 1>I knew that this guy who runs this label had

1:19:25.560 --> 1:19:30.120
<v Speaker 1>just said something about the president runs my label, even

1:19:30.160 --> 1:19:32.720
<v Speaker 1>though I didn't know boy it was coming from, and

1:19:32.800 --> 1:19:34.439
<v Speaker 1>I didn't know where it was coming from for even

1:19:34.520 --> 1:19:37.200
<v Speaker 1>years after even for a few years after that, you know,

1:19:38.000 --> 1:19:40.040
<v Speaker 1>like there's a whole backstory too. I left that has

1:19:40.080 --> 1:19:42.519
<v Speaker 1>nothing to do a big or two you know what

1:19:42.560 --> 1:19:47.880
<v Speaker 1>I'm saying. So that's yeah, that's so um okay. In

1:19:47.960 --> 1:19:52.320
<v Speaker 1>the movie again, it says, um again, I'm just a

1:19:52.360 --> 1:19:55.360
<v Speaker 1>little into the movie, this can be um false for

1:19:55.479 --> 1:19:57.960
<v Speaker 1>big hands about it and and me as being a man,

1:19:58.200 --> 1:20:06.360
<v Speaker 1>that was my wife. We were just talking about that. No, No,

1:20:06.640 --> 1:20:10.560
<v Speaker 1>that happened, um Big. I think what happened was that

1:20:10.720 --> 1:20:12.640
<v Speaker 1>it was like I don't know what magazine and may

1:20:12.680 --> 1:20:15.000
<v Speaker 1>have been Vibe, may have been sourced one of those,

1:20:15.160 --> 1:20:17.439
<v Speaker 1>or may have been New York something rubble Stone, but

1:20:17.600 --> 1:20:21.559
<v Speaker 1>they were there was an article and this is prior

1:20:21.640 --> 1:20:24.000
<v Speaker 1>to I mean, this is after me going in the

1:20:24.080 --> 1:20:28.320
<v Speaker 1>studio with Tupac. But again, there was no up right,

1:20:28.600 --> 1:20:30.560
<v Speaker 1>I don't know. I've heard it before, but I don't know.

1:20:31.800 --> 1:20:34.560
<v Speaker 1>I don't know whether it was just it's online, but

1:20:34.640 --> 1:20:36.439
<v Speaker 1>I don't know if it was on the actual death

1:20:36.560 --> 1:20:40.840
<v Speaker 1>Row release or something like it was never approved something.

1:20:42.200 --> 1:20:43.880
<v Speaker 1>I think they put it out with the girl duel

1:20:44.000 --> 1:20:46.639
<v Speaker 1>singing it. But do you want to know the irony?

1:20:46.720 --> 1:20:49.200
<v Speaker 1>You know what the song was called? Right? I wonder

1:20:49.200 --> 1:20:58.000
<v Speaker 1>why I didn't call you bitch? Right? Yes, imagine you

1:20:58.040 --> 1:21:00.719
<v Speaker 1>know what I'm saying, like this is what I'm singing

1:21:00.840 --> 1:21:03.320
<v Speaker 1>right now in the moment of me like, oh this

1:21:03.400 --> 1:21:05.240
<v Speaker 1>snik is on death ro Like you know what I'm saying,

1:21:06.560 --> 1:21:13.040
<v Speaker 1>Like it was weird, but one what was gonna happen next?

1:21:13.120 --> 1:21:15.880
<v Speaker 1>Until I did never get my mother fucking checking. So

1:21:16.960 --> 1:21:21.960
<v Speaker 1>is prior to that, um big, and Pop work good.

1:21:22.920 --> 1:21:25.360
<v Speaker 1>Well again, I never met Pop. But let me take

1:21:25.400 --> 1:21:28.320
<v Speaker 1>you back before that to the Quad studio night, which

1:21:28.400 --> 1:21:31.560
<v Speaker 1>is another story that has been, you know, differently purported,

1:21:31.880 --> 1:21:34.439
<v Speaker 1>but I remember I wasn't there, but I was at

1:21:34.479 --> 1:21:37.400
<v Speaker 1>our apartment in Brooklyn and Big called me boo who

1:21:37.600 --> 1:21:40.920
<v Speaker 1>crying after that ship happened and telling me, I'm going

1:21:41.000 --> 1:21:43.439
<v Speaker 1>to belve you to check on Pop. You feel me.

1:21:43.520 --> 1:21:46.840
<v Speaker 1>So whether anybody ever said that, but I know that, well,

1:21:46.880 --> 1:21:48.880
<v Speaker 1>I knew before that. I knew he would never that

1:21:49.000 --> 1:21:51.400
<v Speaker 1>wasn't something he would do. I spoke to them soon

1:21:51.439 --> 1:21:52.599
<v Speaker 1>they used to be with me or they're like, oh

1:21:52.680 --> 1:21:55.880
<v Speaker 1>my god, I don't I know. We ran upstairs and

1:21:56.160 --> 1:21:57.920
<v Speaker 1>the next thing, you know, you know, I think it

1:21:58.280 --> 1:22:00.519
<v Speaker 1>may not have been right away, but you know, by

1:22:00.560 --> 1:22:03.479
<v Speaker 1>the time it got to public consumption, it wasn't more

1:22:03.560 --> 1:22:07.240
<v Speaker 1>than a week later that people were saying that he

1:22:07.320 --> 1:22:09.160
<v Speaker 1>said that or he obviously did say it, that he

1:22:09.240 --> 1:22:11.439
<v Speaker 1>said they had something to do with it. But I

1:22:11.520 --> 1:22:14.000
<v Speaker 1>knew that wasn't the case. Like he did called me

1:22:14.160 --> 1:22:18.439
<v Speaker 1>crying going to check on him. That wasn't fake. He

1:22:18.439 --> 1:22:20.400
<v Speaker 1>don't have to call me. He's like, oh my god,

1:22:20.479 --> 1:22:23.639
<v Speaker 1>this just happened. Season him and I'm gonna go check

1:22:23.680 --> 1:22:25.760
<v Speaker 1>on my man, make sure you are right, you know.

1:22:25.840 --> 1:22:30.040
<v Speaker 1>And he came home later, but um, you know, he

1:22:30.160 --> 1:22:32.880
<v Speaker 1>still kind of wanted to think that their relationship was

1:22:32.920 --> 1:22:37.519
<v Speaker 1>a little more genuine than what he was here. I'd

1:22:37.560 --> 1:22:40.600
<v Speaker 1>know what. Obviously Pop had shifted for whatever reason. You

1:22:40.680 --> 1:22:45.960
<v Speaker 1>know his feelings about Big. You know, they was young.

1:22:46.120 --> 1:22:49.120
<v Speaker 1>It was a battery back. If they would have met

1:22:49.160 --> 1:22:51.559
<v Speaker 1>with each other, that would be I think he's definitely

1:22:51.640 --> 1:22:54.360
<v Speaker 1>hopefully wasting a one day work it out, you know

1:22:54.400 --> 1:23:02.519
<v Speaker 1>what I'm saying that y'all saw each other at everything. No, no,

1:23:02.880 --> 1:23:06.400
<v Speaker 1>I want a piece of He said, that wasn't That

1:23:06.600 --> 1:23:09.960
<v Speaker 1>wasn't the Pop We like, he couldn't believe that dude

1:23:10.040 --> 1:23:12.719
<v Speaker 1>was doing that. But you know he was with Sugar.

1:23:12.800 --> 1:23:15.080
<v Speaker 1>You know Sugar, Like everybody know that Shug was putting

1:23:15.080 --> 1:23:17.240
<v Speaker 1>the battery in his back, had him, you know, doing

1:23:17.280 --> 1:23:19.160
<v Speaker 1>that type of ship because he had a personal situation

1:23:19.280 --> 1:23:20.720
<v Speaker 1>with Puff, you know what I'm saying that, And you

1:23:20.800 --> 1:23:23.200
<v Speaker 1>know we didn't know about that or you know that

1:23:23.280 --> 1:23:25.360
<v Speaker 1>ship don't come around to you. Hear rumors about that

1:23:25.400 --> 1:23:27.720
<v Speaker 1>ship like it was some personal ship with them that

1:23:28.600 --> 1:23:32.200
<v Speaker 1>that trickled down to beyond pop situation. What I'm saying,

1:23:32.520 --> 1:23:34.040
<v Speaker 1>Pop didn't want to do that, but that you know,

1:23:34.080 --> 1:23:36.400
<v Speaker 1>they built him out of jail and he came out,

1:23:36.479 --> 1:23:39.920
<v Speaker 1>and you know, his loyalty was to that. He can't

1:23:40.000 --> 1:23:41.840
<v Speaker 1>knock him for that, you know what I'm saying. Our

1:23:41.880 --> 1:23:44.080
<v Speaker 1>loyal t was towards Big. It is what it is.

1:23:44.200 --> 1:23:46.080
<v Speaker 1>We didn't just it's no other reason for me to

1:23:46.120 --> 1:23:48.519
<v Speaker 1>dislike that man. We didn't like him because he was

1:23:48.560 --> 1:23:51.040
<v Speaker 1>going against my man. That's my boss, that's my brother,

1:23:51.120 --> 1:23:53.200
<v Speaker 1>you know what I'm saying. And that's just how it was.

1:23:53.439 --> 1:23:55.960
<v Speaker 1>And that wasn't really who Pop was. We hung out

1:23:56.040 --> 1:23:59.280
<v Speaker 1>with him before, and that's why Big didn't. That's why

1:23:59.400 --> 1:24:02.600
<v Speaker 1>Big didn't response and do these things, you know what

1:24:02.640 --> 1:24:06.200
<v Speaker 1>I'm saying. So it supposed to went to that level,

1:24:06.280 --> 1:24:07.840
<v Speaker 1>you know what I'm saying, Like you know Big, That's

1:24:07.880 --> 1:24:09.639
<v Speaker 1>why he never made a response. That's why he didn't

1:24:09.640 --> 1:24:11.760
<v Speaker 1>even feed into the ship that went down with the

1:24:11.840 --> 1:24:14.519
<v Speaker 1>picture with harding him. He knew who he was, and

1:24:14.600 --> 1:24:17.960
<v Speaker 1>he knew her before for first and foremost what I'm saying,

1:24:18.040 --> 1:24:20.080
<v Speaker 1>But it wasn't nothing to really trip about, you know

1:24:20.120 --> 1:24:23.280
<v Speaker 1>what i mean. But because her partner how how old

1:24:23.400 --> 1:24:26.479
<v Speaker 1>was you because like like you're you're like like like

1:24:26.920 --> 1:24:29.400
<v Speaker 1>that was like the first person like that they used you,

1:24:29.680 --> 1:24:34.639
<v Speaker 1>Like no, but I publicly and people knew of there's

1:24:34.680 --> 1:24:40.160
<v Speaker 1>other people, you know, it hasn't been oh he says

1:24:40.240 --> 1:24:42.280
<v Speaker 1>this and go to that die. But yeah, I think

1:24:42.320 --> 1:24:46.160
<v Speaker 1>in terms of like being um, you know, kind of

1:24:46.240 --> 1:24:49.920
<v Speaker 1>publicly judged in regard to a situation and making it

1:24:50.000 --> 1:24:52.720
<v Speaker 1>seem like it was my situation is way more than your.

1:24:53.120 --> 1:24:55.640
<v Speaker 1>You stayed classy too, you could, you could try, but

1:24:55.760 --> 1:24:57.360
<v Speaker 1>you know, don't get me wrong. I got I was

1:24:57.520 --> 1:25:01.840
<v Speaker 1>very mad at first because I was like, my lord

1:25:03.040 --> 1:25:04.960
<v Speaker 1>and I sued him for saying that once I started

1:25:05.000 --> 1:25:06.720
<v Speaker 1>hearing they saying this, and he was like, I mean,

1:25:07.800 --> 1:25:10.280
<v Speaker 1>come on, like you know, like you're gonna sue the

1:25:10.360 --> 1:25:12.840
<v Speaker 1>MIKEE for saying something you know that don't And I

1:25:12.960 --> 1:25:15.080
<v Speaker 1>was just like thinking of by like, girl, this could

1:25:15.080 --> 1:25:17.519
<v Speaker 1>get really ugly, like you know, I ain't about to

1:25:17.800 --> 1:25:20.360
<v Speaker 1>you know, not even knowing that the ship is way

1:25:20.439 --> 1:25:23.080
<v Speaker 1>bigger than somebody saying something about you, you know what

1:25:23.120 --> 1:25:25.400
<v Speaker 1>I mean. I didn't know the whole full story, but

1:25:25.479 --> 1:25:28.280
<v Speaker 1>I knew that ship was wrong. But I figured enough

1:25:28.320 --> 1:25:30.200
<v Speaker 1>to well I was like, excuse me, you know what,

1:25:30.360 --> 1:25:32.160
<v Speaker 1>I know what it is. God knows what it is.

1:25:32.800 --> 1:25:35.120
<v Speaker 1>And the only person I was concerned about initially was

1:25:35.200 --> 1:25:37.240
<v Speaker 1>really Big and talking to Big, you know, which I

1:25:37.360 --> 1:25:39.160
<v Speaker 1>never really got to do. Because back to that scene

1:25:39.200 --> 1:25:40.880
<v Speaker 1>when you say he came and he heard about it,

1:25:40.960 --> 1:25:43.679
<v Speaker 1>that was really what you started talking about that happened.

1:25:43.760 --> 1:25:46.600
<v Speaker 1>You know, he was like, what the funking? I'm like, like,

1:25:46.760 --> 1:25:49.760
<v Speaker 1>you're sucking. But I think it was more so him

1:25:49.840 --> 1:25:55.840
<v Speaker 1>hearing about the bigger situation. And this is after Hit

1:25:55.920 --> 1:25:59.880
<v Speaker 1>him Up came out. I noticed before Hit him Up,

1:26:00.479 --> 1:26:04.080
<v Speaker 1>just before hit out article, it was an article saying

1:26:04.120 --> 1:26:07.640
<v Speaker 1>that I traded my Yeah, the picture was one thing,

1:26:07.720 --> 1:26:10.599
<v Speaker 1>but there was an article which Sugar Tupac and Sugar

1:26:10.680 --> 1:26:13.560
<v Speaker 1>was like, um, I traded in my wedding ring and

1:26:13.600 --> 1:26:15.479
<v Speaker 1>took him shop and brought him but I bought him

1:26:15.520 --> 1:26:20.360
<v Speaker 1>the outfit he had one in the magazine. It was

1:26:20.439 --> 1:26:23.840
<v Speaker 1>also heart a cool that they were talking about the

1:26:23.880 --> 1:26:25.880
<v Speaker 1>same stuff. So you're right, it might have been a

1:26:26.000 --> 1:26:29.760
<v Speaker 1>video somewhere too, but you know, it was like it

1:26:29.920 --> 1:26:32.120
<v Speaker 1>was just when I've heard about it, and then Big

1:26:32.240 --> 1:26:34.120
<v Speaker 1>kind of it was right after me coming back from

1:26:34.320 --> 1:26:37.760
<v Speaker 1>l a experiencing that session with him and like him

1:26:37.840 --> 1:26:39.640
<v Speaker 1>kind of breaking on me saying I gotta sunk his

1:26:39.720 --> 1:26:45.080
<v Speaker 1>dick to get my check. I'm just saying I because

1:26:45.120 --> 1:26:47.599
<v Speaker 1>you know, I'm not going to rehash it in that sense,

1:26:47.640 --> 1:26:49.360
<v Speaker 1>because I keep like, yeah, I've talked about it, and

1:26:49.400 --> 1:26:52.120
<v Speaker 1>I don't you know, but yeah, things happened in a

1:26:52.160 --> 1:26:54.080
<v Speaker 1>different way where I was like, this isn't what I

1:26:54.160 --> 1:26:56.240
<v Speaker 1>signed up for, so, you know, and I don't want

1:26:56.240 --> 1:26:58.040
<v Speaker 1>to do that because I've seen another interview. I'm like,

1:26:58.080 --> 1:26:59.800
<v Speaker 1>why did I end up talking about it again? You know,

1:26:59.840 --> 1:27:02.320
<v Speaker 1>it's I talked about it in my book and I

1:27:02.360 --> 1:27:07.320
<v Speaker 1>ain't really trying to like, uh shoot on his uh legacy.

1:27:08.000 --> 1:27:09.800
<v Speaker 1>You know what I'm saying, so to speak in terms

1:27:09.840 --> 1:27:13.080
<v Speaker 1>of just my personal experience, but you know, I know that,

1:27:14.720 --> 1:27:16.519
<v Speaker 1>you know, the way I just felt like it was

1:27:17.200 --> 1:27:20.240
<v Speaker 1>it was definitely some other weird influence, Like I didn't

1:27:20.600 --> 1:27:23.000
<v Speaker 1>I didn't feel comfortable around him on the strength of

1:27:23.680 --> 1:27:26.559
<v Speaker 1>knowing anything other than the fact that Big really fucked

1:27:26.600 --> 1:27:28.760
<v Speaker 1>with him. That's what I can't say. You feel what

1:27:28.800 --> 1:27:32.720
<v Speaker 1>I'm saying. You feel me. That's the only reason I

1:27:32.880 --> 1:27:34.280
<v Speaker 1>was like, and I was happy. That's why I was

1:27:34.360 --> 1:27:36.880
<v Speaker 1>happy to tell Big Yo, I met your boy pap.

1:27:37.280 --> 1:27:39.479
<v Speaker 1>If I if I'm trying to funk with this nigga,

1:27:39.479 --> 1:27:42.600
<v Speaker 1>why am I gonna tell you my husband, who's definitely

1:27:42.680 --> 1:27:45.200
<v Speaker 1>about not trying to see me with no other nigga.

1:27:45.240 --> 1:27:48.360
<v Speaker 1>You know what I'm saying, Like Big, you know, which

1:27:48.400 --> 1:27:50.120
<v Speaker 1>is why I was so offended when he was had

1:27:50.160 --> 1:27:52.120
<v Speaker 1>to order to be out with like nigga white people

1:27:52.160 --> 1:27:54.200
<v Speaker 1>FU killed me if I was trying to you know

1:27:54.240 --> 1:27:56.200
<v Speaker 1>what I mean. Like, So it was just it was

1:27:56.280 --> 1:28:00.800
<v Speaker 1>just weird. It was just all very quick and it

1:28:01.000 --> 1:28:04.040
<v Speaker 1>was just weird, you know. But I think I think

1:28:04.720 --> 1:28:08.880
<v Speaker 1>the fact that when Um I kind of used you,

1:28:09.640 --> 1:28:12.720
<v Speaker 1>I think that when against everybody from that on out.

1:28:12.880 --> 1:28:16.360
<v Speaker 1>Now when uh yea he tried to kind of pull

1:28:16.520 --> 1:28:21.439
<v Speaker 1>the same thing, it backfired and not on um. Just

1:28:21.640 --> 1:28:25.400
<v Speaker 1>now Drake kind of tried to do the same things

1:28:26.160 --> 1:28:28.960
<v Speaker 1>and it backfired on him. Was because those kind of

1:28:29.040 --> 1:28:31.280
<v Speaker 1>like cheap shots, you don't supposed to do that, right,

1:28:31.840 --> 1:28:34.040
<v Speaker 1>certain things like if you're a real guy, you don't

1:28:34.680 --> 1:28:38.720
<v Speaker 1>you don't involve other people money. My situation is with you, right,

1:28:38.800 --> 1:28:44.320
<v Speaker 1>That's why Big, I'm not gonna But that's because I

1:28:44.439 --> 1:28:47.439
<v Speaker 1>did go on the studio. Whether people understand the fact

1:28:47.520 --> 1:28:49.360
<v Speaker 1>that I just didn't know, sir. You know, I ain't

1:28:49.360 --> 1:28:51.439
<v Speaker 1>looking for no sympathy, but I know what it really was.

1:28:52.360 --> 1:28:57.000
<v Speaker 1>I was down there to get money. Like out, It's okay.

1:28:57.040 --> 1:29:00.360
<v Speaker 1>I wasn't tripping off of no getting back at I'm

1:29:00.400 --> 1:29:02.120
<v Speaker 1>trying to make money and I don't want to suck

1:29:02.160 --> 1:29:05.640
<v Speaker 1>a bit up every day and for free. I'm just

1:29:05.760 --> 1:29:09.360
<v Speaker 1>saying that tour over there. It's crazy you mentioned Jay

1:29:09.760 --> 1:29:11.240
<v Speaker 1>because I was thinking when we were talking about this,

1:29:11.720 --> 1:29:14.800
<v Speaker 1>how they were able to resolve their ship and look

1:29:14.840 --> 1:29:16.439
<v Speaker 1>how they grew together in a sense of you know,

1:29:16.520 --> 1:29:19.640
<v Speaker 1>business that I could just imagine, you know, imagine what

1:29:19.800 --> 1:29:23.799
<v Speaker 1>that could have been, what they could have done united.

1:29:24.040 --> 1:29:26.960
<v Speaker 1>It would have been crazy. But they they they have,

1:29:27.200 --> 1:29:29.840
<v Speaker 1>they opened up the door to That's what hip hop

1:29:29.960 --> 1:29:31.840
<v Speaker 1>is about now when we talk about getting it right

1:29:31.920 --> 1:29:33.800
<v Speaker 1>and getting it straight and getting on the right path.

1:29:34.240 --> 1:29:36.759
<v Speaker 1>That's the example we use. You know, when he's Wrappers

1:29:36.800 --> 1:29:39.040
<v Speaker 1>out here beating today and doing all this ratchet, putting

1:29:39.080 --> 1:29:42.879
<v Speaker 1>guns or down, why you beat? You've seen what happened.

1:29:43.120 --> 1:29:49.520
<v Speaker 1>But today, sometimes like I feel like that this generation

1:29:49.640 --> 1:29:53.040
<v Speaker 1>feels disconnected from that generation. They're like that's some on

1:29:53.120 --> 1:29:56.599
<v Speaker 1>purpose they felt disconnected because they don't want to feel

1:29:57.120 --> 1:29:59.439
<v Speaker 1>let right, they don't want to People don't know the

1:29:59.520 --> 1:30:01.920
<v Speaker 1>spirit of all of these those things. You know, we

1:30:02.040 --> 1:30:05.120
<v Speaker 1>just had a conversation that kind of enlightened whoever may

1:30:05.160 --> 1:30:06.840
<v Speaker 1>not have known about that, and it might be like,

1:30:06.920 --> 1:30:09.760
<v Speaker 1>oh damn, it was actually a whole spirit in the

1:30:09.920 --> 1:30:14.000
<v Speaker 1>core of you know, the big impacts relationship, what became

1:30:14.160 --> 1:30:15.640
<v Speaker 1>of it and what the you know what I mean,

1:30:15.720 --> 1:30:18.479
<v Speaker 1>there was some type of real spirit inside of that

1:30:18.600 --> 1:30:20.960
<v Speaker 1>in the beginning, you know. So I think a lot

1:30:21.040 --> 1:30:23.320
<v Speaker 1>of people that in terms of speaking on based on

1:30:23.439 --> 1:30:26.040
<v Speaker 1>that story alone or that example, they don't really understand

1:30:26.080 --> 1:30:28.519
<v Speaker 1>that it's more just a beef. They don't really understand

1:30:28.600 --> 1:30:33.479
<v Speaker 1>like what we just talked about, like really history behind.

1:30:34.080 --> 1:30:37.840
<v Speaker 1>He didn't want to believe you know what I'm saying

1:30:37.840 --> 1:30:41.200
<v Speaker 1>that I wouldnerstand myself, Like I remember me making L

1:30:41.240 --> 1:30:44.240
<v Speaker 1>A L A the record to defend Big and bringing

1:30:44.400 --> 1:30:51.160
<v Speaker 1>the big seeing it because he genuinely cared. But I

1:30:54.200 --> 1:31:07.800
<v Speaker 1>think just he was he was because yeah, when I

1:31:07.880 --> 1:31:11.000
<v Speaker 1>couldn't even picture it, he was like, look, we're not

1:31:11.080 --> 1:31:13.479
<v Speaker 1>gonna this tim because they accused me of somebody do

1:31:13.640 --> 1:31:17.560
<v Speaker 1>North and I'm like, nah, be this is how we

1:31:17.640 --> 1:31:19.680
<v Speaker 1>used to see them. It's how they're approaching us like nah,

1:31:19.920 --> 1:31:27.479
<v Speaker 1>I'm like no, nah, and like I've never been before

1:31:27.479 --> 1:31:32.320
<v Speaker 1>in my life at that time, I mean you already

1:31:32.360 --> 1:31:33.880
<v Speaker 1>had that in your hand, Like man, if I got

1:31:33.920 --> 1:31:36.360
<v Speaker 1>to go back there now, this is our mentality, and

1:31:36.439 --> 1:31:38.960
<v Speaker 1>natis mentality, like you know, to their kids, do that

1:31:39.160 --> 1:31:41.000
<v Speaker 1>just now for wreck. You know, you put me on

1:31:41.040 --> 1:31:43.400
<v Speaker 1>the ground, We're gonna pull up. You know that's we

1:31:43.479 --> 1:31:45.880
<v Speaker 1>didn't have that money. It was straight man, you stick

1:31:45.920 --> 1:31:49.160
<v Speaker 1>shift in my life everything is automatic right now. Cheat

1:31:49.280 --> 1:31:51.920
<v Speaker 1>you know it was stick shifting on every my nigga,

1:31:52.080 --> 1:31:54.080
<v Speaker 1>you know, to learn how to da at that point

1:31:54.760 --> 1:31:56.200
<v Speaker 1>you can go to the club, but not knowing that

1:31:56.400 --> 1:32:00.559
<v Speaker 1>the nitya pull up right. There ain't no texting me back.

1:32:02.240 --> 1:32:05.679
<v Speaker 1>You're not sitting in so you know that's how we can't.

1:32:05.760 --> 1:32:07.640
<v Speaker 1>That's that's the ver of that. This game is so

1:32:07.840 --> 1:32:10.760
<v Speaker 1>like on the flip side, I'm happy, ain't nobody catch me,

1:32:11.479 --> 1:32:17.120
<v Speaker 1>you know, pulling up catching rack on nobody's video. There's

1:32:17.160 --> 1:32:28.960
<v Speaker 1>no social media, you know. You know we start some

1:32:29.120 --> 1:32:31.360
<v Speaker 1>of the days when we had to sit around fifty

1:32:31.439 --> 1:32:34.080
<v Speaker 1>left right, guys and guys got ninety niggas for queens.

1:32:35.120 --> 1:32:38.120
<v Speaker 1>You've got landing niggs from Brooklyn. M P Got thirty

1:32:38.200 --> 1:32:43.920
<v Speaker 1>niggas from Browns. Building Chain got two hundred niggas. Gust

1:32:45.000 --> 1:32:49.320
<v Speaker 1>all types of ship they're here at braided ever ships

1:32:49.360 --> 1:32:59.280
<v Speaker 1>with them strange nigga. Nobody's service, No no around here.

1:32:59.360 --> 1:33:03.720
<v Speaker 1>You get to the ball, yo, my bitches, not coming

1:33:03.760 --> 1:33:09.439
<v Speaker 1>to just what are you make straight? Forty dirty days?

1:33:16.000 --> 1:33:21.679
<v Speaker 1>You one of you're a large because I love shout

1:33:21.680 --> 1:33:27.719
<v Speaker 1>out the Red Kwan and met the man that dirt

1:33:28.040 --> 1:33:31.639
<v Speaker 1>your dirty little fucked up is back up days. I'll

1:33:31.640 --> 1:33:36.160
<v Speaker 1>see my drant ship on for like eight months because

1:33:36.200 --> 1:33:39.360
<v Speaker 1>let's set shot. You just wake up and just put

1:33:39.400 --> 1:33:41.640
<v Speaker 1>almos on the side of your bed. What actually not

1:33:41.760 --> 1:33:46.040
<v Speaker 1>taking that to the we would be the album comes

1:33:46.080 --> 1:33:48.840
<v Speaker 1>to the ship that you just ma have stallus cous days.

1:33:48.880 --> 1:33:51.880
<v Speaker 1>People bring you your shoes and shirts and ship lined

1:33:52.000 --> 1:33:58.200
<v Speaker 1>up the days shoes out of the shoes out to

1:33:58.280 --> 1:34:00.439
<v Speaker 1>make you step In the movie where he had two

1:34:00.560 --> 1:34:06.360
<v Speaker 1>sides thirties that they had these the gators right and

1:34:06.600 --> 1:34:09.639
<v Speaker 1>you know the uh what he was there was a twelve,

1:34:09.720 --> 1:34:11.800
<v Speaker 1>he went thirteens. But you know they probably run a

1:34:11.840 --> 1:34:14.360
<v Speaker 1>little smaller in the gator joint and the ships were

1:34:14.439 --> 1:34:16.519
<v Speaker 1>too tight and they ain't had no other options. He

1:34:16.640 --> 1:34:19.679
<v Speaker 1>cut the back of the shoes and made them basically

1:34:19.760 --> 1:34:21.600
<v Speaker 1>made him slides. He cut the back of the n

1:34:21.960 --> 1:34:26.880
<v Speaker 1>gators and performed on the source of forts like but

1:34:26.960 --> 1:34:29.320
<v Speaker 1>you couldn't see because the pants was on that. They

1:34:29.520 --> 1:34:32.080
<v Speaker 1>made him some fucking slidings and cut the whole back

1:34:32.120 --> 1:34:34.479
<v Speaker 1>out and so trained on the back of on the

1:34:34.479 --> 1:34:40.640
<v Speaker 1>back shy. Let me just walk like slipper, Let me

1:34:40.680 --> 1:34:49.519
<v Speaker 1>just back too tight, he moved too much asgott gun

1:34:50.040 --> 1:34:55.200
<v Speaker 1>up manly. So gonna make your old movie. I'm actually

1:34:55.240 --> 1:34:58.960
<v Speaker 1>working on it. Yeah, you set up a home movie.

1:35:00.160 --> 1:35:15.080
<v Speaker 1>You They don't know that because because you know how

1:35:16.200 --> 1:35:25.880
<v Speaker 1>I mean, I mean we're talking about because when I

1:35:25.960 --> 1:35:28.920
<v Speaker 1>see the Death Rowd movie and that's Michelle a. Right,

1:35:29.040 --> 1:35:33.000
<v Speaker 1>even though Michell l A, it didn't coincide, you know

1:35:33.200 --> 1:35:37.080
<v Speaker 1>what what in the movie did, but it also was

1:35:37.240 --> 1:35:39.240
<v Speaker 1>their part of it was just her part of the story.

1:35:39.320 --> 1:35:41.920
<v Speaker 1>I didn't expect it. I didn't understand it, but didn't

1:35:41.960 --> 1:35:44.639
<v Speaker 1>from you as a person who said it very straight

1:35:44.720 --> 1:35:48.640
<v Speaker 1>and give you my very fortom university and true at

1:35:48.680 --> 1:35:51.960
<v Speaker 1>the same time, I am working on a biopic, but

1:35:52.080 --> 1:35:55.960
<v Speaker 1>it's actually a companion to my New York Times best

1:35:56.000 --> 1:36:01.160
<v Speaker 1>selling biography called Keep the Safe. So I wrote a

1:36:01.240 --> 1:36:09.320
<v Speaker 1>book so much answered to Biggie's movie and the Funnies.

1:36:09.360 --> 1:36:12.320
<v Speaker 1>Shit about that is um. When I wrote my book,

1:36:12.960 --> 1:36:15.599
<v Speaker 1>the publishers put it out, and you know, I knew

1:36:15.600 --> 1:36:18.280
<v Speaker 1>about Miss Wallace and the doing the Notorious movie, but

1:36:18.360 --> 1:36:21.280
<v Speaker 1>it wasn't like I was actively a part of you know, yeah,

1:36:21.320 --> 1:36:23.920
<v Speaker 1>I went and c J feeling this part and you know,

1:36:24.000 --> 1:36:25.560
<v Speaker 1>you got a sign for your life, right, But it

1:36:25.640 --> 1:36:28.000
<v Speaker 1>wasn't like I was. But when they decided to put

1:36:28.040 --> 1:36:29.640
<v Speaker 1>it out, it was kind of around the song the

1:36:29.760 --> 1:36:32.040
<v Speaker 1>time that they wanted to put out. I mean that

1:36:32.160 --> 1:36:34.479
<v Speaker 1>the Notorious movie was coming out, and that was never

1:36:34.600 --> 1:36:37.439
<v Speaker 1>my plan when I decided to write a memoir. You

1:36:37.520 --> 1:36:39.080
<v Speaker 1>feel me, So I kind of felt weird, like I

1:36:39.120 --> 1:36:41.479
<v Speaker 1>don't want people to think I'm trying to piggyback. So

1:36:41.640 --> 1:36:43.599
<v Speaker 1>that's why I didn't never really go on a book too.

1:36:43.640 --> 1:36:46.320
<v Speaker 1>I didn't promote my book because I felt I couldn't

1:36:46.360 --> 1:36:47.800
<v Speaker 1>get them to change the day. It might have been

1:36:47.840 --> 1:36:50.360
<v Speaker 1>like a month or a few weeks, you know, later

1:36:50.439 --> 1:36:52.519
<v Speaker 1>than the movie. But I just felt strange. I was like,

1:36:52.600 --> 1:36:56.639
<v Speaker 1>people want to clearly think, right, And that's I decided

1:36:56.680 --> 1:36:58.840
<v Speaker 1>to do the book because I was pregnant and refused

1:36:58.920 --> 1:37:00.599
<v Speaker 1>to do a record with the able. I was one

1:37:00.640 --> 1:37:03.240
<v Speaker 1>at the time. You know, that's the only reason I didn't.

1:37:03.320 --> 1:37:05.360
<v Speaker 1>The guy was like asking me for years to write

1:37:05.360 --> 1:37:07.559
<v Speaker 1>a book, and I'm like, okay, that's a cool little

1:37:07.640 --> 1:37:11.360
<v Speaker 1>couple of hundred thousand, you know. Um, That's why I

1:37:11.400 --> 1:37:13.360
<v Speaker 1>did it. But when it decided to be when they

1:37:13.439 --> 1:37:16.519
<v Speaker 1>decided to release it, just so happens. The Toriis movie

1:37:16.600 --> 1:37:18.400
<v Speaker 1>was coming out a month or two before, and I

1:37:18.479 --> 1:37:20.479
<v Speaker 1>was just like, it feels weird. But they was like, well,

1:37:21.320 --> 1:37:22.920
<v Speaker 1>that's not what we're based on our release on this

1:37:23.040 --> 1:37:24.719
<v Speaker 1>is in the book world, and this is the window

1:37:24.800 --> 1:37:26.479
<v Speaker 1>you know how that go, you know, like on the

1:37:26.680 --> 1:37:28.560
<v Speaker 1>whatever day of the week they put out albums or

1:37:28.680 --> 1:37:32.120
<v Speaker 1>you know. Um, So that's why I never really haven't leave.

1:37:32.280 --> 1:37:35.080
<v Speaker 1>My book would have been but it's one of them

1:37:35.160 --> 1:37:41.639
<v Speaker 1>called favorite movie is supposedly based off of my book.

1:37:41.720 --> 1:37:43.519
<v Speaker 1>Loosely based on my book because my book kind of

1:37:43.640 --> 1:37:46.479
<v Speaker 1>ended at me leaving bad Boy, but I got married

1:37:46.520 --> 1:37:49.400
<v Speaker 1>after that. I had a kid after that. So there's

1:37:49.439 --> 1:37:51.559
<v Speaker 1>things that's happened in my life. So obviously I'm gonna,

1:37:51.920 --> 1:37:54.280
<v Speaker 1>you know, try and put some of those things in there.

1:37:54.360 --> 1:37:57.479
<v Speaker 1>But it's kind of based on my book, which is

1:37:57.560 --> 1:37:59.519
<v Speaker 1>my story. But my story isn't based on me and

1:37:59.560 --> 1:38:02.640
<v Speaker 1>bigs withationship, even though that's the most sensational part of

1:38:02.720 --> 1:38:05.200
<v Speaker 1>it and there's a huge part of my life and

1:38:05.200 --> 1:38:07.800
<v Speaker 1>an important part of my life. But you know, there's

1:38:08.000 --> 1:38:12.120
<v Speaker 1>ship that I've been before that used to get my

1:38:12.520 --> 1:38:14.759
<v Speaker 1>be for sneaking out the window to go to somebody's

1:38:14.800 --> 1:38:16.640
<v Speaker 1>studio that I ain't even you know know, I was

1:38:16.680 --> 1:38:20.760
<v Speaker 1>gonna be a recording artists, so you know what I

1:38:20.840 --> 1:38:22.760
<v Speaker 1>used to man niggas when I was a little That's

1:38:22.800 --> 1:38:24.720
<v Speaker 1>why Dick don't really do ship for me now, like

1:38:24.800 --> 1:38:42.120
<v Speaker 1>you're wait, wait let me, I don't want to ship.

1:38:43.960 --> 1:39:07.120
<v Speaker 1>He's title lady right about wow. I mean when I

1:39:07.320 --> 1:39:13.720
<v Speaker 1>was like Fabiro Jase seventeen, I will pretty miss you

1:39:13.880 --> 1:39:16.240
<v Speaker 1>with and only it was just like, oh, I like him,

1:39:16.280 --> 1:39:29.519
<v Speaker 1>you know. So that's why I asked that, doesn't you

1:39:30.720 --> 1:39:42.679
<v Speaker 1>it's gonna be yeah, I'm letting my home lose say

1:39:45.360 --> 1:39:47.479
<v Speaker 1>but you don't right to say why not. I don't

1:39:47.600 --> 1:39:50.800
<v Speaker 1>right the death around nobody wants to hear. Why you

1:39:50.880 --> 1:39:53.880
<v Speaker 1>can't say that? You can say you can't, I can't

1:39:54.280 --> 1:39:56.400
<v Speaker 1>you want to say I'm not like that's the voice

1:39:56.479 --> 1:40:11.200
<v Speaker 1>shocking up now. I was singing this ship. I was

1:40:11.200 --> 1:40:17.160
<v Speaker 1>a maneuver apart. I was trying to make is that

1:40:17.520 --> 1:40:19.920
<v Speaker 1>that has never been something that has driven me in turn,

1:40:20.080 --> 1:40:22.640
<v Speaker 1>Like we were just talking about how people like, you know,

1:40:22.760 --> 1:40:24.680
<v Speaker 1>certain people things coming on to him when we be out,

1:40:24.680 --> 1:40:26.240
<v Speaker 1>and I'm like, oh my god, why she think you

1:40:26.320 --> 1:40:29.120
<v Speaker 1>don't like you don't have a label, Like so she

1:40:29.240 --> 1:40:31.160
<v Speaker 1>wants to suck you because she thinks she's gonna be all.

1:40:31.600 --> 1:40:33.759
<v Speaker 1>But we know that's kind of like how this culture

1:40:33.960 --> 1:40:36.519
<v Speaker 1>is a lot. But I'm like, I got that out

1:40:36.600 --> 1:40:39.880
<v Speaker 1>the way when I was a teenager. I ain't chick

1:40:40.880 --> 1:40:57.559
<v Speaker 1>trying to get way. I'm here. Don't tell my mother,

1:40:58.880 --> 1:41:04.479
<v Speaker 1>don't watching. This is why to hang on. This is

1:41:04.520 --> 1:41:11.200
<v Speaker 1>why you know that I got your ship. Take ship,

1:41:12.840 --> 1:41:22.880
<v Speaker 1>Come on, Gary, take a ball. This is great. Let's brisk.

1:41:23.040 --> 1:41:26.160
<v Speaker 1>Let's for that last one was hard. I'll take one

1:41:26.200 --> 1:41:30.479
<v Speaker 1>for that. Oh my god, I don't want the one.

1:41:30.640 --> 1:41:33.680
<v Speaker 1>I don't want them more. That's I'll take one more.

1:41:33.720 --> 1:41:51.639
<v Speaker 1>I'll do it. I will don't talk for she don't checking. Wow. Yeah,

1:41:52.280 --> 1:41:57.600
<v Speaker 1>let me tell you something. Uh actually never got this

1:41:58.200 --> 1:42:05.960
<v Speaker 1>text before in my life, especially for the last two

1:42:05.960 --> 1:42:10.160
<v Speaker 1>and a half years. Uh, Elliott Wilson had to text

1:42:10.240 --> 1:42:13.800
<v Speaker 1>me it's that good interview with Push. Nice. You guys

1:42:13.880 --> 1:42:23.760
<v Speaker 1>were focused, We were focused. I don't think there are

1:42:23.760 --> 1:42:27.479
<v Speaker 1>any more focus than you've ever been. I just think, well, well,

1:42:27.600 --> 1:42:32.840
<v Speaker 1>you know sometimes you know, like I would like to think,

1:42:32.920 --> 1:42:37.360
<v Speaker 1>Elliott Wilson, I'll pick you up y and and I

1:42:37.400 --> 1:42:40.439
<v Speaker 1>will also because I did, I did take that part

1:42:41.120 --> 1:42:46.320
<v Speaker 1>of be dots when so many people were like push

1:42:46.560 --> 1:42:50.040
<v Speaker 1>Push your this phenomenal body your work, when I yeah,

1:42:50.280 --> 1:42:53.960
<v Speaker 1>and everybody asking them about Drake right, funk that let's

1:42:54.000 --> 1:42:57.479
<v Speaker 1>talk about your body at work. So I'm I'm just sorry,

1:42:57.600 --> 1:43:02.280
<v Speaker 1>just had a moment clarity, but faith, yes, you've got

1:43:02.400 --> 1:43:09.479
<v Speaker 1>to be like the realest woman perfect. Sorry, I'm not

1:43:09.680 --> 1:43:14.519
<v Speaker 1>sorry for you. I'm sorry for anything that people because no, honestly,

1:43:14.640 --> 1:43:18.320
<v Speaker 1>I know I get really, I mean, I'm just I'm comfortable. No, no,

1:43:18.439 --> 1:43:22.400
<v Speaker 1>this to me all the time, I forgot the cameras

1:43:22.479 --> 1:43:35.160
<v Speaker 1>was there sometimes that you didn't But that's why that's

1:43:35.280 --> 1:43:38.400
<v Speaker 1>like you like, you just sugned me real quick, like

1:43:39.320 --> 1:43:42.400
<v Speaker 1>I like, yo, come on, y'all know. But that's why

1:43:42.439 --> 1:43:45.320
<v Speaker 1>I like, I always defended you with that the picture.

1:43:45.320 --> 1:43:47.240
<v Speaker 1>It was because I know you like and I know

1:43:47.400 --> 1:43:51.600
<v Speaker 1>like your lovable person energy. Your energy is just like

1:43:51.840 --> 1:43:53.599
<v Speaker 1>I kid you not. I met you in Justice one

1:43:53.760 --> 1:43:56.000
<v Speaker 1>day and I stood there and I get you a

1:43:56.080 --> 1:43:57.720
<v Speaker 1>hug or something like, you know how people like you

1:43:57.760 --> 1:44:00.360
<v Speaker 1>know I'm Spanish, so when we get a breaking you know,

1:44:00.479 --> 1:44:02.280
<v Speaker 1>we kiss you on the side of your cheek and

1:44:02.360 --> 1:44:05.800
<v Speaker 1>I guess you must have smelled muslim oil and mad marijuana.

1:44:05.920 --> 1:44:08.640
<v Speaker 1>He was like, nigga, you got mad We we do?

1:44:09.040 --> 1:44:20.720
<v Speaker 1>And I was like, yeah, we don you know what

1:44:20.800 --> 1:44:25.240
<v Speaker 1>I mean. And I was like, yo, you know, I

1:44:25.400 --> 1:44:28.439
<v Speaker 1>got you and and we we came out side playing smoke.

1:44:28.680 --> 1:44:31.479
<v Speaker 1>We gave out side smoked and you were so lovable

1:44:31.600 --> 1:44:33.800
<v Speaker 1>and I was just like and it made me think

1:44:33.840 --> 1:44:35.920
<v Speaker 1>back on that picture. I said, that ship it has

1:44:36.040 --> 1:44:39.040
<v Speaker 1>nothing to do with us. He was that happened in

1:44:39.040 --> 1:44:44.880
<v Speaker 1>the industry, where with nobody's situation ain't nothing to me,

1:44:45.200 --> 1:44:47.920
<v Speaker 1>especially when it's a female too. We know. Looking It's

1:44:47.920 --> 1:44:50.439
<v Speaker 1>funny because that picture was the very first time I

1:44:51.560 --> 1:44:54.040
<v Speaker 1>somebody made to sing the picture and thought we had

1:44:54.360 --> 1:44:56.880
<v Speaker 1>hung out several times. That's the first time I met him,

1:44:56.880 --> 1:44:59.160
<v Speaker 1>only because Ruck saying, hey, Tutok want to meet you,

1:44:59.680 --> 1:45:01.519
<v Speaker 1>and you know why, you didn't know how it was

1:45:01.680 --> 1:45:10.120
<v Speaker 1>a little definitely you could see like I did not

1:45:10.200 --> 1:45:13.240
<v Speaker 1>do the FIA because I'm like I did. It was high,

1:45:13.320 --> 1:45:19.640
<v Speaker 1>but it might have been like it was supposed to be.

1:45:20.439 --> 1:45:22.880
<v Speaker 1>So somebody asked you something, is it anything if you

1:45:22.960 --> 1:45:26.720
<v Speaker 1>could do over in in this game, over the one

1:45:26.800 --> 1:45:32.960
<v Speaker 1>thing that you want to do over um? That's an

1:45:33.000 --> 1:45:35.280
<v Speaker 1>okair question to say one thing you want to be

1:45:35.760 --> 1:45:39.640
<v Speaker 1>Because I did a song and it goes um and

1:45:39.720 --> 1:45:45.840
<v Speaker 1>it's kind of a general just like because you're about

1:45:45.880 --> 1:45:49.240
<v Speaker 1>to go into your ship. I was just like, yeah,

1:45:49.240 --> 1:45:51.040
<v Speaker 1>I know, she just throwing off the head. I don't know,

1:46:00.360 --> 1:46:03.120
<v Speaker 1>but it's you know, it's like okay. In two thousand

1:46:03.160 --> 1:46:05.200
<v Speaker 1>and five, I came out with my album and Capital.

1:46:05.240 --> 1:46:07.120
<v Speaker 1>That was my first deal after I left the bad

1:46:07.160 --> 1:46:10.040
<v Speaker 1>Boy Just who happened? I got arrested with my ex

1:46:10.160 --> 1:46:23.120
<v Speaker 1>husband saying I was not quiet. I said nothing, no

1:46:23.520 --> 1:46:32.800
<v Speaker 1>finished ahead anyway, getting crazy. I'm not even gonna go there.

1:46:32.840 --> 1:46:35.519
<v Speaker 1>Nothing less. I came out with my album on my

1:46:35.680 --> 1:46:38.439
<v Speaker 1>new label after leaving Bad Boy, and it was like, okay,

1:46:38.800 --> 1:46:40.519
<v Speaker 1>this is the first one that you got, but you

1:46:40.680 --> 1:46:45.200
<v Speaker 1>just got arrested. Even though you're arrested, was a little

1:46:45.280 --> 1:46:50.360
<v Speaker 1>purported and anyway, people basically say, like, you know, I

1:46:50.439 --> 1:46:52.280
<v Speaker 1>had to be a rehab for crack. It was like

1:46:52.360 --> 1:46:55.360
<v Speaker 1>some real bullshit, Like anyway, the real story, I picked

1:46:55.360 --> 1:46:56.960
<v Speaker 1>my husband up from the airport and they checked the

1:46:57.000 --> 1:46:59.240
<v Speaker 1>slug as they found a cigarette case with a joint

1:46:59.760 --> 1:47:03.720
<v Speaker 1>and and you know something that they said was either

1:47:03.840 --> 1:47:06.920
<v Speaker 1>ecstasy or cocaine, but they never sent to a laugh.

1:47:07.400 --> 1:47:09.320
<v Speaker 1>But I happened to be the driver, and I happened

1:47:09.360 --> 1:47:11.320
<v Speaker 1>to be the one that was a famous person, and

1:47:11.439 --> 1:47:13.479
<v Speaker 1>he happened to not say, hey, that was just mine.

1:47:13.840 --> 1:47:16.080
<v Speaker 1>So I happen to have to go down and it's

1:47:16.080 --> 1:47:23.479
<v Speaker 1>all good because you know, I'm no But anyway, I

1:47:23.600 --> 1:47:25.120
<v Speaker 1>still got to be the one to get both of

1:47:25.240 --> 1:47:28.040
<v Speaker 1>us out for me, so why not. Anyway, the point

1:47:28.080 --> 1:47:35.240
<v Speaker 1>I'm making this um and they like, and I was like,

1:47:35.320 --> 1:47:36.960
<v Speaker 1>I got this there, you know, I got this is

1:47:37.000 --> 1:47:39.360
<v Speaker 1>my first thing. So the hook goes, if I had

1:47:39.520 --> 1:47:45.000
<v Speaker 1>to do it all again, I wouldn't take away the

1:47:45.280 --> 1:47:48.960
<v Speaker 1>rain because I know it made me who I am.

1:47:49.680 --> 1:48:00.040
<v Speaker 1>So basically a lot of ship happened. That's okay, I

1:48:02.600 --> 1:48:09.680
<v Speaker 1>don't flow that ship again. Like there's so much stuff that,

1:48:09.920 --> 1:48:12.200
<v Speaker 1>yeah I had I known, and I wouldn't. But I'm

1:48:12.240 --> 1:48:15.759
<v Speaker 1>really not mad because even sometimes i'd be like, people

1:48:15.840 --> 1:48:19.160
<v Speaker 1>think that I'm just like gay. So I guess I

1:48:19.280 --> 1:48:21.640
<v Speaker 1>am in the way of I don't like nobody to

1:48:21.720 --> 1:48:23.800
<v Speaker 1>play me, but I'm not like some bits that like

1:48:23.920 --> 1:48:27.960
<v Speaker 1>to fight, and like all my cousins like all my life.

1:48:28.479 --> 1:48:31.679
<v Speaker 1>I know my cousin's want to me all my life,

1:48:31.760 --> 1:48:36.639
<v Speaker 1>like my grandmother like, so I never was a fighter

1:48:36.720 --> 1:48:39.280
<v Speaker 1>in terms of I want to fight, but I was

1:48:39.360 --> 1:48:41.800
<v Speaker 1>in the industry as a that was a new thing.

1:48:42.040 --> 1:48:44.080
<v Speaker 1>And I'm from the church. I just said I didn't

1:48:44.080 --> 1:48:46.880
<v Speaker 1>never want nobody's things ship with sweet, so I kind

1:48:46.880 --> 1:48:50.320
<v Speaker 1>of had some feel like I feel like you were

1:48:50.920 --> 1:48:56.760
<v Speaker 1>just saying I'm from the church. I'm saying nothing. It's

1:48:56.800 --> 1:49:10.000
<v Speaker 1>like knock knock stamp. I don't like. I don't really

1:49:10.120 --> 1:49:11.920
<v Speaker 1>like the fact that people think that way with me

1:49:12.000 --> 1:49:19.760
<v Speaker 1>because I'm such as I'm saying the fact that I'm

1:49:19.880 --> 1:49:22.920
<v Speaker 1>just cool. I really people help people like, oh, shoot,

1:49:22.960 --> 1:49:24.680
<v Speaker 1>let me connect you. I don't want to know. I

1:49:24.720 --> 1:49:26.640
<v Speaker 1>don't want to be your nothing to pop be like,

1:49:26.640 --> 1:49:28.640
<v Speaker 1>why don't you man? I'm know I would connect you

1:49:28.680 --> 1:49:31.960
<v Speaker 1>with them. I know nothing from it. I don't want that.

1:49:32.080 --> 1:49:33.519
<v Speaker 1>I just, you know, let me help you out in

1:49:33.600 --> 1:49:35.840
<v Speaker 1>whatever way I can. But I'm not that person. You

1:49:35.880 --> 1:49:38.000
<v Speaker 1>know what I'm saying. I got kids worried out about

1:49:38.080 --> 1:49:41.000
<v Speaker 1>my letting yours. He's on an artism spectrum, so my

1:49:41.200 --> 1:49:45.080
<v Speaker 1>energy has to go into a more more productive place

1:49:45.160 --> 1:49:48.400
<v Speaker 1>and more progressive place, so um, you know. But then

1:49:48.439 --> 1:49:50.000
<v Speaker 1>I'd be like, I ain't kind of mat that they know,

1:49:50.080 --> 1:49:55.760
<v Speaker 1>don't fuck me. That ship is not sweet either though,

1:49:57.040 --> 1:49:59.719
<v Speaker 1>And I will call my motherfucking cousins from a leven

1:49:59.720 --> 1:50:02.120
<v Speaker 1>grom An avenue and I would want my names from

1:50:02.160 --> 1:50:07.560
<v Speaker 1>Brooklyn and will be like, no, I know it's you.

1:50:14.439 --> 1:50:19.840
<v Speaker 1>I didn't say that with like, we're not wepping. We

1:50:19.920 --> 1:50:23.840
<v Speaker 1>don't be got no weapons, we don't we got no best.

1:50:26.680 --> 1:50:29.559
<v Speaker 1>So so le's have another one. I'm gona have another one.

1:50:32.360 --> 1:50:35.320
<v Speaker 1>Children were talking about another one. Another shot of Tiger

1:50:37.960 --> 1:50:42.560
<v Speaker 1>you gouts a ridiculous line, I'm a I gotta I

1:50:42.560 --> 1:50:45.080
<v Speaker 1>gotta go Pepe. Let me go first, the fastest of

1:50:45.120 --> 1:50:53.599
<v Speaker 1>the fast, mad fast. Oh my god, this is mother

1:50:53.640 --> 1:50:58.040
<v Speaker 1>come out with leap hang out. No me, I'm going

1:50:58.080 --> 1:51:00.720
<v Speaker 1>to sleep with Leaves. No, I'm is something. I'm going

1:51:00.760 --> 1:51:02.720
<v Speaker 1>to hang out with le like right there. I'm going

1:51:02.880 --> 1:51:11.120
<v Speaker 1>right there and ship with league r. Come on, leg

1:51:11.400 --> 1:51:13.599
<v Speaker 1>we haven't see your version of the show. We got it. Yeah,

1:51:14.200 --> 1:51:23.120
<v Speaker 1>we scorn just now the talk. I'm good water. Did

1:51:23.160 --> 1:51:30.519
<v Speaker 1>you feel you're honestly, this is the most tiger bone

1:51:30.520 --> 1:51:34.519
<v Speaker 1>that we've drank in one episode. This is a new model. Yeah,

1:51:34.680 --> 1:51:37.960
<v Speaker 1>I promise you first this mante this with this many people.

1:51:38.080 --> 1:51:46.160
<v Speaker 1>There's many people like Brandon. No, he had us slod

1:51:46.320 --> 1:51:50.040
<v Speaker 1>on that type. Brandon was on the tyger bone. That's

1:51:50.080 --> 1:51:51.920
<v Speaker 1>my first job. I don't even know where the first

1:51:52.000 --> 1:51:55.000
<v Speaker 1>term there was the first shot out of talk about

1:51:55.800 --> 1:51:59.479
<v Speaker 1>at Night. Yo, you don't remember. Whispering doesn't work. No,

1:51:59.640 --> 1:52:02.360
<v Speaker 1>we got the right here, but I don't know what

1:52:02.760 --> 1:52:06.759
<v Speaker 1>it was. You don't remember we was up there with Chico.

1:52:06.960 --> 1:52:11.040
<v Speaker 1>It was me you Chico Bang wasn't around. It might

1:52:11.040 --> 1:52:13.519
<v Speaker 1>have even been somebody from Jersey with us, like Marky

1:52:14.800 --> 1:52:17.560
<v Speaker 1>Branson had us and you said, red Man put you

1:52:17.640 --> 1:52:20.080
<v Speaker 1>onto the spot. Brad put me on the Branson and

1:52:20.160 --> 1:52:23.800
<v Speaker 1>I introduced Branson the Big. I introduced Big Jacob with

1:52:23.960 --> 1:52:27.360
<v Speaker 1>Juela for the first time. I put five dollars down

1:52:27.439 --> 1:52:33.880
<v Speaker 1>on the wedding ring man with cheegos, you know, Manny

1:52:35.200 --> 1:52:37.280
<v Speaker 1>that that's the biggest gets joy from first. And then

1:52:38.320 --> 1:52:41.400
<v Speaker 1>then Jacob to Julia was like, you know he took

1:52:48.720 --> 1:52:51.439
<v Speaker 1>to see if Judy you know Tito's tricks. Okay, Tito

1:52:51.600 --> 1:53:00.040
<v Speaker 1>was ye green letters, you walk in it like I

1:53:00.080 --> 1:53:02.800
<v Speaker 1>sweep like a few years ago right now, Yeah, to

1:53:02.920 --> 1:53:08.080
<v Speaker 1>go passed away like yeah, yeah, you got your back,

1:53:08.520 --> 1:53:11.840
<v Speaker 1>so hold on, hold on, hold on, Tito passed away. Yeah, yeah,

1:53:12.840 --> 1:53:15.439
<v Speaker 1>a three years that's fight Biggs to with Tito too,

1:53:15.640 --> 1:53:21.280
<v Speaker 1>that's why. And then the chips that Manni's man so

1:53:21.400 --> 1:53:28.439
<v Speaker 1>before Jacob, right yo, that was their hell. You know

1:53:28.600 --> 1:53:30.439
<v Speaker 1>he had the jewels like that's who you used to

1:53:30.479 --> 1:53:33.519
<v Speaker 1>go see first. That was be your man right there.

1:53:35.920 --> 1:53:45.040
<v Speaker 1>Very looks, oh very, I didn't even see that. Nothing.

1:53:45.640 --> 1:54:07.080
<v Speaker 1>Nothing like a lot of ways. Four joint got more

1:54:07.200 --> 1:54:15.360
<v Speaker 1>joints to the little bit horn. It's not a little

1:54:15.360 --> 1:54:26.360
<v Speaker 1>bit a little bit okay, okay, okay, anyone wants it's

1:54:26.600 --> 1:54:28.400
<v Speaker 1>just in case you got no more just in kicks.

1:54:31.960 --> 1:54:35.080
<v Speaker 1>So this is Drake Champs and Drink Champs. We celebrate

1:54:35.160 --> 1:54:38.840
<v Speaker 1>our legends, we celebrate our people who's been here. And

1:54:40.080 --> 1:54:45.000
<v Speaker 1>it's just because there is no other platform, other format,

1:54:45.520 --> 1:54:54.160
<v Speaker 1>any other thing that's like this, because these people they

1:54:54.240 --> 1:54:58.240
<v Speaker 1>want to write us all every time we get we

1:54:58.360 --> 1:55:02.120
<v Speaker 1>have a little bit of years. Why do you think

1:55:02.200 --> 1:55:05.400
<v Speaker 1>that's only an all culture? Why is that only an

1:55:05.440 --> 1:55:08.040
<v Speaker 1>all culture? Is that? Is that a hip hop thing?

1:55:08.600 --> 1:55:12.640
<v Speaker 1>Is it a black and Latin? Because she will say

1:55:12.720 --> 1:55:15.800
<v Speaker 1>that that's documented, that is it is only a hip

1:55:15.840 --> 1:55:20.040
<v Speaker 1>hop is documented and hip hop after you have ten years,

1:55:20.120 --> 1:55:23.120
<v Speaker 1>you are o G and o G is another world.

1:55:23.960 --> 1:55:29.760
<v Speaker 1>It's like, yeah, I'm saying now they say that is

1:55:29.880 --> 1:55:34.400
<v Speaker 1>a little world of calling your old dagger nogga respect

1:55:34.440 --> 1:55:41.200
<v Speaker 1>you because it record said something like that, call you

1:55:41.320 --> 1:55:43.560
<v Speaker 1>o G. But they don't really mean it. They just

1:55:43.640 --> 1:55:48.600
<v Speaker 1>calling you. Oh, you don't really see it. Yeah, that's

1:55:48.600 --> 1:55:50.680
<v Speaker 1>fact and that's real ship like because we look at

1:55:50.680 --> 1:55:54.600
<v Speaker 1>it like it's respect, but didn't see I expect you

1:55:54.800 --> 1:55:59.360
<v Speaker 1>because you're still right here, You're still rocking, You're still yeah,

1:55:59.640 --> 1:56:02.160
<v Speaker 1>I get that. It's like, no, when people say you

1:56:02.200 --> 1:56:04.000
<v Speaker 1>a legend or your things like that. That's kind of

1:56:04.040 --> 1:56:10.240
<v Speaker 1>niggas always sending you farewell, like every saying no, I

1:56:10.280 --> 1:56:14.440
<v Speaker 1>don't see degree know a certain word you're using different

1:56:14.560 --> 1:56:19.400
<v Speaker 1>undersity doesn't mean fail well, no, it doesn't mean people

1:56:21.040 --> 1:56:23.440
<v Speaker 1>use the way people use you. Gonna fun with you,

1:56:23.520 --> 1:56:28.400
<v Speaker 1>you legendary. It's two different motherfucking places said, I think

1:56:28.960 --> 1:56:33.920
<v Speaker 1>about the people use it, this society, you know, having

1:56:34.120 --> 1:56:35.840
<v Speaker 1>what you do. So he's like, you know, you're calling

1:56:35.880 --> 1:56:37.680
<v Speaker 1>your old g legend at the same time to get

1:56:37.680 --> 1:56:40.800
<v Speaker 1>that record. You come on, how do you because you're

1:56:40.800 --> 1:56:43.560
<v Speaker 1>a legend. You know, it's kind of like means the

1:56:43.680 --> 1:56:46.920
<v Speaker 1>same anything. I don't look at it. It's definitely of

1:56:46.960 --> 1:56:48.840
<v Speaker 1>the same thing. That's what means you have to have

1:56:49.080 --> 1:56:55.600
<v Speaker 1>established a legas well. It's a good thing, fucking you

1:56:55.680 --> 1:56:57.520
<v Speaker 1>know what I mean. That means somebody paid attention to

1:56:57.600 --> 1:57:01.960
<v Speaker 1>certain steps like that because in kind of thing, nigga, Yeah, yeah,

1:57:02.880 --> 1:57:05.120
<v Speaker 1>you're so hard for a certain amount of time. Yeah, yeah,

1:57:05.480 --> 1:57:07.960
<v Speaker 1>that's when you and g because that's what that's supposed

1:57:07.960 --> 1:57:12.600
<v Speaker 1>to suggest. You can from a certain time here. You

1:57:12.680 --> 1:57:16.280
<v Speaker 1>may have a legacy of doing something doing something up.

1:57:17.080 --> 1:57:19.080
<v Speaker 1>But sad as the way people say it that. I

1:57:19.160 --> 1:57:22.520
<v Speaker 1>think that's what the kids saying to that in the streets.

1:57:22.560 --> 1:57:25.160
<v Speaker 1>He told right now, I don't think that of me.

1:57:25.520 --> 1:57:27.600
<v Speaker 1>What I'm saying I was know about. I understand when

1:57:27.600 --> 1:57:29.640
<v Speaker 1>they they they bigging me up, and I understand when

1:57:29.640 --> 1:57:32.440
<v Speaker 1>they come it's like that's what they know. Niggers like

1:57:32.840 --> 1:57:43.880
<v Speaker 1>like saying you're doing more time to sing? Yeah, saying nigger,

1:57:43.920 --> 1:57:46.280
<v Speaker 1>you ain't coming out here. You know you're here for

1:57:46.400 --> 1:57:50.040
<v Speaker 1>this five minutes. Enough cool, you're gonna get the funk

1:57:50.080 --> 1:57:52.240
<v Speaker 1>about Cool with that, but that's not gonna take that.

1:57:52.360 --> 1:57:55.120
<v Speaker 1>Sometimes I'm takigg like yeah, like I said, like, yeah,

1:57:55.160 --> 1:57:59.360
<v Speaker 1>my nigga, you had jews, You're good. Keep me nobody

1:57:59.360 --> 1:58:03.040
<v Speaker 1>you knew. Ship sunk with you. I'm not expecting about

1:58:04.360 --> 1:58:08.400
<v Speaker 1>day made me some say with me with me something

1:58:08.560 --> 1:58:12.680
<v Speaker 1>just don't like that. What you know what legend legend.

1:58:13.440 --> 1:58:17.440
<v Speaker 1>I'm seeing people from legend be tweaking back and legend

1:58:17.520 --> 1:58:19.120
<v Speaker 1>and you know because I was one of those, Like now,

1:58:19.320 --> 1:58:20.760
<v Speaker 1>I didn't put in that work for that, but I

1:58:20.880 --> 1:58:23.320
<v Speaker 1>get what people saying. I mean like they're just trying

1:58:23.360 --> 1:58:25.760
<v Speaker 1>to give you props. But to me, I could be like, no,

1:58:25.960 --> 1:58:29.880
<v Speaker 1>I think you're saying I'm done. What you gotta think about? Okay,

1:58:30.160 --> 1:58:32.880
<v Speaker 1>back to on the on the sidell what you said

1:58:32.880 --> 1:58:36.240
<v Speaker 1>about how fast if moves. Now for them to say

1:58:36.360 --> 1:58:38.720
<v Speaker 1>legend that ship for their moves, and yeah, that's what

1:58:38.800 --> 1:58:41.800
<v Speaker 1>you see. That's why, that's why they say some classic

1:58:41.920 --> 1:58:47.680
<v Speaker 1>albums is two days right, come no ship, come out

1:58:47.720 --> 1:58:52.440
<v Speaker 1>Friday and say it's a classic by Sunday. I think

1:58:53.040 --> 1:58:56.040
<v Speaker 1>album was a classic, but when did it cleared the

1:58:56.160 --> 1:59:01.520
<v Speaker 1>classic It was not even right like they said Friday's

1:59:01.520 --> 1:59:04.040
<v Speaker 1>album came out and they said it's a classic by Sunday,

1:59:04.200 --> 1:59:08.720
<v Speaker 1>and I said, maybe Sunday of two more years. That's

1:59:08.760 --> 1:59:13.160
<v Speaker 1>what I can't do it love and I love that album,

1:59:13.360 --> 1:59:15.960
<v Speaker 1>but I'm just saying that the fact that Timeline and

1:59:16.040 --> 1:59:18.920
<v Speaker 1>they did that, like Reverdy died wasn't cleared a classif

1:59:19.120 --> 1:59:23.080
<v Speaker 1>the year two years later, Ill Mattock shook ones if

1:59:23.120 --> 1:59:27.680
<v Speaker 1>Amos marb album, you know snoop all the times making

1:59:27.760 --> 1:59:32.520
<v Speaker 1>a classic classic Now you can't judge, can't come on

1:59:32.560 --> 1:59:36.600
<v Speaker 1>the day, no, you know Wednesday, it's a class run

1:59:37.200 --> 1:59:42.800
<v Speaker 1>like they run fast, like they did attention to people

1:59:42.840 --> 1:59:44.280
<v Speaker 1>at the end of that year. So what they say,

1:59:44.520 --> 1:59:47.480
<v Speaker 1>you kept my attention for more than it's like it's

1:59:47.800 --> 1:59:50.120
<v Speaker 1>to be. They're forced to work a lot. Like we

1:59:50.280 --> 1:59:52.880
<v Speaker 1>used to put out classics like once that six months

1:59:52.920 --> 1:59:55.440
<v Speaker 1>a year, you know, and made you appreciated artist. You

1:59:55.480 --> 1:59:58.160
<v Speaker 1>didn't flood them. Now you have to just like gotta

1:59:58.160 --> 2:00:00.680
<v Speaker 1>do free freest down just for Instagram. That is just

2:00:00.880 --> 2:00:03.040
<v Speaker 1>like you know, you you you compete, you have to

2:00:03.200 --> 2:00:09.000
<v Speaker 1>constantly and it's just different Master. It's more access so

2:00:09.120 --> 2:00:12.440
<v Speaker 1>it's like whereas it's easier to get your ship heard

2:00:12.640 --> 2:00:15.320
<v Speaker 1>or whether it becomes super popular or not as easy

2:00:15.360 --> 2:00:17.640
<v Speaker 1>as so much ship out there, but it's so much

2:00:17.720 --> 2:00:20.760
<v Speaker 1>more bullshit too. It's like more crowded. So it's like, yea,

2:00:22.160 --> 2:00:23.720
<v Speaker 1>so how am I such a punt? The ship that's

2:00:23.760 --> 2:00:26.920
<v Speaker 1>really hot? So what you do? You know what you like?

2:00:27.080 --> 2:00:30.880
<v Speaker 1>More independent or major? I don't know because I really

2:00:32.600 --> 2:00:39.280
<v Speaker 1>I mean you independence, I don't. I mean my last

2:00:39.360 --> 2:00:42.440
<v Speaker 1>I'm mcking and I I did with Rhino Records, which

2:00:42.520 --> 2:00:48.480
<v Speaker 1>is a subsidiary of Universal. Okay, it's under Universital Atlantic,

2:00:49.160 --> 2:00:53.240
<v Speaker 1>but it's still um. They are who acquired the Masters

2:00:53.320 --> 2:00:55.840
<v Speaker 1>from bad Boy, you know, Puff sold the Masters. He's

2:00:55.840 --> 2:00:58.920
<v Speaker 1>sold them to Atlantic, so that's they do the box set. Okay,

2:00:59.080 --> 2:01:07.640
<v Speaker 1>they owe my ship too good? Feeling so good? I go, yeah,

2:01:08.440 --> 2:01:25.960
<v Speaker 1>taking I gotta do. You got to connect. But uh,

2:01:26.680 --> 2:01:29.240
<v Speaker 1>you know that was a situation of them acquiring the masses?

2:01:29.320 --> 2:01:30.960
<v Speaker 1>What the fun was the what the point I was

2:01:31.040 --> 2:01:38.560
<v Speaker 1>making the first point what you said versus major? But

2:01:40.920 --> 2:01:43.640
<v Speaker 1>I gotta mean show with the game. You know what's

2:01:43.640 --> 2:01:45.680
<v Speaker 1>the crazy about you? You always gonna be a little bro,

2:01:46.560 --> 2:01:50.400
<v Speaker 1>you know, bro to be like whatever you're gonn always

2:01:50.400 --> 2:01:52.360
<v Speaker 1>be a little bro. Like that's what I'm doing. Just

2:01:52.880 --> 2:01:57.920
<v Speaker 1>you gotta be a little bro. I'm not gonna read. Okay, okay,

2:01:58.160 --> 2:02:01.440
<v Speaker 1>we're doing rose and once I'm talking about you promised

2:02:01.520 --> 2:02:13.280
<v Speaker 1>us one time. We don't have just yeah, yeah, this

2:02:13.400 --> 2:02:19.920
<v Speaker 1>is no, we're quitting. This is a term that he's

2:02:19.960 --> 2:02:24.600
<v Speaker 1>not gonna say that. He's not gonna say that. I'm

2:02:24.640 --> 2:02:28.960
<v Speaker 1>gonna say something. That shot and that drink, No, that's

2:02:28.960 --> 2:02:31.800
<v Speaker 1>a drink because I know that's a shot coming how many?

2:02:31.800 --> 2:02:35.320
<v Speaker 1>Because you know what people knowing more than anyone. So

2:02:35.440 --> 2:02:37.760
<v Speaker 1>why you're not worried about me? Are you funked up?

2:02:39.120 --> 2:02:42.040
<v Speaker 1>My body? So I'm playing now you know what I'm

2:02:42.120 --> 2:02:49.040
<v Speaker 1>cook Uh, Faith your queen and we want you to recognize.

2:02:49.080 --> 2:02:50.800
<v Speaker 1>We want you to understand, We want you to know

2:02:51.440 --> 2:03:01.120
<v Speaker 1>that you appreciate it over here. Yeah, it's because it's

2:03:01.160 --> 2:03:06.200
<v Speaker 1>because again I want to reiterate this, our generation, our

2:03:06.600 --> 2:03:10.280
<v Speaker 1>legacy are people. We forget to pick up our own people.

2:03:10.800 --> 2:03:14.360
<v Speaker 1>We were big up you know everything else. And you know,

2:03:14.480 --> 2:03:17.720
<v Speaker 1>I just I just looked at ancestry dot com. And

2:03:17.840 --> 2:03:21.080
<v Speaker 1>since um, you know, Wakanda came out, excuse me, since

2:03:21.080 --> 2:03:25.360
<v Speaker 1>Black Panther came out, we all want to go, you know,

2:03:25.880 --> 2:03:28.920
<v Speaker 1>research our fucking roots. Anybody want to be from a

2:03:29.000 --> 2:03:37.920
<v Speaker 1>CALMDA right now is what we gotta do. We gotta

2:03:37.960 --> 2:03:41.160
<v Speaker 1>continue to pack each other up because to me, to me,

2:03:41.280 --> 2:03:43.160
<v Speaker 1>it's not about a race. To me, it's not about

2:03:43.160 --> 2:03:46.720
<v Speaker 1>being black, white, Latino or whatever. To me, it's about

2:03:46.800 --> 2:03:51.680
<v Speaker 1>being hip hop. Sometimes hip hop is are nationality. Sometimes

2:03:51.800 --> 2:03:54.480
<v Speaker 1>hip hop is a coach. If we all sit together

2:03:54.520 --> 2:03:58.640
<v Speaker 1>and we all love the same artists, that transition, that

2:03:58.760 --> 2:04:04.000
<v Speaker 1>trans say and transcends, you know, love and general transcend

2:04:04.480 --> 2:04:08.320
<v Speaker 1>and love love of whatever, your love with someone's spirit,

2:04:08.400 --> 2:04:10.960
<v Speaker 1>your love of music, your love is when someone's personality,

2:04:11.960 --> 2:04:16.120
<v Speaker 1>it's love period that transcends. Music plays into that. But

2:04:16.360 --> 2:04:18.800
<v Speaker 1>that lets you know how much of music, you know,

2:04:18.960 --> 2:04:21.320
<v Speaker 1>and the positive size of it is a part of love.

2:04:21.520 --> 2:04:24.160
<v Speaker 1>You feel me. I'm saying, it's just like all a

2:04:24.240 --> 2:04:26.240
<v Speaker 1>lot of energy, and I'm not so deep as bitch.

2:04:26.520 --> 2:04:28.880
<v Speaker 1>I mean, I mean not like that, no blaspheme. I

2:04:28.960 --> 2:04:31.080
<v Speaker 1>love the Lord. I grew up in church, but it's

2:04:31.120 --> 2:04:33.840
<v Speaker 1>not so much about the Bible specifically. I'm just like

2:04:34.000 --> 2:04:36.480
<v Speaker 1>a I like the energy. I like to feel good.

2:04:36.520 --> 2:04:39.240
<v Speaker 1>I like to make people feel I'm not a negative bitch,

2:04:39.280 --> 2:04:41.040
<v Speaker 1>I don't you know. I don't want no problems. But

2:04:41.160 --> 2:04:43.280
<v Speaker 1>don't sunk with me either, though. But I'm just saying,

2:04:44.040 --> 2:04:46.120
<v Speaker 1>don't trying to play. You can suck with me and

2:04:46.160 --> 2:04:48.120
<v Speaker 1>I'll be like, Okay, I have a great day. You

2:04:48.200 --> 2:04:49.680
<v Speaker 1>know what I mean. But I'm just saying, you know,

2:04:59.240 --> 2:05:02.360
<v Speaker 1>I can't come out here. I'm like, where you win

2:05:04.000 --> 2:05:11.120
<v Speaker 1>your crazy? Ya know? Okay? It was like, I love

2:05:11.200 --> 2:05:19.440
<v Speaker 1>you're playing this. I was listening to mend for the Headlock.

2:05:21.080 --> 2:05:25.600
<v Speaker 1>It's all right, they don't want it. We got one shot.

2:05:26.160 --> 2:05:28.800
<v Speaker 1>You know it's gonna be one more. I'm not ship.

2:05:29.040 --> 2:05:35.920
<v Speaker 1>Let's coold him who even asked for the shot? Finished

2:05:35.920 --> 2:05:43.400
<v Speaker 1>my story anyway, I'm not I'm scared the horn. This

2:05:43.720 --> 2:05:55.320
<v Speaker 1>this this horn works like Sonny's kids don't exist. I went,

2:05:56.160 --> 2:06:00.480
<v Speaker 1>I went to a friend. I went to be honest.

2:06:00.600 --> 2:06:02.720
<v Speaker 1>My nig my nigga forty nine, How old are you?

2:06:03.000 --> 2:06:11.760
<v Speaker 1>Forty nine? That's my boy. He's been going to roast

2:06:11.840 --> 2:06:16.920
<v Speaker 1>his nineteen he got, he got a side baby, and

2:06:17.640 --> 2:06:21.520
<v Speaker 1>he just puts taking boat Cabins Fats ship. I'm just

2:06:23.320 --> 2:06:28.840
<v Speaker 1>don't I'm tying you. Listen, man, you don't get a

2:06:28.880 --> 2:06:36.520
<v Speaker 1>Cabins Fats when his side ship. I want to see you,

2:06:36.600 --> 2:06:43.040
<v Speaker 1>got ya, y'all. I'm not just your boy work. I'm

2:06:43.040 --> 2:06:47.920
<v Speaker 1>gonna It's been a very slight shot and I'm my white.

2:06:48.000 --> 2:06:51.280
<v Speaker 1>I maintained that I balanced myself good to that I'm

2:06:51.320 --> 2:06:54.440
<v Speaker 1>not really usually I'm not ready to say. I'm trying

2:06:54.440 --> 2:06:56.000
<v Speaker 1>to get to that. Y'all need to nick at the

2:06:56.080 --> 2:06:58.880
<v Speaker 1>moment for the gotty level, because I'm trying to get

2:06:58.880 --> 2:07:06.080
<v Speaker 1>to the gotty levels. My best interview you a little bit,

2:07:06.160 --> 2:07:11.000
<v Speaker 1>a little bit bit. I got drink the last No,

2:07:11.800 --> 2:07:15.960
<v Speaker 1>I'm drink the last one. I'm not gonna. I'm gonna

2:07:16.360 --> 2:07:20.120
<v Speaker 1>to you. I'm quite you, absolutely, queen. I love you.

2:07:20.200 --> 2:07:26.000
<v Speaker 1>Fishy Heppy birthday her birthday just last birthday, shamming. I

2:07:26.040 --> 2:07:32.520
<v Speaker 1>see you. Let's still a birthday. I'll be honest. Oh why,

2:07:36.200 --> 2:07:40.480
<v Speaker 1>I'll be honest. You're stupid shows on jet. We got gifts,

2:07:41.560 --> 2:07:46.200
<v Speaker 1>Oh yeah, we do, got so we got gifts of

2:07:46.520 --> 2:07:49.760
<v Speaker 1>let the tiger suttle. Yeah, I gotta let we got

2:07:51.560 --> 2:08:00.360
<v Speaker 1>got drink chance somebody two shorts from last time. Actually

2:08:00.720 --> 2:08:02.600
<v Speaker 1>that's not that's that's an extra. I just threw that

2:08:02.680 --> 2:08:15.360
<v Speaker 1>into you don't have shot for what though, I don't

2:08:15.360 --> 2:08:17.360
<v Speaker 1>know what. I'm not taking any more shots to that.

2:08:18.040 --> 2:08:23.280
<v Speaker 1>We did it because because she requested it. Big facts.

2:08:25.720 --> 2:08:30.840
<v Speaker 1>I can see this. She sus me to death, but

2:08:30.920 --> 2:08:39.640
<v Speaker 1>I see it's no way I'm assist. But I'm saying

2:08:39.680 --> 2:08:43.240
<v Speaker 1>the wh I'm done. It's family right there. That's not

2:08:43.360 --> 2:08:45.120
<v Speaker 1>supposed to be that. You know what I mean? You

2:08:45.200 --> 2:08:47.640
<v Speaker 1>know I look out for you all the time. You

2:08:47.680 --> 2:08:50.960
<v Speaker 1>want me? Okay, okay, let me ask you a question,

2:08:51.080 --> 2:08:57.000
<v Speaker 1>right me, moving case solo right now, just met okay,

2:08:57.040 --> 2:08:59.520
<v Speaker 1>so let me ask you a question. It's my birthday.

2:08:59.520 --> 2:09:01.680
<v Speaker 1>I want to I've just freedom. My son is with

2:09:01.800 --> 2:09:15.880
<v Speaker 1>his dad for we funck everything. We're like we over

2:09:16.040 --> 2:09:19.880
<v Speaker 1>the one like I'm down. Fuck it, I'm down. We

2:09:20.200 --> 2:09:25.960
<v Speaker 1>rolled like two nas like we just unsolved. We're seeing

2:09:26.040 --> 2:09:29.600
<v Speaker 1>a notorious movie. We're seeing through a two pat movie.

2:09:30.080 --> 2:09:34.280
<v Speaker 1>We're seeing, Um, Johnny Depp even got the piece of this.

2:09:34.720 --> 2:09:41.000
<v Speaker 1>That's crazy. When is the Seas Faith story? We were

2:09:41.080 --> 2:09:44.760
<v Speaker 1>just talking about that My movie is actually it's not

2:09:44.840 --> 2:09:46.600
<v Speaker 1>a feature film, but I am in a deal with

2:09:46.880 --> 2:09:56.240
<v Speaker 1>viacom and to do a picture based on what we

2:09:56.320 --> 2:10:00.680
<v Speaker 1>were talking about the Pp on my book. Remember it's

2:10:00.720 --> 2:10:03.360
<v Speaker 1>based on my book yeah, before you got the peep

2:10:03.800 --> 2:10:07.720
<v Speaker 1>But anyway, Yeah, it's coming out soon. But I'm just

2:10:07.920 --> 2:10:10.640
<v Speaker 1>kind of I don't know, I wasn't so sure about

2:10:10.680 --> 2:10:13.520
<v Speaker 1>it for so long because I'm like, I'm not really

2:10:13.640 --> 2:10:16.000
<v Speaker 1>pressed like that, you know, but because if it ain't,

2:10:16.760 --> 2:10:20.040
<v Speaker 1>if they don't really be but yeah, but they ain't

2:10:20.080 --> 2:10:23.200
<v Speaker 1>tell my story. They told whatever they told. My story

2:10:23.320 --> 2:10:26.920
<v Speaker 1>is my fucking story. Nobody can't tell my story for me.

2:10:27.800 --> 2:10:32.120
<v Speaker 1>But um, my part of my life and story has

2:10:32.240 --> 2:10:37.920
<v Speaker 1>been depicted in other people's stories, some accurately, some not

2:10:38.080 --> 2:10:41.480
<v Speaker 1>so accurately. But you know, it's I just was kind

2:10:41.520 --> 2:10:43.440
<v Speaker 1>of toying with it. But I think it's gonna come

2:10:43.440 --> 2:10:46.080
<v Speaker 1>out good. You know. I'm like very careful about stuff

2:10:46.120 --> 2:10:47.680
<v Speaker 1>like that. If it ain't gonna be right, it ain't

2:10:47.680 --> 2:10:49.880
<v Speaker 1>gonna be right. It's not like that ain't gonna make

2:10:49.960 --> 2:10:51.720
<v Speaker 1>a difference in my life to do a movie that

2:10:51.760 --> 2:10:54.120
<v Speaker 1>ain't really completely a true story, just to say I

2:10:54.200 --> 2:10:56.720
<v Speaker 1>had a movie on TV. You know what I'm saying, Like,

2:10:57.280 --> 2:10:59.160
<v Speaker 1>who the cares? If that's the case. I've done the

2:10:59.240 --> 2:11:02.840
<v Speaker 1>reality show, you know, a long time ago, and you know,

2:11:03.080 --> 2:11:05.160
<v Speaker 1>like I'm just certain things. I'm just like that don't

2:11:05.200 --> 2:11:08.280
<v Speaker 1>make sense for me, Like that ain't real ship, Like

2:11:08.440 --> 2:11:10.880
<v Speaker 1>my real ship is actually right now, let's shot just

2:11:11.440 --> 2:11:14.280
<v Speaker 1>like this is a little more closer to you know

2:11:14.320 --> 2:11:22.800
<v Speaker 1>what I mean, God, God, damnit man, this real ship? Man?

2:11:22.880 --> 2:11:25.080
<v Speaker 1>You know what, because you know why we get we

2:11:25.160 --> 2:11:30.760
<v Speaker 1>get to hear the stories from sidelines to Herrod, you know,

2:11:30.920 --> 2:11:35.520
<v Speaker 1>from you to to see you, you know, first of

2:11:35.880 --> 2:11:41.160
<v Speaker 1>so beautiful, so coming back to life so put together. Um,

2:11:41.480 --> 2:11:43.520
<v Speaker 1>we want to pick that up. We want to we

2:11:43.640 --> 2:11:45.400
<v Speaker 1>want to salute that, We want to you know what

2:11:45.400 --> 2:11:48.040
<v Speaker 1>I mean. Yeah, yeah, that's why I got that. But

2:11:49.960 --> 2:11:59.960
<v Speaker 1>I don't know. So, um so really, really, so were

2:12:00.040 --> 2:12:02.920
<v Speaker 1>you after all the things you've done in your life? Really,

2:12:03.000 --> 2:12:07.960
<v Speaker 1>what's next? Like, really, what do you want to do next, Like, um, well,

2:12:08.880 --> 2:12:11.400
<v Speaker 1>music is always going to be a great part of

2:12:11.480 --> 2:12:13.040
<v Speaker 1>my life. And like you was saying, you still love

2:12:13.120 --> 2:12:15.320
<v Speaker 1>the game. It's not so much that I've never lost

2:12:15.400 --> 2:12:19.520
<v Speaker 1>a love for creating great music, whether it's popular, whether

2:12:19.680 --> 2:12:22.080
<v Speaker 1>niggas is really buying it, Like I really get off.

2:12:22.160 --> 2:12:23.800
<v Speaker 1>I know I'm good at that ship. I go on

2:12:23.840 --> 2:12:27.760
<v Speaker 1>the booth and I'm the truth. I'm just saying. I mean,

2:12:27.920 --> 2:12:30.840
<v Speaker 1>you might not hear it, like somebody's looks like I

2:12:31.000 --> 2:12:32.840
<v Speaker 1>never heard this song like Nigi. It was on my

2:12:33.240 --> 2:12:35.680
<v Speaker 1>couple of independent projects. But you know it's like that's

2:12:35.680 --> 2:12:38.520
<v Speaker 1>not why I do it. It's like I have a

2:12:38.640 --> 2:12:41.560
<v Speaker 1>gift for that, but I've also been blessed to understand

2:12:41.640 --> 2:12:44.960
<v Speaker 1>and use my acumen to do other things, Like you're

2:12:45.000 --> 2:12:47.400
<v Speaker 1>doing this thing, you know what I'm saying, You extend

2:12:47.440 --> 2:12:49.440
<v Speaker 1>your life in other ways. Like I was a creator

2:12:49.480 --> 2:12:52.200
<v Speaker 1>and executive producer of R and B Divas. You know

2:12:52.240 --> 2:12:57.840
<v Speaker 1>what I'm saying that right that. You know, although after

2:12:57.920 --> 2:13:02.360
<v Speaker 1>the first season they kind of shifted the creative spirit

2:13:02.440 --> 2:13:04.560
<v Speaker 1>of it, but you know it was a not under

2:13:04.640 --> 2:13:06.320
<v Speaker 1>my belt, you know what I'm saying in that lane,

2:13:06.440 --> 2:13:09.200
<v Speaker 1>So you know I'm always pitching stuff in the in

2:13:09.520 --> 2:13:12.480
<v Speaker 1>the TV world too, So you know, I'm just trying

2:13:12.520 --> 2:13:14.960
<v Speaker 1>to like do the stuff that I can do that

2:13:15.120 --> 2:13:17.320
<v Speaker 1>makes sense for me, you know what I'm saying, And

2:13:17.440 --> 2:13:20.120
<v Speaker 1>that of course makes money, but the money has to

2:13:20.200 --> 2:13:23.920
<v Speaker 1>make sense, so all money don't make sense. So I

2:13:24.080 --> 2:13:26.560
<v Speaker 1>know you said that you and Kim patched it up

2:13:26.760 --> 2:13:29.920
<v Speaker 1>after Big God, but I didn't say that. What I

2:13:30.040 --> 2:13:35.160
<v Speaker 1>did say was any any ill feelings that I had

2:13:35.240 --> 2:13:37.680
<v Speaker 1>to Kim or be that what the funk I'm gonna

2:13:37.680 --> 2:13:40.000
<v Speaker 1>be mad at you for if he's dead. But um,

2:13:40.080 --> 2:13:43.160
<v Speaker 1>not until I decided to do The King and Our

2:13:43.200 --> 2:13:46.680
<v Speaker 1>album was I able to. Really, that's so crazy. I

2:13:46.800 --> 2:13:48.840
<v Speaker 1>just did an interview with Hollywood Unlocked. I don't know

2:13:48.880 --> 2:13:51.760
<v Speaker 1>if that's okay to mention that on him. Okay, But

2:13:51.880 --> 2:13:57.480
<v Speaker 1>I did an interview up that they were talking about

2:13:57.560 --> 2:13:59.920
<v Speaker 1>the Backboys. I'm getting every the kid stop won't sad,

2:14:00.000 --> 2:14:01.480
<v Speaker 1>and they was like, you know, we see how puff

2:14:01.520 --> 2:14:03.080
<v Speaker 1>watch you all back together, And I was like, hold on,

2:14:03.240 --> 2:14:05.640
<v Speaker 1>let's be clear. You know what I'm saying, Like no,

2:14:06.440 --> 2:14:08.720
<v Speaker 1>me and Sees was actually sitting on the speaker's in

2:14:08.800 --> 2:14:11.880
<v Speaker 1>rehearsal for the Bad Boy Tour. And I had already

2:14:11.960 --> 2:14:13.920
<v Speaker 1>said I want him on this me and big album

2:14:14.000 --> 2:14:17.360
<v Speaker 1>that I'm doing, you know, and that was my first

2:14:17.440 --> 2:14:20.600
<v Speaker 1>I had probably reached out to whoever her manager, and

2:14:20.840 --> 2:14:22.640
<v Speaker 1>maybe even since the track. I don't even know if

2:14:22.640 --> 2:14:24.600
<v Speaker 1>I had to track it, but I probably reached out

2:14:24.600 --> 2:14:26.080
<v Speaker 1>and said I want her on this album and she

2:14:26.200 --> 2:14:28.760
<v Speaker 1>said yeah, through them, but this is my first time

2:14:28.880 --> 2:14:31.040
<v Speaker 1>seeing her, and he was like, Yo, they're o him

2:14:31.120 --> 2:14:33.600
<v Speaker 1>right there. You know. It was really on the humbug.

2:14:34.280 --> 2:14:35.840
<v Speaker 1>I was like, oh, shoot, let me go talk to

2:14:36.240 --> 2:14:39.120
<v Speaker 1>but the cameras is everywhere, so we're catching everything. Meanwhile,

2:14:39.560 --> 2:14:41.800
<v Speaker 1>the camera ship is some other ship. Everybody ain't know

2:14:41.880 --> 2:14:48.400
<v Speaker 1>one like they feel the documentary anyway. But somebody thought

2:14:48.480 --> 2:14:51.160
<v Speaker 1>that Puff brought me and Kim together, and I was like, no, no,

2:14:51.280 --> 2:14:53.840
<v Speaker 1>shade to Puff and that was a good depiction of it.

2:14:53.960 --> 2:14:57.800
<v Speaker 1>But no, I already had reached out to Kim because

2:14:57.880 --> 2:15:00.800
<v Speaker 1>I'm like, this is an important album. If the nigger

2:15:00.880 --> 2:15:03.160
<v Speaker 1>was alive, we definitely did an album together. Not have

2:15:03.280 --> 2:15:05.920
<v Speaker 1>definitely been like Nick and this would be flies we

2:15:06.440 --> 2:15:08.320
<v Speaker 1>you know, whether he was working on who the funk ever?

2:15:08.480 --> 2:15:11.600
<v Speaker 1>Like if the bitches dope up saying you know what

2:15:11.640 --> 2:15:14.320
<v Speaker 1>I mean, like, so it just made sense to me,

2:15:14.440 --> 2:15:16.880
<v Speaker 1>especially with that song. We both loved him so but

2:15:17.000 --> 2:15:20.240
<v Speaker 1>it wasn't a tough thing to say you do that,

2:15:20.480 --> 2:15:21.960
<v Speaker 1>you know what I mean? It was more so me

2:15:22.040 --> 2:15:24.920
<v Speaker 1>and she sitting on the speaker. I'm like yo, He's

2:15:24.920 --> 2:15:27.760
<v Speaker 1>like yo, came. I'm like where He's like she right there.

2:15:27.800 --> 2:15:29.760
<v Speaker 1>I was like, oh, ship, let me go talk to it.

2:15:30.000 --> 2:15:32.560
<v Speaker 1>So the camera saw that, so they put it, you know,

2:15:33.240 --> 2:15:35.320
<v Speaker 1>not saying they made it up and said that in

2:15:35.400 --> 2:15:37.960
<v Speaker 1>the documented but people took it like that was the

2:15:38.080 --> 2:15:41.320
<v Speaker 1>moment that, you know, but it wasn't like that. It

2:15:41.360 --> 2:15:44.240
<v Speaker 1>wasn't more so, that's just the ship that I'm on,

2:15:44.480 --> 2:15:47.200
<v Speaker 1>you know what I mean. I'm not really tripping like that. Goddamn,

2:15:51.920 --> 2:16:03.320
<v Speaker 1>I don't want to work. It's like, right now, that's

2:16:08.520 --> 2:16:19.160
<v Speaker 1>what I've got. Access's coming, She's coming out, alright. I'm sorry,

2:16:19.240 --> 2:16:23.400
<v Speaker 1>I'm saying I don't know, I don't don't care. She's

2:16:23.440 --> 2:16:28.800
<v Speaker 1>coming your ass access before we leave. Okay, what happened?

2:16:32.160 --> 2:16:34.039
<v Speaker 1>Because it's like a big question. You gott to cover

2:16:34.160 --> 2:16:39.760
<v Speaker 1>his because it's a big way. Let me, I'm covering mind,

2:16:41.879 --> 2:16:44.600
<v Speaker 1>it's a big question to drink. What the fuck the

2:16:44.879 --> 2:16:51.720
<v Speaker 1>big eat ass. Yeah, I get that depends on who.

2:16:54.320 --> 2:17:04.400
<v Speaker 1>I don't know. He ain't mine your time. I'm bad

2:17:08.400 --> 2:17:29.360
<v Speaker 1>shem sificating way, that was a pretty question. You look,

2:17:35.240 --> 2:17:46.800
<v Speaker 1>I listen, man make very bigger real horn, right, I'm

2:17:46.840 --> 2:17:54.440
<v Speaker 1>around Jim out too short. It's good. That's got to

2:17:54.520 --> 2:18:06.960
<v Speaker 1>do it, Jim. I'm I'm just saying I'm season but

2:18:10.200 --> 2:18:12.960
<v Speaker 1>now but now de rock Also, um, I see a

2:18:12.959 --> 2:18:19.520
<v Speaker 1>little and he said. He expressed the fact that he

2:18:19.600 --> 2:18:23.199
<v Speaker 1>didn't want people to celebrate March knife. He wanted people

2:18:23.240 --> 2:18:29.080
<v Speaker 1>to celebrate BIG's birthday. What days, So he expressed that

2:18:29.120 --> 2:18:33.000
<v Speaker 1>he said March ninth. He really didn't like people selling

2:18:33.200 --> 2:18:36.199
<v Speaker 1>people do that. People feel like, let me say something, okay,

2:18:36.400 --> 2:18:38.920
<v Speaker 1>because in the movie when you keep referring to the movie,

2:18:39.240 --> 2:18:41.880
<v Speaker 1>you know that scene where and we saw it in

2:18:41.959 --> 2:18:45.160
<v Speaker 1>the press when people saw the people celebrating. But to

2:18:45.360 --> 2:18:48.480
<v Speaker 1>understand like how goold that was and on everything, like

2:18:48.600 --> 2:18:51.360
<v Speaker 1>when you see Angelo basket and it was like when

2:18:51.440 --> 2:18:54.279
<v Speaker 1>we rolled from mind You, it wasn't just in bookly

2:18:54.360 --> 2:18:58.840
<v Speaker 1>we wrote from Frankie Campbell in the city do whatever area?

2:18:59.080 --> 2:19:03.360
<v Speaker 1>What uh JFK, what is that east side thing? That?

2:19:03.480 --> 2:19:04.920
<v Speaker 1>What's that ship? On the East Side. Is that the

2:19:05.000 --> 2:19:08.640
<v Speaker 1>J afterr JFK after your you know what I'm talking about.

2:19:09.080 --> 2:19:12.320
<v Speaker 1>And it was Nigga's in every building was a project,

2:19:12.440 --> 2:19:15.800
<v Speaker 1>whether it was an office building. They was in every window,

2:19:15.920 --> 2:19:18.320
<v Speaker 1>like and look, you saw my answered the basket, Like

2:19:18.600 --> 2:19:21.000
<v Speaker 1>I was in the car with Mrs Wallace. She really

2:19:21.120 --> 2:19:26.879
<v Speaker 1>was sitting there. That's when she realized, I saw it myself.

2:19:27.680 --> 2:19:29.120
<v Speaker 1>I was in the car with her, and I was

2:19:29.200 --> 2:19:33.320
<v Speaker 1>so happy that in that sad moment see her realize

2:19:33.959 --> 2:19:37.520
<v Speaker 1>how people fused with her son, like it was crazy.

2:19:38.600 --> 2:19:41.560
<v Speaker 1>That ship was crazy. She you know, she don't know

2:19:41.920 --> 2:19:44.240
<v Speaker 1>that she was at that time. She didn't realize that

2:19:44.360 --> 2:19:48.920
<v Speaker 1>that was like, you know, I was in the car,

2:19:49.080 --> 2:19:52.160
<v Speaker 1>I saw her life. Oh my god, you know we're good,

2:19:52.240 --> 2:19:57.600
<v Speaker 1>Miss Wallace. She oh my god. Then you really loved

2:19:57.920 --> 2:20:02.640
<v Speaker 1>like was hip hop, Like you know, she had no

2:20:02.959 --> 2:20:05.720
<v Speaker 1>idea of just like how big he was to that

2:20:06.240 --> 2:20:08.520
<v Speaker 1>extent because that just wants in her life. You know,

2:20:09.320 --> 2:20:11.640
<v Speaker 1>she don't know nothing about the upbringing of what we

2:20:11.760 --> 2:20:14.720
<v Speaker 1>came from though, so she was very oblivious to like

2:20:14.879 --> 2:20:17.240
<v Speaker 1>she never knew he hustled, Like you know that scene

2:20:17.240 --> 2:20:22.520
<v Speaker 1>in the movie where she was was baking soda and

2:20:22.600 --> 2:20:29.080
<v Speaker 1>that was that's like, that's that really, she not knowing

2:20:29.160 --> 2:20:31.480
<v Speaker 1>that was work. He came in and piste off, like,

2:20:31.680 --> 2:20:35.120
<v Speaker 1>my mom just flushed down that's my week. You know,

2:20:35.959 --> 2:20:38.240
<v Speaker 1>she just flushed down my work. And she didn't even

2:20:38.280 --> 2:20:41.200
<v Speaker 1>know that. Like that's just how oblivious she was to

2:20:41.440 --> 2:20:43.920
<v Speaker 1>that lifestyle of it. To her, that was just like

2:20:44.080 --> 2:20:46.640
<v Speaker 1>her Chris, because he did all the ship she wanted

2:20:46.640 --> 2:20:48.720
<v Speaker 1>her to do. He was smart, even schooling and all that,

2:20:48.959 --> 2:20:51.440
<v Speaker 1>but you know, he did all a lot of extra ship.

2:20:51.560 --> 2:20:54.560
<v Speaker 1>And to this day she she don't know about that ship,

2:20:54.760 --> 2:20:59.640
<v Speaker 1>but she does now, right, But like I saw it,

2:20:59.760 --> 2:21:03.640
<v Speaker 1>so was like so crazy. That was just a great feliniacy.

2:21:04.360 --> 2:21:06.840
<v Speaker 1>So so um and this is probably the last question.

2:21:06.920 --> 2:21:08.720
<v Speaker 1>I don't want to get too emotional with you. What

2:21:08.840 --> 2:21:11.800
<v Speaker 1>you guys, and you get you guys gave me wait, wait,

2:21:13.000 --> 2:21:21.000
<v Speaker 1>exactly what I wanted. But um, one thing that people

2:21:21.040 --> 2:21:23.960
<v Speaker 1>ask me all the time is, you know, I was

2:21:24.080 --> 2:21:28.440
<v Speaker 1>very close to Punt. Pun was my guy. God. People

2:21:28.520 --> 2:21:31.640
<v Speaker 1>always asked me, they said, yo, do you realize how

2:21:31.760 --> 2:21:37.520
<v Speaker 1>special Punt was from Pun was here? And almost eight

2:21:37.640 --> 2:21:41.440
<v Speaker 1>times out of ten I said yeah, mm hmm, because

2:21:41.560 --> 2:21:44.440
<v Speaker 1>I actually did did did I think he was a

2:21:44.520 --> 2:21:52.480
<v Speaker 1>special as the people. Uh no, I'm sorry. But when

2:21:52.520 --> 2:21:56.560
<v Speaker 1>he was alive, I knew who he was. Proba was

2:21:56.600 --> 2:21:59.840
<v Speaker 1>special to me just as a listener and a creative person.

2:22:00.040 --> 2:22:03.120
<v Speaker 1>So and you had a personal relationship. So I know that.

2:22:04.520 --> 2:22:07.120
<v Speaker 1>But back to your question about was that related to

2:22:07.200 --> 2:22:10.440
<v Speaker 1>beg But I know he was special. I knew he

2:22:10.560 --> 2:22:14.880
<v Speaker 1>was special just because of the his spirit and how

2:22:15.000 --> 2:22:17.720
<v Speaker 1>we connected. It wasn't so yeah, Okay, you know I

2:22:17.760 --> 2:22:30.720
<v Speaker 1>ain't gonna not the first time we actually fucked. Okay, no, no,

2:22:31.080 --> 2:22:39.320
<v Speaker 1>you want no, no, no, But I'm saying just that word.

2:22:39.640 --> 2:22:43.880
<v Speaker 1>The first time we actually, you know, conflated things. I

2:22:43.959 --> 2:22:46.480
<v Speaker 1>guess I didn't consate because that's like more of a

2:22:46.760 --> 2:22:52.920
<v Speaker 1>serious marriage. But over it was this bad boy party

2:22:53.000 --> 2:22:54.920
<v Speaker 1>on Father's Day. That's how I always come back when

2:22:54.959 --> 2:22:56.680
<v Speaker 1>people say we got married the seven days, No, the

2:22:56.720 --> 2:22:59.320
<v Speaker 1>funk we did. We met like at this photo shoot,

2:22:59.320 --> 2:23:02.720
<v Speaker 1>which was like after Mother's Day, which was like May.

2:23:04.360 --> 2:23:07.520
<v Speaker 1>It might have been even after China's first birthday, which

2:23:07.600 --> 2:23:09.920
<v Speaker 1>was April. That's how I know. And then he saw

2:23:10.040 --> 2:23:12.200
<v Speaker 1>my pictures at the photo shoot and he said, you're

2:23:12.200 --> 2:23:14.119
<v Speaker 1>coming to the post party, and he had a Father's

2:23:14.160 --> 2:23:17.680
<v Speaker 1>Day party, which is in June. Right, So that's how

2:23:17.760 --> 2:23:26.920
<v Speaker 1>I know it was cold coming up to say. I'm saying,

2:23:26.920 --> 2:23:29.680
<v Speaker 1>I'm sure you would. That's how I count on my ship.

2:23:30.120 --> 2:23:33.600
<v Speaker 1>Like China isnt April Father's Day, he isn't made June.

2:23:34.000 --> 2:23:36.320
<v Speaker 1>So he was looking at my pictures. But nonetheless, what

2:23:36.440 --> 2:23:38.320
<v Speaker 1>the fund was that? Oh we had that party, he said,

2:23:41.360 --> 2:23:45.240
<v Speaker 1>And after Big performed, I was in the nord. Everybody's like, Big,

2:23:45.320 --> 2:23:47.400
<v Speaker 1>why you going? He was like, well he and he

2:23:47.480 --> 2:23:49.200
<v Speaker 1>grabbed my hand and he went on with me that

2:23:49.320 --> 2:23:52.040
<v Speaker 1>night and I sucked the ship out of him and

2:23:52.280 --> 2:24:06.000
<v Speaker 1>we got Larry. But four months lefter you got that, right,

2:24:06.160 --> 2:24:17.440
<v Speaker 1>that's it. Four week you see, I's gonna tell that

2:24:18.760 --> 2:24:25.280
<v Speaker 1>the time. You can't sit here too. This is a

2:24:25.400 --> 2:24:32.960
<v Speaker 1>very dangerous team place anything. Yeah, I swear the guard

2:24:33.760 --> 2:24:39.800
<v Speaker 1>at legend. I feel like I'll be like, how fine?

2:24:39.800 --> 2:24:43.840
<v Speaker 1>I talking to the closest in my life. So like

2:24:44.040 --> 2:24:48.800
<v Speaker 1>I'm getting here, like it's so they start say it's

2:24:48.840 --> 2:24:51.040
<v Speaker 1>hibout Derby, we gonna wake up to Bargo to morning

2:24:51.080 --> 2:24:59.840
<v Speaker 1>when this sh come out. This is just get time.

2:25:00.680 --> 2:25:02.920
<v Speaker 1>Let me add something to it. Do He sucked the

2:25:02.920 --> 2:25:15.600
<v Speaker 1>shot out of me too, because you know I'm about

2:25:15.640 --> 2:25:23.280
<v Speaker 1>to gather. Let me that was good. If Big would

2:25:23.320 --> 2:25:27.000
<v Speaker 1>be here right now with position, will you be a

2:25:27.080 --> 2:25:30.840
<v Speaker 1>hip hop if you're in a ship, Because Big was

2:25:30.879 --> 2:25:33.800
<v Speaker 1>cool like that, like you know, you know, B I

2:25:33.920 --> 2:25:37.000
<v Speaker 1>believe you know y'all. You know he didn't have no

2:25:37.160 --> 2:25:39.160
<v Speaker 1>preference man money. He didn't give a funk out you sound.

2:25:39.240 --> 2:25:40.800
<v Speaker 1>He was dope. He was dope. It's not like you

2:25:41.120 --> 2:25:45.360
<v Speaker 1>street niggas, real niggas. You're here though, even with you,

2:25:46.240 --> 2:25:49.920
<v Speaker 1>I seeing he he was go bigger do that, you know,

2:25:50.200 --> 2:25:53.080
<v Speaker 1>like he was with a chance to wrapp in Chicago,

2:25:53.160 --> 2:25:54.960
<v Speaker 1>right he would, Yeah, he was just he was. He

2:25:55.040 --> 2:26:00.480
<v Speaker 1>was a hip hop that with him, Yeah, fun with him.

2:26:00.480 --> 2:26:02.400
<v Speaker 1>He's like, all right, my nigga was something. It might

2:26:02.480 --> 2:26:05.240
<v Speaker 1>not be his way for music, but B and I

2:26:05.560 --> 2:26:07.680
<v Speaker 1>funk with him, come on with the smoke like he

2:26:07.879 --> 2:26:10.080
<v Speaker 1>was that. That's why we like that. That's why I'm

2:26:10.160 --> 2:26:11.360
<v Speaker 1>like that, you know. I mean, I like that. I

2:26:11.600 --> 2:26:13.920
<v Speaker 1>embraced everybody Monday. You know, if I vibe to it,

2:26:14.600 --> 2:26:16.280
<v Speaker 1>to it the music, I might not like. I might

2:26:16.480 --> 2:26:18.400
<v Speaker 1>like you though I remember that it was cool. It

2:26:18.560 --> 2:26:21.080
<v Speaker 1>was you don't be tripping these cool he smooth you know,

2:26:21.240 --> 2:26:23.520
<v Speaker 1>it's because that's that's how we came up, you know

2:26:23.560 --> 2:26:25.640
<v Speaker 1>what I mean. It's just that that's the that's the vibe,

2:26:25.680 --> 2:26:27.080
<v Speaker 1>you know. I mean, we used to see niggas and

2:26:27.800 --> 2:26:29.480
<v Speaker 1>you know we just rapp us. But I was fans

2:26:29.520 --> 2:26:31.120
<v Speaker 1>of niggas too, you know what I mean. We see

2:26:31.200 --> 2:26:33.560
<v Speaker 1>niggas like him, and then it's something I'm like, that's no.

2:26:33.840 --> 2:26:36.440
<v Speaker 1>You can see all you know this because these niggs

2:26:36.480 --> 2:26:38.240
<v Speaker 1>that look like you, they come from where I come from.

2:26:38.280 --> 2:26:39.960
<v Speaker 1>I can recognize the kicks from when I see him

2:26:39.959 --> 2:26:41.680
<v Speaker 1>like a nigga from where we from, you know what

2:26:41.680 --> 2:26:44.360
<v Speaker 1>I mean. And that's how we that's how we vibe.

2:26:44.520 --> 2:26:46.240
<v Speaker 1>And look at this ship, this ship the last twenty

2:26:46.360 --> 2:26:48.800
<v Speaker 1>years strong, you know what I mean, like the new generation.

2:26:48.920 --> 2:26:51.280
<v Speaker 1>You're questioning them from three years on. Damn, Like you

2:26:51.320 --> 2:26:54.840
<v Speaker 1>know what I'm saying. I'll tell you the um um

2:26:56.640 --> 2:27:04.960
<v Speaker 1>just different, crazy ship. UM. For me was to see

2:27:05.040 --> 2:27:10.280
<v Speaker 1>the test of time and to see that years later,

2:27:11.959 --> 2:27:17.080
<v Speaker 1>like you know, to see how important Big is and

2:27:17.200 --> 2:27:20.480
<v Speaker 1>to see like these young kids who who you know,

2:27:21.560 --> 2:27:25.640
<v Speaker 1>Big Big been going almost twenty years and and they

2:27:25.760 --> 2:27:29.119
<v Speaker 1>don't you know, but I mean, you know, these these

2:27:29.240 --> 2:27:31.600
<v Speaker 1>young kids they don't salute them and to see the

2:27:31.720 --> 2:27:37.120
<v Speaker 1>world just jump on them. Like I love when like

2:27:37.240 --> 2:27:43.280
<v Speaker 1>a artists say, oh, well big is overrating and it's like, yeah,

2:27:43.320 --> 2:27:48.520
<v Speaker 1>a little nigga, you were not there. You're overrated. Now

2:27:48.959 --> 2:27:58.920
<v Speaker 1>you're not even so that that ship bothers your lifeline.

2:27:59.560 --> 2:28:02.360
<v Speaker 1>I guess different, nigga. We you know, we could think

2:28:02.440 --> 2:28:05.640
<v Speaker 1>we want to think about this, but we you know,

2:28:05.800 --> 2:28:08.160
<v Speaker 1>it's different. Like we just watched the d the Baker

2:28:08.200 --> 2:28:10.000
<v Speaker 1>the other day. That's what I was about to say,

2:28:11.560 --> 2:28:14.600
<v Speaker 1>my dude, Like I watched the whole crowd like just

2:28:14.760 --> 2:28:17.880
<v Speaker 1>react to her records like so different, Like certain records

2:28:17.920 --> 2:28:19.200
<v Speaker 1>came on and you see people get out of these

2:28:19.240 --> 2:28:22.480
<v Speaker 1>seats and I'm just like, damn old is she Like

2:28:22.879 --> 2:28:27.720
<v Speaker 1>she kept saying like flooded, but I'm like, and you

2:28:27.800 --> 2:28:30.240
<v Speaker 1>just don't. She was just like putting the mic out

2:28:30.320 --> 2:28:36.480
<v Speaker 1>just like the same, like that's the whole song. And

2:28:36.600 --> 2:28:39.720
<v Speaker 1>she started over saying how long this new generation that

2:28:40.320 --> 2:28:45.320
<v Speaker 1>like like old people gonna be in there like a

2:28:45.400 --> 2:29:03.959
<v Speaker 1>long time ago? Why you you you know what I'm

2:29:03.959 --> 2:29:11.400
<v Speaker 1>trumping you got explaining, Yeah, that's that's rough. Let me

2:29:11.520 --> 2:29:14.560
<v Speaker 1>just say something. You know, it's rough. It's rough. Come

2:29:14.600 --> 2:29:19.920
<v Speaker 1>on of my life. Let me just tell you something.

2:29:19.959 --> 2:29:25.080
<v Speaker 1>Six years of my life, six years straight, from October

2:29:25.760 --> 2:29:31.520
<v Speaker 1>to March. I had to be in Europe. Right, most

2:29:31.560 --> 2:29:38.080
<v Speaker 1>people say, you're you fucking idiot. Europe is fantastic, right,

2:29:39.280 --> 2:29:44.040
<v Speaker 1>will get that double money. But when you're forced to

2:29:44.280 --> 2:29:47.640
<v Speaker 1>be there, you don't want to be there. So you

2:29:47.720 --> 2:29:51.560
<v Speaker 1>gotta be with with in France for Pepper the pew,

2:29:53.400 --> 2:29:59.200
<v Speaker 1>it's very rough. Listening is smoking, cracking the elevator. He's saying,

2:30:00.120 --> 2:30:12.039
<v Speaker 1>crack ship you go, My god, damnit? He who listen

2:30:12.120 --> 2:30:16.640
<v Speaker 1>when you don't want to be somewhere, torture you? You

2:30:16.800 --> 2:30:21.480
<v Speaker 1>you you. Let's let's name a place in your your life. Right,

2:30:21.680 --> 2:30:27.080
<v Speaker 1>let's say the Hampton's fantastic place. You know a white

2:30:27.160 --> 2:30:31.480
<v Speaker 1>guy there named Fred. Right, let's right, Fred is fantastic. Right.

2:30:32.040 --> 2:30:34.960
<v Speaker 1>Fred is a great guy. Fred is a great guy.

2:30:35.080 --> 2:30:40.880
<v Speaker 1>He likes by it works before the fourth He's a

2:30:40.920 --> 2:30:45.320
<v Speaker 1>good Fred is the guy. But now now you don't

2:30:45.400 --> 2:30:48.640
<v Speaker 1>want to be with Fred. You want to be home,

2:30:49.879 --> 2:30:52.880
<v Speaker 1>You really want to be home. But now Fred is

2:30:53.000 --> 2:30:57.280
<v Speaker 1>the most, He's the most. Would you like this? I

2:30:57.400 --> 2:31:02.280
<v Speaker 1>got this and you love Fred? But Fred, I want

2:31:02.280 --> 2:31:06.040
<v Speaker 1>to go home Fred is the most annoying nig in

2:31:06.120 --> 2:31:09.920
<v Speaker 1>the world because you have to be there to pay

2:31:10.000 --> 2:31:14.080
<v Speaker 1>your bills. So a lot of people don't understand that's torture.

2:31:14.720 --> 2:31:17.520
<v Speaker 1>Like my wife. My wife taught me Paris and I

2:31:17.600 --> 2:31:19.600
<v Speaker 1>used to go to Paris and like, what the funk

2:31:19.680 --> 2:31:23.160
<v Speaker 1>am I here for? I don't want to be by

2:31:23.400 --> 2:31:28.880
<v Speaker 1>Eiffel Tower? What is the Eiffel Tower? That ship is

2:31:28.920 --> 2:31:34.280
<v Speaker 1>all I don't even know who doesn't make sense to

2:31:34.400 --> 2:31:37.280
<v Speaker 1>a nigga. I just want bread. But then my wife

2:31:37.400 --> 2:31:41.120
<v Speaker 1>she comes out there, She's like, look Theiffel Tower. I'm like,

2:31:42.640 --> 2:31:48.240
<v Speaker 1>yeahn be honest. She taught me culture. But other than that,

2:31:48.840 --> 2:31:52.360
<v Speaker 1>he wasn't that. That ship was like corny to us.

2:31:52.520 --> 2:31:54.800
<v Speaker 1>Like I'm like, I'm going to the beach, and before

2:31:54.800 --> 2:31:57.280
<v Speaker 1>you you're going going to the beach, funk out didn't

2:31:58.560 --> 2:32:01.200
<v Speaker 1>Let's be honest. The block Let's rip club was trashed

2:32:01.280 --> 2:32:03.000
<v Speaker 1>to us. In New York. We didn't do if you

2:32:03.080 --> 2:32:06.880
<v Speaker 1>went to the strip club, you strip clubs, And we

2:32:06.920 --> 2:32:08.880
<v Speaker 1>didn't have having the New York in the day. No, no,

2:32:09.000 --> 2:32:11.680
<v Speaker 1>we didn't have nothing. We didn't have that. Imagine Big

2:32:11.959 --> 2:32:14.240
<v Speaker 1>j and Pup has strip clubs back in the day

2:32:15.320 --> 2:32:21.840
<v Speaker 1>yet about that. You magine the nineties were strip clubs.

2:32:21.879 --> 2:32:23.640
<v Speaker 1>It wasn't. You had to go to Miami like you

2:32:23.720 --> 2:32:31.640
<v Speaker 1>had stub Culturemaic City like those ships. Right now, show girls,

2:32:32.320 --> 2:32:34.800
<v Speaker 1>we just patly get a strip clu. Let me say something.

2:32:34.840 --> 2:32:36.880
<v Speaker 1>He took me to your strip club. It's called show girls.

2:32:37.040 --> 2:32:40.120
<v Speaker 1>I've never seen so much bullet holes, like so many

2:32:40.560 --> 2:32:45.640
<v Speaker 1>bullet holes. Bullet holes they didn't Yeah, they got the

2:32:45.760 --> 2:32:49.880
<v Speaker 1>bitches got shot and Sunny d walked in there. He

2:32:50.000 --> 2:32:57.680
<v Speaker 1>spent eighty dollars and he was the man. This sunny

2:32:57.720 --> 2:33:01.959
<v Speaker 1>think that's the sunny thing. He but four models eight hours.

2:33:02.160 --> 2:33:07.400
<v Speaker 1>I said, what the funk? Where are we at? Hangout?

2:33:07.440 --> 2:33:17.840
<v Speaker 1>Sputt like that and be cool, man yourself food two

2:33:17.959 --> 2:33:21.800
<v Speaker 1>bullet in it, I can have it. It's cool ticket

2:33:22.480 --> 2:33:25.000
<v Speaker 1>you know, it's write me, adopt me. It's called n

2:33:25.080 --> 2:33:29.200
<v Speaker 1>let it or not there you just got. It's like

2:33:35.080 --> 2:33:38.080
<v Speaker 1>the kindle hood. Do you think you're not gonna get shot?

2:33:38.160 --> 2:33:40.880
<v Speaker 1>But listen, you get stabbed and then the shot, but

2:33:41.080 --> 2:33:43.840
<v Speaker 1>it coming later. I don't think a stab you when

2:33:43.879 --> 2:33:46.960
<v Speaker 1>it's then there's as a Cuban nigger that comes last,

2:33:47.440 --> 2:33:49.760
<v Speaker 1>like yeah, I got I got thrown in isn't American?

2:33:49.959 --> 2:33:55.040
<v Speaker 1>Or who me? You know, I'm Porter Macann. I'm very offensive.

2:33:58.680 --> 2:34:09.280
<v Speaker 1>So sorry, you're gonna like, yeah, that nigga is that

2:34:09.440 --> 2:34:19.680
<v Speaker 1>nigga is green, that niggas is funny. That never makes

2:34:19.680 --> 2:34:27.240
<v Speaker 1>sen Oh he's my guy. Normal, I got you. I'll point,

2:34:27.280 --> 2:34:29.879
<v Speaker 1>I'll pull your ship. Yeah really no, let's still listen.

2:34:29.959 --> 2:34:33.720
<v Speaker 1>Man's let's look at the schedule. This is a beautiful thing.

2:34:35.080 --> 2:34:37.960
<v Speaker 1>It's no schedule. That's that's exactly is thattly what you

2:34:38.040 --> 2:34:42.680
<v Speaker 1>gotta do. See, you gotta be. You gotta scene because

2:34:42.720 --> 2:34:48.360
<v Speaker 1>you cripple you crimple big bang that you said since

2:34:48.400 --> 2:34:51.280
<v Speaker 1>little seeds crippled me since that day you you don't

2:34:51.280 --> 2:34:53.160
<v Speaker 1>really have a lot of props in hip hop. You

2:34:53.240 --> 2:35:01.640
<v Speaker 1>just gotta he was gonna stay you crippled, big paper.

2:35:02.000 --> 2:35:05.840
<v Speaker 1>How did this happen? He was not supposed to be

2:35:05.920 --> 2:35:10.160
<v Speaker 1>the driving. They didn't drive. But he was fourteen years old,

2:35:12.520 --> 2:35:20.560
<v Speaker 1>no six, I was six. Probably they never drove. That's

2:35:20.600 --> 2:35:23.480
<v Speaker 1>why he didn't drive. I didn't do that really wrong though.

2:35:23.560 --> 2:35:26.320
<v Speaker 1>It was just a drive every now and then I

2:35:26.480 --> 2:35:32.000
<v Speaker 1>drive the publix. I should say sandwiches are amazing. The

2:35:32.200 --> 2:35:37.400
<v Speaker 1>sub no I lived in Atlanta for like six years

2:35:38.680 --> 2:35:43.520
<v Speaker 1>year ship. So I got to waters in Miami. Pop.

2:35:43.560 --> 2:35:46.480
<v Speaker 1>I know about it from Atlanta. It's fantastic, it's amazing,

2:35:47.160 --> 2:35:54.560
<v Speaker 1>it's amazing, wings cool, but I like convenge yourself. It

2:35:54.680 --> 2:36:02.160
<v Speaker 1>sounds like a French restaurant. I don't like islands all

2:36:02.200 --> 2:36:11.880
<v Speaker 1>the things, but this very hispanic of you to have

2:36:15.800 --> 2:36:18.880
<v Speaker 1>more black than Italian. Are you black Anton, That's what

2:36:19.040 --> 2:36:30.640
<v Speaker 1>I heard. I never mean we're not. We're not going

2:36:30.720 --> 2:36:34.560
<v Speaker 1>to stay until the bottoms ball. That's why the funk

2:36:34.600 --> 2:36:37.720
<v Speaker 1>we're here. What do you mean I'm sucking on? Take

2:36:37.760 --> 2:36:42.800
<v Speaker 1>care my birthday? That's something, that's that's something. Um, Happy birthday,

2:36:43.360 --> 2:36:51.040
<v Speaker 1>Happy birthday. Let's let's show that we can read your

2:36:51.400 --> 2:36:58.080
<v Speaker 1>nationalities here and start off what uh the regular ship,

2:36:58.320 --> 2:37:12.760
<v Speaker 1>Happy birthday to happy days, the one Happy birthday, Happy birdday,

2:37:12.920 --> 2:37:15.760
<v Speaker 1>you too, you gay us for the last one day.

2:37:15.840 --> 2:37:21.519
<v Speaker 1>Now let's let's take it to dn cob yon your face,

2:37:23.120 --> 2:37:29.800
<v Speaker 1>then go be lyon your f then go be by,

2:37:31.240 --> 2:37:40.760
<v Speaker 1>go be released like happy than black too. Goddamnit, Happy

2:37:41.000 --> 2:37:59.400
<v Speaker 1>birdcade too, happy day? Happy to say do suding So

2:37:59.560 --> 2:38:14.480
<v Speaker 1>it was a don't do the creole versions born. He

2:38:14.600 --> 2:38:18.800
<v Speaker 1>seems it when he goes to public, that's great, Okay,

2:38:19.120 --> 2:38:26.320
<v Speaker 1>it's not sex. If you're a man is sexting, you

2:38:26.400 --> 2:38:28.360
<v Speaker 1>know what I'm saying. If he cute to you and

2:38:28.480 --> 2:38:30.840
<v Speaker 1>you love him and he's singing, that'ship to you as

2:38:30.920 --> 2:38:38.400
<v Speaker 1>a woman like yoh my nigga yo, depressive mother. I'm

2:38:38.480 --> 2:38:43.760
<v Speaker 1>just saying that way about. I'm all in. It's like,

2:38:48.320 --> 2:38:50.720
<v Speaker 1>but that was real nice of you, Like, actually, thank

2:38:50.760 --> 2:38:56.360
<v Speaker 1>you because we don't know what language that was itch

2:38:56.400 --> 2:39:00.800
<v Speaker 1>creo French creo. Yeah, okay, that's what you can't tell

2:39:00.800 --> 2:39:08.400
<v Speaker 1>a fair one, you know, that's a scrench nothing. Nothing

2:39:10.959 --> 2:39:15.280
<v Speaker 1>like right now all the time. You know, you have

2:39:15.360 --> 2:39:18.240
<v Speaker 1>to learn the spot about just not the one time

2:39:18.280 --> 2:39:19.680
<v Speaker 1>you will have me on me. I would break it

2:39:19.800 --> 2:39:25.960
<v Speaker 1>down for you all about how I'm an asking person.

2:39:27.080 --> 2:39:32.360
<v Speaker 1>This first is my favorite. Oh my god, yes, ship

2:39:32.440 --> 2:39:42.840
<v Speaker 1>with the Mexican rest. I'm a little science jacks. So

2:39:45.200 --> 2:39:52.400
<v Speaker 1>I feel like I feel like we covered everything you're doing. Friends. Now,

2:39:53.520 --> 2:39:56.080
<v Speaker 1>I want to ask you one more time. Was there

2:39:56.080 --> 2:39:59.600
<v Speaker 1>anything you could do over? What would you do if

2:39:59.640 --> 2:40:02.600
<v Speaker 1>you could? If I could, I don't know, I mean

2:40:02.840 --> 2:40:11.320
<v Speaker 1>maybe I would shoot shut na um. Well, if I

2:40:11.600 --> 2:40:16.920
<v Speaker 1>could do something over again? What would I do Damn,

2:40:18.000 --> 2:40:20.160
<v Speaker 1>I don't know. That's a hard question to put into

2:40:20.200 --> 2:40:23.360
<v Speaker 1>one answer. You know, it's like I would do this,

2:40:23.560 --> 2:40:26.320
<v Speaker 1>and then I would do that. You know, I can't

2:40:26.320 --> 2:40:29.320
<v Speaker 1>single without to one thing. If it's one thing I

2:40:29.360 --> 2:40:32.000
<v Speaker 1>would do different, it would be fair to say that

2:40:32.200 --> 2:40:38.480
<v Speaker 1>I would um have been more aware in the beginning

2:40:38.640 --> 2:40:42.240
<v Speaker 1>of my career instead of thinking about my like thinking

2:40:42.320 --> 2:40:45.440
<v Speaker 1>off of my emotional coolness and you know, just me.

2:40:45.800 --> 2:40:47.840
<v Speaker 1>But I don't regret it, though, So I can't even

2:40:47.879 --> 2:40:51.360
<v Speaker 1>say that. I can't say that because I don't regret like,

2:40:52.120 --> 2:40:54.000
<v Speaker 1>oh shoot, I gotta shipped on for this, but I

2:40:54.120 --> 2:40:57.200
<v Speaker 1>was cool with that, and you know, I'm not mad

2:40:57.280 --> 2:41:01.959
<v Speaker 1>at the the step that is that my personality has

2:41:02.120 --> 2:41:06.000
<v Speaker 1>fucker numbers of sales and you know what I'm saying, Like,

2:41:06.080 --> 2:41:07.879
<v Speaker 1>I'm not mad. So I can't say that I would

2:41:07.920 --> 2:41:11.400
<v Speaker 1>do anything over because if I could, it's really a

2:41:11.800 --> 2:41:18.040
<v Speaker 1>big question. You fucking can't How about that ship? Your

2:41:18.080 --> 2:41:22.000
<v Speaker 1>motherfucking can you chance to do it all over? Everything?

2:41:22.520 --> 2:41:24.600
<v Speaker 1>I mean, but if I had a chance to do

2:41:24.720 --> 2:41:27.119
<v Speaker 1>it all over, the ship would have presented itself differently

2:41:27.200 --> 2:41:30.400
<v Speaker 1>anyway you feel me. It's like, bitch, you could do

2:41:30.520 --> 2:41:32.360
<v Speaker 1>this again. So what would you do if you could?

2:41:32.440 --> 2:41:37.560
<v Speaker 1>I couldn't. That ain't how life presents itself. And you know,

2:41:37.720 --> 2:41:42.240
<v Speaker 1>I know I've always you know, even though in hindsight

2:41:42.360 --> 2:41:44.600
<v Speaker 1>things was like, damn, that didn't work out right because

2:41:44.959 --> 2:41:47.560
<v Speaker 1>you didn't look at this. But I've always came from

2:41:47.640 --> 2:41:51.280
<v Speaker 1>the right place. And when I do believe, when you're

2:41:51.320 --> 2:41:53.640
<v Speaker 1>coming from the right place, you can't go wrong, whether

2:41:53.720 --> 2:41:56.120
<v Speaker 1>someone takes it the right way, whether it ends up

2:41:56.160 --> 2:41:58.119
<v Speaker 1>the right way. But in my spirit, in my heart,

2:41:58.480 --> 2:42:00.920
<v Speaker 1>and in my relationship with God, I can't feel wrong

2:42:01.000 --> 2:42:03.760
<v Speaker 1>about ship that I know. I wasn't coming from a

2:42:03.800 --> 2:42:06.960
<v Speaker 1>bad place. You feel me, And I'm cool with that.

2:42:07.320 --> 2:42:08.880
<v Speaker 1>I called the bed at eight o'clock and I feel

2:42:08.920 --> 2:42:14.680
<v Speaker 1>great about that ship. Tell him one time this thing

2:42:14.879 --> 2:42:17.400
<v Speaker 1>was at my house for Thanksgiving. My phone went off

2:42:17.480 --> 2:42:21.480
<v Speaker 1>at seven five, almost time to go to bed. Come

2:42:21.560 --> 2:42:26.480
<v Speaker 1>to your phone, like Sherry, time to go to sleep.

2:42:26.480 --> 2:42:32.040
<v Speaker 1>I was like, seven, we call it, Brandy, this is

2:42:32.080 --> 2:42:35.360
<v Speaker 1>a right there. She's like, what time is way back

2:42:35.879 --> 2:42:43.000
<v Speaker 1>sho tripping man me. I'm like, al wants some other

2:42:43.080 --> 2:42:48.600
<v Speaker 1>ship right now, But I really go to bed eight thirty,

2:42:49.160 --> 2:42:51.240
<v Speaker 1>wake up at four o'clock, go work, out, get my

2:42:51.320 --> 2:42:53.280
<v Speaker 1>son up at six, you know what I mean? My

2:42:53.320 --> 2:43:04.600
<v Speaker 1>ship is real scheduled. That's why. That's why I'm fun

2:43:04.720 --> 2:43:07.120
<v Speaker 1>with it like that, like you know, it's a that's

2:43:07.200 --> 2:43:10.840
<v Speaker 1>all ship. Like we get up and she's like, y'all,

2:43:10.840 --> 2:43:13.240
<v Speaker 1>I'm gonna be my birthday here, get a flight, nig.

2:43:13.840 --> 2:43:16.039
<v Speaker 1>It was like she was like a five real quick,

2:43:16.080 --> 2:43:19.240
<v Speaker 1>who you going out there with? Dolo? I'm like, just

2:43:21.040 --> 2:43:27.320
<v Speaker 1>see what I can do, okay, And that's like I'm often,

2:43:27.400 --> 2:43:31.840
<v Speaker 1>you know, granny being the bed. It's a birthday, so

2:43:31.920 --> 2:43:34.480
<v Speaker 1>she wanted to hang. I'm like, you out for two weeks.

2:43:35.320 --> 2:43:37.480
<v Speaker 1>I'm not gonna lie. I'm gonna use the bathroom and

2:43:37.520 --> 2:43:41.120
<v Speaker 1>I'm gonna take that like a picture. I wanna take

2:43:41.160 --> 2:43:43.280
<v Speaker 1>a shot. I wanta take a shot. I'm gonna take

2:43:43.280 --> 2:43:52.800
<v Speaker 1>a shot. I'm not leaving. I'm not leaving. I'm just

2:43:52.959 --> 2:44:09.240
<v Speaker 1>going I'm just going. Let me tell y'all something. This

2:44:09.320 --> 2:44:13.320
<v Speaker 1>is the first time we had a female who came

2:44:13.600 --> 2:44:20.600
<v Speaker 1>drank and smoke because any accents. Amber amble amber a

2:44:20.800 --> 2:44:27.160
<v Speaker 1>sister Um came only drink right, Trina came only drink

2:44:28.360 --> 2:44:41.800
<v Speaker 1>amber Um, Angelie came only drink Check the footage. I

2:44:41.840 --> 2:44:59.720
<v Speaker 1>didn't remember that super super c Keep drinking, keep drinking, drink,

2:45:00.000 --> 2:45:12.200
<v Speaker 1>and because you gotta drink, smoke drinking, she drinks smoke.

2:45:12.520 --> 2:45:17.280
<v Speaker 1>Wait wait, where is my Instagram? No don't go, No, no,

2:45:17.520 --> 2:45:23.600
<v Speaker 1>don't go, don't please please please come on. So we're

2:45:23.600 --> 2:45:30.680
<v Speaker 1>supposed to thank you so much. We're gonna, no little sees.

2:45:31.640 --> 2:45:34.600
<v Speaker 1>This is third time Jenny Kiss been on here, nineteen

2:45:34.640 --> 2:45:45.840
<v Speaker 1>hundred times. I'm the best. And let me tell you something.

2:45:46.520 --> 2:45:48.880
<v Speaker 1>Anytime you want to promote anything, anytime you want to

2:45:48.879 --> 2:45:51.800
<v Speaker 1>talk about anything, you time you'll get anything off your chance,

2:45:51.840 --> 2:46:00.320
<v Speaker 1>this is you. Listen. No, that's your whole So I

2:46:00.480 --> 2:46:03.720
<v Speaker 1>just got something to say. It's your home. You can

2:46:03.879 --> 2:46:06.680
<v Speaker 1>always come here because it's the first time artist is

2:46:06.760 --> 2:46:11.200
<v Speaker 1>running artists media, Thank you, Thank you all for having me. No,

2:46:11.520 --> 2:46:21.680
<v Speaker 1>we're gonna it's an honor. Take a bit.