WEBVTT - The Secret is OUT!!

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<v Speaker 1>It's nine Ogen Onegine with Jenny Garth and Tory Spelling. Girls, Girls,

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<v Speaker 1>Girls on the Side.

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<v Speaker 2>There's three there. Oh wow, what a title?

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<v Speaker 1>Girls on the side, not on top?

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<v Speaker 2>Get the title not underneath?

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<v Speaker 3>Is it because Valerie is the girl on the side?

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<v Speaker 2>They're side pieces? I guess titles a little ra we're

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<v Speaker 2>main courses, We're no side dishes.

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<v Speaker 1>Well, welcome everybody to the pod. It's us again. Yeah,

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<v Speaker 1>can't get rid of us. We're here talking about episode

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<v Speaker 1>twenty eight right.

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<v Speaker 2>Season five.

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<v Speaker 1>Oh my gosh, Yes, aired May third, nineteen ninety five.

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<v Speaker 3>Synopsis, Oh sorry, I got over my skis there, Tori? Sorry?

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<v Speaker 2>Synopsis. A drunk lou Anne Pruetz spills the beans about

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<v Speaker 2>Ray and Valerie, leaving Claire and David disgusted, while Donna

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<v Speaker 2>remains in the dark. Jesse makes a sacrifice for love,

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<v Speaker 2>Dylan is still in love, and Charlie is loving the

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<v Speaker 2>thought of a threesome. Meanwhile, Kelly trials to Claremont, only

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<v Speaker 2>to find out her fellow burn victim Alison lash is

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<v Speaker 2>in love with her.

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<v Speaker 1>Directed by Victor Lowell, written by Meredith dim Steams Dimon.

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<v Speaker 2>I'm not sure I see that him.

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<v Speaker 3>Sorry, MAV three. Three things that are standing out to.

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<v Speaker 1>Me right now already already ever want to have to

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<v Speaker 1>do with the beginning of the episode.

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<v Speaker 3>I can't wait to talk about that. But it has

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<v Speaker 3>to do with the director. Okay, Victor Lowell with the

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<v Speaker 3>shot of the green defender pulling up and then he

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<v Speaker 3>like fully zooms in on the lights and then the

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<v Speaker 3>car act.

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<v Speaker 2>Up, it was like, you were impressed.

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<v Speaker 3>I was just sort of like, why are we doing?

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<v Speaker 2>Like he's just like a cool dude shot.

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<v Speaker 1>Yeah, probably really into that car. Like my husband, he

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<v Speaker 1>walked in during that exact and he.

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<v Speaker 2>Was like, oh my god, I love that car.

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<v Speaker 3>Yeah, it was a great car. Number two Donna's.

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<v Speaker 1>Hair, Okay, let's talk about that. We all have our episodes.

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<v Speaker 1>Who We're all going to have our bad hair episodes.

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<v Speaker 4>I just all I could think was like, oh God,

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<v Speaker 4>the curling iron, crying hair, just rying it were.

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<v Speaker 2>They held onto with baby bamps? Oh?

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<v Speaker 3>I don't know.

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<v Speaker 2>I do you think the clear bands? No?

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<v Speaker 1>I think that was just sexual from my left fried

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<v Speaker 1>into place.

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<v Speaker 3>Curl spray, curl spray.

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<v Speaker 1>The kind of like you know when they use your

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<v Speaker 1>curling iron, the curling iron on you and you see

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<v Speaker 1>smoke rising from it.

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<v Speaker 2>Yes, and then they tell you no, it's just the

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<v Speaker 2>product lines.

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<v Speaker 1>Correct, always lying.

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<v Speaker 4>So I go to a salon very close to my

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<v Speaker 4>house out of pure laziness, and I am the youngest

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<v Speaker 4>person in there fifty.

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<v Speaker 3>Years by fifty years.

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<v Speaker 4>Come on, it's all grandma's and not seventy year old grammas.

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<v Speaker 4>Like literally, I'm not joking. Minimum age eighty five. And

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<v Speaker 4>they love them.

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<v Speaker 1>They love their perms and their latter girls, their favorite

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<v Speaker 1>curl spray, curl sprut, curl spray. Well, that's about the

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<v Speaker 1>age of your hairstylist at that time, so this is true.

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<v Speaker 3>My third comment, now, I can't unsee that Ray's mom

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<v Speaker 3>was Michael Keaton's wife. It's all I can think about

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<v Speaker 3>the whole time she's on.

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<v Speaker 2>She still look it up. Yeah, she's datacular.

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<v Speaker 3>I have a little bit of fun facts.

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<v Speaker 4>So Michael Keaton is really named Michael Douglas, has a

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<v Speaker 4>son named Sean Douglas who's like a prolific songwriter, has

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<v Speaker 4>written like so many pop hits it's crazy. And then

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<v Speaker 4>I just keep thinking like it really the whole time,

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<v Speaker 4>I'm like, that's his mom.

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<v Speaker 3>That was Michael Keaton's wife. Like, why am I obsessed

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<v Speaker 3>with this?

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<v Speaker 1>Now?

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<v Speaker 3>Beetlejuice? Beetlejuice?

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<v Speaker 2>Like juice one more time?

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<v Speaker 1>Well, you know, we always wonder what are the things

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<v Speaker 1>that Aby's going to obsess on in an episode, and

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<v Speaker 1>now we know.

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<v Speaker 3>I think it's because he's one of my crushes.

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<v Speaker 2>And so Michael, I can fix it.

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<v Speaker 3>Yeah, I fixate on anything. Michael Keaton cute.

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<v Speaker 1>Yeah, she was great in this episode. She's she's always great.

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<v Speaker 2>Great.

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<v Speaker 1>Okay, so now go go whoa?

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<v Speaker 2>All right?

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<v Speaker 1>I want to do a little trivia? Sure, Okay, well

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<v Speaker 1>Bray's mom who leu Anne? She's seen smoking inside the

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<v Speaker 1>peach pit after dark? Yes, and the official Indoor Smoking

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<v Speaker 1>Band took effect in La on January first, nineteen ninety five.

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<v Speaker 2>What day is so long?

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<v Speaker 1>This is aired.

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<v Speaker 2>In May nineteen ninety five. Where are you?

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<v Speaker 3>A bunch of criminals?

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<v Speaker 2>Though?

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<v Speaker 1>But do you remember that time when all of a

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<v Speaker 1>sudden they said no, you can't smoke inside? And it

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<v Speaker 1>took a while for people to start enforcing that, Like,

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<v Speaker 1>I've never.

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<v Speaker 3>Been happier about a law.

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<v Speaker 2>Yeah, I know. Can you remember what it was like

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<v Speaker 2>to eat while smoke? And I went to.

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<v Speaker 4>Nevada, We went and gambled in Nevada and Tahoe and

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<v Speaker 4>they don't have that rule there. Still, immediately you're like

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<v Speaker 4>it is burning. You're like, whoa, this is intense.

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<v Speaker 1>It just makes you smell like a cigarette. If you

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<v Speaker 1>don't want to smell like a cigarette, that's not great.

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<v Speaker 1>If you do enjoy smelling like a stri Do you know.

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<v Speaker 3>Good law that I'm sure some people hated. But can

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<v Speaker 3>you smoke outside at a restaurant?

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<v Speaker 2>Though?

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<v Speaker 3>I feel like you can't smoke anywhere near.

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<v Speaker 1>People on a patio? You can smoke outside AnyWho. That's

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<v Speaker 1>the trivia your board couldn't tell?

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<v Speaker 3>Okay, has some chocolate cigars? Happy Easter? Was Easter yesterday? Yes?

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<v Speaker 3>Happy Easter?

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<v Speaker 1>Did the bunny come?

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<v Speaker 2>Yes?

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<v Speaker 1>Did the buddy visit you? Did you get any chocolate cigars?

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<v Speaker 3>Yeah?

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<v Speaker 4>We had chocolate cignars for the boys, not like someone

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<v Speaker 4>has that little not the little boys, but the adult boys.

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<v Speaker 3>Men got chocolate cigars.

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<v Speaker 2>I like that idea.

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<v Speaker 1>I should get it because they're marked off now you

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<v Speaker 1>can get them real cheap. Anyway, do you want to

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<v Speaker 1>give another trivia?

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<v Speaker 2>Would you like me too?

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<v Speaker 3>Sure?

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<v Speaker 2>When Kelly was it's to Alison at the burn clinic.

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<v Speaker 2>The address reads one four nine two zero Medical Center,

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<v Speaker 2>which appears to be a location in Santa Monica, But

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<v Speaker 2>when Kelly is on the phone with Brandon, she says,

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<v Speaker 2>the burn Center is in Claremont.

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<v Speaker 3>Oh, fun back there. So did you shoot it in

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<v Speaker 3>Santa Monica?

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<v Speaker 2>I suppose man might signer drive there? Sure is? I

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<v Speaker 2>don't know. I just know Kelly didn't drive to Claremont. No,

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<v Speaker 2>that would never have happened because she never gets to

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<v Speaker 2>go anywhere.

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<v Speaker 1>Claremont is the place they center on location. This is great?

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<v Speaker 3>Uh?

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<v Speaker 1>One another one?

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<v Speaker 2>Yes, I love it? These are fun.

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<v Speaker 1>The ups employee asks Kelly, this is funny, asks Kelly

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<v Speaker 1>to sign for the package by asking for her Jane Hancock.

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<v Speaker 2>Yeah.

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<v Speaker 1>The original term John Hamcock, a term coined after John No,

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<v Speaker 1>I said Hamcock, I know it. It's term is John Hancock,

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<v Speaker 1>a term coined after John Hancock signed the Declaration of

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<v Speaker 1>Independence because the biggest signature of all.

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<v Speaker 3>Yeah, he did it so big.

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<v Speaker 2>Wait.

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<v Speaker 4>I have a comment on that scene. Should we talk

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<v Speaker 4>about it now or when we get to it.

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<v Speaker 2>When we get to it, Okay, you got it.

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<v Speaker 1>Yeah, that one wasn't very exciting, but I did enjoy

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<v Speaker 1>that scene, So we will talk.

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<v Speaker 2>About that one when we get to it. Last one,

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<v Speaker 2>Kelly and Steve are walking on the sidewalk. In the

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<v Speaker 2>background you can see a restaurant called Gaucho Grill. It

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<v Speaker 2>was in a chain that served Argentinian food in the

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<v Speaker 2>nineteen nineties.

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<v Speaker 3>It was actually delicious.

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<v Speaker 2>It was I used to like that place.

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<v Speaker 3>It on went it only went away like a little

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<v Speaker 3>bit ago.

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<v Speaker 1>Wait where we had one? Don't you feel like?

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<v Speaker 2>We had one?

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<v Speaker 1>And they would bring it in for like our lunches,

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<v Speaker 1>sometimes possibly Gaucho.

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<v Speaker 2>Grill, and I was like, I don't want gaucho grill.

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<v Speaker 3>Yeah, and we had one on Santa Sunni and Brent

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<v Speaker 3>wid Brent with La You remember, right.

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<v Speaker 2>I'm just remembering when they would say what was for lunch?

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<v Speaker 2>In that reaction to anything everything we'd.

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<v Speaker 1>Also that's how my husband feels now every time we eat.

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<v Speaker 3>I'm so weady like restaurant food.

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<v Speaker 2>Yeah, we didn't around a lot, there was no but

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<v Speaker 2>they would be all proud they made an executive decision.

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<v Speaker 2>Imagine having you know, seven kids and like you have

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<v Speaker 2>to go tell them here's what we're eating, and no

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<v Speaker 2>one wants the same thing. So the front office came

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<v Speaker 2>in strong with the decision. They had the menu and

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<v Speaker 2>they'd be like, okay, guys, what do you want today?

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<v Speaker 2>Is gaucho grill? And then the response would be I

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<v Speaker 2>don't want that. The thing is.

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<v Speaker 1>But they would come in like kind of nervous to

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<v Speaker 1>present that the menu, the paper that they had zerox

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<v Speaker 1>the menu on.

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<v Speaker 2>The like sweating back there, like please let her say yes,

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<v Speaker 2>let him say okay.

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<v Speaker 4>Did only the big people get that? Or like what

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<v Speaker 4>about the back ground people?

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<v Speaker 2>No catering truck.

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<v Speaker 1>I feel like they had I don't remember exactly. Sometimes

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<v Speaker 1>they would have like a catering truck for the crew

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<v Speaker 1>and the background, but the prima donna actors always like

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<v Speaker 1>that's something special. Or they would say you go away

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<v Speaker 1>for an hour, go get your walk away, get.

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<v Speaker 2>Your own lunch. Really walking away. They wouldn't let us out.

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<v Speaker 2>They'd be scared we wouldn't come back.

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<v Speaker 1>Yeah, so they made a couple of bucks if you

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<v Speaker 1>do that, probably not like eight dollars. But they would

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<v Speaker 1>make us stay in our five by five cubicles with

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<v Speaker 1>the lights off until it was time to work again.

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<v Speaker 1>Did you have trailers?

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<v Speaker 2>Not a hallway of rooms? They connected so we were

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<v Speaker 2>all in the same hallway.

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<v Speaker 3>Did you make them pretty?

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<v Speaker 2>I tried once, We definitely tried.

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<v Speaker 1>I just remembered my dressing room had a giant window,

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<v Speaker 1>like you could see from the hallway into my dressing room.

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<v Speaker 1>So I was like, can you guys put up some

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<v Speaker 1>like mini plays.

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<v Speaker 3>To the world.

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<v Speaker 2>Oh god, No, that was forbidden. She wishes she would

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<v Speaker 2>have written help.

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<v Speaker 3>Oh gosh. Yeah, anyhow, Yeah, I have a set question

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<v Speaker 3>coming up, but.

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<v Speaker 2>I will hold it. Oh exciting.

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<v Speaker 1>Okay, well, let's just start beach outs. We start on

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<v Speaker 1>the beach house and Donna is a hotty inner bathing

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<v Speaker 1>suit getting god sitting out there getting her skin fried,

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<v Speaker 1>spraying like water, baby oil, baby oil, and Kelly uh

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<v Speaker 1>is very nervous that she's going to get some skin damage.

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<v Speaker 3>You were more in a moo moo and Donna was

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<v Speaker 3>more in a hot bikin.

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<v Speaker 2>Yeah.

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<v Speaker 1>I was covering because I didn't want to get any

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<v Speaker 1>sun on my.

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<v Speaker 3>On My.

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<v Speaker 2>Topic is back right, it's full force this episode.

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<v Speaker 1>Yeah, you're even like, uh.

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<v Speaker 2>Nail it over the head. Make sure everyone remembers. Yeah,

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<v Speaker 2>you say something. I don't know. I can't remember what

0:12:19.280 --> 0:12:21.040
<v Speaker 2>you said, but it wasn't I hint.

0:12:21.120 --> 0:12:22.520
<v Speaker 3>Mean, it was like not mean.

0:12:23.360 --> 0:12:25.040
<v Speaker 1>I think that's the way that you know, when you're

0:12:25.080 --> 0:12:27.440
<v Speaker 1>friends with each other, like that you can talk like

0:12:27.480 --> 0:12:28.160
<v Speaker 1>that to each other.

0:12:29.640 --> 0:12:32.120
<v Speaker 3>She's like, basically like get over it and give it

0:12:32.120 --> 0:12:32.480
<v Speaker 3>some air.

0:12:32.559 --> 0:12:37.000
<v Speaker 1>Take that bandage off so ugly, basically, let it breathe.

0:12:37.960 --> 0:12:42.160
<v Speaker 1>It was really featured in this episode, but Kelly receives

0:12:42.160 --> 0:12:46.280
<v Speaker 1>a package in that scene from seventeen magazine and it's

0:12:46.320 --> 0:12:49.120
<v Speaker 1>her magazine cover framed so beautifully.

0:12:49.200 --> 0:12:50.120
<v Speaker 2>It looks so good.

0:12:51.240 --> 0:12:53.880
<v Speaker 3>Where I loved about that? Oh yeah, did you you

0:12:53.920 --> 0:12:55.640
<v Speaker 3>have that? You should kept that.

0:12:55.920 --> 0:12:57.959
<v Speaker 1>I feel like it's here in my house somewhere, and

0:12:58.000 --> 0:13:01.319
<v Speaker 1>I just don't know where.

0:13:00.000 --> 0:13:01.280
<v Speaker 3>I Peer thirty nine.

0:13:01.320 --> 0:13:03.360
<v Speaker 4>You could go and like get your picture taken and

0:13:03.400 --> 0:13:04.920
<v Speaker 4>they put it on a fake magazine.

0:13:05.120 --> 0:13:09.400
<v Speaker 2>Oh my god, no, oh yeah.

0:13:09.200 --> 0:13:11.040
<v Speaker 3>You could go and be on the cover of People

0:13:11.240 --> 0:13:12.080
<v Speaker 3>or TV. Guy.

0:13:12.240 --> 0:13:13.839
<v Speaker 1>Wait, what's Peer thirty nine.

0:13:14.520 --> 0:13:16.320
<v Speaker 4>Oh, it's kind of like if you went to the

0:13:16.360 --> 0:13:19.240
<v Speaker 4>Santa Monica Pier. So it's in San Francisco and it's

0:13:19.280 --> 0:13:21.120
<v Speaker 4>like a very touristy place. So you know how like

0:13:21.120 --> 0:13:23.760
<v Speaker 4>the Santa or the boardwalk in Santa Cruz, you know

0:13:23.800 --> 0:13:24.680
<v Speaker 4>all those kind of places.

0:13:25.120 --> 0:13:30.320
<v Speaker 3>Yeah, there's like rides and like corn dogs and crap

0:13:30.480 --> 0:13:33.200
<v Speaker 3>likes still today totally wow.

0:13:33.480 --> 0:13:36.320
<v Speaker 1>Oh did you guys see they're redoing the Santa Monica Peer.

0:13:36.440 --> 0:13:39.320
<v Speaker 1>I don't know when I saw a big thing on

0:13:39.320 --> 0:13:40.679
<v Speaker 1>the news that they're redoing it.

0:13:41.120 --> 0:13:43.600
<v Speaker 2>Ooh, that means it does. It's all rickety.

0:13:43.679 --> 0:13:46.400
<v Speaker 1>It needs some security would be great too.

0:13:46.520 --> 0:13:48.760
<v Speaker 3>Yeah, it's a little yeah.

0:13:48.840 --> 0:13:51.880
<v Speaker 1>Yeah, terrified of sending my kid there. Everybody's going to

0:13:51.920 --> 0:13:52.760
<v Speaker 1>the pier, can I go?

0:13:52.960 --> 0:13:53.080
<v Speaker 2>No?

0:13:53.960 --> 0:13:57.080
<v Speaker 3>In thirty years, I've been there twice. I lived in

0:13:57.200 --> 0:13:59.679
<v Speaker 3>La like literally thirty years and I've been there two times.

0:13:59.760 --> 0:14:00.319
<v Speaker 2>Yeah.

0:14:00.400 --> 0:14:04.360
<v Speaker 1>Okay, So now we're on the freeway doing some really

0:14:04.520 --> 0:14:08.320
<v Speaker 1>cool unnecessary potray driving back into town scenes.

0:14:08.320 --> 0:14:10.439
<v Speaker 3>What pause before we.

0:14:10.400 --> 0:14:13.240
<v Speaker 4>Get to that, I briefly have to mention there's a

0:14:13.280 --> 0:14:17.480
<v Speaker 4>new angle of the beach house. It swung around and

0:14:17.600 --> 0:14:20.240
<v Speaker 4>showed the steps going up and that's real.

0:14:20.520 --> 0:14:20.720
<v Speaker 2>Yeah.

0:14:20.760 --> 0:14:22.920
<v Speaker 1>I had a pause on that.

0:14:22.520 --> 0:14:23.240
<v Speaker 2>That was it.

0:14:23.520 --> 0:14:25.520
<v Speaker 1>Well, I was like, is that okay? So that's the

0:14:25.600 --> 0:14:29.400
<v Speaker 1>door everybody enters through. They have to climb up those stairs.

0:14:29.560 --> 0:14:29.880
<v Speaker 3>Yep.

0:14:30.440 --> 0:14:33.040
<v Speaker 1>And then that door kind of matched our door where

0:14:33.040 --> 0:14:36.040
<v Speaker 1>people came in and out, so that yes, nobody ever

0:14:36.120 --> 0:14:38.520
<v Speaker 1>acted like they had just climbed to fly to stairs.

0:14:38.920 --> 0:14:41.520
<v Speaker 4>No, it's very confusing. Then it switches there's the back

0:14:41.560 --> 0:14:44.160
<v Speaker 4>door on the front door. So they showed the sort

0:14:44.200 --> 0:14:48.360
<v Speaker 4>of street, so the houses on the whatever you'd call it,

0:14:48.440 --> 0:14:52.000
<v Speaker 4>the water, and there's like the walking bike path, there's

0:14:52.040 --> 0:14:54.120
<v Speaker 4>a tiny there's a main drag, and then there's sort

0:14:54.160 --> 0:14:56.160
<v Speaker 4>of a tiny street and so it sort of showed

0:14:56.160 --> 0:14:59.360
<v Speaker 4>the tiny street and that's the real door, and then it.

0:14:59.320 --> 0:15:00.800
<v Speaker 3>Was like to the set.

0:15:00.920 --> 0:15:05.080
<v Speaker 4>So the ups lady obviously came to the set with

0:15:05.120 --> 0:15:06.800
<v Speaker 4>that sort of fake white.

0:15:06.600 --> 0:15:12.240
<v Speaker 3>Picket which wasn't there, and Kelly opens the door, almost said,

0:15:12.280 --> 0:15:14.400
<v Speaker 3>Jenny opens it.

0:15:15.320 --> 0:15:20.960
<v Speaker 1>So back to the freeway. Yeah, you loved all the

0:15:21.080 --> 0:15:23.840
<v Speaker 1>driving shots, the unnecessary driving shots.

0:15:23.640 --> 0:15:25.440
<v Speaker 3>Didn't you, guys? Because first of all, here's what was

0:15:25.440 --> 0:15:28.600
<v Speaker 3>like blowing my mind. All I'm like, where are we?

0:15:28.680 --> 0:15:29.160
<v Speaker 3>Where are we?

0:15:29.200 --> 0:15:32.080
<v Speaker 4>Okay, we're coming down from Magic Mountain and we're getting

0:15:32.120 --> 0:15:33.120
<v Speaker 4>where the five is.

0:15:33.600 --> 0:15:35.000
<v Speaker 3>And then I was like, is he gonna take the

0:15:35.000 --> 0:15:35.480
<v Speaker 3>four or five?

0:15:35.800 --> 0:15:39.440
<v Speaker 4>And he was really driving like that, He was really

0:15:39.600 --> 0:15:40.560
<v Speaker 4>driving that truck.

0:15:41.880 --> 0:15:42.160
<v Speaker 2>Wow.

0:15:42.680 --> 0:15:44.520
<v Speaker 4>And they were getting all those shots and it wasn't

0:15:44.560 --> 0:15:47.920
<v Speaker 4>like he was like on one of those fake car things. No,

0:15:48.080 --> 0:15:50.760
<v Speaker 4>they were getting him really drive in that truck and

0:15:50.760 --> 0:15:53.920
<v Speaker 4>they showed the license plate. He is the blue and

0:15:54.040 --> 0:15:56.840
<v Speaker 4>yellow license plate, the old license plates.

0:15:57.440 --> 0:16:00.400
<v Speaker 1>Yeah, his truck is cool. But I think maybe they

0:16:00.480 --> 0:16:03.840
<v Speaker 1>did that with like a second unit, because that's a

0:16:03.840 --> 0:16:07.120
<v Speaker 1>big deal to go take the whole you know, basically

0:16:07.280 --> 0:16:09.760
<v Speaker 1>afon or half a day to go out and shoot

0:16:09.840 --> 0:16:11.120
<v Speaker 1>some drive shots.

0:16:11.520 --> 0:16:13.600
<v Speaker 3>Oh. I was like to Dana helicopterly, how are they

0:16:13.680 --> 0:16:14.120
<v Speaker 3>doing this?

0:16:14.360 --> 0:16:18.280
<v Speaker 1>It was so awesome. They had a drone and.

0:16:18.280 --> 0:16:21.560
<v Speaker 4>Then he switched he had the old The truck had

0:16:21.560 --> 0:16:23.680
<v Speaker 4>the gear shift, which I think we learned from Donna

0:16:23.760 --> 0:16:27.360
<v Speaker 4>driving it on the tree thing on the tree.

0:16:27.480 --> 0:16:30.640
<v Speaker 3>Yeah, thank you, Tori, and he shift gears. I was like,

0:16:30.720 --> 0:16:31.840
<v Speaker 3>this is legit.

0:16:32.440 --> 0:16:33.360
<v Speaker 1>Yeah, it looked real.

0:16:34.440 --> 0:16:35.240
<v Speaker 2>That was rap.

0:16:47.960 --> 0:16:51.120
<v Speaker 1>He gets home and he tells her that he's back

0:16:51.200 --> 0:16:54.840
<v Speaker 1>to play the peach Pit after dark and invites Leu

0:16:54.840 --> 0:16:55.360
<v Speaker 1>Anne to.

0:16:55.440 --> 0:16:57.040
<v Speaker 2>His show Risky.

0:16:57.640 --> 0:16:58.880
<v Speaker 3>Yeah, he didn't want to.

0:16:59.240 --> 0:17:02.360
<v Speaker 1>And he tells his mom not to tell Donna that

0:17:02.480 --> 0:17:05.760
<v Speaker 1>Valerie showed up in Reno to convince him to come back.

0:17:06.760 --> 0:17:08.320
<v Speaker 2>I feel like that's right at all.

0:17:08.720 --> 0:17:11.840
<v Speaker 1>Yeah, I don't think that secret is safe with Mama. No.

0:17:12.200 --> 0:17:14.359
<v Speaker 1>I feel uncomfortable with this trust issue.

0:17:14.359 --> 0:17:14.600
<v Speaker 2>Here.

0:17:15.880 --> 0:17:18.480
<v Speaker 1>Okay, So we're at the Walsh House. Brandon is headed

0:17:18.520 --> 0:17:20.480
<v Speaker 1>to Sacramento for a school business.

0:17:21.800 --> 0:17:25.480
<v Speaker 3>My god, Steve, they make him so dumb, oh.

0:17:25.440 --> 0:17:29.520
<v Speaker 1>Man, and he goes he walk up. Cindy comes in

0:17:29.600 --> 0:17:32.520
<v Speaker 1>and she's so excited about her magazine cover that she

0:17:32.600 --> 0:17:36.840
<v Speaker 1>got at the Ralphs there and Kelly is very upset

0:17:36.880 --> 0:17:39.000
<v Speaker 1>about her scars and lashes out at Steve.

0:17:40.280 --> 0:17:42.879
<v Speaker 3>Yeah, and a little bit like she was so prickly.

0:17:42.720 --> 0:17:46.159
<v Speaker 1>That's why we get We find out, Oh, she's really

0:17:46.200 --> 0:17:48.600
<v Speaker 1>not excited about being on the cover of that magazine,

0:17:48.720 --> 0:17:51.440
<v Speaker 1>which is Hello, because.

0:17:51.200 --> 0:17:53.000
<v Speaker 3>She misses her old neck.

0:17:53.119 --> 0:17:56.879
<v Speaker 1>I guess nobody's really having much sympathy for it, because

0:17:57.000 --> 0:17:59.920
<v Speaker 1>it's kind of silly, like they can, they could make

0:17:59.920 --> 0:18:01.600
<v Speaker 1>you look however they want you to, like they take

0:18:01.600 --> 0:18:02.240
<v Speaker 1>it away.

0:18:02.560 --> 0:18:07.679
<v Speaker 4>And your scars are not bad barely they're barely there.

0:18:08.440 --> 0:18:10.560
<v Speaker 1>And then at the we'll just get there, never mind,

0:18:10.560 --> 0:18:17.560
<v Speaker 1>I'll wait. So yeah, Kelly storms out of the room

0:18:17.720 --> 0:18:22.119
<v Speaker 1>and Steve is left feeling like it's his fault, but

0:18:22.160 --> 0:18:24.560
<v Speaker 1>really it's Brandon's fault. No, it's not just saying.

0:18:24.320 --> 0:18:33.600
<v Speaker 3>That literally is okay, Yeah.

0:18:32.200 --> 0:18:34.520
<v Speaker 1>It was weird because like this is the first time

0:18:34.520 --> 0:18:38.720
<v Speaker 1>we've seen the Walshes in a minute totally, and this

0:18:39.040 --> 0:18:43.600
<v Speaker 1>time the scene wasn't about their storylines anything to do

0:18:43.640 --> 0:18:46.199
<v Speaker 1>with the Walshes, And that's I think one of the

0:18:46.240 --> 0:18:48.040
<v Speaker 1>only things he said in that scene.

0:18:48.600 --> 0:18:51.080
<v Speaker 4>Reminds me of do your teens say that to you

0:18:51.080 --> 0:18:51.680
<v Speaker 4>guys all the time?

0:18:51.720 --> 0:18:53.000
<v Speaker 3>You know how like are you okay?

0:18:53.240 --> 0:18:55.679
<v Speaker 2>Are you okay? Oh?

0:18:55.760 --> 0:18:58.239
<v Speaker 1>I hate that, but I started doing it now just

0:18:58.240 --> 0:19:01.959
<v Speaker 1>because it irritates me so much when they say are

0:19:02.000 --> 0:19:06.320
<v Speaker 1>you okay? When I'm literally just like reacting to something,

0:19:07.000 --> 0:19:09.439
<v Speaker 1>or if I don't like a food, I put it

0:19:09.440 --> 0:19:11.879
<v Speaker 1>in my mouth and like or like I say something

0:19:11.920 --> 0:19:12.720
<v Speaker 1>that they don't agree with.

0:19:12.840 --> 0:19:15.000
<v Speaker 2>Are you okay? Yeah?

0:19:15.400 --> 0:19:18.560
<v Speaker 1>Making okay?

0:19:18.640 --> 0:19:20.800
<v Speaker 3>You know Danielle Romo that we all work with. Her

0:19:20.880 --> 0:19:22.320
<v Speaker 3>favorite thing to do is when.

0:19:22.160 --> 0:19:24.879
<v Speaker 4>She messes up, like if she writes an email it

0:19:24.880 --> 0:19:25.720
<v Speaker 4>has like a mistake.

0:19:25.800 --> 0:19:28.200
<v Speaker 3>Then she writes back, am I okay.

0:19:29.440 --> 0:19:31.720
<v Speaker 1>It's become a thing, but now it's fun to do.

0:19:31.920 --> 0:19:32.600
<v Speaker 1>Try to do it.

0:19:32.640 --> 0:19:33.120
<v Speaker 2>Do it today.

0:19:33.160 --> 0:19:35.720
<v Speaker 1>I'll make you feel like superior. Then then you're like, oh,

0:19:35.760 --> 0:19:37.000
<v Speaker 1>I see why they do it all the time.

0:19:37.160 --> 0:19:41.080
<v Speaker 3>Yeah, totally. Anyway, this so far this episode is a ten.

0:19:42.080 --> 0:19:44.280
<v Speaker 2>You're liking it peach Pit.

0:19:44.480 --> 0:19:47.320
<v Speaker 1>Peach Pit, we get to see the dills. He is

0:19:48.800 --> 0:19:52.320
<v Speaker 1>staring at his ex girlfriend on the cover of seventeen magazines.

0:19:53.200 --> 0:19:56.720
<v Speaker 3>Yeah that was That was kind of cool in a

0:19:57.160 --> 0:19:57.879
<v Speaker 3>sad way.

0:19:58.280 --> 0:19:58.560
<v Speaker 2>Yeah.

0:19:58.640 --> 0:20:00.359
<v Speaker 1>Charlie, though, tells him to put it a way so

0:20:00.359 --> 0:20:03.200
<v Speaker 1>they can focus on the screenplay.

0:20:03.520 --> 0:20:05.240
<v Speaker 3>Charlie's getting so much.

0:20:05.400 --> 0:20:09.600
<v Speaker 2>Screen time for what why? Why you're in a movie?

0:20:10.560 --> 0:20:12.840
<v Speaker 1>I don't get this. Why he's on the show.

0:20:12.880 --> 0:20:17.760
<v Speaker 2>I'm sorry, he must be a friend of somebody. Episode.

0:20:17.960 --> 0:20:20.760
<v Speaker 3>Yeah, is this when val comes over?

0:20:21.040 --> 0:20:24.720
<v Speaker 1>Yeah, Valerie comes over and she's so happy to be

0:20:24.840 --> 0:20:25.600
<v Speaker 1>with the guys.

0:20:26.200 --> 0:20:30.640
<v Speaker 4>Yeah, she's got a hint of a crop top and

0:20:30.680 --> 0:20:34.840
<v Speaker 4>she's very cute and smiley, and yet it's weird.

0:20:35.960 --> 0:20:39.639
<v Speaker 1>Yeah it's she And then she likes to button that

0:20:39.680 --> 0:20:41.320
<v Speaker 1>scene with something snarky.

0:20:41.680 --> 0:20:45.800
<v Speaker 4>She's super low key genius though, she's very smart, like

0:20:45.880 --> 0:20:49.520
<v Speaker 4>she know all about the minajatoy and the movie. So

0:20:49.560 --> 0:20:52.080
<v Speaker 4>she's always impressing me with her brains. But then it's like,

0:20:53.000 --> 0:20:54.959
<v Speaker 4>I don't know, I don't trust her.

0:20:55.680 --> 0:21:01.399
<v Speaker 1>Yeah, it gets weirder, just wait for it. The beach House.

0:21:02.240 --> 0:21:05.439
<v Speaker 1>Kelly's getting a call from for a modeling job and

0:21:05.520 --> 0:21:08.080
<v Speaker 1>quickly shuts it down. Then the rest of the game

0:21:08.119 --> 0:21:11.399
<v Speaker 1>comes in and they come home with food and Kelly

0:21:11.480 --> 0:21:12.200
<v Speaker 1>just walks away.

0:21:12.280 --> 0:21:13.000
<v Speaker 2>She's so upset.

0:21:14.160 --> 0:21:17.320
<v Speaker 4>The fire was going. Did you notice that? And then

0:21:17.560 --> 0:21:19.400
<v Speaker 4>are we to assume that's food from the peach pit?

0:21:19.520 --> 0:21:21.240
<v Speaker 4>I was assuming they picked it all up at the

0:21:21.280 --> 0:21:22.000
<v Speaker 4>peach pit.

0:21:24.480 --> 0:21:28.120
<v Speaker 1>Or gaucho grill or you do say do you want

0:21:28.119 --> 0:21:29.200
<v Speaker 1>a burgers?

0:21:29.840 --> 0:21:32.320
<v Speaker 3>I would have been like, say, yeah, I'm starving.

0:21:34.040 --> 0:21:36.960
<v Speaker 1>She looked hungry. But she goes in a room and

0:21:37.000 --> 0:21:40.200
<v Speaker 1>she's so conflicted and upset and she throws the picture

0:21:40.240 --> 0:21:41.520
<v Speaker 1>against the wall and breaks it.

0:21:42.080 --> 0:21:42.439
<v Speaker 2>Total.

0:21:42.640 --> 0:21:46.159
<v Speaker 4>Okay, there's this TikTok going around that's like, what's something

0:21:46.200 --> 0:21:48.560
<v Speaker 4>that you see on TV that we all accept on

0:21:48.640 --> 0:21:52.960
<v Speaker 4>TV that never happens in real life? Purling glass across

0:21:53.000 --> 0:21:55.639
<v Speaker 4>a room is something that only happens on TV that

0:21:56.359 --> 0:21:57.479
<v Speaker 4>I would never do that.

0:21:58.000 --> 0:22:01.600
<v Speaker 3>The mess stayed with me, like, Andy, did it not

0:22:01.840 --> 0:22:02.800
<v Speaker 3>impact your life?

0:22:02.840 --> 0:22:05.280
<v Speaker 1>It didn't seem to bother her, which I found talking

0:22:05.320 --> 0:22:14.720
<v Speaker 1>about glass everywhere. Yeah, she's gonna get cut. She's sorry, guys,

0:22:16.520 --> 0:22:19.560
<v Speaker 1>Oh my goodness. Yeah, the gang is out there eating

0:22:19.560 --> 0:22:20.120
<v Speaker 1>their burgers.

0:22:20.160 --> 0:22:21.919
<v Speaker 3>They're like, are you okay?

0:22:22.720 --> 0:22:26.040
<v Speaker 1>Yeah, I'm good. Just drop something and shattered it on

0:22:26.080 --> 0:22:27.640
<v Speaker 1>my wall. Thanks for noticing.

0:22:28.520 --> 0:22:35.840
<v Speaker 2>I just dropped on a carpeted room and it shattered.

0:22:36.440 --> 0:22:37.240
<v Speaker 2>It shattered.

0:22:38.200 --> 0:22:39.600
<v Speaker 4>Oh and then she and then you kind of had

0:22:39.640 --> 0:22:43.320
<v Speaker 4>your cry moment. A lot of acting for you in

0:22:43.359 --> 0:22:44.359
<v Speaker 4>this episode.

0:22:44.040 --> 0:22:49.399
<v Speaker 3>Jenny, but like a little bit of a like thirty

0:22:49.480 --> 0:22:51.600
<v Speaker 3>years later, a little bit. I'm laughing at it.

0:22:51.640 --> 0:22:58.840
<v Speaker 2>But yet it was good. Well, I liked it. It

0:22:58.880 --> 0:23:00.120
<v Speaker 2>was fun to do you cry.

0:23:00.080 --> 0:23:02.040
<v Speaker 3>On cue there? Did you need those drops? You told

0:23:02.040 --> 0:23:03.160
<v Speaker 3>me about those drops.

0:23:04.160 --> 0:23:04.640
<v Speaker 2>I don't know.

0:23:06.520 --> 0:23:08.639
<v Speaker 1>You'll never know if my tears were real, or if

0:23:08.680 --> 0:23:11.920
<v Speaker 1>our tears were real, or if it was just makeup.

0:23:12.840 --> 0:23:14.040
<v Speaker 3>It was good. It was good.

0:23:15.400 --> 0:23:18.560
<v Speaker 1>We go to Andrea's house with her purple walls. Oh yeah,

0:23:18.640 --> 0:23:22.280
<v Speaker 1>you cannot handle that paint color. Andrea with the baby feeding.

0:23:22.400 --> 0:23:23.320
<v Speaker 3>Is this the baby feeding?

0:23:23.640 --> 0:23:26.360
<v Speaker 1>Yeah, he's Jesse gets excited because he got a job

0:23:26.400 --> 0:23:27.119
<v Speaker 1>offer and Boise.

0:23:27.920 --> 0:23:29.119
<v Speaker 3>The walls were fine.

0:23:29.320 --> 0:23:34.040
<v Speaker 4>It was Andrea's checkered shirt over their They just did

0:23:34.119 --> 0:23:34.320
<v Speaker 4>me in.

0:23:34.480 --> 0:23:37.680
<v Speaker 1>I was like, oh no, but but they're like all

0:23:37.680 --> 0:23:40.040
<v Speaker 1>good now they're back together, they're supporting.

0:23:39.640 --> 0:23:43.160
<v Speaker 3>Each other, and she's moving the Idaho.

0:23:42.880 --> 0:23:45.360
<v Speaker 1>Does he I've forgotten already, you guys, don't be mad.

0:23:46.000 --> 0:23:51.639
<v Speaker 1>Does he know about her affair? Yes, yes, right, I'm sorry.

0:23:52.119 --> 0:23:54.280
<v Speaker 1>This is cheese of a brain.

0:23:55.600 --> 0:23:58.240
<v Speaker 2>You didn't have either. I cared so little that I

0:23:58.240 --> 0:23:59.440
<v Speaker 2>already oh, oh my god.

0:23:59.560 --> 0:24:01.840
<v Speaker 4>Yes, we have the whole episode and they were fighting.

0:24:01.840 --> 0:24:02.679
<v Speaker 4>It was all kind of tight.

0:24:02.840 --> 0:24:07.600
<v Speaker 3>Yeah, yeah, yeah, Jeopardy episode two, and he was way mad.

0:24:07.640 --> 0:24:10.760
<v Speaker 3>I remember he goes to Dylan's and stays there and

0:24:10.760 --> 0:24:12.960
<v Speaker 3>says I'm not gonna go, and then all he does

0:24:13.000 --> 0:24:13.520
<v Speaker 3>is ear right.

0:24:13.600 --> 0:24:16.720
<v Speaker 2>That was like two episodes ago. Totally. I worry about

0:24:16.760 --> 0:24:18.280
<v Speaker 2>you guys. Yeah you should.

0:24:19.640 --> 0:24:23.320
<v Speaker 1>Then we go to the Outdoor Cafe, which is this

0:24:23.560 --> 0:24:26.399
<v Speaker 1>was exciting. We were somewhere new. Were you excited about?

0:24:26.359 --> 0:24:27.320
<v Speaker 1>Where were we?

0:24:27.600 --> 0:24:28.199
<v Speaker 2>Oh? God?

0:24:28.480 --> 0:24:29.680
<v Speaker 3>I was trying so hard.

0:24:29.720 --> 0:24:32.199
<v Speaker 2>It felt like one of those did you do the coordinates?

0:24:32.240 --> 0:24:34.080
<v Speaker 2>Did you find you look on your website, but.

0:24:34.119 --> 0:24:36.600
<v Speaker 4>Like if somebody could look maybe on the nine O

0:24:36.720 --> 0:24:38.240
<v Speaker 4>two one zero locations.

0:24:38.840 --> 0:24:43.400
<v Speaker 1>I needed to know outdoor cafe. Well, it's somewhere we've

0:24:43.440 --> 0:24:45.639
<v Speaker 1>never seen it. I couldn't quite put it together either,

0:24:45.760 --> 0:24:49.480
<v Speaker 1>But then I saw an AMC like in the background,

0:24:50.280 --> 0:24:53.360
<v Speaker 1>so then I realized, I think that was done at

0:24:53.560 --> 0:25:00.439
<v Speaker 1>the Santa Monica promenade. Like on Fourth Street, the old one. Yeah,

0:25:00.640 --> 0:25:02.800
<v Speaker 1>before they like for it was like the Georgia.

0:25:04.560 --> 0:25:07.000
<v Speaker 4>Makes sense because if you were shooting in Santa Monica,

0:25:07.040 --> 0:25:08.880
<v Speaker 4>maybe they're like, do you know what I mean? At

0:25:08.880 --> 0:25:10.720
<v Speaker 4>the medical center, maybe they were like, hey, let's be

0:25:10.760 --> 0:25:11.520
<v Speaker 4>smart about this.

0:25:12.400 --> 0:25:16.240
<v Speaker 1>That's yes, Yes, she's being like a producer one permit.

0:25:19.240 --> 0:25:21.800
<v Speaker 1>So Kelly meets her mom and Steve there. They try

0:25:21.840 --> 0:25:25.040
<v Speaker 1>to Convincess to meet the guy with a good reputation

0:25:25.880 --> 0:25:27.200
<v Speaker 1>in the modeling business, and.

0:25:27.119 --> 0:25:30.399
<v Speaker 4>Steve was cute, Oh is cute? Smarmy like is he

0:25:30.440 --> 0:25:31.800
<v Speaker 4>gonna want money out of this?

0:25:31.920 --> 0:25:32.439
<v Speaker 3>But cute?

0:25:33.320 --> 0:25:33.560
<v Speaker 2>Yeah?

0:25:33.680 --> 0:25:35.280
<v Speaker 1>I think she says, what do you want to this?

0:25:35.320 --> 0:25:36.840
<v Speaker 1>And he's like, I just want.

0:25:36.640 --> 0:25:39.880
<v Speaker 3>To part of this whole scene.

0:25:40.119 --> 0:25:43.800
<v Speaker 2>Do you guys know when they walk away, yes, and he.

0:25:43.800 --> 0:25:47.280
<v Speaker 4>Kisses her cheek and it's almost like you're so playful

0:25:47.320 --> 0:25:48.879
<v Speaker 4>and it's sort of like you didn't even care if

0:25:48.880 --> 0:25:50.000
<v Speaker 4>you're still on camera or not.

0:25:51.040 --> 0:25:52.520
<v Speaker 3>So freaking cute.

0:25:52.600 --> 0:25:55.440
<v Speaker 2>I think I pushed him away or something. You get away.

0:25:55.480 --> 0:25:59.520
<v Speaker 4>It's so freaking cute. Like that was a great That

0:25:59.600 --> 0:26:01.520
<v Speaker 4>was a great whole All of this is good.

0:26:02.200 --> 0:26:03.000
<v Speaker 2>They we're going to go.

0:26:02.960 --> 0:26:05.920
<v Speaker 1>Back to Ray's house where Luanne shows Ray her spiffy

0:26:05.920 --> 0:26:09.560
<v Speaker 1>little outfit for the show, which I liked, and he

0:26:09.600 --> 0:26:11.440
<v Speaker 1>tells her she's a tad bit overdressed.

0:26:12.240 --> 0:26:13.280
<v Speaker 3>It was very nineties.

0:26:14.880 --> 0:26:17.000
<v Speaker 2>She doesn't get much, No, she doesn't.

0:26:17.480 --> 0:26:21.440
<v Speaker 1>It was I liked the matchingess of the tipatedness, and.

0:26:21.400 --> 0:26:22.560
<v Speaker 3>I think she's already drinking.

0:26:23.160 --> 0:26:25.760
<v Speaker 1>And yeah that's the thing, he says, whoa when did

0:26:25.760 --> 0:26:29.560
<v Speaker 1>that start again? Yeah, so we can see that. You know,

0:26:29.800 --> 0:26:32.600
<v Speaker 1>this is something he's definitely dealt with all his life.

0:26:32.600 --> 0:26:36.800
<v Speaker 1>Probably is is his mom's drinking. And she really downplays it.

0:26:37.880 --> 0:26:41.400
<v Speaker 2>Yeah, it's just you can tell resh.

0:26:41.480 --> 0:26:43.679
<v Speaker 1>Yeah, you can tell he's really not cool with it,

0:26:43.720 --> 0:26:45.040
<v Speaker 1>and he knows what's going to happen.

0:26:45.240 --> 0:26:47.080
<v Speaker 2>Yeah, he's seen it before.

0:26:48.640 --> 0:26:50.840
<v Speaker 1>Back at the cafe, Kelly and Steve walk out of

0:26:50.880 --> 0:26:54.680
<v Speaker 1>the meeting feeling super optimistic about her modeling career. Yeah,

0:26:54.720 --> 0:26:59.200
<v Speaker 1>it was great, and then they spot Dana.

0:26:58.840 --> 0:27:02.719
<v Speaker 4>The magazines stand don't gloss over the two kids that

0:27:02.800 --> 0:27:03.400
<v Speaker 4>say is.

0:27:03.359 --> 0:27:06.120
<v Speaker 1>The sorry, Well, do you know who the two kids are? Right,

0:27:06.680 --> 0:27:09.160
<v Speaker 1>they're the same two kids that are always on our show.

0:27:10.840 --> 0:27:11.600
<v Speaker 2>Her producers.

0:27:14.000 --> 0:27:18.040
<v Speaker 1>Yes, there was the Rosen kids. And then Chuck Rosen's

0:27:18.040 --> 0:27:26.000
<v Speaker 1>wife Karen was is Dana Alison's member, Dana Alison's girlfriend,

0:27:26.040 --> 0:27:26.720
<v Speaker 1>the girl got burned.

0:27:26.720 --> 0:27:27.720
<v Speaker 2>This is her can friend? Wait?

0:27:27.840 --> 0:27:32.119
<v Speaker 1>This is Dana's her. Dana's girlfriend is now Chuck Rosen's wife. No,

0:27:32.720 --> 0:27:36.000
<v Speaker 1>the lover, her lover, Her lover is Chuck Rosen's wife, the.

0:27:35.920 --> 0:27:38.280
<v Speaker 3>One that owns the house or lives at the house

0:27:38.320 --> 0:27:38.640
<v Speaker 3>with her.

0:27:39.200 --> 0:27:43.840
<v Speaker 2>No, that is oh my god, And I missed that.

0:27:44.160 --> 0:27:46.200
<v Speaker 1>Really, I don't know, because there's a whole nother scene

0:27:46.200 --> 0:27:47.240
<v Speaker 1>where she talks a lot.

0:27:47.520 --> 0:27:48.720
<v Speaker 3>Wait, she's amazing.

0:27:48.880 --> 0:27:53.280
<v Speaker 4>Okay, that's okay, very good stuff here, okay, And I

0:27:53.320 --> 0:27:54.359
<v Speaker 4>have wondered where.

0:27:54.080 --> 0:27:55.640
<v Speaker 2>That all was shot.

0:27:55.920 --> 0:27:59.720
<v Speaker 1>I think the promenade that's starting to make sense because

0:27:59.720 --> 0:28:02.240
<v Speaker 1>they have this is way before Third Street was Third Street.

0:28:02.240 --> 0:28:04.280
<v Speaker 1>They didn't even have that magazine stand there anymore.

0:28:04.920 --> 0:28:06.840
<v Speaker 3>No, first of all, you know all the magazine stands

0:28:06.840 --> 0:28:07.719
<v Speaker 3>are like all now.

0:28:07.760 --> 0:28:08.399
<v Speaker 2>It's so sad.

0:28:08.560 --> 0:28:12.320
<v Speaker 1>I think there's one studio city. I think that's on

0:28:12.480 --> 0:28:17.199
<v Speaker 1>Lorc Canyon, the one by Whole Food's gone, so sad. AnyWho,

0:28:18.119 --> 0:28:21.639
<v Speaker 1>Kelly apologizes to Dana, who she sees there and says,

0:28:22.040 --> 0:28:24.479
<v Speaker 1>I'm so sorry for not answering her calls, and asks

0:28:24.480 --> 0:28:29.480
<v Speaker 1>how Alison is doing, and Dana pretty much blows her off,

0:28:29.520 --> 0:28:34.760
<v Speaker 1>walks away, Yeah and uncomfs. Yeah, something's going down there.

0:28:35.320 --> 0:28:38.960
<v Speaker 1>Obviously they've broken up because she's all handy handy with

0:28:39.080 --> 0:28:46.400
<v Speaker 1>the yeah. Yeah so yeah. Peach Pit after Dark, where

0:28:46.480 --> 0:28:48.920
<v Speaker 1>Ray is getting ready for his show and he spots

0:28:48.960 --> 0:28:51.640
<v Speaker 1>his mom getting even more drunk at the bottom.

0:28:51.360 --> 0:28:57.040
<v Speaker 4>Donna looking hot in the black yep, the little black.

0:28:57.160 --> 0:28:59.480
<v Speaker 1>Every shirt now is a bit is a tummy shower?

0:29:00.920 --> 0:29:01.160
<v Speaker 2>Yes?

0:29:01.520 --> 0:29:05.120
<v Speaker 1>Yeah, forbidden to not where? Yeah, everything has to be

0:29:05.160 --> 0:29:11.520
<v Speaker 1>showing the tom tum. Listen, I don't blame you. What happens?

0:29:11.560 --> 0:29:13.959
<v Speaker 2>What happens? Valerie tries to cut Luanne off.

0:29:14.320 --> 0:29:16.760
<v Speaker 4>Oh yeah, so that was This was a good scene.

0:29:17.080 --> 0:29:19.960
<v Speaker 4>So first Ray, Donna thinks Ray should eat something. It's

0:29:19.960 --> 0:29:22.800
<v Speaker 4>gonna be a big night. And then Ray's like, I

0:29:22.840 --> 0:29:24.680
<v Speaker 4>just want my mom out of here, and Donna's like,

0:29:24.720 --> 0:29:25.480
<v Speaker 4>I don't want to do it.

0:29:25.800 --> 0:29:27.680
<v Speaker 3>And then she orders another drink and did you see

0:29:27.840 --> 0:29:32.160
<v Speaker 3>Valerie gives the hand to the bartender. No cut her

0:29:32.200 --> 0:29:33.640
<v Speaker 3>off because.

0:29:33.440 --> 0:29:35.880
<v Speaker 1>She's the boss, she's the owner, she's the big wig there.

0:29:36.000 --> 0:29:39.560
<v Speaker 3>Yeah, and then it got awkward with the mom.

0:29:39.680 --> 0:29:43.280
<v Speaker 1>And then Valerie says, David and Clara will take you home.

0:29:45.200 --> 0:29:47.400
<v Speaker 1>Why are they there to are they there to do whatever?

0:29:47.480 --> 0:29:50.760
<v Speaker 1>Valerie says, they don't have calves in this era, there

0:29:50.800 --> 0:29:53.360
<v Speaker 1>was no uber Nope.

0:29:53.960 --> 0:29:56.440
<v Speaker 3>No, yeah, I guess, I guess. Yeah. They just work

0:29:56.520 --> 0:29:57.960
<v Speaker 3>for her. So they're going to take her home, and

0:29:57.960 --> 0:29:59.800
<v Speaker 3>then then they're really carrying her out.

0:30:00.600 --> 0:30:02.200
<v Speaker 2>She's really drunk.

0:30:02.280 --> 0:30:04.720
<v Speaker 1>She can't even walk at this point, which is a

0:30:04.760 --> 0:30:08.040
<v Speaker 1>little odd for a woman of her age and her

0:30:08.160 --> 0:30:11.920
<v Speaker 1>history with you know, alcohol consumption. She could probably handle

0:30:11.920 --> 0:30:13.920
<v Speaker 1>her booze a little bit better than that, I'm just saying.

0:30:15.200 --> 0:30:17.200
<v Speaker 2>But David and Claire to carry her out.

0:30:17.000 --> 0:30:22.000
<v Speaker 1>To the car, you know, the yep, and she spills

0:30:22.040 --> 0:30:22.840
<v Speaker 1>the beans.

0:30:23.240 --> 0:30:26.680
<v Speaker 3>And as David's buckling her in respect that we're all

0:30:26.680 --> 0:30:30.840
<v Speaker 3>wearing seat belts now, and she spills the.

0:30:30.680 --> 0:30:36.800
<v Speaker 1>Bees, and Claire says in vino veritas, oh yeah, She's like,

0:30:36.920 --> 0:30:42.800
<v Speaker 1>it's Latin dipshit. But they agree not to say anything

0:30:43.120 --> 0:30:48.280
<v Speaker 1>about this new bombshell that Leu Anne just dropped because

0:30:48.320 --> 0:30:49.320
<v Speaker 1>they want to protect Anna.

0:30:49.880 --> 0:30:53.560
<v Speaker 3>Would you say something if you had heard.

0:30:53.680 --> 0:30:55.520
<v Speaker 1>I think I would be like I would trump probably

0:30:55.560 --> 0:31:00.360
<v Speaker 1>handle it like Claire, just like ease into it, not

0:31:00.520 --> 0:31:02.360
<v Speaker 1>just go in there and blurt it out like you know,

0:31:03.120 --> 0:31:05.120
<v Speaker 1>like she probably wanted to, Like I would have wanted

0:31:05.120 --> 0:31:06.920
<v Speaker 1>to be like, oh my god, I'm gonna kick his

0:31:07.000 --> 0:31:07.560
<v Speaker 1>ass or whatever.

0:31:08.200 --> 0:31:12.160
<v Speaker 4>I don't think that said something up, but I would

0:31:12.320 --> 0:31:12.840
<v Speaker 4>say it.

0:31:12.800 --> 0:31:18.800
<v Speaker 2>To Valerie, right, but even a credible source exactly so,

0:31:19.640 --> 0:31:22.600
<v Speaker 2>and she's wasted, so they don't know it could be.

0:31:23.240 --> 0:31:25.320
<v Speaker 1>But I feel like they really do believe her because

0:31:25.360 --> 0:31:28.680
<v Speaker 1>then in a little bit we'll get to a David

0:31:28.680 --> 0:31:32.440
<v Speaker 1>axe on it. So, Okay, you want to go to

0:31:32.520 --> 0:31:35.840
<v Speaker 1>Charlie's house and hear about how no it's Dylan's house,

0:31:35.880 --> 0:31:37.520
<v Speaker 1>but you want to go and hear how Charlie wants

0:31:37.520 --> 0:31:38.200
<v Speaker 1>to have a threesome.

0:31:38.840 --> 0:31:44.760
<v Speaker 2>Not really do we have to? Don't want to hear that? Yeah,

0:31:44.880 --> 0:32:00.600
<v Speaker 2>I had to read it. I can't see it. So

0:32:00.720 --> 0:32:02.240
<v Speaker 2>he wants to have a threesome with Valerie.

0:32:02.280 --> 0:32:06.400
<v Speaker 1>And then and then Dylan say, you know, then Charlie

0:32:06.400 --> 0:32:09.280
<v Speaker 1>tells Dylan to go after Kelly if he wants her

0:32:09.320 --> 0:32:11.360
<v Speaker 1>so bad, or bring her over for a threesome.

0:32:14.080 --> 0:32:14.720
<v Speaker 3>That was important.

0:32:14.760 --> 0:32:20.040
<v Speaker 1>That was important, Yeah, because it kind of shows again

0:32:20.280 --> 0:32:23.080
<v Speaker 1>they're just kind of like really bringing it home that

0:32:23.160 --> 0:32:25.280
<v Speaker 1>Dylan's still struggling well.

0:32:25.200 --> 0:32:27.800
<v Speaker 4>And it builds us up to what's coming, one of

0:32:27.840 --> 0:32:30.640
<v Speaker 4>the most iconic phrases in all of nine O two

0:32:30.680 --> 0:32:35.200
<v Speaker 4>one ohero not chet, I know, but we're it's getting

0:32:35.240 --> 0:32:36.240
<v Speaker 4>us getting there.

0:32:37.040 --> 0:32:41.040
<v Speaker 1>In Sacramento, Brandon and Kelly are on the phone. Oh

0:32:41.040 --> 0:32:44.080
<v Speaker 1>he's sweet, he's gone, you know, that's how he should be.

0:32:44.160 --> 0:32:46.160
<v Speaker 1>After his work is complete, he goes back to his

0:32:46.240 --> 0:32:47.280
<v Speaker 1>room and calls his girlfriend.

0:32:47.480 --> 0:32:48.920
<v Speaker 4>And you know what we didn't talk about that I

0:32:48.960 --> 0:32:51.960
<v Speaker 4>want to briefly talk about is the scene where when

0:32:52.080 --> 0:32:55.120
<v Speaker 4>Kelly storms it off and she goes outside and Brandon

0:32:55.160 --> 0:32:58.720
<v Speaker 4>goes after her and they can't they have that.

0:32:59.320 --> 0:33:04.000
<v Speaker 3>You know, he said, I don't care about your scars, like.

0:33:05.080 --> 0:33:07.240
<v Speaker 4>Forgot about that there's and he sort of makes some

0:33:07.320 --> 0:33:10.400
<v Speaker 4>sort of a sixteen seventeen eighteen. I don't I don't

0:33:10.400 --> 0:33:12.160
<v Speaker 4>even understand what that was, but I kind of.

0:33:12.360 --> 0:33:15.000
<v Speaker 1>It was being sweets, being so cute.

0:33:15.440 --> 0:33:20.680
<v Speaker 3>And then they have that kiss, a very romantic, dramatic kiss,

0:33:21.800 --> 0:33:25.960
<v Speaker 3>and they have each other. Yeah, they do for now,

0:33:25.120 --> 0:33:25.440
<v Speaker 3>for now.

0:33:27.320 --> 0:33:29.520
<v Speaker 1>And Kelly tells him then that she wants to go

0:33:29.640 --> 0:33:31.560
<v Speaker 1>visit Alison at the burn clinic.

0:33:31.880 --> 0:33:34.840
<v Speaker 3>So back at the peach Bit, David and Claire are.

0:33:34.560 --> 0:33:39.120
<v Speaker 1>Sweety okay, good, you should go.

0:33:39.320 --> 0:33:42.000
<v Speaker 3>No, you shouldn't. You should go, Like he's just gonna

0:33:42.000 --> 0:33:45.160
<v Speaker 3>do whatever she wants, right, Well, I should go, and

0:33:45.160 --> 0:33:48.040
<v Speaker 3>he's like you should. Oh maybe I don't want to.

0:33:48.080 --> 0:33:49.120
<v Speaker 3>You shouldn't, don't go.

0:33:49.400 --> 0:33:51.160
<v Speaker 2>Yeah. It was cute.

0:33:51.200 --> 0:33:53.760
<v Speaker 1>He's like, I'm gonna say the right thing, right no

0:33:53.800 --> 0:33:54.120
<v Speaker 1>matter what.

0:33:54.320 --> 0:33:56.960
<v Speaker 3>Yeah, okay, sorry, continued.

0:33:56.640 --> 0:34:00.400
<v Speaker 1>David and Claire disgusted when they see Valerie, Donn and

0:34:00.520 --> 0:34:05.120
<v Speaker 1>Ray posing for their picture together at the Peapad and

0:34:05.160 --> 0:34:09.560
<v Speaker 1>it's just so it's so stilted, like it's so up,

0:34:09.600 --> 0:34:10.040
<v Speaker 1>you know.

0:34:10.560 --> 0:34:15.640
<v Speaker 2>Kiss him, kiss him? That was that was yeah.

0:34:15.719 --> 0:34:17.960
<v Speaker 3>Oh we never talked about the jumping out of the car.

0:34:18.080 --> 0:34:18.920
<v Speaker 3>I really liked this.

0:34:19.480 --> 0:34:22.200
<v Speaker 2>Oh my god, please.

0:34:21.320 --> 0:34:24.280
<v Speaker 4>In this earlier scene when they pull up in the scene,

0:34:24.280 --> 0:34:27.440
<v Speaker 4>I liked with the direction and then the two girls

0:34:27.480 --> 0:34:29.520
<v Speaker 4>have to sort of be bop out of the back

0:34:29.600 --> 0:34:31.960
<v Speaker 4>and then don't worry, you know.

0:34:32.040 --> 0:34:34.479
<v Speaker 1>I kind of love that you were Like. I could

0:34:34.480 --> 0:34:36.400
<v Speaker 1>tell Donna was in for a she was in for

0:34:36.400 --> 0:34:40.120
<v Speaker 1>a good time tonight. She was ready to like, yeah.

0:34:40.160 --> 0:34:46.560
<v Speaker 3>She had Jeemy for Crop Code and she was extra sassy,

0:34:47.360 --> 0:34:50.480
<v Speaker 3>very sassy. I loved. Yeah, we're going on a double date.

0:34:50.560 --> 0:34:53.200
<v Speaker 1>Yeah, that was a lot. That was more Tory than Donna.

0:34:54.400 --> 0:34:56.799
<v Speaker 2>It was like, yeah, she comes.

0:34:58.440 --> 0:35:00.520
<v Speaker 4>Sorry, I'm jumping around so much because I'm forgetting all

0:35:00.520 --> 0:35:02.600
<v Speaker 4>the nuggets. I was going to give this a low

0:35:02.680 --> 0:35:05.400
<v Speaker 4>score for some reason when I went to bed less.

0:35:05.680 --> 0:35:06.400
<v Speaker 1>Then you've changed.

0:35:08.800 --> 0:35:10.120
<v Speaker 3>I mean a low score for me is like I

0:35:10.120 --> 0:35:12.880
<v Speaker 3>was gonna give it an eight, but now it's.

0:35:12.680 --> 0:35:14.799
<v Speaker 1>Really what'd you give last week's episode of.

0:35:14.719 --> 0:35:19.480
<v Speaker 3>Two two I did not care for squash it and

0:35:19.560 --> 0:35:22.799
<v Speaker 3>thanks to the people that also chimed in on Instagram

0:35:22.800 --> 0:35:24.200
<v Speaker 3>that also did not care.

0:35:24.040 --> 0:35:26.719
<v Speaker 2>For it, they didn't like it either. You never tell

0:35:26.800 --> 0:35:28.520
<v Speaker 2>us what they say.

0:35:28.920 --> 0:35:30.600
<v Speaker 4>Oh they got there. I mean there's a few people

0:35:30.680 --> 0:35:32.520
<v Speaker 4>that liked squash it. I can't remember, was squash it

0:35:32.560 --> 0:35:33.319
<v Speaker 4>last week or was that?

0:35:33.520 --> 0:35:36.480
<v Speaker 3>Yes? Okay, yeah, a few people liked squash it, but

0:35:37.560 --> 0:35:38.160
<v Speaker 3>not so much.

0:35:39.000 --> 0:35:43.719
<v Speaker 1>Some people don't care for Squashuh. Then Kelly drives to

0:35:43.840 --> 0:35:48.840
<v Speaker 1>clairemont air Right to visit Alison, only to be turned away.

0:35:49.000 --> 0:35:50.280
<v Speaker 3>By the nurse.

0:35:50.280 --> 0:35:51.440
<v Speaker 2>She just wanted to talk to her.

0:35:51.520 --> 0:35:54.640
<v Speaker 3>I want to see you, which I saw that coming.

0:35:55.560 --> 0:35:57.839
<v Speaker 1>The little boy that came in and sat next to her,

0:35:57.840 --> 0:36:00.560
<v Speaker 1>and that's what was the significant.

0:36:00.080 --> 0:36:02.280
<v Speaker 3>So that was he I thought maybe he was burned.

0:36:02.360 --> 0:36:05.319
<v Speaker 1>He was a burn victim also, Yeah, and it just

0:36:05.400 --> 0:36:07.040
<v Speaker 1>kind of like made her feel did he talk?

0:36:07.880 --> 0:36:08.520
<v Speaker 2>No?

0:36:08.840 --> 0:36:10.759
<v Speaker 3>Yeah, I was sort of expecting them to have a

0:36:10.760 --> 0:36:11.560
<v Speaker 3>moment and then.

0:36:12.160 --> 0:36:14.120
<v Speaker 2>Maybe that got cut just one of her own.

0:36:15.400 --> 0:36:17.440
<v Speaker 3>Yeah, yeah, fellow burn victim.

0:36:18.320 --> 0:36:25.520
<v Speaker 1>And then Kelly goes to visit Alison's ex girlfriend Dana. Yeah,

0:36:26.400 --> 0:36:26.920
<v Speaker 1>how does she know.

0:36:26.920 --> 0:36:27.560
<v Speaker 2>Where she lives?

0:36:27.760 --> 0:36:28.879
<v Speaker 3>It's Chuck Rosen's wife.

0:36:29.840 --> 0:36:33.799
<v Speaker 1>How does she know where they live? These things I

0:36:33.880 --> 0:36:41.080
<v Speaker 1>never discussed. I guess, Okay, well pages she doesn't even

0:36:41.120 --> 0:36:42.400
<v Speaker 1>know her last name, though.

0:36:42.280 --> 0:36:47.600
<v Speaker 3>She finds it, just like Martin McFly found her. Yeah.

0:36:48.600 --> 0:36:49.600
<v Speaker 2>Yeah.

0:36:49.640 --> 0:36:53.920
<v Speaker 1>And then she shares some time with Dana's new girlfriend,

0:36:54.000 --> 0:36:58.840
<v Speaker 1>Kate played by Karen Rosen So and also I enjoyed

0:36:58.840 --> 0:37:03.359
<v Speaker 1>her performance. She was very soft on, combative and very

0:37:03.440 --> 0:37:06.040
<v Speaker 1>level headed as the new girlfriend. I really enjoyed it.

0:37:06.080 --> 0:37:07.160
<v Speaker 1>I thought she did a great job.

0:37:07.320 --> 0:37:09.120
<v Speaker 3>Ye had a couple of snarks.

0:37:09.520 --> 0:37:13.239
<v Speaker 4>This episode had some snarkiness, which I'm here for it

0:37:13.920 --> 0:37:16.120
<v Speaker 4>because remember she's like, do you want the villium now

0:37:16.200 --> 0:37:18.359
<v Speaker 4>or whatever it was, do you want that tranquilizer now?

0:37:18.560 --> 0:37:22.200
<v Speaker 2>Yeah? She had some cute little like sarcasm.

0:37:23.600 --> 0:37:28.600
<v Speaker 1>And then she tells Kelly that Alison dumped Dana, because

0:37:28.760 --> 0:37:33.560
<v Speaker 1>Alison is in love with Kelly dumped the twist. When

0:37:33.640 --> 0:37:34.879
<v Speaker 1>did that happen.

0:37:36.360 --> 0:37:38.719
<v Speaker 3>In the bathroom? We knew it because remember you two

0:37:38.760 --> 0:37:39.840
<v Speaker 3>were supposed to kiss.

0:37:41.000 --> 0:37:43.920
<v Speaker 2>Wait where there was a kiss? You know, They're like,

0:37:44.200 --> 0:37:47.000
<v Speaker 2>we're gonna die, so we might as well kiss kiss there.

0:37:47.480 --> 0:37:49.560
<v Speaker 1>If I was dying, I would not be like, let

0:37:49.640 --> 0:37:50.720
<v Speaker 1>me kiss a strange girl.

0:37:51.360 --> 0:37:52.880
<v Speaker 2>She told us.

0:37:53.080 --> 0:37:57.080
<v Speaker 3>There was there was a kiss or something and maybe

0:37:57.120 --> 0:38:01.239
<v Speaker 3>it's coming. I don't know anyway going she said the

0:38:01.320 --> 0:38:05.360
<v Speaker 3>kiss was cut right, Yeah, yeah, I don't remember prison out, like,

0:38:05.400 --> 0:38:08.279
<v Speaker 3>I don't know if they ever even got shot. I

0:38:08.280 --> 0:38:09.920
<v Speaker 3>feel like Jenny would maybe remember that.

0:38:11.000 --> 0:38:15.920
<v Speaker 1>Yeah, chances are slim doubtful. Okay, So back at Ray's house,

0:38:17.360 --> 0:38:20.160
<v Speaker 1>David confronts Ray. This is what I'm talking about. He

0:38:20.239 --> 0:38:23.920
<v Speaker 1>drives up on him and says, yo, bro, yeah, I

0:38:23.960 --> 0:38:32.959
<v Speaker 1>know what you did last summer, and he walks away

0:38:32.960 --> 0:38:33.600
<v Speaker 1>and he says, but.

0:38:33.600 --> 0:38:37.000
<v Speaker 2>I'm watching you. Yeah, And I felt real intimidated.

0:38:38.320 --> 0:38:40.200
<v Speaker 3>I'm glad they said it, though, because I don't want

0:38:40.200 --> 0:38:42.680
<v Speaker 3>to deal with the like Three's company of it, you

0:38:42.680 --> 0:38:43.719
<v Speaker 3>know how I always hate that.

0:38:44.200 --> 0:38:47.839
<v Speaker 4>Yeah, they understanding, like I don't want them knowing and

0:38:47.920 --> 0:38:50.120
<v Speaker 4>not telling Ray be so annoying.

0:38:50.360 --> 0:38:53.480
<v Speaker 3>It's like, tell him, yeah, start to get a.

0:38:54.000 --> 0:38:59.520
<v Speaker 1>Good expert friend friend, move on David's part, and then

0:38:59.719 --> 0:39:05.320
<v Speaker 1>ray el a his mom's his mom for telling on him?

0:39:06.400 --> 0:39:09.000
<v Speaker 3>He really, what did you tell them?

0:39:09.520 --> 0:39:11.320
<v Speaker 1>Yeah?

0:39:11.360 --> 0:39:14.600
<v Speaker 2>I get scared in that house, crazy goes down in there.

0:39:14.760 --> 0:39:16.399
<v Speaker 3>Yeah, I'm like that was a lot.

0:39:16.719 --> 0:39:19.080
<v Speaker 1>But I also noticed in that in that house that

0:39:19.120 --> 0:39:22.880
<v Speaker 1>they're shooting at as Ray's house, that's a real house

0:39:22.920 --> 0:39:24.680
<v Speaker 1>and it had, you know, it had all like the

0:39:24.719 --> 0:39:28.360
<v Speaker 1>real grime that you would have in a house that's

0:39:28.600 --> 0:39:31.840
<v Speaker 1>been used and not probably taken the best care of.

0:39:32.719 --> 0:39:36.640
<v Speaker 1>Like all the walls were a little dirty pood.

0:39:37.520 --> 0:39:37.920
<v Speaker 3>Hikes.

0:39:38.080 --> 0:39:40.000
<v Speaker 2>Yeah, I get it.

0:39:40.239 --> 0:39:46.760
<v Speaker 1>Good set agree Valerie's office. Claire confronts Valerie. So David's

0:39:46.800 --> 0:39:50.279
<v Speaker 1>doing his part and happy about yep. She warns her

0:39:50.360 --> 0:39:54.600
<v Speaker 1>to stay away from Ray. I don't know if Andre

0:39:54.760 --> 0:39:58.200
<v Speaker 1>is gonna I mean, if Valerie's who's why is Andre there?

0:39:58.360 --> 0:40:00.239
<v Speaker 1>I don't know Valeries going to respec.

0:40:00.080 --> 0:40:03.359
<v Speaker 2>Back to that. No, she'll do whatever she wants.

0:40:03.400 --> 0:40:11.840
<v Speaker 1>She's probably not afraid of Claire, right, No, but she

0:40:12.000 --> 0:40:12.799
<v Speaker 1>just seems so.

0:40:14.200 --> 0:40:15.880
<v Speaker 3>I don't know, it just adds to her sort of

0:40:15.920 --> 0:40:21.160
<v Speaker 3>being the oh like, oh, man, you know what I

0:40:21.200 --> 0:40:21.800
<v Speaker 3>mean again?

0:40:22.239 --> 0:40:22.520
<v Speaker 2>Yep.

0:40:23.280 --> 0:40:25.600
<v Speaker 1>We go back to the Purple House, I mean Andrea's house,

0:40:25.600 --> 0:40:28.160
<v Speaker 1>where Jesse tells Andrea that he turned down the job

0:40:28.280 --> 0:40:30.840
<v Speaker 1>because there was no medical school for her there.

0:40:32.200 --> 0:40:34.400
<v Speaker 2>That was cool, that was cool.

0:40:35.200 --> 0:40:39.239
<v Speaker 1>Yeah, very good because she's got to move with him, and.

0:40:39.480 --> 0:40:42.440
<v Speaker 3>Yeah, us up for what's gonna happen.

0:40:43.280 --> 0:40:44.120
<v Speaker 2>Don't tell me, don't tell me?

0:40:44.160 --> 0:40:44.839
<v Speaker 1>Okay, did you.

0:40:44.840 --> 0:40:45.600
<v Speaker 3>Literally not know?

0:40:45.920 --> 0:40:47.200
<v Speaker 2>I literally do not know.

0:40:47.320 --> 0:40:50.080
<v Speaker 1>How many times do I have to tell you?

0:40:49.320 --> 0:40:49.520
<v Speaker 2>You know?

0:40:50.719 --> 0:40:53.680
<v Speaker 1>Well, I know because Jesse isn't on the show anymore,

0:40:53.719 --> 0:40:54.280
<v Speaker 1>so right.

0:40:54.160 --> 0:40:55.759
<v Speaker 3>You know, they leave, but you don't know where they go.

0:40:56.280 --> 0:40:58.400
<v Speaker 2>She keeps saying Jesse, like she's not sure there's two

0:40:58.440 --> 0:40:59.040
<v Speaker 2>people leaving.

0:41:00.000 --> 0:41:04.040
<v Speaker 1>Oh sorry, oh my god. Okay, yeah, that's coming. Now

0:41:04.080 --> 0:41:05.799
<v Speaker 1>you've told me, and now I remember a little bit.

0:41:06.920 --> 0:41:08.840
<v Speaker 1>We go to the Beach House, where Kelly gets a

0:41:08.840 --> 0:41:11.640
<v Speaker 1>call from Alison, who apologizes for not letting her in

0:41:11.680 --> 0:41:12.520
<v Speaker 1>the hospital room.

0:41:12.600 --> 0:41:14.240
<v Speaker 3>Shot only by the eyes.

0:41:15.880 --> 0:41:17.200
<v Speaker 2>That was dramatic.

0:41:19.120 --> 0:41:22.279
<v Speaker 1>It's like a slow creep up on her back, like

0:41:22.320 --> 0:41:25.200
<v Speaker 1>you can't see her, it's dark. You see her eyes

0:41:25.239 --> 0:41:30.080
<v Speaker 1>and you're like, oh, things must be bad, poor baby.

0:41:30.200 --> 0:41:33.400
<v Speaker 1>She makes Kelly promise to come see her face in

0:41:33.480 --> 0:41:39.280
<v Speaker 1>a month after her last skin graft, and Kelly promises,

0:41:41.440 --> 0:41:43.240
<v Speaker 1>So I guess she's going back to Claremont.

0:41:43.520 --> 0:41:45.359
<v Speaker 3>And then all of a sudden the episode was over.

0:41:46.080 --> 0:41:52.320
<v Speaker 1>Yeah, brostending. Whoa that was not before Kelly pulls off

0:41:52.680 --> 0:41:54.880
<v Speaker 1>her little mitten for Michael Jackson.

0:41:54.880 --> 0:41:59.319
<v Speaker 4>Mitton's getting a scene where she says she doesn't need

0:41:59.320 --> 0:42:00.480
<v Speaker 4>it anymore to Brandon.

0:42:02.360 --> 0:42:04.279
<v Speaker 3>Did I make that up? Or that you make that up?

0:42:04.320 --> 0:42:05.239
<v Speaker 2>She just takes it off.

0:42:05.760 --> 0:42:08.640
<v Speaker 3>I think she says to somebody, I don't need it anymore.

0:42:10.160 --> 0:42:13.800
<v Speaker 2>Sure, okay, I think it might. If not, it sounds

0:42:13.800 --> 0:42:14.359
<v Speaker 2>good right there.

0:42:14.360 --> 0:42:17.600
<v Speaker 1>So that would be about closing for the episode. That'd

0:42:17.600 --> 0:42:19.200
<v Speaker 1>be great, I feel okay.

0:42:19.239 --> 0:42:22.640
<v Speaker 4>So I had a weird situation with my paramount. Plus

0:42:24.040 --> 0:42:26.840
<v Speaker 4>the thing came up that said next episode starts in

0:42:26.920 --> 0:42:30.360
<v Speaker 4>twenty seven seconds or do you want to watch the credits?

0:42:30.560 --> 0:42:32.719
<v Speaker 4>And I'm like, this thing's not over. So I told

0:42:32.760 --> 0:42:36.120
<v Speaker 4>it to watch the credits. And I think there's another

0:42:36.239 --> 0:42:37.240
<v Speaker 4>scene that you.

0:42:37.120 --> 0:42:39.120
<v Speaker 3>Didn't get because you didn't.

0:42:38.880 --> 0:42:40.759
<v Speaker 1>Say went right to the next episode. I was like,

0:42:40.800 --> 0:42:42.239
<v Speaker 1>that is such a weird ending.

0:42:42.160 --> 0:42:45.920
<v Speaker 3>And I think there is a scene where happened. I think,

0:42:46.200 --> 0:42:48.040
<v Speaker 3>what do you mean did you watch it? Well? Yeah,

0:42:48.080 --> 0:42:49.880
<v Speaker 3>I mean it was last night, but I was so

0:42:50.080 --> 0:42:52.399
<v Speaker 3>befuddled by the weird thing coming up.

0:42:52.320 --> 0:42:55.120
<v Speaker 1>That I'm like, what, Yeah, it was, and I.

0:42:55.040 --> 0:42:57.840
<v Speaker 4>Think somehow she sees Brandon and he's like, you're not

0:42:57.880 --> 0:43:01.040
<v Speaker 4>wearing your bandage and she says I don't needed anymore,

0:43:02.000 --> 0:43:03.120
<v Speaker 4>and then and.

0:43:03.320 --> 0:43:05.000
<v Speaker 1>Seeing okay, well that would make more sense.

0:43:05.200 --> 0:43:06.319
<v Speaker 3>Yeah that's where I got.

0:43:06.360 --> 0:43:10.480
<v Speaker 2>That's weird, all of that, and then that's the end.

0:43:10.840 --> 0:43:15.080
<v Speaker 1>Yeah, well yeah she did say I don't need it anymore.

0:43:15.160 --> 0:43:17.040
<v Speaker 3>Els was acting crazy.

0:43:17.200 --> 0:43:19.040
<v Speaker 1>I know, I felt like I was missing something, and

0:43:19.040 --> 0:43:20.000
<v Speaker 1>thank you for confirming.

0:43:20.040 --> 0:43:24.280
<v Speaker 4>And also, this is a total sidebar speaking of Paramount Plus,

0:43:24.600 --> 0:43:27.399
<v Speaker 4>but they have this new show called ELL's Beeth and

0:43:27.600 --> 0:43:29.920
<v Speaker 4>it is so good. Right, Okay, So there was the

0:43:30.000 --> 0:43:32.160
<v Speaker 4>Good Fight and then there was The Good Wife.

0:43:32.160 --> 0:43:33.560
<v Speaker 3>Did you guys watch any of those shows?

0:43:34.040 --> 0:43:34.360
<v Speaker 2>Nope?

0:43:34.560 --> 0:43:36.680
<v Speaker 4>And then now there's the spin off, Elsbeth and they

0:43:36.760 --> 0:43:41.520
<v Speaker 4>premiered it a month ago and the episode was amazing, and.

0:43:41.360 --> 0:43:44.279
<v Speaker 3>We still don't have episode two. We have to wait

0:43:44.320 --> 0:43:45.120
<v Speaker 3>a whole other week.

0:43:45.239 --> 0:43:46.879
<v Speaker 4>Why would you premiere a show and then we make

0:43:46.960 --> 0:43:50.400
<v Speaker 4>me wait a month? Paramount Plus, I'm a little peeved

0:43:50.440 --> 0:43:50.799
<v Speaker 4>by that.

0:43:51.040 --> 0:43:54.240
<v Speaker 1>I think they feel like they're, you know, getting setting

0:43:54.320 --> 0:43:56.320
<v Speaker 1>the tone of like or building up city.

0:43:56.520 --> 0:43:59.000
<v Speaker 3>Yeah, maybe building up fans to come back.

0:43:59.040 --> 0:44:01.759
<v Speaker 4>But I'm like, check in for this thing every day

0:44:01.760 --> 0:44:03.720
<v Speaker 4>and then finally it's like April fourth.

0:44:04.200 --> 0:44:07.160
<v Speaker 1>I'm sorry Amy that that happened to you. Okay, we

0:44:07.239 --> 0:44:08.520
<v Speaker 1>get back to the show.

0:44:09.239 --> 0:44:10.759
<v Speaker 3>I loved this episode.

0:44:10.840 --> 0:44:12.160
<v Speaker 2>Now, well what do you give it?

0:44:12.160 --> 0:44:12.920
<v Speaker 1>What do you give it?

0:44:14.200 --> 0:44:15.839
<v Speaker 3>I was giving it an eight, but I think I'm

0:44:15.840 --> 0:44:17.160
<v Speaker 3>gonna give it a ninety two?

0:44:17.960 --> 0:44:19.000
<v Speaker 2>Whoa point two?

0:44:20.239 --> 0:44:23.880
<v Speaker 4>With all that truck drive the truck and the crazy

0:44:23.960 --> 0:44:27.319
<v Speaker 4>defender backing up and drunk lu Wayne, and all right,

0:44:27.400 --> 0:44:30.279
<v Speaker 4>you can give her whatever you are the shots in

0:44:30.400 --> 0:44:34.040
<v Speaker 4>Santa Monica or wherever you were at the restaurant.

0:44:33.560 --> 0:44:36.759
<v Speaker 2>Get for cars and for shots. She likes.

0:44:37.560 --> 0:44:41.000
<v Speaker 1>She likes the feeling of the whole episode, not just

0:44:41.000 --> 0:44:43.799
<v Speaker 1>like specifics. Yeah, what do you give it to her?

0:44:44.840 --> 0:44:46.520
<v Speaker 1>I feel like this is going to be like low

0:44:46.600 --> 0:44:48.040
<v Speaker 1>but not Okay.

0:44:47.840 --> 0:44:50.399
<v Speaker 2>I'm making it higher because I'm embarrassed. I feel bad.

0:44:51.000 --> 0:44:58.120
<v Speaker 2>A seven? Whoa you really jumped? Yeah? I was happy? Yeah, no,

0:44:58.719 --> 0:44:59.239
<v Speaker 2>I hear you.

0:44:59.719 --> 0:45:01.279
<v Speaker 3>I was happy to see all our gang.

0:45:01.600 --> 0:45:03.760
<v Speaker 2>Uh huh. Finally people back together.

0:45:03.960 --> 0:45:08.360
<v Speaker 3>Ish. Yeah, we didn't get everybody had a little m.

0:45:09.920 --> 0:45:10.160
<v Speaker 2>Yeah.

0:45:10.200 --> 0:45:14.040
<v Speaker 1>I didn't like the Dylan stuff. But I guess we're

0:45:14.040 --> 0:45:15.080
<v Speaker 1>working up to something.

0:45:16.000 --> 0:45:17.680
<v Speaker 2>You I don't want to see Charlie anymore.

0:45:17.719 --> 0:45:18.960
<v Speaker 3>You're not gonna like next week.

0:45:19.080 --> 0:45:20.399
<v Speaker 1>Is Charlie going to stay on it?

0:45:22.000 --> 0:45:23.640
<v Speaker 2>I feel like a bad influence.

0:45:23.719 --> 0:45:27.080
<v Speaker 1>I think he's a bad influence. Ye'll see that.

0:45:27.280 --> 0:45:29.480
<v Speaker 3>I think next week is referred to as some by

0:45:29.800 --> 0:45:32.400
<v Speaker 3>some as like the worst episode ever.

0:45:32.640 --> 0:45:36.640
<v Speaker 1>One of the worst episodes ever is coming. I'm so

0:45:36.760 --> 0:45:37.640
<v Speaker 1>excited for that.

0:45:37.760 --> 0:45:38.920
<v Speaker 3>Me too.

0:45:39.160 --> 0:45:41.880
<v Speaker 1>I'm going to give it like a seven to probably

0:45:41.880 --> 0:45:45.600
<v Speaker 1>a six, I don't know. Seven yeah, seven definitely.

0:45:46.800 --> 0:45:50.080
<v Speaker 2>Really not a good one. Good Yeah, no, it was.

0:45:50.120 --> 0:45:50.560
<v Speaker 3>You're right.

0:45:51.040 --> 0:45:54.560
<v Speaker 1>The next episode does anybody out there know? Is the

0:45:54.560 --> 0:45:58.160
<v Speaker 1>next episode? Episode twenty nine? The real McCoy it's the

0:45:58.400 --> 0:46:01.480
<v Speaker 1>Old West? Is that the worst episode on the series.

0:46:02.440 --> 0:46:04.040
<v Speaker 3>I don't think the worst of the series.

0:46:04.120 --> 0:46:06.440
<v Speaker 2>Some people thought the Old West one was the worst.

0:46:06.200 --> 0:46:10.880
<v Speaker 4>One, one of the bad ones. I for some reason,

0:46:10.880 --> 0:46:12.920
<v Speaker 4>my mind was really spinning. I think we jumped the shark,

0:46:13.120 --> 0:46:16.839
<v Speaker 4>not next season, but seven season seven is one. I

0:46:16.920 --> 0:46:19.279
<v Speaker 4>was for some reason my mind was spinning last night,

0:46:19.360 --> 0:46:22.520
<v Speaker 4>being like When does Luke leave? When does Jason lee? Like,

0:46:22.680 --> 0:46:23.680
<v Speaker 4>I just don't know why.

0:46:24.160 --> 0:46:27.399
<v Speaker 3>I think it's menopause because my brain's just going well.

0:46:27.480 --> 0:46:29.600
<v Speaker 1>I think it's better if you kind of have the

0:46:29.840 --> 0:46:32.080
<v Speaker 1>like mentality that I have, Like you've never seen it

0:46:32.120 --> 0:46:33.799
<v Speaker 1>and you don't know what's coming, and you don't have

0:46:33.800 --> 0:46:35.920
<v Speaker 1>any expectations and it's all going to be fun in

0:46:35.960 --> 0:46:36.560
<v Speaker 1>a surprise.

0:46:37.880 --> 0:46:39.960
<v Speaker 2>So just relax, Okay.

0:46:39.800 --> 0:46:42.680
<v Speaker 3>I always jump ahead. But it's fine. Good stuff, guys.

0:46:42.719 --> 0:46:47.520
<v Speaker 4>Good performances both of you in the episode, I mean fine,

0:46:47.600 --> 0:46:50.120
<v Speaker 4>fine performances in the podcast, but really good to them.

0:46:50.640 --> 0:46:55.200
<v Speaker 1>Thanks, Thanks, What do you give us Suffer Today podcast?

0:46:55.280 --> 0:46:57.880
<v Speaker 3>I'll give you a solid seven?

0:46:58.280 --> 0:47:02.200
<v Speaker 2>Whoa for us? She's harsh.

0:47:02.640 --> 0:47:06.080
<v Speaker 1>I like that though, fair, fair, fair.

0:47:07.000 --> 0:47:08.880
<v Speaker 3>That's anything else you guys want to share before we go,

0:47:09.160 --> 0:47:10.200
<v Speaker 3>I'm not ready to leave yet.

0:47:11.960 --> 0:47:17.399
<v Speaker 1>Happy Easter, hoppy Easter. Yeah, hope everybody had a nice

0:47:17.440 --> 0:47:18.400
<v Speaker 1>time with their families.

0:47:18.520 --> 0:47:23.080
<v Speaker 3>I found chocolate peeps the chocolates. The peep is like

0:47:23.360 --> 0:47:26.480
<v Speaker 3>they put the peep into the chocolate. What are you

0:47:27.280 --> 0:47:29.040
<v Speaker 3>I'll find I'll try and send you guys up.

0:47:29.040 --> 0:47:31.000
<v Speaker 2>Wait, like an.

0:47:30.880 --> 0:47:34.600
<v Speaker 1>Actual peep stuffed in a chocolate Yeah, or just the

0:47:34.760 --> 0:47:35.920
<v Speaker 1>essence of a peep stuffed.

0:47:36.160 --> 0:47:38.840
<v Speaker 4>No, no, no, a full peep. A full peep is

0:47:38.880 --> 0:47:41.919
<v Speaker 4>poking out of the chocolate. It's almost like they cook

0:47:42.000 --> 0:47:44.120
<v Speaker 4>the chocolate. I don't know how you cook chocolate, and

0:47:44.239 --> 0:47:46.800
<v Speaker 4>right at that moment they placed the peep in before

0:47:46.960 --> 0:47:47.399
<v Speaker 4>that heart.

0:47:47.719 --> 0:47:52.279
<v Speaker 2>Interesting. We do a peak Taste challenge every year, all

0:47:52.320 --> 0:47:55.520
<v Speaker 2>the strange flavored peeps and the kids tasted and try

0:47:55.600 --> 0:47:57.120
<v Speaker 2>to say what it is.

0:47:57.600 --> 0:48:00.759
<v Speaker 3>Oh, that's a fun game. As good as this stinky yeah,

0:48:00.880 --> 0:48:02.719
<v Speaker 3>almost as good as a stinky jelly belly game.

0:48:03.480 --> 0:48:06.360
<v Speaker 2>Oh boozled, bean boozled.

0:48:06.920 --> 0:48:10.440
<v Speaker 3>Oh god no, but it tastes like socks or toothings

0:48:10.719 --> 0:48:11.120
<v Speaker 3>or whatever.

0:48:11.239 --> 0:48:12.640
<v Speaker 2>Booger beans. Perfect.

0:48:17.640 --> 0:48:21.640
<v Speaker 1>Everybody, have a great wheat. I love you.