WEBVTT - Mini Crush #1

0:00:24.280 --> 0:00:26.720
<v Speaker 1>Hey, everybody, and welcome to the Movie Crush. Charles W.

0:00:27.000 --> 0:00:31.320
<v Speaker 1>Chuck Bryant. Here in our home studio Pont City Market, Atlanta, Georgia.

0:00:31.840 --> 0:00:36.720
<v Speaker 1>And today I have me in the studio and Noel

0:00:37.120 --> 0:00:39.640
<v Speaker 1>it's gonna chime in say hello, Nol, Hey Chuck. How's

0:00:39.640 --> 0:00:43.760
<v Speaker 1>it going everybody? Well, he said, hey, Chuck. It was

0:00:43.800 --> 0:00:45.400
<v Speaker 1>kind of a doubled up. It was like saying hey

0:00:45.440 --> 0:00:47.760
<v Speaker 1>to you and then saying hey to to the listening public.

0:00:47.920 --> 0:00:49.839
<v Speaker 1>And I responded for the listening public because I think

0:00:49.840 --> 0:00:52.560
<v Speaker 1>they're doing fine. It's I'm gonna stick with that. Um.

0:00:52.640 --> 0:00:56.360
<v Speaker 1>So this is the first, um, I guess many episode

0:00:56.400 --> 0:00:59.319
<v Speaker 1>we're gonna call these. Uh. It was pretty clear from

0:00:59.360 --> 0:01:03.160
<v Speaker 1>interacting with people on on Facebook and the Movie Crush

0:01:03.240 --> 0:01:07.280
<v Speaker 1>page and the Super Super Movie Crush fan page, the

0:01:07.360 --> 0:01:12.559
<v Speaker 1>Movie Crushers that uh folks wanted to interact a lot

0:01:12.840 --> 0:01:15.800
<v Speaker 1>with this podcast, which is awesome, and that was kind

0:01:15.800 --> 0:01:17.800
<v Speaker 1>of the idea to begin with. So that's kind of

0:01:17.800 --> 0:01:20.679
<v Speaker 1>the idea behind these episodes. We're not going to feature

0:01:20.720 --> 0:01:24.040
<v Speaker 1>interviews with people about their favorite movie, but a lot

0:01:24.080 --> 0:01:27.520
<v Speaker 1>of it is going to be just hanging out virtually,

0:01:27.600 --> 0:01:32.240
<v Speaker 1>hanging out with you guys and I'm sourcing emails from

0:01:32.280 --> 0:01:38.200
<v Speaker 1>from Facebook and top tens and questions for you guys,

0:01:38.640 --> 0:01:40.640
<v Speaker 1>and everyone's chiming in, so you're gonna play a big

0:01:40.680 --> 0:01:43.880
<v Speaker 1>part in this, which is very cool, I think. So

0:01:43.920 --> 0:01:45.960
<v Speaker 1>that's sort of the concept. We're gonna keep them kind

0:01:45.959 --> 0:01:48.279
<v Speaker 1>of short and sweet, probably between twenty and thirty minutes,

0:01:49.000 --> 0:01:51.720
<v Speaker 1>and we're gonna have just some different segments here and there.

0:01:51.720 --> 0:01:54.080
<v Speaker 1>I'm gonna have a little bag of tricks that we

0:01:54.120 --> 0:01:56.280
<v Speaker 1>come up with over time. And some of these were

0:01:56.800 --> 0:01:59.800
<v Speaker 1>directly from from you guys who suggested that I do

0:02:00.000 --> 0:02:03.280
<v Speaker 1>certain things. And I'm always looking for feedback, So if

0:02:03.320 --> 0:02:06.240
<v Speaker 1>you have some more ideas for fun segments, please please

0:02:06.320 --> 0:02:08.720
<v Speaker 1>let me know, because that's the whole idea here, is

0:02:08.800 --> 0:02:12.880
<v Speaker 1>to make this about us, the movie Crush family community

0:02:13.160 --> 0:02:16.720
<v Speaker 1>here that we have going so um. I think today

0:02:17.000 --> 0:02:19.640
<v Speaker 1>we are gonna do a few different segments. And I

0:02:19.639 --> 0:02:22.080
<v Speaker 1>gave these all goofy titles because that's just how my

0:02:22.120 --> 0:02:24.040
<v Speaker 1>mind works. And maybe no one can come up with

0:02:24.120 --> 0:02:27.480
<v Speaker 1>some fun little music stings. What do you think. I'll

0:02:27.520 --> 0:02:29.799
<v Speaker 1>give it a go for sure. Man. Okay, well we'll

0:02:29.800 --> 0:02:33.079
<v Speaker 1>know here in about three seconds. Because the first segment

0:02:33.080 --> 0:02:41.320
<v Speaker 1>we're gonna talk about is called social studies. So social

0:02:41.400 --> 0:02:44.919
<v Speaker 1>studies is um a little play on words from social media.

0:02:45.320 --> 0:02:47.160
<v Speaker 1>And this is when I have put out a call

0:02:47.200 --> 0:02:52.280
<v Speaker 1>on Facebook for a question basically for for you folks

0:02:52.320 --> 0:02:54.480
<v Speaker 1>to answer back. And I will read as many of

0:02:54.480 --> 0:02:56.800
<v Speaker 1>them as I can. But um, I put a few

0:02:56.840 --> 0:02:59.959
<v Speaker 1>of them mountain. We'll do one per episode here moving forward.

0:03:00.080 --> 0:03:02.639
<v Speaker 1>And the question I threw out was for this one

0:03:03.160 --> 0:03:06.800
<v Speaker 1>is what movies have actually inspired you in your personal

0:03:06.840 --> 0:03:10.960
<v Speaker 1>life and why? And um, I'll go and start with

0:03:11.000 --> 0:03:13.239
<v Speaker 1>mine just to get it going. Mine's kind of corny,

0:03:13.280 --> 0:03:17.200
<v Speaker 1>I guess I had to think about it for a while. Um,

0:03:17.240 --> 0:03:22.200
<v Speaker 1>But Dead Poets Society, it seems like a almost trite

0:03:22.320 --> 0:03:25.040
<v Speaker 1>to say that movie inspired me, but it really did

0:03:25.080 --> 0:03:27.880
<v Speaker 1>because I was trying to think back to that movie,

0:03:27.960 --> 0:03:31.080
<v Speaker 1>and if I'm not mistaken, there was a direct through

0:03:31.160 --> 0:03:35.600
<v Speaker 1>line from watching that movie to me becoming an English

0:03:35.640 --> 0:03:38.360
<v Speaker 1>major in college. When I went to college, it didn't

0:03:38.400 --> 0:03:40.400
<v Speaker 1>have a great idea of what I wanted to do,

0:03:41.160 --> 0:03:44.880
<v Speaker 1>and Dead Poets Society had just really gotten me into

0:03:46.200 --> 0:03:49.240
<v Speaker 1>um literature. I mean, I'd always read since I was

0:03:49.280 --> 0:03:51.120
<v Speaker 1>a kid, but it really inspired me to start reading.

0:03:51.120 --> 0:03:55.000
<v Speaker 1>Like obviously, poetry and some of the classics, and I

0:03:55.040 --> 0:03:59.720
<v Speaker 1>remember thinking, hey, if I can read and write and

0:04:00.000 --> 0:04:02.800
<v Speaker 1>college and that's my main jam, that I should probably

0:04:02.800 --> 0:04:05.120
<v Speaker 1>pursue that. And it's sort of in the back of

0:04:05.120 --> 0:04:07.280
<v Speaker 1>my head too. I I know everyone knows I always

0:04:07.320 --> 0:04:09.360
<v Speaker 1>kind of thought about being a teacher because my parents

0:04:09.360 --> 0:04:12.640
<v Speaker 1>are both teachers, and um, obviously Dead Poets Society is

0:04:12.680 --> 0:04:17.159
<v Speaker 1>a love song for for inspiring teachers, So that one

0:04:17.240 --> 0:04:19.279
<v Speaker 1>stuck with me. And I think that movie inspired me

0:04:19.720 --> 0:04:22.120
<v Speaker 1>at least to do, uh, do what I did in college.

0:04:22.600 --> 0:04:23.720
<v Speaker 1>I don't want to put you on the spot in

0:04:23.760 --> 0:04:26.360
<v Speaker 1>old but well, first thing to follow up to that

0:04:26.400 --> 0:04:28.120
<v Speaker 1>also kind of inspire, like a little bit of a

0:04:28.160 --> 0:04:33.560
<v Speaker 1>rebellious streak. Did you stand on your desk in college? Oh?

0:04:33.600 --> 0:04:35.400
<v Speaker 1>My god? And that's that's tough. I wish I would

0:04:35.400 --> 0:04:36.880
<v Speaker 1>have had a little more time to think about, Like

0:04:37.600 --> 0:04:42.120
<v Speaker 1>the stuff that comes to mind is mainly just like

0:04:43.640 --> 0:04:46.200
<v Speaker 1>things that made me feel empathy and and the one

0:04:46.240 --> 0:04:47.960
<v Speaker 1>that comes to mind is like stuff like the Lion

0:04:48.040 --> 0:04:49.520
<v Speaker 1>King and things that I've been able to share with

0:04:49.560 --> 0:04:52.839
<v Speaker 1>my daughter. So I guess in terms of inspiration, maybe

0:04:52.839 --> 0:04:55.640
<v Speaker 1>that's not exactly the right answer, but it's certainly stuff

0:04:55.720 --> 0:04:59.600
<v Speaker 1>that gives me an interesting nostalgia boost where I kind

0:04:59.600 --> 0:05:00.960
<v Speaker 1>of can to where I was when I was a

0:05:01.000 --> 0:05:03.200
<v Speaker 1>kid watching that and now watching them with my daughter.

0:05:03.600 --> 0:05:06.280
<v Speaker 1>And actually I've got one now, Inside Out, Inside Out,

0:05:06.360 --> 0:05:09.480
<v Speaker 1>the Pixar movie that's about mental health, and we handled

0:05:09.520 --> 0:05:11.720
<v Speaker 1>this so delightfully. I saw that with my daughter when

0:05:11.760 --> 0:05:15.240
<v Speaker 1>she was borderline not old enough to get all the messages,

0:05:15.279 --> 0:05:17.440
<v Speaker 1>but like the way it's presented, you don't have to

0:05:17.480 --> 0:05:20.440
<v Speaker 1>go full deep, fully deep into it um and I

0:05:20.440 --> 0:05:22.120
<v Speaker 1>could tell that it resonated with her, and it really

0:05:22.160 --> 0:05:24.159
<v Speaker 1>resonated with me, you know. And she looks over at me,

0:05:24.160 --> 0:05:25.640
<v Speaker 1>and this happens every time we go to a movie

0:05:25.640 --> 0:05:29.960
<v Speaker 1>like that, and she's like, Dad, you're crying again. That's

0:05:29.960 --> 0:05:31.880
<v Speaker 1>a delightful music. That's that's kind of what comes to

0:05:31.920 --> 0:05:35.160
<v Speaker 1>mind for me. That's good man, Emilian are succeps um poy.

0:05:35.240 --> 0:05:37.599
<v Speaker 1>We cry a lot and I can't. I'm sure my

0:05:37.680 --> 0:05:40.120
<v Speaker 1>daughter is gonna be like, what's wrong with mommy and

0:05:40.160 --> 0:05:42.159
<v Speaker 1>daddy at some point. I caught her crying in a

0:05:42.200 --> 0:05:44.719
<v Speaker 1>movie recently and that made me feel good. That is sweet.

0:05:44.880 --> 0:05:48.039
<v Speaker 1>But it was actually the Greatest Showman, which is a

0:05:48.040 --> 0:05:50.960
<v Speaker 1>little schmaltzy and it's this musical about P. T. Barn

0:05:51.200 --> 0:05:53.720
<v Speaker 1>and he obviously wasn't the best dude, and they whitewashed

0:05:53.720 --> 0:05:55.880
<v Speaker 1>it a good bit. But it's kind of a delightful

0:05:55.960 --> 0:05:59.120
<v Speaker 1>Mulan rouge pop musical and she just adores it so

0:05:59.200 --> 0:06:01.560
<v Speaker 1>much and more of the spectacle I think kind of

0:06:01.600 --> 0:06:04.239
<v Speaker 1>brought her to tears because it's just very pop music

0:06:04.360 --> 0:06:06.880
<v Speaker 1>driven and really makes you twist the fields on you

0:06:06.920 --> 0:06:08.560
<v Speaker 1>a little bit. So I'm looking over at Herrick and

0:06:08.600 --> 0:06:10.320
<v Speaker 1>I was like, all right, we're in this together, kid.

0:06:10.480 --> 0:06:12.920
<v Speaker 1>So it was manipulative, it's what yourself. Yeah, yeah, but

0:06:13.200 --> 0:06:16.200
<v Speaker 1>in a way that I kind of enjoy. Um. All right, well,

0:06:16.240 --> 0:06:20.120
<v Speaker 1>let's take through some of these on Facebook. Then, UM

0:06:20.240 --> 0:06:22.960
<v Speaker 1>let me see here Alison Gallagher, she's very active on

0:06:22.960 --> 0:06:25.040
<v Speaker 1>our page. Thanks Allison, um, she says, a league of

0:06:25.080 --> 0:06:27.720
<v Speaker 1>their own. I love that the film uses America's favorite

0:06:27.720 --> 0:06:31.600
<v Speaker 1>pastime to demonstrate the strength strengths of all women and

0:06:31.640 --> 0:06:35.760
<v Speaker 1>their capabilities on and off the field. That's a great one, uh.

0:06:35.880 --> 0:06:39.039
<v Speaker 1>Mark Germany says Sideways one of my favorites. Mark, that

0:06:39.080 --> 0:06:40.599
<v Speaker 1>movie always made me want to be involved in the

0:06:40.600 --> 0:06:42.960
<v Speaker 1>wine industry, and two years ago I left my career

0:06:43.000 --> 0:06:47.440
<v Speaker 1>behind and started studying to become a winemaker. That's awesome.

0:06:48.120 --> 0:06:49.920
<v Speaker 1>I would love to do that. Well, actually, I think

0:06:49.920 --> 0:06:53.680
<v Speaker 1>i'd rather just strength of wine. Um Mark Palumbo says

0:06:53.760 --> 0:06:56.120
<v Speaker 1>life is beautiful. Even in the world around you is

0:06:56.160 --> 0:07:00.320
<v Speaker 1>horrific and sad, there's still humor, love, and uh joy

0:07:00.400 --> 0:07:03.600
<v Speaker 1>hidden beneath the surface. Is huge. What a wonderful movie.

0:07:03.680 --> 0:07:06.480
<v Speaker 1>I never saw that, man, It's it's great. That's one

0:07:06.480 --> 0:07:09.000
<v Speaker 1>of those do you have shame movies that you're ashamed

0:07:09.000 --> 0:07:11.040
<v Speaker 1>that you never saw? Yeah, I've never been taught. My

0:07:11.080 --> 0:07:14.120
<v Speaker 1>girlfriend has a huge hole in her movie going experience.

0:07:14.360 --> 0:07:16.560
<v Speaker 1>I've never seen The Godfather and stuff. But she gets

0:07:16.560 --> 0:07:18.080
<v Speaker 1>mad at me when I say things like I've never

0:07:18.080 --> 0:07:23.720
<v Speaker 1>seen hocus Pocus. Well, one person, Scott Father is another persons.

0:07:25.400 --> 0:07:28.000
<v Speaker 1>Um Jennifer Adolph, Princess Pride living in a small town.

0:07:28.000 --> 0:07:31.480
<v Speaker 1>It brought all of us outsiders together. That's pretty cool.

0:07:31.880 --> 0:07:35.920
<v Speaker 1>I like that. Um let me see here, Vanessa Lopez

0:07:35.960 --> 0:07:39.000
<v Speaker 1>Shawshank Redemption reminds me that even though we fight for it,

0:07:39.040 --> 0:07:41.760
<v Speaker 1>freedom can be frightening because in one way or another,

0:07:41.760 --> 0:07:45.240
<v Speaker 1>we're all a little bit institutionalized like Brooks. But if

0:07:45.240 --> 0:07:46.760
<v Speaker 1>we can make a mad dash toward that open door,

0:07:46.800 --> 0:07:48.920
<v Speaker 1>and we find it, we might actually break free and

0:07:48.960 --> 0:07:53.280
<v Speaker 1>get busy living. WHOA, that's a good deep one. A

0:07:53.320 --> 0:07:56.600
<v Speaker 1>couple of people said Eternal Sunshine, The Spotless Mind. Here's

0:07:56.600 --> 0:07:59.840
<v Speaker 1>one from Nina Lenore. It was the first movie that

0:08:00.000 --> 0:08:02.360
<v Speaker 1>for me encompassed the way a heart can be broken

0:08:02.360 --> 0:08:05.680
<v Speaker 1>and hopeful at the same time. I agree, that's a

0:08:05.720 --> 0:08:11.240
<v Speaker 1>good one. Um Well, Dead Poet Society. Here's another fellow fan,

0:08:11.800 --> 0:08:14.720
<v Speaker 1>Kristen Bits a guy growing up in a small, homogeneous

0:08:14.720 --> 0:08:18.480
<v Speaker 1>conservative town, remember thinking that post society was an anthem

0:08:18.520 --> 0:08:21.800
<v Speaker 1>for learning to find your passion uh and then live

0:08:21.800 --> 0:08:25.080
<v Speaker 1>it at any cost. Totally. I think you mentioned in

0:08:25.080 --> 0:08:27.920
<v Speaker 1>an interview before how like that was one where one

0:08:27.920 --> 0:08:29.800
<v Speaker 1>of the first ones where you kind of saw suicide

0:08:29.840 --> 0:08:31.840
<v Speaker 1>handled in such a frank way and you see that

0:08:32.040 --> 0:08:34.080
<v Speaker 1>we at a real young age. Totally. That was kind

0:08:34.120 --> 0:08:37.480
<v Speaker 1>of that one for me. I remember feeling that, man,

0:08:37.559 --> 0:08:39.679
<v Speaker 1>if you don't like, if you're not crying at the

0:08:39.760 --> 0:08:41.760
<v Speaker 1>end of that movie when all the boys stand upon

0:08:41.760 --> 0:08:53.680
<v Speaker 1>the desk, then you're dead inside. Cee Lorimer says, difficult

0:08:53.720 --> 0:08:56.400
<v Speaker 1>and very personal the hours. That was a heavy movie.

0:08:56.920 --> 0:08:59.200
<v Speaker 1>Julian Moore explains why she leaves her husband and young

0:08:59.280 --> 0:09:03.360
<v Speaker 1>children later in life. She says, it was death. I

0:09:03.520 --> 0:09:07.320
<v Speaker 1>chose life. Although different reasons, this line resonated with me

0:09:07.360 --> 0:09:12.800
<v Speaker 1>while leaving my marriage and fundamentalist Christianity. Wow, people are

0:09:13.400 --> 0:09:15.280
<v Speaker 1>people are digging in here? This is a good question.

0:09:15.880 --> 0:09:22.880
<v Speaker 1>Way to go, Chuck, Trish Lauder, Hoss gil Breath, great name,

0:09:23.080 --> 0:09:27.199
<v Speaker 1>great hyphen NATed name. Frieda starring Salma Hayak. Frieda Kala's

0:09:27.240 --> 0:09:29.800
<v Speaker 1>life story is fascinating and inspiring on its own, she

0:09:29.880 --> 0:09:32.439
<v Speaker 1>was a unique and outspoken artist. Add to that, what

0:09:32.520 --> 0:09:35.240
<v Speaker 1>Hyak went through to get the movie made totally. It

0:09:35.320 --> 0:09:39.560
<v Speaker 1>was Hi's passion project and it shows that's one of

0:09:39.600 --> 0:09:42.160
<v Speaker 1>my faiths. In that essays shearro recently about all that

0:09:42.200 --> 0:09:44.320
<v Speaker 1>stuff with Weinstein that she went through to make that

0:09:44.360 --> 0:09:47.960
<v Speaker 1>movie is crushing. Salma Hayak wrote that wrote like an

0:09:47.960 --> 0:09:51.120
<v Speaker 1>op ed for Variety or something where she talked about

0:09:51.120 --> 0:09:53.960
<v Speaker 1>how he held that movie over her head at every

0:09:54.000 --> 0:09:56.480
<v Speaker 1>turn and was just as smarmie. You know, e o

0:09:56.679 --> 0:10:00.440
<v Speaker 1>s what you can say, piece of ships, some army

0:10:00.720 --> 0:10:05.000
<v Speaker 1>piece of ship just the worst. That's terrible and uh

0:10:05.160 --> 0:10:09.000
<v Speaker 1>my wife, Emily Frieda Calo is one of her, if

0:10:09.040 --> 0:10:12.600
<v Speaker 1>not her all time favorite um women in history. I'm

0:10:12.840 --> 0:10:15.839
<v Speaker 1>even gonna beyond art. And we have lots of Frieda

0:10:15.880 --> 0:10:18.520
<v Speaker 1>stuff in our household, including a bunch of freed to

0:10:18.559 --> 0:10:21.760
<v Speaker 1>Carlo children's books. And I think I may have never

0:10:21.800 --> 0:10:25.280
<v Speaker 1>seen Emily as happy in her life as when my

0:10:25.400 --> 0:10:29.040
<v Speaker 1>daughter one night said, Mommy, can we weed Freida? Can

0:10:29.080 --> 0:10:32.640
<v Speaker 1>we weed Freda A? So did you guys go to

0:10:32.640 --> 0:10:35.560
<v Speaker 1>the Frieda and Diego exhibition at the high That was

0:10:35.920 --> 0:10:38.200
<v Speaker 1>years ago? So cool? Yeah, we've seen her paintings at

0:10:38.200 --> 0:10:41.760
<v Speaker 1>a bunch of museums, and one day we will most

0:10:41.880 --> 0:10:45.680
<v Speaker 1>definitely go to the Casa Azul in Mexico. That's on

0:10:45.720 --> 0:10:48.079
<v Speaker 1>the bucket list. Awesome, not even buckle list. I want

0:10:48.120 --> 0:10:50.760
<v Speaker 1>to do that, just a list in the next few years.

0:10:52.400 --> 0:10:54.840
<v Speaker 1>John Millsap, This is good answer. I can't think of

0:10:54.880 --> 0:10:57.720
<v Speaker 1>a single film that has done this. Every movie I watch,

0:10:57.800 --> 0:11:00.240
<v Speaker 1>I take something away that means something to me. That's

0:11:00.240 --> 0:11:02.559
<v Speaker 1>why I love movies and I am inspiring to be

0:11:02.600 --> 0:11:04.800
<v Speaker 1>an actor. All stories need to be told because you

0:11:04.800 --> 0:11:07.360
<v Speaker 1>could never know what any one person will walk away

0:11:07.400 --> 0:11:09.959
<v Speaker 1>with and how much it could help. It's a really

0:11:10.000 --> 0:11:15.160
<v Speaker 1>good answer. Sarah Adams another for life is beautiful, Rex

0:11:15.200 --> 0:11:18.600
<v Speaker 1>are emotionally to get through, and Guido's relentless commitment to

0:11:18.679 --> 0:11:21.400
<v Speaker 1>making the world a beautiful place where his son is

0:11:21.880 --> 0:11:24.760
<v Speaker 1>it wonderfully demonstrates how love is the most important and

0:11:24.800 --> 0:11:27.440
<v Speaker 1>most powerful force in the world. What a bummer that

0:11:27.480 --> 0:11:30.840
<v Speaker 1>his next movie was that horrible Pinocchio adaptation. I didn't

0:11:30.840 --> 0:11:32.320
<v Speaker 1>see that either. I didn't see it, but I just

0:11:32.360 --> 0:11:34.800
<v Speaker 1>saw clips and it's just like held up as one

0:11:34.840 --> 0:11:38.360
<v Speaker 1>of the most tone deaf, weird awful movies. Yeah, and

0:11:38.400 --> 0:11:40.160
<v Speaker 1>it was like a big passion project for him and

0:11:40.679 --> 0:11:43.319
<v Speaker 1>totally fell flat. He plays Pinocchio. He's like this weird

0:11:43.800 --> 0:11:49.440
<v Speaker 1>grown up man child looking Pinocchio. I think, I I

0:11:49.440 --> 0:11:51.560
<v Speaker 1>think the only Roberto Bonini movies have seen her. The

0:11:51.600 --> 0:11:54.560
<v Speaker 1>Jim Jarmish Ones was Down by Law, Down by Law,

0:11:54.640 --> 0:11:58.040
<v Speaker 1>and then he was in The Night on Earth. See,

0:11:58.080 --> 0:12:00.680
<v Speaker 1>I got a huge hole for Jarmish and my my catalog,

0:12:00.800 --> 0:12:05.080
<v Speaker 1>you need to fill that hole. That sounds gross. Um.

0:12:05.160 --> 0:12:08.320
<v Speaker 1>Robert lamb our own Robert lamb of stuff to blow

0:12:08.360 --> 0:12:12.320
<v Speaker 1>your mind. He's active on this page, which makes me

0:12:12.360 --> 0:12:15.120
<v Speaker 1>feel really good. Robert's awesome fear and loathing in Las

0:12:15.200 --> 0:12:18.120
<v Speaker 1>Vegas for him actually, which is kind of funny, if

0:12:18.120 --> 0:12:21.000
<v Speaker 1>you know. Robert doesn't seem like Fear and Loathing would

0:12:21.000 --> 0:12:23.720
<v Speaker 1>be his movie, but he says it actually inspired me

0:12:24.080 --> 0:12:26.559
<v Speaker 1>to go back to school and take some journalism classes

0:12:26.640 --> 0:12:28.920
<v Speaker 1>rather than take the ls AT and go down that road.

0:12:28.960 --> 0:12:31.600
<v Speaker 1>I watched the movie first, then read the book. Not

0:12:31.720 --> 0:12:34.680
<v Speaker 1>that I expected the same Gonzo adventures or anything, but

0:12:34.760 --> 0:12:37.120
<v Speaker 1>the movie and book ignited something in me. And then

0:12:37.120 --> 0:12:39.520
<v Speaker 1>he procured a giant suitcase full of drugs and took

0:12:39.520 --> 0:12:45.000
<v Speaker 1>a road no realizing. Oh k b O. Kelly Butler

0:12:45.000 --> 0:12:47.280
<v Speaker 1>Olsen one of our old pals. Uh. The Secret Life

0:12:47.280 --> 0:12:50.960
<v Speaker 1>of Walter Minnie has been a huge reminder to not

0:12:51.120 --> 0:12:53.840
<v Speaker 1>get so caught up in plans and day dreams that

0:12:53.920 --> 0:12:57.680
<v Speaker 1>I forget to actually experience life. That's a good one,

0:12:58.520 --> 0:13:01.119
<v Speaker 1>all right. And finally we'll do one here one, Carlos

0:13:01.840 --> 0:13:05.520
<v Speaker 1>Caranza says. Invictus, which I haven't seen yet. It's on

0:13:05.559 --> 0:13:09.000
<v Speaker 1>the list. A great story of how after the apartheid,

0:13:09.160 --> 0:13:13.600
<v Speaker 1>Mandela and the South African rugby team work together to

0:13:13.679 --> 0:13:16.200
<v Speaker 1>give the nation the first win as a unified country.

0:13:16.559 --> 0:13:18.839
<v Speaker 1>In order to go forward, we have to talk and

0:13:18.880 --> 0:13:22.920
<v Speaker 1>work with the people that have completely different points of views. Man,

0:13:23.000 --> 0:13:25.440
<v Speaker 1>that's a good one to finish up with, given what's

0:13:25.440 --> 0:13:27.600
<v Speaker 1>going on in this country right now. Um, those are

0:13:27.600 --> 0:13:31.320
<v Speaker 1>some good answers, and I think, I mean, I wish

0:13:31.320 --> 0:13:33.480
<v Speaker 1>I could read them all everyone because these are all great,

0:13:33.960 --> 0:13:36.720
<v Speaker 1>but we don't want an hour of just reading Facebook post.

0:13:37.160 --> 0:13:40.560
<v Speaker 1>But I think this really shows that, like movies, and

0:13:40.559 --> 0:13:42.520
<v Speaker 1>that's the sort of idea behind this show is there's

0:13:42.520 --> 0:13:45.439
<v Speaker 1>a lot more going on than entertainment. Sometimes it can

0:13:45.480 --> 0:13:49.160
<v Speaker 1>be just that, which is great, but movies can inspire

0:13:49.400 --> 0:13:53.800
<v Speaker 1>and and really cause you to question things about yourself

0:13:54.160 --> 0:13:56.480
<v Speaker 1>in the world around you and inspire you to do

0:13:56.559 --> 0:14:00.280
<v Speaker 1>great things, which is pretty awesome. Alright, So move on

0:14:00.320 --> 0:14:06.360
<v Speaker 1>from Social Studies two the highlight reel, and this is

0:14:06.360 --> 0:14:07.880
<v Speaker 1>what I'm gonna put in every now and then. I

0:14:07.920 --> 0:14:11.720
<v Speaker 1>think with a highlight reel, I'm going to highlight, um

0:14:11.760 --> 0:14:13.360
<v Speaker 1>what kind of depends could be a writer, could be

0:14:13.360 --> 0:14:16.760
<v Speaker 1>a director, or an actor. Um, it could be their

0:14:16.920 --> 0:14:19.680
<v Speaker 1>entire career or maybe just a part of it. Uh.

0:14:19.680 --> 0:14:23.360
<v Speaker 1>And generally though, these are gonna be people that I

0:14:23.400 --> 0:14:26.560
<v Speaker 1>feel like you're a little under served. Um, I'm not

0:14:26.600 --> 0:14:29.240
<v Speaker 1>going to do a highlight reel on George Clooney, you know,

0:14:29.240 --> 0:14:32.760
<v Speaker 1>what I'm saying, because everyone knows that that cloons is

0:14:32.800 --> 0:14:36.920
<v Speaker 1>the best. So this week I'm gonna go with Hal Hartley,

0:14:37.320 --> 0:14:40.760
<v Speaker 1>writer director Hal Hartley, who, Um, I'm not sure when

0:14:40.800 --> 0:14:43.160
<v Speaker 1>this is gonna come out. Probably, in fact, I know

0:14:43.200 --> 0:14:46.480
<v Speaker 1>this will come out pre my discussion with future guest

0:14:47.000 --> 0:14:49.480
<v Speaker 1>Guy Brandham, which by the way, look out for that one.

0:14:49.480 --> 0:14:51.920
<v Speaker 1>That's a fun one. But um, guy and I talked

0:14:51.920 --> 0:14:54.440
<v Speaker 1>a little bit about how Hardley and when I was

0:14:54.600 --> 0:14:58.480
<v Speaker 1>in college and the nineties is when I really and

0:14:58.480 --> 0:15:00.240
<v Speaker 1>you've heard me talk about this before on the show,

0:15:00.360 --> 0:15:04.560
<v Speaker 1>that's when I really got into independent film and stuff

0:15:04.600 --> 0:15:06.760
<v Speaker 1>that was a little left of center, um, off the

0:15:06.800 --> 0:15:10.360
<v Speaker 1>beaten path kind of stuff, less mainstream, and that's when

0:15:10.360 --> 0:15:12.200
<v Speaker 1>my eyes were really open to the to the world

0:15:12.240 --> 0:15:15.520
<v Speaker 1>of independent cinema and it was just a huge sea

0:15:15.600 --> 0:15:17.720
<v Speaker 1>change in my life and what kind of movies I

0:15:17.800 --> 0:15:20.800
<v Speaker 1>liked and what uh I mean, they actually all inspired

0:15:20.840 --> 0:15:23.480
<v Speaker 1>me that, like, man, you can you can do this.

0:15:23.880 --> 0:15:27.120
<v Speaker 1>These are small movies and you don't have to be

0:15:27.200 --> 0:15:29.720
<v Speaker 1>some big Hollywood hot shot to go out there and

0:15:29.720 --> 0:15:32.160
<v Speaker 1>tell a great story. So Hal Hartley was definitely one

0:15:32.160 --> 0:15:34.600
<v Speaker 1>of those for me. Uh And for the Highlight reel.

0:15:34.640 --> 0:15:38.560
<v Speaker 1>I'm gonna specifically talk about his first four feature films. Uh.

0:15:38.600 --> 0:15:42.120
<v Speaker 1>He would go on later to do the fay Grim movies.

0:15:43.120 --> 0:15:45.920
<v Speaker 1>I wanted to say trilogy, but are there four? Now?

0:15:46.040 --> 0:15:47.800
<v Speaker 1>I just know Henry Fool isn't that part of it?

0:15:47.840 --> 0:15:49.400
<v Speaker 1>Isn't like the first one? And then fay Graham was

0:15:49.400 --> 0:15:52.440
<v Speaker 1>maybe the second one. Yeah, Henry Fool fay Grim. And

0:15:52.480 --> 0:15:54.680
<v Speaker 1>there there was a new and many years later recently

0:15:54.720 --> 0:15:58.640
<v Speaker 1>called ned Rifle with Aubrey Plaza picking up the baton.

0:15:59.360 --> 0:16:01.440
<v Speaker 1>There may have been one in between there. I can't remember.

0:16:01.600 --> 0:16:03.880
<v Speaker 1>Those are good movies. I did not love them like

0:16:03.920 --> 0:16:06.960
<v Speaker 1>I loved his first four films so which were the

0:16:07.040 --> 0:16:12.960
<v Speaker 1>Unbelievable Truth nine Trust in nineteen nine, Surviving Desire in Nino,

0:16:13.000 --> 0:16:15.800
<v Speaker 1>and Simple Men in nineteen two. That's crazy to put

0:16:15.800 --> 0:16:18.080
<v Speaker 1>out two movies in one year. These are totally new

0:16:18.120 --> 0:16:21.800
<v Speaker 1>to me. Man, Well, you gotta check it out. All

0:16:21.800 --> 0:16:25.000
<v Speaker 1>of these movies very much in his defining style, which

0:16:25.920 --> 0:16:31.160
<v Speaker 1>which is to say, very highly stylized, um left of center.

0:16:31.920 --> 0:16:35.880
<v Speaker 1>It borders on the melodrama at certain points, very deadpan

0:16:36.080 --> 0:16:41.520
<v Speaker 1>black humor, kind of choppy, stilted dialogue, and sometimes what

0:16:41.520 --> 0:16:45.040
<v Speaker 1>what feels like overacting, and that sounds like all the

0:16:45.120 --> 0:16:48.040
<v Speaker 1>things you don't want to do as a writer director. Um,

0:16:48.120 --> 0:16:51.520
<v Speaker 1>but it works somehow. They're definitely not for everybody. My

0:16:51.560 --> 0:16:55.200
<v Speaker 1>brother hated Hal Hartley movies. Didn't get it. Well not

0:16:55.320 --> 0:16:56.920
<v Speaker 1>he didn't get it, he just didn't like it. Is

0:16:56.960 --> 0:17:00.120
<v Speaker 1>it like Wes Anderson, He kind of stilted acting. You

0:17:00.160 --> 0:17:04.840
<v Speaker 1>gotta check it out. It's like sometimes it almost seems like, um,

0:17:06.160 --> 0:17:11.360
<v Speaker 1>like a bad play. No, no, no. When I when

0:17:11.359 --> 0:17:14.000
<v Speaker 1>I think of that, I think of David Lynch. Yeah,

0:17:14.160 --> 0:17:18.160
<v Speaker 1>kind of like purposefully over acted, kind of like scenery

0:17:18.240 --> 0:17:20.760
<v Speaker 1>chewing soap opera kind of acting. Well, yeah, there's a

0:17:20.760 --> 0:17:22.840
<v Speaker 1>little bit of that, but this these feel like stage

0:17:22.840 --> 0:17:25.280
<v Speaker 1>plays and they'll do weird thing I mean he did

0:17:25.320 --> 0:17:27.600
<v Speaker 1>weird things, like in the middle of a scene on

0:17:27.600 --> 0:17:29.639
<v Speaker 1>a rooftop, the characters would just break out in this

0:17:29.800 --> 0:17:35.640
<v Speaker 1>like kind of Broadway style dance. Um. It's like I said,

0:17:35.680 --> 0:17:38.440
<v Speaker 1>it's not everyone's cup of tea, but they just delighted

0:17:38.440 --> 0:17:40.600
<v Speaker 1>me to no end. And he he really put a

0:17:40.640 --> 0:17:43.199
<v Speaker 1>lot of I mean they're the indist of indie films

0:17:43.240 --> 0:17:46.000
<v Speaker 1>and and feel and tone and uh, he's a New

0:17:46.040 --> 0:17:49.320
<v Speaker 1>York guy and they he launched the careers of a

0:17:49.320 --> 0:17:53.199
<v Speaker 1>bunch of people. Edie Falcon's first movies we're some of

0:17:53.200 --> 0:17:57.120
<v Speaker 1>the How Hartley movies. Adrian Shelly very sadly, the late

0:17:57.160 --> 0:17:59.879
<v Speaker 1>Adrian Shelly. Um, if you guys don't know who she is,

0:18:00.840 --> 0:18:04.160
<v Speaker 1>she was in the movie Waitress that became the Broadway

0:18:04.240 --> 0:18:08.560
<v Speaker 1>show I think Waitress, and um, she was murdered. It

0:18:08.640 --> 0:18:12.840
<v Speaker 1>was very, very sad story. UM. I can't remember exactly when,

0:18:12.880 --> 0:18:15.840
<v Speaker 1>but like within the last ten years. But Adrian Shelley

0:18:15.880 --> 0:18:17.400
<v Speaker 1>is in some of these first movies. And the great

0:18:17.440 --> 0:18:21.959
<v Speaker 1>Martin Donovan, UM was in a couple of these. Uh.

0:18:21.960 --> 0:18:24.000
<v Speaker 1>And the first one Unbelievable truth. I guess you would

0:18:24.000 --> 0:18:26.280
<v Speaker 1>call it a romantic comedy. Um, it's about a man

0:18:26.320 --> 0:18:28.639
<v Speaker 1>who gets out of prison and I believe he was

0:18:28.680 --> 0:18:32.960
<v Speaker 1>a convicted of homicide or maybe straight up murder and

0:18:33.000 --> 0:18:38.640
<v Speaker 1>he has a relationship with Adrian Shelley. And um, it's

0:18:38.680 --> 0:18:41.800
<v Speaker 1>just a romantic romantic comedy, only as how Hartley could

0:18:41.840 --> 0:18:44.160
<v Speaker 1>do them. Uh. The next one, Trust the next year

0:18:44.600 --> 0:18:48.359
<v Speaker 1>was another romance between two misfits. Surviving Desire was a

0:18:48.440 --> 0:18:52.080
<v Speaker 1>story about a teacher who falls in love with his student. UM.

0:18:52.600 --> 0:18:54.360
<v Speaker 1>Martin Donovan was a lead in that one as well,

0:18:54.800 --> 0:18:57.520
<v Speaker 1>and then Simple Man in n Like I said, his

0:18:57.560 --> 0:19:00.800
<v Speaker 1>second movie of nine was about two brothers that kind

0:19:00.800 --> 0:19:04.760
<v Speaker 1>of come together to search for their they're missing father

0:19:05.440 --> 0:19:07.960
<v Speaker 1>and Simple Man. It's great and these movies kind of

0:19:07.960 --> 0:19:11.240
<v Speaker 1>progress unbelievable. Truth is really raw. And it's not like

0:19:11.280 --> 0:19:16.800
<v Speaker 1>Simple Men got um flashy or seemed like a Hollywood

0:19:16.800 --> 0:19:19.439
<v Speaker 1>type movie, because none of these do. But it definitely

0:19:19.480 --> 0:19:22.640
<v Speaker 1>you saw his progression as a filmmaker through these four films.

0:19:22.680 --> 0:19:26.720
<v Speaker 1>So how Hardly, I salute you, sir. I even reached

0:19:26.720 --> 0:19:30.520
<v Speaker 1>out last night after after doing this, uh putting together

0:19:30.560 --> 0:19:33.280
<v Speaker 1>this little piece to see I'm gonna be a New

0:19:33.320 --> 0:19:35.320
<v Speaker 1>York in February to see if how Hartly would be

0:19:35.320 --> 0:19:38.040
<v Speaker 1>a guest on the show because he seems like a

0:19:38.080 --> 0:19:40.520
<v Speaker 1>gettable person because I think like you can kind of

0:19:40.560 --> 0:19:42.600
<v Speaker 1>get in touch with how Hardly, I believe without going

0:19:42.640 --> 0:19:46.600
<v Speaker 1>through a gazillion people. So fingers crossed there to get

0:19:46.600 --> 0:19:48.320
<v Speaker 1>how Hardly on the show. And if if you see

0:19:48.320 --> 0:19:50.400
<v Speaker 1>it happen, you know that as a dream come true

0:19:50.400 --> 0:19:54.000
<v Speaker 1>for this guy. Um, so check it out and all

0:19:55.400 --> 0:19:59.119
<v Speaker 1>start I would say start with maybe jump over to

0:19:59.240 --> 0:20:03.320
<v Speaker 1>Simple Men and then work backwards pal turn me onto

0:20:03.400 --> 0:20:05.679
<v Speaker 1>Henry fool just randomly. I knew nothing about it. I

0:20:05.680 --> 0:20:07.760
<v Speaker 1>was just like, this is a movie I'm gonna show you.

0:20:07.800 --> 0:20:09.520
<v Speaker 1>He didn't tell anything about the director. I didn't know

0:20:09.600 --> 0:20:11.600
<v Speaker 1>him as like an on tour. So now I know

0:20:11.640 --> 0:20:14.000
<v Speaker 1>there's a cool catalog to dig into, and that's always exciting. Yeah.

0:20:14.000 --> 0:20:16.040
<v Speaker 1>He also did a movie called Flirt, which was really good,

0:20:16.400 --> 0:20:19.160
<v Speaker 1>interesting concept. I think it was, if I remember correctly,

0:20:19.200 --> 0:20:23.760
<v Speaker 1>the same story told in three different countries. Uh. And

0:20:23.800 --> 0:20:29.360
<v Speaker 1>then one called Amateur with Isabel Uper is that her name?

0:20:29.840 --> 0:20:39.480
<v Speaker 1>That's a really good one too, all right, and Onto.

0:20:39.880 --> 0:20:42.200
<v Speaker 1>I think I'm gonna do these every week. I'm gonna

0:20:42.200 --> 0:20:46.320
<v Speaker 1>close with a segment called stream this and another one

0:20:46.560 --> 0:20:49.199
<v Speaker 1>called comment Card, which we're gonna be listener mails and

0:20:49.280 --> 0:20:52.399
<v Speaker 1>stream this is gonna be basically anything you can stream.

0:20:52.440 --> 0:20:54.600
<v Speaker 1>I had a bunch of people on Facebook say, Hey,

0:20:54.640 --> 0:20:58.760
<v Speaker 1>would it be too weird for you to go into

0:20:58.800 --> 0:21:02.240
<v Speaker 1>TV shows because, as as everyone knows, we're in the

0:21:02.240 --> 0:21:05.680
<v Speaker 1>golden Age of television as they call it, and I

0:21:05.760 --> 0:21:08.800
<v Speaker 1>don't think I would want to interview someone about a

0:21:08.840 --> 0:21:11.919
<v Speaker 1>TV show. I'm gonna stick with movies there, but for

0:21:12.040 --> 0:21:14.840
<v Speaker 1>stream this, I will certainly talk about kind of what

0:21:14.880 --> 0:21:17.920
<v Speaker 1>I've been watching lately and Emily and I just finished

0:21:17.920 --> 0:21:23.280
<v Speaker 1>streaming The Marvelous Mrs Mazel on Amazon. Have you seen this?

0:21:23.760 --> 0:21:26.960
<v Speaker 1>I have not, but I've heard good things. It is really,

0:21:27.000 --> 0:21:30.080
<v Speaker 1>really great. It won the Golden Globe for Best Show,

0:21:30.119 --> 0:21:34.040
<v Speaker 1>and I believe the lead actor she won the award

0:21:34.119 --> 0:21:36.359
<v Speaker 1>for Best Actress at the Golden Globes. And it's just

0:21:36.400 --> 0:21:38.600
<v Speaker 1>a delight. It's set in the nineteen fifties. It was

0:21:38.640 --> 0:21:44.000
<v Speaker 1>created and show run by Amy Sherman Palladino, who, um,

0:21:44.040 --> 0:21:46.160
<v Speaker 1>I think she did The Gilmore Girls is her big,

0:21:46.200 --> 0:21:49.560
<v Speaker 1>big show, Yeah, which I didn't watch, but Emily was

0:21:49.600 --> 0:21:52.280
<v Speaker 1>a was a nut for that show. But Marvelous Mrs

0:21:52.280 --> 0:21:54.600
<v Speaker 1>Mazel set in the nineteen fifties New York City. It

0:21:54.720 --> 0:21:59.000
<v Speaker 1>is about a woman who very I mean, there could

0:21:59.040 --> 0:22:01.880
<v Speaker 1>be some spoilers ahead, so I'll give you three seconds

0:22:02.080 --> 0:22:05.560
<v Speaker 1>to one. Uh not giving way too much though, because

0:22:05.560 --> 0:22:07.720
<v Speaker 1>it happens very early in the in the first episode,

0:22:08.119 --> 0:22:11.560
<v Speaker 1>a woman who gets uh separated and divorced from her husband.

0:22:11.760 --> 0:22:13.800
<v Speaker 1>He's a businessman and he's but he's trying to be

0:22:13.880 --> 0:22:16.639
<v Speaker 1>a stand up comic. In the early days of stand

0:22:16.680 --> 0:22:20.639
<v Speaker 1>up comedy and he's not very good at it, uh,

0:22:20.680 --> 0:22:25.560
<v Speaker 1>And through a sequence of weird things, his wife ends

0:22:25.680 --> 0:22:29.879
<v Speaker 1>up Mrs Maisel gets thrown on stage at the Gaslight

0:22:29.960 --> 0:22:32.840
<v Speaker 1>in the in the Greenwich Village, which was that's kind

0:22:32.840 --> 0:22:34.040
<v Speaker 1>of one of the cool things about the show, as

0:22:34.080 --> 0:22:37.160
<v Speaker 1>they have all these real uh nineteen fifties and sixties

0:22:38.040 --> 0:22:41.600
<v Speaker 1>uh Greenwich Village haunts and Lenny Bruce plays a role

0:22:42.080 --> 0:22:44.040
<v Speaker 1>and I think Bob Newhart is going to be on

0:22:44.040 --> 0:22:46.679
<v Speaker 1>at some point, like people playing them obviously, And she

0:22:46.840 --> 0:22:49.040
<v Speaker 1>ends up on stage at the Gaslight one night and

0:22:49.119 --> 0:22:53.399
<v Speaker 1>does an accidental stand up set when she's basically just

0:22:53.440 --> 0:22:55.399
<v Speaker 1>talking about her life and the fact that her her

0:22:55.480 --> 0:22:58.640
<v Speaker 1>husband left her that day and she killed and all

0:22:58.640 --> 0:23:03.200
<v Speaker 1>of a sudden she's befriends the the I guess she's

0:23:03.240 --> 0:23:07.280
<v Speaker 1>the booker, uh, the wonderful wonderful Alex Borstein, who plays

0:23:07.320 --> 0:23:09.359
<v Speaker 1>Lois on The Family Guy does the voice for Lois,

0:23:10.040 --> 0:23:13.639
<v Speaker 1>but she's the booker and uh for the for the Gaslight,

0:23:13.960 --> 0:23:15.920
<v Speaker 1>and she befriends her and she's like, you're really good,

0:23:15.960 --> 0:23:18.399
<v Speaker 1>you should do this, and then the story kind of

0:23:18.400 --> 0:23:21.120
<v Speaker 1>plays out over the season from there and she very

0:23:21.160 --> 0:23:25.000
<v Speaker 1>improbably in the nineteen fifties pursues stand up comedy, also

0:23:25.040 --> 0:23:29.320
<v Speaker 1>starring Michael Zegan as her husband, uh Marion Hinkel as

0:23:29.320 --> 0:23:32.920
<v Speaker 1>her mother, and two guests on the show. The Great

0:23:33.000 --> 0:23:37.000
<v Speaker 1>Kevin Pollock plays the husband's father. And it's just a

0:23:37.080 --> 0:23:38.840
<v Speaker 1>meaty role. I was actually talking to him on the

0:23:38.840 --> 0:23:42.159
<v Speaker 1>phone about this the other day, congratulating him. It's just

0:23:42.240 --> 0:23:45.760
<v Speaker 1>a good, good role and uh for Kevin to dig into.

0:23:46.119 --> 0:23:49.720
<v Speaker 1>And then Uh, Tony Shalub, who I have booked for

0:23:49.760 --> 0:23:52.840
<v Speaker 1>New York, which I'm super excited about. Yeah, that's you

0:23:52.840 --> 0:23:55.840
<v Speaker 1>didn't know that. I thought I told you that. Yeah,

0:23:56.119 --> 0:23:59.280
<v Speaker 1>a friend of mine his friends with Tony and he said, sure,

0:23:59.359 --> 0:24:02.000
<v Speaker 1>I'll do it. I think it helped that Kevin Pollock

0:24:02.119 --> 0:24:05.000
<v Speaker 1>was on What's His what's his main backstory? And he

0:24:05.040 --> 0:24:06.960
<v Speaker 1>did Monk and stuff right like later in his career,

0:24:07.040 --> 0:24:09.960
<v Speaker 1>but he was what's his? Uh, well, I knew I

0:24:10.040 --> 0:24:13.960
<v Speaker 1>knew his work mainly from Cohen Brothers movies. That's right.

0:24:14.240 --> 0:24:16.240
<v Speaker 1>He was in he had some small parts. He was

0:24:16.280 --> 0:24:19.840
<v Speaker 1>in Barton Fake, but very memorable Parton and Barton Fake

0:24:20.840 --> 0:24:22.840
<v Speaker 1>and a couple of other Cohen Brothers movies, I think.

0:24:23.400 --> 0:24:27.600
<v Speaker 1>And it's Tony's just the best. And I actually watch

0:24:27.720 --> 0:24:30.320
<v Speaker 1>Monk though, which is weird because I love him so much.

0:24:30.320 --> 0:24:32.000
<v Speaker 1>Maybe I'll dig into that. I just know it was

0:24:32.040 --> 0:24:33.640
<v Speaker 1>a big hit. I've never seen it either, but that's

0:24:33.680 --> 0:24:35.440
<v Speaker 1>kind of what I associate with him in like more

0:24:35.480 --> 0:24:39.720
<v Speaker 1>recent years. Yeah. Well actually he started many years ago

0:24:39.880 --> 0:24:46.720
<v Speaker 1>on Wings, that sitcom from Yeah remember Wings. Yeah, he

0:24:46.720 --> 0:24:49.000
<v Speaker 1>was on Wings. I didn't watch Wings either, which is weird.

0:24:49.080 --> 0:24:51.000
<v Speaker 1>I remember singing in like on USA when I was

0:24:51.040 --> 0:24:54.960
<v Speaker 1>a kid in rewrite. Absolutely, but Tony's gonna be on

0:24:54.960 --> 0:24:58.240
<v Speaker 1>the show and he plays the father of Mrs Mazel

0:24:58.800 --> 0:25:01.960
<v Speaker 1>and he's great too, And it's just like the show

0:25:02.040 --> 0:25:06.639
<v Speaker 1>looks amazing. The art direction is unbelievable. They clearly sunk

0:25:06.640 --> 0:25:09.160
<v Speaker 1>a lot of money into it. Um. Kevin Pollock told

0:25:09.160 --> 0:25:12.480
<v Speaker 1>me that they they greenlit two seasons right off the bat,

0:25:12.560 --> 0:25:15.080
<v Speaker 1>which is really unusual. And I think they just really

0:25:15.080 --> 0:25:17.399
<v Speaker 1>committed to the show and it paid off because, like

0:25:17.440 --> 0:25:20.560
<v Speaker 1>I said, they won the best TV show. So my

0:25:20.640 --> 0:25:24.040
<v Speaker 1>advice go out and stream Marvelous Mrs Mazel on Amazon.

0:25:24.080 --> 0:25:26.639
<v Speaker 1>I think I think it's only seven or eight episodes.

0:25:27.080 --> 0:25:30.920
<v Speaker 1>It's really just terrific. Have you seen a feudal and

0:25:30.960 --> 0:25:36.280
<v Speaker 1>stupid gesture. Not yet. It's wonderful. Yeah, I saw the documentary.

0:25:36.720 --> 0:25:39.400
<v Speaker 1>Did you see that? Yeah? I saw the doc on

0:25:39.520 --> 0:25:41.440
<v Speaker 1>And if you guys don't know, we're talking about the

0:25:41.480 --> 0:25:45.200
<v Speaker 1>story of the creation of National Lampoon or the Harvard

0:25:45.240 --> 0:25:49.560
<v Speaker 1>Lampoon originally and specifically through the eyes of what was

0:25:49.560 --> 0:25:52.440
<v Speaker 1>the guy's named Jim Kinny. His name is Doug Kenney

0:25:53.080 --> 0:25:54.600
<v Speaker 1>and played by will Ford. They just reminded me of

0:25:54.640 --> 0:25:56.479
<v Speaker 1>the show you were just talking about. It's very similar

0:25:56.480 --> 0:26:00.919
<v Speaker 1>because like, um, you've got Joel McHale playing Chevy Chase

0:26:01.200 --> 0:26:03.320
<v Speaker 1>and like all of these great comics that we love

0:26:03.720 --> 0:26:05.800
<v Speaker 1>from now kind of playing these like old school dudes

0:26:05.960 --> 0:26:08.760
<v Speaker 1>making a caddyshack and all that, and it's like just

0:26:09.600 --> 0:26:12.600
<v Speaker 1>cocaine for days. It's just a total debauch. But it's

0:26:12.640 --> 0:26:14.640
<v Speaker 1>it's a delightful movie. Like there's a lot of hard

0:26:14.680 --> 0:26:16.440
<v Speaker 1>to it too. It's a really really cool, cool movie.

0:26:16.440 --> 0:26:18.359
<v Speaker 1>E I can't wait to see it. I think, didn't

0:26:18.440 --> 0:26:20.280
<v Speaker 1>David Wayne direct that? That's who? I also love? What

0:26:20.320 --> 0:26:25.480
<v Speaker 1>hot American summer that stuff? Um, yeah, I gotta see that.

0:26:25.520 --> 0:26:28.720
<v Speaker 1>And there's also a documentary about the lampoon called Drunk

0:26:28.760 --> 0:26:33.000
<v Speaker 1>Stoned brilliant dead uh and that kind of kind of

0:26:33.040 --> 0:26:35.840
<v Speaker 1>says it. All that really follows follows the through line

0:26:35.840 --> 0:26:39.159
<v Speaker 1>of that story. Yeah, I gotta check that out alright.

0:26:39.200 --> 0:26:42.840
<v Speaker 1>So two recommendations marvelous uses masl and uh what's the

0:26:42.920 --> 0:26:45.159
<v Speaker 1>name of it again? A feudal and stupid gesture. And

0:26:45.160 --> 0:26:47.080
<v Speaker 1>that's on Netflix. It is a Netflix original. I think

0:26:47.080 --> 0:26:50.120
<v Speaker 1>it came out like a week ago or something fresh.

0:26:50.119 --> 0:26:54.399
<v Speaker 1>I did see the trailer and that said something about, um,

0:26:54.440 --> 0:26:57.040
<v Speaker 1>sure none of these people look like the people, but

0:26:57.160 --> 0:26:58.960
<v Speaker 1>just go with it. Basically some of them do. Though.

0:26:58.960 --> 0:27:01.040
<v Speaker 1>It's pretty cool, like it's all over the place, but

0:27:01.160 --> 0:27:03.840
<v Speaker 1>it's it really it hits. It's really cool. Well that's

0:27:03.840 --> 0:27:06.720
<v Speaker 1>how you should cast, like, you don't have to cast

0:27:06.760 --> 0:27:09.440
<v Speaker 1>someone that looks identical to somebody. It's like about capturing

0:27:09.440 --> 0:27:12.639
<v Speaker 1>the spirit and be in the wheelhouse physically. When I

0:27:12.640 --> 0:27:16.520
<v Speaker 1>think they probably gave Joel McHale chevy Chase because he

0:27:16.600 --> 0:27:21.320
<v Speaker 1>was so terrorized by him on Community. Chevy Chase is

0:27:21.400 --> 0:27:23.760
<v Speaker 1>apparently like a nightmare to work with the Community and

0:27:23.760 --> 0:27:25.560
<v Speaker 1>that was a big part of between him and Dan

0:27:25.600 --> 0:27:28.359
<v Speaker 1>Harmon why that show was just like a ship show.

0:27:28.760 --> 0:27:30.800
<v Speaker 1>And I think they probably gave it to Joel McHale,

0:27:30.960 --> 0:27:35.360
<v Speaker 1>so he got a chance a little. Yeah, I need

0:27:35.359 --> 0:27:38.520
<v Speaker 1>to watch Community. I know that that's a great show. Um,

0:27:38.600 --> 0:27:40.760
<v Speaker 1>that's on the list too. Life is short, though, people.

0:27:40.800 --> 0:27:42.479
<v Speaker 1>I got a lot of stuff to watch, all right,

0:27:42.520 --> 0:27:44.920
<v Speaker 1>And we're gonna finish up here with our first mini

0:27:44.960 --> 0:27:47.720
<v Speaker 1>episode with comment card, which is our listener males that

0:27:47.760 --> 0:27:51.760
<v Speaker 1>have called from Facebook. This one is from Joshua Hall.

0:27:52.880 --> 0:27:56.280
<v Speaker 1>Who would you call your favorite director or maybe said better,

0:27:56.400 --> 0:27:59.479
<v Speaker 1>whose body of work have you enjoyed the most as

0:27:59.520 --> 0:28:04.440
<v Speaker 1>a movie? And this was tough, my friend. Uh So

0:28:04.480 --> 0:28:07.880
<v Speaker 1>I went with my first instincts and I'm gonna name two,

0:28:08.080 --> 0:28:12.240
<v Speaker 1>which are the Cohen Brothers and Alexander Payne. And I

0:28:12.280 --> 0:28:13.879
<v Speaker 1>think I've talked about on the show before, but I

0:28:13.920 --> 0:28:18.359
<v Speaker 1>have the percent club, which are directors who have to me,

0:28:18.640 --> 0:28:21.399
<v Speaker 1>never made a bad movie. Uh In. The Cohen Brothers

0:28:21.480 --> 0:28:23.720
<v Speaker 1>and Alexander Paine definitely are in that category for me.

0:28:24.080 --> 0:28:26.480
<v Speaker 1>I know some people take issue with what I would

0:28:26.520 --> 0:28:30.480
<v Speaker 1>call lesser Cohen's uh you know, the non Fargoes and

0:28:30.520 --> 0:28:35.680
<v Speaker 1>the non lebowskis like intolerable cruelty and right, the Lady

0:28:35.760 --> 0:28:38.600
<v Speaker 1>Killers is that another one? Yeah, Lady Killers is the

0:28:38.640 --> 0:28:41.320
<v Speaker 1>only one that I really didn't love, but I loved

0:28:41.360 --> 0:28:46.240
<v Speaker 1>Intolerable Cruelty. I love burn after reading and all these uh,

0:28:46.560 --> 0:28:48.960
<v Speaker 1>I guess tier B Cohen Brothers movies. I just think

0:28:48.960 --> 0:28:52.160
<v Speaker 1>they're great. Tier B. Cohen is like still Tier A

0:28:52.240 --> 0:28:55.720
<v Speaker 1>most people. Most people. Yeah, absolutely. And then Alexander Payne,

0:28:55.880 --> 0:28:59.480
<v Speaker 1>the dude hasn't made a bad movie. I love, love,

0:28:59.600 --> 0:29:02.560
<v Speaker 1>love single one of them, including Downsizing, And I know

0:29:02.640 --> 0:29:06.120
<v Speaker 1>Downsizing has gotten some bad reviews here and there. Um

0:29:06.160 --> 0:29:07.680
<v Speaker 1>I loved it. I don't get it. I think it

0:29:07.720 --> 0:29:11.000
<v Speaker 1>was great. Alexander Payne and his his writing partner Jim

0:29:11.000 --> 0:29:14.320
<v Speaker 1>Taylor can do no wrong to me. So I'm just

0:29:14.320 --> 0:29:17.480
<v Speaker 1>gonna tick through his movies really quickly so you will

0:29:17.520 --> 0:29:22.920
<v Speaker 1>know what we're talking about. His very first feature, Citizen Ruth, amazing,

0:29:23.120 --> 0:29:29.120
<v Speaker 1>amazing satire. Election another great comedy and satire. He's very satirical.

0:29:29.280 --> 0:29:33.240
<v Speaker 1>Now they think about it about Schmidt. Wonderful movie Sideways,

0:29:33.360 --> 0:29:35.880
<v Speaker 1>one of the best of the descendants. I read that

0:29:35.920 --> 0:29:38.800
<v Speaker 1>book before the movie, uh and loved it, and the

0:29:38.960 --> 0:29:42.000
<v Speaker 1>sentence was great. Then he really kind of took a

0:29:42.080 --> 0:29:46.000
<v Speaker 1>right turn with the wonderful film Nebraska, beautiful black and

0:29:46.000 --> 0:29:48.880
<v Speaker 1>white movie with Will Forte and Bruce Dearn, and then,

0:29:48.880 --> 0:29:51.120
<v Speaker 1>like I said, his new movie Downsizing. So I recommend

0:29:51.120 --> 0:29:54.080
<v Speaker 1>all those And so, Joshua, those are my two picks.

0:29:54.640 --> 0:29:57.640
<v Speaker 1>Who's your favorite director at all? I am a really

0:29:57.720 --> 0:30:01.360
<v Speaker 1>huge fan of the combo of Michelle Andre, Spike Jones,

0:30:01.440 --> 0:30:04.440
<v Speaker 1>and Charlie Kaufman, and I know they're you know, Spike

0:30:04.520 --> 0:30:07.080
<v Speaker 1>and I don't know, Like they both started making like

0:30:07.160 --> 0:30:09.920
<v Speaker 1>really cool music videos with like no budget, and I

0:30:10.000 --> 0:30:12.240
<v Speaker 1>used to have all the directors series of both Spike

0:30:12.360 --> 0:30:15.680
<v Speaker 1>and Michelle, like to the early daft punk videos. And

0:30:16.320 --> 0:30:19.520
<v Speaker 1>my favorite one is um Chemical Brothers video for Let

0:30:19.560 --> 0:30:23.280
<v Speaker 1>Forever Be, where he simulates bad video effects using cutouts

0:30:23.280 --> 0:30:26.160
<v Speaker 1>and like set pieces and stuff. It's amazing to show

0:30:26.200 --> 0:30:27.760
<v Speaker 1>it to you later, but it's so cool. But I

0:30:27.800 --> 0:30:29.880
<v Speaker 1>love how both of those guys took that d I

0:30:30.040 --> 0:30:33.080
<v Speaker 1>Y kind of you know ethic and made the most

0:30:33.120 --> 0:30:36.240
<v Speaker 1>mind boy movies and then paired with Charlie Kaufman's mind

0:30:36.280 --> 0:30:39.240
<v Speaker 1>bending script writing. And he's a great director in his

0:30:39.280 --> 0:30:42.640
<v Speaker 1>own right, like uh senect to Key New York, total bummer,

0:30:42.680 --> 0:30:46.160
<v Speaker 1>but just a mind blowers. Yeah, I watched that movie

0:30:46.280 --> 0:30:49.080
<v Speaker 1>that was um that was a challenging movie. It's almost

0:30:49.080 --> 0:30:51.080
<v Speaker 1>too much because it's so real, I mean, like it

0:30:51.240 --> 0:30:54.960
<v Speaker 1>it really twists the knife you know about feeling, you know,

0:30:55.080 --> 0:30:58.840
<v Speaker 1>aging and just like relationships and how ephemeral and fleeting

0:30:58.840 --> 0:31:00.960
<v Speaker 1>everything can be, you know. But it's a great film.

0:31:01.000 --> 0:31:02.720
<v Speaker 1>That's those are my picks. I would say that's a

0:31:02.720 --> 0:31:06.280
<v Speaker 1>good one. I would really love the Nomal Lisa Oh

0:31:06.360 --> 0:31:08.560
<v Speaker 1>Yeah movie, which was if you guys haven't seen that,

0:31:08.600 --> 0:31:13.000
<v Speaker 1>it's Charlie Kaufman doing as a stop motion animation feature,

0:31:13.640 --> 0:31:17.840
<v Speaker 1>which is one of the most real, like human stories

0:31:17.880 --> 0:31:20.360
<v Speaker 1>I've seen in a long time. And there are these

0:31:20.800 --> 0:31:24.280
<v Speaker 1>stop motion figures, which is kind of a brilliant choice.

0:31:24.360 --> 0:31:26.800
<v Speaker 1>Really good movie, really really wonderful, and and it actually

0:31:26.840 --> 0:31:31.040
<v Speaker 1>has a similar um aesthetic, almost like too synectic key.

0:31:31.120 --> 0:31:33.640
<v Speaker 1>And then it really dells down into those issues of

0:31:33.640 --> 0:31:37.200
<v Speaker 1>like mortality and like getting older and like what's my legacy,

0:31:37.360 --> 0:31:39.840
<v Speaker 1>you know, my relationship with my family and my kids,

0:31:39.880 --> 0:31:42.320
<v Speaker 1>but in a kind of a dark and yet really

0:31:42.360 --> 0:31:45.640
<v Speaker 1>funny and kind of touching way. Ultimately they're they're both

0:31:45.840 --> 0:31:48.680
<v Speaker 1>very heavy movies, but delightful in their own ways too.

0:31:49.080 --> 0:31:52.640
<v Speaker 1>He's an interesting guy, Charlie Kaufman. Yeah, and weirdly Anmalisa

0:31:52.840 --> 0:31:57.240
<v Speaker 1>as a stop motion animation feature has maybe the most

0:31:57.320 --> 0:32:01.720
<v Speaker 1>realistic sex scenes tender just like that I've ever is

0:32:01.840 --> 0:32:04.800
<v Speaker 1>just so real and like how how it is in

0:32:04.840 --> 0:32:07.440
<v Speaker 1>real life? It wasn't you know how movie sex scenes

0:32:07.680 --> 0:32:10.720
<v Speaker 1>Like it's really fantastic, all right. And then finally one

0:32:10.760 --> 0:32:14.800
<v Speaker 1>more comic card from Lee Olsen. Hey, Chuck, love the show.

0:32:15.160 --> 0:32:18.240
<v Speaker 1>Thanks dude. What sequels do you think are better than

0:32:18.320 --> 0:32:22.600
<v Speaker 1>the first films? Good question, and I'm gonna rattle off

0:32:23.040 --> 0:32:27.800
<v Speaker 1>four or five here. Spiderman two much better than the first,

0:32:27.960 --> 0:32:29.720
<v Speaker 1>Although I thought the first was good, It's not gonna

0:32:29.760 --> 0:32:31.400
<v Speaker 1>knock it, but Spiderman two was great. That was the

0:32:31.400 --> 0:32:34.080
<v Speaker 1>one with Doc Doc right, Yes, yeah, that was awesome,

0:32:34.160 --> 0:32:36.959
<v Speaker 1>Like the best spider Man movie of all of them, um,

0:32:37.000 --> 0:32:38.760
<v Speaker 1>even though it really did, like the most recent parts

0:32:38.760 --> 0:32:41.000
<v Speaker 1>of it felt like an evil Dead spider Man movie

0:32:41.040 --> 0:32:43.480
<v Speaker 1>to me. It had that like yeah, but it had

0:32:43.520 --> 0:32:47.160
<v Speaker 1>that like energy that is just like really spastic camera

0:32:47.200 --> 0:32:49.680
<v Speaker 1>when when there's that scene on the train and Dot

0:32:49.720 --> 0:32:52.080
<v Speaker 1>Cox just like scraping along the sides of it and stuff,

0:32:52.080 --> 0:32:55.600
<v Speaker 1>it's like super yeah, And there has never been a

0:32:55.640 --> 0:33:01.560
<v Speaker 1>more non evil Dead movie. Sam Ray Amy scene than

0:33:02.200 --> 0:33:05.280
<v Speaker 1>when Doc wakes up in the or when they he

0:33:05.360 --> 0:33:08.160
<v Speaker 1>wakes up in the surgical room or whatever. That's the

0:33:08.160 --> 0:33:10.600
<v Speaker 1>one total evil Dead exact. Yeah, when his he it

0:33:10.640 --> 0:33:14.160
<v Speaker 1>comes alive and like he starts smashing everything, like I

0:33:14.360 --> 0:33:16.880
<v Speaker 1>hadn't thought about that in years. That's really really good. Uh,

0:33:17.320 --> 0:33:19.920
<v Speaker 1>Terminator too, I'm gonna go with over the original Terminator.

0:33:20.320 --> 0:33:22.800
<v Speaker 1>I loved the first Terminator, but T two just really

0:33:22.960 --> 0:33:26.160
<v Speaker 1>took it to the next level. Amazing. Empire strikes back

0:33:26.720 --> 0:33:30.800
<v Speaker 1>kind of Bobbyous love Star Wars. Empire was better. The

0:33:30.880 --> 0:33:35.120
<v Speaker 1>Road Warrior greater than Mad Max to me. Even though

0:33:35.160 --> 0:33:40.560
<v Speaker 1>I do love the indie gritty, indie nous of Mad Max,

0:33:40.800 --> 0:33:42.800
<v Speaker 1>the Road Warrior definitely kicked it up a nudge. Well,

0:33:42.800 --> 0:33:45.480
<v Speaker 1>the first Man Max didn't even have quite the same

0:33:45.560 --> 0:33:49.560
<v Speaker 1>post apocalyptic vibe as the subsequent ones, right, yeah, I

0:33:49.560 --> 0:33:52.480
<v Speaker 1>mean it was just such a lower budget in a

0:33:52.560 --> 0:33:55.720
<v Speaker 1>smaller story. Um, they did have that, you know, the

0:33:55.720 --> 0:34:00.480
<v Speaker 1>the Gang of Toughs, but Road Warrior like like that's

0:34:00.480 --> 0:34:04.520
<v Speaker 1>what we know and love like Mad Max. And then finally,

0:34:04.520 --> 0:34:07.560
<v Speaker 1>speaking of Sam Rami, Evil Dead too, um better to

0:34:07.600 --> 0:34:10.759
<v Speaker 1>me than Evil Dead one and geez, Army of Darkness

0:34:11.000 --> 0:34:13.120
<v Speaker 1>they have been better than Evil Dead too. That was

0:34:13.120 --> 0:34:15.120
<v Speaker 1>when he kind of embraced that it was funny. Yeah,

0:34:15.160 --> 0:34:16.600
<v Speaker 1>the first one is like they were kind of trying

0:34:16.640 --> 0:34:19.000
<v Speaker 1>to make a scary movie. Yeah, it's like, what am

0:34:19.000 --> 0:34:21.000
<v Speaker 1>I doing? And then people laughed. I'm sure it was

0:34:21.000 --> 0:34:25.720
<v Speaker 1>part of the plan, all al right. So that's it, folks.

0:34:26.160 --> 0:34:29.200
<v Speaker 1>Episode one of the many episodes. We need to think

0:34:29.239 --> 0:34:32.080
<v Speaker 1>of a name for these. It's in the can. And

0:34:32.239 --> 0:34:36.160
<v Speaker 1>thanks to everyone for interacting on Facebook. Keep an eye

0:34:36.160 --> 0:34:39.120
<v Speaker 1>out like the Facebook page if you want to interact,

0:34:39.440 --> 0:34:41.799
<v Speaker 1>get your stuff right here on the show. And also

0:34:41.800 --> 0:34:43.560
<v Speaker 1>want to announce what we're gonna do with the end

0:34:43.560 --> 0:34:46.319
<v Speaker 1>of EE shows. Announced the interview guests on Friday and

0:34:46.400 --> 0:34:48.520
<v Speaker 1>the movie to give everyone a big heads up on

0:34:48.560 --> 0:34:51.800
<v Speaker 1>what to watch. Um, Like I say on Facebook, brush

0:34:51.880 --> 0:34:55.800
<v Speaker 1>up so you can crush out. How clever is that? Um? Alright?

0:34:55.840 --> 0:34:59.320
<v Speaker 1>So this week is actually the the live movie crush

0:34:59.400 --> 0:35:02.279
<v Speaker 1>episode I did at sketch Fest, my very first live show,

0:35:02.320 --> 0:35:05.360
<v Speaker 1>which was great and so much fun and I really

0:35:05.360 --> 0:35:07.560
<v Speaker 1>really think I want to thank everyone who came out

0:35:08.000 --> 0:35:10.520
<v Speaker 1>to that in the Bay Area. And I had Mr

0:35:10.600 --> 0:35:16.720
<v Speaker 1>Tony Hale a veep and arrested development and seriously, legit

0:35:17.200 --> 0:35:20.680
<v Speaker 1>nicest guy I've ever met in the entertainment industry. No, lie,

0:35:21.080 --> 0:35:23.040
<v Speaker 1>and I met some good people, but Tony is the

0:35:23.120 --> 0:35:26.120
<v Speaker 1>nicest guy ever. Buster and Arrested Development is probably my

0:35:26.160 --> 0:35:29.479
<v Speaker 1>favorite character, and like almost all of comedy, he's all right,

0:35:29.760 --> 0:35:33.080
<v Speaker 1>so cool. People to watch that show, get that joke.

0:35:33.560 --> 0:35:35.759
<v Speaker 1>So anyway, Tony and I talked about Punch Drunk Love

0:35:36.160 --> 0:35:38.520
<v Speaker 1>and that will be coming out this Friday, and it

0:35:38.600 --> 0:35:40.680
<v Speaker 1>was wonderful talking to him, so look forward to that,

0:35:41.360 --> 0:35:44.640
<v Speaker 1>and uh, salutations everyone, thanks for chiming in there and all.

0:35:44.880 --> 0:35:46.480
<v Speaker 1>I think this is a thing now right, I love it.

0:35:46.560 --> 0:35:48.799
<v Speaker 1>Let's do it awesome, all right, we'll see everybody next week.