WEBVTT - The Founding of GLAAD

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<v Speaker 1>But We Loved is a production of iHeart Podcasts and

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<v Speaker 1>the Outspoken podcast Network.

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<v Speaker 2>An article was done about a singer from the thirties

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<v Speaker 2>and forties named Gladys Bentley, and she was a lesbian.

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<v Speaker 2>She was an act of lesbian And this article, though,

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<v Speaker 2>was all about how Gladys Bentley was repenting her sinful life,

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<v Speaker 2>and it was really horrifying. It denigrated everything about being

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<v Speaker 2>a lesbian, and I was devastated. I was devastated by

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<v Speaker 2>reading that article, and I felt like, she, of course

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<v Speaker 2>has every right to change her mind, but the coverage

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<v Speaker 2>itself was really.

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<v Speaker 3>Horrific.

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<v Speaker 2>It was like, I read that and I thought, Oh,

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<v Speaker 2>what is the point of going on if that's what

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<v Speaker 2>life is going to mean?

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<v Speaker 3>As I get older.

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<v Speaker 1>As a gay kid, growing up religious and in the South,

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<v Speaker 1>I thought being gay was the worst thing I could

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<v Speaker 1>ever be. Now, as a journalist, I'm trying to unlearn

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<v Speaker 1>that by seeking out our history, and what I've found

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<v Speaker 1>are people and stories full of courage, perseverance, and love.

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<v Speaker 1>In this episode, we'll meet Juel Gomez, one of the

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<v Speaker 1>founders of the queer media watchdog organization GLAD. We'll learn

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<v Speaker 1>how and why GLAD was founded and how gone unchecked

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<v Speaker 1>the media can drive our opinions about the world around

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<v Speaker 1>us and ourselves. From my heart podcast, I'm Jordan Go

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<v Speaker 1>and Solves and this is what we loved. Last year,

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<v Speaker 1>at the height of the Beyonce Craze, I went to

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<v Speaker 1>the Renaissance tour and oh my god, it was incredible,

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<v Speaker 1>like sixty thousand people jumping and singing and sweating, and

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<v Speaker 1>in between Beyonce songs when she was doing costume changes,

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<v Speaker 1>she created these video interludes to play on stage, and

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<v Speaker 1>one of them struck a darker tone in giant letters.

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<v Speaker 1>A Jim Morrison quote appeared on a JumboTron. Whoever controls

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<v Speaker 1>the media controls the mind, it said, and it stayed

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<v Speaker 1>with me because I sort of disagreed with it. I mean,

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<v Speaker 1>today there's so much media out there that I feel

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<v Speaker 1>like I control my media diet. I pick what I'm consuming.

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<v Speaker 1>So I thought support from Business Insider actually found that

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<v Speaker 1>ninety percent of American media content is controlled by just

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<v Speaker 1>six companies. And when I thought about it, almost all

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<v Speaker 1>of the shows that I watched this year, and a

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<v Speaker 1>lot of my election coverage all came from within those

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<v Speaker 1>six companies. It made me think about how much power

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<v Speaker 1>they have, how easy it is to skirt accountability for

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<v Speaker 1>bias and misinformation, especially when it comes to representing queer people. Thankfully,

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<v Speaker 1>there are organizations that exist specifically to hold these companies accountable.

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<v Speaker 1>GLAD is one of them. Since its inception, GLAD has

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<v Speaker 1>held countless media organizations responsible for bad coverage of LGBTQ people.

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<v Speaker 1>My next guest, Juel Gomez, was one of the founders

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<v Speaker 1>of GLAD. She graduated from Columbia Journalism School in the

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<v Speaker 1>early seventies and became a famous writer and activist. She's

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<v Speaker 1>well known for her queer class novel The guilda Stories

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<v Speaker 1>that came out in nineteen ninety one. It follows a

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<v Speaker 1>black lesbian vampire from eighteen hundreds of America all the

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<v Speaker 1>way into the twenty first century. Even from a young age,

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<v Speaker 1>Jewle understood that those who control the media also control

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<v Speaker 1>the mind. You grew up in Boston, Massachusetts in the

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<v Speaker 1>fifties and sixties, and I'm wondering if you could tell

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<v Speaker 1>me what was it like growing up as a lesbian

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<v Speaker 1>at that time in that place in America.

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<v Speaker 2>I was raised in Boston by my great grandmother and

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<v Speaker 2>her daughter, who's my grandmother. And I was also very

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<v Speaker 2>close to my father who lived nearby us and Bostonians

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<v Speaker 2>were very specific and they had a hard time believing

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<v Speaker 2>that people of color were actually born in Boston. Now,

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<v Speaker 2>as a lesbian, everything was very kind of on the

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<v Speaker 2>down low in a way, because there wasn't much representation anywhere.

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<v Speaker 2>But I did have the good fortune. As I said,

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<v Speaker 2>my grandmother was very close to me and helped raise me.

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<v Speaker 2>She'd been on the stage in the forties and the thirties,

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<v Speaker 2>so she knew every kind of person in the world.

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<v Speaker 2>She used to go to Cape Cod every summer with

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<v Speaker 2>her friend Scotti and his boyfriend and stay in their cottage.

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<v Speaker 2>So I grew up understanding there were gay people. I

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<v Speaker 2>knew I was one, and I knew it was going

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<v Speaker 2>to be okay because my grandmother was okay. Same with

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<v Speaker 2>my father. He was a bartender. He had queer people

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<v Speaker 2>in his bark, men who were drag Queen's. I got

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<v Speaker 2>a lot of my best high school clothes from Queen's

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<v Speaker 2>miss Case, specifically because she was my size.

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<v Speaker 3>You know, she was a little chubby.

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<v Speaker 2>I was a little chubby, So I got all these

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<v Speaker 2>great suits and dresses from her, So I knew it

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<v Speaker 2>was gonna be okay, but I knew in the moment

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<v Speaker 2>it was not gonna be something I could actually talk about.

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<v Speaker 1>Well, Jewel, that is so timely, because I won't wonder

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<v Speaker 1>what is the story of the moment that you knew

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<v Speaker 1>you were gay?

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<v Speaker 2>I knew I was gay around eight years old. There

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<v Speaker 2>was a house across the street. There was a young

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<v Speaker 2>woman who was my age, maybe she was ten, but

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<v Speaker 2>she used to climb the tree in her front yard

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<v Speaker 2>all the time. And let me just say, I knew

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<v Speaker 2>when I looked out of the window, I was in love.

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<v Speaker 3>I just was in love.

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<v Speaker 2>It was just really athletic and gorgeous. And I didn't

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<v Speaker 2>have a word for it, of course, but I knew

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<v Speaker 2>I was in love with Diane.

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<v Speaker 3>That was her name.

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<v Speaker 2>I never did get to know her, but I knew

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<v Speaker 2>when she came out to play, because that's when I

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<v Speaker 2>could go to my front window and watch her.

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<v Speaker 1>You have really become hugely influential as a lesbian feminist

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<v Speaker 1>through the literature and poetry that you've written. Was there

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<v Speaker 1>sort of a moment in your childhood or your early

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<v Speaker 1>life that influenced you to become an activist.

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<v Speaker 3>Growing up during the Civil Rights movement.

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<v Speaker 2>Every day people in our community were talking about what

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<v Speaker 2>was going on with sit ins, with bussing.

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<v Speaker 3>I mean, it was a very.

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<v Speaker 4>Active You grew up in the Civil rights era, yes, exactly.

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<v Speaker 4>The Civil rights movement, which was seemed to be centered

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<v Speaker 4>more in the South, I was actually trying to make

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<v Speaker 4>inroads into northern communities because racism in the North was

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<v Speaker 4>as bad, perhaps not as obvious, but certainly as bad

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<v Speaker 4>as it was in the South.

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<v Speaker 2>And the fact that schools that were predominantly black were poor,

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<v Speaker 2>only got second hand books, did not have strong programs

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<v Speaker 2>preparing students for college. There was a big controversy about that. Specifically,

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<v Speaker 2>when I was in high school in Boston. I went

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<v Speaker 2>to a fairly poor school in a black neighborhood, and

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<v Speaker 2>one year the civil rights activists decreed Black Day, and

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<v Speaker 2>they invited young black students in high school to just

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<v Speaker 2>stay home. So the protests were really to make the

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<v Speaker 2>school system aware of how it was short changing it's

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<v Speaker 2>students of color. And when they first did that, I

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<v Speaker 2>did not stay home because I was one of those

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<v Speaker 2>who all I really cared about was having a perfect

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<v Speaker 2>attendance record.

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<v Speaker 3>I was really kind of a nerd.

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<v Speaker 2>I didn't stay home even when I had cramped so

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<v Speaker 2>bad I could barely walk. But the guidance counselor, when

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<v Speaker 2>I was in my freshman year, convinced my great grandmother

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<v Speaker 2>I shouldn't be in the college program because I was

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<v Speaker 2>never going to be able to afford to go to college.

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<v Speaker 2>And the next year I understood, Oh, this is something

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<v Speaker 2>that's bigger than my attendance record. I need to be

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<v Speaker 2>present by being absent, I need to make my voice

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<v Speaker 2>part of this voice demanding that the school system and

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<v Speaker 2>the city pay attention to the needs of people of

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<v Speaker 2>color in this community. So from that moment on, I

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<v Speaker 2>understood I was meant to participate. And by the time

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<v Speaker 2>the next year rolled around, civil rights actions had gotten

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<v Speaker 2>us a new administration in the high school, and this

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<v Speaker 2>time the guidance counselor called my great grandma and said, no, no, no,

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<v Speaker 2>she needs to be in a college program. She will

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<v Speaker 2>go to college.

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<v Speaker 1>So Jule you would go on to co found GLAD

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<v Speaker 1>in the eighties, which became an organization focused on holding

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<v Speaker 1>the media accountable to betraying gay people in a fair way.

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<v Speaker 1>Was there a piece of media for you growing up

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<v Speaker 1>where you felt like the portrayal of queer people negatively

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<v Speaker 1>impacted you.

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<v Speaker 3>There is one specific thing that happened.

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<v Speaker 2>I probably was a teenager, and I of course knew

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<v Speaker 2>I was a lesbian. I had a lover in high

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<v Speaker 2>school at the age of fourteen. But in this magazine,

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<v Speaker 2>I think it was either Ebony or Jet magazine, an

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<v Speaker 2>article was done about a singer from the thirties and

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<v Speaker 2>forties named Gladys Bentley. Now, Gladys Bentley was very, very popular.

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<v Speaker 2>She always dressed in men's clothes and a top hat.

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<v Speaker 2>She had a particular club she sang in every week,

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<v Speaker 2>and she was a lesbian. She was an act of lesbian.

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<v Speaker 2>And this article, though, was all about how Gladys Bentley

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<v Speaker 2>was repenting her sinful life, and it was really horrifying.

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<v Speaker 2>It was it really dismissed everything about the culture that

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<v Speaker 2>she'd been a part of in the thirties and forties.

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<v Speaker 2>It then agreed everything about being a lesbian and basically

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<v Speaker 2>said she was saved and going to go to heaven

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<v Speaker 2>because she had decided to get married to a man.

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<v Speaker 2>And I was devastated. I was devastated by reading that

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<v Speaker 2>article and I felt like, she, of course has every

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<v Speaker 2>right to change her mind, but the coverage itself was really.

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<v Speaker 3>Horrific.

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<v Speaker 2>It was like, I read that and I thought, Oh,

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<v Speaker 2>what is the point of going on if that's what

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<v Speaker 2>life is going to mean as I get older?

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<v Speaker 1>When we come back, Jewel transforms her frustration into activism

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<v Speaker 1>and becomes one of the founders of glad It's the

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<v Speaker 1>late nineteen eighties. By this point, Jewel had been a

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<v Speaker 1>published author for several years, and she began working for

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<v Speaker 1>the New York State Council on the Arts. Her personal

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<v Speaker 1>and professional see were starting to be filled with other

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<v Speaker 1>queer writers, particularly gay men, who at the same time

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<v Speaker 1>were in an existential battle for their lives. They were

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<v Speaker 1>dying of AIDS, and the media coverage was not good.

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<v Speaker 1>Having lived through the Civil Rights movement and the anti

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<v Speaker 1>Vietnam War protests, Jewell understood that the way people were

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<v Speaker 1>covered by the news directly impacted the way they were

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<v Speaker 1>treated in real life. You're now in your thirties and

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<v Speaker 1>already becoming quite a prolific poet. At this point, you

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<v Speaker 1>AIDS is raging and killing tens of thousands of Americans.

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<v Speaker 1>By nineteen eighty five, I wonder had the media portrayal

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<v Speaker 1>of queer people changed at that point from when you

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<v Speaker 1>were fourteen and reading this article in Ebony magazine. Had

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<v Speaker 1>it changed by the eighties when AIDS was raging.

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<v Speaker 2>Now, keeping in mind that I had gone to Columbia

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<v Speaker 2>journalism school, I was very familiar with the way that

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<v Speaker 2>media worked, and I wasn't cynical, but I was aware.

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<v Speaker 2>So by the eighties when there was this pandemic and

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<v Speaker 2>the newspapers demonized, primarily demonized gay men, I was not

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<v Speaker 2>surprised at all.

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<v Speaker 5>A mystery disease known as the gay plague has become

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<v Speaker 5>an epidemic unprecedented in the history of American medicine that

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<v Speaker 5>today from the Center for Disease Control in Atlanta, Topping

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<v Speaker 5>the list of likely victims are male homosexuals who have

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<v Speaker 5>many partners and.

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<v Speaker 3>Drug users who inject themselves with needles.

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<v Speaker 2>I felt like, Oh, okay, this is just an extension

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<v Speaker 2>of how the media can number one sell papers and

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<v Speaker 2>use people's fears against gay people.

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<v Speaker 3>So I was horrified.

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<v Speaker 1>What is one piece of media that you remember recall

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<v Speaker 1>at that point, sort of being horrified, we.

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<v Speaker 2>Put together these t shirts from headlines and one of

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<v Speaker 2>them was something like about sending gay men to an island.

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<v Speaker 2>Some right wing person decided that queer people should just

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<v Speaker 2>go be sent to an island.

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<v Speaker 1>The AIDS crisis came about during a time of religious

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<v Speaker 1>resurgence in America, and coincidentally, it was a virus that

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<v Speaker 1>intersected with some of society's deepest taboos, drugs, sex, and homosexuality.

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<v Speaker 1>It would famously take President Ronald Reagan more than four

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<v Speaker 1>years to publicly acknowledge the disease. One US Senator from

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<v Speaker 1>North Carolina, who voted against AIDS research in nineteen eighty eight,

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<v Speaker 1>testified saying, quote, nothing positive was likely to happen to

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<v Speaker 1>America if our people succumbed to the drumbeats of support

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<v Speaker 1>for the homosexual lifestyle.

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<v Speaker 6>There is not one case of age own record in

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<v Speaker 6>this country, or as far as I know, anywhere else that.

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<v Speaker 3>Did not have its origin asodomy.

0:16:27.560 --> 0:16:31.520
<v Speaker 1>A significant amount of Americans also believed that AIDS was

0:16:31.560 --> 0:16:36.200
<v Speaker 1>God's punishment. Jewel knew that the media could either help

0:16:36.360 --> 0:16:40.800
<v Speaker 1>combat this disdain for gay people or perpetuate it, but

0:16:40.920 --> 0:16:46.440
<v Speaker 1>sadly AIDS coverage was toxic. In a twenty eighteen retroactive

0:16:46.440 --> 0:16:49.840
<v Speaker 1>analysis of their own AIDS coverage. The New York Times

0:16:49.880 --> 0:16:55.360
<v Speaker 1>admitted their AIDS reporting was quote scant, judgmental, and distressingly vague.

0:16:56.120 --> 0:16:59.760
<v Speaker 1>Jewele's friends were dying and it angered her that the

0:16:59.760 --> 0:17:02.520
<v Speaker 1>met wasn't taking it seriously.

0:17:03.320 --> 0:17:12.600
<v Speaker 2>And there were all kinds of headlines that indicated whoever

0:17:12.640 --> 0:17:19.119
<v Speaker 2>got aged deserved it. It was simple deviousness on the

0:17:19.160 --> 0:17:23.840
<v Speaker 2>part of journalists to write headlines that blamed people who

0:17:23.880 --> 0:17:24.720
<v Speaker 2>were getting ill.

0:17:25.240 --> 0:17:29.280
<v Speaker 1>Well, tell me about that. Why was it important for

0:17:29.400 --> 0:17:36.640
<v Speaker 1>you to draw the connection between media representation and combating homophobia?

0:17:36.800 --> 0:17:40.200
<v Speaker 1>Because when I think about it, there's so many different

0:17:40.480 --> 0:17:45.359
<v Speaker 1>avenues that you could have taken to address homophobia. There's

0:17:45.920 --> 0:17:51.439
<v Speaker 1>healthcare in the eighties, there's politics. What was it about

0:17:51.840 --> 0:17:56.720
<v Speaker 1>media that drew your interest and sort of made you

0:17:56.760 --> 0:18:00.240
<v Speaker 1>think this is an avenue that we could really affect

0:18:00.720 --> 0:18:02.840
<v Speaker 1>change and really combat homophobia.

0:18:02.920 --> 0:18:06.199
<v Speaker 2>As someone who had trained to be a journalist, I

0:18:06.640 --> 0:18:10.080
<v Speaker 2>was interested in media. I had studied it. I was

0:18:10.240 --> 0:18:14.840
<v Speaker 2>dedicated to its usage for justice, and I grew up

0:18:15.560 --> 0:18:20.080
<v Speaker 2>watching the news during the Civil rights movement and the

0:18:20.119 --> 0:18:29.159
<v Speaker 2>war in Vietnam. I learned so much about what was

0:18:29.320 --> 0:18:35.000
<v Speaker 2>wrong with things that were happening by what I saw

0:18:35.080 --> 0:18:39.000
<v Speaker 2>in the media, and it was very clear pretty early

0:18:39.040 --> 0:18:44.479
<v Speaker 2>on that media was being utilized to first make the

0:18:44.520 --> 0:18:48.679
<v Speaker 2>population in favor of the war in Vietnam, and the

0:18:49.080 --> 0:18:54.160
<v Speaker 2>scariest thing one could do was protest against it, because

0:18:54.200 --> 0:18:58.480
<v Speaker 2>then you would be portrayed as a trader. And that

0:18:58.760 --> 0:19:04.600
<v Speaker 2>was with the media's support. As a kid watching demonstrators

0:19:04.640 --> 0:19:09.919
<v Speaker 2>be hosed and watching dogs being sick on young people

0:19:10.080 --> 0:19:14.639
<v Speaker 2>by white southern sheriffs, I was really clear the media

0:19:14.640 --> 0:19:18.359
<v Speaker 2>had an effect that turned the tide in many people's

0:19:18.920 --> 0:19:23.000
<v Speaker 2>minds about what was important, and what was important was

0:19:23.400 --> 0:19:27.359
<v Speaker 2>protecting our younger people and getting the right to vote

0:19:28.000 --> 0:19:32.480
<v Speaker 2>and defeating these racist sheriffs. So that was a situation

0:19:32.600 --> 0:19:35.720
<v Speaker 2>in which the media actually worked to our advantage because

0:19:35.720 --> 0:19:40.960
<v Speaker 2>it showed us perfect you know, pictures worth a thousand words.

0:19:41.280 --> 0:19:44.199
<v Speaker 2>It showed us exactly what was going on. So I

0:19:44.440 --> 0:19:47.719
<v Speaker 2>was aware, you know, from an early age, that media

0:19:47.960 --> 0:19:56.120
<v Speaker 2>could depict queer people and gay men specifically as horrific predators,

0:19:56.560 --> 0:19:58.640
<v Speaker 2>and that's what it seemed to be doing. And if

0:19:58.640 --> 0:20:04.720
<v Speaker 2>we did not change that, we were going to watch

0:20:05.240 --> 0:20:08.119
<v Speaker 2>more and more and more of our young people dying.

0:20:08.920 --> 0:20:13.719
<v Speaker 1>Well, you ended up co founding Glad Glad is now

0:20:14.320 --> 0:20:17.359
<v Speaker 1>very well known across America for essentially acting as a

0:20:17.400 --> 0:20:23.560
<v Speaker 1>watchdog for fair queer media representation. What was that story

0:20:23.760 --> 0:20:26.120
<v Speaker 1>of how you co founded GLAD.

0:20:27.160 --> 0:20:30.880
<v Speaker 2>I worked at that time for the New York State

0:20:30.920 --> 0:20:35.040
<v Speaker 2>Council and the Arts in the Literature program, and my

0:20:36.520 --> 0:20:42.719
<v Speaker 2>boss was Gregory Coolovacas, who was a gay man, and

0:20:42.960 --> 0:20:45.080
<v Speaker 2>you know, he'd gone to an Ivy League school, and

0:20:45.480 --> 0:20:49.800
<v Speaker 2>he was every example of what you would portray if

0:20:49.800 --> 0:20:53.240
<v Speaker 2>you wanted to look at like a particular kind of

0:20:53.240 --> 0:20:59.240
<v Speaker 2>gay man. Blonde, blue eyes, dimples, those gold rim glasses,

0:20:59.640 --> 0:21:01.800
<v Speaker 2>very size, very.

0:21:03.320 --> 0:21:04.000
<v Speaker 3>Desirable.

0:21:04.640 --> 0:21:09.560
<v Speaker 2>He was very outgoing and smart, and we became dear,

0:21:09.680 --> 0:21:13.280
<v Speaker 2>dear friends, and it was totally amazing to me when

0:21:13.720 --> 0:21:15.800
<v Speaker 2>he said to me, some guys and I are starting

0:21:15.800 --> 0:21:17.239
<v Speaker 2>to get together to try to figure out what to

0:21:17.240 --> 0:21:18.520
<v Speaker 2>do about meatia coverage.

0:21:18.640 --> 0:21:19.560
<v Speaker 3>You should join us.

0:21:20.200 --> 0:21:23.359
<v Speaker 2>I was just starting to work on my novel, The

0:21:23.359 --> 0:21:27.399
<v Speaker 2>Guild of Stories, which is the first black lesbian vampire novel,

0:21:27.720 --> 0:21:30.720
<v Speaker 2>and it's still in print decades later, so I wasn't

0:21:30.760 --> 0:21:32.960
<v Speaker 2>sure how much time I was going to be able

0:21:33.000 --> 0:21:37.000
<v Speaker 2>to devote. But I bumped into Vito Russo, the writer

0:21:37.119 --> 0:21:41.840
<v Speaker 2>about film and really strong activists and he said, no, Juel,

0:21:41.880 --> 0:21:44.200
<v Speaker 2>you have to join us. This is this is the moment,

0:21:44.240 --> 0:21:47.879
<v Speaker 2>it's happening right now. So that's how I ended up

0:21:47.960 --> 0:21:51.800
<v Speaker 2>going to GLAD meetings. And it started very simple, and

0:21:51.840 --> 0:21:56.080
<v Speaker 2>we started keeping articles that we cut out that were

0:21:56.600 --> 0:21:59.639
<v Speaker 2>that were, you know, damaging, we thought of as damaging.

0:22:00.160 --> 0:22:02.480
<v Speaker 2>And one of the first things that we did was

0:22:02.680 --> 0:22:07.159
<v Speaker 2>insist on meeting with the editorial boards of the New

0:22:07.280 --> 0:22:11.480
<v Speaker 2>York Times, the Daily News, and Newsday, the three major

0:22:11.520 --> 0:22:14.800
<v Speaker 2>papers in New York City, to really talk with them

0:22:15.000 --> 0:22:18.240
<v Speaker 2>about how screwed up their coverage was and that they

0:22:18.240 --> 0:22:22.880
<v Speaker 2>should expect demonstrations if they were not willing to meet

0:22:22.920 --> 0:22:26.640
<v Speaker 2>with us and if they were not able to reconsider

0:22:26.680 --> 0:22:31.199
<v Speaker 2>their editorial position in their headlines. And it was the

0:22:31.280 --> 0:22:36.600
<v Speaker 2>first meeting of a queer organization with the major newspapers

0:22:36.640 --> 0:22:37.320
<v Speaker 2>in New York.

0:22:37.680 --> 0:22:40.680
<v Speaker 6>What was some of the coverage, like the big thing

0:22:40.840 --> 0:22:48.320
<v Speaker 6>was closed down the bathhouses and because this feeling was

0:22:48.400 --> 0:22:52.440
<v Speaker 6>aids would be transmitted in bath houses where gay men

0:22:52.520 --> 0:22:53.760
<v Speaker 6>had anonymous sex.

0:22:54.960 --> 0:22:59.439
<v Speaker 2>That was an aspect of some of that, but it

0:22:59.520 --> 0:23:02.639
<v Speaker 2>really was and getting to the point of how is

0:23:02.680 --> 0:23:07.840
<v Speaker 2>it transmitted and how do you get men gay men

0:23:08.240 --> 0:23:12.240
<v Speaker 2>men having sex with men who didn't necessarily identify as gay,

0:23:12.800 --> 0:23:15.919
<v Speaker 2>how did you get them to understand how to be safe?

0:23:16.040 --> 0:23:18.119
<v Speaker 2>And there was no sense of being safe. It was

0:23:18.160 --> 0:23:21.119
<v Speaker 2>all about you all have to stop having sex. You

0:23:21.160 --> 0:23:23.679
<v Speaker 2>all have to stay in your homes. You cannot be

0:23:23.760 --> 0:23:29.080
<v Speaker 2>in the public eye, you know, sweeps through Central Park

0:23:30.000 --> 0:23:34.639
<v Speaker 2>where gay men would have sex at night, And it

0:23:34.720 --> 0:23:37.440
<v Speaker 2>was suddenly like the fifties where gay men were afraid

0:23:37.480 --> 0:23:41.080
<v Speaker 2>to walk through Central Park, much less have sex, because

0:23:41.200 --> 0:23:44.480
<v Speaker 2>their pictures would then be in the daily news. So

0:23:46.920 --> 0:23:51.360
<v Speaker 2>it was a very specific editorial attitude.

0:23:51.920 --> 0:23:53.040
<v Speaker 3>Well, what were.

0:23:52.920 --> 0:23:56.360
<v Speaker 1>Some of the early victories that you had with Glad.

0:23:56.760 --> 0:23:57.800
<v Speaker 3>I had read that.

0:23:59.440 --> 0:24:03.200
<v Speaker 1>Glad had in those early meetings convinced the New York

0:24:03.200 --> 0:24:05.600
<v Speaker 1>Times to stop using the word homosexual.

0:24:06.440 --> 0:24:06.920
<v Speaker 3>Number one.

0:24:07.040 --> 0:24:10.320
<v Speaker 2>Having a meeting with the major editorial boards of New

0:24:10.400 --> 0:24:16.400
<v Speaker 2>York was a huge success. One of the things that

0:24:17.440 --> 0:24:21.480
<v Speaker 2>we counted as a success was that the number of

0:24:22.800 --> 0:24:28.280
<v Speaker 2>people at each demonstration we had grew exponentially. First it

0:24:28.359 --> 0:24:31.199
<v Speaker 2>might be twenty people, and then it might be one

0:24:31.240 --> 0:24:35.439
<v Speaker 2>hundred people. Keeping in mind that there was no internet,

0:24:35.520 --> 0:24:38.400
<v Speaker 2>there was no email. We had what we called a

0:24:38.400 --> 0:24:45.000
<v Speaker 2>phone tree. You know, I called one person and that

0:24:45.080 --> 0:24:47.919
<v Speaker 2>person called two people, and those two people called two

0:24:47.960 --> 0:24:52.520
<v Speaker 2>more people. Before that, if you can imagine, people were

0:24:52.560 --> 0:24:56.280
<v Speaker 2>afraid to be seen. People were afraid to have their

0:24:56.359 --> 0:25:00.560
<v Speaker 2>picture taken coming out of a gay bar. People were

0:25:00.920 --> 0:25:05.600
<v Speaker 2>nervous about being known. So if you could have a

0:25:05.640 --> 0:25:09.639
<v Speaker 2>demonstration in the nineteen eighties and get one hundred people

0:25:09.720 --> 0:25:16.119
<v Speaker 2>to show up, not wearing masks, not hiding it, it

0:25:16.160 --> 0:25:20.080
<v Speaker 2>was pretty stunning. It was pretty stunning, and that I

0:25:20.160 --> 0:25:27.040
<v Speaker 2>think shifted things for a lot of gay people because

0:25:27.640 --> 0:25:31.520
<v Speaker 2>we were able to be ourselves in daylight. And once

0:25:31.560 --> 0:25:35.760
<v Speaker 2>you can do that, you can pretty much protest anything,

0:25:36.480 --> 0:25:41.400
<v Speaker 2>change anything, come out wherever you feel like you want to.

0:25:42.040 --> 0:25:45.880
<v Speaker 2>And that was I think the personal success of appearing

0:25:45.920 --> 0:25:47.520
<v Speaker 2>in public was huge.

0:25:48.080 --> 0:25:49.080
<v Speaker 3>It was really huge.

0:25:49.480 --> 0:25:53.680
<v Speaker 1>I am wondering, as Glad is accomplishing all of this

0:25:55.160 --> 0:26:00.560
<v Speaker 1>and people are finally becoming visible. There's a face to

0:26:01.920 --> 0:26:04.880
<v Speaker 1>the gay rights movement, and people are understanding it's it's

0:26:04.880 --> 0:26:09.760
<v Speaker 1>not just those people, but it's my neighbors, it's my

0:26:09.840 --> 0:26:15.320
<v Speaker 1>family members, perhaps even my son or daughter. You're making

0:26:15.320 --> 0:26:18.760
<v Speaker 1>a ton of strides in that movement. But on the

0:26:18.800 --> 0:26:22.680
<v Speaker 1>other hand, was there a time where you also felt

0:26:22.720 --> 0:26:26.400
<v Speaker 1>like the efforts felt futile. I wonder if you remember

0:26:26.680 --> 0:26:31.880
<v Speaker 1>Ellen and that show being canceled. Yeah, yeah, yeah, tell

0:26:31.880 --> 0:26:32.359
<v Speaker 1>me about that.

0:26:33.040 --> 0:26:36.560
<v Speaker 2>Actually, it's kind of funny because you know Ellen, I

0:26:36.640 --> 0:26:38.840
<v Speaker 2>knew she was a lesbian before she had her show.

0:26:39.040 --> 0:26:39.600
<v Speaker 3>I watched her.

0:26:39.640 --> 0:26:42.440
<v Speaker 2>She was a host on the I think the Oscar

0:26:42.480 --> 0:26:45.639
<v Speaker 2>Awards once and she was interviewing people on the backstage

0:26:45.640 --> 0:26:47.280
<v Speaker 2>and everything, and I thought, oh my god, that woman's

0:26:47.280 --> 0:26:51.720
<v Speaker 2>a lesbian. Then the next and she was very, very funny.

0:26:52.240 --> 0:26:53.920
<v Speaker 2>And so the next thing I know, she has this show,

0:26:53.960 --> 0:26:56.159
<v Speaker 2>and I'm thinking, and then she also had done a

0:26:56.200 --> 0:27:01.320
<v Speaker 2>movie and it didn't do well, and I thought, oh gosh,

0:27:01.920 --> 0:27:06.840
<v Speaker 2>she's not gonna do well because they don't actually want

0:27:06.880 --> 0:27:11.119
<v Speaker 2>her to be a lesbian on screen, and so they

0:27:11.119 --> 0:27:12.960
<v Speaker 2>don't know what to do with her. They keep kind

0:27:12.960 --> 0:27:17.760
<v Speaker 2>of setting her up in these weird situations. And I

0:27:17.920 --> 0:27:23.880
<v Speaker 2>was so relieved when it was decided that she would

0:27:23.920 --> 0:27:26.520
<v Speaker 2>get to say she was a lesbian, because to me,

0:27:27.640 --> 0:27:32.680
<v Speaker 2>it was like, here was this incredible talent being tied

0:27:32.800 --> 0:27:37.760
<v Speaker 2>up like a mummy and unable to spread her wings

0:27:37.840 --> 0:27:40.840
<v Speaker 2>and able to really use her humor because she was

0:27:40.880 --> 0:27:45.760
<v Speaker 2>so tied tight to persona. And once those ties and

0:27:45.840 --> 0:27:50.520
<v Speaker 2>bandages were ripped open. I was really thrilled because she

0:27:50.600 --> 0:27:52.919
<v Speaker 2>went on to do what she does, which is be

0:27:52.960 --> 0:27:54.719
<v Speaker 2>an incredibly funny person.

0:27:55.160 --> 0:27:58.480
<v Speaker 1>How did you feel when that show got canceled after

0:27:58.520 --> 0:27:59.120
<v Speaker 1>she came out?

0:27:59.440 --> 0:28:01.640
<v Speaker 2>I was sorry for her, because you know, she could

0:28:01.720 --> 0:28:05.240
<v Speaker 2>feel like she'd failed, which I thought was absolutely not

0:28:05.320 --> 0:28:09.080
<v Speaker 2>the case. I felt like it freed her to actually

0:28:09.440 --> 0:28:16.240
<v Speaker 2>fulfill her destiny as a storyteller and as a human

0:28:16.320 --> 0:28:19.479
<v Speaker 2>being in a way that she never would have been

0:28:19.520 --> 0:28:22.199
<v Speaker 2>able to do if she stayed on TV like that.

0:28:22.840 --> 0:28:25.879
<v Speaker 2>But I wasn't that surprised that Ellen's show was canceled

0:28:25.920 --> 0:28:29.720
<v Speaker 2>after she came out, because where were they going to go?

0:28:30.320 --> 0:28:33.440
<v Speaker 2>They were not going to do a show about lesbians.

0:28:33.880 --> 0:28:36.120
<v Speaker 3>They were really not ready.

0:28:35.880 --> 0:28:40.320
<v Speaker 2>To do a comedy about lesbians. I mean lesbians was

0:28:40.360 --> 0:28:43.560
<v Speaker 2>still if they appeared in something, they had to die

0:28:43.640 --> 0:28:50.800
<v Speaker 2>at the end.

0:28:53.680 --> 0:28:57.560
<v Speaker 1>By the early two thousands, GLAD had racked up several accomplishments.

0:28:58.040 --> 0:29:02.280
<v Speaker 1>Their efforts on AIDS was largely successful, pushing media companies

0:29:02.320 --> 0:29:05.360
<v Speaker 1>to report on science and not on the things that

0:29:05.440 --> 0:29:10.520
<v Speaker 1>compounded stigma. GLAD would go on to seriously influence queer

0:29:10.520 --> 0:29:15.200
<v Speaker 1>representation on TV, too, essentially becoming a consultant for major

0:29:15.240 --> 0:29:19.960
<v Speaker 1>networks wanting to portray queer characters. Their work is so

0:29:20.200 --> 0:29:23.880
<v Speaker 1>powerful in the industry today that they've even managed to

0:29:23.880 --> 0:29:28.800
<v Speaker 1>get some TV shows canceled for bad depictions of queer life.

0:29:28.840 --> 0:29:33.000
<v Speaker 1>Their annual media awards draw wide attention for best in

0:29:33.040 --> 0:29:37.680
<v Speaker 1>class representations of queer people. But Jules says, even though

0:29:37.760 --> 0:29:40.800
<v Speaker 1>strides have been made, there's still a lot more to do.

0:29:42.040 --> 0:29:45.160
<v Speaker 1>What was the moment where you found that the tide

0:29:45.240 --> 0:29:48.800
<v Speaker 1>was beginning to turn in your favor, that gay media

0:29:48.880 --> 0:29:51.760
<v Speaker 1>representation was actually becoming meaningful.

0:29:52.640 --> 0:29:59.880
<v Speaker 2>Mmmm, well, I I feel like we're not.

0:30:01.480 --> 0:30:05.440
<v Speaker 3>Finished. There is so much more that needs to happen.

0:30:07.040 --> 0:30:15.120
<v Speaker 2>We can't have journalists look at a television coverage and say, oh, well,

0:30:15.160 --> 0:30:18.080
<v Speaker 2>this show has five queer people on it, and this

0:30:18.200 --> 0:30:20.239
<v Speaker 2>show has two lesbians on it.

0:30:20.680 --> 0:30:24.280
<v Speaker 3>See, aren't we perfect. We can't do that. What we

0:30:26.320 --> 0:30:29.280
<v Speaker 3>still have to do is.

0:30:31.560 --> 0:30:36.960
<v Speaker 2>See that people involved in the media are looking at

0:30:37.120 --> 0:30:44.800
<v Speaker 2>us through candid eyes, that looking at us, not through

0:30:46.640 --> 0:30:50.720
<v Speaker 2>their own prejudices, and that takes a long time. We

0:30:50.840 --> 0:30:55.520
<v Speaker 2>still need to get the producers, the directors, the writers

0:30:56.640 --> 0:31:00.840
<v Speaker 2>to be accountable for what they produce and what they write.

0:31:01.000 --> 0:31:03.520
<v Speaker 3>And I don't think that's true.

0:31:03.840 --> 0:31:07.400
<v Speaker 1>How do you fit into this story, Juel, You were

0:31:07.480 --> 0:31:13.960
<v Speaker 1>a part of this group glad that has championed fair

0:31:14.000 --> 0:31:17.680
<v Speaker 1>depiction of queer people and really has changed the landscape

0:31:17.720 --> 0:31:23.120
<v Speaker 1>of queer representation in the media, certainly in the United States.

0:31:23.880 --> 0:31:27.560
<v Speaker 1>But you're also part of that group of queer people,

0:31:27.680 --> 0:31:30.680
<v Speaker 1>and you are also a queer person in the media.

0:31:31.280 --> 0:31:35.160
<v Speaker 1>So how are you impacted by all of this?

0:31:36.280 --> 0:31:40.720
<v Speaker 2>I would say I'm very grateful that I came along

0:31:40.840 --> 0:31:44.920
<v Speaker 2>when I did through the activism of the sixties and seventies,

0:31:45.480 --> 0:31:50.880
<v Speaker 2>the civil rights, anti war, lesbian feminist movements, because it's

0:31:50.880 --> 0:31:55.760
<v Speaker 2>made activism such a part of my body. In my mind,

0:31:56.360 --> 0:31:58.120
<v Speaker 2>I have that as part of who I am. Nobody

0:31:58.160 --> 0:32:00.160
<v Speaker 2>has to tell me to do that, no one has

0:32:00.200 --> 0:32:02.840
<v Speaker 2>to remind me to do that, and it helps me

0:32:02.880 --> 0:32:08.880
<v Speaker 2>when I'm writing, so that I'm creating characters that I

0:32:09.320 --> 0:32:17.200
<v Speaker 2>feel represent the philosophical underpinnings that have guided me all

0:32:17.240 --> 0:32:22.239
<v Speaker 2>of my life. I want people, when they read The

0:32:22.240 --> 0:32:27.400
<v Speaker 2>Guild of Stories one hundred years from now to say, oh, yeah,

0:32:27.520 --> 0:32:31.120
<v Speaker 2>I understand that character. That character means a lot to me,

0:32:31.240 --> 0:32:34.440
<v Speaker 2>whether I'm queer or not, and the character is telling

0:32:34.640 --> 0:32:38.200
<v Speaker 2>me some ways to be in the world that are honorable,

0:32:39.040 --> 0:32:41.040
<v Speaker 2>and I want all of my writing to be able

0:32:41.080 --> 0:32:41.600
<v Speaker 2>to do that.

0:32:42.720 --> 0:32:46.000
<v Speaker 1>The last question I have for you is sort of

0:32:46.040 --> 0:32:50.280
<v Speaker 1>around passing things down for all of the young people listening.

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<v Speaker 1>Why do you want queer people to continue fighting for

0:32:56.360 --> 0:33:00.560
<v Speaker 1>representation in the media. It feels like right now almost

0:33:00.560 --> 0:33:04.120
<v Speaker 1>every show has a queer character of some kind. This

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<v Speaker 1>is actually a queer show on a large media network.

0:33:08.240 --> 0:33:12.320
<v Speaker 1>In America. There are LGBTQ people in writers' rooms.

0:33:13.280 --> 0:33:18.640
<v Speaker 2>I had a young student say to me once, I

0:33:18.640 --> 0:33:20.160
<v Speaker 2>don't know about you baby boomers.

0:33:20.600 --> 0:33:21.720
<v Speaker 3>You did a lot of stuff.

0:33:21.840 --> 0:33:25.760
<v Speaker 2>You got some civil rights movements, bills passed and stuff

0:33:25.800 --> 0:33:28.840
<v Speaker 2>like that, and then you got old and you just stopped.

0:33:29.960 --> 0:33:35.440
<v Speaker 2>Social change is not just a long distance race. Each

0:33:35.440 --> 0:33:37.560
<v Speaker 2>of us could start out thinking we're going to change

0:33:37.600 --> 0:33:40.120
<v Speaker 2>the world before we die, and we will change some

0:33:40.280 --> 0:33:43.600
<v Speaker 2>part of the world before we die. But social change

0:33:43.920 --> 0:33:48.280
<v Speaker 2>is a relay race. And my generation did what we

0:33:48.360 --> 0:33:52.520
<v Speaker 2>could for our part of the track, and now it's

0:33:52.960 --> 0:33:57.240
<v Speaker 2>the next generation's turn to do what they can with

0:33:57.360 --> 0:34:01.280
<v Speaker 2>their part of the track. People don't see and don't

0:34:01.400 --> 0:34:04.960
<v Speaker 2>understand social change is something that you have to keep

0:34:05.000 --> 0:34:08.680
<v Speaker 2>working at It doesn't just about a being about a bang.

0:34:08.840 --> 0:34:12.520
<v Speaker 2>Everybody is nice to you. Social change is something we

0:34:12.640 --> 0:34:17.440
<v Speaker 2>do one by one, and I'm still doing it, so

0:34:17.480 --> 0:34:19.440
<v Speaker 2>I don't see an end. I keep thinking, this is

0:34:19.480 --> 0:34:21.319
<v Speaker 2>what we do, This is what we do with our

0:34:21.400 --> 0:34:24.000
<v Speaker 2>lives when we get up in the morning, and this

0:34:24.080 --> 0:34:25.759
<v Speaker 2>is what we dream about when we go to bed

0:34:25.760 --> 0:34:26.160
<v Speaker 2>at night.

0:34:26.239 --> 0:34:27.600
<v Speaker 3>How to Make the World Better.

0:34:33.880 --> 0:34:37.000
<v Speaker 1>But We Loved is hosted by me Jordan go Andsolves.

0:34:37.440 --> 0:34:40.799
<v Speaker 1>New episodes drop every Wednesday. If you want to write

0:34:40.800 --> 0:34:43.920
<v Speaker 1>in to tell your story, email us at but We

0:34:44.080 --> 0:34:46.880
<v Speaker 1>Looved at gmail dot com, or you can send me

0:34:46.920 --> 0:34:50.920
<v Speaker 1>a message on Instagram or TikTok at your underscore againsolvice.

0:34:51.640 --> 0:34:54.920
<v Speaker 1>We are a production of The Outspoken Podcast Network and

0:34:55.000 --> 0:34:59.320
<v Speaker 1>iHeart Podcasts. But We Loved was originally developed with Pushkin Industries.

0:35:00.040 --> 0:35:04.320
<v Speaker 1>Our producers are Joey pat Emily Meronoff, and Christina Loranger.

0:35:04.920 --> 0:35:09.120
<v Speaker 1>Our executive producers are me Maya Howard and Katrina Norville.

0:35:09.719 --> 0:35:13.960
<v Speaker 1>Original music by Steve Boone. Special thanks to Jay Bronson

0:35:14.040 --> 0:35:17.680
<v Speaker 1>and Roquel Willis. If you loved this episode, leave us

0:35:17.719 --> 0:35:20.960
<v Speaker 1>a rating and follow us on Apple Podcasts and Spotify,

0:35:21.600 --> 0:35:24.040
<v Speaker 1>and thank you for listening. I'll see you next week.