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Speaker 1: It's nine Ogen Onegine with Jenny Garth and Tory Spelling. Girls, Girls,

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Speaker 1: Girls on the Side.

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Speaker 2: There's three there. Oh wow, what a title?

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Speaker 1: Girls on the side, not on top?

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Speaker 2: Get the title not underneath?

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Speaker 3: Is it because Valerie is the girl on the side?

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Speaker 2: They're side pieces? I guess titles a little ra we're

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Speaker 2: main courses, We're no side dishes.

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Speaker 1: Well, welcome everybody to the pod. It's us again. Yeah,

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Speaker 1: can't get rid of us. We're here talking about episode

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Speaker 1: twenty eight right.

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Speaker 2: Season five.

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Speaker 1: Oh my gosh, Yes, aired May third, nineteen ninety five.

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Speaker 3: Synopsis, Oh sorry, I got over my skis there, Tori? Sorry?

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Speaker 2: Synopsis. A drunk lou Anne Pruetz spills the beans about

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Speaker 2: Ray and Valerie, leaving Claire and David disgusted, while Donna

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Speaker 2: remains in the dark. Jesse makes a sacrifice for love,

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Speaker 2: Dylan is still in love, and Charlie is loving the

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Speaker 2: thought of a threesome. Meanwhile, Kelly trials to Claremont, only

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Speaker 2: to find out her fellow burn victim Alison lash is

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Speaker 2: in love with her.

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Speaker 1: Directed by Victor Lowell, written by Meredith dim Steams Dimon.

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Speaker 2: I'm not sure I see that him.

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Speaker 3: Sorry, MAV three. Three things that are standing out to.

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Speaker 1: Me right now already already ever want to have to

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Speaker 1: do with the beginning of the episode.

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Speaker 3: I can't wait to talk about that. But it has

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Speaker 3: to do with the director. Okay, Victor Lowell with the

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Speaker 3: shot of the green defender pulling up and then he

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Speaker 3: like fully zooms in on the lights and then the

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Speaker 3: car act.

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Speaker 2: Up, it was like, you were impressed.

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Speaker 3: I was just sort of like, why are we doing?

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Speaker 2: Like he's just like a cool dude shot.

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Speaker 1: Yeah, probably really into that car. Like my husband, he

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Speaker 1: walked in during that exact and he.

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Speaker 2: Was like, oh my god, I love that car.

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Speaker 3: Yeah, it was a great car. Number two Donna's.

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Speaker 1: Hair, Okay, let's talk about that. We all have our episodes.

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Speaker 1: Who We're all going to have our bad hair episodes.

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Speaker 4: I just all I could think was like, oh God,

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Speaker 4: the curling iron, crying hair, just rying it were.

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Speaker 2: They held onto with baby bamps? Oh?

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Speaker 3: I don't know.

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Speaker 2: I do you think the clear bands? No?

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Speaker 1: I think that was just sexual from my left fried

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Speaker 1: into place.

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Speaker 3: Curl spray, curl spray.

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Speaker 1: The kind of like you know when they use your

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Speaker 1: curling iron, the curling iron on you and you see

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Speaker 1: smoke rising from it.

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Speaker 2: Yes, and then they tell you no, it's just the

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Speaker 2: product lines.

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Speaker 1: Correct, always lying.

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Speaker 4: So I go to a salon very close to my

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Speaker 4: house out of pure laziness, and I am the youngest

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Speaker 4: person in there fifty.

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Speaker 3: Years by fifty years.

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Speaker 4: Come on, it's all grandma's and not seventy year old grammas.

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Speaker 4: Like literally, I'm not joking. Minimum age eighty five. And

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Speaker 4: they love them.

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Speaker 1: They love their perms and their latter girls, their favorite

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Speaker 1: curl spray, curl sprut, curl spray. Well, that's about the

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Speaker 1: age of your hairstylist at that time, so this is true.

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Speaker 3: My third comment, now, I can't unsee that Ray's mom

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Speaker 3: was Michael Keaton's wife. It's all I can think about

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Speaker 3: the whole time she's on.

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Speaker 2: She still look it up. Yeah, she's datacular.

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Speaker 3: I have a little bit of fun facts.

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Speaker 4: So Michael Keaton is really named Michael Douglas, has a

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Speaker 4: son named Sean Douglas who's like a prolific songwriter, has

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Speaker 4: written like so many pop hits it's crazy. And then

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Speaker 4: I just keep thinking like it really the whole time,

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Speaker 4: I'm like, that's his mom.

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Speaker 3: That was Michael Keaton's wife. Like, why am I obsessed

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Speaker 3: with this?

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Speaker 1: Now?

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Speaker 3: Beetlejuice? Beetlejuice?

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Speaker 2: Like juice one more time?

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Speaker 1: Well, you know, we always wonder what are the things

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Speaker 1: that Aby's going to obsess on in an episode, and

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Speaker 1: now we know.

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Speaker 3: I think it's because he's one of my crushes.

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Speaker 2: And so Michael, I can fix it.

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Speaker 3: Yeah, I fixate on anything. Michael Keaton cute.

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Speaker 1: Yeah, she was great in this episode. She's she's always great.

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Speaker 2: Great.

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Speaker 1: Okay, so now go go whoa?

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Speaker 2: All right?

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Speaker 1: I want to do a little trivia? Sure, Okay, well

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Speaker 1: Bray's mom who leu Anne? She's seen smoking inside the

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Speaker 1: peach pit after dark? Yes, and the official Indoor Smoking

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Speaker 1: Band took effect in La on January first, nineteen ninety five.

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Speaker 2: What day is so long?

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Speaker 1: This is aired.

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Speaker 2: In May nineteen ninety five. Where are you?

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Speaker 3: A bunch of criminals?

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Speaker 2: Though?

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Speaker 1: But do you remember that time when all of a

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Speaker 1: sudden they said no, you can't smoke inside? And it

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Speaker 1: took a while for people to start enforcing that, Like,

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Speaker 1: I've never.

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Speaker 3: Been happier about a law.

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Speaker 2: Yeah, I know. Can you remember what it was like

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Speaker 2: to eat while smoke? And I went to.

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Speaker 4: Nevada, We went and gambled in Nevada and Tahoe and

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Speaker 4: they don't have that rule there. Still, immediately you're like

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Speaker 4: it is burning. You're like, whoa, this is intense.

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Speaker 1: It just makes you smell like a cigarette. If you

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Speaker 1: don't want to smell like a cigarette, that's not great.

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Speaker 1: If you do enjoy smelling like a stri Do you know.

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Speaker 3: Good law that I'm sure some people hated. But can

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Speaker 3: you smoke outside at a restaurant?

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Speaker 2: Though?

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Speaker 3: I feel like you can't smoke anywhere near.

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Speaker 1: People on a patio? You can smoke outside AnyWho. That's

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Speaker 1: the trivia your board couldn't tell?

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Speaker 3: Okay, has some chocolate cigars? Happy Easter? Was Easter yesterday? Yes?

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Speaker 3: Happy Easter?

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Speaker 1: Did the bunny come?

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Speaker 2: Yes?

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Speaker 1: Did the buddy visit you? Did you get any chocolate cigars?

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Speaker 3: Yeah?

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Speaker 4: We had chocolate cignars for the boys, not like someone

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Speaker 4: has that little not the little boys, but the adult boys.

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Speaker 3: Men got chocolate cigars.

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Speaker 2: I like that idea.

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Speaker 1: I should get it because they're marked off now you

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Speaker 1: can get them real cheap. Anyway, do you want to

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Speaker 1: give another trivia?

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Speaker 2: Would you like me too?

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Speaker 3: Sure?

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Speaker 2: When Kelly was it's to Alison at the burn clinic.

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Speaker 2: The address reads one four nine two zero Medical Center,

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Speaker 2: which appears to be a location in Santa Monica, But

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Speaker 2: when Kelly is on the phone with Brandon, she says,

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Speaker 2: the burn Center is in Claremont.

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Speaker 3: Oh, fun back there. So did you shoot it in

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Speaker 3: Santa Monica?

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Speaker 2: I suppose man might signer drive there? Sure is? I

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Speaker 2: don't know. I just know Kelly didn't drive to Claremont. No,

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Speaker 2: that would never have happened because she never gets to

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Speaker 2: go anywhere.

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Speaker 1: Claremont is the place they center on location. This is great?

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Speaker 3: Uh?

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Speaker 1: One another one?

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Speaker 2: Yes, I love it? These are fun.

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Speaker 1: The ups employee asks Kelly, this is funny, asks Kelly

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Speaker 1: to sign for the package by asking for her Jane Hancock.

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Speaker 2: Yeah.

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Speaker 1: The original term John Hamcock, a term coined after John No,

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Speaker 1: I said Hamcock, I know it. It's term is John Hancock,

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Speaker 1: a term coined after John Hancock signed the Declaration of

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Speaker 1: Independence because the biggest signature of all.

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Speaker 3: Yeah, he did it so big.

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Speaker 2: Wait.

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Speaker 4: I have a comment on that scene. Should we talk

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Speaker 4: about it now or when we get to it.

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Speaker 2: When we get to it, Okay, you got it.

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Speaker 1: Yeah, that one wasn't very exciting, but I did enjoy

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Speaker 1: that scene, So we will talk.

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Speaker 2: About that one when we get to it. Last one,

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Speaker 2: Kelly and Steve are walking on the sidewalk. In the

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Speaker 2: background you can see a restaurant called Gaucho Grill. It

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Speaker 2: was in a chain that served Argentinian food in the

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Speaker 2: nineteen nineties.

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Speaker 3: It was actually delicious.

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Speaker 2: It was I used to like that place.

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Speaker 3: It on went it only went away like a little

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Speaker 3: bit ago.

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Speaker 1: Wait where we had one? Don't you feel like?

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Speaker 2: We had one?

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Speaker 1: And they would bring it in for like our lunches,

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Speaker 1: sometimes possibly Gaucho.

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Speaker 2: Grill, and I was like, I don't want gaucho grill.

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Speaker 3: Yeah, and we had one on Santa Sunni and Brent

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Speaker 3: wid Brent with La You remember, right.

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Speaker 2: I'm just remembering when they would say what was for lunch?

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Speaker 2: In that reaction to anything everything we'd.

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Speaker 1: Also that's how my husband feels now every time we eat.

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Speaker 3: I'm so weady like restaurant food.

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Speaker 2: Yeah, we didn't around a lot, there was no but

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Speaker 2: they would be all proud they made an executive decision.

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Speaker 2: Imagine having you know, seven kids and like you have

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Speaker 2: to go tell them here's what we're eating, and no

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Speaker 2: one wants the same thing. So the front office came

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Speaker 2: in strong with the decision. They had the menu and

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Speaker 2: they'd be like, okay, guys, what do you want today?

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Speaker 2: Is gaucho grill? And then the response would be I

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Speaker 2: don't want that. The thing is.

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Speaker 1: But they would come in like kind of nervous to

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Speaker 1: present that the menu, the paper that they had zerox

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Speaker 1: the menu on.

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Speaker 2: The like sweating back there, like please let her say yes,

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Speaker 2: let him say okay.

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Speaker 4: Did only the big people get that? Or like what

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Speaker 4: about the back ground people?

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Speaker 2: No catering truck.

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Speaker 1: I feel like they had I don't remember exactly. Sometimes

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Speaker 1: they would have like a catering truck for the crew

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Speaker 1: and the background, but the prima donna actors always like

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Speaker 1: that's something special. Or they would say you go away

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Speaker 1: for an hour, go get your walk away, get.

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Speaker 2: Your own lunch. Really walking away. They wouldn't let us out.

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Speaker 2: They'd be scared we wouldn't come back.

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Speaker 1: Yeah, so they made a couple of bucks if you

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Speaker 1: do that, probably not like eight dollars. But they would

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Speaker 1: make us stay in our five by five cubicles with

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Speaker 1: the lights off until it was time to work again.

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Speaker 1: Did you have trailers?

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Speaker 2: Not a hallway of rooms? They connected so we were

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Speaker 2: all in the same hallway.

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Speaker 3: Did you make them pretty?

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Speaker 2: I tried once, We definitely tried.

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Speaker 1: I just remembered my dressing room had a giant window,

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Speaker 1: like you could see from the hallway into my dressing room.

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Speaker 1: So I was like, can you guys put up some

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Speaker 1: like mini plays.

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Speaker 3: To the world.

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Speaker 2: Oh god, No, that was forbidden. She wishes she would

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Speaker 2: have written help.

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Speaker 3: Oh gosh. Yeah, anyhow, Yeah, I have a set question

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Speaker 3: coming up, but.

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Speaker 2: I will hold it. Oh exciting.

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Speaker 1: Okay, well, let's just start beach outs. We start on

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Speaker 1: the beach house and Donna is a hotty inner bathing

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Speaker 1: suit getting god sitting out there getting her skin fried,

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Speaker 1: spraying like water, baby oil, baby oil, and Kelly uh

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Speaker 1: is very nervous that she's going to get some skin damage.

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Speaker 3: You were more in a moo moo and Donna was

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Speaker 3: more in a hot bikin.

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Speaker 2: Yeah.

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Speaker 1: I was covering because I didn't want to get any

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Speaker 1: sun on my.

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Speaker 3: On My.

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Speaker 2: Topic is back right, it's full force this episode.

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Speaker 1: Yeah, you're even like, uh.

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Speaker 2: Nail it over the head. Make sure everyone remembers. Yeah,

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Speaker 2: you say something. I don't know. I can't remember what

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Speaker 2: you said, but it wasn't I hint.

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Speaker 3: Mean, it was like not mean.

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Speaker 1: I think that's the way that you know, when you're

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Speaker 1: friends with each other, like that you can talk like

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Speaker 1: that to each other.

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Speaker 3: She's like, basically like get over it and give it

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Speaker 3: some air.

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Speaker 1: Take that bandage off so ugly, basically, let it breathe.

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Speaker 1: It was really featured in this episode, but Kelly receives

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Speaker 1: a package in that scene from seventeen magazine and it's

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Speaker 1: her magazine cover framed so beautifully.

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Speaker 2: It looks so good.

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Speaker 3: Where I loved about that? Oh yeah, did you you

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Speaker 3: have that? You should kept that.

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Speaker 1: I feel like it's here in my house somewhere, and

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Speaker 1: I just don't know where.

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Speaker 3: I Peer thirty nine.

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Speaker 4: You could go and like get your picture taken and

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Speaker 4: they put it on a fake magazine.

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Speaker 2: Oh my god, no, oh yeah.

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Speaker 3: You could go and be on the cover of People

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Speaker 3: or TV. Guy.

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Speaker 1: Wait, what's Peer thirty nine.

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Speaker 4: Oh, it's kind of like if you went to the

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Speaker 4: Santa Monica Pier. So it's in San Francisco and it's

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Speaker 4: like a very touristy place. So you know how like

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Speaker 4: the Santa or the boardwalk in Santa Cruz, you know

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Speaker 4: all those kind of places.

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Speaker 3: Yeah, there's like rides and like corn dogs and crap

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Speaker 3: likes still today totally wow.

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Speaker 1: Oh did you guys see they're redoing the Santa Monica Peer.

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Speaker 1: I don't know when I saw a big thing on

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Speaker 1: the news that they're redoing it.

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Speaker 2: Ooh, that means it does. It's all rickety.

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Speaker 1: It needs some security would be great too.

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Speaker 3: Yeah, it's a little yeah.

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Speaker 1: Yeah, terrified of sending my kid there. Everybody's going to

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Speaker 1: the pier, can I go?

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Speaker 2: No?

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Speaker 3: In thirty years, I've been there twice. I lived in

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Speaker 3: La like literally thirty years and I've been there two times.

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Speaker 2: Yeah.

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Speaker 1: Okay, So now we're on the freeway doing some really

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Speaker 1: cool unnecessary potray driving back into town scenes.

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Speaker 3: What pause before we.

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Speaker 4: Get to that, I briefly have to mention there's a

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00:14:13,280 --> 00:14:17,480
Speaker 4: new angle of the beach house. It swung around and

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Speaker 4: showed the steps going up and that's real.

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Speaker 2: Yeah.

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Speaker 1: I had a pause on that.

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Speaker 2: That was it.

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Speaker 1: Well, I was like, is that okay? So that's the

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Speaker 1: door everybody enters through. They have to climb up those stairs.

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Speaker 3: Yep.

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Speaker 1: And then that door kind of matched our door where

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00:14:33,040 --> 00:14:36,040
Speaker 1: people came in and out, so that yes, nobody ever

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00:14:36,120 --> 00:14:38,520
Speaker 1: acted like they had just climbed to fly to stairs.

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Speaker 4: No, it's very confusing. Then it switches there's the back

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Speaker 4: door on the front door. So they showed the sort

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Speaker 4: of street, so the houses on the whatever you'd call it,

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Speaker 4: the water, and there's like the walking bike path, there's

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00:14:52,040 --> 00:14:54,120
Speaker 4: a tiny there's a main drag, and then there's sort

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00:14:54,160 --> 00:14:56,160
Speaker 4: of a tiny street and so it sort of showed

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00:14:56,160 --> 00:14:59,360
Speaker 4: the tiny street and that's the real door, and then it.

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00:14:59,320 --> 00:15:00,800
Speaker 3: Was like to the set.

305
00:15:00,920 --> 00:15:05,080
Speaker 4: So the ups lady obviously came to the set with

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Speaker 4: that sort of fake white.

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Speaker 3: Picket which wasn't there, and Kelly opens the door, almost said,

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00:15:12,280 --> 00:15:14,400
Speaker 3: Jenny opens it.

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00:15:15,320 --> 00:15:20,960
Speaker 1: So back to the freeway. Yeah, you loved all the

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00:15:21,080 --> 00:15:23,840
Speaker 1: driving shots, the unnecessary driving shots.

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Speaker 3: Didn't you, guys? Because first of all, here's what was

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00:15:25,440 --> 00:15:28,600
Speaker 3: like blowing my mind. All I'm like, where are we?

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Speaker 3: Where are we?

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00:15:29,200 --> 00:15:32,080
Speaker 4: Okay, we're coming down from Magic Mountain and we're getting

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00:15:32,120 --> 00:15:33,120
Speaker 4: where the five is.

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00:15:33,600 --> 00:15:35,000
Speaker 3: And then I was like, is he gonna take the

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Speaker 3: four or five?

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Speaker 4: And he was really driving like that, He was really

319
00:15:39,600 --> 00:15:40,560
Speaker 4: driving that truck.

320
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Speaker 2: Wow.

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00:15:42,680 --> 00:15:44,520
Speaker 4: And they were getting all those shots and it wasn't

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Speaker 4: like he was like on one of those fake car things. No,

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00:15:48,080 --> 00:15:50,760
Speaker 4: they were getting him really drive in that truck and

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00:15:50,760 --> 00:15:53,920
Speaker 4: they showed the license plate. He is the blue and

325
00:15:54,040 --> 00:15:56,840
Speaker 4: yellow license plate, the old license plates.

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Speaker 1: Yeah, his truck is cool. But I think maybe they

327
00:16:00,480 --> 00:16:03,840
Speaker 1: did that with like a second unit, because that's a

328
00:16:03,840 --> 00:16:07,120
Speaker 1: big deal to go take the whole you know, basically

329
00:16:07,280 --> 00:16:09,760
Speaker 1: afon or half a day to go out and shoot

330
00:16:09,840 --> 00:16:11,120
Speaker 1: some drive shots.

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Speaker 3: Oh. I was like to Dana helicopterly, how are they

332
00:16:13,680 --> 00:16:14,120
Speaker 3: doing this?

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00:16:14,360 --> 00:16:18,280
Speaker 1: It was so awesome. They had a drone and.

334
00:16:18,280 --> 00:16:21,560
Speaker 4: Then he switched he had the old The truck had

335
00:16:21,560 --> 00:16:23,680
Speaker 4: the gear shift, which I think we learned from Donna

336
00:16:23,760 --> 00:16:27,360
Speaker 4: driving it on the tree thing on the tree.

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Speaker 3: Yeah, thank you, Tori, and he shift gears. I was like,

338
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Speaker 3: this is legit.

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00:16:32,440 --> 00:16:33,360
Speaker 1: Yeah, it looked real.

340
00:16:34,440 --> 00:16:35,240
Speaker 2: That was rap.

341
00:16:47,960 --> 00:16:51,120
Speaker 1: He gets home and he tells her that he's back

342
00:16:51,200 --> 00:16:54,840
Speaker 1: to play the peach Pit after dark and invites Leu

343
00:16:54,840 --> 00:16:55,360
Speaker 1: Anne to.

344
00:16:55,440 --> 00:16:57,040
Speaker 2: His show Risky.

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00:16:57,640 --> 00:16:58,880
Speaker 3: Yeah, he didn't want to.

346
00:16:59,240 --> 00:17:02,360
Speaker 1: And he tells his mom not to tell Donna that

347
00:17:02,480 --> 00:17:05,760
Speaker 1: Valerie showed up in Reno to convince him to come back.

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00:17:06,760 --> 00:17:08,320
Speaker 2: I feel like that's right at all.

349
00:17:08,720 --> 00:17:11,840
Speaker 1: Yeah, I don't think that secret is safe with Mama. No.

350
00:17:12,200 --> 00:17:14,359
Speaker 1: I feel uncomfortable with this trust issue.

351
00:17:14,359 --> 00:17:14,600
Speaker 2: Here.

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00:17:15,880 --> 00:17:18,480
Speaker 1: Okay, So we're at the Walsh House. Brandon is headed

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00:17:18,520 --> 00:17:20,480
Speaker 1: to Sacramento for a school business.

354
00:17:21,800 --> 00:17:25,480
Speaker 3: My god, Steve, they make him so dumb, oh.

355
00:17:25,440 --> 00:17:29,520
Speaker 1: Man, and he goes he walk up. Cindy comes in

356
00:17:29,600 --> 00:17:32,520
Speaker 1: and she's so excited about her magazine cover that she

357
00:17:32,600 --> 00:17:36,840
Speaker 1: got at the Ralphs there and Kelly is very upset

358
00:17:36,880 --> 00:17:39,000
Speaker 1: about her scars and lashes out at Steve.

359
00:17:40,280 --> 00:17:42,879
Speaker 3: Yeah, and a little bit like she was so prickly.

360
00:17:42,720 --> 00:17:46,159
Speaker 1: That's why we get We find out, Oh, she's really

361
00:17:46,200 --> 00:17:48,600
Speaker 1: not excited about being on the cover of that magazine,

362
00:17:48,720 --> 00:17:51,440
Speaker 1: which is Hello, because.

363
00:17:51,200 --> 00:17:53,000
Speaker 3: She misses her old neck.

364
00:17:53,119 --> 00:17:56,879
Speaker 1: I guess nobody's really having much sympathy for it, because

365
00:17:57,000 --> 00:17:59,920
Speaker 1: it's kind of silly, like they can, they could make

366
00:17:59,920 --> 00:18:01,600
Speaker 1: you look however they want you to, like they take

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00:18:01,600 --> 00:18:02,240
Speaker 1: it away.

368
00:18:02,560 --> 00:18:07,679
Speaker 4: And your scars are not bad barely they're barely there.

369
00:18:08,440 --> 00:18:10,560
Speaker 1: And then at the we'll just get there, never mind,

370
00:18:10,560 --> 00:18:17,560
Speaker 1: I'll wait. So yeah, Kelly storms out of the room

371
00:18:17,720 --> 00:18:22,119
Speaker 1: and Steve is left feeling like it's his fault, but

372
00:18:22,160 --> 00:18:24,560
Speaker 1: really it's Brandon's fault. No, it's not just saying.

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00:18:24,320 --> 00:18:33,600
Speaker 3: That literally is okay, Yeah.

374
00:18:32,200 --> 00:18:34,520
Speaker 1: It was weird because like this is the first time

375
00:18:34,520 --> 00:18:38,720
Speaker 1: we've seen the Walshes in a minute totally, and this

376
00:18:39,040 --> 00:18:43,600
Speaker 1: time the scene wasn't about their storylines anything to do

377
00:18:43,640 --> 00:18:46,199
Speaker 1: with the Walshes, And that's I think one of the

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00:18:46,240 --> 00:18:48,040
Speaker 1: only things he said in that scene.

379
00:18:48,600 --> 00:18:51,080
Speaker 4: Reminds me of do your teens say that to you

380
00:18:51,080 --> 00:18:51,680
Speaker 4: guys all the time?

381
00:18:51,720 --> 00:18:53,000
Speaker 3: You know how like are you okay?

382
00:18:53,240 --> 00:18:55,679
Speaker 2: Are you okay? Oh?

383
00:18:55,760 --> 00:18:58,239
Speaker 1: I hate that, but I started doing it now just

384
00:18:58,240 --> 00:19:01,959
Speaker 1: because it irritates me so much when they say are

385
00:19:02,000 --> 00:19:06,320
Speaker 1: you okay? When I'm literally just like reacting to something,

386
00:19:07,000 --> 00:19:09,439
Speaker 1: or if I don't like a food, I put it

387
00:19:09,440 --> 00:19:11,879
Speaker 1: in my mouth and like or like I say something

388
00:19:11,920 --> 00:19:12,720
Speaker 1: that they don't agree with.

389
00:19:12,840 --> 00:19:15,000
Speaker 2: Are you okay? Yeah?

390
00:19:15,400 --> 00:19:18,560
Speaker 1: Making okay?

391
00:19:18,640 --> 00:19:20,800
Speaker 3: You know Danielle Romo that we all work with. Her

392
00:19:20,880 --> 00:19:22,320
Speaker 3: favorite thing to do is when.

393
00:19:22,160 --> 00:19:24,879
Speaker 4: She messes up, like if she writes an email it

394
00:19:24,880 --> 00:19:25,720
Speaker 4: has like a mistake.

395
00:19:25,800 --> 00:19:28,200
Speaker 3: Then she writes back, am I okay.

396
00:19:29,440 --> 00:19:31,720
Speaker 1: It's become a thing, but now it's fun to do.

397
00:19:31,920 --> 00:19:32,600
Speaker 1: Try to do it.

398
00:19:32,640 --> 00:19:33,120
Speaker 2: Do it today.

399
00:19:33,160 --> 00:19:35,720
Speaker 1: I'll make you feel like superior. Then then you're like, oh,

400
00:19:35,760 --> 00:19:37,000
Speaker 1: I see why they do it all the time.

401
00:19:37,160 --> 00:19:41,080
Speaker 3: Yeah, totally. Anyway, this so far this episode is a ten.

402
00:19:42,080 --> 00:19:44,280
Speaker 2: You're liking it peach Pit.

403
00:19:44,480 --> 00:19:47,320
Speaker 1: Peach Pit, we get to see the dills. He is

404
00:19:48,800 --> 00:19:52,320
Speaker 1: staring at his ex girlfriend on the cover of seventeen magazines.

405
00:19:53,200 --> 00:19:56,720
Speaker 3: Yeah that was That was kind of cool in a

406
00:19:57,160 --> 00:19:57,879
Speaker 3: sad way.

407
00:19:58,280 --> 00:19:58,560
Speaker 2: Yeah.

408
00:19:58,640 --> 00:20:00,359
Speaker 1: Charlie, though, tells him to put it a way so

409
00:20:00,359 --> 00:20:03,200
Speaker 1: they can focus on the screenplay.

410
00:20:03,520 --> 00:20:05,240
Speaker 3: Charlie's getting so much.

411
00:20:05,400 --> 00:20:09,600
Speaker 2: Screen time for what why? Why you're in a movie?

412
00:20:10,560 --> 00:20:12,840
Speaker 1: I don't get this. Why he's on the show.

413
00:20:12,880 --> 00:20:17,760
Speaker 2: I'm sorry, he must be a friend of somebody. Episode.

414
00:20:17,960 --> 00:20:20,760
Speaker 3: Yeah, is this when val comes over?

415
00:20:21,040 --> 00:20:24,720
Speaker 1: Yeah, Valerie comes over and she's so happy to be

416
00:20:24,840 --> 00:20:25,600
Speaker 1: with the guys.

417
00:20:26,200 --> 00:20:30,640
Speaker 4: Yeah, she's got a hint of a crop top and

418
00:20:30,680 --> 00:20:34,840
Speaker 4: she's very cute and smiley, and yet it's weird.

419
00:20:35,960 --> 00:20:39,639
Speaker 1: Yeah it's she And then she likes to button that

420
00:20:39,680 --> 00:20:41,320
Speaker 1: scene with something snarky.

421
00:20:41,680 --> 00:20:45,800
Speaker 4: She's super low key genius though, she's very smart, like

422
00:20:45,880 --> 00:20:49,520
Speaker 4: she know all about the minajatoy and the movie. So

423
00:20:49,560 --> 00:20:52,080
Speaker 4: she's always impressing me with her brains. But then it's like,

424
00:20:53,000 --> 00:20:54,959
Speaker 4: I don't know, I don't trust her.

425
00:20:55,680 --> 00:21:01,399
Speaker 1: Yeah, it gets weirder, just wait for it. The beach House.

426
00:21:02,240 --> 00:21:05,439
Speaker 1: Kelly's getting a call from for a modeling job and

427
00:21:05,520 --> 00:21:08,080
Speaker 1: quickly shuts it down. Then the rest of the game

428
00:21:08,119 --> 00:21:11,399
Speaker 1: comes in and they come home with food and Kelly

429
00:21:11,480 --> 00:21:12,200
Speaker 1: just walks away.

430
00:21:12,280 --> 00:21:13,000
Speaker 2: She's so upset.

431
00:21:14,160 --> 00:21:17,320
Speaker 4: The fire was going. Did you notice that? And then

432
00:21:17,560 --> 00:21:19,400
Speaker 4: are we to assume that's food from the peach pit?

433
00:21:19,520 --> 00:21:21,240
Speaker 4: I was assuming they picked it all up at the

434
00:21:21,280 --> 00:21:22,000
Speaker 4: peach pit.

435
00:21:24,480 --> 00:21:28,120
Speaker 1: Or gaucho grill or you do say do you want

436
00:21:28,119 --> 00:21:29,200
Speaker 1: a burgers?

437
00:21:29,840 --> 00:21:32,320
Speaker 3: I would have been like, say, yeah, I'm starving.

438
00:21:34,040 --> 00:21:36,960
Speaker 1: She looked hungry. But she goes in a room and

439
00:21:37,000 --> 00:21:40,200
Speaker 1: she's so conflicted and upset and she throws the picture

440
00:21:40,240 --> 00:21:41,520
Speaker 1: against the wall and breaks it.

441
00:21:42,080 --> 00:21:42,439
Speaker 2: Total.

442
00:21:42,640 --> 00:21:46,159
Speaker 4: Okay, there's this TikTok going around that's like, what's something

443
00:21:46,200 --> 00:21:48,560
Speaker 4: that you see on TV that we all accept on

444
00:21:48,640 --> 00:21:52,960
Speaker 4: TV that never happens in real life? Purling glass across

445
00:21:53,000 --> 00:21:55,639
Speaker 4: a room is something that only happens on TV that

446
00:21:56,359 --> 00:21:57,479
Speaker 4: I would never do that.

447
00:21:58,000 --> 00:22:01,600
Speaker 3: The mess stayed with me, like, Andy, did it not

448
00:22:01,840 --> 00:22:02,800
Speaker 3: impact your life?

449
00:22:02,840 --> 00:22:05,280
Speaker 1: It didn't seem to bother her, which I found talking

450
00:22:05,320 --> 00:22:14,720
Speaker 1: about glass everywhere. Yeah, she's gonna get cut. She's sorry, guys,

451
00:22:16,520 --> 00:22:19,560
Speaker 1: Oh my goodness. Yeah, the gang is out there eating

452
00:22:19,560 --> 00:22:20,120
Speaker 1: their burgers.

453
00:22:20,160 --> 00:22:21,919
Speaker 3: They're like, are you okay?

454
00:22:22,720 --> 00:22:26,040
Speaker 1: Yeah, I'm good. Just drop something and shattered it on

455
00:22:26,080 --> 00:22:27,640
Speaker 1: my wall. Thanks for noticing.

456
00:22:28,520 --> 00:22:35,840
Speaker 2: I just dropped on a carpeted room and it shattered.

457
00:22:36,440 --> 00:22:37,240
Speaker 2: It shattered.

458
00:22:38,200 --> 00:22:39,600
Speaker 4: Oh and then she and then you kind of had

459
00:22:39,640 --> 00:22:43,320
Speaker 4: your cry moment. A lot of acting for you in

460
00:22:43,359 --> 00:22:44,359
Speaker 4: this episode.

461
00:22:44,040 --> 00:22:49,399
Speaker 3: Jenny, but like a little bit of a like thirty

462
00:22:49,480 --> 00:22:51,600
Speaker 3: years later, a little bit. I'm laughing at it.

463
00:22:51,640 --> 00:22:58,840
Speaker 2: But yet it was good. Well, I liked it. It

464
00:22:58,880 --> 00:23:00,120
Speaker 2: was fun to do you cry.

465
00:23:00,080 --> 00:23:02,040
Speaker 3: On cue there? Did you need those drops? You told

466
00:23:02,040 --> 00:23:03,160
Speaker 3: me about those drops.

467
00:23:04,160 --> 00:23:04,640
Speaker 2: I don't know.

468
00:23:06,520 --> 00:23:08,639
Speaker 1: You'll never know if my tears were real, or if

469
00:23:08,680 --> 00:23:11,920
Speaker 1: our tears were real, or if it was just makeup.

470
00:23:12,840 --> 00:23:14,040
Speaker 3: It was good. It was good.

471
00:23:15,400 --> 00:23:18,560
Speaker 1: We go to Andrea's house with her purple walls. Oh yeah,

472
00:23:18,640 --> 00:23:22,280
Speaker 1: you cannot handle that paint color. Andrea with the baby feeding.

473
00:23:22,400 --> 00:23:23,320
Speaker 3: Is this the baby feeding?

474
00:23:23,640 --> 00:23:26,360
Speaker 1: Yeah, he's Jesse gets excited because he got a job

475
00:23:26,400 --> 00:23:27,119
Speaker 1: offer and Boise.

476
00:23:27,920 --> 00:23:29,119
Speaker 3: The walls were fine.

477
00:23:29,320 --> 00:23:34,040
Speaker 4: It was Andrea's checkered shirt over their They just did

478
00:23:34,119 --> 00:23:34,320
Speaker 4: me in.

479
00:23:34,480 --> 00:23:37,680
Speaker 1: I was like, oh no, but but they're like all

480
00:23:37,680 --> 00:23:40,040
Speaker 1: good now they're back together, they're supporting.

481
00:23:39,640 --> 00:23:43,160
Speaker 3: Each other, and she's moving the Idaho.

482
00:23:42,880 --> 00:23:45,360
Speaker 1: Does he I've forgotten already, you guys, don't be mad.

483
00:23:46,000 --> 00:23:51,639
Speaker 1: Does he know about her affair? Yes, yes, right, I'm sorry.

484
00:23:52,119 --> 00:23:54,280
Speaker 1: This is cheese of a brain.

485
00:23:55,600 --> 00:23:58,240
Speaker 2: You didn't have either. I cared so little that I

486
00:23:58,240 --> 00:23:59,440
Speaker 2: already oh, oh my god.

487
00:23:59,560 --> 00:24:01,840
Speaker 4: Yes, we have the whole episode and they were fighting.

488
00:24:01,840 --> 00:24:02,679
Speaker 4: It was all kind of tight.

489
00:24:02,840 --> 00:24:07,600
Speaker 3: Yeah, yeah, yeah, Jeopardy episode two, and he was way mad.

490
00:24:07,640 --> 00:24:10,760
Speaker 3: I remember he goes to Dylan's and stays there and

491
00:24:10,760 --> 00:24:12,960
Speaker 3: says I'm not gonna go, and then all he does

492
00:24:13,000 --> 00:24:13,520
Speaker 3: is ear right.

493
00:24:13,600 --> 00:24:16,720
Speaker 2: That was like two episodes ago. Totally. I worry about

494
00:24:16,760 --> 00:24:18,280
Speaker 2: you guys. Yeah you should.

495
00:24:19,640 --> 00:24:23,320
Speaker 1: Then we go to the Outdoor Cafe, which is this

496
00:24:23,560 --> 00:24:26,399
Speaker 1: was exciting. We were somewhere new. Were you excited about?

497
00:24:26,359 --> 00:24:27,320
Speaker 1: Where were we?

498
00:24:27,600 --> 00:24:28,199
Speaker 2: Oh? God?

499
00:24:28,480 --> 00:24:29,680
Speaker 3: I was trying so hard.

500
00:24:29,720 --> 00:24:32,199
Speaker 2: It felt like one of those did you do the coordinates?

501
00:24:32,240 --> 00:24:34,080
Speaker 2: Did you find you look on your website, but.

502
00:24:34,119 --> 00:24:36,600
Speaker 4: Like if somebody could look maybe on the nine O

503
00:24:36,720 --> 00:24:38,240
Speaker 4: two one zero locations.

504
00:24:38,840 --> 00:24:43,400
Speaker 1: I needed to know outdoor cafe. Well, it's somewhere we've

505
00:24:43,440 --> 00:24:45,639
Speaker 1: never seen it. I couldn't quite put it together either,

506
00:24:45,760 --> 00:24:49,480
Speaker 1: But then I saw an AMC like in the background,

507
00:24:50,280 --> 00:24:53,360
Speaker 1: so then I realized, I think that was done at

508
00:24:53,560 --> 00:25:00,439
Speaker 1: the Santa Monica promenade. Like on Fourth Street, the old one. Yeah,

509
00:25:00,640 --> 00:25:02,800
Speaker 1: before they like for it was like the Georgia.

510
00:25:04,560 --> 00:25:07,000
Speaker 4: Makes sense because if you were shooting in Santa Monica,

511
00:25:07,040 --> 00:25:08,880
Speaker 4: maybe they're like, do you know what I mean? At

512
00:25:08,880 --> 00:25:10,720
Speaker 4: the medical center, maybe they were like, hey, let's be

513
00:25:10,760 --> 00:25:11,520
Speaker 4: smart about this.

514
00:25:12,400 --> 00:25:16,240
Speaker 1: That's yes, Yes, she's being like a producer one permit.

515
00:25:19,240 --> 00:25:21,800
Speaker 1: So Kelly meets her mom and Steve there. They try

516
00:25:21,840 --> 00:25:25,040
Speaker 1: to Convincess to meet the guy with a good reputation

517
00:25:25,880 --> 00:25:27,200
Speaker 1: in the modeling business, and.

518
00:25:27,119 --> 00:25:30,399
Speaker 4: Steve was cute, Oh is cute? Smarmy like is he

519
00:25:30,440 --> 00:25:31,800
Speaker 4: gonna want money out of this?

520
00:25:31,920 --> 00:25:32,439
Speaker 3: But cute?

521
00:25:33,320 --> 00:25:33,560
Speaker 2: Yeah?

522
00:25:33,680 --> 00:25:35,280
Speaker 1: I think she says, what do you want to this?

523
00:25:35,320 --> 00:25:36,840
Speaker 1: And he's like, I just want.

524
00:25:36,640 --> 00:25:39,880
Speaker 3: To part of this whole scene.

525
00:25:40,119 --> 00:25:43,800
Speaker 2: Do you guys know when they walk away, yes, and he.

526
00:25:43,800 --> 00:25:47,280
Speaker 4: Kisses her cheek and it's almost like you're so playful

527
00:25:47,320 --> 00:25:48,879
Speaker 4: and it's sort of like you didn't even care if

528
00:25:48,880 --> 00:25:50,000
Speaker 4: you're still on camera or not.

529
00:25:51,040 --> 00:25:52,520
Speaker 3: So freaking cute.

530
00:25:52,600 --> 00:25:55,440
Speaker 2: I think I pushed him away or something. You get away.

531
00:25:55,480 --> 00:25:59,520
Speaker 4: It's so freaking cute. Like that was a great That

532
00:25:59,600 --> 00:26:01,520
Speaker 4: was a great whole All of this is good.

533
00:26:02,200 --> 00:26:03,000
Speaker 2: They we're going to go.

534
00:26:02,960 --> 00:26:05,920
Speaker 1: Back to Ray's house where Luanne shows Ray her spiffy

535
00:26:05,920 --> 00:26:09,560
Speaker 1: little outfit for the show, which I liked, and he

536
00:26:09,600 --> 00:26:11,440
Speaker 1: tells her she's a tad bit overdressed.

537
00:26:12,240 --> 00:26:13,280
Speaker 3: It was very nineties.

538
00:26:14,880 --> 00:26:17,000
Speaker 2: She doesn't get much, No, she doesn't.

539
00:26:17,480 --> 00:26:21,440
Speaker 1: It was I liked the matchingess of the tipatedness, and.

540
00:26:21,400 --> 00:26:22,560
Speaker 3: I think she's already drinking.

541
00:26:23,160 --> 00:26:25,760
Speaker 1: And yeah that's the thing, he says, whoa when did

542
00:26:25,760 --> 00:26:29,560
Speaker 1: that start again? Yeah, so we can see that. You know,

543
00:26:29,800 --> 00:26:32,600
Speaker 1: this is something he's definitely dealt with all his life.

544
00:26:32,600 --> 00:26:36,800
Speaker 1: Probably is is his mom's drinking. And she really downplays it.

545
00:26:37,880 --> 00:26:41,400
Speaker 2: Yeah, it's just you can tell resh.

546
00:26:41,480 --> 00:26:43,679
Speaker 1: Yeah, you can tell he's really not cool with it,

547
00:26:43,720 --> 00:26:45,040
Speaker 1: and he knows what's going to happen.

548
00:26:45,240 --> 00:26:47,080
Speaker 2: Yeah, he's seen it before.

549
00:26:48,640 --> 00:26:50,840
Speaker 1: Back at the cafe, Kelly and Steve walk out of

550
00:26:50,880 --> 00:26:54,680
Speaker 1: the meeting feeling super optimistic about her modeling career. Yeah,

551
00:26:54,720 --> 00:26:59,200
Speaker 1: it was great, and then they spot Dana.

552
00:26:58,840 --> 00:27:02,719
Speaker 4: The magazines stand don't gloss over the two kids that

553
00:27:02,800 --> 00:27:03,400
Speaker 4: say is.

554
00:27:03,359 --> 00:27:06,120
Speaker 1: The sorry, Well, do you know who the two kids are? Right,

555
00:27:06,680 --> 00:27:09,160
Speaker 1: they're the same two kids that are always on our show.

556
00:27:10,840 --> 00:27:11,600
Speaker 2: Her producers.

557
00:27:14,000 --> 00:27:18,040
Speaker 1: Yes, there was the Rosen kids. And then Chuck Rosen's

558
00:27:18,040 --> 00:27:26,000
Speaker 1: wife Karen was is Dana Alison's member, Dana Alison's girlfriend,

559
00:27:26,040 --> 00:27:26,720
Speaker 1: the girl got burned.

560
00:27:26,720 --> 00:27:27,720
Speaker 2: This is her can friend? Wait?

561
00:27:27,840 --> 00:27:32,119
Speaker 1: This is Dana's her. Dana's girlfriend is now Chuck Rosen's wife. No,

562
00:27:32,720 --> 00:27:36,000
Speaker 1: the lover, her lover, Her lover is Chuck Rosen's wife, the.

563
00:27:35,920 --> 00:27:38,280
Speaker 3: One that owns the house or lives at the house

564
00:27:38,320 --> 00:27:38,640
Speaker 3: with her.

565
00:27:39,200 --> 00:27:43,840
Speaker 2: No, that is oh my god, And I missed that.

566
00:27:44,160 --> 00:27:46,200
Speaker 1: Really, I don't know, because there's a whole nother scene

567
00:27:46,200 --> 00:27:47,240
Speaker 1: where she talks a lot.

568
00:27:47,520 --> 00:27:48,720
Speaker 3: Wait, she's amazing.

569
00:27:48,880 --> 00:27:53,280
Speaker 4: Okay, that's okay, very good stuff here, okay, And I

570
00:27:53,320 --> 00:27:54,359
Speaker 4: have wondered where.

571
00:27:54,080 --> 00:27:55,640
Speaker 2: That all was shot.

572
00:27:55,920 --> 00:27:59,720
Speaker 1: I think the promenade that's starting to make sense because

573
00:27:59,720 --> 00:28:02,240
Speaker 1: they have this is way before Third Street was Third Street.

574
00:28:02,240 --> 00:28:04,280
Speaker 1: They didn't even have that magazine stand there anymore.

575
00:28:04,920 --> 00:28:06,840
Speaker 3: No, first of all, you know all the magazine stands

576
00:28:06,840 --> 00:28:07,719
Speaker 3: are like all now.

577
00:28:07,760 --> 00:28:08,399
Speaker 2: It's so sad.

578
00:28:08,560 --> 00:28:12,320
Speaker 1: I think there's one studio city. I think that's on

579
00:28:12,480 --> 00:28:17,199
Speaker 1: Lorc Canyon, the one by Whole Food's gone, so sad. AnyWho,

580
00:28:18,119 --> 00:28:21,639
Speaker 1: Kelly apologizes to Dana, who she sees there and says,

581
00:28:22,040 --> 00:28:24,479
Speaker 1: I'm so sorry for not answering her calls, and asks

582
00:28:24,480 --> 00:28:29,480
Speaker 1: how Alison is doing, and Dana pretty much blows her off,

583
00:28:29,520 --> 00:28:34,760
Speaker 1: walks away, Yeah and uncomfs. Yeah, something's going down there.

584
00:28:35,320 --> 00:28:38,960
Speaker 1: Obviously they've broken up because she's all handy handy with

585
00:28:39,080 --> 00:28:46,400
Speaker 1: the yeah. Yeah so yeah. Peach Pit after Dark, where

586
00:28:46,480 --> 00:28:48,920
Speaker 1: Ray is getting ready for his show and he spots

587
00:28:48,960 --> 00:28:51,640
Speaker 1: his mom getting even more drunk at the bottom.

588
00:28:51,360 --> 00:28:57,040
Speaker 4: Donna looking hot in the black yep, the little black.

589
00:28:57,160 --> 00:28:59,480
Speaker 1: Every shirt now is a bit is a tummy shower?

590
00:29:00,920 --> 00:29:01,160
Speaker 2: Yes?

591
00:29:01,520 --> 00:29:05,120
Speaker 1: Yeah, forbidden to not where? Yeah, everything has to be

592
00:29:05,160 --> 00:29:11,520
Speaker 1: showing the tom tum. Listen, I don't blame you. What happens?

593
00:29:11,560 --> 00:29:13,959
Speaker 2: What happens? Valerie tries to cut Luanne off.

594
00:29:14,320 --> 00:29:16,760
Speaker 4: Oh yeah, so that was This was a good scene.

595
00:29:17,080 --> 00:29:19,960
Speaker 4: So first Ray, Donna thinks Ray should eat something. It's

596
00:29:19,960 --> 00:29:22,800
Speaker 4: gonna be a big night. And then Ray's like, I

597
00:29:22,840 --> 00:29:24,680
Speaker 4: just want my mom out of here, and Donna's like,

598
00:29:24,720 --> 00:29:25,480
Speaker 4: I don't want to do it.

599
00:29:25,800 --> 00:29:27,680
Speaker 3: And then she orders another drink and did you see

600
00:29:27,840 --> 00:29:32,160
Speaker 3: Valerie gives the hand to the bartender. No cut her

601
00:29:32,200 --> 00:29:33,640
Speaker 3: off because.

602
00:29:33,440 --> 00:29:35,880
Speaker 1: She's the boss, she's the owner, she's the big wig there.

603
00:29:36,000 --> 00:29:39,560
Speaker 3: Yeah, and then it got awkward with the mom.

604
00:29:39,680 --> 00:29:43,280
Speaker 1: And then Valerie says, David and Clara will take you home.

605
00:29:45,200 --> 00:29:47,400
Speaker 1: Why are they there to are they there to do whatever?

606
00:29:47,480 --> 00:29:50,760
Speaker 1: Valerie says, they don't have calves in this era, there

607
00:29:50,800 --> 00:29:53,360
Speaker 1: was no uber Nope.

608
00:29:53,960 --> 00:29:56,440
Speaker 3: No, yeah, I guess, I guess. Yeah. They just work

609
00:29:56,520 --> 00:29:57,960
Speaker 3: for her. So they're going to take her home, and

610
00:29:57,960 --> 00:29:59,800
Speaker 3: then then they're really carrying her out.

611
00:30:00,600 --> 00:30:02,200
Speaker 2: She's really drunk.

612
00:30:02,280 --> 00:30:04,720
Speaker 1: She can't even walk at this point, which is a

613
00:30:04,760 --> 00:30:08,040
Speaker 1: little odd for a woman of her age and her

614
00:30:08,160 --> 00:30:11,920
Speaker 1: history with you know, alcohol consumption. She could probably handle

615
00:30:11,920 --> 00:30:13,920
Speaker 1: her booze a little bit better than that, I'm just saying.

616
00:30:15,200 --> 00:30:17,200
Speaker 2: But David and Claire to carry her out.

617
00:30:17,000 --> 00:30:22,000
Speaker 1: To the car, you know, the yep, and she spills

618
00:30:22,040 --> 00:30:22,840
Speaker 1: the beans.

619
00:30:23,240 --> 00:30:26,680
Speaker 3: And as David's buckling her in respect that we're all

620
00:30:26,680 --> 00:30:30,840
Speaker 3: wearing seat belts now, and she spills the.

621
00:30:30,680 --> 00:30:36,800
Speaker 1: Bees, and Claire says in vino veritas, oh yeah, She's like,

622
00:30:36,920 --> 00:30:42,800
Speaker 1: it's Latin dipshit. But they agree not to say anything

623
00:30:43,120 --> 00:30:48,280
Speaker 1: about this new bombshell that Leu Anne just dropped because

624
00:30:48,320 --> 00:30:49,320
Speaker 1: they want to protect Anna.

625
00:30:49,880 --> 00:30:53,560
Speaker 3: Would you say something if you had heard.

626
00:30:53,680 --> 00:30:55,520
Speaker 1: I think I would be like I would trump probably

627
00:30:55,560 --> 00:31:00,360
Speaker 1: handle it like Claire, just like ease into it, not

628
00:31:00,520 --> 00:31:02,360
Speaker 1: just go in there and blurt it out like you know,

629
00:31:03,120 --> 00:31:05,120
Speaker 1: like she probably wanted to, Like I would have wanted

630
00:31:05,120 --> 00:31:06,920
Speaker 1: to be like, oh my god, I'm gonna kick his

631
00:31:07,000 --> 00:31:07,560
Speaker 1: ass or whatever.

632
00:31:08,200 --> 00:31:12,160
Speaker 4: I don't think that said something up, but I would

633
00:31:12,320 --> 00:31:12,840
Speaker 4: say it.

634
00:31:12,800 --> 00:31:18,800
Speaker 2: To Valerie, right, but even a credible source exactly so,

635
00:31:19,640 --> 00:31:22,600
Speaker 2: and she's wasted, so they don't know it could be.

636
00:31:23,240 --> 00:31:25,320
Speaker 1: But I feel like they really do believe her because

637
00:31:25,360 --> 00:31:28,680
Speaker 1: then in a little bit we'll get to a David

638
00:31:28,680 --> 00:31:32,440
Speaker 1: axe on it. So, Okay, you want to go to

639
00:31:32,520 --> 00:31:35,840
Speaker 1: Charlie's house and hear about how no it's Dylan's house,

640
00:31:35,880 --> 00:31:37,520
Speaker 1: but you want to go and hear how Charlie wants

641
00:31:37,520 --> 00:31:38,200
Speaker 1: to have a threesome.

642
00:31:38,840 --> 00:31:44,760
Speaker 2: Not really do we have to? Don't want to hear that? Yeah,

643
00:31:44,880 --> 00:32:00,600
Speaker 2: I had to read it. I can't see it. So

644
00:32:00,720 --> 00:32:02,240
Speaker 2: he wants to have a threesome with Valerie.

645
00:32:02,280 --> 00:32:06,400
Speaker 1: And then and then Dylan say, you know, then Charlie

646
00:32:06,400 --> 00:32:09,280
Speaker 1: tells Dylan to go after Kelly if he wants her

647
00:32:09,320 --> 00:32:11,360
Speaker 1: so bad, or bring her over for a threesome.

648
00:32:14,080 --> 00:32:14,720
Speaker 3: That was important.

649
00:32:14,760 --> 00:32:20,040
Speaker 1: That was important, Yeah, because it kind of shows again

650
00:32:20,280 --> 00:32:23,080
Speaker 1: they're just kind of like really bringing it home that

651
00:32:23,160 --> 00:32:25,280
Speaker 1: Dylan's still struggling well.

652
00:32:25,200 --> 00:32:27,800
Speaker 4: And it builds us up to what's coming, one of

653
00:32:27,840 --> 00:32:30,640
Speaker 4: the most iconic phrases in all of nine O two

654
00:32:30,680 --> 00:32:35,200
Speaker 4: one ohero not chet, I know, but we're it's getting

655
00:32:35,240 --> 00:32:36,240
Speaker 4: us getting there.

656
00:32:37,040 --> 00:32:41,040
Speaker 1: In Sacramento, Brandon and Kelly are on the phone. Oh

657
00:32:41,040 --> 00:32:44,080
Speaker 1: he's sweet, he's gone, you know, that's how he should be.

658
00:32:44,160 --> 00:32:46,160
Speaker 1: After his work is complete, he goes back to his

659
00:32:46,240 --> 00:32:47,280
Speaker 1: room and calls his girlfriend.

660
00:32:47,480 --> 00:32:48,920
Speaker 4: And you know what we didn't talk about that I

661
00:32:48,960 --> 00:32:51,960
Speaker 4: want to briefly talk about is the scene where when

662
00:32:52,080 --> 00:32:55,120
Speaker 4: Kelly storms it off and she goes outside and Brandon

663
00:32:55,160 --> 00:32:58,720
Speaker 4: goes after her and they can't they have that.

664
00:32:59,320 --> 00:33:04,000
Speaker 3: You know, he said, I don't care about your scars, like.

665
00:33:05,080 --> 00:33:07,240
Speaker 4: Forgot about that there's and he sort of makes some

666
00:33:07,320 --> 00:33:10,400
Speaker 4: sort of a sixteen seventeen eighteen. I don't I don't

667
00:33:10,400 --> 00:33:12,160
Speaker 4: even understand what that was, but I kind of.

668
00:33:12,360 --> 00:33:15,000
Speaker 1: It was being sweets, being so cute.

669
00:33:15,440 --> 00:33:20,680
Speaker 3: And then they have that kiss, a very romantic, dramatic kiss,

670
00:33:21,800 --> 00:33:25,960
Speaker 3: and they have each other. Yeah, they do for now,

671
00:33:25,120 --> 00:33:25,440
Speaker 3: for now.

672
00:33:27,320 --> 00:33:29,520
Speaker 1: And Kelly tells him then that she wants to go

673
00:33:29,640 --> 00:33:31,560
Speaker 1: visit Alison at the burn clinic.

674
00:33:31,880 --> 00:33:34,840
Speaker 3: So back at the peach Bit, David and Claire are.

675
00:33:34,560 --> 00:33:39,120
Speaker 1: Sweety okay, good, you should go.

676
00:33:39,320 --> 00:33:42,000
Speaker 3: No, you shouldn't. You should go, Like he's just gonna

677
00:33:42,000 --> 00:33:45,160
Speaker 3: do whatever she wants, right, Well, I should go, and

678
00:33:45,160 --> 00:33:48,040
Speaker 3: he's like you should. Oh maybe I don't want to.

679
00:33:48,080 --> 00:33:49,120
Speaker 3: You shouldn't, don't go.

680
00:33:49,400 --> 00:33:51,160
Speaker 2: Yeah. It was cute.

681
00:33:51,200 --> 00:33:53,760
Speaker 1: He's like, I'm gonna say the right thing, right no

682
00:33:53,800 --> 00:33:54,120
Speaker 1: matter what.

683
00:33:54,320 --> 00:33:56,960
Speaker 3: Yeah, okay, sorry, continued.

684
00:33:56,640 --> 00:34:00,400
Speaker 1: David and Claire disgusted when they see Valerie, Donn and

685
00:34:00,520 --> 00:34:05,120
Speaker 1: Ray posing for their picture together at the Peapad and

686
00:34:05,160 --> 00:34:09,560
Speaker 1: it's just so it's so stilted, like it's so up,

687
00:34:09,600 --> 00:34:10,040
Speaker 1: you know.

688
00:34:10,560 --> 00:34:15,640
Speaker 2: Kiss him, kiss him? That was that was yeah.

689
00:34:15,719 --> 00:34:17,960
Speaker 3: Oh we never talked about the jumping out of the car.

690
00:34:18,080 --> 00:34:18,920
Speaker 3: I really liked this.

691
00:34:19,480 --> 00:34:22,200
Speaker 2: Oh my god, please.

692
00:34:21,320 --> 00:34:24,280
Speaker 4: In this earlier scene when they pull up in the scene,

693
00:34:24,280 --> 00:34:27,440
Speaker 4: I liked with the direction and then the two girls

694
00:34:27,480 --> 00:34:29,520
Speaker 4: have to sort of be bop out of the back

695
00:34:29,600 --> 00:34:31,960
Speaker 4: and then don't worry, you know.

696
00:34:32,040 --> 00:34:34,479
Speaker 1: I kind of love that you were Like. I could

697
00:34:34,480 --> 00:34:36,400
Speaker 1: tell Donna was in for a she was in for

698
00:34:36,400 --> 00:34:40,120
Speaker 1: a good time tonight. She was ready to like, yeah.

699
00:34:40,160 --> 00:34:46,560
Speaker 3: She had Jeemy for Crop Code and she was extra sassy,

700
00:34:47,360 --> 00:34:50,480
Speaker 3: very sassy. I loved. Yeah, we're going on a double date.

701
00:34:50,560 --> 00:34:53,200
Speaker 1: Yeah, that was a lot. That was more Tory than Donna.

702
00:34:54,400 --> 00:34:56,799
Speaker 2: It was like, yeah, she comes.

703
00:34:58,440 --> 00:35:00,520
Speaker 4: Sorry, I'm jumping around so much because I'm forgetting all

704
00:35:00,520 --> 00:35:02,600
Speaker 4: the nuggets. I was going to give this a low

705
00:35:02,680 --> 00:35:05,400
Speaker 4: score for some reason when I went to bed less.

706
00:35:05,680 --> 00:35:06,400
Speaker 1: Then you've changed.

707
00:35:08,800 --> 00:35:10,120
Speaker 3: I mean a low score for me is like I

708
00:35:10,120 --> 00:35:12,880
Speaker 3: was gonna give it an eight, but now it's.

709
00:35:12,680 --> 00:35:14,799
Speaker 1: Really what'd you give last week's episode of.

710
00:35:14,719 --> 00:35:19,480
Speaker 3: Two two I did not care for squash it and

711
00:35:19,560 --> 00:35:22,799
Speaker 3: thanks to the people that also chimed in on Instagram

712
00:35:22,800 --> 00:35:24,200
Speaker 3: that also did not care.

713
00:35:24,040 --> 00:35:26,719
Speaker 2: For it, they didn't like it either. You never tell

714
00:35:26,800 --> 00:35:28,520
Speaker 2: us what they say.

715
00:35:28,920 --> 00:35:30,600
Speaker 4: Oh they got there. I mean there's a few people

716
00:35:30,680 --> 00:35:32,520
Speaker 4: that liked squash it. I can't remember, was squash it

717
00:35:32,560 --> 00:35:33,319
Speaker 4: last week or was that?

718
00:35:33,520 --> 00:35:36,480
Speaker 3: Yes? Okay, yeah, a few people liked squash it, but

719
00:35:37,560 --> 00:35:38,160
Speaker 3: not so much.

720
00:35:39,000 --> 00:35:43,719
Speaker 1: Some people don't care for Squashuh. Then Kelly drives to

721
00:35:43,840 --> 00:35:48,840
Speaker 1: clairemont air Right to visit Alison, only to be turned away.

722
00:35:49,000 --> 00:35:50,280
Speaker 3: By the nurse.

723
00:35:50,280 --> 00:35:51,440
Speaker 2: She just wanted to talk to her.

724
00:35:51,520 --> 00:35:54,640
Speaker 3: I want to see you, which I saw that coming.

725
00:35:55,560 --> 00:35:57,839
Speaker 1: The little boy that came in and sat next to her,

726
00:35:57,840 --> 00:36:00,560
Speaker 1: and that's what was the significant.

727
00:36:00,080 --> 00:36:02,280
Speaker 3: So that was he I thought maybe he was burned.

728
00:36:02,360 --> 00:36:05,319
Speaker 1: He was a burn victim also, Yeah, and it just

729
00:36:05,400 --> 00:36:07,040
Speaker 1: kind of like made her feel did he talk?

730
00:36:07,880 --> 00:36:08,520
Speaker 2: No?

731
00:36:08,840 --> 00:36:10,759
Speaker 3: Yeah, I was sort of expecting them to have a

732
00:36:10,760 --> 00:36:11,560
Speaker 3: moment and then.

733
00:36:12,160 --> 00:36:14,120
Speaker 2: Maybe that got cut just one of her own.

734
00:36:15,400 --> 00:36:17,440
Speaker 3: Yeah, yeah, fellow burn victim.

735
00:36:18,320 --> 00:36:25,520
Speaker 1: And then Kelly goes to visit Alison's ex girlfriend Dana. Yeah,

736
00:36:26,400 --> 00:36:26,920
Speaker 1: how does she know.

737
00:36:26,920 --> 00:36:27,560
Speaker 2: Where she lives?

738
00:36:27,760 --> 00:36:28,879
Speaker 3: It's Chuck Rosen's wife.

739
00:36:29,840 --> 00:36:33,799
Speaker 1: How does she know where they live? These things I

740
00:36:33,880 --> 00:36:41,080
Speaker 1: never discussed. I guess, Okay, well pages she doesn't even

741
00:36:41,120 --> 00:36:42,400
Speaker 1: know her last name, though.

742
00:36:42,280 --> 00:36:47,600
Speaker 3: She finds it, just like Martin McFly found her. Yeah.

743
00:36:48,600 --> 00:36:49,600
Speaker 2: Yeah.

744
00:36:49,640 --> 00:36:53,920
Speaker 1: And then she shares some time with Dana's new girlfriend,

745
00:36:54,000 --> 00:36:58,840
Speaker 1: Kate played by Karen Rosen So and also I enjoyed

746
00:36:58,840 --> 00:37:03,359
Speaker 1: her performance. She was very soft on, combative and very

747
00:37:03,440 --> 00:37:06,040
Speaker 1: level headed as the new girlfriend. I really enjoyed it.

748
00:37:06,080 --> 00:37:07,160
Speaker 1: I thought she did a great job.

749
00:37:07,320 --> 00:37:09,120
Speaker 3: Ye had a couple of snarks.

750
00:37:09,520 --> 00:37:13,239
Speaker 4: This episode had some snarkiness, which I'm here for it

751
00:37:13,920 --> 00:37:16,120
Speaker 4: because remember she's like, do you want the villium now

752
00:37:16,200 --> 00:37:18,359
Speaker 4: or whatever it was, do you want that tranquilizer now?

753
00:37:18,560 --> 00:37:22,200
Speaker 2: Yeah? She had some cute little like sarcasm.

754
00:37:23,600 --> 00:37:28,600
Speaker 1: And then she tells Kelly that Alison dumped Dana, because

755
00:37:28,760 --> 00:37:33,560
Speaker 1: Alison is in love with Kelly dumped the twist. When

756
00:37:33,640 --> 00:37:34,879
Speaker 1: did that happen.

757
00:37:36,360 --> 00:37:38,719
Speaker 3: In the bathroom? We knew it because remember you two

758
00:37:38,760 --> 00:37:39,840
Speaker 3: were supposed to kiss.

759
00:37:41,000 --> 00:37:43,920
Speaker 2: Wait where there was a kiss? You know, They're like,

760
00:37:44,200 --> 00:37:47,000
Speaker 2: we're gonna die, so we might as well kiss kiss there.

761
00:37:47,480 --> 00:37:49,560
Speaker 1: If I was dying, I would not be like, let

762
00:37:49,640 --> 00:37:50,720
Speaker 1: me kiss a strange girl.

763
00:37:51,360 --> 00:37:52,880
Speaker 2: She told us.

764
00:37:53,080 --> 00:37:57,080
Speaker 3: There was there was a kiss or something and maybe

765
00:37:57,120 --> 00:38:01,239
Speaker 3: it's coming. I don't know anyway going she said the

766
00:38:01,320 --> 00:38:05,360
Speaker 3: kiss was cut right, Yeah, yeah, I don't remember prison out, like,

767
00:38:05,400 --> 00:38:08,279
Speaker 3: I don't know if they ever even got shot. I

768
00:38:08,280 --> 00:38:09,920
Speaker 3: feel like Jenny would maybe remember that.

769
00:38:11,000 --> 00:38:15,920
Speaker 1: Yeah, chances are slim doubtful. Okay, So back at Ray's house,

770
00:38:17,360 --> 00:38:20,160
Speaker 1: David confronts Ray. This is what I'm talking about. He

771
00:38:20,239 --> 00:38:23,920
Speaker 1: drives up on him and says, yo, bro, yeah, I

772
00:38:23,960 --> 00:38:32,959
Speaker 1: know what you did last summer, and he walks away

773
00:38:32,960 --> 00:38:33,600
Speaker 1: and he says, but.

774
00:38:33,600 --> 00:38:37,000
Speaker 2: I'm watching you. Yeah, And I felt real intimidated.

775
00:38:38,320 --> 00:38:40,200
Speaker 3: I'm glad they said it, though, because I don't want

776
00:38:40,200 --> 00:38:42,680
Speaker 3: to deal with the like Three's company of it, you

777
00:38:42,680 --> 00:38:43,719
Speaker 3: know how I always hate that.

778
00:38:44,200 --> 00:38:47,839
Speaker 4: Yeah, they understanding, like I don't want them knowing and

779
00:38:47,920 --> 00:38:50,120
Speaker 4: not telling Ray be so annoying.

780
00:38:50,360 --> 00:38:53,480
Speaker 3: It's like, tell him, yeah, start to get a.

781
00:38:54,000 --> 00:38:59,520
Speaker 1: Good expert friend friend, move on David's part, and then

782
00:38:59,719 --> 00:39:05,320
Speaker 1: ray el a his mom's his mom for telling on him?

783
00:39:06,400 --> 00:39:09,000
Speaker 3: He really, what did you tell them?

784
00:39:09,520 --> 00:39:11,320
Speaker 1: Yeah?

785
00:39:11,360 --> 00:39:14,600
Speaker 2: I get scared in that house, crazy goes down in there.

786
00:39:14,760 --> 00:39:16,399
Speaker 3: Yeah, I'm like that was a lot.

787
00:39:16,719 --> 00:39:19,080
Speaker 1: But I also noticed in that in that house that

788
00:39:19,120 --> 00:39:22,880
Speaker 1: they're shooting at as Ray's house, that's a real house

789
00:39:22,920 --> 00:39:24,680
Speaker 1: and it had, you know, it had all like the

790
00:39:24,719 --> 00:39:28,360
Speaker 1: real grime that you would have in a house that's

791
00:39:28,600 --> 00:39:31,840
Speaker 1: been used and not probably taken the best care of.

792
00:39:32,719 --> 00:39:36,640
Speaker 1: Like all the walls were a little dirty pood.

793
00:39:37,520 --> 00:39:37,920
Speaker 3: Hikes.

794
00:39:38,080 --> 00:39:40,000
Speaker 2: Yeah, I get it.

795
00:39:40,239 --> 00:39:46,760
Speaker 1: Good set agree Valerie's office. Claire confronts Valerie. So David's

796
00:39:46,800 --> 00:39:50,279
Speaker 1: doing his part and happy about yep. She warns her

797
00:39:50,360 --> 00:39:54,600
Speaker 1: to stay away from Ray. I don't know if Andre

798
00:39:54,760 --> 00:39:58,200
Speaker 1: is gonna I mean, if Valerie's who's why is Andre there?

799
00:39:58,360 --> 00:40:00,239
Speaker 1: I don't know Valeries going to respec.

800
00:40:00,080 --> 00:40:03,359
Speaker 2: Back to that. No, she'll do whatever she wants.

801
00:40:03,400 --> 00:40:11,840
Speaker 1: She's probably not afraid of Claire, right, No, but she

802
00:40:12,000 --> 00:40:12,799
Speaker 1: just seems so.

803
00:40:14,200 --> 00:40:15,880
Speaker 3: I don't know, it just adds to her sort of

804
00:40:15,920 --> 00:40:21,160
Speaker 3: being the oh like, oh, man, you know what I

805
00:40:21,200 --> 00:40:21,800
Speaker 3: mean again?

806
00:40:22,239 --> 00:40:22,520
Speaker 2: Yep.

807
00:40:23,280 --> 00:40:25,600
Speaker 1: We go back to the Purple House, I mean Andrea's house,

808
00:40:25,600 --> 00:40:28,160
Speaker 1: where Jesse tells Andrea that he turned down the job

809
00:40:28,280 --> 00:40:30,840
Speaker 1: because there was no medical school for her there.

810
00:40:32,200 --> 00:40:34,400
Speaker 2: That was cool, that was cool.

811
00:40:35,200 --> 00:40:39,239
Speaker 1: Yeah, very good because she's got to move with him, and.

812
00:40:39,480 --> 00:40:42,440
Speaker 3: Yeah, us up for what's gonna happen.

813
00:40:43,280 --> 00:40:44,120
Speaker 2: Don't tell me, don't tell me?

814
00:40:44,160 --> 00:40:44,839
Speaker 1: Okay, did you.

815
00:40:44,840 --> 00:40:45,600
Speaker 3: Literally not know?

816
00:40:45,920 --> 00:40:47,200
Speaker 2: I literally do not know.

817
00:40:47,320 --> 00:40:50,080
Speaker 1: How many times do I have to tell you?

818
00:40:49,320 --> 00:40:49,520
Speaker 2: You know?

819
00:40:50,719 --> 00:40:53,680
Speaker 1: Well, I know because Jesse isn't on the show anymore,

820
00:40:53,719 --> 00:40:54,280
Speaker 1: so right.

821
00:40:54,160 --> 00:40:55,759
Speaker 3: You know, they leave, but you don't know where they go.

822
00:40:56,280 --> 00:40:58,400
Speaker 2: She keeps saying Jesse, like she's not sure there's two

823
00:40:58,440 --> 00:40:59,040
Speaker 2: people leaving.

824
00:41:00,000 --> 00:41:04,040
Speaker 1: Oh sorry, oh my god. Okay, yeah, that's coming. Now

825
00:41:04,080 --> 00:41:05,799
Speaker 1: you've told me, and now I remember a little bit.

826
00:41:06,920 --> 00:41:08,840
Speaker 1: We go to the Beach House, where Kelly gets a

827
00:41:08,840 --> 00:41:11,640
Speaker 1: call from Alison, who apologizes for not letting her in

828
00:41:11,680 --> 00:41:12,520
Speaker 1: the hospital room.

829
00:41:12,600 --> 00:41:14,240
Speaker 3: Shot only by the eyes.

830
00:41:15,880 --> 00:41:17,200
Speaker 2: That was dramatic.

831
00:41:19,120 --> 00:41:22,279
Speaker 1: It's like a slow creep up on her back, like

832
00:41:22,320 --> 00:41:25,200
Speaker 1: you can't see her, it's dark. You see her eyes

833
00:41:25,239 --> 00:41:30,080
Speaker 1: and you're like, oh, things must be bad, poor baby.

834
00:41:30,200 --> 00:41:33,400
Speaker 1: She makes Kelly promise to come see her face in

835
00:41:33,480 --> 00:41:39,280
Speaker 1: a month after her last skin graft, and Kelly promises,

836
00:41:41,440 --> 00:41:43,240
Speaker 1: So I guess she's going back to Claremont.

837
00:41:43,520 --> 00:41:45,359
Speaker 3: And then all of a sudden the episode was over.

838
00:41:46,080 --> 00:41:52,320
Speaker 1: Yeah, brostending. Whoa that was not before Kelly pulls off

839
00:41:52,680 --> 00:41:54,880
Speaker 1: her little mitten for Michael Jackson.

840
00:41:54,880 --> 00:41:59,319
Speaker 4: Mitton's getting a scene where she says she doesn't need

841
00:41:59,320 --> 00:42:00,480
Speaker 4: it anymore to Brandon.

842
00:42:02,360 --> 00:42:04,279
Speaker 3: Did I make that up? Or that you make that up?

843
00:42:04,320 --> 00:42:05,239
Speaker 2: She just takes it off.

844
00:42:05,760 --> 00:42:08,640
Speaker 3: I think she says to somebody, I don't need it anymore.

845
00:42:10,160 --> 00:42:13,800
Speaker 2: Sure, okay, I think it might. If not, it sounds

846
00:42:13,800 --> 00:42:14,359
Speaker 2: good right there.

847
00:42:14,360 --> 00:42:17,600
Speaker 1: So that would be about closing for the episode. That'd

848
00:42:17,600 --> 00:42:19,200
Speaker 1: be great, I feel okay.

849
00:42:19,239 --> 00:42:22,640
Speaker 4: So I had a weird situation with my paramount. Plus

850
00:42:24,040 --> 00:42:26,840
Speaker 4: the thing came up that said next episode starts in

851
00:42:26,920 --> 00:42:30,360
Speaker 4: twenty seven seconds or do you want to watch the credits?

852
00:42:30,560 --> 00:42:32,719
Speaker 4: And I'm like, this thing's not over. So I told

853
00:42:32,760 --> 00:42:36,120
Speaker 4: it to watch the credits. And I think there's another

854
00:42:36,239 --> 00:42:37,240
Speaker 4: scene that you.

855
00:42:37,120 --> 00:42:39,120
Speaker 3: Didn't get because you didn't.

856
00:42:38,880 --> 00:42:40,759
Speaker 1: Say went right to the next episode. I was like,

857
00:42:40,800 --> 00:42:42,239
Speaker 1: that is such a weird ending.

858
00:42:42,160 --> 00:42:45,920
Speaker 3: And I think there is a scene where happened. I think,

859
00:42:46,200 --> 00:42:48,040
Speaker 3: what do you mean did you watch it? Well? Yeah,

860
00:42:48,080 --> 00:42:49,880
Speaker 3: I mean it was last night, but I was so

861
00:42:50,080 --> 00:42:52,399
Speaker 3: befuddled by the weird thing coming up.

862
00:42:52,320 --> 00:42:55,120
Speaker 1: That I'm like, what, Yeah, it was, and I.

863
00:42:55,040 --> 00:42:57,840
Speaker 4: Think somehow she sees Brandon and he's like, you're not

864
00:42:57,880 --> 00:43:01,040
Speaker 4: wearing your bandage and she says I don't needed anymore,

865
00:43:02,000 --> 00:43:03,120
Speaker 4: and then and.

866
00:43:03,320 --> 00:43:05,000
Speaker 1: Seeing okay, well that would make more sense.

867
00:43:05,200 --> 00:43:06,319
Speaker 3: Yeah that's where I got.

868
00:43:06,360 --> 00:43:10,480
Speaker 2: That's weird, all of that, and then that's the end.

869
00:43:10,840 --> 00:43:15,080
Speaker 1: Yeah, well yeah she did say I don't need it anymore.

870
00:43:15,160 --> 00:43:17,040
Speaker 3: Els was acting crazy.

871
00:43:17,200 --> 00:43:19,040
Speaker 1: I know, I felt like I was missing something, and

872
00:43:19,040 --> 00:43:20,000
Speaker 1: thank you for confirming.

873
00:43:20,040 --> 00:43:24,280
Speaker 4: And also, this is a total sidebar speaking of Paramount Plus,

874
00:43:24,600 --> 00:43:27,399
Speaker 4: but they have this new show called ELL's Beeth and

875
00:43:27,600 --> 00:43:29,920
Speaker 4: it is so good. Right, Okay, So there was the

876
00:43:30,000 --> 00:43:32,160
Speaker 4: Good Fight and then there was The Good Wife.

877
00:43:32,160 --> 00:43:33,560
Speaker 3: Did you guys watch any of those shows?

878
00:43:34,040 --> 00:43:34,360
Speaker 2: Nope?

879
00:43:34,560 --> 00:43:36,680
Speaker 4: And then now there's the spin off, Elsbeth and they

880
00:43:36,760 --> 00:43:41,520
Speaker 4: premiered it a month ago and the episode was amazing, and.

881
00:43:41,360 --> 00:43:44,279
Speaker 3: We still don't have episode two. We have to wait

882
00:43:44,320 --> 00:43:45,120
Speaker 3: a whole other week.

883
00:43:45,239 --> 00:43:46,879
Speaker 4: Why would you premiere a show and then we make

884
00:43:46,960 --> 00:43:50,400
Speaker 4: me wait a month? Paramount Plus, I'm a little peeved

885
00:43:50,440 --> 00:43:50,799
Speaker 4: by that.

886
00:43:51,040 --> 00:43:54,240
Speaker 1: I think they feel like they're, you know, getting setting

887
00:43:54,320 --> 00:43:56,320
Speaker 1: the tone of like or building up city.

888
00:43:56,520 --> 00:43:59,000
Speaker 3: Yeah, maybe building up fans to come back.

889
00:43:59,040 --> 00:44:01,759
Speaker 4: But I'm like, check in for this thing every day

890
00:44:01,760 --> 00:44:03,720
Speaker 4: and then finally it's like April fourth.

891
00:44:04,200 --> 00:44:07,160
Speaker 1: I'm sorry Amy that that happened to you. Okay, we

892
00:44:07,239 --> 00:44:08,520
Speaker 1: get back to the show.

893
00:44:09,239 --> 00:44:10,759
Speaker 3: I loved this episode.

894
00:44:10,840 --> 00:44:12,160
Speaker 2: Now, well what do you give it?

895
00:44:12,160 --> 00:44:12,920
Speaker 1: What do you give it?

896
00:44:14,200 --> 00:44:15,839
Speaker 3: I was giving it an eight, but I think I'm

897
00:44:15,840 --> 00:44:17,160
Speaker 3: gonna give it a ninety two?

898
00:44:17,960 --> 00:44:19,000
Speaker 2: Whoa point two?

899
00:44:20,239 --> 00:44:23,880
Speaker 4: With all that truck drive the truck and the crazy

900
00:44:23,960 --> 00:44:27,319
Speaker 4: defender backing up and drunk lu Wayne, and all right,

901
00:44:27,400 --> 00:44:30,279
Speaker 4: you can give her whatever you are the shots in

902
00:44:30,400 --> 00:44:34,040
Speaker 4: Santa Monica or wherever you were at the restaurant.

903
00:44:33,560 --> 00:44:36,759
Speaker 2: Get for cars and for shots. She likes.

904
00:44:37,560 --> 00:44:41,000
Speaker 1: She likes the feeling of the whole episode, not just

905
00:44:41,000 --> 00:44:43,799
Speaker 1: like specifics. Yeah, what do you give it to her?

906
00:44:44,840 --> 00:44:46,520
Speaker 1: I feel like this is going to be like low

907
00:44:46,600 --> 00:44:48,040
Speaker 1: but not Okay.

908
00:44:47,840 --> 00:44:50,399
Speaker 2: I'm making it higher because I'm embarrassed. I feel bad.

909
00:44:51,000 --> 00:44:58,120
Speaker 2: A seven? Whoa you really jumped? Yeah? I was happy? Yeah, no,

910
00:44:58,719 --> 00:44:59,239
Speaker 2: I hear you.

911
00:44:59,719 --> 00:45:01,279
Speaker 3: I was happy to see all our gang.

912
00:45:01,600 --> 00:45:03,760
Speaker 2: Uh huh. Finally people back together.

913
00:45:03,960 --> 00:45:08,360
Speaker 3: Ish. Yeah, we didn't get everybody had a little m.

914
00:45:09,920 --> 00:45:10,160
Speaker 2: Yeah.

915
00:45:10,200 --> 00:45:14,040
Speaker 1: I didn't like the Dylan stuff. But I guess we're

916
00:45:14,040 --> 00:45:15,080
Speaker 1: working up to something.

917
00:45:16,000 --> 00:45:17,680
Speaker 2: You I don't want to see Charlie anymore.

918
00:45:17,719 --> 00:45:18,960
Speaker 3: You're not gonna like next week.

919
00:45:19,080 --> 00:45:20,399
Speaker 1: Is Charlie going to stay on it?

920
00:45:22,000 --> 00:45:23,640
Speaker 2: I feel like a bad influence.

921
00:45:23,719 --> 00:45:27,080
Speaker 1: I think he's a bad influence. Ye'll see that.

922
00:45:27,280 --> 00:45:29,480
Speaker 3: I think next week is referred to as some by

923
00:45:29,800 --> 00:45:32,400
Speaker 3: some as like the worst episode ever.

924
00:45:32,640 --> 00:45:36,640
Speaker 1: One of the worst episodes ever is coming. I'm so

925
00:45:36,760 --> 00:45:37,640
Speaker 1: excited for that.

926
00:45:37,760 --> 00:45:38,920
Speaker 3: Me too.

927
00:45:39,160 --> 00:45:41,880
Speaker 1: I'm going to give it like a seven to probably

928
00:45:41,880 --> 00:45:45,600
Speaker 1: a six, I don't know. Seven yeah, seven definitely.

929
00:45:46,800 --> 00:45:50,080
Speaker 2: Really not a good one. Good Yeah, no, it was.

930
00:45:50,120 --> 00:45:50,560
Speaker 3: You're right.

931
00:45:51,040 --> 00:45:54,560
Speaker 1: The next episode does anybody out there know? Is the

932
00:45:54,560 --> 00:45:58,160
Speaker 1: next episode? Episode twenty nine? The real McCoy it's the

933
00:45:58,400 --> 00:46:01,480
Speaker 1: Old West? Is that the worst episode on the series.

934
00:46:02,440 --> 00:46:04,040
Speaker 3: I don't think the worst of the series.

935
00:46:04,120 --> 00:46:06,440
Speaker 2: Some people thought the Old West one was the worst.

936
00:46:06,200 --> 00:46:10,880
Speaker 4: One, one of the bad ones. I for some reason,

937
00:46:10,880 --> 00:46:12,920
Speaker 4: my mind was really spinning. I think we jumped the shark,

938
00:46:13,120 --> 00:46:16,839
Speaker 4: not next season, but seven season seven is one. I

939
00:46:16,920 --> 00:46:19,279
Speaker 4: was for some reason my mind was spinning last night,

940
00:46:19,360 --> 00:46:22,520
Speaker 4: being like When does Luke leave? When does Jason lee? Like,

941
00:46:22,680 --> 00:46:23,680
Speaker 4: I just don't know why.

942
00:46:24,160 --> 00:46:27,399
Speaker 3: I think it's menopause because my brain's just going well.

943
00:46:27,480 --> 00:46:29,600
Speaker 1: I think it's better if you kind of have the

944
00:46:29,840 --> 00:46:32,080
Speaker 1: like mentality that I have, Like you've never seen it

945
00:46:32,120 --> 00:46:33,799
Speaker 1: and you don't know what's coming, and you don't have

946
00:46:33,800 --> 00:46:35,920
Speaker 1: any expectations and it's all going to be fun in

947
00:46:35,960 --> 00:46:36,560
Speaker 1: a surprise.

948
00:46:37,880 --> 00:46:39,960
Speaker 2: So just relax, Okay.

949
00:46:39,800 --> 00:46:42,680
Speaker 3: I always jump ahead. But it's fine. Good stuff, guys.

950
00:46:42,719 --> 00:46:47,520
Speaker 4: Good performances both of you in the episode, I mean fine,

951
00:46:47,600 --> 00:46:50,120
Speaker 4: fine performances in the podcast, but really good to them.

952
00:46:50,640 --> 00:46:55,200
Speaker 1: Thanks, Thanks, What do you give us Suffer Today podcast?

953
00:46:55,280 --> 00:46:57,880
Speaker 3: I'll give you a solid seven?

954
00:46:58,280 --> 00:47:02,200
Speaker 2: Whoa for us? She's harsh.

955
00:47:02,640 --> 00:47:06,080
Speaker 1: I like that though, fair, fair, fair.

956
00:47:07,000 --> 00:47:08,880
Speaker 3: That's anything else you guys want to share before we go,

957
00:47:09,160 --> 00:47:10,200
Speaker 3: I'm not ready to leave yet.

958
00:47:11,960 --> 00:47:17,399
Speaker 1: Happy Easter, hoppy Easter. Yeah, hope everybody had a nice

959
00:47:17,440 --> 00:47:18,400
Speaker 1: time with their families.

960
00:47:18,520 --> 00:47:23,080
Speaker 3: I found chocolate peeps the chocolates. The peep is like

961
00:47:23,360 --> 00:47:26,480
Speaker 3: they put the peep into the chocolate. What are you

962
00:47:27,280 --> 00:47:29,040
Speaker 3: I'll find I'll try and send you guys up.

963
00:47:29,040 --> 00:47:31,000
Speaker 2: Wait, like an.

964
00:47:30,880 --> 00:47:34,600
Speaker 1: Actual peep stuffed in a chocolate Yeah, or just the

965
00:47:34,760 --> 00:47:35,920
Speaker 1: essence of a peep stuffed.

966
00:47:36,160 --> 00:47:38,840
Speaker 4: No, no, no, a full peep. A full peep is

967
00:47:38,880 --> 00:47:41,919
Speaker 4: poking out of the chocolate. It's almost like they cook

968
00:47:42,000 --> 00:47:44,120
Speaker 4: the chocolate. I don't know how you cook chocolate, and

969
00:47:44,239 --> 00:47:46,800
Speaker 4: right at that moment they placed the peep in before

970
00:47:46,960 --> 00:47:47,399
Speaker 4: that heart.

971
00:47:47,719 --> 00:47:52,279
Speaker 2: Interesting. We do a peak Taste challenge every year, all

972
00:47:52,320 --> 00:47:55,520
Speaker 2: the strange flavored peeps and the kids tasted and try

973
00:47:55,600 --> 00:47:57,120
Speaker 2: to say what it is.

974
00:47:57,600 --> 00:48:00,759
Speaker 3: Oh, that's a fun game. As good as this stinky yeah,

975
00:48:00,880 --> 00:48:02,719
Speaker 3: almost as good as a stinky jelly belly game.

976
00:48:03,480 --> 00:48:06,360
Speaker 2: Oh boozled, bean boozled.

977
00:48:06,920 --> 00:48:10,440
Speaker 3: Oh god no, but it tastes like socks or toothings

978
00:48:10,719 --> 00:48:11,120
Speaker 3: or whatever.

979
00:48:11,239 --> 00:48:12,640
Speaker 2: Booger beans. Perfect.

980
00:48:17,640 --> 00:48:21,640
Speaker 1: Everybody, have a great wheat. I love you.