WEBVTT - Joel Labelle

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<v Speaker 1>Hi, Joel, how are you. I'm good? How are you?

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<v Speaker 1>I'm good. I had to make it all the way

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<v Speaker 1>here from the seventies when I made it. Where are

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<v Speaker 1>you right now? I'm in Santa Fe. And where's dom

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<v Speaker 1>I don't know where Domma is there? Oh, Dona is

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<v Speaker 1>in your London right? Being international people I know? And

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<v Speaker 1>where are you? I'm in Toronto right now? Oh my god?

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<v Speaker 1>Three countries right, It's crazy, it's beautiful. How are you? Guys? Guys?

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<v Speaker 1>We made this work. We did. I'm glad that our

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<v Speaker 1>third choice could make it because our first two choices

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<v Speaker 1>obviously were busy. And then you know what, I kept

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<v Speaker 1>I kept delaying this, but I really had no work obligations.

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<v Speaker 1>I was just like, now we're just creating the I

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<v Speaker 1>was like, diego, I'm on set, I'm busy, And the

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<v Speaker 1>whole time I was just at home at home doing nothing.

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<v Speaker 1>Netflix the entire time. That's funny. Basically what this podcast

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<v Speaker 1>is we just Netflix and and talk about. UM, it's

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<v Speaker 1>nice to talk to you guys, man, this is nice.

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<v Speaker 1>I'm actually shocked that we made it work because for

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<v Speaker 1>a while I was like, this is pointless. We were determined,

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<v Speaker 1>we weren't going to let this go back. Okay, I

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<v Speaker 1>like it. I like it. Okay, full disclosure. I fucked up?

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<v Speaker 1>Oh wait wait can can I swear? What is? What

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<v Speaker 1>are the ground rules here, guys? Cat and I have

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<v Speaker 1>produces so you can do whatever you want basically like

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<v Speaker 1>and also if we don't like anything you say, we're

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<v Speaker 1>just going to cut it out. So it's not a

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<v Speaker 1>big deal. And how come I can't see your face? Dom?

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<v Speaker 1>Did you get what happened? I can see Cat? Why

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<v Speaker 1>can't I see it? Oh? Are you? I'm just wondering, like,

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<v Speaker 1>have you been horribly disfigured? Have you gained? And there

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<v Speaker 1>you are? You beautiful man? Stop. I didn't want to

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<v Speaker 1>do the video, okay, so full disclosure. I woke up

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<v Speaker 1>at six am because I screwed up Pacific time SEM

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<v Speaker 1>and then I tried to log in and I was like,

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<v Speaker 1>wait a minute, I got this backwards, So yeah, that's it,

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<v Speaker 1>that's mine. It happens. It happened. Actually have a watch

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<v Speaker 1>upstairs that has the World time on it because I'm

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<v Speaker 1>constantly messing up my girlfriends in California, and I'm constantly

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<v Speaker 1>messing it up, so i'd like, do you see your

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<v Speaker 1>girlfriends in California? Was that girlfriends in California? I said?

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<v Speaker 1>Girlfriend is? And then is a fairly common grammatical colloquialism.

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<v Speaker 1>You put like an apostrophe, and it's girlfriends as in

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<v Speaker 1>girlfriend is like a slightly shortened version of girlfriend. We

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<v Speaker 1>can get into her girlfriend is. That's what she just

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<v Speaker 1>text me. Someone's ears were burning. Hey are you in

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<v Speaker 1>your new house in in the UK right now? I am?

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<v Speaker 1>I just realized. Is this your first time owning a home?

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<v Speaker 1>It is my first time owning a home. I'm very,

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<v Speaker 1>very excited about it. Although every morning is like some

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<v Speaker 1>new job that I need, some new like I'm like,

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<v Speaker 1>I hate this, I am this, I'm fixing this. This

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<v Speaker 1>is going to happen. Hardwood floors is the next, the

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<v Speaker 1>next big project throughout the house. Nice. Yeah, home ownership is.

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<v Speaker 1>Home ownership is awful. Are you in your home which

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<v Speaker 1>you own? I am in my home that I hope

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<v Speaker 1>that I own, and yes it is? It can't. I mean, actually,

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<v Speaker 1>my son room right now because it's beautiful outside. Um,

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<v Speaker 1>I have a sunroom. I'm literally kind of half outside

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<v Speaker 1>right now because it's like three d degrees outside. Is it?

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<v Speaker 1>And is it going to be super hot for the

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<v Speaker 1>rest of the world. That's like in sort of approaching

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<v Speaker 1>the nineties. Sorry for the Americans, UM, not the rest

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<v Speaker 1>of them. With the rest of the world, everyone else

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<v Speaker 1>does ctigrade. That's got a calculator out. I know I

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<v Speaker 1>can gues estimate. Is it has it been that hot

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<v Speaker 1>for a while. I'm at a bachelor party on uh

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<v Speaker 1>Saturday in Toronto. It's hot. It's been like this all summer.

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<v Speaker 1>Been fantastic. It's been like sticky, my skin is glowing.

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<v Speaker 1>It's good that love that. UM. I feel like we're

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<v Speaker 1>going to get down to any of our questions. By

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<v Speaker 1>the way, listen, I was just about trying to segue

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<v Speaker 1>as in there and you immediately interrupted me, and I

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<v Speaker 1>was like, this is I'm seeing a pattern forming here.

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<v Speaker 1>So this is something that Dom and I love about

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<v Speaker 1>these deep dives is we get to learn so much

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<v Speaker 1>about people that we think we know, and we definitely

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<v Speaker 1>love um, but we you know, I'm sitting here looking

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<v Speaker 1>at at all of your tacts and your credits and

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<v Speaker 1>things that our lovely producers find about you. They basically

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<v Speaker 1>hire a private detective and they go like they figure

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<v Speaker 1>you out from so I didn't know all of this

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<v Speaker 1>stuff when you were in a teenager. So where did

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<v Speaker 1>you hide those bodies? That's fascinating. We know now you're

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<v Speaker 1>supposed to talk about that. I almost just want to

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<v Speaker 1>cancel this entire thing right now because I'm as to

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<v Speaker 1>what you guys found out about? No, no, no, um

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<v Speaker 1>what did you find out? Tell me? What did you

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<v Speaker 1>what? What What do you guys? See? Let's see. I mean

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<v Speaker 1>I knew all about the first thing on here is

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<v Speaker 1>like the adrenaline junkie side to you, and I knew

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<v Speaker 1>about that. We were just talking about that two days ago. Yeah,

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<v Speaker 1>I mean, guys, I okay, we want to comp that.

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<v Speaker 1>I mean, it's weird them because like I I don't

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<v Speaker 1>see myself like that. Like today, like today I have

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<v Speaker 1>it's my first day off in a while. So and

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<v Speaker 1>my wife. I got hurt at work two weeks ago,

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<v Speaker 1>so my wife has been like, you need to take

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<v Speaker 1>it easy. You have to take it easy. And I

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<v Speaker 1>haven't been taking it easy. But like today, I'm just

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<v Speaker 1>gonna garden a little bit and play on my racing

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<v Speaker 1>simulator and like maybe work on my race car. So

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<v Speaker 1>like this is a chill day, so I'm not always

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<v Speaker 1>an adrenaline junkie. Your race car. Yeah, I blew up

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<v Speaker 1>the engine in my race car a few weeks ago too,

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<v Speaker 1>So then that's so annoying. Yes, it's rebuild. I took

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<v Speaker 1>it out myself. My wife was in Portugal for three

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<v Speaker 1>days and it was the long weekend and I was like, Okay,

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<v Speaker 1>nothing's shooting, I'm not working. I'm gonna just hunker down

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<v Speaker 1>and do it myself. Then we kind of have like

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<v Speaker 1>a little shop behind the house. Um. We got really

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<v Speaker 1>lucky when we found this house. Um, this is kind

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<v Speaker 1>of why we bought it because it has this beautiful garage. Anyway,

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<v Speaker 1>so I was like, I'm gonna get this done in

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<v Speaker 1>three days. It ended up taking like a week and

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<v Speaker 1>a half. But it isn't a rebuild. I took an

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<v Speaker 1>old engine and put it into the car, a rebuilt engine. Okay.

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<v Speaker 1>I used to be a mechanic before film. Okay, see

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<v Speaker 1>that's interesting. So how did you go from before? That

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<v Speaker 1>was boring? But what you just said this is my

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<v Speaker 1>This is my poor attempt at a segue. Um, so

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<v Speaker 1>let's go from that. So you were a mechanic, So

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<v Speaker 1>how do how does one go from mechanic two, did

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<v Speaker 1>you get into stunts? Are acting first? And then which

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<v Speaker 1>how did all of that tell us tell us about usual?

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<v Speaker 1>I'm gonna oh, man, guys, this is such a big

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<v Speaker 1>question because it's like this could be the entire this

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<v Speaker 1>could be the whole thing. So let's back well, I'll

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<v Speaker 1>back up, I'll back up. I'll back up. So my

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<v Speaker 1>mom was always into theater and as a kid, she

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<v Speaker 1>would like usher at all these at all these plays,

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<v Speaker 1>and she would bring me and I would tag along.

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<v Speaker 1>I did a lot of improv as a kid. I

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<v Speaker 1>was always in the theater groups in high school blah

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<v Speaker 1>blah blah blah blah. But I was also a kind

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<v Speaker 1>of a delink quick teenager. So then the minute I

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<v Speaker 1>finished high school, or actually I thought kicked out of

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<v Speaker 1>my high school the last year essentially, Yeah, so I

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<v Speaker 1>was I was peddling substances and they were like, look,

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<v Speaker 1>they're like you haven't And my uncle was the counselor.

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<v Speaker 1>And then my uncle like my mom's brother, and I

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<v Speaker 1>was like, look, Joel, he's like, we don't want you here.

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<v Speaker 1>You don't want to be here. He's like, they're like,

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<v Speaker 1>we will pay for you to go to a technical school.

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<v Speaker 1>And learn a trade because you're probably not going to

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<v Speaker 1>amount to much more than you know, being a plumber,

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<v Speaker 1>which there's nothing wrong with being a plumber, but they

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<v Speaker 1>were basically like at the time there was you know,

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<v Speaker 1>these misconceptions about trades, and they were like, we just

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<v Speaker 1>need you out of the school. So then I loved

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<v Speaker 1>cars and I was drag racing cars illegally at night.

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<v Speaker 1>So I was like, I'll just take a class on mechanics.

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<v Speaker 1>This is great. So then they kicked me out and

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<v Speaker 1>I went to the school and that's how I finished

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<v Speaker 1>high school. I still have a recurring dream that I

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<v Speaker 1>didn't finish high school to this day, I don't know

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<v Speaker 1>how I finished. Hi, I don't remember high school anyway.

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<v Speaker 1>So then I took mechanics and then I ended up

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<v Speaker 1>a job in a shop and I began a mechanic

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<v Speaker 1>for six years straight, like full time. Worked with these

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<v Speaker 1>really tough bikers, and they ended up being like they're

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<v Speaker 1>like fathers to me. They were at my wedding. Um

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<v Speaker 1>they basically I consider them like my fathers. These two

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<v Speaker 1>guys um that ran the shop. But they're like really tough, tough,

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<v Speaker 1>old school, hard around the edges, kind of guys. Um.

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<v Speaker 1>But while I was working as a mechanic, I was

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<v Speaker 1>taking acting classes at night, and I would take my

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<v Speaker 1>vacations if I booked something, or like if I landed

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<v Speaker 1>a job, I'd be like, can I please take a

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<v Speaker 1>week off or whatever? And then I would work at

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<v Speaker 1>like double shifts till like two in the morning, like

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<v Speaker 1>I just needed to figure it out. So then that

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<v Speaker 1>kept going. I was acting, but I was also a mechanic,

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<v Speaker 1>and then I started bartending at night because I started

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<v Speaker 1>skydiving at the time and I needed to pay for

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<v Speaker 1>my sky diving habits. So this is like my red

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<v Speaker 1>out of high school. I'm working in a shop, I'm acting,

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<v Speaker 1>I'm taking Scott Having lessons, and I'm bartending at night

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<v Speaker 1>and burning the candle at both ends. And then um,

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<v Speaker 1>I was also trading kickboxing and became a semi profighter

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<v Speaker 1>for a little bit. So well, yeah, so all these

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<v Speaker 1>things are happening, and eventually I quit mechanics because I

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<v Speaker 1>go I want to be an actor, and I go

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<v Speaker 1>to university then get a four year essentially theater degree

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<v Speaker 1>because my mom and dad were like, you should get

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<v Speaker 1>an education. I was like, okay, fine, and then I

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<v Speaker 1>met a girl who was my girlfriend who's not my wife,

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<v Speaker 1>And after I graduated university, she moved to Toronto. So

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<v Speaker 1>I was like, I don't have a choice. I have

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<v Speaker 1>to go to Toronto. So by the time I moved

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<v Speaker 1>to Toronto, I had been a semi profighter, I'd become

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<v Speaker 1>a professional skydiver, and I had been a mechanic, so

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<v Speaker 1>I had all these little things, and I had started

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<v Speaker 1>base jumping as well, So it kind of was like

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<v Speaker 1>the perfect melting pot to be a stuntman. But I

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<v Speaker 1>didn't know and I didn't plan it right. So eventually

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<v Speaker 1>I moved here and I failed miserably at acting. Like

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<v Speaker 1>is reply, I think I'm still failing. Highly doubt that,

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<v Speaker 1>but it happens. That's learning curve. I think. I think

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<v Speaker 1>that's why we PU. It's so hard. You know, it's

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<v Speaker 1>one of the few, one of your few careers that

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<v Speaker 1>you just said, you're a professional app that you can

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<v Speaker 1>fail and not die. So that's pretty decent. You're allowed

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<v Speaker 1>to like fail a couple of times of being an

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<v Speaker 1>actor as a skydi as a professional skydiver, you fail

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<v Speaker 1>once and that's it. You're done. You're eating burgers through

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<v Speaker 1>a straw. Yeah, god. Now. So, yeah, I moved here,

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<v Speaker 1>and I'm skipping a lot of stuff here, like at

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<v Speaker 1>one point I want to quit mechanics. My car broke down.

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<v Speaker 1>I went back to the shop. I said, can you

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<v Speaker 1>guys fix the car? And they were like, oh, you're

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<v Speaker 1>an actor now, Oh why are you here? And they

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<v Speaker 1>were like, we're busy. Fix it yourself. I was like,

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<v Speaker 1>oh my god. So I went in the back fixed

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<v Speaker 1>it myself and they were like, look, we don't know

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<v Speaker 1>what kind of they used to call it, like kissing classes.

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<v Speaker 1>They were like, I don't know what kind of kissing

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<v Speaker 1>classes you're taking somewhere, but if you're not too busy

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<v Speaker 1>you mind, maybe you're helping us out in between your classes.

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<v Speaker 1>So during my entire theater degree, I would leave my

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<v Speaker 1>classes and go back to the shop that was fifteen

0:12:09.800 --> 0:12:12.360
<v Speaker 1>minutes away and work on cars. So I was living

0:12:12.360 --> 0:12:15.080
<v Speaker 1>like a double life, and I'd be dirty and then

0:12:15.080 --> 0:12:18.160
<v Speaker 1>I go back to the university clean my hands and

0:12:18.200 --> 0:12:21.040
<v Speaker 1>then you know whatever, and then go take theater classes

0:12:21.040 --> 0:12:23.600
<v Speaker 1>and then all my electives. So I was just I'm

0:12:23.640 --> 0:12:26.840
<v Speaker 1>a bit of a workaholic, so I was constantly working anyway.

0:12:27.120 --> 0:12:32.319
<v Speaker 1>So so I moved here, failed miserably tried to get

0:12:32.320 --> 0:12:35.320
<v Speaker 1>into stunts. Everyone shut the door on me. They said,

0:12:35.360 --> 0:12:37.720
<v Speaker 1>don't bother, it's a family thing. And I was like, okay,

0:12:37.760 --> 0:12:40.520
<v Speaker 1>because there's a lot of nepotism everywhere in film, as

0:12:40.520 --> 0:12:43.720
<v Speaker 1>we all know. And uh, I said okay. And then

0:12:43.800 --> 0:12:46.560
<v Speaker 1>I was union at this point, but again failing. And

0:12:46.600 --> 0:12:49.800
<v Speaker 1>then I tried to get agents, and agents nobody wanted.

0:12:50.320 --> 0:12:53.559
<v Speaker 1>Nobody wanted me, and I was like okay. So then

0:12:53.679 --> 0:12:56.160
<v Speaker 1>I just kept sky having, I kept bar attending, and

0:12:56.200 --> 0:12:59.839
<v Speaker 1>then eventually I got a shitty agent, landed a bit

0:12:59.840 --> 0:13:04.040
<v Speaker 1>of stuff. And then one woman in an acting class

0:13:04.440 --> 0:13:06.840
<v Speaker 1>came over to my house because we're running lines or

0:13:06.840 --> 0:13:08.760
<v Speaker 1>something I don't know, and she went in my bathroom

0:13:08.760 --> 0:13:11.480
<v Speaker 1>and saw a picture of me base jumping in Norway.

0:13:12.000 --> 0:13:14.480
<v Speaker 1>She was like, is that you in the in that

0:13:14.520 --> 0:13:16.240
<v Speaker 1>picture in the bathroom? I was like, yeah, it's me.

0:13:16.320 --> 0:13:19.400
<v Speaker 1>She's like, why, why aren't you a stunt man? I

0:13:19.480 --> 0:13:22.079
<v Speaker 1>was like, oh, I was like I tried failed. I

0:13:22.120 --> 0:13:23.839
<v Speaker 1>don't know. I was like, I have one credit from

0:13:23.840 --> 0:13:27.720
<v Speaker 1>back home in Winnipeg, and you know, the door has

0:13:27.760 --> 0:13:29.800
<v Speaker 1>been habitually shut on me. And she's like, let me

0:13:29.800 --> 0:13:32.560
<v Speaker 1>put you in touch with someone The next day, a

0:13:32.640 --> 0:13:36.560
<v Speaker 1>woman called me. She goes, My name's Alicia Turner. I

0:13:36.640 --> 0:13:37.960
<v Speaker 1>was giving your number. Do you want to do a

0:13:38.000 --> 0:13:40.719
<v Speaker 1>fight for m TV pace twenty bucks? That was the

0:13:40.760 --> 0:13:42.920
<v Speaker 1>per diem was twenty bucks. I was so broke. I

0:13:42.960 --> 0:13:46.480
<v Speaker 1>was like, I could use that. Yes, I'll do it.

0:13:46.720 --> 0:13:49.880
<v Speaker 1>So they broke a bottle. Yeah, and I was so desperate.

0:13:49.920 --> 0:13:53.840
<v Speaker 1>And then we did this fight and then broke the

0:13:53.840 --> 0:13:55.760
<v Speaker 1>bottle and then she was like, you should come over

0:13:55.800 --> 0:13:58.839
<v Speaker 1>to my house and and meet someone. So I met

0:13:58.880 --> 0:14:01.559
<v Speaker 1>another stunt woman and they were like, we think you

0:14:01.600 --> 0:14:06.319
<v Speaker 1>should pursue this. And these these two women literally completely

0:14:07.480 --> 0:14:09.960
<v Speaker 1>changed the course of my life, like literally just proof

0:14:10.400 --> 0:14:13.000
<v Speaker 1>a completely different direction. And then they said you got

0:14:13.000 --> 0:14:14.760
<v Speaker 1>it at the time you it was, you know, put

0:14:14.800 --> 0:14:17.400
<v Speaker 1>it on a CD, send it to the productions. And

0:14:17.480 --> 0:14:20.840
<v Speaker 1>I took a year to get this demo reel together,

0:14:21.360 --> 0:14:23.160
<v Speaker 1>and you know, headshots, blah blah blah, and it would

0:14:23.160 --> 0:14:26.920
<v Speaker 1>send these stats, these massive stacks at the post office

0:14:26.960 --> 0:14:30.360
<v Speaker 1>to every production. I just kept doing that for months.

0:14:30.440 --> 0:14:33.200
<v Speaker 1>I think, probably you're and eventually I got a phone call.

0:14:33.320 --> 0:14:35.280
<v Speaker 1>They're like, hey, come on down, and I was like okay.

0:14:35.360 --> 0:14:38.760
<v Speaker 1>And then oddly so at the same time, a good

0:14:38.800 --> 0:14:41.600
<v Speaker 1>agent in town lost a guy that looked like me.

0:14:41.800 --> 0:14:43.480
<v Speaker 1>He moved to l A or I don't know, and

0:14:43.520 --> 0:14:45.280
<v Speaker 1>they're like, you want audition for something? And I was like,

0:14:45.280 --> 0:14:47.240
<v Speaker 1>how do you guys even get my number? It's like, no,

0:14:47.280 --> 0:14:51.280
<v Speaker 1>I'm not interested. They kept bugging me, and I was like,

0:14:51.360 --> 0:14:53.160
<v Speaker 1>final audition for this, but I don't want to be

0:14:53.200 --> 0:14:55.800
<v Speaker 1>an actor. I don't want to act. I hate actors.

0:14:55.840 --> 0:14:58.120
<v Speaker 1>Like I was just like over it. And then I

0:14:58.200 --> 0:15:03.560
<v Speaker 1>almost got this this thing. Yeah, and they were like, look,

0:15:03.640 --> 0:15:06.080
<v Speaker 1>come into the office, give us a year, give us

0:15:06.120 --> 0:15:08.520
<v Speaker 1>a year, and let's just see what happens. So all

0:15:08.560 --> 0:15:11.960
<v Speaker 1>of a sudden things started moving. And then now I've

0:15:12.000 --> 0:15:15.680
<v Speaker 1>been doing this for twelve years. I think I'm almost already. Guys,

0:15:16.360 --> 0:15:19.680
<v Speaker 1>who was fault? It's got to have and keep too young?

0:15:19.720 --> 0:15:27.320
<v Speaker 1>Apparently that's the botox. But sure, Wow, I have so

0:15:27.360 --> 0:15:30.960
<v Speaker 1>many questions because you were just talking NonStop for like

0:15:31.000 --> 0:15:36.680
<v Speaker 1>eighteen minutes. I'm sorry, I'm just like my origin stories, yourself,

0:15:36.840 --> 0:15:41.480
<v Speaker 1>my origin stories. Big um, don't let you. This is

0:15:41.520 --> 0:15:43.960
<v Speaker 1>what we're here for. We're here here you talk. They're

0:15:44.000 --> 0:15:47.760
<v Speaker 1>sick of us talking. This is all about you. I've

0:15:47.880 --> 0:15:49.960
<v Speaker 1>missed you. This is how we used to talk to

0:15:50.000 --> 0:15:53.240
<v Speaker 1>each other on set. People people thought we hated each other.

0:15:53.440 --> 0:15:56.240
<v Speaker 1>Oh dude, I actually do you guys know we brand

0:15:56.280 --> 0:16:01.880
<v Speaker 1>into Isaiah like two months ago. No. No. So my friend,

0:16:02.000 --> 0:16:05.040
<v Speaker 1>one of my best friends, as a stunt coordinator and

0:16:05.160 --> 0:16:08.840
<v Speaker 1>he coordinates a bunch of stuff and I helped him

0:16:08.880 --> 0:16:11.560
<v Speaker 1>build stunts and like I can because I was a mechanic,

0:16:11.560 --> 0:16:14.120
<v Speaker 1>I helped him like rig up stuff and everything. And

0:16:14.200 --> 0:16:15.960
<v Speaker 1>he called me and he's like, look, I need help

0:16:16.000 --> 0:16:18.480
<v Speaker 1>on this commercial. I was like, okay, cool, whatever. He's like,

0:16:18.480 --> 0:16:20.720
<v Speaker 1>it's just a day, pays this much, super good, pay,

0:16:20.800 --> 0:16:22.920
<v Speaker 1>super chilled. I was like yeah, and he's like it's

0:16:22.920 --> 0:16:25.200
<v Speaker 1>an old spice commercial. I was like okay cool. And

0:16:25.240 --> 0:16:28.080
<v Speaker 1>then he's like yeah, apparently you know one of the guys.

0:16:28.200 --> 0:16:31.680
<v Speaker 1>I was like who and then he's like Isaiah Mustaf.

0:16:31.760 --> 0:16:34.320
<v Speaker 1>I was like oh, oh yeah, and I was like

0:16:34.320 --> 0:16:37.800
<v Speaker 1>oh no. I was like oh no. The minute and

0:16:37.800 --> 0:16:39.680
<v Speaker 1>then he texted me like two days laters, like I

0:16:39.720 --> 0:16:42.120
<v Speaker 1>heard you're working with me And I was in charge

0:16:42.120 --> 0:16:45.000
<v Speaker 1>of his safety that day. The minute I walked on set,

0:16:45.120 --> 0:16:51.360
<v Speaker 1>his professionalism must have dropped a solid for like, they

0:16:51.520 --> 0:16:54.200
<v Speaker 1>literally walked up to me and they were like, what

0:16:54.360 --> 0:16:56.080
<v Speaker 1>did you do to the there? Like the minute you

0:16:56.160 --> 0:16:58.480
<v Speaker 1>walked through the door, he basically they were rolling and

0:16:58.520 --> 0:17:00.880
<v Speaker 1>he basically just walked out of frame. And it's just like,

0:17:01.000 --> 0:17:07.679
<v Speaker 1>oh it was. It was ridiculous, so obsessional, but it

0:17:07.760 --> 0:17:09.480
<v Speaker 1>was so good to see it. It was it was

0:17:09.520 --> 0:17:12.720
<v Speaker 1>so nice to see him. But yeah, yeah, the banter

0:17:12.880 --> 0:17:16.160
<v Speaker 1>back and forth on Shadow Hunters was nice. It was

0:17:17.160 --> 0:17:19.800
<v Speaker 1>arguably sometimes got in the way of work, but hey,

0:17:20.440 --> 0:17:25.120
<v Speaker 1>I keep working like this to this day. My professionalism

0:17:25.160 --> 0:17:30.280
<v Speaker 1>hasn't changed in one like one iota. Anything I've done

0:17:30.600 --> 0:17:36.720
<v Speaker 1>well today broke down six And I mean, guys, we

0:17:36.760 --> 0:17:39.879
<v Speaker 1>work long hours. We never know when when our schedules

0:17:39.880 --> 0:17:42.360
<v Speaker 1>are money comes, we make a ship ton of money,

0:17:42.359 --> 0:17:45.240
<v Speaker 1>then we make no money. You know, things come, things go.

0:17:45.800 --> 0:17:47.920
<v Speaker 1>It's just like, we might as well have fun while

0:17:47.960 --> 0:17:50.959
<v Speaker 1>we're while we're going through this journey exactly. Look, if

0:17:50.960 --> 0:17:52.919
<v Speaker 1>you're going to be you know, jumping off of stuff

0:17:53.000 --> 0:17:55.600
<v Speaker 1>or covered in fake blood or crying for seventeen hours

0:17:55.600 --> 0:17:57.200
<v Speaker 1>a day, you might as well have fun while you're

0:17:57.200 --> 0:18:00.359
<v Speaker 1>doing it. Right. My favorite show I think of you

0:18:00.960 --> 0:18:04.359
<v Speaker 1>in the entire show is that shot right at the

0:18:04.480 --> 0:18:06.880
<v Speaker 1>end where we haven't reached this yet in the podcast,

0:18:06.920 --> 0:18:09.040
<v Speaker 1>but the shot right in the end where you're spoiler

0:18:09.040 --> 0:18:13.080
<v Speaker 1>and and you're like half werewolf transformation, you had those

0:18:13.119 --> 0:18:15.160
<v Speaker 1>massive teeth in you can close your mouth and you're

0:18:15.160 --> 0:18:16.800
<v Speaker 1>just like lying there with your eyes open, but it's

0:18:16.840 --> 0:18:19.879
<v Speaker 1>just like all teeth in your mouth. That is my

0:18:19.960 --> 0:18:24.399
<v Speaker 1>favorite shot. I remember that day. I feel like those teeth.

0:18:24.680 --> 0:18:26.719
<v Speaker 1>I feel like, at like eight am, they were like

0:18:27.240 --> 0:18:29.920
<v Speaker 1>who's got the teeth? And everyone each other and it's

0:18:29.960 --> 0:18:32.399
<v Speaker 1>like and they were like and they were like, do

0:18:32.520 --> 0:18:35.040
<v Speaker 1>we not have teeth? And they were like and I

0:18:35.040 --> 0:18:37.679
<v Speaker 1>feel like someone ran into Dollar Rama and got like

0:18:37.880 --> 0:18:39.800
<v Speaker 1>teeth because like I put them in my mouth and

0:18:39.840 --> 0:18:42.760
<v Speaker 1>I was like, I was like, what the what is

0:18:42.840 --> 0:18:46.880
<v Speaker 1>this guy's I definitely feel like the drop the ball

0:18:46.960 --> 0:18:51.639
<v Speaker 1>was dropped on the teeth. Yeah. I once turned up

0:18:51.680 --> 0:18:55.080
<v Speaker 1>on set and the makeup artist went, oh, you have

0:18:55.480 --> 0:18:57.720
<v Speaker 1>different this isn't on shadow answers and when you have

0:18:57.760 --> 0:18:59.879
<v Speaker 1>different colder eyes, and I was like, yeah, yes I do.

0:19:00.240 --> 0:19:04.679
<v Speaker 1>They were like ah shit and had to fix it

0:19:04.880 --> 0:19:06.720
<v Speaker 1>that like that day because the character I was playing

0:19:06.760 --> 0:19:08.439
<v Speaker 1>did not have different colored eyes. But it was like

0:19:08.520 --> 0:19:10.680
<v Speaker 1>two in the morning and they were just like, oh, well,

0:19:10.680 --> 0:19:13.000
<v Speaker 1>we funked up pretty badly here, and I learned from

0:19:13.040 --> 0:19:15.600
<v Speaker 1>that that now I mentioned it in auditions all the time.

0:19:15.600 --> 0:19:17.119
<v Speaker 1>I was like, by the way, I don't know even noticed,

0:19:17.160 --> 0:19:19.479
<v Speaker 1>but they don't match. And they're like, oh, yeah, we noticed.

0:19:19.560 --> 0:19:22.800
<v Speaker 1>Does that happen after not as much anymore they try

0:19:22.840 --> 0:19:26.159
<v Speaker 1>and match them. Uh, it's well so not anymore. No,

0:19:26.400 --> 0:19:28.840
<v Speaker 1>this job, I was playing a real person who existed,

0:19:29.160 --> 0:19:32.040
<v Speaker 1>so with his eye color had to be a very

0:19:32.040 --> 0:19:35.439
<v Speaker 1>specific thing. Um. The two actually, the two times that

0:19:36.560 --> 0:19:40.040
<v Speaker 1>the character was based on books and had a particular

0:19:40.080 --> 0:19:42.720
<v Speaker 1>eye color was Shadow Hunters and was Vampire Academy, and

0:19:42.800 --> 0:19:46.200
<v Speaker 1>both of those directors were like McGee and Mark Waters

0:19:46.200 --> 0:19:48.199
<v Speaker 1>were both like, we love your eyes, but there's no

0:19:48.200 --> 0:19:49.560
<v Speaker 1>way we're going to change them. And I was like, oh,

0:19:49.640 --> 0:19:51.440
<v Speaker 1>you guys are the best. That's really sweet. Yeah, but

0:19:51.560 --> 0:19:54.120
<v Speaker 1>the kid, but I didn't say anything about the eye

0:19:54.119 --> 0:20:00.000
<v Speaker 1>color for shadow Hunters that it yeah, yeah, eyes are yeah.

0:20:00.920 --> 0:20:04.359
<v Speaker 1>So it would have contact lenses, yeah they're gold. Yeah,

0:20:04.400 --> 0:20:07.800
<v Speaker 1>but we've you know, dumb so brilliantly found a way

0:20:07.840 --> 0:20:10.160
<v Speaker 1>to tie it in by making a suggestion of hey,

0:20:10.200 --> 0:20:13.560
<v Speaker 1>when we do the Rooney Gold Powers, let's make his

0:20:13.600 --> 0:20:37.600
<v Speaker 1>eyes glow with the rest, and they did so. I

0:20:38.280 --> 0:20:40.800
<v Speaker 1>how do you you said, you become a professional skydiver?

0:20:41.640 --> 0:20:44.960
<v Speaker 1>Where does that do you pay? Who pays you to

0:20:45.080 --> 0:20:47.080
<v Speaker 1>just jump out of an airplane? Yeah? How do you

0:20:47.080 --> 0:20:48.760
<v Speaker 1>do that? How do you become a professional? How do

0:20:48.800 --> 0:20:52.200
<v Speaker 1>you monetize it? You? I mean, there's not that many

0:20:52.240 --> 0:20:56.720
<v Speaker 1>ways of monetizing it. There's really so you the natural

0:20:56.760 --> 0:20:58.679
<v Speaker 1>progression or the more I should say, the most popular

0:20:59.200 --> 0:21:02.359
<v Speaker 1>progression is, you know, you become a consummate skydiver, and

0:21:02.359 --> 0:21:04.679
<v Speaker 1>then you become a coach, which pays it bit. But

0:21:04.680 --> 0:21:07.480
<v Speaker 1>I would say this, it pays for the the sport,

0:21:07.800 --> 0:21:09.680
<v Speaker 1>Like you just end up getting to a point where

0:21:09.680 --> 0:21:13.920
<v Speaker 1>you're no longer hemorrhaging money. It's just kind of paying

0:21:13.960 --> 0:21:15.840
<v Speaker 1>for itself. And then after that you could become a

0:21:15.920 --> 0:21:20.040
<v Speaker 1>videographer or a tandem instructor. I see, yeah, and those

0:21:20.080 --> 0:21:23.640
<v Speaker 1>guys like if you're making a very comfortable living, I'd say,

0:21:23.640 --> 0:21:25.680
<v Speaker 1>like you're making probably a hundred grand a year to

0:21:25.800 --> 0:21:31.320
<v Speaker 1>be a tandem instructor and you're working. Yeah, and then

0:21:31.359 --> 0:21:34.840
<v Speaker 1>if you are really good, you become like a sponsored athlete,

0:21:34.880 --> 0:21:36.520
<v Speaker 1>and then they usually like read bull, I know, if

0:21:36.520 --> 0:21:39.080
<v Speaker 1>you read bull guys. They're usually on a few d K.

0:21:39.320 --> 0:21:41.600
<v Speaker 1>You're not much like these people aren't rich or anything,

0:21:41.640 --> 0:21:43.880
<v Speaker 1>but you know they get to be flown all over

0:21:43.920 --> 0:21:47.600
<v Speaker 1>the world and do all this cool ship. So I

0:21:47.600 --> 0:21:51.120
<v Speaker 1>mean I would take that over anything. Well. I would

0:21:51.119 --> 0:21:53.800
<v Speaker 1>have thought that the videographers as well, like especially action

0:21:54.280 --> 0:21:57.440
<v Speaker 1>movies and TV, to have like a qualified like who's

0:21:57.440 --> 0:21:59.920
<v Speaker 1>the guy who jumped out of the plane with Tom

0:22:00.320 --> 0:22:03.600
<v Speaker 1>Cruise like sixty times or something silly and didn't the

0:22:03.680 --> 0:22:07.800
<v Speaker 1>same guy Norman Can't, Yeah, and he's like a hundred

0:22:07.920 --> 0:22:12.760
<v Speaker 1>years old, and he's he's, what are you doing jumping

0:22:12.760 --> 0:22:19.199
<v Speaker 1>out of airplanes? Norman? But no, he's bless his heart, No,

0:22:19.400 --> 0:22:22.160
<v Speaker 1>he's his name is Norman Can't, and he's he's been

0:22:22.160 --> 0:22:25.560
<v Speaker 1>doing it for a long time. And I mean videographer

0:22:25.560 --> 0:22:28.439
<v Speaker 1>though usually the people who video just the tandems make

0:22:28.440 --> 0:22:31.119
<v Speaker 1>a good living too, But someone like normal Can't who's

0:22:31.200 --> 0:22:34.760
<v Speaker 1>branched into film as well. Um, obviously that's I think

0:22:34.760 --> 0:22:36.840
<v Speaker 1>the girth of how he makes his living now. But

0:22:36.960 --> 0:22:38.879
<v Speaker 1>I mean, those are those are essentially the ways you

0:22:38.880 --> 0:22:42.040
<v Speaker 1>could do it. But like I loved it, like if

0:22:42.119 --> 0:22:47.960
<v Speaker 1>I yeah, I mean, like anything else, so becomes a job,

0:22:48.400 --> 0:22:50.080
<v Speaker 1>you know what I mean. But it's a fun job.

0:22:50.240 --> 0:22:53.159
<v Speaker 1>I think it's like film, Like film is fun. But

0:22:53.280 --> 0:22:55.720
<v Speaker 1>some days you wake up and you're like, I mean,

0:22:55.720 --> 0:22:57.560
<v Speaker 1>I don't know about you, guys, but I have days

0:22:57.640 --> 0:23:01.680
<v Speaker 1>where you know, I'm on set and I'm like around

0:23:00.600 --> 0:23:06.159
<v Speaker 1>it and I'm like, what else could I do? I do?

0:23:06.520 --> 0:23:09.600
<v Speaker 1>It's not even that I wake up some days cats

0:23:09.640 --> 0:23:16.159
<v Speaker 1>like no, I love it. No, No. I think the

0:23:16.200 --> 0:23:18.639
<v Speaker 1>closest I've ever had is like during the pandemic and

0:23:18.720 --> 0:23:20.960
<v Speaker 1>I'm like, am I ever going to work again? What's happening?

0:23:21.440 --> 0:23:23.600
<v Speaker 1>I'm like, should I do something else with my life?

0:23:23.680 --> 0:23:26.840
<v Speaker 1>I don't know, but but no, the answer is always no. No.

0:23:26.960 --> 0:23:29.800
<v Speaker 1>I've definitely I've woken up on days and been and

0:23:29.840 --> 0:23:32.520
<v Speaker 1>looked at the cool sheet and been like, oh, not today,

0:23:33.040 --> 0:23:35.280
<v Speaker 1>not today. I just you know what I mean. I've

0:23:35.280 --> 0:23:37.680
<v Speaker 1>had those days, whether it's a person that I'm working with,

0:23:37.920 --> 0:23:40.640
<v Speaker 1>or like I haven't quite healed from doing my last

0:23:40.640 --> 0:23:42.399
<v Speaker 1>set of stunts, and then I'm like, oh, this is

0:23:42.400 --> 0:23:44.240
<v Speaker 1>the one where I get my ask kicked. Okay, cool,

0:23:44.560 --> 0:23:46.200
<v Speaker 1>all right, it's gonna be a tough day. What set

0:23:46.240 --> 0:23:47.560
<v Speaker 1>is it on? Oh, it's on the set. With all

0:23:47.600 --> 0:23:49.880
<v Speaker 1>those loose nails. This is gonna be this is gonna

0:23:49.880 --> 0:23:52.399
<v Speaker 1>be a day. But always when I get there and

0:23:52.400 --> 0:23:54.840
<v Speaker 1>I get into it and we start talking to you know,

0:23:55.119 --> 0:23:58.679
<v Speaker 1>other actors, you guys that does re Bolster, Like, you

0:23:58.720 --> 0:24:00.080
<v Speaker 1>get there and you're like, this is why I do it,

0:24:00.160 --> 0:24:02.800
<v Speaker 1>this is fun. I'm enjoying this again. I have these

0:24:02.840 --> 0:24:05.199
<v Speaker 1>moments like I look around, I'm like fuck. But then

0:24:05.240 --> 0:24:07.199
<v Speaker 1>at the end of the day, it's like, and I

0:24:07.240 --> 0:24:09.800
<v Speaker 1>agree with you. You know, you look at the call

0:24:09.880 --> 0:24:11.320
<v Speaker 1>she and you're like, oh my god, this is the

0:24:11.440 --> 0:24:14.160
<v Speaker 1>day that dreading or and even the pandemic and even

0:24:14.160 --> 0:24:18.280
<v Speaker 1>the pandemic I had that cat I did. I was like, fuck,

0:24:18.600 --> 0:24:21.320
<v Speaker 1>like what am I going to do? But I'd say

0:24:21.400 --> 0:24:24.439
<v Speaker 1>ninety nine percent of the time, I'm like, this is

0:24:24.480 --> 0:24:28.280
<v Speaker 1>just what I do. I'm married to this game. That's

0:24:28.400 --> 0:24:31.879
<v Speaker 1>That's always the advice, you know that I think it's

0:24:31.920 --> 0:24:34.159
<v Speaker 1>most important to remember in this industry because you have

0:24:34.240 --> 0:24:36.199
<v Speaker 1>to love it. It's not an easy job. But if

0:24:36.240 --> 0:24:37.840
<v Speaker 1>you love it and if you get out of bed

0:24:37.840 --> 0:24:39.440
<v Speaker 1>and the one thing you want to do in the world,

0:24:39.480 --> 0:24:42.680
<v Speaker 1>it's the most wonderful job. Yeah. I have a lot

0:24:42.720 --> 0:24:45.160
<v Speaker 1>of like show funk, like I have a lot of

0:24:45.280 --> 0:24:48.560
<v Speaker 1>I see if they let me do this moment. Like

0:24:48.720 --> 0:24:50.640
<v Speaker 1>I have these moments where I'm like, as if I'm

0:24:50.680 --> 0:24:52.879
<v Speaker 1>getting paid, And it's often with car stuff when they

0:24:52.920 --> 0:24:54.320
<v Speaker 1>give me the keys to the car and they're like

0:24:54.359 --> 0:24:56.320
<v Speaker 1>just go go go to your stuff, and I'm like

0:24:57.840 --> 0:25:07.479
<v Speaker 1>you sure, yeah, right, I'm like, okay, alright, right, Um,

0:25:07.520 --> 0:25:10.360
<v Speaker 1>I shot a car chase. I don't know three weeks ago.

0:25:10.400 --> 0:25:12.320
<v Speaker 1>I have no concept of time, by the way, because

0:25:12.359 --> 0:25:14.440
<v Speaker 1>I think it's from being a stunt guy. I don't

0:25:14.480 --> 0:25:17.159
<v Speaker 1>remember stuff like like time frames, names, stuff. So I

0:25:17.160 --> 0:25:18.720
<v Speaker 1>think I shot. I think it was three weeks ago.

0:25:18.960 --> 0:25:21.720
<v Speaker 1>But we shot. We locked off this really windy road

0:25:21.720 --> 0:25:25.000
<v Speaker 1>in Hamilton's and we had cops everywhere blocking the roads,

0:25:25.080 --> 0:25:27.920
<v Speaker 1>and I was I had cameras mounted to a motorcycle

0:25:28.240 --> 0:25:30.320
<v Speaker 1>and I was bombing down. It said like speed limit

0:25:30.400 --> 0:25:32.439
<v Speaker 1>forty and we're going like a hundred and ten. And

0:25:32.480 --> 0:25:35.520
<v Speaker 1>you could just tell that the cops were just like like, yeah,

0:25:35.720 --> 0:25:38.320
<v Speaker 1>the cops were. You could tell that they were. I

0:25:38.320 --> 0:25:41.040
<v Speaker 1>don't know. If it's jealousy, I don't know, if it's admiration,

0:25:41.119 --> 0:25:43.480
<v Speaker 1>I don't I can't tell. But they're just like you

0:25:43.520 --> 0:25:45.760
<v Speaker 1>know that this is illegal and you could never get

0:25:45.760 --> 0:25:49.160
<v Speaker 1>away with this in any other circumstance, but this one.

0:25:49.600 --> 0:25:52.040
<v Speaker 1>And we had all these cars swerving and they were

0:25:52.160 --> 0:25:54.960
<v Speaker 1>following my motorcycle and I was bombing and I was

0:25:55.040 --> 0:25:57.119
<v Speaker 1>like and it was the middle of the night, like

0:25:57.200 --> 0:26:00.359
<v Speaker 1>two in the morning, and that's one of those moments

0:26:00.359 --> 0:26:03.600
<v Speaker 1>where it's just like, man, I was like, it's ridiculous

0:26:03.640 --> 0:26:05.760
<v Speaker 1>that I get pay. I can't believe they let us

0:26:05.800 --> 0:26:07.840
<v Speaker 1>do this sort of stuff. Yeah, closing down the street

0:26:07.960 --> 0:26:10.600
<v Speaker 1>in general is always good fun because you're like, this

0:26:10.640 --> 0:26:12.720
<v Speaker 1>is a this is an insane thing that we're doing.

0:26:12.760 --> 0:26:14.639
<v Speaker 1>Like we shot the last show I just did. We

0:26:14.640 --> 0:26:17.080
<v Speaker 1>shot in the Plaza Hotel in New York, and that

0:26:17.440 --> 0:26:20.480
<v Speaker 1>we had their whole ballroom, this like super exclusive club

0:26:20.520 --> 0:26:22.199
<v Speaker 1>that you have to pay thousands of dollars to get in,

0:26:22.200 --> 0:26:24.080
<v Speaker 1>and we just shut it down for three days. And

0:26:24.119 --> 0:26:25.879
<v Speaker 1>we walk in every day and be like, there are

0:26:25.960 --> 0:26:28.600
<v Speaker 1>so many people who are angry that we're here, but

0:26:28.640 --> 0:26:30.959
<v Speaker 1>like them, we're here making a shot. Fuck you. This

0:26:31.000 --> 0:26:32.919
<v Speaker 1>is what we do. The beauty of film. You just

0:26:33.000 --> 0:26:37.200
<v Speaker 1>bully your way into locations. Yeah, well, even in Toronto

0:26:37.560 --> 0:26:39.920
<v Speaker 1>for some of our finale episodes. We would shut down

0:26:39.960 --> 0:26:42.439
<v Speaker 1>some of the main streets and downtown Toronto and just

0:26:42.760 --> 0:26:45.720
<v Speaker 1>run around pretending like we were getting dive found by demons.

0:26:46.280 --> 0:26:49.000
<v Speaker 1>So annoying. Is so annoying when you're not filming, it's

0:26:49.000 --> 0:26:50.800
<v Speaker 1>the most annoying thing. They used to shoot a lot

0:26:50.840 --> 0:26:53.320
<v Speaker 1>of suits. I think the lobby for the law office

0:26:53.320 --> 0:26:56.320
<v Speaker 1>in suits was the lobby of my building. So I

0:26:56.320 --> 0:26:58.120
<v Speaker 1>would come down and you know, it's that thing where

0:26:58.119 --> 0:27:00.480
<v Speaker 1>you're like where you're already late, and then it's everyone

0:27:00.480 --> 0:27:02.520
<v Speaker 1>else's vote that I woke up late, you know what

0:27:02.520 --> 0:27:04.359
<v Speaker 1>I mean. So I'm like getting down. I can see

0:27:04.600 --> 0:27:06.080
<v Speaker 1>like my car is waiting for me, and they're like,

0:27:06.080 --> 0:27:07.359
<v Speaker 1>can you just hold on for one second? And I'm

0:27:07.400 --> 0:27:10.520
<v Speaker 1>like a fox's sake, of course, yes, I'll wait. I

0:27:10.600 --> 0:27:13.040
<v Speaker 1>understand exactly what you're doing in our respect it, but

0:27:13.160 --> 0:27:17.240
<v Speaker 1>I'm so annoyed. I I've been on suites once and

0:27:18.119 --> 0:27:21.440
<v Speaker 1>that was one set where I was like, oh my lord.

0:27:21.680 --> 0:27:24.080
<v Speaker 1>I was like, I'm not working on this set again.

0:27:24.119 --> 0:27:26.439
<v Speaker 1>I have I'm not going to name any names, but

0:27:26.640 --> 0:27:28.960
<v Speaker 1>I have never worked on the set. It's almost like

0:27:29.359 --> 0:27:31.960
<v Speaker 1>the scripts came out and the actors were like, fuck

0:27:32.040 --> 0:27:37.040
<v Speaker 1>the script like they didn't. It was like it was madness.

0:27:37.480 --> 0:27:41.040
<v Speaker 1>And and first show that it's so heavy on dialogue,

0:27:41.440 --> 0:27:44.199
<v Speaker 1>you would think that everyone is so off, but but

0:27:44.280 --> 0:27:47.400
<v Speaker 1>it was like essentially it was they were like action

0:27:47.520 --> 0:27:49.480
<v Speaker 1>and the actors like line, like right out of the

0:27:49.520 --> 0:27:52.320
<v Speaker 1>gates line and you're like and then like two words

0:27:52.320 --> 0:27:54.280
<v Speaker 1>and they were like line And I was like what why?

0:27:54.480 --> 0:27:56.360
<v Speaker 1>What is going on? And it's crazy. I got home

0:27:56.400 --> 0:27:57.840
<v Speaker 1>that day and I told my wife, She's how was

0:27:57.880 --> 0:28:00.680
<v Speaker 1>your day? I was like, I don't think I'm gonna

0:28:00.680 --> 0:28:03.000
<v Speaker 1>work on this show again. I was like, that was madness.

0:28:03.200 --> 0:28:05.520
<v Speaker 1>It was madness. It is one of those examples where

0:28:05.520 --> 0:28:06.840
<v Speaker 1>it's a show that I worked on and I was like,

0:28:06.880 --> 0:28:09.119
<v Speaker 1>oh man, I think I would kill myself if I

0:28:09.119 --> 0:28:11.720
<v Speaker 1>worked on the show full time. Wow, But I'm not

0:28:11.720 --> 0:28:14.320
<v Speaker 1>gonna name it. I'm not gonna name names. Well, I'm

0:28:14.320 --> 0:28:18.640
<v Speaker 1>glad you don't feel that way about shadow Hunters. It's

0:28:18.720 --> 0:28:21.600
<v Speaker 1>like I gotta go. No. Shadow Hunters was you know

0:28:21.600 --> 0:28:24.600
<v Speaker 1>what shadows Hunters was? I was hired for four episodes

0:28:24.640 --> 0:28:28.719
<v Speaker 1>and I kept getting strung along longer and longer and longer.

0:28:29.000 --> 0:28:33.040
<v Speaker 1>So yeah, yeah, and I was just honestly, I was

0:28:33.119 --> 0:28:35.560
<v Speaker 1>just grateful and I try and even I try and

0:28:35.600 --> 0:28:37.880
<v Speaker 1>go through my day to day of this and more

0:28:37.920 --> 0:28:39.680
<v Speaker 1>and more as I grow up, and it's just like

0:28:39.720 --> 0:28:42.120
<v Speaker 1>I'm grateful that I have. I'm grateful that I am,

0:28:42.440 --> 0:28:44.280
<v Speaker 1>and all of us, all three of us, like we

0:28:44.360 --> 0:28:46.600
<v Speaker 1>are the one per centers of film where we get

0:28:46.640 --> 0:28:48.760
<v Speaker 1>to say, yeah, this is what we do for a living,

0:28:48.840 --> 0:28:52.880
<v Speaker 1>and it's like we're really lucky. And it's like Shadow Hunters.

0:28:52.960 --> 0:28:54.880
<v Speaker 1>I was just trying to be grateful about it because

0:28:54.880 --> 0:28:56.840
<v Speaker 1>I was just like, man, they told me I would

0:28:56.880 --> 0:28:58.520
<v Speaker 1>only be here for like a month, and then like

0:28:58.840 --> 0:29:01.760
<v Speaker 1>the writers but texted me and be like you're still

0:29:02.000 --> 0:29:06.800
<v Speaker 1>You're still in for a little bit longer and yeah,

0:29:06.920 --> 0:29:09.080
<v Speaker 1>and I was just like this is It was just

0:29:09.200 --> 0:29:12.040
<v Speaker 1>something that as it went further and further, I knew

0:29:12.040 --> 0:29:15.120
<v Speaker 1>my time would come to an end. But I was like, man,

0:29:15.160 --> 0:29:17.600
<v Speaker 1>I was like, I got so much more out of this,

0:29:17.680 --> 0:29:20.800
<v Speaker 1>and I thought I was then I thought I ever

0:29:20.960 --> 0:29:25.160
<v Speaker 1>was going to get, you know, exposure, the fans, everything.

0:29:25.200 --> 0:29:27.520
<v Speaker 1>So I was just like, if the ride ends tomorrow,

0:29:27.680 --> 0:29:30.400
<v Speaker 1>I'm cool. I'm fine. Oh we're glad you're on the road.

0:29:31.200 --> 0:29:33.959
<v Speaker 1>How did you How did you get involved in Shadow

0:29:34.000 --> 0:29:38.000
<v Speaker 1>Hunton's what was your how did your journey stopped? Uh

0:29:38.320 --> 0:29:41.719
<v Speaker 1>that summer or whenever it was spring, summer, whatever it was.

0:29:41.840 --> 0:29:45.080
<v Speaker 1>I was auditioning a lot, but I was like auditioning

0:29:45.160 --> 0:29:48.840
<v Speaker 1>callback callback nothing, auditioning callback callback nothing. It was weird

0:29:49.400 --> 0:29:51.920
<v Speaker 1>and it and Shadow Hunters came up and I gied

0:29:51.920 --> 0:29:58.880
<v Speaker 1>for like three roles. I auditioned for Aleric Hang hang porn,

0:30:00.560 --> 0:30:03.360
<v Speaker 1>so one of the characters, and then what did Meliorn?

0:30:03.760 --> 0:30:11.040
<v Speaker 1>Which is funny to even think of, very different, It

0:30:11.080 --> 0:30:13.600
<v Speaker 1>would have been a very different John. You didn't even

0:30:13.680 --> 0:30:21.800
<v Speaker 1>pretend like you're like now, yeah, exactly like you can't ye,

0:30:24.200 --> 0:30:26.200
<v Speaker 1>no even yeah, like think of it for a second.

0:30:26.200 --> 0:30:28.920
<v Speaker 1>I mean, let no one other than Jade as Meliorn.

0:30:29.040 --> 0:30:32.560
<v Speaker 1>That's just full sty He's perfect, But no one else

0:30:32.680 --> 0:30:35.960
<v Speaker 1>is Alaric. But you, I honestly could not see anyone

0:30:36.000 --> 0:30:39.680
<v Speaker 1>else playing the role any other way. I mean, truly,

0:30:40.240 --> 0:30:44.920
<v Speaker 1>stop it, truly stop it. I mean it. I'm not

0:30:44.920 --> 0:30:50.080
<v Speaker 1>gonna stop blowing smoke of my never being so sweet,

0:30:50.320 --> 0:30:53.760
<v Speaker 1>but thank you. Um so, I auditioned for Aleric and

0:30:53.760 --> 0:30:56.640
<v Speaker 1>I thought it had gone horribly and you know what,

0:30:56.680 --> 0:30:58.440
<v Speaker 1>I was in a rush. I think my wife and

0:30:58.480 --> 0:31:02.560
<v Speaker 1>I had to go We're going to Ikea and we're

0:31:02.600 --> 0:31:04.840
<v Speaker 1>trying to like beat the clock or something that we

0:31:05.000 --> 0:31:07.640
<v Speaker 1>needed to get to Ikea. And like she came with

0:31:07.680 --> 0:31:09.760
<v Speaker 1>me to the audition. I like literally parked my car

0:31:09.880 --> 0:31:11.280
<v Speaker 1>through the hazards and I was like, I'll be back

0:31:11.280 --> 0:31:14.200
<v Speaker 1>in two minutes, and I ran up the stairs instead

0:31:14.200 --> 0:31:16.000
<v Speaker 1>of taking the elevator. So when I got to the

0:31:16.040 --> 0:31:21.000
<v Speaker 1>audition room, I was like like, I was like and like,

0:31:21.040 --> 0:31:23.360
<v Speaker 1>you know, when you're like elevated like that, it's hard

0:31:23.400 --> 0:31:25.880
<v Speaker 1>to bring yourself back down. And I was like, and there,

0:31:25.920 --> 0:31:27.680
<v Speaker 1>and you know, sometimes they're like, oh, Joe, we'll be

0:31:27.720 --> 0:31:29.240
<v Speaker 1>with you in five minutes. I got there and they're like,

0:31:29.280 --> 0:31:31.120
<v Speaker 1>gives you right now, and I was like, oh fuck.

0:31:31.560 --> 0:31:33.520
<v Speaker 1>And like I got in the room and I was

0:31:33.560 --> 0:31:40.200
<v Speaker 1>just like oh. And I was like not grounded, not ready, sweating,

0:31:40.400 --> 0:31:43.040
<v Speaker 1>breathing heavy, and it was over before I knew it.

0:31:43.040 --> 0:31:44.640
<v Speaker 1>And I walked out of that audition. I was like,

0:31:45.320 --> 0:31:49.360
<v Speaker 1>waste time now and then um, and then they come

0:31:49.440 --> 0:31:54.040
<v Speaker 1>back for a call back. Yeah, and I was like, oh, strange.

0:31:54.360 --> 0:31:59.120
<v Speaker 1>And then at the call back, the reader she's from Winnipeg.

0:31:59.200 --> 0:32:01.160
<v Speaker 1>I'm from Winnipegan She's like, are you from Winnipeg. I

0:32:01.200 --> 0:32:04.600
<v Speaker 1>was like I am, and she was like, I'm from Winnipeg.

0:32:04.720 --> 0:32:08.640
<v Speaker 1>So then we started chatting and totally threw me off.

0:32:08.840 --> 0:32:11.160
<v Speaker 1>So we started trying for like ten minutes, and then

0:32:11.320 --> 0:32:12.520
<v Speaker 1>by the time that it was time for me to

0:32:12.520 --> 0:32:14.440
<v Speaker 1>the audition, I couldn't remember any of my lines. I

0:32:14.480 --> 0:32:17.600
<v Speaker 1>was just like because we just she politely threw me

0:32:17.680 --> 0:32:20.480
<v Speaker 1>off anyway, So that was my call back. So then

0:32:20.560 --> 0:32:23.120
<v Speaker 1>at this point I'm like, whatever it is, what it is,

0:32:23.120 --> 0:32:26.360
<v Speaker 1>It's all good. And then like two months later, I

0:32:26.400 --> 0:32:28.680
<v Speaker 1>got a call from my agent and they really like you.

0:32:28.760 --> 0:32:30.680
<v Speaker 1>They think they want you, but they're a little bit

0:32:30.680 --> 0:32:33.080
<v Speaker 1>concerned about the stunt stuff. And I was like, oh

0:32:33.120 --> 0:32:35.280
<v Speaker 1>my god, has a here we go. And that seems

0:32:35.280 --> 0:32:39.520
<v Speaker 1>to be the case until about like two years ago.

0:32:40.160 --> 0:32:44.200
<v Speaker 1>Everyone goes, oh, we like you, Joel, but your stunts

0:32:45.040 --> 0:32:47.000
<v Speaker 1>because like you guys, if you look on my IMDb,

0:32:47.480 --> 0:32:50.040
<v Speaker 1>that's hard to hide all those credits. It's a long

0:32:50.160 --> 0:32:52.840
<v Speaker 1>threat all right in front of me. Is that? Why

0:32:52.920 --> 0:32:56.640
<v Speaker 1>is that a concern? Then? For folks is case you

0:32:56.680 --> 0:32:59.160
<v Speaker 1>get her on another job, in case you get hurt

0:32:59.240 --> 0:33:01.440
<v Speaker 1>on another job up and there's a stigma with stunt

0:33:01.440 --> 0:33:05.080
<v Speaker 1>people that they can't act. M and I mean interesting,

0:33:05.400 --> 0:33:08.520
<v Speaker 1>not true. There's some seriously good true in this true

0:33:08.520 --> 0:33:10.920
<v Speaker 1>in Joe's case obviously, but in the rest of the time,

0:33:13.200 --> 0:33:17.000
<v Speaker 1>most stunt people are poor no actors. They're por no actors.

0:33:17.040 --> 0:33:20.040
<v Speaker 1>You know, like you give them one line, like you know,

0:33:20.400 --> 0:33:23.400
<v Speaker 1>she went that way, and they're just like they're stiff,

0:33:23.600 --> 0:33:26.600
<v Speaker 1>and they're like, she went that way, Like they're so stiff,

0:33:26.640 --> 0:33:29.120
<v Speaker 1>and there's nothing There is a very sage choice of

0:33:29.160 --> 0:33:34.880
<v Speaker 1>words when you're describing porn actors. But that's stiff and stiff. Um,

0:33:35.040 --> 0:33:37.720
<v Speaker 1>you'd be less stiff because that's the issue we're having

0:33:37.960 --> 0:33:50.120
<v Speaker 1>and keep having a zoom out so they're so erecked. Um.

0:33:50.160 --> 0:33:53.400
<v Speaker 1>But yeah, I think the concerns most stunt guys can't act,

0:33:54.760 --> 0:33:59.440
<v Speaker 1>they can't yeah. And and honestly, I think because I

0:33:59.480 --> 0:34:02.160
<v Speaker 1>do both and I really truly flip flop now like

0:34:02.200 --> 0:34:06.800
<v Speaker 1>I really do Um, I think it's because acting you're

0:34:06.880 --> 0:34:10.120
<v Speaker 1>using left brain, and stunts you're on your using your

0:34:10.160 --> 0:34:12.879
<v Speaker 1>right brain, where I really truly believe that interesting. You're

0:34:12.880 --> 0:34:14.919
<v Speaker 1>trying to be creative, you're trying to go with the flow,

0:34:14.960 --> 0:34:17.200
<v Speaker 1>you're trying to just be in the moment. With acting

0:34:17.280 --> 0:34:19.600
<v Speaker 1>and stunts, you can't do that. You have to pay attention,

0:34:19.800 --> 0:34:22.799
<v Speaker 1>you have to protect people yourself. You have to hit

0:34:22.840 --> 0:34:25.920
<v Speaker 1>the mark sometimes, like it's the difference. I just did

0:34:25.960 --> 0:34:30.600
<v Speaker 1>a twenty ratchet on a or Arnold Schwartzenegger series last

0:34:30.640 --> 0:34:35.120
<v Speaker 1>week with someone there's an explosion. I was doubling Gabrielle Luna,

0:34:35.160 --> 0:34:37.800
<v Speaker 1>the guy who played T three in The Last Terminator.

0:34:37.920 --> 0:34:40.520
<v Speaker 1>I've been doubling the most season or all summer, and

0:34:40.640 --> 0:34:42.640
<v Speaker 1>we both had to tention these lines. And if we

0:34:42.760 --> 0:34:45.200
<v Speaker 1>both intention the line, the other person would get the

0:34:45.280 --> 0:34:48.600
<v Speaker 1>tension and we get thrown like forty ft into a

0:34:48.640 --> 0:34:51.759
<v Speaker 1>wall and essentially you could kill them, repaaralyze them, right,

0:34:51.800 --> 0:34:54.080
<v Speaker 1>So there's a lot of trust. So again, you have

0:34:54.200 --> 0:34:55.879
<v Speaker 1>to hit your marks. You have to be perfect. So

0:34:56.400 --> 0:35:00.919
<v Speaker 1>that's kind of my my reasoning and my me trying

0:35:00.960 --> 0:35:03.960
<v Speaker 1>to kind of justify with stunt people because I have

0:35:04.000 --> 0:35:06.799
<v Speaker 1>a big heart forstential um and actress too. But I mean,

0:35:06.920 --> 0:35:09.359
<v Speaker 1>I think that's why stunt guys and stunt women can't

0:35:09.360 --> 0:35:12.520
<v Speaker 1>after you will because they can't. It's try and do

0:35:12.560 --> 0:35:14.560
<v Speaker 1>a scene and and and play a sport at the

0:35:14.560 --> 0:35:16.920
<v Speaker 1>same time you're gonna either not see your lines properly,

0:35:16.920 --> 0:35:19.440
<v Speaker 1>You're gonna totally stuck at the sport, right. But anyway,

0:35:19.480 --> 0:35:21.440
<v Speaker 1>I think that's the concern. They go, oh, he's a

0:35:21.440 --> 0:35:24.120
<v Speaker 1>stunt guy, he's not an actor. So they went back

0:35:24.160 --> 0:35:26.919
<v Speaker 1>and forth a lot, which the network was going to act, forth,

0:35:26.920 --> 0:35:29.640
<v Speaker 1>back and forth, and uh, that was the big concern.

0:35:29.680 --> 0:35:32.000
<v Speaker 1>But at the same time, I can't change that. You know,

0:35:32.160 --> 0:35:34.799
<v Speaker 1>if you're concern is that I'm a stunt person, I

0:35:34.800 --> 0:35:36.560
<v Speaker 1>don't know what to tell you, you know what I mean,

0:35:36.680 --> 0:35:38.719
<v Speaker 1>and I'm not I'm not going to change. But it's

0:35:38.760 --> 0:35:42.000
<v Speaker 1>interesting that they brought it up like after. It's interesting

0:35:42.080 --> 0:35:44.560
<v Speaker 1>that conversation happens after you've been in the room, Like

0:35:44.600 --> 0:35:47.320
<v Speaker 1>I would understand it more from a costume director. He's like,

0:35:47.400 --> 0:35:49.160
<v Speaker 1>are you willing to see this person, and like, we're

0:35:49.200 --> 0:35:51.680
<v Speaker 1>concerned about the stunt stuff, Like that's the concern. We

0:35:51.719 --> 0:35:53.880
<v Speaker 1>have full disclosure. But they saw you when you proved

0:35:53.880 --> 0:35:56.880
<v Speaker 1>yourself twice, and then they were like, now we're concerned

0:35:56.880 --> 0:35:58.319
<v Speaker 1>about the sun stuff. And you're like, well, you saw

0:35:58.400 --> 0:36:01.279
<v Speaker 1>him do the acting section already happening back for it,

0:36:01.400 --> 0:36:03.759
<v Speaker 1>so what's the issue? You know, it happens a lot

0:36:03.920 --> 0:36:06.560
<v Speaker 1>or they go, oh, well, I don't know what it is,

0:36:06.600 --> 0:36:09.239
<v Speaker 1>but it's it's a concern. But lately what happens is

0:36:10.120 --> 0:36:11.920
<v Speaker 1>there's more of a push now for actors to do

0:36:11.960 --> 0:36:15.319
<v Speaker 1>their own action, right, So, and I think it looks

0:36:15.320 --> 0:36:17.319
<v Speaker 1>great when actors being an action. I think it's I

0:36:17.360 --> 0:36:21.600
<v Speaker 1>think it's it's undeniably better when we can get an

0:36:21.640 --> 0:36:24.320
<v Speaker 1>actress or an actor to do a good chunk of

0:36:24.360 --> 0:36:29.160
<v Speaker 1>their fight. Is that coming through a laughing on that

0:36:31.239 --> 0:36:39.080
<v Speaker 1>hid just stops now that that came through, it was wonderful.

0:36:39.400 --> 0:36:42.279
<v Speaker 1>But but speaking of of all of that, you know,

0:36:42.400 --> 0:36:44.879
<v Speaker 1>when you first get I mean, your stunt experience turned

0:36:44.880 --> 0:36:47.120
<v Speaker 1>out to be a huge advantage on shadow Unchers. In

0:36:47.160 --> 0:36:51.239
<v Speaker 1>the end, it did like they would always put me

0:36:51.440 --> 0:36:53.640
<v Speaker 1>and they wanted me to do more on shadow Hunters.

0:36:53.640 --> 0:36:56.920
<v Speaker 1>But he just got diluted, as things do occasionally or often.

0:36:57.320 --> 0:37:00.720
<v Speaker 1>But um, yeah, like they wanted me to do do some driving.

0:37:00.800 --> 0:37:02.319
<v Speaker 1>I did it. They wanted me to do this and

0:37:02.360 --> 0:37:04.279
<v Speaker 1>did it. I did it. And the stunt coordinator was like, look,

0:37:04.320 --> 0:37:06.120
<v Speaker 1>if if we had to double him, I would have

0:37:06.160 --> 0:37:09.319
<v Speaker 1>hired him. So it has to be him because if

0:37:09.320 --> 0:37:11.879
<v Speaker 1>we get a stunt double, the stunt double will most

0:37:11.880 --> 0:37:14.719
<v Speaker 1>likely be less experienced in Trull, which is kind of

0:37:14.719 --> 0:37:18.000
<v Speaker 1>a weird thing to say, right, but it did. It

0:37:18.080 --> 0:37:20.680
<v Speaker 1>was an advantage on shadow Hunters, and it's starting to

0:37:20.719 --> 0:37:23.960
<v Speaker 1>be an advantage now, like people are starting to go, oh,

0:37:24.040 --> 0:37:28.080
<v Speaker 1>you can do both. You can't. But it's taken the

0:37:28.120 --> 0:37:30.319
<v Speaker 1>better part of a decade, you know what I mean

0:37:30.480 --> 0:37:34.480
<v Speaker 1>for people to recognize that, you know, it's an uphill

0:37:34.520 --> 0:37:57.520
<v Speaker 1>battle still though. Sure, we'll tell us a little bit

0:37:57.560 --> 0:38:00.239
<v Speaker 1>more about when you first found out about all and

0:38:00.280 --> 0:38:02.520
<v Speaker 1>when you first started looking into the character. How much

0:38:02.560 --> 0:38:04.440
<v Speaker 1>did you know? Did you know he was a werewolf?

0:38:04.480 --> 0:38:06.879
<v Speaker 1>Did you know he was what did you know? And

0:38:07.160 --> 0:38:09.600
<v Speaker 1>how how was that process for your funny Okay, you're

0:38:09.600 --> 0:38:11.520
<v Speaker 1>gonna be a cop. Oh and by the way, you're

0:38:11.520 --> 0:38:18.279
<v Speaker 1>also a wearawolf. I remember looking into it and going, oh, oh,

0:38:18.360 --> 0:38:22.960
<v Speaker 1>I like this guy because I played him as he's

0:38:23.040 --> 0:38:27.880
<v Speaker 1>just not a happy human. He's grumpy. He's so grumpy,

0:38:28.000 --> 0:38:31.960
<v Speaker 1>so grumpy, never happy, he never smiles. And I was like, oh,

0:38:32.000 --> 0:38:33.719
<v Speaker 1>this is nice. I was like, I could I could

0:38:33.719 --> 0:38:36.680
<v Speaker 1>get into this. So I remember that was my initial

0:38:36.800 --> 0:38:40.480
<v Speaker 1>thing and and I leaned into that more than anything

0:38:40.520 --> 0:38:43.040
<v Speaker 1>because I was just like I just I like, I'm

0:38:43.080 --> 0:38:46.640
<v Speaker 1>a fairly happy person. I am, And like I said,

0:38:46.640 --> 0:38:48.680
<v Speaker 1>as I get older, I try and see trying to

0:38:48.719 --> 0:38:50.839
<v Speaker 1>be more grateful. I try and see more. I try.

0:38:50.880 --> 0:38:54.200
<v Speaker 1>I don't get mad. I rarely get mad, if ever, anymore.

0:38:54.520 --> 0:38:56.200
<v Speaker 1>And even back then I was like that, just not

0:38:56.239 --> 0:38:58.440
<v Speaker 1>as much as now. So to get a character like that,

0:38:58.520 --> 0:39:00.840
<v Speaker 1>you just go, oh, I could lean into something that

0:39:00.880 --> 0:39:03.279
<v Speaker 1>I don't get to lean into in real life, you

0:39:03.320 --> 0:39:06.200
<v Speaker 1>know what I mean. So so that was my first

0:39:06.520 --> 0:39:10.040
<v Speaker 1>initial thought of him. And then also my biggest thing

0:39:10.160 --> 0:39:13.120
<v Speaker 1>was thinking about the dynamic, because I remember finding out

0:39:13.120 --> 0:39:16.360
<v Speaker 1>that it was Isaiah and and wondering what the dynamic

0:39:16.400 --> 0:39:20.160
<v Speaker 1>would be with him, and that far exceeded my expectations

0:39:20.520 --> 0:39:25.239
<v Speaker 1>by a million um. And I also remember wondering if

0:39:25.280 --> 0:39:27.560
<v Speaker 1>I would ever transform into a werewolf and if it

0:39:27.560 --> 0:39:32.120
<v Speaker 1>would look cheesy. That was the big thing. And I

0:39:32.160 --> 0:39:34.279
<v Speaker 1>remember being like, man, if that it not makes me

0:39:34.320 --> 0:39:36.799
<v Speaker 1>look cheesy, because I don't want to look cheesy. I

0:39:36.880 --> 0:39:39.600
<v Speaker 1>was like, but that was it. And if you look

0:39:39.640 --> 0:39:43.160
<v Speaker 1>up Aleric, there isn't much about him like you guys.

0:39:43.200 --> 0:39:47.000
<v Speaker 1>Obviously you guys had massive roles, and there's so much.

0:39:47.520 --> 0:39:51.360
<v Speaker 1>There's so much information. But for Alaric, I was almost

0:39:51.400 --> 0:39:55.719
<v Speaker 1>given carte blanche because it was like, there isn't that much.

0:39:56.000 --> 0:39:58.160
<v Speaker 1>So there was no one to go, oh, you should

0:39:58.480 --> 0:40:01.600
<v Speaker 1>be more true to this than that, or blood, or

0:40:01.640 --> 0:40:03.640
<v Speaker 1>you're not being true to this than that. So I

0:40:04.120 --> 0:40:06.160
<v Speaker 1>was giving free rains and no one said anything to me.

0:40:06.200 --> 0:40:08.320
<v Speaker 1>So I was like, perfect, what did you do? You

0:40:08.320 --> 0:40:11.279
<v Speaker 1>remember what your breakdown said? I just tried to look

0:40:11.280 --> 0:40:13.080
<v Speaker 1>for mine because I can't remember what it said at all,

0:40:13.160 --> 0:40:18.200
<v Speaker 1>Like your initial that's interesting, I think I do. I

0:40:18.239 --> 0:40:22.759
<v Speaker 1>think it said second in command of the wolf Pack. Yeah,

0:40:22.760 --> 0:40:25.000
<v Speaker 1>I think that's like the first thing it said. But

0:40:25.080 --> 0:40:27.839
<v Speaker 1>so was that exciting for you or was that sort

0:40:27.880 --> 0:40:30.200
<v Speaker 1>of a daunting for you to be coming to the

0:40:30.280 --> 0:40:33.359
<v Speaker 1>series that has so many characters that are defined and

0:40:33.400 --> 0:40:39.239
<v Speaker 1>you sort of were given nothing and everything simultaneously. I

0:40:39.280 --> 0:40:42.279
<v Speaker 1>think it was at the time because how long ago

0:40:42.400 --> 0:40:44.560
<v Speaker 1>was this? And I was trying to think about this.

0:40:44.560 --> 0:40:48.560
<v Speaker 1>This was so we started shooting in Was that seven

0:40:48.640 --> 0:40:54.840
<v Speaker 1>years ago? Yeah? Oh no, it's almost eight years ago. Yeah,

0:40:54.960 --> 0:40:58.319
<v Speaker 1>it was April that we started shooting. How do how

0:40:58.360 --> 0:41:01.440
<v Speaker 1>do we all look the same? We have an age?

0:41:02.239 --> 0:41:06.640
<v Speaker 1>What is going on? Wait? That was eight years ago.

0:41:07.480 --> 0:41:10.840
<v Speaker 1>Oh my lord. Okay, so I asked you that because

0:41:11.560 --> 0:41:14.399
<v Speaker 1>it's hard to think back on that now about whether

0:41:14.400 --> 0:41:17.640
<v Speaker 1>it was daunting. But and I'll be truthful, I think

0:41:18.440 --> 0:41:21.560
<v Speaker 1>it was daunting because at the time, I mean, think

0:41:21.640 --> 0:41:24.320
<v Speaker 1>of you as a performer eight years ago. For me personally,

0:41:24.480 --> 0:41:28.080
<v Speaker 1>eight years ago, I was a different person. So I

0:41:28.120 --> 0:41:33.040
<v Speaker 1>think it was a teen were your nineteen Oh my lord,

0:41:33.320 --> 0:41:40.200
<v Speaker 1>I was nineteen nine when we shot. So now I'm old.

0:41:40.760 --> 0:41:46.640
<v Speaker 1>You are old. I can't believe it. Nineteen Yeah, I'm

0:41:46.680 --> 0:41:49.399
<v Speaker 1>older now than Dom was when he started the show.

0:41:49.560 --> 0:41:51.960
<v Speaker 1>I'm this year, I'll be as old as Matt was

0:41:52.000 --> 0:41:55.080
<v Speaker 1>when he started the show. Wow, there's a bath for you.

0:41:56.200 --> 0:41:58.359
<v Speaker 1>But to go back, I think it was daunting because

0:41:58.400 --> 0:42:02.239
<v Speaker 1>at the time I hadn't done recurring to me that

0:42:02.440 --> 0:42:05.200
<v Speaker 1>size before, so I was just like, who are the

0:42:05.239 --> 0:42:08.719
<v Speaker 1>people I'm working with? How big is the show? And

0:42:08.760 --> 0:42:11.280
<v Speaker 1>it was just like looking at the looking at everybody's resumes,

0:42:11.280 --> 0:42:14.240
<v Speaker 1>looking at how big the show was, looking at um,

0:42:14.239 --> 0:42:17.160
<v Speaker 1>just like how many fans there were. It was just like,

0:42:17.440 --> 0:42:20.239
<v Speaker 1>holy sh it, like this is make This isn't a

0:42:20.320 --> 0:42:23.040
<v Speaker 1>huge part, but it's still big enough that I mean, look,

0:42:23.120 --> 0:42:25.080
<v Speaker 1>eight years later, we're still talking about it, right, So

0:42:25.120 --> 0:42:27.200
<v Speaker 1>it's like it was big enough, and I knew it

0:42:27.239 --> 0:42:29.839
<v Speaker 1>was big enough that it would impact me in some way.

0:42:29.920 --> 0:42:32.040
<v Speaker 1>So I didn't know how to approach it at first.

0:42:32.080 --> 0:42:34.520
<v Speaker 1>And I remember telling that to Isaiah a little bit,

0:42:34.680 --> 0:42:37.920
<v Speaker 1>and and I remember being like, how do you, like,

0:42:38.000 --> 0:42:40.040
<v Speaker 1>I didn't know, how do you play a character arc?

0:42:40.040 --> 0:42:41.759
<v Speaker 1>How do you how do you do this? How do

0:42:41.800 --> 0:42:45.719
<v Speaker 1>you do that? Like? Like what? And he really some

0:42:45.760 --> 0:42:48.319
<v Speaker 1>of the stuff that he told me, I still use

0:42:48.440 --> 0:42:51.279
<v Speaker 1>these techniques to this day, you know what I mean.

0:42:51.600 --> 0:42:54.359
<v Speaker 1>So I'd say it was daunting. Now, Isaiah was so

0:42:54.440 --> 0:42:56.719
<v Speaker 1>instrumental to all of us. I think, you know a

0:42:56.719 --> 0:42:58.520
<v Speaker 1>lot of us, it was our first I mean, you know,

0:42:58.560 --> 0:43:01.239
<v Speaker 1>Dolmina had done something for obviously Harry was coming off

0:43:01.239 --> 0:43:03.600
<v Speaker 1>of Glee, and but I think this for a lot

0:43:03.600 --> 0:43:07.719
<v Speaker 1>of us was our first major foray into the huge

0:43:07.760 --> 0:43:11.160
<v Speaker 1>responsibility and the huge workload that this was in the

0:43:11.200 --> 0:43:13.840
<v Speaker 1>best way, but it was. Isaiah was such a gift

0:43:13.880 --> 0:43:16.560
<v Speaker 1>in that I just remember watching him over the years

0:43:16.640 --> 0:43:19.640
<v Speaker 1>and the way his professionalism and the way he even

0:43:19.680 --> 0:43:25.640
<v Speaker 1>though and then just the way he handled himself on set,

0:43:25.680 --> 0:43:28.400
<v Speaker 1>the way he handled situations. I mean between you know,

0:43:28.480 --> 0:43:30.600
<v Speaker 1>him and Harry. They taught me so much about just

0:43:30.880 --> 0:43:32.799
<v Speaker 1>the mechanics of what it is that weak that's just

0:43:33.080 --> 0:43:36.279
<v Speaker 1>right like and that's exactly. It's just like you. You

0:43:36.360 --> 0:43:39.120
<v Speaker 1>kind of get into these jobs and you go, Okay,

0:43:39.120 --> 0:43:40.719
<v Speaker 1>I got the job, and then you kind of take

0:43:40.760 --> 0:43:42.600
<v Speaker 1>a pause and you're like, I have no fucking idea

0:43:42.640 --> 0:43:45.000
<v Speaker 1>what I'm doing. And it's just like, I don't know

0:43:45.000 --> 0:43:48.120
<v Speaker 1>about you guys, but like I've gotten imposter syndrome. I

0:43:48.160 --> 0:43:50.400
<v Speaker 1>don't get it as much anymore, but I still do

0:43:50.560 --> 0:43:53.279
<v Speaker 1>get it. I still get these things where I'm like,

0:43:53.880 --> 0:43:56.480
<v Speaker 1>what am I doing here? And I'm just and and

0:43:57.080 --> 0:44:01.240
<v Speaker 1>I said definitely, Like I remember him saying, you don't

0:44:01.520 --> 0:44:05.719
<v Speaker 1>need to go to work every day or whatever thinking

0:44:05.719 --> 0:44:08.560
<v Speaker 1>about like the character arc. He's like, it's silly. He's like,

0:44:08.680 --> 0:44:12.319
<v Speaker 1>just show up and do the job that day, do

0:44:12.440 --> 0:44:16.319
<v Speaker 1>the scene truthfully that day. And he's like, let the

0:44:16.440 --> 0:44:19.480
<v Speaker 1>editors cut it, cut it, and they will create that art.

0:44:19.520 --> 0:44:21.640
<v Speaker 1>He's like, as long as you do every scene how

0:44:21.640 --> 0:44:24.399
<v Speaker 1>it's supposed to be, so I don't even think about

0:44:24.400 --> 0:44:27.440
<v Speaker 1>the art. And I just did a feature for seven

0:44:27.480 --> 0:44:30.640
<v Speaker 1>weeks in February where I was one of the leads

0:44:30.760 --> 0:44:33.759
<v Speaker 1>and it's a huge character arc, and it's like and

0:44:33.800 --> 0:44:36.960
<v Speaker 1>again I read the script back and forth, and then

0:44:37.520 --> 0:44:39.719
<v Speaker 1>on the day, you can't possibly be thinking about that.

0:44:39.760 --> 0:44:42.279
<v Speaker 1>It's just too burdensome. It's too much to think of

0:44:42.920 --> 0:44:46.120
<v Speaker 1>to go is this aligned with one? Especially with movies,

0:44:46.320 --> 0:44:49.799
<v Speaker 1>very often it's like I know how this ends, and

0:44:49.840 --> 0:44:51.880
<v Speaker 1>I know what I do at the end, and that

0:44:51.920 --> 0:44:54.359
<v Speaker 1>doesn't but that hasn't happened yet. That doesn't elicit what's

0:44:54.360 --> 0:44:57.000
<v Speaker 1>happening in scene twelve, Like twelve, I'm a different person

0:44:57.040 --> 0:44:59.279
<v Speaker 1>because I haven't gone through this journey yet, right, And

0:44:59.440 --> 0:45:02.760
<v Speaker 1>you go, well, seeing twelve, Mary, I'm doing seeing twelve today.

0:45:02.800 --> 0:45:05.799
<v Speaker 1>Well this Mary well was seen like and then it's

0:45:05.840 --> 0:45:10.120
<v Speaker 1>like you just think about that. Um no, you can't

0:45:10.120 --> 0:45:11.920
<v Speaker 1>go there. And honestly, that was some of the best

0:45:12.000 --> 0:45:15.080
<v Speaker 1>advice that he gave me. And then he also had said,

0:45:15.760 --> 0:45:18.520
<v Speaker 1>if you have any ideas and you want to try ship,

0:45:19.360 --> 0:45:22.040
<v Speaker 1>he said, do a drink blocking And then he that

0:45:22.160 --> 0:45:26.400
<v Speaker 1>day he literally pointed at actors and said look at everyone,

0:45:26.920 --> 0:45:29.680
<v Speaker 1>to look around. You said, everyone's just sucking around. They're

0:45:29.719 --> 0:45:31.560
<v Speaker 1>on their phones. And he was like, but he's like,

0:45:31.600 --> 0:45:33.759
<v Speaker 1>you can suck around he's like, you're gonna have fun.

0:45:34.160 --> 0:45:36.440
<v Speaker 1>Keep working around. He's like, because I love that. But

0:45:36.520 --> 0:45:39.239
<v Speaker 1>he's like, blocking, isn't that time when you're supposed to

0:45:39.280 --> 0:45:42.560
<v Speaker 1>just you know, dick around and whatever. He's like, a

0:45:42.560 --> 0:45:44.440
<v Speaker 1>lot of people think the blocking is just to kind

0:45:44.480 --> 0:45:46.120
<v Speaker 1>of hit the marks, get the crew to come out

0:45:46.160 --> 0:45:47.799
<v Speaker 1>and figure out the lighting to that. But he's like,

0:45:47.800 --> 0:45:51.440
<v Speaker 1>it's really your time to experiment and try something and

0:45:51.480 --> 0:45:56.759
<v Speaker 1>then and then the director will usually comes blocking because

0:45:56.800 --> 0:45:59.160
<v Speaker 1>it's a crew, I guess because it's like a crew,

0:45:59.280 --> 0:46:02.520
<v Speaker 1>Like they block for the crew. Um, you know that

0:46:02.640 --> 0:46:04.840
<v Speaker 1>is very like mark heavy and whatever stepped through. But

0:46:04.960 --> 0:46:07.759
<v Speaker 1>like I've always treated that, that's like a rehearsal. That's

0:46:07.760 --> 0:46:10.120
<v Speaker 1>rehearsal time because also you don't know what your partners

0:46:10.160 --> 0:46:12.120
<v Speaker 1>come in with either, Like your scene partners come in

0:46:12.120 --> 0:46:14.279
<v Speaker 1>with different ideas, they've read the script through a different lens.

0:46:14.320 --> 0:46:16.520
<v Speaker 1>You don't know what's going to happen there, and you

0:46:16.640 --> 0:46:19.960
<v Speaker 1>it's that time to have those conversations, um, a bit

0:46:19.960 --> 0:46:22.719
<v Speaker 1>of give and take and figure that stuff out. You Also,

0:46:22.920 --> 0:46:25.279
<v Speaker 1>very often we would walk into sets that we didn't know,

0:46:25.400 --> 0:46:27.600
<v Speaker 1>so they would be described to us. We were like, oh,

0:46:27.600 --> 0:46:30.400
<v Speaker 1>there's a whole bunch of different ship in here that like, actually,

0:46:30.440 --> 0:46:32.160
<v Speaker 1>I think I would be over at this and in

0:46:32.200 --> 0:46:33.920
<v Speaker 1>my head I have me over at this thing or

0:46:33.960 --> 0:46:36.799
<v Speaker 1>whatever it is, you know. Um, So yeah, that rehearsal time,

0:46:36.800 --> 0:46:39.480
<v Speaker 1>it is fundamental. Well, you always there's certain things. Once

0:46:39.480 --> 0:46:40.960
<v Speaker 1>you're you can read a scene and you can do

0:46:41.000 --> 0:46:42.680
<v Speaker 1>your prep and you can do your work and figure

0:46:42.719 --> 0:46:45.160
<v Speaker 1>it out. Once you're in the space with everyone else,

0:46:45.920 --> 0:46:48.920
<v Speaker 1>inevitably something will change and you'll find something else, or

0:46:48.920 --> 0:46:51.600
<v Speaker 1>a new beat or a new color, or some something

0:46:51.640 --> 0:46:54.200
<v Speaker 1>will have some magic will happen. But if you don't

0:46:54.440 --> 0:46:57.160
<v Speaker 1>properly give your time and energy to that rehearsal, you're

0:46:57.200 --> 0:47:01.320
<v Speaker 1>never going to find that magic. And I completely agree,

0:47:01.520 --> 0:47:05.239
<v Speaker 1>and he had really and I remember she pointed to

0:47:05.280 --> 0:47:08.239
<v Speaker 1>people and people were on their phones dicking around, and

0:47:08.280 --> 0:47:10.640
<v Speaker 1>he's like, look, you can try something new, and if

0:47:10.680 --> 0:47:13.720
<v Speaker 1>the director doesn't like it, they'll say that's a good idea.

0:47:13.920 --> 0:47:16.880
<v Speaker 1>But I was thinking of this, and and he's like,

0:47:16.960 --> 0:47:19.120
<v Speaker 1>or they're just gonna be like, that's a stupid idea.

0:47:19.480 --> 0:47:22.759
<v Speaker 1>I was thinking this, And to this day I still

0:47:23.360 --> 0:47:25.759
<v Speaker 1>kind of do it like that. I still very I'm

0:47:25.800 --> 0:47:27.480
<v Speaker 1>not I should I very much do it like that,

0:47:27.560 --> 0:47:29.760
<v Speaker 1>and it's a gamble. Sometimes the directors like that was awesome.

0:47:30.080 --> 0:47:32.600
<v Speaker 1>Not what I was thinking, but that was awesome, Or

0:47:32.640 --> 0:47:35.000
<v Speaker 1>sometimes they're like, oh yeah, totally, let's do it like that.

0:47:35.080 --> 0:47:37.799
<v Speaker 1>But it's like, those are the things I didn't know,

0:47:38.719 --> 0:47:40.440
<v Speaker 1>and those are the things that he taught me, and

0:47:40.440 --> 0:47:42.360
<v Speaker 1>those are the things that made it less daunting his

0:47:42.480 --> 0:47:45.760
<v Speaker 1>time with But it's a yeah, it's learning man as well.

0:47:45.800 --> 0:47:48.839
<v Speaker 1>Like that that, especially in that rehearsal process. I had

0:47:48.840 --> 0:47:50.880
<v Speaker 1>one once I was doing a movie Holy Ship. This

0:47:50.880 --> 0:47:53.399
<v Speaker 1>is the most embarrassing thing probably career wise, it's ever

0:47:53.400 --> 0:47:55.040
<v Speaker 1>happened to me. And it was we were doing the

0:47:55.040 --> 0:47:57.520
<v Speaker 1>rehearsal when I did something I kind of remember what

0:47:57.600 --> 0:48:00.200
<v Speaker 1>it was, and everyone, like the entire crew we won,

0:48:00.360 --> 0:48:02.319
<v Speaker 1>laughed because they thought I was joking. They thought I

0:48:02.320 --> 0:48:04.640
<v Speaker 1>was working around and I was so embarrassed because I

0:48:04.680 --> 0:48:06.360
<v Speaker 1>was like, that was that was just what I was

0:48:06.400 --> 0:48:08.200
<v Speaker 1>going to do. That was like, that was like a

0:48:08.239 --> 0:48:12.640
<v Speaker 1>serious choice on my part. Had to immediately, Like I

0:48:12.640 --> 0:48:14.440
<v Speaker 1>didn't obviously say that. I was just in my head.

0:48:14.480 --> 0:48:15.959
<v Speaker 1>I was like, well, I can't do it that way.

0:48:16.680 --> 0:48:21.120
<v Speaker 1>To fix this immediately, it's dreadful. You that's you learn,

0:48:21.160 --> 0:48:22.920
<v Speaker 1>and you'd like figure things out with different sets and

0:48:22.960 --> 0:48:26.120
<v Speaker 1>different crews and just career wise, like that was bad choice.

0:48:26.160 --> 0:48:27.640
<v Speaker 1>We're gonna have too. I'm glad that didn't make it

0:48:27.680 --> 0:48:30.319
<v Speaker 1>to camera because that would have been terrible. Yeah, well

0:48:30.360 --> 0:48:32.600
<v Speaker 1>you made a choice. That's the important I made a choice,

0:48:32.600 --> 0:48:36.120
<v Speaker 1>and you you redirected. But talking about learning things, you know,

0:48:36.200 --> 0:48:39.319
<v Speaker 1>you and Isaiah during season one got to establish the

0:48:39.320 --> 0:48:42.000
<v Speaker 1>werewolves and what they are and their their pack and

0:48:42.040 --> 0:48:45.240
<v Speaker 1>sort of that energy and that camaraderie than the pack

0:48:45.400 --> 0:48:48.480
<v Speaker 1>that you have. Did you did you feel that or

0:48:48.719 --> 0:48:51.200
<v Speaker 1>was that something it just sort of happened or what

0:48:52.080 --> 0:48:54.200
<v Speaker 1>tell us about that? Because you you are the werewolf

0:48:54.239 --> 0:48:59.480
<v Speaker 1>master of a few. It wasn't planned, but it was.

0:49:00.480 --> 0:49:05.279
<v Speaker 1>I definitely felt it without a doubt, and and I

0:49:05.800 --> 0:49:11.040
<v Speaker 1>largely attribute that to because like he he kind of

0:49:11.239 --> 0:49:14.279
<v Speaker 1>took people, and he took me in, you know what

0:49:14.280 --> 0:49:17.200
<v Speaker 1>I mean, and he showed me the ropes like he

0:49:17.200 --> 0:49:21.160
<v Speaker 1>he immediately right off the start established a relationship. Like

0:49:21.200 --> 0:49:23.160
<v Speaker 1>I think within two days of being on that show,

0:49:23.320 --> 0:49:24.880
<v Speaker 1>I get a text message from him. I'm like, how

0:49:24.920 --> 0:49:28.399
<v Speaker 1>did discussion whatever? And he's like, let's hang out, let's

0:49:28.400 --> 0:49:32.040
<v Speaker 1>do that and it's just like because he's Isaah and

0:49:32.080 --> 0:49:33.960
<v Speaker 1>he's such a nice guy. And like I said, I

0:49:33.960 --> 0:49:36.879
<v Speaker 1>saw him of however long that commercial was a few

0:49:36.880 --> 0:49:41.759
<v Speaker 1>weeks ago, and like he literally he literally was like

0:49:42.200 --> 0:49:44.400
<v Speaker 1>are you ever in l A? And I was like yeah.

0:49:44.480 --> 0:49:46.520
<v Speaker 1>I was like, I'm how was in l A? And

0:49:46.520 --> 0:49:48.680
<v Speaker 1>I go to l A to train like cars stuff

0:49:48.680 --> 0:49:51.280
<v Speaker 1>and my wife and I almost moved there actually before COVID.

0:49:51.480 --> 0:49:53.319
<v Speaker 1>But I was like, yeah, I was in l A,

0:49:53.560 --> 0:49:56.719
<v Speaker 1>you know, a few months ago. And he genuinely took

0:49:56.719 --> 0:49:59.839
<v Speaker 1>offense that I didn't let him know that I was there.

0:50:00.600 --> 0:50:02.399
<v Speaker 1>And I was like, stop it. I was like, you're

0:50:02.440 --> 0:50:06.040
<v Speaker 1>just saying that, Like you're just being one of those actors.

0:50:06.040 --> 0:50:08.880
<v Speaker 1>We've all worked on film sets, we've all been on

0:50:08.960 --> 0:50:11.640
<v Speaker 1>movies and TV shows or everyone's like let's hag out forever,

0:50:11.800 --> 0:50:14.720
<v Speaker 1>let's be best friends forever, and then picture rap songs

0:50:14.719 --> 0:50:17.560
<v Speaker 1>and everyone's like goodbye, and then you never see the

0:50:17.680 --> 0:50:20.960
<v Speaker 1>same and and I mean, and it's not to be

0:50:21.040 --> 0:50:23.440
<v Speaker 1>jaded if we work in the circus, right, this is

0:50:23.480 --> 0:50:27.560
<v Speaker 1>simply what it is. And but he genuinely was like no,

0:50:27.640 --> 0:50:29.520
<v Speaker 1>He's like, why didn't you call me? I was like,

0:50:29.520 --> 0:50:31.640
<v Speaker 1>you're just saying that. I was like, you don't need

0:50:31.680 --> 0:50:33.160
<v Speaker 1>to say that, and he was like, no, no, no,

0:50:33.200 --> 0:50:35.799
<v Speaker 1>He's like and then and I knew he was at

0:50:35.840 --> 0:50:38.040
<v Speaker 1>kidding because he was like, no, no, He's like, I

0:50:38.120 --> 0:50:40.600
<v Speaker 1>got a call from this person and this person, and

0:50:40.640 --> 0:50:42.400
<v Speaker 1>you think I picked up for them. He's like, ah,

0:50:43.239 --> 0:50:45.000
<v Speaker 1>He's like, he's like, but if you call me, I

0:50:45.040 --> 0:50:49.080
<v Speaker 1>will pick up. And he was genuinely upset. And I said, look,

0:50:49.120 --> 0:50:50.960
<v Speaker 1>next time i'm there, I promise I'll come over and

0:50:50.960 --> 0:50:53.080
<v Speaker 1>we'll have dinner. And he's like, he's like you better.

0:50:53.440 --> 0:50:57.480
<v Speaker 1>He's like please, And and anyway to go back to that,

0:50:57.560 --> 0:51:01.120
<v Speaker 1>this is the wolf Pack relationship is hard to percent

0:51:01.280 --> 0:51:04.759
<v Speaker 1>him because he essentially he's the one who created that.

0:51:04.920 --> 0:51:07.200
<v Speaker 1>And even now to this day. That's another thing, like

0:51:07.239 --> 0:51:09.560
<v Speaker 1>when I go on a set, like if I'm a leader,

0:51:09.640 --> 0:51:11.960
<v Speaker 1>if I'm showing up as a guest story, even if

0:51:11.960 --> 0:51:14.560
<v Speaker 1>I'm there as part of a core team for stunt people,

0:51:14.960 --> 0:51:17.080
<v Speaker 1>like on a stunt team, it's like that's a big

0:51:17.120 --> 0:51:19.240
<v Speaker 1>part of your job if you're in one of these positions,

0:51:19.280 --> 0:51:21.480
<v Speaker 1>whether it be lead or on a core team or

0:51:21.840 --> 0:51:23.360
<v Speaker 1>even showing up as a guest. So it's like you

0:51:23.440 --> 0:51:25.680
<v Speaker 1>gotta show up, not just to act, but you've got

0:51:25.680 --> 0:51:29.200
<v Speaker 1>to show up to help strengthen everyone, Like you don't

0:51:29.200 --> 0:51:31.680
<v Speaker 1>want to show up and everyone goes, oh my god,

0:51:32.160 --> 0:51:37.120
<v Speaker 1>Tom is back, Like, oh my god, where does he

0:51:37.719 --> 0:51:40.800
<v Speaker 1>just needed to use as the example that seems very unfair,

0:51:40.840 --> 0:51:44.160
<v Speaker 1>But whatever's wine, we'll pay by well, I just we

0:51:44.239 --> 0:51:46.840
<v Speaker 1>do this. We just go, hey, so the producer's now,

0:51:46.880 --> 0:51:48.239
<v Speaker 1>can we just get the scissors out? We'll just cut

0:51:48.280 --> 0:51:51.239
<v Speaker 1>that but out because fuck him, just get rid of that. No,

0:51:51.320 --> 0:51:57.040
<v Speaker 1>I'm kidding to both, but you know what I mean.

0:51:57.120 --> 0:52:00.880
<v Speaker 1>Like you, it's it's your duty. It's your duty to

0:52:00.960 --> 0:52:04.000
<v Speaker 1>show up at work every day. And and we all

0:52:04.040 --> 0:52:05.919
<v Speaker 1>have bad days, we all have days that are harder,

0:52:05.960 --> 0:52:08.040
<v Speaker 1>but it's like it's kind of your duty to show

0:52:08.120 --> 0:52:11.480
<v Speaker 1>up and and not only act, but like you have

0:52:11.520 --> 0:52:13.799
<v Speaker 1>to hold yourself up to that standard of like, hey guys,

0:52:13.880 --> 0:52:16.080
<v Speaker 1>let's let's do this together. Let's get through this together,

0:52:16.120 --> 0:52:18.799
<v Speaker 1>let's have some laughs. And he's the one who taught

0:52:18.800 --> 0:52:21.080
<v Speaker 1>me that, So I definitely felt that wolf pack thing,

0:52:21.120 --> 0:52:24.040
<v Speaker 1>but that is all attributed to him. That it's all him,

0:52:24.160 --> 0:52:27.000
<v Speaker 1>Like he showed me how to be like that, and

0:52:27.000 --> 0:52:50.880
<v Speaker 1>I still carry that forward. You had quite the journey

0:52:50.880 --> 0:52:53.239
<v Speaker 1>with us. Tell us about your is there's anything that

0:52:53.280 --> 0:52:55.480
<v Speaker 1>sticks out, like, is there a day on set that

0:52:55.719 --> 0:52:58.560
<v Speaker 1>is exemplary of what Chadow Undress was to you, or

0:52:58.600 --> 0:53:01.239
<v Speaker 1>your last day on set, or or you know, other

0:53:01.239 --> 0:53:06.640
<v Speaker 1>than the werewolf teeth debacle, the forgotten teeth, the forgotten

0:53:06.640 --> 0:53:11.320
<v Speaker 1>teeth that they forgot to buy. Um, you know it's true, guys,

0:53:11.360 --> 0:53:19.239
<v Speaker 1>they didn't even fit in my mouth. Um the put

0:53:19.280 --> 0:53:24.200
<v Speaker 1>them in. What the hell is this? Um? Oh that's

0:53:24.200 --> 0:53:29.840
<v Speaker 1>my tenant, she's saying, hi, hi, hi, um. We have

0:53:29.840 --> 0:53:32.560
<v Speaker 1>a tenant inner basement. They're lovely, they're like family. I

0:53:32.640 --> 0:53:35.799
<v Speaker 1>tell them that they're not allowed to move, and if

0:53:35.800 --> 0:53:38.680
<v Speaker 1>they ever try and move, I'll keep them hostage and

0:53:38.760 --> 0:53:41.279
<v Speaker 1>basically keeping them hostage by not raising their rent. This

0:53:41.320 --> 0:53:43.239
<v Speaker 1>is sounding a lot less like a tenant and a

0:53:43.239 --> 0:53:45.839
<v Speaker 1>lot more like a prisoner. I heard basement and then

0:53:45.880 --> 0:53:49.960
<v Speaker 1>the threats. And maybe this is when we tell our

0:53:49.960 --> 0:53:53.200
<v Speaker 1>producers to cut this out. Yeah, snippy, snippey, let's get that.

0:53:53.600 --> 0:53:55.279
<v Speaker 1>Or maybe we shouldn't. Maybe we should leave it out

0:53:55.320 --> 0:54:01.480
<v Speaker 1>there because someone's missing at I don't know, man, I

0:54:01.560 --> 0:54:04.520
<v Speaker 1>don't know. We have a separate apartment like a separate

0:54:04.520 --> 0:54:07.239
<v Speaker 1>engine is completely separate unit that goes downstairs. But these

0:54:07.280 --> 0:54:09.000
<v Speaker 1>they're like, I don't want to raise their rent because

0:54:09.040 --> 0:54:10.640
<v Speaker 1>if they left, I don't know what I would do.

0:54:10.719 --> 0:54:14.120
<v Speaker 1>They're like family, we love them anyway. Um, oh that's

0:54:14.120 --> 0:54:16.719
<v Speaker 1>really sweet. Yeah, And my wife and I tell them like,

0:54:16.760 --> 0:54:18.600
<v Speaker 1>if you guys get married and we're not invited to

0:54:18.600 --> 0:54:22.239
<v Speaker 1>the wedding, we're going to crash the wedding. He's just spectacle.

0:54:22.560 --> 0:54:26.279
<v Speaker 1>Um anyway, Um, what was I saying before? We're talking

0:54:26.280 --> 0:54:30.640
<v Speaker 1>about my prisoners moments that stick out honestly, and I

0:54:30.680 --> 0:54:35.439
<v Speaker 1>know this might sound silly, but when I think back

0:54:35.440 --> 0:54:39.880
<v Speaker 1>on Shadow Hunters, I think that on being at base

0:54:40.000 --> 0:54:44.000
<v Speaker 1>camp and bantering with people, those are my fondest moments,

0:54:44.560 --> 0:54:49.239
<v Speaker 1>Like just especially the days where everybody was there, like

0:54:49.719 --> 0:54:51.800
<v Speaker 1>like you know what I mean, Like the whole cast

0:54:51.880 --> 0:54:54.000
<v Speaker 1>was there and you were like, oh, you're just it's

0:54:54.000 --> 0:54:58.920
<v Speaker 1>like being it felt like being in university or high school.

0:54:59.560 --> 0:55:02.120
<v Speaker 1>You're just walking through the hallway and you're like, oh hey,

0:55:02.200 --> 0:55:06.200
<v Speaker 1>oh hey, oh hey, And it was there was just

0:55:06.360 --> 0:55:09.959
<v Speaker 1>there was an infectious energy about it. Everyone was so

0:55:10.040 --> 0:55:11.960
<v Speaker 1>happy to be there, and like you said, some of

0:55:12.160 --> 0:55:15.680
<v Speaker 1>some of us myself included. These were bigger, newer jobs

0:55:15.719 --> 0:55:18.360
<v Speaker 1>for us, so everyone was just eager to do a

0:55:18.400 --> 0:55:21.799
<v Speaker 1>good job. And I mean I still see that on

0:55:21.840 --> 0:55:24.560
<v Speaker 1>set now, but it's just everyone was a bit younger,

0:55:24.640 --> 0:55:26.719
<v Speaker 1>everyone was eager, and it's just like it was just

0:55:26.760 --> 0:55:29.760
<v Speaker 1>a good vibe. So my favorite, my my fondest memories

0:55:29.800 --> 0:55:33.280
<v Speaker 1>are of being at base camp in all the trailers

0:55:33.320 --> 0:55:37.560
<v Speaker 1>and just hanging out. It's so rare, even particularly now

0:55:37.719 --> 0:55:40.560
<v Speaker 1>post pandemic, that everyone gets to be in the same

0:55:40.600 --> 0:55:44.880
<v Speaker 1>space and just hanging out with your guard down, just

0:55:45.640 --> 0:55:48.920
<v Speaker 1>chilling out and bonding if on set and that's you know,

0:55:49.280 --> 0:55:51.239
<v Speaker 1>that's what Shadow Undrews was. And I think you saw

0:55:51.239 --> 0:55:53.759
<v Speaker 1>that chemistry on screen between all of us cast food

0:55:53.760 --> 0:55:58.760
<v Speaker 1>and then the rest. It is so good and honestly like, yeah,

0:55:58.840 --> 0:56:01.160
<v Speaker 1>I've had a good scene and there was good stuff.

0:56:01.160 --> 0:56:02.920
<v Speaker 1>But when I think of a job, I really like

0:56:03.480 --> 0:56:06.080
<v Speaker 1>it's the relationships that you have with people. That's what

0:56:06.200 --> 0:56:07.960
<v Speaker 1>makes you have agree And I mean, and that's what

0:56:08.040 --> 0:56:10.279
<v Speaker 1>you think back or at least person that's what I

0:56:10.320 --> 0:56:13.040
<v Speaker 1>think back on and go, oh that time that day

0:56:13.080 --> 0:56:15.200
<v Speaker 1>was really fun because f Y and Z, I'm not

0:56:15.239 --> 0:56:18.399
<v Speaker 1>like I killed it during that scene. People are gonna

0:56:18.520 --> 0:56:21.359
<v Speaker 1>love it, you know what I mean? Like, it's not

0:56:21.600 --> 0:56:24.799
<v Speaker 1>I don't. I don't think like that. I mean that's

0:56:24.800 --> 0:56:26.920
<v Speaker 1>what we thought about you, like, oh, man, Joel is

0:56:26.960 --> 0:56:33.000
<v Speaker 1>so great. I can remember days on set where we

0:56:33.040 --> 0:56:35.160
<v Speaker 1>would look around and be like, wait, Joel hasn't been

0:56:35.200 --> 0:56:36.400
<v Speaker 1>here in a long time. Where is Joel? And we

0:56:36.440 --> 0:56:38.480
<v Speaker 1>go to the writers and in the eighties were like,

0:56:38.640 --> 0:56:41.640
<v Speaker 1>is Joel coming back? When is Joel come? When? You

0:56:41.640 --> 0:56:46.080
<v Speaker 1>guys the reason why I kept coming back? Maybe I

0:56:46.120 --> 0:56:50.839
<v Speaker 1>never said that one time, he said, noticing the time.

0:56:50.840 --> 0:56:52.640
<v Speaker 1>In fact, a lot of the opposite. When you were

0:56:52.680 --> 0:56:54.600
<v Speaker 1>on set, I was like, hey, can we just are

0:56:54.600 --> 0:56:57.759
<v Speaker 1>we going to kill him anytime? Put some big teeth

0:56:57.800 --> 0:57:00.279
<v Speaker 1>in and just end it. That would be great. Don

0:57:00.360 --> 0:57:02.359
<v Speaker 1>still your teeth and hit them in his trailer. That's

0:57:02.360 --> 0:57:04.960
<v Speaker 1>why they went and the teeth, they said. They were like,

0:57:05.000 --> 0:57:06.160
<v Speaker 1>we don't know how to kill him. I was like,

0:57:06.200 --> 0:57:08.520
<v Speaker 1>give me eight dollars and twenty minutes I'll figure out.

0:57:09.520 --> 0:57:13.040
<v Speaker 1>Oh yeah, yeah it was. And it's crazy to think

0:57:13.040 --> 0:57:16.640
<v Speaker 1>it was eight years ago. Mind bending cat. When you

0:57:16.680 --> 0:57:19.720
<v Speaker 1>said that, I didn't realize it was that long ago. Yeah,

0:57:19.800 --> 0:57:23.200
<v Speaker 1>I mean you're twenty six. I'm thirty nine, don what

0:57:23.240 --> 0:57:32.520
<v Speaker 1>are you now? Two? Yeah? Oh my god, you hit

0:57:32.560 --> 0:57:36.680
<v Speaker 1>your ties anymore? When you hit your thirties, where you like,

0:57:36.800 --> 0:57:41.560
<v Speaker 1>I feel old? Dir like? Are your hangovers? Were? Oh

0:57:41.560 --> 0:57:45.360
<v Speaker 1>my god, dude, the first hangover of my thirties. I

0:57:45.560 --> 0:57:47.480
<v Speaker 1>never heard anything like it, and I didn't like. I

0:57:47.520 --> 0:57:50.440
<v Speaker 1>went out and celebrated, but I didn't drink any more

0:57:51.160 --> 0:57:53.880
<v Speaker 1>then I had done previously. But it was I don't

0:57:53.920 --> 0:57:55.160
<v Speaker 1>know if it was a mental thing or like your

0:57:55.200 --> 0:57:58.040
<v Speaker 1>body actually goes through a physical change that night. But

0:57:58.160 --> 0:58:00.240
<v Speaker 1>I woke up that day and I was like, oh, yeah,

0:58:00.280 --> 0:58:02.080
<v Speaker 1>this is the worst I've ever heard my entire life.

0:58:02.240 --> 0:58:04.840
<v Speaker 1>Maybe cumulatively, maybe if you put together all of the

0:58:04.880 --> 0:58:07.400
<v Speaker 1>hangovers from the rest of my life, this is what

0:58:07.440 --> 0:58:09.920
<v Speaker 1>this feels like. It's absolutely the worst I've ever felt.

0:58:10.240 --> 0:58:12.480
<v Speaker 1>And I came out. I was with my best friend

0:58:12.480 --> 0:58:14.960
<v Speaker 1>that I came out, and I was just like sudden,

0:58:15.080 --> 0:58:17.040
<v Speaker 1>like my skin was hanging off my face and I

0:58:17.080 --> 0:58:19.920
<v Speaker 1>was just like, oh god, and he went, yeah, yeah,

0:58:20.160 --> 0:58:22.880
<v Speaker 1>welcome to your theories. This is exactly what it feels like. Welcome,

0:58:23.040 --> 0:58:25.520
<v Speaker 1>Welcome to your thirties. I haven't been drinking much in

0:58:25.560 --> 0:58:28.840
<v Speaker 1>the last two weeks. Um because I had a concussion

0:58:29.240 --> 0:58:33.680
<v Speaker 1>from a show two weeks ago. Yeah, you're getting right now,

0:58:34.000 --> 0:58:36.680
<v Speaker 1>Like this morning when I woke up at six am,

0:58:36.680 --> 0:58:38.800
<v Speaker 1>thinking that the podcast is at six am. I went

0:58:38.840 --> 0:58:41.880
<v Speaker 1>back to bed and my wife said, she said, that

0:58:41.960 --> 0:58:45.000
<v Speaker 1>was concussion, Joe, that's why you funked up. And I

0:58:45.080 --> 0:58:47.320
<v Speaker 1>was like, yeah, So you guys are getting like the

0:58:47.320 --> 0:58:49.720
<v Speaker 1>water down version of me right now, because I thought

0:58:49.720 --> 0:58:52.000
<v Speaker 1>you weren't supposed to sleep when you had a concussion.

0:58:53.360 --> 0:58:56.120
<v Speaker 1>The title please, but I mean the concussion was too

0:58:56.160 --> 0:58:59.640
<v Speaker 1>totally after concussion seventeen. You're like, listen, this is just

0:58:59.720 --> 0:59:05.040
<v Speaker 1>a we don't want I honestly, I've had a Yeah

0:59:05.080 --> 0:59:09.439
<v Speaker 1>I've had honestly, don probably close to seventeen. I bet

0:59:09.440 --> 0:59:13.200
<v Speaker 1>you've had that many. Yeah, that is not good for you.

0:59:13.200 --> 0:59:15.280
<v Speaker 1>You know how people say you get like four freebies.

0:59:15.400 --> 0:59:17.920
<v Speaker 1>That is not the case at all. It's all very damaging.

0:59:19.480 --> 0:59:21.320
<v Speaker 1>Tell us about this movie that you have coming up.

0:59:21.800 --> 0:59:23.840
<v Speaker 1>We're we're so excited to hear about. Where can we

0:59:23.880 --> 0:59:25.800
<v Speaker 1>see it? What's going on? Tell us? Tell us tell

0:59:25.840 --> 0:59:30.480
<v Speaker 1>us everything. Uh, long story short, A stunt guy who's

0:59:30.520 --> 0:59:33.080
<v Speaker 1>a good friend of mine. His friend wrote a script

0:59:33.160 --> 0:59:36.280
<v Speaker 1>and then this is a low budget future like they

0:59:36.320 --> 0:59:38.320
<v Speaker 1>got a million dollars to shoot this. It was a

0:59:38.360 --> 0:59:39.960
<v Speaker 1>script that was written by a friend and then it

0:59:40.000 --> 0:59:44.400
<v Speaker 1>was passed on to a guy who's written script for Netflix.

0:59:44.600 --> 0:59:48.320
<v Speaker 1>And seven years later, this polished script came out and

0:59:48.400 --> 0:59:51.000
<v Speaker 1>they got funding. They said no, they got funding, they

0:59:51.000 --> 0:59:54.080
<v Speaker 1>said no, and then finally they said, you know what,

0:59:54.280 --> 0:59:56.960
<v Speaker 1>We'll just pay for half the movie and then through

0:59:57.000 --> 0:59:59.920
<v Speaker 1>tax credits and whatever, we'll get the rest of the money.

1:00:00.520 --> 1:00:03.200
<v Speaker 1>So then they sent me the script. I read it

1:00:03.400 --> 1:00:04.920
<v Speaker 1>and he called me. He said, did you read it?

1:00:04.920 --> 1:00:06.640
<v Speaker 1>I said, I read it. He said, what did you think?

1:00:06.680 --> 1:00:10.080
<v Speaker 1>I said, this interesting script. I really like it, and

1:00:10.200 --> 1:00:14.000
<v Speaker 1>this one character. I really like this this one character.

1:00:14.000 --> 1:00:15.680
<v Speaker 1>He said, oh, that's interesting, because we'd actually like you

1:00:15.720 --> 1:00:18.840
<v Speaker 1>to read for that character. I said, oh, okay, So

1:00:18.880 --> 1:00:21.840
<v Speaker 1>I read for it. I got it, the producers everybody

1:00:21.880 --> 1:00:25.400
<v Speaker 1>liked me, and we shot it. UM. So basically what

1:00:25.520 --> 1:00:28.920
<v Speaker 1>it's about is this American guy works for a mining

1:00:28.920 --> 1:00:32.520
<v Speaker 1>company and they're stationed in Russia and they're doing some

1:00:32.560 --> 1:00:35.800
<v Speaker 1>illegal activities. UM. The company unbeknounced to all the workers

1:00:36.080 --> 1:00:39.920
<v Speaker 1>and the the offices get raided and most of the

1:00:39.960 --> 1:00:44.640
<v Speaker 1>employees get thrown into these Russian gulags. Um. So he's

1:00:44.680 --> 1:00:48.360
<v Speaker 1>a prisoner in this Russian bulag. And then he meets

1:00:48.400 --> 1:00:51.960
<v Speaker 1>these two other Americans in the gulag, these two soldiers,

1:00:52.040 --> 1:00:54.760
<v Speaker 1>and they're like, we're getting out of here. We've been

1:00:54.880 --> 1:00:56.600
<v Speaker 1>we've been here for years. We're planning to get out.

1:00:56.680 --> 1:00:59.160
<v Speaker 1>We need to we'll take you. Do you want to

1:00:59.240 --> 1:01:03.240
<v Speaker 1>escape with us? And he's like sure. Um. And then

1:01:03.560 --> 1:01:05.680
<v Speaker 1>and I'm really skipping a lot of steps here, but uh.

1:01:05.720 --> 1:01:09.479
<v Speaker 1>And then they planned their escape and they leave. Cut

1:01:09.520 --> 1:01:11.880
<v Speaker 1>to a few days later. Um, they're walking through the

1:01:11.920 --> 1:01:13.880
<v Speaker 1>forest and they're trying to make their way to the

1:01:14.000 --> 1:01:18.160
<v Speaker 1>to the finished border, um, to seek asylum. Um. They

1:01:18.240 --> 1:01:22.240
<v Speaker 1>run into these two Russian prisoners, and the Russian prisoners go,

1:01:22.320 --> 1:01:24.600
<v Speaker 1>thanks for letting us out, blah blah blah. Let's all

1:01:24.640 --> 1:01:27.000
<v Speaker 1>work together and make our way to the border. And

1:01:27.080 --> 1:01:30.640
<v Speaker 1>this one American, the initial guy, he isn't he isn't

1:01:30.720 --> 1:01:33.280
<v Speaker 1>too bright. But the Russians go, you know that you're

1:01:33.320 --> 1:01:37.000
<v Speaker 1>only they only brought you along because if they run

1:01:37.040 --> 1:01:39.919
<v Speaker 1>out of food, they'll probably he's a heavier scent man.

1:01:40.000 --> 1:01:42.440
<v Speaker 1>And this is what they used to do. Apparently, apparently

1:01:42.480 --> 1:01:46.040
<v Speaker 1>this is very it's based on true stories and real accounts.

1:01:46.600 --> 1:01:48.919
<v Speaker 1>In World War One world War two, they used to

1:01:48.960 --> 1:01:53.320
<v Speaker 1>take a batter larger person when they would escape camps,

1:01:53.360 --> 1:01:56.080
<v Speaker 1>prisoner of war camps, and they would actually eat them

1:01:56.160 --> 1:01:58.800
<v Speaker 1>if they ran out of supplies. And that person was

1:01:58.800 --> 1:02:02.720
<v Speaker 1>called Yeah, it's easy. That person was called the walking supply. Um.

1:02:02.760 --> 1:02:06.480
<v Speaker 1>And this is this movie is called Walking Supply. Um.

1:02:06.520 --> 1:02:08.280
<v Speaker 1>So this guy finds out that he is in fact

1:02:08.400 --> 1:02:13.200
<v Speaker 1>the walking supply and he then tries to escape from

1:02:13.240 --> 1:02:16.560
<v Speaker 1>the Americans in the woods and they hunt them down,

1:02:16.800 --> 1:02:19.520
<v Speaker 1>and the movie is them. There's all of this that

1:02:19.560 --> 1:02:21.440
<v Speaker 1>I've spoken about leading up to this, and then him

1:02:21.520 --> 1:02:25.800
<v Speaker 1>trying to escape the Americans and it was shot. Can

1:02:25.840 --> 1:02:28.000
<v Speaker 1>we see it? When? Can we see it? I think there.

1:02:28.160 --> 1:02:30.919
<v Speaker 1>I got a rough cut of it a few days

1:02:30.960 --> 1:02:34.400
<v Speaker 1>ago in classic. I didn't watch it. Um. And then um,

1:02:34.440 --> 1:02:37.000
<v Speaker 1>they've got they already have people that are interested in

1:02:37.160 --> 1:02:40.440
<v Speaker 1>buying it, so we'll see what happens. Um. It's a

1:02:40.520 --> 1:02:45.000
<v Speaker 1>fairly dark movie. And uh, it was shot and I

1:02:45.000 --> 1:02:49.560
<v Speaker 1>think we shot it in six weeks in Calgary, Northern Ontario,

1:02:49.720 --> 1:02:53.000
<v Speaker 1>like all over the place. And it was six weeks

1:02:53.040 --> 1:02:58.280
<v Speaker 1>of exteriors, rain or shy, not one single interior shot

1:02:58.520 --> 1:03:02.640
<v Speaker 1>and it was crazy auditions like minus forty five, minus ten,

1:03:02.720 --> 1:03:08.200
<v Speaker 1>minus twenty rain, snow mud. It was insane. So yeah,

1:03:08.200 --> 1:03:11.760
<v Speaker 1>I shot that in February March, and then the minute

1:03:11.760 --> 1:03:14.360
<v Speaker 1>I finished that, I think I had a week off.

1:03:14.800 --> 1:03:17.520
<v Speaker 1>And then since then, I've been running about five shows

1:03:17.760 --> 1:03:21.479
<v Speaker 1>at once. So I've been doubling the lead bad guy

1:03:21.640 --> 1:03:26.600
<v Speaker 1>on an untitled um shorts Arnold Schwartzenegger project, his first

1:03:26.640 --> 1:03:31.080
<v Speaker 1>TV series that he's ever done, so my last day

1:03:31.120 --> 1:03:34.600
<v Speaker 1>is actually tomorrow, and then doing stunt driving on a

1:03:34.680 --> 1:03:37.200
<v Speaker 1>Keith Or Sutherland show on and off all summer, and

1:03:37.240 --> 1:03:40.120
<v Speaker 1>I've been stunt coordinating on another show for for people.

1:03:40.840 --> 1:03:42.680
<v Speaker 1>I've been shooting a lot of car commercials, like I

1:03:42.720 --> 1:03:46.280
<v Speaker 1>think last thank You, I think last two weeks ago.

1:03:46.480 --> 1:03:49.680
<v Speaker 1>Last week I did six shows in four days, like

1:03:49.720 --> 1:03:51.640
<v Speaker 1>I wrapped on a show and then went on another

1:03:51.680 --> 1:03:55.120
<v Speaker 1>show that night. So I've been I'm very I mean,

1:03:55.240 --> 1:03:57.080
<v Speaker 1>I don't really use I don't like using this sort

1:03:57.080 --> 1:04:00.280
<v Speaker 1>of but I'm blast, I'm grateful, I'm really busy. I'm

1:04:00.360 --> 1:04:04.640
<v Speaker 1>really I'm really lucky. And then in terms of acting,

1:04:05.120 --> 1:04:06.880
<v Speaker 1>I actually have two auditions that I have to hand

1:04:06.880 --> 1:04:09.560
<v Speaker 1>in the minutem off the off this call with you guys.

1:04:09.680 --> 1:04:12.160
<v Speaker 1>But I've gotten to a point where I've become very

1:04:12.160 --> 1:04:14.360
<v Speaker 1>picky with acting, which is kind of nice. I have

1:04:14.520 --> 1:04:17.280
<v Speaker 1>that luxury. You know, I don't need to do Pee

1:04:17.320 --> 1:04:20.880
<v Speaker 1>Wee's Playhouse season two, Um, because I need the money.

1:04:21.080 --> 1:04:22.800
<v Speaker 1>I can say no, I don't. I don't want to

1:04:22.800 --> 1:04:25.200
<v Speaker 1>do this. I don't need to do you know, Christmas

1:04:25.280 --> 1:04:29.600
<v Speaker 1>Love in Dubai, you know, volume four. I'm just making

1:04:29.600 --> 1:04:32.720
<v Speaker 1>them titles as that going on here because I don't.

1:04:32.920 --> 1:04:35.760
<v Speaker 1>I don't need it, so I can. I've become very

1:04:35.840 --> 1:04:39.000
<v Speaker 1>picky and because of that, it's almost made me more

1:04:39.320 --> 1:04:42.680
<v Speaker 1>sought after, which is weird. It's the weirdest thing. So

1:04:42.760 --> 1:04:45.880
<v Speaker 1>now I only audition for the stuff I want, and um,

1:04:45.920 --> 1:04:50.120
<v Speaker 1>because I'm lucky enough that I have a full career

1:04:50.720 --> 1:04:54.600
<v Speaker 1>and stunts and stunt driving and that's it. So yeah,

1:04:54.720 --> 1:04:56.520
<v Speaker 1>now I'm auditioning for a thing called the Valiant One.

1:04:56.560 --> 1:04:59.280
<v Speaker 1>It's a project for eight weeks of Vancouver and I

1:04:59.400 --> 1:05:01.240
<v Speaker 1>read the script. Any Oh, this is a great fit.

1:05:01.320 --> 1:05:04.360
<v Speaker 1>I'll do it. So, I mean, I'm in a very

1:05:05.040 --> 1:05:08.000
<v Speaker 1>very good position and I'm just so I'm just grateful

1:05:08.040 --> 1:05:11.200
<v Speaker 1>every day. I'm like, man, I don't know how it

1:05:11.240 --> 1:05:13.600
<v Speaker 1>got to this. I don't know how this happened, but

1:05:13.800 --> 1:05:16.080
<v Speaker 1>I'll just keep I'll keep riding it until I'll keep

1:05:16.160 --> 1:05:19.080
<v Speaker 1>riding this wagon until the wheels come off. Amazing. Buddy, Well, listen,

1:05:19.080 --> 1:05:20.680
<v Speaker 1>thank you so much for being on the show. It's

1:05:20.720 --> 1:05:23.000
<v Speaker 1>been such a pleasure to talk to you again. Go

1:05:23.120 --> 1:05:25.560
<v Speaker 1>down memory lane. Thanks for having me guys. I mean,

1:05:25.600 --> 1:05:27.959
<v Speaker 1>it's I'm glad to see you guys are both well.

1:05:28.600 --> 1:05:34.640
<v Speaker 1>You're also not. I mean, truly, it's been so wonderful

1:05:34.680 --> 1:05:36.040
<v Speaker 1>to have you on the show, and we're so proud

1:05:36.080 --> 1:05:41.320
<v Speaker 1>of you and everything that you're doing. Likewise, we miss you.

1:05:41.560 --> 1:05:43.960
<v Speaker 1>I feel like I didn't ask you guys enough questions,

1:05:44.040 --> 1:05:47.400
<v Speaker 1>so you're not here to ask us question not about us, man, Honestly,

1:05:47.520 --> 1:05:49.400
<v Speaker 1>we're like halfway through. People are going to be so

1:05:49.440 --> 1:05:53.000
<v Speaker 1>sick of us talking that having you talk lunacy for

1:05:53.040 --> 1:05:56.160
<v Speaker 1>an hour is a nice reprieve from us being super

1:05:56.240 --> 1:06:01.600
<v Speaker 1>dup lunacy with lots of wisdom. I'm happy you're both

1:06:01.600 --> 1:06:04.800
<v Speaker 1>well and you guys both look good. Thanks, ma'am. Pete.

1:06:12.480 --> 1:06:15.320
<v Speaker 1>Return to the Shadows hosted an executive produced by me

1:06:15.520 --> 1:06:19.760
<v Speaker 1>Dominic Sherwood and Katherine McNamara. Our executive producers Lingley. Our

1:06:19.840 --> 1:06:23.720
<v Speaker 1>senior producers are Liz Hayes and Diego Tapia. Our producer

1:06:23.800 --> 1:06:27.040
<v Speaker 1>is Hannah Harris and Kristin Familia, and our intern is

1:06:27.080 --> 1:06:30.720
<v Speaker 1>Sam Cats. Original music by Alex Kinsey, performed by Alex

1:06:30.800 --> 1:06:38.880
<v Speaker 1>Kinsey and Katherine McNamara