WEBVTT - Will Smith and His Kids Take Over The Red Table

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<v Speaker 1>Hey, fam I'm Jada Pinkett Smith and this is the

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<v Speaker 1>Red Table Pop podcast, all your favorite episodes from the

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<v Speaker 1>Facebook watch show in audio, produced by Westbrook Audio and

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<v Speaker 1>I Heart Radio. Please don't forget to rate and review

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<v Speaker 1>on Apple Podcasts. We're welcome to the table, my children.

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<v Speaker 1>It has been sometimes with welcome all my kids. Y'all,

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<v Speaker 1>y'all are my kids? Yes, we're here at the table.

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<v Speaker 1>This is a Red Table takeover. So essentially I'm the boss,

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<v Speaker 1>all right. I just want to clarify it because y'all

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<v Speaker 1>might be looking at Willow because usually yeah, but in

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<v Speaker 1>today's episode, she's like my guest. That's yeah's my guest. Alright.

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<v Speaker 1>So with this movie, Emancipation was one of the most

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<v Speaker 1>grueling and transform pnmitive and ultimately rewarding films of my

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<v Speaker 1>entire career. You guys saw the movie I really wanted

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<v Speaker 1>to as an actor. When I make things, when I

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<v Speaker 1>put things in the world, you guys are my first

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<v Speaker 1>round of thought. I'm making things to leave ideas for

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<v Speaker 1>my children, and then it extends to other people's children

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<v Speaker 1>and then to the world. So I'm excited to be

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<v Speaker 1>able to talk about it. So it all started with

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<v Speaker 1>this devastating photograph that many say is the first viral image.

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<v Speaker 1>The photo quickly spread across the country, shocking millions with

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<v Speaker 1>the horrors of slavery and exposing the line that enslaved

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<v Speaker 1>people were treated humanely. Peter's portrait inspired many free black

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<v Speaker 1>men to enlist in the Union Army. I'll never forget

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<v Speaker 1>the first time I saw that picture. It was so

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<v Speaker 1>moving in such a just heartbreaking away. And for that

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<v Speaker 1>to be like the first like viral image is crazy. Yeah.

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<v Speaker 1>So emancipation is the story behind the famous picture. It's

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<v Speaker 1>based on the life of a slave named Peter. Give

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<v Speaker 1>thanks to God. Do no ities with us. I will

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<v Speaker 1>come back to you many meany you walk the earth man,

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<v Speaker 1>because the election I'm your God now slaves off we man.

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<v Speaker 1>We must get too better Bush through this one Ncoln

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<v Speaker 1>Samy East then that many least to die in a swamp.

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<v Speaker 1>Jim's persistent running Hiden surviving. I fight him. They beat me,

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<v Speaker 1>they whipped me, they break the bulls in my body

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<v Speaker 1>more times than I can come to but they never

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<v Speaker 1>never bring me. Wow, I have not seen the trailer. Crazy.

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<v Speaker 1>There was some deeply moving moments. Yeah, it was rugged.

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<v Speaker 1>We had some calls while you were shooting. Yeah, I

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<v Speaker 1>was very concerned. Yeah, he was just it was he

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<v Speaker 1>can say, you guys been around for most of my career.

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<v Speaker 1>It's like, as the years have gone on, I've gotten

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<v Speaker 1>more and more locked into these characters for longer periods

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<v Speaker 1>of time, and it's just the weight of this story,

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<v Speaker 1>the weight of these experiences, the quality of the actors.

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<v Speaker 1>It was emotionally, it was physically, it was spiritually taxing.

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<v Speaker 1>One of the first days on set, there was a

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<v Speaker 1>scene with one of the actors. He leans down in

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<v Speaker 1>my face and he says, you're a cold one, ain't you,

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<v Speaker 1>And then he ad lived. I was like, right, no,

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<v Speaker 1>but it was like I was like whoa. Every actor

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<v Speaker 1>on this set was taking it really, really seriously. When

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<v Speaker 1>the first teaser came out, as people were like, why

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<v Speaker 1>another slave movie, and it's like, this is not a

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<v Speaker 1>slave movie, this is a freedom movie. There were some

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<v Speaker 1>parts of me when you said you were making a

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<v Speaker 1>slave movie that I was like, m M, well, you know,

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<v Speaker 1>originally I was considering doing Django. Did you guys know that.

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<v Speaker 1>You guys we had a family had about and we

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<v Speaker 1>all talked about dang. Yes, yes, yes, I wasn't all

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<v Speaker 1>the way in, but one of the main reasons why

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<v Speaker 1>I wasn't was the looks on your faces, because you

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<v Speaker 1>knew what that would mean, and those characters seep back

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<v Speaker 1>into the house. So I invited college students to watch

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<v Speaker 1>the movie and to share any questions that it brought

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<v Speaker 1>up for them. So first up is Devin, I just

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<v Speaker 1>finished watching the film, and honestly, it feels like I

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<v Speaker 1>just woke up from a terrible nightmare. My whole body

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<v Speaker 1>physically hurt as I was walking out of the movie theater.

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<v Speaker 1>That's how powerful the film was. It's one thing to

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<v Speaker 1>read about slavery and all these terrible things that happened

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<v Speaker 1>in history books, but it's another thing to watch it

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<v Speaker 1>right there on the big screen. Well, how did playing

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<v Speaker 1>a slave for months on end with people saying horrible

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<v Speaker 1>and dehumanizing things to you affect your mindset? And what

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<v Speaker 1>did you learn about yourself? Question? One question? I was

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<v Speaker 1>getting called the N word, you know, a hundred times

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<v Speaker 1>a day by by very good actors, very very good actors.

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<v Speaker 1>You know, it's rough. It twists your mind up. You

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<v Speaker 1>have to be really careful because you definitely, you definitely

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<v Speaker 1>twist your mind up. There's like a magic moment. As

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<v Speaker 1>an actor, you look for the best way I can

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<v Speaker 1>describe it, it's like you feel the character wash over you.

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<v Speaker 1>It'll be wardrobe, it'll be a scene, it'll be the

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<v Speaker 1>dialect something. What happened is we were trying on the

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<v Speaker 1>neck chains, so where it's you know, six weeks before

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<v Speaker 1>we're shooting and they're trying to get the right size

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<v Speaker 1>and the right weight. This feels horrendous. It won't be

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<v Speaker 1>too much work to find this character putting the chains on.

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<v Speaker 1>As an actor, you're always trying to find a thing

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<v Speaker 1>that makes you understand the character who won't pursuit of happiness.

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<v Speaker 1>Chris Gardner took me to the bathroom and him and

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<v Speaker 1>his son had to sleep in and I walked in

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<v Speaker 1>the bathroom with him and I was like, got it.

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<v Speaker 1>And as soon as those chains went on, I was

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<v Speaker 1>like got it. It turns off your agency. You don't

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<v Speaker 1>want to step, you don't want to move, you don't

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<v Speaker 1>want to look anybody in the face. It's deeply dehumanizing.

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<v Speaker 1>M hmmm, yeah, yeah, that just put me back in there.

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<v Speaker 1>That put me back in there. Um, yeah, well take

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<v Speaker 1>a moment. Sorry, Yeah, that's it. Yeah. So they put

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<v Speaker 1>it on and doing so I'm standing there and then

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<v Speaker 1>he goes to take it off and it doesn't work,

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<v Speaker 1>so it's a locked on and my heart jumps and

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<v Speaker 1>I'm like, oh no, oh no, oh no. So I'm

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<v Speaker 1>sitting there. Now he's running around looking for the keys,

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<v Speaker 1>and for fifteen minutes, I'm stuck there in the chain

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<v Speaker 1>and my heart is pounding and I'm like, will do

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<v Speaker 1>not freak right, And I'm sitting there and then it's like,

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<v Speaker 1>I got it. It's like I'm will Smith with people

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<v Speaker 1>running around looking for keys, and my heart is still

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<v Speaker 1>pounding and I'm still scared. Imagine what it was like

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<v Speaker 1>for Peter to have that stuff on barefoot and nobody cares.

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<v Speaker 1>And it was like, whoo, yeah, I got it. Yeah,

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<v Speaker 1>that was a powerful moment for you and Claus. Yes,

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<v Speaker 1>absolutely really dehumanizing. And I haven't been able to articulate why,

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<v Speaker 1>but I felt embarrassed. I was embarrassed while I was

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<v Speaker 1>standing there and I was waiting, and it was emasculating, dehumanizing,

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<v Speaker 1>all of that, and it was like like got it, Yeah,

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<v Speaker 1>got it. Once you experience those things, they go into

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<v Speaker 1>the same banks as your actual memories. You don't have

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<v Speaker 1>a separate place for acting. Your brain and your body

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<v Speaker 1>recognizes it the same way it recognizes actual memories. You

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<v Speaker 1>have nightmares about it the same way, and so it's

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<v Speaker 1>all of that kind of stuff. But six degrees of

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<v Speaker 1>separation was the only other time in my career where

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<v Speaker 1>I got lost, where I went too far with with

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<v Speaker 1>a character. Um, I wouldn't say I went too far

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<v Speaker 1>with Peter. I just lost track of how far I went. Okay,

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<v Speaker 1>got it? I got twisted up in there, Um a

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<v Speaker 1>little bit. What does that look like for you? Like

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<v Speaker 1>losing track of that? You go into a state and

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<v Speaker 1>when you go that one click too far, Will Smith disappears.

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<v Speaker 1>And then what happens is psychologically you go farther and

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<v Speaker 1>farther into Peter and you don't realize that you are

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<v Speaker 1>slipping away, and then it's over and you go back

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<v Speaker 1>and you look for you and you're gone. It's a

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<v Speaker 1>it's a hard thing to explain, right, So what happens

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<v Speaker 1>You play these characters, and when you play them long enough,

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<v Speaker 1>it's like moving to another country and speaking in another language.

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<v Speaker 1>If you speak the other language long enough, you'll start

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<v Speaker 1>to lose your native tongue, and you can forget how

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<v Speaker 1>you walk your previous personality right, and you know, you

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<v Speaker 1>can see when actors get out on that edge, right,

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<v Speaker 1>when you you touch that edge of no self. Yeah,

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<v Speaker 1>and it's terrifying. It's terrifying out there, Peter is as

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<v Speaker 1>far as I've ever been with a character. And you

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<v Speaker 1>have to actually train yourself to be able to go

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<v Speaker 1>farther and farther and farther. It's it's it's blissful out there,

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<v Speaker 1>right to be in a scene and you have that

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<v Speaker 1>moment on camera when you forget and you're lost, It's

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<v Speaker 1>like it's blissful, except when they say cut and you

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<v Speaker 1>reach back for you yeah, right, and you it's a

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<v Speaker 1>weird thing. But I got I got out there to

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<v Speaker 1>that terrifying, blissful edge. So I wanted to show you guys,

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<v Speaker 1>in real life some of the brutal, dehumanizing devices that

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<v Speaker 1>were used during slavery. When you're say, in real life,

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<v Speaker 1>do you mean right now here? Right? Yes? Oh no, no, no,

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<v Speaker 1>no no no, why I just want you have to

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<v Speaker 1>know so you have to know, Wow, this is insane.

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<v Speaker 1>So that would go around your neck, yes, wow, keeps

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<v Speaker 1>you from running. This is like the ones that were

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<v Speaker 1>in the movies that had like the bells on them

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<v Speaker 1>and stuff. Somebody would run. But like, who even dreams this?

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<v Speaker 1>Like that's what I'm figuring right now. To make it

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<v Speaker 1>feel the way to that m hmm yeahs oh my gosh.

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<v Speaker 1>And just feel the weight of that what it would

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<v Speaker 1>do in your neck. Imagine somebody puts that on your neck,

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<v Speaker 1>they can take and if you're a way like rape

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<v Speaker 1>anybody they want whenever they want. For me, as an actor,

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<v Speaker 1>my image was you guys, and imagine and being pulled

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<v Speaker 1>away right Just imagine somebody comes in here right now

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<v Speaker 1>and beats me and snatches me away, and you guys

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<v Speaker 1>don't know if you'll ever see me again. That is

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<v Speaker 1>the legacy of slavery in America. It creates generational trauma,

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<v Speaker 1>even on a cellular level, you know, scientifically, exactly as

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<v Speaker 1>brutal as it is, there's also the other side of

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<v Speaker 1>how resilient and powerful that blacks in America. It's incomprehensible. Honestly,

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<v Speaker 1>it's incomprehensible. Let's talk a little bit about your physicality

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<v Speaker 1>and what you had to go through to get your

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<v Speaker 1>body into the place making this movie because Willow kept

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<v Speaker 1>noticing in the movie, like he's getting skinnier, He's getting skinny.

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<v Speaker 1>You guys may remember I posted out of Shape the

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<v Speaker 1>dad Body picture. The Dad Boty picture was my beginning

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<v Speaker 1>of preparation to lose weight for Peter. I was probably

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<v Speaker 1>to five ish when I started, and at the lowest

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<v Speaker 1>on the movie, I got to one. For me, the

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<v Speaker 1>physicality is a big part of what makes people go WHOA. Yeah,

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<v Speaker 1>you know, to be able to transition and manipulate your

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<v Speaker 1>body as an actor is a big part of the

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<v Speaker 1>suspension of disbelief for people. And actually being out in

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<v Speaker 1>the swamps. Yeah, I'm sure you were just losing weight

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<v Speaker 1>just being yeah, just it's it's hot, it's nasty, you're

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<v Speaker 1>in the swamp. Your hands are dirty, so you don't

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<v Speaker 1>really want to grab food and eat really in it. Yeah,

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<v Speaker 1>when I went in there deep, it's insane. What's the

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<v Speaker 1>most impactful part of the movie for you? So? So

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<v Speaker 1>there was um And I can't even talk about Peter

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<v Speaker 1>without being Altieri. So but y'all see me cry all

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<v Speaker 1>the time. You'll see me cry all the time. So um,

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<v Speaker 1>Peter said in his writings or that probably dictations to somebody,

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<v Speaker 1>but the things that exist. Historically, Peter was beaten into

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<v Speaker 1>a coma, and in the coma he said, he met God.

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<v Speaker 1>And it's right in the middle of the movie. And

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<v Speaker 1>he's been running for a few days and there's no

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<v Speaker 1>food and no water and out in the swamp and

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<v Speaker 1>he's there and he's feeling lost, and he's feeling turned around,

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<v Speaker 1>and his hearing is going a little bit, and he

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<v Speaker 1>stops and he gets himself together and he goes, oh shock,

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<v Speaker 1>and he finds the gratitude to praise God in the

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<v Speaker 1>middle of that. It was one of the things that

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<v Speaker 1>I wanted to be able to share with you, all

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<v Speaker 1>the ideas that I learned from Peter. So the concept

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<v Speaker 1>is that nobody gets out of this life without having

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<v Speaker 1>to bear their cross. Facts from facts. So you may

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<v Speaker 1>not have to bear it to the level that Peter

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<v Speaker 1>had to bear it, or to the level that Jesus

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<v Speaker 1>had to bear it. But the only way to be

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<v Speaker 1>here joyfully is to be grateful for the cross you've

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<v Speaker 1>been given to bear. You have to know that suffering

0:18:02.800 --> 0:18:09.960
<v Speaker 1>leads to salvation, and the only thing that would make

0:18:10.000 --> 0:18:15.800
<v Speaker 1>you not reach the Promised Land is giving up and

0:18:16.760 --> 0:18:24.200
<v Speaker 1>Peter knew and trusted God fully that all he had

0:18:24.240 --> 0:18:28.800
<v Speaker 1>to do was bear his cross with gratitude. He was

0:18:28.880 --> 0:18:33.800
<v Speaker 1>saying thank you God in the middle of that. Peter's

0:18:33.880 --> 0:18:37.520
<v Speaker 1>faith throughout the whole movie was something that really stuck

0:18:37.520 --> 0:18:46.359
<v Speaker 1>out to me. Peter has absolutely changed my life, you know. So? Um? Yeah,

0:18:46.640 --> 0:18:49.840
<v Speaker 1>And I heard a great quote, the only way to

0:18:49.920 --> 0:18:52.439
<v Speaker 1>be here is you have to learn how to have

0:18:52.680 --> 0:19:00.200
<v Speaker 1>an open heart in hell. Yeah, here's a question from

0:19:00.200 --> 0:19:03.160
<v Speaker 1>a theater go or from Los Angeles. What we got.

0:19:04.280 --> 0:19:07.000
<v Speaker 1>My name is Stacy Ramsey. I'm twenty three years old

0:19:07.560 --> 0:19:10.800
<v Speaker 1>and I went through so many emotions throughout this whole movie,

0:19:10.880 --> 0:19:14.520
<v Speaker 1>to be honest, Um, some were sad, so we're happy.

0:19:14.880 --> 0:19:18.600
<v Speaker 1>Some felt really familiar because no matter what it is

0:19:18.600 --> 0:19:22.680
<v Speaker 1>that you go through, there's so many things, whether it's people, work, family,

0:19:22.960 --> 0:19:25.280
<v Speaker 1>that try to break parts of you, and it's so

0:19:25.320 --> 0:19:27.480
<v Speaker 1>important just to push through and not let them break you.

0:19:28.160 --> 0:19:30.160
<v Speaker 1>I have a question for Will. I just would really

0:19:30.200 --> 0:19:33.479
<v Speaker 1>like to know what form of personal suffering did you

0:19:33.520 --> 0:19:38.199
<v Speaker 1>tap into to execute this role. Wow, that's a crazy question.

0:19:38.400 --> 0:19:43.760
<v Speaker 1>I don't have, thank God, anything in my life comparable

0:19:44.200 --> 0:19:51.439
<v Speaker 1>to what Peter experienced. There's a universal suffering that I

0:19:51.520 --> 0:19:55.440
<v Speaker 1>think we can all connect on, but I don't know

0:19:55.960 --> 0:19:58.600
<v Speaker 1>what I would actually do in the face of that

0:19:58.720 --> 0:20:04.200
<v Speaker 1>kind of demid on a malevel to be really faced

0:20:04.880 --> 0:20:10.320
<v Speaker 1>with the darkness. I've had moments within myself where I've

0:20:10.359 --> 0:20:13.639
<v Speaker 1>had to face things, but like to look into the

0:20:13.720 --> 0:20:17.119
<v Speaker 1>eyes of that kind of malevolence, it's either you're enlightened

0:20:17.200 --> 0:20:24.640
<v Speaker 1>or you go crazy. Yes, there's Yeah, there's a term

0:20:24.680 --> 0:20:30.280
<v Speaker 1>Plato used that puts those together, divine madness. That there's

0:20:30.320 --> 0:20:34.960
<v Speaker 1>a certain divine madness that I was trying to depict

0:20:35.080 --> 0:20:39.040
<v Speaker 1>from Peter, because when you stop and you pray in

0:20:39.160 --> 0:20:48.240
<v Speaker 1>that moment, that is a taste of divine madness. That's

0:20:48.240 --> 0:20:53.399
<v Speaker 1>what I learned from Peter. Like the idea of the

0:20:53.600 --> 0:20:57.840
<v Speaker 1>darkness being the road to the light. Yeah. Facts. So

0:20:58.320 --> 0:21:00.919
<v Speaker 1>one of the most critical moment ments in the movie

0:21:01.000 --> 0:21:06.760
<v Speaker 1>for me was the speech that Ben Foster's character gives

0:21:07.040 --> 0:21:11.399
<v Speaker 1>story telling the story of his nigger house girl. And

0:21:12.160 --> 0:21:18.399
<v Speaker 1>what was so beautiful about Ben's portrayal is he loved her.

0:21:18.600 --> 0:21:25.840
<v Speaker 1>And what I love is that you can see his

0:21:26.000 --> 0:21:33.159
<v Speaker 1>heart was taught to hate. Yeah, my father, he's a

0:21:33.240 --> 0:21:38.719
<v Speaker 1>core Nuskar. My mother passed when I was young, So

0:21:41.200 --> 0:21:45.480
<v Speaker 1>the job of raising me, filling her how screw She

0:21:45.600 --> 0:21:50.280
<v Speaker 1>took care of me. She feed me, she washed me,

0:21:50.440 --> 0:22:06.000
<v Speaker 1>she taught me things. She's my friend. What evening, I

0:22:06.080 --> 0:22:10.360
<v Speaker 1>asked my father if she could join us for supper,

0:22:13.160 --> 0:22:15.200
<v Speaker 1>and he looked at me in a funny way and said,

0:22:15.840 --> 0:22:20.560
<v Speaker 1>then what I said, so we could eat together? To

0:22:20.720 --> 0:22:27.359
<v Speaker 1>what she asked? Then what? I didn't know. I was

0:22:27.440 --> 0:22:35.159
<v Speaker 1>just a boy, but he did. He said, first they

0:22:35.160 --> 0:22:40.200
<v Speaker 1>eat their food, and they'll take her jobs, and then

0:22:40.240 --> 0:22:44.760
<v Speaker 1>they'll steal our land. Well, you give them so much

0:22:44.800 --> 0:22:46.720
<v Speaker 1>as a crumb, they're going to take over the whole

0:22:46.800 --> 0:22:52.080
<v Speaker 1>damn country. Wow, that's crazy. And then he goes on

0:22:52.200 --> 0:22:53.920
<v Speaker 1>to tell the story and how he watched her die

0:22:53.960 --> 0:23:02.440
<v Speaker 1>for three days. His father taught him hate and through trauma.

0:23:02.520 --> 0:23:07.120
<v Speaker 1>It's like, I just couldn't imagine seeing someone you love

0:23:07.200 --> 0:23:10.159
<v Speaker 1>so much in the field dying for three days and

0:23:10.240 --> 0:23:17.600
<v Speaker 1>you can't do anything like that on a child's mind. Blunt, absolutely, Yeah.

0:23:18.240 --> 0:23:22.480
<v Speaker 1>Ben Foster is phenomenal in Emancipation. I hear he sent

0:23:22.560 --> 0:23:25.080
<v Speaker 1>the Red Table a message, and I haven't seen it yet.

0:23:26.359 --> 0:23:33.320
<v Speaker 1>Ben is the total opposite of his character. The first

0:23:33.400 --> 0:23:40.040
<v Speaker 1>day of set was staggering two hundred plus background actors

0:23:40.400 --> 0:23:46.879
<v Speaker 1>portraying the enslaved. I was walking past men in chains

0:23:47.400 --> 0:23:52.320
<v Speaker 1>and in situations of such tremendous violence, and then I

0:23:52.359 --> 0:23:56.919
<v Speaker 1>felt him. I didn't see him, I felt him. It

0:23:57.040 --> 0:24:01.520
<v Speaker 1>was Will on set, but it doesn't Will Smith as

0:24:01.560 --> 0:24:04.160
<v Speaker 1>we know him. It was a man, and that man

0:24:05.160 --> 0:24:09.760
<v Speaker 1>was vibrating. It's animal stuff. It's hard to explain, but

0:24:09.840 --> 0:24:13.080
<v Speaker 1>I could feel the presence of this man who is

0:24:13.160 --> 0:24:17.879
<v Speaker 1>digging deep. And I passed him and I felt, well,

0:24:19.000 --> 0:24:22.119
<v Speaker 1>I'm going to give him his space. We didn't speak

0:24:22.160 --> 0:24:25.680
<v Speaker 1>for six months of shooting. What I saw with Will

0:24:25.920 --> 0:24:29.720
<v Speaker 1>is an actor whom I've respected for for so very long.

0:24:30.119 --> 0:24:33.119
<v Speaker 1>I think does some of the most important work, not

0:24:33.320 --> 0:24:36.520
<v Speaker 1>just of his career, but of current day cinema. This

0:24:36.640 --> 0:24:40.280
<v Speaker 1>is a performance that speaks to the human spirit, against

0:24:40.280 --> 0:24:44.280
<v Speaker 1>all odds, to fight for love, the fight of faith,

0:24:44.560 --> 0:24:48.520
<v Speaker 1>the fight to endure and endure for love. I'm blown

0:24:48.560 --> 0:24:51.560
<v Speaker 1>away by what Will Smith did in this film. What

0:24:51.680 --> 0:24:54.199
<v Speaker 1>I hope people take away from this film is the

0:24:54.240 --> 0:24:56.480
<v Speaker 1>worst thing that we could do is not raise our hand,

0:24:56.600 --> 0:24:59.240
<v Speaker 1>is not to have an open dialogue. We must reflect

0:24:59.280 --> 0:25:01.640
<v Speaker 1>on our past and ordered to meet our current day,

0:25:01.640 --> 0:25:06.720
<v Speaker 1>and our current day is rife with frightening similarities of

0:25:07.040 --> 0:25:10.320
<v Speaker 1>what happened during this true story. When it took place,

0:25:11.200 --> 0:25:13.800
<v Speaker 1>I happened to believe babies are not born with hate

0:25:13.800 --> 0:25:16.640
<v Speaker 1>in their heart, that hate has learned, that hate can

0:25:16.640 --> 0:25:22.600
<v Speaker 1>be unlearned, and compassion can fill that void. Heal that virus,

0:25:23.280 --> 0:25:26.520
<v Speaker 1>and we can remind each other of our similarities or

0:25:26.600 --> 0:25:31.240
<v Speaker 1>commonalities with empathy. We don't have to get each other holy,

0:25:31.440 --> 0:25:34.639
<v Speaker 1>but we must recognize that we're all flesh and blood.

0:25:35.040 --> 0:25:41.200
<v Speaker 1>We're not here for long. Let's leave with kindness. Wow. Wow,

0:25:42.240 --> 0:25:48.000
<v Speaker 1>that's crazy. That was beautiful. That's great that he felt you,

0:25:48.640 --> 0:25:57.760
<v Speaker 1>he felt your presence. So my side of that, that's

0:25:57.800 --> 0:26:00.520
<v Speaker 1>my first time here in his side. Right. So we

0:26:00.520 --> 0:26:02.840
<v Speaker 1>were having delays. I think we didn't even get a

0:26:02.880 --> 0:26:06.600
<v Speaker 1>shot the first day. There was lightning and there was heat,

0:26:06.640 --> 0:26:10.080
<v Speaker 1>and we had literally lost an entire day. So I'm

0:26:10.119 --> 0:26:13.240
<v Speaker 1>doing my you know, thinking and the extras. Hey, thank

0:26:13.240 --> 0:26:16.080
<v Speaker 1>you all very much, everybody, blah blah blah. In my mind,

0:26:16.200 --> 0:26:21.239
<v Speaker 1>I was giving my best will Smith and Ben just

0:26:21.359 --> 0:26:26.960
<v Speaker 1>walked past me and didn't say nothing. I was like, oh,

0:26:27.080 --> 0:26:32.959
<v Speaker 1>he must he must not have seen me. And then

0:26:33.240 --> 0:26:38.960
<v Speaker 1>for six months. He didn't speak to me, he didn't

0:26:39.119 --> 0:26:42.959
<v Speaker 1>make eye contact with me, he didn't say a word,

0:26:43.160 --> 0:26:49.320
<v Speaker 1>he didn't acknowledge me for six months. But what he

0:26:49.400 --> 0:26:53.440
<v Speaker 1>did that first day, I was like, yep, got it.

0:26:54.280 --> 0:26:58.000
<v Speaker 1>We're not playing this is real, this is serious. We're

0:26:58.000 --> 0:27:02.200
<v Speaker 1>not fooling around with these ideas. And I really credit

0:27:02.320 --> 0:27:08.600
<v Speaker 1>then for clicking me into the next gear of depth

0:27:08.640 --> 0:27:11.760
<v Speaker 1>and focus. So the final day, me and Antoine or

0:27:11.760 --> 0:27:15.360
<v Speaker 1>at the monitor looking at the shot, and then comes over.

0:27:15.400 --> 0:27:21.760
<v Speaker 1>He never came to the monitor ever, he's there. He

0:27:21.800 --> 0:27:25.399
<v Speaker 1>comes to the monitor, he watches the shot and Antoine said,

0:27:26.680 --> 0:27:31.359
<v Speaker 1>I'm happy we got it, and then I look over it.

0:27:31.400 --> 0:27:35.639
<v Speaker 1>Then this is last day. He says nice to me,

0:27:47.760 --> 0:27:52.200
<v Speaker 1>like yeah, because it was like because you know we've

0:27:52.240 --> 0:27:56.600
<v Speaker 1>been we have been through that whole movie together. That

0:27:56.760 --> 0:27:59.600
<v Speaker 1>is crazy. Did you guys talk at all after that?

0:27:59.640 --> 0:28:02.280
<v Speaker 1>When you he left, he flew out, he went home.

0:28:02.320 --> 0:28:08.480
<v Speaker 1>It was his last shot day because he went from

0:28:11.440 --> 0:28:14.359
<v Speaker 1>he wanted to like, yeah, he wanted to make sure

0:28:15.080 --> 0:28:20.840
<v Speaker 1>I can officially stop and on his character, Ben set

0:28:20.880 --> 0:28:24.280
<v Speaker 1>the tone for everybody right, and he wasn't going to

0:28:24.400 --> 0:28:27.720
<v Speaker 1>his trailer. He was staying in his tent on the

0:28:27.760 --> 0:28:32.360
<v Speaker 1>set like although like his actor, like his character tent.

0:28:32.560 --> 0:28:35.800
<v Speaker 1>He had all of his stuff in his character Tent. Well,

0:28:35.840 --> 0:28:40.120
<v Speaker 1>you taught me this. Great great actors make everybody else's

0:28:40.160 --> 0:28:45.240
<v Speaker 1>job easier. If you're great at anything, you make it easier.

0:28:46.880 --> 0:28:49.840
<v Speaker 1>So that was it. You guys didn't talk anymore. No,

0:28:50.000 --> 0:28:53.040
<v Speaker 1>not till a few months after that. Yeah, that we

0:28:53.040 --> 0:28:55.840
<v Speaker 1>we came back together for suppress or something like that.

0:28:56.440 --> 0:29:00.600
<v Speaker 1>I was like, who are you? Who are you? You

0:29:00.800 --> 0:29:09.200
<v Speaker 1>kind soldier? Oh man, that's crazy. So the brilliant director

0:29:09.240 --> 0:29:14.520
<v Speaker 1>of Emancipation, Antoine Fuqua, wanted to say this, Hey, Will

0:29:14.560 --> 0:29:17.720
<v Speaker 1>and Red Table Talk, here's a few thoughts about Emancipation.

0:29:17.760 --> 0:29:20.320
<v Speaker 1>I thought I would share with you. When people go

0:29:20.440 --> 0:29:23.080
<v Speaker 1>to see this film, I'm hoping they'll be inspired and

0:29:23.320 --> 0:29:26.520
<v Speaker 1>experienced the love story and see a film about freedom

0:29:26.920 --> 0:29:30.840
<v Speaker 1>and faith and family as well as a story about

0:29:31.080 --> 0:29:35.920
<v Speaker 1>strength and perseverance. The story of Peter is incredible, a

0:29:36.160 --> 0:29:40.200
<v Speaker 1>man that was a slave but was free in his

0:29:40.280 --> 0:29:44.840
<v Speaker 1>mind and his heart and his spirit. Antoine is no joke.

0:29:46.400 --> 0:29:54.880
<v Speaker 1>This is what it's about. I respect that Antoine is

0:29:54.920 --> 0:29:57.840
<v Speaker 1>a is a beast man. He created something I think

0:29:58.000 --> 0:30:01.840
<v Speaker 1>is a real master. Yeah, it really is. The DP.

0:30:02.040 --> 0:30:07.480
<v Speaker 1>Bob Richardson put his thing down with this movie. The

0:30:07.520 --> 0:30:12.000
<v Speaker 1>cinematography is insane and I've never seen any movie that

0:30:12.120 --> 0:30:16.000
<v Speaker 1>just visually looks the way that this one does. One

0:30:16.040 --> 0:30:18.400
<v Speaker 1>of the things that Antoine said that was great about

0:30:18.640 --> 0:30:21.760
<v Speaker 1>that texture, the tone. He said he wanted to drain

0:30:21.960 --> 0:30:26.960
<v Speaker 1>the color out of the Confederacy, right for that not

0:30:27.040 --> 0:30:32.560
<v Speaker 1>to be glorified. There's a great shot with uh Peter

0:30:33.240 --> 0:30:35.600
<v Speaker 1>firing a gun at one of the last moments in

0:30:35.600 --> 0:30:40.720
<v Speaker 1>the battle with the American flag gone by. And the

0:30:40.920 --> 0:30:46.960
<v Speaker 1>story is that we fought for this country, right, We

0:30:47.200 --> 0:30:52.040
<v Speaker 1>fought and earned our position in this country. We don't

0:30:52.040 --> 0:30:56.440
<v Speaker 1>have to feel like outsiders here. This is this is

0:30:56.480 --> 0:31:00.800
<v Speaker 1>our home, right you very said of that, And the

0:31:00.840 --> 0:31:04.520
<v Speaker 1>thing is like, no, no, no, it's not America, no no, no,

0:31:04.520 --> 0:31:09.640
<v Speaker 1>no no. We are America, like own it and not

0:31:09.720 --> 0:31:12.160
<v Speaker 1>ownership in a way that is ours and not other people's,

0:31:12.200 --> 0:31:18.080
<v Speaker 1>like it's all of ours. We are a part of

0:31:18.120 --> 0:31:22.680
<v Speaker 1>the fiber of this place. The ownership has to be

0:31:22.760 --> 0:31:27.760
<v Speaker 1>in our minds in the same way the emancipation has

0:31:27.800 --> 0:31:33.600
<v Speaker 1>to be in our minds. Like Peter was enslaved, but

0:31:33.760 --> 0:31:36.320
<v Speaker 1>he was never a slave, but he was free. He

0:31:36.520 --> 0:31:40.720
<v Speaker 1>was free when I was growing up, you know, because

0:31:40.800 --> 0:31:44.880
<v Speaker 1>Daddy O was in the Air Force. Oh damn. Yeah.

0:31:44.960 --> 0:31:50.160
<v Speaker 1>So Daddy O raised me like American. He raised me

0:31:50.320 --> 0:31:54.240
<v Speaker 1>with the idea if somebody said go back to Africa, Nope,

0:31:54.720 --> 0:31:57.360
<v Speaker 1>you go back to wherever your people came from. I'm here,

0:31:58.040 --> 0:32:01.840
<v Speaker 1>you go back, right. I have this conversation with people

0:32:01.880 --> 0:32:03.760
<v Speaker 1>a lot of the times where they're like, this thing

0:32:03.800 --> 0:32:05.560
<v Speaker 1>that you're talking about is so dark, or this thing

0:32:05.600 --> 0:32:08.600
<v Speaker 1>that you know are shining light on is so terrible.

0:32:08.600 --> 0:32:12.240
<v Speaker 1>But it's like, we can never forget about the history

0:32:12.280 --> 0:32:14.560
<v Speaker 1>of the reality because if you don't know that those

0:32:14.560 --> 0:32:16.440
<v Speaker 1>types of things are possible and people can do that

0:32:16.480 --> 0:32:19.719
<v Speaker 1>to people, then you know you're gonna you have to

0:32:19.760 --> 0:32:23.240
<v Speaker 1>move throughout the world knowing history, you know, like those

0:32:23.280 --> 0:32:26.040
<v Speaker 1>who don't know their history or yeah, doomed to repeat it.

0:32:26.400 --> 0:32:29.800
<v Speaker 1>There's another one I really love. The one thing we

0:32:29.880 --> 0:32:35.040
<v Speaker 1>learned from history is that we don't learn anything from history. Yeah,

0:32:35.240 --> 0:32:37.719
<v Speaker 1>you do it all over again. Yeah exactly, you do

0:32:37.800 --> 0:32:40.680
<v Speaker 1>it all over again, and I'm hoping that it won't

0:32:40.680 --> 0:32:43.880
<v Speaker 1>be the case. Yeah. It was really critical for me,

0:32:44.000 --> 0:32:48.880
<v Speaker 1>for for you guys and really your generation to see

0:32:48.920 --> 0:32:54.880
<v Speaker 1>this movie and to understand the foundations of this story

0:32:54.920 --> 0:32:59.320
<v Speaker 1>and what it means in this country. You guys were

0:32:59.360 --> 0:33:03.480
<v Speaker 1>born with black president. I remember when Barack Obama got elected,

0:33:03.520 --> 0:33:05.720
<v Speaker 1>you and we were crying, and you guys couldn't be

0:33:05.760 --> 0:33:08.239
<v Speaker 1>like we knew he was gonna win. It was like

0:33:08.280 --> 0:33:12.200
<v Speaker 1>you guys grew up in at a largely different era.

0:33:12.640 --> 0:33:14.920
<v Speaker 1>So to me, it's really important when you know where

0:33:14.920 --> 0:33:18.320
<v Speaker 1>you've been. It helps you get a better sense of

0:33:18.360 --> 0:33:21.880
<v Speaker 1>where you're going or even why certain things are the

0:33:21.920 --> 0:33:27.320
<v Speaker 1>way that they are. Right before, we have a message

0:33:27.320 --> 0:33:30.160
<v Speaker 1>from your biggest fan, a message from my biggest fan.

0:33:32.560 --> 0:33:35.720
<v Speaker 1>Who is it? Hey, baby, this is your mama, and

0:33:35.880 --> 0:33:39.520
<v Speaker 1>I just want to tell you what a wonderful movie

0:33:39.720 --> 0:33:44.560
<v Speaker 1>in Emancipation is. I just couldn't believe a little wonderful

0:33:44.640 --> 0:33:47.720
<v Speaker 1>job that you performed because Peter just came right through

0:33:48.080 --> 0:33:50.560
<v Speaker 1>and I looked and looked, and I knew was, oh,

0:33:50.920 --> 0:33:55.160
<v Speaker 1>that is my child. But Peter just exuded through you,

0:33:55.280 --> 0:34:01.480
<v Speaker 1>and I just you just left yourself, just became Peter.

0:34:02.080 --> 0:34:05.480
<v Speaker 1>When Peter was in the swamp, and it's there and

0:34:05.560 --> 0:34:08.319
<v Speaker 1>it seems like forever in that water, and I wish

0:34:08.360 --> 0:34:12.560
<v Speaker 1>I could have just gone in and just got me out. Well,

0:34:12.600 --> 0:34:16.239
<v Speaker 1>I know how much hard work and dedication you put

0:34:16.320 --> 0:34:20.640
<v Speaker 1>into making this movie come to life. I can't wait

0:34:20.760 --> 0:34:24.719
<v Speaker 1>for the world to see it and learned from it.

0:34:25.160 --> 0:34:27.720
<v Speaker 1>I'm going to tell everyone that I knew that they

0:34:27.760 --> 0:34:30.680
<v Speaker 1>definitely need to go. I love you so much, and

0:34:30.719 --> 0:34:35.480
<v Speaker 1>I'm so proud of you and Trey Jaden and Willow.

0:34:36.200 --> 0:34:45.560
<v Speaker 1>Mom loves you so much, proper. I'm so glad that

0:34:45.600 --> 0:34:47.759
<v Speaker 1>we were able to have this conversation. I felt like

0:34:47.920 --> 0:34:49.840
<v Speaker 1>I learned so much in that the entire youth that

0:34:49.920 --> 0:34:52.560
<v Speaker 1>is going to learn so much. Emancipation is streaming now

0:34:52.680 --> 0:35:00.320
<v Speaker 1>on appletus class be ready. It's a red table ache

0:35:00.360 --> 0:35:05.320
<v Speaker 1>over with my kids, Willow, Jaden, Trey. I'm the boss,

0:35:05.480 --> 0:35:08.880
<v Speaker 1>I'm in charge, and we're talking about making a movie

0:35:09.239 --> 0:35:15.080
<v Speaker 1>it pans it pants. We're talking about the most grueling

0:35:15.120 --> 0:35:20.120
<v Speaker 1>and transformative No, no, no, it's it's Willow. It's not

0:35:21.600 --> 0:35:24.879
<v Speaker 1>because you guys are playing behind me. You're playing with her.

0:35:25.360 --> 0:35:30.759
<v Speaker 1>Ad Livin is how we got this house, alright. Me

0:35:30.960 --> 0:35:36.759
<v Speaker 1>A Lincoln is the only reason are here kept having

0:35:36.800 --> 0:35:40.680
<v Speaker 1>sex because I was a Livin. Come on, kids, we

0:35:40.800 --> 0:35:45.680
<v Speaker 1>got you. Guys are being so immature making the movie emancipation.

0:35:46.280 --> 0:35:49.839
<v Speaker 1>Tap now to watch. Check us out yes Yes, I'm

0:35:49.880 --> 0:35:53.840
<v Speaker 1>good at this. To join the red table Talk family

0:35:53.880 --> 0:35:56.440
<v Speaker 1>and become a part of the conversation. Follow us at

0:35:56.480 --> 0:36:00.360
<v Speaker 1>facebook dot com slash red table talk. Thanks for listening

0:36:00.360 --> 0:36:04.280
<v Speaker 1>to this episode of Red Table Talk podcast produced by Facebook, Watch,

0:36:04.440 --> 0:36:06.760
<v Speaker 1>Westbrook Audio, and I Heart Radio.