WEBVTT - From the Vault: On Teasing

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick. In it's Saturday.

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<v Speaker 1>Time to go into the vault for an older episode. Uh.

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<v Speaker 1>This one originally aired September eleventh, two thousand eighteen, and

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<v Speaker 1>it's an episode we did about teasing. Yeah, this one,

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<v Speaker 1>this one was really fun, you know, getting into like

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<v Speaker 1>what teasing means, both when you know children are doing

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<v Speaker 1>it or if a parent is doing it like or

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<v Speaker 1>adults doing it to each other. Like what is this

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<v Speaker 1>thing we call teasing? And how does it factor into

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<v Speaker 1>the complexities of human communication and our social structures. Let's

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<v Speaker 1>jump right in. Welcome to Stuff to Blow your Mind

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<v Speaker 1>from how Stuff Works dot Com. Hey you, welcome to

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<v Speaker 1>Stuff to Blow your Mind. My name is Robert Lamb

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<v Speaker 1>and I'm Joe McCormick. And Robert, I've got a question

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<v Speaker 1>for you. You ever find yourself in that situation where

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<v Speaker 1>you're hanging out with people, it's all good fun, everybody's

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<v Speaker 1>there's banter going on. One person is teasing another person

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<v Speaker 1>over something kind of funny, some funny foible of their personality,

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<v Speaker 1>and there's that moment, there's that awful little moment where

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<v Speaker 1>there's kind of a pause after somebody says some some

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<v Speaker 1>teasing joke and then you realize like, oh no, suddenly

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<v Speaker 1>it has gotten serious. Oh yes, I mean it's especially

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<v Speaker 1>if it it's a multi person group and and there's

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<v Speaker 1>a bit of piling on occurring. They'll be there, I've

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<v Speaker 1>seen this, this happened, where they'll they'll be a breaking

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<v Speaker 1>point where the person has had enough and and and

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<v Speaker 1>you realize, oh, no, lines have been crossed and now

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<v Speaker 1>this person is gonna leave and we're gonna have to

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<v Speaker 1>resolve this uh via emails later. Uh yeah, And it's

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<v Speaker 1>as ter it's a terrible feeling because things have spiraled

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<v Speaker 1>out of control. Something that was playful and um and

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<v Speaker 1>just part of hanging out has now become divisive. Male

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<v Speaker 1>the best place to work out tents, social disputes, Well

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<v Speaker 1>sometimes sometimes it depends, and I mean, I guess it

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<v Speaker 1>depends on what role one had in the in the breakdown.

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<v Speaker 1>I've been fortunate enough to to not be like at

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<v Speaker 1>the epicenter of the of the breakdown generally, so um

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<v Speaker 1>email tends to suffice for me. You know, you never

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<v Speaker 1>have to worry that when you type a smiley emoji

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<v Speaker 1>that will look like a fake smile. When you actually

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<v Speaker 1>smile at somebody, you always gotta worry like does this

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<v Speaker 1>look real? Is my face moving? Right? So you just

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<v Speaker 1>have to use the authentic smiling emoji, not the unauthentic one.

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<v Speaker 1>You know, it's all on the micro expressions of the emoji.

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<v Speaker 1>What's the inauthentic one that's like colon and clothes brackets.

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<v Speaker 1>Oh no, I'm talking about the ones that actually, like

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<v Speaker 1>the little yellow face with a smile, like you'll know

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<v Speaker 1>it when you see it. Okay, but is everyone can

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<v Speaker 1>realize that at this point we're talking about teasing today

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<v Speaker 1>on the show, and teasing is weird territory to try

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<v Speaker 1>and figure out deceptively, so really um for many of

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<v Speaker 1>us looking back on our child hoods, it's it makes

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<v Speaker 1>up some of our worst memories of social interaction. And

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<v Speaker 1>as as a parent, I have a lot of apprehension

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<v Speaker 1>about it, you know, regarding my own child, the inevitable

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<v Speaker 1>struggles that he's gonna gonna face. And at the same time,

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<v Speaker 1>there's this weird cult of the tease that is often

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<v Speaker 1>difficult to understand. We see teasing in our media and

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<v Speaker 1>it's sometimes presented as in a fun comical light. We

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<v Speaker 1>also see adults for whom teasing is a standard part

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<v Speaker 1>of their interactions, not fighting with each other, but but

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<v Speaker 1>just picking in various ways that it's it seems like

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<v Speaker 1>they're just terms of endearments, joking, benign criticism. Yeah, and

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<v Speaker 1>it and uh, it's often a case where I look

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<v Speaker 1>at it and I realized, well, this is clearly part

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<v Speaker 1>of their social dynamic. It wouldn't necessarily work in my

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<v Speaker 1>social dynamic, but I guess it's okay. Uh. We see

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<v Speaker 1>it factor into courtship as well, which also has a

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<v Speaker 1>way of of seeming weird and sour at times of

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<v Speaker 1>an outside perspective. Well, I mean, there's there's two very

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<v Speaker 1>different ways it can take place. There's a kind you

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<v Speaker 1>can see, a kind of friendly sweet teasing that takes

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<v Speaker 1>place between people in the courtship relationship. And then there's

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<v Speaker 1>like the pickup artist version of it, where somebody's clearly

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<v Speaker 1>like making a power play, right. And then likewise, we

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<v Speaker 1>also see this this space, this sort of ambiguous space

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<v Speaker 1>where playful teasing gives over to what is clearly something

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<v Speaker 1>based in hate and abuse name calling, uh, that occurs

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<v Speaker 1>among children and even among adults. Obviously, even at the

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<v Speaker 1>highest levels of government, you see name calling used in

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<v Speaker 1>a in a hurtful fashion. So if you start, if

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<v Speaker 1>you start picking out, and I imagine a lot of

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<v Speaker 1>your doing this as well, thinking of all the varying

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<v Speaker 1>levels of teasing that are going on in your immediate

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<v Speaker 1>environment and um in politics and the media, etcetera. On

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<v Speaker 1>the street as you're driving your car and listen to

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<v Speaker 1>this podcast. You know, it's enough to make you wonder

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<v Speaker 1>if if we're just nothing more than just cruel apes

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<v Speaker 1>jockeying for social position. Uh, And it's any wonder we

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<v Speaker 1>managed to emerge from these social interactions with self esteem

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<v Speaker 1>and respect for our fellow humans. But part of the

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<v Speaker 1>issue here is that while all forms of teasing share

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<v Speaker 1>common features, there are at least three distinctive forms of

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<v Speaker 1>teasing that are often signal, that are often singled out

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<v Speaker 1>and definitely deserve mention here. Okay, well what would those

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<v Speaker 1>forms be? All right? Well, the first is pretty obvious,

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<v Speaker 1>and that is that is the hurtful teasing. And I

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<v Speaker 1>think it's one of those things where we all we

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<v Speaker 1>all know it when we see it right or hear it.

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<v Speaker 1>This is obviously the domain of bullying and harassment, and

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<v Speaker 1>yet at the same time it's the sort of teasing

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<v Speaker 1>you might see in a celebrity roast, or some of

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<v Speaker 1>you are more viciously charged humor or political humor. I

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<v Speaker 1>guess you could also say it's maybe the domain of

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<v Speaker 1>the jesture, the fool and the clown. Uh and important.

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<v Speaker 1>These are important roles throughout human history. Oh yeah, well,

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<v Speaker 1>I mean I might argue that the fool in the

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<v Speaker 1>Shakespearean sense requires its own category here, because the fool

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<v Speaker 1>has a lot of power and freedom, and that's important

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<v Speaker 1>power and freedom. Like they're the only member of the

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<v Speaker 1>lower classes who can point out the flaws of the

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<v Speaker 1>monarchs and the upper classes and get away with it.

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<v Speaker 1>There's something about the ridiculousness of the fool that allows

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<v Speaker 1>a critique of power that might result in a beheading

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<v Speaker 1>if you made the same critique in a serious tone.

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<v Speaker 1>And likewise, a king who beheads a jester every week

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<v Speaker 1>is a terrible king. They look weak. Yeah, it makes

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<v Speaker 1>the king look foolish if the king overreacts to a

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<v Speaker 1>to a comical critique, right, I think you're pointing Joffrey

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<v Speaker 1>from Game of Thrones, is this type of ruler where

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<v Speaker 1>you realize, oh, he's terrible, he's totally incompetent. Look how

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<v Speaker 1>thin skinny is against uh, the humorous criticism of the

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<v Speaker 1>court fool. Well, it codes so easily for us. I mean,

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<v Speaker 1>one of the clearest signs of a toxic personality is

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<v Speaker 1>somebody who's unable to accept criticism and even benign criticism,

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<v Speaker 1>or to be the butt of a joke, you know,

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<v Speaker 1>somebody who cannot tolerate that, right, especially because of the

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<v Speaker 1>positive role that teasing plays in our culture. I mean,

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<v Speaker 1>there's so much teasing that is not hurtful, hateful. I

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<v Speaker 1>mean it is a constant feature of conversation between friends,

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<v Speaker 1>between couples, between family members, between educators and the people

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<v Speaker 1>they educate. Teasing, you know, there's like a sweet, benign

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<v Speaker 1>form of teasing that's absolutely essential to these relationships. You know.

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<v Speaker 1>I do have to add one more thing about the

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<v Speaker 1>gesture first, though, Okay, And there is there is this

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<v Speaker 1>this curious aspect of the dynamic you see with kind

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<v Speaker 1>of a classic gesture situation, but also in modern political humor,

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<v Speaker 1>there are two extremes that are both equally well maybe

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<v Speaker 1>not equally, but they're both cringe worthy, certainly when the king,

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<v Speaker 1>the rule, or the politician, whoever the celebrity is too

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<v Speaker 1>thin skin to let humorous bashing go where they have

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<v Speaker 1>to call out, say, you know an episode of Saturday

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<v Speaker 1>Night Live, right, if you made a joke about me,

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<v Speaker 1>how dare you? Right? Yeah, that is is cringeworthy and awful.

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<v Speaker 1>But on the same hand, and this is something that

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<v Speaker 1>I believe It was pointed out on an episode of

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<v Speaker 1>Malcolm Gladwell's Revisionist history podcast, there's also this danger in

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<v Speaker 1>what happens when the king says, yeah, this gesture guys great,

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<v Speaker 1>I'm going to hang out with him and do a

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<v Speaker 1>skit with him, or yeah, that's Saturday Night Life skit

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<v Speaker 1>is funny. I'm gonna appear on that Saturday Night Life

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<v Speaker 1>skit with the person doing an impression of me. There

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<v Speaker 1>can be uh, too much protection of one's dignity is

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<v Speaker 1>a bad sign, but too much surrender of one's dignity

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<v Speaker 1>also looks kind of bad. Like, you gotta find the

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<v Speaker 1>middle ground. You want the ruler that that ultimately has

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<v Speaker 1>very little to do with the gesture and doesn't politely

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<v Speaker 1>laughs perhaps but leaves it at that. I know exactly

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<v Speaker 1>what you're talking about, Like when presidential candidates go on SNL,

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<v Speaker 1>that's always like, I don't know, it's just always terrible. Yeah.

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<v Speaker 1>But one of the points that Malcolm Gladwell made in

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<v Speaker 1>his shows that it takes the punch out of the

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<v Speaker 1>political humor, like you managed in a way, it's like

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<v Speaker 1>it's a genius move I guess for the politician, because

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<v Speaker 1>you have you have killed the humorous skit. You have

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<v Speaker 1>you have killed the power of the humor in a

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<v Speaker 1>way that you could never do by attacking it. Well, yeah,

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<v Speaker 1>I guess it doesn't make you look great, but it

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<v Speaker 1>also is a type of defense mechanism. It undercuts any

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<v Speaker 1>truly biting criticism that's hidden there in the in the

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<v Speaker 1>comedy if you go on stage with the comedian. Yes,

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<v Speaker 1>but before we were talking about the Jester, we were

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<v Speaker 1>we were about to get into playful teasing, you know,

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<v Speaker 1>the sweet form of teasing, right, And obviously there's a

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<v Speaker 1>line between hurtful and and u and playful teasing. Good

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<v Speaker 1>luck finding, especially with people you're maybe not that familiar with.

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<v Speaker 1>But yeah, especially in close relationships, you tend to see

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<v Speaker 1>these you know, you see in jokes and you see

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<v Speaker 1>established safe zones for playful teasing. Uh. For instance, if

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<v Speaker 1>my wife teases me about some nerdy hobby of mine, Uh,

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<v Speaker 1>it's it's really more of a form, more of a

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<v Speaker 1>term of endearment. Or if she teases me about liking

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<v Speaker 1>robot music, like like really robotic sounding electronic music, and

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<v Speaker 1>uh and teasing me about how awful it sounds. Uh,

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<v Speaker 1>like like this is that this feels good when we're

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<v Speaker 1>doing it. I don't feel hurt or defensive about you know,

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<v Speaker 1>my my love of dungeons and dragons, or or or

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<v Speaker 1>my miniatures painting miniatures, or yeah, or my affinity for

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<v Speaker 1>the music of autech or that sort of thing. Yeah.

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<v Speaker 1>I think almost all good romantic relationships include an element

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<v Speaker 1>of teasing. I don't you know. I don't want to

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<v Speaker 1>be overly general. So maybe some people people make it

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<v Speaker 1>work in all kinds of ways, but I rarely see

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<v Speaker 1>what seems like a happy couple that doesn't tease one another, right,

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<v Speaker 1>I mean, it seems like you do. And this is

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<v Speaker 1>something we're gonna return to throughout this episode. This idea

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<v Speaker 1>that that teasing it is is an opportunity for bond

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<v Speaker 1>for me and the establishment and the maintaining of bonds.

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<v Speaker 1>And but obviously you need a safe place for the

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<v Speaker 1>teasing just you know that all of us, I think

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<v Speaker 1>we're going to have unless we are some sort of

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<v Speaker 1>like inhuman politician type, you know, we're going to have

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<v Speaker 1>those areas that we are cool being teased about in

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<v Speaker 1>areas that we're less comfortable being teased about. You know,

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<v Speaker 1>thinking about several of the areas that that teasing functions

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<v Speaker 1>in our our social interactions, one of which is sort

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<v Speaker 1>of reminding people of hierarchies or establishing hierarchies. That it

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<v Speaker 1>does something of enforcing a pecking order. Number two is

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<v Speaker 1>maybe like establishing a criticism of somebody's behavior, and number

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<v Speaker 1>three is allowing bonding. Put these three things together, and

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<v Speaker 1>it seems like a key place where teasing should come

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<v Speaker 1>into play is education, right, because that's a place where

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<v Speaker 1>you need a hierarchy between teacher and student. You want

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<v Speaker 1>to teach lessons and you also want to have a

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<v Speaker 1>good relationship. That's right. So this brings us to this

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<v Speaker 1>third area of teasing, educative teasing, and this pops up

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<v Speaker 1>in areas that you wouldn't quite expect it as as

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<v Speaker 1>we'll discuss a little later. One example is that is

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<v Speaker 1>that of a frat boys giving each other's nicknames based on,

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<v Speaker 1>you know, various bone headed things they've done. Uh and

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<v Speaker 1>and this can be viewed as a way of of educating,

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<v Speaker 1>of laying down various um moral rules or or social expectations.

0:12:26.280 --> 0:12:29.600
<v Speaker 1>Right d a teasing, you might get nicknamed like, I

0:12:29.600 --> 0:12:31.920
<v Speaker 1>don't know, toilet head because you fell asleep with your

0:12:31.920 --> 0:12:34.040
<v Speaker 1>head in the toilet, right, And the idea is, don't

0:12:34.080 --> 0:12:36.120
<v Speaker 1>do that, don't drink so much that you sleep in

0:12:36.120 --> 0:12:39.480
<v Speaker 1>the toilet. But then again, one of the things I

0:12:39.520 --> 0:12:42.520
<v Speaker 1>noticed about that kind of teasing is that toilet head

0:12:42.600 --> 0:12:46.920
<v Speaker 1>might originally be applied as a sort of like moral injunction,

0:12:47.760 --> 0:12:52.040
<v Speaker 1>but the toilet head make may well come to identify

0:12:52.120 --> 0:12:54.800
<v Speaker 1>with the nickname and say, that's right, that's who I am.

0:12:55.000 --> 0:12:58.960
<v Speaker 1>I am toilet head forevermore, and I will embrace it. Yeah. Now,

0:12:59.240 --> 0:13:03.199
<v Speaker 1>some anthropology just point to specific traditions of educated teasing

0:13:03.280 --> 0:13:08.520
<v Speaker 1>between parents and children in various Indigenous American um cultures,

0:13:08.840 --> 0:13:10.880
<v Speaker 1>and the idea here is that it's a form of

0:13:10.880 --> 0:13:13.720
<v Speaker 1>teasing that can work better to impart knowledge of social

0:13:13.840 --> 0:13:18.480
<v Speaker 1>rules and emotionally instilled ideas. However, we We didn't really

0:13:18.480 --> 0:13:20.720
<v Speaker 1>focus on any of that for this research, but I

0:13:20.760 --> 0:13:22.320
<v Speaker 1>just want to let everyone know that that that is

0:13:22.360 --> 0:13:25.600
<v Speaker 1>an area of study now. As far as these three

0:13:25.720 --> 0:13:28.800
<v Speaker 1>terms for types of teasing go, I I feel like

0:13:28.840 --> 0:13:31.480
<v Speaker 1>there's some difficulty in how we use terms here because

0:13:31.480 --> 0:13:35.480
<v Speaker 1>I admit that I would typically reserve the word teasing

0:13:36.120 --> 0:13:39.160
<v Speaker 1>for the more benign or playful forms, like what we

0:13:39.160 --> 0:13:43.160
<v Speaker 1>were calling hurtful teasing, the kind that's actually cruel and

0:13:43.240 --> 0:13:46.640
<v Speaker 1>mean spirited. I would not usually call teasing. I'd probably

0:13:46.640 --> 0:13:51.240
<v Speaker 1>call it bullying or harassment or something. Um though. It's

0:13:51.280 --> 0:13:54.920
<v Speaker 1>what What this highlights is that the line between playful

0:13:54.960 --> 0:13:58.400
<v Speaker 1>teasing and hurtful bullying is not always clear. It's not

0:13:58.440 --> 0:14:01.520
<v Speaker 1>always clear to the person doing it, It's always not

0:14:01.559 --> 0:14:04.720
<v Speaker 1>always clear to the person receiving it. What sometimes ment

0:14:04.840 --> 0:14:07.800
<v Speaker 1>is benign or playful by the teaser can feel like

0:14:07.920 --> 0:14:11.199
<v Speaker 1>bullying to the tea Z and sometimes more benign or

0:14:11.200 --> 0:14:14.360
<v Speaker 1>playful forms of teasing. I bet you've been there for this.

0:14:14.480 --> 0:14:16.440
<v Speaker 1>I think we sort of talked about it at the beginning.

0:14:16.840 --> 0:14:19.800
<v Speaker 1>It starts off as a friendly and playful session of

0:14:19.880 --> 0:14:23.200
<v Speaker 1>ribbing that somehow catches this terrible momentum. I don't know

0:14:23.240 --> 0:14:27.200
<v Speaker 1>what causes it, but that momentum it edges into harder

0:14:27.320 --> 0:14:31.320
<v Speaker 1>and meaner stuff as it escalates, and it's this enormously

0:14:31.480 --> 0:14:34.920
<v Speaker 1>painful and uncomfortable thing to witness. And looking back, I

0:14:34.960 --> 0:14:38.160
<v Speaker 1>can remember instances of this in my life where I

0:14:38.280 --> 0:14:42.480
<v Speaker 1>watch something like this happened to somebody else, and in retrospect,

0:14:43.160 --> 0:14:45.320
<v Speaker 1>like I wish I'd found a way to step in

0:14:45.400 --> 0:14:48.280
<v Speaker 1>in the moment and stop it. But it's so much

0:14:48.280 --> 0:14:51.360
<v Speaker 1>easier to to to feel that kind of policing authority

0:14:51.360 --> 0:14:54.200
<v Speaker 1>in retrospect in the moment, to step in like that

0:14:54.280 --> 0:14:57.880
<v Speaker 1>into clear teasing to have gone too far requires you

0:14:57.920 --> 0:15:00.840
<v Speaker 1>to take this major risk. It feels like you're violating

0:15:00.880 --> 0:15:03.360
<v Speaker 1>a taboo. You're making it weird. You know you know

0:15:03.400 --> 0:15:06.720
<v Speaker 1>about making it weird right um, And in the moment

0:15:06.760 --> 0:15:09.960
<v Speaker 1>you're never really sure if you've like misread some kind

0:15:10.000 --> 0:15:13.280
<v Speaker 1>of unspoken set of cues. Maybe everything's actually okay, and

0:15:13.400 --> 0:15:16.360
<v Speaker 1>you're the one who's making people feel bad by getting

0:15:16.400 --> 0:15:18.680
<v Speaker 1>serious from out of nowhere. It can be a really

0:15:18.760 --> 0:15:23.080
<v Speaker 1>difficult and complicated UH dance to to navigate. All right,

0:15:23.120 --> 0:15:24.720
<v Speaker 1>on that note, we're gonna take a quick break and

0:15:24.720 --> 0:15:26.920
<v Speaker 1>when we come back, we're gonna we're gonna really get

0:15:26.920 --> 0:15:34.040
<v Speaker 1>into the question of teasing and what purpose it truly serves. Alright,

0:15:34.040 --> 0:15:36.520
<v Speaker 1>we're back. So one of the big names that comes

0:15:36.640 --> 0:15:41.480
<v Speaker 1>up in teasing research is that of psychiatry and psychology

0:15:41.520 --> 0:15:46.120
<v Speaker 1>researcher Dr Keltner, who has written on this, researched on this,

0:15:46.240 --> 0:15:49.680
<v Speaker 1>and one of the big pieces that is often circulated

0:15:49.960 --> 0:15:52.280
<v Speaker 1>is a two thousand and eight New York Times piece

0:15:52.320 --> 0:15:56.360
<v Speaker 1>titled in Defense of Teasing. Uh, And he also directs

0:15:56.360 --> 0:15:59.360
<v Speaker 1>the Berkeley Social Interaction Lab, So this is like right

0:15:59.440 --> 0:16:03.640
<v Speaker 1>in his uh, his area of focus. Yeah. Kiltner makes

0:16:03.640 --> 0:16:06.160
<v Speaker 1>an interesting point, which is that a lot of our

0:16:06.280 --> 0:16:09.680
<v Speaker 1>social conventions in the modern age, I think, are centered

0:16:09.680 --> 0:16:15.120
<v Speaker 1>around trying to make social interactions more safe, which in

0:16:15.160 --> 0:16:17.120
<v Speaker 1>a way is a good thing. Right. We we all

0:16:17.160 --> 0:16:20.640
<v Speaker 1>know how destructive and terrible bullying can be. We've all

0:16:20.800 --> 0:16:24.520
<v Speaker 1>seen the kind of teasing in a relationship and you know, uh,

0:16:24.880 --> 0:16:29.000
<v Speaker 1>somebody's somebody's got a new boyfriend and he's teasing her,

0:16:29.120 --> 0:16:32.640
<v Speaker 1>but he's like going a little hard. It doesn't quite

0:16:32.680 --> 0:16:35.400
<v Speaker 1>seem so sweet. And when you think about stuff like that,

0:16:36.000 --> 0:16:38.680
<v Speaker 1>it can be very easy to start to start to

0:16:38.760 --> 0:16:42.520
<v Speaker 1>view teasing is this really negative thing. It's this this cruel,

0:16:42.640 --> 0:16:46.120
<v Speaker 1>malicious force that permeates our culture and and make you

0:16:46.160 --> 0:16:49.280
<v Speaker 1>want to do things to eliminate it. Right, Well, how

0:16:49.320 --> 0:16:52.000
<v Speaker 1>can we get people to not act like this? But

0:16:52.520 --> 0:16:54.760
<v Speaker 1>I feel like teasing is a situation where you really

0:16:54.800 --> 0:16:56.880
<v Speaker 1>don't want to throw the baby out with the bathwater.

0:16:57.560 --> 0:16:59.880
<v Speaker 1>Well you don't, but you you want to protect the bank.

0:17:00.400 --> 0:17:03.920
<v Speaker 1>That's the thing. I mean throughout this episode, I kept

0:17:03.960 --> 0:17:07.400
<v Speaker 1>coming I keep coming back to UM, my own son,

0:17:08.080 --> 0:17:11.600
<v Speaker 1>and I just want to protect him so much from

0:17:11.720 --> 0:17:13.240
<v Speaker 1>these things. At the same time, I realized I can't

0:17:13.240 --> 0:17:15.720
<v Speaker 1>protect him there from everything. I can't just chadow him

0:17:15.760 --> 0:17:20.399
<v Speaker 1>through school and you know, feed him excellent, you know comebacks. Uh,

0:17:20.640 --> 0:17:23.280
<v Speaker 1>anytime anybody is is trying to tease him, he's going

0:17:23.320 --> 0:17:26.440
<v Speaker 1>to be teased. It's it's inevitable, and he it's probably

0:17:26.480 --> 0:17:29.920
<v Speaker 1>inevitable to that to engage in teasing Um. But at

0:17:29.920 --> 0:17:33.280
<v Speaker 1>the same time, it is hard for me to just

0:17:33.440 --> 0:17:37.440
<v Speaker 1>really get behind everything Kelton is saying about just the

0:17:37.480 --> 0:17:41.560
<v Speaker 1>importance of teasing, Like I still my impulse to protect

0:17:41.840 --> 0:17:45.760
<v Speaker 1>is too strong. Well, I mean, I think the point

0:17:45.840 --> 0:17:48.680
<v Speaker 1>he would be making is the good kind of teasing

0:17:49.320 --> 0:17:52.440
<v Speaker 1>is not actually hurtful. It's not actually something that needs

0:17:52.480 --> 0:17:55.800
<v Speaker 1>to be protected. And he's not advocating that that bullying

0:17:55.880 --> 0:17:59.359
<v Speaker 1>should be permitted. It's very clear about that. But but

0:17:59.359 --> 0:18:02.320
<v Speaker 1>but he does, let's make this strong, strong case that

0:18:02.320 --> 0:18:06.000
<v Speaker 1>that teasing is an essential part of our social interactions.

0:18:06.119 --> 0:18:08.280
<v Speaker 1>And in fact, he points out that the teasing is

0:18:08.480 --> 0:18:11.920
<v Speaker 1>pervasive in the animal world. Right now, we generally think

0:18:11.960 --> 0:18:16.160
<v Speaker 1>of teasing as uh, well, you know, as a verbal phenomenon, right,

0:18:16.160 --> 0:18:17.960
<v Speaker 1>and I guess you do have to think of of

0:18:18.280 --> 0:18:20.960
<v Speaker 1>human teasing as as a lot of things with humans

0:18:21.280 --> 0:18:24.439
<v Speaker 1>happens to be you think of it as a linguistic

0:18:24.560 --> 0:18:27.960
<v Speaker 1>and cultural complication of an impulse that may also be

0:18:28.080 --> 0:18:35.480
<v Speaker 1>found within uh languageless animals. And so, for instance, Keltner says, quote,

0:18:35.640 --> 0:18:38.840
<v Speaker 1>the centrality of teasing in our social evolution is suggested

0:18:38.880 --> 0:18:41.439
<v Speaker 1>by just how pervasive teasing is in the animal world.

0:18:41.840 --> 0:18:45.439
<v Speaker 1>Younger monkeys pull the tales of older monkeys. African hunting

0:18:45.480 --> 0:18:49.280
<v Speaker 1>dogs jump all over one another, much like pad slapping

0:18:49.600 --> 0:18:54.119
<v Speaker 1>joking football players moments before kickoff. In every corner of

0:18:54.119 --> 0:18:57.119
<v Speaker 1>the world, human adults play peekaboo games to stir a

0:18:57.200 --> 0:19:00.679
<v Speaker 1>sulking child. Children as early as age one and mimic

0:19:00.800 --> 0:19:05.320
<v Speaker 1>nearby adults and teenagers prod one another to gauge romantic interest.

0:19:05.800 --> 0:19:08.840
<v Speaker 1>In rejecting teasing, we may be losing something vital and

0:19:08.960 --> 0:19:12.760
<v Speaker 1>necessary to our identity as the most playful of species.

0:19:13.080 --> 0:19:15.159
<v Speaker 1>I mean, I think I'm pretty on board with his

0:19:15.240 --> 0:19:20.159
<v Speaker 1>message there. It's the the difficulty comes in our uncertainty

0:19:20.240 --> 0:19:25.440
<v Speaker 1>about recognizing the line between benign teasing and hurtful teasing.

0:19:26.080 --> 0:19:29.520
<v Speaker 1>And and I think it's because there's that ambiguity, because

0:19:29.560 --> 0:19:32.040
<v Speaker 1>there's always the danger that you you're not necessarily going

0:19:32.080 --> 0:19:36.199
<v Speaker 1>to be able to recognize immediately the difference between one

0:19:36.280 --> 0:19:37.960
<v Speaker 1>or the other. It's exactly the same problem I was

0:19:38.000 --> 0:19:40.720
<v Speaker 1>mentioning a minute ago, where you like, think back on

0:19:40.800 --> 0:19:43.520
<v Speaker 1>a time you saw somebody getting teased and went over

0:19:43.520 --> 0:19:46.800
<v Speaker 1>the line, but you didn't stop it. Um, it's because

0:19:46.840 --> 0:19:49.359
<v Speaker 1>of that ambiguity, like you didn't know if you should

0:19:49.400 --> 0:19:52.680
<v Speaker 1>step in or not. And that ambiguity makes us uncomfortable

0:19:52.720 --> 0:19:55.200
<v Speaker 1>because we know teasing this over the line is wrong,

0:19:55.240 --> 0:19:57.560
<v Speaker 1>but you can't always see the line in the moment.

0:19:57.920 --> 0:20:00.359
<v Speaker 1>It would be interesting to hear from from Edrick writers

0:20:00.400 --> 0:20:02.360
<v Speaker 1>out there who are listening to the show on this

0:20:02.520 --> 0:20:05.040
<v Speaker 1>because it does make one think that the message should

0:20:05.040 --> 0:20:08.080
<v Speaker 1>not be hey, kids don't tease one another. It should

0:20:08.080 --> 0:20:11.560
<v Speaker 1>maybe be more here areas where it is not cool

0:20:11.600 --> 0:20:13.760
<v Speaker 1>to tease. You like, it's not cool to tease someone

0:20:13.800 --> 0:20:20.600
<v Speaker 1>about their physical appearance or the characters or stereotypes, etcetera. Um,

0:20:20.640 --> 0:20:23.720
<v Speaker 1>but various behavioral teasing. I don't know how, I mean,

0:20:23.720 --> 0:20:25.960
<v Speaker 1>how do you end up teaching such nuance? Maybe you

0:20:26.240 --> 0:20:28.560
<v Speaker 1>to a certain extent, you can't. It has to generate

0:20:28.680 --> 0:20:32.600
<v Speaker 1>via the social interactions. Here's something I would say, Um, well,

0:20:32.640 --> 0:20:35.160
<v Speaker 1>with a with a big exception for we can talk

0:20:35.200 --> 0:20:37.240
<v Speaker 1>about the jester in a second. With a big exception

0:20:37.280 --> 0:20:40.160
<v Speaker 1>for the jester. Maybe one thing is that you shouldn't

0:20:40.200 --> 0:20:44.040
<v Speaker 1>tease somebody unless you like them and they know you

0:20:44.240 --> 0:20:48.280
<v Speaker 1>like them. That's true because otherwise, if the if the

0:20:48.320 --> 0:20:52.320
<v Speaker 1>existing social dynamic is is anything different than you are

0:20:52.359 --> 0:20:55.000
<v Speaker 1>perhaps not engaging in pure teasing. No, I mean, then

0:20:55.000 --> 0:20:57.880
<v Speaker 1>it becomes bullying. When you tease somebody you don't even

0:20:57.920 --> 0:21:01.040
<v Speaker 1>like her respect obviously you're you're going to be tempted

0:21:01.080 --> 0:21:04.840
<v Speaker 1>to edge over into some form of cruelty. Now, speaking

0:21:04.840 --> 0:21:07.159
<v Speaker 1>of cruelty, we have to think a kaind of of kings,

0:21:07.280 --> 0:21:11.480
<v Speaker 1>and of course the jester. Keltner points out that that

0:21:11.760 --> 0:21:13.960
<v Speaker 1>in the tradition of the court jester, you could say

0:21:13.960 --> 0:21:18.600
<v Speaker 1>teasing is quote, a playful, provocative mode of commentary. Yeah,

0:21:18.800 --> 0:21:21.359
<v Speaker 1>I think that's right. I mean, as Touchstone said and

0:21:21.560 --> 0:21:24.640
<v Speaker 1>Shakespeare's as you like it quote, the fool don't think

0:21:24.680 --> 0:21:27.080
<v Speaker 1>he is wise, but the wise man knows himself to

0:21:27.119 --> 0:21:30.080
<v Speaker 1>be a fool. You know, that's hundreds of years before

0:21:30.080 --> 0:21:33.400
<v Speaker 1>all the modern research on illusory confidence and dunning Krueger

0:21:33.480 --> 0:21:35.880
<v Speaker 1>and all that. I think this reveals that a key

0:21:35.960 --> 0:21:39.720
<v Speaker 1>social good of even harder edge teasing is that when

0:21:39.760 --> 0:21:42.960
<v Speaker 1>it's properly applied, it can be kind of a leveling tool,

0:21:43.080 --> 0:21:46.000
<v Speaker 1>Like it knocks down the wicker men of big egos

0:21:46.200 --> 0:21:49.440
<v Speaker 1>and and pops the balloons of unearned self confidence that

0:21:49.520 --> 0:21:52.600
<v Speaker 1>we see so often in our highest levels of leadership.

0:21:53.240 --> 0:21:56.160
<v Speaker 1>But of course, just as often it's applied the other way,

0:21:56.200 --> 0:21:59.200
<v Speaker 1>and in a very bad, destructive way. It gets applied

0:21:59.240 --> 0:22:02.359
<v Speaker 1>from the top down by the inflated ego against the

0:22:02.440 --> 0:22:05.320
<v Speaker 1>less empowered. I guess it's sort of like a hierarchy

0:22:05.480 --> 0:22:09.520
<v Speaker 1>enforcement mechanism. But the bottom up form, the jester driven form.

0:22:09.560 --> 0:22:12.280
<v Speaker 1>I think that's a that leveling instinct is a useful

0:22:12.359 --> 0:22:15.480
<v Speaker 1>social good and a form of freedom. Teasing is an

0:22:15.560 --> 0:22:19.400
<v Speaker 1>arena that allows us to experiment with language, with personality

0:22:19.480 --> 0:22:22.520
<v Speaker 1>and relationships. It's sort of an open ended game that

0:22:22.560 --> 0:22:25.920
<v Speaker 1>we can use to manage relationships and learn about each other. Now,

0:22:25.960 --> 0:22:29.119
<v Speaker 1>Calton and Keltner also turns to the work of linguistic

0:22:29.160 --> 0:22:35.560
<v Speaker 1>anthropologist Penelope Brown and cognitive anthropologist Stephen Levinson, who I

0:22:35.560 --> 0:22:38.280
<v Speaker 1>believe we've we've touched on both of their work before

0:22:38.840 --> 0:22:43.239
<v Speaker 1>on the podcast, but their work that he's referencing here

0:22:43.320 --> 0:22:46.720
<v Speaker 1>is more specifically aligned with the study of politeness. But

0:22:46.840 --> 0:22:49.840
<v Speaker 1>of interest here is the their focus on two forms

0:22:49.880 --> 0:22:54.280
<v Speaker 1>of communication, like basically breaking down communication into two forms.

0:22:54.320 --> 0:22:58.240
<v Speaker 1>So we're talking mostly about linguistic communication here, but on

0:22:58.280 --> 0:23:02.199
<v Speaker 1>the on record communication and off record communication. Okay, so

0:23:02.280 --> 0:23:05.520
<v Speaker 1>tell me the difference. Okay. So on record communication is

0:23:05.560 --> 0:23:09.240
<v Speaker 1>just literal direct speech. You take it literally. It's meant

0:23:09.400 --> 0:23:12.440
<v Speaker 1>meant to be taken literally. It's clear, and it's direct.

0:23:12.720 --> 0:23:14.720
<v Speaker 1>This is the kind of speech you would want from

0:23:14.800 --> 0:23:18.040
<v Speaker 1>your doctor or your lawyer or whatever. Right if you

0:23:18.160 --> 0:23:20.159
<v Speaker 1>if someone were to come up to you on the

0:23:20.200 --> 0:23:23.680
<v Speaker 1>street and uh and say, hey, you've got something on

0:23:23.720 --> 0:23:27.240
<v Speaker 1>your face? Um, Like that's clear, Like, hey, I think

0:23:27.240 --> 0:23:28.800
<v Speaker 1>there's some food on your face. You need you might

0:23:28.840 --> 0:23:30.560
<v Speaker 1>want to get that off Like they're they're not playing around.

0:23:30.560 --> 0:23:33.360
<v Speaker 1>They're just letting you know. It might be socially awkward,

0:23:33.680 --> 0:23:37.320
<v Speaker 1>but they are being direct in their communication. They're they're

0:23:37.320 --> 0:23:39.640
<v Speaker 1>not they're not joking, they're not being vague about it.

0:23:39.880 --> 0:23:45.040
<v Speaker 1>Off the record is veiled meeting metaphor alternative meaning. So

0:23:45.119 --> 0:23:46.399
<v Speaker 1>this is if someone were to come up on your

0:23:46.400 --> 0:23:49.080
<v Speaker 1>street and be like, hey, um, you got a little

0:23:49.119 --> 0:23:52.000
<v Speaker 1>something right there. Hey, if you you know, if they

0:23:52.000 --> 0:23:53.399
<v Speaker 1>were kind of kind of beat around the bush a

0:23:53.440 --> 0:23:55.080
<v Speaker 1>little bit, you know, you might want to take a

0:23:55.080 --> 0:23:57.199
<v Speaker 1>look in a mirror. Bro right, Yeah, that kind of

0:23:57.200 --> 0:23:59.840
<v Speaker 1>thing where it can it's off the record, and it

0:24:00.000 --> 0:24:03.800
<v Speaker 1>can be in a way that is meant to, uh

0:24:03.960 --> 0:24:07.800
<v Speaker 1>to make the the the message softer, or it can

0:24:07.920 --> 0:24:09.840
<v Speaker 1>go the reverse, right, it can it can make it harder.

0:24:09.880 --> 0:24:12.560
<v Speaker 1>You could be straight up mocking somebody on the street

0:24:12.880 --> 0:24:15.800
<v Speaker 1>for the little bit of lunch they still have, you know,

0:24:16.080 --> 0:24:18.040
<v Speaker 1>caught in their beard. Yeah, it seems the key to

0:24:18.080 --> 0:24:21.680
<v Speaker 1>the off record communication is is some form of ambiguity.

0:24:21.720 --> 0:24:26.120
<v Speaker 1>And one reason is that off record communication is sometimes risky, right,

0:24:26.440 --> 0:24:30.040
<v Speaker 1>people want deniability if their message is not well received.

0:24:30.440 --> 0:24:33.359
<v Speaker 1>Off record communication is the kind of communication where you

0:24:33.400 --> 0:24:37.520
<v Speaker 1>can say I was just kidding. On record communication, you

0:24:37.560 --> 0:24:40.560
<v Speaker 1>cannot plausibly say I was just kidding. And you've all

0:24:40.600 --> 0:24:44.920
<v Speaker 1>been there when somebody delivered on record communication and then

0:24:45.040 --> 0:24:48.960
<v Speaker 1>tried to I was just kidding afterwards. It doesn't work there. No,

0:24:49.200 --> 0:24:52.679
<v Speaker 1>there's generally no room for for retreat, except to like

0:24:52.720 --> 0:24:55.920
<v Speaker 1>physically retreat. So the point here is that in modern

0:24:56.000 --> 0:25:00.000
<v Speaker 1>human interactions, you don't always want to be direct on record.

0:25:00.000 --> 0:25:02.760
<v Speaker 1>Your communication doesn't always work for the same reasons that

0:25:02.800 --> 0:25:07.359
<v Speaker 1>it's not practical to always be truthful. White lies are

0:25:07.400 --> 0:25:10.920
<v Speaker 1>sometimes required or lies of emission. Uh, And so it's

0:25:10.920 --> 0:25:14.520
<v Speaker 1>it's sometimes necessary to communicate via off record communication to

0:25:14.560 --> 0:25:18.280
<v Speaker 1>say something and signal some other meaning, as annoying as

0:25:18.320 --> 0:25:20.720
<v Speaker 1>it can be at times. Obviously, we can all think

0:25:20.760 --> 0:25:23.679
<v Speaker 1>too situations where someone is not direct with us and

0:25:23.720 --> 0:25:26.879
<v Speaker 1>we wish they were direct. Oh yeah, I mean pretty

0:25:26.960 --> 0:25:30.680
<v Speaker 1>much everything we're talking about today that has a possible

0:25:30.800 --> 0:25:34.560
<v Speaker 1>good social good, you know, useful social role also can

0:25:34.600 --> 0:25:38.120
<v Speaker 1>be used for evil. I mean, every shifty, dishonest guy

0:25:38.240 --> 0:25:41.040
<v Speaker 1>you know uses a lot of off record communication and

0:25:41.080 --> 0:25:43.320
<v Speaker 1>always wants to be able to kind of weasel around

0:25:43.359 --> 0:25:45.600
<v Speaker 1>about what he said or what he meant, And so

0:25:45.760 --> 0:25:49.080
<v Speaker 1>Kellner argues that teasing is quote just such an act

0:25:49.160 --> 0:25:54.200
<v Speaker 1>of off record communication. Provocative commentary is shrouded in linguistic

0:25:54.240 --> 0:25:59.000
<v Speaker 1>acts called off record markers that suggests that commentary should

0:25:59.000 --> 0:26:01.920
<v Speaker 1>not be taken literally. So there's some sort of uh,

0:26:02.400 --> 0:26:04.840
<v Speaker 1>there's some sort of a wink there, right, But I

0:26:04.880 --> 0:26:08.280
<v Speaker 1>don't think this should cause us to sort uh communication

0:26:08.359 --> 0:26:12.000
<v Speaker 1>into like on record which is important, and off record

0:26:12.040 --> 0:26:14.920
<v Speaker 1>which is not important. Yeah, I mean, to your point,

0:26:14.920 --> 0:26:19.000
<v Speaker 1>it may be very important. It just might be socially delicate,

0:26:19.560 --> 0:26:22.119
<v Speaker 1>or you don't want to overstep the boundaries of your

0:26:22.200 --> 0:26:26.280
<v Speaker 1>established relationship with someone, and it may be essential to

0:26:26.280 --> 0:26:29.600
<v Speaker 1>to to to to to provide that wink to let

0:26:29.640 --> 0:26:32.240
<v Speaker 1>them know via you know, some sort of hand signal

0:26:32.320 --> 0:26:34.640
<v Speaker 1>or some alteration of your voice, or even the use

0:26:34.680 --> 0:26:39.199
<v Speaker 1>of rhyme or the mimicking of of of of some

0:26:39.320 --> 0:26:41.840
<v Speaker 1>other individual. It could be key to letting them know

0:26:41.960 --> 0:26:45.240
<v Speaker 1>I'm I'm using off record communication here, even even though

0:26:45.240 --> 0:26:47.640
<v Speaker 1>what I'm about to tell you is important. Well, yeah,

0:26:47.760 --> 0:26:51.320
<v Speaker 1>it's on record communication and off record communication. I would

0:26:51.320 --> 0:26:55.359
<v Speaker 1>say our respectively analogous to work and play, and play

0:26:55.440 --> 0:26:59.360
<v Speaker 1>is very important. Play is where we learn how to work. Ultimately,

0:26:59.359 --> 0:27:01.359
<v Speaker 1>it allows us to send messages in a in a

0:27:01.480 --> 0:27:03.520
<v Speaker 1>masked way or at least a kind of like a

0:27:03.760 --> 0:27:07.959
<v Speaker 1>lubricated way. Socially. Uh, this this may be a terrible example,

0:27:08.000 --> 0:27:10.440
<v Speaker 1>but but one that I have observed before. If you've

0:27:10.440 --> 0:27:14.240
<v Speaker 1>ever seen say an individual come out of a public

0:27:14.280 --> 0:27:18.080
<v Speaker 1>restroom and uh, and they say, who do not go

0:27:18.160 --> 0:27:20.640
<v Speaker 1>in there, or give you some sort of like joking warning,

0:27:20.880 --> 0:27:23.439
<v Speaker 1>that's a good one. Made. It tends it are it

0:27:23.480 --> 0:27:26.520
<v Speaker 1>Definitely I would say definitely works better than if they

0:27:26.520 --> 0:27:28.200
<v Speaker 1>were to look you square in the eyes and say

0:27:28.440 --> 0:27:30.480
<v Speaker 1>do not go in there. Though that's sort of like

0:27:30.760 --> 0:27:34.200
<v Speaker 1>five minutes, you know, Like then that's self deprecating. Yeah,

0:27:34.200 --> 0:27:36.280
<v Speaker 1>but it's also it's like awkward for both parties. But

0:27:36.320 --> 0:27:38.680
<v Speaker 1>if but if there's a joke there, like then it's

0:27:38.760 --> 0:27:40.639
<v Speaker 1>kind of like I'm kind of making fun of myself

0:27:40.680 --> 0:27:42.639
<v Speaker 1>and I'm also kind of making fun of fun of you.

0:27:43.280 --> 0:27:47.439
<v Speaker 1>But I'm also providing definite information that you should be

0:27:47.480 --> 0:27:52.440
<v Speaker 1>aware of regarding the the the aromatic state of this bathroom.

0:27:52.480 --> 0:27:55.280
<v Speaker 1>You're about to enter well to to incorporate teasing. I

0:27:55.280 --> 0:27:57.720
<v Speaker 1>can see how in that situation, teasing if somebody else

0:27:57.760 --> 0:28:00.679
<v Speaker 1>could actually be used to diffuse tension and make them

0:28:00.680 --> 0:28:02.879
<v Speaker 1>feel less bad. So like say you have to go

0:28:02.920 --> 0:28:06.040
<v Speaker 1>into a bathroom after somebody else and it smells bad,

0:28:06.119 --> 0:28:08.920
<v Speaker 1>and the other person knows that they've been in there,

0:28:09.040 --> 0:28:11.879
<v Speaker 1>and you know they're probably feeling embarrassed. You might be

0:28:11.920 --> 0:28:14.400
<v Speaker 1>able to say something that's like a tease of them

0:28:14.440 --> 0:28:17.439
<v Speaker 1>that indicates that they shouldn't actually be You know, you

0:28:17.480 --> 0:28:20.720
<v Speaker 1>can both laugh about it, which actually feels better than

0:28:20.800 --> 0:28:23.879
<v Speaker 1>just leaving it, leaving it unsaid and the person feeling

0:28:23.880 --> 0:28:27.720
<v Speaker 1>awkward and embarrassed. Though I'm not necessarily advocating making fun

0:28:27.720 --> 0:28:30.520
<v Speaker 1>of people's body smells, You've got to judge the situation

0:28:30.600 --> 0:28:34.000
<v Speaker 1>case by case, Keltner says. Quote in teasing, we become actors,

0:28:34.080 --> 0:28:37.600
<v Speaker 1>taking on playful identities to manage the inevitable conflicts of

0:28:37.680 --> 0:28:40.600
<v Speaker 1>living in social groups, which is as kind of crude

0:28:40.600 --> 0:28:42.840
<v Speaker 1>as this example we just laid out, is it. I mean,

0:28:43.280 --> 0:28:45.479
<v Speaker 1>that is an example of what we're talking about here.

0:28:45.480 --> 0:28:47.960
<v Speaker 1>I mean that is the inevitable conflict of living in

0:28:48.000 --> 0:28:51.560
<v Speaker 1>social groups, of going to restaurants and sharing restaurants, and

0:28:51.600 --> 0:28:54.440
<v Speaker 1>they also may allow us Keltner argues to engage in

0:28:54.480 --> 0:28:58.520
<v Speaker 1>the sort of social contest that may prove physical and

0:28:58.560 --> 0:29:01.120
<v Speaker 1>deadly in other species and ded we see plenty of

0:29:01.200 --> 0:29:06.320
<v Speaker 1>non human species that have evolved drama dramatized status contests

0:29:06.360 --> 0:29:09.479
<v Speaker 1>that don't involve combat. You know, uh, some sort of

0:29:09.520 --> 0:29:12.840
<v Speaker 1>like feathery display or or even a display of something

0:29:12.880 --> 0:29:16.400
<v Speaker 1>that might otherwise be used for for combat. But some mean,

0:29:16.600 --> 0:29:21.600
<v Speaker 1>some means of of engaging in social contest that doesn't

0:29:21.640 --> 0:29:26.960
<v Speaker 1>actually require two individuals to to fight until one backs off. Yeah,

0:29:26.960 --> 0:29:28.680
<v Speaker 1>I don't know if this is the kind I would

0:29:28.680 --> 0:29:31.800
<v Speaker 1>call teasing. I guess there might be elements you call

0:29:32.240 --> 0:29:34.840
<v Speaker 1>this gets up against when exactly I would actually use

0:29:34.880 --> 0:29:38.280
<v Speaker 1>the word again, But it's clearly Yeah, it's clearly part

0:29:38.360 --> 0:29:43.440
<v Speaker 1>of human culture that we use words and like insults

0:29:43.560 --> 0:29:48.280
<v Speaker 1>and humor and stuff like that to manage hierarchy navigation.

0:29:48.720 --> 0:29:51.280
<v Speaker 1>You're trying to take down the person above you, and

0:29:51.320 --> 0:29:54.400
<v Speaker 1>you can do it with a witty comment. But stuff

0:29:54.440 --> 0:29:57.800
<v Speaker 1>like that isn't always isn't always in this playful, sweet

0:29:57.840 --> 0:29:59.520
<v Speaker 1>realm of teasing. I mean that kind of stuff can

0:29:59.560 --> 0:30:02.800
<v Speaker 1>actually you pretty biting, right. But but the argument here

0:30:02.840 --> 0:30:06.520
<v Speaker 1>is that even in playful teasing, there is this potential

0:30:06.600 --> 0:30:10.520
<v Speaker 1>for uh for establishment of a pecking order. And that's

0:30:10.520 --> 0:30:13.040
<v Speaker 1>just another way that teasing and requires us to walk

0:30:13.040 --> 0:30:17.920
<v Speaker 1>a fine line right enhancing social connection while also establishing

0:30:17.920 --> 0:30:20.000
<v Speaker 1>a pecking order. Like it's sounds it's one of those

0:30:20.000 --> 0:30:22.960
<v Speaker 1>things that when you when you boil it down, um,

0:30:23.360 --> 0:30:26.560
<v Speaker 1>like imagine like setting out to do that consciously, like

0:30:26.600 --> 0:30:28.680
<v Speaker 1>all right, I've gotta I need to walk into the

0:30:28.720 --> 0:30:31.120
<v Speaker 1>office today. I needed I need to tear everybody down

0:30:31.280 --> 0:30:34.160
<v Speaker 1>just the appropriate amount so that we all feel a

0:30:34.200 --> 0:30:37.120
<v Speaker 1>little closer, but also that it's so that everybody thinks

0:30:37.120 --> 0:30:40.040
<v Speaker 1>that I'm superior or that I have the appropriate place

0:30:40.080 --> 0:30:43.920
<v Speaker 1>in the social dynamics of the office. You're describing management

0:30:43.960 --> 0:30:48.800
<v Speaker 1>strategy probably probably so no, no, no, that's not fair.

0:30:48.840 --> 0:30:52.200
<v Speaker 1>But yeah, I mean, I unfortunately, I think there are

0:30:52.280 --> 0:30:55.320
<v Speaker 1>some people who are that deliberate and that calculating about

0:30:55.320 --> 0:30:57.920
<v Speaker 1>the kind of stuff they say in a workplace. They're

0:30:57.920 --> 0:31:00.200
<v Speaker 1>not just talking to you about whatever they're thinking abou out.

0:31:00.240 --> 0:31:02.120
<v Speaker 1>They're making a comment to you in front of an

0:31:02.120 --> 0:31:05.360
<v Speaker 1>audience based on how it will benefit them. Now, we

0:31:05.400 --> 0:31:10.000
<v Speaker 1>mentioned frat frat brothers. Earlier, Keltner observed it among frat brothers.

0:31:10.160 --> 0:31:13.360
<v Speaker 1>In one study, teasing nicknames seemed to be quote more

0:31:13.480 --> 0:31:17.400
<v Speaker 1>morality plays based on misdeeds that they were encouraged to

0:31:17.440 --> 0:31:20.800
<v Speaker 1>move beyond. And among teens, teasing is a vital part

0:31:20.800 --> 0:31:24.880
<v Speaker 1>of a flirtation, a way of testing out others and

0:31:24.960 --> 0:31:28.120
<v Speaker 1>looking for genuine signs of interest. Yeah, and as I

0:31:28.160 --> 0:31:30.440
<v Speaker 1>mentioned earlier, I mean I feel like this can easily

0:31:30.440 --> 0:31:32.920
<v Speaker 1>go two ways. There is a very sweet kind of

0:31:32.960 --> 0:31:35.880
<v Speaker 1>teasing that takes that takes place in courtship, and then

0:31:35.880 --> 0:31:38.320
<v Speaker 1>there's definitely a gross form of it that's some kind

0:31:38.360 --> 0:31:41.800
<v Speaker 1>of social leverage trick, right, And then there's also something

0:31:42.760 --> 0:31:46.920
<v Speaker 1>problematic too about like if you established this rule that like, oh,

0:31:46.960 --> 0:31:49.520
<v Speaker 1>they're teasing you because they like you, like, then that

0:31:49.520 --> 0:31:51.800
<v Speaker 1>that and that may be the case, I mean that

0:31:51.880 --> 0:31:53.920
<v Speaker 1>it often is the case. It clearly is. But if

0:31:53.960 --> 0:31:57.160
<v Speaker 1>you but then it goes too far. If you established it,

0:31:57.200 --> 0:32:01.280
<v Speaker 1>then is this excuse for for problem amatic teasing, right,

0:32:01.720 --> 0:32:04.360
<v Speaker 1>like oh, that's just boys being boys or girls being girls?

0:32:04.400 --> 0:32:06.520
<v Speaker 1>Then you know, is it or are we using that

0:32:06.560 --> 0:32:09.640
<v Speaker 1>to cover up something that should be um policed in

0:32:09.680 --> 0:32:12.200
<v Speaker 1>some fashion? Well, often we are. This is yet another

0:32:12.280 --> 0:32:14.560
<v Speaker 1>case where it would be great if we could always

0:32:14.560 --> 0:32:17.960
<v Speaker 1>clearly see what the line is. And people's discomfort comes

0:32:18.000 --> 0:32:21.440
<v Speaker 1>in because sometimes it's not clear where the line is. Now.

0:32:21.440 --> 0:32:25.360
<v Speaker 1>On the subject of of teasing among committed partners, uh,

0:32:25.360 --> 0:32:27.239
<v Speaker 1>he points out that there is a language to it,

0:32:27.560 --> 0:32:29.960
<v Speaker 1>you know, they're all these little in jokes, and he

0:32:30.080 --> 0:32:33.560
<v Speaker 1>points to two studies that have shown that married couples

0:32:33.560 --> 0:32:37.080
<v Speaker 1>with a rich vocabulary of you know, various teasing nicknames

0:32:37.120 --> 0:32:41.640
<v Speaker 1>and ends of formulate insults, they tend to be happier

0:32:41.680 --> 0:32:44.880
<v Speaker 1>and more satisfied. And that's the sweet kind. Yeah. And

0:32:44.920 --> 0:32:48.360
<v Speaker 1>he also adds that it may help diffuse arguments over

0:32:48.440 --> 0:32:52.520
<v Speaker 1>really explosive issues, and that the terminology of the teasing

0:32:53.280 --> 0:32:56.160
<v Speaker 1>as well as often drawn from the same metaphors we

0:32:56.280 --> 0:32:59.479
<v Speaker 1>use for for love. They have to do, for instance,

0:32:59.480 --> 0:33:02.520
<v Speaker 1>with with food or small animals, right, like referring to

0:33:02.560 --> 0:33:05.440
<v Speaker 1>somebody as like a dum playing or a muffin or

0:33:05.480 --> 0:33:08.760
<v Speaker 1>something like that, or a or a bunny. Yes, though

0:33:08.760 --> 0:33:11.440
<v Speaker 1>apparently they did. It does depend on the language. Here.

0:33:11.440 --> 0:33:17.960
<v Speaker 1>I remember speaking with U, an individual of Thai descent,

0:33:18.440 --> 0:33:22.520
<v Speaker 1>and about how the use of pig or piggy or

0:33:22.680 --> 0:33:25.680
<v Speaker 1>you know, it's tie equivalent was a term of endearment,

0:33:26.000 --> 0:33:30.680
<v Speaker 1>especially for young children, whereas in English that the term

0:33:30.680 --> 0:33:33.400
<v Speaker 1>maybe has a has a bit more like spike to it,

0:33:33.440 --> 0:33:35.120
<v Speaker 1>if you're gonna call someone a pick or a piggy.

0:33:35.720 --> 0:33:38.600
<v Speaker 1>So a term of endearment in one language or culture

0:33:38.600 --> 0:33:41.960
<v Speaker 1>is not necessarily going to translate equally into another language.

0:33:42.000 --> 0:33:44.600
<v Speaker 1>Oh but I can actually see, like even in English,

0:33:44.720 --> 0:33:48.040
<v Speaker 1>a great novel where you establish a character's relationship, what

0:33:48.200 --> 0:33:51.840
<v Speaker 1>we're like, a wife calls her husband little piggy or something.

0:33:51.920 --> 0:33:55.480
<v Speaker 1>That seems that that's good, that's good character right there. Yeah. Now,

0:33:55.480 --> 0:33:57.400
<v Speaker 1>there's a ton of material out there on teasing, and

0:33:57.400 --> 0:33:59.760
<v Speaker 1>we can't possibly touch on all of it here today.

0:34:00.560 --> 0:34:02.600
<v Speaker 1>After all, it does seem to be a major aspect

0:34:02.640 --> 0:34:05.760
<v Speaker 1>of human social dynamics, and the legacy of childhood teasing

0:34:06.480 --> 0:34:08.880
<v Speaker 1>seems to be quite long. A lot of studies look

0:34:09.120 --> 0:34:14.719
<v Speaker 1>at childhood teasing and and the ramifications of it for adults. Yeah,

0:34:14.719 --> 0:34:16.879
<v Speaker 1>a lot of what I saw was just study after

0:34:16.960 --> 0:34:22.359
<v Speaker 1>study looking at whether child whether children perceived teasing as

0:34:22.400 --> 0:34:24.880
<v Speaker 1>harmful or not, and generally they did. Now, one of

0:34:24.920 --> 0:34:26.279
<v Speaker 1>one of the problems here is that it does come

0:34:26.320 --> 0:34:30.160
<v Speaker 1>down to that perception, how is the instance of teasing perceived?

0:34:30.520 --> 0:34:33.440
<v Speaker 1>And and and here we see this this this this

0:34:33.520 --> 0:34:36.800
<v Speaker 1>case where an instance of teasing might well be perceived

0:34:36.840 --> 0:34:39.879
<v Speaker 1>by one party as being playful and another party as

0:34:39.920 --> 0:34:44.040
<v Speaker 1>being harmful. I mean, going back to our initial example.

0:34:44.440 --> 0:34:47.879
<v Speaker 1>You know, in in group social dynamics, where someone goes

0:34:47.920 --> 0:34:50.200
<v Speaker 1>over the line, I mean most of the most of

0:34:50.200 --> 0:34:52.239
<v Speaker 1>the cases, and the person is not thinking I'm going

0:34:52.280 --> 0:34:54.239
<v Speaker 1>over the line, I'm going for it, I'm gonna go

0:34:54.320 --> 0:34:57.000
<v Speaker 1>for the hurt point. Here, well, sometimes they are, I mean,

0:34:57.320 --> 0:35:00.319
<v Speaker 1>there there are clearly different categories here. There is like

0:35:01.280 --> 0:35:04.400
<v Speaker 1>very often teasing is going to be perceived as good

0:35:04.480 --> 0:35:07.759
<v Speaker 1>natured by the person doing the teasing and as mean

0:35:07.800 --> 0:35:10.840
<v Speaker 1>and hurtful by the person receiving the teasing. But also

0:35:11.920 --> 0:35:14.200
<v Speaker 1>there there are two different versions of what's going on

0:35:14.320 --> 0:35:18.200
<v Speaker 1>in the perpetrator's mind. You've definitely seen cases where somebody

0:35:18.200 --> 0:35:22.560
<v Speaker 1>who genuinely meant no harm accidentally hurt somebody's feelings with teasing.

0:35:22.840 --> 0:35:24.839
<v Speaker 1>And then you see cases where people try to cover

0:35:24.880 --> 0:35:28.600
<v Speaker 1>their butts afterwards, like clearly they let some you know,

0:35:28.760 --> 0:35:33.479
<v Speaker 1>hurtful inclinations reveal itself too much. They were being mean,

0:35:33.719 --> 0:35:36.440
<v Speaker 1>but then afterwards they can be they can retreat. It's

0:35:36.480 --> 0:35:39.239
<v Speaker 1>off record communication, so they can be like, oh, I

0:35:39.320 --> 0:35:41.520
<v Speaker 1>was just kidding. I didn't mean any harm, don't you know,

0:35:41.600 --> 0:35:44.480
<v Speaker 1>don't get upset. I didn't mean to hurt your feelings,

0:35:44.640 --> 0:35:47.239
<v Speaker 1>but they kind of did, right. Yeah, I was looking

0:35:47.280 --> 0:35:49.719
<v Speaker 1>at a paper here, two thousand paper titled I Was

0:35:49.760 --> 0:35:54.120
<v Speaker 1>Only Kidding Victims and Perpetrators Perceptions of Teasing by Robin M. Kowowski,

0:35:54.520 --> 0:35:57.280
<v Speaker 1>and he points out that via seventy two person study,

0:35:57.719 --> 0:36:01.040
<v Speaker 1>I found that perspectives might refer lect of the views

0:36:01.080 --> 0:36:04.520
<v Speaker 1>of perpetrators and victims. The teaser remembers it more as

0:36:04.560 --> 0:36:08.240
<v Speaker 1>fun and focused on behavior, and the person being teased

0:36:08.280 --> 0:36:12.879
<v Speaker 1>remembers it more as hurtful and potentially focusing on their appearance. Yeah,

0:36:12.920 --> 0:36:15.799
<v Speaker 1>that's another thing. So one area in which teasing, I

0:36:15.800 --> 0:36:18.879
<v Speaker 1>think is just never acceptable. I mean you just never

0:36:18.920 --> 0:36:22.399
<v Speaker 1>want to go there is teasing about innate characteristics, not

0:36:22.400 --> 0:36:25.480
<v Speaker 1>not like about what somebody just did, but about what

0:36:25.520 --> 0:36:29.360
<v Speaker 1>they look like about their body, about fundamental personality issues.

0:36:29.520 --> 0:36:32.080
<v Speaker 1>It comes back to like the educative aspect of teasing,

0:36:32.160 --> 0:36:35.439
<v Speaker 1>like you can you if it's if it's if there's

0:36:35.440 --> 0:36:37.680
<v Speaker 1>something educative about it, it's like you should be doing

0:36:37.719 --> 0:36:41.000
<v Speaker 1>this differently, where you should have done this differently. But

0:36:41.160 --> 0:36:43.880
<v Speaker 1>I mean, you know, people for the for the vast

0:36:44.000 --> 0:36:47.880
<v Speaker 1>most part, cannot do anything about their their physical appearance,

0:36:48.080 --> 0:36:51.399
<v Speaker 1>you know. But but I've I'm sure you've seen this

0:36:51.880 --> 0:36:55.680
<v Speaker 1>where people tease somebody and it edges into teasing about

0:36:55.719 --> 0:36:59.319
<v Speaker 1>innate characteristics, and when they get called out, they try

0:36:59.360 --> 0:37:03.240
<v Speaker 1>to retreat to to like pretending they were just reacting

0:37:03.239 --> 0:37:06.719
<v Speaker 1>to behavior or something. No, no, no, no, I didn't

0:37:06.760 --> 0:37:09.399
<v Speaker 1>mean that, I meant this other thing. Yeah, Or they're

0:37:09.440 --> 0:37:11.000
<v Speaker 1>kind of like, oh, I'm sorry. I thought we were

0:37:11.040 --> 0:37:12.960
<v Speaker 1>just being mean, and so I was going to be

0:37:13.040 --> 0:37:15.280
<v Speaker 1>mean too. I didn't realize that we were being playful

0:37:15.640 --> 0:37:18.680
<v Speaker 1>or that we were critiquing things they had choices about. Now,

0:37:18.719 --> 0:37:21.359
<v Speaker 1>this this leads me to a question that I've I've

0:37:21.400 --> 0:37:23.440
<v Speaker 1>had in my mind for a little while here, and

0:37:23.480 --> 0:37:28.080
<v Speaker 1>that is, do certain people invite more playful and potentially

0:37:28.160 --> 0:37:31.880
<v Speaker 1>hurtful teasing than others, and if so, what are the factors?

0:37:32.880 --> 0:37:35.359
<v Speaker 1>So I've observed this in social situations in the past.

0:37:35.400 --> 0:37:37.399
<v Speaker 1>I'm sure a number of our listeners have as well.

0:37:38.160 --> 0:37:41.880
<v Speaker 1>In social dynamics, some individuals seem to attract more teasing

0:37:41.880 --> 0:37:44.880
<v Speaker 1>attention than others. And why is that? I think based

0:37:44.920 --> 0:37:47.239
<v Speaker 1>on some of what we've discussed here so far, we

0:37:47.280 --> 0:37:52.360
<v Speaker 1>could we could really point to various causes apparent social status,

0:37:52.400 --> 0:37:57.319
<v Speaker 1>attractiveness and desirability, but also difference outside or status, really

0:37:57.400 --> 0:38:00.480
<v Speaker 1>any area that would seem to invite, invite off the

0:38:00.480 --> 0:38:04.279
<v Speaker 1>record linguistic attention right. Well, because teasing has so many

0:38:04.320 --> 0:38:07.200
<v Speaker 1>different uses and meanings, there are a lot of different

0:38:07.200 --> 0:38:09.799
<v Speaker 1>ways that it can be attracted. I mean, one thing

0:38:10.320 --> 0:38:14.840
<v Speaker 1>that you can see is that obviously in hurtful teasing,

0:38:14.880 --> 0:38:16.960
<v Speaker 1>you know, the kind of cruel the thing I wouldn't

0:38:17.000 --> 0:38:20.640
<v Speaker 1>usually call teasing cruel, mean spirited bullying. I think the

0:38:20.680 --> 0:38:24.600
<v Speaker 1>people who attract that are people who look like easy targets,

0:38:24.680 --> 0:38:28.839
<v Speaker 1>people who are lower status in the community where they're

0:38:28.840 --> 0:38:32.440
<v Speaker 1>being teased, people who have less power to respond. I mean,

0:38:32.719 --> 0:38:36.080
<v Speaker 1>bullies pick on people they perceive to have a weakness. Now,

0:38:36.120 --> 0:38:39.160
<v Speaker 1>when it comes to the jester type of of teasing,

0:38:39.200 --> 0:38:41.719
<v Speaker 1>I think obviously they're the people who are going to

0:38:41.800 --> 0:38:44.600
<v Speaker 1>be attracting it, are going to be prominent, high status people,

0:38:45.000 --> 0:38:48.560
<v Speaker 1>and high status people also tend to invite the different

0:38:48.640 --> 0:38:51.680
<v Speaker 1>kind of teasing that's not even really teasing. But Keltner

0:38:51.719 --> 0:38:53.880
<v Speaker 1>talked about it in this article when he talked about

0:38:53.880 --> 0:38:57.560
<v Speaker 1>how frat brothers give each other nicknames. There's a kind

0:38:57.600 --> 0:39:02.560
<v Speaker 1>of teasing as praise that frat pledges show towards the

0:39:02.600 --> 0:39:07.200
<v Speaker 1>senior brothers of the fraternity. Uh. So it's structured like teasing,

0:39:07.520 --> 0:39:10.239
<v Speaker 1>but it's really more of a veiled compliment. Do you

0:39:10.239 --> 0:39:12.920
<v Speaker 1>know what I'm talking about. I'm sure you've seen this before,

0:39:12.920 --> 0:39:17.080
<v Speaker 1>where like people will be obsequious by pretending to rib

0:39:17.280 --> 0:39:20.440
<v Speaker 1>somebody above them, but in a way that's not actually

0:39:20.480 --> 0:39:22.920
<v Speaker 1>for anything bad they did, but really is more for

0:39:22.960 --> 0:39:26.960
<v Speaker 1>something good about them. Yeah. Yeah, you do see examples

0:39:26.960 --> 0:39:30.040
<v Speaker 1>of this, uh from time to time, almost kind of

0:39:30.040 --> 0:39:33.040
<v Speaker 1>getting into the idea of like hot shaming somebody, right,

0:39:33.120 --> 0:39:36.719
<v Speaker 1>like making fun of them for being attractive, making fun

0:39:36.719 --> 0:39:40.360
<v Speaker 1>of them for being successful or something that in that regard.

0:39:40.480 --> 0:39:43.160
<v Speaker 1>I mean, obviously in the fraternity context, a lot of

0:39:43.160 --> 0:39:45.640
<v Speaker 1>this is going to be like pretending to rib an

0:39:45.640 --> 0:39:49.640
<v Speaker 1>older frat brother for his you know, drinking ability, or

0:39:49.719 --> 0:39:53.560
<v Speaker 1>his sexual prowess or something. Uh. It's not really in

0:39:53.640 --> 0:39:56.960
<v Speaker 1>that context perceived as an insult, but they structure it

0:39:57.080 --> 0:40:00.319
<v Speaker 1>like one. It's a strange phenomenon. But but come back

0:40:00.360 --> 0:40:02.919
<v Speaker 1>to other people who seem to invite I think one

0:40:02.960 --> 0:40:07.560
<v Speaker 1>thing that is common to most forms of more barbed

0:40:07.680 --> 0:40:11.239
<v Speaker 1>teasing is that it's invited by people who do not

0:40:11.400 --> 0:40:14.680
<v Speaker 1>appear to have a very well developed sense of humor,

0:40:15.080 --> 0:40:19.359
<v Speaker 1>or people who appear to take themselves very seriously. I'm

0:40:19.400 --> 0:40:22.200
<v Speaker 1>sure you've observed this, right, Robert, Yes, I've definitely seen

0:40:22.239 --> 0:40:25.960
<v Speaker 1>this h in play, you know, in various work environments

0:40:26.000 --> 0:40:29.240
<v Speaker 1>over over the years, where the person who takes themselves

0:40:29.320 --> 0:40:35.120
<v Speaker 1>very seriously just it almost requires you to to take

0:40:35.160 --> 0:40:38.719
<v Speaker 1>them down a pay not if they can't laugh at themselves, right,

0:40:38.760 --> 0:40:40.800
<v Speaker 1>I mean, and then this is something that's not necessarily

0:40:40.800 --> 0:40:43.160
<v Speaker 1>going to take place like face to face obviously, Like

0:40:43.320 --> 0:40:45.320
<v Speaker 1>like if you have a say you have a boss

0:40:45.560 --> 0:40:49.640
<v Speaker 1>that is just really self involved, you you cannot help

0:40:49.800 --> 0:40:52.160
<v Speaker 1>but make fun of them with a co worker, you know,

0:40:52.760 --> 0:40:55.040
<v Speaker 1>regardless of if you if you ever do anything or

0:40:55.080 --> 0:40:57.480
<v Speaker 1>say anything that you know that that that individual is

0:40:57.520 --> 0:41:00.319
<v Speaker 1>ever gonna hear, you still have to at least joke

0:41:00.400 --> 0:41:03.680
<v Speaker 1>about them, uh with your other coworkers. Right, And as

0:41:03.719 --> 0:41:07.320
<v Speaker 1>Keltner points out, the dynamics of teasing tend to change

0:41:07.480 --> 0:41:11.160
<v Speaker 1>dramatically around eleven or twelve, around that that kind of age,

0:41:11.400 --> 0:41:13.920
<v Speaker 1>which is about the age that he says kids most

0:41:13.960 --> 0:41:17.920
<v Speaker 1>often learn to hold contradictory ideas about the world in

0:41:17.960 --> 0:41:20.080
<v Speaker 1>their head at the same time these you know, that's

0:41:20.120 --> 0:41:24.240
<v Speaker 1>the the idea of negative capability, the thing that allows

0:41:24.320 --> 0:41:28.759
<v Speaker 1>the ironic stance, and this allows them to see subtleties

0:41:28.800 --> 0:41:32.279
<v Speaker 1>of teasing and participate in it, especially on the receiving end,

0:41:32.320 --> 0:41:35.839
<v Speaker 1>in a more graceful way, without interpreting all of it

0:41:35.880 --> 0:41:38.600
<v Speaker 1>as bullying and bad. You know, that's one big difference

0:41:38.680 --> 0:41:43.080
<v Speaker 1>is that when you're an adult, it becomes you learn

0:41:43.160 --> 0:41:45.799
<v Speaker 1>how to take a joke usually, you know, like you

0:41:45.880 --> 0:41:48.719
<v Speaker 1>learn how to be the butt of a of a

0:41:48.840 --> 0:41:51.440
<v Speaker 1>good natured piece of criticism as long as it's not

0:41:51.480 --> 0:41:54.359
<v Speaker 1>like really cruel, uh, to be the butt of a

0:41:54.400 --> 0:41:58.759
<v Speaker 1>good natured piece of criticism or or teasing, and to

0:41:58.960 --> 0:42:01.480
<v Speaker 1>not get too upset about it. But kids don't have

0:42:01.560 --> 0:42:03.759
<v Speaker 1>this ability. They are not good at this at all.

0:42:03.880 --> 0:42:07.759
<v Speaker 1>Kids take themselves very seriously. All right, Well, on that note,

0:42:07.760 --> 0:42:09.600
<v Speaker 1>we're going to take one more break, and when we

0:42:09.640 --> 0:42:16.200
<v Speaker 1>come back we will discuss teasing in bonding. Thank alright,

0:42:16.200 --> 0:42:18.520
<v Speaker 1>we're back, So one of the funny things I discovered

0:42:18.560 --> 0:42:22.080
<v Speaker 1>in this episode is there's this entire academic journal called

0:42:22.239 --> 0:42:25.800
<v Speaker 1>Discourse Studies, all all kinds of research about the ways

0:42:25.840 --> 0:42:29.759
<v Speaker 1>people communicate, and they have this amazing way of like

0:42:30.080 --> 0:42:33.759
<v Speaker 1>mapping out conversations in a way that includes all this

0:42:33.960 --> 0:42:39.600
<v Speaker 1>information about tone and about gestures and laughter and how

0:42:39.640 --> 0:42:43.200
<v Speaker 1>different kinds of laughter sounded. It looks like computer code.

0:42:43.600 --> 0:42:47.560
<v Speaker 1>It's like conversations translated into cobal. You should look this

0:42:47.680 --> 0:42:51.280
<v Speaker 1>up if you get a chance. It's it's pretty interesting. Um.

0:42:51.400 --> 0:42:54.560
<v Speaker 1>But I was just looking at one study from Discourse

0:42:54.600 --> 0:42:58.200
<v Speaker 1>Studies in that was published this year in called getting

0:42:58.239 --> 0:43:01.440
<v Speaker 1>to Know You Teasing as an Invitor Patian to Intimacy

0:43:01.600 --> 0:43:05.359
<v Speaker 1>in Initial Interactions by Michael Hall and Danielle pill at

0:43:05.400 --> 0:43:09.280
<v Speaker 1>Shore and so that they write about how before the study,

0:43:09.360 --> 0:43:13.399
<v Speaker 1>teasing was often assumed to take place mostly or exclusively

0:43:13.440 --> 0:43:17.799
<v Speaker 1>between people who have previously who have previous relationships, who

0:43:17.800 --> 0:43:22.239
<v Speaker 1>have some degree of intimacy. But this article examined conversations

0:43:22.280 --> 0:43:26.600
<v Speaker 1>between unfamiliar people who were becoming acquainted, and I thought

0:43:26.600 --> 0:43:30.000
<v Speaker 1>this was interesting. They found that teasing does play a role, uh,

0:43:30.000 --> 0:43:32.040
<v Speaker 1>and the role it seems to play in this kind

0:43:32.080 --> 0:43:35.120
<v Speaker 1>of conversation and the getting to know you conversation is

0:43:35.120 --> 0:43:39.879
<v Speaker 1>a sort of experiment, is testing the new acquaintances willingness

0:43:40.360 --> 0:43:43.960
<v Speaker 1>to become more intimate, because I definitely know this feeling

0:43:44.719 --> 0:43:46.879
<v Speaker 1>like you're at a party or whatever, you know, any

0:43:46.880 --> 0:43:49.280
<v Speaker 1>place you've got to meet new people, and you're talking

0:43:49.320 --> 0:43:51.759
<v Speaker 1>to somebody new for the first time, and for a

0:43:51.800 --> 0:43:54.880
<v Speaker 1>while in that first conversation, you don't know if this

0:43:54.960 --> 0:43:59.120
<v Speaker 1>conversation will sort of escalate into a relationship and a

0:43:59.160 --> 0:44:01.560
<v Speaker 1>point of familiarity where you might start to think of

0:44:01.600 --> 0:44:04.759
<v Speaker 1>this person as a friend, or if you're just exchanging

0:44:04.800 --> 0:44:08.239
<v Speaker 1>pleasantries until you can move on, right, Yeah, So you

0:44:08.280 --> 0:44:10.400
<v Speaker 1>never know. Some sometimes you think it's gonna go one

0:44:10.400 --> 0:44:11.680
<v Speaker 1>way and it goes to the other. And this study

0:44:11.719 --> 0:44:14.759
<v Speaker 1>found that teasing plays an important role in this and

0:44:14.800 --> 0:44:18.279
<v Speaker 1>getting to know people as a bid for increased intimacy.

0:44:18.640 --> 0:44:23.280
<v Speaker 1>So the researchers taped and studied thirty initial interactions, twenty

0:44:23.320 --> 0:44:25.760
<v Speaker 1>four of which twenty four out of the thirty featured

0:44:25.800 --> 0:44:29.439
<v Speaker 1>one or more sequence of teasing. And the teases were

0:44:29.480 --> 0:44:33.200
<v Speaker 1>produced by and directed at both male and female speakers

0:44:33.239 --> 0:44:36.960
<v Speaker 1>of varying ages. And this is fascinating. The researchers discovered

0:44:37.000 --> 0:44:40.440
<v Speaker 1>that there was a clear pattern to the teasing exchange

0:44:40.480 --> 0:44:45.040
<v Speaker 1>in the initial conversations. So first, something teasable would happen.

0:44:45.440 --> 0:44:49.400
<v Speaker 1>There's a triggering action by the tease target that affords

0:44:49.480 --> 0:44:53.120
<v Speaker 1>the tease, and then second there's the tease at a quote,

0:44:53.120 --> 0:44:56.839
<v Speaker 1>a teasing action directed at the tease target. And then

0:44:56.960 --> 0:45:02.800
<v Speaker 1>third there's affiliation, a mutual ratification of the non seriousness

0:45:02.920 --> 0:45:06.520
<v Speaker 1>of the tease and the author's right quote given. Teasing

0:45:06.600 --> 0:45:10.520
<v Speaker 1>is one way of criticizing another. It constitutes a potential

0:45:10.640 --> 0:45:15.720
<v Speaker 1>breach of tact or interactional propriety in initial interactions. However,

0:45:15.800 --> 0:45:21.480
<v Speaker 1>participants can construe this potential impropriety as an invitation to intimacy,

0:45:21.520 --> 0:45:25.200
<v Speaker 1>as it involves the proposal of a shared ironic stance

0:45:25.600 --> 0:45:28.600
<v Speaker 1>that may be either accepted or declined by the target

0:45:28.680 --> 0:45:32.359
<v Speaker 1>of the tease. So teasing in initial interactions, teasing while

0:45:32.400 --> 0:45:35.400
<v Speaker 1>first getting to know somebody can essentially be an off

0:45:35.480 --> 0:45:40.040
<v Speaker 1>record invitation to escalate the interaction and open up possibilities

0:45:40.080 --> 0:45:43.399
<v Speaker 1>of friendship. It's a sort of ambiguous, off record way

0:45:43.440 --> 0:45:46.120
<v Speaker 1>of saying will you play with me? And of course

0:45:46.719 --> 0:45:50.400
<v Speaker 1>reading through these you know these like Cobal conversations. You

0:45:50.440 --> 0:45:52.719
<v Speaker 1>see that a lot of the signaling both ways here

0:45:52.800 --> 0:45:58.280
<v Speaker 1>is relegated to nonverbal signals. There's intonation, uh, facial expressions, laughter,

0:45:58.960 --> 0:46:00.600
<v Speaker 1>And you know, one thing I think about it is

0:46:00.600 --> 0:46:04.600
<v Speaker 1>how sometimes a teasing interaction doesn't even necessarily involve words,

0:46:04.840 --> 0:46:09.239
<v Speaker 1>Like think about this situation. Somebody says something teasable, and

0:46:09.280 --> 0:46:11.560
<v Speaker 1>all you really need to do for a subtle tease

0:46:11.680 --> 0:46:14.800
<v Speaker 1>is to respond with a certain facial expression or type

0:46:14.800 --> 0:46:18.080
<v Speaker 1>of laughter, and the teased person has the option of

0:46:18.080 --> 0:46:21.440
<v Speaker 1>either joining you and and laughing along with you, or

0:46:21.600 --> 0:46:23.880
<v Speaker 1>rejecting the bid to join you in the river of

0:46:23.920 --> 0:46:26.799
<v Speaker 1>irony and staying on dry land, at which point you

0:46:26.840 --> 0:46:30.840
<v Speaker 1>realize like, oh, okay, this conversation or this relationship is

0:46:30.880 --> 0:46:34.120
<v Speaker 1>not going to a friendly place, or that this is

0:46:34.160 --> 0:46:37.480
<v Speaker 1>not the this is not the safe point for teasing. Yeah,

0:46:37.560 --> 0:46:40.160
<v Speaker 1>I mean it's very possible. I think we can all

0:46:40.280 --> 0:46:43.479
<v Speaker 1>think the situations like this where you're kind of doing

0:46:43.480 --> 0:46:46.400
<v Speaker 1>this playful teasing and then you realize, oh, maybe this

0:46:46.480 --> 0:46:50.359
<v Speaker 1>individual is very serious about this particular aspect of their

0:46:50.760 --> 0:46:53.640
<v Speaker 1>personality or the world. Like they do not They're they're

0:46:53.640 --> 0:46:56.880
<v Speaker 1>not game for say, uh, you know, political based humor

0:46:57.000 --> 0:46:59.640
<v Speaker 1>or teasing, but they may be open in other areas.

0:46:59.680 --> 0:47:02.239
<v Speaker 1>And then it's also ultimately part of the social dynamic, right,

0:47:02.520 --> 0:47:05.839
<v Speaker 1>figuring out like what is the shape of my relationship

0:47:06.000 --> 0:47:08.400
<v Speaker 1>with this person and what is the shape of this

0:47:08.480 --> 0:47:12.440
<v Speaker 1>relationship going to be? What are the avenues for bonding

0:47:12.480 --> 0:47:14.800
<v Speaker 1>and teasing that can take place. Yeah, I was reading

0:47:14.840 --> 0:47:19.279
<v Speaker 1>another article about teasing as bonding and it talked about

0:47:19.320 --> 0:47:21.920
<v Speaker 1>how one of the main features of teasing is the

0:47:22.000 --> 0:47:27.080
<v Speaker 1>creation of distinct alliances between participants in a conversation. Of course,

0:47:27.160 --> 0:47:28.879
<v Speaker 1>you know, we we see this happen all the time.

0:47:29.200 --> 0:47:33.560
<v Speaker 1>Teasing is going on, and it forms factions in a conversation.

0:47:33.920 --> 0:47:37.279
<v Speaker 1>People can either join in with the teasing and now

0:47:37.320 --> 0:47:41.120
<v Speaker 1>they're on a team together, or they can like resist,

0:47:41.280 --> 0:47:43.200
<v Speaker 1>or they can you know, it's often a form of

0:47:43.239 --> 0:47:46.839
<v Speaker 1>like joining people together against an isolated recipient. And this

0:47:46.880 --> 0:47:49.560
<v Speaker 1>can take very cruel forms. Of course, this is where

0:47:49.600 --> 0:47:53.040
<v Speaker 1>it can very easily turn into bullying, where in group

0:47:53.080 --> 0:47:56.360
<v Speaker 1>members strengthened bonds by teasing somebody from the out group

0:47:56.440 --> 0:47:59.520
<v Speaker 1>or somebody new. But I've also noticed that this form

0:47:59.560 --> 0:48:03.080
<v Speaker 1>of teasing as alliance formation can be really positive. It

0:48:03.120 --> 0:48:08.239
<v Speaker 1>can have really really sweet forms. Here's one very specific

0:48:08.320 --> 0:48:11.280
<v Speaker 1>benign way I've seen happen a lot in my life.

0:48:11.320 --> 0:48:15.520
<v Speaker 1>It's when there's someone who's uncomfortable or unfamiliar in a

0:48:15.600 --> 0:48:18.319
<v Speaker 1>social group. Say a person's over at your house for

0:48:18.360 --> 0:48:20.600
<v Speaker 1>the first time and they've never been there before that

0:48:20.719 --> 0:48:23.320
<v Speaker 1>you know that they're not one of this this social

0:48:23.400 --> 0:48:25.880
<v Speaker 1>in group yet, and a member of that social in

0:48:25.960 --> 0:48:28.960
<v Speaker 1>group tries to make the new person feel comfortable and

0:48:29.040 --> 0:48:33.320
<v Speaker 1>welcome by inviting them to participate in teasing of another

0:48:33.400 --> 0:48:37.320
<v Speaker 1>member of the in group. Like A very common version

0:48:37.360 --> 0:48:41.360
<v Speaker 1>of this is I see, um, a wife trying to

0:48:41.520 --> 0:48:45.919
<v Speaker 1>make somebody feel welcome in her home by inviting that

0:48:46.080 --> 0:48:50.439
<v Speaker 1>guest to join in with her in teasing her husband. Okay, yeah,

0:48:50.520 --> 0:48:52.640
<v Speaker 1>I mean I can think of examples where my wife

0:48:52.680 --> 0:48:55.120
<v Speaker 1>has done this, where essentially what she's saying is like,

0:48:55.560 --> 0:48:58.359
<v Speaker 1>this is my husband, here's this nerdy thing he likes.

0:48:58.440 --> 0:49:00.359
<v Speaker 1>It's okay to tease him about it because as it

0:49:00.440 --> 0:49:02.600
<v Speaker 1>is part of our dynamic, and you can share to

0:49:02.680 --> 0:49:05.719
<v Speaker 1>a certain extent in this dynamic as well. Ha ha ha. Yeah. Yeah,

0:49:05.840 --> 0:49:08.759
<v Speaker 1>it's it's an inviting thing, and it also tells that

0:49:08.800 --> 0:49:11.400
<v Speaker 1>person it's safe here. It says you're not going to

0:49:11.480 --> 0:49:14.719
<v Speaker 1>get your head cut off for mocking the king, right right, Yeah,

0:49:15.000 --> 0:49:19.160
<v Speaker 1>beheading always a sign that that that a dinner party

0:49:19.200 --> 0:49:22.200
<v Speaker 1>is going terribly wrong. It's it's a demonstration that there

0:49:22.320 --> 0:49:25.719
<v Speaker 1>is no Jeoffrey in this house. But it's also a

0:49:25.719 --> 0:49:28.719
<v Speaker 1>form of social bonding and alliance formation. It allows the

0:49:28.719 --> 0:49:31.680
<v Speaker 1>person to feel like they are you know, the that

0:49:31.800 --> 0:49:34.240
<v Speaker 1>the crucial that the bull's eye of the in group

0:49:34.320 --> 0:49:37.960
<v Speaker 1>right now. Though then again, because because teasing has all

0:49:38.000 --> 0:49:41.840
<v Speaker 1>this in built ambiguity and risk, there there's always the

0:49:41.920 --> 0:49:44.960
<v Speaker 1>risk of seeing something like that edge into actual mean

0:49:45.040 --> 0:49:48.440
<v Speaker 1>spiritedness in a couple. You know, I hadn't really thought

0:49:48.480 --> 0:49:51.120
<v Speaker 1>about this before, but I was thinking of my own house.

0:49:51.440 --> 0:49:56.360
<v Speaker 1>A lot of teasing, linguistic teasing, mind you, is aimed

0:49:56.360 --> 0:50:00.320
<v Speaker 1>at our cat and our signing engaged in this is well,

0:50:00.520 --> 0:50:04.040
<v Speaker 1>you know, we we treat the cat obviously like a

0:50:04.080 --> 0:50:06.920
<v Speaker 1>like a queen. You know, she has even has a

0:50:06.960 --> 0:50:10.040
<v Speaker 1>pedestal that she lays upon, and you know she hasn't

0:50:10.160 --> 0:50:12.840
<v Speaker 1>made in the shade, and you think, yeah, we we

0:50:12.880 --> 0:50:15.640
<v Speaker 1>love the cat. But at the same time, we have

0:50:15.719 --> 0:50:19.279
<v Speaker 1>all sorts of ridiculous names for the cat. We're always going, oh,

0:50:19.320 --> 0:50:22.000
<v Speaker 1>what is the cat? Doing. Now we're essentially teasing the cat,

0:50:22.360 --> 0:50:25.160
<v Speaker 1>and it is a very safe zone for linguistic teasing,

0:50:25.560 --> 0:50:27.279
<v Speaker 1>you know, because the cat doesn't care. The cat doesn't

0:50:27.280 --> 0:50:29.400
<v Speaker 1>know what we're saying. Well, you know why cats are

0:50:29.440 --> 0:50:32.279
<v Speaker 1>great to tease. It's because they take themselves very seriously.

0:50:32.719 --> 0:50:36.040
<v Speaker 1>They do that, They are very to take themselves very seriously,

0:50:36.640 --> 0:50:38.960
<v Speaker 1>whereas there is there is certainly more of an air

0:50:39.000 --> 0:50:41.879
<v Speaker 1>of the jesture to the dog. Though we make fun

0:50:41.920 --> 0:50:44.200
<v Speaker 1>of our dog too, and he deserves it because he's

0:50:44.320 --> 0:50:47.120
<v Speaker 1>very funny. But it does make me wonder to what

0:50:47.160 --> 0:50:50.600
<v Speaker 1>extent pets then, you know, they they are enabling this

0:50:50.719 --> 0:50:55.360
<v Speaker 1>avenue of bonding. Uh that that that that involves teasing.

0:50:55.560 --> 0:50:57.239
<v Speaker 1>I think in this world where we're trying to be

0:50:57.280 --> 0:51:00.600
<v Speaker 1>sensitive and socially conscious and not and not hurt people

0:51:00.640 --> 0:51:04.000
<v Speaker 1>and necessarily but at the same time, but where we

0:51:04.080 --> 0:51:09.120
<v Speaker 1>also recognize the absolutely necessary value of positive teasing. If

0:51:09.160 --> 0:51:11.600
<v Speaker 1>we need like a theory, we need like a theory

0:51:11.680 --> 0:51:15.160
<v Speaker 1>of teasing to guide our teasing so so that we

0:51:15.160 --> 0:51:18.359
<v Speaker 1>we always understand where it's going and we don't accidentally

0:51:18.400 --> 0:51:22.280
<v Speaker 1>pilot it into the rocks of of of bullying. I agree.

0:51:22.840 --> 0:51:25.399
<v Speaker 1>I wonder if we need like posters, you know, sort

0:51:25.440 --> 0:51:29.120
<v Speaker 1>of like a military propaganda posters that are instructing us

0:51:29.600 --> 0:51:32.320
<v Speaker 1>about teasing, Like what is good teasing, what is bad teasing?

0:51:32.320 --> 0:51:34.880
<v Speaker 1>What is teasing accomplished? What should we tolerate? What should

0:51:34.880 --> 0:51:37.000
<v Speaker 1>we not tolerate? Yeah, I don't know exactly what the

0:51:37.040 --> 0:51:38.759
<v Speaker 1>best rules of the road are. I mean, I know

0:51:38.960 --> 0:51:42.040
<v Speaker 1>some things you should not do, but it would be

0:51:42.040 --> 0:51:44.520
<v Speaker 1>good to have positive rules as well. How do you

0:51:44.560 --> 0:51:47.719
<v Speaker 1>know you're on the right track when you're teasing somebody? Yeah,

0:51:47.719 --> 0:51:50.040
<v Speaker 1>for the most part, we're all just winging it, aren't we. Well,

0:51:50.080 --> 0:51:51.959
<v Speaker 1>I mean you're trying to you're trying to read read

0:51:52.000 --> 0:51:54.879
<v Speaker 1>their reaction, Like if it's good natured teasing, if it's

0:51:54.920 --> 0:51:57.640
<v Speaker 1>between people who are friends or in a relationship, they're

0:51:57.640 --> 0:52:00.920
<v Speaker 1>teasing each other that you know, you read their their

0:52:00.920 --> 0:52:04.560
<v Speaker 1>facial expressions and all that, and you can generally tell

0:52:04.600 --> 0:52:07.359
<v Speaker 1>if things are going well. But it's harder to tell

0:52:07.360 --> 0:52:09.239
<v Speaker 1>for some people than others. And it's harder to tell

0:52:09.280 --> 0:52:11.600
<v Speaker 1>in some situations than others. All Right, we're gonna go

0:52:11.640 --> 0:52:13.080
<v Speaker 1>and close it out there. But obviously this is a

0:52:13.080 --> 0:52:17.040
<v Speaker 1>topic that everyone is going to have some contribution for.

0:52:17.160 --> 0:52:20.840
<v Speaker 1>I mean, everyone has experience with teasing or being teased

0:52:20.880 --> 0:52:23.840
<v Speaker 1>both of you know as children is adolescence as adults

0:52:23.920 --> 0:52:26.759
<v Speaker 1>and UH, and we'd love to hear how you take

0:52:26.840 --> 0:52:29.839
<v Speaker 1>some of the ideas that we've discussed here to UH

0:52:30.160 --> 0:52:33.520
<v Speaker 1>to dissect teasing that has occurred in your life where

0:52:33.520 --> 0:52:36.080
<v Speaker 1>you see occurring around you. We'll tell you how to

0:52:36.120 --> 0:52:37.640
<v Speaker 1>reach out to us here in a minute. But first

0:52:37.680 --> 0:52:40.759
<v Speaker 1>of all, stuff toblew your mind dot com. That of course,

0:52:40.840 --> 0:52:43.160
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0:52:43.200 --> 0:52:46.200
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0:52:46.200 --> 0:52:48.719
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0:52:48.760 --> 0:52:52.360
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0:52:52.400 --> 0:52:56.400
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0:52:56.560 --> 0:52:59.359
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0:52:59.440 --> 0:53:01.799
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0:53:01.800 --> 0:53:03.959
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0:53:06.600 --> 0:53:08.360
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0:53:08.400 --> 0:53:11.319
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0:53:11.360 --> 0:53:14.400
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0:53:14.400 --> 0:53:17.279
<v Speaker 1>these photos already and it's it's really really fun. So Yeah.

0:53:17.360 --> 0:53:19.600
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0:53:20.080 --> 0:53:22.160
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0:53:23.000 --> 0:53:24.600
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0:53:33.800 --> 0:53:35.600
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0:53:35.680 --> 0:53:38.400
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0:53:41.520 --> 0:53:44.040
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0:53:44.120 --> 0:53:46.239
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0:53:46.280 --> 0:53:58.480
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0:53:58.520 --> 0:54:00.960
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0:54:00.960 --> 0:54:14.279
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