1 00:00:00,720 --> 00:00:18,639 Speaker 1: I am all in again. Oh, let's you Gilmore Girls 2 00:00:18,640 --> 00:00:23,720 Speaker 1: Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast. 3 00:00:23,920 --> 00:00:28,440 Speaker 1: We take you back to April twelfth, twenty eleven. Spring 4 00:00:29,160 --> 00:00:31,680 Speaker 1: is upon us, Easter is around the corner, and the 5 00:00:31,760 --> 00:00:34,400 Speaker 1: number one movie in America is a movie that's really 6 00:00:34,440 --> 00:00:36,960 Speaker 1: fallen off the memories of most people. Because I have 7 00:00:36,960 --> 00:00:39,640 Speaker 1: a very new recollection of this. See if you remember 8 00:00:39,640 --> 00:00:42,120 Speaker 1: this Amy number one movie in America on this day, 9 00:00:43,240 --> 00:00:48,120 Speaker 1: April twelfth, twenty eleven. Hannah h a n n A 10 00:00:49,240 --> 00:00:51,880 Speaker 1: any of the stars I remember that. Nope, can you 11 00:00:51,920 --> 00:00:54,000 Speaker 1: name many of the stars of Hannah, because I sure couldn't. 12 00:00:55,200 --> 00:00:56,080 Speaker 2: I have no idea what that is. 13 00:00:56,440 --> 00:01:00,200 Speaker 1: Hannah was Eric Banna and Cyrsha Ronan and Kate Blanchet, 14 00:01:00,320 --> 00:01:01,400 Speaker 1: an action thriller. 15 00:01:01,760 --> 00:01:05,840 Speaker 2: No idea, really impressed that you could pronounce thank you. 16 00:01:06,400 --> 00:01:08,760 Speaker 1: A girl raised in the wilderness by her father, an 17 00:01:08,760 --> 00:01:11,640 Speaker 1: ex CIA operative played by Eric Banna, who trains her 18 00:01:11,680 --> 00:01:12,440 Speaker 1: as an assassin. 19 00:01:12,760 --> 00:01:15,800 Speaker 2: Zero recollection, I Smell an assignment for Jackie. 20 00:01:15,880 --> 00:01:19,759 Speaker 1: And and number two was Hop, which is a movie 21 00:01:19,800 --> 00:01:24,680 Speaker 1: about Yes, hot legs were coming up on Easter, Hot 22 00:01:24,760 --> 00:01:25,520 Speaker 1: pop legs. 23 00:01:25,600 --> 00:01:33,360 Speaker 2: Yeah, Yeah, Hop was okay, So that's the James Gordon 24 00:01:33,520 --> 00:01:35,240 Speaker 2: was the voice of hop did I make that? 25 00:01:35,240 --> 00:01:35,800 Speaker 1: Could be right? 26 00:01:35,880 --> 00:01:37,560 Speaker 2: Or maybe it just like a hop too? I think 27 00:01:37,560 --> 00:01:38,280 Speaker 2: too there. 28 00:01:38,200 --> 00:01:40,000 Speaker 1: Might have been. So that was where we were when 29 00:01:40,000 --> 00:01:43,479 Speaker 1: this Parenthood episode aired. This episode called Slipping Away Mark, 30 00:01:43,880 --> 00:01:45,400 Speaker 1: Mark shugs. 31 00:01:45,840 --> 00:01:48,280 Speaker 2: I totally cheated. I'm just gonna ad minute straight out 32 00:01:48,280 --> 00:01:50,880 Speaker 2: the gate you went to the next episode of. 33 00:01:53,560 --> 00:01:54,680 Speaker 1: This is not part of the deal. 34 00:01:54,800 --> 00:02:00,720 Speaker 2: I understand, Mark, but the ending of this was so traumatizing. 35 00:02:01,000 --> 00:02:03,880 Speaker 2: It was that I was like, even though I've watched 36 00:02:03,920 --> 00:02:05,280 Speaker 2: this whole show before, I was like, I'm sorry, I 37 00:02:05,280 --> 00:02:05,840 Speaker 2: have to keep going. 38 00:02:06,640 --> 00:02:09,080 Speaker 1: Wow. If the people of twenty eleven didn't have that option. 39 00:02:08,840 --> 00:02:11,080 Speaker 2: They had to win, I know, and I am going 40 00:02:11,120 --> 00:02:12,720 Speaker 2: to do my best to not get confused. 41 00:02:14,320 --> 00:02:16,520 Speaker 1: You watch the whole season finale. 42 00:02:16,280 --> 00:02:20,440 Speaker 2: No No. The first solid fifteen minutes, though I went 43 00:02:20,480 --> 00:02:23,399 Speaker 2: in deep. Normally when I have that happen, I cut 44 00:02:23,440 --> 00:02:26,400 Speaker 2: myself off. After like three minutes m NO. I went hard. 45 00:02:26,480 --> 00:02:28,040 Speaker 2: I was like, oh my god, what is well? 46 00:02:28,080 --> 00:02:30,520 Speaker 1: I can guide us through here. Let's start with Alex Well. 47 00:02:30,600 --> 00:02:33,480 Speaker 1: First of all, let's start with nothing but the synopsis, 48 00:02:33,480 --> 00:02:36,639 Speaker 1: because that is how we begin this program season two, 49 00:02:36,680 --> 00:02:39,799 Speaker 1: Episode twenty one, the penultimate episode of season two. It's 50 00:02:39,840 --> 00:02:42,560 Speaker 1: called Slipping Away. Amber quits her job and begins to 51 00:02:42,600 --> 00:02:46,040 Speaker 1: fall down a dangerous and destructive path. Crosby works with 52 00:02:46,120 --> 00:02:49,519 Speaker 1: Joel to mend his relationship with Jasmine. Meanwhile, Christina and 53 00:02:49,600 --> 00:02:53,560 Speaker 1: Adam overhear a disturbing phone call which strains their relationship 54 00:02:53,639 --> 00:02:57,000 Speaker 1: with Heavy. Elsewhere, Sarah makes progress with her stage play 55 00:02:57,040 --> 00:03:00,600 Speaker 1: with a hell of Zeke's old friend Gilliam t Lounge. 56 00:03:00,880 --> 00:03:02,679 Speaker 2: I mean, oh god, so much to talk. This is 57 00:03:02,680 --> 00:03:03,600 Speaker 2: a ten ten. 58 00:03:04,040 --> 00:03:05,000 Speaker 1: Well it wasn't. 59 00:03:07,320 --> 00:03:11,240 Speaker 2: Adam is a terrible dad. Sorry, he's really bad, Mark, 60 00:03:11,360 --> 00:03:12,680 Speaker 2: He's really really bad. 61 00:03:12,919 --> 00:03:15,760 Speaker 1: Not really, he means well, he just he has trouble. 62 00:03:16,320 --> 00:03:18,480 Speaker 1: He doesn't know how to relate to her anymore. And 63 00:03:18,520 --> 00:03:21,280 Speaker 1: I get it, she's his little girl first of all. 64 00:03:21,880 --> 00:03:25,000 Speaker 2: Then you do what he did at the end. The 65 00:03:25,040 --> 00:03:29,600 Speaker 2: beginning part was so gnarly to a teen girl. Yes, agreed, 66 00:03:29,800 --> 00:03:31,880 Speaker 2: I don't even know. I could not function through it. 67 00:03:31,919 --> 00:03:33,840 Speaker 2: I was like, this is insane. 68 00:03:34,040 --> 00:03:36,080 Speaker 1: Yes, it was super uncomfortable and awful. 69 00:03:36,160 --> 00:03:39,040 Speaker 2: That just literally was giving me like, don't tell dad, 70 00:03:39,040 --> 00:03:42,320 Speaker 2: I got my period. Like it's just like so bad, right, 71 00:03:42,440 --> 00:03:43,000 Speaker 2: Oh my. 72 00:03:42,960 --> 00:03:46,440 Speaker 1: God, you don't want to, but you guys are not 73 00:03:46,480 --> 00:03:47,360 Speaker 1: good with this stuff. 74 00:03:47,800 --> 00:03:50,920 Speaker 2: Get it together, Adam, No, that is like insane. 75 00:03:51,080 --> 00:03:53,480 Speaker 1: Let's start with a butt dial, which was very funny. 76 00:03:53,720 --> 00:03:55,600 Speaker 2: Iconic, iconic, iconic. 77 00:03:55,720 --> 00:03:59,400 Speaker 1: She's hurt. 78 00:04:00,280 --> 00:04:04,880 Speaker 2: First of all, can you think of anything? I can 79 00:04:04,920 --> 00:04:08,000 Speaker 2: only think of one thing worse and that butt dial, 80 00:04:08,400 --> 00:04:12,480 Speaker 2: the reverse butt dial. No, three bad things. Your kid 81 00:04:12,520 --> 00:04:16,800 Speaker 2: butt dials you while they're messing around. You, butt dial 82 00:04:16,839 --> 00:04:21,119 Speaker 2: your kid while you're messing around. Your parents butt dial 83 00:04:21,240 --> 00:04:22,880 Speaker 2: you while they're messing around. 84 00:04:23,200 --> 00:04:26,039 Speaker 1: Yeah, that all of that's bad. And walking in I 85 00:04:26,040 --> 00:04:27,960 Speaker 1: would maybe think is one step worse. 86 00:04:29,440 --> 00:04:32,320 Speaker 2: Oh that's a great, great question. 87 00:04:32,720 --> 00:04:35,599 Speaker 1: They walked in on Hattie and Alex, that would have 88 00:04:35,600 --> 00:04:36,000 Speaker 1: been worse. 89 00:04:36,800 --> 00:04:38,800 Speaker 2: Oh, that was so funny. When they walked in on 90 00:04:38,960 --> 00:04:40,040 Speaker 2: Joel and Julie. 91 00:04:40,200 --> 00:04:40,760 Speaker 1: That was funny. 92 00:04:40,800 --> 00:04:40,960 Speaker 2: Yeah. 93 00:04:42,560 --> 00:04:45,880 Speaker 1: I also loved the interaction with Treaty, Adam and Christina 94 00:04:46,080 --> 00:04:48,000 Speaker 1: when I forget what they were talking about. The quoter 95 00:04:48,120 --> 00:04:50,839 Speaker 1: route down was. I mean, it could have been Kaitlin. Caitlin, 96 00:04:51,000 --> 00:04:53,720 Speaker 1: have you seen how she dresses? And Christina said, no, 97 00:04:53,920 --> 00:04:54,400 Speaker 1: have you? 98 00:04:56,880 --> 00:04:59,440 Speaker 2: First of all, isn't she going to like Harvard? Yeah? 99 00:04:59,520 --> 00:05:00,000 Speaker 1: Thanks you? 100 00:05:00,680 --> 00:05:05,039 Speaker 2: It was so uncomfortable and yet so good. It was 101 00:05:05,080 --> 00:05:05,920 Speaker 2: really good and. 102 00:05:05,920 --> 00:05:09,159 Speaker 1: Great moments Christina lying about when she lost her virginity 103 00:05:09,160 --> 00:05:10,240 Speaker 1: and then coming clean later. 104 00:05:11,080 --> 00:05:13,239 Speaker 2: It was all good. The whole thing was great. Although 105 00:05:13,279 --> 00:05:15,840 Speaker 2: Adam's a terrible dad, but then at the end, great. 106 00:05:15,680 --> 00:05:16,800 Speaker 1: Dad, great dad. 107 00:05:16,960 --> 00:05:19,960 Speaker 2: But just like, do that sooner, loser, come on. 108 00:05:20,120 --> 00:05:23,520 Speaker 1: The silence when Christina tells Adam and he has to 109 00:05:23,560 --> 00:05:26,200 Speaker 1: take that in, it's a good twenty seconds of silence, 110 00:05:26,240 --> 00:05:31,080 Speaker 1: and it's just brilliant love. I love face acting. 111 00:05:31,680 --> 00:05:34,640 Speaker 2: I love it too, obviously, Lauren Graham's like a professional 112 00:05:34,720 --> 00:05:35,159 Speaker 2: face actor. 113 00:05:35,360 --> 00:05:36,120 Speaker 1: Yes, he was great. 114 00:05:36,640 --> 00:05:40,000 Speaker 2: Uh good chicken, remember that bart They're at the table 115 00:05:40,160 --> 00:05:46,240 Speaker 2: so awkward, no one's talking, and Christiana's a good good chicken. Look, 116 00:05:48,520 --> 00:05:49,880 Speaker 2: I'm gonna give that. Her storyline. 117 00:05:50,080 --> 00:05:52,800 Speaker 1: Him marks, Yes, I didn't know what to say to her. 118 00:05:52,839 --> 00:05:54,919 Speaker 1: I'm sorry, and then he takes her. He goes shows 119 00:05:54,960 --> 00:05:56,880 Speaker 1: up at soccer and he says, I just don't wait 120 00:05:56,880 --> 00:05:58,000 Speaker 1: to get hurt Hattie, that's. 121 00:05:57,920 --> 00:05:59,760 Speaker 2: All right, and then abated on and then they're going 122 00:05:59,800 --> 00:06:02,599 Speaker 2: to go. Yes, he came out at the end of ten. 123 00:06:02,920 --> 00:06:06,360 Speaker 2: He did, but god, was he a zero? A zero? 124 00:06:06,960 --> 00:06:10,960 Speaker 2: What's what's Tyra Banks like? Gift or meme. I can't 125 00:06:10,960 --> 00:06:12,839 Speaker 2: give it a zero, so I'll give it a one. 126 00:06:13,160 --> 00:06:14,840 Speaker 2: Like it was just like, oh, so you. 127 00:06:14,720 --> 00:06:16,960 Speaker 1: Know, we're all on our own journey as parents. They've 128 00:06:17,000 --> 00:06:19,000 Speaker 1: never been through this before. She's their oldest. 129 00:06:19,960 --> 00:06:23,120 Speaker 2: I love I love that you. You're kind of adamish, 130 00:06:23,160 --> 00:06:24,960 Speaker 2: so I love that you're kind of trying to support him. 131 00:06:25,160 --> 00:06:27,280 Speaker 1: I hate I hate the times I've been a one 132 00:06:27,360 --> 00:06:29,440 Speaker 1: as a dad, Mark. 133 00:06:31,560 --> 00:06:34,000 Speaker 2: I have no I literally was having this conversation with 134 00:06:34,040 --> 00:06:37,240 Speaker 2: Tim Martinez the other day. I don't know why, randomly 135 00:06:37,240 --> 00:06:38,880 Speaker 2: about what a good dad you are. Just me and 136 00:06:38,880 --> 00:06:40,920 Speaker 2: Tim talking about what a good dad you are. I 137 00:06:40,960 --> 00:06:45,000 Speaker 2: don't know why. It was around the river and through 138 00:06:45,000 --> 00:06:46,080 Speaker 2: the woods, how we got to it. 139 00:06:46,160 --> 00:06:46,920 Speaker 1: That's very sweet. 140 00:06:47,000 --> 00:06:50,520 Speaker 2: You've never done that because you are too communicative. You 141 00:06:50,560 --> 00:06:54,440 Speaker 2: would be like, you might say something dumb. Lord knows 142 00:06:54,440 --> 00:07:00,640 Speaker 2: you have I have two. I love him me emotional. 143 00:07:00,640 --> 00:07:04,479 Speaker 2: How much I love you? Oh my god, I I like, 144 00:07:04,520 --> 00:07:08,440 Speaker 2: literally love you so much. So I know that you 145 00:07:08,520 --> 00:07:10,280 Speaker 2: might have done a mistake with your kids. But you'd 146 00:07:10,320 --> 00:07:12,240 Speaker 2: be like, I don't know what to say here, guys, 147 00:07:12,280 --> 00:07:14,240 Speaker 2: I don't know what to say. What should I say? 148 00:07:14,320 --> 00:07:17,560 Speaker 2: That's more you, Adam was just so harsh about it. 149 00:07:17,640 --> 00:07:17,960 Speaker 2: He was. 150 00:07:18,080 --> 00:07:19,080 Speaker 1: He was very closed off. 151 00:07:19,160 --> 00:07:21,200 Speaker 2: Yeah, because you'd be like kids kids, I don't know 152 00:07:21,200 --> 00:07:22,480 Speaker 2: how to handle this, do you know what I mean? 153 00:07:22,800 --> 00:07:23,800 Speaker 1: Closed off? That's true. 154 00:07:24,320 --> 00:07:27,680 Speaker 2: A lot of things that no right, and you'd be 155 00:07:27,720 --> 00:07:31,600 Speaker 2: like Amy to your wife. Wife is also amy. I 156 00:07:31,640 --> 00:07:33,560 Speaker 2: need you to handle this. I don't know what I'm doing. 157 00:07:33,560 --> 00:07:35,160 Speaker 2: You know, like you would just do that. I know 158 00:07:35,240 --> 00:07:35,640 Speaker 2: you would. 159 00:07:35,760 --> 00:07:37,640 Speaker 1: Yep, I would definitely, but you would not. 160 00:07:37,880 --> 00:07:39,560 Speaker 2: You would never give your kids the silent treatment. 161 00:07:39,600 --> 00:07:41,480 Speaker 1: I just don't that's true. I would not correct. 162 00:07:41,520 --> 00:07:43,400 Speaker 2: I don't know. And that was what bothered me. I 163 00:07:43,400 --> 00:07:47,600 Speaker 2: didn't mind if he said, Pattie, I'm overwhelmed, you know, 164 00:07:47,680 --> 00:07:49,360 Speaker 2: like I don't know what to say, but I love 165 00:07:49,360 --> 00:07:51,880 Speaker 2: you so much. Like what he did was mean. 166 00:07:53,440 --> 00:07:58,800 Speaker 1: Yes, it was. It seemed vindictive. Yeah, he seemed personally hurt. 167 00:07:59,280 --> 00:08:02,440 Speaker 2: Right, it's like over it outa. This guy's a cool guy. 168 00:08:03,160 --> 00:08:08,440 Speaker 2: Although you know, Michael B. Jordan has like there's some 169 00:08:08,480 --> 00:08:10,560 Speaker 2: downfall coming. I don't remember if you remember that, I. 170 00:08:10,480 --> 00:08:14,160 Speaker 1: Don't remember, But you've watched the whole series at this point, 171 00:08:14,160 --> 00:08:15,800 Speaker 1: you've gone so far ahead. 172 00:08:16,120 --> 00:08:22,320 Speaker 2: No, all right, let's go, we'll say the Hattie stuff. Sorry, 173 00:08:22,480 --> 00:08:25,000 Speaker 2: not Hattie. Don't tell me her name. Don't tell me 174 00:08:25,040 --> 00:08:28,280 Speaker 2: her name. Oh my god, May Whitman, don't tell me 175 00:08:28,320 --> 00:08:30,560 Speaker 2: her name. All right, tell me her name. It's out 176 00:08:30,600 --> 00:08:33,880 Speaker 2: of my Oh my god. I kept just wanting to 177 00:08:33,880 --> 00:08:36,840 Speaker 2: go May May, May May. So my brain was like 178 00:08:37,040 --> 00:08:41,320 Speaker 2: glitching and guy from Greek and the guy from Greek 179 00:08:42,320 --> 00:08:43,240 Speaker 2: the parking valley. 180 00:08:43,520 --> 00:08:55,360 Speaker 1: Right, let's go to Crosby and Joel fixing stuff. 181 00:08:55,760 --> 00:09:00,839 Speaker 2: Okays all? I love Joel so much because he's like, bro, 182 00:09:02,880 --> 00:09:05,520 Speaker 2: there's a lot of money. Yeah, I'm not getting paid 183 00:09:05,520 --> 00:09:08,040 Speaker 2: for this fine motorcycle. Don't know if this is going 184 00:09:08,120 --> 00:09:09,520 Speaker 2: to work. I don't know if this is going to work. 185 00:09:09,880 --> 00:09:11,680 Speaker 2: See if this is going to work before we start 186 00:09:11,720 --> 00:09:13,040 Speaker 2: the crown molding or whatever it was. 187 00:09:13,240 --> 00:09:15,200 Speaker 1: Yeah, the wrong tiles in the kitchen and all this 188 00:09:15,240 --> 00:09:15,840 Speaker 1: other stuff. 189 00:09:17,800 --> 00:09:20,520 Speaker 2: Where's Crosby getting all that money? By the way, this 190 00:09:20,600 --> 00:09:23,000 Speaker 2: is a good question, but like it's a storyline that 191 00:09:23,040 --> 00:09:26,120 Speaker 2: doesn't totally track because it's like the houseboat at most, 192 00:09:26,440 --> 00:09:27,160 Speaker 2: I don't know how much a. 193 00:09:27,120 --> 00:09:29,839 Speaker 1: Houseboat is kill me that much? 194 00:09:31,200 --> 00:09:33,000 Speaker 2: So much is a house. 195 00:09:35,559 --> 00:09:36,760 Speaker 1: It's gotta be a wide range. 196 00:09:37,000 --> 00:09:41,079 Speaker 2: Oh wow, a few thousand dollars to one hundred and 197 00:09:41,080 --> 00:09:43,719 Speaker 2: fifty thousand dollars to seven hundred and fifty thousand, So 198 00:09:43,760 --> 00:09:46,199 Speaker 2: I'm going one and fifty because it was. 199 00:09:46,160 --> 00:09:47,480 Speaker 1: Not it right. 200 00:09:47,720 --> 00:09:52,160 Speaker 2: Yeah, Wow, maybe he got doyment the rest of it. Fine, 201 00:09:52,200 --> 00:09:53,080 Speaker 2: maybe it tracks all. 202 00:09:53,040 --> 00:09:56,480 Speaker 1: Right, Jasmin drops off your bar. Julia completely oversteps and says, 203 00:09:56,520 --> 00:10:00,400 Speaker 1: look my brother, good dude, and she's like, sorry, he 204 00:10:00,440 --> 00:10:02,640 Speaker 1: didn't grow up a few weeks earlier. I don't think 205 00:10:02,640 --> 00:10:04,720 Speaker 1: I'll ever not be angry at him. It's not going 206 00:10:04,800 --> 00:10:06,040 Speaker 1: to happen. I'm sorry. 207 00:10:06,280 --> 00:10:11,440 Speaker 2: Final though, although I beg your friend, well, I mean, 208 00:10:11,600 --> 00:10:12,400 Speaker 2: I don't like get the end. 209 00:10:12,480 --> 00:10:13,199 Speaker 1: Don't worry. 210 00:10:14,480 --> 00:10:14,800 Speaker 2: All right? 211 00:10:16,360 --> 00:10:16,480 Speaker 3: Now? 212 00:10:16,559 --> 00:10:19,040 Speaker 2: Do you not remember the m I don't remember anything 213 00:10:19,679 --> 00:10:23,240 Speaker 2: what it was thirteen years ago. You don't remember coming 214 00:10:23,240 --> 00:10:24,880 Speaker 2: into the studio just bawling like a baby. And then 215 00:10:24,880 --> 00:10:25,600 Speaker 2: I went viral. 216 00:10:25,840 --> 00:10:29,520 Speaker 1: I don't remember that. You don't remember my when you 217 00:10:29,559 --> 00:10:31,560 Speaker 1: mentioned it a few weeks ago, But I don't personally 218 00:10:31,600 --> 00:10:32,439 Speaker 1: have a recollection. 219 00:10:32,600 --> 00:10:34,360 Speaker 2: My biggest is my biggest brush with fame. 220 00:10:35,200 --> 00:10:37,800 Speaker 1: Wow, it really was the time you went viral. 221 00:10:37,559 --> 00:10:38,360 Speaker 2: And until this. 222 00:10:41,440 --> 00:10:43,840 Speaker 1: So then Juliet once croused me, said, look, buddy, I 223 00:10:43,880 --> 00:10:45,720 Speaker 1: talked to her. She's not coming back. And he says, 224 00:10:45,720 --> 00:10:48,000 Speaker 1: I have to believe it might work, So please let 225 00:10:48,040 --> 00:10:49,040 Speaker 1: me believe that it. 226 00:10:49,120 --> 00:10:54,559 Speaker 2: Is good, totally good. I'm okay, here's my problem. We're 227 00:10:54,559 --> 00:10:56,920 Speaker 2: still giving it a ten. But Crosby and Jasmine are 228 00:10:57,080 --> 00:11:01,040 Speaker 2: just one note, It's just one for sure. 229 00:11:02,720 --> 00:11:05,560 Speaker 1: But you it has to it has to it has 230 00:11:05,600 --> 00:11:06,960 Speaker 1: to be. It has to be in the limbo right 231 00:11:07,000 --> 00:11:07,640 Speaker 1: now or they got to. 232 00:11:08,000 --> 00:11:09,959 Speaker 2: Its part about Crosby and Jasmine was mna. 233 00:11:09,840 --> 00:11:13,040 Speaker 1: Kelly, Okay, yeah, maybe. 234 00:11:13,120 --> 00:11:14,760 Speaker 2: Just gave me something to do with them. 235 00:11:14,920 --> 00:11:20,280 Speaker 1: Yeah what Sarah and Blown to go to see Jack 236 00:11:20,400 --> 00:11:21,840 Speaker 1: Kraft Ladies and Gentlemen's Tea. 237 00:11:22,200 --> 00:11:25,560 Speaker 2: That was a very young Stephen Weber. I almost said 238 00:11:25,559 --> 00:11:29,080 Speaker 2: Tim Daily, Wait, it was very young Wings adjacent. I know, 239 00:11:29,320 --> 00:11:32,400 Speaker 2: first of all, Tim Daily and Stephen Weber are like 240 00:11:33,160 --> 00:11:35,720 Speaker 2: forever one person, even though you know they're too, You're like, 241 00:11:35,760 --> 00:11:38,880 Speaker 2: which one is that? Also, Wings was like a terrible 242 00:11:38,880 --> 00:11:42,120 Speaker 2: show that just stayed on the air forever. But let's 243 00:11:42,160 --> 00:11:46,079 Speaker 2: talk about first of all, Tim Daily, uh married tay 244 00:11:46,160 --> 00:11:49,000 Speaker 2: leone from from going on that Madam Secretary. He's on 245 00:11:49,040 --> 00:11:50,400 Speaker 2: the news right now, just been like I love what 246 00:11:50,400 --> 00:11:53,240 Speaker 2: they're The minute of s are. Stephen Webber is really 247 00:11:53,240 --> 00:11:59,640 Speaker 2: good on Chicago mad with Pattie. Oh so crazy? They 248 00:11:59,640 --> 00:12:02,000 Speaker 2: both up on there now. That was at fit. Tim 249 00:12:02,120 --> 00:12:04,880 Speaker 2: Stephen Webber looked young in this. I almost didn't recognize them, 250 00:12:05,080 --> 00:12:05,480 Speaker 2: by the way. 251 00:12:05,480 --> 00:12:08,720 Speaker 1: That's another day's conversation. Is TV shows that ran forever, 252 00:12:08,920 --> 00:12:11,319 Speaker 1: but you don't know anybody who ever watched them, like Wings? 253 00:12:11,480 --> 00:12:12,840 Speaker 1: Like Rules of Engagement? 254 00:12:14,080 --> 00:12:16,120 Speaker 2: Is that the Oliverhood? Don't tell you now? Dare you 255 00:12:16,200 --> 00:12:17,160 Speaker 2: with my Oliver. 256 00:12:16,960 --> 00:12:21,240 Speaker 1: Hud David Spade David spadellas seasons or something? 257 00:12:22,160 --> 00:12:26,280 Speaker 2: What about the one with Vicky Lewis and Andy Dick 258 00:12:26,600 --> 00:12:27,240 Speaker 2: News Radio? 259 00:12:27,440 --> 00:12:30,000 Speaker 1: Oh that's a good one too, but people love that one. 260 00:12:30,120 --> 00:12:32,079 Speaker 1: I never got into that one. How about It's always 261 00:12:32,080 --> 00:12:34,840 Speaker 1: Sonny and Philadelphia still going on like twenty eight seasons? 262 00:12:35,080 --> 00:12:35,760 Speaker 1: It was crazy? 263 00:12:37,720 --> 00:12:40,000 Speaker 2: What are some other ones like that? The best one 264 00:12:40,040 --> 00:12:43,000 Speaker 2: is Wings though, because Wings was like, who is just 265 00:12:43,120 --> 00:12:43,640 Speaker 2: catching this. 266 00:12:43,720 --> 00:12:46,760 Speaker 1: Best time slot? And that's all that mattered. People were 267 00:12:46,760 --> 00:12:48,839 Speaker 1: not going to change the channel between what was it? Cheers? 268 00:12:49,559 --> 00:12:51,680 Speaker 2: Can we talk about the cast Stephen Webber, Tim Dailey 269 00:12:51,800 --> 00:12:56,560 Speaker 2: and Hayden Church Thomas Hayden Church. Thomas Hayden Church like 270 00:12:56,640 --> 00:13:01,160 Speaker 2: launched Stacy who is the lady on it? 271 00:13:01,520 --> 00:13:02,840 Speaker 1: And then Stacy. 272 00:13:04,080 --> 00:13:05,679 Speaker 2: Who's the girl on Wings? 273 00:13:06,040 --> 00:13:09,480 Speaker 1: On Wings? Oh, oh, oh gosh, I can picture her. 274 00:13:09,600 --> 00:13:10,680 Speaker 2: Crystal Bernard. 275 00:13:11,080 --> 00:13:11,840 Speaker 1: Crystal Bernard. 276 00:13:12,080 --> 00:13:13,320 Speaker 2: God, do you want to know how I know Crystal 277 00:13:13,320 --> 00:13:16,280 Speaker 2: Bernard is from that other show It's a Living. 278 00:13:16,800 --> 00:13:19,479 Speaker 1: Angel Living with Angilian. 279 00:13:19,679 --> 00:13:22,319 Speaker 2: Did you know Tony Shalou was also on Wings? 280 00:13:22,640 --> 00:13:23,880 Speaker 1: No? I did not know that. 281 00:13:24,600 --> 00:13:26,640 Speaker 2: It was for seven years. 282 00:13:26,760 --> 00:13:28,760 Speaker 1: That was one of the first sitcoms that I remember 283 00:13:28,760 --> 00:13:31,680 Speaker 1: being syndicated, Like it wasn't on when other shows were on. 284 00:13:31,760 --> 00:13:34,840 Speaker 1: It was on like Sunday evenings at six or something. Crazy. 285 00:13:35,160 --> 00:13:38,000 Speaker 2: Maybe it isn't bad. Maybe we just thought Wings was bad. 286 00:13:39,360 --> 00:13:42,760 Speaker 1: Maybe I have no idea. Anyway, this is one of 287 00:13:42,840 --> 00:13:44,800 Speaker 1: our biggest diggressions we've ever had, by the way, that 288 00:13:44,960 --> 00:13:45,800 Speaker 1: was really. 289 00:13:45,679 --> 00:13:47,720 Speaker 2: That's so much. I love so much. Because here's what 290 00:13:47,800 --> 00:13:50,600 Speaker 2: my concern is. I think we only watch one more 291 00:13:50,920 --> 00:13:52,960 Speaker 2: and then we're off for the holidays because we've got 292 00:13:53,000 --> 00:13:55,360 Speaker 2: all the Gilmore content. We've got so much, sorry to 293 00:13:55,360 --> 00:13:57,760 Speaker 2: say content, that's such a lame way to say it. 294 00:13:57,840 --> 00:13:59,880 Speaker 2: We've don't only no more content, but like we have 295 00:14:00,000 --> 00:14:02,240 Speaker 2: Holiday's made here, so we have like so much Gilmore 296 00:14:02,280 --> 00:14:05,000 Speaker 2: stuff that we go off until January. Parenthood not the 297 00:14:05,040 --> 00:14:06,840 Speaker 2: podcast I believe. 298 00:14:07,000 --> 00:14:10,120 Speaker 1: I believe. My understanding is at the beginning of January, 299 00:14:10,200 --> 00:14:12,840 Speaker 1: you and I and Danielle Romo the one the only 300 00:14:13,320 --> 00:14:16,520 Speaker 1: are going to do the season finale together. Oh, and 301 00:14:16,559 --> 00:14:18,080 Speaker 1: like that'll be the transition episode. 302 00:14:18,120 --> 00:14:19,640 Speaker 2: So we're not even watching the finale. 303 00:14:20,440 --> 00:14:22,040 Speaker 1: Standing is we're going to wait on that. Although you 304 00:14:22,080 --> 00:14:24,480 Speaker 1: didn't wait for anything, but we are waiting to discuss it. 305 00:14:25,120 --> 00:14:27,560 Speaker 2: Okay, wow, so I'm gonna have to wait. I'm gonna 306 00:14:27,560 --> 00:14:31,080 Speaker 2: have to really rewatch it. We're all like, we're almost 307 00:14:31,160 --> 00:14:33,880 Speaker 2: like finaleing it because the car accident. So sorry if 308 00:14:33,920 --> 00:14:35,520 Speaker 2: you haven't watched it yet, but Ver gets in a 309 00:14:35,560 --> 00:14:39,880 Speaker 2: car accident. Now we're just like waiting because it's gonna 310 00:14:39,880 --> 00:14:40,920 Speaker 2: be January before we know it. 311 00:14:41,160 --> 00:14:46,400 Speaker 1: In January, that's right. So anyway, Blount tells Sarah that 312 00:14:46,440 --> 00:14:48,640 Speaker 1: her breasts are going to be put to work today. 313 00:14:48,680 --> 00:14:50,840 Speaker 2: Fine, it was so inappropriate and I was totally in 314 00:14:51,000 --> 00:14:52,560 Speaker 2: I was like, you know, that's his that's. 315 00:14:52,440 --> 00:14:53,120 Speaker 1: His character too. 316 00:14:53,280 --> 00:14:54,920 Speaker 2: And also she was totally fine with it. She's like, Okay, 317 00:14:54,920 --> 00:14:55,840 Speaker 2: I got it right. 318 00:14:55,920 --> 00:15:01,600 Speaker 1: So Zeke takes over as he does, Gilliam calls them 319 00:15:01,600 --> 00:15:04,440 Speaker 1: incompetence and that gets uncomfortable. But then Sarah goes up 320 00:15:04,480 --> 00:15:06,240 Speaker 1: to Craft and that's the beauty of the show, of 321 00:15:06,320 --> 00:15:09,720 Speaker 1: these awkward conversations. I love awkward conversation in. 322 00:15:09,760 --> 00:15:12,600 Speaker 2: Real life, though none of this would have happened. Zeke's 323 00:15:12,600 --> 00:15:14,920 Speaker 2: not going up to the guy. Maybe we're going to 324 00:15:15,000 --> 00:15:18,680 Speaker 2: have the sort of awkward confrontation because he called him incompetent. 325 00:15:18,800 --> 00:15:21,040 Speaker 2: But then like, I just don't know that, Like, okay, 326 00:15:21,360 --> 00:15:26,400 Speaker 2: picture this. We're in a room and Shonda Rhimes is there. 327 00:15:26,840 --> 00:15:28,680 Speaker 2: We're not going up to her to party and pitching 328 00:15:28,720 --> 00:15:33,840 Speaker 2: our show. That's hey, we've got a great podcast. She 329 00:15:33,840 --> 00:15:35,320 Speaker 2: would be like, are you a scene? 330 00:15:35,720 --> 00:15:39,000 Speaker 1: Yeah, that's true. Security would have us have squirted out, 331 00:15:40,600 --> 00:15:43,040 Speaker 1: but nobody does awkward. But as Lauren Graham like, it 332 00:15:43,120 --> 00:15:43,960 Speaker 1: was just wonderful. 333 00:15:44,400 --> 00:15:46,480 Speaker 2: She wasn't that awkward because she's somehow able to be 334 00:15:46,520 --> 00:15:48,840 Speaker 2: awkward in a cool way. And you're like, okay, I'll read. 335 00:15:48,720 --> 00:15:51,680 Speaker 1: Your play right, which is called apparently you feel. 336 00:15:51,440 --> 00:15:53,320 Speaker 2: That they're going to fall in love Steven Weber and 337 00:15:53,600 --> 00:15:57,600 Speaker 2: that does ring a bell I don't remember, but yet 338 00:15:57,640 --> 00:15:58,760 Speaker 2: I spelled a connection there. 339 00:15:58,840 --> 00:15:59,720 Speaker 1: Yeah, I think they might. 340 00:16:00,960 --> 00:16:03,119 Speaker 2: Was she wearing lubatons though I'm also. 341 00:16:03,000 --> 00:16:05,080 Speaker 1: Likes not something I would notice. 342 00:16:05,800 --> 00:16:08,320 Speaker 2: I feel like she was wearing lubatons and I'm like 343 00:16:09,040 --> 00:16:12,120 Speaker 2: that was a like a error on the stylist part, 344 00:16:12,320 --> 00:16:17,600 Speaker 2: because Sarah Braverman is not wearing livid we like Steve Maddin. 345 00:16:17,880 --> 00:16:19,640 Speaker 1: Yeah, living in her parents, but I thought. 346 00:16:19,440 --> 00:16:21,880 Speaker 2: I saw the red bottles and I was like, this 347 00:16:22,600 --> 00:16:23,760 Speaker 2: in the city. 348 00:16:25,200 --> 00:16:27,600 Speaker 1: Uh, that's that for that storyline. But he liked it. 349 00:16:27,880 --> 00:16:29,240 Speaker 1: He read it. He liked it, and that was the 350 00:16:29,240 --> 00:16:30,000 Speaker 1: happy ending there. 351 00:16:30,280 --> 00:16:32,000 Speaker 2: Wait, he read it, he read it and. 352 00:16:31,920 --> 00:16:32,400 Speaker 1: He liked it. 353 00:16:33,440 --> 00:16:34,320 Speaker 2: When did he read it? 354 00:16:35,080 --> 00:16:36,640 Speaker 1: He said he would read it and then blunt and 355 00:16:36,640 --> 00:16:38,080 Speaker 1: give her the news at the end of the episode. 356 00:16:38,400 --> 00:16:41,600 Speaker 1: By the way, we're in, I miss that well because 357 00:16:41,640 --> 00:16:43,680 Speaker 1: he showed up at the door when she was dealing 358 00:16:43,720 --> 00:16:45,520 Speaker 1: with Amber drama and She's like, I can't deal with 359 00:16:45,560 --> 00:16:49,080 Speaker 1: this right now, and then he said yes, God. By 360 00:16:49,120 --> 00:16:51,160 Speaker 1: the way we're in, how. 361 00:16:51,040 --> 00:16:53,760 Speaker 2: About the scene where Amber pushes Sarah. 362 00:16:53,840 --> 00:16:55,960 Speaker 1: Yeah intent what yes? 363 00:16:56,360 --> 00:16:57,280 Speaker 2: That actual? 364 00:16:58,000 --> 00:16:58,720 Speaker 1: That was crazy? 365 00:16:59,040 --> 00:17:10,280 Speaker 4: What that was insane? 366 00:17:11,160 --> 00:17:13,520 Speaker 1: So that brings us to Amber. I mean we did 367 00:17:13,560 --> 00:17:15,240 Speaker 1: have we did have a little bit of an Adams 368 00:17:15,240 --> 00:17:18,320 Speaker 1: side note. At work. Spider was hired because he designed 369 00:17:18,359 --> 00:17:21,439 Speaker 1: something interesting that was just seemed like filler to me. 370 00:17:21,480 --> 00:17:23,280 Speaker 1: It was not to see Anthony Kerrigan again. It's been 371 00:17:23,320 --> 00:17:25,040 Speaker 1: a while, and are they all. 372 00:17:24,960 --> 00:17:28,040 Speaker 2: Just eating edibles? Because suddenly the marketing lady was like, 373 00:17:28,119 --> 00:17:29,000 Speaker 2: who was great? 374 00:17:29,320 --> 00:17:31,840 Speaker 1: Her name's Karen. I looked it up, but yeah, Karen 375 00:17:32,080 --> 00:17:36,600 Speaker 1: hires a kite. Oh yeah, Amber and Gary flirting, smoking, 376 00:17:37,440 --> 00:17:39,520 Speaker 1: putting barefoot in the office from. 377 00:17:39,359 --> 00:17:42,520 Speaker 2: Greek Why are they sneaking back into the office so weird? 378 00:17:42,560 --> 00:17:43,680 Speaker 2: Doesn't that guy have an apartment? 379 00:17:44,040 --> 00:17:46,400 Speaker 1: You'd think, Yeah, I guess it's kind of like exciting 380 00:17:46,920 --> 00:17:49,080 Speaker 1: in the office after dark, not supposed to be here. 381 00:17:52,280 --> 00:17:55,520 Speaker 2: You're not watching All is Fair, although you should. No, No, 382 00:17:55,600 --> 00:17:57,240 Speaker 2: there's a little of that and All is Fair. 383 00:17:57,480 --> 00:18:00,720 Speaker 1: Oh see, people do that. It's a thing. And then 384 00:18:00,880 --> 00:18:04,600 Speaker 1: it gets ugly. Julia wakes up a stinky Amber in 385 00:18:04,640 --> 00:18:07,879 Speaker 1: her office. Amber says screw this place, and she quits, 386 00:18:07,880 --> 00:18:10,040 Speaker 1: and then Sarah's yelling at Amber. And then they get 387 00:18:10,119 --> 00:18:10,600 Speaker 1: past them. 388 00:18:10,600 --> 00:18:15,560 Speaker 2: Things seemed better, No, they didn't. When they got past us, 389 00:18:15,600 --> 00:18:17,840 Speaker 2: she was like hi, and. 390 00:18:18,440 --> 00:18:21,320 Speaker 1: Sarah yeah, yeah, yeah, yeah. Yeah. Sarah was like, I 391 00:18:21,359 --> 00:18:25,800 Speaker 1: can't do this. That's right, that's right. Worse, then Julia 392 00:18:25,840 --> 00:18:31,040 Speaker 1: finds Amber and Gary uh enjoying each other in her 393 00:18:31,080 --> 00:18:35,360 Speaker 1: office I think that was where they were, that they 394 00:18:35,359 --> 00:18:37,359 Speaker 1: were doing that in the office. And then she was 395 00:18:37,440 --> 00:18:40,679 Speaker 1: late with said no she didn't, Julie didn't discover them. 396 00:18:40,720 --> 00:18:44,520 Speaker 1: I'm sorry getting it on Amber like, oh my god, 397 00:18:44,520 --> 00:18:45,720 Speaker 1: I gotta get me my mom that she was. 398 00:18:45,960 --> 00:18:47,440 Speaker 2: That's right, that's right. And the only funny part was 399 00:18:47,440 --> 00:18:48,680 Speaker 2: when she put the photo Zeke down. 400 00:18:49,200 --> 00:18:53,280 Speaker 1: Yes, funny. And then we had Drew sighting. We have 401 00:18:53,280 --> 00:18:54,399 Speaker 1: not seen Drew in a while. 402 00:18:55,520 --> 00:18:58,920 Speaker 2: No, he was there for the pushing. That was so brutal. 403 00:18:59,000 --> 00:19:00,920 Speaker 1: Yeah, that was that was rough scene. That was tough. 404 00:19:01,119 --> 00:19:03,119 Speaker 2: That was an aggressive scene. 405 00:19:03,640 --> 00:19:08,720 Speaker 1: Yeah. And then Adam and Sarah said chatting about their 406 00:19:08,760 --> 00:19:12,200 Speaker 1: problems children, right, and then Sarah saying. 407 00:19:12,040 --> 00:19:16,040 Speaker 2: Look is she happy you don't have a right? Yeah, 408 00:19:16,480 --> 00:19:17,160 Speaker 2: Sarah does. 409 00:19:17,840 --> 00:19:19,000 Speaker 1: Sarah does. 410 00:19:20,359 --> 00:19:23,800 Speaker 2: Yeah, shut your trap, Adam, you have nothing to worry about. 411 00:19:23,920 --> 00:19:25,959 Speaker 1: Quote from Sarah was just when they tell you they 412 00:19:25,960 --> 00:19:28,359 Speaker 1: don't need you anymore, that's when they need you the most. 413 00:19:30,160 --> 00:19:33,960 Speaker 1: That sweet powerful that got him. That got Adam thinking, 414 00:19:34,560 --> 00:19:37,200 Speaker 1: all right, So the car accident Cliffhanger. My observation here 415 00:19:37,320 --> 00:19:42,600 Speaker 1: is this was around the time when that shot became omnipresent. 416 00:19:43,560 --> 00:19:45,720 Speaker 1: They just figured out the technology of that. 417 00:19:48,160 --> 00:19:53,199 Speaker 2: See you literally has that shot. Yes, they're driving with 418 00:19:53,359 --> 00:19:59,040 Speaker 2: Maloney's wife. So Stabler's wife, Benson is driving Stabler's wife. 419 00:19:59,440 --> 00:20:02,199 Speaker 2: She's pregn exact same shot that. 420 00:20:02,440 --> 00:20:04,080 Speaker 1: When they figured out that shot, it was a game 421 00:20:04,160 --> 00:20:06,920 Speaker 1: changer for dramas. And my first time I saw was 422 00:20:06,920 --> 00:20:07,920 Speaker 1: an ALIAS and I was like. 423 00:20:09,560 --> 00:20:10,879 Speaker 2: Who got hit on Alias? 424 00:20:11,920 --> 00:20:14,600 Speaker 1: I was I'm pretty sure Sidney was involved. 425 00:20:14,640 --> 00:20:18,440 Speaker 2: Sidney Bristow remember when her husband got killed in the pilot. 426 00:20:18,680 --> 00:20:19,920 Speaker 1: I love that show that. 427 00:20:20,560 --> 00:20:22,840 Speaker 2: I started a rewatch of that show and then I 428 00:20:22,880 --> 00:20:25,119 Speaker 2: got tired. But I'll hit that again. 429 00:20:25,280 --> 00:20:26,000 Speaker 1: That's a good one. 430 00:20:26,680 --> 00:20:28,679 Speaker 2: I don't want to say it, but Bradley Cooper's so 431 00:20:28,720 --> 00:20:29,400 Speaker 2: handsome in it. 432 00:20:29,920 --> 00:20:35,080 Speaker 1: Yes he is. Yes, Michael, which one Michael Vartan? Have 433 00:20:35,160 --> 00:20:35,560 Speaker 1: him hosted? 434 00:20:35,880 --> 00:20:40,040 Speaker 2: They already? Oh no he did Felicity. I've been asking, 435 00:20:40,040 --> 00:20:43,840 Speaker 2: but jj Abrams like controls it all? Oh, Ali Cartan 436 00:20:43,920 --> 00:20:44,920 Speaker 2: would be so good. 437 00:20:45,520 --> 00:20:48,040 Speaker 1: But yeah, nowadays we're so jaded. Now. If we see 438 00:20:48,040 --> 00:20:50,080 Speaker 1: that camera angle, we know what's about to happen. There's 439 00:20:50,080 --> 00:20:53,600 Speaker 1: a sermon the driver and we all know it's about 440 00:20:53,600 --> 00:20:58,439 Speaker 1: to get smashed into out of nowhere. In the early two. 441 00:20:58,280 --> 00:21:00,280 Speaker 3: Thousand and then, was that the end that is the 442 00:21:00,359 --> 00:21:09,119 Speaker 3: end cliff right for the rest of us. 443 00:21:09,200 --> 00:21:10,960 Speaker 1: There, I only cried once. 444 00:21:11,560 --> 00:21:16,040 Speaker 2: Dude, wait till next wait till next week, three. 445 00:21:15,400 --> 00:21:18,800 Speaker 1: Weeks, I will till January. The rule is to wait, 446 00:21:18,880 --> 00:21:20,840 Speaker 1: and so I will. Because that's the deal. 447 00:21:21,960 --> 00:21:23,800 Speaker 2: I'm still going to give it a ten. I'm still 448 00:21:23,800 --> 00:21:27,560 Speaker 2: giving it a tentat. Mostly I'm mostly excited. Am I am? 449 00:21:27,560 --> 00:21:28,639 Speaker 2: I giving the clues today? 450 00:21:28,800 --> 00:21:32,520 Speaker 1: Yes? So what happened is I I emailed Jackie this morning. 451 00:21:32,600 --> 00:21:36,440 Speaker 1: I said, just go on YouTube, search pyramid bonus round, 452 00:21:36,520 --> 00:21:39,280 Speaker 1: pick anyone you want, and then text Amy the six 453 00:21:39,359 --> 00:21:40,960 Speaker 1: clues and I'll see him. 454 00:21:41,000 --> 00:21:45,600 Speaker 2: So ready, okay, I I had to bite toast to 455 00:21:45,600 --> 00:21:46,439 Speaker 2: get my energy up. 456 00:21:46,440 --> 00:21:48,720 Speaker 1: Hold on, sure, what do you got on that toast? 457 00:21:49,200 --> 00:21:50,760 Speaker 1: What what do you got on the toast? 458 00:21:51,040 --> 00:21:54,040 Speaker 2: I already ate an egg, egg, eggs and then toast. 459 00:21:54,040 --> 00:21:55,600 Speaker 1: You like jelly peanut butter? 460 00:21:56,560 --> 00:21:59,320 Speaker 2: Oh, I don't do peanut butter. I love jelly, but 461 00:21:59,480 --> 00:22:01,560 Speaker 2: to sugar. I just have butter. I can't eat peanut 462 00:22:01,600 --> 00:22:02,800 Speaker 2: butter anymore in my old age. 463 00:22:03,000 --> 00:22:03,920 Speaker 1: What happens to you? 464 00:22:04,080 --> 00:22:07,040 Speaker 2: Oh, it's like kind of just makes me feel not good. 465 00:22:07,440 --> 00:22:07,960 Speaker 1: Interesting. 466 00:22:08,440 --> 00:22:10,919 Speaker 2: I can sometimes have like a peanut butter chocolate, but 467 00:22:10,960 --> 00:22:13,879 Speaker 2: even that I've toned down a bit, I might try that. 468 00:22:13,920 --> 00:22:16,280 Speaker 2: I might dip my toe into that again like a 469 00:22:16,320 --> 00:22:19,160 Speaker 2: peanut butter sandwich. It bloats me up. 470 00:22:19,880 --> 00:22:22,800 Speaker 1: Sorry to hear that. So just but on toast, like. 471 00:22:22,440 --> 00:22:25,160 Speaker 2: Like, okay, sixty seconds on the clock. 472 00:22:25,200 --> 00:22:29,720 Speaker 1: Please, I've got it. Here is your first subject. 473 00:22:30,080 --> 00:22:34,040 Speaker 2: Go whiskers a tail, pause. 474 00:22:34,000 --> 00:22:36,920 Speaker 1: Things on a mouse, cat, things at a dog. 475 00:22:37,320 --> 00:22:41,000 Speaker 2: There you go, don't hit me with your baseball bat, 476 00:22:41,160 --> 00:22:42,600 Speaker 2: so candy will come out? 477 00:22:42,720 --> 00:22:43,880 Speaker 1: What a pinata might say? 478 00:22:45,040 --> 00:22:51,960 Speaker 2: Your legs, your beard? Yes, to get a tan, to 479 00:22:52,119 --> 00:22:54,719 Speaker 2: have a picnic, to lay on a towel. 480 00:22:54,800 --> 00:22:56,040 Speaker 1: Why you go to a park way? You go to 481 00:22:56,080 --> 00:22:56,440 Speaker 1: a beach. 482 00:22:56,840 --> 00:23:06,120 Speaker 2: There you go maynaise, mustard, lettuce and a sandwich topping, zebra, zebra, 483 00:23:07,520 --> 00:23:15,560 Speaker 2: piano keys, black and white? Things gone? Are we amazy? Wow? 484 00:23:17,800 --> 00:23:20,760 Speaker 2: And I had not like I didn't teak. I just 485 00:23:20,840 --> 00:23:21,240 Speaker 2: got it. 486 00:23:21,920 --> 00:23:25,040 Speaker 1: That was that, Jackie? Was that ten twenty five thousand? 487 00:23:25,080 --> 00:23:26,639 Speaker 1: How much was that for? How much would we have 488 00:23:26,680 --> 00:23:29,400 Speaker 1: won with that routine? We just need? 489 00:23:29,440 --> 00:23:32,200 Speaker 2: That was one hundred thousand at the final. 490 00:23:32,880 --> 00:23:38,040 Speaker 1: One hundred thousand? Wow was seventy rock? 491 00:23:38,160 --> 00:23:44,359 Speaker 2: You're really good? Was just recording? I got nervous on 492 00:23:44,800 --> 00:23:46,480 Speaker 2: the shaving because I was just out of things that 493 00:23:46,520 --> 00:23:46,879 Speaker 2: you shave. 494 00:23:47,040 --> 00:23:49,480 Speaker 1: I was like leg face, and I wish i'd let 495 00:23:49,520 --> 00:23:51,600 Speaker 1: you continue because you started down another path, but we 496 00:23:51,720 --> 00:23:52,679 Speaker 1: never got your body. 497 00:23:52,800 --> 00:23:57,119 Speaker 2: I was like, I'm uncomfortable. I'm uncomfortable. I was going 498 00:23:57,200 --> 00:24:02,400 Speaker 2: to try and say, like Parmesan, oh gosh, wow, even 499 00:24:02,440 --> 00:24:04,120 Speaker 2: in menopause, I can nail that. 500 00:24:04,119 --> 00:24:05,160 Speaker 1: That was good. 501 00:24:05,240 --> 00:24:07,600 Speaker 2: Okay, let's keep playing. Let's just play even when Danielle's 502 00:24:07,600 --> 00:24:09,800 Speaker 2: back at it. Okay, she can watch. 503 00:24:10,480 --> 00:24:11,679 Speaker 1: You don't want her to participate. 504 00:24:12,800 --> 00:24:13,600 Speaker 2: It's kind of our thing. 505 00:24:14,080 --> 00:24:15,720 Speaker 1: Okay. I like that. 506 00:24:15,960 --> 00:24:16,560 Speaker 2: I like it. 507 00:24:20,040 --> 00:24:20,359 Speaker 3: All right. 508 00:24:20,359 --> 00:24:21,560 Speaker 1: What have we got coming up here? 509 00:24:22,480 --> 00:24:25,479 Speaker 2: Obviously? I know is alive. 510 00:24:25,400 --> 00:24:29,560 Speaker 1: Episode twenty two, the season finale, Hard Times come again 511 00:24:29,840 --> 00:24:35,000 Speaker 1: no more. So I can't wait for that, need. 512 00:24:35,000 --> 00:24:38,200 Speaker 2: Too wait Merry Christmas. So guys, just so everyone's listening. 513 00:24:38,320 --> 00:24:40,520 Speaker 2: No one's still listening, by the way, because like they 514 00:24:40,560 --> 00:24:42,800 Speaker 2: never make it to the end. But we're gonna have 515 00:24:43,200 --> 00:24:48,639 Speaker 2: literally two plus weeks of amazing Gilmore content. So please 516 00:24:49,359 --> 00:24:50,480 Speaker 2: join us. 517 00:24:50,560 --> 00:24:50,960 Speaker 1: Please do. 518 00:24:51,520 --> 00:24:52,520 Speaker 2: Mark will be a part of it. 519 00:24:52,600 --> 00:24:53,360 Speaker 1: I'm going to be there. 520 00:24:53,440 --> 00:24:56,359 Speaker 2: Obviously, you're stuck with me. I'm way a part of it. Yeah, 521 00:24:57,160 --> 00:24:59,480 Speaker 2: but it's going to be hot. So I had a 522 00:24:59,520 --> 00:25:04,119 Speaker 2: whole winter outfit very gilmoury. It's gonna be eighty degrees, 523 00:25:04,359 --> 00:25:06,800 Speaker 2: so really yeah, it's gonna be eighty degrees, so I'm 524 00:25:06,840 --> 00:25:08,280 Speaker 2: gonna not be able to wear that. But I think 525 00:25:08,280 --> 00:25:10,240 Speaker 2: I'm going to do an outfit change for the tree lighting. 526 00:25:10,600 --> 00:25:13,239 Speaker 1: Oh nice, that's good because when that song goes down 527 00:25:13,240 --> 00:25:14,040 Speaker 1: and it gets cold fast. 528 00:25:14,040 --> 00:25:15,440 Speaker 2: You know what I'm wearing for the tree lighting. 529 00:25:15,720 --> 00:25:17,639 Speaker 1: I don't the exact. 530 00:25:17,280 --> 00:25:20,600 Speaker 2: Pink coat that uh loura I wore in the movies. 531 00:25:20,840 --> 00:25:24,600 Speaker 1: That's wonderful, a really fun run. 532 00:25:25,280 --> 00:25:26,160 Speaker 2: Did you go last year? 533 00:25:26,359 --> 00:25:29,159 Speaker 1: I did and it was fantastic, and make kids are back? 534 00:25:30,480 --> 00:25:32,720 Speaker 2: Literally, guys, if you can't go, I know that sucks, 535 00:25:32,760 --> 00:25:34,720 Speaker 2: but I'm telling you I would buy a ticket to 536 00:25:34,760 --> 00:25:41,000 Speaker 2: the stream because you see so much. Just saying time 537 00:25:41,040 --> 00:25:52,159 Speaker 2: out of time. Talk to Braverman's out 538 00:26:00,080 --> 00:26:13,879 Speaker 1: Well, Jube, Hey everybody, and don't forget Follow us on 539 00:26:13,920 --> 00:26:18,359 Speaker 1: Instagram at I Am all In podcast and email us 540 00:26:18,400 --> 00:26:30,399 Speaker 1: at Gilmore at iHeartRadio dot com.