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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin and iHeartRadio podcast.

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Speaker 1: Welcome to you, And that's what you're read the missed podcast.

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Speaker 1: It's time, It's time, It's time.

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Speaker 2: Happy Saint Patrick's Day.

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Speaker 1: Happy Saint Patty's Day. Wow, it's Kevin's favorite holiday.

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Speaker 2: I mean, I can't, I can't really do it like

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Speaker 2: I used to. You know. Yeah, I've started having like

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Speaker 2: an allergic reaction to alcohol. What do you mean, I

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Speaker 2: get like the flush and like my sinuses swell up,

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Speaker 2: old bitch. Yeah, I don't know what happened, but maybe

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Speaker 2: I just like, no, no, I know, I stopped. It's done,

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Speaker 2: I mean, and it's not even like I want to

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Speaker 2: do it to all the time. We don't need to

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Speaker 2: get into this. I'm one of the few who likes

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Speaker 2: the taste of alcohol.

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Speaker 1: I do too, but I I stopped anyway.

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Speaker 2: That's why when you and I are still tasty we

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Speaker 2: get together for Settlers of Catan Nights, you and I brutal.

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Speaker 1: Get hull too friendly right there?

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Speaker 2: Like what is wrong with them?

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Speaker 1: David's partaking. It's Austin who's thinking, what the hell is

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Speaker 1: wrong with all of us? Oh?

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Speaker 2: Yeah, you're right, but David like controls himself. You and

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Speaker 2: I just start gossiping.

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Speaker 1: That's true. We are We get comfortable the very vue.

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Speaker 1: We get comfortable. Okay. This is season three, episode twenty

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Speaker 1: and this is props air date May fifteenth, twenty twelve.

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Speaker 1: The number one song and movie are the same from

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Speaker 1: last week, which is zero percent surprising. I'm sure the

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Speaker 1: Avengers will be number one for a very long time.

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Speaker 1: And somebody used to know has already been number one

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Speaker 1: for a very long time. And in Glee news this week,

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Speaker 1: this this of May, this month of May, Fox announces

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Speaker 1: Glea Season four as part of their twenty twelve twenty

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Speaker 1: thirteen fall and spring programming at the New York City

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Speaker 1: Upfronts where you go and you play you play Zoo

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Speaker 1: Animal and you go prans around and say hello to

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Speaker 1: the advertisers and charm them and get them to buy

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Speaker 1: ad space on your show. I loved Upfronts because it

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Speaker 1: was a chance to go to New York. It was

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Speaker 1: always really fun to see my family and go travel

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Speaker 1: to New York City with all our castmates. H Jenna, Jane,

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Speaker 1: Chris Naya, Darren Corey and Lea went this year where

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Speaker 1: were you, Kevin? Were you in the I and you

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Speaker 1: must have been doing something? I don't know what I

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Speaker 1: was doing. Are you sure you weren't there that year? Yeah?

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Speaker 1: I guess you're not in any of the photos. Does

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Speaker 1: that makes sense?

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Speaker 2: I mean I could have been in the UK. I

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Speaker 2: don't know what I was doing. Who knows?

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Speaker 1: We've been traveling? Okay? Well. Also on May fifteenth, Glee

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Speaker 1: the Music the Graduation Album was released, and this featured

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Speaker 1: ten tracks from season three and three previously unreleased songs

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Speaker 1: I Was Here, Good Riddance, and Not the End. This

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Speaker 1: album was made available on CD and for digital download.

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Speaker 2: Yeah so this episode was directed and written by the

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Speaker 2: one only Ian Brennan and Carmen Timodo's back, Whoopy whoopee. Okay,

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Speaker 2: this one has some interesting songs. It has I Won't

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Speaker 2: give Up by the incredible Jason Maraz.

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Speaker 1: This is another one of those songs that Rachel's still

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Speaker 1: crying about her audition.

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Speaker 2: She's going upside.

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Speaker 1: Because You Loved Me from Celnion Mean by Taylor Swift

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Speaker 1: and Flash Dance What a Fee by Irene Kara. I mean,

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Speaker 1: this feels like the lowest number of songs we've had

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Speaker 1: an episode in a very long time. Yeah, that seems right.

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Speaker 1: There's a lot happening in this episode.

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Speaker 2: This episode, I texted you during it because like, the

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Speaker 2: first third of this episode is so funny and.

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Speaker 1: The second half is very heartfelt.

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Speaker 2: Yeah, I felt I really enjoyed this episode. There's some

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Speaker 2: in same things, you know, but like I thought, it

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Speaker 2: was really interesting. A lot happens, and I'm excited to

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Speaker 2: I have a lot to talk to you about this

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Speaker 2: episode because you know, yeah, it was very targeted.

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Speaker 1: Oh wow, it was. Okay, so this is a fun

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Speaker 1: episode because everybody body swaps for first half of the

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Speaker 1: half of the episode, so.

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Speaker 2: Not long enough if I do say so.

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Speaker 1: Myself agreed, it could have been a whole episode. Rachel

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Speaker 1: andn Tina swap, curtain, Finn swap, pucking, Blaine Santana and

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Speaker 1: already one of my favorites, Brittany and Mercedes, Quinn and Sugar,

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Speaker 1: Sam and Rory, Mike and Joe and Sue and Will.

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Speaker 2: Phenomenal work by everyone.

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Speaker 1: No, really, this is where everybody's acting chops really were

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Speaker 1: shown off. Because I was so impressed.

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Speaker 2: We were having the time of our lives. It's so funny.

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Speaker 2: There's clips online a bts of us doing you know,

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Speaker 2: and others as and we were you know normally by

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Speaker 2: that point where like any moment we have to just

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Speaker 2: like not talk to anyone and be quiet for a

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Speaker 2: little bit. We were really trying to hold on to

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Speaker 2: and poor Kaylin and Mia, who were doing a lot

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Speaker 2: of the the interviews during that time, they had the

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Speaker 2: really unfun task of trying to coax us into doing these. Literally,

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Speaker 2: this was the only day everybody wanted to do it.

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Speaker 2: Everyone was like, put us in front of the camera

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Speaker 2: and we're gonna be that character.

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Speaker 1: Still. It was so much fun, so much fun. This

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Speaker 1: is the first episode where Tina is prominently featured and

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Speaker 1: she lets.

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Speaker 2: Us know about it, as she should. We'll get yeah,

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Speaker 2: and the recap this is actually this is what I'm

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Speaker 2: referring to. This episode's recap is almost fifty seconds long,

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Speaker 2: the longest in the series, and it mainly focuses on

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Speaker 2: the neglect of Tina in the past three seasons. It

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Speaker 2: does a full review of Tina, and it is phenomenal.

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Speaker 2: It's insane, and it is Ian at his best, and

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Speaker 2: they really did. It's like, you know, nowadays you can

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Speaker 2: go on and on like YouTube and like find clips

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Speaker 2: and someone's made like a fan cam or fan edit

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Speaker 2: their favorite character. They did it for this episode as

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Speaker 2: a recap for like, not the episodes that have happened

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Speaker 2: this season, for a character in the entirety of the

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Speaker 2: series up to this point. I dare say that's never

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Speaker 2: happened in the television show before. It was so dynamic

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Speaker 2: they had to. I wish I need to get a

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Speaker 2: transcript of it. It is insane.

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Speaker 1: I forgot about it. I forgot that they did that, And.

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Speaker 2: I also feel like that sets the tone for the episode.

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Speaker 1: It does well basically. This is also the first episode

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Speaker 1: since A Night of Neglect the episode to feature a

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Speaker 1: solo by Tina, which so it's the twenty five episodes

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Speaker 1: without a solo Jenna, No wonder I was off the rails. Yeah,

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Speaker 1: I wonder I fell off the rails.

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Speaker 2: Yeah. They didn't really have to write anything new, like

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Speaker 2: I mean, they just sort of could borrow. They were

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Speaker 2: calling I felt like the writers were calling themselves out.

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Speaker 2: Yeah a little bit, and which was also part of

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Speaker 2: your MM correct me if I'm wrong, which is part

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Speaker 2: of your like not complaint, But yeah, what you're what

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Speaker 2: am I trying to say here?

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Speaker 1: Complaint.

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Speaker 2: Yeah, complaint was earlier in the season. Yes, And while

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Speaker 2: you're upset and voicing it and underutilized, underutilized, and you

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Speaker 2: felt crazy for voicing it, and it's like, okay, well

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Speaker 2: here they are voicing it, right, And that was actually

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Speaker 2: the best part. Yeah, did you feel some sort of like, ah, yeah,

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Speaker 2: I get it, they see me finally, like nobody acknowledged

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Speaker 2: it for so long. They're like, well, there's just a

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Speaker 2: lot of characters, don't you know, Like there's just.

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Speaker 1: A lot of stuff. Don't worry people still like pay

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Speaker 1: attention to Tina. Like I felt like I they weren't

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Speaker 1: even acknowledging the fact that like they weren't using me

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Speaker 1: or didn't know quite how to use me.

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Speaker 2: And so for them to just finally like.

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Speaker 1: Do this, I was like, ah, thank you, because then

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Speaker 1: it's funny to me, right at least then it's there's

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Speaker 1: there's like a story behind it, not just like let's

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Speaker 1: just gloss over it and not use her anymore.

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Speaker 2: And why yeah, like use it, like use that then

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Speaker 2: to give you something. Well then they did too. It's

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Speaker 2: oh she got the our producer sound got the the

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Speaker 2: script of Tina's intro. I mean let me just give

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Speaker 2: you a little taste. It's not going to be as

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Speaker 2: good as Ian, obviously, but this is just so right anyway. Okay,

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Speaker 2: the glee club's been ignoring Tina all year long. Actually,

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Speaker 2: she kind of got ignored last year too. Actually, Tina's

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Speaker 2: sort of been ignored the whole time, and she's been

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Speaker 2: in the new direction since like forever. The first time

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Speaker 2: she got a solo, she insisted she was bad and

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Speaker 2: forced mister She to give the song to Rachel. And

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Speaker 2: every solo since she's either gotten booed or started crying uncontrollably.

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Speaker 2: No one noticed that she went from dressing punk to

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Speaker 2: dressing Gotha, dressing like a go go dancer in the sixties,

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Speaker 2: swinging London. She even got Mike Chang into college and

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Speaker 2: she hardly gotta thank you. Sometimes people don't even seem

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Speaker 2: to know her name. That's right, Like, that's right, it

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Speaker 2: is nice. I did it feel like that was sort

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Speaker 2: of like not an apology, but just like you really

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Speaker 2: get it.

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Speaker 1: Yes, finally, like finally, yes, I felt like relief. I

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Speaker 1: felt relief. It was This is funny, though, because this

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Speaker 1: is where we talk about like act out a little

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Speaker 1: bit and you get an episode just is coming off

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Speaker 1: the heels of that, so like my Michael kind of

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Speaker 1: thing that happened during that period of time, and then

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Speaker 1: like I came back just like very great, gracious and

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Speaker 1: happy to come back and work and put my head down,

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Speaker 1: and then what pops up on my doorstep? But an

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Speaker 1: episode that is centered around Tina. And what's nice is

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Speaker 1: that it's not can you because all of those things

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Speaker 1: that Ian was saying in that recap are all things

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Speaker 1: writers chose to do, right, right, So like that's not

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Speaker 1: anything on you, right, right right, And I think a

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Speaker 1: lot of the other personal things that got put into

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Speaker 1: the episodes were calling out really personal things and behaviors. Yes,

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Speaker 1: and like this wasn't no, not at all exactly. Sounds

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Speaker 1: like a self reflection of like, yeah, let's repent. Yeah.

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Speaker 1: I felt like it wasn't like an apology, but it

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Speaker 1: was like, oh, an acknowledgment of like that's why I

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Speaker 1: was acting crazy.

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Speaker 2: Well, it's like, how can we make this up to you?

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Speaker 1: Yeah, it was nice. This is a course correction totally.

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Speaker 1: Every storyline from Choke is now continued in this episode.

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Speaker 1: So problem was like a pause the promisaurus and then

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Speaker 1: we're resuming Puck storyline and the choke you know, of

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Speaker 1: Rachel's audition and all of that.

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Speaker 2: So, which is nice. Didn't always happen, No, it's great

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Speaker 2: to come back to it. What's also interesting is that

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Speaker 2: this is the first time that two episodes of Glee

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Speaker 2: aired in one night. So after this episode aired, Nationals

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Speaker 2: aired immediately after it, and it was I mean, yeah,

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Speaker 2: it's the shortest time gap between two episodes.

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Speaker 1: Everybody else though in the world Sky one in the

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Speaker 1: UK and in Ireland and then Channel ten in Australia,

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Speaker 1: they didn't air Nationals on the same day as props,

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Speaker 1: so that was an American decision.

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Speaker 2: Yeah, which is also interesting because the entirety of the

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Speaker 2: season series this thus far, they had been airing i

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Speaker 2: think almost within twenty four hours, and so they were

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Speaker 2: noticing things online and whatnot.

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Speaker 1: This was Ian's first Glee, the first episode as a director.

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Speaker 2: Did you.

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Speaker 1: Love that?

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Speaker 2: Because you were in this episode a lot and we

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Speaker 2: were all really close with Ian and we know Ian

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Speaker 2: so well, Like was it nice to like have someone

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Speaker 2: like that?

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Speaker 1: Partially you're a big episode partially, so it ended up

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Speaker 1: that way. Ian was the best, Like I'll tell you

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Speaker 1: all about it, but I was nervous because we've had

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Speaker 1: new guest directors before and because we're such a different formula.

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Speaker 1: I was a little nervous that like somebody like a

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Speaker 1: Stultz or a Paris or a returning guest director like

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Speaker 1: that I knew would get it done the way it

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Speaker 1: needs to get done. So at first I was a

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Speaker 1: little nervous because I was like, how's how's this going

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Speaker 1: to go? But it ended up being awesome. He's the

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Speaker 1: best and it's so cool to have like it was

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Speaker 1: to have Brad or Ryan on set. They felt the

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Speaker 1: same where you're like, oh, and Ian's even more so,

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Speaker 1: like he's closer an age. He's like a friend, you know,

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Speaker 1: like he's a buddy. He didn't feel like a boss,

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Speaker 1: no exactly, and he never acted like he ascertained where

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Speaker 1: he had to. But he was just much, you know,

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Speaker 1: much more into the creative out of everything.

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Speaker 2: Jenna, you did your own stunt falling into the fountain.

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Speaker 1: Oh, I fell into the fountain many many times, many

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Speaker 1: many times, so many times.

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Speaker 2: And they had stunt doubles.

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Speaker 1: They did a couple. They had a couple, so they

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Speaker 1: had two stunt doubles well and also because in order

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Speaker 1: to get me to do it, I had to get wet,

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Speaker 1: and so it was like the reset was a very

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Speaker 1: big one. And so what they I think they had

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Speaker 1: the fall happen a few times just in case where

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Speaker 1: they didn't have to reset me, but they used most

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Speaker 1: of my staff. And then in the fountain as well,

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Speaker 1: there were GoPros at the bottom and they padded the

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Speaker 1: bottom with pads that looked like the stone of the fountain.

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Speaker 1: And so when I hit my head, I would go

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Speaker 1: under and I would blow bubbles and I would go

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Speaker 1: under and hit my head and the GoPro would get it,

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Speaker 1: and then I'd come back up and he'd be like,

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Speaker 1: do it again, And so I go back hunder water

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Speaker 1: and like hit my head again. And it was freezing,

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Speaker 1: and so they were like all the hair and makeup

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Speaker 1: department were like blowing blow dryers on me in between.

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Speaker 2: In the mall, was it the same mall we always used?

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Speaker 1: It was a different mall, And I thought it was

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Speaker 1: the mall that actually go to all the time now

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Speaker 1: by my house, but I don't think it was.

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Speaker 2: But it wasn't the Eagle Rock one. Yeah, the one

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Speaker 2: where we did safety dance and Barbara Stress. For the record,

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Speaker 2: the stunt looked great.

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Speaker 1: Thanks. It was a long day. It was a really

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Speaker 1: long day because then I also had to get into

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Speaker 1: the Rachel Berry outfit and get wet. Oh yeah, that's right.

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Speaker 1: So not only did I go in as Tina come

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Speaker 1: out as Tina, I went in as Rachel, went out

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Speaker 1: as Rachel.

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Speaker 2: Ooh, it looks so obviously, it looks so great on

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Speaker 2: camera and in the episode, and just when it works

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Speaker 2: so flawlessly, you don't think about and you shouldn't be

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Speaker 2: thinking about the logistics of it as a viewer, but

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Speaker 2: totally damns of that. Also, just to like, I don't know,

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Speaker 2: standing around in wet clothing is one of the kids feelings.

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Speaker 1: It was so fun. I was so excited to do

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Speaker 1: everything that I did in the episode that it was

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Speaker 1: like any other one where like You're like, I'm not

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Speaker 1: getting used and I'm still wet.

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Speaker 2: Angering curtain, Blaine, are there just hanging out in the seats?

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Speaker 2: I don't know what you're texting on.

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Speaker 1: I don't either.

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Speaker 2: Yeah, paper and fabric. So, with the exception of the headband,

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Speaker 2: the outfit that Tina wears as Rachel is similar to

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Speaker 2: the one Rachel wore in the bathroom scene and Roads

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Speaker 2: Not Taken And.

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Speaker 1: In Praeger's Puck said you could addressed to school and

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Speaker 1: people would think it was cool. And in this episode

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Speaker 1: he does wear a dressed to school and it is

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Speaker 1: not getting the cool meter.

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Speaker 2: You know what's not cool? Pulling a knife?

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Speaker 1: Oh my god, you know what's funny? Though then he

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Speaker 1: said it was a prop. It's not good, but still funny.

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Speaker 2: It was funny. It was the only way to save it.

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Speaker 2: In this episode, Tina as Rachel tells Rachel as Tina

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Speaker 2: that it'll be her time to shine or her turn

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Speaker 2: to shine next school year. Tina does get her time

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Speaker 2: to shine when she is prominently featured in every competition sets.

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Speaker 1: Oh just wait, it's Tina's time.

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Speaker 2: That's right. Next season is Tina's she is coming out.

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Speaker 2: We're featuring vocals and storyline.

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Speaker 1: That's right.

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Speaker 2: I was worried watching this. I'm like, but does she Oh?

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Speaker 2: She does, because you know track record shows that like

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Speaker 2: maybe not maybe not, No, No, she does. And I

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Speaker 2: have to say, I think it's helpful when you have.

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Speaker 1: More voices in the writer's room to sort of like

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Speaker 1: remind people, yeah, and keep track of those things. Yes, agreed,

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Speaker 1: because brad Ian and Ryan are the best and like

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Speaker 1: obviously created this entire world, but they were also show

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Speaker 1: running and managing a lot of different departments, managing other

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Speaker 1: shows as well, right, and so it's like it's important

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Speaker 1: to have those voices who are only centered on this

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Speaker 1: one that is right show, that's right to keep track

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Speaker 1: of Tina, I mean the fifteen thousand cast members. Okay,

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Speaker 1: when will and who are discussing the national set list.

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Speaker 1: Tina and Quinn's names are both in the Troubletones performance

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Speaker 1: of Edge of Glory, yet they weren't placed into that

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Speaker 1: performance until nationals and Sugar and Brittany are also listed

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Speaker 1: as soloists even though they don't see one.

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Speaker 2: Artie. Tina and Sam are similarly erroneously listed under Paradise

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Speaker 2: by the dashboard light correct we did not.

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Speaker 1: The word performed is also misspelled as per form from

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Speaker 1: brom at the.

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Speaker 2: Bottom of the cell We'll get you every time. During

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Speaker 2: the body switching scenes, most of the characters have continuity

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Speaker 2: and their respective clothing choices. However, Rachel asked Tina is

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Speaker 2: not depicting sporting Tina's sixty swinging London style, but rather

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Speaker 2: her goth punk style from season one and two.

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Speaker 1: You know why I feel that because I think that

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Speaker 1: it looks a little too similar to Rachel, so it

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Speaker 1: was an easier extreme. Also, the blue in her hair,

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Speaker 1: yeah bad painted the picture very distinguishable. Okay, So when

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Speaker 1: Rachel is talking to Tina about solo, she asks Tina

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Speaker 1: if she has a Twitter or Facebook account and proceeds

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Speaker 1: to say that she doesn't. However, in Saturday Night Leave Her,

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Speaker 1: she tweeted the one that I'm engaged to to come

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Speaker 1: to the auditorium, meaning she does have a Twitter. Again,

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Speaker 1: she wants that was so recent too, You're theory about

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Speaker 1: having more writers.

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Speaker 2: Look, I didn't mean about continuity.

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Speaker 1: I just mean to make that Tina was not forgotten. Okay.

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Speaker 1: When Tina bumps her head, the world of New Directions

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Speaker 1: is turned upside down in her eyes. Okay?

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Speaker 2: Is that it is that the official summary?

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Speaker 1: That's the official Fox.

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Speaker 2: Damn.

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Speaker 1: Okay yep.

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Speaker 2: So what happens is it's time for nationals and Rachel's

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Speaker 2: getting out a solo whooped de dow and Tina says no, no,

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Speaker 2: I'm done being a prop in the background, and you

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Speaker 2: storm out. Yeah, my name is Tina. Tina Cohen. Yes,

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Speaker 2: I remember. I remember that all so well, and we

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Speaker 2: were all so happy that you were getting all this

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Speaker 2: that we were just like fuck yes, like go off, buddy,

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Speaker 2: and also let it out. I felt like when you

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Speaker 2: get moments like that where you get to tell off

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Speaker 2: all these characters, I guess therapeutic, it's so good.

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Speaker 1: Just like also, a muscle was not being used, and

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Speaker 1: so I was like, oh my god, there's so much

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Speaker 1: to do in this I have so much to do

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Speaker 1: in this episode and so many lines and like have

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Speaker 1: to actually like deliver. It kind of did feel like

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Speaker 1: that for like, oh, this is what Lee has to

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Speaker 1: do every week. You know. I it's like that you

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Speaker 1: can't do it. You just know the chance I wasn't

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Speaker 1: given them. My muscle was not being flexed, and finally

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Speaker 1: here it is being flexed, and it's sore. Now, it's

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Speaker 1: really sore. But it was so much fun. So soa

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Speaker 1: Tina falls into a fountain and she's angry and she

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Speaker 1: falls into a fountain, which we talked about the stunt.

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Speaker 1: Jenna does her own stunts.

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Speaker 2: But can we before we get there, sure, I want

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Speaker 2: to talk about the scene where Rachel follows.

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Speaker 1: Okay, let's talk about it.

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Speaker 2: It felt very Gaslight Girl Boss Gate Keep Yes.

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Speaker 1: Partially. The other part of it was also Mike Chang

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Speaker 1: getting angry at Tina for speaking up, which was like

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Speaker 1: and then at the end him smiling when she he's

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Speaker 1: seen that she's like appreciating the place in which she's at,

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Speaker 1: and I'm like, oh, she just has to make everybody

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Speaker 1: happy and especially the men. And also like a woman

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Speaker 1: speaking up and getting angry. Now everybody's trying to like

388
00:22:24,800 --> 00:22:29,479
Speaker 1: mediate and fix when like Finn storms out, Puck storms out,

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Speaker 1: nobody's trying to Anoyan's calling her them angry.

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Speaker 2: Well when and you say it in the episode that

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Speaker 2: like when Rachel does it, it's part of her thing. Yeah,

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Speaker 2: and it's like, oh, that's just her, she's a star.

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Speaker 2: It's fine. But when you do it, you get told

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Speaker 2: to like go back to your place, like you should

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Speaker 2: just be grateful. Exactly exactly because that scene is she

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Speaker 2: offers me fifty dollars, and also like the whole thing

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Speaker 2: watching of her being like like, well, I do see

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Speaker 2: your point, I do question The timing of it was

399
00:23:01,600 --> 00:23:07,159
Speaker 2: like oh, oh, oh you're like okay, so I understand you,

400
00:23:07,320 --> 00:23:12,280
Speaker 2: but I think I hear your feelings, but and I

401
00:23:12,400 --> 00:23:17,600
Speaker 2: may be looking too hard into this, it all felt

402
00:23:19,320 --> 00:23:24,880
Speaker 2: that was all very targeted in a way where it's

403
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Speaker 2: like what happened in real life to you during a

404
00:23:28,280 --> 00:23:32,520
Speaker 2: Michael episode, a really big episode, and then being like, Okay,

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00:23:33,640 --> 00:23:38,080
Speaker 2: we hear you, but like bad times right now, which

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00:23:38,200 --> 00:23:41,200
Speaker 2: is like not a great and I'm not I don't

407
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Speaker 2: know if that's you know, but it felt that mirror.

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00:23:44,359 --> 00:23:48,720
Speaker 2: It felt projected. Yes, many scenes in this felt very

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Speaker 2: reminiscent familiar.

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Speaker 1: So Tina falls into a fountain and she answer her head.

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Speaker 1: This is not the first time Tina will hit her

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Speaker 1: head or get hit in the head. So Tina's making

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00:23:59,520 --> 00:24:05,200
Speaker 1: the costume. This was made a while back, apparently that

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00:24:05,320 --> 00:24:09,240
Speaker 1: Tina worked on costumes. I guess first it was Mercedes,

415
00:24:10,400 --> 00:24:12,320
Speaker 1: and then when we're when Mercedes, when they realized that

416
00:24:12,400 --> 00:24:14,280
Speaker 1: they use her for every song, they were like, oh,

417
00:24:14,359 --> 00:24:18,520
Speaker 1: Tina can just do it, but like the only time

418
00:24:18,600 --> 00:24:21,400
Speaker 1: we ever see it you with just the roles of fabric,

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Speaker 1: and then at the end saying like it takes a

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00:24:24,600 --> 00:24:26,480
Speaker 1: lot of crystals to make something.

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Speaker 2: Of the time, the amount of time these kids spend

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00:24:31,720 --> 00:24:34,080
Speaker 2: at school. Because at the end too, when you're all

423
00:24:34,200 --> 00:24:40,399
Speaker 2: just like sewing, but.

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Speaker 1: Then we do do that a lot. So I love

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Speaker 1: Sugar do that for Greece as well.

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Speaker 2: I love it. I really really enjoyed it.

427
00:24:50,800 --> 00:24:56,919
Speaker 1: It's really funny. It's very funny. I liked Finguish with Sugar.

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Speaker 2: Oh, I mean, I dream that was all we ever wanted.

429
00:25:00,160 --> 00:25:03,440
Speaker 2: There's more scenes of Finessa so great. So you hit

430
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Speaker 2: your head, yeah, and the body swap happens when you

431
00:25:08,440 --> 00:25:11,159
Speaker 2: got this script. I don't remember if we knew a

432
00:25:11,200 --> 00:25:13,520
Speaker 2: body swap was. I feel like we sort of knew

433
00:25:13,560 --> 00:25:15,000
Speaker 2: because I didn't ask these questions.

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00:25:15,359 --> 00:25:18,000
Speaker 1: Yes, but I didn't really know to the extent of

435
00:25:18,080 --> 00:25:20,160
Speaker 1: this where everybody was going to get swapped.

436
00:25:19,920 --> 00:25:24,960
Speaker 2: Because I remember pitching NYA and I wanted to body swap,

437
00:25:25,040 --> 00:25:29,000
Speaker 2: and I remember us coordinating, like I don't know if

438
00:25:29,040 --> 00:25:30,640
Speaker 2: Ryan came in was like who would you want to play?

439
00:25:30,640 --> 00:25:31,399
Speaker 2: I don't remember who.

440
00:25:31,840 --> 00:25:33,720
Speaker 1: Maybe he did come in and ask us that and

441
00:25:33,800 --> 00:25:35,800
Speaker 1: we were like, something weird is going to happen, or.

442
00:25:35,800 --> 00:25:38,920
Speaker 2: Maybe somebody did. But because I don't think Ryan was

443
00:25:38,920 --> 00:25:40,679
Speaker 2: really around with us, but I think.

444
00:25:40,840 --> 00:25:42,920
Speaker 1: I think when they were writing it as somebody came

445
00:25:42,960 --> 00:25:45,480
Speaker 1: down and told us what was happening, something was coming,

446
00:25:46,320 --> 00:25:48,960
Speaker 1: but I didn't know about the whole thing. It was

447
00:25:49,000 --> 00:25:50,640
Speaker 1: centered around you exactly.

448
00:25:51,040 --> 00:25:53,760
Speaker 2: You're correct. So how did you feel reading this? Do

449
00:25:53,800 --> 00:25:54,160
Speaker 2: you remember?

450
00:25:54,880 --> 00:26:01,080
Speaker 1: I remember like being in shock, like pure shock. You're like, wow,

451
00:26:01,160 --> 00:26:09,320
Speaker 1: my name is in this script so much. But I

452
00:26:09,480 --> 00:26:13,040
Speaker 1: loved it. I was so excited. I was genuinely so excited.

453
00:26:13,160 --> 00:26:20,760
Speaker 1: I was terrified when I saw the songs. Terrified. Excited though, nonetheless.

454
00:26:21,040 --> 00:26:27,200
Speaker 1: And I just remember like going into like like like

455
00:26:27,520 --> 00:26:31,280
Speaker 1: work mode, I guess and be like okay, okay, okay,

456
00:26:31,960 --> 00:26:34,119
Speaker 1: and you're just like, okay, I gotta start memorizing, like

457
00:26:34,200 --> 00:26:36,440
Speaker 1: you really just like because usually you read the script,

458
00:26:36,440 --> 00:26:37,920
Speaker 1: you're like, oh okay, I can rememorize that on the

459
00:26:38,000 --> 00:26:39,879
Speaker 1: day or the night before, like it's you know, a

460
00:26:39,960 --> 00:26:43,320
Speaker 1: quick scene or whatever. But when you have multiple scenes

461
00:26:43,320 --> 00:26:46,440
Speaker 1: with lots of dialogue and what we Goldberg is involved

462
00:26:46,520 --> 00:26:49,800
Speaker 1: and Leah's involved, You're like, I better show the fuck

463
00:26:50,320 --> 00:26:52,680
Speaker 1: up if they're giving me all of this. So there's

464
00:26:52,680 --> 00:26:57,080
Speaker 1: also like pressure. They're like, oh yeah, like you better deliver. Deliver.

465
00:26:57,400 --> 00:27:03,520
Speaker 2: Like not seeing you week, like you were just like

466
00:27:03,800 --> 00:27:05,119
Speaker 2: I didn't know what any of this didn't look like

467
00:27:05,160 --> 00:27:07,240
Speaker 2: because you're in a lot of things without the rest

468
00:27:07,280 --> 00:27:07,520
Speaker 2: of us.

469
00:27:07,920 --> 00:27:10,399
Speaker 1: Yeah, it was small groups of people too.

470
00:27:10,560 --> 00:27:13,200
Speaker 2: Yeah, so it was really you were just gone.

471
00:27:13,680 --> 00:27:17,680
Speaker 1: Yes, that's right. I was gone. It was crazy. I

472
00:27:17,760 --> 00:27:20,240
Speaker 1: remember I was gone so much that you hadn't even

473
00:27:20,320 --> 00:27:23,199
Speaker 1: heard because you loved me before we shot it.

474
00:27:23,600 --> 00:27:25,720
Speaker 2: That's right. And so that's that's the story I always

475
00:27:25,760 --> 00:27:29,200
Speaker 2: tell too. When you were shooting your coverage of it

476
00:27:29,359 --> 00:27:31,240
Speaker 2: and they didn't have us in the audience for it,

477
00:27:32,160 --> 00:27:35,080
Speaker 2: and I they were shooting something, I snuck in. I

478
00:27:35,160 --> 00:27:36,440
Speaker 2: was in the wings and I heard it for the

479
00:27:36,480 --> 00:27:39,399
Speaker 2: first time on the loud speakers. You won the auditorium

480
00:27:39,560 --> 00:27:48,200
Speaker 2: stage and Jenna, you killed that. It was you got

481
00:27:48,240 --> 00:27:51,480
Speaker 2: this rasp you were running. It was so good, and

482
00:27:51,560 --> 00:27:55,840
Speaker 2: I was like, finally people can hear you like whale,

483
00:27:55,960 --> 00:28:00,320
Speaker 2: like you can really wail. Obviously you downplay it and

484
00:28:00,440 --> 00:28:01,360
Speaker 2: that's fine.

485
00:28:01,560 --> 00:28:05,560
Speaker 1: But I knew that song. That's one of the songs

486
00:28:05,600 --> 00:28:08,280
Speaker 1: that you grew like I grew up listening to. So

487
00:28:08,600 --> 00:28:11,360
Speaker 1: like you're just like, oh, I could I know every run.

488
00:28:11,680 --> 00:28:13,119
Speaker 1: I know it all. I don't know if I can

489
00:28:13,160 --> 00:28:15,000
Speaker 1: do it, but I know them all. So you go

490
00:28:15,160 --> 00:28:17,280
Speaker 1: in like with like a different confidence than being like,

491
00:28:17,400 --> 00:28:19,320
Speaker 1: I don't know this song at all. I've never heard

492
00:28:19,359 --> 00:28:21,720
Speaker 1: this and I've never tried it, especially.

493
00:28:21,400 --> 00:28:24,600
Speaker 2: When it's Seline. Like anything that can help you, you'll

494
00:28:24,640 --> 00:28:25,399
Speaker 2: take a.

495
00:28:25,640 --> 00:28:28,360
Speaker 1: Thousand percent a thousand. I was like, are you sure

496
00:28:28,400 --> 00:28:32,760
Speaker 1: this is Leah? You sure she's not gonna sing this

497
00:28:32,840 --> 00:28:33,800
Speaker 1: one that I just love? Think it?

498
00:28:35,160 --> 00:28:38,720
Speaker 2: How did you You've known Leah longer than anybody? Yeah,

499
00:28:39,160 --> 00:28:44,640
Speaker 2: on the show, so you had to do an impersonation

500
00:28:45,680 --> 00:28:49,920
Speaker 2: of Rachel. Oh my God of Leah doing Rachel. And

501
00:28:50,040 --> 00:28:52,800
Speaker 2: I feel I remember talking to you about like, well,

502
00:28:52,960 --> 00:28:53,640
Speaker 2: oh you know her.

503
00:28:54,160 --> 00:28:54,360
Speaker 1: Yeah.

504
00:28:54,440 --> 00:28:56,440
Speaker 2: And also like anybody you've seen on TikTok, people do

505
00:28:56,520 --> 00:28:59,920
Speaker 2: such good impressions of anybody. She is very distinct, man,

506
00:29:00,920 --> 00:29:05,160
Speaker 2: how did you prepare for that? I felt like we've

507
00:29:05,200 --> 00:29:06,400
Speaker 2: seen we saw enough of it.

508
00:29:09,560 --> 00:29:12,640
Speaker 1: That like the bass was already there right, like even

509
00:29:12,720 --> 00:29:15,840
Speaker 1: in the scenes with Rachel and Leah, like you know,

510
00:29:17,800 --> 00:29:20,520
Speaker 1: she's like, oh, she speaks and like run on sentences,

511
00:29:21,760 --> 00:29:24,680
Speaker 1: and she sees very quickly with different like there's like

512
00:29:24,840 --> 00:29:28,840
Speaker 1: little accents that she hits all like COmON like very often.

513
00:29:28,920 --> 00:29:31,239
Speaker 1: And so she has these little ticks and everybody has them,

514
00:29:31,360 --> 00:29:34,560
Speaker 1: right like you just learn, which is why it was

515
00:29:34,640 --> 00:29:36,960
Speaker 1: like so cool to watch everybody do everybody else, because

516
00:29:37,080 --> 00:29:42,040
Speaker 1: like you don't get to see that in yourself. And

517
00:29:42,120 --> 00:29:46,800
Speaker 1: then Ian really helped me with the song and I

518
00:29:46,920 --> 00:29:48,520
Speaker 1: got up there and I was like, I just don't

519
00:29:48,560 --> 00:29:51,560
Speaker 1: know how do you do it in a song, like

520
00:29:51,640 --> 00:29:55,240
Speaker 1: I know how to do it in the scenes. And

521
00:29:55,320 --> 00:29:58,040
Speaker 1: he gave me like a couple of like distinctive things

522
00:29:58,120 --> 00:30:00,520
Speaker 1: that she does which I had already like kind watched,

523
00:30:00,560 --> 00:30:04,920
Speaker 1: which was like the shoulders and the squinty like closing

524
00:30:04,960 --> 00:30:07,240
Speaker 1: the eyes and the hands and the hands on the

525
00:30:07,320 --> 00:30:08,080
Speaker 1: stomach and so.

526
00:30:10,520 --> 00:30:10,960
Speaker 2: Insane.

527
00:30:11,320 --> 00:30:15,120
Speaker 1: You just throw those in there and like every few

528
00:30:15,360 --> 00:30:19,280
Speaker 1: times and you can just like it just feels like instinctual.

529
00:30:19,600 --> 00:30:22,400
Speaker 2: After a while, you did this little head turn to

530
00:30:22,480 --> 00:30:25,400
Speaker 2: the side too on like the belting, which she does,

531
00:30:26,440 --> 00:30:30,520
Speaker 2: and it was very effective, those zoom outs, those like

532
00:30:31,080 --> 00:30:33,320
Speaker 2: pans like on the crane and it comes back and

533
00:30:33,360 --> 00:30:35,360
Speaker 2: you're holding your stomach and it is.

534
00:30:39,320 --> 00:30:41,880
Speaker 1: And like this is all out of love. You know.

535
00:30:42,000 --> 00:30:45,760
Speaker 1: Everybody was doing it like out of love for one another.

536
00:30:45,800 --> 00:30:51,320
Speaker 1: Because then when Lea does me in the hallway, she's like,

537
00:30:51,800 --> 00:30:54,000
Speaker 1: sometimes you speak out the side of your mouth, which

538
00:30:54,080 --> 00:30:56,360
Speaker 1: I do, and she caught that and she's like, I'm

539
00:30:56,400 --> 00:30:57,960
Speaker 1: gonna do that. I'm kind of gonna look down and

540
00:30:58,080 --> 00:31:01,960
Speaker 1: speak really slowly. And it was really funny to watch,

541
00:31:02,280 --> 00:31:04,520
Speaker 1: like to play each other because we've known each other

542
00:31:04,560 --> 00:31:07,640
Speaker 1: for so long. It was also really fun. We had

543
00:31:07,720 --> 00:31:10,360
Speaker 1: so much fun during that episode shooting together because a

544
00:31:10,400 --> 00:31:11,959
Speaker 1: lot of the scenes were just the two of us,

545
00:31:12,080 --> 00:31:16,360
Speaker 1: like in the car, just so random, and then like

546
00:31:17,200 --> 00:31:21,360
Speaker 1: with whoopee and and doing flashdance. It was so so

547
00:31:21,560 --> 00:31:31,560
Speaker 1: much fun. How did you.

548
00:31:31,560 --> 00:31:32,440
Speaker 2: Shoot the car scene?

549
00:31:33,440 --> 00:31:34,120
Speaker 1: It was on a rig.

550
00:31:35,000 --> 00:31:36,560
Speaker 2: Were you and you actually going through streets?

551
00:31:38,120 --> 00:31:41,840
Speaker 1: Yeah, we were like I think we were in like

552
00:31:41,920 --> 00:31:46,400
Speaker 1: Griffith Park area. I can't remember, but we were definitely

553
00:31:46,440 --> 00:31:50,080
Speaker 1: on the streets. Yeah, we were out in the world. Oh,

554
00:31:50,120 --> 00:31:52,840
Speaker 1: it was so much fun, Like we're there photos of us,

555
00:31:52,960 --> 00:31:56,040
Speaker 1: Like Penny was in the window from the outside and

556
00:31:56,120 --> 00:31:58,280
Speaker 1: merely are inside. She was reading Magle and was reading

557
00:31:58,320 --> 00:32:00,960
Speaker 1: magazines the whole time. We had Walkie in the car

558
00:32:01,160 --> 00:32:04,240
Speaker 1: so that they could talk to us, and we're just

559
00:32:04,320 --> 00:32:06,480
Speaker 1: like holding our hands up like a roller coaster.

560
00:32:06,880 --> 00:32:07,400
Speaker 2: Oh fun.

561
00:32:07,760 --> 00:32:11,040
Speaker 1: It was hot in there, for sure, but it was

562
00:32:11,160 --> 00:32:13,440
Speaker 1: like so much fun because we're just like buy ours.

563
00:32:15,840 --> 00:32:16,560
Speaker 2: Driving Like.

564
00:32:22,840 --> 00:32:24,920
Speaker 1: It was really funny. That was a really fun scene

565
00:32:24,960 --> 00:32:28,080
Speaker 1: to do. Yeah, I love that one because you don't

566
00:32:28,080 --> 00:32:30,040
Speaker 1: get in a car often, you know, I mean when

567
00:32:30,120 --> 00:32:32,320
Speaker 1: when are we in Glee in a car? And in

568
00:32:32,400 --> 00:32:35,400
Speaker 1: a car too? Oh? I teached in a movie recently

569
00:32:35,480 --> 00:32:39,560
Speaker 1: and on the reshoot day, not recently, but on reshoot day,

570
00:32:39,600 --> 00:32:41,320
Speaker 1: we had to do the car again. It was a

571
00:32:41,400 --> 00:32:48,920
Speaker 1: very expensive day and started to rain and it's just

572
00:32:49,360 --> 00:32:51,720
Speaker 1: pouring rain. It's not supposed to be raining. We're supposed

573
00:32:51,720 --> 00:32:53,800
Speaker 1: to be driving down the coast to San Diego and

574
00:32:54,440 --> 00:32:58,719
Speaker 1: it is poor and that is a very expensive day

575
00:32:58,920 --> 00:33:00,600
Speaker 1: because you have to get a police squirt to do

576
00:33:00,720 --> 00:33:04,120
Speaker 1: a rig like that on the PCH. Have you done

577
00:33:04,120 --> 00:33:04,560
Speaker 1: a car scene?

578
00:33:05,160 --> 00:33:08,040
Speaker 2: Yeah, I have and American horror stories. I did a

579
00:33:08,120 --> 00:33:11,239
Speaker 2: car scene, but it was not on a rig. Oh,

580
00:33:11,320 --> 00:33:14,840
Speaker 2: you were just driving driving and I was a passenger.

581
00:33:16,120 --> 00:33:21,440
Speaker 2: And it was down sunset at Sunset closet like the

582
00:33:22,040 --> 00:33:26,440
Speaker 2: I remember that populated area that hard and so people

583
00:33:26,520 --> 00:33:30,160
Speaker 2: are watching and we're dressed like insane people. But it

584
00:33:30,280 --> 00:33:32,360
Speaker 2: was fun, you know, it was like ridiculous.

585
00:33:33,320 --> 00:33:35,720
Speaker 1: Yeah, for people who don't know, a rig is like

586
00:33:35,840 --> 00:33:38,240
Speaker 1: we're you're not actually driving the drive the car is

587
00:33:38,360 --> 00:33:41,640
Speaker 1: like on a platform, so you're not driving. Somebody's truck

588
00:33:41,800 --> 00:33:44,160
Speaker 1: is driving you in front, and it looks like you're driving,

589
00:33:45,120 --> 00:33:46,920
Speaker 1: so that you can do your lines instead of focusing

590
00:33:46,960 --> 00:33:51,120
Speaker 1: on not hitting somebody. I've also had to drive a

591
00:33:51,240 --> 00:33:54,880
Speaker 1: car during a scene in a low budget.

592
00:33:56,080 --> 00:33:56,840
Speaker 2: Are you a good driver?

593
00:33:57,520 --> 00:33:59,560
Speaker 1: I am a good driver. I'm an aggressive driver. I

594
00:33:59,560 --> 00:34:02,480
Speaker 1: would say I'm a pretty good driver, though I don't

595
00:34:02,560 --> 00:34:04,520
Speaker 1: ask other people because I'm not a good judge of

596
00:34:04,560 --> 00:34:11,800
Speaker 1: myself anyway. So Tina takes Rachel to go see Whoopy.

597
00:34:13,239 --> 00:34:18,479
Speaker 2: I liked the whole bit about Tina as Rachel doing

598
00:34:18,520 --> 00:34:22,680
Speaker 2: the things she wished Rachel would do for Tina in

599
00:34:22,760 --> 00:34:26,000
Speaker 2: real life by giving her credit. And then when you

600
00:34:26,120 --> 00:34:30,800
Speaker 2: come out of it, you're like, Okay, here's what I've learned. Yes, exactly,

601
00:34:31,080 --> 00:34:32,920
Speaker 2: we're going to go see Whoopy Goldberg and we're going

602
00:34:33,000 --> 00:34:36,279
Speaker 2: to sort this out right, and then you save her ass.

603
00:34:37,600 --> 00:34:40,160
Speaker 1: Well, we'll see about that. But hopefully that was.

604
00:34:40,160 --> 00:34:42,440
Speaker 2: A good speech because it's the only time Whoopy is

605
00:34:42,520 --> 00:34:45,920
Speaker 2: like open and receptive, because you're like, you lay into her,

606
00:34:46,040 --> 00:34:47,640
Speaker 2: You're like, look, she's a pain in the ass.

607
00:34:48,000 --> 00:34:50,439
Speaker 1: Yeah, And then Rachel g has the bravery to say

608
00:34:50,520 --> 00:34:52,880
Speaker 1: like you auditioned for Juliard four times. We have to

609
00:34:52,920 --> 00:34:54,480
Speaker 1: go back, though, because we have to talk about the

610
00:34:54,480 --> 00:34:58,080
Speaker 1: swap for everybody else. You playing Naya and Nya playing

611
00:34:58,160 --> 00:35:02,880
Speaker 1: you is the funniest think ever. In the scene in

612
00:35:02,920 --> 00:35:06,160
Speaker 1: the hallway, I could not look at you straight.

613
00:35:06,680 --> 00:35:13,240
Speaker 2: Yeah, you couldn't. I felt so gross, did you because

614
00:35:16,160 --> 00:35:24,600
Speaker 2: I looked insane, like I don't know you know something

615
00:35:24,719 --> 00:35:28,000
Speaker 2: about though? Like you almost I almost felt like I

616
00:35:28,080 --> 00:35:29,560
Speaker 2: wanted to be in like drag.

617
00:35:30,280 --> 00:35:31,960
Speaker 1: But you weren't. Yeah.

618
00:35:32,040 --> 00:35:34,320
Speaker 2: Well, I felt like I was dressed in boy clothes

619
00:35:34,480 --> 00:35:37,040
Speaker 2: and I was wearing like the boy cheerleading outfit. They

620
00:35:37,080 --> 00:35:39,920
Speaker 2: should have just put you in the skirt I wanted to.

621
00:35:40,000 --> 00:35:44,200
Speaker 2: And Ryan was so so interesting because I did ask.

622
00:35:44,719 --> 00:35:46,440
Speaker 2: I ran into him, I think, and I asked him

623
00:35:46,440 --> 00:35:47,360
Speaker 2: and he's like, no.

624
00:35:47,440 --> 00:35:53,480
Speaker 1: No, Naya's you though is very funny.

625
00:35:53,760 --> 00:35:57,640
Speaker 2: Well, I mean, shockingly to no one. She was great.

626
00:35:58,480 --> 00:36:02,200
Speaker 1: It's ridiculous. And like the photo where she took of

627
00:36:02,400 --> 00:36:05,680
Speaker 1: her sitting like on her Papa wheelie, yes, like you

628
00:36:06,360 --> 00:36:11,879
Speaker 1: my other favorite pair. Everybody was really it was wildly good. Makeup, hair,

629
00:36:12,560 --> 00:36:18,800
Speaker 1: costume really did their job. They excelled. But Sugar and

630
00:36:20,320 --> 00:36:26,480
Speaker 1: Quinn just especially Diana. I think the thing is that

631
00:36:26,880 --> 00:36:29,560
Speaker 1: if you know Diana, you know that she's part there's

632
00:36:29,640 --> 00:36:32,880
Speaker 1: a sugar mata inside of her. Yeah, and so this

633
00:36:33,040 --> 00:36:40,360
Speaker 1: felt like Diana coming out. Yes, it was fully funniest.

634
00:36:42,000 --> 00:36:46,040
Speaker 1: I also thought Mark's Darren was quite good because you know,

635
00:36:46,080 --> 00:36:48,680
Speaker 1: when you see people do these things, they add in

636
00:36:48,760 --> 00:36:50,680
Speaker 1: some of those mannerisms that you were talking about that

637
00:36:50,719 --> 00:36:54,279
Speaker 1: you did for Rachel, Yeah, and you're like, oh, yeah,

638
00:36:55,320 --> 00:36:58,560
Speaker 1: you do that. Mark did the same where he turned

639
00:36:58,600 --> 00:37:02,640
Speaker 1: his head a bunch obviously exaggerated. We were like, yeah, ar,

640
00:37:04,920 --> 00:37:09,279
Speaker 1: it's so good, it's so good. Everybody was excellent. Truth

641
00:37:09,440 --> 00:37:11,759
Speaker 1: seeing when you were like the best time we had

642
00:37:13,239 --> 00:37:18,440
Speaker 1: was when you were performing because like me there in

643
00:37:18,600 --> 00:37:21,640
Speaker 1: the auditorium there, no you were up on stage, but

644
00:37:21,800 --> 00:37:24,800
Speaker 1: because we were all and it was I think on

645
00:37:24,920 --> 00:37:29,200
Speaker 1: our coverage when we were because we were just like anyone,

646
00:37:29,280 --> 00:37:33,440
Speaker 1: do what you want, yeah, and you get all those reactions.

647
00:37:33,480 --> 00:37:36,000
Speaker 1: And that's where everyone finally got because not everybody had

648
00:37:36,080 --> 00:37:38,839
Speaker 1: dialogue as a lot of dialogue as the characters, right,

649
00:37:39,000 --> 00:37:43,760
Speaker 1: Oh my god, Amber and Heather, that's Amber as Brittany

650
00:37:43,960 --> 00:37:50,439
Speaker 1: was flawless. But because we didn't have that much time

651
00:37:50,520 --> 00:37:53,080
Speaker 1: to be those characters. We were just like trying to

652
00:37:53,120 --> 00:37:56,880
Speaker 1: do anything. I know you had to, you had to.

653
00:37:57,120 --> 00:37:59,960
Speaker 1: It was excellent. We really you guys really did it.

654
00:38:00,480 --> 00:38:03,480
Speaker 2: I wish we got some cord doing an Irish accent.

655
00:38:05,080 --> 00:38:08,120
Speaker 2: That would have been funny. They were funny looking. Oh

656
00:38:08,160 --> 00:38:11,440
Speaker 2: my god, Harry with the dreads, he just looked like

657
00:38:11,560 --> 00:38:15,960
Speaker 2: a sam a casual pan up the dreads.

658
00:38:16,080 --> 00:38:19,399
Speaker 1: It's a wild wild looked cool.

659
00:38:20,719 --> 00:38:23,359
Speaker 2: It was so good. One of the most fun times

660
00:38:23,400 --> 00:38:23,839
Speaker 2: on the show.

661
00:38:24,640 --> 00:38:28,840
Speaker 1: Yes, definitely. It was like a little boost before Nationals

662
00:38:28,960 --> 00:38:36,520
Speaker 1: untilfore the end of the season. So simultaneously, Sue and

663
00:38:37,600 --> 00:38:43,640
Speaker 1: is showing us a projector a video of unique invocal

664
00:38:43,680 --> 00:38:47,680
Speaker 1: adrenaline that that Kurt magically took a snuck in and

665
00:38:47,760 --> 00:38:52,560
Speaker 1: then converted it to one beautiful film, a beautiful film projector.

666
00:38:55,239 --> 00:39:00,120
Speaker 1: And she thinks that the unique factor is dressing and

667
00:39:00,200 --> 00:39:04,760
Speaker 1: drag and wants curtiformism. Poorcelina.

668
00:39:06,360 --> 00:39:18,520
Speaker 2: Look, there's a lot of the cross dressing, drag trands.

669
00:39:18,840 --> 00:39:23,480
Speaker 2: Like everything was interchangeable in this episode. But obviously in

670
00:39:23,680 --> 00:39:28,040
Speaker 2: Gay like all those things were all interchangeable, Like everything

671
00:39:28,200 --> 00:39:31,320
Speaker 2: was just right. We don't know how to identify anything,

672
00:39:31,520 --> 00:39:35,200
Speaker 2: and it was part of Sue's like, you know, horribleness

673
00:39:35,280 --> 00:39:39,800
Speaker 2: slash comedy. M So just the preface, like all of

674
00:39:39,880 --> 00:39:44,080
Speaker 2: this is coming from a place of yes, yes it was. Yeah,

675
00:39:44,560 --> 00:39:47,640
Speaker 2: times have changed, yes exactly, and we have a better

676
00:39:47,760 --> 00:39:52,680
Speaker 2: vocabulary and understanding of these things, right. But Sue yes

677
00:39:52,880 --> 00:39:55,600
Speaker 2: is taking advantage of the situation and just assumes that

678
00:39:55,800 --> 00:40:00,200
Speaker 2: because Kurt's kay, he's one step away from dressing as

679
00:40:00,200 --> 00:40:00,520
Speaker 2: a woman.

680
00:40:01,160 --> 00:40:06,120
Speaker 1: So that leads us to the other storyline in this episode. So, Puck,

681
00:40:06,480 --> 00:40:10,160
Speaker 1: you mentioned last week that we kind of skipped over

682
00:40:10,239 --> 00:40:14,800
Speaker 1: Puck failing. Yeah, well, Puck comes to school in a

683
00:40:14,920 --> 00:40:18,680
Speaker 1: dress which he's taking him off with the team. He's

684
00:40:18,719 --> 00:40:23,799
Speaker 1: doing something actually very gracious for the bigger, greater good

685
00:40:24,760 --> 00:40:25,520
Speaker 1: for once, and.

686
00:40:27,640 --> 00:40:30,239
Speaker 2: He gets in in a lot of trouble and he

687
00:40:30,280 --> 00:40:33,000
Speaker 2: gets in a fight with the hockey team. So I

688
00:40:33,160 --> 00:40:37,719
Speaker 2: know we're talking about dresses because Kurt won't talk wear

689
00:40:37,800 --> 00:40:40,839
Speaker 2: the dress and he says he's never won a dress,

690
00:40:41,280 --> 00:40:45,080
Speaker 2: and then they do that whip cut to he and

691
00:40:45,200 --> 00:40:48,600
Speaker 2: Blaine as sneaky in the situation during the weeks.

692
00:40:49,640 --> 00:40:51,440
Speaker 1: Another great impression.

693
00:40:51,440 --> 00:40:57,880
Speaker 2: Of this episode hominal. Anyway, back to the seriousness of sorry, what.

694
00:40:58,000 --> 00:41:01,279
Speaker 1: A joy that little find ten second snippet was this

695
00:41:01,400 --> 00:41:05,120
Speaker 1: episode is I loved this episode Don't be unhinged, but

696
00:41:05,239 --> 00:41:08,279
Speaker 1: that was Ian. I think that was all of Ian's brilliance. Yeah,

697
00:41:08,360 --> 00:41:09,719
Speaker 1: so Puck comes school and dress he gets in a

698
00:41:09,800 --> 00:41:12,680
Speaker 1: fight with the hockey team and it leads him to

699
00:41:12,760 --> 00:41:15,160
Speaker 1: a fight outside with the hockey team. They throw him

700
00:41:15,160 --> 00:41:19,240
Speaker 1: in the dumpster and then he pulls out quote unquote

701
00:41:19,280 --> 00:41:23,680
Speaker 1: knife and makes everybody think he's pulling on a knife.

702
00:41:23,719 --> 00:41:25,640
Speaker 1: Hockey team's like, well, what the hell, and then be

703
00:41:25,760 --> 00:41:28,759
Speaker 1: steps in and is like, got it here? So it

704
00:41:28,880 --> 00:41:31,279
Speaker 1: was a great to the Yeah. I loved how that

705
00:41:31,400 --> 00:41:35,320
Speaker 1: was shot too, of just her arm coming in grabbing

706
00:41:35,440 --> 00:41:38,240
Speaker 1: him and of course she just disarms his ass totally.

707
00:41:38,880 --> 00:41:42,600
Speaker 1: Pug admits that it's just a prop knife from West

708
00:41:42,640 --> 00:41:48,120
Speaker 1: Side story. It still not acceptable, but I did giggle,

709
00:41:51,160 --> 00:41:55,200
Speaker 1: and he's he is now finally breaking down, saying he

710
00:41:55,760 --> 00:41:58,440
Speaker 1: feels like he's worth nothing and he's got nobody. And

711
00:42:00,840 --> 00:42:05,480
Speaker 1: secretly Dot is dealing or Beast is dealing with Cooter.

712
00:42:05,719 --> 00:42:12,440
Speaker 1: She's still with him even though he is abusive, and uh,

713
00:42:13,560 --> 00:42:16,080
Speaker 1: this whole storyline is them basically helping each other.

714
00:42:16,360 --> 00:42:20,879
Speaker 2: Right, It's really sweet and like really powerful. That scene

715
00:42:20,960 --> 00:42:23,560
Speaker 2: between them breaking down with each other. Oh my god,

716
00:42:23,920 --> 00:42:28,920
Speaker 2: it was excellent. Yeah, we haven't seen a lot from

717
00:42:29,200 --> 00:42:34,080
Speaker 2: from Puck in this way, and we were getting like

718
00:42:34,120 --> 00:42:35,799
Speaker 2: a taste of it in Choke and I was like, Okay,

719
00:42:35,840 --> 00:42:38,120
Speaker 2: where is this going a die? And then You're like, oh, okay,

720
00:42:38,200 --> 00:42:38,839
Speaker 2: here it isn't again.

721
00:42:39,239 --> 00:42:39,600
Speaker 1: I like that.

722
00:42:39,760 --> 00:42:41,200
Speaker 2: I do like the I know I was saying, like

723
00:42:41,280 --> 00:42:46,960
Speaker 2: we haven't addressed it. I'm revising that because I do

724
00:42:47,120 --> 00:42:51,440
Speaker 2: think the slow burn, yeah, of him bottling it all

725
00:42:51,560 --> 00:42:52,760
Speaker 2: up fits his character.

726
00:42:53,080 --> 00:42:53,680
Speaker 1: Yeah, that's right.

727
00:42:53,920 --> 00:42:59,160
Speaker 2: And I think having Beast be the person right that

728
00:42:59,280 --> 00:43:02,120
Speaker 2: he feels comfortable enough or just can no longer keep

729
00:43:02,160 --> 00:43:09,239
Speaker 2: it in with makes sense. Yeah, the coach and just

730
00:43:09,320 --> 00:43:15,840
Speaker 2: the person who represents that to him. And also I

731
00:43:15,920 --> 00:43:19,400
Speaker 2: think Dot just brings out of it, doesn't she She

732
00:43:19,920 --> 00:43:23,160
Speaker 2: really does. And she called him Pumpkin, which, if anybody

733
00:43:23,239 --> 00:43:27,680
Speaker 2: knows Dot personally, Dot says pumpkin. And so they started

734
00:43:27,719 --> 00:43:29,719
Speaker 2: writing that in which I thought was really sweet. It

735
00:43:29,760 --> 00:43:30,359
Speaker 2: broke my heart.

736
00:43:32,360 --> 00:43:38,320
Speaker 1: And she decides she's gonna help Puck. But her teacher,

737
00:43:38,480 --> 00:43:42,520
Speaker 1: his teacher, the one who what's her name, the one

738
00:43:42,560 --> 00:43:46,200
Speaker 1: who he tries to hit on, is gonna let him

739
00:43:46,360 --> 00:43:49,759
Speaker 1: take the test again because she realized that he is

740
00:43:49,840 --> 00:43:52,560
Speaker 1: actually thinking about other people than just himself, and so

741
00:43:52,760 --> 00:43:56,160
Speaker 1: she's giving him a second chance. And they sing, mean,

742
00:43:57,880 --> 00:43:59,080
Speaker 1: I love this m h.

743
00:43:59,400 --> 00:44:03,080
Speaker 2: That was really unexpected. I was not quite cool.

744
00:44:03,680 --> 00:44:08,560
Speaker 1: Yeah, really good. I really like the storyline, and I

745
00:44:08,680 --> 00:44:11,759
Speaker 1: really like the DoD storyline now with Cooter. Aside from

746
00:44:11,800 --> 00:44:17,160
Speaker 1: the whole the issues we had with the the last episode,

747
00:44:18,960 --> 00:44:22,560
Speaker 1: that scene with her and Couter is also so wildly

748
00:44:22,680 --> 00:44:27,080
Speaker 1: powerful and she's like, He's like, who's gonna love even

749
00:44:27,239 --> 00:44:29,880
Speaker 1: like I have or I did? And she says me,

750
00:44:30,280 --> 00:44:30,759
Speaker 1: and you're like.

751
00:44:33,280 --> 00:44:35,680
Speaker 2: And then when she shows up and sues office with

752
00:44:35,760 --> 00:44:39,560
Speaker 2: a bag and Jane's reaction to.

753
00:44:39,640 --> 00:44:42,439
Speaker 1: That just it's great. It's really all great.

754
00:44:42,560 --> 00:44:43,319
Speaker 2: Breaks my heart.

755
00:44:43,520 --> 00:44:44,200
Speaker 1: It's all great.

756
00:44:44,360 --> 00:44:46,879
Speaker 2: I mean they're really writing this ship out of yes,

757
00:44:48,360 --> 00:44:52,680
Speaker 2: these episodes, Like I really like storylines, really great. Yeah,

758
00:44:53,160 --> 00:44:55,680
Speaker 2: I do have to say as much as I love

759
00:44:55,800 --> 00:44:59,960
Speaker 2: Tina's storyline, Yeah, and like obviously you're a moment getting

760
00:45:00,080 --> 00:45:04,800
Speaker 2: to shine, but the past two episodes have been like

761
00:45:06,600 --> 00:45:09,719
Speaker 2: we'll give prom queen to Rachel and then what like

762
00:45:09,840 --> 00:45:12,759
Speaker 2: the moral arc of Tina's thing, and I think it's

763
00:45:12,800 --> 00:45:18,279
Speaker 2: really represented through Mike is like you go through this

764
00:45:18,440 --> 00:45:22,920
Speaker 2: thing and you come out a better person, right, and

765
00:45:23,000 --> 00:45:26,759
Speaker 2: you help her, and you give Rachel the confidence and

766
00:45:26,800 --> 00:45:31,080
Speaker 2: the ability to like call out Thibodeau to really hopefully

767
00:45:31,200 --> 00:45:34,040
Speaker 2: give her a second chance. So episode about second chances

768
00:45:34,120 --> 00:45:38,959
Speaker 2: and Coach Beast was not giving Cooder another chance. Puck

769
00:45:39,440 --> 00:45:44,160
Speaker 2: gets a second chance, and you get a second chance

770
00:45:44,239 --> 00:45:45,840
Speaker 2: in a way. Tina gets a second chance in a

771
00:45:45,880 --> 00:45:49,080
Speaker 2: way to like revisit the situation, and it's like, what

772
00:45:49,239 --> 00:45:51,160
Speaker 2: is the moral of the story that, Okay, just suck

773
00:45:51,239 --> 00:45:55,000
Speaker 2: it up, Like, oh, Rachel's too powerful and too good

774
00:45:55,200 --> 00:45:58,799
Speaker 2: and you just need to well, Okay, look, I think

775
00:45:59,040 --> 00:46:00,560
Speaker 2: I think from Tina's point of view or the.

776
00:46:00,560 --> 00:46:06,000
Speaker 1: Way I saw it in the episode was like appreciating

777
00:46:06,480 --> 00:46:12,520
Speaker 1: other people's perspectives. So like Tina putting herself in Rachel's

778
00:46:12,560 --> 00:46:16,960
Speaker 1: shoes for one second, everybody's swapping and understanding, And obviously

779
00:46:17,000 --> 00:46:18,759
Speaker 1: we didn't see that a lot in other characters we

780
00:46:18,800 --> 00:46:21,080
Speaker 1: shot in Tina and Rachel, Like at least Tina and

781
00:46:21,200 --> 00:46:25,920
Speaker 1: Rachel's situation was like it's not that it just all

782
00:46:26,080 --> 00:46:30,520
Speaker 1: comes easy to Rachel. Some of it does, but like

783
00:46:31,120 --> 00:46:34,440
Speaker 1: she works really hard, all the hard works, she's putting

784
00:46:34,640 --> 00:46:37,399
Speaker 1: into this. There's a lot of pressure. There's a lot

785
00:46:37,440 --> 00:46:39,640
Speaker 1: that comes with fame. There's a lot that comes with

786
00:46:39,840 --> 00:46:44,040
Speaker 1: the being the leader that like Tina's like, okay, I

787
00:46:44,200 --> 00:46:46,840
Speaker 1: know I'll get my turn now I understand better what

788
00:46:46,960 --> 00:46:50,880
Speaker 1: it takes. Yeah, from the inside, I mean you have

789
00:46:51,000 --> 00:46:55,759
Speaker 1: to make it work. Yeah right, you know. Yeah, but

790
00:46:55,920 --> 00:46:58,120
Speaker 1: I yeah, I don't know.

791
00:46:58,239 --> 00:47:00,719
Speaker 2: That look of Mike walking past and I was like,

792
00:47:00,760 --> 00:47:02,279
Speaker 2: get out of here, Mike, I did.

793
00:47:02,400 --> 00:47:04,320
Speaker 1: I had the same reaction. I was like, do we

794
00:47:04,440 --> 00:47:06,920
Speaker 1: need that? We need that validation.

795
00:47:07,480 --> 00:47:09,680
Speaker 2: Let the lady so in peace. Tina's been on a journey.

796
00:47:09,800 --> 00:47:13,879
Speaker 1: We need that validation, Mike, right from the man, get

797
00:47:13,920 --> 00:47:16,040
Speaker 1: out of here, be sure, do not what if Tina

798
00:47:16,160 --> 00:47:22,880
Speaker 1: is a kid? Yeah, man, ain't shit. Keep going. You

799
00:47:22,880 --> 00:47:24,800
Speaker 1: don't need to please anybody. I got you into college

800
00:47:24,840 --> 00:47:31,719
Speaker 1: Bridge right, Oh man, Okay, let's grade these performances. There's

801
00:47:31,760 --> 00:47:38,480
Speaker 1: only four. Okay, great, I won't give up. I give that.

802
00:47:40,120 --> 00:47:45,719
Speaker 2: A. Yeah, ourn ain't minus because you love me? A

803
00:47:45,880 --> 00:47:48,919
Speaker 2: plus plus plus plus Jenna, Wow, I'm feeling the love

804
00:47:49,880 --> 00:47:50,759
Speaker 2: as you should.

805
00:47:50,840 --> 00:47:54,680
Speaker 1: Mean A plus. I think a plus Flash dance.

806
00:47:55,640 --> 00:47:57,960
Speaker 2: Hey, you guys sound great together.

807
00:47:58,680 --> 00:48:01,040
Speaker 1: It's a fun song to sing it's really it's just

808
00:48:01,120 --> 00:48:03,239
Speaker 1: a fa and your voices, both of your voices are

809
00:48:03,280 --> 00:48:08,120
Speaker 1: so high, and I was like, who's doing the higher harmony?

810
00:48:08,160 --> 00:48:14,120
Speaker 2: I think she was, but like, yeah, it's really high.

811
00:48:14,320 --> 00:48:17,320
Speaker 2: And because you love me, you both have this rasp

812
00:48:17,400 --> 00:48:20,239
Speaker 2: you can do when you're up there. That's interesting. I

813
00:48:20,280 --> 00:48:22,640
Speaker 2: know we heard never thought about that, because she has

814
00:48:22,719 --> 00:48:27,400
Speaker 2: it in Flash Dance when she's up there doing like

815
00:48:27,480 --> 00:48:29,080
Speaker 2: some ad libs and things towards the end on the

816
00:48:29,120 --> 00:48:32,400
Speaker 2: school bus. Yeah, it's like really raspy vocal quality. And

817
00:48:32,440 --> 00:48:35,600
Speaker 2: you don't imagine her having that. Yeah, yeah, you And

818
00:48:35,719 --> 00:48:37,480
Speaker 2: it's like you guys tap into it when you get

819
00:48:37,520 --> 00:48:40,840
Speaker 2: up there, and it is so satisfying. Interesting, it sounds

820
00:48:40,920 --> 00:48:58,279
Speaker 2: so cool. Let's do some Cardi chakes, Okay, cringe moments, ripe. Yeah,

821
00:48:59,800 --> 00:49:05,759
Speaker 2: I think Sue in all the wrong ways. Referring to

822
00:49:06,080 --> 00:49:07,600
Speaker 2: how Sue referred.

823
00:49:07,320 --> 00:49:13,720
Speaker 1: To Unique Yeah, yeah, yeah, exactly, and also little people,

824
00:49:14,040 --> 00:49:20,600
Speaker 1: Yeah say no more. The best dance move the welding masks.

825
00:49:21,440 --> 00:49:22,600
Speaker 2: We talked about the props.

826
00:49:23,360 --> 00:49:25,680
Speaker 1: I don't even remember the being in that welding number.

827
00:49:26,000 --> 00:49:26,759
Speaker 1: Was Tina out there?

828
00:49:27,120 --> 00:49:29,640
Speaker 2: I don't know. I guess it doesn't help with the

829
00:49:30,160 --> 00:49:35,279
Speaker 2: whole point of this episode. I do remember that day though,

830
00:49:35,280 --> 00:49:37,840
Speaker 2: and they had, you know, someone come on teach us

831
00:49:37,920 --> 00:49:41,000
Speaker 2: how to like weld and oh and I definitely wasn't there.

832
00:49:41,120 --> 00:49:43,960
Speaker 2: There was a big safety meeting about not being close.

833
00:49:44,080 --> 00:49:46,120
Speaker 2: You were probably recording or something. You had a lot

834
00:49:46,160 --> 00:49:47,360
Speaker 2: to do this episode.

835
00:49:47,239 --> 00:49:51,400
Speaker 1: Right Or was that the time where Tina and rache short. No,

836
00:49:51,719 --> 00:49:54,200
Speaker 1: that was before Tina and Rachel were not there. So

837
00:49:54,280 --> 00:49:56,600
Speaker 1: maybe we were on the way to Thibodeau. We were

838
00:49:56,640 --> 00:49:58,799
Speaker 1: going to see Tippoteau. We must have been I road

839
00:49:58,800 --> 00:49:59,319
Speaker 1: trip at that time.

840
00:49:59,400 --> 00:50:00,319
Speaker 2: In the car, I knew.

841
00:50:00,360 --> 00:50:02,759
Speaker 1: I was like, I do not remember any of this.

842
00:50:02,880 --> 00:50:07,799
Speaker 1: That's scary, Like I had no memory even after watching it. Okay, good,

843
00:50:07,840 --> 00:50:08,399
Speaker 1: I wasn't there.

844
00:50:08,640 --> 00:50:09,560
Speaker 2: Yeah, you're not crazy.

845
00:50:09,600 --> 00:50:13,040
Speaker 1: Oh that's interesting. Okay, that's funny. Yeah, so I think

846
00:50:13,080 --> 00:50:18,520
Speaker 1: the welding stuff was the best dance. Yeah, well, I

847
00:50:18,600 --> 00:50:20,799
Speaker 1: mean I guess the vocal adrenaline in the background too,

848
00:50:21,400 --> 00:50:23,520
Speaker 1: that was very funny. I have to say, when like

849
00:50:23,600 --> 00:50:28,600
Speaker 1: they invented the hardest show choir move ever, that is

850
00:50:29,520 --> 00:50:32,320
Speaker 1: dank and like it doesn't look that hard.

851
00:50:34,640 --> 00:50:36,839
Speaker 2: I loved that. That also feels like something Ian could

852
00:50:36,840 --> 00:50:39,239
Speaker 2: put in. Yeah, I don't know if I script it

853
00:50:39,280 --> 00:50:41,960
Speaker 2: that way, but upon seeing the footage, she's like, no, okay,

854
00:50:44,040 --> 00:50:48,759
Speaker 2: the song because you loved me, all right, don't try

855
00:50:48,840 --> 00:50:50,920
Speaker 2: to fight it. Jenna, Okay, well, I think mean is

856
00:50:51,000 --> 00:50:56,239
Speaker 2: up there too. Best bruns by a prop. I think

857
00:50:56,360 --> 00:50:59,680
Speaker 2: the the welding machine things.

858
00:51:00,440 --> 00:51:03,960
Speaker 1: I mean, the switchblade, even though it's not the it's

859
00:51:04,000 --> 00:51:07,320
Speaker 1: a weapon, it's still everybody was fake like that was funny.

860
00:51:07,520 --> 00:51:08,160
Speaker 1: It was very good.

861
00:51:08,920 --> 00:51:09,440
Speaker 2: I agree.

862
00:51:11,320 --> 00:51:11,959
Speaker 1: The best line.

863
00:51:13,320 --> 00:51:16,960
Speaker 2: Oh, I remember reading this line for the first time.

864
00:51:17,960 --> 00:51:22,040
Speaker 2: I remember watching it. Okay, Santana says britt and I

865
00:51:22,120 --> 00:51:24,080
Speaker 2: are gay and Mercedes is black, so kicking is is

866
00:51:24,120 --> 00:51:26,839
Speaker 2: that would be a hate crime. And then Brittany goes, well,

867
00:51:26,880 --> 00:51:28,920
Speaker 2: I'm not totally gay, but I think the trees are

868
00:51:28,960 --> 00:51:30,800
Speaker 2: born in the same way as babies, so kicking me

869
00:51:30,800 --> 00:51:31,759
Speaker 2: out would be kind of mean.

870
00:51:32,040 --> 00:51:36,440
Speaker 1: Oh my, oh my god. Something a hitch cockline. It's

871
00:51:36,560 --> 00:51:39,440
Speaker 1: too good line, too good performance, MVP.

872
00:51:41,360 --> 00:51:47,879
Speaker 2: Jenna. No, Jenna, No, it's your time, Jenna, this week

873
00:51:48,040 --> 00:51:48,400
Speaker 2: is yours.

874
00:51:49,440 --> 00:51:56,080
Speaker 1: Thanks. I'm giving Mark. Also, yeah, a notable yeah, I

875
00:51:56,160 --> 00:51:58,960
Speaker 1: mean everybody, really this episode really brought it.

876
00:52:00,400 --> 00:52:02,840
Speaker 2: But I think you brought it the most.

877
00:52:04,520 --> 00:52:04,719
Speaker 1: I know.

878
00:52:04,840 --> 00:52:08,600
Speaker 2: This is probably painful, but just you just got to

879
00:52:08,640 --> 00:52:13,919
Speaker 2: accept it. Okay, it's hard, I'll take it. So ship

880
00:52:14,000 --> 00:52:18,640
Speaker 2: we found on TikTok. Santana is my beloved clean out

881
00:52:18,640 --> 00:52:25,600
Speaker 2: empire on TikTok. Now the music is Daddy's Own by Usher.

882
00:52:25,840 --> 00:52:30,320
Speaker 2: That's important for this. And it's a picture of Brittany

883
00:52:31,840 --> 00:52:34,759
Speaker 2: and it says, but I love Artie. And then the

884
00:52:34,840 --> 00:52:39,640
Speaker 2: next photo in the slide is Naya dressed as me

885
00:52:40,080 --> 00:52:48,680
Speaker 2: or Santana dressed as already as say lest It's so good.

886
00:52:49,800 --> 00:52:50,440
Speaker 1: That's funny.

887
00:52:50,640 --> 00:52:55,919
Speaker 2: Oh god, it's so good. I mean, yeah, someone said

888
00:52:56,520 --> 00:53:01,920
Speaker 2: I love modern art. This was really one of the

889
00:53:02,000 --> 00:53:04,240
Speaker 2: most fun episodes for us to film, and I forget

890
00:53:04,280 --> 00:53:07,600
Speaker 2: about that, right. It was such a blast, really fun,

891
00:53:08,040 --> 00:53:08,759
Speaker 2: really really fun.

892
00:53:09,160 --> 00:53:10,720
Speaker 1: I'm so glad it was fun for everybody.

893
00:53:11,239 --> 00:53:15,200
Speaker 2: I had a really hard time not skipping ahead to nationals. Oh,

894
00:53:15,320 --> 00:53:18,120
Speaker 2: I couldn't. I was really up against the game today.

895
00:53:18,160 --> 00:53:19,399
Speaker 2: But that's why I didn't.

896
00:53:19,440 --> 00:53:20,000
Speaker 1: But I was.

897
00:53:20,239 --> 00:53:23,000
Speaker 2: I was going to add an eye doctor's appointment, and

898
00:53:23,080 --> 00:53:25,520
Speaker 2: so I was considering being late tonight our experiment to

899
00:53:25,560 --> 00:53:28,560
Speaker 2: watch the national Oh, I can't wait to see what

900
00:53:28,680 --> 00:53:33,880
Speaker 2: I'm very excited. It's paradise for fan, I feel like

901
00:53:33,960 --> 00:53:36,160
Speaker 2: maybe one of these episodes, you and I should get

902
00:53:36,200 --> 00:53:40,080
Speaker 2: together and watch it. Put it on, set up a

903
00:53:40,120 --> 00:53:44,200
Speaker 2: camera and the mics, open a bottle of wine. I'm

904
00:53:44,480 --> 00:53:49,000
Speaker 2: just chat about it into it. Maybe that's where we

905
00:53:49,000 --> 00:53:52,560
Speaker 2: do that with two thousand and nine. Oh god, yeah,

906
00:53:53,480 --> 00:53:54,080
Speaker 2: is it too sad?

907
00:53:54,200 --> 00:53:54,439
Speaker 1: Maybe?

908
00:53:55,520 --> 00:53:57,560
Speaker 2: Okay, I think that would be fun, And then we

909
00:53:57,640 --> 00:53:59,319
Speaker 2: can make Austin and David Wade on.

910
00:53:59,360 --> 00:54:04,880
Speaker 1: This good luck awesome?

911
00:54:04,880 --> 00:54:05,440
Speaker 2: We'd wait on.

912
00:54:07,440 --> 00:54:08,320
Speaker 1: David would.

913
00:54:12,080 --> 00:54:13,000
Speaker 2: David would wait on me?

914
00:54:14,280 --> 00:54:15,680
Speaker 1: He would? You?

915
00:54:15,840 --> 00:54:16,200
Speaker 2: There we go?

916
00:54:16,560 --> 00:54:21,359
Speaker 1: Definitely great? No, get a good foot rub. Okay, all right,

917
00:54:21,480 --> 00:54:23,640
Speaker 1: well that was props. Thanks for joining everybody.

918
00:54:23,840 --> 00:54:27,319
Speaker 2: I'm proud of you. You were great. You deserve all

919
00:54:27,360 --> 00:54:27,680
Speaker 2: the love.

920
00:54:27,880 --> 00:54:28,160
Speaker 1: Thank you.

921
00:54:28,840 --> 00:54:32,160
Speaker 2: That's what you really missed. Thanks for listening and follow

922
00:54:32,239 --> 00:54:35,040
Speaker 2: us on Instagram at and that's what you really miss pod.

923
00:54:35,360 --> 00:54:37,160
Speaker 2: Make sure to write us a review and leave us

924
00:54:37,239 --> 00:54:38,719
Speaker 2: five stars. See you next time,