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Speaker 1: Ding Dong. Today's show is brought to you by Casper

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Speaker 1: dot Com. Receives fifty dollars towards any Mattress purchase at

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Speaker 1: Stas and by Warpy Parker dot com get a free

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Speaker 1: five day home trial on at www dot warby Parker

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Speaker 1: Trial dot com. Forward Slash Lost Culture Stas five pairs

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Speaker 1: five days free Lost Culture Stas is brought to you

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Speaker 1: by the Forever Dog podcast Network. Be sure to check

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Speaker 1: out more original comedy podcasts at forever Dog Podcasts dot com.

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Speaker 1: And if you love him what you're hearing and you're

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Speaker 1: a fan of Lost cultures, don't forget to subscribe on iTunes.

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Speaker 1: Give us a five star rating and leave a going review. Yes, God,

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Speaker 1: my grandma and your grandma was sitting by the fire

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Speaker 1: my grandma to your grandma. I'm gonna say I find

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Speaker 1: it's about lagoon date Jagamo Dino on Ding Dong, Lost

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Speaker 1: Culture and Bowen. I don't think I've ever dinged my

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Speaker 1: dong quite so hard, and I haven't dogged my fucking

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Speaker 1: ding quite so hard either. Matt, has been a long

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Speaker 1: time since you're dr ding it's been um a while.

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Speaker 1: I'm on the subreddit of people who don't dung their ding?

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Speaker 1: Have you heard about this? The like the people who

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Speaker 1: don't know fab It's like people who like live by

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Speaker 1: this lifestyle trend of of not masturbating it. It makes

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Speaker 1: them feel more virile obviously, but also like more like emotionally,

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Speaker 1: like I get that, you know, they tell you not

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Speaker 1: to jack off for you have to do something high stakes.

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Speaker 1: Who's they? Well, you know, the public, the public. Today.

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Speaker 1: I dinged my dong not to this week's episode of

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Speaker 1: Handmaid's Tale, but last week's episode of What Was There?

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Speaker 1: Because I love that Maximnguela, the guy that plays Nick

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Speaker 1: above the driver above the garage, and the guy who

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Speaker 1: played a fucking Indian dude in the social network he

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Speaker 1: was supposed to play in any day. Are you really

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Speaker 1: going to ruin this with me with your social and

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Speaker 1: they put brown own makeup on him? Yes, that maximum

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Speaker 1: Gellet okay continue, Wow, that's crazy, guys, Okay, this is

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Speaker 1: I blame Aaron Sorkin for that. Of course, of course

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Speaker 1: it's not no shade on those things. Um. I have

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Speaker 1: yet to see a handmaids Tale, a handmads Tale because

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Speaker 1: two years ago I started reading the book and it

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Speaker 1: terrified me. It's very scary and mostly not a fat

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Speaker 1: worthy show. But I couldn't deny my body. You couldn't

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Speaker 1: deny your body, you guys. This is our first episode

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Speaker 1: since our backlog of l A episodes. That was so fun.

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Speaker 1: We loved all of our guests for that love. Los Angeles.

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Speaker 1: Surprised myself with how much we loved. Sure, you know what,

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Speaker 1: this was the tripper. I was like, I can move here.

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Speaker 1: I could do it. No stranger to l a O

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Speaker 1: our guest, honey, because he's been there. Let's absolutely call

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Speaker 1: a your motherfucking bitch. Okay, let's go through the credits, Matt, Okay. Well,

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Speaker 1: the credits include he is on the UCB Herald team

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Speaker 1: Ice Cold BEV, which I think wins the the Award

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Speaker 1: for Best Name absolutely, and he also directs characters. Welcome

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Speaker 1: at UCB amazing just you know the the house character

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Speaker 1: you know, Team Yeah, relatively new team. I just joined it.

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Speaker 1: I'm very excited about third Monday of every month at

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Speaker 1: UCB East at nine pm. Check it out. Check it out. Also,

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Speaker 1: he's a writer on this last season of the Wonderful

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Speaker 1: show throwing shades based on the podcast podcast Sisters Podcast Sisters. Yes, yes,

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Speaker 1: and uh he you you saw him fucking slay in

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Speaker 1: School of Rock the musical. Please welcome Michael Hartney. That

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Speaker 1: was a lovely listing of credits. It's like a bubble bath.

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Speaker 1: We set the temperature just right for our guests. It

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Speaker 1: was really nice. I feel very um exfoliated. Yes, and

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Speaker 1: welcome and accomplished. Now come in, come into this little bathtub.

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Speaker 1: Let's get in. Well, you have done a ton of ship. Yeah,

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Speaker 1: different ship too. Uh yeah, that's a it's a fun

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Speaker 1: way to stay on my toes, right, Yeah, I mean

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Speaker 1: talk about like being in the right destrum and also like,

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Speaker 1: I bet you're the only writer like in that room

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Speaker 1: who's like you gotten even close to Broadway, like actually

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Speaker 1: performing on a Broadway stage in a musical and also

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Speaker 1: writing for a small handful of of you guys. I

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Speaker 1: feel like our head writer, uh, Colleen Worthman was in

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Speaker 1: at least did something at the public off Broadway. Really Yeah,

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Speaker 1: she ain't no slouch and game. But you got all

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Speaker 1: the way up there to the fucking Winter Palace, the

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Speaker 1: Winter Garden, that's quite all right. We went my family goes.

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Speaker 1: We go every year to see a probably musical around

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Speaker 1: Christmas time tradition, and I was like, we have to

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Speaker 1: go see School of rock a because you were in it.

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Speaker 1: But we weren't even really friends then, but I was like, well,

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Speaker 1: I have a friend in it, and I was so

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Speaker 1: gagged when you were there. And um, also because I

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Speaker 1: genuinely wanted to see it. I love that movie on

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Speaker 1: my favorite movies. Great movie, it's so good. And that show.

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Speaker 1: She crowd pleaser, boys, crowd, please are a crowd, Please

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Speaker 1: are big time. Everyone that comes on the ride is

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Speaker 1: going to go see it. You know, nineteen hands go

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Speaker 1: up in they're all see in School of Rockets. My god, Wow,

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Speaker 1: that's amazing. It really is a hit. Yeah, it recently,

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Speaker 1: just last week, I think earned back its initial I

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Speaker 1: think because you posted about it. Yeah, it's amazing, so exciting.

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Speaker 1: You know, who's the guy in that? Sierra Bargas Who

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Speaker 1: she who she played the she was She is not

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Speaker 1: in the show anymore. She was the original Rosalie Mullins,

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Speaker 1: the principle by Jo But for the purposes of the musical,

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Speaker 1: there's kind of a love interest, right, But Sierra is

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Speaker 1: like a Broadway legend. She was the original Aerial and

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Speaker 1: Little Mermaids Christine in both Phantom and Love Never Dies.

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Speaker 1: And I would say thirty percent of my Instagram followers,

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Speaker 1: oh my god, their profile picture is Sierra bas the

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Speaker 1: name like Sierra boggas better Slay and that that's the

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Speaker 1: thing that's the crossover appeal of Michael Hartney Broadway comedy.

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Speaker 1: Come on, you know what? You know? Okay, just I

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Speaker 1: have to bring this up because I saw this last night.

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Speaker 1: You know what. It is not a great movie adaptation.

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Speaker 1: I saw, you know what. I liked it, but people

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Speaker 1: are and I instagrammed it. I instagram story to I

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Speaker 1: saw Emily last night. But people were like, I hear

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Speaker 1: it's trash, and I'm like, come on, you guys. I

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Speaker 1: thought it was cute. It was not. It was not

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Speaker 1: like it did not achieve its fullest potential. But I

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Speaker 1: liked some of the songs. That's you know what, and

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Speaker 1: that's and that's fine. It's it's closing. So it's closing

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Speaker 1: this week. I like, so sad when things just go

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Speaker 1: up and go down. Philippa sou like, come on, gah,

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Speaker 1: she's gonna play a Disney princess. Someday she better. She's

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Speaker 1: pretty great. She is so great. I actually didn't get

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Speaker 1: to see her the Hamilton's and her understudy was But

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Speaker 1: I mean, I imagine Philippa. You imagine Philippa. Yeah, I

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Speaker 1: saw her and she was really such. She's so amazing.

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Speaker 1: There you go. It's what a beautiful, like pristine voice,

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Speaker 1: Burn heard, just letting you have come through? Burn. What

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Speaker 1: are your thoughts on the Hamilton's mixtape. My thoughts are

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Speaker 1: that so many of those tracks are more radio friendly

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Speaker 1: on the cast recording. Furthermore, I am not into a

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Speaker 1: solo pop song where you sing through lines that are

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Speaker 1: meant for twelve different motherfucking characters. That doesn't make for

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Speaker 1: god damn bit of sense. It's quiet uptown. He did

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Speaker 1: something wrong there? Oh? Did you came from my No?

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Speaker 1: But no. But the thing is, I get it. I'm

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Speaker 1: actually fully with you. I mean, Kelly Carkson is fine,

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Speaker 1: that's not her fault. Fine. What Michael hurt All I'm

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Speaker 1: saying is it's the The logical fallacy of that song

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Speaker 1: is the problem is that the other winners of American

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Speaker 1: Idol aren't playing the other character exactly. Yeah, fantasition doesn't

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Speaker 1: come in. Although I will say I want soul patrol

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Speaker 1: being a general or some god. I think that the

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Speaker 1: mixtape also does the reverse where it's like three different

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Speaker 1: people singing the song. Then for one person with satisfied,

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Speaker 1: it's like, why do you have Queen Latifa Cia and

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Speaker 1: who else is? And then who's the third? Um? I

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Speaker 1: don't someone else, but it's like, oh, Miguel, Miguel, Um.

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Speaker 1: I hate to see his performance of that song too.

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Speaker 1: It is so affective. It's just like, honestly respect the fact.

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Speaker 1: I guess like she's not thinking about a word she's saying,

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Speaker 1: and I think that's the thing. Is like lin Manuel

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Speaker 1: like oversaw it and still let all the intention think

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Speaker 1: it's the One thing I'd say is like at least

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Speaker 1: they sound different covers of like I hate one to

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Speaker 1: one covers. Yeah, do you remember I don't like either

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Speaker 1: version of this song. But there's that song by Tom

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Speaker 1: Cochrane Life is a Highway, then Rascal Rascal. It is indistinguishable.

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Speaker 1: There's no reason original Life is a Highway other than

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Speaker 1: a man who looks like Shrek is now singing Yeah. Also,

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Speaker 1: it was like the theme song to the movie Cars,

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Speaker 1: which I don't like, like, I just don't sign me

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Speaker 1: up for like a literal one to one cover. So

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Speaker 1: you're right, but you know there's something with that. I

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Speaker 1: totally agree with you. And my other criticism about the

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Speaker 1: Hamilton mixtape is they didn't go big enough with it.

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Speaker 1: It's like, if you're gonna get some you're gonna do

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Speaker 1: an R and B ballad cover of burn, fucking get

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Speaker 1: Beyonce to do it. I don't like that Andre Day version.

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Speaker 1: I feel that, to me is a Beyonce song. Okay,

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Speaker 1: what did you think of uh, what's her name? Jill

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Speaker 1: Scott doing? Uh? No? I like that one? You see?

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Speaker 1: You just like blanket? Do not like not even not

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Speaker 1: even some redeemable parts of the Hamilton's mixtape, honestly, And

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Speaker 1: this is but my bias. I really like Kelly Clarkson's cover.

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Speaker 1: It's it's quiet up top. But but I understand the

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Speaker 1: criticism of it. Everything else I kind of just just like,

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Speaker 1: I just didn't. I didn't think it needed to happen.

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Speaker 1: I just prefer the cast recording on most counts, So

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Speaker 1: why wouldn't I just listen to that? Speaking of cast recording,

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Speaker 1: how is did you record for School of Rock? I

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Speaker 1: did How is that? Like? What was that? Like, you're

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Speaker 1: in the studio. It really was wild. So we're in

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Speaker 1: the studio and like on the west West west side,

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Speaker 1: and um, you know we're the adult ensembles, so uh

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Speaker 1: spoiler alert, we don't got a ton to do. But

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Speaker 1: you know, I have a couple of solo lines in

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Speaker 1: a little song called Faculty Quadrille, thank you so much, um,

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Speaker 1: and I have some spoken lines as the gay parents.

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Speaker 1: And let me tell you something. Top of the album,

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Speaker 1: there's a moment where Michael Hartney sits down in the

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Speaker 1: show and he's an applause break. Yes, I've heard this

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Speaker 1: is legendary, this is a talk about this is your moment, apocryphal.

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Speaker 1: I have heard of this too. When I saw that,

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Speaker 1: I just put one finger up. Yes, yes, the bit

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Speaker 1: did it. Here's here's what else the bitch did. And

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Speaker 1: I'm sorry I'm bringing this up. And this is like

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Speaker 1: a little bit of a dredge. Um you I like,

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Speaker 1: I first fell in love with Michael Hartney and this

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Speaker 1: is when I didn't really know him and he had

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Speaker 1: no idea who I was. But it was when everybody

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Speaker 1: all the UCB gates. We'll just gaze in general making

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Speaker 1: it it gets better videos and Hartney had a great

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Speaker 1: one and it's still up. It's so good. Of course

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Speaker 1: it's up. I'm not gonna I got the I got

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Speaker 1: the it gets a Better moment, got ten followers on

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Speaker 1: Twitter and took it then down. It truly is. Yeah.

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Speaker 1: The only purpose for that is like truly, kids have

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Speaker 1: reached out to me. They're still like I I'm in

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Speaker 1: contact with who's now like in college. And what a

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Speaker 1: great like tangible sort of you know impact you had that.

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Speaker 1: I mean I think I think your opening line of

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Speaker 1: that was like, okay, kids like put down, like like

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Speaker 1: hit pause on Glee or or whatever it was. It

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Speaker 1: was very good. It was very two. Yeah, it was

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Speaker 1: very you're so yeah Gaga topical references Glee, I mean

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Speaker 1: kind of topical and that. Yeah. And speaking of your time,

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Speaker 1: I should ask the question, Yes, this is the and

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Speaker 1: and Michael told me yesterday that he's gotten many answers

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Speaker 1: to this question. Answer them as many and you can

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Speaker 1: answer as many ways as I want. Okay, So this

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Speaker 1: is the question, Michael Hartney, what made you say culture

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Speaker 1: was for you a young Michael, it was it was

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Speaker 1: the reason why you decided to take a step in

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Speaker 1: a cultural direction. You said, you know what, I've heard

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Speaker 1: of this culture and I think I might explore it

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Speaker 1: like cultures for me. Yeah, you get it right. Um

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Speaker 1: So I was one of those, um like terrible two

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Speaker 1: kids are at age two, I was like, Mom, hold

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Speaker 1: me by me a toy entertained me? Young, what's this?

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Speaker 1: What's that? Oldest? Just very curious about the world around me.

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Speaker 1: But uh so my mom and dad would try to

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Speaker 1: think of ways to kind of get me to calm

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Speaker 1: down and shut the hell up for a moment. And

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Speaker 1: I guess one night, um, on ABC they were airing

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Speaker 1: Superman the movie. I was two years old. They plumped me,

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Speaker 1: plumped me, they plumped plump right there, I'm owning it

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Speaker 1: in front of the TV. And uh you know miss

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Speaker 1: Superman the movie she in short, she long with with

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Speaker 1: commercial breaks. That's just like three hours? Is this with

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Speaker 1: miss Christopher Reeves singular? It's Christopher Reeves, sorry, Mr George

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Speaker 1: Slade Superman in the fifties and the television show Ms

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Speaker 1: Christopher anyway, um so I shut the hell up for

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Speaker 1: three hours and I was like, I need all of

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Speaker 1: this all the time and the like. So my mom

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Speaker 1: started buying me Superman comic books. I taught myself to

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Speaker 1: read on Superman comic books. Wo uh. And it's the

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Speaker 1: least gay thing about me. But I I'm a huge

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Speaker 1: fan of Superman to this very day. And I knew that,

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Speaker 1: but I didn't know it. It just that was like

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Speaker 1: the that was like the joint, the origin, you know,

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Speaker 1: story of it, and that's that's great. Oh my god,

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Speaker 1: So that what is this terrible twoos thing? It just

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Speaker 1: when you're a year old, you're bad. That's it's just

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Speaker 1: like an acting out thing. You're like corrigible. You you

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Speaker 1: just need constant stimulations. So victory for the parents there

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Speaker 1: to find Superman. Yeah, I mean I really think they Yeah,

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Speaker 1: they were very thankful. It wasn't a choice. It wasn't

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Speaker 1: like your mother was like, oh, Superman's on, this will

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Speaker 1: be what shuts him up. It was just like, let's try.

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Speaker 1: So are you fans of the of the Are you

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Speaker 1: a fan of the Zack Snyder reboots? I am not. Yeah,

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Speaker 1: I am decidedly staunchly so staunchly. Yeah. They're pretty self

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Speaker 1: serious now, they are endlessly serious. Yeah. Man, I've never

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Speaker 1: popped open a issue of Superman and went, oh, I

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Speaker 1: love how fucking humorless and serious, right right right, this

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Speaker 1: is so fun. Um yeah, they're just serious and Superman

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Speaker 1: doesn't care about people. He cares about himself and he's MOPy.

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Speaker 1: Like the ultimate frame in these in the Zack Snyder

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Speaker 1: Superman cinematic universe is Superman standing in what once was

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Speaker 1: the Capitol Building which had just been atomized. Corpses on

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Speaker 1: fire strewn everywhere, And no, he is not standing triumphantly.

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Speaker 1: He's going people aren't gonna like me, sad face, and

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Speaker 1: it's not like poor these people. It's another thing I'm

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Speaker 1: going to get blamed for classic Superman. That's so stupid.

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Speaker 1: Well then, and then on the flip side of that

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Speaker 1: question for this topic, what is your favorite iteration of

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Speaker 1: Superman out of like every piece of like out of

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Speaker 1: like your small bills and all that stuff. I would

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Speaker 1: say that, uh. In filmed media, Christopher in the first

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Speaker 1: Superman movie. He's good to check it out, but that

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Speaker 1: first one is just it's my favorite movie, and he

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Speaker 1: just he's amazing. I've always thought of myself as a

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Speaker 1: batman gay. Yeah, but I think it's oh, yeah, I'm

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Speaker 1: a batman gay. Um, but I uh, I just don't. Really.

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Speaker 1: I'm realizing now I don't have much of a vocabulary

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Speaker 1: for Superman. And it's one of those things that I

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Speaker 1: sometimes do, which is I really like one thing, and

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Speaker 1: when any other thing is like sort of rival risks

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Speaker 1: with it and other people like it, I'm like, no,

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Speaker 1: it's bad. Yeah, I don't do that. I don't. I

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Speaker 1: actually no, I don't know. It's like that was Star

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Speaker 1: Trek with me because I'm a big Star Wars and

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Speaker 1: I don't need to see Star Trek. So you think

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Speaker 1: that adjacent properties are frequently mutually exclusive. I feel like

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Speaker 1: I must take a side. Do you know what I mean?

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Speaker 1: I can't like coke and Pepsi? Yeah, no exactly. And

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Speaker 1: let me tell you, up until recently, I was a

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Speaker 1: Pepsi boy. But now I feel like I can't be

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Speaker 1: I can't. I'm sorry, Paps, I can't be on your

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Speaker 1: side anymore. After Candle, not after not after um Superman's Yeah,

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Speaker 1: I gotta I gotta admit, And Michael, I'm so sorry

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Speaker 1: this might come as a disappointment. I don't have that

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Speaker 1: much of a vocabulary for Superman. I have a question

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Speaker 1: about it. Do you think that they kind of darkened

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Speaker 1: up the Superman films as a response to the success

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Speaker 1: of The Batman. Christopher stuffing more door probably. I mean

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Speaker 1: the First Man of Steel was produced by Christopher Nolan's

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Speaker 1: production company, so he kind of hired Zack Snyder for

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Speaker 1: this whole shit show. Um yeah, I mean, I think

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Speaker 1: like the serious thing was in ye for a while,

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Speaker 1: but I think it's kind of over and because they

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Speaker 1: has found itself mired in it, which is why I

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Speaker 1: think they're trying to make like Justice League fun and

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Speaker 1: hopefully Wonder Woman is going to be fun. I hear

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Speaker 1: it's good year, it's good too. She looks amazing, She

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Speaker 1: looks amazing. I think it looks amazing. I'm cautiously optimistic

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Speaker 1: that Wonder Woman is going to be everything. Honey. Yes,

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Speaker 1: when I hope it is, I really I hope it is.

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Speaker 1: I want to just be screaming yes, Diana, Yes, But

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Speaker 1: do you have it? Do you remember when there was

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Speaker 1: those rumors that this is like had to be like

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Speaker 1: six or seven years ago, when it was first rumored

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Speaker 1: that Wonder Woman was going to be a movie, which

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Speaker 1: I guess that there's always been rumblings about it, right,

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Speaker 1: But then when it first, it was in some trade

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Speaker 1: that Beyonce was going to be a wonder Woman. Can

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Speaker 1: you imagine? Can you imagine? I mean kind of yes, Yeah,

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Speaker 1: it was rhetoric. Yeah, absolutely mean. I'm sure gal Gado

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Speaker 1: was going to be wonderful, but if I have the

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Speaker 1: option of Beyonce. I have always appreciated Beyonce's screen talents,

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Speaker 1: acting talents. Guys, what if they made a wonder Woman

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Speaker 1: movie in the late nineties and it was Katherine z Jones.

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Speaker 1: I would have been down for it. She would have

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Speaker 1: been like, you know, she's such like a tigress, and

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Speaker 1: that would have been It might not have been the

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Speaker 1: best movie, but it would have been Late nineties superhero

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Speaker 1: movies are the actual worst. Well let me add some Spawn. Yeah. Spawn.

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Speaker 1: Oh my god, I actually know someone that was in Spawn.

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Speaker 1: They were in it, Yes, Sydney. Sydney Boudoir, who I

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Speaker 1: went to college with, was a little girl in the

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Speaker 1: movie Spawn. I think she'd Spawns daughter. I'm gonna fact

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Speaker 1: check this with with my friends that that went to

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Speaker 1: college with us, but I'm almost positive that's true. That

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Speaker 1: is so spawnsored so quintessentially of its time. What a

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Speaker 1: horrible movie, but so what was the first good superhero

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Speaker 1: movie of that? I guess Spider Man, right, the two

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Speaker 1: thousand one Spider Man with Tobes, X Men X Man.

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Speaker 1: People say X Men in two thousand I'm not a

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Speaker 1: fan of x Men. I'm not a super big fan

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Speaker 1: of Spider Man in two thousand two, of horrible in general,

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Speaker 1: you're a super big fan of marw I definitely don't

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Speaker 1: really read Marvel books, but I do like a lot

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Speaker 1: of the movies. I think that X two is like great,

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Speaker 1: great one I haven't seen, and Spider Man two is

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Speaker 1: really good, but I think mostly sorry Gang, I think

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Speaker 1: Sam Reimi is a hack with with three people who

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Speaker 1: live for like evil dead, an army of darkness and

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Speaker 1: drag me to hell in all this business, I'm like, no, sure,

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Speaker 1: one of the craziest, one of the craziest bad movies.

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Speaker 1: There are more musical numbers and Spider Man three than

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Speaker 1: in Spider Man Turn Off the Did you see that? Yes?

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Speaker 1: Oh my god, I saw that twice paid for zero times.

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Speaker 1: So my partner's family was coming to visit New York

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Speaker 1: and they wanted to see its tickets too, and I

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Speaker 1: was like, these tickets are expensive, Oh my god, and

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Speaker 1: we watched this thing and oh my odd. So like

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Speaker 1: it starts and you're like, oh, table, or I can

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Speaker 1: get on board with this. It's like saffron fabric swings.

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Speaker 1: I'm like, yes, oh my god. And then oh god,

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Speaker 1: it's the you. It can be summed up. It can

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Speaker 1: be summed up like this. There is a number where

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Speaker 1: Spider Man makes his debut and it's fucking cool. He

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Speaker 1: is swinging all around. It's like mind blowing how all

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Speaker 1: of this technology is working, because it's like those roving

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Speaker 1: uh robot drone things from which is literally they use

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Speaker 1: that so insane because I mean, if things go wrong,

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Speaker 1: these actors are danger but these are just incredible acrobatic

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Speaker 1: performers and it's like so expensive looking and cool. And

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Speaker 1: you know, uh, there's a pretty dope act truly edge

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Speaker 1: guitar riff that's that's playing while all the ship's happening,

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Speaker 1: and it's like, yes, I'm on board with this. Everyone's wrong.

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Speaker 1: It's gonna make its money bag is gonna be great.

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Speaker 1: And then um so all the Spider Man stuff, the

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Speaker 1: live action Spider Man kind of swings off stage and

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Speaker 1: you hear a voice over of a crying baby and

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Speaker 1: then a giant cardboard cut out four stories tall of

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Speaker 1: a crying baby lowers from the rafters, and as it's falling,

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Speaker 1: a cardboard cut out of a spider man hand tips

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Speaker 1: in and just as like it catches the baby, and

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Speaker 1: the number ends with hard board. We have just watched

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Speaker 1: a dizzying blend of physical prowess and technical logical achievement

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Speaker 1: ends with fucking cardboard. It is pure madness. And at

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Speaker 1: that point you were just your arms folded right there, folded.

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Speaker 1: I literally, I think, went, I don't know how to

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Speaker 1: describe this to podcast people. You know when you're like,

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Speaker 1: who knows with your arms? Well, and I did that,

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Speaker 1: and I think I turned to someone and I went,

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Speaker 1: what honestly crazy. I have to say I'm happy that

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Speaker 1: I missed it also because I never thought that Bono

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Speaker 1: was going to write good music from musical. I'm guessing

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Speaker 1: the music was pretty bad, right well, I mean some

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Speaker 1: of it was bad, but some of it was good. Okay, Okay,

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Speaker 1: I'm revealing you two is my favorite band by a mile.

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Speaker 1: The uh well, it's fine, people should on the muh.

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00:24:55,400 --> 00:24:58,119
Speaker 1: I know, I loved that about I listened to that

403
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Speaker 1: podcast and I just snapped and and loved it. Um.

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00:25:03,240 --> 00:25:07,760
Speaker 1: The problem with the score is that a bunch of

405
00:25:08,240 --> 00:25:13,520
Speaker 1: equipment was put in front of speakers feedback, so you

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Speaker 1: can't hear lyrics. It was crazy. I also read the

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Speaker 1: Glen Burger, one of the book writers, from a book

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Speaker 1: called Song of Spider Man, where he's talking about all

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Speaker 1: this promise and how it snowballed into this nightmare, and

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Speaker 1: one of the things was, oh, yeah, we built this

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Speaker 1: huge set piece that um pretty nicely snugly fits right

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Speaker 1: over the main speaker. I hope you're cool with it everyone.

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Speaker 1: So it's it's that's just epic, Like what an epic?

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Speaker 1: What a what not to do? Julie? Why didn't you?

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Speaker 1: Why didn't you get in there? I think she might

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Speaker 1: be a little bit of a crazy mess too, though, right,

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Speaker 1: a little bit of one. The first time Disney was

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Speaker 1: like no Julie, no Julie, crazy lady. Oh sorry, which

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00:26:07,640 --> 00:26:12,400
Speaker 1: hits I don't think so. Then then when she won

420
00:26:12,440 --> 00:26:15,400
Speaker 1: all these Tony's and had all this acclaim, it's like, well,

421
00:26:15,480 --> 00:26:18,320
Speaker 1: just I guess that's just let Julie be Julie. I

422
00:26:18,359 --> 00:26:22,560
Speaker 1: mean that has to be what happened. And a jukebox

423
00:26:22,680 --> 00:26:26,840
Speaker 1: Musical of the Beatles. Yeah, I didn't like that movie either.

424
00:26:26,920 --> 00:26:33,320
Speaker 1: I have to ask you about Andrew Looyd Webber, you know, yeah,

425
00:26:33,359 --> 00:26:36,400
Speaker 1: I've definitely met him a bunch and worked with him

426
00:26:36,440 --> 00:26:39,760
Speaker 1: and yeah, and he's on He's a he's a man

427
00:26:39,840 --> 00:26:45,200
Speaker 1: with two feet friendly planted on Earth. Um yeah, yeah, yeah.

428
00:26:45,240 --> 00:26:48,239
Speaker 1: I mean all of my dealings with him have been

429
00:26:48,320 --> 00:26:52,879
Speaker 1: very pleasant and nice. Um. So there's no tea I

430
00:26:53,000 --> 00:26:56,880
Speaker 1: can't see. There's a ton of tea about I think

431
00:26:56,880 --> 00:26:59,400
Speaker 1: he would give me the tea about Dubbs. I'm trying

432
00:26:59,440 --> 00:27:02,919
Speaker 1: to think of, like Andrew gossip, just that he's like

433
00:27:02,920 --> 00:27:06,160
Speaker 1: an eccentric person. I guess. Remember he guess judged American

434
00:27:06,200 --> 00:27:09,320
Speaker 1: Idol and he was crazy with the contestants that you

435
00:27:09,480 --> 00:27:14,719
Speaker 1: were playing a glamor Pus and like it was like

436
00:27:14,960 --> 00:27:19,280
Speaker 1: you're a glamor Pus And she was like, oh my god, Okay,

437
00:27:19,520 --> 00:27:22,040
Speaker 1: the woman was like unsettled and she was like, oh,

438
00:27:23,040 --> 00:27:26,240
Speaker 1: so here's the coolest thing that happened. Uh that was like,

439
00:27:26,320 --> 00:27:29,320
Speaker 1: oh a little peek behind the A L. Dubs curtain

440
00:27:30,119 --> 00:27:32,840
Speaker 1: was there was this like, you know, bit of transition

441
00:27:32,920 --> 00:27:37,640
Speaker 1: music that Andrew wrote and then did not like during

442
00:27:37,680 --> 00:27:41,120
Speaker 1: tech so we're kind of standing on stage and he's saying,

443
00:27:42,760 --> 00:27:47,800
Speaker 1: I can't that's not that get me a get me

444
00:27:47,840 --> 00:27:52,320
Speaker 1: a piano. Oh my god. So I guess it was.

445
00:27:53,040 --> 00:27:56,760
Speaker 1: There was this piano that was like in the uh,

446
00:27:57,240 --> 00:27:59,920
Speaker 1: one of the wings of the Winter Garden, and someone

447
00:28:00,080 --> 00:28:04,359
Speaker 1: pushed it out and it was like a rehearsal piano. Um,

448
00:28:04,440 --> 00:28:06,600
Speaker 1: and Andrew went up to it and I see him

449
00:28:06,600 --> 00:28:09,760
Speaker 1: doing like math in his head. Oh my god, and

450
00:28:09,800 --> 00:28:13,960
Speaker 1: then he just plunks out the thing, uh, the new

451
00:28:14,000 --> 00:28:19,120
Speaker 1: transition music. His assistant is watching feverishly because he knows

452
00:28:19,240 --> 00:28:23,520
Speaker 1: he's about to have to go tell the pit um

453
00:28:23,560 --> 00:28:27,399
Speaker 1: exactly what this new music is. And so to watch

454
00:28:29,119 --> 00:28:33,240
Speaker 1: creation like that and then like a very efficient process

455
00:28:33,320 --> 00:28:38,440
Speaker 1: for delivering that information because literally then we walked off stage,

456
00:28:39,480 --> 00:28:43,640
Speaker 1: reset the scene, did the transition with the new music,

457
00:28:43,680 --> 00:28:49,800
Speaker 1: and he was like, yeah, it was fucking crazy. That's incrane.

458
00:28:50,040 --> 00:28:53,000
Speaker 1: So that's that's It's not like juicy, but it's I think,

459
00:28:53,840 --> 00:28:56,440
Speaker 1: watch the juice, but I want the tea, and the

460
00:28:56,520 --> 00:28:59,560
Speaker 1: tea does not necessarily need to be juice high. So

461
00:29:00,040 --> 00:29:02,680
Speaker 1: that is different than the juice rule Number eighty nine

462
00:29:02,720 --> 00:29:06,920
Speaker 1: of culture is different from the juice from her than

463
00:29:07,360 --> 00:29:10,200
Speaker 1: I don't care a bitch. Okay's different than the juice.

464
00:29:10,200 --> 00:29:15,640
Speaker 1: He's different than the juice. Okay, So besides Superman, yeah,

465
00:29:15,720 --> 00:29:19,640
Speaker 1: Walt Disney World. Oh and why do you say, oh,

466
00:29:19,720 --> 00:29:21,520
Speaker 1: like you're surprised, Like this isn't a big part of

467
00:29:21,520 --> 00:29:25,200
Speaker 1: your life. Don't be apologizing. I'm not apologized. I don't cover,

468
00:29:25,320 --> 00:29:30,280
Speaker 1: don't cover. I'm not covering. It's just non chronological. Okay,

469
00:29:30,280 --> 00:29:37,360
Speaker 1: so you want to Superman? Ok So, then Mary watched

470
00:29:38,160 --> 00:29:42,000
Speaker 1: my first episode of SNL. Yes, yes, Mary Tyler Moore

471
00:29:42,720 --> 00:29:48,640
Speaker 1: was the host the Late Beloved What what I was? Um?

472
00:29:48,920 --> 00:29:51,920
Speaker 1: Days from nine years old? Okay, okay, okay, five days

473
00:29:51,960 --> 00:29:59,400
Speaker 1: from trees from nine and um yeah, there was this

474
00:29:59,520 --> 00:30:04,680
Speaker 1: robot hair sketch. It's pretty famous that Phil Hartman did that.

475
00:30:04,840 --> 00:30:09,840
Speaker 1: I was just like, oh, like my brain like rewired

476
00:30:10,480 --> 00:30:14,080
Speaker 1: from watching it. So then that year, like the Naked

477
00:30:14,240 --> 00:30:17,440
Speaker 1: Gun came out, and I think that was the year

478
00:30:17,480 --> 00:30:22,520
Speaker 1: that Spaceballs like started airing on cable, which I had.

479
00:30:23,040 --> 00:30:27,959
Speaker 1: So it was like all these parody, farce, satire things

480
00:30:28,800 --> 00:30:33,560
Speaker 1: all at once, and I love that well when it's

481
00:30:33,560 --> 00:30:35,480
Speaker 1: done well, I love that ship. I guess the last

482
00:30:35,560 --> 00:30:40,000
Speaker 1: really good like parody movie I still I love Scary

483
00:30:40,000 --> 00:30:43,680
Speaker 1: Movie three, but like then they got so bad. The

484
00:30:43,760 --> 00:30:46,719
Speaker 1: last great one for me was that was not a

485
00:30:46,760 --> 00:30:50,120
Speaker 1: scary movie. Was not another team you love, not another

486
00:30:50,160 --> 00:30:52,760
Speaker 1: team movie. And that was my answer. Yeah, that's a

487
00:30:52,760 --> 00:30:56,560
Speaker 1: good one. When she goes over to the girl and

488
00:30:56,560 --> 00:30:58,240
Speaker 1: they're trying to make her hit checked over the glasses

489
00:30:58,240 --> 00:31:01,160
Speaker 1: and puts her head on and goes done, I mean,

490
00:31:01,200 --> 00:31:03,320
Speaker 1: actually actually goes I'm a genius, I'm a miracle worker.

491
00:31:03,400 --> 00:31:05,000
Speaker 1: And then there's just a beat of them both staring

492
00:31:05,000 --> 00:31:07,120
Speaker 1: in the mirror for like a second too long, and

493
00:31:07,120 --> 00:31:09,960
Speaker 1: it's like kind of perfect editing. Yeah, it's great. Um

494
00:31:10,000 --> 00:31:13,480
Speaker 1: a favorite SML cast member Hartman or I have a guess,

495
00:31:13,520 --> 00:31:17,960
Speaker 1: Mike my errors correct? Miss who um who? Hartney got

496
00:31:17,960 --> 00:31:22,400
Speaker 1: to see another Forever Dog Podcast live episode. Oh yeah,

497
00:31:22,480 --> 00:31:26,360
Speaker 1: Donald's Vin McDonald's shows podcast and that was so fun

498
00:31:26,480 --> 00:31:28,360
Speaker 1: and then we all we all hung out afterwards. It

499
00:31:28,480 --> 00:31:31,480
Speaker 1: was you have to talk to him a little tiny bit.

500
00:31:32,120 --> 00:31:36,880
Speaker 1: That was the whole world so fun. It was so great,

501
00:31:37,040 --> 00:31:39,480
Speaker 1: such a legend, yeah, I mean, and hearing him talk

502
00:31:39,560 --> 00:31:41,320
Speaker 1: and Michael, you can speak to this too. But it

503
00:31:41,360 --> 00:31:43,720
Speaker 1: was like it sucked the year out of the room,

504
00:31:43,720 --> 00:31:45,680
Speaker 1: like you were just listening to his every word. And

505
00:31:45,720 --> 00:31:48,760
Speaker 1: what stuck with me was he's making this documentary now

506
00:31:48,840 --> 00:31:51,360
Speaker 1: about I forgot who? And I think, Joe, do you

507
00:31:51,400 --> 00:31:53,560
Speaker 1: know remember who this was about? Well, he had made

508
00:31:53,560 --> 00:31:59,680
Speaker 1: a documentary like a manager of musicians. Yes, yes, exactly.

509
00:31:59,720 --> 00:32:02,320
Speaker 1: And I and Kevin asked him, like why he made

510
00:32:02,320 --> 00:32:04,400
Speaker 1: that documentary or why he wanted to And then Mike

511
00:32:04,520 --> 00:32:06,720
Speaker 1: Mike was saying how he wanted to show that you

512
00:32:06,720 --> 00:32:10,240
Speaker 1: can be successful and have this prolific career with UM

513
00:32:10,280 --> 00:32:13,240
Speaker 1: but also be a nice person. And it's like and

514
00:32:13,280 --> 00:32:15,560
Speaker 1: be kind that's said, and I was like, oh, then

515
00:32:15,920 --> 00:32:19,640
Speaker 1: that must mean Mike Myers is a kind person, and

516
00:32:19,720 --> 00:32:22,640
Speaker 1: like I fully believe that, and that's that's that's the t. Well,

517
00:32:22,640 --> 00:32:26,400
Speaker 1: he was certainly kind to us, Yes, And then I

518
00:32:26,440 --> 00:32:29,680
Speaker 1: had bought his Canada book. I was in a bookstore.

519
00:32:29,720 --> 00:32:31,440
Speaker 1: I didn't know this book existed. I was in a

520
00:32:31,480 --> 00:32:34,240
Speaker 1: bookstore in l A. And I just suddenly see Mike

521
00:32:34,320 --> 00:32:38,480
Speaker 1: Myers Canada and I was like, what the fuck grab it.

522
00:32:38,480 --> 00:32:44,160
Speaker 1: It's a giant book written by my idol. I never

523
00:32:44,280 --> 00:32:47,800
Speaker 1: heard about Canada. And I was like, well, I'm paying

524
00:32:47,840 --> 00:32:50,560
Speaker 1: full price for this fucking book. I can't believe I'm

525
00:32:50,600 --> 00:32:54,120
Speaker 1: doing this, uh and immediately yeah, snatch it up. Did

526
00:32:54,120 --> 00:32:56,400
Speaker 1: you like the book? I love? I gotta get it.

527
00:32:56,520 --> 00:32:59,680
Speaker 1: Is it funny? It's hilarious. I mean, you know a

528
00:32:59,680 --> 00:33:02,760
Speaker 1: lot of it's about Canada, but it's about him growing up.

529
00:33:02,960 --> 00:33:07,360
Speaker 1: I mean learning about Canada is cool, and be learning

530
00:33:07,400 --> 00:33:13,160
Speaker 1: about him. I mean he definitely folds in, um getting

531
00:33:13,160 --> 00:33:17,479
Speaker 1: into comedy, training as Second City, getting hired for us

532
00:33:17,480 --> 00:33:21,280
Speaker 1: to know. So it's it's it's great. Yeah. So is

533
00:33:21,320 --> 00:33:24,040
Speaker 1: it one of those autobiographies that like this is disguise

534
00:33:24,080 --> 00:33:27,720
Speaker 1: is something else? Yeah? I mean, I gotta get I

535
00:33:27,760 --> 00:33:29,360
Speaker 1: had no idea he had this book out either until

536
00:33:29,440 --> 00:33:31,320
Speaker 1: I think probably the show. But now like you're now,

537
00:33:31,320 --> 00:33:32,800
Speaker 1: you're reminding me of it, I want to get it again.

538
00:33:33,120 --> 00:33:38,560
Speaker 1: I'll tell you the worst autobiography that's out there. That's stupid,

539
00:33:38,680 --> 00:33:42,520
Speaker 1: Neil Patrick Harris. Choose your own adventure autobiography, you know

540
00:33:42,600 --> 00:33:46,160
Speaker 1: and entirely as to choose your own adventure Rogers. That

541
00:33:46,240 --> 00:33:54,200
Speaker 1: ship was on you wait listen, I bought that ship.

542
00:33:54,480 --> 00:33:56,320
Speaker 1: I wanted it to be better than it was. Because

543
00:33:56,360 --> 00:33:59,760
Speaker 1: you you like a fucking I love me some Neil.

544
00:33:59,840 --> 00:34:07,320
Speaker 1: You like a clean cut gay with a gimmick. Kidding,

545
00:34:07,760 --> 00:34:17,520
Speaker 1: I do like a clean cut gack with a gimmick. Um. Well, no,

546
00:34:17,719 --> 00:34:21,239
Speaker 1: it's so bad. It's so distracting. Like, if you want

547
00:34:21,280 --> 00:34:23,279
Speaker 1: to find out what happened when I got cast in

548
00:34:23,400 --> 00:34:27,720
Speaker 1: Rent and fucked a woman, flipped a page eighty nine.

549
00:34:29,160 --> 00:34:32,080
Speaker 1: If not, and you want to see a fucking crazy

550
00:34:32,120 --> 00:34:34,879
Speaker 1: picture up to sixteen, it's like I don't care. It's

551
00:34:34,920 --> 00:34:36,239
Speaker 1: like I want to read the book of your life.

552
00:34:36,239 --> 00:34:38,640
Speaker 1: That's why I got it. I get that it's fun.

553
00:34:40,000 --> 00:34:44,840
Speaker 1: It was also magic is so stupid. That is the

554
00:34:44,920 --> 00:34:47,560
Speaker 1: kernel of truth that we arrive. I like when a

555
00:34:47,640 --> 00:34:51,719
Speaker 1: gay though has like a really like not gay passion

556
00:34:52,320 --> 00:34:56,080
Speaker 1: like Superman, but you can sider magic and not gay. No,

557
00:34:56,280 --> 00:34:59,960
Speaker 1: I think it's like a like a really like brutal

558
00:35:00,080 --> 00:35:03,600
Speaker 1: le dorky straight person. Yeah, I agree, what's your straight passion?

559
00:35:03,960 --> 00:35:06,760
Speaker 1: Video games? But I think, but there is a culture

560
00:35:06,760 --> 00:35:10,120
Speaker 1: of gay but like I don't I don't fully buying

561
00:35:10,200 --> 00:35:12,640
Speaker 1: it out culture either, because there are some real fucking

562
00:35:12,640 --> 00:35:16,080
Speaker 1: weirders out there. I think I have exclusively gay interests,

563
00:35:16,480 --> 00:35:20,040
Speaker 1: But I would say I would say the rollercoaster thing

564
00:35:20,160 --> 00:35:24,280
Speaker 1: is like a borderline. Yeah, Like I'm like on screamscape

565
00:35:24,320 --> 00:35:26,480
Speaker 1: dot com, which is like a website that is devoted

566
00:35:26,520 --> 00:35:30,040
Speaker 1: to North American theme parks like and I know, like

567
00:35:30,080 --> 00:35:32,839
Speaker 1: all the roller coaster designers, I know, like all the

568
00:35:32,880 --> 00:35:35,160
Speaker 1: companies like and all the types of coasters like and

569
00:35:35,200 --> 00:35:37,759
Speaker 1: it's like a it's like a. And one time I

570
00:35:37,800 --> 00:35:42,520
Speaker 1: went to a paramount King's Island in Ohio by myself

571
00:35:42,560 --> 00:35:45,200
Speaker 1: when I was on tour doing something and I went

572
00:35:45,239 --> 00:35:50,839
Speaker 1: by myself and I found myself online for this ride. Um.

573
00:35:51,000 --> 00:35:53,080
Speaker 1: It was called Banshee. It was like a like a

574
00:35:53,440 --> 00:35:56,239
Speaker 1: inverted roller coaster. And like I was online with this

575
00:35:56,320 --> 00:35:59,799
Speaker 1: couple that clearly were like roller coaster people, and they

576
00:35:59,800 --> 00:36:01,480
Speaker 1: were talking about and they were getting into it, and

577
00:36:01,480 --> 00:36:05,560
Speaker 1: I was like and excuse me, hi, um, and I

578
00:36:05,640 --> 00:36:09,879
Speaker 1: like all I was like being a real freak with them,

579
00:36:10,400 --> 00:36:13,160
Speaker 1: like we all had looked up the roller coaster database

580
00:36:13,239 --> 00:36:15,080
Speaker 1: and lift it all up in new exact heights of

581
00:36:15,120 --> 00:36:18,319
Speaker 1: the coasters and speeds and like how many inversions everything had.

582
00:36:18,320 --> 00:36:22,520
Speaker 1: And it was yeah, but I was a yeah, I said,

583
00:36:22,560 --> 00:36:26,400
Speaker 1: that's like a really straight thing. And one straight thing

584
00:36:26,440 --> 00:36:28,719
Speaker 1: about me is but then like when when you get

585
00:36:28,760 --> 00:36:30,120
Speaker 1: down to it, it really to me, it is all

586
00:36:30,160 --> 00:36:34,360
Speaker 1: about Disney and Universal. It's about Orlando, it's about immersive

587
00:36:34,960 --> 00:36:38,960
Speaker 1: theme park experiences. But I feel like roller coaster culture

588
00:36:39,080 --> 00:36:43,360
Speaker 1: and immersive theme park culture are different totally. Six Flags

589
00:36:43,480 --> 00:36:46,560
Speaker 1: is not Six Flags is not a immerse it. It's

590
00:36:46,560 --> 00:36:49,759
Speaker 1: not a theme parks park. And anytime someone says to

591
00:36:49,800 --> 00:36:53,160
Speaker 1: me like like, I'm more of a six Flags person

592
00:36:53,520 --> 00:36:56,719
Speaker 1: than a Universal studious person or Disney person, I'm like,

593
00:36:57,239 --> 00:37:01,839
Speaker 1: you have no imagination, then you're to your trash. Absolutely,

594
00:37:01,880 --> 00:37:04,240
Speaker 1: So if you like to get sick and spin around,

595
00:37:04,760 --> 00:37:11,160
Speaker 1: you should be in hospital. And what Okay, I'm gonna

596
00:37:12,600 --> 00:37:14,960
Speaker 1: have my quick stroke real quick. And when we come back,

597
00:37:15,000 --> 00:37:16,960
Speaker 1: we're going to get into it about Disney. What with

598
00:37:16,960 --> 00:37:18,719
Speaker 1: Michael Harney, because I can't let him go not on

599
00:37:18,719 --> 00:37:21,360
Speaker 1: this podcast without getting into it. Also, these bitches have

600
00:37:21,440 --> 00:37:23,919
Speaker 1: betrayed me, so you'll find out about that right after

601
00:37:23,960 --> 00:37:30,560
Speaker 1: this message from our sponsors. Okay, girl, we have for

602
00:37:30,640 --> 00:37:33,120
Speaker 1: you all a little bit of an offer with our

603
00:37:33,160 --> 00:37:36,440
Speaker 1: friend Michael Hartney. No, Michael, let's talk about Casper Mattress.

604
00:37:37,360 --> 00:37:39,960
Speaker 1: What what a stirring tale? What a stirring tale? Well,

605
00:37:40,000 --> 00:37:41,879
Speaker 1: let's you know what. We pitched this movie called five

606
00:37:41,960 --> 00:37:44,600
Speaker 1: Days for Morby Parker Store and it became a huge hit,

607
00:37:44,960 --> 00:37:48,000
Speaker 1: a huge, huge film, winner of three Golden Globe nominations.

608
00:37:48,120 --> 00:37:52,480
Speaker 1: Cute like the Mara sisters both one sister's both one

609
00:37:52,680 --> 00:37:58,640
Speaker 1: for their small supporting roles. Yes they're under fives. Now

610
00:37:58,719 --> 00:38:02,359
Speaker 1: let's pitch a movie for Casper Mattresses Honey. I think

611
00:38:02,400 --> 00:38:05,560
Speaker 1: this is a magical fairy tale. Yeah, well, so we

612
00:38:05,640 --> 00:38:08,320
Speaker 1: have a magical fairy tale, of which, of course stars

613
00:38:08,360 --> 00:38:11,480
Speaker 1: Ana Kendrick. Anna Kendrick is the prince house as the princess.

614
00:38:11,520 --> 00:38:13,640
Speaker 1: Because you know, once you see someone in a role

615
00:38:13,719 --> 00:38:16,279
Speaker 1: and it really works, you just keep doing that. You're

616
00:38:16,280 --> 00:38:20,120
Speaker 1: talking about Cinderella. Oh yeah, and into the woods she

617
00:38:20,280 --> 00:38:27,520
Speaker 1: killed killed it. Now. Anna Kendrick stars as Princess Galina

618
00:38:28,080 --> 00:38:30,840
Speaker 1: and she's out there and this is like a princess

619
00:38:30,840 --> 00:38:35,760
Speaker 1: of the modern tale, a modernization of the She's mattress

620
00:38:35,800 --> 00:38:38,040
Speaker 1: less in the beginnings mattress list in the beginning with

621
00:38:38,120 --> 00:38:42,840
Speaker 1: then a witch gives her a Casper mattress honey played

622
00:38:42,840 --> 00:38:48,200
Speaker 1: by Cela Ward. Yes, thank you finally and who Who's back?

623
00:38:48,280 --> 00:38:53,480
Speaker 1: Who's back? She comes back, like Paley's comment, once every

624
00:38:53,520 --> 00:38:59,680
Speaker 1: sixteen years. Absolutely, And the witch says every one in

625
00:38:59,760 --> 00:39:04,040
Speaker 1: again end, you might say, and you think of Cela,

626
00:39:04,800 --> 00:39:12,920
Speaker 1: She's one of my sisters. So she gives her this enchanted,

627
00:39:13,280 --> 00:39:18,960
Speaker 1: enchanted matchtress and she either can say fifty dollars on

628
00:39:19,040 --> 00:39:24,840
Speaker 1: it or do a one hundred day free trial. This

629
00:39:24,880 --> 00:39:26,880
Speaker 1: is this is this is real? Is this really? You

630
00:39:26,880 --> 00:39:29,440
Speaker 1: can do a Cathine Mattress on day free trial. You

631
00:39:29,480 --> 00:39:32,120
Speaker 1: can do one one hundred day free trial by locking

632
00:39:32,120 --> 00:39:37,440
Speaker 1: onto trial dot com forward. It might be part of

633
00:39:37,440 --> 00:39:40,319
Speaker 1: the offer. Who knows, but anyway, that's like the end

634
00:39:40,360 --> 00:39:42,200
Speaker 1: of act one. That's the end of act And then

635
00:39:42,560 --> 00:39:46,080
Speaker 1: in the second act, her best friend played by Taylor

636
00:39:46,160 --> 00:39:50,239
Speaker 1: Swift in a terrible performance, horrible. She's so bad in

637
00:39:50,320 --> 00:39:54,160
Speaker 1: this like stop putting pop stars in the movie she

638
00:39:54,320 --> 00:39:57,640
Speaker 1: plays the squirrel best friend and the c g I

639
00:39:57,880 --> 00:40:02,520
Speaker 1: is terrible, terrible. Ball is so bad. The mo cap

640
00:40:02,600 --> 00:40:07,319
Speaker 1: dots are still you can still see them. It's such

641
00:40:07,360 --> 00:40:10,799
Speaker 1: a bad perform and such a bad movie, in such

642
00:40:10,800 --> 00:40:12,960
Speaker 1: a such a bad moment that I should say the

643
00:40:13,000 --> 00:40:21,080
Speaker 1: movie's grant. His girlfriend betrays her, betrays by setting setting

644
00:40:21,080 --> 00:40:24,319
Speaker 1: a fire in the forest, and the bed burns and

645
00:40:24,360 --> 00:40:27,920
Speaker 1: the bed burns. But then the witches revealed to be

646
00:40:28,080 --> 00:40:31,520
Speaker 1: a fairy, and the fairy gives her a new cast

647
00:40:31,560 --> 00:40:35,719
Speaker 1: for mattress that she has to pay around because she

648
00:40:35,719 --> 00:40:38,480
Speaker 1: did have that fifty dollar discount for a mattress that

649
00:40:38,520 --> 00:40:40,840
Speaker 1: has just the right thing, just the right bounce to

650
00:40:41,040 --> 00:40:46,000
Speaker 1: phone technology. I was going to say, and that's actually

651
00:40:46,040 --> 00:40:49,400
Speaker 1: a twist in later part of the movie because um

652
00:40:49,440 --> 00:40:54,120
Speaker 1: Galina the princess loses her memory Oh my god. And

653
00:40:54,160 --> 00:40:57,959
Speaker 1: then she lays down on the on the memory phone

654
00:40:58,000 --> 00:41:00,560
Speaker 1: and she gets it back, and then she finds her

655
00:41:00,680 --> 00:41:02,440
Speaker 1: latex under the bed, if you know what I mean,

656
00:41:03,960 --> 00:41:08,800
Speaker 1: because that prince is played by Orlando Bloom. That's correct.

657
00:41:08,800 --> 00:41:11,319
Speaker 1: There you go. And I'm sorry I got that wrong.

658
00:41:11,440 --> 00:41:17,560
Speaker 1: Orlando Jones better. So guys, log onto, don't log on.

659
00:41:17,600 --> 00:41:19,520
Speaker 1: There's no log in. That's the use of your experience.

660
00:41:19,520 --> 00:41:21,360
Speaker 1: It's already perfected. You don't have to log in for

661
00:41:21,440 --> 00:41:24,839
Speaker 1: this Casper trial dot com forward slash lost culture, rest

662
00:41:24,960 --> 00:41:28,600
Speaker 1: us for your trial and to really change your life

663
00:41:28,640 --> 00:41:32,200
Speaker 1: the way that this film changed Ana kendricks life. Because

664
00:41:32,200 --> 00:41:34,879
Speaker 1: her career is over now. And what's what's the film called.

665
00:41:35,320 --> 00:41:41,960
Speaker 1: The film is called Once Upon a Mattress and Honey.

666
00:41:42,040 --> 00:41:48,000
Speaker 1: That is a little bit of an offer and We're

667
00:41:48,040 --> 00:41:52,279
Speaker 1: back with Michael Hartney, and I could say you just

668
00:41:52,320 --> 00:41:54,879
Speaker 1: heard a little bit about a magical world, and I'm

669
00:41:54,880 --> 00:41:57,160
Speaker 1: ready to talk more about a magical world. And you guys,

670
00:41:57,160 --> 00:42:02,280
Speaker 1: I have breaking tea. Did you see what I hosted today? Okay,

671
00:42:02,360 --> 00:42:05,879
Speaker 1: so for everyone at home, did you see this? Producer Joe,

672
00:42:07,280 --> 00:42:10,480
Speaker 1: Yes you did, you commented? Alright. So a while back

673
00:42:10,520 --> 00:42:12,960
Speaker 1: I did a little change that or petition literally kind

674
00:42:12,960 --> 00:42:16,120
Speaker 1: of as a joke saying the Trump animatronics shouldn't be

675
00:42:16,120 --> 00:42:18,640
Speaker 1: able to speak in Hall of Presidents. It got like

676
00:42:18,719 --> 00:42:22,960
Speaker 1: fifteen thousand signatures, low and behold and whatever I mean.

677
00:42:23,400 --> 00:42:26,520
Speaker 1: But then I was like, yeah, I really believe this,

678
00:42:26,640 --> 00:42:28,439
Speaker 1: Like this should not happen. This is like a place

679
00:42:28,480 --> 00:42:34,120
Speaker 1: for families and children and international populace, So like, why

680
00:42:34,440 --> 00:42:36,680
Speaker 1: why do we have to listen to this? Now? The

681
00:42:36,760 --> 00:42:41,040
Speaker 1: g that it's probably not going to happen, that the

682
00:42:41,120 --> 00:42:44,320
Speaker 1: animatronic is probably not going to speak because Disney doesn't

683
00:42:44,360 --> 00:42:47,319
Speaker 1: want it to deal with it. Trump won't cooperate, and

684
00:42:47,360 --> 00:42:51,120
Speaker 1: the imagineers don't are just they don't know what to do.

685
00:42:51,760 --> 00:42:53,759
Speaker 1: They're kind of like well in Iraq and a hard

686
00:42:53,800 --> 00:42:57,719
Speaker 1: place because the thing has to reopen. But also like

687
00:42:57,760 --> 00:42:59,360
Speaker 1: you don't even know if you wanted to record it

688
00:42:59,360 --> 00:43:02,480
Speaker 1: because of what could be going on with Russia, right right, right,

689
00:43:02,719 --> 00:43:04,680
Speaker 1: if you haven't read the news and you only listen

690
00:43:04,680 --> 00:43:08,000
Speaker 1: to this podcast, like ship's gone down with Russia, so

691
00:43:08,080 --> 00:43:10,800
Speaker 1: you gotta you gotta look that up. So thank you,

692
00:43:10,840 --> 00:43:14,359
Speaker 1: America's number one. Not you're only harbingers of culture. Um,

693
00:43:14,440 --> 00:43:17,319
Speaker 1: so I'm your most trusted news source, and you can

694
00:43:17,360 --> 00:43:20,319
Speaker 1: get that, right. What's fascinating is well, I mean, wasn't

695
00:43:20,360 --> 00:43:22,360
Speaker 1: this also like floating around? Was that they wanted to

696
00:43:22,400 --> 00:43:25,440
Speaker 1: cut the time down from twenty three minutes to like, well,

697
00:43:25,480 --> 00:43:27,360
Speaker 1: this is a this is a good topic. What do

698
00:43:27,440 --> 00:43:30,919
Speaker 1: you think of the longer Disney attractions, these shows, these

699
00:43:30,920 --> 00:43:39,120
Speaker 1: performances Jane Bery? Sorry, well that is shortened. H that's

700
00:43:39,160 --> 00:43:41,800
Speaker 1: a cool thing that I know. I think it was

701
00:43:41,840 --> 00:43:45,080
Speaker 1: in the article. Maybe that's why I know. Yeah, yeah, alright,

702
00:43:45,120 --> 00:43:50,399
Speaker 1: I feel better. Um for me, they can be long.

703
00:43:51,000 --> 00:43:54,960
Speaker 1: I'm fine, especially because I don't know if y'all know this,

704
00:43:55,440 --> 00:43:59,200
Speaker 1: but Florida is hot, Florida is warm. It's warm there.

705
00:43:59,239 --> 00:44:01,279
Speaker 1: Do you want to go to to a building? You

706
00:44:01,280 --> 00:44:03,400
Speaker 1: don't want to be kicked out? That ship has a

707
00:44:03,520 --> 00:44:06,200
Speaker 1: c there's nothing like the A C when you go

708
00:44:06,239 --> 00:44:09,239
Speaker 1: in there in Florida. Are you kidding me? It is

709
00:44:09,320 --> 00:44:11,920
Speaker 1: the best. Honestly, every time I go out to Universal

710
00:44:11,960 --> 00:44:14,200
Speaker 1: Studios and I go into the E T room, I'm like,

711
00:44:14,400 --> 00:44:16,480
Speaker 1: oh my god, thank God, thank God, let me see

712
00:44:16,520 --> 00:44:19,719
Speaker 1: the stars, honey. And I don't. I don't like that

713
00:44:19,760 --> 00:44:22,000
Speaker 1: attraction very much. Although it's a little bit of a guy.

714
00:44:22,320 --> 00:44:24,400
Speaker 1: It's kind of a g Yeah, you know what, I

715
00:44:24,440 --> 00:44:26,480
Speaker 1: do love it. Here's what I don't love. And this

716
00:44:26,560 --> 00:44:29,279
Speaker 1: is weird when they get to eat planet deck and

717
00:44:29,360 --> 00:44:31,520
Speaker 1: then it gets weird, it gets weird. Don't like it?

718
00:44:31,560 --> 00:44:35,600
Speaker 1: And ready that room warm all of a sudden warm,

719
00:44:35,760 --> 00:44:38,560
Speaker 1: it's warm? Yeah, what happened to the temp? And you

720
00:44:38,560 --> 00:44:43,640
Speaker 1: know non Cannon those aliens, those are canonical aliens, the

721
00:44:43,640 --> 00:44:48,879
Speaker 1: one that's like wholcome do you think that Spielberg was like, well,

722
00:44:48,920 --> 00:44:51,439
Speaker 1: we've really got to get our people. Just we've really

723
00:44:51,440 --> 00:44:54,040
Speaker 1: got to sign off on all of these. Just this

724
00:44:54,080 --> 00:44:57,279
Speaker 1: one with ninety eyes and the rest of you know,

725
00:44:57,440 --> 00:45:00,520
Speaker 1: just make literally I'm tired. Oh my, they should be

726
00:45:00,560 --> 00:45:03,239
Speaker 1: smally that's yeah, that's better. In fact, this one that

727
00:45:03,280 --> 00:45:05,080
Speaker 1: that's the flower. Can we get rid of her? No,

728
00:45:06,760 --> 00:45:08,600
Speaker 1: those didn't make any sense. But yeah, I did not

729
00:45:08,719 --> 00:45:10,400
Speaker 1: clock that it was warm in that room. You know what,

730
00:45:10,520 --> 00:45:13,319
Speaker 1: I changed my mind. I don't like it anymore. I love,

731
00:45:13,480 --> 00:45:15,680
Speaker 1: I love, I know what fond childhood memories on on

732
00:45:15,800 --> 00:45:18,279
Speaker 1: that right? What a great cue. But why is there

733
00:45:18,320 --> 00:45:23,640
Speaker 1: no animatronic Drew? There should be an animatronic Drew. Okay,

734
00:45:24,200 --> 00:45:28,960
Speaker 1: Drew the Arrymore. It took you a second. I think

735
00:45:29,000 --> 00:45:31,920
Speaker 1: of her as right right, right right, she she was.

736
00:45:32,000 --> 00:45:34,320
Speaker 1: She wasn't Drew yet. She was going to say she

737
00:45:34,440 --> 00:45:36,120
Speaker 1: was not true. She was not true as we know her.

738
00:45:36,480 --> 00:45:38,520
Speaker 1: I guess she never had the opportunity to be Gurtie.

739
00:45:38,560 --> 00:45:40,600
Speaker 1: For me, it was always little Drew Barrymore. What's the

740
00:45:40,680 --> 00:45:43,359
Speaker 1: tea is? Is that getting struck down to make way

741
00:45:43,400 --> 00:45:45,359
Speaker 1: for something? I feel like that's got to be next.

742
00:45:45,480 --> 00:45:48,719
Speaker 1: Also at Universal Studios, Florida. What's old is that terminator

743
00:45:49,920 --> 00:45:52,960
Speaker 1: which is not holding up? Now? I haven't seen her

744
00:45:53,400 --> 00:46:00,440
Speaker 1: well she was. This is the t during the Right

745
00:46:00,480 --> 00:46:04,640
Speaker 1: Experiences and Films Terminator to She was supposed to get

746
00:46:04,719 --> 00:46:09,640
Speaker 1: knocked down early on because James Cameron they were talking

747
00:46:09,680 --> 00:46:12,919
Speaker 1: to her for Avatar about putting Avatar in that space.

748
00:46:13,120 --> 00:46:18,440
Speaker 1: Avatar and now famously we know she though it has

749
00:46:18,560 --> 00:46:21,720
Speaker 1: now just opened up an animal kingdom where you bitches

750
00:46:21,880 --> 00:46:24,320
Speaker 1: are going next week, which we are out there on

751
00:46:24,400 --> 00:46:28,200
Speaker 1: a gig and Heartney God bless him, was like just emailed.

752
00:46:28,239 --> 00:46:31,040
Speaker 1: Everybody in the group was like, yeah, hey, not to

753
00:46:31,120 --> 00:46:32,719
Speaker 1: be a monster, but Bowen and I are going to

754
00:46:32,800 --> 00:46:35,440
Speaker 1: fucking Disney World and we want to go see, uh

755
00:46:35,800 --> 00:46:38,239
Speaker 1: what is it called World of Pandora? But then what's

756
00:46:38,239 --> 00:46:42,480
Speaker 1: the light of passage? Which I've just realized that is

757
00:46:42,560 --> 00:46:45,040
Speaker 1: a pun on rid of passage, which and I hate it.

758
00:46:47,840 --> 00:46:50,719
Speaker 1: I hate that. Yeah, yeah, I just realized that in

759
00:46:50,760 --> 00:46:54,640
Speaker 1: this second Um and those fucking TVs, those TV ads

760
00:46:55,200 --> 00:46:58,279
Speaker 1: where you see the fucking animatronic blue person just saying

761
00:46:59,680 --> 00:47:08,960
Speaker 1: come da, welcome to Pandora, when that is why I

762
00:47:09,080 --> 00:47:16,400
Speaker 1: speak NAVI boys Unobtainium. But that name is apparently like

763
00:47:16,719 --> 00:47:22,520
Speaker 1: just legendary. It's like sort of like this, um, it's no, no, no,

764
00:47:22,680 --> 00:47:24,720
Speaker 1: but it's like it's been throughout it's been in literature

765
00:47:24,800 --> 00:47:28,239
Speaker 1: throughout the ages, the name of Obtainium has been Yeah,

766
00:47:28,400 --> 00:47:31,000
Speaker 1: apparently that's like I was having this conversation with someone

767
00:47:31,080 --> 00:47:32,760
Speaker 1: was like, what a fucking stupid name, Like they couldn't

768
00:47:32,760 --> 00:47:34,320
Speaker 1: have thought of something better, And they were like, no,

769
00:47:34,480 --> 00:47:38,440
Speaker 1: it's actually hasn't. I actually don't believe them at all.

770
00:47:39,440 --> 00:47:42,720
Speaker 1: They showed me here's the reality about here's the reality

771
00:47:42,800 --> 00:47:48,640
Speaker 1: it showed me scrolled illustrated scrolls they had, They had

772
00:47:48,680 --> 00:47:51,879
Speaker 1: the receipts on a um, here's the t about World

773
00:47:51,960 --> 00:47:57,800
Speaker 1: of Pandora. I'm hearing there are some issues, and I

774
00:47:58,000 --> 00:47:59,840
Speaker 1: never I want to say something because I know that

775
00:47:59,880 --> 00:48:05,160
Speaker 1: you are. You're a Disney guy. Yeah, as a universal gay.

776
00:48:05,600 --> 00:48:10,440
Speaker 1: I I'm not throwing shade at Disney. I just I

777
00:48:10,520 --> 00:48:13,000
Speaker 1: get disappointed sometimes when I feel like something that I

778
00:48:13,120 --> 00:48:14,880
Speaker 1: love so much when I was little has become a

779
00:48:14,960 --> 00:48:18,920
Speaker 1: mall you know what I mean? It's always benefit not

780
00:48:19,560 --> 00:48:27,759
Speaker 1: really okay, Hartney would see you. I mean, I do

781
00:48:28,080 --> 00:48:35,480
Speaker 1: understand the uh frustration with another another price hike, another

782
00:48:36,760 --> 00:48:40,280
Speaker 1: uh you know, deluxe experience that you'd have to pony

783
00:48:40,440 --> 00:48:43,080
Speaker 1: up for. But the thing is you don't have to

784
00:48:43,160 --> 00:48:46,600
Speaker 1: do any of those things. But but but I I

785
00:48:46,640 --> 00:48:50,879
Speaker 1: don't know. Maybe it's just me feeling entitled to Disney, right, well,

786
00:48:50,920 --> 00:48:53,879
Speaker 1: I think that is. I feel like that is. It's

787
00:48:53,920 --> 00:48:59,520
Speaker 1: an insane phenomenon that so many people feel like an ownership. Yeah,

788
00:49:00,040 --> 00:49:04,880
Speaker 1: this corporation. I mean, it's really bizarre and I am no,

789
00:49:05,960 --> 00:49:10,160
Speaker 1: I'm not immune to it at all, but like it's

790
00:49:10,360 --> 00:49:12,920
Speaker 1: sweet that we all care so much about this thing.

791
00:49:13,200 --> 00:49:15,880
Speaker 1: But it really is a company with like you know,

792
00:49:16,000 --> 00:49:18,840
Speaker 1: a board in a in a glass conference and they

793
00:49:18,880 --> 00:49:20,759
Speaker 1: would kill you if they had to. Oh, they would,

794
00:49:20,840 --> 00:49:23,919
Speaker 1: they would, that's the thing. If they knew you would

795
00:49:23,920 --> 00:49:25,600
Speaker 1: expose their secrets, they would kill you in a second.

796
00:49:25,680 --> 00:49:28,640
Speaker 1: So would Taylor Swift. She would watch the light leave

797
00:49:28,680 --> 00:49:31,680
Speaker 1: your eyes. Taylor Swift that anyone with over a million

798
00:49:31,760 --> 00:49:35,680
Speaker 1: dollars I think would kill you. Would if I had

799
00:49:35,719 --> 00:49:37,719
Speaker 1: money to protect and you're dead. If you're a threat

800
00:49:37,800 --> 00:49:41,560
Speaker 1: to me, you're done, so you are, I would kill you.

801
00:49:41,640 --> 00:49:50,600
Speaker 1: Are forecasting your manslaughter. No murder, I'm premeditated premeditated murder.

802
00:49:50,680 --> 00:49:53,920
Speaker 1: I'm kidding. Um, I guess I just Oh but speaking

803
00:49:53,960 --> 00:49:56,440
Speaker 1: of which, speaking of like this, just remembering that it's

804
00:49:56,480 --> 00:49:59,880
Speaker 1: a corporation, Like even this fucking article that you posted

805
00:49:59,880 --> 00:50:02,239
Speaker 1: to day about the Hall of Presidents, um, like Bob

806
00:50:02,320 --> 00:50:05,719
Speaker 1: iger fucking made a statement about it back like right

807
00:50:05,719 --> 00:50:08,000
Speaker 1: after the election. Like even it's it's gone all the

808
00:50:08,080 --> 00:50:11,640
Speaker 1: way up to like the highest ranks of Disney for

809
00:50:11,760 --> 00:50:13,359
Speaker 1: him to be like, I will come out and make

810
00:50:13,400 --> 00:50:15,960
Speaker 1: a statement about the Hall of Presidents, and it's like that.

811
00:50:16,320 --> 00:50:20,840
Speaker 1: It's a bizarre position they themselves, that's for sure. I

812
00:50:20,920 --> 00:50:24,480
Speaker 1: don't know what I will say. When I went to

813
00:50:24,560 --> 00:50:35,040
Speaker 1: Hall of Presidents in I was so fucking scared someone Obama.

814
00:50:35,960 --> 00:50:39,880
Speaker 1: I was terrified it did not happen that it restored

815
00:50:39,960 --> 00:50:42,399
Speaker 1: my faith in America. And you know what I did.

816
00:50:43,040 --> 00:50:48,880
Speaker 1: I burst into tears. Oh that's beautiful. It is not beautiful.

817
00:50:48,920 --> 00:50:51,600
Speaker 1: It was pathetic. No, I love it. So that trip,

818
00:50:51,719 --> 00:50:56,080
Speaker 1: that January trip to Disney. So I had first gone

819
00:50:56,120 --> 00:51:00,520
Speaker 1: in with my family. Then I went on spring break

820
00:51:02,320 --> 00:51:05,840
Speaker 1: when I was eighteen with like high schoolers. Were we

821
00:51:05,920 --> 00:51:08,200
Speaker 1: a homo at this point, we were an out homo

822
00:51:10,320 --> 00:51:14,040
Speaker 1: came out when I was sixteen, so I was. So

823
00:51:14,120 --> 00:51:18,680
Speaker 1: we went to the House of Blues and Downtown Disney

824
00:51:18,760 --> 00:51:22,399
Speaker 1: or whatever the Disney Springs Disney Sings now Disney Springs, um.

825
00:51:22,640 --> 00:51:27,480
Speaker 1: And we had a server who said I said something.

826
00:51:27,520 --> 00:51:29,600
Speaker 1: We were kind of joking around and I must have

827
00:51:29,680 --> 00:51:33,640
Speaker 1: said something slightly queeny or something. Remember that word queeney.

828
00:51:34,760 --> 00:51:36,920
Speaker 1: I said it. Because the story is from the nineties

829
00:51:37,560 --> 00:51:41,400
Speaker 1: and Ra's character and Benjamin Button was named Queeney. Some

830
00:51:41,560 --> 00:51:46,200
Speaker 1: facts for the kids. I have a good bendroomin Button story.

831
00:51:46,480 --> 00:51:50,560
Speaker 1: Um and that he went, hey, man, you're being a

832
00:51:50,640 --> 00:51:53,880
Speaker 1: little and he like flipped his wrist down and he went,

833
00:51:53,960 --> 00:51:57,680
Speaker 1: you're being a little Disney. And I was like, well,

834
00:51:57,760 --> 00:52:00,240
Speaker 1: I am Disney, motherfucker, and if you have a problem

835
00:52:00,320 --> 00:52:03,239
Speaker 1: with it, I guess you can fuck off and not

836
00:52:03,440 --> 00:52:08,200
Speaker 1: get a tip from us. I was pissed. Yeah, why

837
00:52:08,280 --> 00:52:11,960
Speaker 1: wouldn't And this table, the table of my friends was

838
00:52:12,080 --> 00:52:16,040
Speaker 1: also not having it. God blast. Did he get fired? No,

839
00:52:16,280 --> 00:52:19,279
Speaker 1: he apologized. I mean he was being nice up until then.

840
00:52:19,520 --> 00:52:21,520
Speaker 1: It's not like you said you're a fag and I'm

841
00:52:21,560 --> 00:52:24,320
Speaker 1: going to get you. He probably thought he was being funny.

842
00:52:24,400 --> 00:52:28,279
Speaker 1: He definitely thought he was being funny. Man, you're being

843
00:52:28,280 --> 00:52:31,200
Speaker 1: a little Disney. Oh god, that's the worst sentence I've

844
00:52:31,200 --> 00:52:33,040
Speaker 1: ever heard. For those of you who lists, I probably

845
00:52:33,040 --> 00:52:35,800
Speaker 1: didn't call him a motherfucker, but I definitely suppressed that

846
00:52:36,000 --> 00:52:38,479
Speaker 1: you're just send to an out gay person who doesn't

847
00:52:38,520 --> 00:52:43,000
Speaker 1: appreciate what you're saying. For those of you who can't see,

848
00:52:43,080 --> 00:52:46,400
Speaker 1: like right before the Disney it's just like limp rest.

849
00:52:46,520 --> 00:52:50,480
Speaker 1: It's like, throw that wrist down. Hate that disgusting. It

850
00:52:50,640 --> 00:52:53,319
Speaker 1: was gross. I hate when you find that in those

851
00:52:53,440 --> 00:52:56,560
Speaker 1: parks too, which is like, what's so frustrating about the

852
00:52:56,600 --> 00:52:59,480
Speaker 1: whole chart animatronic thing is that you remember it is

853
00:52:59,640 --> 00:53:02,840
Speaker 1: flow it off and like a lot like there is

854
00:53:02,880 --> 00:53:05,680
Speaker 1: a lot of trash that rolls through there. So it's like,

855
00:53:05,960 --> 00:53:09,600
Speaker 1: but I'll say, I've never seen anyone give any shade

856
00:53:09,800 --> 00:53:13,840
Speaker 1: to any same sex couple or anything like that. I

857
00:53:13,880 --> 00:53:17,720
Speaker 1: think they they leave it at the door and heartening

858
00:53:17,760 --> 00:53:23,040
Speaker 1: and her going during gate age, are you really, Oh,

859
00:53:23,800 --> 00:53:26,480
Speaker 1: Pandora is going to be lit? I mean, bring that

860
00:53:26,560 --> 00:53:29,719
Speaker 1: red tashe. Honey, we're gonna be wearing red tashe. We're

861
00:53:29,760 --> 00:53:32,520
Speaker 1: gonna be wearing red tashe. Will bring back the hanky code?

862
00:53:32,880 --> 00:53:35,920
Speaker 1: Why not? Um? The tina is going to be flowing?

863
00:53:37,320 --> 00:53:41,920
Speaker 1: Is that what they say? Everywhere? Metal? It's meth everywhere

864
00:53:41,960 --> 00:53:47,880
Speaker 1: in Pandora? I heard yeah after the first movie. That's

865
00:53:47,960 --> 00:53:50,080
Speaker 1: that's actually the plot of the second movie, the night

866
00:53:50,160 --> 00:53:53,640
Speaker 1: before we are there. I think tidal Wave, which is

867
00:53:53,719 --> 00:53:57,560
Speaker 1: like the gay party like Typhoon lagoon. Can you imagine

868
00:53:57,600 --> 00:54:01,759
Speaker 1: getting just like fucking jacked off? In the way pool. O. God,

869
00:54:01,880 --> 00:54:04,920
Speaker 1: that thing is going to be just there's just going

870
00:54:04,960 --> 00:54:07,799
Speaker 1: to be like a layer of ganaree on the top

871
00:54:07,880 --> 00:54:11,680
Speaker 1: of that lazy film. I'm so sad we're not there longer,

872
00:54:13,000 --> 00:54:15,480
Speaker 1: so stay longer. No, we can only go there for

873
00:54:15,600 --> 00:54:17,359
Speaker 1: like a small window of time because we're only there

874
00:54:17,400 --> 00:54:20,040
Speaker 1: for the weekend. Are you doing a full day? No,

875
00:54:20,320 --> 00:54:22,600
Speaker 1: it's like we're doing a night right, So we're doing

876
00:54:22,840 --> 00:54:26,239
Speaker 1: We're doing We're opening the park, then we're going back

877
00:54:26,480 --> 00:54:29,040
Speaker 1: doing our gig, and then we're going back at night.

878
00:54:30,320 --> 00:54:33,640
Speaker 1: Oh my god, I'm obsessed with this commitment. Amazing. And

879
00:54:33,719 --> 00:54:35,960
Speaker 1: meanwhile everyone else is like, well half the group is going.

880
00:54:36,040 --> 00:54:38,560
Speaker 1: The other half is like, yeah, we're gonna So did

881
00:54:38,600 --> 00:54:42,440
Speaker 1: you fast pass already pass? Because we're getting put up

882
00:54:42,440 --> 00:54:44,800
Speaker 1: in a hotel with our job and we were like,

883
00:54:45,160 --> 00:54:49,399
Speaker 1: this is not enough. So the three of us got

884
00:54:49,480 --> 00:54:52,160
Speaker 1: a room at All Star Music so that we could

885
00:54:52,239 --> 00:54:58,359
Speaker 1: get fast passes and extra magic hours. Oh my god,

886
00:54:58,560 --> 00:55:02,279
Speaker 1: extra magic like be waking nightmares that we are. So

887
00:55:02,400 --> 00:55:05,560
Speaker 1: are you getting a park Copper? Are you just? And

888
00:55:05,640 --> 00:55:09,000
Speaker 1: the thing is we change our minds. We can always

889
00:55:09,120 --> 00:55:13,200
Speaker 1: upgrade to a park Copper, which we did. We literally did.

890
00:55:13,440 --> 00:55:16,680
Speaker 1: We went too, but you're not gonna want to. Well,

891
00:55:17,480 --> 00:55:19,279
Speaker 1: we can talk a lot about which park has the

892
00:55:19,360 --> 00:55:23,560
Speaker 1: magic hours whatever, but like you at home are like

893
00:55:23,719 --> 00:55:28,960
Speaker 1: literally asleep. We've talked about Superman Disney. That's what my

894
00:55:29,320 --> 00:55:31,400
Speaker 1: That's what I love though, and the listeners know that,

895
00:55:31,719 --> 00:55:33,440
Speaker 1: I mean, they love me for it. I think some

896
00:55:33,680 --> 00:55:38,200
Speaker 1: day soon and I will prophesy this, we there will

897
00:55:38,400 --> 00:55:42,959
Speaker 1: be a June someday where we bring all the queer

898
00:55:43,320 --> 00:55:45,680
Speaker 1: queer adjacent people and we all go. We have to

899
00:55:45,920 --> 00:55:47,880
Speaker 1: we have to go drink. I really want to go.

900
00:55:48,080 --> 00:55:50,440
Speaker 1: And also it has to be doing. It has to

901
00:55:50,520 --> 00:55:53,759
Speaker 1: be during gay days. I don't know. I think it'd

902
00:55:53,800 --> 00:55:55,520
Speaker 1: be so fun. It would be fun. But you can

903
00:55:55,560 --> 00:55:57,799
Speaker 1: make it your own gay day and told when there's

904
00:55:57,840 --> 00:56:01,080
Speaker 1: no family, like no craziness. Sort of agreeing with that, yeah,

905
00:56:01,160 --> 00:56:03,640
Speaker 1: I mean you can make your own. We have our

906
00:56:03,719 --> 00:56:08,000
Speaker 1: Gay Day experience because it just is serendipitous. Yes, but

907
00:56:08,440 --> 00:56:11,560
Speaker 1: I'm I am like all about a fall. I'm all

908
00:56:11,600 --> 00:56:16,160
Speaker 1: about like getting there in October into I'm into right

909
00:56:16,200 --> 00:56:18,799
Speaker 1: after New Year's as well. For sure? Is that all

910
00:56:20,040 --> 00:56:24,319
Speaker 1: the temperature is a little funky? Oh totally. But yeah,

911
00:56:24,360 --> 00:56:27,680
Speaker 1: I mean I used to go for New Year's I

912
00:56:27,800 --> 00:56:32,320
Speaker 1: went two years in a row. I did that's peak,

913
00:56:32,880 --> 00:56:37,919
Speaker 1: peak peak crowd. When Hogwarts was first opened, we did

914
00:56:38,600 --> 00:56:41,760
Speaker 1: New Year's Eve and as I event during Universit studios

915
00:56:41,840 --> 00:56:46,960
Speaker 1: and it was crazy crowd. And here's what Matt Rogers did.

916
00:56:47,680 --> 00:56:50,399
Speaker 1: He was waiting. He was batting with Chelsea, his sister

917
00:56:50,520 --> 00:56:54,600
Speaker 1: Chelsea for Forbidden Journey, young sister Harry Potter Forbidden Journey.

918
00:56:55,520 --> 00:56:58,920
Speaker 1: The line was nuts, and so they decided to just

919
00:56:59,600 --> 00:57:03,320
Speaker 1: walk in and cut the whole fucking line, not correct

920
00:57:04,640 --> 00:57:08,520
Speaker 1: the line to the Wizarding World at large. It was

921
00:57:08,640 --> 00:57:11,080
Speaker 1: three hours long. You couldn't get even into the land,

922
00:57:13,160 --> 00:57:16,200
Speaker 1: and so I was going to have to wait to

923
00:57:16,320 --> 00:57:18,080
Speaker 1: get three hours just to get into the land to

924
00:57:18,240 --> 00:57:22,240
Speaker 1: look at the fucking castle. Castle. And I was like,

925
00:57:22,400 --> 00:57:25,080
Speaker 1: all right, because it wasn't even diagon Alley. It's just stupid.

926
00:57:27,040 --> 00:57:29,320
Speaker 1: Now they have diagon Alley, but at first they did it.

927
00:57:29,720 --> 00:57:31,960
Speaker 1: So I was like, you know what, come on, and

928
00:57:32,080 --> 00:57:35,520
Speaker 1: we just walked past the line, honey, walked around. No

929
00:57:35,640 --> 00:57:38,680
Speaker 1: one stop, nobody, nobody even dreams. You just have to

930
00:57:38,760 --> 00:57:40,919
Speaker 1: walk with purpose. I guess you just got to act

931
00:57:41,000 --> 00:57:44,240
Speaker 1: like you know where you're going at all. Times, you

932
00:57:44,320 --> 00:57:47,120
Speaker 1: can get it anywhere. I think if you look like

933
00:57:47,200 --> 00:57:48,960
Speaker 1: you know where you're going, you look I agree with

934
00:57:49,040 --> 00:57:53,200
Speaker 1: if you look like you know what's up you're getting

935
00:57:53,840 --> 00:57:58,000
Speaker 1: Remember seventeen look like, look like you know where you're going?

936
00:57:58,680 --> 00:58:01,200
Speaker 1: One more time. We will never seventeen of culture looks

937
00:58:01,240 --> 00:58:03,800
Speaker 1: like you know where you're going. I think that's I

938
00:58:03,880 --> 00:58:05,720
Speaker 1: think that's a good one. That's actually that's a that's

939
00:58:05,760 --> 00:58:07,920
Speaker 1: a really practical one. It's like it's like to be

940
00:58:08,120 --> 00:58:11,440
Speaker 1: the appliable, appliable, like the person you want to be

941
00:58:11,520 --> 00:58:13,560
Speaker 1: in the world. You say a word like you know

942
00:58:13,640 --> 00:58:18,640
Speaker 1: where you're going, say a nonword like you've been saying

943
00:58:18,680 --> 00:58:20,480
Speaker 1: this word all your life, and then it's a real word.

944
00:58:21,080 --> 00:58:23,160
Speaker 1: So when you're down there in Orlando, is it really

945
00:58:23,240 --> 00:58:24,920
Speaker 1: just a Disney affair? Do you ever dip your towe

946
00:58:24,960 --> 00:58:28,760
Speaker 1: in the universe? Studios parks? So um, I had never

947
00:58:28,840 --> 00:58:33,800
Speaker 1: been a universal um. And I had this like final

948
00:58:33,920 --> 00:58:38,200
Speaker 1: week before School of Rock started rehearsals on Broadway, and

949
00:58:38,280 --> 00:58:42,000
Speaker 1: I knew I wasn't going to be taking vacation anytime soon.

950
00:58:42,280 --> 00:58:44,840
Speaker 1: So yeah, so I was like, well, honey, we've been

951
00:58:44,880 --> 00:58:49,120
Speaker 1: to Disney a couple of times, now, why don't we try, uh,

952
00:58:50,120 --> 00:58:54,520
Speaker 1: Universal Studios, and he was very gracious in game and

953
00:58:56,000 --> 00:58:59,880
Speaker 1: indulges me on these stupid theme park adventures. And was

954
00:59:00,120 --> 00:59:01,920
Speaker 1: was this with Jason and Kristen or No, that was

955
00:59:01,960 --> 00:59:05,800
Speaker 1: a different No, that was Jason and Kristen. I went

956
00:59:05,880 --> 00:59:09,520
Speaker 1: to Disneyland with Yes when we went to l a

957
00:59:10,240 --> 00:59:15,760
Speaker 1: Dead Dad's Club, really great sketch ow. Doless Wideck was

958
00:59:15,800 --> 00:59:19,400
Speaker 1: in it. Michael Hartney directed, Oh yeah, true story. I

959
00:59:19,520 --> 00:59:22,520
Speaker 1: was also in it. I designed the postcard. Oh did

960
00:59:22,600 --> 00:59:25,240
Speaker 1: you I did? Yeah? Cute, it was good. That was Yeah,

961
00:59:25,240 --> 00:59:28,000
Speaker 1: that was a fun one. Anyway, we we uh yeah,

962
00:59:28,120 --> 00:59:30,920
Speaker 1: we went to Universal for the first time and uh

963
00:59:31,720 --> 00:59:35,680
Speaker 1: we stayed at Cabana Bay and it really was We

964
00:59:35,800 --> 00:59:39,080
Speaker 1: just did that one and it was great and uh

965
00:59:39,880 --> 00:59:42,480
Speaker 1: it was very fun. But also affirmed that I am

966
00:59:43,360 --> 00:59:49,160
Speaker 1: doggedly Disney. Okay, explain he likes the atmosphere I like. Um,

967
00:59:50,280 --> 00:59:53,240
Speaker 1: I feel like so many of the attractions that Universal

968
00:59:53,360 --> 01:00:01,080
Speaker 1: rely on screens and motion simulator, which if if Disney

969
01:00:01,240 --> 01:00:04,040
Speaker 1: only had rides like that, I would also be very

970
01:00:04,120 --> 01:00:06,240
Speaker 1: sick of that. So I just feel like it's a

971
01:00:07,320 --> 01:00:11,680
Speaker 1: diversity of mode of attraction that I'm looking for in

972
01:00:11,760 --> 01:00:15,520
Speaker 1: a theme park, and there were so many screens and like,

973
01:00:16,680 --> 01:00:21,120
Speaker 1: my constitution can only take so much in a row,

974
01:00:21,640 --> 01:00:23,680
Speaker 1: so like we have to take these breaks, Like I

975
01:00:23,760 --> 01:00:30,200
Speaker 1: can't look at another blurry ass tiny uh approximation of

976
01:00:30,360 --> 01:00:34,360
Speaker 1: Helena Bonham Carter on a screen. There's only so much

977
01:00:34,400 --> 01:00:36,520
Speaker 1: of that in my life. It was pretty fierce, though,

978
01:00:36,720 --> 01:00:40,320
Speaker 1: Oh my god, it was great. It was fine. No,

979
01:00:40,600 --> 01:00:45,600
Speaker 1: it was ready for my Like, here are my universal gags.

980
01:00:46,000 --> 01:00:47,919
Speaker 1: Here's the one where I was like, why aren't people

981
01:00:47,960 --> 01:00:58,120
Speaker 1: talking about this one? Miss mommy? Everyone talks yea was

982
01:00:58,440 --> 01:01:00,640
Speaker 1: the tea and when when they killed and her blood

983
01:01:00,680 --> 01:01:04,800
Speaker 1: splashes on you obession and the roof light's on fire

984
01:01:04,880 --> 01:01:09,520
Speaker 1: bit and it's so hot, talk about talk about warm warm.

985
01:01:09,640 --> 01:01:14,920
Speaker 1: I love DT because it's classic dark ride. Ready magic

986
01:01:15,960 --> 01:01:19,760
Speaker 1: you know what? That is a magical dark ride. They've

987
01:01:19,800 --> 01:01:22,320
Speaker 1: toned it down a lot. It doesn't spin at all.

988
01:01:23,280 --> 01:01:25,120
Speaker 1: It used to be better because it would whip around

989
01:01:25,280 --> 01:01:27,040
Speaker 1: and it was kind of fun. Now it just is

990
01:01:27,120 --> 01:01:29,600
Speaker 1: fully stationary because a little kid fell out of it.

991
01:01:31,480 --> 01:01:34,920
Speaker 1: Fucking tape the kid down. Yeah. I always blame the parents.

992
01:01:34,920 --> 01:01:36,800
Speaker 1: They got they gotta it's it's the onus is on

993
01:01:36,840 --> 01:01:40,160
Speaker 1: the parents to tape their child down. Just hold the kid.

994
01:01:41,080 --> 01:01:44,640
Speaker 1: Tape down your children. Parents. So what do you think

995
01:01:44,680 --> 01:01:48,760
Speaker 1: of the Jurassic Park. I think that that the one

996
01:01:49,520 --> 01:01:53,120
Speaker 1: um in uh, Florida is better than the one in California.

997
01:01:54,720 --> 01:01:56,680
Speaker 1: I disagree. I think it's the other way around. When

998
01:01:56,800 --> 01:02:00,240
Speaker 1: I was on it in Florida, there was a woman

999
01:02:00,280 --> 01:02:03,960
Speaker 1: behind me with her elderly parents, and she was this

1000
01:02:04,160 --> 01:02:10,120
Speaker 1: is literally the ride. Ready, Oh look, ma, tree, look

1001
01:02:10,240 --> 01:02:16,880
Speaker 1: my box, dad, Dad, it's a little dinosaur. Ma. Look

1002
01:02:16,920 --> 01:02:22,320
Speaker 1: at this farn. Like literally every now, every now that

1003
01:02:22,560 --> 01:02:28,520
Speaker 1: we floated by. It was fucking crazy. Look at that.

1004
01:02:28,800 --> 01:02:34,400
Speaker 1: So then you get much wetter. And that water, bitch,

1005
01:02:34,480 --> 01:02:38,400
Speaker 1: I smelled like full bar for the rest of the day.

1006
01:02:39,200 --> 01:02:41,920
Speaker 1: It's not clean. It was not clean. I was wearing

1007
01:02:42,080 --> 01:02:46,080
Speaker 1: barf water on my bootrees for the rest of the day.

1008
01:02:47,280 --> 01:02:51,720
Speaker 1: You get even wetter on the Popeye ride. I didn't

1009
01:02:51,800 --> 01:02:55,440
Speaker 1: go on the Popeye ride because of that. I did

1010
01:02:55,600 --> 01:03:01,040
Speaker 1: go on the ride such a gag. Loved it. Also

1011
01:03:01,120 --> 01:03:05,000
Speaker 1: classic Disney feeling. Yeah, could use a little bit of

1012
01:03:05,120 --> 01:03:07,840
Speaker 1: plus ing, Like, could use a code of paint the

1013
01:03:07,960 --> 01:03:14,120
Speaker 1: characters could use There's a tiny drop and before there's

1014
01:03:14,160 --> 01:03:20,360
Speaker 1: a huge drop. The tiny drop got us. So yeah,

1015
01:03:21,200 --> 01:03:29,320
Speaker 1: the big drop not a rivulate of water that the

1016
01:03:29,520 --> 01:03:31,880
Speaker 1: tiny I mean it is literally two ft. We just

1017
01:03:32,040 --> 01:03:38,080
Speaker 1: got fucking drenched. So all that said, Universal was very fun.

1018
01:03:38,400 --> 01:03:44,960
Speaker 1: I was obsessed with, like fast food boulevard SI, I

1019
01:03:45,120 --> 01:03:47,560
Speaker 1: think you know what, I totally agree with you. There's

1020
01:03:47,600 --> 01:03:50,760
Speaker 1: too many screens, many of the rides of the same,

1021
01:03:51,240 --> 01:03:54,200
Speaker 1: like the Transformers right in the Spiderman rides. It completely

1022
01:03:54,280 --> 01:03:57,760
Speaker 1: ruined Spiderman, which was revolutionary. I still think Spider Man

1023
01:03:57,880 --> 01:04:00,160
Speaker 1: is way better than Transformers. At least you know what

1024
01:04:00,280 --> 01:04:02,760
Speaker 1: the fund is happening in Spider Man. I guess I

1025
01:04:02,800 --> 01:04:04,680
Speaker 1: could say the same thing about the Transformers movies, though

1026
01:04:04,720 --> 01:04:07,240
Speaker 1: I never know what. I don't know what's happening. Could

1027
01:04:07,280 --> 01:04:14,520
Speaker 1: you close really more tight on this undulating box of nothing? Yeah,

1028
01:04:16,200 --> 01:04:18,480
Speaker 1: any idea? What's happening? Do you love that? Do you

1029
01:04:18,640 --> 01:04:20,919
Speaker 1: understand what's going on in the Avengers movies? I don't

1030
01:04:20,920 --> 01:04:22,720
Speaker 1: know what the funk is happening in any of them.

1031
01:04:23,120 --> 01:04:25,280
Speaker 1: I do know what's going on in Avengers movies, but

1032
01:04:25,480 --> 01:04:28,400
Speaker 1: the Transformers movies have me lost. Yeah, those are done,

1033
01:04:28,520 --> 01:04:31,320
Speaker 1: the second one, but at this point, yeah, you know

1034
01:04:31,400 --> 01:04:33,680
Speaker 1: what I've I've I've gotten lost. I can't even go

1035
01:04:33,760 --> 01:04:36,400
Speaker 1: see the Avengers movie because here's the problem. They're all

1036
01:04:36,480 --> 01:04:40,120
Speaker 1: the same movie. Now. Yeah, they started desparate, like people

1037
01:04:40,200 --> 01:04:44,400
Speaker 1: are like, oh, the best Keptain America movies When You're Soldiers, Yeah,

1038
01:04:44,760 --> 01:04:47,640
Speaker 1: that movie is just another like Adventures cut in Pace movie,

1039
01:04:47,920 --> 01:04:50,560
Speaker 1: the first Keptain American movie placed in the forties, and

1040
01:04:50,560 --> 01:04:53,480
Speaker 1: it has its own identity. The first Thor movie is

1041
01:04:53,560 --> 01:04:57,520
Speaker 1: like this juxtaposition of this mythical character in a like

1042
01:04:57,840 --> 01:05:02,320
Speaker 1: small town, like learning how to, and it has its

1043
01:05:02,360 --> 01:05:07,080
Speaker 1: own character. Every every one of those movies in sequels

1044
01:05:07,120 --> 01:05:10,480
Speaker 1: since just feels like, oh and here's Avengers chapter twenty two.

1045
01:05:10,640 --> 01:05:14,760
Speaker 1: They tried to smush it all into it all feels

1046
01:05:14,840 --> 01:05:18,720
Speaker 1: like just another in an ongoing saga, which is fine,

1047
01:05:18,800 --> 01:05:22,400
Speaker 1: but I feel like each thing should have its own personality.

1048
01:05:22,520 --> 01:05:24,800
Speaker 1: I think what they tried to do was they tried

1049
01:05:24,920 --> 01:05:27,120
Speaker 1: they looked which one made the most money, and that

1050
01:05:27,280 --> 01:05:30,760
Speaker 1: was iron Man, and they said, when they're their own movies,

1051
01:05:30,840 --> 01:05:32,720
Speaker 1: that's fine, but when they're all together, try to make

1052
01:05:32,760 --> 01:05:34,840
Speaker 1: them feel like iron Man. That's why why they all

1053
01:05:34,840 --> 01:05:37,720
Speaker 1: have that kind of like Robert Downey junior to them,

1054
01:05:37,720 --> 01:05:39,800
Speaker 1: and they kind of have this like Pace that's like

1055
01:05:39,840 --> 01:05:42,960
Speaker 1: a little too fast, you know. It's just like it's

1056
01:05:42,960 --> 01:05:44,680
Speaker 1: like things are just happening a little too fast, and

1057
01:05:44,760 --> 01:05:47,280
Speaker 1: like not every actor is like good at that, but

1058
01:05:47,360 --> 01:05:50,240
Speaker 1: it feels like because Iron Man was the most successful,

1059
01:05:50,280 --> 01:05:52,040
Speaker 1: and maybe they feel like Robert Downey Jr. Is like

1060
01:05:52,080 --> 01:05:55,360
Speaker 1: the one that they have to like accommodate um. It

1061
01:05:55,480 --> 01:05:58,320
Speaker 1: feels like everything else is trying to be that and

1062
01:05:59,200 --> 01:06:01,440
Speaker 1: wouldn't and has been best suited to that because, like

1063
01:06:01,480 --> 01:06:04,320
Speaker 1: you're saying, they all are so different. I hope Spider

1064
01:06:04,360 --> 01:06:07,520
Speaker 1: Man Homecoming I have. I have the kids cute, the

1065
01:06:07,600 --> 01:06:11,480
Speaker 1: kids good playing spider Man. I like the character Spider Man.

1066
01:06:11,680 --> 01:06:14,040
Speaker 1: I could like like I see spire Man in it,

1067
01:06:14,080 --> 01:06:18,320
Speaker 1: and I'm already annoyed, just want but you give me

1068
01:06:18,400 --> 01:06:21,560
Speaker 1: Marissa Tomay and you've got my money. There there you go.

1069
01:06:21,720 --> 01:06:26,680
Speaker 1: Marissa told me as Aunt May so sad, but like yeah,

1070
01:06:26,760 --> 01:06:29,040
Speaker 1: I was like old ask Aunt May. It's literally Merissa

1071
01:06:29,080 --> 01:06:31,480
Speaker 1: Tomay coming and snatched, like what's going on at school?

1072
01:06:32,760 --> 01:06:35,120
Speaker 1: Talk to me? Seriously? I'm like what I want to know?

1073
01:06:35,920 --> 01:06:40,760
Speaker 1: To go from Rosemary Harris to Sally Field to Marissa Tomay?

1074
01:06:41,120 --> 01:06:44,240
Speaker 1: What a crazy next is gonna be? Margot roblution post

1075
01:06:45,480 --> 01:06:50,360
Speaker 1: because it's going to be Dakoda Fanning daughter. Oh my god, yo,

1076
01:06:50,560 --> 01:06:54,280
Speaker 1: can we talk about how L Fanning eight Dakota Fanning alive? No,

1077
01:06:54,880 --> 01:06:57,880
Speaker 1: I think rule number one one of culture Elf Fanning eight,

1078
01:06:58,040 --> 01:07:00,600
Speaker 1: Dakoda Fanning alive. I think d It just doesn't want

1079
01:07:00,600 --> 01:07:02,560
Speaker 1: to work that much anymore. Who doesn't want to work

1080
01:07:03,200 --> 01:07:05,400
Speaker 1: to code? I think she's probably tapped out. She wants

1081
01:07:05,440 --> 01:07:07,000
Speaker 1: to like. I saw her on some talk show. She

1082
01:07:07,160 --> 01:07:10,880
Speaker 1: was charming. Yeah, you sure it wasn't L. I am

1083
01:07:11,000 --> 01:07:14,320
Speaker 1: sure it wasn't L. In fact, so, if if you

1084
01:07:14,440 --> 01:07:16,200
Speaker 1: have to take one of them out of the burning building,

1085
01:07:17,240 --> 01:07:21,240
Speaker 1: how do you pick? What a weird the one I

1086
01:07:21,360 --> 01:07:27,920
Speaker 1: feel I can get most safely? Yeah, exactly, the one

1087
01:07:27,960 --> 01:07:30,600
Speaker 1: I'm most certain I could say, Okay, they're both equally

1088
01:07:30,640 --> 01:07:35,600
Speaker 1: close to the door. This is such a bond, girls.

1089
01:07:35,680 --> 01:07:38,640
Speaker 1: I kick them both down. I run to the next

1090
01:07:38,800 --> 01:07:41,120
Speaker 1: I run next door, where Abigail Breslin is drowning, and

1091
01:07:41,240 --> 01:07:46,400
Speaker 1: I save her. Okay, I was gonna say, Spencer, Spencer Breslin, No,

1092
01:07:46,520 --> 01:07:48,560
Speaker 1: I don't. I don't care for Abigail Breslin. Do you

1093
01:07:48,640 --> 01:07:53,280
Speaker 1: know I was watching this. I don't care for her. Um.

1094
01:07:53,560 --> 01:07:57,400
Speaker 1: Abigail Breslin is apparently in the Dirty Dancing remake. She's

1095
01:07:57,480 --> 01:08:00,600
Speaker 1: forty eight now, and but she's like she does not

1096
01:08:00,720 --> 01:08:03,480
Speaker 1: look I'm sorry, but as baby. But it's like, I

1097
01:08:03,520 --> 01:08:09,080
Speaker 1: don't And this is no shade to Abigail. This is crack.

1098
01:08:09,320 --> 01:08:13,160
Speaker 1: Just physically not right for the part. No, not right

1099
01:08:13,200 --> 01:08:15,440
Speaker 1: for the really not right for most things. I think

1100
01:08:15,480 --> 01:08:19,439
Speaker 1: Abigail wasn't as a weird actor, like a lovable weirdo.

1101
01:08:20,000 --> 01:08:23,599
Speaker 1: I just I don't. I don't know anyone who act

1102
01:08:23,720 --> 01:08:26,120
Speaker 1: or looks are like her. I don't know. Maybe maybe

1103
01:08:26,160 --> 01:08:28,040
Speaker 1: it's just that I'm a little uneasy with her. She's

1104
01:08:28,080 --> 01:08:29,920
Speaker 1: not even she's not even in type. Like you can't

1105
01:08:29,920 --> 01:08:32,320
Speaker 1: even put her in a type by the way, you guys,

1106
01:08:32,520 --> 01:08:34,679
Speaker 1: um totally. I just don't know where she Since since

1107
01:08:34,720 --> 01:08:37,120
Speaker 1: our l A apps, I had this huge journey with

1108
01:08:37,240 --> 01:08:39,240
Speaker 1: signing it for Equinox Gym. I'm now at the same

1109
01:08:39,280 --> 01:08:42,920
Speaker 1: Equinox Gym as Hot producer Joe. We have not seen

1110
01:08:42,960 --> 01:08:45,559
Speaker 1: each other there yet, but it's equinoxtuneboat catch us there.

1111
01:08:45,560 --> 01:08:48,200
Speaker 1: I have some guest passes. Who will I pick for

1112
01:08:48,320 --> 01:08:51,880
Speaker 1: my guest passes? We'll find out. I won't, Baby, I don't.

1113
01:08:51,960 --> 01:08:57,240
Speaker 1: I don't chilled eucalyptus towels, sort of mediocre spin classes.

1114
01:08:57,840 --> 01:09:01,400
Speaker 1: But we'll talk about this. Joe and kills in that showers.

1115
01:09:04,160 --> 01:09:08,719
Speaker 1: So get this today. Did a year at Equinox because

1116
01:09:09,160 --> 01:09:14,240
Speaker 1: School of Rock paid for it. There go. I also

1117
01:09:14,360 --> 01:09:19,200
Speaker 1: had a trainer because I was covering Dewey, which involves

1118
01:09:20,000 --> 01:09:26,200
Speaker 1: crazy amounts of stamina. Had a trainer to um, yeah,

1119
01:09:26,439 --> 01:09:29,559
Speaker 1: to help me get it. How many times? Just twice?

1120
01:09:29,840 --> 01:09:34,479
Speaker 1: Did you get to kiss Sierra? Yes? It was actually her. God,

1121
01:09:34,520 --> 01:09:38,000
Speaker 1: it was her the last weekend when she was on.

1122
01:09:38,840 --> 01:09:41,160
Speaker 1: Oh that's nice. You got to give her a big

1123
01:09:42,000 --> 01:09:44,800
Speaker 1: It was like her third last show was my second show. Wait,

1124
01:09:44,840 --> 01:09:46,639
Speaker 1: how is that? How is that? How? How is covering?

1125
01:09:46,760 --> 01:09:50,559
Speaker 1: For doing? It? Was the most I still absolutely cannot

1126
01:09:50,600 --> 01:09:53,880
Speaker 1: believe that it happened. It's so cool, um in a

1127
01:09:53,960 --> 01:09:56,920
Speaker 1: Broadway house. Yeah, I had to learn how to play guitar.

1128
01:09:57,280 --> 01:10:01,639
Speaker 1: It was all a thing. But like, I don't think

1129
01:10:01,680 --> 01:10:05,160
Speaker 1: of myself as like some singer or anything, you know,

1130
01:10:05,800 --> 01:10:09,360
Speaker 1: but you have that fucking stage presence. Well thank you.

1131
01:10:10,280 --> 01:10:14,360
Speaker 1: But yeah, like I had worked on it for months

1132
01:10:14,400 --> 01:10:16,599
Speaker 1: and months and months, and it was starting to feel like, oh, well,

1133
01:10:16,600 --> 01:10:18,400
Speaker 1: I'm probably never going to go on this Dewey, which

1134
01:10:18,439 --> 01:10:21,040
Speaker 1: is fine, like there's three other covers and well there's

1135
01:10:21,080 --> 01:10:24,360
Speaker 1: two other covers and they seem to have it and

1136
01:10:24,439 --> 01:10:28,519
Speaker 1: you've just taken care of And then it happened. The

1137
01:10:28,560 --> 01:10:30,600
Speaker 1: stage manager texted me and was like, you're going on

1138
01:10:30,720 --> 01:10:34,839
Speaker 1: his Dewey on Sunday on a Thursday, and I was like, okay,

1139
01:10:35,320 --> 01:10:39,320
Speaker 1: I can do this, and uh yeah. It was like

1140
01:10:39,520 --> 01:10:43,200
Speaker 1: being shot out of a cannon. How does that work?

1141
01:10:43,320 --> 01:10:47,680
Speaker 1: To prepare as an understudy? Like do you rehearse the

1142
01:10:47,800 --> 01:10:51,160
Speaker 1: material while the lead actor is rehearsing it like behind him?

1143
01:10:51,280 --> 01:10:54,240
Speaker 1: Or like how what is it? So? Well, I worked

1144
01:10:54,280 --> 01:10:56,519
Speaker 1: on the workshop and we were covering for the workshop,

1145
01:10:56,600 --> 01:11:00,479
Speaker 1: but like the scripts evolving and the numbers are changing

1146
01:11:00,560 --> 01:11:04,960
Speaker 1: and the blocking is changing, so we weren't encouraged to

1147
01:11:05,160 --> 01:11:08,120
Speaker 1: watch rehearsals because it was all going to change anyway.

1148
01:11:09,040 --> 01:11:13,920
Speaker 1: So for the most part, my work began once the

1149
01:11:14,040 --> 01:11:19,439
Speaker 1: Dewey roll was kind of wicked, and that's when basically

1150
01:11:19,520 --> 01:11:23,479
Speaker 1: we were opening. So then that's when I started rehearsing

1151
01:11:23,560 --> 01:11:28,760
Speaker 1: with the resident director and started like do my Dewey stuff? Um,

1152
01:11:28,920 --> 01:11:31,840
Speaker 1: but I knew I was like the last of the

1153
01:11:32,080 --> 01:11:40,040
Speaker 1: last Yeah, exactly. Michael Hartney and my mom and aunt

1154
01:11:40,200 --> 01:11:42,800
Speaker 1: came to the first one that I did. They bought

1155
01:11:42,840 --> 01:11:48,240
Speaker 1: a ticket for the second row. The show starts presentationally.

1156
01:11:48,360 --> 01:11:51,719
Speaker 1: It's Dewey's band playing a song. So the curtain rises

1157
01:11:51,800 --> 01:11:54,280
Speaker 1: and I'm looking out in the house and I immediately

1158
01:11:54,400 --> 01:11:58,040
Speaker 1: see my mom and Aunt Cathy, and they immediately burst

1159
01:11:58,080 --> 01:12:02,439
Speaker 1: into tears. Oh my god, Oh my god, just sobbing,

1160
01:12:04,960 --> 01:12:08,439
Speaker 1: and it was crazy. My mom had already seen the show,

1161
01:12:08,520 --> 01:12:11,160
Speaker 1: but to see me as do he was like crazy crazy.

1162
01:12:11,320 --> 01:12:13,720
Speaker 1: And then two weeks later, my brother and sister in

1163
01:12:13,800 --> 01:12:17,160
Speaker 1: law came and that was my best friend came from

1164
01:12:17,240 --> 01:12:21,000
Speaker 1: Buffalo to see it. And it was and I had

1165
01:12:21,040 --> 01:12:24,080
Speaker 1: fixed everything that I royally fucked up the first time

1166
01:12:24,840 --> 01:12:28,200
Speaker 1: it was. Were there any were there any big mess up? Like,

1167
01:12:28,400 --> 01:12:32,600
Speaker 1: oh my god, yes, they're sure. The funk were like

1168
01:12:32,720 --> 01:12:37,040
Speaker 1: drop lines no, um paraphrase, I'm lines sure, But that

1169
01:12:37,120 --> 01:12:39,639
Speaker 1: actually doesn't bother me at all. It was musical stuff

1170
01:12:39,680 --> 01:12:42,720
Speaker 1: that I was like, Oh my god. Uh so his

1171
01:12:42,840 --> 01:12:44,920
Speaker 1: first number is called when I climbed to the top

1172
01:12:45,040 --> 01:12:49,280
Speaker 1: of Mount Rock. This is really fucking hard ass crazy

1173
01:12:49,439 --> 01:12:52,640
Speaker 1: song that may immediately depletes you of energy for the

1174
01:12:52,760 --> 01:12:56,720
Speaker 1: rest of the show and it's first thanks Andrew, um

1175
01:12:58,000 --> 01:13:03,320
Speaker 1: and uh i uh saying the first verse in the

1176
01:13:03,720 --> 01:13:08,479
Speaker 1: first chorus began and I knew I was just a

1177
01:13:08,640 --> 01:13:14,720
Speaker 1: hair ahead, and it was so terrifying, and I was like, well,

1178
01:13:14,800 --> 01:13:17,120
Speaker 1: this is it, this is this is how I die?

1179
01:13:17,600 --> 01:13:20,160
Speaker 1: When when do I give up? When do I give up?

1180
01:13:20,200 --> 01:13:23,519
Speaker 1: And literally it was a line and a half long,

1181
01:13:24,000 --> 01:13:27,439
Speaker 1: but to me felt like I was thirty years and

1182
01:13:27,479 --> 01:13:29,640
Speaker 1: then that like kind of I don't know where what

1183
01:13:29,720 --> 01:13:31,040
Speaker 1: kind of mental place that puts you in for the

1184
01:13:31,080 --> 01:13:33,599
Speaker 1: rest of the show, but like who knows, Like you're

1185
01:13:33,840 --> 01:13:37,960
Speaker 1: so about A verse and a half later, Um, there's

1186
01:13:38,040 --> 01:13:41,720
Speaker 1: this like Corey choreographed moment where I jump over a

1187
01:13:41,800 --> 01:13:44,760
Speaker 1: guitar case and I'm like putting up dukes and I

1188
01:13:44,880 --> 01:13:47,559
Speaker 1: throw myself to the floor and I have a very

1189
01:13:47,680 --> 01:13:52,400
Speaker 1: distinct memory of mid air in the jumping over the

1190
01:13:52,479 --> 01:13:56,920
Speaker 1: guitar case like putting up dukes, going I would like

1191
01:13:57,000 --> 01:14:00,240
Speaker 1: to stop doing this. I don't want to do I

1192
01:14:00,479 --> 01:14:07,920
Speaker 1: don't want to do this show, Like I don't want

1193
01:14:07,960 --> 01:14:10,720
Speaker 1: to see this show through to the end, which of

1194
01:14:10,840 --> 01:14:15,320
Speaker 1: course I must and have to contractually, but I was like,

1195
01:14:15,479 --> 01:14:19,000
Speaker 1: I don't want to do this. And then it passed.

1196
01:14:19,000 --> 01:14:22,360
Speaker 1: I mean it very quickly passed. I relaxed into it

1197
01:14:22,439 --> 01:14:24,320
Speaker 1: and really started having the time of my life. I mean,

1198
01:14:24,400 --> 01:14:28,400
Speaker 1: both shows were very special. Oh so then um, then

1199
01:14:28,520 --> 01:14:30,960
Speaker 1: the first song with the kids called You're in the Band.

1200
01:14:31,880 --> 01:14:34,560
Speaker 1: I've never had a problem in any rehearsal singing this

1201
01:14:34,720 --> 01:14:44,559
Speaker 1: song ever, and the adrenaline and the exertion. Um, there

1202
01:14:44,720 --> 01:14:48,040
Speaker 1: was a verse at the end where I couldn't get

1203
01:14:48,080 --> 01:14:50,400
Speaker 1: the last word of every line out for some reason.

1204
01:14:52,080 --> 01:14:53,640
Speaker 1: So it's like the song goes, and with me a

1205
01:14:53,720 --> 01:14:56,559
Speaker 1: control love the band as a whole, we will rock,

1206
01:14:56,600 --> 01:14:59,840
Speaker 1: it will roll with a hot enussle. And I said,

1207
01:15:00,960 --> 01:15:06,080
Speaker 1: and with me a good love the Paniza, with our

1208
01:15:06,120 --> 01:15:08,280
Speaker 1: heart and our soul. Because then I started speaking it

1209
01:15:08,560 --> 01:15:10,120
Speaker 1: because I was like, what has happened to my mind?

1210
01:15:10,160 --> 01:15:15,320
Speaker 1: As the kids were like the kids were like ms, Finn,

1211
01:15:19,760 --> 01:15:21,639
Speaker 1: So the kids are they kind of like that's really cool?

1212
01:15:21,640 --> 01:15:23,320
Speaker 1: Do you get to go on? Or were they like yeah,

1213
01:15:23,360 --> 01:15:29,160
Speaker 1: that's great, Oh my god. They the cutest, sweetest, most excited.

1214
01:15:30,520 --> 01:15:33,400
Speaker 1: Everyone was so excited. The whole building was very excited

1215
01:15:33,439 --> 01:15:36,360
Speaker 1: for me. I mean it really was like the most supportive, lovely,

1216
01:15:37,120 --> 01:15:39,680
Speaker 1: familial group of people in the world. How did you

1217
01:15:39,720 --> 01:15:44,000
Speaker 1: get to meet ms Cosgrove Miranda? Oh? I did actually

1218
01:15:44,040 --> 01:15:48,639
Speaker 1: Opening Night. Oh cool. She was very sweet, beautiful soul.

1219
01:15:50,640 --> 01:15:52,280
Speaker 1: I don't know what Matt's trying to get at. I

1220
01:15:52,360 --> 01:15:55,160
Speaker 1: don't know. She was she was really she was lovely,

1221
01:15:55,360 --> 01:15:57,679
Speaker 1: she was really nice. We should have her on. Let's

1222
01:15:57,680 --> 01:16:00,360
Speaker 1: bring on Miranda. We'll bring on Maranda. I think we're nicas.

1223
01:16:00,400 --> 01:16:02,719
Speaker 1: Grove killed it in that movie She's Fears. Oh yeah,

1224
01:16:03,000 --> 01:16:05,240
Speaker 1: that was like you knew she was a star memory

1225
01:16:05,680 --> 01:16:10,639
Speaker 1: ho in the Moon like stop stop, stop, good, wow,

1226
01:16:10,880 --> 01:16:15,800
Speaker 1: what thank you for that story? Wows right? I love that.

1227
01:16:17,000 --> 01:16:20,040
Speaker 1: Then just dropping the lad story just couldn't get them out,

1228
01:16:20,320 --> 01:16:22,360
Speaker 1: just could not get him out. Your bodied in my

1229
01:16:22,640 --> 01:16:27,559
Speaker 1: voice was just blown out for just those little syllables. Um.

1230
01:16:28,040 --> 01:16:30,160
Speaker 1: So that's like, that's a tough one to think about that,

1231
01:16:30,479 --> 01:16:33,360
Speaker 1: But you know what, I'm so glad that. I'm so

1232
01:16:33,479 --> 01:16:35,880
Speaker 1: glad you made it through. I made it through. Yeah,

1233
01:16:35,920 --> 01:16:38,400
Speaker 1: you made it through. Baby. Um Okay. Whenever I dropped

1234
01:16:38,400 --> 01:16:41,280
Speaker 1: a line on site and was like, it's always over. Yeah, right,

1235
01:16:42,040 --> 01:16:44,000
Speaker 1: that's what That's what I'm saying, Like, I that throws

1236
01:16:44,080 --> 01:16:46,240
Speaker 1: me off for the whole fucking thing. That stuff doesn't

1237
01:16:46,280 --> 01:16:49,760
Speaker 1: bother me anymore, which is like very lovely. That is

1238
01:16:49,800 --> 01:16:53,400
Speaker 1: a blessing. That was a Broadway Tomty baby, because there

1239
01:16:53,479 --> 01:16:55,920
Speaker 1: was just so many other things to worry about. Yeah,

1240
01:16:56,160 --> 01:16:58,759
Speaker 1: that first show, I was like so worried about the guitar.

1241
01:16:59,120 --> 01:17:01,479
Speaker 1: It was the first time I've ever been remotely good

1242
01:17:01,840 --> 01:17:04,639
Speaker 1: at guitar. Well there you go, like it was great,

1243
01:17:04,920 --> 01:17:09,479
Speaker 1: you know, I mean relatively, No, no, I'm sure, but yeah,

1244
01:17:09,720 --> 01:17:12,160
Speaker 1: it was like weird things. I wasn't expecting that. I

1245
01:17:12,320 --> 01:17:17,519
Speaker 1: was suddenly, Oh my god, it is a dream. Oh

1246
01:17:17,600 --> 01:17:20,880
Speaker 1: my god. What Broadway show would you want to be in? Um? Oh,

1247
01:17:21,000 --> 01:17:22,680
Speaker 1: that's so tough. You go first, I don't really know.

1248
01:17:23,000 --> 01:17:28,200
Speaker 1: M I guess I would like to do King George Hamilton,

1249
01:17:28,960 --> 01:17:30,439
Speaker 1: and I would always love to do a Book of Mormon,

1250
01:17:30,520 --> 01:17:33,400
Speaker 1: of course. Yeah, my like basic acid answer his Book

1251
01:17:33,439 --> 01:17:37,640
Speaker 1: of Mormon. But oh, I I post what if I

1252
01:17:37,760 --> 01:17:41,880
Speaker 1: was like this, gosh, play actually shut up, I'd like

1253
01:17:41,960 --> 01:17:43,760
Speaker 1: to play. I did post this, and I kind of

1254
01:17:43,840 --> 01:17:46,439
Speaker 1: I kind of I kind of hated myself for posting this,

1255
01:17:46,560 --> 01:17:48,360
Speaker 1: but I was like, I want to be sucking Bobby

1256
01:17:48,439 --> 01:17:50,560
Speaker 1: and Company or not even know I loved that you

1257
01:17:50,640 --> 01:17:58,880
Speaker 1: posted that. Good. I want to be Bobby Baby. I

1258
01:17:59,040 --> 01:18:00,920
Speaker 1: should do that. Well, I'll save it for for the

1259
01:18:01,000 --> 01:18:03,360
Speaker 1: actual show. He's got a new cat and he's named

1260
01:18:03,400 --> 01:18:07,719
Speaker 1: after Um finishing the hat. His name is George. Sunday

1261
01:18:07,760 --> 01:18:09,960
Speaker 1: in the Park with George. Because we were carrying him

1262
01:18:10,000 --> 01:18:12,519
Speaker 1: home and trying to figure out names and finishing the hat,

1263
01:18:12,840 --> 01:18:17,800
Speaker 1: weirdly came on my partners. He had never heard that song,

1264
01:18:17,880 --> 01:18:19,120
Speaker 1: and I was like, Oh, it's from Sunday in the

1265
01:18:19,160 --> 01:18:21,600
Speaker 1: Park with George and it's beautiful and I think this

1266
01:18:21,760 --> 01:18:23,920
Speaker 1: is Mandy Patinkin. He's like, this is how do you

1267
01:18:24,040 --> 01:18:26,800
Speaker 1: know this stuff? And I'm like, don't even worry about

1268
01:18:28,840 --> 01:18:32,320
Speaker 1: common knowledge to us? Oh my god. With the one

1269
01:18:32,360 --> 01:18:34,240
Speaker 1: who played Dot, Um, the new one who played Dot

1270
01:18:34,320 --> 01:18:37,200
Speaker 1: next to j Joe and Hall. What's her name? Annalistie

1271
01:18:37,200 --> 01:18:41,599
Speaker 1: Ashford Antie Ashford Denver It like me. I watched watched

1272
01:18:41,600 --> 01:18:43,479
Speaker 1: a bunch of interviews with her. She's great, she's funny.

1273
01:18:43,800 --> 01:18:48,560
Speaker 1: She's super funny. So funny's super good. Yeah, good for

1274
01:18:48,640 --> 01:18:53,799
Speaker 1: her for Kinky Boots and she also her career started

1275
01:18:54,680 --> 01:18:57,240
Speaker 1: when she was like she came out on MTV when

1276
01:18:57,280 --> 01:19:01,200
Speaker 1: they showed Bland she was like, dear, he's a lucky guy.

1277
01:19:01,800 --> 01:19:04,720
Speaker 1: And then we're like, who's that. They're like, that's the

1278
01:19:04,760 --> 01:19:07,639
Speaker 1: one we remember. And now she's I'm like gonna cry,

1279
01:19:07,960 --> 01:19:14,400
Speaker 1: she's doing fucking of um. Okay, we gotta move on.

1280
01:19:14,680 --> 01:19:16,400
Speaker 1: This is it, this is the moment, all right, this

1281
01:19:16,520 --> 01:19:18,200
Speaker 1: is I don't think so honey, this is what you

1282
01:19:19,080 --> 01:19:24,559
Speaker 1: have all gagged for now. Famously, uh, Michael Hartney actually

1283
01:19:24,680 --> 01:19:29,960
Speaker 1: closed out our our I don't think so, honey live

1284
01:19:30,080 --> 01:19:32,320
Speaker 1: show that we had a couple of months ago, and

1285
01:19:32,560 --> 01:19:34,760
Speaker 1: it was like it was quite a moment, and and

1286
01:19:35,000 --> 01:19:37,160
Speaker 1: then you, I don't think, so, honey, What movie was it?

1287
01:19:37,200 --> 01:19:40,120
Speaker 1: What film is it? Usual? Usual Suspects? And the final

1288
01:19:40,200 --> 01:19:42,400
Speaker 1: line of his I don't think so, Honeywise, if I

1289
01:19:42,560 --> 01:19:45,320
Speaker 1: want to listen to Kevin Spacey live for two two

1290
01:19:45,400 --> 01:19:48,639
Speaker 1: hours straight, I listened to him talk about the women

1291
01:19:48,720 --> 01:19:51,840
Speaker 1: he's fucked thrown on to drone on. I'm so sorry.

1292
01:19:51,840 --> 01:19:56,160
Speaker 1: I butchered it. You butchered that. Okay, please do a justice. No, no, no,

1293
01:19:56,760 --> 01:19:58,760
Speaker 1: I want you to think everything you guys are doing

1294
01:19:58,840 --> 01:20:03,519
Speaker 1: are both in accurate representative. It was brilliant, It was amazing.

1295
01:20:04,000 --> 01:20:06,040
Speaker 1: Maybe I don't know, guys, Maybe look forward to another

1296
01:20:06,080 --> 01:20:10,280
Speaker 1: I don't think so, honey, live show maybe maybe for

1297
01:20:10,400 --> 01:20:13,400
Speaker 1: you soon, I don't know, little tease. I look, I

1298
01:20:13,439 --> 01:20:16,240
Speaker 1: looked at producer Joe and he just set himself on fire. Actually,

1299
01:20:17,360 --> 01:20:20,280
Speaker 1: so um, we'll deal with that. We'll deal with that. Also,

1300
01:20:20,360 --> 01:20:22,439
Speaker 1: just want to quickly say, I just want to quickly say,

1301
01:20:22,880 --> 01:20:24,840
Speaker 1: Bone and I have a show at Arsenova and Fest

1302
01:20:24,920 --> 01:20:27,920
Speaker 1: on June twenty two that's called Nights. So it is

1303
01:20:27,960 --> 01:20:30,599
Speaker 1: going to be a cat fight in three acts. Honey.

1304
01:20:30,760 --> 01:20:36,320
Speaker 1: It is gonna be Dynasty not landing realness for there

1305
01:20:36,400 --> 01:20:39,519
Speaker 1: in full drag bit. It's gonna be very It's gonna

1306
01:20:39,560 --> 01:20:44,759
Speaker 1: be quite the show. So Chicken, get them in advance.

1307
01:20:44,760 --> 01:20:47,960
Speaker 1: They're gonna be a little cheaper Arsnova and Fest. Check

1308
01:20:48,000 --> 01:20:50,400
Speaker 1: it out. Lots of really good shows in the shows

1309
01:20:50,800 --> 01:20:54,040
Speaker 1: from Passic and Platt. Yes. And then right after our

1310
01:20:54,080 --> 01:20:56,639
Speaker 1: show the same night is show Gasm hosted by Nicole

1311
01:20:57,040 --> 01:20:59,360
Speaker 1: Le Queen Nicole, Queen Nicole. So this is going to

1312
01:20:59,439 --> 01:21:03,880
Speaker 1: be a very fun June for Arsenal. Emphasis. Now I haven't.

1313
01:21:03,880 --> 01:21:05,680
Speaker 1: I don't think so, honey, I've decided on it. I

1314
01:21:05,880 --> 01:21:08,320
Speaker 1: don't yet. So this is very exciting. I'll have time

1315
01:21:08,320 --> 01:21:09,760
Speaker 1: to think about mine, but because I had to think.

1316
01:21:10,040 --> 01:21:12,320
Speaker 1: Sometimes you have to have to search your heart. Okay,

1317
01:21:12,560 --> 01:21:15,360
Speaker 1: here we go, and this is I don't think so, honey.

1318
01:21:16,160 --> 01:21:19,000
Speaker 1: Uh Matt Rodgers, time starts now. I don't think so, honey.

1319
01:21:19,120 --> 01:21:21,280
Speaker 1: Let us onion and tomato. Bitch, Why are you a

1320
01:21:21,400 --> 01:21:25,360
Speaker 1: staple of a cheeseburger. I see two words cheese and burger.

1321
01:21:25,439 --> 01:21:27,760
Speaker 1: I don't see let us onion tomato in that deal.

1322
01:21:28,120 --> 01:21:30,840
Speaker 1: I assume bread, and maybe that's my fucking fault for

1323
01:21:30,920 --> 01:21:33,680
Speaker 1: assuming it. Cheese burger, that's what I want to get.

1324
01:21:33,720 --> 01:21:36,000
Speaker 1: I want to I would rather say I'll have a

1325
01:21:36,120 --> 01:21:39,080
Speaker 1: cheeseburger on bread. Then I'll have a cheeseburger. Get the

1326
01:21:39,120 --> 01:21:41,240
Speaker 1: bread and get the let us onion and tomato, bitch,

1327
01:21:41,439 --> 01:21:45,160
Speaker 1: it's too much. I don't like tomato. I might as

1328
01:21:45,160 --> 01:21:47,920
Speaker 1: well be allergic to it. I've tried the little sun

1329
01:21:48,040 --> 01:21:51,960
Speaker 1: dried tomatoes, little cherry tomatoes. Maybe you not these big ones,

1330
01:21:52,479 --> 01:21:55,759
Speaker 1: not these big heirloom ones. And onion. What the hell?

1331
01:21:56,080 --> 01:22:00,360
Speaker 1: You're well known for making people cry. Let us your lunchy.

1332
01:22:00,920 --> 01:22:04,799
Speaker 1: You're stupid. If I wanted the healthy option, I wouldn't

1333
01:22:04,800 --> 01:22:06,840
Speaker 1: have ordered a cheeseburger. I would have had a salad, bitch,

1334
01:22:07,040 --> 01:22:08,880
Speaker 1: I don't need some of you. Let us on my burger.

1335
01:22:09,720 --> 01:22:12,120
Speaker 1: I don't need let us on get in tomato, you're

1336
01:22:12,200 --> 01:22:14,559
Speaker 1: extra and mayo. Don't even think about it. I want

1337
01:22:14,600 --> 01:22:16,599
Speaker 1: to catch up and mustard on the side. I'll put

1338
01:22:16,600 --> 01:22:21,040
Speaker 1: it on as I please, liberally. Thanks. And that's just

1339
01:22:21,160 --> 01:22:23,360
Speaker 1: one quick question. How old were you when you stopped

1340
01:22:23,439 --> 01:22:27,559
Speaker 1: ordering buttered noodles at a restaurant? I never ordered butter noodles, bitch.

1341
01:22:27,720 --> 01:22:30,080
Speaker 1: I've been a chicken fingers kids since I was terrible

1342
01:22:30,120 --> 01:22:35,920
Speaker 1: to buttermilk. Bitch. I feel like I spoke to a

1343
01:22:36,000 --> 01:22:37,720
Speaker 1: lot of people. You spoke to a lot of people. Well,

1344
01:22:37,800 --> 01:22:39,640
Speaker 1: I'm sorry. What was the line that he said? I

1345
01:22:39,720 --> 01:22:42,640
Speaker 1: don't I don't want some of you. Let us. I

1346
01:22:42,680 --> 01:22:44,200
Speaker 1: don't want some of you. Let us. I don't want

1347
01:22:44,240 --> 01:22:48,320
Speaker 1: You're crunchy. You're stupid. You're crunchy, You're stupid. First of all,

1348
01:22:48,360 --> 01:22:52,040
Speaker 1: crunchy is crunch is great. It's not a pejorative thing.

1349
01:22:52,280 --> 01:22:54,320
Speaker 1: But okay, it's signed for bell and youangs. I don't

1350
01:22:54,320 --> 01:22:55,840
Speaker 1: think so how many I think I have something that's

1351
01:22:55,920 --> 01:22:57,679
Speaker 1: we'll see you know what. I gotta go in strong,

1352
01:22:57,800 --> 01:23:01,080
Speaker 1: remember whatever, know where you're going here we go. This

1353
01:23:01,200 --> 01:23:02,640
Speaker 1: is my I don't think so, honey. Believe it was

1354
01:23:02,720 --> 01:23:05,840
Speaker 1: rule number eighty nine. Okay, I could be wrong. I

1355
01:23:05,880 --> 01:23:08,160
Speaker 1: don't think so, Honey. Time starts now. I don't think so, Honey.

1356
01:23:08,200 --> 01:23:10,120
Speaker 1: The super Target that just opened up at City Point

1357
01:23:10,160 --> 01:23:12,960
Speaker 1: in Brooklyn for having the name super Target but having

1358
01:23:13,040 --> 01:23:16,680
Speaker 1: a lackluster produce section, Honey. The thing that distinguishes you

1359
01:23:16,760 --> 01:23:19,000
Speaker 1: from a super target, for a super target, from a

1360
01:23:19,080 --> 01:23:22,280
Speaker 1: regular target is the fucking produce section. Honey. You are

1361
01:23:22,400 --> 01:23:24,799
Speaker 1: not gonna get away with having a pile of oranges

1362
01:23:24,840 --> 01:23:26,880
Speaker 1: in the middle of the fucking aisle and call yourself

1363
01:23:26,960 --> 01:23:31,040
Speaker 1: a super target and slap that qualifier on your self. Honey.

1364
01:23:31,280 --> 01:23:33,920
Speaker 1: City Point, You're busted. You're supposed to have a Catxs

1365
01:23:33,960 --> 01:23:36,160
Speaker 1: Deli and a Trader Does and a super Target and

1366
01:23:36,200 --> 01:23:38,879
Speaker 1: an Alamo Drafthouse. Right now you only have a lackluster

1367
01:23:38,960 --> 01:23:42,200
Speaker 1: super Target and a fine okay Alamo Drafthouse. I've only

1368
01:23:42,240 --> 01:23:44,439
Speaker 1: seen one movie there. I was. I was very stone

1369
01:23:44,439 --> 01:23:46,439
Speaker 1: and it was Fantastic Beasts and Where to Find Them

1370
01:23:46,479 --> 01:23:48,760
Speaker 1: with Matt and it was very fun. But also, but

1371
01:23:49,120 --> 01:23:51,200
Speaker 1: super Target. You do not get to call yourself a

1372
01:23:51,200 --> 01:23:54,080
Speaker 1: super target where you have one floor. The Target Atlantic

1373
01:23:54,200 --> 01:23:56,360
Speaker 1: Terminal has two floors, bitch, and it's spacious as hell.

1374
01:23:56,439 --> 01:23:59,000
Speaker 1: But it smells like ass so City So City Point

1375
01:23:59,000 --> 01:24:01,160
Speaker 1: super Target. At least get your smell down. If you

1376
01:24:01,240 --> 01:24:04,360
Speaker 1: suck that up, then there's no so I don't think so, honey,

1377
01:24:04,400 --> 01:24:06,880
Speaker 1: super Target be the real super Target you were meant

1378
01:24:06,920 --> 01:24:10,400
Speaker 1: to be in. That's one minute. Okay, Wow, it's a

1379
01:24:10,479 --> 01:24:14,479
Speaker 1: Travis That Elmo Drafthouse is lovely. It's lovely. I didn't

1380
01:24:14,640 --> 01:24:17,880
Speaker 1: totally chin on it. I know I think that, Um,

1381
01:24:18,720 --> 01:24:21,160
Speaker 1: that was actually amazing, thank you, thank you very much.

1382
01:24:21,200 --> 01:24:23,000
Speaker 1: And it just came they shouldn't call themselves a super

1383
01:24:23,760 --> 01:24:27,200
Speaker 1: They should have to earn that absolutely absolutely, all right,

1384
01:24:27,479 --> 01:24:29,320
Speaker 1: this is it. So Michael Hartney came in. I think

1385
01:24:29,320 --> 01:24:30,920
Speaker 1: he told me that he had two options. You have

1386
01:24:31,000 --> 01:24:32,960
Speaker 1: two options, and he's holding both of his options in

1387
01:24:33,000 --> 01:24:35,880
Speaker 1: his hand right now, and so Bowen on the counter,

1388
01:24:36,040 --> 01:24:37,479
Speaker 1: we're going to choose the same hold on. How do

1389
01:24:37,560 --> 01:24:39,120
Speaker 1: we know that he just doesn't have one pick down

1390
01:24:39,120 --> 01:24:42,240
Speaker 1: and he's just gonna say that, Okay, Okay, I will

1391
01:24:44,040 --> 01:24:45,640
Speaker 1: the choice. You know what, Boone and I are going

1392
01:24:45,680 --> 01:24:48,680
Speaker 1: to disagree. So Joe, you pick the hand producer Joe.

1393
01:24:48,880 --> 01:24:51,560
Speaker 1: He picks the left right. Here we go. This is

1394
01:24:51,600 --> 01:24:53,720
Speaker 1: Michael Hartney's left hand. I don't think so, honey. Time

1395
01:24:53,800 --> 01:24:56,599
Speaker 1: starts now. I don't think so, honey. People who come

1396
01:24:56,720 --> 01:25:01,840
Speaker 1: for mo wanna Honey. That movie is gag honey. I

1397
01:25:02,000 --> 01:25:04,280
Speaker 1: cried four times when I saw that movie, honey, and

1398
01:25:04,320 --> 01:25:06,120
Speaker 1: then I was like, I saw the second time and

1399
01:25:06,120 --> 01:25:08,000
Speaker 1: I was like, well, I'm not going to cry as much, honey.

1400
01:25:08,200 --> 01:25:11,880
Speaker 1: I cried to Ie as by Tiney. What is wrong

1401
01:25:12,000 --> 01:25:17,599
Speaker 1: with simple, straightforward storytelling with fun ass songs? I'm sorry.

1402
01:25:17,880 --> 01:25:20,120
Speaker 1: Mr Andrew Lloyd Webber says, you only need a few

1403
01:25:20,479 --> 01:25:24,439
Speaker 1: motifs to hold an audience's attention. And I worked with

1404
01:25:24,520 --> 01:25:28,040
Speaker 1: that motherfucker, so I should, motherfucking No. Ma Wanna is

1405
01:25:28,080 --> 01:25:32,040
Speaker 1: a Superman story. She knows where, she learns where she

1406
01:25:32,200 --> 01:25:38,160
Speaker 1: came from, She defies her elders, and she has agency me,

1407
01:25:39,280 --> 01:25:43,360
Speaker 1: she makes choice has there is no love interest. She

1408
01:25:43,400 --> 01:25:46,479
Speaker 1: doesn't care about no Rock. Also the Rocks body. That

1409
01:25:46,800 --> 01:25:50,920
Speaker 1: is a pay into ink and paint animation, honey, which

1410
01:25:50,920 --> 01:25:53,519
Speaker 1: you're not gonna get in c G I other films, bitch.

1411
01:25:54,040 --> 01:25:58,759
Speaker 1: I don't think so, honey. That's one minute we just disagree.

1412
01:25:58,800 --> 01:26:06,439
Speaker 1: I guess I'll Sun Times opinion anyway for I could

1413
01:26:06,479 --> 01:26:09,599
Speaker 1: get into this did not come from Matt Rogers at all.

1414
01:26:09,640 --> 01:26:11,600
Speaker 1: I'm so glad you picked the one that came for

1415
01:26:11,720 --> 01:26:15,400
Speaker 1: Matt Roger. Bitch that was. I didn't like it. It

1416
01:26:15,880 --> 01:26:19,840
Speaker 1: boored my ass to death, and it also boored bow

1417
01:26:19,920 --> 01:26:22,840
Speaker 1: and today he just wasn't brave enough to take to

1418
01:26:23,000 --> 01:26:26,599
Speaker 1: social about it. I just wasn't brave enough to take

1419
01:26:26,680 --> 01:26:29,120
Speaker 1: to social. Sorry. I just heard the phrase take to

1420
01:26:29,240 --> 01:26:33,360
Speaker 1: social and now I'm lighting myself on fire. Listen. I

1421
01:26:33,560 --> 01:26:36,120
Speaker 1: was you know what, I was a craven. It was

1422
01:26:36,160 --> 01:26:38,280
Speaker 1: a craven. Craven of me to not post on social.

1423
01:26:38,360 --> 01:26:40,720
Speaker 1: But I will say that Matt and I got our

1424
01:26:40,800 --> 01:26:44,479
Speaker 1: fucking lives during the How Far I'll Go reprise. Yeah,

1425
01:26:44,520 --> 01:26:47,800
Speaker 1: it was amazing. It was an amazing moment. I thought

1426
01:26:47,840 --> 01:26:50,160
Speaker 1: there were great moments in that movie. I wish the

1427
01:26:50,240 --> 01:26:55,479
Speaker 1: star the whole thing was exciting. I wish that. I

1428
01:26:55,680 --> 01:26:58,640
Speaker 1: wish I wish I felt you want excited while I

1429
01:26:58,720 --> 01:27:00,800
Speaker 1: was watching it. You want to talk about a consistently

1430
01:27:00,920 --> 01:27:03,439
Speaker 1: excellent Disney movie from the last five years, I have

1431
01:27:03,520 --> 01:27:06,000
Speaker 1: said it a million times. Recket Racket Ralph, it's the

1432
01:27:06,080 --> 01:27:08,040
Speaker 1: best watch it, but it's not a musical, so I

1433
01:27:08,160 --> 01:27:11,439
Speaker 1: hate it. Okay, Well I can't win them all like

1434
01:27:13,000 --> 01:27:17,320
Speaker 1: Masters inc. I actually um came for the first time. You.

1435
01:27:17,560 --> 01:27:20,439
Speaker 1: I'm sorry you dinged your dong to dinged it and

1436
01:27:20,520 --> 01:27:25,320
Speaker 1: danged it to mansters inc. There you go. Maybe sold.

1437
01:27:25,920 --> 01:27:30,400
Speaker 1: That might have to good cut out anyway, Guys, we

1438
01:27:30,479 --> 01:27:32,600
Speaker 1: want to thank Michael Hartney so much for being on

1439
01:27:34,560 --> 01:27:36,240
Speaker 1: the show. You guys, oh my god, we love you

1440
01:27:36,400 --> 01:27:39,040
Speaker 1: very much and this was so fun. My name is

1441
01:27:39,080 --> 01:27:41,880
Speaker 1: Matt Roger, my name is Bowen Yang. That's Michael Hartney

1442
01:27:43,360 --> 01:27:51,280
Speaker 1: and produced. We love you Bye. This has been a

1443
01:27:51,360 --> 01:27:55,679
Speaker 1: Forever Dog Production executive produced by Joe Cilio, Alex Ramsay,

1444
01:27:55,800 --> 01:27:59,679
Speaker 1: and Brett Boum. For more podcasts, please visitor Dog Production

1445
01:27:59,760 --> 01:28:00,400
Speaker 1: stuff dot com.