1 00:00:00,240 --> 00:00:02,759 Speaker 1: One or two point seven Kiss FM. It's Ryan Seacrest 2 00:00:02,800 --> 00:00:06,080 Speaker 1: with you. Thanks for having a son this morning. Going 3 00:00:06,120 --> 00:00:10,560 Speaker 1: to bring in Jake Jillenhall here. Hey, hey there you are. 4 00:00:11,440 --> 00:00:14,600 Speaker 2: Sorry, no worry. I've been like I've been like, I've 5 00:00:14,600 --> 00:00:16,560 Speaker 2: been sitting here and I'm like, wait, how does this work? 6 00:00:19,280 --> 00:00:21,439 Speaker 1: No, no problem? Are you mobile? 7 00:00:22,560 --> 00:00:23,119 Speaker 2: I am? 8 00:00:23,239 --> 00:00:25,040 Speaker 3: I am sitting in a car, so let me just 9 00:00:25,079 --> 00:00:25,880 Speaker 3: turn off the air. 10 00:00:25,960 --> 00:00:28,960 Speaker 1: So you guys are you Are you actually driving yourself somewhere? 11 00:00:29,600 --> 00:00:33,160 Speaker 2: Yeah, No, it's weird. I'm I'm on my way to work. 12 00:00:33,200 --> 00:00:34,680 Speaker 2: I'm at work, but I'm sitting in the car. 13 00:00:35,200 --> 00:00:38,760 Speaker 1: This is this is perfect because this is how we 14 00:00:38,840 --> 00:00:40,559 Speaker 1: like to think of people listening to the show. So, Jake, 15 00:00:40,600 --> 00:00:43,360 Speaker 1: you're playing the role of a listener right now, which 16 00:00:43,400 --> 00:00:45,319 Speaker 1: is a role you've never taken on before. I think, 17 00:00:45,400 --> 00:00:46,680 Speaker 1: Jake Jillenholl with us. 18 00:00:48,080 --> 00:00:49,280 Speaker 2: It's a pleasure to be here. 19 00:00:50,200 --> 00:00:53,360 Speaker 1: Hey, thanks for coming on. We were just talking about 20 00:00:53,400 --> 00:00:56,600 Speaker 1: you earlier, and you know, with the roles that you 21 00:00:56,640 --> 00:00:59,000 Speaker 1: take on. Sysney actually said something very funny, which was, 22 00:00:59,160 --> 00:01:01,240 Speaker 1: I don't even know if I find know who Jake 23 00:01:01,320 --> 00:01:03,880 Speaker 1: Gillenhall is, because every time he takes on a role 24 00:01:04,000 --> 00:01:07,080 Speaker 1: it's like so mental and physical, you know exactly, Like 25 00:01:07,240 --> 00:01:08,479 Speaker 1: that's a compliment. 26 00:01:08,600 --> 00:01:10,240 Speaker 2: That is a couple and thank you. That's sweet. 27 00:01:10,280 --> 00:01:11,919 Speaker 3: I mean I think that's the role of the actor, 28 00:01:11,959 --> 00:01:12,320 Speaker 3: isn't it. 29 00:01:12,360 --> 00:01:13,520 Speaker 2: I mean in a way. 30 00:01:13,800 --> 00:01:16,280 Speaker 1: So who are you you would like to get to 31 00:01:16,319 --> 00:01:16,679 Speaker 1: know Jake? 32 00:01:19,640 --> 00:01:20,880 Speaker 2: I am. 33 00:01:21,440 --> 00:01:25,680 Speaker 3: I'm an actor and I play different roles, but as 34 00:01:25,680 --> 00:01:29,759 Speaker 3: a person, my name is Jake Gillenhall and I've been 35 00:01:29,760 --> 00:01:30,559 Speaker 3: doing it for a while. 36 00:01:30,920 --> 00:01:32,840 Speaker 1: And do you is this true? Then? Do you bake 37 00:01:32,880 --> 00:01:35,400 Speaker 1: sourdough bread? Is that something that Jake Gillenhall does? 38 00:01:36,400 --> 00:01:38,720 Speaker 3: Yes, I have been known to bake sourdough bread, which 39 00:01:38,760 --> 00:01:41,480 Speaker 3: is not a common occurrence amongst those of us who 40 00:01:41,959 --> 00:01:44,800 Speaker 3: have been through this period of time. I think sourdough 41 00:01:45,040 --> 00:01:48,440 Speaker 3: bread baking has become popular, but I have continued. 42 00:01:47,960 --> 00:01:50,960 Speaker 1: Through the fermented foods are a whole category of love 43 00:01:50,960 --> 00:01:51,240 Speaker 1: for me. 44 00:01:52,240 --> 00:01:56,400 Speaker 3: Oh yes, the smell, you know, the early stages of 45 00:01:56,440 --> 00:02:00,200 Speaker 3: the smelling of a of a starter. There's nothing like it. 46 00:02:01,640 --> 00:02:06,240 Speaker 1: So Jake is here, Guy Richie's the Covenant in theaters 47 00:02:06,280 --> 00:02:09,320 Speaker 1: and thinking about this role and other roles that we 48 00:02:09,320 --> 00:02:10,880 Speaker 1: were talking about a second ago, that you take on. 49 00:02:11,240 --> 00:02:14,520 Speaker 1: These are these are not things where I would imagine 50 00:02:15,320 --> 00:02:17,240 Speaker 1: you just kind of you show up and you do 51 00:02:17,280 --> 00:02:19,040 Speaker 1: your work and then you can put it down. It 52 00:02:19,080 --> 00:02:23,000 Speaker 1: seems very physically and mentally demanding for this role and 53 00:02:23,040 --> 00:02:24,839 Speaker 1: a lot of the roles that you're well known for. 54 00:02:25,240 --> 00:02:28,399 Speaker 1: Before you jump into something like this, what goes through 55 00:02:28,400 --> 00:02:30,440 Speaker 1: your mind? Is there like a is there a last 56 00:02:30,440 --> 00:02:34,360 Speaker 1: weekend of reality before something like this role sets in? 57 00:02:35,680 --> 00:02:39,000 Speaker 3: You know, it's funny, this movie was a blast to make, 58 00:02:39,160 --> 00:02:41,440 Speaker 3: so you know, I there are moments where I'm being 59 00:02:41,480 --> 00:02:44,200 Speaker 3: sort of dragged across the desert by the guy who 60 00:02:44,240 --> 00:02:48,200 Speaker 3: plays my interpreter because I get my carriage gets pretty injured. 61 00:02:49,080 --> 00:02:51,160 Speaker 3: But you know, I shot that basically just you know, 62 00:02:51,360 --> 00:02:53,920 Speaker 3: sitting in a cart, So that wasn't that difficult or 63 00:02:54,000 --> 00:02:54,560 Speaker 3: laying there. 64 00:02:54,720 --> 00:02:58,840 Speaker 2: But like we know, guy Ritchie who directed the movie, he. 65 00:02:59,080 --> 00:03:03,320 Speaker 3: Barbecues every day, so he has a barbecue on set 66 00:03:03,440 --> 00:03:06,440 Speaker 3: and so basically like we and we only had sixty 67 00:03:06,480 --> 00:03:07,320 Speaker 3: pages of a script. 68 00:03:07,320 --> 00:03:08,880 Speaker 2: We didn't have a full written script. 69 00:03:08,919 --> 00:03:11,120 Speaker 3: So he would write as the days went on and 70 00:03:11,120 --> 00:03:12,840 Speaker 3: we would all eat in the morning, like he'd make 71 00:03:12,880 --> 00:03:15,400 Speaker 3: coffee at the barbecue in the morning. We talk about 72 00:03:15,400 --> 00:03:17,200 Speaker 3: the scenes we're gonna do and then he would like 73 00:03:17,440 --> 00:03:20,359 Speaker 3: cook throughout the day, so it wasn't really that tough. 74 00:03:20,760 --> 00:03:24,080 Speaker 1: So you're playing Army Sergeant John Kinley and there's there's 75 00:03:24,160 --> 00:03:28,200 Speaker 1: blood rolling down your forehead and you're smelling the aroma 76 00:03:28,280 --> 00:03:28,840 Speaker 1: of hickory. 77 00:03:29,960 --> 00:03:34,600 Speaker 3: I mean, yes, that's a perfectly put Yes there is 78 00:03:34,639 --> 00:03:36,280 Speaker 3: a scene. Yes, there's a scene where I get hit 79 00:03:36,480 --> 00:03:38,240 Speaker 3: by the butt of a goud that I do bleed, 80 00:03:38,320 --> 00:03:40,080 Speaker 3: and I am bleeding in some of it. But yeah, 81 00:03:40,200 --> 00:03:43,160 Speaker 3: off screen when we finished, there was a lot of fun. 82 00:03:43,240 --> 00:03:45,360 Speaker 3: I mean, guy Richie's you know, the guy Richie. We 83 00:03:45,440 --> 00:03:49,480 Speaker 3: know he's blast, He's hilarious and and uh and I 84 00:03:49,520 --> 00:03:52,120 Speaker 3: think that's the thing some people, And over the years 85 00:03:52,160 --> 00:03:54,200 Speaker 3: I've learned has taken me a long time learn I 86 00:03:54,200 --> 00:03:57,560 Speaker 3: think acting is somewhat of a ridiculous thing but also 87 00:03:57,640 --> 00:03:59,440 Speaker 3: pretty incredible at the same time. You have to have 88 00:03:59,480 --> 00:04:02,320 Speaker 3: an imagine to do it. Sometimes I've taken roles I 89 00:04:02,360 --> 00:04:05,920 Speaker 3: played very seriously and dug in really deep and lived 90 00:04:05,920 --> 00:04:07,720 Speaker 3: the life of the character and all that. But I've 91 00:04:07,760 --> 00:04:11,160 Speaker 3: discovered that the person who I am, the person who 92 00:04:11,160 --> 00:04:13,040 Speaker 3: I what I really love to do is use my imagination. 93 00:04:13,200 --> 00:04:15,880 Speaker 3: So I love doing a scene and then being able 94 00:04:15,920 --> 00:04:17,760 Speaker 3: to break from it and then have a good time after. 95 00:04:18,279 --> 00:04:22,679 Speaker 2: I mean, there are moments that you you know, something's 96 00:04:22,760 --> 00:04:28,000 Speaker 2: very emotional. Yeah, but generally yes, it should be fun. 97 00:04:28,160 --> 00:04:30,880 Speaker 1: But tell us about this guy, because he's carrying a 98 00:04:31,880 --> 00:04:32,680 Speaker 1: serious burden. 99 00:04:33,680 --> 00:04:37,120 Speaker 2: Yeah, yeah, I play. His name is John Kinley. 100 00:04:37,120 --> 00:04:42,799 Speaker 3: He's a special Operations sergeant and his group is soldiers 101 00:04:42,880 --> 00:04:46,760 Speaker 3: is tasked with finding munitions in Afghanistan and they struggle 102 00:04:47,240 --> 00:04:49,800 Speaker 3: doing that, and early on in the movie, they lose 103 00:04:49,800 --> 00:04:52,240 Speaker 3: their interpreter and he's assigned a new one, one he 104 00:04:52,279 --> 00:04:55,440 Speaker 3: doesn't really like very much, and then they get into 105 00:04:55,440 --> 00:04:57,080 Speaker 3: some trouble and then the two of them are left 106 00:04:57,120 --> 00:05:00,400 Speaker 3: together and they have to sort of survive and the 107 00:05:00,440 --> 00:05:03,640 Speaker 3: interpreter ends up saving his life. And in short, basically, 108 00:05:03,720 --> 00:05:07,000 Speaker 3: after a very long journey of getting him John my 109 00:05:07,120 --> 00:05:11,200 Speaker 3: character back to the States, he realizes his interpreter is 110 00:05:11,200 --> 00:05:14,240 Speaker 3: still there, and so he goes back because of the 111 00:05:14,240 --> 00:05:17,960 Speaker 3: burden that he feels for having his life saved and 112 00:05:18,000 --> 00:05:20,200 Speaker 3: not being not feeling like he can really live his 113 00:05:20,240 --> 00:05:22,040 Speaker 3: own life if he doesn't save the other person who 114 00:05:22,160 --> 00:05:22,880 Speaker 3: saved his life. 115 00:05:22,960 --> 00:05:25,160 Speaker 2: So he goes back and he. 116 00:05:24,600 --> 00:05:27,760 Speaker 3: He goes through the journey of saving Ahmed, his interpreter 117 00:05:27,839 --> 00:05:30,000 Speaker 3: and his family to bring them back to the to 118 00:05:30,080 --> 00:05:32,520 Speaker 3: America and fulfill the promise of getting him the visa 119 00:05:32,600 --> 00:05:35,840 Speaker 3: that all the interpreters were. 120 00:05:35,040 --> 00:05:38,159 Speaker 1: Promised, right, and the promise, you know, not fulfilled. And 121 00:05:38,160 --> 00:05:39,880 Speaker 1: it got me to thinking about you look at the 122 00:05:39,880 --> 00:05:44,720 Speaker 1: news and I'm watching these drones getting citizens out of 123 00:05:44,760 --> 00:05:48,719 Speaker 1: Sudan in convoys, and you just are wondering what's really 124 00:05:48,760 --> 00:05:52,320 Speaker 1: going on and what promises are made that are not fulfilled. 125 00:05:52,600 --> 00:05:54,440 Speaker 3: Yeah, we have an ethos. I think of no one 126 00:05:54,520 --> 00:05:56,880 Speaker 3: left behind, you know, that is our ethos. And I 127 00:05:56,880 --> 00:05:59,840 Speaker 3: think you know the relationship between interpreters all over the 128 00:05:59,839 --> 00:06:02,080 Speaker 3: world world and the soldiers who you know, my one 129 00:06:02,080 --> 00:06:04,560 Speaker 3: of my favorite lines in the movie is I say, 130 00:06:05,279 --> 00:06:07,440 Speaker 3: so you're going to tell me? I say to him, 131 00:06:07,440 --> 00:06:09,599 Speaker 3: like he helps me with some things, that you're going 132 00:06:09,640 --> 00:06:10,960 Speaker 3: to tell me how to speak English? And I said, 133 00:06:10,960 --> 00:06:12,760 Speaker 3: what are you here? You're here to translate? And he says, 134 00:06:12,760 --> 00:06:15,839 Speaker 3: I'm not here to translate, I'm here to interpret. And 135 00:06:15,920 --> 00:06:19,360 Speaker 3: I think it's it's about interpreting behavior, cultural behavior and 136 00:06:19,400 --> 00:06:20,400 Speaker 3: helping and saving lives. 137 00:06:20,400 --> 00:06:22,520 Speaker 2: You know, my good friend is a marine. 138 00:06:22,560 --> 00:06:24,760 Speaker 3: He thought in Fallujah and his interpreter he says, he 139 00:06:24,800 --> 00:06:29,240 Speaker 3: owes his life to He's since brought his interpreter's daughters 140 00:06:29,279 --> 00:06:32,640 Speaker 3: to the States and they now work for New York City. 141 00:06:32,680 --> 00:06:35,960 Speaker 3: And you know, I think there's this exchange between cultures. 142 00:06:36,000 --> 00:06:39,919 Speaker 3: We all share a common humanity, you know, and I 143 00:06:39,960 --> 00:06:43,920 Speaker 3: think it's it's hard to see that, but it is true. 144 00:06:43,960 --> 00:06:46,000 Speaker 3: And that's what this movie is about, is the shared 145 00:06:46,120 --> 00:06:50,880 Speaker 3: humanity two men from two completely different places, and the 146 00:06:50,920 --> 00:06:52,839 Speaker 3: ethos that we have as a country, which is no 147 00:06:52,880 --> 00:06:53,960 Speaker 3: one left behind. 148 00:06:54,320 --> 00:06:57,160 Speaker 1: Guy Richie's The Covenant in theaters. Now, go see it, right, 149 00:06:57,160 --> 00:06:59,480 Speaker 1: go see it on the VICTI. 150 00:06:59,400 --> 00:07:01,760 Speaker 2: It's also really entertaining. I mean it is like an 151 00:07:01,800 --> 00:07:03,040 Speaker 2: action movie, so I mean a lot. 152 00:07:04,360 --> 00:07:04,600 Speaker 1: Yeah. 153 00:07:04,680 --> 00:07:06,760 Speaker 3: I mean we like to call it an action parable 154 00:07:06,760 --> 00:07:08,400 Speaker 3: because it's not like this like heavy. 155 00:07:08,400 --> 00:07:08,920 Speaker 2: It's pretty. 156 00:07:08,960 --> 00:07:11,120 Speaker 3: It's emotional because I think it leaves you feeling like 157 00:07:11,640 --> 00:07:13,160 Speaker 3: the goodness in your own heart. You know. 158 00:07:13,480 --> 00:07:18,080 Speaker 2: I believe like as Americans, you know, we are we're. 159 00:07:17,680 --> 00:07:20,760 Speaker 3: Country made of heroes, you know, we really are, and 160 00:07:20,760 --> 00:07:24,760 Speaker 3: and I think that is oftentimes reluctant heroes, but heroes nonetheless, 161 00:07:24,960 --> 00:07:27,200 Speaker 3: you know. And it's a movie that reminds you of 162 00:07:27,240 --> 00:07:29,360 Speaker 3: the good that America can do and can be and 163 00:07:29,760 --> 00:07:30,600 Speaker 3: that's inspiring. 164 00:07:30,640 --> 00:07:32,320 Speaker 2: And at the same time, you know you'll pay for 165 00:07:32,320 --> 00:07:33,480 Speaker 2: your seat, but you'll only need the. 166 00:07:35,960 --> 00:07:37,480 Speaker 1: Well, thanks for calling, man, I know you said you're 167 00:07:37,520 --> 00:07:39,760 Speaker 1: on your way to work. Are you doing another film? Now? 168 00:07:40,600 --> 00:07:41,400 Speaker 2: I'm doing a show. 169 00:07:41,440 --> 00:07:45,560 Speaker 3: I'm doing this Apple series called Presumed Innocent, which is 170 00:07:45,600 --> 00:07:48,680 Speaker 3: an incredible cast and incredible group of people. So yeah, 171 00:07:48,880 --> 00:07:49,800 Speaker 3: we're doing it right now. 172 00:07:49,840 --> 00:07:52,400 Speaker 2: So I turn off my the I turn off the 173 00:07:52,440 --> 00:07:53,040 Speaker 2: air in my car. 174 00:07:53,120 --> 00:07:59,200 Speaker 1: So yeah, listening now, Thanks for calling, buddy, have a 175 00:07:59,200 --> 00:08:02,080 Speaker 1: great day at work. 176 00:08:02,960 --> 00:08:03,600 Speaker 3: Bye. 177 00:08:05,360 --> 00:08:06,040 Speaker 2: A nice guy. 178 00:08:06,680 --> 00:08:08,960 Speaker 1: Now I feel like I know him. I'm in love 179 00:08:09,000 --> 00:08:10,840 Speaker 1: with him, I know, you know what I mean. Like 180 00:08:10,880 --> 00:08:15,200 Speaker 1: that's that kind of yeah right, so down to earth, 181 00:08:15,680 --> 00:08:17,960 Speaker 1: so down to earth. He also just seems like happy, 182 00:08:18,000 --> 00:08:18,520 Speaker 1: go lucky. 183 00:08:18,920 --> 00:08:19,600 Speaker 2: Yeah, you know. 184 00:08:19,560 --> 00:08:22,160 Speaker 1: Those people, just like I liked hearing how He's like, yeah, 185 00:08:22,200 --> 00:08:23,680 Speaker 1: I can do the serious thing, but then I can 186 00:08:23,720 --> 00:08:27,360 Speaker 1: turn it off and you because that I don't know, 187 00:08:27,480 --> 00:08:29,040 Speaker 1: we well, first of we can't do any of that. 188 00:08:29,160 --> 00:08:31,560 Speaker 1: But like, if something happens emotionally, I can't just like 189 00:08:31,600 --> 00:08:34,680 Speaker 1: flip the switch off, even if it's us talking about 190 00:08:34,720 --> 00:08:39,600 Speaker 1: Ryan's roses. I'm like beat for two hours all right, 191 00:08:39,679 --> 00:08:42,200 Speaker 1: so I gotta see that at the theater right now. 192 00:08:42,280 --> 00:08:44,160 Speaker 1: Of course you're talking about baking sour dough bread. It's 193 00:08:44,160 --> 00:08:45,720 Speaker 1: all I'm thinking about. What are you gonna put on it? 194 00:08:45,760 --> 00:08:47,600 Speaker 1: I'm gonna put honey on it. That's I'm gonna put 195 00:08:47,640 --> 00:08:51,960 Speaker 1: on it, fresh un money. Yeah, that's it. Well I 196 00:08:52,000 --> 00:08:53,839 Speaker 1: could no, that's it right now, it's I'm gonna put 197 00:08:53,880 --> 00:08:56,640 Speaker 1: on it. George Lopez is gonna be playing at the 198 00:08:56,640 --> 00:08:57,760 Speaker 1: Greek this summer. Tickets and neck