WEBVTT - Shining Moment ("Props" S3 EP 20)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin and iHeartRadio podcast.

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<v Speaker 1>Welcome to you, And that's what you're read the missed podcast.

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<v Speaker 1>It's time, It's time, It's time.

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<v Speaker 2>Happy Saint Patrick's Day.

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<v Speaker 1>Happy Saint Patty's Day. Wow, it's Kevin's favorite holiday.

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<v Speaker 2>I mean, I can't, I can't really do it like

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<v Speaker 2>I used to. You know. Yeah, I've started having like

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<v Speaker 2>an allergic reaction to alcohol. What do you mean, I

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<v Speaker 2>get like the flush and like my sinuses swell up,

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<v Speaker 2>old bitch. Yeah, I don't know what happened, but maybe

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<v Speaker 2>I just like, no, no, I know, I stopped. It's done,

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<v Speaker 2>I mean, and it's not even like I want to

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<v Speaker 2>do it to all the time. We don't need to

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<v Speaker 2>get into this. I'm one of the few who likes

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<v Speaker 2>the taste of alcohol.

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<v Speaker 1>I do too, but I I stopped anyway.

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<v Speaker 2>That's why when you and I are still tasty we

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<v Speaker 2>get together for Settlers of Catan Nights, you and I brutal.

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<v Speaker 1>Get hull too friendly right there?

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<v Speaker 2>Like what is wrong with them?

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<v Speaker 1>David's partaking. It's Austin who's thinking, what the hell is

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<v Speaker 1>wrong with all of us? Oh?

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<v Speaker 2>Yeah, you're right, but David like controls himself. You and

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<v Speaker 2>I just start gossiping.

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<v Speaker 1>That's true. We are We get comfortable the very vue.

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<v Speaker 1>We get comfortable. Okay. This is season three, episode twenty

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<v Speaker 1>and this is props air date May fifteenth, twenty twelve.

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<v Speaker 1>The number one song and movie are the same from

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<v Speaker 1>last week, which is zero percent surprising. I'm sure the

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<v Speaker 1>Avengers will be number one for a very long time.

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<v Speaker 1>And somebody used to know has already been number one

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<v Speaker 1>for a very long time. And in Glee news this week,

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<v Speaker 1>this this of May, this month of May, Fox announces

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<v Speaker 1>Glea Season four as part of their twenty twelve twenty

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<v Speaker 1>thirteen fall and spring programming at the New York City

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<v Speaker 1>Upfronts where you go and you play you play Zoo

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<v Speaker 1>Animal and you go prans around and say hello to

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<v Speaker 1>the advertisers and charm them and get them to buy

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<v Speaker 1>ad space on your show. I loved Upfronts because it

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<v Speaker 1>was a chance to go to New York. It was

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<v Speaker 1>always really fun to see my family and go travel

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<v Speaker 1>to New York City with all our castmates. H Jenna, Jane,

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<v Speaker 1>Chris Naya, Darren Corey and Lea went this year where

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<v Speaker 1>were you, Kevin? Were you in the I and you

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<v Speaker 1>must have been doing something? I don't know what I

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<v Speaker 1>was doing. Are you sure you weren't there that year? Yeah?

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<v Speaker 1>I guess you're not in any of the photos. Does

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<v Speaker 1>that makes sense?

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<v Speaker 2>I mean I could have been in the UK. I

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<v Speaker 2>don't know what I was doing. Who knows?

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<v Speaker 1>We've been traveling? Okay? Well. Also on May fifteenth, Glee

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<v Speaker 1>the Music the Graduation Album was released, and this featured

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<v Speaker 1>ten tracks from season three and three previously unreleased songs

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<v Speaker 1>I Was Here, Good Riddance, and Not the End. This

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<v Speaker 1>album was made available on CD and for digital download.

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<v Speaker 2>Yeah so this episode was directed and written by the

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<v Speaker 2>one only Ian Brennan and Carmen Timodo's back, Whoopy whoopee. Okay,

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<v Speaker 2>this one has some interesting songs. It has I Won't

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<v Speaker 2>give Up by the incredible Jason Maraz.

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<v Speaker 1>This is another one of those songs that Rachel's still

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<v Speaker 1>crying about her audition.

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<v Speaker 2>She's going upside.

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<v Speaker 1>Because You Loved Me from Celnion Mean by Taylor Swift

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<v Speaker 1>and Flash Dance What a Fee by Irene Kara. I mean,

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<v Speaker 1>this feels like the lowest number of songs we've had

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<v Speaker 1>an episode in a very long time. Yeah, that seems right.

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<v Speaker 1>There's a lot happening in this episode.

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<v Speaker 2>This episode, I texted you during it because like, the

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<v Speaker 2>first third of this episode is so funny and.

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<v Speaker 1>The second half is very heartfelt.

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<v Speaker 2>Yeah, I felt I really enjoyed this episode. There's some

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<v Speaker 2>in same things, you know, but like I thought, it

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<v Speaker 2>was really interesting. A lot happens, and I'm excited to

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<v Speaker 2>I have a lot to talk to you about this

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<v Speaker 2>episode because you know, yeah, it was very targeted.

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<v Speaker 1>Oh wow, it was. Okay, so this is a fun

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<v Speaker 1>episode because everybody body swaps for first half of the

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<v Speaker 1>half of the episode, so.

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<v Speaker 2>Not long enough if I do say so.

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<v Speaker 1>Myself agreed, it could have been a whole episode. Rachel

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<v Speaker 1>andn Tina swap, curtain, Finn swap, pucking, Blaine Santana and

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<v Speaker 1>already one of my favorites, Brittany and Mercedes, Quinn and Sugar,

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<v Speaker 1>Sam and Rory, Mike and Joe and Sue and Will.

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<v Speaker 2>Phenomenal work by everyone.

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<v Speaker 1>No, really, this is where everybody's acting chops really were

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<v Speaker 1>shown off. Because I was so impressed.

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<v Speaker 2>We were having the time of our lives. It's so funny.

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<v Speaker 2>There's clips online a bts of us doing you know,

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<v Speaker 2>and others as and we were you know normally by

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<v Speaker 2>that point where like any moment we have to just

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<v Speaker 2>like not talk to anyone and be quiet for a

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<v Speaker 2>little bit. We were really trying to hold on to

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<v Speaker 2>and poor Kaylin and Mia, who were doing a lot

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<v Speaker 2>of the the interviews during that time, they had the

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<v Speaker 2>really unfun task of trying to coax us into doing these. Literally,

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<v Speaker 2>this was the only day everybody wanted to do it.

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<v Speaker 2>Everyone was like, put us in front of the camera

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<v Speaker 2>and we're gonna be that character.

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<v Speaker 1>Still. It was so much fun, so much fun. This

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<v Speaker 1>is the first episode where Tina is prominently featured and

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<v Speaker 1>she lets.

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<v Speaker 2>Us know about it, as she should. We'll get yeah,

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<v Speaker 2>and the recap this is actually this is what I'm

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<v Speaker 2>referring to. This episode's recap is almost fifty seconds long,

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<v Speaker 2>the longest in the series, and it mainly focuses on

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<v Speaker 2>the neglect of Tina in the past three seasons. It

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<v Speaker 2>does a full review of Tina, and it is phenomenal.

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<v Speaker 2>It's insane, and it is Ian at his best, and

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<v Speaker 2>they really did. It's like, you know, nowadays you can

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<v Speaker 2>go on and on like YouTube and like find clips

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<v Speaker 2>and someone's made like a fan cam or fan edit

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<v Speaker 2>their favorite character. They did it for this episode as

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<v Speaker 2>a recap for like, not the episodes that have happened

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<v Speaker 2>this season, for a character in the entirety of the

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<v Speaker 2>series up to this point. I dare say that's never

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<v Speaker 2>happened in the television show before. It was so dynamic

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<v Speaker 2>they had to. I wish I need to get a

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<v Speaker 2>transcript of it. It is insane.

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<v Speaker 1>I forgot about it. I forgot that they did that, And.

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<v Speaker 2>I also feel like that sets the tone for the episode.

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<v Speaker 1>It does well basically. This is also the first episode

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<v Speaker 1>since A Night of Neglect the episode to feature a

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<v Speaker 1>solo by Tina, which so it's the twenty five episodes

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<v Speaker 1>without a solo Jenna, No wonder I was off the rails. Yeah,

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<v Speaker 1>I wonder I fell off the rails.

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<v Speaker 2>Yeah. They didn't really have to write anything new, like

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<v Speaker 2>I mean, they just sort of could borrow. They were

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<v Speaker 2>calling I felt like the writers were calling themselves out.

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<v Speaker 2>Yeah a little bit, and which was also part of

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<v Speaker 2>your MM correct me if I'm wrong, which is part

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<v Speaker 2>of your like not complaint, But yeah, what you're what

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<v Speaker 2>am I trying to say here?

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<v Speaker 1>Complaint.

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<v Speaker 2>Yeah, complaint was earlier in the season. Yes, And while

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<v Speaker 2>you're upset and voicing it and underutilized, underutilized, and you

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<v Speaker 2>felt crazy for voicing it, and it's like, okay, well

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<v Speaker 2>here they are voicing it, right, And that was actually

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<v Speaker 2>the best part. Yeah, did you feel some sort of like, ah, yeah,

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<v Speaker 2>I get it, they see me finally, like nobody acknowledged

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<v Speaker 2>it for so long. They're like, well, there's just a

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<v Speaker 2>lot of characters, don't you know, Like there's just.

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<v Speaker 1>A lot of stuff. Don't worry people still like pay

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<v Speaker 1>attention to Tina. Like I felt like I they weren't

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<v Speaker 1>even acknowledging the fact that like they weren't using me

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<v Speaker 1>or didn't know quite how to use me.

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<v Speaker 2>And so for them to just finally like.

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<v Speaker 1>Do this, I was like, ah, thank you, because then

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<v Speaker 1>it's funny to me, right at least then it's there's

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<v Speaker 1>there's like a story behind it, not just like let's

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<v Speaker 1>just gloss over it and not use her anymore.

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<v Speaker 2>And why yeah, like use it, like use that then

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<v Speaker 2>to give you something. Well then they did too. It's

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<v Speaker 2>oh she got the our producer sound got the the

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<v Speaker 2>script of Tina's intro. I mean let me just give

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<v Speaker 2>you a little taste. It's not going to be as

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<v Speaker 2>good as Ian, obviously, but this is just so right anyway. Okay,

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<v Speaker 2>the glee club's been ignoring Tina all year long. Actually,

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<v Speaker 2>she kind of got ignored last year too. Actually, Tina's

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<v Speaker 2>sort of been ignored the whole time, and she's been

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<v Speaker 2>in the new direction since like forever. The first time

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<v Speaker 2>she got a solo, she insisted she was bad and

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<v Speaker 2>forced mister She to give the song to Rachel. And

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<v Speaker 2>every solo since she's either gotten booed or started crying uncontrollably.

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<v Speaker 2>No one noticed that she went from dressing punk to

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<v Speaker 2>dressing Gotha, dressing like a go go dancer in the sixties,

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<v Speaker 2>swinging London. She even got Mike Chang into college and

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<v Speaker 2>she hardly gotta thank you. Sometimes people don't even seem

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<v Speaker 2>to know her name. That's right, Like, that's right, it

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<v Speaker 2>is nice. I did it feel like that was sort

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<v Speaker 2>of like not an apology, but just like you really

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<v Speaker 2>get it.

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<v Speaker 1>Yes, finally, like finally, yes, I felt like relief. I

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<v Speaker 1>felt relief. It was This is funny, though, because this

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<v Speaker 1>is where we talk about like act out a little

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<v Speaker 1>bit and you get an episode just is coming off

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<v Speaker 1>the heels of that, so like my Michael kind of

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<v Speaker 1>thing that happened during that period of time, and then

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<v Speaker 1>like I came back just like very great, gracious and

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<v Speaker 1>happy to come back and work and put my head down,

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<v Speaker 1>and then what pops up on my doorstep? But an

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<v Speaker 1>episode that is centered around Tina. And what's nice is

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<v Speaker 1>that it's not can you because all of those things

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<v Speaker 1>that Ian was saying in that recap are all things

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<v Speaker 1>writers chose to do, right, right, So like that's not

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<v Speaker 1>anything on you, right, right right, And I think a

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<v Speaker 1>lot of the other personal things that got put into

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<v Speaker 1>the episodes were calling out really personal things and behaviors. Yes,

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<v Speaker 1>and like this wasn't no, not at all exactly. Sounds

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<v Speaker 1>like a self reflection of like, yeah, let's repent. Yeah.

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<v Speaker 1>I felt like it wasn't like an apology, but it

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<v Speaker 1>was like, oh, an acknowledgment of like that's why I

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<v Speaker 1>was acting crazy.

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<v Speaker 2>Well, it's like, how can we make this up to you?

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<v Speaker 1>Yeah, it was nice. This is a course correction totally.

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<v Speaker 1>Every storyline from Choke is now continued in this episode.

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<v Speaker 1>So problem was like a pause the promisaurus and then

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<v Speaker 1>we're resuming Puck storyline and the choke you know, of

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<v Speaker 1>Rachel's audition and all of that.

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<v Speaker 2>So, which is nice. Didn't always happen, No, it's great

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<v Speaker 2>to come back to it. What's also interesting is that

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<v Speaker 2>this is the first time that two episodes of Glee

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<v Speaker 2>aired in one night. So after this episode aired, Nationals

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<v Speaker 2>aired immediately after it, and it was I mean, yeah,

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<v Speaker 2>it's the shortest time gap between two episodes.

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<v Speaker 1>Everybody else though in the world Sky one in the

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<v Speaker 1>UK and in Ireland and then Channel ten in Australia,

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<v Speaker 1>they didn't air Nationals on the same day as props,

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<v Speaker 1>so that was an American decision.

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<v Speaker 2>Yeah, which is also interesting because the entirety of the

0:12:29.640 --> 0:12:34.280
<v Speaker 2>season series this thus far, they had been airing i

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<v Speaker 2>think almost within twenty four hours, and so they were

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<v Speaker 2>noticing things online and whatnot.

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<v Speaker 1>This was Ian's first Glee, the first episode as a director.

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<v Speaker 2>Did you.

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<v Speaker 1>Love that?

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<v Speaker 2>Because you were in this episode a lot and we

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<v Speaker 2>were all really close with Ian and we know Ian

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<v Speaker 2>so well, Like was it nice to like have someone

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<v Speaker 2>like that?

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<v Speaker 1>Partially you're a big episode partially, so it ended up

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<v Speaker 1>that way. Ian was the best, Like I'll tell you

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<v Speaker 1>all about it, but I was nervous because we've had

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<v Speaker 1>new guest directors before and because we're such a different formula.

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<v Speaker 1>I was a little nervous that like somebody like a

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<v Speaker 1>Stultz or a Paris or a returning guest director like

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<v Speaker 1>that I knew would get it done the way it

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<v Speaker 1>needs to get done. So at first I was a

0:13:30.400 --> 0:13:33.000
<v Speaker 1>little nervous because I was like, how's how's this going

0:13:33.080 --> 0:13:37.360
<v Speaker 1>to go? But it ended up being awesome. He's the

0:13:37.480 --> 0:13:40.400
<v Speaker 1>best and it's so cool to have like it was

0:13:40.679 --> 0:13:43.280
<v Speaker 1>to have Brad or Ryan on set. They felt the

0:13:43.360 --> 0:13:46.199
<v Speaker 1>same where you're like, oh, and Ian's even more so,

0:13:46.520 --> 0:13:50.319
<v Speaker 1>like he's closer an age. He's like a friend, you know,

0:13:50.640 --> 0:13:52.640
<v Speaker 1>like he's a buddy. He didn't feel like a boss,

0:13:53.000 --> 0:13:57.160
<v Speaker 1>no exactly, and he never acted like he ascertained where

0:13:57.160 --> 0:13:58.839
<v Speaker 1>he had to. But he was just much, you know,

0:13:58.960 --> 0:14:00.600
<v Speaker 1>much more into the creative out of everything.

0:14:09.320 --> 0:14:12.000
<v Speaker 2>Jenna, you did your own stunt falling into the fountain.

0:14:12.080 --> 0:14:16.520
<v Speaker 1>Oh, I fell into the fountain many many times, many

0:14:16.600 --> 0:14:19.120
<v Speaker 1>many times, so many times.

0:14:19.840 --> 0:14:21.000
<v Speaker 2>And they had stunt doubles.

0:14:21.360 --> 0:14:26.880
<v Speaker 1>They did a couple. They had a couple, so they

0:14:26.920 --> 0:14:31.160
<v Speaker 1>had two stunt doubles well and also because in order

0:14:31.280 --> 0:14:33.280
<v Speaker 1>to get me to do it, I had to get wet,

0:14:34.600 --> 0:14:37.520
<v Speaker 1>and so it was like the reset was a very

0:14:37.600 --> 0:14:40.480
<v Speaker 1>big one. And so what they I think they had

0:14:40.560 --> 0:14:43.080
<v Speaker 1>the fall happen a few times just in case where

0:14:43.080 --> 0:14:47.080
<v Speaker 1>they didn't have to reset me, but they used most

0:14:47.120 --> 0:14:50.800
<v Speaker 1>of my staff. And then in the fountain as well,

0:14:51.000 --> 0:14:53.440
<v Speaker 1>there were GoPros at the bottom and they padded the

0:14:53.480 --> 0:14:56.880
<v Speaker 1>bottom with pads that looked like the stone of the fountain.

0:14:57.960 --> 0:14:59.560
<v Speaker 1>And so when I hit my head, I would go

0:14:59.720 --> 0:15:02.680
<v Speaker 1>under and I would blow bubbles and I would go

0:15:02.760 --> 0:15:05.040
<v Speaker 1>under and hit my head and the GoPro would get it,

0:15:05.160 --> 0:15:06.800
<v Speaker 1>and then I'd come back up and he'd be like,

0:15:06.840 --> 0:15:09.640
<v Speaker 1>do it again, And so I go back hunder water

0:15:09.800 --> 0:15:12.520
<v Speaker 1>and like hit my head again. And it was freezing,

0:15:13.480 --> 0:15:16.320
<v Speaker 1>and so they were like all the hair and makeup

0:15:16.360 --> 0:15:19.080
<v Speaker 1>department were like blowing blow dryers on me in between.

0:15:19.920 --> 0:15:22.920
<v Speaker 2>In the mall, was it the same mall we always used?

0:15:24.120 --> 0:15:26.400
<v Speaker 1>It was a different mall, And I thought it was

0:15:26.440 --> 0:15:28.200
<v Speaker 1>the mall that actually go to all the time now

0:15:28.320 --> 0:15:30.480
<v Speaker 1>by my house, but I don't think it was.

0:15:32.480 --> 0:15:35.800
<v Speaker 2>But it wasn't the Eagle Rock one. Yeah, the one

0:15:35.840 --> 0:15:38.760
<v Speaker 2>where we did safety dance and Barbara Stress. For the record,

0:15:38.920 --> 0:15:39.960
<v Speaker 2>the stunt looked great.

0:15:41.280 --> 0:15:46.400
<v Speaker 1>Thanks. It was a long day. It was a really

0:15:46.480 --> 0:15:49.240
<v Speaker 1>long day because then I also had to get into

0:15:49.240 --> 0:15:53.040
<v Speaker 1>the Rachel Berry outfit and get wet. Oh yeah, that's right.

0:15:53.240 --> 0:15:55.520
<v Speaker 1>So not only did I go in as Tina come

0:15:55.600 --> 0:15:57.840
<v Speaker 1>out as Tina, I went in as Rachel, went out

0:15:57.880 --> 0:15:58.440
<v Speaker 1>as Rachel.

0:16:00.000 --> 0:16:04.800
<v Speaker 2>Ooh, it looks so obviously, it looks so great on

0:16:04.960 --> 0:16:08.120
<v Speaker 2>camera and in the episode, and just when it works

0:16:08.200 --> 0:16:11.920
<v Speaker 2>so flawlessly, you don't think about and you shouldn't be

0:16:11.960 --> 0:16:13.920
<v Speaker 2>thinking about the logistics of it as a viewer, but

0:16:14.640 --> 0:16:19.200
<v Speaker 2>totally damns of that. Also, just to like, I don't know,

0:16:19.280 --> 0:16:23.680
<v Speaker 2>standing around in wet clothing is one of the kids feelings.

0:16:24.200 --> 0:16:26.160
<v Speaker 1>It was so fun. I was so excited to do

0:16:26.400 --> 0:16:28.280
<v Speaker 1>everything that I did in the episode that it was

0:16:28.400 --> 0:16:30.800
<v Speaker 1>like any other one where like You're like, I'm not

0:16:30.840 --> 0:16:33.120
<v Speaker 1>getting used and I'm still wet.

0:16:34.920 --> 0:16:40.720
<v Speaker 2>Angering curtain, Blaine, are there just hanging out in the seats?

0:16:41.200 --> 0:16:42.520
<v Speaker 2>I don't know what you're texting on.

0:16:43.760 --> 0:16:44.320
<v Speaker 1>I don't either.

0:16:44.720 --> 0:16:52.520
<v Speaker 2>Yeah, paper and fabric. So, with the exception of the headband,

0:16:52.640 --> 0:16:55.320
<v Speaker 2>the outfit that Tina wears as Rachel is similar to

0:16:55.360 --> 0:16:57.600
<v Speaker 2>the one Rachel wore in the bathroom scene and Roads

0:16:57.680 --> 0:16:58.560
<v Speaker 2>Not Taken And.

0:16:58.600 --> 0:17:00.800
<v Speaker 1>In Praeger's Puck said you could addressed to school and

0:17:00.840 --> 0:17:03.240
<v Speaker 1>people would think it was cool. And in this episode

0:17:03.280 --> 0:17:04.840
<v Speaker 1>he does wear a dressed to school and it is

0:17:05.720 --> 0:17:08.560
<v Speaker 1>not getting the cool meter.

0:17:09.040 --> 0:17:10.520
<v Speaker 2>You know what's not cool? Pulling a knife?

0:17:11.400 --> 0:17:14.560
<v Speaker 1>Oh my god, you know what's funny? Though then he

0:17:14.560 --> 0:17:18.560
<v Speaker 1>said it was a prop. It's not good, but still funny.

0:17:18.920 --> 0:17:21.480
<v Speaker 2>It was funny. It was the only way to save it.

0:17:21.600 --> 0:17:24.359
<v Speaker 2>In this episode, Tina as Rachel tells Rachel as Tina

0:17:24.880 --> 0:17:27.800
<v Speaker 2>that it'll be her time to shine or her turn

0:17:27.880 --> 0:17:32.080
<v Speaker 2>to shine next school year. Tina does get her time

0:17:32.160 --> 0:17:35.960
<v Speaker 2>to shine when she is prominently featured in every competition sets.

0:17:36.119 --> 0:17:37.800
<v Speaker 1>Oh just wait, it's Tina's time.

0:17:38.080 --> 0:17:41.240
<v Speaker 2>That's right. Next season is Tina's she is coming out.

0:17:41.400 --> 0:17:43.600
<v Speaker 2>We're featuring vocals and storyline.

0:17:43.880 --> 0:17:44.360
<v Speaker 1>That's right.

0:17:45.200 --> 0:17:48.040
<v Speaker 2>I was worried watching this. I'm like, but does she Oh?

0:17:48.160 --> 0:17:52.080
<v Speaker 2>She does, because you know track record shows that like

0:17:52.640 --> 0:17:56.200
<v Speaker 2>maybe not maybe not, No, No, she does. And I

0:17:56.320 --> 0:17:58.359
<v Speaker 2>have to say, I think it's helpful when you have.

0:18:00.240 --> 0:18:03.040
<v Speaker 1>More voices in the writer's room to sort of like

0:18:03.640 --> 0:18:07.080
<v Speaker 1>remind people, yeah, and keep track of those things. Yes, agreed,

0:18:07.560 --> 0:18:12.440
<v Speaker 1>because brad Ian and Ryan are the best and like

0:18:12.800 --> 0:18:15.680
<v Speaker 1>obviously created this entire world, but they were also show

0:18:15.760 --> 0:18:19.520
<v Speaker 1>running and managing a lot of different departments, managing other

0:18:19.600 --> 0:18:22.359
<v Speaker 1>shows as well, right, and so it's like it's important

0:18:22.359 --> 0:18:24.600
<v Speaker 1>to have those voices who are only centered on this

0:18:24.800 --> 0:18:27.920
<v Speaker 1>one that is right show, that's right to keep track

0:18:27.960 --> 0:18:32.600
<v Speaker 1>of Tina, I mean the fifteen thousand cast members. Okay,

0:18:33.080 --> 0:18:35.080
<v Speaker 1>when will and who are discussing the national set list.

0:18:35.200 --> 0:18:38.000
<v Speaker 1>Tina and Quinn's names are both in the Troubletones performance

0:18:38.040 --> 0:18:40.159
<v Speaker 1>of Edge of Glory, yet they weren't placed into that

0:18:40.240 --> 0:18:45.640
<v Speaker 1>performance until nationals and Sugar and Brittany are also listed

0:18:45.640 --> 0:18:47.800
<v Speaker 1>as soloists even though they don't see one.

0:18:48.359 --> 0:18:51.800
<v Speaker 2>Artie. Tina and Sam are similarly erroneously listed under Paradise

0:18:51.880 --> 0:18:55.440
<v Speaker 2>by the dashboard light correct we did not.

0:18:56.200 --> 0:18:59.440
<v Speaker 1>The word performed is also misspelled as per form from

0:19:00.040 --> 0:19:00.840
<v Speaker 1>brom at the.

0:19:00.840 --> 0:19:06.320
<v Speaker 2>Bottom of the cell We'll get you every time. During

0:19:06.400 --> 0:19:09.560
<v Speaker 2>the body switching scenes, most of the characters have continuity

0:19:09.640 --> 0:19:12.840
<v Speaker 2>and their respective clothing choices. However, Rachel asked Tina is

0:19:12.920 --> 0:19:16.720
<v Speaker 2>not depicting sporting Tina's sixty swinging London style, but rather

0:19:16.840 --> 0:19:18.880
<v Speaker 2>her goth punk style from season one and two.

0:19:19.840 --> 0:19:21.960
<v Speaker 1>You know why I feel that because I think that

0:19:22.119 --> 0:19:24.560
<v Speaker 1>it looks a little too similar to Rachel, so it

0:19:24.680 --> 0:19:29.720
<v Speaker 1>was an easier extreme. Also, the blue in her hair,

0:19:29.920 --> 0:19:33.159
<v Speaker 1>yeah bad painted the picture very distinguishable. Okay, So when

0:19:33.240 --> 0:19:35.520
<v Speaker 1>Rachel is talking to Tina about solo, she asks Tina

0:19:35.560 --> 0:19:37.640
<v Speaker 1>if she has a Twitter or Facebook account and proceeds

0:19:37.680 --> 0:19:40.320
<v Speaker 1>to say that she doesn't. However, in Saturday Night Leave Her,

0:19:40.440 --> 0:19:43.640
<v Speaker 1>she tweeted the one that I'm engaged to to come

0:19:43.680 --> 0:19:46.160
<v Speaker 1>to the auditorium, meaning she does have a Twitter. Again,

0:19:46.240 --> 0:19:53.920
<v Speaker 1>she wants that was so recent too, You're theory about

0:19:53.960 --> 0:19:54.840
<v Speaker 1>having more writers.

0:19:57.400 --> 0:19:59.000
<v Speaker 2>Look, I didn't mean about continuity.

0:19:59.160 --> 0:20:03.440
<v Speaker 1>I just mean to make that Tina was not forgotten. Okay.

0:20:03.840 --> 0:20:06.320
<v Speaker 1>When Tina bumps her head, the world of New Directions

0:20:06.400 --> 0:20:10.960
<v Speaker 1>is turned upside down in her eyes. Okay?

0:20:11.560 --> 0:20:13.200
<v Speaker 2>Is that it is that the official summary?

0:20:13.520 --> 0:20:15.120
<v Speaker 1>That's the official Fox.

0:20:16.320 --> 0:20:16.600
<v Speaker 2>Damn.

0:20:17.920 --> 0:20:20.680
<v Speaker 1>Okay yep.

0:20:21.480 --> 0:20:26.480
<v Speaker 2>So what happens is it's time for nationals and Rachel's

0:20:26.480 --> 0:20:32.320
<v Speaker 2>getting out a solo whooped de dow and Tina says no, no,

0:20:33.560 --> 0:20:36.920
<v Speaker 2>I'm done being a prop in the background, and you

0:20:37.080 --> 0:20:42.880
<v Speaker 2>storm out. Yeah, my name is Tina. Tina Cohen. Yes,

0:20:44.200 --> 0:20:47.280
<v Speaker 2>I remember. I remember that all so well, and we

0:20:47.359 --> 0:20:50.800
<v Speaker 2>were all so happy that you were getting all this

0:20:50.960 --> 0:20:54.679
<v Speaker 2>that we were just like fuck yes, like go off, buddy,

0:20:55.040 --> 0:20:58.320
<v Speaker 2>and also let it out. I felt like when you

0:20:58.440 --> 0:21:00.240
<v Speaker 2>get moments like that where you get to tell off

0:21:00.359 --> 0:21:04.240
<v Speaker 2>all these characters, I guess therapeutic, it's so good.

0:21:07.480 --> 0:21:09.399
<v Speaker 1>Just like also, a muscle was not being used, and

0:21:09.520 --> 0:21:11.880
<v Speaker 1>so I was like, oh my god, there's so much

0:21:11.960 --> 0:21:13.240
<v Speaker 1>to do in this I have so much to do

0:21:13.320 --> 0:21:15.879
<v Speaker 1>in this episode and so many lines and like have

0:21:16.080 --> 0:21:18.359
<v Speaker 1>to actually like deliver. It kind of did feel like

0:21:18.440 --> 0:21:20.040
<v Speaker 1>that for like, oh, this is what Lee has to

0:21:20.119 --> 0:21:24.560
<v Speaker 1>do every week. You know. I it's like that you

0:21:24.640 --> 0:21:27.080
<v Speaker 1>can't do it. You just know the chance I wasn't

0:21:27.080 --> 0:21:31.919
<v Speaker 1>given them. My muscle was not being flexed, and finally

0:21:32.040 --> 0:21:34.280
<v Speaker 1>here it is being flexed, and it's sore. Now, it's

0:21:34.359 --> 0:21:39.680
<v Speaker 1>really sore. But it was so much fun. So soa

0:21:39.720 --> 0:21:42.639
<v Speaker 1>Tina falls into a fountain and she's angry and she

0:21:42.760 --> 0:21:45.359
<v Speaker 1>falls into a fountain, which we talked about the stunt.

0:21:45.840 --> 0:21:47.360
<v Speaker 1>Jenna does her own stunts.

0:21:47.160 --> 0:21:50.720
<v Speaker 2>But can we before we get there, sure, I want

0:21:50.720 --> 0:21:52.600
<v Speaker 2>to talk about the scene where Rachel follows.

0:21:53.960 --> 0:21:55.399
<v Speaker 1>Okay, let's talk about it.

0:21:55.720 --> 0:22:00.440
<v Speaker 2>It felt very Gaslight Girl Boss Gate Keep Yes.

0:22:00.800 --> 0:22:03.920
<v Speaker 1>Partially. The other part of it was also Mike Chang

0:22:04.040 --> 0:22:08.240
<v Speaker 1>getting angry at Tina for speaking up, which was like

0:22:09.480 --> 0:22:11.640
<v Speaker 1>and then at the end him smiling when she he's

0:22:11.680 --> 0:22:14.640
<v Speaker 1>seen that she's like appreciating the place in which she's at,

0:22:14.760 --> 0:22:16.960
<v Speaker 1>and I'm like, oh, she just has to make everybody

0:22:17.080 --> 0:22:21.320
<v Speaker 1>happy and especially the men. And also like a woman

0:22:21.400 --> 0:22:24.280
<v Speaker 1>speaking up and getting angry. Now everybody's trying to like

0:22:24.800 --> 0:22:29.479
<v Speaker 1>mediate and fix when like Finn storms out, Puck storms out,

0:22:29.560 --> 0:22:32.720
<v Speaker 1>nobody's trying to Anoyan's calling her them angry.

0:22:33.240 --> 0:22:35.639
<v Speaker 2>Well when and you say it in the episode that

0:22:36.400 --> 0:22:40.160
<v Speaker 2>like when Rachel does it, it's part of her thing. Yeah,

0:22:40.240 --> 0:22:42.000
<v Speaker 2>and it's like, oh, that's just her, she's a star.

0:22:42.160 --> 0:22:44.600
<v Speaker 2>It's fine. But when you do it, you get told

0:22:44.640 --> 0:22:46.920
<v Speaker 2>to like go back to your place, like you should

0:22:46.920 --> 0:22:51.879
<v Speaker 2>just be grateful. Exactly exactly because that scene is she

0:22:52.000 --> 0:22:56.960
<v Speaker 2>offers me fifty dollars, and also like the whole thing

0:22:57.080 --> 0:22:59.400
<v Speaker 2>watching of her being like like, well, I do see

0:22:59.440 --> 0:23:01.520
<v Speaker 2>your point, I do question The timing of it was

0:23:01.600 --> 0:23:07.159
<v Speaker 2>like oh, oh, oh you're like okay, so I understand you,

0:23:07.320 --> 0:23:12.280
<v Speaker 2>but I think I hear your feelings, but and I

0:23:12.400 --> 0:23:17.600
<v Speaker 2>may be looking too hard into this, it all felt

0:23:19.320 --> 0:23:24.880
<v Speaker 2>that was all very targeted in a way where it's

0:23:25.040 --> 0:23:28.159
<v Speaker 2>like what happened in real life to you during a

0:23:28.280 --> 0:23:32.520
<v Speaker 2>Michael episode, a really big episode, and then being like, Okay,

0:23:33.640 --> 0:23:38.080
<v Speaker 2>we hear you, but like bad times right now, which

0:23:38.200 --> 0:23:41.200
<v Speaker 2>is like not a great and I'm not I don't

0:23:41.240 --> 0:23:44.359
<v Speaker 2>know if that's you know, but it felt that mirror.

0:23:44.359 --> 0:23:48.720
<v Speaker 2>It felt projected. Yes, many scenes in this felt very

0:23:50.000 --> 0:23:52.600
<v Speaker 2>reminiscent familiar.

0:23:53.240 --> 0:23:55.360
<v Speaker 1>So Tina falls into a fountain and she answer her head.

0:23:55.640 --> 0:23:57.199
<v Speaker 1>This is not the first time Tina will hit her

0:23:57.240 --> 0:23:59.520
<v Speaker 1>head or get hit in the head. So Tina's making

0:23:59.520 --> 0:24:05.200
<v Speaker 1>the costume. This was made a while back, apparently that

0:24:05.320 --> 0:24:09.240
<v Speaker 1>Tina worked on costumes. I guess first it was Mercedes,

0:24:10.400 --> 0:24:12.320
<v Speaker 1>and then when we're when Mercedes, when they realized that

0:24:12.400 --> 0:24:14.280
<v Speaker 1>they use her for every song, they were like, oh,

0:24:14.359 --> 0:24:18.520
<v Speaker 1>Tina can just do it, but like the only time

0:24:18.600 --> 0:24:21.400
<v Speaker 1>we ever see it you with just the roles of fabric,

0:24:22.600 --> 0:24:24.560
<v Speaker 1>and then at the end saying like it takes a

0:24:24.600 --> 0:24:26.480
<v Speaker 1>lot of crystals to make something.

0:24:29.240 --> 0:24:31.640
<v Speaker 2>Of the time, the amount of time these kids spend

0:24:31.720 --> 0:24:34.080
<v Speaker 2>at school. Because at the end too, when you're all

0:24:34.200 --> 0:24:40.399
<v Speaker 2>just like sewing, but.

0:24:40.480 --> 0:24:44.359
<v Speaker 1>Then we do do that a lot. So I love

0:24:45.280 --> 0:24:48.040
<v Speaker 1>Sugar do that for Greece as well.

0:24:48.440 --> 0:24:50.560
<v Speaker 2>I love it. I really really enjoyed it.

0:24:50.800 --> 0:24:56.919
<v Speaker 1>It's really funny. It's very funny. I liked Finguish with Sugar.

0:24:57.359 --> 0:24:59.919
<v Speaker 2>Oh, I mean, I dream that was all we ever wanted.

0:25:00.160 --> 0:25:03.440
<v Speaker 2>There's more scenes of Finessa so great. So you hit

0:25:03.480 --> 0:25:08.320
<v Speaker 2>your head, yeah, and the body swap happens when you

0:25:08.440 --> 0:25:11.159
<v Speaker 2>got this script. I don't remember if we knew a

0:25:11.200 --> 0:25:13.520
<v Speaker 2>body swap was. I feel like we sort of knew

0:25:13.560 --> 0:25:15.000
<v Speaker 2>because I didn't ask these questions.

0:25:15.359 --> 0:25:18.000
<v Speaker 1>Yes, but I didn't really know to the extent of

0:25:18.080 --> 0:25:20.160
<v Speaker 1>this where everybody was going to get swapped.

0:25:19.920 --> 0:25:24.960
<v Speaker 2>Because I remember pitching NYA and I wanted to body swap,

0:25:25.040 --> 0:25:29.000
<v Speaker 2>and I remember us coordinating, like I don't know if

0:25:29.040 --> 0:25:30.640
<v Speaker 2>Ryan came in was like who would you want to play?

0:25:30.640 --> 0:25:31.399
<v Speaker 2>I don't remember who.

0:25:31.840 --> 0:25:33.720
<v Speaker 1>Maybe he did come in and ask us that and

0:25:33.800 --> 0:25:35.800
<v Speaker 1>we were like, something weird is going to happen, or.

0:25:35.800 --> 0:25:38.920
<v Speaker 2>Maybe somebody did. But because I don't think Ryan was

0:25:38.920 --> 0:25:40.679
<v Speaker 2>really around with us, but I think.

0:25:40.840 --> 0:25:42.920
<v Speaker 1>I think when they were writing it as somebody came

0:25:42.960 --> 0:25:45.480
<v Speaker 1>down and told us what was happening, something was coming,

0:25:46.320 --> 0:25:48.960
<v Speaker 1>but I didn't know about the whole thing. It was

0:25:49.000 --> 0:25:50.640
<v Speaker 1>centered around you exactly.

0:25:51.040 --> 0:25:53.760
<v Speaker 2>You're correct. So how did you feel reading this? Do

0:25:53.800 --> 0:25:54.160
<v Speaker 2>you remember?

0:25:54.880 --> 0:26:01.080
<v Speaker 1>I remember like being in shock, like pure shock. You're like, wow,

0:26:01.160 --> 0:26:09.320
<v Speaker 1>my name is in this script so much. But I

0:26:09.480 --> 0:26:13.040
<v Speaker 1>loved it. I was so excited. I was genuinely so excited.

0:26:13.160 --> 0:26:20.760
<v Speaker 1>I was terrified when I saw the songs. Terrified. Excited though, nonetheless.

0:26:21.040 --> 0:26:27.200
<v Speaker 1>And I just remember like going into like like like

0:26:27.520 --> 0:26:31.280
<v Speaker 1>work mode, I guess and be like okay, okay, okay,

0:26:31.960 --> 0:26:34.119
<v Speaker 1>and you're just like, okay, I gotta start memorizing, like

0:26:34.200 --> 0:26:36.440
<v Speaker 1>you really just like because usually you read the script,

0:26:36.440 --> 0:26:37.920
<v Speaker 1>you're like, oh okay, I can rememorize that on the

0:26:38.000 --> 0:26:39.879
<v Speaker 1>day or the night before, like it's you know, a

0:26:39.960 --> 0:26:43.320
<v Speaker 1>quick scene or whatever. But when you have multiple scenes

0:26:43.320 --> 0:26:46.440
<v Speaker 1>with lots of dialogue and what we Goldberg is involved

0:26:46.520 --> 0:26:49.800
<v Speaker 1>and Leah's involved, You're like, I better show the fuck

0:26:50.320 --> 0:26:52.680
<v Speaker 1>up if they're giving me all of this. So there's

0:26:52.680 --> 0:26:57.080
<v Speaker 1>also like pressure. They're like, oh yeah, like you better deliver. Deliver.

0:26:57.400 --> 0:27:03.520
<v Speaker 2>Like not seeing you week, like you were just like

0:27:03.800 --> 0:27:05.119
<v Speaker 2>I didn't know what any of this didn't look like

0:27:05.160 --> 0:27:07.240
<v Speaker 2>because you're in a lot of things without the rest

0:27:07.280 --> 0:27:07.520
<v Speaker 2>of us.

0:27:07.920 --> 0:27:10.399
<v Speaker 1>Yeah, it was small groups of people too.

0:27:10.560 --> 0:27:13.200
<v Speaker 2>Yeah, so it was really you were just gone.

0:27:13.680 --> 0:27:17.680
<v Speaker 1>Yes, that's right. I was gone. It was crazy. I

0:27:17.760 --> 0:27:20.240
<v Speaker 1>remember I was gone so much that you hadn't even

0:27:20.320 --> 0:27:23.199
<v Speaker 1>heard because you loved me before we shot it.

0:27:23.600 --> 0:27:25.720
<v Speaker 2>That's right. And so that's that's the story I always

0:27:25.760 --> 0:27:29.200
<v Speaker 2>tell too. When you were shooting your coverage of it

0:27:29.359 --> 0:27:31.240
<v Speaker 2>and they didn't have us in the audience for it,

0:27:32.160 --> 0:27:35.080
<v Speaker 2>and I they were shooting something, I snuck in. I

0:27:35.160 --> 0:27:36.440
<v Speaker 2>was in the wings and I heard it for the

0:27:36.480 --> 0:27:39.399
<v Speaker 2>first time on the loud speakers. You won the auditorium

0:27:39.560 --> 0:27:48.200
<v Speaker 2>stage and Jenna, you killed that. It was you got

0:27:48.240 --> 0:27:51.480
<v Speaker 2>this rasp you were running. It was so good, and

0:27:51.560 --> 0:27:55.840
<v Speaker 2>I was like, finally people can hear you like whale,

0:27:55.960 --> 0:28:00.320
<v Speaker 2>like you can really wail. Obviously you downplay it and

0:28:00.440 --> 0:28:01.360
<v Speaker 2>that's fine.

0:28:01.560 --> 0:28:05.560
<v Speaker 1>But I knew that song. That's one of the songs

0:28:05.600 --> 0:28:08.280
<v Speaker 1>that you grew like I grew up listening to. So

0:28:08.600 --> 0:28:11.360
<v Speaker 1>like you're just like, oh, I could I know every run.

0:28:11.680 --> 0:28:13.119
<v Speaker 1>I know it all. I don't know if I can

0:28:13.160 --> 0:28:15.000
<v Speaker 1>do it, but I know them all. So you go

0:28:15.160 --> 0:28:17.280
<v Speaker 1>in like with like a different confidence than being like,

0:28:17.400 --> 0:28:19.320
<v Speaker 1>I don't know this song at all. I've never heard

0:28:19.359 --> 0:28:21.720
<v Speaker 1>this and I've never tried it, especially.

0:28:21.400 --> 0:28:24.600
<v Speaker 2>When it's Seline. Like anything that can help you, you'll

0:28:24.640 --> 0:28:25.399
<v Speaker 2>take a.

0:28:25.640 --> 0:28:28.360
<v Speaker 1>Thousand percent a thousand. I was like, are you sure

0:28:28.400 --> 0:28:32.760
<v Speaker 1>this is Leah? You sure she's not gonna sing this

0:28:32.840 --> 0:28:33.800
<v Speaker 1>one that I just love? Think it?

0:28:35.160 --> 0:28:38.720
<v Speaker 2>How did you You've known Leah longer than anybody? Yeah,

0:28:39.160 --> 0:28:44.640
<v Speaker 2>on the show, so you had to do an impersonation

0:28:45.680 --> 0:28:49.920
<v Speaker 2>of Rachel. Oh my God of Leah doing Rachel. And

0:28:50.040 --> 0:28:52.800
<v Speaker 2>I feel I remember talking to you about like, well,

0:28:52.960 --> 0:28:53.640
<v Speaker 2>oh you know her.

0:28:54.160 --> 0:28:54.360
<v Speaker 1>Yeah.

0:28:54.440 --> 0:28:56.440
<v Speaker 2>And also like anybody you've seen on TikTok, people do

0:28:56.520 --> 0:28:59.920
<v Speaker 2>such good impressions of anybody. She is very distinct, man,

0:29:00.920 --> 0:29:05.160
<v Speaker 2>how did you prepare for that? I felt like we've

0:29:05.200 --> 0:29:06.400
<v Speaker 2>seen we saw enough of it.

0:29:09.560 --> 0:29:12.640
<v Speaker 1>That like the bass was already there right, like even

0:29:12.720 --> 0:29:15.840
<v Speaker 1>in the scenes with Rachel and Leah, like you know,

0:29:17.800 --> 0:29:20.520
<v Speaker 1>she's like, oh, she speaks and like run on sentences,

0:29:21.760 --> 0:29:24.680
<v Speaker 1>and she sees very quickly with different like there's like

0:29:24.840 --> 0:29:28.840
<v Speaker 1>little accents that she hits all like COmON like very often.

0:29:28.920 --> 0:29:31.239
<v Speaker 1>And so she has these little ticks and everybody has them,

0:29:31.360 --> 0:29:34.560
<v Speaker 1>right like you just learn, which is why it was

0:29:34.640 --> 0:29:36.960
<v Speaker 1>like so cool to watch everybody do everybody else, because

0:29:37.080 --> 0:29:42.040
<v Speaker 1>like you don't get to see that in yourself. And

0:29:42.120 --> 0:29:46.800
<v Speaker 1>then Ian really helped me with the song and I

0:29:46.920 --> 0:29:48.520
<v Speaker 1>got up there and I was like, I just don't

0:29:48.560 --> 0:29:51.560
<v Speaker 1>know how do you do it in a song, like

0:29:51.640 --> 0:29:55.240
<v Speaker 1>I know how to do it in the scenes. And

0:29:55.320 --> 0:29:58.040
<v Speaker 1>he gave me like a couple of like distinctive things

0:29:58.120 --> 0:30:00.520
<v Speaker 1>that she does which I had already like kind watched,

0:30:00.560 --> 0:30:04.920
<v Speaker 1>which was like the shoulders and the squinty like closing

0:30:04.960 --> 0:30:07.240
<v Speaker 1>the eyes and the hands and the hands on the

0:30:07.320 --> 0:30:08.080
<v Speaker 1>stomach and so.

0:30:10.520 --> 0:30:10.960
<v Speaker 2>Insane.

0:30:11.320 --> 0:30:15.120
<v Speaker 1>You just throw those in there and like every few

0:30:15.360 --> 0:30:19.280
<v Speaker 1>times and you can just like it just feels like instinctual.

0:30:19.600 --> 0:30:22.400
<v Speaker 2>After a while, you did this little head turn to

0:30:22.480 --> 0:30:25.400
<v Speaker 2>the side too on like the belting, which she does,

0:30:26.440 --> 0:30:30.520
<v Speaker 2>and it was very effective, those zoom outs, those like

0:30:31.080 --> 0:30:33.320
<v Speaker 2>pans like on the crane and it comes back and

0:30:33.360 --> 0:30:35.360
<v Speaker 2>you're holding your stomach and it is.

0:30:39.320 --> 0:30:41.880
<v Speaker 1>And like this is all out of love. You know.

0:30:42.000 --> 0:30:45.760
<v Speaker 1>Everybody was doing it like out of love for one another.

0:30:45.800 --> 0:30:51.320
<v Speaker 1>Because then when Lea does me in the hallway, she's like,

0:30:51.800 --> 0:30:54.000
<v Speaker 1>sometimes you speak out the side of your mouth, which

0:30:54.080 --> 0:30:56.360
<v Speaker 1>I do, and she caught that and she's like, I'm

0:30:56.400 --> 0:30:57.960
<v Speaker 1>gonna do that. I'm kind of gonna look down and

0:30:58.080 --> 0:31:01.960
<v Speaker 1>speak really slowly. And it was really funny to watch,

0:31:02.280 --> 0:31:04.520
<v Speaker 1>like to play each other because we've known each other

0:31:04.560 --> 0:31:07.640
<v Speaker 1>for so long. It was also really fun. We had

0:31:07.720 --> 0:31:10.360
<v Speaker 1>so much fun during that episode shooting together because a

0:31:10.400 --> 0:31:11.959
<v Speaker 1>lot of the scenes were just the two of us,

0:31:12.080 --> 0:31:16.360
<v Speaker 1>like in the car, just so random, and then like

0:31:17.200 --> 0:31:21.360
<v Speaker 1>with whoopee and and doing flashdance. It was so so

0:31:21.560 --> 0:31:31.560
<v Speaker 1>much fun. How did you.

0:31:31.560 --> 0:31:32.440
<v Speaker 2>Shoot the car scene?

0:31:33.440 --> 0:31:34.120
<v Speaker 1>It was on a rig.

0:31:35.000 --> 0:31:36.560
<v Speaker 2>Were you and you actually going through streets?

0:31:38.120 --> 0:31:41.840
<v Speaker 1>Yeah, we were like I think we were in like

0:31:41.920 --> 0:31:46.400
<v Speaker 1>Griffith Park area. I can't remember, but we were definitely

0:31:46.440 --> 0:31:50.080
<v Speaker 1>on the streets. Yeah, we were out in the world. Oh,

0:31:50.120 --> 0:31:52.840
<v Speaker 1>it was so much fun, Like we're there photos of us,

0:31:52.960 --> 0:31:56.040
<v Speaker 1>Like Penny was in the window from the outside and

0:31:56.120 --> 0:31:58.280
<v Speaker 1>merely are inside. She was reading Magle and was reading

0:31:58.320 --> 0:32:00.960
<v Speaker 1>magazines the whole time. We had Walkie in the car

0:32:01.160 --> 0:32:04.240
<v Speaker 1>so that they could talk to us, and we're just

0:32:04.320 --> 0:32:06.480
<v Speaker 1>like holding our hands up like a roller coaster.

0:32:06.880 --> 0:32:07.400
<v Speaker 2>Oh fun.

0:32:07.760 --> 0:32:11.040
<v Speaker 1>It was hot in there, for sure, but it was

0:32:11.160 --> 0:32:13.440
<v Speaker 1>like so much fun because we're just like buy ours.

0:32:15.840 --> 0:32:16.560
<v Speaker 2>Driving Like.

0:32:22.840 --> 0:32:24.920
<v Speaker 1>It was really funny. That was a really fun scene

0:32:24.960 --> 0:32:28.080
<v Speaker 1>to do. Yeah, I love that one because you don't

0:32:28.080 --> 0:32:30.040
<v Speaker 1>get in a car often, you know, I mean when

0:32:30.120 --> 0:32:32.320
<v Speaker 1>when are we in Glee in a car? And in

0:32:32.400 --> 0:32:35.400
<v Speaker 1>a car too? Oh? I teached in a movie recently

0:32:35.480 --> 0:32:39.560
<v Speaker 1>and on the reshoot day, not recently, but on reshoot day,

0:32:39.600 --> 0:32:41.320
<v Speaker 1>we had to do the car again. It was a

0:32:41.400 --> 0:32:48.920
<v Speaker 1>very expensive day and started to rain and it's just

0:32:49.360 --> 0:32:51.720
<v Speaker 1>pouring rain. It's not supposed to be raining. We're supposed

0:32:51.720 --> 0:32:53.800
<v Speaker 1>to be driving down the coast to San Diego and

0:32:54.440 --> 0:32:58.719
<v Speaker 1>it is poor and that is a very expensive day

0:32:58.920 --> 0:33:00.600
<v Speaker 1>because you have to get a police squirt to do

0:33:00.720 --> 0:33:04.120
<v Speaker 1>a rig like that on the PCH. Have you done

0:33:04.120 --> 0:33:04.560
<v Speaker 1>a car scene?

0:33:05.160 --> 0:33:08.040
<v Speaker 2>Yeah, I have and American horror stories. I did a

0:33:08.120 --> 0:33:11.239
<v Speaker 2>car scene, but it was not on a rig. Oh,

0:33:11.320 --> 0:33:14.840
<v Speaker 2>you were just driving driving and I was a passenger.

0:33:16.120 --> 0:33:21.440
<v Speaker 2>And it was down sunset at Sunset closet like the

0:33:22.040 --> 0:33:26.440
<v Speaker 2>I remember that populated area that hard and so people

0:33:26.520 --> 0:33:30.160
<v Speaker 2>are watching and we're dressed like insane people. But it

0:33:30.280 --> 0:33:32.360
<v Speaker 2>was fun, you know, it was like ridiculous.

0:33:33.320 --> 0:33:35.720
<v Speaker 1>Yeah, for people who don't know, a rig is like

0:33:35.840 --> 0:33:38.240
<v Speaker 1>we're you're not actually driving the drive the car is

0:33:38.360 --> 0:33:41.640
<v Speaker 1>like on a platform, so you're not driving. Somebody's truck

0:33:41.800 --> 0:33:44.160
<v Speaker 1>is driving you in front, and it looks like you're driving,

0:33:45.120 --> 0:33:46.920
<v Speaker 1>so that you can do your lines instead of focusing

0:33:46.960 --> 0:33:51.120
<v Speaker 1>on not hitting somebody. I've also had to drive a

0:33:51.240 --> 0:33:54.880
<v Speaker 1>car during a scene in a low budget.

0:33:56.080 --> 0:33:56.840
<v Speaker 2>Are you a good driver?

0:33:57.520 --> 0:33:59.560
<v Speaker 1>I am a good driver. I'm an aggressive driver. I

0:33:59.560 --> 0:34:02.480
<v Speaker 1>would say I'm a pretty good driver, though I don't

0:34:02.560 --> 0:34:04.520
<v Speaker 1>ask other people because I'm not a good judge of

0:34:04.560 --> 0:34:11.800
<v Speaker 1>myself anyway. So Tina takes Rachel to go see Whoopy.

0:34:13.239 --> 0:34:18.479
<v Speaker 2>I liked the whole bit about Tina as Rachel doing

0:34:18.520 --> 0:34:22.680
<v Speaker 2>the things she wished Rachel would do for Tina in

0:34:22.760 --> 0:34:26.000
<v Speaker 2>real life by giving her credit. And then when you

0:34:26.120 --> 0:34:30.800
<v Speaker 2>come out of it, you're like, Okay, here's what I've learned. Yes, exactly,

0:34:31.080 --> 0:34:32.920
<v Speaker 2>we're going to go see Whoopy Goldberg and we're going

0:34:33.000 --> 0:34:36.279
<v Speaker 2>to sort this out right, and then you save her ass.

0:34:37.600 --> 0:34:40.160
<v Speaker 1>Well, we'll see about that. But hopefully that was.

0:34:40.160 --> 0:34:42.440
<v Speaker 2>A good speech because it's the only time Whoopy is

0:34:42.520 --> 0:34:45.920
<v Speaker 2>like open and receptive, because you're like, you lay into her,

0:34:46.040 --> 0:34:47.640
<v Speaker 2>You're like, look, she's a pain in the ass.

0:34:48.000 --> 0:34:50.439
<v Speaker 1>Yeah, And then Rachel g has the bravery to say

0:34:50.520 --> 0:34:52.880
<v Speaker 1>like you auditioned for Juliard four times. We have to

0:34:52.920 --> 0:34:54.480
<v Speaker 1>go back, though, because we have to talk about the

0:34:54.480 --> 0:34:58.080
<v Speaker 1>swap for everybody else. You playing Naya and Nya playing

0:34:58.160 --> 0:35:02.880
<v Speaker 1>you is the funniest think ever. In the scene in

0:35:02.920 --> 0:35:06.160
<v Speaker 1>the hallway, I could not look at you straight.

0:35:06.680 --> 0:35:13.240
<v Speaker 2>Yeah, you couldn't. I felt so gross, did you because

0:35:16.160 --> 0:35:24.600
<v Speaker 2>I looked insane, like I don't know you know something

0:35:24.719 --> 0:35:28.000
<v Speaker 2>about though? Like you almost I almost felt like I

0:35:28.080 --> 0:35:29.560
<v Speaker 2>wanted to be in like drag.

0:35:30.280 --> 0:35:31.960
<v Speaker 1>But you weren't. Yeah.

0:35:32.040 --> 0:35:34.320
<v Speaker 2>Well, I felt like I was dressed in boy clothes

0:35:34.480 --> 0:35:37.040
<v Speaker 2>and I was wearing like the boy cheerleading outfit. They

0:35:37.080 --> 0:35:39.920
<v Speaker 2>should have just put you in the skirt I wanted to.

0:35:40.000 --> 0:35:44.200
<v Speaker 2>And Ryan was so so interesting because I did ask.

0:35:44.719 --> 0:35:46.440
<v Speaker 2>I ran into him, I think, and I asked him

0:35:46.440 --> 0:35:47.360
<v Speaker 2>and he's like, no.

0:35:47.440 --> 0:35:53.480
<v Speaker 1>No, Naya's you though is very funny.

0:35:53.760 --> 0:35:57.640
<v Speaker 2>Well, I mean, shockingly to no one. She was great.

0:35:58.480 --> 0:36:02.200
<v Speaker 1>It's ridiculous. And like the photo where she took of

0:36:02.400 --> 0:36:05.680
<v Speaker 1>her sitting like on her Papa wheelie, yes, like you

0:36:06.360 --> 0:36:11.879
<v Speaker 1>my other favorite pair. Everybody was really it was wildly good. Makeup, hair,

0:36:12.560 --> 0:36:18.800
<v Speaker 1>costume really did their job. They excelled. But Sugar and

0:36:20.320 --> 0:36:26.480
<v Speaker 1>Quinn just especially Diana. I think the thing is that

0:36:26.880 --> 0:36:29.560
<v Speaker 1>if you know Diana, you know that she's part there's

0:36:29.640 --> 0:36:32.880
<v Speaker 1>a sugar mata inside of her. Yeah, and so this

0:36:33.040 --> 0:36:40.360
<v Speaker 1>felt like Diana coming out. Yes, it was fully funniest.

0:36:42.000 --> 0:36:46.040
<v Speaker 1>I also thought Mark's Darren was quite good because you know,

0:36:46.080 --> 0:36:48.680
<v Speaker 1>when you see people do these things, they add in

0:36:48.760 --> 0:36:50.680
<v Speaker 1>some of those mannerisms that you were talking about that

0:36:50.719 --> 0:36:54.279
<v Speaker 1>you did for Rachel, Yeah, and you're like, oh, yeah,

0:36:55.320 --> 0:36:58.560
<v Speaker 1>you do that. Mark did the same where he turned

0:36:58.600 --> 0:37:02.640
<v Speaker 1>his head a bunch obviously exaggerated. We were like, yeah, ar,

0:37:04.920 --> 0:37:09.279
<v Speaker 1>it's so good, it's so good. Everybody was excellent. Truth

0:37:09.440 --> 0:37:11.759
<v Speaker 1>seeing when you were like the best time we had

0:37:13.239 --> 0:37:18.440
<v Speaker 1>was when you were performing because like me there in

0:37:18.600 --> 0:37:21.640
<v Speaker 1>the auditorium there, no you were up on stage, but

0:37:21.800 --> 0:37:24.800
<v Speaker 1>because we were all and it was I think on

0:37:24.920 --> 0:37:29.200
<v Speaker 1>our coverage when we were because we were just like anyone,

0:37:29.280 --> 0:37:33.440
<v Speaker 1>do what you want, yeah, and you get all those reactions.

0:37:33.480 --> 0:37:36.000
<v Speaker 1>And that's where everyone finally got because not everybody had

0:37:36.080 --> 0:37:38.839
<v Speaker 1>dialogue as a lot of dialogue as the characters, right,

0:37:39.000 --> 0:37:43.760
<v Speaker 1>Oh my god, Amber and Heather, that's Amber as Brittany

0:37:43.960 --> 0:37:50.439
<v Speaker 1>was flawless. But because we didn't have that much time

0:37:50.520 --> 0:37:53.080
<v Speaker 1>to be those characters. We were just like trying to

0:37:53.120 --> 0:37:56.880
<v Speaker 1>do anything. I know you had to, you had to.

0:37:57.120 --> 0:37:59.960
<v Speaker 1>It was excellent. We really you guys really did it.

0:38:00.480 --> 0:38:03.480
<v Speaker 2>I wish we got some cord doing an Irish accent.

0:38:05.080 --> 0:38:08.120
<v Speaker 2>That would have been funny. They were funny looking. Oh

0:38:08.160 --> 0:38:11.440
<v Speaker 2>my god, Harry with the dreads, he just looked like

0:38:11.560 --> 0:38:15.960
<v Speaker 2>a sam a casual pan up the dreads.

0:38:16.080 --> 0:38:19.399
<v Speaker 1>It's a wild wild looked cool.

0:38:20.719 --> 0:38:23.359
<v Speaker 2>It was so good. One of the most fun times

0:38:23.400 --> 0:38:23.839
<v Speaker 2>on the show.

0:38:24.640 --> 0:38:28.840
<v Speaker 1>Yes, definitely. It was like a little boost before Nationals

0:38:28.960 --> 0:38:36.520
<v Speaker 1>untilfore the end of the season. So simultaneously, Sue and

0:38:37.600 --> 0:38:43.640
<v Speaker 1>is showing us a projector a video of unique invocal

0:38:43.680 --> 0:38:47.680
<v Speaker 1>adrenaline that that Kurt magically took a snuck in and

0:38:47.760 --> 0:38:52.560
<v Speaker 1>then converted it to one beautiful film, a beautiful film projector.

0:38:55.239 --> 0:39:00.120
<v Speaker 1>And she thinks that the unique factor is dressing and

0:39:00.200 --> 0:39:04.760
<v Speaker 1>drag and wants curtiformism. Poorcelina.

0:39:06.360 --> 0:39:18.520
<v Speaker 2>Look, there's a lot of the cross dressing, drag trands.

0:39:18.840 --> 0:39:23.480
<v Speaker 2>Like everything was interchangeable in this episode. But obviously in

0:39:23.680 --> 0:39:28.040
<v Speaker 2>Gay like all those things were all interchangeable, Like everything

0:39:28.200 --> 0:39:31.320
<v Speaker 2>was just right. We don't know how to identify anything,

0:39:31.520 --> 0:39:35.200
<v Speaker 2>and it was part of Sue's like, you know, horribleness

0:39:35.280 --> 0:39:39.800
<v Speaker 2>slash comedy. M So just the preface, like all of

0:39:39.880 --> 0:39:44.080
<v Speaker 2>this is coming from a place of yes, yes it was. Yeah,

0:39:44.560 --> 0:39:47.640
<v Speaker 2>times have changed, yes exactly, and we have a better

0:39:47.760 --> 0:39:52.680
<v Speaker 2>vocabulary and understanding of these things, right. But Sue yes

0:39:52.880 --> 0:39:55.600
<v Speaker 2>is taking advantage of the situation and just assumes that

0:39:55.800 --> 0:40:00.200
<v Speaker 2>because Kurt's kay, he's one step away from dressing as

0:40:00.200 --> 0:40:00.520
<v Speaker 2>a woman.

0:40:01.160 --> 0:40:06.120
<v Speaker 1>So that leads us to the other storyline in this episode. So, Puck,

0:40:06.480 --> 0:40:10.160
<v Speaker 1>you mentioned last week that we kind of skipped over

0:40:10.239 --> 0:40:14.800
<v Speaker 1>Puck failing. Yeah, well, Puck comes to school in a

0:40:14.920 --> 0:40:18.680
<v Speaker 1>dress which he's taking him off with the team. He's

0:40:18.719 --> 0:40:23.799
<v Speaker 1>doing something actually very gracious for the bigger, greater good

0:40:24.760 --> 0:40:25.520
<v Speaker 1>for once, and.

0:40:27.640 --> 0:40:30.239
<v Speaker 2>He gets in in a lot of trouble and he

0:40:30.280 --> 0:40:33.000
<v Speaker 2>gets in a fight with the hockey team. So I

0:40:33.160 --> 0:40:37.719
<v Speaker 2>know we're talking about dresses because Kurt won't talk wear

0:40:37.800 --> 0:40:40.839
<v Speaker 2>the dress and he says he's never won a dress,

0:40:41.280 --> 0:40:45.080
<v Speaker 2>and then they do that whip cut to he and

0:40:45.200 --> 0:40:48.600
<v Speaker 2>Blaine as sneaky in the situation during the weeks.

0:40:49.640 --> 0:40:51.440
<v Speaker 1>Another great impression.

0:40:51.440 --> 0:40:57.880
<v Speaker 2>Of this episode hominal. Anyway, back to the seriousness of sorry, what.

0:40:58.000 --> 0:41:01.279
<v Speaker 1>A joy that little find ten second snippet was this

0:41:01.400 --> 0:41:05.120
<v Speaker 1>episode is I loved this episode Don't be unhinged, but

0:41:05.239 --> 0:41:08.279
<v Speaker 1>that was Ian. I think that was all of Ian's brilliance. Yeah,

0:41:08.360 --> 0:41:09.719
<v Speaker 1>so Puck comes school and dress he gets in a

0:41:09.800 --> 0:41:12.680
<v Speaker 1>fight with the hockey team and it leads him to

0:41:12.760 --> 0:41:15.160
<v Speaker 1>a fight outside with the hockey team. They throw him

0:41:15.160 --> 0:41:19.240
<v Speaker 1>in the dumpster and then he pulls out quote unquote

0:41:19.280 --> 0:41:23.680
<v Speaker 1>knife and makes everybody think he's pulling on a knife.

0:41:23.719 --> 0:41:25.640
<v Speaker 1>Hockey team's like, well, what the hell, and then be

0:41:25.760 --> 0:41:28.759
<v Speaker 1>steps in and is like, got it here? So it

0:41:28.880 --> 0:41:31.279
<v Speaker 1>was a great to the Yeah. I loved how that

0:41:31.400 --> 0:41:35.320
<v Speaker 1>was shot too, of just her arm coming in grabbing

0:41:35.440 --> 0:41:38.240
<v Speaker 1>him and of course she just disarms his ass totally.

0:41:38.880 --> 0:41:42.600
<v Speaker 1>Pug admits that it's just a prop knife from West

0:41:42.640 --> 0:41:48.120
<v Speaker 1>Side story. It still not acceptable, but I did giggle,

0:41:51.160 --> 0:41:55.200
<v Speaker 1>and he's he is now finally breaking down, saying he

0:41:55.760 --> 0:41:58.440
<v Speaker 1>feels like he's worth nothing and he's got nobody. And

0:42:00.840 --> 0:42:05.480
<v Speaker 1>secretly Dot is dealing or Beast is dealing with Cooter.

0:42:05.719 --> 0:42:12.440
<v Speaker 1>She's still with him even though he is abusive, and uh,

0:42:13.560 --> 0:42:16.080
<v Speaker 1>this whole storyline is them basically helping each other.

0:42:16.360 --> 0:42:20.879
<v Speaker 2>Right, It's really sweet and like really powerful. That scene

0:42:20.960 --> 0:42:23.560
<v Speaker 2>between them breaking down with each other. Oh my god,

0:42:23.920 --> 0:42:28.920
<v Speaker 2>it was excellent. Yeah, we haven't seen a lot from

0:42:29.200 --> 0:42:34.080
<v Speaker 2>from Puck in this way, and we were getting like

0:42:34.120 --> 0:42:35.799
<v Speaker 2>a taste of it in Choke and I was like, Okay,

0:42:35.840 --> 0:42:38.120
<v Speaker 2>where is this going a die? And then You're like, oh, okay,

0:42:38.200 --> 0:42:38.839
<v Speaker 2>here it isn't again.

0:42:39.239 --> 0:42:39.600
<v Speaker 1>I like that.

0:42:39.760 --> 0:42:41.200
<v Speaker 2>I do like the I know I was saying, like

0:42:41.280 --> 0:42:46.960
<v Speaker 2>we haven't addressed it. I'm revising that because I do

0:42:47.120 --> 0:42:51.440
<v Speaker 2>think the slow burn, yeah, of him bottling it all

0:42:51.560 --> 0:42:52.760
<v Speaker 2>up fits his character.

0:42:53.080 --> 0:42:53.680
<v Speaker 1>Yeah, that's right.

0:42:53.920 --> 0:42:59.160
<v Speaker 2>And I think having Beast be the person right that

0:42:59.280 --> 0:43:02.120
<v Speaker 2>he feels comfortable enough or just can no longer keep

0:43:02.160 --> 0:43:09.239
<v Speaker 2>it in with makes sense. Yeah, the coach and just

0:43:09.320 --> 0:43:15.840
<v Speaker 2>the person who represents that to him. And also I

0:43:15.920 --> 0:43:19.400
<v Speaker 2>think Dot just brings out of it, doesn't she She

0:43:19.920 --> 0:43:23.160
<v Speaker 2>really does. And she called him Pumpkin, which, if anybody

0:43:23.239 --> 0:43:27.680
<v Speaker 2>knows Dot personally, Dot says pumpkin. And so they started

0:43:27.719 --> 0:43:29.719
<v Speaker 2>writing that in which I thought was really sweet. It

0:43:29.760 --> 0:43:30.359
<v Speaker 2>broke my heart.

0:43:32.360 --> 0:43:38.320
<v Speaker 1>And she decides she's gonna help Puck. But her teacher,

0:43:38.480 --> 0:43:42.520
<v Speaker 1>his teacher, the one who what's her name, the one

0:43:42.560 --> 0:43:46.200
<v Speaker 1>who he tries to hit on, is gonna let him

0:43:46.360 --> 0:43:49.759
<v Speaker 1>take the test again because she realized that he is

0:43:49.840 --> 0:43:52.560
<v Speaker 1>actually thinking about other people than just himself, and so

0:43:52.760 --> 0:43:56.160
<v Speaker 1>she's giving him a second chance. And they sing, mean,

0:43:57.880 --> 0:43:59.080
<v Speaker 1>I love this m h.

0:43:59.400 --> 0:44:03.080
<v Speaker 2>That was really unexpected. I was not quite cool.

0:44:03.680 --> 0:44:08.560
<v Speaker 1>Yeah, really good. I really like the storyline, and I

0:44:08.680 --> 0:44:11.759
<v Speaker 1>really like the DoD storyline now with Cooter. Aside from

0:44:11.800 --> 0:44:17.160
<v Speaker 1>the whole the issues we had with the the last episode,

0:44:18.960 --> 0:44:22.560
<v Speaker 1>that scene with her and Couter is also so wildly

0:44:22.680 --> 0:44:27.080
<v Speaker 1>powerful and she's like, He's like, who's gonna love even

0:44:27.239 --> 0:44:29.880
<v Speaker 1>like I have or I did? And she says me,

0:44:30.280 --> 0:44:30.759
<v Speaker 1>and you're like.

0:44:33.280 --> 0:44:35.680
<v Speaker 2>And then when she shows up and sues office with

0:44:35.760 --> 0:44:39.560
<v Speaker 2>a bag and Jane's reaction to.

0:44:39.640 --> 0:44:42.439
<v Speaker 1>That just it's great. It's really all great.

0:44:42.560 --> 0:44:43.319
<v Speaker 2>Breaks my heart.

0:44:43.520 --> 0:44:44.200
<v Speaker 1>It's all great.

0:44:44.360 --> 0:44:46.879
<v Speaker 2>I mean they're really writing this ship out of yes,

0:44:48.360 --> 0:44:52.680
<v Speaker 2>these episodes, Like I really like storylines, really great. Yeah,

0:44:53.160 --> 0:44:55.680
<v Speaker 2>I do have to say as much as I love

0:44:55.800 --> 0:44:59.960
<v Speaker 2>Tina's storyline, Yeah, and like obviously you're a moment getting

0:45:00.080 --> 0:45:04.800
<v Speaker 2>to shine, but the past two episodes have been like

0:45:06.600 --> 0:45:09.719
<v Speaker 2>we'll give prom queen to Rachel and then what like

0:45:09.840 --> 0:45:12.759
<v Speaker 2>the moral arc of Tina's thing, and I think it's

0:45:12.800 --> 0:45:18.279
<v Speaker 2>really represented through Mike is like you go through this

0:45:18.440 --> 0:45:22.920
<v Speaker 2>thing and you come out a better person, right, and

0:45:23.000 --> 0:45:26.759
<v Speaker 2>you help her, and you give Rachel the confidence and

0:45:26.800 --> 0:45:31.080
<v Speaker 2>the ability to like call out Thibodeau to really hopefully

0:45:31.200 --> 0:45:34.040
<v Speaker 2>give her a second chance. So episode about second chances

0:45:34.120 --> 0:45:38.959
<v Speaker 2>and Coach Beast was not giving Cooder another chance. Puck

0:45:39.440 --> 0:45:44.160
<v Speaker 2>gets a second chance, and you get a second chance

0:45:44.239 --> 0:45:45.840
<v Speaker 2>in a way. Tina gets a second chance in a

0:45:45.880 --> 0:45:49.080
<v Speaker 2>way to like revisit the situation, and it's like, what

0:45:49.239 --> 0:45:51.160
<v Speaker 2>is the moral of the story that, Okay, just suck

0:45:51.239 --> 0:45:55.000
<v Speaker 2>it up, Like, oh, Rachel's too powerful and too good

0:45:55.200 --> 0:45:58.799
<v Speaker 2>and you just need to well, Okay, look, I think

0:45:59.040 --> 0:46:00.560
<v Speaker 2>I think from Tina's point of view or the.

0:46:00.560 --> 0:46:06.000
<v Speaker 1>Way I saw it in the episode was like appreciating

0:46:06.480 --> 0:46:12.520
<v Speaker 1>other people's perspectives. So like Tina putting herself in Rachel's

0:46:12.560 --> 0:46:16.960
<v Speaker 1>shoes for one second, everybody's swapping and understanding, And obviously

0:46:17.000 --> 0:46:18.759
<v Speaker 1>we didn't see that a lot in other characters we

0:46:18.800 --> 0:46:21.080
<v Speaker 1>shot in Tina and Rachel, Like at least Tina and

0:46:21.200 --> 0:46:25.920
<v Speaker 1>Rachel's situation was like it's not that it just all

0:46:26.080 --> 0:46:30.520
<v Speaker 1>comes easy to Rachel. Some of it does, but like

0:46:31.120 --> 0:46:34.440
<v Speaker 1>she works really hard, all the hard works, she's putting

0:46:34.640 --> 0:46:37.399
<v Speaker 1>into this. There's a lot of pressure. There's a lot

0:46:37.440 --> 0:46:39.640
<v Speaker 1>that comes with fame. There's a lot that comes with

0:46:39.840 --> 0:46:44.040
<v Speaker 1>the being the leader that like Tina's like, okay, I

0:46:44.200 --> 0:46:46.840
<v Speaker 1>know I'll get my turn now I understand better what

0:46:46.960 --> 0:46:50.880
<v Speaker 1>it takes. Yeah, from the inside, I mean you have

0:46:51.000 --> 0:46:55.759
<v Speaker 1>to make it work. Yeah right, you know. Yeah, but

0:46:55.920 --> 0:46:58.120
<v Speaker 1>I yeah, I don't know.

0:46:58.239 --> 0:47:00.719
<v Speaker 2>That look of Mike walking past and I was like,

0:47:00.760 --> 0:47:02.279
<v Speaker 2>get out of here, Mike, I did.

0:47:02.400 --> 0:47:04.320
<v Speaker 1>I had the same reaction. I was like, do we

0:47:04.440 --> 0:47:06.920
<v Speaker 1>need that? We need that validation.

0:47:07.480 --> 0:47:09.680
<v Speaker 2>Let the lady so in peace. Tina's been on a journey.

0:47:09.800 --> 0:47:13.879
<v Speaker 1>We need that validation, Mike, right from the man, get

0:47:13.920 --> 0:47:16.040
<v Speaker 1>out of here, be sure, do not what if Tina

0:47:16.160 --> 0:47:22.880
<v Speaker 1>is a kid? Yeah, man, ain't shit. Keep going. You

0:47:22.880 --> 0:47:24.800
<v Speaker 1>don't need to please anybody. I got you into college

0:47:24.840 --> 0:47:31.719
<v Speaker 1>Bridge right, Oh man, Okay, let's grade these performances. There's

0:47:31.760 --> 0:47:38.480
<v Speaker 1>only four. Okay, great, I won't give up. I give that.

0:47:40.120 --> 0:47:45.719
<v Speaker 2>A. Yeah, ourn ain't minus because you love me? A

0:47:45.880 --> 0:47:48.919
<v Speaker 2>plus plus plus plus Jenna, Wow, I'm feeling the love

0:47:49.880 --> 0:47:50.759
<v Speaker 2>as you should.

0:47:50.840 --> 0:47:54.680
<v Speaker 1>Mean A plus. I think a plus Flash dance.

0:47:55.640 --> 0:47:57.960
<v Speaker 2>Hey, you guys sound great together.

0:47:58.680 --> 0:48:01.040
<v Speaker 1>It's a fun song to sing it's really it's just

0:48:01.120 --> 0:48:03.239
<v Speaker 1>a fa and your voices, both of your voices are

0:48:03.280 --> 0:48:08.120
<v Speaker 1>so high, and I was like, who's doing the higher harmony?

0:48:08.160 --> 0:48:14.120
<v Speaker 2>I think she was, but like, yeah, it's really high.

0:48:14.320 --> 0:48:17.320
<v Speaker 2>And because you love me, you both have this rasp

0:48:17.400 --> 0:48:20.239
<v Speaker 2>you can do when you're up there. That's interesting. I

0:48:20.280 --> 0:48:22.640
<v Speaker 2>know we heard never thought about that, because she has

0:48:22.719 --> 0:48:27.400
<v Speaker 2>it in Flash Dance when she's up there doing like

0:48:27.480 --> 0:48:29.080
<v Speaker 2>some ad libs and things towards the end on the

0:48:29.120 --> 0:48:32.400
<v Speaker 2>school bus. Yeah, it's like really raspy vocal quality. And

0:48:32.440 --> 0:48:35.600
<v Speaker 2>you don't imagine her having that. Yeah, yeah, you And

0:48:35.719 --> 0:48:37.480
<v Speaker 2>it's like you guys tap into it when you get

0:48:37.520 --> 0:48:40.840
<v Speaker 2>up there, and it is so satisfying. Interesting, it sounds

0:48:40.920 --> 0:48:58.279
<v Speaker 2>so cool. Let's do some Cardi chakes, Okay, cringe moments, ripe. Yeah,

0:48:59.800 --> 0:49:05.759
<v Speaker 2>I think Sue in all the wrong ways. Referring to

0:49:06.080 --> 0:49:07.600
<v Speaker 2>how Sue referred.

0:49:07.320 --> 0:49:13.720
<v Speaker 1>To Unique Yeah, yeah, yeah, exactly, and also little people,

0:49:14.040 --> 0:49:20.600
<v Speaker 1>Yeah say no more. The best dance move the welding masks.

0:49:21.440 --> 0:49:22.600
<v Speaker 2>We talked about the props.

0:49:23.360 --> 0:49:25.680
<v Speaker 1>I don't even remember the being in that welding number.

0:49:26.000 --> 0:49:26.759
<v Speaker 1>Was Tina out there?

0:49:27.120 --> 0:49:29.640
<v Speaker 2>I don't know. I guess it doesn't help with the

0:49:30.160 --> 0:49:35.279
<v Speaker 2>whole point of this episode. I do remember that day though,

0:49:35.280 --> 0:49:37.840
<v Speaker 2>and they had, you know, someone come on teach us

0:49:37.920 --> 0:49:41.000
<v Speaker 2>how to like weld and oh and I definitely wasn't there.

0:49:41.120 --> 0:49:43.960
<v Speaker 2>There was a big safety meeting about not being close.

0:49:44.080 --> 0:49:46.120
<v Speaker 2>You were probably recording or something. You had a lot

0:49:46.160 --> 0:49:47.360
<v Speaker 2>to do this episode.

0:49:47.239 --> 0:49:51.400
<v Speaker 1>Right Or was that the time where Tina and rache short. No,

0:49:51.719 --> 0:49:54.200
<v Speaker 1>that was before Tina and Rachel were not there. So

0:49:54.280 --> 0:49:56.600
<v Speaker 1>maybe we were on the way to Thibodeau. We were

0:49:56.640 --> 0:49:58.799
<v Speaker 1>going to see Tippoteau. We must have been I road

0:49:58.800 --> 0:49:59.319
<v Speaker 1>trip at that time.

0:49:59.400 --> 0:50:00.319
<v Speaker 2>In the car, I knew.

0:50:00.360 --> 0:50:02.759
<v Speaker 1>I was like, I do not remember any of this.

0:50:02.880 --> 0:50:07.799
<v Speaker 1>That's scary, Like I had no memory even after watching it. Okay, good,

0:50:07.840 --> 0:50:08.399
<v Speaker 1>I wasn't there.

0:50:08.640 --> 0:50:09.560
<v Speaker 2>Yeah, you're not crazy.

0:50:09.600 --> 0:50:13.040
<v Speaker 1>Oh that's interesting. Okay, that's funny. Yeah, so I think

0:50:13.080 --> 0:50:18.520
<v Speaker 1>the welding stuff was the best dance. Yeah, well, I

0:50:18.600 --> 0:50:20.799
<v Speaker 1>mean I guess the vocal adrenaline in the background too,

0:50:21.400 --> 0:50:23.520
<v Speaker 1>that was very funny. I have to say, when like

0:50:23.600 --> 0:50:28.600
<v Speaker 1>they invented the hardest show choir move ever, that is

0:50:29.520 --> 0:50:32.320
<v Speaker 1>dank and like it doesn't look that hard.

0:50:34.640 --> 0:50:36.839
<v Speaker 2>I loved that. That also feels like something Ian could

0:50:36.840 --> 0:50:39.239
<v Speaker 2>put in. Yeah, I don't know if I script it

0:50:39.280 --> 0:50:41.960
<v Speaker 2>that way, but upon seeing the footage, she's like, no, okay,

0:50:44.040 --> 0:50:48.759
<v Speaker 2>the song because you loved me, all right, don't try

0:50:48.840 --> 0:50:50.920
<v Speaker 2>to fight it. Jenna, Okay, well, I think mean is

0:50:51.000 --> 0:50:56.239
<v Speaker 2>up there too. Best bruns by a prop. I think

0:50:56.360 --> 0:50:59.680
<v Speaker 2>the the welding machine things.

0:51:00.440 --> 0:51:03.960
<v Speaker 1>I mean, the switchblade, even though it's not the it's

0:51:04.000 --> 0:51:07.320
<v Speaker 1>a weapon, it's still everybody was fake like that was funny.

0:51:07.520 --> 0:51:08.160
<v Speaker 1>It was very good.

0:51:08.920 --> 0:51:09.440
<v Speaker 2>I agree.

0:51:11.320 --> 0:51:11.959
<v Speaker 1>The best line.

0:51:13.320 --> 0:51:16.960
<v Speaker 2>Oh, I remember reading this line for the first time.

0:51:17.960 --> 0:51:22.040
<v Speaker 2>I remember watching it. Okay, Santana says britt and I

0:51:22.120 --> 0:51:24.080
<v Speaker 2>are gay and Mercedes is black, so kicking is is

0:51:24.120 --> 0:51:26.839
<v Speaker 2>that would be a hate crime. And then Brittany goes, well,

0:51:26.880 --> 0:51:28.920
<v Speaker 2>I'm not totally gay, but I think the trees are

0:51:28.960 --> 0:51:30.800
<v Speaker 2>born in the same way as babies, so kicking me

0:51:30.800 --> 0:51:31.759
<v Speaker 2>out would be kind of mean.

0:51:32.040 --> 0:51:36.440
<v Speaker 1>Oh my, oh my god. Something a hitch cockline. It's

0:51:36.560 --> 0:51:39.440
<v Speaker 1>too good line, too good performance, MVP.

0:51:41.360 --> 0:51:47.879
<v Speaker 2>Jenna. No, Jenna, No, it's your time, Jenna, this week

0:51:48.040 --> 0:51:48.400
<v Speaker 2>is yours.

0:51:49.440 --> 0:51:56.080
<v Speaker 1>Thanks. I'm giving Mark. Also, yeah, a notable yeah, I

0:51:56.160 --> 0:51:58.960
<v Speaker 1>mean everybody, really this episode really brought it.

0:52:00.400 --> 0:52:02.840
<v Speaker 2>But I think you brought it the most.

0:52:04.520 --> 0:52:04.719
<v Speaker 1>I know.

0:52:04.840 --> 0:52:08.600
<v Speaker 2>This is probably painful, but just you just got to

0:52:08.640 --> 0:52:13.919
<v Speaker 2>accept it. Okay, it's hard, I'll take it. So ship

0:52:14.000 --> 0:52:18.640
<v Speaker 2>we found on TikTok. Santana is my beloved clean out

0:52:18.640 --> 0:52:25.600
<v Speaker 2>empire on TikTok. Now the music is Daddy's Own by Usher.

0:52:25.840 --> 0:52:30.320
<v Speaker 2>That's important for this. And it's a picture of Brittany

0:52:31.840 --> 0:52:34.759
<v Speaker 2>and it says, but I love Artie. And then the

0:52:34.840 --> 0:52:39.640
<v Speaker 2>next photo in the slide is Naya dressed as me

0:52:40.080 --> 0:52:48.680
<v Speaker 2>or Santana dressed as already as say lest It's so good.

0:52:49.800 --> 0:52:50.440
<v Speaker 1>That's funny.

0:52:50.640 --> 0:52:55.919
<v Speaker 2>Oh god, it's so good. I mean, yeah, someone said

0:52:56.520 --> 0:53:01.920
<v Speaker 2>I love modern art. This was really one of the

0:53:02.000 --> 0:53:04.240
<v Speaker 2>most fun episodes for us to film, and I forget

0:53:04.280 --> 0:53:07.600
<v Speaker 2>about that, right. It was such a blast, really fun,

0:53:08.040 --> 0:53:08.759
<v Speaker 2>really really fun.

0:53:09.160 --> 0:53:10.720
<v Speaker 1>I'm so glad it was fun for everybody.

0:53:11.239 --> 0:53:15.200
<v Speaker 2>I had a really hard time not skipping ahead to nationals. Oh,

0:53:15.320 --> 0:53:18.120
<v Speaker 2>I couldn't. I was really up against the game today.

0:53:18.160 --> 0:53:19.399
<v Speaker 2>But that's why I didn't.

0:53:19.440 --> 0:53:20.000
<v Speaker 1>But I was.

0:53:20.239 --> 0:53:23.000
<v Speaker 2>I was going to add an eye doctor's appointment, and

0:53:23.080 --> 0:53:25.520
<v Speaker 2>so I was considering being late tonight our experiment to

0:53:25.560 --> 0:53:28.560
<v Speaker 2>watch the national Oh, I can't wait to see what

0:53:28.680 --> 0:53:33.880
<v Speaker 2>I'm very excited. It's paradise for fan, I feel like

0:53:33.960 --> 0:53:36.160
<v Speaker 2>maybe one of these episodes, you and I should get

0:53:36.200 --> 0:53:40.080
<v Speaker 2>together and watch it. Put it on, set up a

0:53:40.120 --> 0:53:44.200
<v Speaker 2>camera and the mics, open a bottle of wine. I'm

0:53:44.480 --> 0:53:49.000
<v Speaker 2>just chat about it into it. Maybe that's where we

0:53:49.000 --> 0:53:52.560
<v Speaker 2>do that with two thousand and nine. Oh god, yeah,

0:53:53.480 --> 0:53:54.080
<v Speaker 2>is it too sad?

0:53:54.200 --> 0:53:54.439
<v Speaker 1>Maybe?

0:53:55.520 --> 0:53:57.560
<v Speaker 2>Okay, I think that would be fun, And then we

0:53:57.640 --> 0:53:59.319
<v Speaker 2>can make Austin and David Wade on.

0:53:59.360 --> 0:54:04.880
<v Speaker 1>This good luck awesome?

0:54:04.880 --> 0:54:05.440
<v Speaker 2>We'd wait on.

0:54:07.440 --> 0:54:08.320
<v Speaker 1>David would.

0:54:12.080 --> 0:54:13.000
<v Speaker 2>David would wait on me?

0:54:14.280 --> 0:54:15.680
<v Speaker 1>He would? You?

0:54:15.840 --> 0:54:16.200
<v Speaker 2>There we go?

0:54:16.560 --> 0:54:21.359
<v Speaker 1>Definitely great? No, get a good foot rub. Okay, all right,

0:54:21.480 --> 0:54:23.640
<v Speaker 1>well that was props. Thanks for joining everybody.

0:54:23.840 --> 0:54:27.319
<v Speaker 2>I'm proud of you. You were great. You deserve all

0:54:27.360 --> 0:54:27.680
<v Speaker 2>the love.

0:54:27.880 --> 0:54:28.160
<v Speaker 1>Thank you.

0:54:28.840 --> 0:54:32.160
<v Speaker 2>That's what you really missed. Thanks for listening and follow

0:54:32.239 --> 0:54:35.040
<v Speaker 2>us on Instagram at and that's what you really miss pod.

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<v Speaker 2>five stars. See you next time,