1 00:00:01,639 --> 00:00:04,520 Speaker 1: Welcome to episode to forty four. We will talk to 2 00:00:04,640 --> 00:00:07,080 Speaker 1: Eric pass Lay in a little bit. We'll do the 3 00:00:07,080 --> 00:00:10,119 Speaker 1: Greatest Artist of all Time who've never won a Grammy, 4 00:00:11,160 --> 00:00:12,600 Speaker 1: But I think and Eddie's gonna be in here for 5 00:00:12,640 --> 00:00:14,360 Speaker 1: that one. But I think the question with that one 6 00:00:14,400 --> 00:00:16,240 Speaker 1: will be do we feel like these artists are great? 7 00:00:16,760 --> 00:00:19,840 Speaker 1: And then should they have won a Grammy? But that'll 8 00:00:19,880 --> 00:00:22,079 Speaker 1: come up a little bit. Since I want to play 9 00:00:22,239 --> 00:00:26,000 Speaker 1: that some new music here for you. I'm gonna do 10 00:00:26,040 --> 00:00:29,400 Speaker 1: the top five new music releases of this week. Number 11 00:00:29,440 --> 00:00:32,199 Speaker 1: five Brothers Osborne dropped a new song. I'm gonna play 12 00:00:32,240 --> 00:00:48,080 Speaker 1: it for you now. This is called all Night You 13 00:00:48,479 --> 00:00:55,680 Speaker 1: Got All y'all Got There you Go. That's number five. 14 00:00:56,520 --> 00:00:59,720 Speaker 1: Number four. Sarah Evans has a cover album out called 15 00:01:00,160 --> 00:01:12,080 Speaker 1: Be That. Here's her cover of come On Eileen. The 16 00:01:12,120 --> 00:01:14,440 Speaker 1: interesting thing about this isn't that song that song? Only? Okay? 17 00:01:14,480 --> 00:01:16,479 Speaker 1: I do like her whole project though that she's doing 18 00:01:16,480 --> 00:01:18,600 Speaker 1: it covers. It's actually a really good project. Hasn't really 19 00:01:19,520 --> 00:01:22,280 Speaker 1: that It's listen it's hard to copy deck Sies, Midnight 20 00:01:22,400 --> 00:01:25,520 Speaker 1: Runners and sound legit not sound like a karaoke song. 21 00:01:25,720 --> 00:01:28,200 Speaker 1: But I do feel like for the for the most part. 22 00:01:28,280 --> 00:01:30,760 Speaker 1: That's a really really great project that she's doing over there. 23 00:01:31,480 --> 00:01:35,400 Speaker 1: Um number three Jason Jason Isbell on the four Unit 24 00:01:35,680 --> 00:01:38,679 Speaker 1: put out a new record called Reunions. It includes David 25 00:01:38,760 --> 00:01:42,280 Speaker 1: Crosby on the track what I've done to help? What 26 00:01:44,800 --> 00:01:50,559 Speaker 1: about done? He say, I watched the David Crosby documentary Netflix. 27 00:01:50,600 --> 00:01:53,400 Speaker 1: It really good if you like you know, Crosby is 28 00:01:53,400 --> 00:01:57,080 Speaker 1: still Nung Young, Lung and Nash. That's all I alright, Eddie, 29 00:01:58,200 --> 00:02:00,280 Speaker 1: oh my Eddie. Mike's not on for his appearance later on. Yeah, 30 00:02:00,320 --> 00:02:05,880 Speaker 1: I'm not here yet, but that's that's the same David Crosby, Crosby, Stills, 31 00:02:06,080 --> 00:02:09,000 Speaker 1: Nash Young, Yeah, yeah, yeah, but Crosby, Steals In, Nash 32 00:02:09,040 --> 00:02:14,360 Speaker 1: has more. You know, all their first names? David Crosby, Uh, obviously, 33 00:02:14,840 --> 00:02:21,000 Speaker 1: Neil Young, Um huh. Hold on, I think I have 34 00:02:21,080 --> 00:02:25,040 Speaker 1: one of them. Kevin Nash, he's a wrestler, Steve Nash 35 00:02:25,639 --> 00:02:30,640 Speaker 1: not payer who but Steals first name is it? Kenny 36 00:02:30,760 --> 00:02:32,840 Speaker 1: I don't know, Kenny Stills I don't know. And then 37 00:02:32,919 --> 00:02:36,680 Speaker 1: David Nash. There's two David's. Oh, I don't know who's 38 00:02:36,680 --> 00:02:40,080 Speaker 1: the other day dude, I don't know. I don't know them. 39 00:02:40,400 --> 00:02:42,680 Speaker 1: And then Beer Is Better Cold at number two, the 40 00:02:42,720 --> 00:02:45,880 Speaker 1: six song debut EP from Travis Denning. Big fan of 41 00:02:45,919 --> 00:02:48,600 Speaker 1: this guy's really nice, really funny. He's also a good 42 00:02:48,639 --> 00:02:51,919 Speaker 1: guitar player and singer. Here is the title track, Beer 43 00:02:52,000 --> 00:02:55,840 Speaker 1: is Better Cold, Beers Better Cold? Dude is I was 44 00:02:56,320 --> 00:03:06,480 Speaker 1: green that fade a ser in the shape in a Joiner. Yeah, 45 00:03:07,240 --> 00:03:09,919 Speaker 1: and then here's a song you might know called After 46 00:03:09,960 --> 00:03:14,799 Speaker 1: a Few Good After. That's the number two. And the 47 00:03:14,919 --> 00:03:17,160 Speaker 1: number one this week is Garth Brooks has a new 48 00:03:17,200 --> 00:03:24,200 Speaker 1: song out called That's what Cowboys Doodlay has Gotten Somewhere 49 00:03:29,440 --> 00:03:36,000 Speaker 1: love Song, Sing Another Dange, Save Another Deal. I believe 50 00:03:36,040 --> 00:03:38,320 Speaker 1: the only place you can get that is on Amazon too, right, 51 00:03:38,640 --> 00:03:41,880 Speaker 1: because Garth doesn't put up all of his stuff. Eddie 52 00:03:41,880 --> 00:03:43,760 Speaker 1: and I did a song Raging Idiots with Garth Brooks 53 00:03:43,920 --> 00:03:45,920 Speaker 1: um a few years ago and we only can put 54 00:03:45,920 --> 00:03:47,600 Speaker 1: it up. I don't think it went up anywhere digitally 55 00:03:47,600 --> 00:03:48,880 Speaker 1: at the time. He just had to get it on 56 00:03:48,920 --> 00:03:52,000 Speaker 1: the hard c D. Yeah. Very precious with this music 57 00:03:52,000 --> 00:03:53,960 Speaker 1: where he goes up streaming wise. There you go. Those 58 00:03:53,960 --> 00:03:55,839 Speaker 1: are the top five new music this week. Eddie's gonna 59 00:03:55,840 --> 00:03:57,240 Speaker 1: come back in a second and talk about the greatest 60 00:03:57,320 --> 00:03:59,600 Speaker 1: artist of all time, who've never won a Grammy, and 61 00:03:59,640 --> 00:04:03,280 Speaker 1: a Passley who's written number one, who has number one. 62 00:04:03,360 --> 00:04:04,520 Speaker 1: He has a new song out. We'll talk to him 63 00:04:04,520 --> 00:04:08,760 Speaker 1: coming up next. Eric Passilay is on now. We were 64 00:04:09,400 --> 00:04:12,160 Speaker 1: before we started recording this, just listening to your new song. 65 00:04:12,240 --> 00:04:15,440 Speaker 1: Congratulations on on another one man, good, good for you, 66 00:04:16,120 --> 00:04:18,520 Speaker 1: Thank you man. It feels good. It's feels good to 67 00:04:18,520 --> 00:04:21,000 Speaker 1: having the music floating around. Man, let me hear the 68 00:04:21,040 --> 00:04:23,920 Speaker 1: song again. Here's a heartbeat higher from Eric Passley. Here 69 00:04:23,920 --> 00:04:48,559 Speaker 1: we go now from me next to you taking hiking nice. 70 00:04:48,680 --> 00:04:51,960 Speaker 1: That's a hook right there. It's crazy, man, that's like 71 00:04:52,400 --> 00:04:58,200 Speaker 1: that taking my hobby, taking my copy. I should man, yeah, 72 00:04:59,240 --> 00:05:01,080 Speaker 1: full Honestly, Eric asked me to sing that part, but 73 00:05:01,120 --> 00:05:02,440 Speaker 1: I turned it down. I was like, you should get 74 00:05:02,440 --> 00:05:04,839 Speaker 1: Sarah Buckston to do it because she could do it 75 00:05:04,920 --> 00:05:06,960 Speaker 1: almost as good as I could do in that female spot. 76 00:05:07,600 --> 00:05:10,039 Speaker 1: Yeah yeah, no, I mean, you know, we wrote it together. 77 00:05:10,160 --> 00:05:12,120 Speaker 1: She was on it from the start and uh and 78 00:05:12,240 --> 00:05:14,719 Speaker 1: it's the stars of a line and she's still on 79 00:05:14,760 --> 00:05:17,200 Speaker 1: it and she's she's just amazing. So you guys wrote 80 00:05:17,200 --> 00:05:20,320 Speaker 1: that song together. We did wrote it together a number 81 00:05:20,360 --> 00:05:23,400 Speaker 1: of years ago. Was Za Kraw and she and I 82 00:05:23,520 --> 00:05:26,480 Speaker 1: and and it's uh yeah, it is finally here it's 83 00:05:26,480 --> 00:05:30,040 Speaker 1: out a number of years ago. That's that's always a 84 00:05:30,080 --> 00:05:34,120 Speaker 1: weird thing to hear because that song obviously it's it's 85 00:05:34,120 --> 00:05:37,800 Speaker 1: a really good song. Did you shop it first? Did 86 00:05:37,800 --> 00:05:39,280 Speaker 1: you just hold on to it? Why did you wait 87 00:05:39,360 --> 00:05:42,400 Speaker 1: so long? Like I'm curious the story this song? We 88 00:05:42,480 --> 00:05:46,359 Speaker 1: wrote it? Man, this is a yes, six years old, 89 00:05:46,400 --> 00:05:49,799 Speaker 1: I think, and uh, um, this is actually the second 90 00:05:49,960 --> 00:05:54,640 Speaker 1: second time I've recorded it, and yeah, it's finally I 91 00:05:55,160 --> 00:05:58,000 Speaker 1: have the power to put it out being the indie 92 00:05:58,080 --> 00:06:01,560 Speaker 1: kid now and there has been on it and it's 93 00:06:01,680 --> 00:06:05,000 Speaker 1: uh yeah, I I've just been waiting a long time 94 00:06:05,040 --> 00:06:06,839 Speaker 1: for this song to come out, and glad was finally 95 00:06:06,839 --> 00:06:08,440 Speaker 1: getting to put it out. So when you say you 96 00:06:08,520 --> 00:06:10,240 Speaker 1: kind of before, did you kind of a different project 97 00:06:10,240 --> 00:06:12,400 Speaker 1: and it didn't make the album or was it like 98 00:06:12,440 --> 00:06:15,599 Speaker 1: a be track a way? Yeah, no, I I had 99 00:06:15,880 --> 00:06:17,600 Speaker 1: it was on an album that I handed into the 100 00:06:17,680 --> 00:06:20,479 Speaker 1: label and they just they never put it out. And 101 00:06:20,600 --> 00:06:22,520 Speaker 1: actually the game that I will say, the guys in 102 00:06:22,520 --> 00:06:26,200 Speaker 1: Florida Georgia Line heard this song and they loved it. Um, 103 00:06:26,279 --> 00:06:28,800 Speaker 1: and it didn't quite fit the project or something, but 104 00:06:29,040 --> 00:06:32,160 Speaker 1: they're the only other crew in town. That I was like, Okay, 105 00:06:32,200 --> 00:06:34,960 Speaker 1: I might let you have it. But I've been wanting 106 00:06:35,000 --> 00:06:37,920 Speaker 1: to put this song out for forever and and it's 107 00:06:38,000 --> 00:06:41,640 Speaker 1: it's here, man line, is the video up now? I've 108 00:06:41,640 --> 00:06:44,160 Speaker 1: seen the video, but it's the video up now to you. Yeah, 109 00:06:44,160 --> 00:06:46,960 Speaker 1: the videos out. I believe it's out pretty soon. People 110 00:06:47,000 --> 00:06:50,279 Speaker 1: dot com did a did the premiere of it and 111 00:06:50,400 --> 00:06:54,400 Speaker 1: the videos out and yeah. I was over in Stockholm, 112 00:06:54,440 --> 00:06:57,880 Speaker 1: Sweden on tour over there with one of my video buddies, 113 00:06:58,320 --> 00:07:01,120 Speaker 1: Timothy produced it, and I was like, dude, we're it's 114 00:07:01,160 --> 00:07:03,760 Speaker 1: like a beautiful morning Stockholm. Let's walk around and film 115 00:07:03,800 --> 00:07:06,640 Speaker 1: some cool footage for this video. And it worked out great, 116 00:07:06,839 --> 00:07:10,440 Speaker 1: and we were planning on shooting more video with Sarah, 117 00:07:10,640 --> 00:07:13,360 Speaker 1: and with COVID nineteen and the pandemic hitting, we're like, 118 00:07:13,520 --> 00:07:15,840 Speaker 1: that's not safe. Let's not get a whole crew together 119 00:07:15,880 --> 00:07:19,080 Speaker 1: to film this. Actually my little crew together to film this, 120 00:07:19,760 --> 00:07:22,600 Speaker 1: but that it looked out great with the studio footage 121 00:07:22,600 --> 00:07:25,960 Speaker 1: because it's literally on the record is what we sang 122 00:07:25,960 --> 00:07:28,760 Speaker 1: in that video, and it just it's just it's fun 123 00:07:28,800 --> 00:07:31,040 Speaker 1: seeing how much fun we had and just how much 124 00:07:31,120 --> 00:07:34,720 Speaker 1: joy we had making the music together. Well, I got 125 00:07:34,720 --> 00:07:37,200 Speaker 1: your new song. You're gonna put out more songs? Or 126 00:07:37,240 --> 00:07:39,360 Speaker 1: is this just putting out a single? On seeing what's up? 127 00:07:40,000 --> 00:07:42,400 Speaker 1: Absolutely on putting out in the new music I've been 128 00:07:42,440 --> 00:07:45,160 Speaker 1: waiting for so long. We'll be prowing out in new 129 00:07:45,240 --> 00:07:48,800 Speaker 1: music throughout the summer and yeah, the full album will 130 00:07:48,800 --> 00:07:52,560 Speaker 1: be out in August. What's happened in your life over there? Man? 131 00:07:52,760 --> 00:07:55,280 Speaker 1: Just you know we got hit by the tornadoes. The 132 00:07:55,360 --> 00:07:58,520 Speaker 1: tornado came right over the house here in Nashville. So 133 00:07:58,600 --> 00:08:03,200 Speaker 1: we've been between me excited about putting the music out 134 00:08:03,200 --> 00:08:07,400 Speaker 1: and all the parts of that, working with my little team. Uh, 135 00:08:07,520 --> 00:08:11,800 Speaker 1: an incredible team. Are finally tinned little machine over here 136 00:08:11,840 --> 00:08:15,160 Speaker 1: getting music out. But yeah, we've been I've been rebuilding 137 00:08:15,200 --> 00:08:19,760 Speaker 1: senses and Natalie's been being an amazing gardener, putting in 138 00:08:19,840 --> 00:08:23,080 Speaker 1: trees while I'm writing songs. And uh, I didn't mean 139 00:08:23,120 --> 00:08:26,120 Speaker 1: to avoid that yesterday, but she actually busted a little 140 00:08:26,120 --> 00:08:29,000 Speaker 1: blood vessel in her pretty eye putting in a giant 141 00:08:29,000 --> 00:08:32,120 Speaker 1: tree yesterday. I'm like sitting here thinking, man, they could 142 00:08:32,200 --> 00:08:34,960 Speaker 1: use my muscles. They should wait, But she can't because 143 00:08:34,960 --> 00:08:39,120 Speaker 1: she's just an amazing woman. Putting in giant trees in 144 00:08:39,160 --> 00:08:42,160 Speaker 1: our back gun. She's doing she's doing the yard work, 145 00:08:42,640 --> 00:08:45,440 Speaker 1: and you're in there righting a little funny songs. I'm 146 00:08:45,480 --> 00:08:49,160 Speaker 1: writing my funny songs. But no, it's uh, it was 147 00:08:49,160 --> 00:08:51,520 Speaker 1: actually killing me. I'm sitting there going like I want 148 00:08:51,520 --> 00:08:54,280 Speaker 1: to dig. What's the crap? I probably had my muddy 149 00:08:54,360 --> 00:08:57,400 Speaker 1: gloves on writing I get writing a pretty song, just 150 00:08:57,679 --> 00:09:01,720 Speaker 1: dreaming of being in the backyard. Well, congratulations, man, just 151 00:09:01,720 --> 00:09:04,240 Speaker 1: wanted to catch up with you. Let everybody know that, uh, 152 00:09:04,600 --> 00:09:07,320 Speaker 1: you're back. You've got a new song out, and be 153 00:09:07,400 --> 00:09:09,320 Speaker 1: looking out for some more some more stuff. I mean, 154 00:09:09,320 --> 00:09:10,760 Speaker 1: I would ask you what else, but as far as 155 00:09:10,800 --> 00:09:12,839 Speaker 1: like Tory, but nobody knows anything at this point. So 156 00:09:13,280 --> 00:09:14,960 Speaker 1: I'll just assume that at some point you're gonna be 157 00:09:15,000 --> 00:09:17,120 Speaker 1: back on the road. We'll be back on the road. 158 00:09:17,160 --> 00:09:19,000 Speaker 1: We've got dates signed up in August. I don't know 159 00:09:19,040 --> 00:09:22,719 Speaker 1: if that will really happen. Hopefully it will um as 160 00:09:22,760 --> 00:09:24,520 Speaker 1: long as we're safe, and then I'll be back over 161 00:09:24,520 --> 00:09:26,880 Speaker 1: in the U k uh for like a month and 162 00:09:26,920 --> 00:09:28,920 Speaker 1: a half, So you should, Hey, come on, bring the 163 00:09:29,040 --> 00:09:31,760 Speaker 1: raging idiots and we'll h we'll do it some music 164 00:09:31,840 --> 00:09:35,040 Speaker 1: over there. Too. Yeah, Eric, good to talk to you, 165 00:09:35,080 --> 00:09:39,160 Speaker 1: my friend. Thanks and congratulations to buddy. All right, fired, 166 00:09:44,920 --> 00:09:46,960 Speaker 1: all right, we're back. Eddie's here. Within this segment, we're 167 00:09:46,960 --> 00:09:49,480 Speaker 1: talking about Crosby, Stills, Nash, and Young and Eddie goes. 168 00:09:49,520 --> 00:09:52,000 Speaker 1: During the break, we were way off on the names. 169 00:09:52,080 --> 00:09:53,439 Speaker 1: For the record, I didn't know the other two and 170 00:09:53,480 --> 00:09:56,160 Speaker 1: I admitted it. Who was you? Said, Kenny Stills? I 171 00:09:56,160 --> 00:09:57,880 Speaker 1: think it was a case. It was a football player, right, 172 00:09:58,440 --> 00:10:02,160 Speaker 1: I think? So is there receiver? Maybe for the Titans 173 00:10:02,160 --> 00:10:05,240 Speaker 1: for a bit, I think for the Texans? Oh yeah, yeah, Okay, 174 00:10:05,240 --> 00:10:09,400 Speaker 1: go ahead, it's it's Stephen Stills and Graham Nash. A 175 00:10:09,400 --> 00:10:11,920 Speaker 1: should we should have known? Gradiots Graham Nash. We should 176 00:10:11,920 --> 00:10:15,360 Speaker 1: have known. I'm so ashamed right now, but yeah, I 177 00:10:15,320 --> 00:10:19,080 Speaker 1: wouldn't have known the still yeah, and then Tom Young. 178 00:10:20,840 --> 00:10:25,440 Speaker 1: Yeah no, No. The topic is the greatest artists of 179 00:10:25,480 --> 00:10:28,040 Speaker 1: all time who have never won a Grammy. Saw Billboard 180 00:10:28,080 --> 00:10:30,959 Speaker 1: writing about this, and they put together a greatest of 181 00:10:30,960 --> 00:10:33,800 Speaker 1: all time Billboard artists Who've never want a Grammy. These 182 00:10:33,800 --> 00:10:36,480 Speaker 1: are artists who make their list of two hundred Billboard 183 00:10:36,520 --> 00:10:38,680 Speaker 1: Artists of all time. That's the criterion. Then they didn't 184 00:10:38,679 --> 00:10:41,200 Speaker 1: want a Grammy and more so, I just kind of 185 00:10:41,200 --> 00:10:43,679 Speaker 1: wanted to say, in your mind, you consider this artist 186 00:10:43,760 --> 00:10:47,120 Speaker 1: great because they didn't win a Grammy, Right, everybody I 187 00:10:47,200 --> 00:10:50,120 Speaker 1: list didn't want a Grammy. So it's just the argument is, 188 00:10:50,280 --> 00:10:53,160 Speaker 1: do you consider them to be a great artist and 189 00:10:53,200 --> 00:10:59,000 Speaker 1: do you think a Grammy deserves the name given to 190 00:10:59,080 --> 00:11:01,040 Speaker 1: a great artist? All is like, no, I don't think 191 00:11:01,040 --> 00:11:02,440 Speaker 1: you have to be the best of all time to write. 192 00:11:02,440 --> 00:11:04,000 Speaker 1: If I don't think Dan Marino had to win a 193 00:11:04,040 --> 00:11:05,959 Speaker 1: Super Bowl to be one of the greatest of all time, 194 00:11:06,280 --> 00:11:09,320 Speaker 1: I don't think you must. But it helps. It helps 195 00:11:09,320 --> 00:11:11,120 Speaker 1: in the argument. Seems for the most party goes hand 196 00:11:11,160 --> 00:11:14,240 Speaker 1: in hand. Okay, just like quarterbacks. For the most part, 197 00:11:14,360 --> 00:11:18,199 Speaker 1: the greatest of all time have one championship, but sometimes 198 00:11:18,240 --> 00:11:21,880 Speaker 1: they're just not put around players that are helped move 199 00:11:21,960 --> 00:11:24,600 Speaker 1: that along towards the goal. Are you ready ready? I'll 200 00:11:24,600 --> 00:11:30,239 Speaker 1: start with Miley Cyrus Okay, received just one Grammy nomination. 201 00:11:30,480 --> 00:11:32,960 Speaker 1: It was the album where she took a wrecking ball 202 00:11:33,080 --> 00:11:35,600 Speaker 1: to her old persona this song here. It landed at 203 00:11:35,640 --> 00:11:39,920 Speaker 1: two thousand fourteen nod for Best Pop Vocal Album. Cyrus 204 00:11:40,000 --> 00:11:42,400 Speaker 1: is just twenty seven younger than any other solo artist 205 00:11:42,440 --> 00:11:44,520 Speaker 1: on the list, so there's probably still time for her 206 00:11:46,320 --> 00:11:48,719 Speaker 1: hasn't won a Grammy. Do you consider Miley cyrus at 207 00:11:48,720 --> 00:11:50,640 Speaker 1: this part, and we have different views of what great is, 208 00:11:50,640 --> 00:11:53,439 Speaker 1: do you consider her to be great? Great? No, I 209 00:11:53,480 --> 00:11:56,000 Speaker 1: don't think she's great, but I think she deserves a 210 00:11:56,040 --> 00:11:59,280 Speaker 1: Grammy because she at one point was the biggest thing 211 00:11:59,280 --> 00:12:01,320 Speaker 1: going on. I mean, I always gauge it, like if 212 00:12:01,360 --> 00:12:03,960 Speaker 1: my parents know who they are, they were, they're pretty big. 213 00:12:04,640 --> 00:12:07,240 Speaker 1: My argument, I also agree that I don't think she's great, 214 00:12:07,320 --> 00:12:09,400 Speaker 1: yet I think she's really good. She's so different that 215 00:12:10,200 --> 00:12:15,800 Speaker 1: over time I think greatness will accumulate onto her because 216 00:12:15,840 --> 00:12:19,000 Speaker 1: of everything that she's done. But I don't think a 217 00:12:19,040 --> 00:12:22,720 Speaker 1: long period of work equals a Grammy. It's project based. 218 00:12:23,280 --> 00:12:26,120 Speaker 1: It's time and project based. The time he's gotta be right, 219 00:12:26,160 --> 00:12:28,199 Speaker 1: the environment's gotta be right, the project, it's gotta be good. Point. 220 00:12:28,480 --> 00:12:32,680 Speaker 1: So I wouldn't. I would say no. But she is 221 00:12:32,720 --> 00:12:36,600 Speaker 1: the kind of make something quirky enough that because you 222 00:12:36,640 --> 00:12:40,360 Speaker 1: have the Grammys are a snooty award. You know, that's 223 00:12:40,360 --> 00:12:42,319 Speaker 1: why people win Grammys you never heard of, because a 224 00:12:42,360 --> 00:12:44,560 Speaker 1: lot of people are like, who can we pick? So 225 00:12:45,240 --> 00:12:49,640 Speaker 1: I would say she's not great yet, very good, very talented, um, 226 00:12:49,679 --> 00:12:52,439 Speaker 1: and probably her time will come. It's something. If she 227 00:12:52,440 --> 00:12:54,400 Speaker 1: doesn'tant a Grammy, I bet she wins an Oscar or 228 00:12:54,480 --> 00:12:56,760 Speaker 1: she wins an Emmy or something because she's so good 229 00:12:56,800 --> 00:12:58,559 Speaker 1: on a lot of places. It's weird man within the 230 00:12:58,600 --> 00:13:01,680 Speaker 1: Mareccan ball and all that, and we can't stop all 231 00:13:01,720 --> 00:13:04,000 Speaker 1: that was she was flying high like but you have 232 00:13:04,040 --> 00:13:07,480 Speaker 1: to think she's also big because of Hannah Montana, people 233 00:13:07,559 --> 00:13:10,839 Speaker 1: knew her and it was a gradual um. But I'm 234 00:13:10,840 --> 00:13:14,360 Speaker 1: on the same page. I don't think she's great. Yeah, 235 00:13:14,360 --> 00:13:16,160 Speaker 1: because that's mostly what we're doing. All we're not argue 236 00:13:16,160 --> 00:13:17,960 Speaker 1: if they should have wanted to Grammy, that can be 237 00:13:18,040 --> 00:13:24,240 Speaker 1: something we say. But um. Nickelback, the critically panned Canadian 238 00:13:24,280 --> 00:13:28,480 Speaker 1: pop rock band, has received five Grammy nominations. So do 239 00:13:28,559 --> 00:13:31,960 Speaker 1: you consider Nickelback to be great? Because I'm gonna jump 240 00:13:31,960 --> 00:13:33,560 Speaker 1: before you. I know you hate Nickelback, and I don't 241 00:13:33,559 --> 00:13:35,760 Speaker 1: know your answer, but I want to get ahead of you. 242 00:13:35,920 --> 00:13:38,360 Speaker 1: And because you you hate Nickelback in a way that's 243 00:13:38,360 --> 00:13:43,880 Speaker 1: not fair to Nickelback, I'm going to say that they're great. 244 00:13:44,280 --> 00:13:46,600 Speaker 1: Oh my god, I don't think you have to like 245 00:13:46,760 --> 00:13:49,320 Speaker 1: someone for them to be great. I don't hate Nickelback. 246 00:13:49,360 --> 00:13:51,240 Speaker 1: I don't think in my lifetime I've ever just turned 247 00:13:51,240 --> 00:13:54,000 Speaker 1: on and felt like Nickelback. I've never just You've never 248 00:13:54,040 --> 00:13:55,800 Speaker 1: been like, ah, this is a good day. I want 249 00:13:55,800 --> 00:13:57,439 Speaker 1: to Oh, let me listen to nickel Back. Have it. 250 00:13:57,480 --> 00:14:00,640 Speaker 1: I've been like, well, it's the seventy three degrees and 251 00:14:00,679 --> 00:14:03,120 Speaker 1: not a care in the world. It's a Saturday. Give 252 00:14:03,200 --> 00:14:05,360 Speaker 1: me nickel Back. Where the frick is? How you remind 253 00:14:05,400 --> 00:14:09,320 Speaker 1: me Andy that I've never done that? Right? But I 254 00:14:09,360 --> 00:14:13,000 Speaker 1: do think their body of work, so many hits they've sold, 255 00:14:13,040 --> 00:14:17,000 Speaker 1: so they're they're great. You made to dislike them, but 256 00:14:17,080 --> 00:14:19,840 Speaker 1: they're great in my mind. So I say Nickelback is great. 257 00:14:20,680 --> 00:14:22,640 Speaker 1: I say, no, no, they're not great. They are the 258 00:14:22,640 --> 00:14:26,440 Speaker 1: opposite of great. And what they should be is grateful 259 00:14:26,480 --> 00:14:29,720 Speaker 1: that they got nominated for how many Grammys? Four, five, five? 260 00:14:31,840 --> 00:14:34,200 Speaker 1: Albums like crazy? They sold They did everything you need 261 00:14:34,240 --> 00:14:36,760 Speaker 1: to do. They sold tickets, they sold records, they had 262 00:14:36,880 --> 00:14:39,760 Speaker 1: number one, made a lot of money. Everything except you 263 00:14:39,800 --> 00:14:43,160 Speaker 1: just don't prefer them. And they are Grammy nominated, which 264 00:14:43,200 --> 00:14:45,800 Speaker 1: is awesome. Take it. You just don't prefer them. You're 265 00:14:45,840 --> 00:14:48,160 Speaker 1: letting your preference get in the way of your answers. 266 00:14:48,160 --> 00:14:52,400 Speaker 1: Not great, Okay, I say great. The Beach Boys Boys 267 00:14:52,880 --> 00:14:55,640 Speaker 1: Never Want a Grammy. One of the greatest groups of 268 00:14:55,640 --> 00:14:58,960 Speaker 1: all time in my opinion, But the Grammy voters weren't 269 00:14:59,000 --> 00:15:03,600 Speaker 1: tuned into what was considered contemporary pop then, because when 270 00:15:03,640 --> 00:15:06,640 Speaker 1: their sound was blowing up, it was seen as this 271 00:15:06,720 --> 00:15:10,400 Speaker 1: is not what's good for music culture. So all those 272 00:15:10,400 --> 00:15:14,480 Speaker 1: snooters they didn't like the Beach Boys, and this isn't 273 00:15:14,520 --> 00:15:16,360 Speaker 1: It's probably the easiest one for both of us. Are 274 00:15:16,400 --> 00:15:19,760 Speaker 1: the Beach Boys great? Yes? Great? And I do believe 275 00:15:19,880 --> 00:15:23,920 Speaker 1: that if Pet Sounds, which is probably their most cool album, 276 00:15:23,960 --> 00:15:27,920 Speaker 1: because it's very experimental. Brian Wilson was like just doing 277 00:15:28,120 --> 00:15:30,920 Speaker 1: amazing things with that album. If that came out today, 278 00:15:31,160 --> 00:15:33,160 Speaker 1: that would be one of those Grammys where everyone's like, 279 00:15:33,200 --> 00:15:36,000 Speaker 1: everybody loves Beach Boys. There's so cool because it was 280 00:15:36,160 --> 00:15:38,800 Speaker 1: very cool but ahead of its time. I think the 281 00:15:38,840 --> 00:15:42,840 Speaker 1: Beach Boys are one of the greatest groups of all time. 282 00:15:43,920 --> 00:15:47,080 Speaker 1: You may think their sound is cheesy, but at the 283 00:15:47,160 --> 00:15:52,800 Speaker 1: time it was way in front um. They were doing 284 00:15:52,840 --> 00:15:56,200 Speaker 1: things in the studio that nobody was doing yet know 285 00:15:56,400 --> 00:15:59,000 Speaker 1: and that people still do today. To emulate that sound, 286 00:15:59,120 --> 00:16:01,080 Speaker 1: even like the Wallace On said they were doing earl Es. 287 00:16:03,280 --> 00:16:06,640 Speaker 1: So yeah, that's wild. They never wanted Grammy there. It's 288 00:16:06,640 --> 00:16:08,200 Speaker 1: wild that none of their projects hit at the right 289 00:16:08,240 --> 00:16:10,280 Speaker 1: time even later, Yeah, even in the eighties, and they 290 00:16:10,280 --> 00:16:12,360 Speaker 1: had this humongous resurgence that didn't come back and do 291 00:16:12,480 --> 00:16:16,000 Speaker 1: something kind of a category for everything, like Cocoam should 292 00:16:16,000 --> 00:16:19,239 Speaker 1: have been best song. How doesn't not how to say? 293 00:16:19,680 --> 00:16:22,640 Speaker 1: I thought you just stuttered, but you did say. Maybe 294 00:16:22,680 --> 00:16:24,880 Speaker 1: you're right, Maybe I don't say I want to say Pocomo, No, 295 00:16:25,000 --> 00:16:30,880 Speaker 1: I think you do. But yeah, but they're Beach Boys. Great, yeah, great, 296 00:16:31,400 --> 00:16:34,560 Speaker 1: super like great, one of the greatest American groups of 297 00:16:34,600 --> 00:16:36,360 Speaker 1: all time. Yeah, and you know, I wish I was 298 00:16:36,400 --> 00:16:39,360 Speaker 1: alive when it was the Beach Boys Beatles battle, because 299 00:16:39,400 --> 00:16:42,360 Speaker 1: that was it was like Us versus you know, the 300 00:16:42,480 --> 00:16:45,560 Speaker 1: Great Britain, and that was it. Beatles were the were 301 00:16:45,560 --> 00:16:48,360 Speaker 1: the English band and the Beach Boys were the American band. 302 00:16:48,560 --> 00:16:51,600 Speaker 1: And don't think the Beach Boys back then were exactly 303 00:16:51,600 --> 00:16:55,040 Speaker 1: the beach Boys that you see now with the Hawaiian shirt, no, 304 00:16:55,160 --> 00:16:59,200 Speaker 1: because they really weren't. They were the surfer guys, which 305 00:16:59,280 --> 00:17:03,520 Speaker 1: was kind of the skateboard punk type thing. Then it 306 00:17:03,560 --> 00:17:06,240 Speaker 1: was the rebel. Yeah, I don't think the guy the 307 00:17:06,240 --> 00:17:08,560 Speaker 1: old guys you see now in the Flowerty shirts or 308 00:17:08,560 --> 00:17:10,800 Speaker 1: what they were doing then, just younger. That kind of 309 00:17:10,840 --> 00:17:13,080 Speaker 1: happened with Cocomo and that whole resurgence of the Beach 310 00:17:13,080 --> 00:17:15,840 Speaker 1: Boys came back in the eighties. Okay, but they're great. 311 00:17:16,080 --> 00:17:19,200 Speaker 1: Guns and Roses Appetite for Destruction, the band's seven debut 312 00:17:19,240 --> 00:17:22,960 Speaker 1: album is really one of the classic rock albums period, 313 00:17:23,200 --> 00:17:26,080 Speaker 1: especially of the eighties. Obviously, it wasn't even nominated for 314 00:17:26,040 --> 00:17:29,280 Speaker 1: a Grammy. According to this they have three Grammy nominations 315 00:17:29,280 --> 00:17:32,120 Speaker 1: they got later. Guns and Roses. I'll let you go first. 316 00:17:32,119 --> 00:17:34,440 Speaker 1: Our Guns and Roses great. It's hard to say that 317 00:17:34,800 --> 00:17:37,240 Speaker 1: metal bands from the eighties are great because it was 318 00:17:37,400 --> 00:17:40,920 Speaker 1: just a lot of cheese and a lot of show biz, 319 00:17:40,920 --> 00:17:44,399 Speaker 1: you know, long hair, glitter. But Guns and Roses was 320 00:17:44,480 --> 00:17:47,600 Speaker 1: the one band that rose above everyone else. I mean 321 00:17:47,640 --> 00:17:50,080 Speaker 1: they changed music from what it sounded like. I mean 322 00:17:50,400 --> 00:17:54,200 Speaker 1: they were huge to music in the early nineties, late eighties, 323 00:17:54,240 --> 00:17:56,440 Speaker 1: early nineties. It was Guns and Roses. Yes, they are 324 00:17:56,480 --> 00:18:02,080 Speaker 1: great for what they did. Guns and Roses, Yeah, they're great. Yeah, 325 00:18:02,080 --> 00:18:06,320 Speaker 1: they're great. Man probably the leader of the eighties rock, 326 00:18:06,800 --> 00:18:09,400 Speaker 1: and they didn't go as glam as other the glam did. 327 00:18:09,440 --> 00:18:13,320 Speaker 1: They didn't go all poison, they didn't go even deaf 328 00:18:13,400 --> 00:18:17,640 Speaker 1: Leppard glamd. They did have their shirt lists and skinny, 329 00:18:17,840 --> 00:18:19,800 Speaker 1: but I feel like they were a little more texture 330 00:18:20,080 --> 00:18:23,800 Speaker 1: in a little rougher in that stage than than those 331 00:18:23,840 --> 00:18:26,639 Speaker 1: other bands were. They did have the long hair absolutely, 332 00:18:26,680 --> 00:18:29,480 Speaker 1: And you mentioned before to Slash like he was a 333 00:18:29,520 --> 00:18:32,159 Speaker 1: guitarist that would you know, record stuff from Michael Jackson. 334 00:18:32,280 --> 00:18:34,840 Speaker 1: He was a great guitarist that had a very unique 335 00:18:34,880 --> 00:18:36,919 Speaker 1: sound that even a lot of these eighties bands didn't have. 336 00:18:37,280 --> 00:18:39,480 Speaker 1: Guns Roads are great, great. Ye again, I don't have 337 00:18:39,520 --> 00:18:42,960 Speaker 1: to like Guns Roses and they're fine a little before me, right, 338 00:18:43,040 --> 00:18:48,240 Speaker 1: but they're yeah great. Def Leppard they've never been nominated 339 00:18:48,240 --> 00:18:51,800 Speaker 1: for a Grammy. Yeah, that's that's that's shocking. Great. I'm 340 00:18:51,840 --> 00:18:54,000 Speaker 1: not gonna say great. I do love def Leppard, but 341 00:18:54,000 --> 00:18:55,520 Speaker 1: I'm not gonna put him in the great category. I'm 342 00:18:55,520 --> 00:18:57,560 Speaker 1: gonna go there just on the edge of great. Yeah, 343 00:18:57,880 --> 00:19:00,280 Speaker 1: because they are pretty cool. Man. And the drummer has 344 00:19:00,359 --> 00:19:02,920 Speaker 1: one arm and he plays you know, breaking car wreck 345 00:19:03,000 --> 00:19:05,760 Speaker 1: and and lost an arm then trained himself back to 346 00:19:05,760 --> 00:19:07,600 Speaker 1: play the drump of his feet in his hand. And 347 00:19:07,640 --> 00:19:09,720 Speaker 1: what I really love about deaf Leppard is their producer 348 00:19:09,840 --> 00:19:13,640 Speaker 1: mut Lang, which that sound, that death deaf Leppards sound 349 00:19:14,240 --> 00:19:17,080 Speaker 1: slowly bled onto Shania Twain, which almost had the same 350 00:19:17,160 --> 00:19:21,359 Speaker 1: kind of like dad, that same kind of sound, which 351 00:19:21,680 --> 00:19:25,040 Speaker 1: is awesome. Man, I dude, you talk about it's a 352 00:19:25,040 --> 00:19:28,240 Speaker 1: beautiful day like once. Sometimes when it's nice outside and 353 00:19:28,240 --> 00:19:30,760 Speaker 1: I feel like jamming, jamming out, I'll put some deaf 354 00:19:30,840 --> 00:19:34,680 Speaker 1: Leppard on. Deaf Leppard to me, is of all those 355 00:19:34,720 --> 00:19:40,240 Speaker 1: eighties bands, I don't know, maybe bon Jovi if I 356 00:19:40,240 --> 00:19:41,959 Speaker 1: have to, if I have to rink again, because I 357 00:19:42,000 --> 00:19:44,399 Speaker 1: wasn't really alive and like feeling I was alive that 358 00:19:44,480 --> 00:19:46,880 Speaker 1: I wasn't into music then it was a little too young. 359 00:19:48,240 --> 00:19:50,800 Speaker 1: But maybe bon jovis at one on this list, by 360 00:19:50,840 --> 00:19:53,439 Speaker 1: the way, But maybe bon Jovi is my number one 361 00:19:53,480 --> 00:19:57,400 Speaker 1: eighties band. But deaf Leppards up there, man, just because 362 00:19:57,400 --> 00:20:01,440 Speaker 1: of their songs out because of the deaf Lefford image, 363 00:20:01,600 --> 00:20:03,800 Speaker 1: or but I think they have good songs. Oh look 364 00:20:03,800 --> 00:20:05,240 Speaker 1: at Mike. Is bon jo on the list? Mike, No, 365 00:20:05,320 --> 00:20:08,399 Speaker 1: he's not. Okay, nice nice pull up there. But bon Jovi, 366 00:20:09,400 --> 00:20:11,800 Speaker 1: I felt like they were kind of gritty. Yeah, I 367 00:20:11,800 --> 00:20:14,440 Speaker 1: would put them in one of the greats. Yeah, again, 368 00:20:14,600 --> 00:20:18,120 Speaker 1: not on the list they probably want to Grammys. Why, Um, 369 00:20:18,440 --> 00:20:23,240 Speaker 1: Journey great or not. I'm gonna separate myself on this 370 00:20:23,280 --> 00:20:25,600 Speaker 1: one because I don't know much about Journey other than 371 00:20:25,640 --> 00:20:29,280 Speaker 1: the hits. But they do have massive, massive hits, one 372 00:20:29,320 --> 00:20:33,080 Speaker 1: that is played NonStop when the bar closes hit make 373 00:20:33,119 --> 00:20:35,680 Speaker 1: you Great? I think so. If it's that big yeah 374 00:20:35,720 --> 00:20:38,080 Speaker 1: and people are still singing it today, I'd say you're great. 375 00:20:39,040 --> 00:20:42,159 Speaker 1: But again, I don't know crap about Journey. Well, you know, 376 00:20:42,200 --> 00:20:45,480 Speaker 1: the lead singer left and now the guy from the Philippines. 377 00:20:45,520 --> 00:20:48,560 Speaker 1: There a lead singer that they found on YouTube. Um, 378 00:20:48,640 --> 00:20:52,600 Speaker 1: I like, I like open Arms from Journey. Now I come, dude, 379 00:20:53,280 --> 00:20:57,439 Speaker 1: open us. No, I'm gonna go no, They're not great. 380 00:20:57,680 --> 00:21:00,520 Speaker 1: I think they have a great song, which is don't 381 00:21:00,520 --> 00:21:06,720 Speaker 1: Stop Believing Jam. This is such a freaking jam. But 382 00:21:06,800 --> 00:21:11,800 Speaker 1: I'm gonna go no. No. My My fun story about 383 00:21:12,880 --> 00:21:17,399 Speaker 1: Journey is I was last year two thousand nineteen finale 384 00:21:17,440 --> 00:21:20,399 Speaker 1: of American Idol. I'm in the room getting makeup on 385 00:21:20,440 --> 00:21:22,280 Speaker 1: and some I don't know, some guy who was a 386 00:21:22,280 --> 00:21:25,120 Speaker 1: don't working there or something comes in the door and goes, hey, man, 387 00:21:25,280 --> 00:21:27,360 Speaker 1: it's great to see you. And I don't know who 388 00:21:27,359 --> 00:21:28,960 Speaker 1: these people are walking through, and I'm just up where 389 00:21:28,960 --> 00:21:31,000 Speaker 1: everybody gets dressed, like all the people that are part 390 00:21:31,040 --> 00:21:35,480 Speaker 1: of the show, all you know, Um, seacrests Luke, Katie, Lionel, Richie, 391 00:21:35,520 --> 00:21:36,719 Speaker 1: all that you know. So it's like the fancy part 392 00:21:36,760 --> 00:21:40,080 Speaker 1: of the building. And I was like, yeah, wow, crap, 393 00:21:40,480 --> 00:21:42,960 Speaker 1: and he goes, man, just been killing it. He's like, 394 00:21:43,040 --> 00:21:45,440 Speaker 1: you are You're what radio is all about. And I'm like, 395 00:21:45,440 --> 00:21:47,840 Speaker 1: thank you very much. I really appreciate that compliment. And 396 00:21:48,040 --> 00:21:49,639 Speaker 1: he thought I was trying Seacrest and it was the 397 00:21:49,720 --> 00:21:54,119 Speaker 1: lead singer of Journey, Yeah, the original, but you are 398 00:21:54,240 --> 00:21:55,679 Speaker 1: with it. I love it. I thought he meant me 399 00:21:55,800 --> 00:21:58,560 Speaker 1: for the first of it. Did you ever find out 400 00:21:58,560 --> 00:22:01,600 Speaker 1: that you weren't secret not Mike. Were you in the room? 401 00:22:01,680 --> 00:22:03,679 Speaker 1: Yeah that's accurate, huh Yeah. And then we saw him 402 00:22:03,680 --> 00:22:06,080 Speaker 1: on the TV sci was him. We didn't even know 403 00:22:06,119 --> 00:22:07,840 Speaker 1: it's him. Yeah, we just thought it was some usher 404 00:22:07,920 --> 00:22:10,480 Speaker 1: or something working there that's funny dressed up to like 405 00:22:10,520 --> 00:22:12,399 Speaker 1: standing in the crowd, and then Ryan throw us to 406 00:22:12,440 --> 00:22:14,880 Speaker 1: him on the show. We're like that guy who came 407 00:22:14,880 --> 00:22:16,280 Speaker 1: in here. I thought I was secrets was steepid, and 408 00:22:16,320 --> 00:22:17,600 Speaker 1: he had to be like, that wasn't the guy I 409 00:22:17,680 --> 00:22:20,920 Speaker 1: was talking So who was that guy that I was 410 00:22:20,960 --> 00:22:27,280 Speaker 1: talking to? Um? So dope. Yeah, let's see, let's see. 411 00:22:27,440 --> 00:22:38,240 Speaker 1: How about Rascal Flats? Mm hmm, let me. I don't 412 00:22:38,280 --> 00:22:42,280 Speaker 1: put them in the great category. You do. They're damn good, 413 00:22:43,359 --> 00:22:45,200 Speaker 1: But I don't put them in the great category. Maybe 414 00:22:45,200 --> 00:22:48,480 Speaker 1: because even when this song came on, I wasn't really 415 00:22:48,520 --> 00:22:50,840 Speaker 1: tuned into what they were doing. Now I am, I mean, 416 00:22:50,880 --> 00:22:53,199 Speaker 1: I know everything they put out now, but back then 417 00:22:53,240 --> 00:22:55,240 Speaker 1: I really wasn't. So I'm not living that life of 418 00:22:55,280 --> 00:22:59,080 Speaker 1: knowing Rascal Flats. Throughout their whole career. Rascal Flats never 419 00:22:59,119 --> 00:23:04,400 Speaker 1: want a Grammy. It's weird when this came on. Over 420 00:23:04,440 --> 00:23:07,560 Speaker 1: twenty years of a body of work, NonStop hits, pop hits, 421 00:23:07,560 --> 00:23:12,480 Speaker 1: they've had multiple crossovers, from Broken Broken Road to the 422 00:23:12,640 --> 00:23:17,760 Speaker 1: car song Yeah Life is a huh Yeah, I'm gonna 423 00:23:17,760 --> 00:23:20,159 Speaker 1: go great for me. That's an easy yes. Because I 424 00:23:20,200 --> 00:23:22,760 Speaker 1: worked in pop and country, and I've seen him at 425 00:23:22,760 --> 00:23:25,840 Speaker 1: the highest levels of both. I'm surprised I haven't want 426 00:23:25,840 --> 00:23:30,320 Speaker 1: a country Grammy. That's surprising. They've been nominated four times. Yes, 427 00:23:30,560 --> 00:23:34,480 Speaker 1: I'm gonna go. Yes, that's easy, yes for me, all right, 428 00:23:34,480 --> 00:23:37,679 Speaker 1: all right, we got a few more here. Great or 429 00:23:37,680 --> 00:23:44,160 Speaker 1: not we'll go a little quicker. Foreigner wen't play with them. Yeah, 430 00:23:44,240 --> 00:23:46,199 Speaker 1: I muna say not great. I might say not great too. 431 00:23:47,840 --> 00:23:51,479 Speaker 1: We're like, yeah, good guys, good guys, not great. They 432 00:23:51,480 --> 00:23:53,560 Speaker 1: were up for Best New Artists nineteen seventy seven. They've 433 00:23:53,600 --> 00:23:58,520 Speaker 1: had five nods altogether. This article says, um, I want 434 00:23:58,520 --> 00:24:00,840 Speaker 1: to know what love is just a number one hit 435 00:24:00,880 --> 00:24:02,320 Speaker 1: on the Hot one hundred, But they have a bunch 436 00:24:02,359 --> 00:24:03,800 Speaker 1: of songs. When we were going through them, they had 437 00:24:03,800 --> 00:24:05,920 Speaker 1: like five six, five or six big hits and we 438 00:24:05,960 --> 00:24:08,119 Speaker 1: were like wow, because we picked what they were going 439 00:24:08,160 --> 00:24:10,520 Speaker 1: to sing with us, and we picked this one. Okay, 440 00:24:10,600 --> 00:24:15,920 Speaker 1: Kenny Chesney, Oh great or not great? Great? Go ahead, 441 00:24:16,000 --> 00:24:18,560 Speaker 1: man great. This guy's been going for a long long time, 442 00:24:18,640 --> 00:24:22,240 Speaker 1: and he's been big for a long time. Yeah, sell 443 00:24:22,280 --> 00:24:27,200 Speaker 1: stadiums for a long time. He's been entertained earlier year 444 00:24:27,240 --> 00:24:29,639 Speaker 1: four times by the c m A hasn't want a Grammy, 445 00:24:31,080 --> 00:24:34,160 Speaker 1: but his live, the live part of him, in my mind, 446 00:24:34,160 --> 00:24:37,359 Speaker 1: makes him great. He's known in in his fan base. 447 00:24:37,440 --> 00:24:39,359 Speaker 1: Over time, they are die Hard. He makes him great? 448 00:24:39,480 --> 00:24:41,920 Speaker 1: Is that no Shoes Nation? I think Kenny's an easy 449 00:24:41,960 --> 00:24:45,200 Speaker 1: great for me. You say it's great too, ye, kid 450 00:24:45,320 --> 00:24:49,360 Speaker 1: Rock not great? I don't. I don't know why you don't. 451 00:24:49,400 --> 00:24:51,760 Speaker 1: I mean, everyone know only know a few songs songs 452 00:24:51,760 --> 00:24:55,680 Speaker 1: of his um and he hasn't. I think he's kind 453 00:24:55,680 --> 00:24:58,439 Speaker 1: of like slowed down on producing music. Okay, but some 454 00:24:58,440 --> 00:25:00,320 Speaker 1: of these people are producing music. It all right, right, right, 455 00:25:00,520 --> 00:25:02,919 Speaker 1: But but but even like kid Rocks biggest was probably this 456 00:25:03,000 --> 00:25:06,560 Speaker 1: right and then Cowboy. Yeah, I don't. I don't see 457 00:25:06,600 --> 00:25:08,879 Speaker 1: grad in it on borderline because I remember when Kid 458 00:25:08,960 --> 00:25:11,240 Speaker 1: Rock launched and he was this white trailer trash rapper 459 00:25:11,280 --> 00:25:13,879 Speaker 1: from from Detroit area. I was in college radio and 460 00:25:13,960 --> 00:25:18,160 Speaker 1: I'd heard nothing like him, you know, when it was bad, banged, banged. 461 00:25:18,760 --> 00:25:20,480 Speaker 1: It's just like anytime I hear somebody bring a new 462 00:25:20,480 --> 00:25:22,920 Speaker 1: sound out and they're able to it makes me feel 463 00:25:22,920 --> 00:25:24,560 Speaker 1: a little different because they just weren't good at this. 464 00:25:24,720 --> 00:25:26,680 Speaker 1: They just weren't great at a sound that was already created. 465 00:25:26,720 --> 00:25:29,919 Speaker 1: They invented their own. Yeah, you're right, when this came out, 466 00:25:29,960 --> 00:25:33,120 Speaker 1: there was nothing like nothing, and that's it's hard to do. 467 00:25:35,720 --> 00:25:37,800 Speaker 1: So where do you put on borderline not great. I'm 468 00:25:37,800 --> 00:25:41,639 Speaker 1: gonna go with not on the go on the greatest 469 00:25:41,640 --> 00:25:43,840 Speaker 1: of all time ranking. He's gonna be fall off, just barely. 470 00:25:43,840 --> 00:25:46,320 Speaker 1: But I still think there's time. I don't know, dude, Picture, 471 00:25:46,560 --> 00:25:50,040 Speaker 1: He's done all formats too, He's done hip hop. I'm 472 00:25:50,080 --> 00:25:53,160 Speaker 1: talking to myself and to put him on it after 473 00:25:53,280 --> 00:25:55,199 Speaker 1: like two minutes of talking about well, just think he 474 00:25:55,240 --> 00:26:00,400 Speaker 1: did the white guy rap stuff, he did the rock stuff, 475 00:26:00,400 --> 00:26:05,560 Speaker 1: he did the country stuff. He did only god knows why. Picture. 476 00:26:06,920 --> 00:26:09,840 Speaker 1: I think he's just making it to me to be great. 477 00:26:10,760 --> 00:26:12,520 Speaker 1: It'd be my age, I think, to really get it. 478 00:26:13,400 --> 00:26:15,440 Speaker 1: I'm gonna go. Yeah, I've changed my mind. I talked 479 00:26:15,480 --> 00:26:20,720 Speaker 1: myself into it. Nice Backstreet Boys. They were nominated for 480 00:26:20,720 --> 00:26:23,480 Speaker 1: a Best New Artist, but they've never won. On a 481 00:26:23,560 --> 00:26:25,320 Speaker 1: podcast that I did with A. J. McClain from this, 482 00:26:25,359 --> 00:26:27,800 Speaker 1: he talks about that how they love to have a Grammy. 483 00:26:28,040 --> 00:26:33,040 Speaker 1: They're great. Crazy Yeah yeah, I mean they've created a movement. Absolutely. 484 00:26:33,080 --> 00:26:35,080 Speaker 1: I agree, they're great. They're great. Not my favorite boy 485 00:26:35,080 --> 00:26:37,159 Speaker 1: band even personal taste out of this and think my 486 00:26:37,160 --> 00:26:39,960 Speaker 1: favorite backstre Boys were the first one. Yeah, yeah, they're great. 487 00:26:40,720 --> 00:26:44,480 Speaker 1: Toby Keith, Oh, I like Toby, only have three more Toby. 488 00:26:44,520 --> 00:26:46,840 Speaker 1: I like Toby, but I want to say Toby's not great, 489 00:26:48,040 --> 00:26:50,800 Speaker 1: not not one of the greats I considered great. Yeah, 490 00:26:50,840 --> 00:26:53,200 Speaker 1: he's great. I like Kobe, He's just not considered a great. 491 00:26:53,720 --> 00:26:58,280 Speaker 1: I'll agree with you. I don't think, man, he's great. 492 00:27:00,040 --> 00:27:02,199 Speaker 1: I mean, Toby knows who he is. That's what I 493 00:27:02,240 --> 00:27:04,240 Speaker 1: like about Toby. But I don't think you put Toby 494 00:27:04,240 --> 00:27:06,280 Speaker 1: and I'm just comparing him to Chesney. Why I said 495 00:27:06,320 --> 00:27:09,919 Speaker 1: Chesney was great. Chesney has been putting out hits on 496 00:27:09,960 --> 00:27:14,639 Speaker 1: the regular for twenty five years. But I don't know 497 00:27:14,680 --> 00:27:16,399 Speaker 1: that anyone was as big as Toby for a while 498 00:27:16,440 --> 00:27:21,080 Speaker 1: when Toby was massive. But I'm gonna go, no, he's great, 499 00:27:21,119 --> 00:27:22,240 Speaker 1: but he's not. I don't think he's one of the 500 00:27:22,280 --> 00:27:27,080 Speaker 1: all time all John Rick greats? With you? The Who? Uh? 501 00:27:27,200 --> 00:27:31,520 Speaker 1: The Who? Great band? I love the Who. Actually I 502 00:27:31,560 --> 00:27:33,119 Speaker 1: like a lot of their music, but I can't put 503 00:27:33,160 --> 00:27:35,679 Speaker 1: them up there because they're just around too much of 504 00:27:35,680 --> 00:27:38,440 Speaker 1: the British Invasion and there are better bands that came 505 00:27:38,440 --> 00:27:42,240 Speaker 1: out of that than them. It's good you can convince 506 00:27:42,280 --> 00:27:44,119 Speaker 1: me of that. I was already on the fence anyway, 507 00:27:44,160 --> 00:27:46,199 Speaker 1: but you're right there. You think they're derivative about some 508 00:27:46,200 --> 00:27:48,159 Speaker 1: of the other British bands. I think they'll always be 509 00:27:48,160 --> 00:27:50,359 Speaker 1: in the shadow of the Beatles and and the Rolling Stones, 510 00:27:51,080 --> 00:27:53,480 Speaker 1: even though they're awesome. I love the who I think 511 00:27:53,520 --> 00:27:56,040 Speaker 1: if we were alive then we'd probably a better judge 512 00:27:56,080 --> 00:27:57,920 Speaker 1: of it. It's like when people make their all time 513 00:27:57,920 --> 00:28:01,919 Speaker 1: basketball list, you put Oscar robertson or you know, and 514 00:28:02,480 --> 00:28:06,160 Speaker 1: you're just like, I didn't see him. I don't know. 515 00:28:07,359 --> 00:28:10,760 Speaker 1: And people talk about, you know, how good Will Chamberlain was, 516 00:28:10,800 --> 00:28:13,359 Speaker 1: and even watch all videos, but he's just it's hard 517 00:28:13,600 --> 00:28:15,359 Speaker 1: if all things are even I go against people I 518 00:28:15,359 --> 00:28:18,080 Speaker 1: weren't able to see. I'm gonna follow you on that 519 00:28:18,119 --> 00:28:24,240 Speaker 1: one last one Credence clear Water Revival. I think you 520 00:28:24,240 --> 00:28:26,119 Speaker 1: have to put him up there, man, you have to 521 00:28:26,119 --> 00:28:29,480 Speaker 1: put him up there. They were just hearing John Forward's voice. 522 00:28:29,600 --> 00:28:32,800 Speaker 1: He was a voice of a generation. Like that voice 523 00:28:32,840 --> 00:28:37,240 Speaker 1: screams nineteen sixties Vietnam War like it's he's just the 524 00:28:37,320 --> 00:28:41,160 Speaker 1: voice of the generation. Yeah, they're one of the greats. 525 00:28:41,520 --> 00:28:43,720 Speaker 1: This is my favorite all time class of rock band. 526 00:28:44,280 --> 00:28:46,320 Speaker 1: Like I love CCR so much. I want to move 527 00:28:46,400 --> 00:28:50,880 Speaker 1: to Texas. People like you've been Cross County, Ragway fan right, yeah, 528 00:28:50,880 --> 00:28:55,760 Speaker 1: that Cody Canada, And I was like, who But in 529 00:28:55,800 --> 00:28:58,920 Speaker 1: the first in the first version of The Raging Idiots, 530 00:28:59,320 --> 00:29:02,320 Speaker 1: we did um, not this song we did. We did 531 00:29:02,640 --> 00:29:04,680 Speaker 1: no No No, even before you high school my high school. 532 00:29:04,720 --> 00:29:07,400 Speaker 1: Oh well, I think we did it too because of that. 533 00:29:07,720 --> 00:29:10,160 Speaker 1: It was the nickel on the corner. Yeah, down on 534 00:29:10,280 --> 00:29:13,480 Speaker 1: the corner. Yeah, how didn't yeah William the Pool Boys 535 00:29:13,640 --> 00:29:18,120 Speaker 1: playing nickel? Yeah, that's right. I think because you played 536 00:29:18,120 --> 00:29:21,040 Speaker 1: it with the original band, you made us play it sucked. 537 00:29:21,960 --> 00:29:25,240 Speaker 1: Not did you do the cow bell when you and 538 00:29:24,640 --> 00:29:26,560 Speaker 1: the boy and then I couldn't keep rid of them 539 00:29:26,600 --> 00:29:29,040 Speaker 1: and sink, so I'd lay the cow bell down because 540 00:29:29,760 --> 00:29:31,960 Speaker 1: it's harder than you think. Where is CCR from? Go? 541 00:29:32,880 --> 00:29:36,600 Speaker 1: Oh gosh, where they from? Kansas? No? No, no, well 542 00:29:36,640 --> 00:29:38,720 Speaker 1: most people think they're from Louisiana. In a bone on 543 00:29:38,800 --> 00:29:44,920 Speaker 1: the by from California. Yeah yeah. Um. First concert I 544 00:29:44,960 --> 00:29:48,080 Speaker 1: ever went to at a concert venue, because my first 545 00:29:48,120 --> 00:29:49,520 Speaker 1: one was Diamond Rio. But the first one ever went 546 00:29:49,560 --> 00:29:51,160 Speaker 1: to when it was like we're going to a show, 547 00:29:52,560 --> 00:29:55,320 Speaker 1: we went to uh in Little Rock. I saw John Fogerty. Okay, 548 00:29:55,360 --> 00:29:58,040 Speaker 1: this is post CCR John. Oh yeah, Because I wasn't 549 00:29:58,040 --> 00:29:59,800 Speaker 1: alive during CCR and they break up. Do you know 550 00:30:00,160 --> 00:30:02,800 Speaker 1: the seventies? Okay, yeah, that was a board to the eighties. 551 00:30:03,000 --> 00:30:06,239 Speaker 1: So um but yeah, I saw John Fogerty and I 552 00:30:06,280 --> 00:30:08,520 Speaker 1: saw we pull that down, Mike. It's talking me to 553 00:30:08,560 --> 00:30:12,480 Speaker 1: fill other songs when it was John Fogerty and opening 554 00:30:12,520 --> 00:30:14,600 Speaker 1: up was if you can get in the artist. Do 555 00:30:14,640 --> 00:30:22,800 Speaker 1: you feel like that was the wan? Wahhh, yeah, I do. Frampton, 556 00:30:22,920 --> 00:30:28,040 Speaker 1: Peter Frampton, Peter Franson and John Fogerty. Wow, I just 557 00:30:28,120 --> 00:30:30,240 Speaker 1: love classic rock. Hey did he use the little pipe 558 00:30:30,280 --> 00:30:36,320 Speaker 1: in his here? Mama? Amazing? Yeah, well that's fun. Mostly 559 00:30:36,400 --> 00:30:38,400 Speaker 1: we didn't do justice to this article because they were like, 560 00:30:38,440 --> 00:30:39,800 Speaker 1: should they have got a Grammy? We were like, we 561 00:30:39,880 --> 00:30:42,920 Speaker 1: just want to debated for greater right. Um, that's an 562 00:30:42,960 --> 00:30:45,320 Speaker 1: interesting article. But hey, thank you very much for being 563 00:30:45,520 --> 00:30:47,959 Speaker 1: a partner here on that. Check out Eddie' podcast. Tell 564 00:30:47,960 --> 00:30:50,360 Speaker 1: everybody abut your podcast, The Sore Losers Podcast. It's a 565 00:30:50,440 --> 00:30:54,280 Speaker 1: guy's guy podcast. We have me lunch Box and Ray 566 00:30:54,400 --> 00:30:56,440 Speaker 1: from the show and we just talked about a lot 567 00:30:56,480 --> 00:30:59,040 Speaker 1: of guy stuff right now. It's a sports podcast, but 568 00:30:59,080 --> 00:31:01,120 Speaker 1: it's tough right now. There's a lot of sports so 569 00:31:01,280 --> 00:31:03,479 Speaker 1: we do a little bit about sports talk, but then 570 00:31:03,560 --> 00:31:06,520 Speaker 1: mostly it's like us and what we're doing in our lives. Alright, 571 00:31:06,920 --> 00:31:09,560 Speaker 1: the guy's perspective of it. There you have it. We'll 572 00:31:09,600 --> 00:31:11,920 Speaker 1: see you guys next time. Eddie, Thank you again. Follow 573 00:31:12,040 --> 00:31:15,120 Speaker 1: Eddie at producer ready on Instagram at producer Ready. Uh, 574 00:31:15,240 --> 00:31:17,960 Speaker 1: Mike D's got Mike D's Movie pot. Wait, what's it 575 00:31:18,000 --> 00:31:22,040 Speaker 1: called movie? Movie podcast? Movie, Mike's movie Pod. You'll get it. Um, 576 00:31:23,120 --> 00:31:26,600 Speaker 1: very pleasantly surprised at how good the podcast is doing that. 577 00:31:26,720 --> 00:31:28,920 Speaker 1: I was on, yeah, doing pretty good, doing pretty good? 578 00:31:29,040 --> 00:31:31,880 Speaker 1: Yeah good. One you go back in Mike's episode history, 579 00:31:31,880 --> 00:31:34,200 Speaker 1: I didn't one about my favorite movies. And if I 580 00:31:34,240 --> 00:31:36,040 Speaker 1: thought one of the great villains was actually a good guy, 581 00:31:36,120 --> 00:31:38,640 Speaker 1: you can hear that. What's your latest episode? I'm doing 582 00:31:38,680 --> 00:31:42,000 Speaker 1: the greatest movie quotes of all time? We should do 583 00:31:42,040 --> 00:31:43,880 Speaker 1: that on the show. Don't tell us what they are, Okay, 584 00:31:44,080 --> 00:31:47,160 Speaker 1: but we'll we'll I'll pick our greatest movie quote. Are 585 00:31:47,320 --> 00:31:50,200 Speaker 1: in the greatest our favorite? Oh I did favorite favorite. 586 00:31:50,240 --> 00:31:53,000 Speaker 1: We'll do our favorite and then we'll promote your podcast 587 00:31:53,040 --> 00:31:54,760 Speaker 1: on the show. Alright, check it out, all right, Mike 588 00:31:54,840 --> 00:31:58,480 Speaker 1: D's Movie Podcast. That's not what's called movie Mike's Movie Podcast, 589 00:31:58,840 --> 00:32:00,959 Speaker 1: Movie Mike alright, so Tooby Mike, thank you guys. We'll 590 00:32:01,000 --> 00:32:06,800 Speaker 1: see you next time. M hm