1 00:00:03,400 --> 00:00:14,120 Speaker 1: Transmitting. Hello, welcome to Monday Show Morris Studio. Morning. All right, 2 00:00:14,160 --> 00:00:17,920 Speaker 1: on the phone right now is Sarah in South Dakota. Sarah, 3 00:00:18,000 --> 00:00:20,320 Speaker 1: good morning. How are you Hey? How are you? Bobby? 4 00:00:20,560 --> 00:00:23,200 Speaker 1: Doing pretty good? What can I do for you? Hey? Well, 5 00:00:23,320 --> 00:00:24,960 Speaker 1: you know, I just wondered, have you ever been to 6 00:00:24,960 --> 00:00:29,320 Speaker 1: Mount Rushmore, South Dakota? I have not? Why? No, Well, 7 00:00:29,360 --> 00:00:30,960 Speaker 1: you know I have to tell you. In the past 8 00:00:30,960 --> 00:00:34,720 Speaker 1: two years, this place is booming. People are discovering it. 9 00:00:35,040 --> 00:00:39,320 Speaker 1: We moved here and it's honestly the coolest place ever 10 00:00:39,800 --> 00:00:41,960 Speaker 1: and people are just like, Wow, I never been to 11 00:00:42,000 --> 00:00:45,160 Speaker 1: North Dakota, and no, it's South Dakota. So I wondered 12 00:00:45,159 --> 00:00:49,000 Speaker 1: if you've ever been seeing Aunt Rushmore. Been in North Dakota, 13 00:00:49,159 --> 00:00:52,279 Speaker 1: been in South Dakota, but never seen Mount Rushmore. Had 14 00:00:52,280 --> 00:00:55,400 Speaker 1: a friend who they were near there, so they drove 15 00:00:55,400 --> 00:00:56,960 Speaker 1: over to see it, and they got there and it 16 00:00:57,000 --> 00:00:59,319 Speaker 1: was real foggy, and they stood by and never saw it. Oh, 17 00:00:59,320 --> 00:01:03,840 Speaker 1: because it was so so foggy, they drive like three hours. 18 00:01:03,840 --> 00:01:06,280 Speaker 1: They were like, we had a day off touring, so 19 00:01:06,319 --> 00:01:08,440 Speaker 1: we drove over to look at it, and as we 20 00:01:08,480 --> 00:01:10,680 Speaker 1: got closer, it got fogg here. When we got there, 21 00:01:10,959 --> 00:01:13,120 Speaker 1: it was foggy, and we stood and took a picture 22 00:01:13,120 --> 00:01:16,360 Speaker 1: with the fog and never actually saw the heads. It's 23 00:01:16,400 --> 00:01:19,399 Speaker 1: pretty crazy that people got up there and carved faces 24 00:01:20,080 --> 00:01:23,120 Speaker 1: from rock and they look real from the pictures I 25 00:01:23,240 --> 00:01:25,960 Speaker 1: see you mean, I mean, don't I don't look up 26 00:01:25,959 --> 00:01:27,759 Speaker 1: there and go look at those humans up there. No, 27 00:01:27,840 --> 00:01:30,600 Speaker 1: like live heads, but I mean that's impressive, it's okay. 28 00:01:31,080 --> 00:01:33,160 Speaker 1: And they carved their faces that looked just like they 29 00:01:33,240 --> 00:01:34,960 Speaker 1: did a good job. Yes, they did a good job. 30 00:01:35,120 --> 00:01:37,679 Speaker 1: Whomever it is they did it. It's crazy that you 31 00:01:38,160 --> 00:01:40,680 Speaker 1: that you could even do that, like get up and 32 00:01:40,760 --> 00:01:44,000 Speaker 1: chisel out or even a machine out of rocks. Amazing 33 00:01:44,160 --> 00:01:47,639 Speaker 1: those faces. But no, I've never been Are the heads big? 34 00:01:47,800 --> 00:01:52,360 Speaker 1: What's that? What's that like? Yeah, they're super big, but 35 00:01:52,480 --> 00:01:56,760 Speaker 1: you know it's not just is like driving to a 36 00:01:56,800 --> 00:01:59,920 Speaker 1: safari and then something people know that like you drive 37 00:02:00,120 --> 00:02:03,800 Speaker 1: you literally can see five types of wildlife in front 38 00:02:03,840 --> 00:02:06,320 Speaker 1: of you. I feel like she works for like the 39 00:02:06,440 --> 00:02:09,680 Speaker 1: Vacation Commission for South Dakota, and were just yeah, free 40 00:02:09,680 --> 00:02:11,520 Speaker 1: commercial and you know, well we're here for it. We 41 00:02:11,639 --> 00:02:13,799 Speaker 1: love it. People in South Dakota are awesome. I loved 42 00:02:13,800 --> 00:02:16,280 Speaker 1: it in North Dakota. I went and I did a 43 00:02:16,320 --> 00:02:19,399 Speaker 1: couple of shows in North Dakota, which was a little 44 00:02:19,440 --> 00:02:21,440 Speaker 1: colder than South Dakota, makes sense, you know, farther from 45 00:02:21,440 --> 00:02:24,560 Speaker 1: the sort. Yeah, And I remember the people being so kind. 46 00:02:24,960 --> 00:02:26,919 Speaker 1: And I did a stand up show and I did 47 00:02:26,919 --> 00:02:28,840 Speaker 1: some kind It was a pretty good show. And the 48 00:02:28,880 --> 00:02:30,839 Speaker 1: hotel was right across from the theater. And I don't 49 00:02:30,880 --> 00:02:32,880 Speaker 1: say that. I don't say I'm at the hotel right 50 00:02:32,919 --> 00:02:35,720 Speaker 1: across from the theater. But I finished my show, went 51 00:02:35,760 --> 00:02:38,440 Speaker 1: to the hotel and I heard, I don't know two 52 00:02:38,480 --> 00:02:44,399 Speaker 1: o'clock in the morning, Hey, I'm in bed by good 53 00:02:45,480 --> 00:02:47,360 Speaker 1: And I was very grateful to the crowd. I mean, 54 00:02:47,360 --> 00:02:49,920 Speaker 1: they were so nice, and so I can hear somebody 55 00:02:50,000 --> 00:02:52,240 Speaker 1: yelling for me, and obviously I love our listeners. And 56 00:02:52,280 --> 00:02:57,120 Speaker 1: so again it's getting closer in my hotel room. I'm like, 57 00:02:57,200 --> 00:02:59,359 Speaker 1: all right. So I woke up and I walked to 58 00:02:59,400 --> 00:03:01,880 Speaker 1: the door, locked that door, like crazy, I was. I 59 00:03:01,919 --> 00:03:03,160 Speaker 1: put a chair up against that door. I was like, 60 00:03:03,160 --> 00:03:04,639 Speaker 1: I ain't getting stabbed in North Dakota. I want to 61 00:03:04,639 --> 00:03:06,280 Speaker 1: find out. I love them. They were nice. I just 62 00:03:06,440 --> 00:03:09,800 Speaker 1: was not interested at that moment and making a new friend. 63 00:03:09,840 --> 00:03:12,640 Speaker 1: Who am in a hotel in North Dakota alone, But Sarah, 64 00:03:12,639 --> 00:03:15,799 Speaker 1: I appreciate that the tourism Bureau thanks to you from 65 00:03:15,800 --> 00:03:19,400 Speaker 1: South Dakota, and I hope you have an awesome day. 66 00:03:19,400 --> 00:03:23,640 Speaker 1: All right, bye, that's it. I'm curious about her inspiration 67 00:03:23,720 --> 00:03:25,799 Speaker 1: or motivation from calling or maybe she's just just drove 68 00:03:25,880 --> 00:03:27,520 Speaker 1: through there. It was like, needs a share with the world. 69 00:03:27,639 --> 00:03:32,079 Speaker 1: Massive fan of those heads, maybe, but we always want 70 00:03:32,080 --> 00:03:34,600 Speaker 1: to hear from you. That's where the segment came from. 71 00:03:34,920 --> 00:03:41,520 Speaker 1: Let's reach into and open up the mail bag something 72 00:03:41,760 --> 00:03:48,360 Speaker 1: we call ye Hello, Bobby Bones. I've been dating a 73 00:03:48,400 --> 00:03:50,800 Speaker 1: new woman for about three months. A few weeks into 74 00:03:50,800 --> 00:03:53,480 Speaker 1: the relationship, I noticed that whenever we watched TV together, 75 00:03:54,000 --> 00:03:58,600 Speaker 1: she always chooses cartoons. It's always an animated show. I 76 00:03:58,600 --> 00:04:01,160 Speaker 1: didn't think much of it at first. Last month, I 77 00:04:01,200 --> 00:04:03,520 Speaker 1: wanted to go see Top Gun Maverick. I invited her. 78 00:04:03,720 --> 00:04:05,600 Speaker 1: She came to the theater, but at the last minute 79 00:04:05,640 --> 00:04:08,400 Speaker 1: decided to go see light Year instead so we can 80 00:04:08,480 --> 00:04:12,080 Speaker 1: meet for dinner after. I thought that's strange. She'd never 81 00:04:12,120 --> 00:04:14,280 Speaker 1: said that was her plan. Right later, I asked her 82 00:04:14,280 --> 00:04:16,120 Speaker 1: why she bailed on Top Gun at the last minute 83 00:04:16,120 --> 00:04:19,720 Speaker 1: and why she only ever wants to watch cartoons. Eventually, 84 00:04:19,720 --> 00:04:22,320 Speaker 1: she admitted she can't really connect or identify with actors. 85 00:04:22,640 --> 00:04:25,440 Speaker 1: She finds them one dimensional, which seems weird because I 86 00:04:25,440 --> 00:04:28,040 Speaker 1: think animation is more one dimensional than actual people. Now 87 00:04:28,040 --> 00:04:29,920 Speaker 1: I'm wondering if she has a problem connecting with real 88 00:04:29,960 --> 00:04:32,520 Speaker 1: people on screen while she have a problem connecting with 89 00:04:32,520 --> 00:04:34,800 Speaker 1: me in real life. We keep seeing each other. How 90 00:04:34,839 --> 00:04:38,279 Speaker 1: can I address this before things go any further? Thanks? Ian, 91 00:04:38,839 --> 00:04:40,919 Speaker 1: you don't have to address this, Ian, this is not 92 00:04:40,960 --> 00:04:45,159 Speaker 1: a real problem. It's weird. You have little ideo secrecies. 93 00:04:45,200 --> 00:04:47,120 Speaker 1: Do you have a little quirks And yeah, I've never 94 00:04:47,200 --> 00:04:51,279 Speaker 1: met anybody with this, But I don't think her liking 95 00:04:51,279 --> 00:04:56,080 Speaker 1: to watch cartoons means that she's going to kill you 96 00:04:56,120 --> 00:04:59,520 Speaker 1: in your sleep or can't relate to another human being. 97 00:05:00,200 --> 00:05:04,400 Speaker 1: And there are some good cartoons it shows. Yes, I 98 00:05:04,440 --> 00:05:10,440 Speaker 1: will say again it's weird, slightly bizarre even, but I 99 00:05:10,480 --> 00:05:12,680 Speaker 1: don't think that unless you already want to break up 100 00:05:12,680 --> 00:05:13,880 Speaker 1: with her, this is a reason to do that. I 101 00:05:13,880 --> 00:05:16,120 Speaker 1: don't think there's a conversation here. I think because you've 102 00:05:16,160 --> 00:05:18,600 Speaker 1: only been dating three months, just let it play out. 103 00:05:19,760 --> 00:05:22,120 Speaker 1: Just and if your wedding she wants to be all Simpsons, 104 00:05:22,400 --> 00:05:27,279 Speaker 1: you know, Yeah. You know, with some people, you take 105 00:05:27,320 --> 00:05:29,680 Speaker 1: their quirks, and some of the quirks are a quirkier 106 00:05:29,720 --> 00:05:31,840 Speaker 1: than others. I think if you really like her, this 107 00:05:31,960 --> 00:05:35,279 Speaker 1: is not a reason to create an issue. I'm gonna 108 00:05:35,279 --> 00:05:37,600 Speaker 1: say it again though. It's weird, but I have I'm 109 00:05:37,640 --> 00:05:39,120 Speaker 1: sure a lot of weird stuff about me, some that 110 00:05:39,160 --> 00:05:41,039 Speaker 1: I don't even know. Amy, What do you think about this? 111 00:05:41,279 --> 00:05:43,919 Speaker 1: I think it's fine for now, but it could become 112 00:05:43,960 --> 00:05:47,120 Speaker 1: a problem when you're wanting to like actually have her 113 00:05:47,440 --> 00:05:50,080 Speaker 1: with you at the movies as a date, and like 114 00:05:50,440 --> 00:05:54,279 Speaker 1: what like her just bailing like last minute. There's gonna 115 00:05:54,279 --> 00:05:56,440 Speaker 1: have to be some compromise where you go do the 116 00:05:56,480 --> 00:05:59,479 Speaker 1: cartoon thing with her and she does the normal non 117 00:05:59,520 --> 00:06:04,599 Speaker 1: cartoon with you. And isn't that what a relationship is? Yeah? Yeah, 118 00:06:04,720 --> 00:06:08,040 Speaker 1: on some things you never thought you'd compromise on. That's right. 119 00:06:08,080 --> 00:06:09,840 Speaker 1: I stay at past nine o'clock a lot of nights. Yeah, 120 00:06:09,839 --> 00:06:12,800 Speaker 1: it's crazy. I never thought I would do that schedule ever. 121 00:06:13,160 --> 00:06:17,400 Speaker 1: But you know what compromise weird? Yes, a reason to 122 00:06:17,680 --> 00:06:20,600 Speaker 1: have a whole sit down town hall meeting. No go 123 00:06:20,640 --> 00:06:22,960 Speaker 1: another three months, hit us back if she's all cartoon 124 00:06:23,000 --> 00:06:25,760 Speaker 1: all the time, all right, but you're cool, You're okay. 125 00:06:25,800 --> 00:06:28,359 Speaker 1: If she's awesome, let her be awesome. Ian, thank you 126 00:06:28,400 --> 00:06:31,279 Speaker 1: for the email. Again, weird, but not so weird. You 127 00:06:31,320 --> 00:06:33,560 Speaker 1: need to have a little sit down quite yet. All right, 128 00:06:33,560 --> 00:06:36,280 Speaker 1: thank you for emailing us. Close it. We've got your 129 00:06:39,240 --> 00:06:45,680 Speaker 1: And I was about moments away from Dan and Shape 130 00:06:45,680 --> 00:06:48,600 Speaker 1: performing in studio. They're gonna come in, we'll play their 131 00:06:48,600 --> 00:06:50,280 Speaker 1: new single and then they're gonna perform a couple of 132 00:06:50,279 --> 00:06:52,800 Speaker 1: old school songs. But I mean, we've been friends with 133 00:06:52,839 --> 00:06:55,000 Speaker 1: these guys for a long time. Like when I moved 134 00:06:55,040 --> 00:06:56,359 Speaker 1: to town, they had kind of moved to down. We 135 00:06:56,400 --> 00:06:59,120 Speaker 1: became buddies. Then I briefly knew them when they were 136 00:06:59,200 --> 00:07:04,960 Speaker 1: just Dan and Shay, not Dan and Shay, And so 137 00:07:05,560 --> 00:07:08,320 Speaker 1: it's been pretty cool to watch them become full superstars. 138 00:07:08,400 --> 00:07:10,880 Speaker 1: And over our times here, I've been like, hey, we 139 00:07:10,880 --> 00:07:12,360 Speaker 1: you guys do this. They've always done it. It's been 140 00:07:12,400 --> 00:07:14,880 Speaker 1: so cool. But one of the things that's real funny 141 00:07:15,000 --> 00:07:17,480 Speaker 1: is that once Eddie and I did a parody of 142 00:07:17,520 --> 00:07:26,640 Speaker 1: their song Tequila Yeah and Tequila's Tastequila and so I 143 00:07:26,680 --> 00:07:29,080 Speaker 1: guess we wrote this just for them to sing it. 144 00:07:29,320 --> 00:07:32,760 Speaker 1: When I taste what do we see Chipotle. So before 145 00:07:32,760 --> 00:07:34,400 Speaker 1: they we're not gonna ask gonna play this. They're gonna 146 00:07:34,400 --> 00:07:36,080 Speaker 1: play some good old school stuff in a second. But 147 00:07:36,240 --> 00:07:38,280 Speaker 1: for those that have never heard it, we asked Dan 148 00:07:38,360 --> 00:07:40,280 Speaker 1: and Shay to do a parody that we wrote and 149 00:07:40,320 --> 00:07:42,680 Speaker 1: they said sure. So here is Dan and Shay and 150 00:07:42,720 --> 00:07:44,560 Speaker 1: this thing would viral for a minute. Was pretty cool. 151 00:07:44,920 --> 00:07:47,400 Speaker 1: This is a Dan and Jay song written by the 152 00:07:47,480 --> 00:07:51,720 Speaker 1: Raging Idiots. This is called Chipotle. When I can't you 153 00:07:52,040 --> 00:08:00,600 Speaker 1: the labby wages, it's my bad. I felt that. Yeah, 154 00:08:01,560 --> 00:08:06,880 Speaker 1: I see a long line. I'm hongry. I is funky. 155 00:08:07,320 --> 00:08:12,360 Speaker 1: Something was and now I'm fine. I'm fun But when 156 00:08:12,520 --> 00:08:17,480 Speaker 1: I tasted poor thing and I'm quicker morning, I can't 157 00:08:17,480 --> 00:08:21,800 Speaker 1: even feed in my favorite season, I eat some mustard 158 00:08:22,160 --> 00:08:27,720 Speaker 1: hurts fine fast avocado with that ham piece of line, 159 00:08:27,800 --> 00:08:31,440 Speaker 1: trust wing on the bibble, baby, I was still. I 160 00:08:31,600 --> 00:08:37,719 Speaker 1: remember how myself when I see spot, when when I 161 00:08:38,080 --> 00:08:46,160 Speaker 1: when I taste the port, when I when out, when 162 00:08:46,280 --> 00:08:53,880 Speaker 1: I seats the poll lane, when I see support lane, 163 00:08:56,720 --> 00:09:03,280 Speaker 1: it's a good day. Come on, it's time for the 164 00:09:03,320 --> 00:09:11,120 Speaker 1: good news. Mario Castro and his fourteen year old dog 165 00:09:11,240 --> 00:09:14,120 Speaker 1: Zoe were headed to visit his mom in El Paso 166 00:09:14,240 --> 00:09:16,760 Speaker 1: and they were nearly the destination when his truck hit 167 00:09:16,800 --> 00:09:19,640 Speaker 1: a rock got stuck on a dirt road, and so 168 00:09:19,760 --> 00:09:21,400 Speaker 1: he had to get out of the vehicle. There was 169 00:09:21,600 --> 00:09:24,360 Speaker 1: nobody driving around, so he had to go walk and 170 00:09:24,440 --> 00:09:26,880 Speaker 1: look for help. So he started walking with the dog. 171 00:09:27,200 --> 00:09:32,079 Speaker 1: The dog's fourteen years old, and he just walked and walked, 172 00:09:32,960 --> 00:09:35,319 Speaker 1: and it was one hundred degrees and then he started 173 00:09:35,360 --> 00:09:37,160 Speaker 1: to go, oh, I'm not in good shape. So he 174 00:09:37,200 --> 00:09:38,920 Speaker 1: said they were on the verge of death. He was thirsty. 175 00:09:38,920 --> 00:09:41,400 Speaker 1: They were trying to find some water. Helped finally arrive. 176 00:09:41,480 --> 00:09:43,720 Speaker 1: They guy named Frank Martinez showed up. The guy was 177 00:09:43,760 --> 00:09:46,200 Speaker 1: just exploring off road trails when he saw Mario and 178 00:09:46,320 --> 00:09:48,240 Speaker 1: Zoe and he's like, guys, I got you. He took 179 00:09:48,320 --> 00:09:50,560 Speaker 1: them games, some food, games, some water, took him to 180 00:09:50,559 --> 00:09:53,280 Speaker 1: a hotel he then paid for that night, and then 181 00:09:53,280 --> 00:09:54,679 Speaker 1: returned the next day and took him back to their 182 00:09:54,679 --> 00:09:57,800 Speaker 1: abandoned car, which is pretty good. I think I'd have 183 00:09:57,840 --> 00:10:01,160 Speaker 1: been think I've just been starting like no, just save 184 00:10:01,200 --> 00:10:03,319 Speaker 1: me to the car. But he was like, the guy 185 00:10:03,480 --> 00:10:06,440 Speaker 1: was obviously hurting, and so he put him in the hotel, 186 00:10:06,600 --> 00:10:08,440 Speaker 1: took him back and he's like if I hadn't stumbled 187 00:10:08,440 --> 00:10:11,520 Speaker 1: across Frank, I would probably be dead and so my dog. 188 00:10:11,760 --> 00:10:13,319 Speaker 1: And the crazy part of the story is they tried 189 00:10:13,320 --> 00:10:15,480 Speaker 1: to find this Frank Martinez. There was a guy named 190 00:10:15,480 --> 00:10:17,920 Speaker 1: Frank Martinez that live in the twenties that looked exactly 191 00:10:17,960 --> 00:10:21,719 Speaker 1: like the one who described stop it, stop it? Are 192 00:10:21,760 --> 00:10:23,840 Speaker 1: you serious? No? I made that part of Frank Martine 193 00:10:23,920 --> 00:10:25,840 Speaker 1: is a real guy. But wouldn't that be crazy if 194 00:10:25,880 --> 00:10:28,400 Speaker 1: it was like a ghost like Frank Martinez. He died, 195 00:10:31,240 --> 00:10:33,640 Speaker 1: He died on this exact road. I see. That have 196 00:10:33,679 --> 00:10:36,240 Speaker 1: been cool though, right good. But Frank Martinez is a 197 00:10:36,280 --> 00:10:39,000 Speaker 1: real guy who saved him and Zoe, And that's a 198 00:10:39,000 --> 00:10:41,240 Speaker 1: cool story. That's a guy looking out for somebody else 199 00:10:41,320 --> 00:10:43,840 Speaker 1: didn't have to what the extra mile? That is what 200 00:10:43,880 --> 00:10:47,880 Speaker 1: it's all about. That was tell me something good on 201 00:10:48,000 --> 00:10:52,320 Speaker 1: the Bobby Bones Show. Now, se Dan, I'll start with you. 202 00:10:52,360 --> 00:10:55,040 Speaker 1: I was looking at your Instagram and maybe your wife's 203 00:10:55,040 --> 00:10:57,959 Speaker 1: Instagram both and did you guys just celebrated five years? Yeah? Man, 204 00:10:58,080 --> 00:11:01,640 Speaker 1: that's awesome, Thank you dude, Yeah, it's great. What's been 205 00:11:01,840 --> 00:11:06,880 Speaker 1: you guys's secret of success? Just I would say, I 206 00:11:06,880 --> 00:11:09,680 Speaker 1: don't know, open communication, you know, like if if there's something, 207 00:11:09,720 --> 00:11:11,679 Speaker 1: if there's an issue, talk about it in real time. 208 00:11:11,720 --> 00:11:14,240 Speaker 1: Don't let things fester up. I feel like you need 209 00:11:14,280 --> 00:11:16,280 Speaker 1: to talk every day about things, you know, don't go 210 00:11:16,320 --> 00:11:18,280 Speaker 1: to bed Matt if there's if there's an issue, if 211 00:11:18,280 --> 00:11:20,400 Speaker 1: there's something, just talk about it, you know, say I 212 00:11:20,400 --> 00:11:22,600 Speaker 1: love you as much as possible. But uh, you know, 213 00:11:22,640 --> 00:11:24,560 Speaker 1: I feel like that's a that's a big part of 214 00:11:24,559 --> 00:11:26,720 Speaker 1: it because if you just harbor things and let things 215 00:11:26,720 --> 00:11:29,240 Speaker 1: build up instead of talking and being open about things. 216 00:11:29,400 --> 00:11:31,960 Speaker 1: I feel like that's a that's with any relationship, you know, 217 00:11:32,000 --> 00:11:33,920 Speaker 1: with Shaye and I are, with friends or whatever it 218 00:11:33,920 --> 00:11:36,959 Speaker 1: may be. It's like something's going on, talk about it, 219 00:11:37,080 --> 00:11:39,840 Speaker 1: be open about it, rather than like, you know, letting 220 00:11:39,880 --> 00:11:41,840 Speaker 1: things build up, build up, and then it's just a disaster. 221 00:11:42,000 --> 00:11:44,240 Speaker 1: So yeah, it's been it's been awesome. We've got such 222 00:11:44,280 --> 00:11:45,959 Speaker 1: a great relationship. Abbie and I, Sha and I have 223 00:11:46,040 --> 00:11:50,520 Speaker 1: great relationship. It's all good man. Yeah. So two things. One, 224 00:11:51,240 --> 00:11:53,120 Speaker 1: let's write that down. I think that's a song and 225 00:11:53,160 --> 00:11:56,280 Speaker 1: we'll just sing it. Oh perfect, Yeah, yeah. Communication. Do 226 00:11:56,360 --> 00:11:59,439 Speaker 1: we give him credit though, right to call it fester? 227 00:11:59,720 --> 00:12:01,480 Speaker 1: Don't things fester, you know what I mean, Make it 228 00:12:01,520 --> 00:12:03,320 Speaker 1: a little weird, you know, but we could do don't 229 00:12:03,400 --> 00:12:06,600 Speaker 1: let things fester. But it's also a sore, like we 230 00:12:06,679 --> 00:12:08,760 Speaker 1: go to different ways and then it's Uncle Fester at 231 00:12:08,760 --> 00:12:11,040 Speaker 1: the end. Yeah, you got three ways to do. That's Nashville. 232 00:12:11,040 --> 00:12:12,360 Speaker 1: But you know the twist at the end. You play 233 00:12:12,400 --> 00:12:14,000 Speaker 1: that at the Bluebird and people give you the standing 234 00:12:14,360 --> 00:12:15,599 Speaker 1: and then all of a sudden the actor from the 235 00:12:15,640 --> 00:12:18,160 Speaker 1: Adams Family Uncle Fester comes out, and I was like, Hey, everybody, 236 00:12:18,679 --> 00:12:23,959 Speaker 1: so I think that guy's still around. I don't. Yeah, yeah, 237 00:12:23,600 --> 00:12:27,160 Speaker 1: in shape with you and your wife, obviously having children 238 00:12:27,160 --> 00:12:30,559 Speaker 1: as a whole new dynamic in a marriage, like how 239 00:12:30,880 --> 00:12:35,200 Speaker 1: how do you keep a relationship um solid between the 240 00:12:35,240 --> 00:12:38,160 Speaker 1: two when you have two other younger ones. Yeah. I 241 00:12:38,240 --> 00:12:41,520 Speaker 1: mean it's definitely an interesting dance because it's at the 242 00:12:41,559 --> 00:12:44,520 Speaker 1: beginning you're just kind of holding on hoping that every 243 00:12:44,760 --> 00:12:48,040 Speaker 1: you know, nothing goes too chaotic but U and it's 244 00:12:48,080 --> 00:12:50,080 Speaker 1: it creates this kind of special bond where you have 245 00:12:50,160 --> 00:12:53,839 Speaker 1: these two amazing lives that you're trying to just keep alive. 246 00:12:53,920 --> 00:12:55,120 Speaker 1: And for a while it was just kind of like, 247 00:12:55,120 --> 00:12:56,880 Speaker 1: all right, we gotta just kind of hold on. But 248 00:12:57,160 --> 00:12:59,719 Speaker 1: like Dan said, I think open communication and making sure that. 249 00:13:00,000 --> 00:13:01,840 Speaker 1: I think the biggest thing for us is setting aside, 250 00:13:02,080 --> 00:13:04,360 Speaker 1: you know, time for ourselves, because as much as you 251 00:13:04,360 --> 00:13:07,320 Speaker 1: want to every living, waking second spend with your kids, 252 00:13:07,760 --> 00:13:09,559 Speaker 1: you do need to have those moments where you go 253 00:13:09,640 --> 00:13:11,839 Speaker 1: away as parents so when you do come back you're 254 00:13:11,840 --> 00:13:13,880 Speaker 1: in a healthier place because I think you can run 255 00:13:13,920 --> 00:13:16,040 Speaker 1: yourself into the ground, you know, trying to be a 256 00:13:16,040 --> 00:13:18,520 Speaker 1: great parent, but then you're exhausted and you're not really 257 00:13:18,559 --> 00:13:21,000 Speaker 1: spending any quality time with your with your kids. So 258 00:13:21,559 --> 00:13:22,920 Speaker 1: Hannah and I try to do like a once a 259 00:13:22,920 --> 00:13:25,800 Speaker 1: week date night, And not that we always get to 260 00:13:25,800 --> 00:13:27,600 Speaker 1: do that, but we try to do that. I think 261 00:13:27,600 --> 00:13:29,320 Speaker 1: it's important to set aside a little bit of time 262 00:13:29,320 --> 00:13:32,160 Speaker 1: and that usually kind of helps alleviate a lot of 263 00:13:32,160 --> 00:13:34,120 Speaker 1: the stress, you know, throughout the week. I think for 264 00:13:34,160 --> 00:13:36,480 Speaker 1: any relationship, I bet because on this show we have 265 00:13:36,559 --> 00:13:38,160 Speaker 1: breaks where just we have to get away from each other. 266 00:13:38,160 --> 00:13:40,760 Speaker 1: We're together all the time. I assume with you guys, 267 00:13:41,000 --> 00:13:43,040 Speaker 1: there are probably after you tour, when you're on the 268 00:13:43,080 --> 00:13:44,800 Speaker 1: road and or you're recording, you're like, hey, we're just 269 00:13:44,800 --> 00:13:46,720 Speaker 1: gonna take some time away to make sure we're healthy. 270 00:13:46,720 --> 00:13:49,120 Speaker 1: You guys do that too, absolutely for sure. I feel 271 00:13:49,160 --> 00:13:51,520 Speaker 1: like the national touring system is such a healthy way 272 00:13:51,520 --> 00:13:52,760 Speaker 1: to do it. It's like, you know, you do three 273 00:13:52,880 --> 00:13:55,800 Speaker 1: or four shows a weekend versus being gone for six months. 274 00:13:55,880 --> 00:13:57,280 Speaker 1: You know, when you go to Europe, when you go overseas, 275 00:13:57,280 --> 00:13:58,959 Speaker 1: it's a little different. It's like we go out on 276 00:13:59,000 --> 00:14:01,360 Speaker 1: a Thursday night, comebacks Sunday, spend a little time with 277 00:14:01,400 --> 00:14:03,120 Speaker 1: the family. I'm out there mowing the grass, you know, 278 00:14:03,320 --> 00:14:05,080 Speaker 1: doing the thing, and then it's like, before you know it, 279 00:14:05,240 --> 00:14:07,240 Speaker 1: you're back on the road. I feel like those intermittent 280 00:14:07,280 --> 00:14:10,680 Speaker 1: breaks like that keep it, keep it healthy. Um, but yeah, 281 00:14:10,800 --> 00:14:12,760 Speaker 1: it COVID was crazy where we didn't see each other 282 00:14:12,800 --> 00:14:15,040 Speaker 1: for the longest time and it was like, start going 283 00:14:15,080 --> 00:14:16,800 Speaker 1: a little stir crazy, Are we still a band? Are 284 00:14:16,800 --> 00:14:18,960 Speaker 1: we still doing this? And then we got back together 285 00:14:19,000 --> 00:14:20,880 Speaker 1: and we the first time we got back together, we wrote, 286 00:14:20,880 --> 00:14:23,040 Speaker 1: I should probably go to bed. So maybe that little 287 00:14:23,120 --> 00:14:25,560 Speaker 1: break there was healthy. It's healthy. But we're enjoying the 288 00:14:25,960 --> 00:14:28,040 Speaker 1: momentum right now. It's great. Dan and Shayer here. They 289 00:14:28,040 --> 00:14:30,440 Speaker 1: have a new song that it's been on the record, 290 00:14:30,440 --> 00:14:32,800 Speaker 1: but it's the new single, and Scoop was like their 291 00:14:32,840 --> 00:14:34,400 Speaker 1: new song you and I'm like, already know that song. 292 00:14:34,440 --> 00:14:36,240 Speaker 1: It ain't that. It ain't that. It's like, well, it's 293 00:14:36,280 --> 00:14:38,440 Speaker 1: new because there it's now they're single, and I was like, okay, 294 00:14:38,600 --> 00:14:40,920 Speaker 1: and so we're gonna call it new because a lot 295 00:14:40,960 --> 00:14:42,800 Speaker 1: of our audience probably hasn't heard it yet. Yeah, probably 296 00:14:42,800 --> 00:14:44,280 Speaker 1: cause they don't invest in Dannie like I do and 297 00:14:44,320 --> 00:14:47,280 Speaker 1: listen to every song on the album every guy, Yeah 298 00:14:47,320 --> 00:14:51,320 Speaker 1: before the album comes out. So U this song you, 299 00:14:52,640 --> 00:14:53,920 Speaker 1: Danie wrote it with a couple of people that I 300 00:14:53,960 --> 00:14:56,440 Speaker 1: really like, Who's Day Barnes love them and Jordan Reynolds. 301 00:14:56,480 --> 00:14:59,120 Speaker 1: You've worked with a lot in the past. So when 302 00:14:59,120 --> 00:15:01,720 Speaker 1: you go into a room and you're writing this song, 303 00:15:01,800 --> 00:15:05,000 Speaker 1: you like what who spits out? Because you itself as 304 00:15:05,040 --> 00:15:06,800 Speaker 1: a word, you know, not that new. There's a lot 305 00:15:06,800 --> 00:15:10,200 Speaker 1: of songs called you. Yeah right the search engine, you know, 306 00:15:10,280 --> 00:15:12,440 Speaker 1: kind of how this song started. I think the original 307 00:15:12,440 --> 00:15:14,720 Speaker 1: hook was you and only You, which I think is cool, 308 00:15:14,720 --> 00:15:16,360 Speaker 1: like you know something right down on the phone. It 309 00:15:16,440 --> 00:15:17,960 Speaker 1: was like, hey, what about that title? And we threw 310 00:15:17,960 --> 00:15:19,680 Speaker 1: that out and it was like, you know, we didn't 311 00:15:19,680 --> 00:15:22,120 Speaker 1: reinvent the wheels. Dan and Jay we do love songs. 312 00:15:22,120 --> 00:15:23,800 Speaker 1: That's kind of all we do, you know, And uh, 313 00:15:23,840 --> 00:15:25,520 Speaker 1: we've been fortunate enough to have a bunch of songs 314 00:15:25,520 --> 00:15:28,320 Speaker 1: that have become people's wedding songs. Speechless from the ground up, 315 00:15:28,360 --> 00:15:30,440 Speaker 1: that kind of thing, and that's just what works for us. 316 00:15:30,440 --> 00:15:32,240 Speaker 1: That's kind of our lane, that's what we do. And 317 00:15:32,240 --> 00:15:33,960 Speaker 1: and that hook You and only You is you know 318 00:15:34,000 --> 00:15:35,800 Speaker 1: how it started and it was like, that's cool, and 319 00:15:35,840 --> 00:15:38,120 Speaker 1: that became like a you know, the post chorus, you know, 320 00:15:38,200 --> 00:15:39,840 Speaker 1: right after the chorus, and it was a it was 321 00:15:39,840 --> 00:15:40,960 Speaker 1: a big part of the song. And it was like, 322 00:15:40,960 --> 00:15:42,760 Speaker 1: we want to make this song about a moment, and 323 00:15:42,800 --> 00:15:44,920 Speaker 1: the whole song, I feel like it's just that moment 324 00:15:44,960 --> 00:15:47,160 Speaker 1: you're standing there with somebody, you're dancing, it's just the 325 00:15:47,160 --> 00:15:49,480 Speaker 1: two of you. And I feel like this song has 326 00:15:49,520 --> 00:15:50,920 Speaker 1: kind of been that for us, and we're seeing that 327 00:15:50,960 --> 00:15:53,360 Speaker 1: on social media. That's kind of why we decided to 328 00:15:53,360 --> 00:15:54,840 Speaker 1: make this as single. You know, we put this song 329 00:15:54,880 --> 00:15:57,240 Speaker 1: out and it's been a fan favorite since day one, 330 00:15:57,440 --> 00:16:00,360 Speaker 1: and we decided to listen to our fans for once, 331 00:16:00,400 --> 00:16:04,720 Speaker 1: you know, and here we are on All the Love 332 00:16:04,760 --> 00:16:09,280 Speaker 1: You Guys on the Bobby Bones Show. Now, well, my 333 00:16:09,320 --> 00:16:12,160 Speaker 1: favorite two guys are here, and so Dana Shay is 334 00:16:12,160 --> 00:16:15,800 Speaker 1: also with Dye and Lunchbox as well. Yeah, yeah, you 335 00:16:15,840 --> 00:16:18,400 Speaker 1: guys are also here, which is pretty cool. Um. So, 336 00:16:19,240 --> 00:16:21,280 Speaker 1: you know, I just love so many of your songs, 337 00:16:21,400 --> 00:16:23,320 Speaker 1: but I think they are a song from people when 338 00:16:23,320 --> 00:16:26,600 Speaker 1: they go, oh, Dan and Shay, I love Tequila, or 339 00:16:26,680 --> 00:16:28,440 Speaker 1: I love but I was thinking about it, someone said, 340 00:16:28,480 --> 00:16:31,120 Speaker 1: what are your favorite Dan and Shay songs? You know 341 00:16:31,240 --> 00:16:34,160 Speaker 1: from the ground up? Was like the first time that 342 00:16:34,280 --> 00:16:36,720 Speaker 1: I felt like you guys weren't just going to be 343 00:16:36,720 --> 00:16:39,400 Speaker 1: a success, but you guys were going to be a 344 00:16:39,440 --> 00:16:42,240 Speaker 1: monster that people had to look out for. I don't 345 00:16:42,280 --> 00:16:43,600 Speaker 1: know if you guys felt like that. Did you feel 346 00:16:43,640 --> 00:16:46,080 Speaker 1: like that song was your first massive momentum song instead 347 00:16:46,080 --> 00:16:47,680 Speaker 1: of just like a big song. I feel like that 348 00:16:47,680 --> 00:16:49,960 Speaker 1: one was very special and it was also very you know, 349 00:16:50,040 --> 00:16:52,120 Speaker 1: close to our hearts. It was very personal song, and 350 00:16:52,160 --> 00:16:54,640 Speaker 1: I think just watching the reaction when we first kind 351 00:16:54,640 --> 00:16:56,360 Speaker 1: of started playing that song, it was like, Okay, I 352 00:16:56,360 --> 00:16:58,800 Speaker 1: think this is there's some real substance to this song. 353 00:16:58,840 --> 00:17:00,760 Speaker 1: And it was the first one that I like we 354 00:17:00,840 --> 00:17:03,360 Speaker 1: really started kind of seeing people, you know, drawn to 355 00:17:03,520 --> 00:17:05,680 Speaker 1: not that you know, people didn't like songs like Nothing 356 00:17:05,720 --> 00:17:07,480 Speaker 1: like You or nineteen m made. I love those songs, 357 00:17:07,480 --> 00:17:09,679 Speaker 1: but from the ground up. Was definitely a moment and 358 00:17:09,720 --> 00:17:11,560 Speaker 1: it was like, Okay, I think that we're here to 359 00:17:11,560 --> 00:17:13,119 Speaker 1: stay for a little while. Yeah. I feel like it 360 00:17:13,160 --> 00:17:15,920 Speaker 1: was a tear changer for you guys, because as with 361 00:17:16,040 --> 00:17:19,400 Speaker 1: the first album, you really can only achieve so much. 362 00:17:19,440 --> 00:17:20,680 Speaker 1: For people are like, let's see if they can do 363 00:17:20,720 --> 00:17:22,640 Speaker 1: it again. Yeah, and then you guys did it again. 364 00:17:22,760 --> 00:17:24,320 Speaker 1: And I don't know, I'm just trying to remember. It 365 00:17:24,400 --> 00:17:26,640 Speaker 1: was there like a video on a church or video 366 00:17:26,680 --> 00:17:28,960 Speaker 1: on like an old building when you guys were releasing 367 00:17:29,000 --> 00:17:30,920 Speaker 1: this song and it was like we're listening to the 368 00:17:31,480 --> 00:17:33,360 Speaker 1: I don't know, but I just remember. Maybe I made 369 00:17:33,359 --> 00:17:34,520 Speaker 1: it up on my I think it was when we 370 00:17:34,520 --> 00:17:36,400 Speaker 1: were recording it at Oceanway. We did that, we cut 371 00:17:36,400 --> 00:17:37,960 Speaker 1: strings there and as a whole deal. Maybe that's what 372 00:17:38,000 --> 00:17:40,200 Speaker 1: it was. John Esposito that had our record label, Weren't 373 00:17:40,200 --> 00:17:42,160 Speaker 1: of Music Nashville, he did a whole thing. He flew 374 00:17:42,200 --> 00:17:44,160 Speaker 1: everybody in. Everybody at the label felt like this song 375 00:17:44,240 --> 00:17:46,240 Speaker 1: was so special, even though the demo is like the 376 00:17:46,280 --> 00:17:49,320 Speaker 1: worst demo ever, so bad. But I don't know, people 377 00:17:49,359 --> 00:17:50,680 Speaker 1: saw through it. I think it was just the words, 378 00:17:50,720 --> 00:17:52,919 Speaker 1: the feeling of the song, and he flew everybody in 379 00:17:52,960 --> 00:17:55,080 Speaker 1: and you guys know Spo he gave the whole speech 380 00:17:55,119 --> 00:17:57,160 Speaker 1: and set it up and it was amazing and everybody 381 00:17:57,200 --> 00:17:59,120 Speaker 1: was inspired, and we all knew it was a special song. 382 00:17:59,200 --> 00:18:01,960 Speaker 1: And you guys play that out of it, so it's crazy. 383 00:18:02,000 --> 00:18:04,520 Speaker 1: It's still a big one in our show from our group. Here, 384 00:18:04,560 --> 00:18:07,000 Speaker 1: would you mind playing just a verse in a chorus 385 00:18:07,280 --> 00:18:17,000 Speaker 1: of from the Ground Up? Crime On? Grandpa painted a 386 00:18:17,119 --> 00:18:24,880 Speaker 1: picture sixty five years, one little house, more than a memory, 387 00:18:25,480 --> 00:18:31,080 Speaker 1: more listening. I do kiss you good nights and I 388 00:18:31,480 --> 00:18:38,679 Speaker 1: love us mean baby, We'll walk in a footstash, build 389 00:18:38,760 --> 00:18:44,240 Speaker 1: our own family one day, had a time tell little 390 00:18:44,320 --> 00:18:50,760 Speaker 1: tooths a painted pink room, A beautiful baby looks just 391 00:18:51,320 --> 00:18:59,720 Speaker 1: like you, and bubye this look from a crown up. 392 00:19:00,800 --> 00:19:05,359 Speaker 1: Now it's here forever. It's all of me, all of you. 393 00:19:05,760 --> 00:19:11,520 Speaker 1: Just take my hand and I being many, Dad, hope bad, 394 00:19:11,600 --> 00:19:20,680 Speaker 1: I being, we being this love from the ground, the 395 00:19:20,880 --> 00:19:25,000 Speaker 1: worst off a bitter and I will be all you 396 00:19:25,280 --> 00:19:28,960 Speaker 1: need beside you out of stand through the good and 397 00:19:29,240 --> 00:19:33,320 Speaker 1: the babble, gift all that we have and A will 398 00:19:34,160 --> 00:19:47,600 Speaker 1: this love from the ground. Hey, there's a real question 399 00:19:47,680 --> 00:19:50,280 Speaker 1: I need like an honest answer. Do you guys still 400 00:19:50,280 --> 00:19:52,200 Speaker 1: like to be told, hey, why are you really good? 401 00:19:52,640 --> 00:19:54,440 Speaker 1: Because you are and obviously you know that are you 402 00:19:54,440 --> 00:19:55,840 Speaker 1: want to be to the stage and you have so 403 00:19:55,920 --> 00:19:58,480 Speaker 1: much success. But if we're like, wow, that was really good, 404 00:19:58,520 --> 00:20:01,879 Speaker 1: do you little you like it's an absolute human you 405 00:20:01,880 --> 00:20:04,440 Speaker 1: know feeling just to be never take it for granted, 406 00:20:04,440 --> 00:20:06,480 Speaker 1: because I feel like there's you know, you do especially 407 00:20:06,480 --> 00:20:07,880 Speaker 1: the more you get into it, you know, the less 408 00:20:07,880 --> 00:20:09,760 Speaker 1: and less we get to do things like this acoustic 409 00:20:09,800 --> 00:20:12,359 Speaker 1: which first on, like when we first started, that was 410 00:20:12,400 --> 00:20:14,879 Speaker 1: really what got people like, oh, these guys are like 411 00:20:15,119 --> 00:20:17,280 Speaker 1: they can sit down and do this with an acoustic guitar, 412 00:20:17,320 --> 00:20:19,600 Speaker 1: and anyone can kind of not anyone can go into 413 00:20:19,600 --> 00:20:21,680 Speaker 1: the studio and sound amazing, but I mean there's a 414 00:20:21,720 --> 00:20:23,600 Speaker 1: lot of people. If the song is amazing, you know, 415 00:20:24,000 --> 00:20:26,000 Speaker 1: it doesn't mean that you're very good live. And so 416 00:20:26,040 --> 00:20:28,240 Speaker 1: that was we always really prided ourselves on, you know, 417 00:20:28,280 --> 00:20:30,480 Speaker 1: trying to put together a good live show, and especially 418 00:20:30,480 --> 00:20:32,320 Speaker 1: when it's like this, like to have someone say you 419 00:20:32,400 --> 00:20:34,320 Speaker 1: guys sound really good, that means a lot to us 420 00:20:34,359 --> 00:20:36,520 Speaker 1: because that's there's no you know, there's nothing covering us 421 00:20:36,600 --> 00:20:38,879 Speaker 1: up right now. You're so good that it's intimidating to 422 00:20:38,880 --> 00:20:40,600 Speaker 1: tell you that you're good, because it almost feels like 423 00:20:40,600 --> 00:20:43,040 Speaker 1: we're insulting you by going, hey, you guys are really good. 424 00:20:43,119 --> 00:20:46,119 Speaker 1: It's a weird thing because you've crossed that line of 425 00:20:47,000 --> 00:20:50,080 Speaker 1: it's just so elite that if I tell you you're good, 426 00:20:50,480 --> 00:20:53,280 Speaker 1: you're like, yeah, I don't know. It don't feel that way. 427 00:20:53,160 --> 00:20:55,960 Speaker 1: I feel like it's you'd be surprised. I mean, it's 428 00:20:56,040 --> 00:20:58,040 Speaker 1: we're so grateful that we're getting We're opening for Kenny 429 00:20:58,119 --> 00:21:00,880 Speaker 1: Chesney right now, and stadiums, which is dream come true. 430 00:21:00,920 --> 00:21:02,320 Speaker 1: We grew up going to that show for you know, 431 00:21:02,359 --> 00:21:05,240 Speaker 1: ten years, Like we know every single word. We're fanboying 432 00:21:05,280 --> 00:21:06,760 Speaker 1: in the crowd a minute we get off stage. It's 433 00:21:06,760 --> 00:21:08,919 Speaker 1: a whole thing. But when you're on that level, when 434 00:21:08,920 --> 00:21:11,560 Speaker 1: you're playing in a stadium, yes, it's incredible. You know, 435 00:21:11,600 --> 00:21:14,480 Speaker 1: we played in my hometown Pittsburgh. We played at Hinesfield. 436 00:21:14,560 --> 00:21:17,280 Speaker 1: Dream come true. You're playing a sixty five thousand people, 437 00:21:17,320 --> 00:21:20,359 Speaker 1: which is amazing hearing them sing the words back. But 438 00:21:20,400 --> 00:21:23,120 Speaker 1: it's not as much of that personal connection is when 439 00:21:23,119 --> 00:21:25,359 Speaker 1: you're maybe going out on radio tour or doing clubs 440 00:21:25,440 --> 00:21:27,800 Speaker 1: or doing theaters where you can talk to every fan. 441 00:21:27,880 --> 00:21:30,919 Speaker 1: You're literally right there in a stadium. It's it's incredible, 442 00:21:31,160 --> 00:21:32,679 Speaker 1: but it's a little bit different. You know, there's so 443 00:21:32,720 --> 00:21:34,760 Speaker 1: many people you don't have as much of that personal 444 00:21:34,760 --> 00:21:37,919 Speaker 1: connection where you're not as often hearing people say like 445 00:21:38,280 --> 00:21:40,600 Speaker 1: that was really good, that was incredible. You're feeling it 446 00:21:40,640 --> 00:21:42,439 Speaker 1: on a on a massive scale, but it's not that 447 00:21:42,600 --> 00:21:44,919 Speaker 1: personal thing. So when we can come in here, you 448 00:21:44,920 --> 00:21:46,840 Speaker 1: guys see so many people come through here. When you 449 00:21:46,840 --> 00:21:49,120 Speaker 1: guys say that or when you compliment us, it means 450 00:21:49,119 --> 00:21:51,120 Speaker 1: a lot. It really does. Well, clap for everybody, reards 451 00:21:51,119 --> 00:21:54,240 Speaker 1: so good, they are shot, be nice, but you having 452 00:21:54,280 --> 00:21:56,679 Speaker 1: clap four like, let's divide it. We'll talk about it 453 00:21:56,680 --> 00:21:58,840 Speaker 1: off the air. Well. The honest answer to that is 454 00:22:00,119 --> 00:22:04,480 Speaker 1: you can basically tell by what I say after a performance. 455 00:22:05,200 --> 00:22:11,840 Speaker 1: Sometimes I'm like how about that? Or or man, that's 456 00:22:11,880 --> 00:22:13,320 Speaker 1: great because I know it's hard to get up early 457 00:22:13,320 --> 00:22:15,240 Speaker 1: in the morning and come in here perform. That's me 458 00:22:15,359 --> 00:22:18,240 Speaker 1: trying to give like a patty because sometimes it is 459 00:22:18,840 --> 00:22:22,480 Speaker 1: sometimes people so there are different responses. But the only 460 00:22:22,480 --> 00:22:24,560 Speaker 1: other person I felt kind of dumb at going will 461 00:22:24,600 --> 00:22:26,439 Speaker 1: that was really good was Carry because we were doing 462 00:22:26,440 --> 00:22:27,760 Speaker 1: anything together at the operation and she came out in 463 00:22:27,760 --> 00:22:29,000 Speaker 1: your CRUs and I was like, dang, that was so good. 464 00:22:29,000 --> 00:22:31,679 Speaker 1: And then I'm like, she knows she's so good that 465 00:22:31,760 --> 00:22:34,679 Speaker 1: maybe it's insulting for someone to act like it was 466 00:22:34,720 --> 00:22:37,480 Speaker 1: so good they were surprising going So anyway, that's my question. 467 00:22:37,520 --> 00:22:39,320 Speaker 1: You're so good that I feel bad about telling you're good? 468 00:22:39,480 --> 00:22:42,920 Speaker 1: That's very kind, right, even carry anyone who does anything professionally, 469 00:22:42,960 --> 00:22:45,960 Speaker 1: having someone that you care about their opinion, or even 470 00:22:46,000 --> 00:22:48,520 Speaker 1: a random person having them say like, hey man, that 471 00:22:48,600 --> 00:22:50,480 Speaker 1: was really really good. I think till the day that 472 00:22:50,560 --> 00:22:52,639 Speaker 1: you die, I think that still feels good. It's just 473 00:22:52,680 --> 00:22:55,040 Speaker 1: a human thing because I think the more successfully become, 474 00:22:55,040 --> 00:22:56,760 Speaker 1: the less you hear it. And I think, I mean, 475 00:22:56,800 --> 00:22:58,720 Speaker 1: you look at these very successful people will start to 476 00:22:58,760 --> 00:23:01,120 Speaker 1: get kind of insecure, and you know they have all 477 00:23:01,119 --> 00:23:03,560 Speaker 1: these these kind of problems that happens because it's like 478 00:23:03,720 --> 00:23:06,280 Speaker 1: probably because people stop telling them that they were good. 479 00:23:06,320 --> 00:23:08,000 Speaker 1: You know, there's a point where you can you think 480 00:23:08,000 --> 00:23:10,160 Speaker 1: that you're you know, your craft out stink at some point. 481 00:23:10,280 --> 00:23:13,679 Speaker 1: But I feel like, still as far along in your 482 00:23:13,680 --> 00:23:16,639 Speaker 1: career as you are, hearing that still is like thank you. 483 00:23:16,680 --> 00:23:18,240 Speaker 1: I needed to I needed to hear that that's a 484 00:23:18,320 --> 00:23:20,119 Speaker 1: real thing. I bet listen, what do I know? But 485 00:23:20,160 --> 00:23:22,879 Speaker 1: I bet Garth people don't tell him, hey man, that 486 00:23:22,920 --> 00:23:25,200 Speaker 1: was really good, because yeah, he's a legend and he 487 00:23:25,280 --> 00:23:27,160 Speaker 1: knows and everybody knows, and he's always been really good. 488 00:23:27,320 --> 00:23:28,960 Speaker 1: But a guy like Garth probably needs to be told, 489 00:23:29,240 --> 00:23:32,440 Speaker 1: hey man, that was really good. Would get Yeah? Yeah, 490 00:23:32,960 --> 00:23:35,560 Speaker 1: I just want to say it back in nineteen, what's 491 00:23:35,600 --> 00:23:38,000 Speaker 1: your show? Seven? I use it amazing and I've been 492 00:23:38,040 --> 00:23:40,080 Speaker 1: holding that for all this time. I want to go 493 00:23:40,119 --> 00:23:42,560 Speaker 1: back again. I want to go back to the first record, 494 00:23:42,560 --> 00:23:45,040 Speaker 1: nothing on the nothing like he was in the first record? Right, yeah, 495 00:23:45,359 --> 00:23:47,720 Speaker 1: short short haired Dan. I see if I remember this, right, 496 00:23:47,960 --> 00:23:52,480 Speaker 1: short haired Dan standing up in slightly ahead of a 497 00:23:52,600 --> 00:23:55,720 Speaker 1: sitting down shay. Is that right on the front row? Yeah? 498 00:23:55,760 --> 00:23:58,920 Speaker 1: Ye oh yeah, that's kind of how it usually goes right, Yeah. Yeah, 499 00:23:58,960 --> 00:24:00,800 Speaker 1: I had brown boots, wearing the kind of the same 500 00:24:00,840 --> 00:24:02,040 Speaker 1: clothes I got, like we got a bunch of clothes 501 00:24:02,040 --> 00:24:04,560 Speaker 1: at the beginning of and wearing a mouth for the 502 00:24:04,560 --> 00:24:08,119 Speaker 1: first week. Yeah, I have underwear from high school maybe college. 503 00:24:08,359 --> 00:24:10,560 Speaker 1: High school has finally gone away. Yeah, would you guys 504 00:24:10,600 --> 00:24:12,600 Speaker 1: mind going back and play nothing like You? Yeah? For sure, 505 00:24:12,600 --> 00:24:29,520 Speaker 1: absolutely no, we have not. I remember when the first 506 00:24:29,640 --> 00:24:34,639 Speaker 1: Matthew stipping coffee in a corner booth, he was swooing 507 00:24:34,720 --> 00:24:37,719 Speaker 1: your hair and I just had to stay for a minute. 508 00:24:38,400 --> 00:24:42,200 Speaker 1: But two I was laughing, that's a stack of books. 509 00:24:42,960 --> 00:24:47,840 Speaker 1: Then shot me that smile. He beautiful girl in your 510 00:24:47,880 --> 00:24:55,240 Speaker 1: own little world. It you got on my astension and 511 00:24:55,400 --> 00:24:59,760 Speaker 1: you ain't even try. Yeah, you my kind of difference. 512 00:25:00,240 --> 00:25:05,360 Speaker 1: You ain't ever seen nothing like you. Shade's all spinning 513 00:25:05,440 --> 00:25:10,280 Speaker 1: in a store, ray dancing there ain't nor mumusic, just 514 00:25:10,359 --> 00:25:17,040 Speaker 1: the right kind of crazy baby something bound you rocking, arcing, 515 00:25:17,200 --> 00:25:22,399 Speaker 1: run t shirt, whole potty Jessica bank, you just doing 516 00:25:22,440 --> 00:25:35,359 Speaker 1: your thing. Hain't nobody ever seen nothing like you. I've 517 00:25:35,400 --> 00:25:43,080 Speaker 1: never seen ever seen nothing like you. Hain't ever seen 518 00:25:43,240 --> 00:25:58,919 Speaker 1: nothing like you, baby, I never seen nothing you. How 519 00:25:58,960 --> 00:26:06,720 Speaker 1: about that? Those guys about that that I'm still blown away? 520 00:26:06,720 --> 00:26:08,840 Speaker 1: Listen to this guy Like the first time I heard 521 00:26:08,840 --> 00:26:11,080 Speaker 1: you saying, I was completely it's still the same thing 522 00:26:11,080 --> 00:26:13,280 Speaker 1: every time I'm sitting there like looking at you, geeking out. 523 00:26:13,400 --> 00:26:15,560 Speaker 1: This guy's good man. What would you tell those two 524 00:26:15,600 --> 00:26:17,479 Speaker 1: guys like right now if you I brought them in, 525 00:26:17,520 --> 00:26:20,200 Speaker 1: because I could be wrong on this, but nineteen you 526 00:26:20,280 --> 00:26:21,879 Speaker 1: and me, I think it was a It wasn't a 527 00:26:21,960 --> 00:26:24,359 Speaker 1: number one song, right? Did it hit number eleven? Is 528 00:26:24,359 --> 00:26:29,399 Speaker 1: that top ten? Okay? Keep card kind of stifformed us 529 00:26:29,400 --> 00:26:31,960 Speaker 1: out of there that that was your number first number one, right, yeah, 530 00:26:32,000 --> 00:26:33,840 Speaker 1: nothing like you? Yep. What would you tell those two 531 00:26:33,840 --> 00:26:35,439 Speaker 1: guys if I were able to sit you too with 532 00:26:35,480 --> 00:26:38,240 Speaker 1: those other two, Like, what what if would you tell them? 533 00:26:39,080 --> 00:26:41,240 Speaker 1: Where they are there? And where you are now? I 534 00:26:41,359 --> 00:26:42,960 Speaker 1: be like, first of all, what are you wearing? And 535 00:26:43,040 --> 00:26:45,719 Speaker 1: you've been wearing that jacket for months now, it's disgusting. 536 00:26:46,240 --> 00:26:48,440 Speaker 1: I don't know, man, I would just say it's so 537 00:26:48,480 --> 00:26:50,640 Speaker 1: hard to be like, all right, what would I tell myself? 538 00:26:50,920 --> 00:26:52,879 Speaker 1: Because I feel like the biggest thing and the biggest 539 00:26:52,880 --> 00:26:55,919 Speaker 1: growth for us is like going through the trials that 540 00:26:55,960 --> 00:26:57,880 Speaker 1: we went through. And I don't know that i'd tell 541 00:26:57,880 --> 00:26:59,879 Speaker 1: myself anything because I made a lot of stupid mistakes. 542 00:27:00,119 --> 00:27:02,960 Speaker 1: Where I'm at right now, I'm very thankful for those mistakes. 543 00:27:03,200 --> 00:27:05,520 Speaker 1: Obviously you don't want to have to go through some 544 00:27:05,600 --> 00:27:07,800 Speaker 1: of those things. But I don't know what i'd tell myself. 545 00:27:07,840 --> 00:27:09,560 Speaker 1: I'm so grateful for where we're at and the fact 546 00:27:09,560 --> 00:27:11,480 Speaker 1: that we're still doing it, and I would just tell 547 00:27:11,480 --> 00:27:13,639 Speaker 1: myself to just hold on. You just did the Genie 548 00:27:13,680 --> 00:27:15,520 Speaker 1: more Wishes thing, and I don't I don't love it, 549 00:27:15,600 --> 00:27:17,520 Speaker 1: but I'm gonna accept it. Yeah, Like if I got 550 00:27:17,560 --> 00:27:20,160 Speaker 1: your three wishes, I would like more wishes, Gene wishes. Yes, 551 00:27:20,640 --> 00:27:22,800 Speaker 1: I do understand it. I was looking for something a 552 00:27:22,800 --> 00:27:27,239 Speaker 1: little more salacious and controversial. But okay, Shay, what about Dan, 553 00:27:27,280 --> 00:27:29,199 Speaker 1: what about you, buddy? I would say, just enjoy it. 554 00:27:29,280 --> 00:27:31,200 Speaker 1: Enjoy every minute of it. I mean when we were 555 00:27:31,280 --> 00:27:33,320 Speaker 1: first starting to get some hits, I remember Charles Kelly 556 00:27:33,320 --> 00:27:35,280 Speaker 1: told us He's like, because they had just had needs 557 00:27:35,320 --> 00:27:37,240 Speaker 1: you now and like just the biggest songs ever. And 558 00:27:37,280 --> 00:27:39,560 Speaker 1: he was like, Dude, it goes by fast. When you're 559 00:27:39,560 --> 00:27:41,439 Speaker 1: in it, you don't realize you're in it. So just 560 00:27:41,560 --> 00:27:43,880 Speaker 1: enjoy it. Appreciate those moments, you know, whether you're winning 561 00:27:43,960 --> 00:27:46,240 Speaker 1: or losing it an awards show, just enjoy the fact 562 00:27:46,240 --> 00:27:47,800 Speaker 1: that you got invited to be there, to be sitting 563 00:27:47,800 --> 00:27:49,440 Speaker 1: in those seats, because there was one point in your 564 00:27:49,440 --> 00:27:51,480 Speaker 1: life where you would have given up everything to be 565 00:27:51,520 --> 00:27:54,119 Speaker 1: in those seats. And we had that kind of stretch 566 00:27:54,160 --> 00:27:56,520 Speaker 1: with Tequilo's speech just ten thousand hours all those songs, 567 00:27:56,560 --> 00:27:59,520 Speaker 1: and we did enjoy it. That's beautiful thing about our 568 00:27:59,520 --> 00:28:01,159 Speaker 1: friendship and us being in a duo. We're able to 569 00:28:01,200 --> 00:28:03,640 Speaker 1: keep each other in check and be like this is crazy, dude, 570 00:28:03,640 --> 00:28:05,400 Speaker 1: we just want a Grammy, or like we're performing, Oh 571 00:28:05,400 --> 00:28:08,120 Speaker 1: my gosh, Beyonce's right, this is insane. But it does 572 00:28:08,160 --> 00:28:10,240 Speaker 1: go by fast. And when it's happening and you're having 573 00:28:10,600 --> 00:28:13,879 Speaker 1: unprecedented success or whatever, you don't realize that's happening when 574 00:28:13,880 --> 00:28:15,320 Speaker 1: you're in it and you look back on it and 575 00:28:15,320 --> 00:28:17,280 Speaker 1: it's like, wow, that's insane what we did, you know, 576 00:28:17,280 --> 00:28:19,520 Speaker 1: And you get to feel that. COVID was tough because 577 00:28:19,520 --> 00:28:20,840 Speaker 1: you didn't get to feel it in real time, but 578 00:28:20,880 --> 00:28:21,960 Speaker 1: you get to feel that when you go out on 579 00:28:22,000 --> 00:28:23,639 Speaker 1: the road and hear people sing the words back to you. 580 00:28:23,680 --> 00:28:26,480 Speaker 1: That's a tangible proof that those songs connected with people. 581 00:28:26,480 --> 00:28:28,680 Speaker 1: But when it's happening, I feel like it passes you 582 00:28:28,720 --> 00:28:31,439 Speaker 1: by pretty quickly because we're all competitive. We wouldn't be 583 00:28:31,480 --> 00:28:33,440 Speaker 1: where we are if we weren't. And you're looking towards 584 00:28:33,440 --> 00:28:35,400 Speaker 1: the next thing. You're hustling, your grinding your head down, 585 00:28:35,400 --> 00:28:37,359 Speaker 1: and you're staying focused, which you should, but I think 586 00:28:37,440 --> 00:28:39,240 Speaker 1: that causes you to miss some of the good moments. 587 00:28:39,280 --> 00:28:41,520 Speaker 1: And I would say, you know, all things considered, if 588 00:28:41,560 --> 00:28:43,760 Speaker 1: I could guarantee that we would end up where we 589 00:28:43,800 --> 00:28:45,600 Speaker 1: are today, I'd say, just you know, enjoy every bit 590 00:28:45,600 --> 00:28:48,040 Speaker 1: of it, look around, take it all in, and yeah, 591 00:28:48,080 --> 00:28:50,280 Speaker 1: it goes by fast, so got to appreciate it. There. 592 00:28:50,280 --> 00:28:52,719 Speaker 1: They already shade the new song for radio. The new 593 00:28:52,800 --> 00:28:55,480 Speaker 1: single is You. We played it earlier, we'll play it 594 00:28:55,520 --> 00:28:58,400 Speaker 1: again later on. The album is called Good Things. It's 595 00:28:58,400 --> 00:29:02,040 Speaker 1: been almost a year since that record came out, so 596 00:29:02,080 --> 00:29:04,239 Speaker 1: I'm not even gonna I'm just assuming you as are 597 00:29:04,240 --> 00:29:07,720 Speaker 1: working on stuff. You can just nod or something. All right, good, 598 00:29:07,760 --> 00:29:11,720 Speaker 1: all right, yeah, And I will say this. I will. 599 00:29:11,760 --> 00:29:15,320 Speaker 1: I will say thank you to YouTube, because thank you 600 00:29:15,360 --> 00:29:18,720 Speaker 1: to your loyalty to this format, because you've had such 601 00:29:18,840 --> 00:29:23,720 Speaker 1: unprecedented success that you, you guys, easily could have have 602 00:29:24,160 --> 00:29:26,640 Speaker 1: been offered. You could have easily said, you know what, 603 00:29:27,240 --> 00:29:29,440 Speaker 1: we can actually go and just stay in the pop 604 00:29:29,480 --> 00:29:32,600 Speaker 1: world and make more money make but you didn't, like, 605 00:29:32,640 --> 00:29:35,000 Speaker 1: you're loyal to country music. And I don't think you 606 00:29:35,040 --> 00:29:37,560 Speaker 1: get the credit for kind of digging in and going 607 00:29:37,600 --> 00:29:39,280 Speaker 1: this is who we are and what we're doing, and 608 00:29:39,480 --> 00:29:41,880 Speaker 1: songs may cross over because they're so successful. You can't 609 00:29:41,880 --> 00:29:44,960 Speaker 1: really help that. But you guys chose to stay in 610 00:29:45,000 --> 00:29:48,360 Speaker 1: this because they you were dragged out. People were like, 611 00:29:48,640 --> 00:29:51,120 Speaker 1: come on, move over, here, go more, but you didn't. 612 00:29:51,160 --> 00:29:53,480 Speaker 1: And so I would just like to say thanks from 613 00:29:53,480 --> 00:29:56,400 Speaker 1: the entire format to you guys, because I appreciate the 614 00:29:56,440 --> 00:29:59,160 Speaker 1: effort and what you guys do for country music. Thank 615 00:29:59,200 --> 00:30:01,360 Speaker 1: you for saying that. That means a lot, seriously, because 616 00:30:01,400 --> 00:30:03,960 Speaker 1: that is, Uh, We're loyal to this format because they've 617 00:30:03,960 --> 00:30:05,680 Speaker 1: been loyal to us, and we have so many incredible 618 00:30:05,720 --> 00:30:08,920 Speaker 1: fans that I mean, we're here right now because of 619 00:30:08,920 --> 00:30:12,080 Speaker 1: country music, and you know, we'll we'll always be appreciative 620 00:30:12,080 --> 00:30:14,480 Speaker 1: of that, and we'll stay as long as as long 621 00:30:14,520 --> 00:30:16,680 Speaker 1: as people keep listening to our music, we'll be We'll 622 00:30:16,720 --> 00:30:19,360 Speaker 1: be here and be very grateful guys. So thank you 623 00:30:19,400 --> 00:30:20,760 Speaker 1: for saying that. Man. All right, there they are, Dan 624 00:30:20,840 --> 00:30:24,400 Speaker 1: and Shay, thank you guys. All right. A couple of 625 00:30:24,400 --> 00:30:26,480 Speaker 1: months ago, we got an email and then we turned 626 00:30:26,480 --> 00:30:29,040 Speaker 1: it into calls. But there's this woman saying, Hey, I'm 627 00:30:29,040 --> 00:30:31,280 Speaker 1: going on a date with this guy. We've never been 628 00:30:31,280 --> 00:30:33,320 Speaker 1: on a date before. I was like that's cool because 629 00:30:33,320 --> 00:30:37,560 Speaker 1: we're both flying to Nashville separately and we're gonna go 630 00:30:37,600 --> 00:30:40,720 Speaker 1: watch your show, my comedically inspirational shows. But it's gonna 631 00:30:40,720 --> 00:30:41,840 Speaker 1: be our first date. I was like, you stay in 632 00:30:41,840 --> 00:30:44,560 Speaker 1: the same hotel room. Yeah, but you never know. We 633 00:30:44,720 --> 00:30:47,720 Speaker 1: never and so I was worried, and so we had 634 00:30:47,800 --> 00:30:49,680 Speaker 1: him on and it seemed to us like he might 635 00:30:49,720 --> 00:30:52,440 Speaker 1: be married, because that would be a way to get 636 00:30:52,440 --> 00:30:54,560 Speaker 1: away from the wife. Yea, and he promised us he was, 637 00:30:54,560 --> 00:30:55,920 Speaker 1: and he came on the air. When he came on 638 00:30:55,920 --> 00:30:58,000 Speaker 1: the air, I said, Okay, he's not because he wouldn't 639 00:30:58,040 --> 00:30:59,720 Speaker 1: want his wife to hear that. You don't want to 640 00:30:59,720 --> 00:31:02,800 Speaker 1: hear your husband's cheating on you on a national show. 641 00:31:02,920 --> 00:31:06,440 Speaker 1: Going No, no, man, I'm married at all. So they 642 00:31:06,480 --> 00:31:08,720 Speaker 1: came and I brought him back to the dressing room 643 00:31:08,880 --> 00:31:11,640 Speaker 1: like backstage, met him before a show, and they were 644 00:31:12,160 --> 00:31:14,280 Speaker 1: They were great, and I wouldn't I didn't think anything 645 00:31:14,320 --> 00:31:16,360 Speaker 1: weird about it. Here's just a little clip. I took 646 00:31:16,440 --> 00:31:19,040 Speaker 1: my phone out and I recorded myself with them. This 647 00:31:19,200 --> 00:31:22,920 Speaker 1: is them, And she did not she's not in danger. 648 00:31:23,120 --> 00:31:25,760 Speaker 1: I'm not. Yeah, we're having a great time. Blank once 649 00:31:25,760 --> 00:31:29,560 Speaker 1: if you're in danger, twice going to the day's going 650 00:31:29,560 --> 00:31:32,960 Speaker 1: pretty good. So they're here and we're about to do 651 00:31:33,000 --> 00:31:34,800 Speaker 1: the show, but brought it back. Wanted to meet him, 652 00:31:34,840 --> 00:31:38,000 Speaker 1: and I'm protecting her and he looks a little suff 653 00:31:38,000 --> 00:31:40,280 Speaker 1: somebody else with you. He didn't. I was just kidding it. 654 00:31:40,520 --> 00:31:42,280 Speaker 1: He says he's not married. It was great they live. 655 00:31:42,440 --> 00:31:43,920 Speaker 1: I don't know if they're still together or not. They 656 00:31:43,920 --> 00:31:46,040 Speaker 1: sound happy in the clip and we can always look 657 00:31:46,080 --> 00:31:49,920 Speaker 1: back at that time. So the update is she came, 658 00:31:50,040 --> 00:31:51,440 Speaker 1: she was fine, They had a good date. Don't know 659 00:31:51,480 --> 00:31:53,040 Speaker 1: if they're still together. If you got either one of 660 00:31:53,040 --> 00:31:55,680 Speaker 1: your listening, send a little note up here and let 661 00:31:55,720 --> 00:31:57,720 Speaker 1: us know if you're still together. Tickets are on sell 662 00:31:57,840 --> 00:32:00,840 Speaker 1: now from my next two shows in Nashville. Make the 663 00:32:00,840 --> 00:32:03,480 Speaker 1: trip to Nashville. Just go to Bobbybones dot com and 664 00:32:03,520 --> 00:32:06,560 Speaker 1: get your tickets to my comedically inspirational show. It's it's 665 00:32:06,600 --> 00:32:09,320 Speaker 1: a comedy show. There's motivation, Eddie and I are playlttle 666 00:32:09,360 --> 00:32:11,920 Speaker 1: ranging idiots set there's always a surprise or so. It'll 667 00:32:11,920 --> 00:32:12,960 Speaker 1: be a lot of fun and I hope you guys 668 00:32:13,000 --> 00:32:18,120 Speaker 1: get tickets. He's Amy's pile of stories, so there's a 669 00:32:18,160 --> 00:32:20,640 Speaker 1: lot of different chime sounds sometimes when you're on a 670 00:32:20,680 --> 00:32:24,920 Speaker 1: flight and a flight attendant broke down what each chime means, 671 00:32:25,320 --> 00:32:27,800 Speaker 1: so bing or bong, But that's a chime, huh, I 672 00:32:27,840 --> 00:32:30,400 Speaker 1: guess I was gonna wing chimes like bing? Okay, go ahead, 673 00:32:30,400 --> 00:32:34,080 Speaker 1: I've ever heard this sound on a plane before. Have 674 00:32:34,160 --> 00:32:36,280 Speaker 1: you ever wonder what that means? A high low chime 675 00:32:36,360 --> 00:32:38,360 Speaker 1: like that means that one flatter tenant is trying to 676 00:32:38,360 --> 00:32:40,280 Speaker 1: call the other flatter tenant, or the flight deck is 677 00:32:40,280 --> 00:32:42,480 Speaker 1: trying to call us. If you hear three of those, 678 00:32:42,560 --> 00:32:45,320 Speaker 1: that means it's an emergency, but you never will have 679 00:32:45,360 --> 00:32:47,160 Speaker 1: to hear that. And if you hear just one tone 680 00:32:47,920 --> 00:32:50,840 Speaker 1: like that, that means that a passenger is calling one 681 00:32:50,880 --> 00:32:52,960 Speaker 1: of the flatter tenants from our seat, or they could 682 00:32:52,960 --> 00:32:55,680 Speaker 1: be calling us from the laboratory over here, either one. 683 00:32:55,880 --> 00:32:58,520 Speaker 1: I'm always feeling so guilty when I have to push that, 684 00:32:59,360 --> 00:33:01,840 Speaker 1: and I will basically die of dehydration before I ask 685 00:33:01,840 --> 00:33:04,440 Speaker 1: pro water. Yeah, I will be on that Southwest flight. 686 00:33:04,920 --> 00:33:07,000 Speaker 1: I'm up against the wall, somebody's sleeping next to me. 687 00:33:07,280 --> 00:33:09,800 Speaker 1: I won't pee, I'll explode from the inside and I'll 688 00:33:09,800 --> 00:33:11,880 Speaker 1: just dehydrate before I will push the button or try 689 00:33:11,920 --> 00:33:14,440 Speaker 1: to get up, so but I didn't. One is a drink. 690 00:33:15,080 --> 00:33:17,760 Speaker 1: Two is them trying to call each other. Three is 691 00:33:17,760 --> 00:33:19,600 Speaker 1: we're all gonna die? All right? I got it now? 692 00:33:19,680 --> 00:33:22,280 Speaker 1: Are you good? Amy? What else? So? I pulled this 693 00:33:22,320 --> 00:33:25,560 Speaker 1: story because I lost my Aggie ring and I have 694 00:33:25,760 --> 00:33:28,120 Speaker 1: hopes to find it. And that's what happened to this 695 00:33:28,120 --> 00:33:31,480 Speaker 1: one woman who lost her ring in nineteen sixty nine 696 00:33:31,520 --> 00:33:33,520 Speaker 1: when she was in the lake. But a couple was 697 00:33:33,600 --> 00:33:37,080 Speaker 1: recently fishing and they found the ring her initials around 698 00:33:37,080 --> 00:33:39,560 Speaker 1: the inside. They were able to track her down. Boom, 699 00:33:39,600 --> 00:33:41,000 Speaker 1: she has a ring. Back when you went back to 700 00:33:41,000 --> 00:33:43,600 Speaker 1: North Carolina and you were looking for your ring, there 701 00:33:43,640 --> 00:33:45,240 Speaker 1: was a police officer that's going to help you there 702 00:33:45,280 --> 00:33:48,080 Speaker 1: and no luck there, I guess, huh yeah, no luck, 703 00:33:48,280 --> 00:33:51,040 Speaker 1: no luck there. So I don't know what's going to happen. 704 00:33:51,160 --> 00:33:53,000 Speaker 1: I just want it to happen like this, Someone finds 705 00:33:53,000 --> 00:33:55,040 Speaker 1: it while they're fishing. Yeah, but probably it's been melted 706 00:33:55,040 --> 00:33:57,240 Speaker 1: down for gold and we'll never see it again. All right? 707 00:33:57,280 --> 00:34:00,040 Speaker 1: What else? And lastly, Taste of Country put together a 708 00:34:00,320 --> 00:34:02,960 Speaker 1: list of the best summer country songs of all time. 709 00:34:03,880 --> 00:34:07,360 Speaker 1: Chattahoochie's probably on there. Oh yeah, let me think of 710 00:34:07,440 --> 00:34:10,080 Speaker 1: all time. Summer. I'm just gonna see the word summer. 711 00:34:10,120 --> 00:34:13,080 Speaker 1: If it's there, ain't no cure for the summertime blues. 712 00:34:13,239 --> 00:34:15,480 Speaker 1: That's an Allen jack that's two Allen Jackson song. How 713 00:34:15,480 --> 00:34:20,080 Speaker 1: about um summer? What's that not a song? How about 714 00:34:20,120 --> 00:34:22,680 Speaker 1: that summer by Garth Oh? I used to work for her. 715 00:34:22,960 --> 00:34:26,640 Speaker 1: That's summer. That's not about summer. It's not even though 716 00:34:26,680 --> 00:34:28,280 Speaker 1: it's called that summer, it's about a heck of a summer. 717 00:34:28,320 --> 00:34:30,759 Speaker 1: It's about it. Yeah, you know what creepy song? It 718 00:34:30,800 --> 00:34:32,839 Speaker 1: was about heck of summer? Amy, what do you have there? 719 00:34:32,920 --> 00:34:38,279 Speaker 1: And a number five Buy Me about Chris Jansen. Okay, 720 00:34:38,160 --> 00:34:39,719 Speaker 1: it doesn't have the word summer in the title, but 721 00:34:39,719 --> 00:34:42,000 Speaker 1: i'll caste where we're going now, all right? Number four 722 00:34:42,719 --> 00:34:51,719 Speaker 1: Summertime Kenny Chessie. Not slow enough for me? Is that 723 00:34:51,760 --> 00:34:54,840 Speaker 1: the you who? You Who? They slowed it down a 724 00:34:54,840 --> 00:34:57,040 Speaker 1: little bit. I like it a lilttlemar I like slocan. Oh, 725 00:34:57,280 --> 00:35:00,719 Speaker 1: all right? What else? Sam Hunt's Body like a back Road? 726 00:35:02,600 --> 00:35:04,560 Speaker 1: Just because it came out in the summer, I mean, 727 00:35:04,520 --> 00:35:08,680 Speaker 1: a great song of all time if it came out 728 00:35:08,719 --> 00:35:12,719 Speaker 1: in the summer, it's this song makes me like I 729 00:35:12,719 --> 00:35:15,600 Speaker 1: don't know. I don't know that it's a good song though, 730 00:35:15,600 --> 00:35:22,000 Speaker 1: all right, next, kid Rock all summer long, And you 731 00:35:22,080 --> 00:35:24,640 Speaker 1: know I'm gonna go no to this one only because 732 00:35:24,640 --> 00:35:26,480 Speaker 1: there are two better songs I can already think of 733 00:35:26,520 --> 00:35:28,160 Speaker 1: that should be on the list, and both are Alan 734 00:35:28,239 --> 00:35:32,120 Speaker 1: Jackson songs, Chattahoochie and Summertime Blues. So let's see what's 735 00:35:32,200 --> 00:35:34,680 Speaker 1: number one. Yeah, well, the number one song is Chattahoochie. 736 00:35:35,840 --> 00:35:39,120 Speaker 1: Under the chat you never knew how much nuddy Water, 737 00:35:39,200 --> 00:35:42,600 Speaker 1: I mean, Summertime Blues has to go in there, probably 738 00:35:42,640 --> 00:35:45,200 Speaker 1: in place of Sam Hunt or kid Rock. Right, Yeah, 739 00:35:45,280 --> 00:35:48,440 Speaker 1: I'm missing the other ones though, some I love and 740 00:35:48,560 --> 00:35:51,600 Speaker 1: had me a black head from Greece. Oh man, I'm 741 00:35:51,600 --> 00:35:53,560 Speaker 1: just saying the word summer and seeing my cousin of mine. 742 00:35:53,880 --> 00:35:57,160 Speaker 1: All right, Amy, thank you very much. That was Amy's 743 00:35:57,200 --> 00:36:03,040 Speaker 1: pile of stories. It's time for the good news. Good 744 00:36:05,280 --> 00:36:09,240 Speaker 1: Hayley Strong was driving in Fairfield, Ohio. It's early morning. 745 00:36:09,320 --> 00:36:12,200 Speaker 1: She's like, oh, is that a sunrise over there? Oh? No, 746 00:36:12,760 --> 00:36:15,400 Speaker 1: that garage is on fire. So she drives to the 747 00:36:15,400 --> 00:36:20,080 Speaker 1: house and she starts banging on the door. Boo boo boom, 748 00:36:20,280 --> 00:36:23,520 Speaker 1: your house is on fire. The garage is on fire, 749 00:36:24,280 --> 00:36:27,600 Speaker 1: and the husband wife come out and get all nine 750 00:36:27,640 --> 00:36:30,080 Speaker 1: of their kids out of the house safe. Nine kids, 751 00:36:30,680 --> 00:36:32,880 Speaker 1: nine kids. Must have been pretty bright. You think the 752 00:36:32,920 --> 00:36:34,680 Speaker 1: sun's coming out, big ball of fire. It's a real 753 00:36:34,800 --> 00:36:37,640 Speaker 1: big ball of fire on earth. A good story, that 754 00:36:37,920 --> 00:36:41,080 Speaker 1: is what it's all about. That was tell me something good.