WEBVTT - CZM Book Club: "The Damned Thing" by Ambrose Bierce

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<v Speaker 1>Cool Zone Media book Club book Club, book Club, book Club,

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<v Speaker 1>book Club Club. It's the Cool Zone Media book Club

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<v Speaker 1>Spooky Month Edition. I mean, mister Margaret Kildre, the Cool

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<v Speaker 1>Zonned Media book Club is the only book club where

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<v Speaker 1>you don't have to do the reading because I do

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<v Speaker 1>it for you. There's other book clubs where people to

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<v Speaker 1>probably do the reading for you. But did I do

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<v Speaker 1>the reading for you? No, someone else did. Anyway, this

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<v Speaker 1>month on book Club, I'm gonna read spooky stories and

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<v Speaker 1>this spooky story is another one I'm excited about because

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<v Speaker 1>this one, I'm convinced this is where the Predator comes from.

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<v Speaker 1>It never even occurred to me that the movie Predator

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<v Speaker 1>had like a precursor, but I think I've found it,

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<v Speaker 1>and you know, maybe other people have other ideas, like

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<v Speaker 1>the people who made Predator. I don't know whatever, I

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<v Speaker 1>just find this story interesting. This story is called The

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<v Speaker 1>Damned Thing and it was written in eighteen ninety eight

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<v Speaker 1>by Ambrose Bierce. Who's Ambrose Bierce? You might ask, Well,

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<v Speaker 1>if you lived in eighteen ninety eight, you would have

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<v Speaker 1>known who Ambrose Bierce is, because, like a lot of

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<v Speaker 1>the people that we cover, famous fickle and doesn't always last.

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<v Speaker 1>Ambrose Bierce was like kind of the contemporary of Edgar

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<v Speaker 1>Allan Poe and like one of the great spooky story

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<v Speaker 1>writers of American history. But he's not talked about as

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<v Speaker 1>much today, which is a shame, because he spent five

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<v Speaker 1>years fighting against slavery. In fact, when this kid was

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<v Speaker 1>a kid and he was only fifteen years old, he

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<v Speaker 1>went and worked at an abolitionist newspaper, and then when

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<v Speaker 1>the war broke out, he went and fought. But he

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<v Speaker 1>spent most of the of his life being like, hey,

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<v Speaker 1>war is pretty terrible. He wasn't like, oh, man, glory,

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<v Speaker 1>that stuff's cool, you know. And he went on to

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<v Speaker 1>influence just about everyone. And then in terms of spooky stories,

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<v Speaker 1>in the year nineteen thirteen, he wrote a letter to

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<v Speaker 1>a friend saying he was like gonna go to Mexico

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<v Speaker 1>to see the Mexican Revolution. And then he disappeared, and

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<v Speaker 1>no one's ever heard from him since. And realistically he

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<v Speaker 1>probably died somehow in that conflict. He was in his

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<v Speaker 1>early seventies, But who knows. Maybe he's a vampire. I

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<v Speaker 1>think everyone's a vampire. This story, the damned thing, it

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<v Speaker 1>is from eighteen ninety eight. I already told you that

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<v Speaker 1>split into four sections. One by the light of the

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<v Speaker 1>tallow candle, which had been placed on one end of

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<v Speaker 1>a rough table, a man was reading something written in

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<v Speaker 1>a book. It was an old account book, greatly worn,

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<v Speaker 1>and the writing was not apparently very legible, for the

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<v Speaker 1>man sometimes held the page close to the flame of

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<v Speaker 1>the candle to get a stronger light upon it. The

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<v Speaker 1>shadow of the book then would throw into obscurity a

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<v Speaker 1>half of the room, darkening a number of faces and figures.

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<v Speaker 1>For besides the reader, eight other men were present. Seven

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<v Speaker 1>of them sat against the rough log walls, silent and motionless,

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<v Speaker 1>and the room, being small, not very far from the table.

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<v Speaker 1>By extending an arm, any one of them could have

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<v Speaker 1>touched the eph man, who lay on the table, face upward,

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<v Speaker 1>partly covered by a sheet, his arms at his sides.

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<v Speaker 1>He was dead. The man with the book was not

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<v Speaker 1>reading aloud, and no one spoke. All seemed to be

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<v Speaker 1>waiting for something to occur. The dead man only was

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<v Speaker 1>without expectation from the blank darkness outside came in the

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<v Speaker 1>aperture that served for a window, all the ever unfamiliar

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<v Speaker 1>noises of night in the wilderness. The long, nameless note

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<v Speaker 1>of a distant coyote, the stilly, pulsing thrill of tireless

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<v Speaker 1>insects and trees, strange cries of night birds so different

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<v Speaker 1>from those of the birds of the day, the drone

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<v Speaker 1>of great blundering beetles, and all that mysterious chorus of

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<v Speaker 1>small sounds that seem always to have been half heard

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<v Speaker 1>when they have suddenly ceased, as if conscious of an indiscretion.

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<v Speaker 1>But nothing of all of this was noted in that company.

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<v Speaker 1>Its members were not over much addicted to the idle

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<v Speaker 1>interest in matters of no practical importance that was obvious

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<v Speaker 1>in every line of their rugged faces, obvious even in

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<v Speaker 1>the dim light of the small candle. They were evidently

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<v Speaker 1>men of the vicinity, farmers and woodmen. The person reading

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<v Speaker 1>was a trifle different. One would have said of him

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<v Speaker 1>that he was of the world worldly, albeit there was

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<v Speaker 1>a hint in his attire which attested to a certain

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<v Speaker 1>fellowship with the organisms of his environment. His coat would

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<v Speaker 1>hardly have passed muster in San Francisco, his foot gear

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<v Speaker 1>was not of urban origin. The hat that lay by

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<v Speaker 1>him on the floor he was the only one uncovered,

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<v Speaker 1>was such that, if one had considered it an article

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<v Speaker 1>of mere personal dormant, he would have missed its meaning.

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<v Speaker 1>In countenance, the man was rather prepossessing, with just a

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<v Speaker 1>hint of sternness, though that he may have assumed or

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<v Speaker 1>cultivated as is appropriate to one in authority. For he

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<v Speaker 1>was a coroner. It was by virtue of his office

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<v Speaker 1>that he had possession of the book in which he

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<v Speaker 1>was reading. It had been found among the dead men's

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<v Speaker 1>effects in his cabin, where the inquest was now taking place.

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<v Speaker 1>When the coroner had finished reading, he put the book

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<v Speaker 1>into his breast pocket. At that moment, the door was

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<v Speaker 1>pushed open and a young man entered. He clearly was

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<v Speaker 1>not of mountain berth and breeding. He was clad as

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<v Speaker 1>those who dwell in cities. His clothing was dusty, however,

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<v Speaker 1>as from travel, he had in fact been writing hard

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<v Speaker 1>to attend the inquest. The coroner nodded. No one else

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<v Speaker 1>greeted him. We have waited for you, said the coroner.

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<v Speaker 1>It is necessary to have done with this business tonight.

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<v Speaker 1>The young man smiled. I'm very sorry to have kept you,

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<v Speaker 1>he said. I went away not to evade your summons,

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<v Speaker 1>but to post to my newspaper an account of what

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<v Speaker 1>I suppose I am called back to relate. The coroner smiled.

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<v Speaker 1>The account that you posted to your newspaper, he said,

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<v Speaker 1>differs probably from that which you will give here under oath.

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<v Speaker 1>That replied the other, rather hotly and with a visible flush,

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<v Speaker 1>is as you choose. I used manifold paper and have

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<v Speaker 1>a copy of what I sent. It was not written

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<v Speaker 1>as news, for it is incredible, but as fiction it

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<v Speaker 1>may go as a part of my testimony under oath.

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<v Speaker 1>But you say it is incredible, that is nothing to you, sir,

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<v Speaker 1>if I also swear that it is true. The coroner

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<v Speaker 1>was apparently not greatly affected by the young man's manifest resentment.

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<v Speaker 1>He was silent for some moments, his eyes upon the floor.

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<v Speaker 1>The men about the sides of the cabin talked in whispers,

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<v Speaker 1>but seldom withdrew their gaze from the face of the corpse. Presently,

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<v Speaker 1>the coroner lifted his eyes and said, we will resume

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<v Speaker 1>the inquest. The men removed their hats. The witness was sworn.

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<v Speaker 1>What is your name, the coroner asked, William Harker, age

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<v Speaker 1>twenty seven. You knew the deceased Hugh Morgan, Yes, you

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<v Speaker 1>were with him when he died near him. How did

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<v Speaker 1>that happen? Your your presence, I mean, I was visiting

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<v Speaker 1>him at this place to shoot and fish. A part

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<v Speaker 1>of my purpose, however, was to study him and his odd,

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<v Speaker 1>solitary way of life. He seemed a good model for

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<v Speaker 1>a character in fiction. I sometimes write stories, I sometimes read, though,

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<v Speaker 1>thank you stories in general, not yours. Some of the

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<v Speaker 1>jurors laughed against a somber background. Humor shows high lights,

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<v Speaker 1>soldiers in the intervals of battle laugh easily, and a

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<v Speaker 1>jest in the death chamber conquers by surprise. Relate the

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<v Speaker 1>circumstances of this man's death, said the coroner. You may

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<v Speaker 1>use any notes or memoranda that you please. The witness understood.

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<v Speaker 1>Pulling a manuscript from his breast pocket, he held it

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<v Speaker 1>near the candle and turning the leaves until he found

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<v Speaker 1>the passage he wanted. He began to read, and what

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<v Speaker 1>he read was these ads. That's not what he read.

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<v Speaker 1>But here's some ads anyway, whether you want them or not.

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<v Speaker 1>And we're back two. The sun had hardly risen when

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<v Speaker 1>we left the house. We were looking for quail, each

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<v Speaker 1>with a shot gun, but we had only one dog.

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<v Speaker 1>Morgan said that our best ground was beyond a certain

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<v Speaker 1>ridge that he pointed out, and we crossed it by

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<v Speaker 1>a trail through the chapparral. On the other side was

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<v Speaker 1>a comparatively level ground thickly covered with wild oats. As

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<v Speaker 1>we emerged from the chapparral, Morgan was but a few

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<v Speaker 1>yards in advance. Suddenly we heard, at a little distance

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<v Speaker 1>to our right and partly in front, a noise as

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<v Speaker 1>of some animal thrashing about in the bushes, which we

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<v Speaker 1>could see were violently agitated. We've started a deer, said I.

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<v Speaker 1>I wish we had brought a rifle. Morgan, who had

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<v Speaker 1>stopped and was intently watching the agitated chaparral, said nothing,

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<v Speaker 1>but he had cocked both barrels of his gun and

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<v Speaker 1>was holding it in readiness to aim. I thought him

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<v Speaker 1>a trifle excited, which surprised me, for he had a

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<v Speaker 1>reputation for exceptional coolness, even in moments of sudden and

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<v Speaker 1>imminent peril. Oh, come, I said, you are not going

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<v Speaker 1>to fill up a deer with quail shot, are you still?

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<v Speaker 1>He did not reply, but catching a sight of his

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<v Speaker 1>face as he turned it slightly toward me, I was

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<v Speaker 1>struck by the pallor of it. Then I understood that

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<v Speaker 1>we had serious business on hand, and my first conjecture

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<v Speaker 1>was that we had jumped a grizzly I advanced to

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<v Speaker 1>Morgan's side, cocking my piece as I moved. The bushes

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<v Speaker 1>were now quiet and the sounds had ceased, but Morgan

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<v Speaker 1>was as attentive to the place as before. What is it?

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<v Speaker 1>What the devil is it? I asked that damned thing,

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<v Speaker 1>he replied, without turning his head. His voice was husky

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<v Speaker 1>and unnatural. He trembled visibly. I was about to speak

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<v Speaker 1>further when I observed the wild oats near the place

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<v Speaker 1>of the disturbance moving in the most inexplicable way I

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<v Speaker 1>can hardly describe it. It seemed as if they were

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<v Speaker 1>stirred by a streak of wind which not only bent it,

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<v Speaker 1>but pressed it down, crushed it so that it did

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<v Speaker 1>not rise. And this movement was slowly prolonging itself towards us.

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<v Speaker 1>Nothing that I had ever seen had affected me so

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<v Speaker 1>strangely as this unfamiliar and unaccountable phenomena. Yet I am

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<v Speaker 1>unable to recall any sense of fear. I remember and

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<v Speaker 1>tell it here because singularly enough I recollected it. Then,

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<v Speaker 1>that once in looking carelessly out of an open window,

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<v Speaker 1>I momentarily mistook a small tree close at hand for

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<v Speaker 1>one of a group of larger trees at a little

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<v Speaker 1>distance away. It looked the same size as the others,

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<v Speaker 1>but being more distinctly and sharply defined in mass and detail,

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<v Speaker 1>seemed out of harmony with them. It was a mere

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<v Speaker 1>falsification of the law of aerial perspective. But it startled,

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<v Speaker 1>almost terrified me. We so rely on the orderly operation

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<v Speaker 1>of familiar natural laws that any seeming suspension of them

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<v Speaker 1>is noted as a menace to our safety, a warning

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<v Speaker 1>of unthinkable calamity. So now the apparently causeless movement of

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<v Speaker 1>the herbage and the slow, undeviating approach of the line

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<v Speaker 1>of disturbance were distinctly disquieting. My companion appeared actually frightened,

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<v Speaker 1>and I could hardly credit my senses when I saw

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<v Speaker 1>him suddenly throw his gun to his shoulders and fire

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<v Speaker 1>both barrels at the agitated grass. Before the smoke of

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<v Speaker 1>the discharge it cleared away, I heard a loud, savage cry,

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<v Speaker 1>a scream like that of a wild animal, and flinging

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<v Speaker 1>his gun upon the ground, Morgan sprang away and ran

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<v Speaker 1>swiftly from the spot. At the same instant, I was

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<v Speaker 1>thrown violently to the ground by the impact of something

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<v Speaker 1>unseen in the smoke, some soft, heavy substance that seemed

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<v Speaker 1>thrown against me with great force. Before I could get

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<v Speaker 1>upon my feet and recover my gun, which seemed to

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<v Speaker 1>have been struck from my hands, I heard Morgan crying

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<v Speaker 1>out as if in mortal agony, and mingling with his

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<v Speaker 1>cries were such hoarse, savage sounds as one hears from

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<v Speaker 1>fighting dogs. Inexpressibly terrified, I struggled to my feet and

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<v Speaker 1>looked in the direction of Morgan's retreat, and may Heaven

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<v Speaker 1>and Mercy spare me from another sight like that. At

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<v Speaker 1>a distance of less than thirty yards, was my friend

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<v Speaker 1>down upon one knee, his head thrown back at a

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<v Speaker 1>frightful angle, hatless, his long hair and disorder, and his

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<v Speaker 1>whole body and violent movement from side to side, backward

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<v Speaker 1>and forward. His right arm was lifted and seemed to

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<v Speaker 1>lack the hand, at least I could see none. The

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<v Speaker 1>other arm was invisible. At times, as my memory now

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<v Speaker 1>reports this extraordinary scene, I could discern but a part

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<v Speaker 1>of his body. It was as if he had been

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<v Speaker 1>partly blotted out, I cannot otherwise express it. Then a

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<v Speaker 1>shifting of his position would bring it all into view again.

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<v Speaker 1>All this must have occurred within a few seconds. Yet

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<v Speaker 1>in that time Morgan assumed all the postures of a

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<v Speaker 1>determined wrestler, vanquished by superior weight and strength. I saw

0:13:45.880 --> 0:13:49.840
<v Speaker 1>nothing but him in him, not always distinctly. During the

0:13:49.960 --> 0:13:53.240
<v Speaker 1>entire incident, his shouts and curses were heard, as if

0:13:53.240 --> 0:13:56.080
<v Speaker 1>through an enveloping uproar of such sounds of rage and

0:13:56.120 --> 0:13:58.720
<v Speaker 1>fury as I have never heard from the throat of

0:13:58.800 --> 0:14:02.839
<v Speaker 1>man or brute. For a moment only I stood irresolute. Then,

0:14:03.000 --> 0:14:06.560
<v Speaker 1>throwing down my gun, I ran forward to my friend's assistance.

0:14:07.080 --> 0:14:09.120
<v Speaker 1>I had a vague belief that he was suffering from

0:14:09.120 --> 0:14:12.920
<v Speaker 1>a fit or some form of convulsion. Before I could

0:14:12.960 --> 0:14:17.280
<v Speaker 1>reach his side, he was down and quiet. All sounds

0:14:17.280 --> 0:14:20.640
<v Speaker 1>had ceased. But with a feeling of such horror as

0:14:20.720 --> 0:14:24.200
<v Speaker 1>even these awful events had not inspired, I now saw

0:14:24.240 --> 0:14:28.280
<v Speaker 1>the same mysterious movement of the wild oats prolonging itself

0:14:28.280 --> 0:14:31.200
<v Speaker 1>from the trampled area about the prostrate man toward the

0:14:31.320 --> 0:14:33.560
<v Speaker 1>edge of the wood. It was only when I had

0:14:33.600 --> 0:14:35.480
<v Speaker 1>reached the wood that I was able to withdraw my

0:14:35.560 --> 0:14:43.520
<v Speaker 1>eyes and look at my companion. He was dead. Three.

0:14:44.040 --> 0:14:46.280
<v Speaker 1>The corner rose from his seat and stood beside the

0:14:46.320 --> 0:14:49.120
<v Speaker 1>dead man. Lifting an edge of the sheet, he pulled

0:14:49.120 --> 0:14:53.000
<v Speaker 1>it away, exposing the entire body altogether naked and showing

0:14:53.040 --> 0:14:56.600
<v Speaker 1>in the candle light a clay like yellow. It had, however,

0:14:57.080 --> 0:15:02.120
<v Speaker 1>broad maculations of bluish black ob caused by extravasted blood

0:15:02.160 --> 0:15:05.600
<v Speaker 1>from contusions. The chests and sides looked as if they

0:15:05.600 --> 0:15:09.280
<v Speaker 1>had been beaten with a bludgeon. There were dreadful lacerations.

0:15:09.320 --> 0:15:13.760
<v Speaker 1>The skin was torn in strips and shreds. The coroner

0:15:13.800 --> 0:15:15.760
<v Speaker 1>moved round to the end of the table and undid

0:15:15.800 --> 0:15:18.960
<v Speaker 1>a silk handkerchief which had been passed under the chin

0:15:19.000 --> 0:15:21.280
<v Speaker 1>and knotted up at the top of the head. When

0:15:21.320 --> 0:15:23.840
<v Speaker 1>the handkerchief was drawn away, it exposed what had been

0:15:24.000 --> 0:15:26.920
<v Speaker 1>the throat. Some of the jurors, who had risen to

0:15:26.920 --> 0:15:30.360
<v Speaker 1>get a better view, repented their curiosity and turned away

0:15:30.400 --> 0:15:34.080
<v Speaker 1>their faces. Witness Harker went to the open window and

0:15:34.160 --> 0:15:38.080
<v Speaker 1>leaned out across the sill, faint and sick, dropping the

0:15:38.080 --> 0:15:40.800
<v Speaker 1>handkerchief upon the dead man's neck. The corner stepped to

0:15:40.840 --> 0:15:43.760
<v Speaker 1>an angle of the room and from a pile of clothing,

0:15:43.800 --> 0:15:47.600
<v Speaker 1>produced one garment after another, each of which he held

0:15:47.680 --> 0:15:51.440
<v Speaker 1>up for a moment of inspection. All were torn and

0:15:51.520 --> 0:15:55.440
<v Speaker 1>stiff with blood. The jurors did not make a closer inspection.

0:15:56.120 --> 0:15:59.040
<v Speaker 1>They seemed rather uninterested. They had, in truth, seen all

0:15:59.080 --> 0:16:01.200
<v Speaker 1>this before, the only thing that was new to them

0:16:01.240 --> 0:16:05.280
<v Speaker 1>being Harker's testimony. Gentlemen, the coroner said, we have no

0:16:05.400 --> 0:16:09.000
<v Speaker 1>more evidence. I think your duty has been already explained

0:16:09.000 --> 0:16:10.800
<v Speaker 1>to you. If there is nothing you wish to ask,

0:16:10.880 --> 0:16:15.760
<v Speaker 1>you may go outside and consider your verdict. The foreman rose,

0:16:15.880 --> 0:16:20.800
<v Speaker 1>a tall, bearded man of sixty coarsely clad. I should

0:16:20.840 --> 0:16:24.640
<v Speaker 1>like to ask one question, mister coroner, He said, what

0:16:24.760 --> 0:16:29.800
<v Speaker 1>asylum did this your last witness escape from? Mister Harker

0:16:29.840 --> 0:16:33.400
<v Speaker 1>said the coroner, gravely and tranquility. What asylum did you

0:16:33.520 --> 0:16:38.360
<v Speaker 1>last escape? Harker flushed Crimson again, but said nothing. The

0:16:38.400 --> 0:16:41.360
<v Speaker 1>seven jurors rose and solemnly filed out of the cabin.

0:16:42.840 --> 0:16:45.360
<v Speaker 1>If you have done insulting me, sir, said Harker, as

0:16:45.400 --> 0:16:47.480
<v Speaker 1>soon as he and the officer were left alone with

0:16:47.520 --> 0:16:51.760
<v Speaker 1>the dead man. I suppose I'm at liberty to go. Yes.

0:16:53.560 --> 0:16:56.280
<v Speaker 1>Harker started to leave, but paused with his hand on

0:16:56.360 --> 0:16:59.160
<v Speaker 1>the door latch. The habit of his profession was strong

0:16:59.240 --> 0:17:02.240
<v Speaker 1>in him, stronger than his sense of personal dignity. He

0:17:02.280 --> 0:17:05.120
<v Speaker 1>turned about and said, the book that you have there,

0:17:05.200 --> 0:17:08.840
<v Speaker 1>I recognize it as Morgan's diary. You seem greatly interested

0:17:08.880 --> 0:17:11.159
<v Speaker 1>in it. You read in it while I was testifying.

0:17:11.880 --> 0:17:15.200
<v Speaker 1>May I see it? The public would like the book?

0:17:15.240 --> 0:17:17.880
<v Speaker 1>Will cut no figure in this matter, replied the official,

0:17:18.240 --> 0:17:21.320
<v Speaker 1>slipping it into his coat pocket. All the entries in

0:17:21.359 --> 0:17:25.359
<v Speaker 1>it were made before the writer's death. As Harker passed

0:17:25.359 --> 0:17:27.320
<v Speaker 1>out of the house, the jury re entered and stood

0:17:27.320 --> 0:17:30.240
<v Speaker 1>about the table on which the now covered corpse showed

0:17:30.280 --> 0:17:34.560
<v Speaker 1>under the sheet with sharp definition. The foreman seated himself

0:17:34.600 --> 0:17:37.439
<v Speaker 1>near the candle, produced from his breast pocket a pencil

0:17:37.480 --> 0:17:40.760
<v Speaker 1>on a scrap of paper, and wrote rather laboriously the

0:17:40.800 --> 0:17:45.480
<v Speaker 1>following verdict, which, with various degrees of effort, all signed.

0:17:46.640 --> 0:17:49.400
<v Speaker 1>We the jury, do find the remains come to their

0:17:49.440 --> 0:17:52.080
<v Speaker 1>death at the hands of a mountain lion. But some

0:17:52.160 --> 0:17:57.480
<v Speaker 1>of us thinks all the same they had fits. You

0:17:57.640 --> 0:17:59.880
<v Speaker 1>too might have a fit if you don't take advantage

0:17:59.880 --> 0:18:03.960
<v Speaker 1>of all of the opportunities made to you by our advertisers.

0:18:04.040 --> 0:18:20.560
<v Speaker 1>Whom we love dearly and un ironically, and we're back four.

0:18:22.440 --> 0:18:25.240
<v Speaker 1>In the diary of the late Hugh Morgan are certain

0:18:25.280 --> 0:18:30.239
<v Speaker 1>interesting entries, having possibly a scientific value, as suggestions. At

0:18:30.240 --> 0:18:32.520
<v Speaker 1>the inquest upon his body, the book was not put

0:18:32.520 --> 0:18:35.679
<v Speaker 1>in evidence. Possibly the coroner thought it not worthwhile to

0:18:35.720 --> 0:18:38.520
<v Speaker 1>confuse the jury. The date of the first of the

0:18:38.680 --> 0:18:42.159
<v Speaker 1>entries mentioned cannot be ascertained. The upper right part of

0:18:42.200 --> 0:18:45.080
<v Speaker 1>the leaf is torn away. The part of the entry

0:18:45.119 --> 0:18:50.200
<v Speaker 1>remaining is as follows would run in a half circle,

0:18:50.600 --> 0:18:53.639
<v Speaker 1>keeping his head turned always towards the center, and again

0:18:53.680 --> 0:18:57.400
<v Speaker 1>he would stand still, barking furiously. At last he ran

0:18:57.400 --> 0:18:59.440
<v Speaker 1>away into the brush as fast as he could go.

0:19:00.080 --> 0:19:02.199
<v Speaker 1>I thought at first that he had gone mad, but

0:19:02.320 --> 0:19:04.840
<v Speaker 1>on returning to the house, found no other alteration in

0:19:04.880 --> 0:19:08.119
<v Speaker 1>his manner than what was obviously due to fear of punishment?

0:19:09.280 --> 0:19:12.280
<v Speaker 1>Can a dog see with his nose do odors impress

0:19:12.359 --> 0:19:16.560
<v Speaker 1>some olfactory center with images of the thing emitting them?

0:19:16.880 --> 0:19:20.480
<v Speaker 1>September second, Looking at the stars last night, as they

0:19:20.560 --> 0:19:22.680
<v Speaker 1>rose above the crest of the ridge east of the house,

0:19:22.720 --> 0:19:27.080
<v Speaker 1>I observed them successively disappear from left to right. Each

0:19:27.160 --> 0:19:30.040
<v Speaker 1>was eclipsed, but an instant and only a few at

0:19:30.040 --> 0:19:33.200
<v Speaker 1>the same time, but along the entire length of the ridge,

0:19:33.359 --> 0:19:35.359
<v Speaker 1>all that were within a degree or two of the

0:19:35.400 --> 0:19:38.359
<v Speaker 1>crest were blotted out. It was as if something had

0:19:38.400 --> 0:19:41.040
<v Speaker 1>passed along between me and them, but I could not

0:19:41.200 --> 0:19:43.199
<v Speaker 1>see it, and the stars were not thick enough to

0:19:43.200 --> 0:19:49.280
<v Speaker 1>define its outline. Ugh, I don't like this. Several weeks

0:19:49.400 --> 0:19:51.960
<v Speaker 1>entries are missing, three leaves being torn from the book.

0:19:53.240 --> 0:19:57.119
<v Speaker 1>September twenty seventh. It has been about here again. I

0:19:57.160 --> 0:20:00.760
<v Speaker 1>find evidences of its presence every day. I watched again

0:20:00.840 --> 0:20:03.040
<v Speaker 1>all of last night in the same cover, got in

0:20:03.080 --> 0:20:06.600
<v Speaker 1>hand double charged with buckshot. In the morning, the fresh

0:20:06.640 --> 0:20:09.959
<v Speaker 1>footprints were there as before. Yet I would have sworn

0:20:10.200 --> 0:20:13.280
<v Speaker 1>that I did not sleep. Indeed, I hardly sleep at all.

0:20:13.800 --> 0:20:18.200
<v Speaker 1>It is terrible, insupportable. If these amazing experiences are real,

0:20:18.280 --> 0:20:21.520
<v Speaker 1>I shall go mad. If they are fanciful, I am

0:20:21.560 --> 0:20:26.800
<v Speaker 1>mad already. October third, I shall not go. It shall

0:20:26.840 --> 0:20:30.160
<v Speaker 1>not drive me away. No, this is my house, my land.

0:20:30.760 --> 0:20:35.679
<v Speaker 1>God hates a coward. October fifth, I can stand it

0:20:35.720 --> 0:20:37.920
<v Speaker 1>no longer. I have invited Harker to pass a few

0:20:37.920 --> 0:20:40.399
<v Speaker 1>weeks with me. He has a level head, I can

0:20:40.480 --> 0:20:44.880
<v Speaker 1>judge from his manner if he thinks me mad. October seventh,

0:20:45.440 --> 0:20:47.359
<v Speaker 1>I have the solution to the problem. It came to

0:20:47.400 --> 0:20:51.359
<v Speaker 1>me last night suddenly, as if by revelation. How simple,

0:20:51.400 --> 0:20:56.000
<v Speaker 1>how terribly simple. There are sounds that we cannot hear.

0:20:56.720 --> 0:20:58.920
<v Speaker 1>At either end of the scale are notes that stir,

0:20:59.040 --> 0:21:01.760
<v Speaker 1>no chord of that a perfect instrument the human ear.

0:21:02.760 --> 0:21:06.240
<v Speaker 1>They are too high or too grave. I have observed

0:21:06.240 --> 0:21:09.560
<v Speaker 1>a flock of blackbirds occupying an entire tree top, the

0:21:09.600 --> 0:21:13.480
<v Speaker 1>tops of several trees, and all in full song. Suddenly,

0:21:13.520 --> 0:21:16.280
<v Speaker 1>in a moment, at absolutely the same instant, all spring

0:21:16.320 --> 0:21:19.639
<v Speaker 1>into the air and fly away. How they could not

0:21:19.720 --> 0:21:22.840
<v Speaker 1>all see one another, whole tree tops intervened. At no

0:21:22.960 --> 0:21:25.679
<v Speaker 1>point could a leader have been visible to all. There

0:21:25.760 --> 0:21:28.440
<v Speaker 1>must have been a signal warning or command, high and

0:21:28.560 --> 0:21:31.600
<v Speaker 1>shrill above the din, but by me unheard. I have

0:21:31.640 --> 0:21:35.720
<v Speaker 1>observed too, the same simultaneous flight when all were silent,

0:21:35.760 --> 0:21:39.400
<v Speaker 1>among not only blackbirds, but other birds, quail, for example,

0:21:39.600 --> 0:21:43.359
<v Speaker 1>widely separated by bushes, even on opposite sides of a hill.

0:21:44.560 --> 0:21:47.440
<v Speaker 1>It is known to seamen that a school of whales

0:21:47.480 --> 0:21:50.439
<v Speaker 1>basking or sporting on the surface of the ocean miles apart,

0:21:50.800 --> 0:21:53.800
<v Speaker 1>with the convexity of the earth between them will sometimes

0:21:53.840 --> 0:21:56.600
<v Speaker 1>dive at the same instant, all gone out of sight

0:21:56.680 --> 0:22:00.320
<v Speaker 1>in a moment the signal has been sounded too grave

0:22:00.359 --> 0:22:02.840
<v Speaker 1>for the ear of the sailor at the masthead and

0:22:02.880 --> 0:22:06.480
<v Speaker 1>his comrades on the deck, who nevertheless feel its vibrations

0:22:06.480 --> 0:22:09.080
<v Speaker 1>in the ship as the stones of a cathedral are

0:22:09.160 --> 0:22:13.199
<v Speaker 1>stirred by the base of the organ. As with sounds,

0:22:13.359 --> 0:22:16.360
<v Speaker 1>so with colors. At each end of the solar spectrum,

0:22:16.400 --> 0:22:18.440
<v Speaker 1>the chemist can detect the presence of what are known

0:22:18.480 --> 0:22:23.080
<v Speaker 1>as actinic rays. They represent colors integral colors in the

0:22:23.119 --> 0:22:26.639
<v Speaker 1>composition of light which we are unable to discern. The

0:22:26.720 --> 0:22:29.919
<v Speaker 1>human eye is an imperfect instrument. Its range is but

0:22:30.000 --> 0:22:33.400
<v Speaker 1>a few octaves of the real chromatic scale. I am

0:22:33.440 --> 0:22:38.679
<v Speaker 1>not mad. There are colors that we cannot see. Ah,

0:22:38.720 --> 0:22:42.639
<v Speaker 1>God help me. The damned thing is of such a color.

0:22:44.480 --> 0:22:48.000
<v Speaker 1>The end. Okay, I like that story. I say this

0:22:48.040 --> 0:22:49.719
<v Speaker 1>every time. I like that story for a bunch of reasons.

0:22:50.080 --> 0:22:52.200
<v Speaker 1>But it's true. I like the story for a bunch

0:22:52.200 --> 0:22:54.159
<v Speaker 1>of reasons. I really like the way it plays with

0:22:54.200 --> 0:22:58.359
<v Speaker 1>all of these different omniscient narrator. And then there's the

0:22:58.880 --> 0:23:03.560
<v Speaker 1>account from the writer, and then there's the journal, like

0:23:04.000 --> 0:23:06.440
<v Speaker 1>all crammed into a pretty short story, but in a

0:23:06.480 --> 0:23:08.439
<v Speaker 1>way that flows well for me. It doesn't make it

0:23:08.480 --> 0:23:11.480
<v Speaker 1>like spookier, but it makes it more fun or interesting.

0:23:11.520 --> 0:23:14.080
<v Speaker 1>This is the story actually gets classified as science fiction

0:23:14.160 --> 0:23:16.720
<v Speaker 1>as much as it gets classified as anything else, like

0:23:16.760 --> 0:23:19.479
<v Speaker 1>a ghost story. But at the same time it plays

0:23:19.480 --> 0:23:24.640
<v Speaker 1>with something that people who live in the woods understand,

0:23:25.359 --> 0:23:28.600
<v Speaker 1>which is that there's just often this sense that there's

0:23:28.720 --> 0:23:31.439
<v Speaker 1>just something there, you know, and the whole like the

0:23:31.520 --> 0:23:35.520
<v Speaker 1>dog barking at nothing and the stars went out for

0:23:35.560 --> 0:23:39.480
<v Speaker 1>a moment and all those things. Those are experiences I've

0:23:39.520 --> 0:23:41.880
<v Speaker 1>had and I don't actually think there's a damned thing

0:23:41.880 --> 0:23:45.639
<v Speaker 1>in the woods it's going to get me, and you know, honestly,

0:23:45.720 --> 0:23:49.000
<v Speaker 1>like I don't know. It also like gets at this

0:23:49.040 --> 0:23:51.320
<v Speaker 1>idea of like camouflage, right, it talks about the one

0:23:51.359 --> 0:23:54.880
<v Speaker 1>tree that looked like the other trees and I don't

0:23:54.880 --> 0:23:57.879
<v Speaker 1>know anyway, I just like that story and I like

0:23:57.960 --> 0:24:02.040
<v Speaker 1>that the author fought whole ass word and slavery and

0:24:02.720 --> 0:24:06.560
<v Speaker 1>you know, was pretty interesting. So I hope you like

0:24:06.600 --> 0:24:10.920
<v Speaker 1>it too, and if not, maybe you'll like next weeks.

0:24:10.960 --> 0:24:13.240
<v Speaker 1>And if you did like this week's, maybe you'll like

0:24:13.280 --> 0:24:17.360
<v Speaker 1>next weeks on cool Zone Media book Club. Also, I'm

0:24:17.400 --> 0:24:21.199
<v Speaker 1>on tour right now. I'm reading fables out. If you

0:24:21.560 --> 0:24:23.560
<v Speaker 1>are anywhere in the US, there's a decent chance I'll

0:24:23.600 --> 0:24:25.760
<v Speaker 1>be on tour near you. Unless I already have been.

0:24:26.080 --> 0:24:27.919
<v Speaker 1>You can go to my substack Margaret kiljoyd Do at

0:24:27.960 --> 0:24:30.440
<v Speaker 1>substack dot com. I wrote a whole bunch of folklore,

0:24:30.480 --> 0:24:33.240
<v Speaker 1>said in the same world as The Sapling Cage, which

0:24:33.280 --> 0:24:34.639
<v Speaker 1>is my new book, and I'm on tour with The

0:24:34.640 --> 0:24:37.280
<v Speaker 1>Sapling Cage. But I thought, rather than read from my book,

0:24:37.280 --> 0:24:39.480
<v Speaker 1>which would be sort of boring for me, I'm going

0:24:39.520 --> 0:24:42.760
<v Speaker 1>to read all these fables, which so far I've had

0:24:42.960 --> 0:24:46.199
<v Speaker 1>good reception with, and eventually I'll read you all the

0:24:46.200 --> 0:24:50.040
<v Speaker 1>fables on this book club, but not yet because I

0:24:50.080 --> 0:24:53.639
<v Speaker 1>want you to go hear me read them to you

0:24:53.680 --> 0:24:57.399
<v Speaker 1>in person, so you should do that. And even the

0:24:57.440 --> 0:24:59.720
<v Speaker 1>idea of like writing all this folklore, honestly, it comes

0:24:59.720 --> 0:25:03.600
<v Speaker 1>from well, reading you all this folklore because I like

0:25:03.680 --> 0:25:06.040
<v Speaker 1>old stories and maybe you like them too.

0:25:06.320 --> 0:25:11.240
<v Speaker 2>All right, bye, it could happen here as a production

0:25:11.280 --> 0:25:14.320
<v Speaker 2>of cool Zone Media. For more podcasts from cool Zone Media,

0:25:14.400 --> 0:25:17.200
<v Speaker 2>visit our website Coolzonemedia dot com or check us out

0:25:17.240 --> 0:25:20.200
<v Speaker 2>on the iHeartRadio app, Apple podcasts, or wherever you listen

0:25:20.240 --> 0:25:23.119
<v Speaker 2>to podcasts, you can find sources for It could happen here,

0:25:23.200 --> 0:25:27.720
<v Speaker 2>Updated monthly at coolzonemedia dot com slash sources. Thanks for listening.