WEBVTT - IT: Welcome To Derry, Episode 1 “Pilot”

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<v Speaker 1>Worried today's episode contained spoilers for the first episode of it.

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<v Speaker 1>Welcome to Derry One speaking Hello. Name is Jason Caccepsio

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<v Speaker 1>and I'm Rosey Night and welcome back to Extra Vision

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<v Speaker 1>where we dive deep. It's your favorite shows, movies, comics

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<v Speaker 1>of pop culture, company from Iron, where we're bringing you

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<v Speaker 1>three episodes a week. News plus news guys, did you

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<v Speaker 1>know that?

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<v Speaker 2>Have you listened to the news ever?

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<v Speaker 3>Because guess what it's gonna be on. But first, this

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<v Speaker 3>episode today is only about it. Welcome to Darius, Andy

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<v Speaker 3>and Barbara Maschetti Ratturn to Stephen King's dastardly Town with

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<v Speaker 3>new kids and a new era fifties to sixties. I

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<v Speaker 3>think by the time we hit the main kids were

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<v Speaker 3>in the early sixties. We are let's just say we're

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<v Speaker 3>excited about this show. So me and Jason are going

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<v Speaker 3>to recap the episode. Then we will introduce our scream queens,

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<v Speaker 3>Common and Joel to join us to discuss because this

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<v Speaker 3>is more than just a Stephen King adaptation. This is

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<v Speaker 3>Warner Brothers trying to launch a Stephen King connected universe,

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<v Speaker 3>which is really interesting.

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<v Speaker 1>Okay, Welcome to Darry the pilot episode, and folks, it's dry,

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<v Speaker 1>you know what. You know what's going on. The kids

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<v Speaker 1>are disappearing bad, they're ending up in the sewer. This

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<v Speaker 1>shit's been going on for centuries up there in Maine,

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<v Speaker 1>and it's going on now. We open at the cinema

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<v Speaker 1>with a with a showing of the music Man, Rosie,

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<v Speaker 1>are you the music a music man person?

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<v Speaker 2>I'm not.

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<v Speaker 3>I'm not necessarily a music man fan, you know, I

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<v Speaker 3>like a like like a weirder. I like a bit

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<v Speaker 3>of a weird one. But you know what I did

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<v Speaker 3>learn from this episode, which is gonna make it everyone's shocked.

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<v Speaker 3>I didn't realize that the very famous Conan O'Brien monorail

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<v Speaker 3>episode of The Simpsons is just him doing the music Man.

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<v Speaker 3>I had like did not flock until this opening, so

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<v Speaker 3>nice to see that.

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<v Speaker 1>And The music Man itself is about a guy who

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<v Speaker 1>comes to town to sell like band costumes and musical

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<v Speaker 1>instruments to the town. Is like, I'm gonna teach you

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<v Speaker 1>how to be a band. It's gonna be great. Every

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<v Speaker 1>town needs a band, and I've got the instruments and

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<v Speaker 1>all this stuff. And then as soon as he sells

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<v Speaker 1>the stuff, he leaves and never teaches anybody to play anyway.

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<v Speaker 1>We open at the cinema. It's the Music Man. There's

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<v Speaker 1>a young man who we're gonna find out is named Maddie.

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<v Speaker 1>He's watching The Music Man and he's, uh, he's got

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<v Speaker 1>a pacifier in and he's you know, you can tell

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<v Speaker 1>immediately he's too old to be here. But we're gonna

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<v Speaker 1>discover that he's got a really fucked up home life.

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<v Speaker 1>And as you know, the people around him are kind

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<v Speaker 1>of saying. He gets chased out of the theater because

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<v Speaker 1>he's snuck in to watch the Music Man, and Ronnie,

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<v Speaker 1>the daughter of the theater owner, basically covers for him,

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<v Speaker 1>sends the guy in the wrong direction so he can escape.

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<v Speaker 1>He hitchhikes a ride out of town, gets in a

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<v Speaker 1>car with a family dad, mom, teenage daughter, younger brother,

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<v Speaker 1>and it very quickly gets weird. The teenage daughter's got

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<v Speaker 1>like a container of liver juice, liver meat and liver juice,

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<v Speaker 1>and she like dips her fingers in the liver juice

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<v Speaker 1>and tries to get him to smell it. And then

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<v Speaker 1>the mom's making all kinds of jokes about her daughter's promiscuity.

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<v Speaker 1>It's really like what is going on? And then it

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<v Speaker 1>turns into a fucking nightmare real quick, like scary faces

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<v Speaker 1>and screaming and repeating or wrestling for the wheel. He's like,

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<v Speaker 1>let me try, and like five, oh my god. Of

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<v Speaker 1>course he can't do that because the dad is a

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<v Speaker 1>grown man with demon strength. The mom then goes into

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<v Speaker 1>labor and give labor of many. By the way, guys,

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<v Speaker 1>this is a birth heavy show. Listen, folks, We're giving

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<v Speaker 1>birth to demons in this show. She gives birth to

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<v Speaker 1>a gross demon bat baby. It's disgusting, a lot of

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<v Speaker 1>blood and juice the kids. Pacifire goes flying out into

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<v Speaker 1>the river and floats down into the sewer when the

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<v Speaker 1>baby attacks him, and then we cut and we flash

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<v Speaker 1>forward to the present four months later, April eighteen. Excuse me,

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<v Speaker 1>I wrote eighteen sixty two, as if it's the height

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<v Speaker 1>of the Civil War. Nineteen sixty two. They're a little

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<v Speaker 1>bit different. It's still not going great.

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<v Speaker 4>He's going great, But yeah, I want this. I went

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<v Speaker 4>into this with low expectations. I've talked on the show.

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<v Speaker 4>I never like to yuck. Anyone's yum. I'm glad people

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<v Speaker 4>love these.

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<v Speaker 3>We're gonna have the scream Queen coming in those Andy

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<v Speaker 3>Michet It movies were not particularly for me. But this

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<v Speaker 3>opening is so scary and atmospheric and weird and good

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<v Speaker 3>that I was just immediately hooked.

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<v Speaker 1>I think the kids, the kids love horror, are gonna

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<v Speaker 1>love this. We open, Okay, So it's April eight, nineteen

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<v Speaker 1>sixty two. We are at Air Force Base Dairy. It's

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<v Speaker 1>part of the US National Strategic Bomber Command, and two

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<v Speaker 1>airmen are just arriving on the base. It's Major Handlan

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<v Speaker 1>and Captain Russo, and they are buddies. And also Russo

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<v Speaker 1>is like Handlan's aide de camp. It's like Handlan's going

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<v Speaker 1>to be commanding a major bombing wing and Russo is

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<v Speaker 1>like his main guy and his assistant. This base is

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<v Speaker 1>home to like the bomber wing that's going to be

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<v Speaker 1>like the first bomber wing into Moscow if the shit

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<v Speaker 1>pops off. But Handlan is like, listen, I'm optimistic. I

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<v Speaker 1>know it's nineteen sixty two and I'm a black major

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<v Speaker 1>in the Air Force, but I am optimistic about America.

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<v Speaker 1>I'm optimistic about the world, and I don't think there's

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<v Speaker 1>gonna be a world war. I mean, I think it's

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<v Speaker 1>gonna be fine.

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<v Speaker 3>Yeah, all good, and nothing is gonna happen at Dairy.

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<v Speaker 4>This is not a bad place.

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<v Speaker 3>And there's definitely nothing dodgy about having a fos bace

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<v Speaker 3>say that's connected to the Cold War. I couldn't see

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<v Speaker 3>anyway that this goes wrong.

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<v Speaker 1>This is and I haven't watched episode any episode. No,

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<v Speaker 1>but I'm eager to go. Yeah, yeah, okay, But I

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<v Speaker 1>just want to say, it seems to me as if

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<v Speaker 1>this show is going to draw connection between the US

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<v Speaker 1>military and Pennywise, and it was ready, I've forgot ready, Eddie.

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<v Speaker 1>Come on. We open on Dairy High School. You know,

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<v Speaker 1>it's your typical high school in the early sixties. We

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<v Speaker 1>meet Lily, and Lily is bullied because I guess she's

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<v Speaker 1>something of the class weirdo, and people make fun of her,

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<v Speaker 1>they put stuff in her locker, et cetera. She's got

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<v Speaker 1>a very very, very supportive best friend named Marge, who

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<v Speaker 1>is worried about her glasses, that her glasses make her ugly.

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<v Speaker 1>But they look nice. Glasses are great, they look nice.

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<v Speaker 1>It's a typically they look nice. Yeah, it's a typical,

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<v Speaker 1>kind of like a teenage small town situation. We meet Phil.

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<v Speaker 1>Phil is obsessed with traffic going into the airbase. He

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<v Speaker 1>can't help but notice the traffic is picked up lately,

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<v Speaker 1>and he thinks this means World War three might be

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<v Speaker 1>in the offing. We go to Hanlon and Russo they

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<v Speaker 1>meet their men in the seventieth seventieth bomb wing, and

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<v Speaker 1>it certainly appears that not everybody has Handlan's optimistic disposition

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<v Speaker 1>about the future of America, because there's definitely some folks

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<v Speaker 1>here who have problem taking orders from a black commanding officer.

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<v Speaker 3>Definitely, And I want to say touching already on one

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<v Speaker 3>of the things I think this pilot immediately does beat

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<v Speaker 3>than the movies, which is the way that they look

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<v Speaker 3>at race and I think it's really interesting.

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<v Speaker 4>And we stop to get that touch with the Handland story.

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<v Speaker 1>The one who is the most disrespectful, disobedient to his

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<v Speaker 1>commanding officer about this particular issue is a airman named Masters,

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<v Speaker 1>and Masters, you know, basically, Handlin approaches him in this

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<v Speaker 1>moment and gives him like a free one. It's basically, hey, listen,

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<v Speaker 1>I get it, you don't like it, but I am

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<v Speaker 1>your commanding officer, so like I'll forget that one. But

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<v Speaker 1>you're gonna give me the respect I deserve. But before

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<v Speaker 1>he can give him that pass, General Shaw the Great

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<v Speaker 1>James Remar comes up and is and basically drops his

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<v Speaker 1>fucking nuts on the ges. Listen, I am the general

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<v Speaker 1>of this air base, okay, and if anybody is going

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<v Speaker 1>to bring racial discrimination into my airbase, they're gonna get

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<v Speaker 1>fucking marshaled. Okay, you're out of here racism, right, So

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<v Speaker 1>do you have a problem? Do I have any kind

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<v Speaker 1>of problems here? Air masters? And masters like very He

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<v Speaker 1>doesn't want to, but he salutes the General then is like, hay,

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<v Speaker 1>then come to my office later. Let's have a drink.

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<v Speaker 1>I want to talk to you about it. Just stuff.

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<v Speaker 1>We get to another scene with Phil and Teddy, the

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<v Speaker 1>young friends. They're best friends. They're making a comic book together,

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<v Speaker 1>which you love to see. Teddy is like the artist

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<v Speaker 1>while Phil is like the Stanley of this.

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<v Speaker 4>Definitely he's the talka yes.

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<v Speaker 1>And it turns out that they were Phil, Teddy and Maddie,

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<v Speaker 1>the kid who disappeared. They were all best friends together,

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<v Speaker 1>and Teddy is like just torn up about it. It's

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<v Speaker 1>only been four months, and he's like, what if he's alive?

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<v Speaker 1>What if he ran away? Where is he? Phil is like, listen,

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<v Speaker 1>it's dairy. Kids are disappearing all the time and they're

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<v Speaker 1>probably dead, and I'm sad about it too, but let's

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<v Speaker 1>just like move on from it. Teddy is clearly guilty

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<v Speaker 1>in a way that says that they did something, and

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<v Speaker 1>he blames himself for Maddie disappearing.

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<v Speaker 3>It definitely feels like they're leaning into a little bit

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<v Speaker 3>more of the complexity of being a kid. There's definitely

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<v Speaker 3>some interesting stuff here around like friendship and guilt and popularity.

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<v Speaker 3>And it's not just the classic like four kids going

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<v Speaker 3>on an adventure like stand by Me or you know,

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<v Speaker 3>the versions of it that we've seen.

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<v Speaker 4>Post Stranger Things. So I really like that.

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<v Speaker 3>And yeah, I was very intrigued immediately by this conversation

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<v Speaker 3>and what they obviously were meant to go and meet

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<v Speaker 3>Matty but they didn't go. I think is kind of

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<v Speaker 3>the vibe like they'd said they would meet him, but

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<v Speaker 3>they didn't end up going, and they have guilt around.

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<v Speaker 1>It something, or they were mean to him in some

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<v Speaker 1>kind of way that forced him out. I do. I

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<v Speaker 1>found the writing around the kids.

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<v Speaker 3>You know.

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<v Speaker 1>The thing is like when you when you very often

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<v Speaker 1>when you have a story that involves like high school

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<v Speaker 1>middle school kids, it's hard to toe that line between

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<v Speaker 1>like the emotional rawness that like kids have, yeah, and

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<v Speaker 1>the feeling of like existential everyday dread of just going

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<v Speaker 1>to school, and but also like balancing that with not

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<v Speaker 1>making them to adult introspective, like too mature. And I

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<v Speaker 1>think they really toe the line well here.

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<v Speaker 3>I also think the kids are so young looking like

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<v Speaker 3>this is very different to what we usually see this

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<v Speaker 3>kind of you know, kids in high school who look

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<v Speaker 3>like that twenty seven or who are twenty seven, And

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<v Speaker 3>they did a great job of making these kids look

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<v Speaker 3>like that's twelve, like you believe it.

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<v Speaker 1>It's a great point because I was actually wondering, and

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<v Speaker 1>I think this is more about shows usually casting teenagers

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<v Speaker 1>who are in real life like twenty eight nine.

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<v Speaker 4>Yeah exactly.

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<v Speaker 1>I was actually wondering. Yeah, I was actually wondering whether

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<v Speaker 1>it was middle school for a second, but it is

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<v Speaker 1>high school. Okay. So we go to Lily. Lily is

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<v Speaker 1>practicing smiling in the mirror because she's insecure, but also

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<v Speaker 1>I think she wants to remember what it was like

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<v Speaker 1>to smile again. She's having a tough time of it.

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<v Speaker 1>She's remembering a night when Maddie took her to the

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<v Speaker 1>trio of Boy's Secret Boy Hangout, which you know with

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<v Speaker 1>Phil and Teddy, and they had this wonderful moment where

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<v Speaker 1>you know, Lily is she's called Lily the Looney by

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<v Speaker 1>her bullies, and it turns out her dad was mangled

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<v Speaker 1>in a terrible industrial life. I think that Lily blames

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<v Speaker 1>herself for is horredous. You want to talk about low

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<v Speaker 1>bars for being a nice guy and a decent kid.

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<v Speaker 1>Maddie clears that bar easily by assuring her it was

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<v Speaker 1>not your fault that your dad.

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<v Speaker 3>More people need to be telling this child it was

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<v Speaker 3>not your God.

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<v Speaker 1>He then he gets caught up in the moment and

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<v Speaker 1>I get it there he could you know. He's talking

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<v Speaker 1>to her, he's looking in her eyes, she's crying. He's

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<v Speaker 1>telling her like, it wasn't your dad's fault. It wasn't

0:13:20.640 --> 0:13:22.880
<v Speaker 1>your fault your dad died. And he goes for he

0:13:22.960 --> 0:13:24.600
<v Speaker 1>kind of like leans in for the kiss, and she's

0:13:24.640 --> 0:13:26.679
<v Speaker 1>like whoa, and she's just kind of like, oh my god.

0:13:26.520 --> 0:13:27.040
<v Speaker 2>Wait what.

0:13:27.640 --> 0:13:30.880
<v Speaker 1>And then Maddie is like, Okay, that was a mistake.

0:13:31.000 --> 0:13:35.240
<v Speaker 1>I'm sorry. I'm going to leave now, don't tell Phil

0:13:35.280 --> 0:13:37.720
<v Speaker 1>and Teddy that I took you to the Secret Boys hangout.

0:13:37.880 --> 0:13:40.360
<v Speaker 1>And I'm just I'm going to go home. And he

0:13:40.480 --> 0:13:43.120
<v Speaker 1>goes off into the night, never to be seen again

0:13:43.240 --> 0:13:50.439
<v Speaker 1>to return. He's gone. Lily uh Is comes out of

0:13:50.480 --> 0:13:53.280
<v Speaker 1>this reverie when her mom comes up and is like,

0:13:53.480 --> 0:13:55.680
<v Speaker 1>you were going to your dad's grave tomorrow, so remember that,

0:13:55.720 --> 0:13:57.800
<v Speaker 1>and we're going And she's like, well, I don't want

0:13:57.840 --> 0:14:00.560
<v Speaker 1>to go, Like it's can we just I'm trying to

0:14:00.559 --> 0:14:04.960
<v Speaker 1>get past this. Also that she's on meds to go.

0:14:04.840 --> 0:14:06.720
<v Speaker 4>Through the grave right now. I feel like this kid

0:14:06.760 --> 0:14:08.760
<v Speaker 4>is dealing with this every day, Like, let her go

0:14:08.800 --> 0:14:09.640
<v Speaker 4>in her own time.

0:14:09.840 --> 0:14:13.439
<v Speaker 3>She's very aware her dad was crushed in the literal

0:14:13.559 --> 0:14:15.000
<v Speaker 3>geas of capitalism.

0:14:15.240 --> 0:14:18.840
<v Speaker 1>That's right. And so her mom leaves and Lily's in

0:14:18.880 --> 0:14:22.920
<v Speaker 1>the bathroom and she hears like, coming out of the drain,

0:14:23.040 --> 0:14:26.240
<v Speaker 1>what's that it's that sounds like the music man? Is

0:14:26.240 --> 0:14:30.400
<v Speaker 1>that the music man? It's Maddie. That's the distinctive voice

0:14:30.400 --> 0:14:33.000
<v Speaker 1>of young Maddie coming from the drain. He's down in

0:14:33.040 --> 0:14:35.760
<v Speaker 1>the sewer and Lily's like, what's going.

0:14:35.520 --> 0:14:36.360
<v Speaker 2>On down there? Maddie?

0:14:36.360 --> 0:14:36.800
<v Speaker 3>Is that you?

0:14:37.200 --> 0:14:39.520
<v Speaker 1>And Maddie goes, he's got made down here.

0:14:39.560 --> 0:14:40.160
<v Speaker 3>We we'll let it go.

0:14:40.480 --> 0:14:43.680
<v Speaker 1>Let his little bloody fingers. Two of his fingers pop

0:14:43.720 --> 0:14:47.880
<v Speaker 1>out of the drain, and Lily is scared and grossed out.

0:14:48.200 --> 0:14:50.960
<v Speaker 1>Lily goes and tells Marge, best friend Marge the next

0:14:51.040 --> 0:14:55.160
<v Speaker 1>day at school and Marge and I don't Faulter for

0:14:55.280 --> 0:14:59.800
<v Speaker 1>this at all. Marge is like, Lily, don't tell people

0:14:59.880 --> 0:15:04.040
<v Speaker 1>that tell she's trying to help you. Yeah, because that's

0:15:04.320 --> 0:15:09.200
<v Speaker 1>fucking banana. That's the nuts. That story's nuts. And you've already,

0:15:10.080 --> 0:15:13.600
<v Speaker 1>through no fault of your own, have this school reputation

0:15:13.720 --> 0:15:16.600
<v Speaker 1>as Lily the looney and that's not right. But don't

0:15:16.680 --> 0:15:19.840
<v Speaker 1>give people more ammo, and tell people this. And of

0:15:19.880 --> 0:15:22.840
<v Speaker 1>course Lily takes this like you're not I thought you

0:15:22.880 --> 0:15:24.760
<v Speaker 1>were my friend. And it seems like they might break

0:15:24.840 --> 0:15:27.280
<v Speaker 1>up as friends now, which is very very sad, and

0:15:27.320 --> 0:15:28.600
<v Speaker 1>you can see both sides of it.

0:15:29.360 --> 0:15:30.680
<v Speaker 4>Phil very sad.

0:15:31.120 --> 0:15:36.040
<v Speaker 1>We learn obsessed with seeing titties. He wants to see breasts,

0:15:36.040 --> 0:15:37.280
<v Speaker 1>he wants to see bears.

0:15:37.080 --> 0:15:38.280
<v Speaker 4>He loves boobs.

0:15:38.320 --> 0:15:39.840
<v Speaker 1>This he got to see him.

0:15:40.160 --> 0:15:41.640
<v Speaker 4>He's like he's in pookies.

0:15:42.480 --> 0:15:51.160
<v Speaker 1>It's absolutely like just staring into windows. Like, you know,

0:15:52.040 --> 0:15:54.240
<v Speaker 1>if it goes much further than this, Phil, I'm gonna

0:15:54.280 --> 0:15:56.440
<v Speaker 1>be worried. But we have to remember this is an

0:15:56.480 --> 0:15:59.200
<v Speaker 1>age in which, uh, a young man who want to

0:15:59.200 --> 0:16:01.560
<v Speaker 1>see boobs could see him. You're not seeing him.

0:16:01.640 --> 0:16:05.040
<v Speaker 4>Yeah, No. Internet also very good way to see it, Arrah.

0:16:05.880 --> 0:16:09.320
<v Speaker 3>Yeah, it has always been about repression and childhood coming

0:16:09.320 --> 0:16:10.520
<v Speaker 3>of age, so that makes sense.

0:16:10.640 --> 0:16:11.480
<v Speaker 4>But it is funny.

0:16:11.520 --> 0:16:13.640
<v Speaker 3>I loved when I was looking through you all recap

0:16:13.680 --> 0:16:15.400
<v Speaker 3>and I was like, glad you mentioned that he is

0:16:15.440 --> 0:16:17.960
<v Speaker 3>fucking obsessed with boobs, because this kid is like, it's

0:16:17.960 --> 0:16:18.840
<v Speaker 3>a problem.

0:16:19.320 --> 0:16:22.640
<v Speaker 1>It's almost too much. Yeah, Like, this is a kid

0:16:22.680 --> 0:16:26.720
<v Speaker 1>who is like he's he's one step away from like

0:16:26.840 --> 0:16:29.160
<v Speaker 1>drawing tits in the dirt with a stick and staring

0:16:29.160 --> 0:16:34.040
<v Speaker 1>at exactly like, yeah, come on, guys. So Lily approaches

0:16:34.080 --> 0:16:37.600
<v Speaker 1>Phil and Teddy at the clubhouse and tells them the story,

0:16:37.640 --> 0:16:41.880
<v Speaker 1>and Teddy takes it. Teddy is inclined to take it seriously.

0:16:41.960 --> 0:16:44.880
<v Speaker 1>Teddy's like very wait, you said you heard his voice

0:16:44.880 --> 0:16:46.760
<v Speaker 1>coming in and the s were very very interesting. Phil

0:16:46.920 --> 0:16:49.680
<v Speaker 1>is like, come on, let's go through all the ways

0:16:49.720 --> 0:16:53.400
<v Speaker 1>that this could not possibly happen. But of course he

0:16:53.400 --> 0:16:55.440
<v Speaker 1>doesn't understand the history of Derry and the way we do.

0:16:55.880 --> 0:16:58.440
<v Speaker 1>Teddy's like, come on, wait, hold on, you're the stan Lee,

0:16:58.560 --> 0:17:04.199
<v Speaker 1>You're the fucking sci fi fantasy guy. Come on, like

0:17:04.240 --> 0:17:06.800
<v Speaker 1>you're coming up with all these incredible scenarios all the time,

0:17:06.800 --> 0:17:08.639
<v Speaker 1>and you don't believe that, like Maddie could have been

0:17:08.680 --> 0:17:11.320
<v Speaker 1>taken by some kind of like evil force and kept

0:17:11.560 --> 0:17:13.920
<v Speaker 1>prisoner in the sewer where he's talking to us through

0:17:13.920 --> 0:17:17.840
<v Speaker 1>the drain pipe. But then Teddy is like, you know, actually,

0:17:17.840 --> 0:17:20.919
<v Speaker 1>when I hear myself say it, I have to say that,

0:17:21.080 --> 0:17:22.679
<v Speaker 1>it's it's far fetched.

0:17:22.720 --> 0:17:23.119
<v Speaker 2>I can't.

0:17:23.920 --> 0:17:25.920
<v Speaker 1>Sorry, I'm not I can't go there with you, Lily

0:17:26.000 --> 0:17:29.080
<v Speaker 1>Lily Stocks. We go to the air Force base. The

0:17:29.200 --> 0:17:32.919
<v Speaker 1>General and Handlan are having that little drink and he's like, listen,

0:17:34.000 --> 0:17:39.440
<v Speaker 1>guess what, your buddy masters, I put him on latrines

0:17:39.560 --> 0:17:43.440
<v Speaker 1>for like the next month, so he's cleaning your Make

0:17:43.520 --> 0:17:47.240
<v Speaker 1>sure to fucking drink five cups of coffee, have some oatmeal,

0:17:47.320 --> 0:17:50.600
<v Speaker 1>and then take a big wet dump and then I'll

0:17:50.640 --> 0:17:52.639
<v Speaker 1>send him in there to fucking clean that up. How

0:17:52.640 --> 0:17:56.960
<v Speaker 1>about that Handland Apparently an ace pilot he was he

0:17:58.240 --> 0:18:01.000
<v Speaker 1>earned his wings in Korea, where he was doing all

0:18:01.680 --> 0:18:06.800
<v Speaker 1>types of action movie type stuff and when he talks

0:18:06.840 --> 0:18:09.600
<v Speaker 1>about Korea. When when the general talks about Korea, Handlan

0:18:09.720 --> 0:18:11.960
<v Speaker 1>is like, I don't like talking about Korea. Handlin's and

0:18:12.040 --> 0:18:14.160
<v Speaker 1>the generally why and He's like, because we didn't fucking

0:18:14.280 --> 0:18:16.359
<v Speaker 1>win on some Michael Jordan shit.

0:18:17.080 --> 0:18:23.320
<v Speaker 3>Wow, all right, undefeated warrior whoa okay think about that one.

0:18:23.680 --> 0:18:26.400
<v Speaker 1>Handlan is apparently on base because there's a brand new

0:18:26.400 --> 0:18:28.720
<v Speaker 1>Bee fifty two bomber with all the bells and whistles,

0:18:28.720 --> 0:18:31.439
<v Speaker 1>and Handlan is just the guy to test it out.

0:18:31.680 --> 0:18:36.680
<v Speaker 1>We go to Teddy's family house, Teddy's Jewish, at dinner,

0:18:38.000 --> 0:18:41.840
<v Speaker 1>his dad's prayer and then they're, you know, passing food

0:18:41.880 --> 0:18:45.679
<v Speaker 1>around and Teddy is like, Dad, let me ask you

0:18:45.680 --> 0:18:48.840
<v Speaker 1>a question. You're a man of the world. Is it

0:18:49.000 --> 0:18:54.080
<v Speaker 1>possible could this happen? This scenario say a kid gets kidnapped,

0:18:54.200 --> 0:18:58.760
<v Speaker 1>everybody thinks he's dead, he disappears for months, but in actuality,

0:18:58.800 --> 0:19:01.800
<v Speaker 1>he's been taken prisoner to some kind of like central

0:19:01.920 --> 0:19:05.080
<v Speaker 1>sewer room where all the pipes connect, and he has

0:19:05.160 --> 0:19:09.000
<v Speaker 1>figured out which pipe to talk into to talk to

0:19:10.200 --> 0:19:13.520
<v Speaker 1>not his girlfriend but almost and his dad is like,

0:19:14.600 --> 0:19:16.520
<v Speaker 1>are you fucking get your fucking my head out of

0:19:16.520 --> 0:19:19.160
<v Speaker 1>your ass? Are you kidding me with this shit? What

0:19:19.200 --> 0:19:20.240
<v Speaker 1>the fuck is wrong with you?

0:19:21.520 --> 0:19:24.040
<v Speaker 3>Extremely real to me. This was like the story am

0:19:24.080 --> 0:19:26.320
<v Speaker 3>I Like. When I was a kid, I would always be.

0:19:26.320 --> 0:19:27.320
<v Speaker 4>Like, is this possible?

0:19:27.560 --> 0:19:28.280
<v Speaker 3>Could this happen?

0:19:28.440 --> 0:19:28.879
<v Speaker 2>I read this.

0:19:28.920 --> 0:19:31.320
<v Speaker 3>Scary book and my parents will like, please just shut

0:19:31.320 --> 0:19:31.919
<v Speaker 3>the fuck up.

0:19:32.359 --> 0:19:33.760
<v Speaker 1>I shut up, man.

0:19:33.840 --> 0:19:37.520
<v Speaker 3>And you know what I have to say, bad parenting a dad,

0:19:37.640 --> 0:19:41.520
<v Speaker 3>because in this specific situation, if you know about Derry

0:19:41.880 --> 0:19:43.920
<v Speaker 3>like we do, you should be listening to your kid.

0:19:44.160 --> 0:19:47.480
<v Speaker 3>But again, I think this is a great play on

0:19:48.320 --> 0:19:51.280
<v Speaker 3>the themes of the original book and also the horror

0:19:51.280 --> 0:19:54.440
<v Speaker 3>that we've been seeing this year, this twenty twenty five

0:19:54.520 --> 0:19:57.800
<v Speaker 3>year of horror with you know, adults not being good

0:19:57.800 --> 0:19:59.200
<v Speaker 3>at tight taking care of kids.

0:19:59.240 --> 0:20:01.960
<v Speaker 4>It's a tradition horror trope. The police are always useless,

0:20:01.960 --> 0:20:03.040
<v Speaker 4>the parents are useless.

0:20:03.119 --> 0:20:05.800
<v Speaker 3>But this one I felt like was a great, really

0:20:05.880 --> 0:20:08.640
<v Speaker 3>hit time because also then he's like, stop fucking reading comics,

0:20:08.680 --> 0:20:09.040
<v Speaker 3>and I.

0:20:09.000 --> 0:20:11.280
<v Speaker 4>Was like, ah, stop, stopped a bit stuffed.

0:20:11.920 --> 0:20:14.280
<v Speaker 1>The thing I loved about this exchange was his dad

0:20:14.359 --> 0:20:16.840
<v Speaker 1>is like, stop with the comics, and then immediate smash

0:20:16.840 --> 0:20:21.520
<v Speaker 1>cut Teddy in bed reading comics correct and looking, looking

0:20:21.640 --> 0:20:25.400
<v Speaker 1>more at ease than anybody you could possibly imagine, absolutely

0:20:25.400 --> 0:20:29.840
<v Speaker 1>flipping through a detective comics. Now, his dad had mentioned

0:20:30.200 --> 0:20:32.719
<v Speaker 1>in that screen about stop reading comics that you know

0:20:32.800 --> 0:20:35.320
<v Speaker 1>we come from, you know, our people were almost exterminated.

0:20:35.440 --> 0:20:38.520
<v Speaker 1>We know horrors. I don't need to imagine these crazy

0:20:38.760 --> 0:20:41.280
<v Speaker 1>kids sewer horrors. What the fuck are you talking about?

0:20:41.560 --> 0:20:44.800
<v Speaker 1>They used to like the Nazis made lampshades out of

0:20:44.840 --> 0:20:48.520
<v Speaker 1>our skin, Like, okay, the real world is terrible. Maddie's

0:20:48.720 --> 0:20:50.600
<v Speaker 1>is trying to read, but his lamp keeps dying, and

0:20:50.640 --> 0:20:53.960
<v Speaker 1>when then it's finally turns on with this blaring light,

0:20:54.359 --> 0:20:57.600
<v Speaker 1>the lampshade is made out of what I assumed to

0:20:57.600 --> 0:21:01.199
<v Speaker 1>be Maddie's face skin that is talking to him, and

0:21:01.240 --> 0:21:04.280
<v Speaker 1>it's talking to him so good, such a really good

0:21:04.400 --> 0:21:07.560
<v Speaker 1>jumps good one, really scary, very evil.

0:21:07.600 --> 0:21:10.480
<v Speaker 3>Dead coded looks a lot like the kind of necronomicon

0:21:10.520 --> 0:21:13.840
<v Speaker 3>Book of the Dead Faces. Yes, also, I am very

0:21:13.880 --> 0:21:23.480
<v Speaker 3>interested in this new kind of reframing of the skinned

0:21:24.000 --> 0:21:28.399
<v Speaker 3>murder kind of lamps and their connections back to Nazi Germany,

0:21:28.440 --> 0:21:33.359
<v Speaker 3>because obviously that was treated very grossly in Edgene Monster,

0:21:33.400 --> 0:21:35.800
<v Speaker 3>which we talked about on a previous episode, but I

0:21:35.960 --> 0:21:38.840
<v Speaker 3>was interested to see it come up again here, and

0:21:38.880 --> 0:21:41.879
<v Speaker 3>this I think works for a really good scare also

0:21:42.560 --> 0:21:46.000
<v Speaker 3>very real that when your parents tell you something like

0:21:46.080 --> 0:21:48.600
<v Speaker 3>that about your past, about your family, that then then

0:21:48.800 --> 0:21:50.560
<v Speaker 3>that becomes the thing you're.

0:21:50.359 --> 0:21:51.000
<v Speaker 4>Most scared of.

0:21:51.200 --> 0:21:53.840
<v Speaker 3>So I think again for me, the way that they

0:21:53.920 --> 0:21:57.480
<v Speaker 3>worked in kind of how a kid really has nightmares

0:21:57.520 --> 0:22:00.040
<v Speaker 3>and then added kind of the dairy.

0:22:00.720 --> 0:22:04.640
<v Speaker 4>Mystery of it all because I mean, pretty crazy.

0:22:04.200 --> 0:22:07.080
<v Speaker 3>Guys to say this, but this is a New IT

0:22:07.240 --> 0:22:09.960
<v Speaker 3>show with like a sink, not barely a single character

0:22:10.000 --> 0:22:12.679
<v Speaker 3>that you will know unless you deeply read the Stephen

0:22:12.760 --> 0:22:15.119
<v Speaker 3>King book. So I think that is also kind of

0:22:15.119 --> 0:22:17.760
<v Speaker 3>a brave gambit. But the kids stuff sells it to me.

0:22:18.040 --> 0:22:19.679
<v Speaker 1>It really does. You know what this reminds me of

0:22:19.680 --> 0:22:23.119
<v Speaker 1>When I was a kid, we uh me and my

0:22:23.119 --> 0:22:26.360
<v Speaker 1>friends we learned about like the whole playing records backwards thing.

0:22:26.640 --> 0:22:30.879
<v Speaker 1>Oh so we got we got a copy of led

0:22:30.960 --> 0:22:33.639
<v Speaker 1>Zeppelin four and we were playing steroids. Heaven backwards is

0:22:33.720 --> 0:22:36.080
<v Speaker 1>trying to hear the like my sweet Satan or whatever

0:22:36.080 --> 0:22:40.679
<v Speaker 1>he's supposed to say. Yeah, and clearly my mom or

0:22:40.720 --> 0:22:44.480
<v Speaker 1>stepdad or someone was waiting for the moment because as

0:22:44.520 --> 0:22:46.440
<v Speaker 1>we were doing it, they shut off the lights in

0:22:46.520 --> 0:22:49.320
<v Speaker 1>my room. There's a light so that my room was

0:22:49.359 --> 0:22:51.520
<v Speaker 1>like formerly the garage but they had remade it, but

0:22:51.640 --> 0:22:54.320
<v Speaker 1>still the lights which was on the outside. Yeah, and

0:22:54.440 --> 0:22:59.040
<v Speaker 1>it was the scariest moment. I was like, was like

0:22:59.040 --> 0:22:59.920
<v Speaker 1>like never again.

0:23:00.119 --> 0:23:03.240
<v Speaker 3>And for girls, it's definitely weed your boards and yeah, yeah,

0:23:03.560 --> 0:23:04.000
<v Speaker 3>thank you.

0:23:04.160 --> 0:23:07.679
<v Speaker 1>So Teddy's story about the lamp, Phil is in and

0:23:07.720 --> 0:23:09.040
<v Speaker 1>it feels like, you know what, I buy it?

0:23:09.080 --> 0:23:11.080
<v Speaker 4>Now two crazy stories I'm in.

0:23:11.640 --> 0:23:15.399
<v Speaker 1>So now it's Teddy, Phil and Lily and this trio

0:23:15.480 --> 0:23:17.080
<v Speaker 1>sets off to figure out, like what the fuck is

0:23:17.119 --> 0:23:20.480
<v Speaker 1>going on. They go to the library, Lily pulls up

0:23:20.520 --> 0:23:25.520
<v Speaker 1>the newspaper story about Maddie's disappearance, and they realize that Ronnie,

0:23:25.720 --> 0:23:29.280
<v Speaker 1>the daughter of the movie theater owner, was the last

0:23:29.280 --> 0:23:30.920
<v Speaker 1>person to see Maddie, so they go to see her.

0:23:32.000 --> 0:23:36.320
<v Speaker 1>Ronnie is like, listen that whole fucking thing. The cops

0:23:36.480 --> 0:23:40.200
<v Speaker 1>tried to pin it Maddie's disappearance on my dad. Guess why?

0:23:40.520 --> 0:23:43.399
<v Speaker 1>And oh, did I know Ronnie is black and her

0:23:43.480 --> 0:23:44.960
<v Speaker 1>dad is black? You haven't.

0:23:47.920 --> 0:23:51.320
<v Speaker 3>And this is a very clearly trying to pin it

0:23:51.359 --> 0:23:54.480
<v Speaker 3>on this matter and also it was clear that Mattie

0:23:54.720 --> 0:23:58.720
<v Speaker 3>and Ronnie were chill, and it seemed like it seemed

0:23:58.720 --> 0:24:01.320
<v Speaker 3>like Ronnie's dad was also kind of kind to Matty.

0:24:01.560 --> 0:24:04.720
<v Speaker 3>So you know, it's an outside of space the cinema

0:24:04.760 --> 0:24:06.360
<v Speaker 3>and the police immediately look there.

0:24:06.800 --> 0:24:08.280
<v Speaker 1>So Ronnie's like, get the fuck out of here. I

0:24:08.280 --> 0:24:10.480
<v Speaker 1>don't want to talk about Maddie, Like this whole thing

0:24:10.520 --> 0:24:13.480
<v Speaker 1>has been a real stressor for my family, and just

0:24:13.600 --> 0:24:15.720
<v Speaker 1>get out of here. And so they're leaving. But as

0:24:15.720 --> 0:24:17.760
<v Speaker 1>they're leaving, Phil is like I told you she wouldn't

0:24:17.760 --> 0:24:19.600
<v Speaker 1>believe it about the sewers, and Ronnie's who wha, wha

0:24:19.600 --> 0:24:23.199
<v Speaker 1>who what would you say? Sewers? And Ronnie is like,

0:24:23.320 --> 0:24:26.600
<v Speaker 1>hold up, sewers, I'm hearing stuff in the sewers too.

0:24:26.840 --> 0:24:31.200
<v Speaker 1>Bomb bomb bomb on the base. That night after the meeting,

0:24:31.280 --> 0:24:37.240
<v Speaker 1>Hanlan is attacked by several maskmen and lest you think

0:24:38.000 --> 0:24:42.800
<v Speaker 1>this is purely a racial incident, they want They're like,

0:24:42.920 --> 0:24:46.280
<v Speaker 1>give us the intel about the new B fifty two bomber.

0:24:46.440 --> 0:24:50.520
<v Speaker 1>What okay? So something very interesting going on. Hanlan is like,

0:24:50.560 --> 0:24:52.119
<v Speaker 1>you're gonna need to pull that tra your hoss if

0:24:52.160 --> 0:24:55.000
<v Speaker 1>you want that, you want, you need to shoot me

0:24:55.000 --> 0:24:58.920
<v Speaker 1>because I'm not gonna give you the intel. So Russo

0:24:59.080 --> 0:25:02.800
<v Speaker 1>comes kool aid through the breaks down the door and

0:25:03.000 --> 0:25:05.960
<v Speaker 1>they have this scrap with these masked men and they

0:25:05.960 --> 0:25:07.800
<v Speaker 1>fight them off, and then the mask men run off

0:25:07.840 --> 0:25:12.160
<v Speaker 1>of Tonight, and then Handlin and Russo sit there and

0:25:12.359 --> 0:25:15.400
<v Speaker 1>basically pat each other on the back while these men

0:25:15.440 --> 0:25:18.479
<v Speaker 1>are running through the base. Shouldn't you go alert like

0:25:18.880 --> 0:25:21.800
<v Speaker 1>the base security and be like, hey, there's masked men

0:25:21.880 --> 0:25:24.720
<v Speaker 1>on the base looking for info about the B fifty

0:25:24.760 --> 0:25:25.399
<v Speaker 1>two bomber.

0:25:26.160 --> 0:25:28.639
<v Speaker 3>My theory is that there is more going on at

0:25:28.640 --> 0:25:32.919
<v Speaker 3>the base than just the ball master. There's a reason

0:25:33.000 --> 0:25:35.480
<v Speaker 3>these two don't want to be talking, because otherwise, why

0:25:35.560 --> 0:25:38.320
<v Speaker 3>is that not the first thing you do? Also, I

0:25:38.359 --> 0:25:42.320
<v Speaker 3>guess we should mention that I think that's really interesting

0:25:42.640 --> 0:25:45.920
<v Speaker 3>for them to center a black family and have Jovanna

0:25:45.960 --> 0:25:48.360
<v Speaker 3>Deppo from Overlord come in as.

0:25:48.240 --> 0:25:50.240
<v Speaker 4>Leroy Handlin and then have a new mic.

0:25:50.520 --> 0:25:53.280
<v Speaker 3>We also get Taylor Page as Mike's mom, and I

0:25:53.280 --> 0:25:55.240
<v Speaker 3>think this is a time to kind of course correct

0:25:55.359 --> 0:25:58.359
<v Speaker 3>post Mike being written out of it, and this focuses

0:25:58.440 --> 0:26:01.240
<v Speaker 3>more on kind of oh my god, Mike leading into

0:26:01.240 --> 0:26:03.320
<v Speaker 3>what he would be in the interludes as an adult.

0:26:03.400 --> 0:26:06.680
<v Speaker 3>So yeah, I'm very excited and I love these characters

0:26:06.680 --> 0:26:07.040
<v Speaker 3>so far.

0:26:07.840 --> 0:26:11.040
<v Speaker 1>Yes, it's still crazy to me that you're go chase

0:26:11.080 --> 0:26:13.680
<v Speaker 1>these guys or go find the MP's and be like, hey,

0:26:15.080 --> 0:26:20.240
<v Speaker 1>I don't know. That was weird anyway. So the kids

0:26:20.960 --> 0:26:24.560
<v Speaker 1>learned from Ronnie that the song that Maddie was because like,

0:26:24.880 --> 0:26:27.800
<v Speaker 1>you know, Lily sings a little bit of it, and

0:26:28.600 --> 0:26:31.160
<v Speaker 1>Ronnie's like, oh, that's from the that's from the music Man.

0:26:32.000 --> 0:26:33.520
<v Speaker 1>So let's go see the music Man. I have the

0:26:33.560 --> 0:26:37.639
<v Speaker 1>real at the theater and she strings up the she

0:26:37.800 --> 0:26:41.880
<v Speaker 1>puts the film on. They're watching it in the empty theater,

0:26:42.040 --> 0:26:45.000
<v Speaker 1>the kids, and they're like, you know, just looking for clues,

0:26:46.160 --> 0:26:48.879
<v Speaker 1>and then all of a sudden they're like, wait a second.

0:26:48.920 --> 0:26:51.520
<v Speaker 1>In the crowd is like the music Man is happening,

0:26:51.560 --> 0:26:54.760
<v Speaker 1>and he's like dancing around, you know, talking to the townsfolks.

0:26:55.200 --> 0:26:59.440
<v Speaker 1>They look and like the Purple Rose of Cairo type situation.

0:26:59.640 --> 0:27:02.760
<v Speaker 1>They see Maddie in the film. Maddie's in the body.

0:27:03.560 --> 0:27:04.720
<v Speaker 4>It's he's gone.

0:27:05.800 --> 0:27:07.919
<v Speaker 1>He's got like a bundle, like a little baby in

0:27:07.960 --> 0:27:10.840
<v Speaker 1>his arms, and it was like very very creepy and

0:27:10.880 --> 0:27:15.719
<v Speaker 1>well done. And they're just like Maddie come out witches coded.

0:27:15.760 --> 0:27:18.000
<v Speaker 3>Do you remember how I'm the original Waldal, which is

0:27:18.080 --> 0:27:20.240
<v Speaker 3>like the girl got trapped in the pain thing. This

0:27:20.400 --> 0:27:22.719
<v Speaker 3>was really giving that and his friends are talking to him,

0:27:22.720 --> 0:27:24.280
<v Speaker 3>and it seems like he's able to.

0:27:25.960 --> 0:27:29.320
<v Speaker 1>Yeah, like in my work. They're like, man's crown, Yeah,

0:27:29.400 --> 0:27:32.400
<v Speaker 1>walk towards whatever, Walk towards our voye that who knows

0:27:32.400 --> 0:27:34.520
<v Speaker 1>what Maddie sees inside the screen. But they're like, come here.

0:27:35.000 --> 0:27:37.520
<v Speaker 1>They're trying to get him outside the screen, but Maddie

0:27:37.520 --> 0:27:39.840
<v Speaker 1>when he gets closer to the screen is basically like,

0:27:39.960 --> 0:27:43.159
<v Speaker 1>now it's too late. I'm trapped in here. And then

0:27:43.200 --> 0:27:46.359
<v Speaker 1>he throws the baby through the screen and it's the

0:27:46.359 --> 0:27:49.640
<v Speaker 1>demon baby, and the demon baby fucking goes ape shit

0:27:49.800 --> 0:27:53.600
<v Speaker 1>inside this fucking movie theater. It kills, it smashes Teddy's head.

0:27:53.960 --> 0:27:55.800
<v Speaker 1>I think Teddy's done.

0:27:55.880 --> 0:27:56.440
<v Speaker 4>Eddy's gone.

0:27:57.040 --> 0:28:02.840
<v Speaker 1>Teddy's gone. Ronnie very bravely comes down from the projectionist

0:28:02.880 --> 0:28:07.240
<v Speaker 1>booth with a hammer to defend her. She's not even

0:28:07.359 --> 0:28:08.120
<v Speaker 1>close with them.

0:28:08.480 --> 0:28:10.879
<v Speaker 4>This is classic. Do you remember that tweet?

0:28:10.960 --> 0:28:15.480
<v Speaker 3>I should. This is an eternal in my phone reaction meme,

0:28:15.600 --> 0:28:18.119
<v Speaker 3>so I should remember who wrote it. But sorry to

0:28:18.160 --> 0:28:21.560
<v Speaker 3>this uncredited non Twitter account. You are amazing. This is

0:28:21.560 --> 0:28:23.920
<v Speaker 3>a great meme, but it basically is the one where

0:28:23.920 --> 0:28:27.040
<v Speaker 3>it's like me, if me and my friends had seen ET,

0:28:27.280 --> 0:28:30.520
<v Speaker 3>We're killing that motherfucker with hammers, you know, like that's

0:28:31.960 --> 0:28:35.000
<v Speaker 3>Ronnie is Like, Ronnie's like, okay, we'd demon baby. I'm

0:28:35.000 --> 0:28:38.800
<v Speaker 3>getting the hammer, I'm going down and I'm fucking taking it.

0:28:39.400 --> 0:28:42.440
<v Speaker 1>But she's a real one for brutal guys.

0:28:42.600 --> 0:28:46.240
<v Speaker 4>Like all kids getting killed in a movie theater.

0:28:46.360 --> 0:28:49.520
<v Speaker 3>This is a crazy final set piece, and I think

0:28:49.640 --> 0:28:51.040
<v Speaker 3>it establishes who our.

0:28:50.920 --> 0:28:53.360
<v Speaker 4>Real leads are gonna be, which I think is really interesting.

0:28:54.120 --> 0:28:58.600
<v Speaker 1>So again, Lily goes Ronnie goes down there with the hammer,

0:28:59.520 --> 0:29:03.680
<v Speaker 1>very very very courageous thing to do. She finds that

0:29:03.760 --> 0:29:09.720
<v Speaker 1>the demon Baby is gone, Phil Teddy, Phil's sister Susie,

0:29:09.760 --> 0:29:13.480
<v Speaker 1>poor little Susie, who shouldn't even have been there, are

0:29:13.560 --> 0:29:17.720
<v Speaker 1>probably all dead. And she finds Lily covered in blood,

0:29:18.240 --> 0:29:24.600
<v Speaker 1>and Lily in shock, looks down and she's holding Susie's

0:29:24.640 --> 0:29:31.200
<v Speaker 1>severed hat. Folks, it was it was a shocker moment.

0:29:31.560 --> 0:29:33.360
<v Speaker 1>I really enjoyed this pilot.

0:29:33.960 --> 0:29:35.560
<v Speaker 4>I think it's so good.

0:29:35.920 --> 0:29:39.240
<v Speaker 1>It's really fun. Let's take a quick break and bring

0:29:39.320 --> 0:29:59.960
<v Speaker 1>in the screen Queens and talk more about and we're back.

0:30:00.520 --> 0:30:05.000
<v Speaker 1>Please welcome now to the to the Dairy Movie Theater,

0:30:05.960 --> 0:30:09.400
<v Speaker 1>Blood Soak Darry Movie Theater, To talk Now, episode one

0:30:09.440 --> 0:30:11.920
<v Speaker 1>of Welcome to Jerry the Screen Queens, Barman and Joel.

0:30:14.320 --> 0:30:18.280
<v Speaker 1>How are you, ladies, and your thoughts on this pilot episode?

0:30:18.320 --> 0:30:24.880
<v Speaker 2>Holy shit, I'll watched this silent in Rosie's bed and

0:30:24.920 --> 0:30:26.320
<v Speaker 2>we were just freaking We were like.

0:30:28.440 --> 0:30:29.760
<v Speaker 4>We were so freaked out.

0:30:29.800 --> 0:30:32.920
<v Speaker 1>We were just laying there like, oh my god, Like

0:30:33.720 --> 0:30:34.440
<v Speaker 1>it was so funny.

0:30:34.480 --> 0:30:38.160
<v Speaker 3>It was unintentional. We were doing a different Halloween marathon.

0:30:38.160 --> 0:30:39.400
<v Speaker 3>We were watching over the garden.

0:30:39.200 --> 0:30:41.920
<v Speaker 4>Wall, and yeah, me and Joel were just blown away.

0:30:42.080 --> 0:30:45.200
<v Speaker 3>Like, I did not expect to have so much style panache.

0:30:45.400 --> 0:30:48.440
<v Speaker 3>I find those IT movies to be very bleak. This

0:30:48.440 --> 0:30:50.640
<v Speaker 3>this had a little bit more of that Stephen King

0:30:50.880 --> 0:30:53.320
<v Speaker 3>kids kind of fighting together.

0:30:53.000 --> 0:30:53.400
<v Speaker 4>That I love.

0:30:53.480 --> 0:30:57.440
<v Speaker 3>But Joel, what about your reading on this first episode?

0:30:58.040 --> 0:31:00.200
<v Speaker 2>Man? I was really blown away, And there's just so

0:31:00.480 --> 0:31:04.440
<v Speaker 2>much for us to talk about. But I think from

0:31:04.640 --> 0:31:07.120
<v Speaker 2>a broad scope, right, Like, so, not only is the

0:31:07.200 --> 0:31:10.000
<v Speaker 2>pilot good, but the premise for the show is good.

0:31:10.320 --> 0:31:12.880
<v Speaker 2>And by that I mean Eddie whi Eddie was like,

0:31:12.960 --> 0:31:15.600
<v Speaker 2>oh damn, I really love making these movies. They're so

0:31:15.720 --> 0:31:18.240
<v Speaker 2>much fun. There's all these preludes in the books. Can't

0:31:18.240 --> 0:31:20.240
<v Speaker 2>do those in the movie. We gotta streamline it. What

0:31:20.280 --> 0:31:22.880
<v Speaker 2>have I made an entire TV series justly you get

0:31:22.920 --> 0:31:25.040
<v Speaker 2>the preludes from the books. And also, what if I

0:31:25.120 --> 0:31:27.959
<v Speaker 2>did it backwards? So each of your season is going

0:31:28.000 --> 0:31:30.120
<v Speaker 2>to take us like twenty seven years into the past,

0:31:30.480 --> 0:31:33.920
<v Speaker 2>twenty seven years further back in order to like unravel

0:31:33.920 --> 0:31:37.760
<v Speaker 2>the mystery of like how did it become penny Wise?

0:31:38.760 --> 0:31:39.600
<v Speaker 2>Are you joking?

0:31:40.040 --> 0:31:40.560
<v Speaker 5>I was gray?

0:31:41.080 --> 0:31:43.800
<v Speaker 2>And then to encase it all in a Stephen King

0:31:43.920 --> 0:31:48.240
<v Speaker 2>universe where you're getting major characters and locations from classic

0:31:48.240 --> 0:31:52.400
<v Speaker 2>Stephen King books. I was like, this is so delicious.

0:31:52.440 --> 0:31:54.320
<v Speaker 2>Immediately I was like, we have to be covering this,

0:31:54.680 --> 0:31:57.240
<v Speaker 2>like I'm never're gonna do week to week or somebody regularly,

0:31:57.320 --> 0:31:58.920
<v Speaker 2>but like, I want to be checking in on the show.

0:31:58.960 --> 0:32:02.560
<v Speaker 2>I'm curious with the thing. I think the cast is outstanding.

0:32:02.840 --> 0:32:05.040
<v Speaker 1>Yeah, and you know, I did read some folks were.

0:32:05.000 --> 0:32:07.280
<v Speaker 2>Upset with the scares, But what really impressed me is

0:32:07.320 --> 0:32:14.320
<v Speaker 2>like Andy and Barbara, so there, it doesn't live to

0:32:14.440 --> 0:32:17.760
<v Speaker 2>the movie. It does not scary to know they're wrong.

0:32:17.880 --> 0:32:19.560
<v Speaker 2>Let me tell you why. Let me tell you why

0:32:19.560 --> 0:32:21.520
<v Speaker 2>they're wrong. Let me tell you whether, yeah not, only

0:32:21.600 --> 0:32:24.800
<v Speaker 2>is it actually genuinely terrifying? I know not maybe not

0:32:24.840 --> 0:32:28.720
<v Speaker 2>everybody's into like the bat that's been transformed by nuclear

0:32:28.760 --> 0:32:31.000
<v Speaker 2>power or whatever. I liked it. It worked for me.

0:32:31.120 --> 0:32:34.160
<v Speaker 2>I thought the car scene was really scary. I think

0:32:34.320 --> 0:32:36.959
<v Speaker 2>all of the kids' performances really lean into the like

0:32:37.520 --> 0:32:39.400
<v Speaker 2>suspense and tear. The lamp shade will get there. But

0:32:39.480 --> 0:32:45.000
<v Speaker 2>holy crap. But Barbara and Andy have only done movies, and

0:32:45.040 --> 0:32:47.960
<v Speaker 2>it's really hard to transition from thinking about the very

0:32:48.000 --> 0:32:51.800
<v Speaker 2>streamline process of telling a film story versus the long,

0:32:52.320 --> 0:32:55.000
<v Speaker 2>drawn out, really difficult process of making a television show.

0:32:55.000 --> 0:32:58.000
<v Speaker 2>They look different structurally, and not everyone's able to adjust.

0:32:58.520 --> 0:32:59.320
<v Speaker 4>I think the.

0:32:59.280 --> 0:33:01.120
<v Speaker 2>Amount of scares, the fact that we don't get Penny

0:33:01.160 --> 0:33:03.920
<v Speaker 2>Wise in the pilot, all of that. Really, I think

0:33:03.920 --> 0:33:08.120
<v Speaker 2>are strong, smart television making great decisions, and if they

0:33:08.160 --> 0:33:10.000
<v Speaker 2>can pull this off on the pilot, I know Andy

0:33:10.000 --> 0:33:13.320
<v Speaker 2>directs a couple more episodes throughout. I'm really excited about

0:33:13.360 --> 0:33:16.560
<v Speaker 2>the whole series. I loved it. Carmen, what did you think? Oh?

0:33:16.680 --> 0:33:21.160
<v Speaker 5>I was so hyped for this series. I mean opening

0:33:21.240 --> 0:33:24.760
<v Speaker 5>up with that childbirth scene absolutely.

0:33:25.680 --> 0:33:28.240
<v Speaker 2>In the car so visceral. She's not like the underwear

0:33:28.240 --> 0:33:28.840
<v Speaker 2>on and everything.

0:33:28.880 --> 0:33:31.560
<v Speaker 5>You're like, oh no, and we feel safe. We feel safe, like, oh,

0:33:31.640 --> 0:33:33.040
<v Speaker 5>this family's gonna take care of him, and then you

0:33:33.080 --> 0:33:37.080
<v Speaker 5>start to realize, wait a minute, there's somebody yeah, and

0:33:37.160 --> 0:33:40.080
<v Speaker 5>then I I do appreciate that that we did not

0:33:40.120 --> 0:33:42.320
<v Speaker 5>get to see penny Wise in the first episode. I

0:33:42.520 --> 0:33:45.600
<v Speaker 5>half expected that that baby was going to pop out

0:33:45.600 --> 0:33:47.480
<v Speaker 5>and it was going to be penny Wise any I.

0:33:47.520 --> 0:33:49.120
<v Speaker 4>Did we did think.

0:33:49.160 --> 0:33:52.560
<v Speaker 5>I was like, I'm glad they didn't do that, though,

0:33:52.600 --> 0:33:54.960
<v Speaker 5>because I'm still I know that when we do see

0:33:55.000 --> 0:33:56.600
<v Speaker 5>penny Wise for the first time, we are going to

0:33:56.640 --> 0:34:00.720
<v Speaker 5>be shocked and amazed. But no, I thought it was effective.

0:34:00.920 --> 0:34:03.400
<v Speaker 5>Just even hearing Jason go through the recap, I'm like, damn,

0:34:03.400 --> 0:34:05.720
<v Speaker 5>that all happened in that first time, and it.

0:34:05.440 --> 0:34:08.080
<v Speaker 3>It feels really breezy when you watch it, like it

0:34:08.120 --> 0:34:11.359
<v Speaker 3>feels like it works. Something I loved common I wonder

0:34:11.360 --> 0:34:13.839
<v Speaker 3>if you could speak to is just like a lot

0:34:13.880 --> 0:34:18.240
<v Speaker 3>of weird horror vibes and references and just like feeling

0:34:18.400 --> 0:34:20.920
<v Speaker 3>like the opening in the car feels completely different to

0:34:20.960 --> 0:34:23.279
<v Speaker 3>any kind of Stephen King thing we've seen. But if

0:34:23.280 --> 0:34:27.520
<v Speaker 3>you've watched trapped, like if you've watched weird cult movies

0:34:27.560 --> 0:34:30.040
<v Speaker 3>where people are trapped in their car, or that, you know,

0:34:30.360 --> 0:34:32.600
<v Speaker 3>the What's dead End, the one where they just trapped

0:34:32.600 --> 0:34:34.400
<v Speaker 3>on the loop, it was giving a lot of feelings.

0:34:34.400 --> 0:34:37.239
<v Speaker 3>So as a horror lover, what were you feeling from that?

0:34:37.840 --> 0:34:40.080
<v Speaker 5>Yeah, it reminded me. I felt like I was watching

0:34:40.160 --> 0:34:43.279
<v Speaker 5>like it had done like Nightmare on Elm Street. I

0:34:43.360 --> 0:34:46.200
<v Speaker 5>was like, we're doing like Nightmare on Elm Street level,

0:34:46.719 --> 0:34:51.759
<v Speaker 5>like horror vignettes that are really like elaborate and thought out,

0:34:51.760 --> 0:34:54.640
<v Speaker 5>like that lamp scene. You know, that lamp scene went

0:34:54.719 --> 0:34:57.560
<v Speaker 5>on for like I feel like watching it felt like

0:34:57.640 --> 0:35:00.440
<v Speaker 5>five minutes, you know, but of course it was.

0:35:00.480 --> 0:35:03.640
<v Speaker 2>That's actually the shortest scared, but it's how funny, it's

0:35:03.680 --> 0:35:07.200
<v Speaker 2>so terrifying. About maybe a minute a minute and a half.

0:35:07.280 --> 0:35:09.359
<v Speaker 2>Where is the like opening car scene is I think

0:35:09.400 --> 0:35:12.000
<v Speaker 2>like seven and the final movie scene is roughly the same.

0:35:13.239 --> 0:35:15.000
<v Speaker 2>It's fast, but it's so scary.

0:35:15.239 --> 0:35:17.880
<v Speaker 5>Yeah, and especially when it rolls around and screams in

0:35:17.880 --> 0:35:20.560
<v Speaker 5>his space, it really sticks with you so much. Said that,

0:35:20.560 --> 0:35:22.799
<v Speaker 5>I had forgotten that the Cinema was at the end

0:35:22.800 --> 0:35:27.439
<v Speaker 5>of this episode because it's so much happening, and yeah,

0:35:27.480 --> 0:35:32.439
<v Speaker 5>I just love I feel like, you know, we're I mean, shit,

0:35:32.600 --> 0:35:35.279
<v Speaker 5>we all they killed off all these kids we were

0:35:35.320 --> 0:35:37.440
<v Speaker 5>meant to care about in the first episode, and so

0:35:37.520 --> 0:35:39.920
<v Speaker 5>I'm like, yeah, it's we're doing something really bold here.

0:35:39.960 --> 0:35:42.800
<v Speaker 5>It feels almost like Game of Thrones for like horror people.

0:35:43.080 --> 0:35:43.359
<v Speaker 3>You know.

0:35:45.040 --> 0:35:53.759
<v Speaker 1>Now who was watched beyond episode one.

0:35:52.280 --> 0:35:55.239
<v Speaker 2>A little bit of episode two, but not too much.

0:35:55.400 --> 0:35:56.399
<v Speaker 5>I've seen episode two.

0:35:57.120 --> 0:36:00.120
<v Speaker 1>It seems to me from episode one, you know it,

0:36:00.840 --> 0:36:04.200
<v Speaker 1>you know, just give me yours that what we're going

0:36:04.239 --> 0:36:08.439
<v Speaker 1>to find out is that the US military has tried

0:36:08.440 --> 0:36:15.839
<v Speaker 1>to weaponize pennywise what we're going to find out because

0:36:16.480 --> 0:36:19.480
<v Speaker 1>what it feels because I write what I what I

0:36:19.560 --> 0:36:21.960
<v Speaker 1>love about what I think is really interesting about the

0:36:21.960 --> 0:36:24.319
<v Speaker 1>way this, at least through the pilot, the way this

0:36:24.360 --> 0:36:26.319
<v Speaker 1>show is set up and how it works is like

0:36:27.160 --> 0:36:31.680
<v Speaker 1>there's almost in terms of like how the horror works

0:36:31.680 --> 0:36:33.759
<v Speaker 1>in the world, it's like kind of nothing. The kids

0:36:33.760 --> 0:36:37.080
<v Speaker 1>are disappearing. It's like you could actually be confused that

0:36:37.160 --> 0:36:40.399
<v Speaker 1>you're not watching it or a reboot of it, like

0:36:40.480 --> 0:36:43.760
<v Speaker 1>because it is basically what happens. But what they've added

0:36:43.840 --> 0:36:47.480
<v Speaker 1>is these other textures of like the military conspiracy and

0:36:48.400 --> 0:36:50.880
<v Speaker 1>uh and the goings on with the adults in town,

0:36:51.440 --> 0:36:54.799
<v Speaker 1>and it really feels like there there's going to be

0:36:54.840 --> 0:36:57.880
<v Speaker 1>a much larger conspiracy and it's not just going to

0:36:57.920 --> 0:37:00.400
<v Speaker 1>be about this ancient fucking demon that's been in this

0:37:00.520 --> 0:37:06.560
<v Speaker 1>area since you know, the indigenous Native Americans. Time, it's

0:37:06.600 --> 0:37:09.480
<v Speaker 1>going to be some other kind of military conspiracy. And

0:37:09.560 --> 0:37:12.680
<v Speaker 1>if that's the case, it's so crazy that I'm here

0:37:12.760 --> 0:37:14.160
<v Speaker 1>for it's.

0:37:14.640 --> 0:37:18.160
<v Speaker 2>Oh my god, let me read two and yes. So

0:37:18.719 --> 0:37:20.840
<v Speaker 2>Andy says, it was very exciting to explore what the

0:37:20.840 --> 0:37:23.359
<v Speaker 2>sixties were in America and what fear was and what

0:37:23.480 --> 0:37:25.560
<v Speaker 2>kids were afraid of. It was the Cold War and

0:37:25.640 --> 0:37:27.480
<v Speaker 2>kids in school were performing drills in case of a

0:37:27.520 --> 0:37:30.439
<v Speaker 2>nuclear explosion. You can't imagine the state of paranoia. People

0:37:30.480 --> 0:37:33.080
<v Speaker 2>were asking, is there going to be a nuclear explosion tomorrow?

0:37:33.160 --> 0:37:35.360
<v Speaker 2>What are we going to do? Will there be people

0:37:35.400 --> 0:37:37.799
<v Speaker 2>with birth defects? It was very exciting to think of

0:37:37.800 --> 0:37:41.560
<v Speaker 2>those ripples. Then, at the premiere of the show, he

0:37:41.600 --> 0:37:43.960
<v Speaker 2>was talking about growing up in Buenos Aires and living

0:37:44.040 --> 0:37:46.480
<v Speaker 2>under a dictatorship, and he had this to say when

0:37:46.480 --> 0:37:49.120
<v Speaker 2>Stephen King wrote it, he was writing a masterpiece of

0:37:49.120 --> 0:37:50.640
<v Speaker 2>horror and a coming of age story, but it was

0:37:50.640 --> 0:37:53.399
<v Speaker 2>also a parable of fear mongering and weaponizing a fear

0:37:53.400 --> 0:37:56.120
<v Speaker 2>in the real world. The metaphor about fear mongering was

0:37:56.200 --> 0:37:58.400
<v Speaker 2>very relevant when he wrote it, but somehow it seems

0:37:58.480 --> 0:38:00.640
<v Speaker 2>much more relevant in the days that we're living now.

0:38:00.880 --> 0:38:02.600
<v Speaker 2>So that's why I like to consider the show as

0:38:02.640 --> 0:38:05.080
<v Speaker 2>a reminder of that if you believe in empathy and love,

0:38:05.280 --> 0:38:07.319
<v Speaker 2>we can keep together and stand up against violence and

0:38:07.320 --> 0:38:12.080
<v Speaker 2>intimidation and cruelty from these fucking clowns are bestowing upon us.

0:38:11.080 --> 0:38:12.840
<v Speaker 5>I love it.

0:38:13.320 --> 0:38:16.000
<v Speaker 3>This also makes so much sense because I was I'm

0:38:16.040 --> 0:38:19.920
<v Speaker 3>a big Mike Canlan fan from the original, especially the

0:38:20.000 --> 0:38:25.000
<v Speaker 3>nineties TV show version the mini series, and correctly so

0:38:25.160 --> 0:38:27.560
<v Speaker 3>in the first not a lot of Mike in the

0:38:27.600 --> 0:38:32.640
<v Speaker 3>first IT movie, by Machete's second one does bring adult

0:38:32.680 --> 0:38:35.719
<v Speaker 3>Mike him, but not like crazily, not how much of

0:38:35.760 --> 0:38:39.040
<v Speaker 3>a big part he really is in the interludes of

0:38:39.080 --> 0:38:39.480
<v Speaker 3>the book.

0:38:39.760 --> 0:38:41.640
<v Speaker 4>So to have adult.

0:38:41.280 --> 0:38:45.160
<v Speaker 3>Mike Canlan here as your adult in character, I think

0:38:45.280 --> 0:38:48.799
<v Speaker 3>is so clever and I want to know more about it,

0:38:49.000 --> 0:38:52.960
<v Speaker 3>and I want to I want to see them tell

0:38:53.000 --> 0:38:55.759
<v Speaker 3>this story in a way that is both relevant to

0:38:55.800 --> 0:38:58.840
<v Speaker 3>the American time that it's set in, but also like

0:38:59.239 --> 0:39:03.319
<v Speaker 3>imagine some bigger and I think that is here what

0:39:03.440 --> 0:39:05.880
<v Speaker 3>appeals to me so much is like there is a

0:39:05.920 --> 0:39:10.640
<v Speaker 3>world outside of Derry that is influencing Derry, and there

0:39:10.640 --> 0:39:14.360
<v Speaker 3>are politics, and there are conversations. But a lot of

0:39:14.400 --> 0:39:16.840
<v Speaker 3>times I feel like when people set a show in

0:39:16.880 --> 0:39:19.080
<v Speaker 3>the past, they use it as an excuse to not

0:39:19.239 --> 0:39:20.040
<v Speaker 3>cast people of.

0:39:20.000 --> 0:39:25.480
<v Speaker 4>Color, and I feel like it's very and exactly thanks.

0:39:25.560 --> 0:39:28.160
<v Speaker 3>Yeah, come on, Robert, there were there were vikings, there

0:39:28.200 --> 0:39:32.279
<v Speaker 3>were other colors, my friend. But but I think here

0:39:32.680 --> 0:39:35.919
<v Speaker 3>this actually like surprised me by how much it establishes

0:39:36.280 --> 0:39:38.400
<v Speaker 3>that it might explore that. And we know from the

0:39:38.440 --> 0:39:40.359
<v Speaker 3>trailers put your ear muffs on if you don't want

0:39:40.360 --> 0:39:42.920
<v Speaker 3>to hear a spoiler for the rest of the show spoiler.

0:39:42.560 --> 0:39:43.120
<v Speaker 4>Air muffs on.

0:39:44.160 --> 0:39:48.040
<v Speaker 3>We know that we will also get to meet the

0:39:48.840 --> 0:39:53.080
<v Speaker 3>character who is a psychic from Shining from the Shining Right.

0:39:53.440 --> 0:39:55.600
<v Speaker 4>We are going to be in the show. We see

0:39:55.680 --> 0:40:01.879
<v Speaker 4>him briefly, and if you know in The Shining Law

0:40:01.960 --> 0:40:02.920
<v Speaker 4>he is a psychic.

0:40:03.120 --> 0:40:05.440
<v Speaker 3>So my reading on this and I do watch a

0:40:05.480 --> 0:40:08.839
<v Speaker 3>lot of anime about espers and esp and that kind

0:40:08.880 --> 0:40:10.680
<v Speaker 3>of stuff. But I feel like this is going to

0:40:10.719 --> 0:40:15.960
<v Speaker 3>be about America's exploration of the paranormal, of how they

0:40:15.960 --> 0:40:20.759
<v Speaker 3>can weaponize people who have sensitivities, and I think that,

0:40:20.960 --> 0:40:21.840
<v Speaker 3>you know, we've seen.

0:40:21.680 --> 0:40:23.600
<v Speaker 4>It in such fun Ghostbusters.

0:40:23.920 --> 0:40:25.600
<v Speaker 3>You know, I think about that a lot, but I

0:40:25.640 --> 0:40:30.600
<v Speaker 3>don't remember a really great exploration of Americanized exploration into

0:40:30.640 --> 0:40:34.080
<v Speaker 3>the paranormal and the occult for military purposes, even though

0:40:34.120 --> 0:40:37.960
<v Speaker 3>we know, for example, the Nazis loved occult sciences and magic,

0:40:38.040 --> 0:40:41.560
<v Speaker 3>and so I'm really interested in that aspect and I

0:40:41.600 --> 0:40:44.680
<v Speaker 3>loved it call Around. He didn't get the ending he

0:40:44.760 --> 0:40:46.759
<v Speaker 3>deserved in the Shining, but it's been great to see

0:40:46.840 --> 0:40:50.440
<v Speaker 3>him come back and other stuff like Doctor Sleep. So yeah,

0:40:50.560 --> 0:40:54.960
<v Speaker 3>I'm just very excited. I think this is great. Jason,

0:40:55.120 --> 0:40:59.080
<v Speaker 3>this is a Stephen King heavy show. Did you notice

0:40:59.160 --> 0:41:01.360
<v Speaker 3>any other Steve King moments or.

0:41:03.280 --> 0:41:04.680
<v Speaker 4>Will it should checking out.

0:41:06.080 --> 0:41:09.000
<v Speaker 1>Nothing that we didn't pick up on.

0:41:08.960 --> 0:41:11.479
<v Speaker 4>In the trim.

0:41:11.600 --> 0:41:16.680
<v Speaker 1>You know, for instance, that the Shank Boss stuff like that,

0:41:18.040 --> 0:41:21.279
<v Speaker 1>But I'm eager to to to check on more of that.

0:41:21.400 --> 0:41:24.600
<v Speaker 1>You know, I think one of my most favorite Stephen

0:41:24.680 --> 0:41:29.600
<v Speaker 1>King reading moments was the moment that I realized that

0:41:30.800 --> 0:41:38.960
<v Speaker 1>the bad guy from the stand Flag was uh, was

0:41:39.000 --> 0:41:42.160
<v Speaker 1>the bad guy in like the gun Slinger stuff and

0:41:42.239 --> 0:41:46.280
<v Speaker 1>in The Tower and in different other Stephen King things.

0:41:46.280 --> 0:41:49.400
<v Speaker 1>So I'm I'm eager to see if he threads that

0:41:49.600 --> 0:41:50.200
<v Speaker 1>kind of.

0:41:50.520 --> 0:41:53.520
<v Speaker 4>I want to know that to the question.

0:41:53.560 --> 0:41:56.160
<v Speaker 3>They have been trying to make an interconnected Stephen King

0:41:56.239 --> 0:41:57.200
<v Speaker 3>universe for many years.

0:41:57.200 --> 0:41:59.560
<v Speaker 4>Guess what, Stephen King already made it. It's in the book.

0:42:00.040 --> 0:42:02.080
<v Speaker 4>But we've seen Castle Rock where we had like.

0:42:02.360 --> 0:42:08.040
<v Speaker 3>Lizzie Kaplan playing the iconic Kathy Bates role from Miseries,

0:42:08.400 --> 0:42:11.120
<v Speaker 3>and so there has been investment in these kind of stories.

0:42:11.160 --> 0:42:12.040
<v Speaker 4>But I think they.

0:42:11.920 --> 0:42:18.920
<v Speaker 3>Were more in that mceu esque era of how do

0:42:18.960 --> 0:42:22.960
<v Speaker 3>we connect everything? Not necessarily story first, which obviously knows

0:42:23.040 --> 0:42:25.160
<v Speaker 3>why the MCU was so popular because they did go.

0:42:25.120 --> 0:42:26.359
<v Speaker 4>Story first in Phase one.

0:42:27.040 --> 0:42:29.520
<v Speaker 3>I think those were more of a representation of that.

0:42:29.680 --> 0:42:33.600
<v Speaker 3>I also have seen multiple different cuts of the Dark

0:42:33.680 --> 0:42:36.279
<v Speaker 3>Tower movie. I saw one many years ago at an

0:42:36.280 --> 0:42:38.640
<v Speaker 3>early screening before I was a journalist. That was a

0:42:38.680 --> 0:42:41.000
<v Speaker 3>test screening that was two and a half hours long

0:42:41.000 --> 0:42:43.440
<v Speaker 3>and actually pretty incredible and did a great job of

0:42:43.440 --> 0:42:46.120
<v Speaker 3>weaving all of that together. The final version was ninety

0:42:46.160 --> 0:42:48.560
<v Speaker 3>minutes long, mostly set in New York, so there has

0:42:48.600 --> 0:42:51.960
<v Speaker 3>been a struggle to do this. But this episode and

0:42:52.000 --> 0:42:56.160
<v Speaker 3>the little hints that is very well done to me,

0:42:56.320 --> 0:42:58.759
<v Speaker 3>and I love the characters they're focusing on. I love

0:42:58.800 --> 0:43:01.200
<v Speaker 3>that this is maybe a little bit of a course

0:43:01.280 --> 0:43:06.319
<v Speaker 3>correction from Stephen King's own representations of race and sex.

0:43:07.239 --> 0:43:08.920
<v Speaker 2>Can we move over and talk about that.

0:43:10.760 --> 0:43:13.719
<v Speaker 4>Let's do that as our final conversation point, because.

0:43:14.000 --> 0:43:18.440
<v Speaker 2>Yeah, yeah, the character of Leroy is really intriguing to me.

0:43:18.760 --> 0:43:23.280
<v Speaker 2>The soldier prittally, a black soldier in the sixties who's

0:43:23.320 --> 0:43:29.319
<v Speaker 2>so pro America at that time, is really intriguing. I

0:43:29.360 --> 0:43:32.920
<v Speaker 2>think the line there's nothing wrong with this country that

0:43:33.000 --> 0:43:36.320
<v Speaker 2>can be fixed by what's right with this country is

0:43:36.360 --> 0:43:38.960
<v Speaker 2>a very fun opening because you're just like, oh, brother,

0:43:38.960 --> 0:43:41.360
<v Speaker 2>you're about to get bit to be.

0:43:43.560 --> 0:43:44.799
<v Speaker 1>This guys after the.

0:43:50.160 --> 0:43:52.799
<v Speaker 2>Very the Korean War, he's like, I can't even talk

0:43:52.800 --> 0:43:56.560
<v Speaker 2>about Korea. It's interesting to hear him, you know when

0:43:56.560 --> 0:43:58.520
<v Speaker 2>we when we think about black soldiers in World War

0:43:58.920 --> 0:44:01.640
<v Speaker 2>Two and they're instance from being in Europe to coming

0:44:01.680 --> 0:44:04.600
<v Speaker 2>back home and how they were treated. I wanted to

0:44:04.680 --> 0:44:06.799
<v Speaker 2>make a very quick comment on you, you know, you guys

0:44:06.840 --> 0:44:09.279
<v Speaker 2>were talking earlier about like, you know, why wouldn't this

0:44:09.400 --> 0:44:13.960
<v Speaker 2>character Leroy like run and tell security given his earlier

0:44:14.000 --> 0:44:16.680
<v Speaker 2>interaction where the guy didn't want to salute him. My

0:44:16.800 --> 0:44:19.080
<v Speaker 2>thought was like, Oh, this is hazing. This is trying

0:44:19.120 --> 0:44:22.400
<v Speaker 2>to see if I would break under being krilled like

0:44:22.480 --> 0:44:26.600
<v Speaker 2>this like that. These are American like regul like there's

0:44:26.640 --> 0:44:30.360
<v Speaker 2>not an accent here the I'm being hazed or abused,

0:44:30.400 --> 0:44:32.680
<v Speaker 2>I mean really just being abused as a black eye

0:44:32.719 --> 0:44:35.520
<v Speaker 2>in charge. And I think he was like, I'm not

0:44:35.680 --> 0:44:41.600
<v Speaker 2>going to rap. I'll figure this out separately. Perhaps that

0:44:41.640 --> 0:44:44.640
<v Speaker 2>was my takeaway. And and with all of that and

0:44:44.680 --> 0:44:46.480
<v Speaker 2>the fact that there are so many black characters in

0:44:46.520 --> 0:44:49.520
<v Speaker 2>this show, I'm really excited we'll also have indigenous characters

0:44:49.560 --> 0:44:53.200
<v Speaker 2>being featured later. There's nine episodes in this season.

0:44:53.400 --> 0:44:55.440
<v Speaker 4>I'm interested to see where that's gonna go.

0:44:56.320 --> 0:44:58.839
<v Speaker 2>Yeah, so I'm really hoping, you know, Stephen King has

0:44:58.880 --> 0:45:01.600
<v Speaker 2>done the indigenous popular He's pretty dirty, with a lot

0:45:01.640 --> 0:45:08.960
<v Speaker 2>of like haunted. So I think if you're going to

0:45:09.160 --> 0:45:12.560
<v Speaker 2>try to create a Stephen King universe, uh, starting here

0:45:12.640 --> 0:45:14.440
<v Speaker 2>by sort of cleaning up the slate, really getting some

0:45:14.480 --> 0:45:19.920
<v Speaker 2>of this like way backstory established early. That's really exciting

0:45:19.960 --> 0:45:20.200
<v Speaker 2>to me.

0:45:20.880 --> 0:45:24.040
<v Speaker 3>Yeah, I'm very I think that that's a great cool

0:45:24.200 --> 0:45:28.160
<v Speaker 3>and I'm very excited to see jove On playing Leroy

0:45:28.400 --> 0:45:30.640
<v Speaker 3>and getting a new Mike Camlin who hopefully is gonna

0:45:30.800 --> 0:45:33.560
<v Speaker 3>and it seems like from this episode is going to

0:45:33.600 --> 0:45:34.799
<v Speaker 3>be one of the mates.

0:45:38.400 --> 0:45:38.920
<v Speaker 1>Yeah.

0:45:39.200 --> 0:45:41.480
<v Speaker 3>I want to get that. I want to see him

0:45:41.520 --> 0:45:43.840
<v Speaker 3>get that story. He is the historian, he is the

0:45:43.880 --> 0:45:46.719
<v Speaker 3>hat of the kids, and I think this is so

0:45:48.239 --> 0:45:49.640
<v Speaker 3>I'm just really excited about it.

0:45:49.719 --> 0:45:52.040
<v Speaker 1>I think it's so so week. It feels so Phil

0:45:52.080 --> 0:45:56.480
<v Speaker 1>and Teddy not dead, right, They're just in the sewer problem.

0:45:56.560 --> 0:45:59.440
<v Speaker 4>Oh, I didn't think about that. I was considering okay

0:45:59.600 --> 0:46:02.400
<v Speaker 4>with dead, but I like they could be in the sewers.

0:46:03.200 --> 0:46:10.600
<v Speaker 1>The casting is too good too, was too good. I

0:46:10.719 --> 0:46:14.240
<v Speaker 1>feel like it would it would be audacious and really

0:46:14.239 --> 0:46:16.719
<v Speaker 1>cool if they were dead. That I agree.

0:46:19.920 --> 0:46:21.200
<v Speaker 2>Baby assisted though.

0:46:22.360 --> 0:46:27.840
<v Speaker 1>Yeah, man, they showed the hand she got.

0:46:28.280 --> 0:46:30.640
<v Speaker 2>I wouldst one.

0:46:30.760 --> 0:46:34.880
<v Speaker 3>It could be really interesting if we get a duel

0:46:35.480 --> 0:46:38.520
<v Speaker 3>adventure now, which is the three boys trying to escape

0:46:38.560 --> 0:46:40.799
<v Speaker 3>the sewers and the two girls having to go in

0:46:40.880 --> 0:46:43.600
<v Speaker 3>to have them. That would be really interesting. But look,

0:46:43.640 --> 0:46:45.520
<v Speaker 3>and maybe this is an issue for some people.

0:46:45.600 --> 0:46:47.600
<v Speaker 4>I get it. I do love these kids.

0:46:47.640 --> 0:46:50.959
<v Speaker 3>I think the actors are so good. I'm really feeling them.

0:46:51.040 --> 0:46:52.800
<v Speaker 3>But also, I think one of the best things about

0:46:52.800 --> 0:46:56.120
<v Speaker 3>this is it manages to not feel derivative like a

0:46:56.160 --> 0:46:59.640
<v Speaker 3>Stranger Things, even though obviously Stranger Things is derivative of it.

0:46:59.840 --> 0:47:04.160
<v Speaker 3>But by broaderinging the world and allowing these kids to

0:47:04.239 --> 0:47:08.880
<v Speaker 3>exist in this kind of wider cultural space, I feel

0:47:08.880 --> 0:47:09.879
<v Speaker 3>like actually makes the.

0:47:09.840 --> 0:47:13.880
<v Speaker 4>Show feel way way more original. But I still want

0:47:13.880 --> 0:47:15.120
<v Speaker 4>to see those kids. I love a kid.

0:47:15.920 --> 0:47:17.279
<v Speaker 1>Yeah, calm and.

0:47:17.239 --> 0:47:19.560
<v Speaker 5>Go for it, I said I was going to say, Ian,

0:47:19.640 --> 0:47:22.400
<v Speaker 5>even put in the chat, it feels very Stranger Things Coded.

0:47:22.600 --> 0:47:26.799
<v Speaker 5>I'm hoping that they can pull this off before all

0:47:26.840 --> 0:47:28.880
<v Speaker 5>of these kids turn thirty and.

0:47:30.600 --> 0:47:32.319
<v Speaker 2>They won't be in the next season, so they only

0:47:32.360 --> 0:47:34.719
<v Speaker 2>need to do this season and then we're going back,

0:47:35.080 --> 0:47:36.040
<v Speaker 2>so we're going to fast.

0:47:35.840 --> 0:47:39.000
<v Speaker 3>Forward, and I think the idea is that by the

0:47:39.120 --> 0:47:41.960
<v Speaker 3>season three is your key penny Wise season, so you're

0:47:42.000 --> 0:47:45.040
<v Speaker 3>really gonna be waiting to see Bill though I'm sure

0:47:45.120 --> 0:47:47.840
<v Speaker 3>it and Pennywise will agree it definitely.

0:47:47.880 --> 0:47:49.439
<v Speaker 1>I don't think I.

0:47:49.320 --> 0:47:52.400
<v Speaker 3>Think the Cold War aspects, Ian, You're totally right, like

0:47:53.160 --> 0:47:55.960
<v Speaker 3>very Stranger Things Coded, but I think that for me

0:47:56.680 --> 0:48:00.279
<v Speaker 3>This just felt like quite shocking in how scary was,

0:48:00.360 --> 0:48:02.440
<v Speaker 3>and I'm seeing that maybe other wee wouldn't feel that way.

0:48:02.440 --> 0:48:03.960
<v Speaker 3>Maybe it was a bit B movie for them, but

0:48:04.000 --> 0:48:07.560
<v Speaker 3>that's what I love. So Yeah, great first episode. I

0:48:07.600 --> 0:48:10.680
<v Speaker 3>thought it was really scary and I'm excited for you guys.

0:48:10.400 --> 0:48:12.080
<v Speaker 4>To come on and talk more about it.

0:48:12.560 --> 0:48:15.360
<v Speaker 1>Yes, on the next episode of Extra Vision, we have

0:48:15.360 --> 0:48:17.799
<v Speaker 1>a very special Halloween edition of Your Wrong Friend. That's

0:48:17.800 --> 0:48:18.640
<v Speaker 1>it for this episode.

0:48:18.640 --> 0:48:21.800
<v Speaker 2>Thanks for listening him Bye bye.

0:48:23.680 --> 0:48:26.280
<v Speaker 1>Xtra Vision is hosted by Jason Concepts Young and Rosie

0:48:26.360 --> 0:48:28.400
<v Speaker 1>Knight and is a production of iHeart Podcast.

0:48:28.760 --> 0:48:32.360
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kaufman.

0:48:32.600 --> 0:48:34.640
<v Speaker 1>Our supervising producer is Abuzafar.

0:48:35.040 --> 0:48:38.960
<v Speaker 3>Our producers are Common, Laurent Dean Jonathan and Bai Wag.

0:48:39.080 --> 0:48:41.879
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:48:41.920 --> 0:48:43.200
<v Speaker 1>songs by Aaron Kauffman.

0:48:43.360 --> 0:48:46.759
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:48:46.840 --> 0:48:48.600
<v Speaker 3>Heidi our discord moderator.