WEBVTT - #106 - D Smoke

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<v Speaker 1>Yo, It's the Buelet Cap Podcast Buelet Cap Show Special

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<v Speaker 1>guests d Smoke, Yes, sir, welcome, Hey, congrats on this album.

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<v Speaker 1>Warren Wonders. First of all, the cover is incredible, The

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<v Speaker 1>artwork is incredible. You're always so good when it comes

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<v Speaker 1>to details. I always tell everybody like you got the

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<v Speaker 1>best videos, the best coloring, the best concepts, Like you know,

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<v Speaker 1>I know you put so much into just the details

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<v Speaker 1>of what you do. Absolutely give me why the name,

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<v Speaker 1>Warren Wonders, what's the what's the background behind that kind

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<v Speaker 1>of dive into the story of the artwork. Warren wonders,

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<v Speaker 1>is that project that's about showing the world the two

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<v Speaker 1>sides of what it means to be a youngster from

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<v Speaker 1>Inglewood who is pushing the line on both fronts. You

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<v Speaker 1>know what I'm saying. On one side, I got a

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<v Speaker 1>heart for the streets. You know, my big brother grew

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<v Speaker 1>up in the street element a little bit more than

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<v Speaker 1>we did, and we were we were there. But by

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<v Speaker 1>the time we were coming up as teenagers, you know,

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<v Speaker 1>Pops was in the house a little kids. My Pops

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<v Speaker 1>was locked up, so we was fighting, doing the whole nine.

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<v Speaker 1>He come home, We're more so, like a little bit

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<v Speaker 1>more straight and narrow, but still you know, parents can't

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<v Speaker 1>afford to drive you everywhere, so he's still catching the bus.

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<v Speaker 1>We in the actual streets of Inglewood. So warre on

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<v Speaker 1>wonders is that we're familiar with this, but it's you know,

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<v Speaker 1>for the sake of arriving at that place where you

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<v Speaker 1>can look around and be proud of where you are,

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<v Speaker 1>what you've gotten. So you can't experience the wonders in

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<v Speaker 1>life if you're not willing to confront and experience the war,

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<v Speaker 1>you know. So it's just that duality of being d

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<v Speaker 1>smoke that I wanted to share. And then what about

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<v Speaker 1>the cover because the cover seems like there's a big

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<v Speaker 1>message behind the coverage as well. Yeah, absolutely so. Of course,

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<v Speaker 1>one of my main values is other than family, is community,

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<v Speaker 1>you know what I'm saying. So that picture represents the

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<v Speaker 1>community that puts you all the different elements like you know,

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<v Speaker 1>from the girl with her hair wrapped with the rollers

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<v Speaker 1>in their hair blowing the bus to the girl with

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<v Speaker 1>the booty short song too. You know howmies with the

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<v Speaker 1>wave cap do rags, flip flops, the bottle, the speaker,

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<v Speaker 1>the lo lo bike, is just like we get some

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<v Speaker 1>of everything in the community that all contributes to who

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<v Speaker 1>you are as a person, and that's lifting me up

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<v Speaker 1>to you know, uh, to be able to you know,

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<v Speaker 1>the symbolism of breaking that chain and it's an actual

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<v Speaker 1>gold chain that's kind of shaped like a new So

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<v Speaker 1>it's just all those symbolism that represent all the people

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<v Speaker 1>that it really takes for any one person to be free.

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<v Speaker 1>You feel me? Do you feel like because I feel like,

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<v Speaker 1>you know, like when you listen to the album, like

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<v Speaker 1>you talk about like you know, game, banging over turf

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<v Speaker 1>that you don't own, or dirt you don't own, right,

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<v Speaker 1>do you feel like that that was like those kind

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<v Speaker 1>of messages weren't being presented to your generation, for the

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<v Speaker 1>kids who were from where you were from, Like, and

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<v Speaker 1>like maybe you're kind of setting a new because I

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<v Speaker 1>feel like there's so much game and a lot of

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<v Speaker 1>the shit you're saying. There's so many lines and I'm like, man,

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<v Speaker 1>this is a real grown man, Like hell shit, but

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<v Speaker 1>like that line, like how important is that for you

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<v Speaker 1>to kind of you know when it comes to you

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<v Speaker 1>You're from Inglewood, you know what I'm saying. And obviously

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<v Speaker 1>when you're from La. Gang culture is on the present,

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<v Speaker 1>even if you're not in it, when you're in Hollywood,

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<v Speaker 1>when you're in downtown, everywhere, everywhere, one hundred percent right, So,

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<v Speaker 1>like you know, there's it's it's it's hard to be

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<v Speaker 1>the guy to be like, hey, you should a gang

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<v Speaker 1>bang because you don't know the story behind Hey did

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<v Speaker 1>someone lose a brother or a cousin or whatever. But

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<v Speaker 1>at the same time, like there's there's got to be

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<v Speaker 1>a middle ground where you know absolutely well, let me,

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<v Speaker 1>I put it this way, gang banging isn't being a

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<v Speaker 1>member of a gang. Let's say that isn't wrong, you

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<v Speaker 1>know what I'm saying. It's the it's the culture, not

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<v Speaker 1>the overall culture. It's the activity, it's how it's done.

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<v Speaker 1>It's the lack of connection between the big homies who

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<v Speaker 1>know better and the young homies who got something to prove,

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<v Speaker 1>you know. And and that's just not a gang. It's

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<v Speaker 1>not just a gang banging thing, because outside of gang

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<v Speaker 1>banging in other cities we still find the violence, we

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<v Speaker 1>still find of course the same problems. It's just a

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<v Speaker 1>community thing, a culture thing. First and then so I

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<v Speaker 1>have I have a heart for people like I feel

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<v Speaker 1>like it's human instinct to connect, to build, to form

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<v Speaker 1>organizations to or you know, outside of gang banging. In Africa,

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<v Speaker 1>we had tribes, you know what I'm saying, And one

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<v Speaker 1>tribe over here might not get along with a tribe

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<v Speaker 1>over here. So it's not me preaching against gang banging.

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<v Speaker 1>It's more so preaching against the ignorance that makes us organizing,

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<v Speaker 1>uh them versus us type thing. You know what I'm saying,

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<v Speaker 1>Like why I'm not I'm not a gang member, but

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<v Speaker 1>why do I feel the need to keep a pistol

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<v Speaker 1>on me? You know what I'm saying. Or you said

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<v Speaker 1>that you have a five mile you go through five

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<v Speaker 1>different neighborhoods on your commute commute. Yeah, and the kids

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<v Speaker 1>and the kids who you're teaching don't realize that you

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<v Speaker 1>you got you gotta you got a peace on you

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<v Speaker 1>come on period period. True story, you know. And that's

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<v Speaker 1>because like I taught, I taught on well, I taught

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<v Speaker 1>several places. One I was teaching close to home when

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<v Speaker 1>I taught at Inglewood High then I taw at Westchester

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<v Speaker 1>and that of course you head in west You're not

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<v Speaker 1>passing through too many hoods like that. Outside of Inglewood.

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<v Speaker 1>And then but it was when I taught on Vermont

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<v Speaker 1>and sixtieth coming from Century and Lebrea, that it's like, okay,

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<v Speaker 1>I'm out of this neighborhood in Inglewood through these other

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<v Speaker 1>three neighborhoods in Inglewood, through you know what I'm saying,

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<v Speaker 1>you know, the a trade through the you know, it's

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<v Speaker 1>like all these different hoods, for forbid, you have to

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<v Speaker 1>stop and get gas. Come on, now, you be getting

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<v Speaker 1>gas on our side right before you get in there,

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<v Speaker 1>you know. And and and then of course that's an

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<v Speaker 1>exception to every world. I've stopped to get gas in

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<v Speaker 1>another hood, you know. And you you kind of hope

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<v Speaker 1>that somebody ain't having a bad enough day to where

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<v Speaker 1>they not listening to reason, or they or to where

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<v Speaker 1>they don't ask no questions at all, you know, because

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<v Speaker 1>that happens. It had been times where it was like

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<v Speaker 1>they just pulled up a start busting. That's tragic, you know.

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<v Speaker 1>But then there's been times where I'd am impressed and

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<v Speaker 1>I could tell he looking at me like waiting for

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<v Speaker 1>me to say the wrong thing, and I could tell

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<v Speaker 1>he got a gun on him, like hand all tucked

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<v Speaker 1>and everything, and I'm like you know what I'm saying,

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<v Speaker 1>And it's just a matter of you know, have you

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<v Speaker 1>mastered yourself enough to be to look him in the

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<v Speaker 1>eyes and be like, I'm solid, bro, I hope all

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<v Speaker 1>is well, which you know, and just let him make

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<v Speaker 1>that decision to be like I want to do do

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<v Speaker 1>I want to do a good human being harm. And

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<v Speaker 1>I think even behind all the gang stuff, there's there's

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<v Speaker 1>this People have to be triggered and pushed over that

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<v Speaker 1>little edge, and sometimes fear pushes Being scary will push

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<v Speaker 1>people over the edge, you know, it'll trigger that up,

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<v Speaker 1>that instinct, that predatory instinct if you look like, oh

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<v Speaker 1>two shitah, I got it, got it. Whereas if it's

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<v Speaker 1>like now all is well, bro, God bless you, you know,

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<v Speaker 1>but it's direct. It's like I'm not scared of you,

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<v Speaker 1>but I'm looking into you like I know what you got.

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<v Speaker 1>You know what I'm saying, And if you're gonna do it,

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<v Speaker 1>you're gonna have to live with the fact that you

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<v Speaker 1>did it in the wrong situation. You know, because fear

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<v Speaker 1>tales on a lot of people. Some people are afraid

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<v Speaker 1>because they know they might be on the bad side

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<v Speaker 1>of some well deserved krmer they might have done something

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<v Speaker 1>similar out there. You know, that's not my story. So

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<v Speaker 1>if you're gonna pull up, if you're gonna pull up

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<v Speaker 1>and bust on d Smoke, you're gonna bust on somebody

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<v Speaker 1>that's proud of what he did, then done right by

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<v Speaker 1>his family and his business partners. And I'm gonna look

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<v Speaker 1>you in your eyes like, damn, is this that? Because

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<v Speaker 1>we all got our day? You feel me like, and

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<v Speaker 1>I don't. It's not that I want to go, but

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<v Speaker 1>it's like I've seen, I've been in those situations where

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<v Speaker 1>it could have been that you know so, and and

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<v Speaker 1>a lot of so much as outside your control. So

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<v Speaker 1>like you're referring to, uh, find my way, you know,

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<v Speaker 1>in so many ways, it's like we're all navigating. As

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<v Speaker 1>a teacher, I'm still navigating. I'm navigating, like like the

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<v Speaker 1>law one. You know what I'm saying, California is an

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<v Speaker 1>you know what I'm saying, I'm navigating the law. I'm navigating. Uh,

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<v Speaker 1>you know, going in there wanting to be effective with

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<v Speaker 1>the kids, but I'm in the middle of the hood

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<v Speaker 1>and it's a lot working against me. Just they mindsets,

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<v Speaker 1>you know. So, So yeah, this this album kind of

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<v Speaker 1>shows shows both of that and and it shows love

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<v Speaker 1>to the people. It's like people got to forgive theyself,

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<v Speaker 1>like they be hard on theyself, like, man, I ain't

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<v Speaker 1>got to figure it out. But and that's okay. So

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<v Speaker 1>that's the thing, by my way, It's like we all

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<v Speaker 1>out here trying to find find our way, and once

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<v Speaker 1>we think we found it, we still navigate. That's real shit.

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<v Speaker 1>You said some ill shit. You had a line where

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<v Speaker 1>you said that your wife drove you to sanity. Uh huh.

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<v Speaker 1>My wife came in my life drove me to sanity,

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<v Speaker 1>which I think is dope because again I'm married. But

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<v Speaker 1>I feel like we don't hear enough about you know,

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<v Speaker 1>the benefits of having a solid woman behind you. Absolutely,

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<v Speaker 1>it's how much honesty are people willing to give, you know,

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<v Speaker 1>and not just honesty, vulnerability, you know, because what was

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<v Speaker 1>that it was a Superman movie or was it a

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<v Speaker 1>Superman movie or somebody referred to a Superman saying, you know,

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<v Speaker 1>leave Clark kenn at home, don't bring Lois Lane into

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<v Speaker 1>the workplace. You know what I'm saying, Because that's what

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<v Speaker 1>people Predators will exploit, you know what I'm saying. They

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<v Speaker 1>see the strong chest and they're like, oh, I can't

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<v Speaker 1>penetrate that armor, but I could grab her and make

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<v Speaker 1>you been the knee to you know what I'm saying,

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<v Speaker 1>to save somebody that you care about. And in the

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<v Speaker 1>same sense, I feel like rap has that tendency. We

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<v Speaker 1>show up with our strongest self, you know what I'm saying, Yeah,

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<v Speaker 1>and then lo and behold, we got somebody that's loving

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<v Speaker 1>us into strength, you know what I'm saying in all honesty.

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<v Speaker 1>So but yeah, I said my life. My wife came

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<v Speaker 1>in my life, drove me to sanity, distinguished between the

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<v Speaker 1>sweetest in vanities, coffee, no cream of killing me softly.

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<v Speaker 1>I need an energy. Call me your fashion. But in

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<v Speaker 1>the canopy I'll be getting what these whole promises can't deliver.

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<v Speaker 1>Ain't got no canvas, won't paint a picture, Ain't got

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<v Speaker 1>no time for they faint attempts. My little house is straight,

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<v Speaker 1>made the bricks, climbed the mountain, and then made the river.

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<v Speaker 1>You know. So it's like it's just the truth of it,

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<v Speaker 1>and not that I'm imposing that view on anybody. Like

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<v Speaker 1>if you ain't found that person, don't try to make

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<v Speaker 1>their own person. That for sure. That's a huge mistake.

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<v Speaker 1>Don't do that, you know what I'm saying, like, don't

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<v Speaker 1>do that ship, Yeah, you know. And and I think

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<v Speaker 1>even prior to finding her, I think we're all a

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<v Speaker 1>little bit guilty of like because we got our hopes

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<v Speaker 1>up that we got somebody, you know. But but yeah,

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<v Speaker 1>so that's that's a little bit of like straight honesty.

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<v Speaker 1>We're like, like, you know, there's something to be said

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<v Speaker 1>about like being in a relationship where it's not taxing

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<v Speaker 1>on your mental And I can only imagine with where

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<v Speaker 1>you are in your career right being on the road

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<v Speaker 1>or I don't know, the pandemic kind of probably halted

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<v Speaker 1>a lot of your travel. But you do go to Africa, right,

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<v Speaker 1>I did? I did go to I mean, in your

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<v Speaker 1>your profile is a lot more higher. And I'm just

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<v Speaker 1>I mean, in any relationship, your specific set of circumstances

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<v Speaker 1>might make you know, any relationship a little bit more

0:10:58.360 --> 0:11:00.719
<v Speaker 1>difficult at times. So it takes it's a special kind

0:11:00.760 --> 0:11:05.520
<v Speaker 1>of woman to not add any bullshit to your plate

0:11:05.720 --> 0:11:09.720
<v Speaker 1>while you're trying to be de smoke. Absolutely, absolutely, some

0:11:09.760 --> 0:11:15.320
<v Speaker 1>of that comes from just confidence, you know, like and

0:11:15.320 --> 0:11:19.559
<v Speaker 1>and confidence doesn't negate that a woman's need to be reassured.

0:11:19.960 --> 0:11:22.000
<v Speaker 1>You know what I'm saying, any woman is gonna because

0:11:22.000 --> 0:11:25.760
<v Speaker 1>the reassurance is not in It's not just in her

0:11:25.800 --> 0:11:30.840
<v Speaker 1>being reassured in herself, it's reassured in your intent, how

0:11:30.840 --> 0:11:34.800
<v Speaker 1>present you are, and your feelings. You know, the fact

0:11:34.800 --> 0:11:37.000
<v Speaker 1>that your feelings haven't changed. You have to reassure them

0:11:37.000 --> 0:11:40.839
<v Speaker 1>of that, you know what I'm saying. So, but when

0:11:40.880 --> 0:11:43.120
<v Speaker 1>you have to, But when somebody needs reassurance of who

0:11:43.120 --> 0:11:45.840
<v Speaker 1>they are, it's different. Then they've put you in a

0:11:45.880 --> 0:11:49.840
<v Speaker 1>position that you nobody deserves to be in. Because you

0:11:49.880 --> 0:11:51.800
<v Speaker 1>can say all the things in the world, but if

0:11:51.840 --> 0:11:53.800
<v Speaker 1>you're not happy with you, it don't matter from you.

0:11:53.880 --> 0:11:59.200
<v Speaker 1>It gotta come from you. So but but yeah, you

0:11:59.200 --> 0:12:02.520
<v Speaker 1>you definitely need somebody that's confident, that is shutting himself

0:12:03.280 --> 0:12:08.920
<v Speaker 1>and bold enough to be honest when it's not it's real,

0:12:09.160 --> 0:12:10.840
<v Speaker 1>you know, and that's you got to be that too,

0:12:10.960 --> 0:12:14.520
<v Speaker 1>you know, the responsibilities on both sides. There's additional work

0:12:14.559 --> 0:12:18.440
<v Speaker 1>on my part and on my wife's part to maintain

0:12:18.559 --> 0:12:22.800
<v Speaker 1>something that that is true and strong and can withstand

0:12:23.280 --> 0:12:26.240
<v Speaker 1>little stuff. You know what I'm saying that It's it's

0:12:26.280 --> 0:12:29.760
<v Speaker 1>no secret that women on the internet are gonna be like,

0:12:29.800 --> 0:12:32.599
<v Speaker 1>that's my husband that never met me, you know what

0:12:32.640 --> 0:12:34.720
<v Speaker 1>I'm saying. And you got to just brush that off,

0:12:35.200 --> 0:12:37.520
<v Speaker 1>you know. Yeah, No, I mean I feel like, yeah,

0:12:37.520 --> 0:12:40.120
<v Speaker 1>because especially when you were when the show first came out,

0:12:40.160 --> 0:12:44.520
<v Speaker 1>there was bitches was I mean, respectful young ladies, we're

0:12:44.840 --> 0:12:48.240
<v Speaker 1>loving you. They're going crazy. No, it was going crazy.

0:12:48.480 --> 0:12:50.360
<v Speaker 1>It went ut. I mean, bitch is in the most

0:12:50.400 --> 0:12:57.559
<v Speaker 1>respectable way possible. We know what you mean. Beautiful, independent, yes, timely, yeah,

0:12:57.720 --> 0:13:06.000
<v Speaker 1>you know, creative. Yeah right, I'm just kidding, just kidd kidding,

0:13:06.480 --> 0:13:12.480
<v Speaker 1>shouts all the bitches and dumb shouts, all of them.

0:13:13.120 --> 0:13:15.320
<v Speaker 1>You know you you just announced the tour right before

0:13:15.360 --> 0:13:17.520
<v Speaker 1>you got here, right, I did. How many dates is it?

0:13:17.520 --> 0:13:21.280
<v Speaker 1>It's it's like twenty two man, that's big too, And

0:13:21.360 --> 0:13:23.200
<v Speaker 1>I know that I wanted to be thirty three. But

0:13:23.400 --> 0:13:25.120
<v Speaker 1>there had to have been a Black Habits tour that

0:13:25.240 --> 0:13:28.560
<v Speaker 1>was supposed to happen. It was cooked. We actually we

0:13:28.640 --> 0:13:31.480
<v Speaker 1>had those dates reserved for the Black Habits, not these

0:13:31.520 --> 0:13:34.280
<v Speaker 1>exact days now, but we had those all of those

0:13:34.360 --> 0:13:36.959
<v Speaker 1>venues already lined up, and then the pandemic just fucked

0:13:37.000 --> 0:13:42.080
<v Speaker 1>everything up. We literally, you know, Cordat hit me up

0:13:42.120 --> 0:13:44.719
<v Speaker 1>because even before we released Black Habits, all I had

0:13:44.760 --> 0:13:47.280
<v Speaker 1>was Inglewood High, right, but we had that moment in

0:13:47.320 --> 0:13:50.280
<v Speaker 1>a strong following and the songs from Rhythm and Flow,

0:13:50.800 --> 0:13:53.079
<v Speaker 1>and he was like, bro, come on tour with me,

0:13:53.559 --> 0:13:57.160
<v Speaker 1>the Lost tour, Yes, yeh. And he did some dates

0:13:57.679 --> 0:14:00.560
<v Speaker 1>in January, so it was he hit me into December

0:14:00.640 --> 0:14:03.120
<v Speaker 1>like top of the year, you hopping out? And I

0:14:03.160 --> 0:14:06.120
<v Speaker 1>was like, bro, I'd love to, but we're closing out

0:14:06.120 --> 0:14:08.680
<v Speaker 1>a project right now. He was like say, lets I understand,

0:14:09.240 --> 0:14:12.760
<v Speaker 1>you know, and you know, we still put out Black Habits,

0:14:12.760 --> 0:14:14.720
<v Speaker 1>and Black Habits did what it did, you know, so

0:14:15.080 --> 0:14:18.000
<v Speaker 1>there's no regrets here. But it's like, damn, is there

0:14:18.040 --> 0:14:20.800
<v Speaker 1>any world where we still put it out? And because

0:14:20.800 --> 0:14:23.000
<v Speaker 1>the world exactly because the world's about to shut down,

0:14:23.040 --> 0:14:26.680
<v Speaker 1>we go outside, like all right, we only got one

0:14:26.800 --> 0:14:30.240
<v Speaker 1>money to hop out pot especially you know with cored

0:14:30.280 --> 0:14:34.080
<v Speaker 1>eight incredible artists that I respect, like how he approaches

0:14:34.600 --> 0:14:38.520
<v Speaker 1>you know, creativity, his music himself. He's one of the

0:14:38.560 --> 0:14:42.160
<v Speaker 1>best man, one of the greatest way way early like

0:14:42.320 --> 0:14:44.080
<v Speaker 1>to be his age and to be doing it like that,

0:14:44.120 --> 0:14:46.760
<v Speaker 1>it's like it's dope to watch who like who else

0:14:46.840 --> 0:14:51.040
<v Speaker 1>is another artist or two that are your peers that

0:14:51.480 --> 0:14:53.760
<v Speaker 1>inspire you. Man. I'm not talking about the ogs because

0:14:53.760 --> 0:14:55.920
<v Speaker 1>it's easy to say Snoop or Dre or who. I mean, like,

0:14:56.000 --> 0:14:59.520
<v Speaker 1>you know your peers man, just a couple man, just

0:14:59.520 --> 0:15:02.920
<v Speaker 1>because I I don't distinguish between like singing and rapping

0:15:02.960 --> 0:15:07.840
<v Speaker 1>and stuff like right of course, like the Sminos, you know,

0:15:07.920 --> 0:15:12.080
<v Speaker 1>the Saba is crazy. You know, uh Masago is crazy.

0:15:12.120 --> 0:15:14.640
<v Speaker 1>Those are my guys. And then I'm from Cali, so

0:15:14.680 --> 0:15:16.880
<v Speaker 1>I'm just I like hood Ship too, So you know

0:15:16.920 --> 0:15:18.920
<v Speaker 1>what I'm saying, Gee, Perico to Homie, I always look

0:15:18.920 --> 0:15:21.760
<v Speaker 1>out for way he's in the video. Yeah, go to Homie.

0:15:21.840 --> 0:15:24.560
<v Speaker 1>You know. You know what I'm saying. R J he

0:15:24.640 --> 0:15:26.840
<v Speaker 1>in the video too. Then my dogs, but when they

0:15:26.840 --> 0:15:29.760
<v Speaker 1>put something out, I'm listening because they got the thumb

0:15:29.800 --> 0:15:31.680
<v Speaker 1>on the on the pulse of the streets. You know.

0:15:33.640 --> 0:15:36.320
<v Speaker 1>But but it's just you know, and then it's just

0:15:36.400 --> 0:15:38.720
<v Speaker 1>music that I'm just you know, I love I love

0:15:38.800 --> 0:15:41.720
<v Speaker 1>like soul for Ship like alex I, you know what

0:15:41.760 --> 0:15:46.760
<v Speaker 1>I'm saying. So but yeah, do you feel like I

0:15:46.760 --> 0:15:50.200
<v Speaker 1>feel like on this album, like as as as lyrical

0:15:50.240 --> 0:15:52.200
<v Speaker 1>as a genius you are, I think you really pressed

0:15:52.280 --> 0:15:55.160
<v Speaker 1>pressed the pedal down on on just wrapping your ass

0:15:55.160 --> 0:15:59.040
<v Speaker 1>off on this project. Like, what was your approach this

0:15:59.160 --> 0:16:01.720
<v Speaker 1>being your sophomore album, Like we talked a little bit earlier,

0:16:01.800 --> 0:16:04.320
<v Speaker 1>I think definitively it's better than Black Habits. Black Habits.

0:16:04.360 --> 0:16:06.360
<v Speaker 1>We'll get to the Grammy nomination, which was a big deal.

0:16:07.000 --> 0:16:11.000
<v Speaker 1>But what was your approach your mind state going into

0:16:11.120 --> 0:16:14.040
<v Speaker 1>recording this album that was different from Black Habits because

0:16:14.040 --> 0:16:17.000
<v Speaker 1>Black Habits, like you said, the show Happens, you already

0:16:17.000 --> 0:16:20.400
<v Speaker 1>had Englewood High was already out right, that's your first

0:16:20.720 --> 0:16:23.680
<v Speaker 1>project coming out off the TV show, you know, and

0:16:23.960 --> 0:16:26.520
<v Speaker 1>now you're established, you got through a pandemic. You know,

0:16:26.680 --> 0:16:29.280
<v Speaker 1>what was your mind state recording this one? This one?

0:16:30.400 --> 0:16:33.280
<v Speaker 1>It's just a lot of real life, frustrated energy in

0:16:33.320 --> 0:16:36.120
<v Speaker 1>this one, and I think that makes for good art,

0:16:36.400 --> 0:16:40.320
<v Speaker 1>you know, Like I was, really, I'm pushing myself because

0:16:40.360 --> 0:16:45.040
<v Speaker 1>I want to translate the turmoil that's happening inside. Plus

0:16:45.160 --> 0:16:48.120
<v Speaker 1>it's still the joy of where I'm fortunate enough to

0:16:48.160 --> 0:16:50.360
<v Speaker 1>be in life, what I've been able to accomplish in

0:16:50.400 --> 0:16:53.160
<v Speaker 1>a short amount of time after a long amount of time,

0:16:53.240 --> 0:16:54.520
<v Speaker 1>you know what I'm saying. I've been at it for

0:16:54.680 --> 0:16:57.240
<v Speaker 1>a long time, but then these two years two and

0:16:57.240 --> 0:17:01.320
<v Speaker 1>a half years are crazy, you know, so so, but

0:17:01.600 --> 0:17:05.920
<v Speaker 1>it's like the inner turmoil is like, damn, why would

0:17:05.920 --> 0:17:08.200
<v Speaker 1>I have this big, this big opportunity. You know what

0:17:08.200 --> 0:17:10.960
<v Speaker 1>I'm saying. I got faith. I come from a god

0:17:11.000 --> 0:17:13.080
<v Speaker 1>fairing household, so it's like, God, why You're gonna give

0:17:13.119 --> 0:17:15.200
<v Speaker 1>me all this and shut the world down, Like let

0:17:15.200 --> 0:17:17.960
<v Speaker 1>me go outside, you know what I'm saying. So for

0:17:18.040 --> 0:17:22.800
<v Speaker 1>that to happen, It's like some of them, some of

0:17:22.800 --> 0:17:26.160
<v Speaker 1>those songs come from that energy, but it's like you frustrated,

0:17:26.200 --> 0:17:27.720
<v Speaker 1>but you still know who you are, so you're gonna

0:17:27.720 --> 0:17:30.280
<v Speaker 1>give them that energy back. It's like in Inglewood, like

0:17:30.800 --> 0:17:33.119
<v Speaker 1>before I had a group of money, I still knew

0:17:33.160 --> 0:17:37.520
<v Speaker 1>that inside it was something that distinguished me from what

0:17:37.720 --> 0:17:40.800
<v Speaker 1>was outside. So I wasn't gonna let nothing run over me,

0:17:41.160 --> 0:17:43.080
<v Speaker 1>you know. And in the same sense, that energy gotta

0:17:43.119 --> 0:17:46.199
<v Speaker 1>be in the music otherwise people will applaud it a

0:17:46.200 --> 0:17:49.000
<v Speaker 1>little bit, you know what I'm saying, like, oh, good stuff, cool,

0:17:49.080 --> 0:17:52.880
<v Speaker 1>you know, but they're not gonna champion it because it's

0:17:52.920 --> 0:17:55.639
<v Speaker 1>when you show them, when you show them both sides

0:17:55.680 --> 0:17:59.800
<v Speaker 1>of yourself, the angry side, the upset side the vulnerable.

0:18:00.160 --> 0:18:01.879
<v Speaker 1>When you show them all of that, then people feel

0:18:01.880 --> 0:18:04.320
<v Speaker 1>like he doing it for us because they know that,

0:18:04.400 --> 0:18:06.200
<v Speaker 1>don't You don't stumble on that. You got to push

0:18:06.280 --> 0:18:10.280
<v Speaker 1>to that, you know. So the way the album came about,

0:18:10.480 --> 0:18:13.800
<v Speaker 1>like right when they announced that the tour wasn't gonna

0:18:13.800 --> 0:18:16.920
<v Speaker 1>happen and we no longer prepping for tourists, like I'm

0:18:16.960 --> 0:18:20.200
<v Speaker 1>at home, bro, Like right, it's a weird moment for

0:18:20.240 --> 0:18:22.199
<v Speaker 1>all of us. I'm at home. Yeah, Like hey man,

0:18:22.240 --> 0:18:25.240
<v Speaker 1>Simmy beach, bro, yeah, Simmy Beach. And the first song

0:18:25.320 --> 0:18:29.959
<v Speaker 1>I did off on one Wonders, is shame on you?

0:18:30.160 --> 0:18:32.080
<v Speaker 1>Oh wow? You know what I'm saying. Summer in the

0:18:32.119 --> 0:18:35.520
<v Speaker 1>winter time. So it's February, it's just after no, it's March,

0:18:35.720 --> 0:18:38.680
<v Speaker 1>the month after Black Habits was done. Somemer in the

0:18:38.720 --> 0:18:40.760
<v Speaker 1>winter time. Smoke back on this beat, act like it's

0:18:40.800 --> 0:18:43.440
<v Speaker 1>dinner time, full packs, no receipting, no LoJack on my

0:18:43.480 --> 0:18:45.160
<v Speaker 1>heat in case I have to throw that in the river.

0:18:45.240 --> 0:18:48.040
<v Speaker 1>After Seneta, I'm good, I'm good, I swear I'm good.

0:18:48.080 --> 0:18:50.440
<v Speaker 1>I ain't losing no sleep, I'm hood, I'm wood, I'm well.

0:18:50.440 --> 0:18:52.320
<v Speaker 1>I want to be see no defeat. I pull that

0:18:52.400 --> 0:18:53.879
<v Speaker 1>off the hip, to shoot the shit, to piss the

0:18:53.960 --> 0:18:55.919
<v Speaker 1>voltures off the coaches in good hands. God damn, that

0:18:55.920 --> 0:18:57.760
<v Speaker 1>man is so and sick. You know what I'm saying,

0:18:57.840 --> 0:19:01.720
<v Speaker 1>just like talking my shit here, like I'm here. Give

0:19:01.760 --> 0:19:04.679
<v Speaker 1>a fuck if we can't go on tour, if you

0:19:04.720 --> 0:19:07.520
<v Speaker 1>know what I'm saying, if we reached we hit what

0:19:07.560 --> 0:19:10.720
<v Speaker 1>we think is like a goal, and then we find

0:19:10.760 --> 0:19:14.119
<v Speaker 1>another like detour that we got attack. I'm still here.

0:19:14.160 --> 0:19:17.200
<v Speaker 1>So some of this music is shit. I gotta tell myself, like, hey, man,

0:19:17.240 --> 0:19:20.080
<v Speaker 1>talk yo shit, smoke, you know, because I remember listening

0:19:20.119 --> 0:19:22.440
<v Speaker 1>to early jay Z, not early jay Z like midted

0:19:22.440 --> 0:19:27.280
<v Speaker 1>away jay Z and uh. From the outside critics were saying,

0:19:27.280 --> 0:19:29.560
<v Speaker 1>oh he braggedocious this and that and the other. But

0:19:29.600 --> 0:19:32.119
<v Speaker 1>I was at the time when I'm seventeen listening to it.

0:19:32.119 --> 0:19:34.240
<v Speaker 1>It's like, that's the shit I need to say about

0:19:34.280 --> 0:19:36.719
<v Speaker 1>myself when I'm walking through the city to feel how

0:19:36.760 --> 0:19:39.399
<v Speaker 1>I need to feel to get past all this. You

0:19:39.480 --> 0:19:42.920
<v Speaker 1>know what I'm saying, I can't humility, don't get you passed.

0:19:43.320 --> 0:19:46.080
<v Speaker 1>You know what I'm saying, your immediate circumstances. It's that

0:19:46.480 --> 0:19:51.879
<v Speaker 1>sometimes irrational sense of heightened self that'll have you you know,

0:19:52.320 --> 0:19:55.000
<v Speaker 1>confront challenges head on and overcome the motherfuckers. You know

0:19:55.000 --> 0:19:58.520
<v Speaker 1>what I'm saying. So that's why, like I don't apologize.

0:19:58.560 --> 0:20:00.920
<v Speaker 1>People know I'm a humble person based on my interaction

0:20:01.040 --> 0:20:05.400
<v Speaker 1>with them and in the music too. They're very intentional

0:20:05.480 --> 0:20:08.159
<v Speaker 1>moments where you give people just lessons. I'm a teacher,

0:20:08.640 --> 0:20:11.920
<v Speaker 1>but in order for them to care about those at all,

0:20:12.400 --> 0:20:15.440
<v Speaker 1>you gotta just take the gloves off. And sometimes, hey, man,

0:20:15.560 --> 0:20:17.840
<v Speaker 1>I always say this is like the greats, Like, you know,

0:20:17.840 --> 0:20:20.600
<v Speaker 1>if we think of Kendrick right, think about that control freestyle,

0:20:21.080 --> 0:20:22.960
<v Speaker 1>I shouldn't. I don't even think that shit came out

0:20:24.000 --> 0:20:25.960
<v Speaker 1>on the Control verse. Rather wasn't even a freestyle. But

0:20:26.000 --> 0:20:28.200
<v Speaker 1>I don't think that song ever officially came out. It's

0:20:28.240 --> 0:20:32.400
<v Speaker 1>just like leaked on the blogs. And he would never

0:20:32.760 --> 0:20:35.639
<v Speaker 1>think about that moment how important that was where he

0:20:35.760 --> 0:20:40.200
<v Speaker 1>was like, Yo, nobody's fucking with me. Sometimes you gotta, hey,

0:20:40.359 --> 0:20:44.320
<v Speaker 1>smoking on your top five. This is the most low

0:20:44.480 --> 0:20:49.080
<v Speaker 1>profile motherfucker in the game, period and out of nowhere

0:20:49.440 --> 0:20:52.160
<v Speaker 1>smoking on your top five. Like sometimes you gotta hit

0:20:52.200 --> 0:20:57.040
<v Speaker 1>motherfuckers in their mouth so they respect you, period period. Nah,

0:20:57.080 --> 0:21:01.040
<v Speaker 1>for sure, man, that that's great. So you know, I

0:21:01.080 --> 0:21:05.240
<v Speaker 1>feel like I saw the video, right, you shot a

0:21:05.280 --> 0:21:08.399
<v Speaker 1>lot of that when you were in Africa? Absolutely Legos?

0:21:08.800 --> 0:21:12.280
<v Speaker 1>Where where wash? Like? Time wise, when when did you

0:21:12.320 --> 0:21:16.919
<v Speaker 1>go to Africa? I want to say Marchbruary this year,

0:21:16.960 --> 0:21:20.080
<v Speaker 1>Fabruary of twenty twenty one, right, yes, So talk about

0:21:20.080 --> 0:21:22.760
<v Speaker 1>that trip because that's kind of an interesting time or

0:21:22.840 --> 0:21:26.160
<v Speaker 1>kind of like mentally feels like we're over the pandemic

0:21:26.240 --> 0:21:28.120
<v Speaker 1>even though it shit's still hot, you know what I'm saying.

0:21:28.119 --> 0:21:32.679
<v Speaker 1>But how was that trip? Man? That trip was, by

0:21:32.680 --> 0:21:35.960
<v Speaker 1>the way, first time there. No, that was my second time, okay, Jerry.

0:21:35.960 --> 0:21:39.800
<v Speaker 1>I had been to Abuja, Okay, which is the capital.

0:21:39.880 --> 0:21:41.840
<v Speaker 1>I hadn't been to Legos, which is like the old

0:21:41.840 --> 0:21:44.680
<v Speaker 1>capitol where it's way more history and stuff, way more

0:21:44.680 --> 0:21:51.000
<v Speaker 1>people in Legos. That trip was interesting, man, because one

0:21:51.119 --> 0:21:55.640
<v Speaker 1>traveling during you know, pandemic time or whatever we want

0:21:55.680 --> 0:22:00.480
<v Speaker 1>to call this era. It's just it's a heavy lift,

0:22:00.760 --> 0:22:04.240
<v Speaker 1>you know that. Like literally the airport experience is a

0:22:04.240 --> 0:22:07.520
<v Speaker 1>whole different experience when you enter in another country during

0:22:07.560 --> 0:22:10.919
<v Speaker 1>that time. So it's damn near traumatic because it's like,

0:22:11.720 --> 0:22:15.080
<v Speaker 1>you know, you're getting stopped a million times. I got threatened,

0:22:15.080 --> 0:22:18.720
<v Speaker 1>like within the first but in the first fifteen minutes

0:22:18.760 --> 0:22:21.240
<v Speaker 1>I got threatened to get arrested because my mask wasn't

0:22:21.240 --> 0:22:23.520
<v Speaker 1>over my nose, you know what I'm saying, Oh my god,

0:22:23.560 --> 0:22:25.879
<v Speaker 1>it was below my nose. And she's like, lift your

0:22:25.920 --> 0:22:28.600
<v Speaker 1>mask above your nose. I was like, okay, for sure,

0:22:28.640 --> 0:22:31.119
<v Speaker 1>haphass Lee and I'm talking though, so I'm talking and

0:22:31.200 --> 0:22:33.560
<v Speaker 1>my mouth is opening up and down like a yeah, Shanks,

0:22:33.560 --> 0:22:35.280
<v Speaker 1>we got this and that and the other, discussing where

0:22:35.280 --> 0:22:38.680
<v Speaker 1>we're going, what the plan is it? Come back down.

0:22:38.680 --> 0:22:40.119
<v Speaker 1>I got two bags in my hand, so I'm not

0:22:40.160 --> 0:22:42.160
<v Speaker 1>thinking about it. She's like, if I have to tell

0:22:42.200 --> 0:22:44.080
<v Speaker 1>you this again, I am going to have you arrested.

0:22:45.600 --> 0:22:48.960
<v Speaker 1>And I was like, I was like, down, Smoky, down,

0:22:49.119 --> 0:22:52.560
<v Speaker 1>like I want to You're not it. Yeah. I wanted

0:22:52.600 --> 0:22:53.959
<v Speaker 1>to be like, man, I don't want to have to

0:22:53.960 --> 0:22:56.080
<v Speaker 1>sock on those security guards if you don't have me

0:22:56.160 --> 0:22:59.040
<v Speaker 1>arrest and make sure the real police come because it's

0:22:59.040 --> 0:23:02.919
<v Speaker 1>too early. The plane ride was too long, like we

0:23:02.960 --> 0:23:05.000
<v Speaker 1>had already gotten stopped so many times that I was

0:23:05.520 --> 0:23:07.760
<v Speaker 1>it had to be connecting flight right, oh, absolutely what

0:23:07.840 --> 0:23:12.040
<v Speaker 1>we might have flown through London or something and so,

0:23:12.480 --> 0:23:14.960
<v Speaker 1>but of course that was all going on in my head.

0:23:15.000 --> 0:23:18.200
<v Speaker 1>I pulled up my mask and was like, and it

0:23:18.359 --> 0:23:21.720
<v Speaker 1>just what gets me is they always got like they

0:23:21.720 --> 0:23:24.399
<v Speaker 1>always got the black people policing the black people. You

0:23:24.440 --> 0:23:26.119
<v Speaker 1>know what I'm saying. They got somebody looked like my

0:23:26.160 --> 0:23:29.040
<v Speaker 1>auntie telling me pull up your mask, you know what

0:23:29.080 --> 0:23:31.400
<v Speaker 1>I'm saying. And I know she's just doing her job,

0:23:31.440 --> 0:23:35.880
<v Speaker 1>but you know, it just ends up and me feeling violated.

0:23:36.000 --> 0:23:40.000
<v Speaker 1>Like listen, the world is going, it's fucking crazy. The

0:23:40.040 --> 0:23:43.560
<v Speaker 1>world is fucking crazy, dude. And I'm vaccinated, right, but

0:23:43.680 --> 0:23:47.080
<v Speaker 1>like a lot of the shaming and like the I

0:23:47.240 --> 0:23:50.280
<v Speaker 1>like to call it caring shit going on against people

0:23:50.280 --> 0:23:54.439
<v Speaker 1>who aren't vaccinated, it's so fucking ridiculous. Absolutely, it like

0:23:54.520 --> 0:23:56.240
<v Speaker 1>makes me sick. Like when I see people the way

0:23:56.560 --> 0:23:59.159
<v Speaker 1>talking about Kyrie Irving and shit, I'm like, yo, like

0:23:59.720 --> 0:24:01.840
<v Speaker 1>not like people have the freedom to do what they

0:24:01.880 --> 0:24:05.080
<v Speaker 1>want with their body. They want to do whatever the fuck.

0:24:05.200 --> 0:24:07.959
<v Speaker 1>And I'm vaccinated, and I get the run me the booster,

0:24:08.040 --> 0:24:09.879
<v Speaker 1>run me all the shots. Fuck it. You know, I

0:24:09.920 --> 0:24:12.080
<v Speaker 1>already got a fucking Michael trip in my pocket everywhere

0:24:12.080 --> 0:24:13.320
<v Speaker 1>I go, you know where the fuck I'm at, I

0:24:13.359 --> 0:24:16.080
<v Speaker 1>got I got two phones right, you got kids, yeah,

0:24:16.400 --> 0:24:20.800
<v Speaker 1>for sure. But this this, this, the world is going crazy, bro,

0:24:21.040 --> 0:24:25.439
<v Speaker 1>like definitively like crazy, like motherfuckers are. So you know

0:24:25.520 --> 0:24:28.600
<v Speaker 1>it's crazy because as much as Trump divided us, it's

0:24:28.640 --> 0:24:34.120
<v Speaker 1>COVID shit. Oh it might be worse. Oh easy, it's easy.

0:24:34.480 --> 0:24:36.600
<v Speaker 1>It's wild, bro. I feel like we're in a movie.

0:24:36.600 --> 0:24:40.760
<v Speaker 1>Bro as wild. It's it's a whole different planet. It

0:24:40.800 --> 0:24:44.240
<v Speaker 1>seems like it's it's just if you read there. They

0:24:44.280 --> 0:24:47.679
<v Speaker 1>are books that were written long before this time that

0:24:47.840 --> 0:24:57.160
<v Speaker 1>talk about the the dangers of of information, like information

0:24:57.280 --> 0:25:01.880
<v Speaker 1>being controlled by one central entity, the way people view

0:25:02.160 --> 0:25:05.280
<v Speaker 1>one or two right, the way people view the world,

0:25:05.359 --> 0:25:10.280
<v Speaker 1>the way our opinions are so fed and you know,

0:25:10.320 --> 0:25:13.600
<v Speaker 1>it's so built into our daily schedule, whether it's TV,

0:25:13.680 --> 0:25:18.200
<v Speaker 1>whether it's Instagram, that we're not even aware that our

0:25:18.280 --> 0:25:22.680
<v Speaker 1>opinions are being regurgitated. Is what we heard, and we're

0:25:22.760 --> 0:25:24.440
<v Speaker 1>kind of told to believe, you know what I'm saying.

0:25:24.440 --> 0:25:26.600
<v Speaker 1>And people feel so strongly about them, like they came

0:25:26.680 --> 0:25:28.919
<v Speaker 1>up with it, you know what I'm saying. So I

0:25:29.040 --> 0:25:31.720
<v Speaker 1>came up in a time where critical thinking was encouraged.

0:25:31.760 --> 0:25:35.560
<v Speaker 1>Just something that's good, like ask questions because it's only

0:25:35.600 --> 0:25:38.760
<v Speaker 1>gonna either get you closer to the truth or give

0:25:38.800 --> 0:25:41.280
<v Speaker 1>you a better understanding of something that you didn't already know.

0:25:41.359 --> 0:25:44.719
<v Speaker 1>But now now we're in a time where the people

0:25:44.760 --> 0:25:51.919
<v Speaker 1>who ask questions are made to seem like dangerous, like

0:25:52.160 --> 0:25:56.200
<v Speaker 1>the literal word dangerous. You're dangerous, I mean you, it's

0:25:56.280 --> 0:25:59.560
<v Speaker 1>dangerous Nikki. And I saw what Nikki like all this stuff,

0:25:59.640 --> 0:26:02.359
<v Speaker 1>Nikki to it and people acted like she killed a

0:26:02.400 --> 0:26:06.159
<v Speaker 1>baby on the internet, and I was like, am I

0:26:06.240 --> 0:26:09.200
<v Speaker 1>missing something here? Did she not say she'd get vaccinated

0:26:09.200 --> 0:26:11.960
<v Speaker 1>if she had to to go on tour? Like? What

0:26:12.000 --> 0:26:16.000
<v Speaker 1>the fuck is going on? Right? Right? No, the narrative

0:26:16.119 --> 0:26:21.919
<v Speaker 1>is that they, whoever the fuck they are, would like

0:26:22.000 --> 0:26:29.199
<v Speaker 1>for people to believe that that by having choosing to

0:26:29.280 --> 0:26:33.920
<v Speaker 1>exercise your ownership of your own body in a way

0:26:33.920 --> 0:26:37.320
<v Speaker 1>that says no, or let me ask some questions here

0:26:38.800 --> 0:26:41.080
<v Speaker 1>or or at the at the end of the day,

0:26:41.119 --> 0:26:45.560
<v Speaker 1>it's the no that bothers people like no, it's you know, yeah,

0:26:45.600 --> 0:26:47.600
<v Speaker 1>you know, I mean the question. I mean, the questions

0:26:47.760 --> 0:26:52.000
<v Speaker 1>are are deemed as problematic as well, because you know,

0:26:53.119 --> 0:26:56.159
<v Speaker 1>ultimately you want people to to be able to be

0:26:56.200 --> 0:26:58.560
<v Speaker 1>told to do But we're getting too far into that

0:26:58.600 --> 0:27:02.600
<v Speaker 1>ship like the reaction. The world is fucking weird, so

0:27:02.760 --> 0:27:08.000
<v Speaker 1>we should people should feel comfortable being honest. And we

0:27:08.119 --> 0:27:10.200
<v Speaker 1>talk about shaming when it comes to women. We talk

0:27:10.200 --> 0:27:13.320
<v Speaker 1>about shaming when it comes to you know what I'm saying,

0:27:13.600 --> 0:27:15.080
<v Speaker 1>We don't want to talk about it when it comes

0:27:15.119 --> 0:27:18.919
<v Speaker 1>to people who say I disagree. I feel like like

0:27:19.000 --> 0:27:22.200
<v Speaker 1>we are in an era where everyone is shamed if

0:27:22.200 --> 0:27:25.360
<v Speaker 1>they don't go for the status quo for anything socially right.

0:27:25.440 --> 0:27:28.360
<v Speaker 1>And it's like, you know, you can't have any independent

0:27:28.400 --> 0:27:33.640
<v Speaker 1>thoughts without being boxed into one one world. Like it's like, hey,

0:27:33.680 --> 0:27:36.119
<v Speaker 1>if you you either think and agree with me on

0:27:36.240 --> 0:27:40.880
<v Speaker 1>every issue, or you're this, or you're dangerous, or you're dangerous,

0:27:40.960 --> 0:27:43.480
<v Speaker 1>or you're a piece of shit or you're whatever the

0:27:43.480 --> 0:27:45.800
<v Speaker 1>fuck it is where it's like what happened? But the

0:27:45.920 --> 0:27:49.280
<v Speaker 1>powerful part is I come from a school where as

0:27:49.320 --> 0:27:51.119
<v Speaker 1>soon as people start trying to make you out to

0:27:51.119 --> 0:27:55.120
<v Speaker 1>be something like I, I you know, what's that song

0:27:55.160 --> 0:27:59.480
<v Speaker 1>I be? That be all that I'm dangerous? Let's you

0:27:59.520 --> 0:28:02.840
<v Speaker 1>know what I'm saying. The time, you know ex, I

0:28:02.880 --> 0:28:05.520
<v Speaker 1>was like she was mad at something I did, and

0:28:05.520 --> 0:28:07.760
<v Speaker 1>and and it was just it was like a brief

0:28:08.119 --> 0:28:10.800
<v Speaker 1>like a brief little relationship. We was trying something. It

0:28:10.800 --> 0:28:13.400
<v Speaker 1>didn't work, you know, And in my book, I'm like, hey,

0:28:13.400 --> 0:28:15.720
<v Speaker 1>it didn't work. We can be cool because we're grown

0:28:15.800 --> 0:28:18.800
<v Speaker 1>and it's respect. But she started calling me on my

0:28:18.920 --> 0:28:22.120
<v Speaker 1>name like you this, you this. I was like, hey,

0:28:22.520 --> 0:28:24.679
<v Speaker 1>you know, I'm not sure what you used to, but

0:28:25.560 --> 0:28:28.119
<v Speaker 1>once you think that about me, you're you're free to

0:28:28.200 --> 0:28:30.640
<v Speaker 1>walk away. You don't have to call me names. Just

0:28:30.840 --> 0:28:32.880
<v Speaker 1>don't call me, you know what I'm saying. And then

0:28:33.000 --> 0:28:35.720
<v Speaker 1>she kept calling me names, but calling me to call

0:28:35.760 --> 0:28:38.680
<v Speaker 1>me names. So I was like, how about this, I'm him,

0:28:39.160 --> 0:28:41.000
<v Speaker 1>I'm that guy. You know what I'm saying. If you

0:28:41.040 --> 0:28:43.600
<v Speaker 1>want to call me fuck nigga. You want to call

0:28:43.680 --> 0:28:48.320
<v Speaker 1>me something, I'm him now exactly save me as that

0:28:48.400 --> 0:28:50.640
<v Speaker 1>in your phone. So if you ever pick up the

0:28:50.640 --> 0:28:53.400
<v Speaker 1>phone to call me, know that you're calling him. And

0:28:53.480 --> 0:28:55.640
<v Speaker 1>you got to feel some kind of way about that. Yeah,

0:28:55.640 --> 0:28:58.280
<v Speaker 1>we talked about you, you know, having a gun illegally

0:28:58.280 --> 0:29:02.240
<v Speaker 1>and and and like the gun thing or or semi.

0:29:02.320 --> 0:29:04.560
<v Speaker 1>I don't know the complications of having a gun a

0:29:05.160 --> 0:29:08.160
<v Speaker 1>legal owner of a firearm. I mean when you were

0:29:08.160 --> 0:29:11.160
<v Speaker 1>talking about moving, I don't know. Yeah, well, we're talked

0:29:11.160 --> 0:29:13.840
<v Speaker 1>about the complications of being a legal firearm owner here

0:29:13.840 --> 0:29:16.480
<v Speaker 1>in California. In California, we gotta have the fucking clip

0:29:16.480 --> 0:29:21.239
<v Speaker 1>in the trunk ship by the time you fucking go

0:29:21.240 --> 0:29:25.080
<v Speaker 1>get through dangerous. Well, what's crazy is like my whole

0:29:25.120 --> 0:29:27.760
<v Speaker 1>life I been I wouldn't say an anti gun person,

0:29:27.840 --> 0:29:31.280
<v Speaker 1>but I never gravitated towards guns. But I never really understood,

0:29:31.320 --> 0:29:33.640
<v Speaker 1>Like I kind of have evolved on the issue since

0:29:33.640 --> 0:29:36.680
<v Speaker 1>I moved here because I'm like, yo, it's low key

0:29:36.760 --> 0:29:40.040
<v Speaker 1>really hard to protect yourself out here. It's like and

0:29:40.640 --> 0:29:42.200
<v Speaker 1>what we talked about earlier, like when I say that

0:29:42.240 --> 0:29:44.520
<v Speaker 1>to certain people, they look at me like I'm a

0:29:44.520 --> 0:29:48.160
<v Speaker 1>fucking maga person or something, because I'm like, yeah, I

0:29:48.160 --> 0:29:52.320
<v Speaker 1>think we should be able to have guns like period, period.

0:29:52.520 --> 0:29:55.440
<v Speaker 1>And its the assumption on one person's part that that

0:29:55.520 --> 0:29:59.120
<v Speaker 1>makes you automatically more powerful than the next. It I

0:29:59.160 --> 0:30:02.320
<v Speaker 1>think in a certain way, because I think in a

0:30:02.360 --> 0:30:08.360
<v Speaker 1>certain way it gives people. It just levels the plan field, right,

0:30:08.440 --> 0:30:10.880
<v Speaker 1>And I also believe in if you if you're a

0:30:10.880 --> 0:30:13.440
<v Speaker 1>gun owner, you also need to be ready and willing

0:30:13.520 --> 0:30:17.240
<v Speaker 1>to remove yourself from a situation. Still exit, of course,

0:30:17.800 --> 0:30:21.520
<v Speaker 1>still of course, being very very well tempered and mannered.

0:30:22.080 --> 0:30:23.600
<v Speaker 1>Just because you have a gun, that's that does not

0:30:23.640 --> 0:30:25.160
<v Speaker 1>give you a reason to react any differently than you

0:30:25.160 --> 0:30:27.000
<v Speaker 1>would react to any other situation. I also think you

0:30:27.000 --> 0:30:28.920
<v Speaker 1>should go through a background check to make sure it's

0:30:28.960 --> 0:30:31.720
<v Speaker 1>some crazy motherfucker. But the just don't make you bullying

0:30:32.560 --> 0:30:34.960
<v Speaker 1>undred but I do. I'm like, you know what we

0:30:35.000 --> 0:30:38.560
<v Speaker 1>think about, Like you know, on this side of LA

0:30:38.720 --> 0:30:41.240
<v Speaker 1>right now, like you know, West Hollywood, Melrose, shit is

0:30:41.280 --> 0:30:43.200
<v Speaker 1>hot out here. Like I don't know if you see

0:30:43.200 --> 0:30:44.840
<v Speaker 1>the video of the guy in the LaMelo ball jersey

0:30:45.120 --> 0:30:46.480
<v Speaker 1>or they try to run up and rob him and

0:30:46.520 --> 0:30:49.680
<v Speaker 1>he had a gun. Three kids ran up on this

0:30:49.800 --> 0:30:52.840
<v Speaker 1>dude and this girl and they didn't know this dude

0:30:52.880 --> 0:30:55.680
<v Speaker 1>was strapped too, and so they ran up on him,

0:30:55.840 --> 0:30:59.280
<v Speaker 1>guns out. He turned around and lit him up. They

0:30:59.480 --> 0:31:01.920
<v Speaker 1>never found I'm the guy, the guy who actually shot that,

0:31:01.960 --> 0:31:03.960
<v Speaker 1>but it's all on video and they're like, we're trying,

0:31:04.560 --> 0:31:07.120
<v Speaker 1>and only in California will that guy probably go get

0:31:07.200 --> 0:31:11.520
<v Speaker 1>in trouble for protecting that. It's just documented, documented that

0:31:11.560 --> 0:31:15.280
<v Speaker 1>his life was yes and he was acting in self defense.

0:31:15.520 --> 0:31:17.360
<v Speaker 1>Hey what up, man? We gotta interrupt the interview real

0:31:17.400 --> 0:31:19.960
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<v Speaker 1>to odd Socks. Let's get back to the interview. Talk

0:32:25.720 --> 0:32:28.200
<v Speaker 1>about getting nominated for Best Rap Album of the Year

0:32:28.240 --> 0:32:30.040
<v Speaker 1>and Best New Artist of the Year, which I even

0:32:30.080 --> 0:32:32.440
<v Speaker 1>think is a bigger deal because that's a much harder

0:32:32.480 --> 0:32:37.200
<v Speaker 1>category to crack, right as a rapper. What was your like,

0:32:37.920 --> 0:32:39.960
<v Speaker 1>tell me, like, just your you know, obviously that's a

0:32:40.240 --> 0:32:42.720
<v Speaker 1>life changing moment to gives that when you wake up

0:32:42.720 --> 0:32:44.080
<v Speaker 1>in the morning, you know, I know how those Grammy

0:32:44.080 --> 0:32:46.520
<v Speaker 1>mornings are. When they announced the nominations super fucking early,

0:32:46.560 --> 0:32:49.120
<v Speaker 1>it's East Coast time, Like, what was that? Like? Man,

0:32:49.240 --> 0:32:52.560
<v Speaker 1>we were going to the gun range. Ironically enough, we

0:32:52.600 --> 0:32:56.400
<v Speaker 1>were going to the outdoor gun range where you know,

0:32:56.920 --> 0:32:59.320
<v Speaker 1>you can have multiple people in our section. We are

0:32:59.360 --> 0:33:03.840
<v Speaker 1>shooting down, you know, down the lane, and my mama

0:33:03.880 --> 0:33:05.720
<v Speaker 1>was gonna come all kind of people. It was. It

0:33:05.800 --> 0:33:09.640
<v Speaker 1>was just a hot day and I'm actually in the

0:33:09.680 --> 0:33:12.520
<v Speaker 1>car and we get the call it's like you nominated,

0:33:12.560 --> 0:33:16.120
<v Speaker 1>And we we had grown accustomed to being up for consideration,

0:33:16.320 --> 0:33:19.120
<v Speaker 1>so I'm like, I'm like, okay, nominated, Like we got

0:33:19.160 --> 0:33:22.240
<v Speaker 1>the actual nomination or like we're in consideration for the

0:33:22.280 --> 0:33:25.080
<v Speaker 1>next stage event considered it like no, you have a

0:33:25.120 --> 0:33:30.120
<v Speaker 1>Grammy nomination. You're like, you're gonna be at the Grammys,

0:33:30.120 --> 0:33:32.200
<v Speaker 1>Like what's you mean, right, you know? And then I'm like,

0:33:32.240 --> 0:33:35.800
<v Speaker 1>oh shit, like that, like so it hit us. We

0:33:35.840 --> 0:33:40.520
<v Speaker 1>got excited and and it kind of that's another time

0:33:40.560 --> 0:33:43.280
<v Speaker 1>where our little plans had got derailed because we already

0:33:43.320 --> 0:33:45.600
<v Speaker 1>had what we thought was gonna be a project. It

0:33:45.600 --> 0:33:48.840
<v Speaker 1>wasn't called War and Wonders at the time. We're planning

0:33:48.840 --> 0:33:52.200
<v Speaker 1>on dropping something late twenty twenty, you know, like we're

0:33:52.200 --> 0:33:54.200
<v Speaker 1>gonna hit him in February. We're gonna hit him again,

0:33:54.760 --> 0:33:57.400
<v Speaker 1>you know. And then that happened. So it's like, okay,

0:33:57.480 --> 0:33:59.720
<v Speaker 1>well until the Grammys happened, this is it is still

0:33:59.720 --> 0:34:05.280
<v Speaker 1>Black Habits season, you know. And but so getting getting

0:34:05.320 --> 0:34:10.319
<v Speaker 1>nominated for Best Rap Album, I think it speaks a

0:34:10.360 --> 0:34:14.680
<v Speaker 1>lot to two for Early for early project, for me

0:34:14.760 --> 0:34:17.920
<v Speaker 1>to my storytelling ability, for it being a cohesive body

0:34:17.960 --> 0:34:23.880
<v Speaker 1>of work, and for having a very clear identity among

0:34:24.200 --> 0:34:28.120
<v Speaker 1>the rap albums that came out then. I think for

0:34:28.239 --> 0:34:30.880
<v Speaker 1>Best New Artists, of course it spoke to the body

0:34:30.880 --> 0:34:34.560
<v Speaker 1>of work, but that spoke to my my my new

0:34:34.640 --> 0:34:37.160
<v Speaker 1>presence in this world. You know what I stand for.

0:34:37.280 --> 0:34:39.600
<v Speaker 1>How I show up, the music that I put out,

0:34:39.640 --> 0:34:43.120
<v Speaker 1>the visuals behind it. I think it's just like people

0:34:43.280 --> 0:34:46.719
<v Speaker 1>saw saw me as somebody that came in and fell

0:34:46.800 --> 0:34:49.239
<v Speaker 1>a void, not just on the musical front, but on

0:34:49.320 --> 0:34:51.960
<v Speaker 1>the like you know I come from. You know, I

0:34:51.960 --> 0:34:54.640
<v Speaker 1>grew up in the nineties, so we had Tupac out

0:34:54.640 --> 0:34:58.279
<v Speaker 1>there being vocal across different boundaries. It was, you know,

0:34:58.320 --> 0:35:00.440
<v Speaker 1>I was a Tupac fan more when I was a

0:35:00.480 --> 0:35:03.319
<v Speaker 1>Tupac music fan, you know what I'm saying. Like when

0:35:03.360 --> 0:35:05.400
<v Speaker 1>Tupac was in a movie, it was it was dope,

0:35:05.800 --> 0:35:08.719
<v Speaker 1>more impactful movie. When Tupac spoke about it issue, you

0:35:08.760 --> 0:35:11.600
<v Speaker 1>wanted to listen. And then when you put out something,

0:35:11.640 --> 0:35:13.400
<v Speaker 1>you know you wanted to learn it too. You know,

0:35:13.520 --> 0:35:15.480
<v Speaker 1>your body is banging, baby, y'all. Let the way you

0:35:15.560 --> 0:35:17.360
<v Speaker 1>flownded time to give it to Daddy Sugar and to

0:35:17.360 --> 0:35:18.799
<v Speaker 1>tell me how you you know what I'm saying, like

0:35:19.120 --> 0:35:21.520
<v Speaker 1>you feel that like because you believe them, you know.

0:35:21.560 --> 0:35:23.760
<v Speaker 1>And I think when we put our music, people believe

0:35:24.440 --> 0:35:27.040
<v Speaker 1>like what I say and where I'm coming from, and

0:35:27.080 --> 0:35:29.319
<v Speaker 1>they want to know more. So I think that worked

0:35:29.360 --> 0:35:31.799
<v Speaker 1>to our advantage. If you ask me, I'm putting out

0:35:31.840 --> 0:35:34.640
<v Speaker 1>better music right now, I agree, you know, better music.

0:35:34.680 --> 0:35:37.880
<v Speaker 1>I love Black Habits, but you know, we were learning.

0:35:37.920 --> 0:35:39.719
<v Speaker 1>We're learning in front of the world, and that's cool.

0:35:39.719 --> 0:35:42.360
<v Speaker 1>I love when that happens, you know. I want the

0:35:42.400 --> 0:35:45.560
<v Speaker 1>world to see me grow. So everything is going how

0:35:45.680 --> 0:35:49.319
<v Speaker 1>supposed to. But I was a little surprised to keep

0:35:49.320 --> 0:35:51.040
<v Speaker 1>it one hundred. I was giving myself to the third

0:35:51.080 --> 0:35:54.920
<v Speaker 1>project because I made Black Habits to tell a very

0:35:54.960 --> 0:35:58.120
<v Speaker 1>specific story. This is my family story in the project.

0:35:58.160 --> 0:36:00.399
<v Speaker 1>When they go back to my first album, I want

0:36:00.440 --> 0:36:03.960
<v Speaker 1>them to find Black Habits about Jackie Ron and their

0:36:04.000 --> 0:36:06.640
<v Speaker 1>three sons, Ron getting locked up, big Bro being from

0:36:06.680 --> 0:36:09.600
<v Speaker 1>families but looking out for his young younger bros. I

0:36:09.640 --> 0:36:11.880
<v Speaker 1>want that story to be what they find, you know,

0:36:11.920 --> 0:36:15.239
<v Speaker 1>and Pops coming home and being a great father. I

0:36:15.280 --> 0:36:19.040
<v Speaker 1>want them to find that whole narrative. So with that

0:36:19.120 --> 0:36:21.880
<v Speaker 1>being like the introduction to a long essay or to

0:36:21.920 --> 0:36:24.280
<v Speaker 1>a novel, I didn't expect, you know what I'm saying

0:36:24.320 --> 0:36:28.359
<v Speaker 1>to get recognized that way. If it was, I kind

0:36:28.360 --> 0:36:30.279
<v Speaker 1>of expect to be et to be the ones you

0:36:30.360 --> 0:36:34.279
<v Speaker 1>know what I'm saying, Like, Hey, lyrics of the years exactly. Yeah,

0:36:34.320 --> 0:36:38.840
<v Speaker 1>I feel like they had categories for that. But it

0:36:38.960 --> 0:36:41.279
<v Speaker 1>kind of speaks to because the Grammys, it's not just

0:36:41.320 --> 0:36:45.560
<v Speaker 1>the black community voting. It speaks to the crossover appeal

0:36:45.640 --> 0:36:48.560
<v Speaker 1>of my story and what I represent when I stand

0:36:48.640 --> 0:36:53.080
<v Speaker 1>up and and either rap speak or just show up,

0:36:53.280 --> 0:36:55.960
<v Speaker 1>you know. And I was proud to have that moment.

0:36:56.000 --> 0:36:58.560
<v Speaker 1>But as you can see, what's more important to me

0:36:58.800 --> 0:37:01.319
<v Speaker 1>is we're here to stay. And they got to see

0:37:01.320 --> 0:37:04.200
<v Speaker 1>that every time we put some out it's worth being respected,

0:37:04.560 --> 0:37:09.799
<v Speaker 1>it's enjoyable, and were pushing boundaries so well were I mean, obviously,

0:37:10.160 --> 0:37:12.319
<v Speaker 1>you know I always say this, I do think that

0:37:12.600 --> 0:37:19.480
<v Speaker 1>the pandemic did help people enjoy lyricism again because there

0:37:19.600 --> 0:37:22.920
<v Speaker 1>wasn't no clubs to be standing on couches. Was all

0:37:22.960 --> 0:37:25.239
<v Speaker 1>that shit was out the door. Motherfuckers was listening at

0:37:25.239 --> 0:37:28.600
<v Speaker 1>home in their headphones or in their car or running

0:37:28.719 --> 0:37:30.840
<v Speaker 1>or whatever. People were listening to music a lot differently,

0:37:30.880 --> 0:37:33.600
<v Speaker 1>and I think that the Best Rap Album nominations really

0:37:33.640 --> 0:37:39.040
<v Speaker 1>reflected a scope of music that was like kind of

0:37:39.080 --> 0:37:41.399
<v Speaker 1>like showed us where we were for the last year.

0:37:41.520 --> 0:37:48.000
<v Speaker 1>People were listening differently Black, Like I can imagine doing

0:37:48.040 --> 0:37:50.560
<v Speaker 1>an album that's like all talking my shit, you know

0:37:50.600 --> 0:37:53.080
<v Speaker 1>what I'm saying, and a time like that to kind

0:37:53.080 --> 0:37:57.560
<v Speaker 1>of bite you in the ass, like people would get mad.

0:37:57.640 --> 0:37:59.960
<v Speaker 1>It's like we're dealing with realer stuff. I think it's

0:38:00.040 --> 0:38:03.839
<v Speaker 1>season even a casual listener to want just a little

0:38:03.880 --> 0:38:06.920
<v Speaker 1>bit more, you know, Yeah, yeah, for sure, man. But

0:38:07.160 --> 0:38:10.400
<v Speaker 1>of course I enjoy all kinds of music, so even

0:38:11.000 --> 0:38:13.480
<v Speaker 1>even from like who people understand is like the somewhat

0:38:13.480 --> 0:38:17.960
<v Speaker 1>conscious educator dude. It's like, man, music serves multiple purposes,

0:38:18.000 --> 0:38:20.840
<v Speaker 1>so I don't know none of it. But twenty twenty

0:38:20.920 --> 0:38:23.920
<v Speaker 1>was a time where they were like, Okay, who's actually

0:38:23.960 --> 0:38:26.759
<v Speaker 1>able to speak to what's going on? And if not

0:38:26.760 --> 0:38:29.520
<v Speaker 1>speak to what's going on, say something that that at

0:38:29.600 --> 0:38:36.279
<v Speaker 1>least has some semblance of truth and honesty and real storytelling.

0:38:36.760 --> 0:38:41.600
<v Speaker 1>If you think of the nominees, it was Alfredo Black Habits, Royce.

0:38:42.280 --> 0:38:46.920
<v Speaker 1>Shout out to Royce for finally getting one King's disease,

0:38:47.239 --> 0:38:50.640
<v Speaker 1>I'm missing one Chica, Oh yeah, j Electronic Chica was

0:38:50.880 --> 0:38:53.880
<v Speaker 1>best Electronic. And it was like, Yo, these are all

0:38:53.960 --> 0:38:57.319
<v Speaker 1>like this is all bars lyricism straight up, And it

0:38:57.400 --> 0:38:59.160
<v Speaker 1>was just like, Yo, whoever wins, it's like a win

0:38:59.200 --> 0:39:01.840
<v Speaker 1>for the culture. I knew it was going to be Nas.

0:39:02.320 --> 0:39:05.640
<v Speaker 1>I told her. I was like, it better and I'm nominated,

0:39:05.640 --> 0:39:07.120
<v Speaker 1>but I'm like, all right, if I take it home.

0:39:07.560 --> 0:39:09.440
<v Speaker 1>I knew I was gonna feel some kind of way, like,

0:39:09.480 --> 0:39:13.560
<v Speaker 1>oh shit, because I one. Because it's like you ever

0:39:13.600 --> 0:39:17.359
<v Speaker 1>seen a boxing match where two fighters bang it out

0:39:17.719 --> 0:39:21.560
<v Speaker 1>and one is famous or real famous, and he kind

0:39:21.560 --> 0:39:24.640
<v Speaker 1>of gets whooped a little bit, but you know, he

0:39:24.719 --> 0:39:26.920
<v Speaker 1>smiles and raises his hand after the fight too, like

0:39:27.040 --> 0:39:28.920
<v Speaker 1>yeah I won, and we're like, no, the fuck you did?

0:39:29.480 --> 0:39:33.440
<v Speaker 1>And then they announced, uh this dude, you know, the

0:39:34.040 --> 0:39:38.160
<v Speaker 1>popular one wins. You know, they look on their face

0:39:38.200 --> 0:39:41.480
<v Speaker 1>always tells the story like yeah, thanks, but it's like, damn.

0:39:41.640 --> 0:39:43.439
<v Speaker 1>You know I loved King's Disease. I din't. I didn't

0:39:43.440 --> 0:39:45.719
<v Speaker 1>think it was the best album in that category, but

0:39:45.960 --> 0:39:48.600
<v Speaker 1>I knew he would win because Nas has never won

0:39:48.640 --> 0:39:51.200
<v Speaker 1>a Grammy. It's his time. It's his time, man, he

0:39:51.520 --> 0:39:55.000
<v Speaker 1>deserves I wish they should could retroactively give Nomadic and

0:39:55.560 --> 0:39:57.160
<v Speaker 1>it was written and you know all that. So I

0:39:57.200 --> 0:39:59.080
<v Speaker 1>was like, yo, like, now's the time for them to

0:39:59.080 --> 0:40:01.440
<v Speaker 1>do right by Nas, Like it's kind of like all

0:40:01.440 --> 0:40:04.719
<v Speaker 1>that time. Leonardo DiCaprio never had an Oscar and then

0:40:04.719 --> 0:40:06.239
<v Speaker 1>he got one for the Revenant, and it was like,

0:40:06.880 --> 0:40:09.400
<v Speaker 1>there's other roles he probably should have gotten, but he

0:40:09.480 --> 0:40:12.000
<v Speaker 1>deserves Just give him a fucking He's Leo, he deserves

0:40:12.000 --> 0:40:15.040
<v Speaker 1>a fucking Oscar. Nas Knee is a Grammy Absolutely who

0:40:15.040 --> 0:40:18.480
<v Speaker 1>won Best New Artists? I don't uh make the Stallion

0:40:18.880 --> 0:40:24.240
<v Speaker 1>shout out to Megan Meg had a fucking year for sure, man, Yeah, yeah, yeah, yeah.

0:40:24.280 --> 0:40:28.000
<v Speaker 1>If you had to pick a winner outside of Black

0:40:28.000 --> 0:40:31.560
<v Speaker 1>Habits for in your opinion, what was the best album? Now?

0:40:31.560 --> 0:40:34.120
<v Speaker 1>Who deserved to win? Like? You know, obviously we can

0:40:34.280 --> 0:40:36.080
<v Speaker 1>say Nas. You know it was a good look for

0:40:36.120 --> 0:40:38.160
<v Speaker 1>NOAs to get it. Who I like? I like? I

0:40:38.239 --> 0:40:42.520
<v Speaker 1>did like King's Disease a lot. I also like, Uh,

0:40:43.000 --> 0:40:46.719
<v Speaker 1>I also like, what is that not the algorithm? Uh?

0:40:47.320 --> 0:40:52.520
<v Speaker 1>You're talking about the Royce shiit? The allegory is allegory. Yeah, yeah,

0:40:52.520 --> 0:40:55.760
<v Speaker 1>I'm saying algorithm allegory. Yeah, he killed that as Furo

0:40:57.080 --> 0:40:58.920
<v Speaker 1>was tight as hell, And I'm just talking about like

0:40:59.120 --> 0:41:03.480
<v Speaker 1>Royce is a beast. It flowed, he wrapped his motherfucking

0:41:03.520 --> 0:41:05.200
<v Speaker 1>ass off. You know what I'm saying. I can't I

0:41:05.200 --> 0:41:08.000
<v Speaker 1>said algorithm, but allegory was hard. It was fire. I

0:41:08.000 --> 0:41:11.080
<v Speaker 1>put it on and ran. When I was living downtown

0:41:11.320 --> 0:41:13.200
<v Speaker 1>couldn't do much, but I can put it on and

0:41:13.360 --> 0:41:15.920
<v Speaker 1>ran and was just gone. It was just good to

0:41:15.960 --> 0:41:18.120
<v Speaker 1>see him get that nomination too, man, because he's one

0:41:18.120 --> 0:41:22.080
<v Speaker 1>of the all time greats like lyrics, lyrically, he's your

0:41:22.120 --> 0:41:25.680
<v Speaker 1>rapper's favorite rapp top tier. I feel like him Loope.

0:41:25.680 --> 0:41:28.960
<v Speaker 1>There's like a few guys who are like absolute master

0:41:29.080 --> 0:41:31.360
<v Speaker 1>level alien mcs who just don't get the respect and

0:41:31.520 --> 0:41:34.520
<v Speaker 1>like and Royce is one of those guys. Absolutely shout

0:41:34.520 --> 0:41:38.680
<v Speaker 1>out to Royce. So with this project, you have John

0:41:38.760 --> 0:41:42.000
<v Speaker 1>Legends on the album, your Brother's on the album, Boogie's

0:41:42.000 --> 0:41:47.719
<v Speaker 1>on the album, marsham Broch is on the album. Uh not?

0:41:47.920 --> 0:41:50.160
<v Speaker 1>I mean really, I want to say, outside of Boogie,

0:41:50.360 --> 0:41:55.439
<v Speaker 1>was that the sole hip hop feature? Uh? Toby Okay? Yeah,

0:41:56.120 --> 0:42:00.600
<v Speaker 1>he's incredible, incredible, Yeah, genius, He's I fucking that dude,

0:42:00.880 --> 0:42:05.160
<v Speaker 1>A true artist. Yeah, his visual just everything about his aesthetic,

0:42:05.680 --> 0:42:08.080
<v Speaker 1>the should he be saying it is so ill and

0:42:08.080 --> 0:42:12.200
<v Speaker 1>it's just and it's so direct and like, yeah, why

0:42:12.239 --> 0:42:16.080
<v Speaker 1>has nobody ever said this like this before? Period? And

0:42:16.239 --> 0:42:21.600
<v Speaker 1>unapologetics from Houston? Yeah, yeah, yeah, the Houston Niger boy,

0:42:21.680 --> 0:42:24.319
<v Speaker 1>he said some ship, Like what was that recor? He said,

0:42:24.480 --> 0:42:27.759
<v Speaker 1>because I throw hands? What the fuck is Yeah, try Jesus.

0:42:28.040 --> 0:42:31.920
<v Speaker 1>Don't try me because I thrown hands, Like, come on, bro,

0:42:32.520 --> 0:42:34.839
<v Speaker 1>the why is no one ever said that? Come on

0:42:35.000 --> 0:42:38.879
<v Speaker 1>try Jesus, not me, Like, you know, Toby's on there,

0:42:39.000 --> 0:42:42.640
<v Speaker 1>so we're very selective and it's like Toby's the one

0:42:42.840 --> 0:42:45.440
<v Speaker 1>one rapper because that's just my bro. I feel like

0:42:45.960 --> 0:42:50.560
<v Speaker 1>our position in life is so similar. Both college graduates,

0:42:50.600 --> 0:42:53.759
<v Speaker 1>family men that are just like have this strong sense

0:42:53.760 --> 0:42:56.160
<v Speaker 1>of responsibility to our family and a place where we're

0:42:56.200 --> 0:43:00.640
<v Speaker 1>from too, you know, to be lyrical, to chatallenge what

0:43:00.719 --> 0:43:03.200
<v Speaker 1>it means to be at the top, because you know,

0:43:03.239 --> 0:43:05.239
<v Speaker 1>he rapped like he going for the top seed, you

0:43:05.239 --> 0:43:08.640
<v Speaker 1>know what I'm saying. And but he's still he does

0:43:08.680 --> 0:43:13.160
<v Speaker 1>so without compromising himself. There's a lot of mutual respect there.

0:43:13.640 --> 0:43:16.680
<v Speaker 1>And then and then west Side Bugie is just like

0:43:17.400 --> 0:43:21.279
<v Speaker 1>he that's the man like on my underrated list of

0:43:21.440 --> 0:43:24.120
<v Speaker 1>like and I didn't say him because he's on the album,

0:43:24.160 --> 0:43:27.880
<v Speaker 1>but on my list of underrated rappers and artists. You know,

0:43:27.920 --> 0:43:31.400
<v Speaker 1>I saw him perform before the world really knew about him.

0:43:31.960 --> 0:43:35.200
<v Speaker 1>It was an event at the Adida Store in Hollywood,

0:43:35.960 --> 0:43:38.600
<v Speaker 1>and this is Sir performed there too. So I'm back

0:43:38.600 --> 0:43:42.200
<v Speaker 1>there supporting Sir on a song. And so the world

0:43:42.200 --> 0:43:44.960
<v Speaker 1>don't even really know what songs I have where I'm

0:43:45.000 --> 0:43:47.200
<v Speaker 1>featured on the Surf song because it's on the early

0:43:47.239 --> 0:43:51.000
<v Speaker 1>evenings and stuff. But I'm performing that with him, and

0:43:51.320 --> 0:43:54.200
<v Speaker 1>then Buggie get up and rip it, and you got

0:43:54.239 --> 0:43:56.880
<v Speaker 1>the you know, the signs of like, oh there's some

0:43:56.960 --> 0:43:59.160
<v Speaker 1>gang bang street ship. But I'm like, oh shit, he's

0:43:59.160 --> 0:44:04.000
<v Speaker 1>a lyricist. Oh shit, he telling stories like like Bugie's dope.

0:44:04.040 --> 0:44:07.520
<v Speaker 1>You know. So we're being selected. I got all kind

0:44:07.560 --> 0:44:10.600
<v Speaker 1>of voices and singers and stuff like that. But when

0:44:10.640 --> 0:44:13.840
<v Speaker 1>it comes to and musicians really like my boy Marcus

0:44:13.840 --> 0:44:18.160
<v Speaker 1>Paul playing the horns on several songs. But when it

0:44:18.200 --> 0:44:19.840
<v Speaker 1>came to rappers, it was like, we're gonna have a

0:44:19.920 --> 0:44:22.759
<v Speaker 1>couple of moments. You know. I did reach out to

0:44:22.920 --> 0:44:26.600
<v Speaker 1>YG you know what I'm saying. We connected on you know,

0:44:26.800 --> 0:44:29.440
<v Speaker 1>on several things from a community van. We keep just

0:44:29.480 --> 0:44:32.480
<v Speaker 1>running into each other, but for this project it didn't happen.

0:44:32.560 --> 0:44:36.040
<v Speaker 1>So you know, we went ahead and move forward. Tell

0:44:36.080 --> 0:44:38.400
<v Speaker 1>me if this is right or wrong? I don't know

0:44:38.480 --> 0:44:40.360
<v Speaker 1>why I keep hearing focal or you having a record

0:44:40.400 --> 0:44:47.960
<v Speaker 1>with Cardi b tucked no comment. Okay, in my opinion,

0:44:48.000 --> 0:44:51.719
<v Speaker 1>that means yes, I'm gonna say no comment because if

0:44:51.760 --> 0:44:53.759
<v Speaker 1>I say no. If I say no, I'm also saying

0:44:53.800 --> 0:44:57.440
<v Speaker 1>it's not supposed to happen. That's fair. Okay. It could be.

0:44:57.520 --> 0:44:58.960
<v Speaker 1>It could be a yes, it could be a no,

0:44:59.160 --> 0:45:02.440
<v Speaker 1>but I'm gonna say no comment. I look forward to

0:45:02.440 --> 0:45:05.160
<v Speaker 1>to reconnecting with Cardi, though, you know what I'm saying,

0:45:05.280 --> 0:45:08.680
<v Speaker 1>it's been a minute since we we got in you know. Well,

0:45:08.719 --> 0:45:10.799
<v Speaker 1>I mean there, that's another thing. Rhythm and Flow season

0:45:10.800 --> 0:45:13.680
<v Speaker 1>two was gonna happen, and then the pandemic happened, and

0:45:13.680 --> 0:45:15.839
<v Speaker 1>I'm sure you would have made an appearance in some capacity. Yeah.

0:45:15.800 --> 0:45:17.600
<v Speaker 1>I would have sure showed up and be like, hey,

0:45:17.920 --> 0:45:19.400
<v Speaker 1>you would have been like a guest. I guess I

0:45:19.440 --> 0:45:22.839
<v Speaker 1>guess Judge for an episode or something like the LA episode, Like, yeah,

0:45:22.840 --> 0:45:26.160
<v Speaker 1>we got guess Judge, right, I remember when I was there,

0:45:26.440 --> 0:45:29.600
<v Speaker 1>you know. But no, you know, if they need me,

0:45:29.600 --> 0:45:32.080
<v Speaker 1>when they when they pulling up, I'll show up for them.

0:45:32.080 --> 0:45:34.600
<v Speaker 1>But I don't know when and if that's going to happen,

0:45:34.680 --> 0:45:38.560
<v Speaker 1>so in a different time. You know, how how hard

0:45:38.640 --> 0:45:41.760
<v Speaker 1>is it to find people who can make your visuals

0:45:41.760 --> 0:45:45.279
<v Speaker 1>come to life? You've done a good job of finding

0:45:45.280 --> 0:45:46.799
<v Speaker 1>those people, I like to point out, but man, like

0:45:46.880 --> 0:45:51.319
<v Speaker 1>your your videos are so amazing, Like, I think that

0:45:51.440 --> 0:45:56.760
<v Speaker 1>the the bigger question is what is the real effort?

0:45:56.960 --> 0:45:59.239
<v Speaker 1>What role does the artist play and making sure their

0:45:59.320 --> 0:46:02.759
<v Speaker 1>videos come out how they want? You know, you look

0:46:02.800 --> 0:46:05.160
<v Speaker 1>at people's work and you see it's like do they

0:46:05.200 --> 0:46:08.000
<v Speaker 1>have a certain quality a caliber of it. Then you

0:46:08.040 --> 0:46:12.560
<v Speaker 1>add your vision and your attention to detail to their

0:46:12.680 --> 0:46:16.000
<v Speaker 1>experience and capabilities, and then you're gonna have your video.

0:46:16.520 --> 0:46:20.799
<v Speaker 1>It's just I don't think a lot of artists know

0:46:20.960 --> 0:46:26.680
<v Speaker 1>what it means to be be very active in that process,

0:46:27.040 --> 0:46:30.319
<v Speaker 1>you know, from from looking at the small details of

0:46:30.320 --> 0:46:34.480
<v Speaker 1>what the shot list is in the treatment, like like Noah,

0:46:34.480 --> 0:46:36.160
<v Speaker 1>I don't want to do this, and I say no

0:46:36.280 --> 0:46:38.520
<v Speaker 1>a lot, but I'm not gonna just be like hell no,

0:46:38.640 --> 0:46:41.040
<v Speaker 1>I'm gonna be like no, what about this, Let's try

0:46:41.040 --> 0:46:46.160
<v Speaker 1>this and so, And working with like Sergia, who's incredible,

0:46:46.160 --> 0:46:48.360
<v Speaker 1>who did all the nip stuff, it's like we have

0:46:48.680 --> 0:46:53.040
<v Speaker 1>developed a chemistry where it's like he we communicate it

0:46:53.160 --> 0:46:55.400
<v Speaker 1>like expecting both of us to have feedback, you know,

0:46:55.440 --> 0:47:01.480
<v Speaker 1>because I'll shoot a video director a a an idea

0:47:01.840 --> 0:47:04.120
<v Speaker 1>that's super underdeveloped, but it'll give them a sense of

0:47:04.160 --> 0:47:06.480
<v Speaker 1>direction on the okay, where to go treatment, you know

0:47:06.560 --> 0:47:08.600
<v Speaker 1>what I'm saying. For example, when I work with Child

0:47:08.680 --> 0:47:11.960
<v Speaker 1>on the Honeyjack video, great video. I love that video

0:47:12.000 --> 0:47:15.080
<v Speaker 1>and so my favorite one. It's so good. It's a

0:47:15.080 --> 0:47:17.560
<v Speaker 1>little movie, you know. I told her I want to

0:47:17.600 --> 0:47:20.120
<v Speaker 1>do jazz club and it's in the twenties or you know,

0:47:20.239 --> 0:47:24.080
<v Speaker 1>thirties or something, and uh, and then I told her

0:47:24.160 --> 0:47:25.960
<v Speaker 1>I want to be like working in the club and

0:47:26.760 --> 0:47:29.600
<v Speaker 1>drinking and by the end I step up drunk. Every

0:47:29.680 --> 0:47:32.919
<v Speaker 1>detail in between, like from the bus to this, like, yeah,

0:47:33.080 --> 0:47:37.200
<v Speaker 1>where do you find that bus? She did? She Child

0:47:37.239 --> 0:47:39.480
<v Speaker 1>is a genius and their whole team is dope, you know,

0:47:39.640 --> 0:47:43.320
<v Speaker 1>Child and nasty and and so it's always a pleasure

0:47:43.320 --> 0:47:47.120
<v Speaker 1>to work with them. But but yeah, so it just

0:47:47.160 --> 0:47:50.480
<v Speaker 1>depends on it. It's like the artist having an idea

0:47:50.480 --> 0:47:52.399
<v Speaker 1>of what they want to do and how they want

0:47:52.440 --> 0:47:55.960
<v Speaker 1>to be portrayed, you know, Like I know we would

0:47:56.080 --> 0:47:58.759
<v Speaker 1>we had talked before how you were reinvesting a lot

0:47:58.760 --> 0:48:00.880
<v Speaker 1>of the early money you were getting after the show,

0:48:01.000 --> 0:48:03.800
<v Speaker 1>into the into your videos, like into your into the project,

0:48:03.840 --> 0:48:06.600
<v Speaker 1>into your own ship. Right, absolutely, I'm assuming you know

0:48:06.680 --> 0:48:09.880
<v Speaker 1>this is prior. You may be true. I don't know

0:48:09.920 --> 0:48:12.280
<v Speaker 1>when I know you. You ended up getting with Empire

0:48:12.400 --> 0:48:16.240
<v Speaker 1>relatively soon after the show. Yeah, we we shot that video.

0:48:17.480 --> 0:48:21.000
<v Speaker 1>We shot that the first video, and another video on

0:48:21.040 --> 0:48:22.960
<v Speaker 1>our own dollar. So we shot no Commas on our

0:48:22.960 --> 0:48:28.520
<v Speaker 1>own dollar. We shot uh uh Honeyjack on our own dollar,

0:48:28.960 --> 0:48:33.080
<v Speaker 1>you know, and put together other materials around the rollout

0:48:33.400 --> 0:48:35.800
<v Speaker 1>prior to getting with Empire. So by the time Empire

0:48:35.840 --> 0:48:38.080
<v Speaker 1>came along, we had a lot of it already ready

0:48:38.080 --> 0:48:41.319
<v Speaker 1>to go. It was yeah, we had stuff ready to go,

0:48:41.440 --> 0:48:45.400
<v Speaker 1>and that was that was key because we were we

0:48:45.400 --> 0:48:48.040
<v Speaker 1>were negotiations. We didn't just talk to Empire. We talked

0:48:48.080 --> 0:48:50.960
<v Speaker 1>to you know what I'm saying. We talked to Columbia,

0:48:51.080 --> 0:48:55.480
<v Speaker 1>we talked to death Jam. I think we talked to Moldtown.

0:48:55.560 --> 0:48:57.520
<v Speaker 1>I'm sure everybody, I mean everybody was trying to sign you. Yeah,

0:48:57.520 --> 0:49:00.080
<v Speaker 1>they were trying to sign us for sure, but you

0:49:00.120 --> 0:49:02.040
<v Speaker 1>know it was it was too early for them to

0:49:02.080 --> 0:49:04.200
<v Speaker 1>sign us to what we wanted to be signed to. Right,

0:49:04.239 --> 0:49:06.920
<v Speaker 1>You're not going to give up. I always tell everybody,

0:49:07.040 --> 0:49:09.000
<v Speaker 1>don't never signed too fucking early, man, because then you

0:49:09.040 --> 0:49:11.040
<v Speaker 1>end up with the shitty terms. You might have an advance,

0:49:11.080 --> 0:49:13.120
<v Speaker 1>but you better make that shit last because you ain't

0:49:13.120 --> 0:49:15.719
<v Speaker 1>getting no money out of your music. E exactly hell

0:49:15.760 --> 0:49:18.319
<v Speaker 1>of a business person, Well smart man. I mean I

0:49:18.320 --> 0:49:20.359
<v Speaker 1>think that that's something too. Like what I was gonna say,

0:49:20.360 --> 0:49:23.160
<v Speaker 1>it was like you investing in your own ship and

0:49:23.200 --> 0:49:25.920
<v Speaker 1>making sure your visuals were topped here before you had

0:49:27.320 --> 0:49:30.040
<v Speaker 1>you know, all of this. I wouldn't say you added

0:49:30.040 --> 0:49:32.040
<v Speaker 1>some notoriety based off the show, but as far as

0:49:32.080 --> 0:49:35.600
<v Speaker 1>having like respect, respect and all that, like, you know,

0:49:35.640 --> 0:49:37.120
<v Speaker 1>a lot of artists wouldn't do that. You know a

0:49:37.160 --> 0:49:39.080
<v Speaker 1>lot of artists might go get a rover or something

0:49:39.239 --> 0:49:42.600
<v Speaker 1>or or or you know, put their money anywhere outside

0:49:42.880 --> 0:49:50.960
<v Speaker 1>of themselves and their craft. Bentley, Yeah, cash, cash, afford.

0:49:51.640 --> 0:49:53.400
<v Speaker 1>So you took the money from winning the show and

0:49:53.440 --> 0:49:56.000
<v Speaker 1>pretty much just parlayed that into your own ship, right,

0:49:56.160 --> 0:49:59.880
<v Speaker 1>absolutely absolutely, and you know said put something to this

0:50:00.040 --> 0:50:03.040
<v Speaker 1>all right, you know, but the rest of it we invested,

0:50:03.760 --> 0:50:06.800
<v Speaker 1>chipped off my team, chipped off my mom and pops.

0:50:06.840 --> 0:50:09.520
<v Speaker 1>You know what I'm saying. You know, like here kicked

0:50:09.560 --> 0:50:13.879
<v Speaker 1>back a little bit and we just kept working. Would

0:50:13.920 --> 0:50:16.759
<v Speaker 1>you and your brother ever do a joint project together? Yeah,

0:50:16.960 --> 0:50:19.600
<v Speaker 1>hell yeah, we look forward to it. That's got to happen,

0:50:19.800 --> 0:50:23.400
<v Speaker 1>look forward to has that? Has it been discussed? Absolutely,

0:50:23.400 --> 0:50:27.239
<v Speaker 1>We've had some conversations. We've had some conversations. Just got

0:50:27.280 --> 0:50:28.600
<v Speaker 1>to get Top Dog the sign off on it. I'm

0:50:28.600 --> 0:50:30.600
<v Speaker 1>sure I'll do that, no problem. Oh yeah, Top I

0:50:30.600 --> 0:50:36.160
<v Speaker 1>mean Top is he's he's not one to stifle creativity

0:50:36.239 --> 0:50:39.120
<v Speaker 1>or ideas. He's like, how can we make app you

0:50:39.200 --> 0:50:41.520
<v Speaker 1>know what I'm saying. So yeah, that wouldn't even be

0:50:42.040 --> 0:50:44.200
<v Speaker 1>I know, you had gone on the road with your

0:50:44.239 --> 0:50:48.640
<v Speaker 1>brother before and obviously him being a part of one

0:50:48.640 --> 0:50:50.920
<v Speaker 1>of the biggest operations in hip hop TD. Like, what

0:50:51.239 --> 0:50:56.120
<v Speaker 1>are some things that you saw as a spectator kind

0:50:56.120 --> 0:50:58.880
<v Speaker 1>of behind the curtain of what TD does that you've

0:50:59.000 --> 0:51:01.920
<v Speaker 1>learned in kind of a play to d smoke. Absolutely,

0:51:04.080 --> 0:51:09.400
<v Speaker 1>TDE employees don't give nobody no passes, Like if it's

0:51:09.520 --> 0:51:11.719
<v Speaker 1>not right, they own it. And I'm talking about these

0:51:11.760 --> 0:51:14.960
<v Speaker 1>are nice people, you know what I'm saying. TD got

0:51:15.000 --> 0:51:17.239
<v Speaker 1>some gangsters and then they got some scholars. They got

0:51:17.280 --> 0:51:20.080
<v Speaker 1>you know, people see top You know what I'm saying,

0:51:20.640 --> 0:51:25.040
<v Speaker 1>but they got employees from different backgrounds. But the culture

0:51:25.080 --> 0:51:28.000
<v Speaker 1>of it is if it's not right, you're not accepting it,

0:51:28.400 --> 0:51:32.200
<v Speaker 1>you know. And so you know, coming from like the

0:51:32.280 --> 0:51:34.760
<v Speaker 1>regular workplace, whether it be a school where you're a teacher,

0:51:34.760 --> 0:51:37.799
<v Speaker 1>it's like, I want to be the agreeable person. So

0:51:37.800 --> 0:51:40.439
<v Speaker 1>it's like, no will be flexible. I understand. There's none

0:51:40.440 --> 0:51:43.160
<v Speaker 1>of that. There's none of that because when you show up,

0:51:43.600 --> 0:51:46.520
<v Speaker 1>if you make it a habit, or if you have

0:51:46.560 --> 0:51:49.920
<v Speaker 1>a tendency to give people passes, like whether it be

0:51:49.960 --> 0:51:52.600
<v Speaker 1>the hotel stuff ain't right, or you're just not treating

0:51:52.680 --> 0:51:55.160
<v Speaker 1>us right. You don't make a habit of giving people

0:51:55.200 --> 0:51:57.520
<v Speaker 1>money that ain't doing you right. And but when they

0:51:57.600 --> 0:51:59.120
<v Speaker 1>treat you right and they take good care of you,

0:51:59.480 --> 0:52:01.560
<v Speaker 1>then you have a contact for a long period of

0:52:01.560 --> 0:52:04.600
<v Speaker 1>time and you go back to that business and they

0:52:04.640 --> 0:52:06.200
<v Speaker 1>take care of the people that take care of them

0:52:06.560 --> 0:52:08.680
<v Speaker 1>if you're giving them, if you disrespecting them because you

0:52:08.719 --> 0:52:12.160
<v Speaker 1>think we just some rappers showing up, like not that

0:52:12.200 --> 0:52:15.080
<v Speaker 1>they're gonna go big, but they might go big in

0:52:15.120 --> 0:52:18.480
<v Speaker 1>a very professional way, like Okay, we're not having the

0:52:18.560 --> 0:52:21.640
<v Speaker 1>right conversation with the right person. Let's talk to somebody else.

0:52:21.760 --> 0:52:24.399
<v Speaker 1>Oh you that person. Okay, well, since you're the top person,

0:52:24.440 --> 0:52:26.200
<v Speaker 1>I want you to talk to my guy. You know

0:52:26.239 --> 0:52:28.640
<v Speaker 1>what I'm saying, who's the legal person, right, because I'm

0:52:28.640 --> 0:52:31.719
<v Speaker 1>feeling real disrespected right now. You know however it is

0:52:32.239 --> 0:52:35.359
<v Speaker 1>And when that starts happening, things start to get real

0:52:35.480 --> 0:52:38.160
<v Speaker 1>tight around your organization. And then you show up with

0:52:38.200 --> 0:52:43.040
<v Speaker 1>a different level of confidence because people your reputation is

0:52:43.040 --> 0:52:46.640
<v Speaker 1>that your expectation, because your expectation of yourself is high,

0:52:46.880 --> 0:52:49.160
<v Speaker 1>your expectation of how people deal with you is high,

0:52:49.360 --> 0:52:51.680
<v Speaker 1>and if they meet that, then y'all all good. You know,

0:52:52.040 --> 0:52:54.920
<v Speaker 1>there's no problems. It's not like we looking for problems.

0:52:55.040 --> 0:52:57.520
<v Speaker 1>Were just looking for perfection, you know what I'm saying.

0:52:57.560 --> 0:53:01.680
<v Speaker 1>So being on tour with them me that it taught

0:53:01.719 --> 0:53:04.239
<v Speaker 1>me that it's all hands on deck. It taught me that.

0:53:04.920 --> 0:53:08.879
<v Speaker 1>It taught me business structure, right, because there's top dog,

0:53:09.120 --> 0:53:12.040
<v Speaker 1>but each artist has their own day to day one

0:53:12.120 --> 0:53:15.359
<v Speaker 1>or two people. Then as a company, they have people

0:53:15.440 --> 0:53:18.160
<v Speaker 1>who are on multiple teams. You got somebody who might

0:53:18.160 --> 0:53:22.520
<v Speaker 1>be on tour with Isaiah one one group of months,

0:53:22.880 --> 0:53:25.399
<v Speaker 1>and if Isaiah's out off cycle, they'll be helping out

0:53:25.400 --> 0:53:26.960
<v Speaker 1>with the serf stuff. You know what I'm saying, Because

0:53:26.960 --> 0:53:33.040
<v Speaker 1>I saw there was a part where Matt you know Max, Yeah,

0:53:33.640 --> 0:53:38.000
<v Speaker 1>Isaiah's guy. Yes, yeah, Matt came on tour with us,

0:53:38.040 --> 0:53:41.160
<v Speaker 1>and because for some reason Edgar you know, couldn't do

0:53:41.239 --> 0:53:44.239
<v Speaker 1>a certain couple of days, and so then you just

0:53:44.239 --> 0:53:47.200
<v Speaker 1>see these people picking up slacks. So now it's like, Okay,

0:53:47.680 --> 0:53:50.560
<v Speaker 1>I want to structure myself like the winning teams. You

0:53:50.600 --> 0:53:52.640
<v Speaker 1>know what I'm saying. If if I'm in a race,

0:53:53.080 --> 0:53:57.080
<v Speaker 1>I gotta have an engine that the same winning car had. Otherwise,

0:53:57.560 --> 0:54:02.120
<v Speaker 1>you know, I'm already I'm already handycams. So it just

0:54:02.160 --> 0:54:04.360
<v Speaker 1>taught me that ethic. It taught me to be gangster

0:54:04.400 --> 0:54:08.520
<v Speaker 1>about your shit, you know, and not not not unnecessarily

0:54:08.520 --> 0:54:11.799
<v Speaker 1>not that you know, projecting acting tough gangster shit. It's

0:54:11.800 --> 0:54:14.600
<v Speaker 1>none of that, because it's that calm like respect. Treat

0:54:14.600 --> 0:54:18.280
<v Speaker 1>people with respect. But any time people are like careless

0:54:18.280 --> 0:54:21.040
<v Speaker 1>in how they deal with you, it's addressed, you know,

0:54:21.080 --> 0:54:23.960
<v Speaker 1>and corrected if possible. And if they correct their self,

0:54:24.040 --> 0:54:26.600
<v Speaker 1>then you right back home, right boy, Like oh cool,

0:54:26.640 --> 0:54:29.000
<v Speaker 1>See I knew we handle that, you know. So what

0:54:29.160 --> 0:54:32.560
<v Speaker 1>was a lot? I mean, obviously going with Empire where

0:54:32.560 --> 0:54:35.439
<v Speaker 1>you're essentially still independent, You're still in your masters, You're

0:54:35.480 --> 0:54:38.440
<v Speaker 1>you know, you're in a great situation. You know, Empire

0:54:38.480 --> 0:54:41.520
<v Speaker 1>had two other five Rap Album of the Year nominations.

0:54:41.719 --> 0:54:45.799
<v Speaker 1>You know what I'm saying. It's a major indie, you know,

0:54:45.880 --> 0:54:48.080
<v Speaker 1>working closely with Gazi and Nima. What's that like? Because

0:54:48.120 --> 0:54:51.600
<v Speaker 1>I think Gazi and Nima are still somehow underappreciated in

0:54:51.640 --> 0:54:55.760
<v Speaker 1>the music industry for what we're doing. Gazi and Nima

0:54:55.880 --> 0:54:59.400
<v Speaker 1>are extremely supportive, but they're supportive in a sense that

0:54:59.480 --> 0:55:04.880
<v Speaker 1>they as as very independent businessmen. They can see where

0:55:04.920 --> 0:55:07.640
<v Speaker 1>their help is needed or not. So they kind of

0:55:07.680 --> 0:55:09.880
<v Speaker 1>just give us the green light to go our go

0:55:10.040 --> 0:55:13.200
<v Speaker 1>to guy at Empire to really rally people. Is Gentry

0:55:13.600 --> 0:55:16.640
<v Speaker 1>to our gentry? Yes, so Gentry is like riverside Gentry,

0:55:16.800 --> 0:55:23.160
<v Speaker 1>Yes the way, Gentry out the way, buddy. But no,

0:55:23.320 --> 0:55:25.960
<v Speaker 1>Gentry is our go to guy. Gentry travels with us.

0:55:26.360 --> 0:55:28.960
<v Speaker 1>You know what I'm saying, Gentry is there. He's a strategist.

0:55:29.320 --> 0:55:31.680
<v Speaker 1>You know what I'm saying, Gentry. If the energy in

0:55:31.719 --> 0:55:34.760
<v Speaker 1>the building ain't right, Gentry's like, hey, y'all liked smoke?

0:55:34.920 --> 0:55:38.000
<v Speaker 1>Is still that motherfucker? Like the music? He's putting out

0:55:38.000 --> 0:55:40.160
<v Speaker 1>and turning in stuff that he's not putting on. The

0:55:40.200 --> 0:55:44.200
<v Speaker 1>project is still at this at this level, and they

0:55:44.239 --> 0:55:48.880
<v Speaker 1>know I'm gonna do my footwork. You know what I'm saying. This,

0:55:48.880 --> 0:55:51.040
<v Speaker 1>This rap shuit ain't easy, you know what I'm saying.

0:55:51.080 --> 0:55:53.759
<v Speaker 1>So just to show up, just to keep showing up,

0:55:53.920 --> 0:55:57.319
<v Speaker 1>is a decision. But to me, there's no there's no

0:55:57.440 --> 0:55:59.680
<v Speaker 1>alternate decision. So when they put some on the table

0:55:59.680 --> 0:56:02.319
<v Speaker 1>that's going and put us in the room, I'm gonna

0:56:02.320 --> 0:56:05.560
<v Speaker 1>show up, you know. And it might be a hard night,

0:56:05.640 --> 0:56:08.400
<v Speaker 1>it might be a long studio session prior to and

0:56:08.440 --> 0:56:10.560
<v Speaker 1>I might collapse when I lead a room, But when

0:56:10.600 --> 0:56:12.799
<v Speaker 1>I walk in there, they gonna think like, I'm gonna

0:56:12.800 --> 0:56:15.200
<v Speaker 1>be fully present. Yep, you know so, And that's the

0:56:15.280 --> 0:56:19.200
<v Speaker 1>confidence that they have in me, that that that if

0:56:19.239 --> 0:56:20.880
<v Speaker 1>if Gentry has to go back to the people and

0:56:20.920 --> 0:56:23.680
<v Speaker 1>be like, look, let's let's put some energy into this.

0:56:23.800 --> 0:56:28.080
<v Speaker 1>Let's we need the room around this, you know, because

0:56:28.560 --> 0:56:31.319
<v Speaker 1>just because you're signed doesn't mean there's a certain level

0:56:31.320 --> 0:56:33.640
<v Speaker 1>of investment on all the people's parts. It's a lot

0:56:33.640 --> 0:56:37.280
<v Speaker 1>of moving pieces. There's a lot of resources at Empire,

0:56:37.320 --> 0:56:40.279
<v Speaker 1>and it's real powerful when they feel invested in it

0:56:40.640 --> 0:56:43.000
<v Speaker 1>and they rally around something. And they've done that for

0:56:43.040 --> 0:56:46.319
<v Speaker 1>me last time and this time. So you know, our

0:56:46.360 --> 0:56:48.879
<v Speaker 1>first our first agreement was for one project, and then

0:56:49.400 --> 0:56:50.799
<v Speaker 1>based on how that was doing, it was like, hey,

0:56:50.840 --> 0:56:52.399
<v Speaker 1>y'all want to do this again. We was like, let's

0:56:52.400 --> 0:56:54.520
<v Speaker 1>go whilere we going first one did great. You know

0:56:54.560 --> 0:56:56.120
<v Speaker 1>what I'm saying. We got a Grammy nom We got

0:56:56.160 --> 0:56:58.560
<v Speaker 1>two Grammy nominations. And it's a win win. It's a

0:56:58.600 --> 0:57:01.200
<v Speaker 1>win win because they left me with an enough to uh,

0:57:02.200 --> 0:57:04.359
<v Speaker 1>they left me with enough to be able to, uh,

0:57:06.280 --> 0:57:08.479
<v Speaker 1>you know, to make money off of what I'm doing

0:57:08.840 --> 0:57:11.560
<v Speaker 1>and have the freedom but still have that support to

0:57:11.600 --> 0:57:13.719
<v Speaker 1>be like, bro, we're not gonna have you out here

0:57:13.920 --> 0:57:16.200
<v Speaker 1>just spending your money as it comes in all the time.

0:57:16.200 --> 0:57:18.600
<v Speaker 1>We're gonna back you and we're gonna put something together

0:57:18.640 --> 0:57:21.880
<v Speaker 1>that's mutually beneficial. You can still look yourself in the

0:57:21.880 --> 0:57:24.560
<v Speaker 1>mirror and be like, I'm a man. Yeah, yeah, yeah, yeah,

0:57:24.600 --> 0:57:29.560
<v Speaker 1>not all contracts. That's important, man, so important. How long

0:57:29.560 --> 0:57:31.640
<v Speaker 1>are we gonna have to wait for the next album,

0:57:31.640 --> 0:57:33.640
<v Speaker 1>because I know you said that there's gonna be one

0:57:33.720 --> 0:57:35.919
<v Speaker 1>almost right after Black Habits. We're like, we're gonna drop

0:57:35.920 --> 0:57:37.720
<v Speaker 1>this and then Hip upside the Head and then you know,

0:57:37.800 --> 0:57:40.680
<v Speaker 1>so so shoot, shoot. It all depends on what the

0:57:40.720 --> 0:57:43.120
<v Speaker 1>next album is. You know, we got a lot of music,

0:57:43.680 --> 0:57:47.120
<v Speaker 1>and so it's crazy making music you love that don't

0:57:47.120 --> 0:57:48.680
<v Speaker 1>make the playlist. You want to put it out just

0:57:48.680 --> 0:57:50.760
<v Speaker 1>because it's like, I don't want to hold it from you.

0:57:51.120 --> 0:57:53.240
<v Speaker 1>But then when you also make working on a body

0:57:53.280 --> 0:57:56.120
<v Speaker 1>of work, if it don't fit in the track list,

0:57:56.160 --> 0:57:58.160
<v Speaker 1>you're like, okay, well maybe we hold onto this or

0:57:58.200 --> 0:58:00.440
<v Speaker 1>you know, or pitch it for a movie, you know what.

0:58:00.480 --> 0:58:02.640
<v Speaker 1>I'm maybe in five years we get De Smoke's Lost

0:58:02.640 --> 0:58:05.720
<v Speaker 1>Tapes his version of Lost Tapes just keep collecting, or

0:58:05.800 --> 0:58:09.680
<v Speaker 1>Kendrick you know where Kendrick's untitled you know stuff. Yeahs

0:58:10.120 --> 0:58:12.680
<v Speaker 1>oh my god, n titled had get top on the

0:58:12.960 --> 0:58:15.479
<v Speaker 1>come on Lost Tapes was fucking the first Lost Tapes

0:58:15.560 --> 0:58:19.880
<v Speaker 1>was crazy. Oh Blaze of fifty exactly. Well, listen, man,

0:58:19.880 --> 0:58:23.240
<v Speaker 1>the album is out, go get it. I'm sure you

0:58:23.280 --> 0:58:25.520
<v Speaker 1>can be rolling out some more visuals soon. Absolutely, we

0:58:25.640 --> 0:58:29.000
<v Speaker 1>already own it and anything else that you got going

0:58:29.040 --> 0:58:32.360
<v Speaker 1>on you want to plug man, any we're going on tour,

0:58:32.720 --> 0:58:35.080
<v Speaker 1>of course, the tour coming to a city near you,

0:58:35.120 --> 0:58:37.720
<v Speaker 1>coming to a city near you. Just announced it right

0:58:37.720 --> 0:58:40.760
<v Speaker 1>before you pull up. On the go get your tickets, man,

0:58:40.800 --> 0:58:42.880
<v Speaker 1>all right, go buy some merch. I like the I

0:58:42.960 --> 0:58:46.160
<v Speaker 1>like the hoodie. Is this a purchasable hoodies? This is

0:58:46.200 --> 0:58:49.120
<v Speaker 1>not purchase. It's one on one. Well there's that. I

0:58:49.160 --> 0:58:51.720
<v Speaker 1>got to ride one on one. But we got some stuff.

0:58:51.760 --> 0:58:53.560
<v Speaker 1>All right, man, We'll go support the Homi D smoke

0:58:53.680 --> 0:58:54.680
<v Speaker 1>appreciate perfect