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Speaker 1: Look may oh, I see you my own look over

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Speaker 1: there is that culture. Yes, goodness loves culture.

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Speaker 2: Ding dong lost culture. He's just calling, oh my god,

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Speaker 2: take two, Take two. So what people will never know

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Speaker 2: is that this is some bts. We had to do

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Speaker 2: it again. We had to take the intro again, but

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Speaker 2: one had some adjustments to make.

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Speaker 1: You keep me am the listeners honest, well, we were

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Speaker 1: saying this is rarefied air.

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Speaker 2: We're back on our talk shit on.

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Speaker 1: Our text show, which is challenging me. I don't know

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Speaker 1: if it's because I had to buy a new podcast

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Speaker 1: to Mike at an our Ghost, which is a British

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Speaker 1: chain of I guess like electronic stores. It's like, gosh,

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Speaker 1: it's a step below a best Buy, but it's above.

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Speaker 2: I hate it already.

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Speaker 1: Did I say I went into a best Buy recently?

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Speaker 1: Wanted to give no all my love to best By

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Speaker 1: because I have been public in the past about my

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Speaker 1: coming of age at best Buy.

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Speaker 2: Yes, and I don't.

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Speaker 1: Want to mourn, you know, something still here some I

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Speaker 1: don't want to mourn something that is like literally a

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Speaker 1: corporate chain. Well, of course there's no sentimentality there.

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Speaker 2: And I don't forget No, this is a human moment

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Speaker 2: of you just remembering best Buy as it was. You're

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Speaker 2: allowed to grieve.

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Speaker 1: Best Buy was flop. Best BUYE was flopped in the

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Speaker 1: last week that I went.

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Speaker 2: What exactly happened? And let's keep the service out of it.

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Speaker 2: Let's not say anyone did a bad job, but what

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Speaker 2: was it at best Buy was not a service issue?

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Speaker 1: And gause floor plan layout.

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Speaker 2: Oh and I know this really gets to you, do

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Speaker 2: you know what I mean?

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Speaker 1: It's like, get in line, okay, sure, where where is?

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Speaker 2: Where is that over there? Over there?

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Speaker 1: I go to where the person points. I don't see

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Speaker 1: any kind of stanchion or indicator that this is where

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Speaker 1: the like you were at c you really care about

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Speaker 1: this too.

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Speaker 2: This is cue experience.

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Speaker 1: This is all about sort of crowd control and efficiency

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Speaker 1: in terms of like moving people. This is one of

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Speaker 1: society's great challenges and puzzles that constantly sort of reinvents itself,

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Speaker 1: and we have not caught up to the solution.

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Speaker 2: So if we can't figure this out, we're going to

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Speaker 2: need congestion pricing for walking around. And I don't think

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Speaker 2: anyone wants that. We're gonna have to say you want

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Speaker 2: to get in here to this best Buy sixty cents,

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Speaker 2: sixty cents a cover. It's just it's congestion pricing. Bow

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Speaker 2: we need less people in there, so sixty cents to

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Speaker 2: get into the best Buy. You a tax would be

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Speaker 2: a tax on foots, a tax on feet. Can you imagine, bo,

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Speaker 2: my god, tyle of that attacks on feet, attack on feet?

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Speaker 2: Can I tell you you're speaking of orienting yourself. That's

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Speaker 2: really what this is about. You are trying to orient

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Speaker 2: and I am literally in my new space orienting. So

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Speaker 2: this is the first ever Lost Culture recording from my apartment.

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Speaker 2: Uh huh. And I literally was looking around just now

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Speaker 2: and I said, I can't wait for Bowen and I

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Speaker 2: to join in hands here and be tactile an episode

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Speaker 2: from here, my new home. How are you feeling?

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Speaker 1: First of all, let's just say, Matt Rogers, what homeowner?

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Speaker 2: Oh?

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Speaker 1: I joined my sister the congratulations.

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Speaker 2: Honestly, yeah, thank you. It feels. It feels really nice,

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Speaker 2: and it's in It's in an area I always if

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Speaker 2: you told me in college, like, oh, you'll get an

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Speaker 2: apartment there, I'd been like, fuck off, there's no way.

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Speaker 2: So I'm like loving the area I'm in.

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Speaker 1: Out of anybody, I know you are living the Carrie

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Speaker 1: Bradshaw Serena Vanderwoodson fantasy like.

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Speaker 2: You York girl, Honey, I listen, those are some big

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Speaker 2: shoes to fill, Okay, So I don't take that lightly

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Speaker 2: at all. Both my neighbors are vibes. Both my new

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Speaker 2: vapors are like vapors I said, guys, fabors or little

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Speaker 2: reefer in my new apartment. So I understand that's where

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Speaker 2: we're at. Both my neighbors with an n uh huh

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Speaker 2: vibe love. I love weapors, webers, my vibe. Neighbors my

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Speaker 2: vabors something good, something rare, Okay, So the vibe is there,

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Speaker 2: both straight but horny little vibes in their own way.

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Speaker 2: And I am doing this ASMR style because I actually

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Speaker 2: literally don't know if they can hear me clear as

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Speaker 2: a bell or not. Bow. I swear to God so

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Speaker 2: I will be on the conservative side in terms of

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Speaker 2: how much I give vocally Okay, okay, to my right.

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Speaker 2: My neighbor to my right like sixty years old, always

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Speaker 2: walking around either shirtless or with a crisp white crew

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Speaker 2: neck tee. So like like must be bleaching the shit

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Speaker 2: out of when I would have and our twenty white

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Speaker 2: teas in there. It's one other other uniform white curly hair.

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Speaker 2: A vibe today, he says to me, I'm evan an

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Speaker 2: amazing day. I worked out and I got a juice

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Speaker 2: perfect day. And I'm like, sir, is this a portal

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Speaker 2: into the future? You like him? To say I like

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Speaker 2: him would be an understatement. Interested. So then to my

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Speaker 2: left we have this other gentleman, much younger, young professional

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Speaker 2: black hair. Is it too long, maybe, but he's wearing it,

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Speaker 2: he's rocking it. I know he's a vibe because the

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Speaker 2: other day Melissa came here to visit me, and she

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Speaker 2: left the elevator and he's chatting her up. And that's

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Speaker 2: when I say, Hi, I live here. Now, this is

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Speaker 2: my friend Melissa. He's like, oh, we met. I have

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Speaker 2: to come over and bring you a cup of sugar.

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Speaker 2: I say, sir, get your cup, fill it to the

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Speaker 2: brim with sugar, and get on over here. I'm interested.

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Speaker 2: My neighbors are vapors there, vibey neighbors. How do you

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Speaker 2: know straight? How do you know straight? I don't think

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Speaker 2: my gaitar is good. I think my straight tar is perfect.

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Speaker 2: Does that make sense? Yes?

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Speaker 1: But sometimes it's horseshoe theory and that the radar it

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Speaker 1: just loops, It just loops to gay. This could be

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Speaker 1: the start of something, something rare.

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Speaker 2: Wow, Oh my god, it's amazing that Lost Coach has

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Speaker 2: a new single, something something rare?

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Speaker 1: Is this?

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Speaker 2: Just did I somehow write the song from the new

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Speaker 2: Wicked for Good? Oh?

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Speaker 1: Are you implying that you are working on the project,

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Speaker 1: because it's possible.

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Speaker 2: What if I heavily implicated that again and again and

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Speaker 2: again for months, and then everyone found out it wasn't true,

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Speaker 2: not even the thing. No one ever even asked me like,

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Speaker 2: but but I was here, and I was like, there

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Speaker 2: might be something coming with Wicked for Good, maybe a

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Speaker 2: song that I wrote, and then it never happened. That

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Speaker 2: would be something good, something rare. This is this is

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Speaker 2: the thing.

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Speaker 1: Why can't the rumor mail ever work in our favor?

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Speaker 2: How cool? I mean, it's never like, oh did you

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Speaker 2: hear about Bowen Yang's oscar buzz for the new Like

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Speaker 2: it's never.

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Speaker 1: Like for overcompensating. He's up for an oscar by the way,

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Speaker 1: with overcompensating.

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Speaker 2: Wow, wow, that's so fun to see it take off

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Speaker 2: like that. And also that was a really fun, good

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Speaker 2: day vibes. It could not happen to a nicer, cooler, funnier,

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Speaker 2: more giving person than Benito.

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Speaker 1: Yeah, and shout out to Desiree Akavan, who directed our

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Speaker 1: episode and many of the episodes. It was a fun,

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Speaker 1: great day in Toronto, a city I love. Period.

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Speaker 2: Oh see, that's where you go to sort of. Toronto

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Speaker 2: is where you go to breathe again. Shall we to Toronto soon?

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Speaker 2: It'll be the only place to breathe soon, my girl.

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Speaker 1: Sorry to flaunt our real estate selves, but the only

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Speaker 1: place I'm looking I'm not looking at vacation homes or

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Speaker 1: beach homes or you know, Pieta tears anywhere else. I

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Speaker 1: The next place I'm thinking about is somewhere in Ontario,

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Speaker 1: because that is the safest place from sorry climate. And

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Speaker 1: we have to bring it up on the podcast.

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Speaker 2: In the words of Camille, Now we said it. Now

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Speaker 2: we said it, and I say that with the most

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Speaker 2: serious voice I've used on this podcast every Now we

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Speaker 2: said it.

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Speaker 1: I was thinking about Kyle, one of the few Kyle

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Speaker 1: Richard's moments that I love. Such a fucking liar, Camille,

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Speaker 1: Can I tell you something, Don't be disrespectful towards Kyle.

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Speaker 2: And you've been you've been heavily sort of leaning on

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Speaker 2: it with Kyle over the past few episodes. And just

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Speaker 2: because we've had guests, I have ale to cock you

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Speaker 2: because you know what, you're nasty towards Kyle and Kyle

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Speaker 2: is me when I look in the mirror.

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Speaker 1: Can I tell you better than Kyle? You're you're red na.

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Speaker 2: I love you, Lord, I love you Lord, and I

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Speaker 2: take that from you graciously. But let me just say something,

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Speaker 2: but why the quarrel, Why this quarrel? Why quarrel? You Listen,

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Speaker 2: Kyle might be going through a rough couple of seasons,

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Speaker 2: but we there have been high highs with Kyle. We

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Speaker 2: are all Kyle. And every word of that sentence is

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Speaker 2: capitalized when you when you write it out later, it's

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Speaker 2: actually real culture number six.

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Speaker 1: We are Every word of that sentence is capitalized.

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Speaker 2: Yes. And I'm just saying like, just because Kyle, you know,

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Speaker 2: gets that mealy mouthed thing that you did the impression

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Speaker 2: on the podcast and she Doug like when she's crying,

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Speaker 2: it's come on, it's kind of iconic.

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Speaker 1: She's so like such a little stamp.

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Speaker 2: Boat.

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Speaker 1: Oh shush, oh shush, so angry man, You are you

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Speaker 1: are Wait, what were we talking about that we started this?

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Speaker 1: I'm sorry Toronto climate change? Climate change? Oh yeah, climate change. Wait,

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Speaker 1: so why is it the safest say, from earthquakes, tornadoes, hurricanes,

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Speaker 1: like fires. Who says the maps says the map overlays

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Speaker 1: on North America. The coasts are going to be like

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Speaker 1: underwater the middle of the country, and you know a

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Speaker 1: lot of a lot of fire hazard tornado risks in

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Speaker 1: the middle of the country, earthquakes in the mountainous area.

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Speaker 2: Is like Ontario is safe and it's safe. People. You're

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Speaker 2: saying that neither the Republicans or the Democrats are gonna

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Speaker 2: save us.

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Speaker 1: Hopefully, hopefully one of them rises up by the name

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Speaker 1: of to say Marderie Taylor Green. I love that girl,

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Speaker 1: my girl, resident Green president green girl. Cut this out,

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Speaker 1: cut this out, and cut that out.

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Speaker 2: I would love if they were like Wow, in a

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Speaker 2: shocking move, Lost Coach endorses Marjorie Taylor Green far ahead

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Speaker 2: of the twenty twenty eight race. That is how dumb

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Speaker 2: some of the like coverage has been out there, like

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Speaker 2: it's what you do so like I'm watching so much

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Speaker 2: of it right now because of the Biden book, Like

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Speaker 2: I'm back up watching him the news again. No, man,

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Speaker 2: it's a bad No. I'm just like it's just wild

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Speaker 2: because well, the whole it's a rabbit hole. I don't

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Speaker 2: really want to get into. But like some of the

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Speaker 2: media coverage, I'm just like, wow, how can we watch

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Speaker 2: anything now when then it wasn't truthful? Okay? Anyway, this

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Speaker 2: this could be a.

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Speaker 1: Word are you about to I don't think Sony Jake Tapper?

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Speaker 2: It's not I don't think Sonny Jake Tapper because I

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Speaker 2: think that probably what's in that I believe everything in

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Speaker 2: that book. I believe everything in it, but it's just

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Speaker 2: like laughable to me that it comes from him who

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Speaker 2: was a part of being Like, that's ridiculous about it.

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Speaker 2: So I don't know if he's taking accountability for that.

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Speaker 2: Maybe he has, maybe he hasn't. It's just like when

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Speaker 2: I hear it's coming from him, that's my immediate response

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Speaker 2: is like really because the last I checked, it was

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Speaker 2: no big deal how old he was for years? Coming

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Speaker 2: from y'all. So it's just like, I don't.

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Speaker 1: Know, I don't know, Hugh stuff, tough stuff?

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Speaker 2: Are you is this about?

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Speaker 1: Is this gonna be a weed forward summer for you,

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Speaker 1: because I need to pick one thing and stick with it.

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Speaker 1: I go on that long tie right about like you know,

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Speaker 1: it's it's in interesting right.

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Speaker 2: Like me about the media, Like I sound so fucking

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Speaker 2: stupid and I'm just going no, no, and you just go.

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Speaker 1: So it's gonna be a weeds forward summer for you.

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Speaker 1: Huh No, you're right, it's so sad. I'm really ostrich

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Speaker 1: mode over here, like head in the sand and like

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Speaker 1: I don't know what else to do.

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Speaker 2: What do you mean about like all of it?

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Speaker 1: Talking to people at work, and this one writer I

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Speaker 1: won't say his name, not that this is like a

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Speaker 1: damning or anything, but he has this professor in college

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Speaker 1: who like, up until very recently has been like everybody

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Speaker 1: likes stop freaking out of her AI, Like it's not

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Speaker 1: there's something about the human touch and the human sort

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Speaker 1: of like layer on things that like humanity will like

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Speaker 1: abide by and it's like we will seek out as

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Speaker 1: a culture in a society. And then something something turned recently.

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Speaker 1: I don't know what it was, uh, But then this

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Speaker 1: writer said that this professor is finally now like writing

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Speaker 1: articles where he's like I get no joy from eating

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Speaker 1: meals or talking to my children anymore because because we're dude,

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Speaker 1: Jesus and your twos no, and we can't be having

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Speaker 1: this conversation because you're stone.

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Speaker 2: No, no, no, we literally can. I have to tell you so.

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Speaker 1: And I also don't know anything. I cannot substantiate any

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Speaker 1: of what I'm saying with like actual with in depth knowledge.

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Speaker 2: Maybe it's just that I'm getting older or that this

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Speaker 2: stuff is becoming so much more common now, like the

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Speaker 2: quote unquote end of the world talk. It used to

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Speaker 2: terrify me, the concept of like the apocalypse, like nuclear war,

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Speaker 2: Like I remember when I was a kid. You ever

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Speaker 2: have those like irrational fears when you're a kid, Like

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Speaker 2: a lot of kids are obsessed with death my thing

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Speaker 2: for a little bit of a time there, And I

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Speaker 2: honestly think it was around like the Iraq War when

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Speaker 2: they started to say weapons of mass destruction. I became

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Speaker 2: so obsessed with that idea that I would actually be

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Speaker 2: low grade depressed. Like now though maybe it's just like

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Speaker 2: I said, getting older, it's just that the stuff is

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Speaker 2: kind of like piecemeal or not piecemeal, but like very

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Speaker 2: every day to talk about it doesn't bother me. I

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Speaker 2: had my friend send me that book Nuclear War. Yeah, Chloe,

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Speaker 2: my friend sends it to me, and I was just like, yeah,

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Speaker 2: to send it to me, And now it's I got

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Speaker 2: home one day, I looked down, I saw it the

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Speaker 2: words nuclear war in my home, and I was kind

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Speaker 2: of unfazed, and I was like, well, I've come a

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Speaker 2: long way. This doesn't terrify me the thought of it anymore.

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Speaker 2: Whether that's good or bad, I don't know, but like,

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Speaker 2: I'm willing to engage in the idea, of course for

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Speaker 2: some reason.

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Speaker 1: But this is the thing. Being a prepper is a

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Speaker 1: choice one hundred you know, I mean the right choice

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Speaker 1: here's but yes, this is what I'm asking. Like, I

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Speaker 1: don't know what choice I'm gonna make or I am

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Speaker 1: to have a go bag of any kind?

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Speaker 2: No, me neither. And I think we know people that do.

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Speaker 1: Yes, we do, We certainly do. And I think we

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Speaker 1: should we start being those people. Should we be?

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Speaker 2: We need to.

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Speaker 1: We need to talk to your friend, to our friend Chloe.

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Speaker 1: Mm hmmm, because we love her.

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Speaker 2: Yeah. A vapor if I ever had one, if this

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Speaker 2: person was my neighbor, it will be a vapor.

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Speaker 1: It would be such a she is, such a vabor

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Speaker 1: she is I love everything about Chloe.

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Speaker 2: You no an icon, a walking icon, a walking icon.

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Speaker 1: When I found out that she was a prepper, I went, well,

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Speaker 1: now I should start taking this seriously. My version of

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Speaker 1: prepping is getting a house in Ontario for my friends.

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Speaker 2: You know, you always are being like, guys, let's get

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Speaker 2: a house. I know, what's what's with that? Because someone

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Speaker 2: has to be the person that's like, we're going on vacation.

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Speaker 2: Somebody has to somebody has to be the person that's like, Ultimately,

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Speaker 2: in a group of friends, you do need those people

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Speaker 2: that are proactive. I've tried to become one over the

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Speaker 2: past couple of years, partly because I don't want you

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Speaker 2: soldiering all of it, because I noticed that you do do.

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Speaker 1: A lot of kind to me. You are I try

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Speaker 1: to be Wait, are you going to Fire Island this

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Speaker 1: weekend or.

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Speaker 2: No, I'm gonna go.

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Speaker 1: I'm gonna I fly back in Friday morning, and I

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Speaker 1: might I have to like take a passport photo and

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Speaker 1: then I'm gonna maybe catch the night.

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Speaker 2: Ferry in and then leave Saturday night. Okay, let me

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Speaker 2: know I'll be there. It's Friday night under our party.

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Speaker 2: I should we should know this is Friday night. Is

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Speaker 2: underwear party. It's just famously it's Saturday Night in the

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Speaker 2: Fire Island film because that's what it needed to be.

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Speaker 2: More the script, and that is what we call movie magic.

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Speaker 2: And sometimes you need to make things a little different

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Speaker 2: than you guys in real life. Okay. Also, I'm gonna

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Speaker 2: gag you that wasn't even the real Ice Palace movie.

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Speaker 1: Magic, movie magic. It was on a sound stage in Brownsville, Brooklyn. Wow.

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Speaker 2: Wow. Period. Listen. Here's the thing too about us being

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Speaker 2: around at Fire Island. You know what I'm having this summer?

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Speaker 2: Say hi, summer, let's let's say hi. I'm interested. You know,

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Speaker 2: this is the first time in like two years I'm

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Speaker 2: not like depressed a fun summer.

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Speaker 1: Yeah, Matt, it never and I'm not saying that like

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Speaker 1: your your moments of depression in the summer were nonsensical.

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Speaker 1: I just to me, it never made sense that you

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Speaker 1: hated summer so much. I understood it, but it didn't

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Speaker 1: make sense.

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Speaker 2: Does that? Does that? Does that? Does that make it? Yep?

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Speaker 1: It's to quote our friend Celestim, I do it.

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Speaker 2: I do believe what you were saying. I believe you're

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Speaker 2: telling the truth, but I don't believe what you're saying saying, true,

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Speaker 2: you No, I think I think that I was just

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Speaker 2: like and I here's the thing, Like, when you're depressed,

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Speaker 2: it's just no of course I know, for a reason

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Speaker 2: to opt out of things. And so I just was, so,

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Speaker 2: this is the first summer I've had in like two

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Speaker 2: years where I'm not going to be depressed, and I'm

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Speaker 2: very excited about it. And I can't believe it was

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Speaker 2: like a year ago around now I was crying on

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Speaker 2: this podcast by my social anxiety. I feel so turned

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Speaker 2: around and happy, like I love excited to have a

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Speaker 2: good summer. Let's have a good one.

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Speaker 1: But also if it doesn't end up being a good

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Speaker 1: one for whatever reason, if you have it's I'm.

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Speaker 2: Not setting any bars. I'm just saying with my intention

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Speaker 2: is to like have a fun this summer and not

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Speaker 2: be you know, just not be a drag.

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Speaker 1: No, And it's okay to be a drag. And if

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Speaker 1: you're out there right now readers Katie's Kyle's Publicists finalists

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Speaker 1: and you're a drag, that's okay.

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Speaker 2: Yeah, if you are the drag, No, it's okay to

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Speaker 2: go home.

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Speaker 1: You know what I mean.

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Speaker 2: You don't need to like I feel like we were

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Speaker 2: on one vacation in particular last summer and I hit

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Speaker 2: a drag wall, and I wish I had just gone home. Honestly,

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Speaker 2: I wish for everyone's sake, I had just gone home,

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Speaker 2: and it wouldn't have been a thing of like, oh,

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Speaker 2: he bailed on the vacation. But I just think, in

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Speaker 2: thinking about everyone else's energy, like it's okay to sometimes

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Speaker 2: to just take yourself out of stuff, or you know

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Speaker 2: what I'm saying. I love going home early on a

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Speaker 2: vacation if you feel like you have to. Yeah, exactly.

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Speaker 1: Speaking of fun summers, we kicked hours off in style.

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Speaker 2: Oh my god, isn't it wonderful? What happened? They crowned

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Speaker 2: us through the Princes of Celestial Park and we got

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Speaker 2: to walk the blue carpet at the fucking opening of

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Speaker 2: Epic Universe. I said, my eight year old self was

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Speaker 2: dying gorgeous. I was so happy. I was so happy

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Speaker 2: for both of us. I was so happy for you.

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Speaker 1: I kept telling you, you made it like we're here,

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Speaker 1: like you talked about this for so long.

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Speaker 2: I am so happy the people that you and I

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Speaker 2: got to bring perfect vibes, like it was just it

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Speaker 2: was so great, like Universal Orlando, thank you for that.

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Speaker 2: That was really the treated us so forgettable, and we

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Speaker 2: did some fun content for them. We did this co

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Speaker 2: stars now on YouTube. Yeah it's we rode the STARTUS

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Speaker 2: Racers and they filmed this on the damn go Pro.

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Speaker 2: We were so ill for the second time. Holy fuck.

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Speaker 2: Yeah that was tough. She's a little demon that start

385
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Speaker 2: US Racers.

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Speaker 1: Well it was so funny because we did Startist Racers

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Speaker 1: and then some people in the group hadn't done Velosit

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Speaker 1: Coaster at the North Campus at Yes.

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Speaker 2: You love calling up the North Campus. I love it.

390
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Speaker 1: I you know, I'm a company man. I used the

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Speaker 1: corporate lingo. We go to North Campus and everyone was like,

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Speaker 1: is this worse or better? Then? Is this more intense

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Speaker 1: or less intense than start Users?

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Speaker 2: This is less?

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Speaker 1: And then I guess there was some room for debate

396
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Speaker 1: on that because they were like, no, that was crazier

397
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Speaker 1: than Startus. I was like, yes, I understand why it

398
00:20:39,040 --> 00:20:41,800
Speaker 1: was crazier, but it's smoother not to ring, not to

399
00:20:41,800 --> 00:20:43,960
Speaker 1: compare them against and to each other. But I feel

400
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Speaker 1: like Startist is it tosses you in the craziest ways.

401
00:20:48,480 --> 00:20:52,080
Speaker 1: Some of those barrel are there? Are they barrel spins? Like,

402
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Speaker 1: how would you describe those?

403
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Speaker 2: So there's a new element on the start US Racers.

404
00:20:57,560 --> 00:21:00,400
Speaker 2: It's called the celest shield spin, which is a really

405
00:21:00,560 --> 00:21:04,159
Speaker 2: coaster trick where like they essentially it's like a.

406
00:21:04,080 --> 00:21:09,200
Speaker 1: Barrel roll around each other. So that was really pretty incredible.

407
00:21:09,440 --> 00:21:12,600
Speaker 1: And also it's like probably two.

408
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Speaker 2: Or three other inversions I don't know the exact version

409
00:21:14,720 --> 00:21:17,520
Speaker 2: number on that coaster, but one of them, the green one,

410
00:21:17,560 --> 00:21:19,320
Speaker 2: is known as being a little bit more intense, and

411
00:21:19,359 --> 00:21:21,720
Speaker 2: the yellow one is like supposed to be like a

412
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Speaker 2: step below it, but not even in terms of intensity.

413
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Speaker 2: We did the green one twice to shoot this thing

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Speaker 2: on the GoPro, and my vibe is I only need

415
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Speaker 2: to do a ride once, really, unless I'm on a

416
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Speaker 2: drama mean.

417
00:21:37,359 --> 00:21:40,520
Speaker 1: Well, yes, unless you're on drama mean But this kind

418
00:21:40,560 --> 00:21:45,720
Speaker 1: of I think helps make the case that waiting in line,

419
00:21:45,800 --> 00:21:48,919
Speaker 1: waiting in the quy was a necessary part of the

420
00:21:48,960 --> 00:21:51,760
Speaker 1: experience of the experience because we did it back to

421
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Speaker 1: back and I was like, whoa, It's like, you know,

422
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Speaker 1: it maybe wouldn't have been bad in between a couple

423
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Speaker 1: of these things to have like fifteen to twenty minutes

424
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Speaker 1: to just get a breather because just the g forces on.

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Speaker 2: What are thirty four and thirty five year old bodies?

426
00:22:05,400 --> 00:22:07,520
Speaker 2: You know, it was cuckoo. But then I will say

427
00:22:07,600 --> 00:22:09,679
Speaker 2: took a drama. I mean for the next time we did.

428
00:22:09,560 --> 00:22:15,520
Speaker 1: It was chuved okay, But overall roller coasters are not

429
00:22:15,880 --> 00:22:17,080
Speaker 1: is not like DJing.

430
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Speaker 2: You can't do B to B. You can't do back.

431
00:22:19,200 --> 00:22:22,639
Speaker 1: To back, Babe, babe, you can that's.

432
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Speaker 2: A royal of culture. That's a rural culture.

433
00:22:24,359 --> 00:22:28,800
Speaker 1: Number seventy seven coaster like d not like DJ or

434
00:22:28,840 --> 00:22:31,000
Speaker 1: not like DJing. You can't do to be back to back.

435
00:22:31,040 --> 00:22:33,160
Speaker 2: You can't do B and B. Wait, but I will

436
00:22:33,200 --> 00:22:35,560
Speaker 2: say this. I here's what I'm ready to say. Velosco Coaster.

437
00:22:35,800 --> 00:22:40,080
Speaker 2: The reason why it felt less intent is because it's

438
00:22:40,240 --> 00:22:44,360
Speaker 2: so it's like got like it picks up energy as

439
00:22:44,359 --> 00:22:44,720
Speaker 2: it goes.

440
00:22:44,960 --> 00:22:49,280
Speaker 1: Veloster is the best roller coaster I've ever done, from

441
00:22:49,320 --> 00:22:52,760
Speaker 1: the theming to like the way that the elements seemed

442
00:22:52,800 --> 00:22:56,640
Speaker 1: to increase and excitement and surprise factor, the fact that

443
00:22:56,640 --> 00:23:00,840
Speaker 1: the last element on the Veloco coaster is that insane,

444
00:23:01,840 --> 00:23:04,800
Speaker 1: like it's like it's like a barrel roll over the lake.

445
00:23:04,880 --> 00:23:09,160
Speaker 2: It's like a it's crazy it's such a quick, little

446
00:23:09,200 --> 00:23:11,520
Speaker 2: wrench of a turn. It's like whoop. It only has

447
00:23:11,560 --> 00:23:15,080
Speaker 2: a lap bar too, so you're like really bucking. And

448
00:23:15,720 --> 00:23:18,480
Speaker 2: that is the best roller coaster I've ever done. For sure,

449
00:23:19,000 --> 00:23:23,000
Speaker 2: Startus Racers is great because it's duels and it's you know,

450
00:23:23,640 --> 00:23:27,600
Speaker 2: it's really it's wild, it's quick, you're whipping. But for me,

451
00:23:27,800 --> 00:23:33,280
Speaker 2: Velasta Coaster remains untouched. I love all coasters equally. You

452
00:23:33,359 --> 00:23:37,080
Speaker 2: aren an equal opportunist. Yes, Crystal, the werewolf that tore

453
00:23:37,200 --> 00:23:37,560
Speaker 2: us up.

454
00:23:37,840 --> 00:23:41,360
Speaker 1: I love Curse of the Werewolf. Oh my god, we

455
00:23:41,600 --> 00:23:44,720
Speaker 1: loved that. I just love Dark Universe in general.

456
00:23:44,880 --> 00:23:49,480
Speaker 2: We love it's our home's that's we feel really at

457
00:23:49,480 --> 00:23:52,600
Speaker 2: home there. The monster's unchanged. So we've officially this is

458
00:23:52,640 --> 00:23:55,840
Speaker 2: the first time we can tell everyone exactly about doctor

459
00:23:55,920 --> 00:23:58,680
Speaker 2: Victoria Frankenstein and what her deal is, because now we've

460
00:23:58,720 --> 00:24:01,679
Speaker 2: seen it with our own eyes, like we now have

461
00:24:01,920 --> 00:24:06,199
Speaker 2: met her, we understand her. She is about her legacy.

462
00:24:06,400 --> 00:24:11,240
Speaker 1: M bowen Yang let out a cackle so loud after

463
00:24:11,320 --> 00:24:13,119
Speaker 1: she delivered the last line of the ride.

464
00:24:13,240 --> 00:24:14,320
Speaker 2: It was so funny.

465
00:24:14,520 --> 00:24:17,440
Speaker 1: I'll butcher the line, but it was like the Frankenstein

466
00:24:17,720 --> 00:24:19,000
Speaker 1: name is preserved.

467
00:24:19,200 --> 00:24:24,399
Speaker 2: It they will to the name Frankenstein, and Bowen just

468
00:24:24,480 --> 00:24:29,359
Speaker 2: lets out a huge cackle and Celestiung goes, it's about legacy.

469
00:24:29,880 --> 00:24:32,720
Speaker 1: Well, Celesti goes, it's really interesting that this is a

470
00:24:32,800 --> 00:24:36,480
Speaker 1: ride where the stakes are my family.

471
00:24:40,240 --> 00:24:42,800
Speaker 2: It's so good you get there, okay, so you get

472
00:24:42,840 --> 00:24:45,959
Speaker 2: to the fucking Frankenstein manor it's a gag. Everything that

473
00:24:45,960 --> 00:24:50,040
Speaker 2: there's like light, it's so good. And then all the

474
00:24:50,040 --> 00:24:52,280
Speaker 2: feving is so good. You walk through like she's got

475
00:24:52,280 --> 00:24:54,840
Speaker 2: like all the monster pieces, like she's got like Frankenstein's

476
00:24:54,880 --> 00:24:57,560
Speaker 2: torso it's like on display it's of old, but it's

477
00:24:57,560 --> 00:24:59,920
Speaker 2: like they've got this like modern touches throughout to show

478
00:25:00,200 --> 00:25:01,800
Speaker 2: she's like a scientist.

479
00:25:01,359 --> 00:25:05,440
Speaker 1: Now, and she's like, but she's a scientist, while also

480
00:25:05,480 --> 00:25:08,560
Speaker 1: giving like van helsing but cunt.

481
00:25:08,600 --> 00:25:13,240
Speaker 2: Oh no, no, you've never seen literally. Bowen turns to

482
00:25:13,280 --> 00:25:16,560
Speaker 2: me and goes, Evangeline Lily, and I was like one hundred.

483
00:25:16,160 --> 00:25:18,919
Speaker 1: Per Evangeline Lily. If she believed in science.

484
00:25:18,560 --> 00:25:22,480
Speaker 2: Do you know what I mean? Yes, exactly, Okay, if

485
00:25:22,480 --> 00:25:26,200
Speaker 2: only she would be so powerful, if only.

486
00:25:26,359 --> 00:25:28,520
Speaker 1: If you took the shot, if you took the backstage

487
00:25:28,560 --> 00:25:29,520
Speaker 1: you take them the shot.

488
00:25:30,040 --> 00:25:32,080
Speaker 2: Kate Beck and Sale two kind of down, you know

489
00:25:32,119 --> 00:25:35,879
Speaker 2: what I mean. So you you're walking through and like

490
00:25:35,960 --> 00:25:39,920
Speaker 2: it's like, okay, so she has captured a lot of

491
00:25:39,960 --> 00:25:44,200
Speaker 2: the monsters, and her whole thing is I'm going to

492
00:25:44,320 --> 00:25:48,160
Speaker 2: show them off. And because I hear people talking shit,

493
00:25:48,600 --> 00:25:50,400
Speaker 2: like it's a lot of that. Like in the pre show,

494
00:25:50,480 --> 00:25:52,800
Speaker 2: she's like, let me tell you something. I hear people

495
00:25:52,840 --> 00:25:56,680
Speaker 2: talking shit, and like you need to understand, like this

496
00:25:57,080 --> 00:26:00,400
Speaker 2: is the game that I run monster catching and I'm

497
00:26:00,440 --> 00:26:04,879
Speaker 2: about to really gag you because i have Dracula like

498
00:26:05,119 --> 00:26:07,399
Speaker 2: locked up and I'm gonna show him off.

499
00:26:07,520 --> 00:26:11,840
Speaker 1: He's in my little hovering prison, in my little like however,

500
00:26:11,880 --> 00:26:14,159
Speaker 1: she like captures these monster she has them in this

501
00:26:14,320 --> 00:26:18,119
Speaker 1: like Vitruvian man hold with electricity. Right.

502
00:26:18,200 --> 00:26:21,320
Speaker 2: Yeah, basically it's like it's sort of an electrical prison

503
00:26:21,359 --> 00:26:24,560
Speaker 2: for monsters or a zoo or something, and you're you're

504
00:26:24,600 --> 00:26:25,400
Speaker 2: gonna go through it.

505
00:26:25,520 --> 00:26:28,800
Speaker 1: Yeah, so pretty much right away you realize Dracula is

506
00:26:29,000 --> 00:26:30,160
Speaker 1: that girl.

507
00:26:30,480 --> 00:26:35,440
Speaker 2: Like ultimately it's not gonna work. Doctor, And I put

508
00:26:35,440 --> 00:26:37,560
Speaker 2: that in quotes Victoria. I'd love to know what her

509
00:26:37,640 --> 00:26:40,760
Speaker 2: doctorate is in. I'd love to see that accreditation. I

510
00:26:40,800 --> 00:26:44,320
Speaker 2: think she had a doctorate in dramatic writing, bo dramatic writing.

511
00:26:44,760 --> 00:26:48,399
Speaker 1: I think she had a doctorate in foolishness and foolishness.

512
00:26:48,480 --> 00:26:51,359
Speaker 2: You're anti votil. I think she certainly exposed us to

513
00:26:51,400 --> 00:26:54,920
Speaker 2: something that could kill us again and again. Oh you're right.

514
00:26:55,040 --> 00:26:58,159
Speaker 2: You're still thinking, Oh, at least they're locked up. This

515
00:26:58,200 --> 00:27:00,680
Speaker 2: woman knows what she's doing. She's a doctor. You get

516
00:27:00,680 --> 00:27:03,520
Speaker 2: in That is not the case. It's actually quite the opposite.

517
00:27:03,680 --> 00:27:08,160
Speaker 2: You're exposed to demons, monsters and more.

518
00:27:08,840 --> 00:27:13,240
Speaker 1: Two wolf men, the wolfman and the were wolf, which

519
00:27:13,280 --> 00:27:14,560
Speaker 1: are different, by the way.

520
00:27:14,600 --> 00:27:16,040
Speaker 2: So different it's not even funny.

521
00:27:16,200 --> 00:27:18,680
Speaker 1: Look it up. Look it up. But you know who's

522
00:27:18,920 --> 00:27:23,520
Speaker 1: helping her? Who I think is there? So he's sort

523
00:27:23,520 --> 00:27:25,720
Speaker 1: of You will go in there thinking, oh, this is

524
00:27:25,800 --> 00:27:28,520
Speaker 1: just her sidekick whenever he ends up factoring and huge,

525
00:27:28,960 --> 00:27:32,520
Speaker 1: because you know, no, I love him of him and

526
00:27:32,600 --> 00:27:35,399
Speaker 1: will appreciate him for what he does himself out there,

527
00:27:35,400 --> 00:27:38,960
Speaker 1: which could not have been easy. Also, if Frankenstein's monster

528
00:27:39,000 --> 00:27:42,320
Speaker 1: walked into the club with his height and his proportions,

529
00:27:42,359 --> 00:27:45,280
Speaker 1: some of y'all would drop trow.

530
00:27:45,359 --> 00:27:48,760
Speaker 2: Including me. You just have to be very extroverted with him,

531
00:27:49,000 --> 00:27:50,760
Speaker 2: like you if you have to shoot your ship and

532
00:27:50,760 --> 00:27:55,040
Speaker 2: follow up because it's you know, he's got limitations socially.

533
00:27:55,359 --> 00:27:58,639
Speaker 1: We talked to him and Brida Frankenstein outside the park

534
00:27:58,880 --> 00:28:02,399
Speaker 1: and I, I know what, I realized, the original.

535
00:28:01,960 --> 00:28:06,840
Speaker 2: Himbo one hundred percent, Frankenstein's monster was the original Himbo.

536
00:28:06,880 --> 00:28:13,240
Speaker 2: That's real culture number forty nine, Frankenstein's Frankstein's o hinneal Himbo.

537
00:28:13,800 --> 00:28:17,359
Speaker 2: What do you think of her the bride? Yeah, I

538
00:28:17,400 --> 00:28:20,400
Speaker 2: can't get a read. I think she's iconic. Well, I mean,

539
00:28:20,440 --> 00:28:21,520
Speaker 2: she's definitely a star.

540
00:28:22,119 --> 00:28:24,879
Speaker 1: There's there's some little like TikTok thing that I don't

541
00:28:25,000 --> 00:28:29,639
Speaker 1: quite have memorized. But it's like, you know, girlfriend, pretty

542
00:28:29,640 --> 00:28:31,880
Speaker 1: girlfriend who has like it's but it's like these kids

543
00:28:31,920 --> 00:28:34,359
Speaker 1: who go to like universities in the South or something.

544
00:28:34,400 --> 00:28:36,200
Speaker 1: It's like the pretty girl who does all the talking

545
00:28:36,240 --> 00:28:37,560
Speaker 1: and then like the quiet boyfriend.

546
00:28:37,640 --> 00:28:40,680
Speaker 2: It's very it's giving that. Yeah. Yeah, and like I.

547
00:28:40,680 --> 00:28:43,520
Speaker 1: Think she's the she's the chatty when she's she does

548
00:28:43,720 --> 00:28:47,040
Speaker 1: a lot of the pr and the communication for them

549
00:28:47,080 --> 00:28:49,360
Speaker 1: as a couple. Yeah, certainly I find her to be

550
00:28:49,440 --> 00:28:52,400
Speaker 1: very controlling. I guess that's all I'm saying. Look, maybe

551
00:28:52,480 --> 00:28:55,240
Speaker 1: maybe she knows him better than me. She knows what

552
00:28:55,320 --> 00:28:59,000
Speaker 1: he needs. Would you rather Brida Frankenstein or Victoria Frankenstein.

553
00:28:59,240 --> 00:29:01,200
Speaker 1: Not that you have to choose us, but you are

554
00:29:01,240 --> 00:29:03,840
Speaker 1: in this scenario and making you choose gone to your head.

555
00:29:04,120 --> 00:29:06,880
Speaker 2: Like Victoria Frankenstein is so in her own thing. She

556
00:29:06,880 --> 00:29:08,240
Speaker 2: speaks for her. I don't think. First of all, I

557
00:29:08,280 --> 00:29:09,880
Speaker 2: don't think she has a partner. I don't think it

558
00:29:09,920 --> 00:29:13,160
Speaker 2: would work. I think a lot of guys and say nothing, because,

559
00:29:13,320 --> 00:29:14,880
Speaker 2: like I said, I have issues with the fact that

560
00:29:14,920 --> 00:29:17,440
Speaker 2: she exposed us to such danger in the Monster Castle.

561
00:29:18,120 --> 00:29:20,240
Speaker 2: But I would say a lot of men are probably

562
00:29:20,360 --> 00:29:22,840
Speaker 2: very threatened by her because you know what I mean

563
00:29:23,000 --> 00:29:27,080
Speaker 2: her last name Frankenstein. I mean she's a doctor. She's uncompromising,

564
00:29:27,160 --> 00:29:30,200
Speaker 2: she's very committed to what she does. She looks like that.

565
00:29:30,680 --> 00:29:33,160
Speaker 2: I don't think men would be strong enough. I don't

566
00:29:33,160 --> 00:29:37,040
Speaker 2: think there's any a single man, straight man that's secure

567
00:29:37,200 --> 00:29:40,640
Speaker 2: enough to date doctor Vittoria Frankenstein. I just don't.

568
00:29:40,920 --> 00:29:44,560
Speaker 1: Well, I think there's something really incredible about doctor Victoria

569
00:29:44,560 --> 00:29:47,680
Speaker 1: Frankenstein in the way that she is like, shall we say,

570
00:29:47,680 --> 00:29:51,760
Speaker 1: like rendered in this world, which is you can imagine

571
00:29:51,800 --> 00:29:55,320
Speaker 1: that she grew up having to apologize for being alive

572
00:29:55,480 --> 00:29:59,040
Speaker 1: because everyone's like Nepo baby, Neppo baby, Nippo baby. But

573
00:29:59,160 --> 00:30:03,440
Speaker 1: she is literally she has turned that sort of thing

574
00:30:04,280 --> 00:30:09,320
Speaker 1: that animus from society into I'm gonna do something and

575
00:30:09,480 --> 00:30:14,360
Speaker 1: make sure that the Frankenstein name is preserved. And that

576
00:30:14,480 --> 00:30:16,640
Speaker 1: actually is pretty incredible if you think about it, because

577
00:30:16,680 --> 00:30:19,200
Speaker 1: it's like, well, is nepotism a bad thing when it

578
00:30:19,720 --> 00:30:23,920
Speaker 1: comes to like family honor when you have to uphold

579
00:30:24,280 --> 00:30:28,240
Speaker 1: this name and this name that is bastardized by culture

580
00:30:28,280 --> 00:30:30,640
Speaker 1: for all these years, everyone's oh frank it's Frankenstein's monster,

581
00:30:30,680 --> 00:30:33,080
Speaker 1: it's doctor Frankenstein. No one knows what the name even

582
00:30:33,160 --> 00:30:33,920
Speaker 1: means anymore.

583
00:30:34,120 --> 00:30:36,480
Speaker 2: It has completely lost its meaning. And also, I think

584
00:30:36,480 --> 00:30:39,000
Speaker 2: you're giving people too much credit because I think there

585
00:30:39,040 --> 00:30:41,920
Speaker 2: are many more people than we even want to admit

586
00:30:42,240 --> 00:30:46,360
Speaker 2: that are out here pointing to the gentleman with the

587
00:30:46,360 --> 00:30:49,080
Speaker 2: bolts in his neck and the flat head and they're pointing,

588
00:30:49,120 --> 00:30:50,280
Speaker 2: and you know what they're saying.

589
00:30:50,320 --> 00:30:53,280
Speaker 1: That's Frankenstein, no right, and they are wrong.

590
00:30:53,680 --> 00:30:56,440
Speaker 2: And that is why doctor Vittoria Frankansline gets a lot

591
00:30:56,480 --> 00:30:59,720
Speaker 2: of license from me. Yes, because it's not even just

592
00:31:00,120 --> 00:31:06,000
Speaker 2: a bastardization. It's a complete ignorance. It is a complete

593
00:31:06,040 --> 00:31:09,520
Speaker 2: ignorance in society today. And I think that that's why

594
00:31:09,640 --> 00:31:11,920
Speaker 2: she gets a lot of credit for me for trying,

595
00:31:12,360 --> 00:31:16,560
Speaker 2: because you know what, she's actually also an elder millennial icon. Yes,

596
00:31:16,800 --> 00:31:20,400
Speaker 2: and she said, I will be caught trying hard. Doctor

597
00:31:20,480 --> 00:31:23,720
Speaker 2: Vittoria Frankenstein has worked hard and you can see the work.

598
00:31:23,960 --> 00:31:26,600
Speaker 2: You can hear her sweat. She actually can't control the

599
00:31:26,680 --> 00:31:28,640
Speaker 2: volume of her voice. Have you noticed, all right?

600
00:31:28,880 --> 00:31:34,200
Speaker 1: Yes, she's always yelling, shouting, shouting, which we love, shaw.

601
00:31:33,960 --> 00:31:36,880
Speaker 2: A tension, really serious stuff.

602
00:31:37,160 --> 00:31:39,960
Speaker 1: You know. I just rewatched the movie Run Lola, Run

603
00:31:40,160 --> 00:31:43,960
Speaker 1: m because of reasons, and I realize that she's a

604
00:31:44,040 --> 00:31:46,400
Speaker 1: character who shouts and screams, and it's a power she has.

605
00:31:46,720 --> 00:31:51,360
Speaker 1: And I realized screaming is the biggest, most clearest proof

606
00:31:51,440 --> 00:31:52,479
Speaker 1: that someone is alive.

607
00:31:52,680 --> 00:31:54,240
Speaker 2: Whoa that you're making.

608
00:31:54,040 --> 00:31:57,080
Speaker 1: Noise, that you have vitality, that you can produce a

609
00:31:57,280 --> 00:32:01,160
Speaker 1: sound loud like that, that you and I love screaming.

610
00:32:01,200 --> 00:32:01,520
Speaker 2: This is way.

611
00:32:01,720 --> 00:32:04,640
Speaker 1: It was like, oh, they're screaming, it doesn't matter. Oh

612
00:32:04,720 --> 00:32:07,800
Speaker 1: that person shouts too much in their performance. I'm like,

613
00:32:07,920 --> 00:32:10,440
Speaker 1: that's not a bad thing. Shouting is proof that you

614
00:32:10,480 --> 00:32:15,320
Speaker 1: were alive when you scream, what you say is remember me,

615
00:32:15,560 --> 00:32:16,960
Speaker 1: I'm here, I'm here.

616
00:32:17,480 --> 00:32:21,680
Speaker 2: Remember my sound. When you scream, you're saying, remember my sound.

617
00:32:21,880 --> 00:32:23,600
Speaker 2: That's actually real culture number fifty.

618
00:32:24,040 --> 00:32:28,600
Speaker 1: When you scream, you're actually saying remember my sound.

619
00:32:29,160 --> 00:32:31,719
Speaker 2: That actually is title of app remember my sound.

620
00:32:32,080 --> 00:32:34,560
Speaker 1: This is a very interesting culture cutter because the vibes

621
00:32:34,600 --> 00:32:39,280
Speaker 1: are you are being top form stoned icon. I am

622
00:32:39,320 --> 00:32:44,520
Speaker 1: being also classic tired as buck jet lagged boeen can barely.

623
00:32:44,760 --> 00:32:48,160
Speaker 2: One was f thinking about No, I was tired, jet

624
00:32:48,200 --> 00:32:51,720
Speaker 2: lagged or more. You brought that up. I wasn't thinking

625
00:32:51,760 --> 00:32:53,160
Speaker 2: of you as tired. I was thinking of it was

626
00:32:53,200 --> 00:32:54,560
Speaker 2: incredibly vivid.

627
00:32:54,880 --> 00:32:57,160
Speaker 1: I'm owning it. I'm not saying I'm not insecure about

628
00:32:57,200 --> 00:32:59,200
Speaker 1: Oh can people tell that I'm tired. I'm saying this

629
00:32:59,280 --> 00:33:01,360
Speaker 1: is the class Matt and bow and vibe in a

630
00:33:01,360 --> 00:33:04,479
Speaker 1: lot of ways. You don't seem tired to me for

631
00:33:04,520 --> 00:33:07,080
Speaker 1: some reason. Didn't have the scaries or anything except that

632
00:33:07,120 --> 00:33:10,320
Speaker 1: it was Sunday. But it's a long weekend anyway in

633
00:33:10,360 --> 00:33:13,560
Speaker 1: the UK. I've had a free day. Couldn't fall asleep.

634
00:33:14,000 --> 00:33:16,800
Speaker 1: What fellacy? Finally at seven am? Woll how to get

635
00:33:16,880 --> 00:33:19,640
Speaker 1: up at ten am to transfer hotels? No, So I'm

636
00:33:19,680 --> 00:33:21,680
Speaker 1: like I'm on no sleep and so that's why do

637
00:33:21,720 --> 00:33:23,760
Speaker 1: you think that is happening? And can you put the

638
00:33:23,800 --> 00:33:24,480
Speaker 1: phone away?

639
00:33:25,000 --> 00:33:25,160
Speaker 2: Yeah?

640
00:33:25,240 --> 00:33:27,920
Speaker 1: Yeah, I mean it's probably that I need a zan

641
00:33:28,120 --> 00:33:29,120
Speaker 1: Ex prescription.

642
00:33:29,520 --> 00:33:31,440
Speaker 2: Period. Girl. Let me tell you something last night I

643
00:33:31,480 --> 00:33:35,440
Speaker 2: took half a drama meme out out tied a little

644
00:33:35,480 --> 00:33:37,360
Speaker 2: bit left over from the theme park. I'm telling you

645
00:33:37,440 --> 00:33:40,160
Speaker 2: drama mean was everything? Wait? Can we just say what

646
00:33:40,240 --> 00:33:43,720
Speaker 2: happens to Victoria ultimately? Is she? Actually? I'm sorry, so Frankens'

647
00:33:43,840 --> 00:33:46,560
Speaker 2: monster ends up? Like but this is a spoiler, I guess,

648
00:33:46,600 --> 00:33:48,120
Speaker 2: But I don't know if you thought you'd leave the ride.

649
00:33:48,120 --> 00:33:50,239
Speaker 2: But I'm like, oh, well maybe on this one you

650
00:33:50,240 --> 00:33:53,000
Speaker 2: would think that Dracula one, but he doesn't.

651
00:33:53,320 --> 00:33:56,360
Speaker 1: But Dracula has a very interesting journey in this and

652
00:33:56,400 --> 00:33:59,480
Speaker 1: I actually think Dracula is kind of the most fascinating

653
00:33:59,520 --> 00:34:01,880
Speaker 1: figure in this whole story in a lot of ways.

654
00:34:01,920 --> 00:34:03,680
Speaker 2: Well, you know what I would love to explore more

655
00:34:04,160 --> 00:34:08,719
Speaker 2: are the brides of Dracus. I was interested. That's a

656
00:34:08,760 --> 00:34:11,319
Speaker 2: really good section of the ride is when they get

657
00:34:11,360 --> 00:34:15,160
Speaker 2: to sort of s say this but sligh. Yeah they

658
00:34:15,200 --> 00:34:15,839
Speaker 2: really do slay.

659
00:34:15,920 --> 00:34:20,080
Speaker 1: And but it makes you think that Dracula is serial monogamist,

660
00:34:21,280 --> 00:34:25,719
Speaker 1: and that is maybe his biggest personality trait that we're

661
00:34:25,719 --> 00:34:26,920
Speaker 1: not talking about.

662
00:34:26,719 --> 00:34:27,440
Speaker 2: As a culture.

663
00:34:27,760 --> 00:34:30,680
Speaker 1: This ride is really peeling back the layers of who

664
00:34:30,719 --> 00:34:36,080
Speaker 1: these monsters quote unquote and these scientists are in real life,

665
00:34:36,200 --> 00:34:38,239
Speaker 1: you know what I mean. We haven't been exposed to

666
00:34:38,239 --> 00:34:39,799
Speaker 1: them as a culture in a long time, and I'm

667
00:34:39,840 --> 00:34:41,760
Speaker 1: really excited that we had the opportunity again.

668
00:34:42,000 --> 00:34:45,040
Speaker 2: Can I also say, in an actual real way, these

669
00:34:45,280 --> 00:34:49,720
Speaker 2: animatronics on that ride, Oh, I have never seen anything

670
00:34:49,840 --> 00:34:53,600
Speaker 2: like it, and I'm including all of them, like at Disney,

671
00:34:53,760 --> 00:34:59,880
Speaker 2: at whatever, like the animatronics in the Monster's Unchained ride

672
00:35:00,080 --> 00:35:02,759
Speaker 2: at Epic Universe are the best I've ever seen, bar

673
00:35:02,840 --> 00:35:07,280
Speaker 2: no one, bar none, period. Well, and that's just Dark Universe,

674
00:35:07,400 --> 00:35:09,960
Speaker 2: that's just our universe. Can we just say when on

675
00:35:10,000 --> 00:35:11,640
Speaker 2: the Battle of the Ministry, I heard it's had a

676
00:35:11,920 --> 00:35:14,920
Speaker 2: five hour wait, guys, it is really good. It is

677
00:35:14,960 --> 00:35:17,480
Speaker 2: not worth a five hour wait wait wait till later

678
00:35:17,520 --> 00:35:19,480
Speaker 2: in the year. We went on it a couple of

679
00:35:19,520 --> 00:35:22,120
Speaker 2: times seamless. Then the third time we went we went

680
00:35:22,160 --> 00:35:24,520
Speaker 2: on it. This is who was in the cart, Jessica

681
00:35:24,600 --> 00:35:29,319
Speaker 2: Alba and her lovely stunning hair and makeup team, stunning

682
00:35:29,360 --> 00:35:31,319
Speaker 2: the hair and makeup team, and the ride broke the

683
00:35:31,360 --> 00:35:35,279
Speaker 2: fuck down almost immediately and the rest of it went.

684
00:35:35,480 --> 00:35:38,560
Speaker 2: We were moving in motion without any of the with

685
00:35:38,760 --> 00:35:41,680
Speaker 2: no sound, with no sound, it was the funniest thing

686
00:35:41,719 --> 00:35:42,600
Speaker 2: I've ever experienced.

687
00:35:42,800 --> 00:35:46,960
Speaker 1: Just like next to Jessica Alba, like while the ride

688
00:35:47,120 --> 00:35:48,840
Speaker 1: goes out of control, we're cackling.

689
00:35:49,600 --> 00:35:50,120
Speaker 2: We got out.

690
00:35:50,200 --> 00:35:52,640
Speaker 1: That was fun guy to see you later. It was

691
00:35:52,880 --> 00:35:56,040
Speaker 1: just I will never forget. I've never been happier that

692
00:35:56,160 --> 00:35:58,920
Speaker 1: a ride broke down. Oh that we literally I was

693
00:35:58,960 --> 00:36:00,359
Speaker 1: telling the story later and I was.

694
00:36:00,320 --> 00:36:05,000
Speaker 2: Like, that was so funny. That was awesome. The Dark

695
00:36:05,040 --> 00:36:06,240
Speaker 2: Angel herself does a gotten.

696
00:36:06,280 --> 00:36:09,080
Speaker 1: The Dark Angel herself the maker of the best bubble

697
00:36:09,080 --> 00:36:14,120
Speaker 1: bath ever produced in history. I'm saying, honest, bubble bath.

698
00:36:14,320 --> 00:36:17,160
Speaker 1: Everyone by it now. Now, I'm telling you.

699
00:36:17,120 --> 00:36:19,719
Speaker 2: That was the kind of thing you were getting at

700
00:36:19,719 --> 00:36:22,200
Speaker 2: the grand opening, where like everywhere your turn, you're like,

701
00:36:22,239 --> 00:36:23,960
Speaker 2: oh they're here. You know who? Fine?

702
00:36:24,040 --> 00:36:26,759
Speaker 1: You know, Like it hit me today that she was there,

703
00:36:26,800 --> 00:36:29,640
Speaker 1: was Jojo Siwa and like we didn't really operately process that, but.

704
00:36:29,719 --> 00:36:32,319
Speaker 2: When but when I almost stopped us, I almost during

705
00:36:32,320 --> 00:36:34,000
Speaker 2: the red we were on the red carpet, the blue

706
00:36:34,000 --> 00:36:37,120
Speaker 2: carpet rather getting interviewed. And then I turn around and

707
00:36:37,160 --> 00:36:39,319
Speaker 2: I see Jojo Siwa right in our line of sight,

708
00:36:39,800 --> 00:36:41,600
Speaker 2: and a little bit inside me, I was like, I

709
00:36:41,719 --> 00:36:43,960
Speaker 2: have to stop everything until but when that's Jojo Siwa.

710
00:36:44,120 --> 00:36:47,440
Speaker 2: But of course you saw. I knew, and why didn't

711
00:36:47,440 --> 00:36:49,080
Speaker 2: we say anything? I don't know.

712
00:36:50,040 --> 00:36:52,960
Speaker 1: Literally came on trouble today. I was nerve. I'm like,

713
00:36:53,040 --> 00:36:54,160
Speaker 1: she's a fucking icon.

714
00:36:54,320 --> 00:36:59,960
Speaker 2: I'm intimidated by Jojo. I am you know who else

715
00:37:00,120 --> 00:37:01,840
Speaker 2: was there? We were two guys just say hi was

716
00:37:01,880 --> 00:37:05,920
Speaker 2: Gerdy from Miami? I know, stunning. Do you see what

717
00:37:05,960 --> 00:37:06,319
Speaker 2: I'm saying?

718
00:37:06,320 --> 00:37:08,680
Speaker 1: This is how I am with housewives, Like there's something

719
00:37:08,719 --> 00:37:11,840
Speaker 1: about them that really gets me shaking in my boots.

720
00:37:12,160 --> 00:37:14,359
Speaker 2: No, but bo then part of me was like, we

721
00:37:14,400 --> 00:37:16,480
Speaker 2: should have gone over to her because she's one of

722
00:37:16,480 --> 00:37:20,279
Speaker 2: the queens of Florida. It was us. I know, you

723
00:37:20,400 --> 00:37:23,400
Speaker 2: have to remember we were princes of Celestial Park, like

724
00:37:23,440 --> 00:37:26,200
Speaker 2: it's our job to hope she's the queen of Florida.

725
00:37:26,400 --> 00:37:28,319
Speaker 2: Like that was a big moment, and I feel like

726
00:37:28,360 --> 00:37:30,120
Speaker 2: we didn't do the right thing by going up to

727
00:37:30,160 --> 00:37:33,360
Speaker 2: Gerdy and being like, Gerty, you're a legend because and

728
00:37:33,400 --> 00:37:37,000
Speaker 2: you look amazing. Yeah, she did look amazing. Oh my god.

729
00:37:37,320 --> 00:37:39,840
Speaker 1: And Russell is that her husban's name? Yes, of course

730
00:37:40,239 --> 00:37:42,319
Speaker 1: he was there. What a lovely family, what a lovely

731
00:37:42,360 --> 00:37:44,319
Speaker 1: couple there. And I just feel like that was that

732
00:37:44,440 --> 00:37:45,040
Speaker 1: was a mistake.

733
00:37:45,520 --> 00:37:46,319
Speaker 2: Andy was there.

734
00:37:46,640 --> 00:37:50,520
Speaker 1: Andy was It's so funny to just be like, oh hey,

735
00:37:50,560 --> 00:37:51,240
Speaker 1: there's Andy.

736
00:37:51,880 --> 00:37:54,440
Speaker 2: Hilarious. That was one of my favorite nights ever. Like,

737
00:37:54,560 --> 00:37:57,520
Speaker 2: and then they did the fireworks and the drone thing

738
00:37:57,520 --> 00:38:00,000
Speaker 2: that was unbelievable, like that was it was such a funday.

739
00:38:00,400 --> 00:38:06,759
Speaker 2: Nintendo World in Epic Universe is so overwhelming, like it's joyful.

740
00:38:07,600 --> 00:38:09,560
Speaker 2: We took my sister and she was like on the

741
00:38:09,640 --> 00:38:13,200
Speaker 2: Virgin chair, she was like, wow, it's really it brings

742
00:38:13,600 --> 00:38:14,360
Speaker 2: right back.

743
00:38:14,719 --> 00:38:18,400
Speaker 1: It's so cool. They crushed, they crushed, and it was

744
00:38:18,560 --> 00:38:25,440
Speaker 1: so cool seeing the Nintendo people there. Shaheerimamoto and Doug Bowser,

745
00:38:26,239 --> 00:38:30,600
Speaker 1: iconic legend CEO of Nintendo America. His name is literally

746
00:38:30,680 --> 00:38:35,440
Speaker 1: Doug Bowser, no relation, no relation to King Koopa, but

747
00:38:35,640 --> 00:38:37,680
Speaker 1: is just kind of walking around in Isle of Burke,

748
00:38:37,920 --> 00:38:42,319
Speaker 1: enjoying the meatballs, writing on hiccups, wing gliders. Wait can

749
00:38:42,320 --> 00:38:44,480
Speaker 1: you talk on that ride? Because that was really sort

750
00:38:44,480 --> 00:38:48,680
Speaker 1: of magical huh. I loved Hiccups wing gliders so much.

751
00:38:49,200 --> 00:38:51,440
Speaker 1: You have spoiler alert, you see you see. I think

752
00:38:51,480 --> 00:38:54,480
Speaker 1: their names are little gronkles. The little dragons kind of

753
00:38:54,520 --> 00:38:57,680
Speaker 1: pop out and they're the cutest little creatures you've ever.

754
00:38:58,160 --> 00:39:01,040
Speaker 1: It's just darling, and I don't I don't use that

755
00:39:01,080 --> 00:39:02,919
Speaker 1: word too much, but that's the only word that comes

756
00:39:02,920 --> 00:39:05,480
Speaker 1: to mind when I when I think about Isle of Burke, darling.

757
00:39:05,719 --> 00:39:09,120
Speaker 2: It's just darling. It really was just darling. And we

758
00:39:09,200 --> 00:39:12,319
Speaker 2: tried the meatballs, pretty good meatballs. I also had a

759
00:39:12,320 --> 00:39:14,680
Speaker 2: good burger from the meteor astropub.

760
00:39:20,680 --> 00:39:23,560
Speaker 1: Can I say something? You can say all the things

761
00:39:24,080 --> 00:39:28,440
Speaker 1: in my own life. This is meat loaf summer for Bella.

762
00:39:29,120 --> 00:39:31,160
Speaker 1: I'm making meat loafs this season.

763
00:39:31,560 --> 00:39:33,880
Speaker 2: Can I Can I have a piece?

764
00:39:34,600 --> 00:39:38,319
Speaker 1: Yes, you can have a piece. You're coming over. I

765
00:39:38,320 --> 00:39:42,920
Speaker 1: have a new deck. I'm going to learn how to grill. Wow,

766
00:39:43,120 --> 00:39:43,959
Speaker 1: this is a new life.

767
00:39:44,000 --> 00:39:46,040
Speaker 2: You've always been good at the grill, though, I mean,

768
00:39:46,280 --> 00:39:47,759
Speaker 2: like Jared, Jared is the girl master.

769
00:39:47,880 --> 00:39:49,840
Speaker 1: Jared is the girl Master. No, I don't know. I

770
00:39:49,840 --> 00:39:51,319
Speaker 1: don't really know my way around the girl and that's

771
00:39:51,360 --> 00:39:52,720
Speaker 1: that's sort of my final boss.

772
00:39:53,160 --> 00:39:58,760
Speaker 2: With cocaine. You got last night, Melissa made us turkey burgers. Yeah,

773
00:39:58,880 --> 00:40:03,520
Speaker 2: I maybe there's something here. Maybe there's something here with

774
00:40:03,640 --> 00:40:06,680
Speaker 2: turkey burgers. I could actually I could get into that.

775
00:40:06,800 --> 00:40:09,560
Speaker 2: Can I say something another thing? Yeah, I don't.

776
00:40:09,800 --> 00:40:14,280
Speaker 1: Get all this stuff about, like, oh, lean meat is dry, Like, yeah,

777
00:40:14,280 --> 00:40:15,040
Speaker 1: that's fine.

778
00:40:15,239 --> 00:40:18,080
Speaker 2: One of the moistest things that I've ever eaten last night,

779
00:40:18,440 --> 00:40:18,879
Speaker 2: I'm sure.

780
00:40:18,920 --> 00:40:20,440
Speaker 1: But I'm just saying, like, I don't mind it when

781
00:40:20,480 --> 00:40:23,840
Speaker 1: a chicken breast is like a little overcooked, and like, Okay,

782
00:40:23,840 --> 00:40:25,680
Speaker 1: this just means I can dip it in a sauce.

783
00:40:26,080 --> 00:40:28,640
Speaker 2: Let me tell you, Like, I don't want to call

784
00:40:28,719 --> 00:40:34,440
Speaker 2: this person out, but I will. Jared doesn't like condiments.

785
00:40:34,719 --> 00:40:37,040
Speaker 2: He doesn't like any sauce.

786
00:40:37,520 --> 00:40:38,320
Speaker 1: I said.

787
00:40:39,040 --> 00:40:44,719
Speaker 2: Does anyone out there identify as someone doesn't like condiments

788
00:40:44,760 --> 00:40:47,000
Speaker 2: at all, sauce of any kind.

789
00:40:47,560 --> 00:40:49,879
Speaker 1: The concentric circle out of that is that you don't

790
00:40:49,920 --> 00:40:55,160
Speaker 1: like seasoning at all, which is it says, and they're wrong.

791
00:40:55,440 --> 00:40:58,120
Speaker 1: It's an expression, like it is an expression, put your

792
00:40:58,160 --> 00:40:58,959
Speaker 1: sauce on it.

793
00:40:59,080 --> 00:41:02,480
Speaker 2: Condiments are an expression. It's actually a little culture number

794
00:41:03,080 --> 00:41:07,080
Speaker 2: seventy four. Condiments are an expression. Oh and you can

795
00:41:07,120 --> 00:41:12,200
Speaker 2: get so creative with it. Condiments are creations, condoments are Christians.

796
00:41:12,320 --> 00:41:15,279
Speaker 2: Dressings are fabulous. By the way, I did want to

797
00:41:15,400 --> 00:41:23,080
Speaker 2: unveil my new drag name, tell us beautiful dress, Oh,

798
00:41:23,120 --> 00:41:26,480
Speaker 2: because you want like imagine coming around the corner and

799
00:41:26,520 --> 00:41:33,799
Speaker 2: then says, is beautiful dress? Hi, beautiful, Well beautiful was

800
00:41:33,840 --> 00:41:38,160
Speaker 2: saying that you didn't really rest of the challenge in the.

801
00:41:38,800 --> 00:41:43,880
Speaker 1: In the main today, Well beautiful was wrong about that, Beautiful.

802
00:41:43,880 --> 00:41:46,320
Speaker 2: I think beautiful needs to mind her own beautiful business.

803
00:41:47,400 --> 00:41:51,080
Speaker 2: What is the most beautiful dress ever? The most beautiful

804
00:41:51,160 --> 00:41:55,120
Speaker 2: dress ever was, of course Cinderella's dress.

805
00:41:55,400 --> 00:41:58,960
Speaker 1: I was gonna say that too, and I'm dead ass

806
00:41:59,080 --> 00:42:00,720
Speaker 1: it was the most beautiful dress.

807
00:42:00,960 --> 00:42:04,200
Speaker 2: Let's just get thing one thing straight. You go, anyone

808
00:42:04,280 --> 00:42:07,200
Speaker 2: that ever hits a red carpet is trying to do

809
00:42:07,280 --> 00:42:10,440
Speaker 2: what Cinderella did at the ball. If you are in

810
00:42:10,560 --> 00:42:15,840
Speaker 2: a modern fashion and you do anything where you show

811
00:42:15,920 --> 00:42:18,319
Speaker 2: up to a place and hope to gag someone with

812
00:42:18,360 --> 00:42:22,040
Speaker 2: what you're wearing, you are trying to do what Cinderella

813
00:42:22,280 --> 00:42:25,160
Speaker 2: first did. And that is period.

814
00:42:25,400 --> 00:42:29,000
Speaker 1: But the tragic thing is that Cinderella never walked the carpet.

815
00:42:29,200 --> 00:42:31,040
Speaker 1: She just kind of shows up at the ball.

816
00:42:31,280 --> 00:42:34,920
Speaker 2: You know. It's like the people that first created fire

817
00:42:35,080 --> 00:42:37,800
Speaker 2: never got to see the fireworks display at Epic Universe.

818
00:42:37,840 --> 00:42:41,280
Speaker 1: But they should rest knowing that they triumph. They should

819
00:42:41,320 --> 00:42:43,560
Speaker 1: rest knowing that they try, that they triumphed.

820
00:42:43,960 --> 00:42:46,360
Speaker 2: I hope that's how they rest, knowing that they trying it,

821
00:42:46,440 --> 00:42:52,240
Speaker 2: they triumphed. I think I swear to God he rests

822
00:42:52,560 --> 00:42:55,960
Speaker 2: knowing he triumph. I'm not kidding. Write that down and

823
00:42:56,000 --> 00:42:57,880
Speaker 2: put that on my tombstone. And you are in charge

824
00:42:57,920 --> 00:43:01,120
Speaker 2: because I do diverse. I've seen the future. Stop. No,

825
00:43:01,280 --> 00:43:04,120
Speaker 2: we're not doing that. We're not doing it because it's

826
00:43:04,160 --> 00:43:06,560
Speaker 2: too sad to get into the way I die. I've

827
00:43:06,560 --> 00:43:09,760
Speaker 2: seen it, I've seen the future. You stand by watching

828
00:43:09,960 --> 00:43:12,120
Speaker 2: spoiler alert. You do nothing. You're hapless.

829
00:43:12,480 --> 00:43:16,359
Speaker 1: I hate this. I'm so upset right now.

830
00:43:16,480 --> 00:43:18,960
Speaker 2: It's because we're standing on a roof and I and

831
00:43:19,040 --> 00:43:21,960
Speaker 2: I fall off the roof and you stand hapless. Why

832
00:43:22,040 --> 00:43:24,279
Speaker 2: are we on the roof? Why?

833
00:43:24,719 --> 00:43:27,560
Speaker 1: I don't know if we get, if we get, if

834
00:43:27,560 --> 00:43:29,600
Speaker 1: we get invited into a roof party in the future.

835
00:43:29,719 --> 00:43:31,240
Speaker 2: No, that's mighty where it happened.

836
00:43:31,280 --> 00:43:34,400
Speaker 1: Then I'm never going on a roof.

837
00:43:34,440 --> 00:43:35,960
Speaker 2: You can't allow me to go on the roof.

838
00:43:36,000 --> 00:43:39,400
Speaker 1: Bo When you say hapless, do you mean helpless or

839
00:43:39,440 --> 00:43:41,480
Speaker 1: do you mean hapless as it like lucky?

840
00:43:41,640 --> 00:43:44,640
Speaker 2: You're both You haplessly watched me fall through if it

841
00:43:44,640 --> 00:43:46,960
Speaker 2: wasn't so lucky for you that you were there to watch.

842
00:43:46,960 --> 00:43:50,359
Speaker 1: And I'm also helpless, like I can't help you were happless,

843
00:43:50,360 --> 00:43:51,320
Speaker 1: helpless and more.

844
00:43:51,680 --> 00:43:55,959
Speaker 2: I don't like that at all. Man can do something.

845
00:43:56,000 --> 00:43:57,959
Speaker 2: I can't see the future. I was doing a sort

846
00:43:58,000 --> 00:44:01,720
Speaker 2: of bit things out of hand, you know what. Sometimes

847
00:44:01,719 --> 00:44:07,040
Speaker 2: I think you do bits, sometimes things get a little crazy.

848
00:44:07,360 --> 00:44:09,360
Speaker 2: Can I say one of the reasons why I missed

849
00:44:09,640 --> 00:44:13,160
Speaker 2: recording virtually is because we're using the cans, and I

850
00:44:13,239 --> 00:44:17,839
Speaker 2: love knowing the effect you can give when you when

851
00:44:17,880 --> 00:44:20,239
Speaker 2: you wear the cans, Like I don't know, I love

852
00:44:20,280 --> 00:44:24,239
Speaker 2: it. It's better explain this podcast performance because you can see

853
00:44:24,239 --> 00:44:26,040
Speaker 2: a lot your voice can do. You can sort of

854
00:44:26,040 --> 00:44:29,000
Speaker 2: you know, be a little ASMR go down, you can

855
00:44:29,480 --> 00:44:31,680
Speaker 2: you can do so much with the cans. I do

856
00:44:31,760 --> 00:44:35,480
Speaker 2: think that wearing cans is like a podcast thing. And

857
00:44:35,520 --> 00:44:37,399
Speaker 2: when we when we have guests and we don't wear

858
00:44:37,440 --> 00:44:40,520
Speaker 2: the cans, I'm always like, is it I see?

859
00:44:40,760 --> 00:44:45,040
Speaker 1: Oh my god, you need to go on British radio

860
00:44:45,400 --> 00:44:46,640
Speaker 1: because they love the cans.

861
00:44:47,040 --> 00:44:48,600
Speaker 2: I need to go on British radio.

862
00:44:48,719 --> 00:44:52,400
Speaker 1: Yeah, you love saying cans. Are you still saying modus operandi?

863
00:44:52,640 --> 00:44:54,439
Speaker 2: I'm a little in my head about it now, that's

864
00:44:54,480 --> 00:44:57,839
Speaker 2: for sure. No oh no, I know, I feel like, well,

865
00:44:57,880 --> 00:45:01,120
Speaker 2: I feel like we're like it's modus operanda And I

866
00:45:01,160 --> 00:45:03,640
Speaker 2: was like, I've never heard it like that. That was

867
00:45:03,719 --> 00:45:09,239
Speaker 2: Birbiglia being Birbiglia. It was him being superior. Okay, yes,

868
00:45:09,320 --> 00:45:13,920
Speaker 2: he was acting very superior in the moment. So what

869
00:45:13,920 --> 00:45:16,680
Speaker 2: else did we talk about? I saw Hugh Jackman perform

870
00:45:16,680 --> 00:45:22,160
Speaker 2: at Radio City. Oh my god, yes, yes, absolutely electric show.

871
00:45:22,640 --> 00:45:25,600
Speaker 2: But the highlight was when he brought out this woman.

872
00:45:25,640 --> 00:45:29,520
Speaker 2: Her name was Burgundy Williams and she sang because I

873
00:45:29,520 --> 00:45:31,719
Speaker 2: saw that Never Enough from the Greatest Showman was on

874
00:45:31,719 --> 00:45:33,400
Speaker 2: the set list, and I was like, is you gonna

875
00:45:33,440 --> 00:45:36,719
Speaker 2: give never Enough? Is that how deep in it we are?

876
00:45:36,960 --> 00:45:39,759
Speaker 2: Is miss already here? She was not? So basically like

877
00:45:39,920 --> 00:45:43,080
Speaker 2: Burgundy Williams, and Burgundy Williams came in and slayed Never

878
00:45:43,280 --> 00:45:46,239
Speaker 2: Enough and that got me to of course search her

879
00:45:46,320 --> 00:45:49,600
Speaker 2: name in the YouTube search bar. So then I'm watching

880
00:45:49,640 --> 00:45:54,160
Speaker 2: a little bit of Burgundy Williams X Factor UK performances.

881
00:45:54,200 --> 00:45:56,759
Speaker 2: I find out that's where she's from. I'm watching one

882
00:45:56,800 --> 00:46:00,680
Speaker 2: performance of Aretha Franklin's song Respect well known? Did they

883
00:46:00,680 --> 00:46:03,480
Speaker 2: remind you of? He knows that everyone loves it? Not

884
00:46:03,560 --> 00:46:06,640
Speaker 2: only was everyone loving it and knowing it so much.

885
00:46:07,680 --> 00:46:11,080
Speaker 2: They cut to Simon Cowell, who's a judge still to

886
00:46:11,120 --> 00:46:15,960
Speaker 2: this day, my girl has her arms up over her

887
00:46:16,040 --> 00:46:21,640
Speaker 2: head dancing. Simon said, does Simon dance now? He never

888
00:46:21,800 --> 00:46:25,120
Speaker 2: would have danced in the Simon Cowell dancing with his

889
00:46:25,360 --> 00:46:30,040
Speaker 2: hands above his head. He changed their Franklin's respect. I

890
00:46:30,120 --> 00:46:32,320
Speaker 2: was like, don't tell me that people can't change and

891
00:46:32,360 --> 00:46:34,600
Speaker 2: then we can't have growth. No, And I wasn't sure

892
00:46:34,600 --> 00:46:36,760
Speaker 2: how I felt about it, because I'm like, should Simon

893
00:46:36,800 --> 00:46:41,440
Speaker 2: be dancing hands up in the air sometimes? But but

894
00:46:41,520 --> 00:46:43,320
Speaker 2: he was. I was like, now I have to process

895
00:46:43,360 --> 00:46:44,120
Speaker 2: how I feel about this.

896
00:46:44,400 --> 00:46:50,720
Speaker 1: There's a Christmas Carol story in that, Oh, Simon Cowell

897
00:46:50,960 --> 00:46:56,920
Speaker 1: was Scrooge, but he was visited by by ghosts.

898
00:46:57,080 --> 00:46:59,680
Speaker 2: You know. I think the ghost that visited him was

899
00:47:00,040 --> 00:47:02,799
Speaker 2: the American Idol contestants that he was shitty to. Yes,

900
00:47:02,840 --> 00:47:04,960
Speaker 2: I think William Hung was definitely one of the ghosts

901
00:47:04,960 --> 00:47:06,000
Speaker 2: of American Idol.

902
00:47:05,760 --> 00:47:08,680
Speaker 1: Past alive and well, as far as we know, they're

903
00:47:08,680 --> 00:47:11,759
Speaker 1: just specters. They're just like they're just like conceptual. No, no, no,

904
00:47:11,800 --> 00:47:14,840
Speaker 1: these are conceptual ghosts, right Like I think that Jennifer

905
00:47:14,880 --> 00:47:18,360
Speaker 1: Hudson is probably one of his conceptual ghosts because I

906
00:47:18,400 --> 00:47:22,000
Speaker 1: don't think he did enough right, right, He didn't do

907
00:47:22,120 --> 00:47:22,839
Speaker 1: enough to save her.

908
00:47:22,960 --> 00:47:25,720
Speaker 2: Oh my god. You know that Simon cow said something

909
00:47:25,920 --> 00:47:30,480
Speaker 2: crazy about Beyonce when she first was going solo. He

910
00:47:30,560 --> 00:47:34,320
Speaker 2: said like, she's not talented and not attractive. Literally, he's

911
00:47:34,360 --> 00:47:37,200
Speaker 2: on record saying those things something to that degree.

912
00:47:37,360 --> 00:47:40,080
Speaker 1: There's that Times review of Dangerously in Love where they're like,

913
00:47:40,719 --> 00:47:43,520
Speaker 1: she's no Ah shanty, like, it's so funny the people

914
00:47:43,560 --> 00:47:47,040
Speaker 1: who are eating such crow right now, it's well, how

915
00:47:47,120 --> 00:47:47,359
Speaker 1: is now?

916
00:47:47,400 --> 00:47:50,280
Speaker 2: Boy Carter Tour, I want to say, I'm so excited.

917
00:47:50,480 --> 00:47:52,319
Speaker 2: So you and I are going together. So we're going

918
00:47:52,400 --> 00:47:55,520
Speaker 2: to be in France next month and for a few

919
00:47:55,560 --> 00:47:58,400
Speaker 2: days in can and then we're going to Paris because

920
00:47:58,400 --> 00:48:00,200
Speaker 2: Matt Whitaker and Tom and I were going to to

921
00:48:00,200 --> 00:48:02,279
Speaker 2: be there seeing her in Paris, and I was like,

922
00:48:02,320 --> 00:48:04,400
Speaker 2: oh my god, let's just go where it's kids. But

923
00:48:04,440 --> 00:48:07,399
Speaker 2: we're gonna go. But I couldn't help myself and went

924
00:48:07,560 --> 00:48:11,920
Speaker 2: on Thursday at MetLife. Can I say, not so crazy

925
00:48:12,000 --> 00:48:14,160
Speaker 2: getting in and out of Met Life this time? What

926
00:48:14,280 --> 00:48:17,920
Speaker 2: a relief? Not so crazy? And it also was cold

927
00:48:17,920 --> 00:48:20,359
Speaker 2: and raining a little bit. Yeah, so I dressed for

928
00:48:20,600 --> 00:48:25,239
Speaker 2: comfort and functionality and not cowboy Carter fashion right the

929
00:48:25,280 --> 00:48:25,799
Speaker 2: way I will.

930
00:48:25,840 --> 00:48:29,400
Speaker 1: And oh I'm dressing for cowboy Carter fashion in Paris.

931
00:48:29,400 --> 00:48:32,400
Speaker 2: I might even wear a little something that you gave me. Hmm.

932
00:48:33,440 --> 00:48:36,880
Speaker 2: But the show was phenomenal. I'm so happy I dressed

933
00:48:36,880 --> 00:48:39,160
Speaker 2: to be warm because we could, like, you know, not

934
00:48:39,239 --> 00:48:42,720
Speaker 2: even think about it because and she just is getting better.

935
00:48:43,160 --> 00:48:47,040
Speaker 2: She's literally getting better. There's no one that's ever looked

936
00:48:47,040 --> 00:48:51,439
Speaker 2: hotter ever in anyone's life. Then Beyonce doing this tour.

937
00:48:51,880 --> 00:48:56,880
Speaker 2: Her voice is unreal. And what I loved about this

938
00:48:56,960 --> 00:48:59,560
Speaker 2: tour too is she threw she throws it. Well, no

939
00:48:59,600 --> 00:49:01,480
Speaker 2: spoiler on set list if you don't want them, but

940
00:49:01,760 --> 00:49:05,239
Speaker 2: I'm gonna dive in here. You hear irreplaceable, You hear

941
00:49:05,320 --> 00:49:08,640
Speaker 2: if I were a boy. You hear single ladies by

942
00:49:08,680 --> 00:49:13,160
Speaker 2: the end, like she also gives Renaissance a section and yeah,

943
00:49:13,200 --> 00:49:16,080
Speaker 2: I mean like it's a two hour, forty five minute

944
00:49:16,120 --> 00:49:17,959
Speaker 2: show that it feels like it could keep going.

945
00:49:18,400 --> 00:49:21,560
Speaker 1: I love that. It's how I feel about errors. To her,

946
00:49:21,600 --> 00:49:24,200
Speaker 1: I'm like, oh why I could? I could use more.

947
00:49:24,480 --> 00:49:27,960
Speaker 2: I am so anticipating this Lord era.

948
00:49:28,080 --> 00:49:31,160
Speaker 1: Mm because I've been saying we're so bad.

949
00:49:31,880 --> 00:49:32,840
Speaker 2: I love what was that.

950
00:49:33,719 --> 00:49:37,880
Speaker 1: I am watching her in interviews now and I'm seeing

951
00:49:38,840 --> 00:49:41,720
Speaker 1: the NB jump out and I get what she's saying

952
00:49:41,719 --> 00:49:44,560
Speaker 1: when she's like, I don't really know if I should

953
00:49:44,560 --> 00:49:47,200
Speaker 1: call myself non binary right now, non binary right now,

954
00:49:47,280 --> 00:49:49,719
Speaker 1: but they're but just the way that she is, just

955
00:49:49,800 --> 00:49:53,880
Speaker 1: like even posing and just carrying herself, I'm like, okay,

956
00:49:54,440 --> 00:49:58,279
Speaker 1: very powerful and connected. Yeah, the center of gravity is

957
00:49:58,280 --> 00:50:00,400
Speaker 1: different in a way. It is fascinating to me, and

958
00:50:00,440 --> 00:50:02,600
Speaker 1: I'm like, I'm interested to see where this goes next.

959
00:50:02,960 --> 00:50:06,000
Speaker 1: I love the Lord obviously love Lord.

960
00:50:06,200 --> 00:50:06,640
Speaker 2: Love that.

961
00:50:07,719 --> 00:50:11,480
Speaker 1: One of our inspirations for this album was, uh, Julio

962
00:50:11,520 --> 00:50:13,000
Speaker 1: Torres loving the color clear.

963
00:50:14,320 --> 00:50:17,400
Speaker 2: I can't believe that's the best, the best. And I,

964
00:50:17,560 --> 00:50:19,239
Speaker 2: by the way, I'm I'm really in love with green

965
00:50:19,360 --> 00:50:22,520
Speaker 2: Light because I saw John Proctor as the villain on

966
00:50:23,600 --> 00:50:26,719
Speaker 2: and Oh You're gonna fucking love it, and green Light

967
00:50:26,760 --> 00:50:29,480
Speaker 2: by Lord factors in in a big way and I

968
00:50:29,560 --> 00:50:32,560
Speaker 2: was just like, this is one of the best songs

969
00:50:32,600 --> 00:50:33,120
Speaker 2: of the past.

970
00:50:33,640 --> 00:50:37,520
Speaker 1: You know got twenty seventeen?

971
00:50:37,800 --> 00:50:41,200
Speaker 2: Was that? Was that melodrama? Eight years ago? What was? Yeah?

972
00:50:41,239 --> 00:50:43,160
Speaker 2: You know who hosted that? She did it on SNL

973
00:50:43,280 --> 00:50:45,160
Speaker 2: and I watched the performance again. It was such a

974
00:50:45,160 --> 00:50:47,719
Speaker 2: good performance on SNL and then Scarland hosted that one.

975
00:50:47,840 --> 00:50:48,959
Speaker 2: Oh wow, that's right.

976
00:50:49,200 --> 00:50:51,960
Speaker 1: Yeah, but I remember when that album came out. It

977
00:50:52,000 --> 00:50:53,560
Speaker 1: was a fire Island summer. We were just all we

978
00:50:53,600 --> 00:50:56,719
Speaker 1: did was just play Melodrama and it love twenty seventeen.

979
00:50:56,880 --> 00:51:00,239
Speaker 2: Oh wow, we've been going a while. It's perfect. Green

980
00:51:00,320 --> 00:51:01,240
Speaker 2: Light is one of the best.

981
00:51:01,480 --> 00:51:04,000
Speaker 1: I want to say, can I'm I'm kind of like

982
00:51:04,120 --> 00:51:06,840
Speaker 1: excited at some of the movies I don't really like.

983
00:51:06,960 --> 00:51:09,400
Speaker 1: I think it's probably too early to like cherry pick anything.

984
00:51:09,520 --> 00:51:14,160
Speaker 1: But we're you gonna say, I mean, it's Jennifer Lawrence's year.

985
00:51:15,280 --> 00:51:17,680
Speaker 1: It cannot wait to say.

986
00:51:17,680 --> 00:51:20,040
Speaker 2: I mean, she's just the best. She should have gotten

987
00:51:20,040 --> 00:51:23,960
Speaker 2: oscaring on for no hard feelings. I said it, I agreed, agreed.

988
00:51:24,360 --> 00:51:28,200
Speaker 2: Who who else carries comedy that easily and isn't not

989
00:51:28,280 --> 00:51:31,719
Speaker 2: for nothing but feeling they're trying too hard, you know

990
00:51:31,719 --> 00:51:35,280
Speaker 2: what I mean? Like she's effortlessly funny. She's like also

991
00:51:35,400 --> 00:51:40,319
Speaker 2: like balancing all of the like grounded aspects with the

992
00:51:40,320 --> 00:51:43,120
Speaker 2: comedy in that movie, like that that was fucking good.

993
00:51:43,239 --> 00:51:45,560
Speaker 1: Locked in with the Andrew breath Feldman so well, they

994
00:51:45,560 --> 00:51:50,120
Speaker 1: were so good together, so underrated. Absolutely, it was just

995
00:51:50,160 --> 00:51:53,080
Speaker 1: an accident pon d'Or. I'm excited to see that. And

996
00:51:53,120 --> 00:51:55,879
Speaker 1: then I'm excited to see the Nouvelle vagny, that Richard

997
00:51:55,880 --> 00:51:58,840
Speaker 1: Linkler movie m about the making of Breathless, about goodar

998
00:51:58,920 --> 00:52:01,759
Speaker 1: making Breathless. And then there's that the guy who did

999
00:52:02,120 --> 00:52:04,040
Speaker 1: Worst Person in the World and that actress from from

1000
00:52:04,040 --> 00:52:08,080
Speaker 1: that movie doing another movie and sentimental value. I'm excited

1001
00:52:08,080 --> 00:52:10,279
Speaker 1: to see that. I need to rewatch that movie because

1002
00:52:10,280 --> 00:52:12,920
Speaker 1: I only give it one pass, and I'm like, I'm obsessed.

1003
00:52:12,920 --> 00:52:13,200
Speaker 2: I love it.

1004
00:52:13,200 --> 00:52:14,359
Speaker 1: I'm gonna watch this for the rest of my life.

1005
00:52:14,480 --> 00:52:15,680
Speaker 1: That's actually a blind spot for me.

1006
00:52:15,719 --> 00:52:18,800
Speaker 2: I have never seen it, so maybe Meet Loaf and

1007
00:52:18,880 --> 00:52:20,799
Speaker 2: Worst Person Wait.

1008
00:52:20,600 --> 00:52:22,960
Speaker 1: Actually, for you and I that's a great movie to

1009
00:52:23,000 --> 00:52:25,759
Speaker 1: watch for some really, do you know what I'm talking about?

1010
00:52:25,880 --> 00:52:29,879
Speaker 2: Yay, yes, yeah, you guys. The Wave the Last Coach

1011
00:52:29,960 --> 00:52:35,040
Speaker 2: has the wheels turning. Should we tease anything from upcoming

1012
00:52:35,040 --> 00:52:36,959
Speaker 2: Cultural Awards there's not really much to say yet.

1013
00:52:37,000 --> 00:52:39,120
Speaker 1: There's not much to say yet, but we're excited to

1014
00:52:40,560 --> 00:52:41,680
Speaker 1: get the team together.

1015
00:52:42,160 --> 00:52:46,200
Speaker 2: Mm hmm. We have fun ideas. They're bruin. They're bruin.

1016
00:52:46,360 --> 00:52:50,560
Speaker 1: And for those of you who were expecting it to

1017
00:52:50,560 --> 00:52:53,440
Speaker 1: be in New York this summer, we apologize that it's

1018
00:52:53,440 --> 00:52:55,520
Speaker 1: a bit of a curveball, but we love to sort

1019
00:52:55,520 --> 00:52:57,360
Speaker 1: of balance it out. We would love to bring it

1020
00:52:57,400 --> 00:52:59,440
Speaker 1: back to New York sometime in the future if we're

1021
00:52:59,480 --> 00:53:03,400
Speaker 1: able to, but for now, we are so excited to

1022
00:53:03,400 --> 00:53:07,560
Speaker 1: be in LA and we will have more information very

1023
00:53:07,640 --> 00:53:10,799
Speaker 1: soon about how to attend the event in person. And

1024
00:53:11,600 --> 00:53:14,800
Speaker 1: the other upside to it is that anyone can watch

1025
00:53:14,960 --> 00:53:18,880
Speaker 1: from the comfort of their home, unlike pastors where we

1026
00:53:18,880 --> 00:53:21,239
Speaker 1: had to gate keep it unfortunately, because we were trying

1027
00:53:21,239 --> 00:53:23,600
Speaker 1: to sell it like that was the reason why in

1028
00:53:23,640 --> 00:53:26,800
Speaker 1: the years past we could post the full video online.

1029
00:53:27,560 --> 00:53:30,760
Speaker 1: You know, we've had wonderful people publicists really like stream

1030
00:53:30,840 --> 00:53:33,480
Speaker 1: from the audience that was really good.

1031
00:53:33,520 --> 00:53:35,440
Speaker 2: Absolutely, we couldn't.

1032
00:53:35,440 --> 00:53:38,560
Speaker 1: We did not have like the mechanisms in place for

1033
00:53:39,080 --> 00:53:41,600
Speaker 1: that kind of access for people, but now we do,

1034
00:53:41,880 --> 00:53:44,600
Speaker 1: and it was all kind of building towards this, and

1035
00:53:44,640 --> 00:53:47,400
Speaker 1: so we just want to do a great job for

1036
00:53:47,440 --> 00:53:49,839
Speaker 1: you guys, and we hope and know you'll love it.

1037
00:53:55,440 --> 00:53:57,839
Speaker 1: I think the mechanisms are in place for I don't

1038
00:53:57,880 --> 00:54:00,279
Speaker 1: think so, honey, What do you think? I I think

1039
00:54:00,360 --> 00:54:03,640
Speaker 1: so as well. I I have a random one. But

1040
00:54:03,680 --> 00:54:06,120
Speaker 1: I hope you agree. But do you want to go first?

1041
00:54:06,360 --> 00:54:08,879
Speaker 2: Yeah? I guess we'll go first. I don't think so, honey.

1042
00:54:09,000 --> 00:54:11,320
Speaker 2: Is our sixty second segment where we take a second

1043
00:54:11,880 --> 00:54:16,200
Speaker 2: sixty Actually, excuse me for my mistake there to rail

1044
00:54:16,360 --> 00:54:20,840
Speaker 2: rantom more against something in culture that has to be stopped,

1045
00:54:21,440 --> 00:54:25,880
Speaker 2: preferable soon. So this is mine. I I'm ready to go.

1046
00:54:26,480 --> 00:54:28,200
Speaker 1: Okay, this is Matt Rogers. I don't think so many

1047
00:54:28,239 --> 00:54:29,240
Speaker 1: as time starts now.

1048
00:54:29,440 --> 00:54:32,920
Speaker 2: I don't think so honey. Gay guys making weight jokes

1049
00:54:33,160 --> 00:54:37,600
Speaker 2: in front of women, what about themselves? Like oh God,

1050
00:54:38,080 --> 00:54:41,440
Speaker 2: like you're not a gay AI from twenty seventeen, Like

1051
00:54:41,719 --> 00:54:44,520
Speaker 2: please stop acting like one people being like ugh, I

1052
00:54:44,520 --> 00:54:47,640
Speaker 2: don't want to snack on something or just like anyone

1053
00:54:47,680 --> 00:54:49,919
Speaker 2: that's like being annoying and making weight jokes in front

1054
00:54:49,960 --> 00:54:52,000
Speaker 2: of women. You're a gay guy, like the way that

1055
00:54:52,120 --> 00:54:55,600
Speaker 2: your body like you're allowed to be feel however you

1056
00:54:55,640 --> 00:55:00,239
Speaker 2: want to feel but just like understand that like thirty seconds, Oh,

1057
00:55:00,239 --> 00:55:02,560
Speaker 2: I don't want to eat that in front of women.

1058
00:55:02,719 --> 00:55:05,640
Speaker 2: It's like, I don't know, like this this really bothers me.

1059
00:55:05,719 --> 00:55:08,719
Speaker 2: It's like gay guys like not understanding like the way

1060
00:55:08,719 --> 00:55:10,239
Speaker 2: that you talk about your body is the way that

1061
00:55:10,239 --> 00:55:12,200
Speaker 2: women feel about it all the time. Like I feel

1062
00:55:12,200 --> 00:55:15,160
Speaker 2: like the summer is just occasional for people to be like, God,

1063
00:55:15,200 --> 00:55:18,719
Speaker 2: I'm fucking fat, and it's like because it's just be

1064
00:55:18,840 --> 00:55:21,239
Speaker 2: more careful with the way you toss this shit around,

1065
00:55:21,280 --> 00:55:23,799
Speaker 2: even if you think you're being funny, like it really

1066
00:55:24,160 --> 00:55:26,759
Speaker 2: I've seen it shut down some social situations, and it's

1067
00:55:26,760 --> 00:55:29,560
Speaker 2: because people just aren't thinking, like, don't be so ignorant.

1068
00:55:29,560 --> 00:55:31,680
Speaker 2: I don't think so honey, that's one minute.

1069
00:55:31,840 --> 00:55:34,480
Speaker 1: Yeah, I mean, that's just this is just I guess

1070
00:55:34,520 --> 00:55:39,479
Speaker 1: something that hopefully these people learn relearn every year when

1071
00:55:39,560 --> 00:55:44,600
Speaker 1: like they think about that in a more apparent way

1072
00:55:44,640 --> 00:55:46,320
Speaker 1: because it's summer, idyka.

1073
00:55:46,520 --> 00:55:48,480
Speaker 2: I don't know. I think when summer approaches, it like

1074
00:55:48,520 --> 00:55:50,880
Speaker 2: gets everyone in their head about their bodies and especially

1075
00:55:51,000 --> 00:55:53,399
Speaker 2: like I don't know, I just think like gay men

1076
00:55:53,480 --> 00:55:56,760
Speaker 2: because we often are casual around women with like because

1077
00:55:56,840 --> 00:55:59,319
Speaker 2: like you know, we're comfortable with them. Sometimes we say

1078
00:55:59,320 --> 00:56:02,480
Speaker 2: things about our own bodies or like you know, comment

1079
00:56:02,560 --> 00:56:05,000
Speaker 2: and like a body culture, like in the gay community,

1080
00:56:05,160 --> 00:56:07,720
Speaker 2: which I think can be a little careless around women

1081
00:56:08,080 --> 00:56:10,680
Speaker 2: who have to deal with that three sixty five. You

1082
00:56:10,680 --> 00:56:12,839
Speaker 2: know what I'm saying, it's just like then, and so

1083
00:56:12,920 --> 00:56:15,719
Speaker 2: I just think it comes off a little disrespectful and

1084
00:56:15,800 --> 00:56:18,160
Speaker 2: a little I don't know, just as if you're not

1085
00:56:18,239 --> 00:56:20,600
Speaker 2: thinking of the comfort of the people around you when

1086
00:56:20,640 --> 00:56:24,560
Speaker 2: you are so casual and like low key body fascist.

1087
00:56:24,920 --> 00:56:27,399
Speaker 2: Yeah you know what I mean. It makes people feel bad.

1088
00:56:27,440 --> 00:56:31,560
Speaker 2: So I just think gay's it's a little hikey chill.

1089
00:56:32,200 --> 00:56:34,880
Speaker 2: And also, no one's thinking about your body as much

1090
00:56:34,920 --> 00:56:36,880
Speaker 2: as you are. You don't need to vocalize it. I

1091
00:56:36,880 --> 00:56:39,200
Speaker 2: think sometimes people are like, oh, I better say this

1092
00:56:39,239 --> 00:56:41,319
Speaker 2: thing about my body because I know it's fucked up,

1093
00:56:41,719 --> 00:56:44,800
Speaker 2: like it's probably that. And also no one is thinking

1094
00:56:44,840 --> 00:56:47,800
Speaker 2: about it right So because once you bring those issues

1095
00:56:47,840 --> 00:56:49,759
Speaker 2: to the table, understand that someone else is going to

1096
00:56:49,800 --> 00:56:51,920
Speaker 2: be feeling those issues in a much deeper way, and

1097
00:56:52,040 --> 00:56:54,560
Speaker 2: especially women. I've just seen it really like shut down

1098
00:56:54,640 --> 00:56:57,839
Speaker 2: some things, and it makes me feel not good. This

1099
00:56:58,400 --> 00:57:03,960
Speaker 2: is Bowen Yang's random I don't think so, honey, and

1100
00:57:04,040 --> 00:57:07,759
Speaker 2: his time starts now, I don't think so, honey. Azure.

1101
00:57:08,040 --> 00:57:09,520
Speaker 1: First of all, how do you pronounce it?

1102
00:57:09,600 --> 00:57:12,680
Speaker 2: Azure? Azure? Second of all, just say blue.

1103
00:57:12,920 --> 00:57:15,600
Speaker 1: I looked it up. It's just sky blue. We could

1104
00:57:15,600 --> 00:57:18,480
Speaker 1: say sky blue instead of putting too much so to

1105
00:57:18,480 --> 00:57:22,360
Speaker 1: speak sauce on and say azure, which is a name

1106
00:57:22,440 --> 00:57:24,400
Speaker 1: for a company. It's it's it's a name for a

1107
00:57:24,440 --> 00:57:26,680
Speaker 1: company first, and not a color name.

1108
00:57:26,760 --> 00:57:27,400
Speaker 2: Do you know what I mean?

1109
00:57:27,520 --> 00:57:32,280
Speaker 1: It's like it's too corporate sounding A, zure and I

1110
00:57:32,440 --> 00:57:37,560
Speaker 1: it's just a random assortment of letters A, Z, R, E.

1111
00:57:38,200 --> 00:57:40,480
Speaker 1: First of all, to have letters A and Z in

1112
00:57:40,520 --> 00:57:43,960
Speaker 1: the same word is very powerful, and it only is

1113
00:57:44,040 --> 00:57:49,360
Speaker 1: reserved for the best words, such as pizza, jazz, crazy.

1114
00:57:50,360 --> 00:57:50,920
Speaker 2: I don't know.

1115
00:57:51,440 --> 00:57:54,120
Speaker 1: I don't have other examples, but azure it does not

1116
00:57:54,280 --> 00:58:00,520
Speaker 1: belong in that pan of amazing, what's amazing? Plaza's powerful

1117
00:58:00,520 --> 00:58:02,280
Speaker 1: when a word has A and Z in it because

1118
00:58:02,320 --> 00:58:04,920
Speaker 1: it spans the entire alphabet in a way, in a sense,

1119
00:58:05,120 --> 00:58:05,880
Speaker 1: but not azure.

1120
00:58:05,960 --> 00:58:08,440
Speaker 2: You don't belong up there. And that's one minute. Do

1121
00:58:08,440 --> 00:58:12,080
Speaker 2: you agree with me? Can I say something? I'm walking

1122
00:58:12,240 --> 00:58:15,400
Speaker 2: through it in the moment, I don't know because I

1123
00:58:15,440 --> 00:58:18,720
Speaker 2: agree with you, But there's something beautiful about azure.

1124
00:58:19,240 --> 00:58:22,240
Speaker 1: No, but see, but listen to how I say it.

1125
00:58:22,440 --> 00:58:22,920
Speaker 2: Azure.

1126
00:58:23,200 --> 00:58:25,440
Speaker 1: Yeah, I wish you don't want to hear that all

1127
00:58:25,480 --> 00:58:27,880
Speaker 1: the time. I wish that's how.

1128
00:58:27,680 --> 00:58:28,680
Speaker 2: It was pronounced.

1129
00:58:28,720 --> 00:58:34,120
Speaker 1: But I think it's pronounced azure, which sounds crazy, and

1130
00:58:34,200 --> 00:58:37,600
Speaker 1: it is an inefficient way of describing a plain blue color.

1131
00:58:37,680 --> 00:58:40,200
Speaker 1: It's not like cerulean, which is a gorgeous word by

1132
00:58:40,240 --> 00:58:41,360
Speaker 1: the way, for the word blue.

1133
00:58:41,680 --> 00:58:43,280
Speaker 2: There are all these words for the word blue.

1134
00:58:43,400 --> 00:58:46,720
Speaker 1: Azure is like so random sauce to me, like I

1135
00:58:46,800 --> 00:58:48,160
Speaker 1: don't like it's.

1136
00:58:47,880 --> 00:58:51,800
Speaker 2: Always bothered me this word bohen. If you don't like

1137
00:58:51,960 --> 00:58:56,440
Speaker 2: your reality, change it, say azure like me. You can

1138
00:58:56,480 --> 00:59:00,360
Speaker 2: live a fabulous life if you just so choose. If

1139
00:59:00,400 --> 00:59:04,320
Speaker 2: you start saying azure, know that you've created a path

1140
00:59:04,360 --> 00:59:08,120
Speaker 2: forward for yourself toward happiness.

1141
00:59:06,800 --> 00:59:12,520
Speaker 1: Azure. It's not how it's pronounced azure. It feels like

1142
00:59:12,720 --> 00:59:15,480
Speaker 1: it's the name of a pastry or a company, and

1143
00:59:15,520 --> 00:59:17,600
Speaker 1: it's not the name of a color. And for that reason,

1144
00:59:17,680 --> 00:59:20,000
Speaker 1: it should be a proper noun only, and it should

1145
00:59:20,040 --> 00:59:22,800
Speaker 1: not be in the dictionary. It should be It should

1146
00:59:22,880 --> 00:59:25,920
Speaker 1: just be like a startup. Well, I think this is

1147
00:59:25,960 --> 00:59:28,560
Speaker 1: all very azure of you. No, that's not even the

1148
00:59:28,640 --> 00:59:32,360
Speaker 1: right usage. I think you're actually being quite azure at

1149
00:59:32,400 --> 00:59:40,960
Speaker 1: the moment. Your azurity is showing things of such an

1150
00:59:41,000 --> 00:59:45,480
Speaker 1: azure nature of which you speak. Oh, it's really a sure,

1151
00:59:46,240 --> 00:59:49,080
Speaker 1: such an azure nature of which you speak.

1152
00:59:49,440 --> 00:59:51,600
Speaker 2: You committed an azure against me.

1153
00:59:51,880 --> 00:59:56,760
Speaker 1: Ah see, you used the word azure in like ten

1154
00:59:56,800 --> 00:59:59,160
Speaker 1: different ways. None of them were in the color way.

1155
01:00:00,000 --> 01:00:01,720
Speaker 1: Because that's my issue.

1156
01:00:01,520 --> 01:00:07,640
Speaker 2: Let me reassure you. I can give you an assurance, okay,

1157
01:00:08,160 --> 01:00:17,800
Speaker 2: that your assurance is inequitable. Right now you're acting azure. Oh, well,

1158
01:00:18,000 --> 01:00:18,960
Speaker 2: you've gone azure.

1159
01:00:19,720 --> 01:00:22,480
Speaker 1: They've gone azure if you know what I mean. Sure,

1160
01:00:22,600 --> 01:00:30,600
Speaker 1: if you gather my meaning, I think you've gone suddenly.

1161
01:00:30,680 --> 01:00:36,600
Speaker 1: It's become a front runner for word of the year suddenly,

1162
01:00:36,640 --> 01:00:40,040
Speaker 1: and as we come a front runner, it's just it's

1163
01:00:40,040 --> 01:00:41,520
Speaker 1: a word that doesn't mean. But don't you don't you

1164
01:00:41,520 --> 01:00:45,919
Speaker 1: agree with me that words such as jazz, pizza, crazy, amazing, that.

1165
01:00:45,840 --> 01:00:46,880
Speaker 2: Those are the words.

1166
01:00:46,960 --> 01:00:49,080
Speaker 1: Yes, those are some of the best words we have.

1167
01:00:49,240 --> 01:00:54,840
Speaker 1: And azure as not. How do you spell it?

1168
01:00:55,240 --> 01:00:57,680
Speaker 2: Oh no, the spelling is universal A z you are

1169
01:00:57,760 --> 01:01:00,720
Speaker 2: e Okay, well, I have to tell you, I'm getting

1170
01:01:00,800 --> 01:01:04,480
Speaker 2: like a Microsoft Azure. What is that? Exactly?

1171
01:01:05,160 --> 01:01:06,560
Speaker 1: This is what I This is what I'm saying. It's

1172
01:01:06,600 --> 01:01:09,680
Speaker 1: a company, it's like a service. It's it's it doesn't

1173
01:01:09,760 --> 01:01:13,360
Speaker 1: sound like a color. It sounds like a corporate shitty

1174
01:01:13,440 --> 01:01:15,320
Speaker 1: of a fucking clinical ass name.

1175
01:01:15,720 --> 01:01:19,760
Speaker 2: And I'm saying that I like. Can I say what

1176
01:01:19,800 --> 01:01:24,760
Speaker 2: I like? Yeah? I like a soul bowen. Okay, So

1177
01:01:24,880 --> 01:01:29,760
Speaker 2: I just literally googled is azure a word? And it is.

1178
01:01:30,640 --> 01:01:33,760
Speaker 2: It is a bright blue color and it also is

1179
01:01:33,800 --> 01:01:37,080
Speaker 2: a small butterfly that is typically blue or purplish, with

1180
01:01:37,400 --> 01:01:40,400
Speaker 2: color differences between the sexes. I can only imagine that

1181
01:01:40,440 --> 01:01:45,080
Speaker 2: the purple are girls because pink. Now, listen, I think

1182
01:01:45,120 --> 01:01:50,200
Speaker 2: that you are not understanding that there's an opportunity here

1183
01:01:50,640 --> 01:01:55,200
Speaker 2: to franchise Azure, because if it's not out there enough,

1184
01:01:55,800 --> 01:01:58,200
Speaker 2: let's make it out there. Let's try. I think.

1185
01:01:58,320 --> 01:02:02,000
Speaker 1: Sure, I'm saying it's out there, you much. I don't

1186
01:02:02,000 --> 01:02:05,240
Speaker 1: want it out there anymore. The s CEO is terrible.

1187
01:02:05,360 --> 01:02:07,200
Speaker 1: You googled us your and the first thing that popped

1188
01:02:07,280 --> 01:02:08,720
Speaker 1: up was Microsoft Azure.

1189
01:02:08,840 --> 01:02:11,680
Speaker 2: Whatever that is? So what who are they? They're not

1190
01:02:11,760 --> 01:02:14,400
Speaker 2: even that Microsoft not even that big of a deal anymore.

1191
01:02:14,440 --> 01:02:18,040
Speaker 2: It's all about Apple, know what I'm saying. It's like, Okay,

1192
01:02:18,120 --> 01:02:22,160
Speaker 2: we can't take on Microsoft. Please try me. I'm not

1193
01:02:22,280 --> 01:02:25,480
Speaker 2: Can I say something on record, I'm not worried about Microsoft.

1194
01:02:25,720 --> 01:02:29,600
Speaker 2: I'm not at all Apple this Apple, that Apple, this

1195
01:02:29,720 --> 01:02:32,440
Speaker 2: Apple that I'll take them on for Azure and in fact,

1196
01:02:32,960 --> 01:02:34,920
Speaker 2: can we get our lawyer on I would like to

1197
01:02:34,960 --> 01:02:37,920
Speaker 2: file a lawsuit, a copyright claim. I would like to

1198
01:02:37,960 --> 01:02:41,040
Speaker 2: get legal about this and let Tijo sephen against Microsoft

1199
01:02:41,120 --> 01:02:43,400
Speaker 2: for the word is zero. I think we've lost the thread.

1200
01:02:43,840 --> 01:02:47,720
Speaker 2: This is Rogers versus Microsoft, and the only one well,

1201
01:02:48,000 --> 01:02:53,880
Speaker 2: we'll leave with the word azure. I'm telling you readers, publicists, finalists, Katies,

1202
01:02:53,920 --> 01:02:57,800
Speaker 2: Kyle's and more, because there are more coming in the future.

1203
01:02:58,720 --> 01:03:01,880
Speaker 2: Oh God, start making a sure a thing for a

1204
01:03:01,920 --> 01:03:04,320
Speaker 2: lost colach. I'm serious. Mm hmm.

1205
01:03:04,680 --> 01:03:07,840
Speaker 1: I just want to quickly shout out, Audrey Hobert, sue me,

1206
01:03:08,000 --> 01:03:10,680
Speaker 1: I love that song to me, relegitiousness.

1207
01:03:10,040 --> 01:03:12,680
Speaker 2: I'm loving that you're loving this song. I love it too.

1208
01:03:12,920 --> 01:03:14,560
Speaker 1: I mean it came out like a few weeks ago,

1209
01:03:14,560 --> 01:03:16,640
Speaker 1: but I'm late to the party. But the music video

1210
01:03:16,680 --> 01:03:17,640
Speaker 1: have you seen the music video.

1211
01:03:18,080 --> 01:03:20,120
Speaker 2: No, I haven't yet. It's a little brain scratcher. I

1212
01:03:20,120 --> 01:03:22,360
Speaker 2: love it. It makes me feel a little fuzzy in my head.

1213
01:03:22,480 --> 01:03:24,600
Speaker 2: I know me too, me too, But you should watch

1214
01:03:24,680 --> 01:03:28,800
Speaker 2: watch the music video. It's phenomenon love. So she works

1215
01:03:28,800 --> 01:03:32,040
Speaker 2: with Gracie a lot, who I love. We love Gracie,

1216
01:03:32,080 --> 01:03:32,480
Speaker 2: you know who.

1217
01:03:32,520 --> 01:03:37,280
Speaker 1: Gracie said her dream podcast guest is for Last Coach Corner,

1218
01:03:38,960 --> 01:03:41,840
Speaker 1: and I said it was in the works, but Matt

1219
01:03:41,840 --> 01:03:44,280
Speaker 1: and I are kind of Matt Morrisea was kind of

1220
01:03:44,280 --> 01:03:45,880
Speaker 1: afraid that she would analyze this to destruction.

1221
01:03:46,360 --> 01:03:48,440
Speaker 2: I think, honestly that might have been a reflection of

1222
01:03:48,480 --> 01:03:50,400
Speaker 2: where I was at the time, because I would love

1223
01:03:50,440 --> 01:03:53,280
Speaker 2: to have doctor Orna on. Let's have doctor Orna on. No,

1224
01:03:53,400 --> 01:03:55,440
Speaker 2: we should, and also that would be really great. And

1225
01:03:55,480 --> 01:03:58,520
Speaker 2: also Charlie XCX it is on record on this podcast

1226
01:03:58,520 --> 01:04:01,520
Speaker 2: she's saying she's the sexiest one. I'm alive. She she

1227
01:04:01,680 --> 01:04:02,040
Speaker 2: just was.

1228
01:04:02,080 --> 01:04:03,800
Speaker 1: She and I just connected about that today where she

1229
01:04:03,920 --> 01:04:06,600
Speaker 1: replied to my story and said she's my god, my crush,

1230
01:04:06,720 --> 01:04:07,360
Speaker 1: my everything.

1231
01:04:09,080 --> 01:04:12,600
Speaker 2: Wow. Charlie Cake stands.

1232
01:04:12,320 --> 01:04:14,960
Speaker 1: Orna and the craziest way as we know, I mean,

1233
01:04:14,960 --> 01:04:19,120
Speaker 1: why wouldn't Orna is on everybody's lips and the new

1234
01:04:19,120 --> 01:04:20,880
Speaker 1: season of Couples Have you started a new season of

1235
01:04:20,920 --> 01:04:21,600
Speaker 1: Couples Therapy?

1236
01:04:21,720 --> 01:04:23,080
Speaker 2: No, I have to, I have to, I have to.

1237
01:04:23,120 --> 01:04:25,880
Speaker 2: I have excellent, excellent this season. Well, with that to

1238
01:04:25,920 --> 01:04:28,640
Speaker 2: look forward to and a culture catchup in the can,

1239
01:04:29,120 --> 01:04:31,840
Speaker 2: the boys logged off to enjoy the rest of their

1240
01:04:31,880 --> 01:04:35,560
Speaker 2: Memorial Day, but not before they finished the episode of

1241
01:04:35,600 --> 01:04:41,880
Speaker 2: Lost Cauldrees, this titled sure, like they always do with

1242
01:04:42,000 --> 01:04:44,320
Speaker 2: the song. Well, no, we had another title that was

1243
01:04:44,360 --> 01:04:46,320
Speaker 2: really good. What was it? That was another one? It

1244
01:04:46,360 --> 01:04:51,000
Speaker 2: was like, go, did you write it down? She didn't

1245
01:04:51,040 --> 01:04:51,600
Speaker 2: write it down?

1246
01:04:52,240 --> 01:04:52,640
Speaker 1: Damn it?

1247
01:04:53,160 --> 01:04:57,200
Speaker 2: Oh, Becca, she says, Lol, No, I'm sorry, all caps

1248
01:04:57,360 --> 01:05:01,400
Speaker 2: begging for forgiveness, groveling. We'll see gravel. We'll see about that.

1249
01:05:01,480 --> 01:05:02,640
Speaker 2: We'll have to keep.

1250
01:05:02,720 --> 01:05:06,280
Speaker 1: Her guessing whether or not we forgive her. So tune

1251
01:05:06,320 --> 01:05:08,360
Speaker 1: into the next Last Culture to find out.

1252
01:05:11,240 --> 01:05:19,600
Speaker 2: Sum I want to be wanted. I want to Oh.

1253
01:05:21,560 --> 01:05:24,360
Speaker 2: I need to keep listening to it. It's great. I'm

1254
01:05:24,400 --> 01:05:26,360
Speaker 2: in that thing where I'm listening to a lot of

1255
01:05:26,400 --> 01:05:28,920
Speaker 2: the same thing again and again and again and again.

1256
01:05:29,400 --> 01:05:31,920
Speaker 2: And it is Baron Morris's album. I love it.

1257
01:05:31,920 --> 01:05:36,640
Speaker 1: It's excellent. Dreamsicle stream Nickel. You gotta stream Dreamsicle and

1258
01:05:36,760 --> 01:05:39,880
Speaker 1: love Maren. Okay, We're already sing a song, so that

1259
01:05:39,960 --> 01:05:41,200
Speaker 1: can by.

1260
01:05:42,640 --> 01:05:42,880
Speaker 2: Last.

1261
01:05:42,880 --> 01:05:44,960
Speaker 1: Culture Racist is the production by Will Ferrell's Big Money

1262
01:05:45,000 --> 01:05:47,920
Speaker 1: Players in the Heart Radio podcasts, created and hosted by

1263
01:05:48,000 --> 01:05:51,480
Speaker 1: Matt Rogers and Bowen Ye, executive produced by Anna Hasnier

1264
01:05:51,600 --> 01:05:54,360
Speaker 1: and produced by Becker Ramos, edited mixed by Doug Baby

1265
01:05:54,440 --> 01:05:55,040
Speaker 1: and Nikola Boord.

1266
01:05:55,160 --> 01:05:57,000
Speaker 2: And our music is by Henry Komirski