WEBVTT - Repeat After Me

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<v Speaker 1>Pushkin. Okay, I think we are recording. Yeah, are you

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<v Speaker 1>controlling the recorder with your butt? Correct? Last summer coronavirus summer,

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<v Speaker 1>the last Archives. Dauntless producer Ben Natt of Haffrey came

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<v Speaker 1>to visit me in Vermont picture woods fields, goats, dogs,

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<v Speaker 1>a barn cat. The state was pretty much locked down,

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<v Speaker 1>and I couldn't let him in the house. So we

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<v Speaker 1>sat as vermontra say, a cow's length apart, on the

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<v Speaker 1>porch of a cabin in the woods. Benn had driven

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<v Speaker 1>up in a pickup truck loaded with all of his

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<v Speaker 1>fancy recording equipment, but in the cabin where there's no electricity,

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<v Speaker 1>the conditions for recording were a little primitive. That's like

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<v Speaker 1>we just need cornea. This is like fully regressed last

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<v Speaker 1>Archive recordings. This is the last archive, nineteenth century edition. Okay.

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<v Speaker 1>So the conditions were grim the way, so much of

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<v Speaker 1>the conditions in the pandemic were grim. But Ben had

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<v Speaker 1>come a long way to tell me a story. It's

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<v Speaker 1>the trappings of a ghost story basically. Also, we see

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<v Speaker 1>we have a chicken in the yard. Don't let the

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<v Speaker 1>chicken in. Wh'll never get the chicken. Yeah, there's a strong,

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<v Speaker 1>no chickens in the Last Archive roll. This episode, Ben's

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<v Speaker 1>going to tell you that story, the story he told

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<v Speaker 1>me on the porch of that cabin in Vermont, a

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<v Speaker 1>ghost story, a story I'd never heard before, but which

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<v Speaker 1>honestly is like the most last archive thing ever. Should

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<v Speaker 1>I do the thing here? Yeah, you tell the people.

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<v Speaker 1>Imagine a place, a cabin in the backwoods of the mind,

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<v Speaker 1>lined with cupboards, stocked with proof, cluttered with weird stuff, magnets,

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<v Speaker 1>a deck of cards with strange symbols, old radios, WI

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<v Speaker 1>on the door, weirdly, even on the door of that cabin.

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<v Speaker 1>Who reads the Last Archive? I'm Jill Lapoor and I'm

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<v Speaker 1>Ben Matafaffrey. This podcast has been going through the last

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<v Speaker 1>century of American history, decade by decade. This season is

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<v Speaker 1>all about doubt, and with this story of Ben's, we've

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<v Speaker 1>reached the nineteen fifties. I think of the nineteen fifties

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<v Speaker 1>as an age of conformity and also of persecution for

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<v Speaker 1>the nonconforming. So you've got your suburbs and your Barbie

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<v Speaker 1>dolls and your hula hoops and your heyday of liberalism.

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<v Speaker 1>But you've also got your red lining and your housing

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<v Speaker 1>covenants to keep black people out of those suburbs. The

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<v Speaker 1>nineteen fifties was a time when it seemed somehow important

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<v Speaker 1>to pretend that things were one way when they were

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<v Speaker 1>really another way. That's what grabbed me about Ben's we

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<v Speaker 1>think of the nineteen fifties is a time of intellectual

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<v Speaker 1>consensus and rigidity when actually, well, I don't want to

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<v Speaker 1>give it all away, Okay, Ben, take us there. Step

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<v Speaker 1>through the door to a living room in the town

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<v Speaker 1>of Pueblo, Colorado, ten thirty five pm, November nineteen fifty two.

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<v Speaker 1>There's a man leaning over a woman. She's lying on

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<v Speaker 1>a couch, and he's speaking into a microphone. Now, we're

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<v Speaker 1>going to turn back. We're going to turn back through

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<v Speaker 1>time and space, just like turning back in the pages

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<v Speaker 1>of a book. And when I next talked to you,

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<v Speaker 1>you will be seven years old, and you will be

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<v Speaker 1>able to answer my questions. That's the voice of Maury Bernstein,

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<v Speaker 1>a thirty three year old business man. He works in

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<v Speaker 1>the farm and industrial equipment business. Handsome, straight laced, he's

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<v Speaker 1>got curled black hair. Now, now you're seven years old,

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<v Speaker 1>are there any nice boys that you like? That voice

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<v Speaker 1>belongs to a twenty nine year old housewife named Virginia Tie.

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<v Speaker 1>She seems ordinary enough at first that night in nineteen

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<v Speaker 1>fifty two, she could have stayed home with her husband,

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<v Speaker 1>a local businessman, or they could have gone to a

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<v Speaker 1>bridge game, a cocktail party, or a dance. Maybe she

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<v Speaker 1>should have, but instead she's here on the couch in

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<v Speaker 1>Murray Burnstein's pitch black living room. I want you to

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<v Speaker 1>keep on going back and back and back in your mind,

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<v Speaker 1>and surprising as it may seem, strange as it may seem,

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<v Speaker 1>you will find that there are other scenes in your memory.

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<v Speaker 1>There are other scenes from far away lands and list

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<v Speaker 1>in places in your memory. Bernstein's doing something called hypnotic

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<v Speaker 1>age aggression. After the World Wars, it been used as

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<v Speaker 1>a way of helping soldiers deal with trauma. But the

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<v Speaker 1>woman Burnstein was age aggressing, Virginia Tie, didn't have any

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<v Speaker 1>known trauma, And honestly, that's not what burn scene was.

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<v Speaker 1>After he'd read a book that said that hypnotic age

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<v Speaker 1>aggression could help people remember past lives as in reincarnation.

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<v Speaker 1>Now you're going to tell me what scenes came into

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<v Speaker 1>your mind. What did you see scratch the paint offer

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<v Speaker 1>on my bed. It was a little bid. Don't my

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<v Speaker 1>nails on? Harry post into struandess why did you do that?

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<v Speaker 1>I don't know, it's just mad an awful spank. And

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<v Speaker 1>what is your name? Fridy? Your name is what? Fredy?

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<v Speaker 1>Don't you have any other name? Pride Murphy? Where do

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<v Speaker 1>you live? Ireland? Do you know what year it is? Eighteen?

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<v Speaker 1>Ohs Bernstein had done it. He had discovered Virginia tis

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<v Speaker 1>past self. She was named Bridy Murphy, born in Ireland

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<v Speaker 1>in seventeen ninety eight, died in eighteen sixty four, and

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<v Speaker 1>then resurrected in nineteen fifty two and caught on tape

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<v Speaker 1>like a ghost. That tape is incredible to listen to,

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<v Speaker 1>but not as incredible is what happened next. So I

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<v Speaker 1>kind of just don't even get from the start, like

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<v Speaker 1>nineteen fifties businessmen, yeah, and occult, Like I don't even

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<v Speaker 1>see how those two things good? Yeah, exactly, That's what.

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<v Speaker 1>That's what I was really curious about, because it's this Well,

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<v Speaker 1>I'll get to what happened, but this is who more

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<v Speaker 1>he is. Ever since he was a kid, Maury Bernstein

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<v Speaker 1>had led a charmed life. His family ran a successful

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<v Speaker 1>business selling industrial equipment flipping scrap metal in Pueblo Steeltown.

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<v Speaker 1>Bernstein knew one day he'd take over the family business.

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<v Speaker 1>He was a straight a student, star athlete. People said

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<v Speaker 1>he looked like Frank Sinatra. He was so good at

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<v Speaker 1>Yo Yo's that he got a job at the local

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<v Speaker 1>department store, showing them off on the sales floor. I

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<v Speaker 1>guess he saw more doing something you wanted to do

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<v Speaker 1>it too. Bernstein graduated from Wharton in nineteen forty one,

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<v Speaker 1>and he headed back to Colorado to help run the

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<v Speaker 1>family business. He got married to a woman named Hazel Higgins,

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<v Speaker 1>a made to order wife, a maid to order life

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<v Speaker 1>until one night Bernstein went to a party with a

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<v Speaker 1>man who said he was a hypnotist. The man asked

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<v Speaker 1>if anyone wanted to try it, and, as Bernstein later wrote,

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<v Speaker 1>a tall, attractive blonde girl spoke up and offered to

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<v Speaker 1>be his subject. So the first scientifically relevant detail in

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<v Speaker 1>this investigation the unknown is that the first time Bernstein

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<v Speaker 1>witness the shypnotism, it involves an attractive blonde lady. That

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<v Speaker 1>the women are attractive in some Doris Day way is

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<v Speaker 1>not incidental to this story. Bernstein's journey began that night

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<v Speaker 1>with that blonde woman. The hypnotist put her so deep

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<v Speaker 1>in a trance that her fiance could do anything and

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<v Speaker 1>she wouldn't flinch. He made loud noises, tickled her, put

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<v Speaker 1>mustard on her face. It's pretty creepy, But the sexual

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<v Speaker 1>politics here are not really subtext so much as like

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<v Speaker 1>bold faced headline text. And honestly, you could make a

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<v Speaker 1>diorama of pseudoscience or even just psychology through the ages,

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<v Speaker 1>and it would be this same scene, men experimenting on

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<v Speaker 1>women over and over again. This was what first got

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<v Speaker 1>Bernstein curious about hypnosis, the control it also raised for him,

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<v Speaker 1>he said, a whole train of questions. He later wrote,

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<v Speaker 1>if this thing is true, if this is a fact,

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<v Speaker 1>then why is it not more widely used? His suggestion

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<v Speaker 1>is so powerful in this state, then is this not

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<v Speaker 1>a powerful weapon for good? If the human mind can

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<v Speaker 1>be so directed, so molded, so impressed, then why does

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<v Speaker 1>not every doctor understand the fundamentals of hypnosis? What is

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<v Speaker 1>the reason that science does not show more interest? But

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<v Speaker 1>science had expressed a lot of interest for a very

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<v Speaker 1>long time. So before we get back to Bernstein and

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<v Speaker 1>his discovery of reincarnation, let's take a brief tour through

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<v Speaker 1>the past lives of hypnotism, beginning specifically in Austria in

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<v Speaker 1>the eighteenth century with a man named Franz Mesmer. Mesmer

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<v Speaker 1>was a physician who believed that there was a mystical

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<v Speaker 1>invisible fluid and all living things that was magnetized by

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<v Speaker 1>the planets and the stars. If the fluid got blocked up,

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<v Speaker 1>you got sick. And I mean, this wasn't all that

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<v Speaker 1>different from a lot of other cutting edge science. The

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<v Speaker 1>late eighteenth century was a time when lots of invisible

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<v Speaker 1>laws were getting discovered, the conservation of mass, the existence

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<v Speaker 1>of oxygen, the power of electricity. Ideas like Mesmer's fluid

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<v Speaker 1>had been around for centuries, but he had invented a

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<v Speaker 1>new therapy that could get the fluids flowing again. He'd

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<v Speaker 1>bring people over to his drawing rooms. He'd wear purple

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<v Speaker 1>robes and move his hands or magnetize iron rods over

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<v Speaker 1>their bodies. He'd send them into trances to cure them.

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<v Speaker 1>This is where the term mesmerized comes from, and Mesmerism

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<v Speaker 1>took off all across Europe as a sort of combo

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<v Speaker 1>party trick and miracle cure. It got really popular during

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<v Speaker 1>the very decades that women were first fighting for the

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<v Speaker 1>right to vote, and then it had a very long afterlife.

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<v Speaker 1>You have he kind of like Mesmer to Freud, to

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<v Speaker 1>bf Skinner of just men who were like, it really

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<v Speaker 1>is bugging me that women are gaining some power outside

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<v Speaker 1>the household, in the family. So I wonder if ict

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<v Speaker 1>I'd just put them to sleep, and then everything will

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<v Speaker 1>be about like their sexuality, and I'll just make suggestions

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<v Speaker 1>to them. Over the next century, all sorts of eminent

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<v Speaker 1>doctors started using trans states to treat hysteria in women,

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<v Speaker 1>a made up therapy for a made up condition. Eventually,

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<v Speaker 1>a fluid free version of Mesmerism got somewhat legitimized under

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<v Speaker 1>a new name, hypnotism. Freud used it on his patients.

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<v Speaker 1>Hypnosis is one of the foundations of psychoanalysis. Maury Bernstein

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<v Speaker 1>he was really just another disciple of Franz Mesmer. A

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<v Speaker 1>couple of centuries after Mesmer conducted his first experiments, Bernstein

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<v Speaker 1>started practicing on his wife Hazel and claimed to have

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<v Speaker 1>cured her over headaches. He said he'd help people with

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<v Speaker 1>all sorts of things migraines, insomnia, stuttering, hysterical paralysis, but

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<v Speaker 1>it didn't stop with hypnosis. Before long, he started getting

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<v Speaker 1>into stranger things, things mainstream science hadn't yet proven, like

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<v Speaker 1>extrasensory perception past lives. In a way, he grew frustrated

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<v Speaker 1>with science. Back on the porch in Vermont, Jill and

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<v Speaker 1>I were batting around a different set of mysteries. What

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<v Speaker 1>lies behind the appeal of all this stuff about the

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<v Speaker 1>human mind esp or clairvoyants or auras or who knows

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<v Speaker 1>what else? Do you ever refer to this stuff as

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<v Speaker 1>yah yah? No? So I had a roommate in graduate

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<v Speaker 1>school he was pretty into this stuff because she was

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<v Speaker 1>in her peachd program in history. There were various like

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<v Speaker 1>slightly occulty things. I mean, I had a lot of

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<v Speaker 1>roommates when I was younger who were into like primal

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<v Speaker 1>scream therapy, like just whatnot. Like I had roommate who

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<v Speaker 1>was a wicked or just just like, I'm so not

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<v Speaker 1>that person, but I like those people, like I like

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<v Speaker 1>the challenge that they present, and I also just like

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<v Speaker 1>their individualism. Anyway, this wonderful roommate and her girlfriend always

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<v Speaker 1>called it yah yah and that everyone has at some

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<v Speaker 1>level a yah ya, like just like it's like just

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<v Speaker 1>like a thing that you do that makes no real

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<v Speaker 1>sense and just reveals that there is no order in

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<v Speaker 1>your mind, like that is also no order in the universe.

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<v Speaker 1>Like like just like it's okay because we all have

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<v Speaker 1>a yaya, but some people have too many of them anyway.

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<v Speaker 1>I like that Marie Bernstein was the guy from yo

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<v Speaker 1>yo's to yaya's. Yeah, a lot of yaya. He did

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<v Speaker 1>have a lot of yahya's. Most of them were harmless,

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<v Speaker 1>but not all Thanks to Maury Bernstein, I'm now forever

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<v Speaker 1>going to think of the nineteen fifties as the age

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<v Speaker 1>not of the Barbie Doll or the yo yo, but

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<v Speaker 1>the age of the yaya. Why so much ya ya?

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<v Speaker 1>I think partly because all sorts of World War two

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<v Speaker 1>technology was making its way in the nineteen fifties into

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<v Speaker 1>modern life. Atomic energy, microwaves, mainframe computers, thinks whose workings

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<v Speaker 1>were invisible. They seemed like miracles, and that made it

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<v Speaker 1>seem as if anything was possible. Knowledge depends on observation,

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<v Speaker 1>but all those innovations, with their invisible workings must have

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<v Speaker 1>made people feel a little doubtful. We think of the

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<v Speaker 1>nineteen fifties as a super buttoned up time. But Maury

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<v Speaker 1>Bernstein and his Yahya's kind of shows the lie. Here's

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<v Speaker 1>this put together businessman who learns about hypnosis and then

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<v Speaker 1>basically begins practicing the occult. And he wasn't the only one.

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<v Speaker 1>There were other seekers out there too. Some of them

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<v Speaker 1>were even scientists at serious universities. Back then, it wasn't

0:14:54.276 --> 0:14:58.116
<v Speaker 1>entirely weird to be interested in what Bernstein was interested in.

0:14:58.116 --> 0:15:02.116
<v Speaker 1>In some circles, it was cutting edge. By nineteen fifty two,

0:15:02.356 --> 0:15:05.996
<v Speaker 1>in North Carolina, a psychologist named doctor J. B Ryan

0:15:06.236 --> 0:15:10.116
<v Speaker 1>was making his own investigations into the unknown. Ryan headed

0:15:10.196 --> 0:15:13.836
<v Speaker 1>up the Duke Parapsychology Laboratory, and he'd been doing this

0:15:13.916 --> 0:15:17.076
<v Speaker 1>research for a long time since before the Second World War.

0:15:17.796 --> 0:15:20.756
<v Speaker 1>Bernstein was a big fan. He'd first heard about jb

0:15:20.956 --> 0:15:24.156
<v Speaker 1>Ryan's lab in the nineteen thirties, around when Ryan was

0:15:24.236 --> 0:15:29.596
<v Speaker 1>part of conducting experiments in telepathy using the radio. What

0:15:30.276 --> 0:15:33.436
<v Speaker 1>telepathy dove would have to play a part in personal enters,

0:15:33.476 --> 0:15:38.476
<v Speaker 1>the success controls? These are some of the questions I seen.

0:15:38.516 --> 0:15:42.876
<v Speaker 1>Its foundation seeks to explain. Here's how it worked. Ryan

0:15:42.956 --> 0:15:45.196
<v Speaker 1>had a deck of special cards, each with a different

0:15:45.196 --> 0:15:48.476
<v Speaker 1>symbol on the back. Three wavy lines, a star, a square.

0:15:49.076 --> 0:15:51.636
<v Speaker 1>He'd hold up a card and ask subjects whether they

0:15:51.716 --> 0:15:54.636
<v Speaker 1>knew what symbol was hidden on it. He figured he

0:15:54.636 --> 0:15:58.196
<v Speaker 1>could calculate the probability that someone would randomly guess the shape,

0:15:58.516 --> 0:16:02.436
<v Speaker 1>But if someone guessed correctly more often than probability predicted,

0:16:02.916 --> 0:16:06.476
<v Speaker 1>Ryan thought they must have special powers, and some people

0:16:06.516 --> 0:16:09.596
<v Speaker 1>really seemed like they did. He began to wonder just

0:16:09.636 --> 0:16:12.956
<v Speaker 1>how many he tested his students, kids in his neighborhood.

0:16:13.236 --> 0:16:16.556
<v Speaker 1>But to find out how widespread telepathy truly was, you'd

0:16:16.556 --> 0:16:19.236
<v Speaker 1>have to test a lot of people at once. That's

0:16:19.236 --> 0:16:24.556
<v Speaker 1>where the radio came in. If you wish to test

0:16:24.676 --> 0:16:28.116
<v Speaker 1>or extrasensory perception and telepathy in your own family circles,

0:16:28.756 --> 0:16:32.396
<v Speaker 1>university EESC cards identical with all you in the Amazing

0:16:32.436 --> 0:16:35.636
<v Speaker 1>Test by Doctor J. B. Ryan are now available at

0:16:35.716 --> 0:16:39.476
<v Speaker 1>stores everywhere. The head of the radio company it was

0:16:39.516 --> 0:16:43.716
<v Speaker 1>called Zenith, saw an opportunity. People could use versions of

0:16:43.796 --> 0:16:47.036
<v Speaker 1>Ryan's cards to test themselves at home, and NBC would

0:16:47.076 --> 0:16:50.476
<v Speaker 1>run a version of his test on the air. A

0:16:50.596 --> 0:16:54.196
<v Speaker 1>supposedly telepathic person in the radio studio would look at

0:16:54.196 --> 0:16:56.756
<v Speaker 1>a card and try to communicate to the radio audience

0:16:56.796 --> 0:17:01.956
<v Speaker 1>what was on it, But silently using only telepathy. People

0:17:01.956 --> 0:17:03.916
<v Speaker 1>would write into the show with their answers, and the

0:17:03.956 --> 0:17:07.116
<v Speaker 1>company tallied them up. If you think about it, radio

0:17:07.236 --> 0:17:09.916
<v Speaker 1>already is just a bunch of invisible waves flying through

0:17:09.956 --> 0:17:11.756
<v Speaker 1>the air to tell you things in the first place,

0:17:12.596 --> 0:17:16.436
<v Speaker 1>So why not to let Patheva Radio see if pathodians

0:17:16.436 --> 0:17:20.436
<v Speaker 1>there mine comes through face to you and write down

0:17:20.476 --> 0:17:23.476
<v Speaker 1>your impressions in consecutive order as quickly as you get them.

0:17:24.156 --> 0:17:27.396
<v Speaker 1>Five and dime stores sold out of the esp cards,

0:17:27.436 --> 0:17:31.596
<v Speaker 1>and many many more people, not just scientists, were beginning

0:17:31.636 --> 0:17:34.916
<v Speaker 1>to think for themselves about all the weird possibilities the

0:17:35.036 --> 0:17:40.956
<v Speaker 1>mind might hold. I mean, the other thing that's weird

0:17:40.996 --> 0:17:46.876
<v Speaker 1>about the twentieth century version of this weird possibilities of

0:17:46.876 --> 0:17:52.796
<v Speaker 1>the mind is mass communications allows these practitioners or parapsychologists

0:17:53.116 --> 0:17:55.116
<v Speaker 1>to kind of go to the people with their evidence

0:17:55.556 --> 0:17:58.236
<v Speaker 1>in a way that's different. Yeah, right, And it's a

0:17:58.276 --> 0:18:00.916
<v Speaker 1>thing that scientists haven't dealt with yet. And enough of

0:18:00.916 --> 0:18:03.356
<v Speaker 1>them are kind of cautiously open to the idea that

0:18:03.436 --> 0:18:05.996
<v Speaker 1>maybe there is such a thing as ESPN brain control.

0:18:06.036 --> 0:18:08.236
<v Speaker 1>That they don't write it off. Some of them do,

0:18:08.356 --> 0:18:10.596
<v Speaker 1>but not everyone. Right, Like where you might have like

0:18:10.676 --> 0:18:14.556
<v Speaker 1>the itinerant quack who goes from village to village. In

0:18:14.596 --> 0:18:16.956
<v Speaker 1>the eighteenth to the nineteenth century, it is still kind

0:18:16.996 --> 0:18:19.516
<v Speaker 1>of the royal society that's going to decide whether or

0:18:19.516 --> 0:18:22.516
<v Speaker 1>not that's a legit. But in the twentieth century jb.

0:18:22.676 --> 0:18:24.796
<v Speaker 1>Ryan can have new frontiers of the mind stuff and

0:18:24.836 --> 0:18:27.556
<v Speaker 1>he can go in the radio and somehow the people

0:18:27.676 --> 0:18:31.916
<v Speaker 1>get to decide like whether this stuff is legit. Ryan

0:18:32.036 --> 0:18:34.396
<v Speaker 1>was showing how you make a case for the existence

0:18:34.436 --> 0:18:38.276
<v Speaker 1>of the supernatural to the public, and the public was listening.

0:18:39.916 --> 0:18:43.036
<v Speaker 1>After those radio experiments, Ryan began to get a lot

0:18:43.076 --> 0:18:47.396
<v Speaker 1>of publicity, like this article in Life magazine. By some

0:18:47.716 --> 0:18:52.036
<v Speaker 1>doctor Ryan has been compared to Copernicus, Galileo Newton, Darwin, Freud,

0:18:52.116 --> 0:18:55.276
<v Speaker 1>and other pioneers. By others, he is regarded as a

0:18:55.356 --> 0:18:59.556
<v Speaker 1>misguided crackpot and either a deliberate or an unconscious fraud.

0:19:00.236 --> 0:19:03.676
<v Speaker 1>That article was actually pretty positive about Ryan, but it

0:19:03.756 --> 0:19:06.556
<v Speaker 1>also ran with this gem of an editor's note. Life

0:19:06.596 --> 0:19:09.556
<v Speaker 1>senators did not commit themselves to accept into his point

0:19:09.596 --> 0:19:12.276
<v Speaker 1>of view, nor do they presume to act as jury

0:19:12.276 --> 0:19:14.196
<v Speaker 1>on the matter of whether or not the existence of

0:19:14.716 --> 0:19:20.796
<v Speaker 1>esp is a proven fact. Today, we probably have a

0:19:20.836 --> 0:19:23.116
<v Speaker 1>better sense of where the line falls between kookie and

0:19:23.196 --> 0:19:27.556
<v Speaker 1>legit or do we why is it called like when

0:19:27.596 --> 0:19:30.396
<v Speaker 1>does paris psychology become a thing? Or when is it

0:19:30.436 --> 0:19:34.796
<v Speaker 1>called that? Or when is it like institutional and when

0:19:34.836 --> 0:19:37.596
<v Speaker 1>does it get jettisoned from institutions? Like we do not

0:19:37.676 --> 0:19:40.556
<v Speaker 1>have a department of Paris psychology at Harvard University, but

0:19:40.636 --> 0:19:44.156
<v Speaker 1>Harvard did have William James, the father of American psychology

0:19:44.396 --> 0:19:46.996
<v Speaker 1>at least until his death in nineteen ten, and he

0:19:47.036 --> 0:19:50.676
<v Speaker 1>had some pretty out there beliefs. I think William James

0:19:50.716 --> 0:19:54.316
<v Speaker 1>has a major influence obviously in all of American psychology,

0:19:54.316 --> 0:19:56.636
<v Speaker 1>but especially at the turn of the century. You know,

0:19:56.676 --> 0:19:59.956
<v Speaker 1>when William James dies, he asks Henry James to stay

0:19:59.956 --> 0:20:02.196
<v Speaker 1>in Cambridge for six weeks because William's going to try

0:20:02.236 --> 0:20:05.796
<v Speaker 1>and communicate from the grade beyond, which I love just

0:20:05.876 --> 0:20:07.916
<v Speaker 1>because that was one of the last things that he

0:20:07.996 --> 0:20:12.396
<v Speaker 1>did was take a scientific approach to what was not

0:20:12.436 --> 0:20:14.956
<v Speaker 1>even a philosophical question so much as a religious or

0:20:14.996 --> 0:20:17.516
<v Speaker 1>spiritual one. So I think that there's like a strong

0:20:17.636 --> 0:20:21.476
<v Speaker 1>strain of there wouldn't be a need for parapsychology in

0:20:21.516 --> 0:20:24.836
<v Speaker 1>the early nineteen hundreds because it's only just split off

0:20:24.836 --> 0:20:30.116
<v Speaker 1>from philosophy. All psychology was para. It's very hard to

0:20:30.156 --> 0:20:34.236
<v Speaker 1>prove definitively that something's not real, especially when science kept

0:20:34.236 --> 0:20:37.196
<v Speaker 1>expanding the range of things you could believe in. So

0:20:37.356 --> 0:20:40.036
<v Speaker 1>a lot of scientists kept their minds at least tentatively

0:20:40.076 --> 0:20:45.436
<v Speaker 1>open to things we now think of as Koukie jb

0:20:45.636 --> 0:20:48.716
<v Speaker 1>Ryan's mind was more open than most. People used to

0:20:48.716 --> 0:20:51.436
<v Speaker 1>write to the lab at Duke about strange happenings in

0:20:51.436 --> 0:20:55.316
<v Speaker 1>their lives, and he took them seriously. Here's a letter

0:20:55.396 --> 0:20:59.476
<v Speaker 1>from nineteen forty nine. We have in our congregation a

0:20:59.636 --> 0:21:03.916
<v Speaker 1>family who are being disturbed by Poulter Guy's phenomena. The

0:21:04.036 --> 0:21:07.916
<v Speaker 1>phenomenage present only in the boy's presence. I had him

0:21:07.956 --> 0:21:11.236
<v Speaker 1>in my home, Perrish moved with him, one threw him

0:21:11.276 --> 0:21:14.516
<v Speaker 1>out his bed shook whenever he was in it. Words

0:21:14.556 --> 0:21:17.116
<v Speaker 1>appeared on the boy's body, and he has visions of

0:21:17.196 --> 0:21:19.796
<v Speaker 1>the devil and goes into a trance and speaks in

0:21:19.996 --> 0:21:24.356
<v Speaker 1>strange language. Believe it or not, that letter is about

0:21:24.396 --> 0:21:28.076
<v Speaker 1>the boy, an actual kid who inspired the horror movie

0:21:28.556 --> 0:21:37.196
<v Speaker 1>The Exorcist. Anyway back to would be Paris psychologist Maury

0:21:37.236 --> 0:21:41.196
<v Speaker 1>Bernstein from his home in Pueblo Bernstein wrote letters to

0:21:41.276 --> 0:21:43.756
<v Speaker 1>Ryan and sent him reports on the hundreds of experiments

0:21:43.796 --> 0:21:48.076
<v Speaker 1>he'd run. In nineteen fifty two, Ryan invited Bernstein and

0:21:48.156 --> 0:21:51.236
<v Speaker 1>his wife to visit the Paris Psychology Lab and stay

0:21:51.276 --> 0:21:54.996
<v Speaker 1>for a week. For Bernstein this really was like meeting

0:21:55.036 --> 0:21:59.036
<v Speaker 1>Copernicus or Galileo. But to a lot of actual scientists

0:21:59.236 --> 0:22:01.796
<v Speaker 1>there wasn't much daylight between A jb Ryan and a

0:22:01.876 --> 0:22:05.956
<v Speaker 1>Maury Bernstein. A lot of Ryan's fellow scientists did not approve,

0:22:06.396 --> 0:22:11.636
<v Speaker 1>including one of the most famous psychologists of the twentieth century, B. F. Skinner.

0:22:13.236 --> 0:22:16.356
<v Speaker 1>Skinner is the behaviorist who, among other things, like putting

0:22:16.436 --> 0:22:21.556
<v Speaker 1>rats in complicated cages. He didn't have time for Ryan's pseudoscience. Also,

0:22:21.756 --> 0:22:24.316
<v Speaker 1>he figured out that under the right conditions you could

0:22:24.356 --> 0:22:27.076
<v Speaker 1>see through the mass produced sp cards they were printed

0:22:27.116 --> 0:22:30.316
<v Speaker 1>on super thin cardstock. Skinner, in front of his students,

0:22:30.516 --> 0:22:33.436
<v Speaker 1>guessed one hundred out of a hundred cards correctly. He

0:22:33.516 --> 0:22:36.036
<v Speaker 1>tore Rhine apart in reviews, and he also wrote him

0:22:36.036 --> 0:22:40.636
<v Speaker 1>privately to damn his work. This is only another example

0:22:40.676 --> 0:22:42.756
<v Speaker 1>of the kind of thing which is responsible for the

0:22:42.796 --> 0:22:45.316
<v Speaker 1>failure of many of us to take your work seriously.

0:22:45.716 --> 0:22:49.276
<v Speaker 1>I say that in all friendliness. Skinner and his fellow

0:22:49.276 --> 0:22:52.916
<v Speaker 1>behaviorists were reacting to the messiness of theories like Rhins

0:22:53.036 --> 0:22:56.276
<v Speaker 1>or Freud's. They thought there was only one way you

0:22:56.276 --> 0:23:00.076
<v Speaker 1>could know scientifically what was going on inside another person's mind.

0:23:00.916 --> 0:23:04.276
<v Speaker 1>That was to observe their behavior. A lot of behaviorists

0:23:04.356 --> 0:23:08.476
<v Speaker 1>studied animals and then applied those lessons to humans. Their

0:23:08.516 --> 0:23:12.876
<v Speaker 1>experiments hugely influential, but they ran on principles that seem

0:23:12.916 --> 0:23:15.996
<v Speaker 1>to ignore the very things that distinguish humans from rats.

0:23:16.996 --> 0:23:19.276
<v Speaker 1>Most people want to believe in something more than what

0:23:19.316 --> 0:23:23.076
<v Speaker 1>they can see with their own eyes. Maury Bernstein certainly did.

0:23:23.836 --> 0:23:26.836
<v Speaker 1>He wrote, now, at last, there is scientific evidence that

0:23:26.916 --> 0:23:29.756
<v Speaker 1>men are something more than bodies, that they have minds

0:23:29.796 --> 0:23:35.196
<v Speaker 1>with freedom from physical law, freedom from the physical That's

0:23:35.196 --> 0:23:39.396
<v Speaker 1>why back in Pueblo, Bernstein decided to run a different

0:23:39.436 --> 0:23:43.556
<v Speaker 1>set of experiments to find out what happens to us

0:23:43.916 --> 0:23:50.876
<v Speaker 1>after we die. Your name is what Freddy? Just months

0:23:50.916 --> 0:23:54.756
<v Speaker 1>after Bernstein left Ryan's lab, Virginia Ties had for that

0:23:54.876 --> 0:23:59.876
<v Speaker 1>first faithful hypnosis session, an experiment to explore whether we

0:23:59.916 --> 0:24:04.556
<v Speaker 1>live once or over and over again? Do you know

0:24:04.596 --> 0:24:10.956
<v Speaker 1>what year it is? Bernstein pushed, improbed, and eventually out

0:24:10.956 --> 0:24:13.356
<v Speaker 1>of a twenty nine year old American's mouth came a

0:24:13.476 --> 0:24:18.236
<v Speaker 1>nineteenth century Irish woman. What are you studying? Oh to

0:24:18.316 --> 0:24:22.396
<v Speaker 1>be a lady? What are some Irish words? What's great?

0:24:22.916 --> 0:24:26.436
<v Speaker 1>What does that mean? Oh? So a little cup that

0:24:26.636 --> 0:24:31.716
<v Speaker 1>you drink out of and you wish shot it? Very

0:24:33.116 --> 0:24:38.316
<v Speaker 1>very Irish. From these bits and pieces, Bernstein tried to

0:24:38.316 --> 0:24:43.276
<v Speaker 1>discern the very fabric of the universe. You remember the

0:24:43.356 --> 0:24:52.476
<v Speaker 1>day you died? That was awesome day. I remember this.

0:24:52.796 --> 0:25:00.236
<v Speaker 1>Brie was to church and observed. Truly. I was so

0:25:00.316 --> 0:25:02.956
<v Speaker 1>excited when I found out that Bernstein had recorded his

0:25:03.036 --> 0:25:08.476
<v Speaker 1>hypnosis sessions. But then listening to the tapes felt invasive, voyeuristic.

0:25:09.156 --> 0:25:12.756
<v Speaker 1>Bernstein thought of himself as communing with the dead, But

0:25:12.876 --> 0:25:17.036
<v Speaker 1>the more you listen, the creepier it sounds. Can you

0:25:17.116 --> 0:25:19.916
<v Speaker 1>tell us what happened after your death? How? What was

0:25:19.956 --> 0:25:24.196
<v Speaker 1>it like? Would you like where you were? Yes? Was

0:25:24.236 --> 0:25:29.556
<v Speaker 1>it better than your life on earth? Oh? It wasn't.

0:25:28.716 --> 0:25:37.356
<v Speaker 1>Oh that primal scene woman on couch, man leaning over

0:25:37.436 --> 0:25:43.516
<v Speaker 1>her mesmer Freud's skinner. Bernstein the sexual politics of the

0:25:43.556 --> 0:25:48.956
<v Speaker 1>psychological laboratory. All these men experimenting on all these women,

0:25:51.276 --> 0:25:56.476
<v Speaker 1>like there's this um. I remember when Harvard brought over

0:25:56.516 --> 0:26:00.796
<v Speaker 1>the German experimental psychologists. You go Munsterberg to found its

0:26:00.796 --> 0:26:05.156
<v Speaker 1>experimental psychological Laboratory, because William James was all, I don't

0:26:05.316 --> 0:26:07.796
<v Speaker 1>do that kind of thing. He would do all this

0:26:07.916 --> 0:26:11.396
<v Speaker 1>experiments on women. Gertrude Stein was at Radcliffe. Then she

0:26:11.596 --> 0:26:14.676
<v Speaker 1>knows and she writes this thing she chose, like I

0:26:14.796 --> 0:26:17.756
<v Speaker 1>think doing like a senior thesis or something. She's like, yeah,

0:26:17.796 --> 0:26:21.196
<v Speaker 1>but he just likes to tie up women. It is

0:26:21.436 --> 0:26:26.276
<v Speaker 1>literally infantilizing. What do you say when you want a

0:26:26.356 --> 0:26:36.036
<v Speaker 1>drink of water? Oh? Well, like other than Stein, aren't

0:26:36.036 --> 0:26:39.876
<v Speaker 1>they like? Do we have to wait until Betty Freedan

0:26:39.996 --> 0:26:43.756
<v Speaker 1>before someone is like all right, guys, the jig is up?

0:26:43.956 --> 0:26:50.396
<v Speaker 1>Like maybe that's what Bridie Murphy is. Yeah, we decided

0:26:50.436 --> 0:26:53.076
<v Speaker 1>we should try to flip the script. Jill read up

0:26:53.076 --> 0:26:55.676
<v Speaker 1>on how to hypnotize people, or at least she claimed

0:26:55.676 --> 0:26:57.596
<v Speaker 1>that she read up on it, but I don't really

0:26:57.596 --> 0:27:01.436
<v Speaker 1>think she did. I honestly was not wild about getting hypnotized,

0:27:01.596 --> 0:27:03.916
<v Speaker 1>but I figured I'd go along with it. Turn about

0:27:03.996 --> 0:27:08.236
<v Speaker 1>is fair play. So one buggy summer night, Jill came

0:27:08.236 --> 0:27:10.556
<v Speaker 1>out to the cabin holding a candle in this like

0:27:10.756 --> 0:27:13.516
<v Speaker 1>eighteenth century candle holder, which I guess she just has

0:27:13.596 --> 0:27:17.116
<v Speaker 1>lying around the house Benjamin Franklin style. And she tried

0:27:17.236 --> 0:27:21.116
<v Speaker 1>to put me under. And now I want you to

0:27:21.436 --> 0:27:26.116
<v Speaker 1>begin as you continue breathing slowly and deliberately, looking at

0:27:26.116 --> 0:27:30.716
<v Speaker 1>the candle flame on a single candle in front of you,

0:27:31.996 --> 0:27:36.636
<v Speaker 1>and I want to ask you now. I want to

0:27:36.676 --> 0:27:44.036
<v Speaker 1>ask you now to fall asleep at the count of three, three,

0:27:45.796 --> 0:27:55.956
<v Speaker 1>two one. All right, We gave it our best shot.

0:27:56.196 --> 0:27:58.196
<v Speaker 1>It was really good. It's just like there was a

0:27:58.276 --> 0:28:04.236
<v Speaker 1>mosquito on my forehead, and Vermont Midsummer lots of mosquitoes.

0:28:04.556 --> 0:28:10.876
<v Speaker 1>Our hypnosis session was a total bust. But Maury Bernstein's

0:28:10.916 --> 0:28:13.876
<v Speaker 1>Search for Bridey Murphy took a lot longer than ours

0:28:13.876 --> 0:28:18.436
<v Speaker 1>to peter out. Virginia Tie sat for six sessions and

0:28:18.556 --> 0:28:21.156
<v Speaker 1>then stopped. She wanted to get on with her life,

0:28:21.276 --> 0:28:25.436
<v Speaker 1>her future life, not her past. But Bernstein wanted to

0:28:25.436 --> 0:28:28.036
<v Speaker 1>make a name for himself. He got written up in

0:28:28.076 --> 0:28:32.396
<v Speaker 1>a Denver magazine. Then he signed a book deal. The

0:28:32.516 --> 0:28:36.676
<v Speaker 1>Search for Bridie Murphy was published in January nineteen fifty six.

0:28:40.716 --> 0:28:43.556
<v Speaker 1>The evening before it came out, Bernstein and his wife

0:28:43.596 --> 0:28:47.836
<v Speaker 1>went for a walk. They headed downtown they stopped in

0:28:47.876 --> 0:28:50.316
<v Speaker 1>the cold outside of bookstore and peered through the window

0:28:50.356 --> 0:28:52.796
<v Speaker 1>at a display of Bernstein's book, all set up for

0:28:52.796 --> 0:29:00.316
<v Speaker 1>the next day. But even a published paras psychologist couldn't

0:29:00.316 --> 0:29:04.796
<v Speaker 1>have known what that book would lead to. Oh the

0:29:05.076 --> 0:29:33.236
<v Speaker 1>love in my heart? Do you believe reincarnation? That you

0:29:33.436 --> 0:29:40.076
<v Speaker 1>have lived in the day of God? In nineteen fifty six,

0:29:40.276 --> 0:29:44.356
<v Speaker 1>when the search for Bridie Murphy hit bookstores, people went crazy.

0:29:44.956 --> 0:29:48.276
<v Speaker 1>Life magazine said the country was in a hypnotizzy. The

0:29:48.356 --> 0:29:52.356
<v Speaker 1>book was serialized in newspapers across the country, then translated

0:29:52.396 --> 0:29:56.276
<v Speaker 1>into thirty languages in thirty four other countries. It became

0:29:56.316 --> 0:30:00.196
<v Speaker 1>the number one bestseller in America. All told, it sold

0:30:00.436 --> 0:30:05.596
<v Speaker 1>six million copies. In Houston, a bartender started making a

0:30:05.676 --> 0:30:10.116
<v Speaker 1>reincarnation cocktail. I will now read the recipe. Please write

0:30:10.156 --> 0:30:12.396
<v Speaker 1>into the show if you can figure out how this

0:30:12.476 --> 0:30:16.396
<v Speaker 1>in any way relates to reincarnation. A jigger of vodka,

0:30:16.676 --> 0:30:19.956
<v Speaker 1>half a jigger of Maraschino liqueur, shaken with lemon juice

0:30:19.956 --> 0:30:28.116
<v Speaker 1>and crushed ice, and topped with a cupful of flaming rum.

0:30:28.156 --> 0:30:33.156
<v Speaker 1>Paramount Pictures bought the Bridy Murphy movie rights, And then

0:30:33.196 --> 0:30:39.236
<v Speaker 1>there were the songs, plus it on the banks of

0:30:39.356 --> 0:30:48.876
<v Speaker 1>the Nile. Oh what s hello? Triple le put me

0:30:49.036 --> 0:30:56.476
<v Speaker 1>in a dress for a while, Hit helo, come back

0:30:56.716 --> 0:31:04.156
<v Speaker 1>to me. Bridy Murphy was everywhere, but Virginia Tie wanted

0:31:04.196 --> 0:31:07.636
<v Speaker 1>to disappear. She asked not to be publicly identified in

0:31:07.716 --> 0:31:10.636
<v Speaker 1>Bernstein's book or the press. She tried to hide behind

0:31:10.636 --> 0:31:16.396
<v Speaker 1>a pseudonym. But Bernstein was loving it. He wouldn't do

0:31:16.596 --> 0:31:19.596
<v Speaker 1>radio and TV interviews because he felt he couldn't control them,

0:31:19.876 --> 0:31:23.476
<v Speaker 1>but that didn't stop him from talking endlessly at parties

0:31:23.476 --> 0:31:27.596
<v Speaker 1>and newspaper reporters about his great discovery. He'd say stuff like,

0:31:28.116 --> 0:31:30.716
<v Speaker 1>we may have opened a hidden door for just a second,

0:31:30.956 --> 0:31:33.996
<v Speaker 1>and without fully understanding what we have seen, we've had

0:31:34.036 --> 0:31:38.036
<v Speaker 1>an exciting glimpse of immortality. He worked the book, film

0:31:38.156 --> 0:31:41.756
<v Speaker 1>and audio angles. He released a record an LP of

0:31:41.756 --> 0:31:45.476
<v Speaker 1>that first hypnotism session. The Search for Bridie Murphy is

0:31:45.476 --> 0:31:49.116
<v Speaker 1>the true story of a skeptical young businessman who learned,

0:31:49.396 --> 0:31:53.036
<v Speaker 1>much to a surprise, that the wonders of hypnosis are

0:31:53.196 --> 0:31:59.436
<v Speaker 1>very real. Indeed, people listened, sometimes seriously, sometimes in a

0:31:59.556 --> 0:32:02.036
<v Speaker 1>kind of tongue in cheek way. They threw come as

0:32:02.036 --> 0:32:04.396
<v Speaker 1>you were parties. They wrote to Bernstein to tell them

0:32:04.396 --> 0:32:07.876
<v Speaker 1>about who they'd been centuries before. A hypnotist offered to

0:32:07.916 --> 0:32:10.836
<v Speaker 1>find people's past lives for twenty five bucks a pop.

0:32:11.116 --> 0:32:13.676
<v Speaker 1>He discovered one local woman had been a horse in

0:32:13.796 --> 0:32:16.556
<v Speaker 1>eighteen hundred, which maybe she should have asked for her

0:32:16.556 --> 0:32:20.036
<v Speaker 1>money back. People even used the Bridey Murphy story to

0:32:20.076 --> 0:32:24.476
<v Speaker 1>sell cars. He is hod end your search for Bridey Murphy.

0:32:25.196 --> 0:32:28.276
<v Speaker 1>This is real text from a real ad that ran

0:32:28.516 --> 0:32:32.476
<v Speaker 1>in a real newspaper. If you're looking for something out

0:32:32.516 --> 0:32:36.396
<v Speaker 1>of this world, see Bill Murphy. Selection of used cars

0:32:36.436 --> 0:32:39.956
<v Speaker 1>at prices that won't put you in a trance. These

0:32:40.036 --> 0:32:45.516
<v Speaker 1>cars are not a reincarnation, they're real cars at reuse savings.

0:32:47.916 --> 0:32:54.236
<v Speaker 1>But then America's reincarnation craze quickly shaded into nightmare. In Oklahoma,

0:32:54.316 --> 0:32:56.876
<v Speaker 1>a nineteen year old boy shot himself and left a

0:32:56.956 --> 0:32:59.716
<v Speaker 1>note under the windshield wiper of his truck, saying he

0:32:59.796 --> 0:33:02.996
<v Speaker 1>wanted to find out if he'd be reincarnated like Bridey Murphy.

0:33:03.996 --> 0:33:08.436
<v Speaker 1>Christians began to rail against Bernstein's book as sacrilegious. Ty's

0:33:08.436 --> 0:33:11.196
<v Speaker 1>family was curious at her for the same reasons she

0:33:11.196 --> 0:33:14.436
<v Speaker 1>couldn't keep the press away. Newsmen published her real name,

0:33:14.876 --> 0:33:18.676
<v Speaker 1>but some people just sent letters made out to Bridie Murphy. Pueblo, Colorado.

0:33:19.676 --> 0:33:22.836
<v Speaker 1>Reporters clamored for her to speak. Her marriage began to

0:33:22.836 --> 0:33:26.316
<v Speaker 1>fall apart. She went into hiding, hoping it would die down.

0:33:28.396 --> 0:33:31.516
<v Speaker 1>None of this made Paramount feel particularly good about the

0:33:31.556 --> 0:33:39.996
<v Speaker 1>film they were making. Flame means Fee Flames Sleep. Paramount

0:33:40.036 --> 0:33:43.236
<v Speaker 1>began tweaking the Bride Murphy story. They changed it so

0:33:43.316 --> 0:33:46.516
<v Speaker 1>the plot would make hypnotism look dangerous enough that people

0:33:46.556 --> 0:33:48.716
<v Speaker 1>wouldn't try it at home. And they wrote in a

0:33:48.756 --> 0:33:52.476
<v Speaker 1>scene where a Catholic priest and a Protestant minister reject

0:33:52.556 --> 0:33:55.716
<v Speaker 1>the idea of reincarnation. I have to say the result

0:33:55.836 --> 0:33:57.996
<v Speaker 1>is one of the worst movies I have ever seen.

0:33:58.316 --> 0:34:00.916
<v Speaker 1>And I've seen the other film about Bridie Murphy that

0:34:00.996 --> 0:34:06.036
<v Speaker 1>came out in nineteen fifty six, The She Creature. Under

0:34:06.116 --> 0:34:09.756
<v Speaker 1>his spells, she would both herself and another bee, the

0:34:09.956 --> 0:34:13.916
<v Speaker 1>She creature seeking life sustenance from the sullen hot piece

0:34:13.996 --> 0:34:20.396
<v Speaker 1>of OBUs. Legend has it that Hollywood's iconic creepy guy

0:34:20.516 --> 0:34:24.316
<v Speaker 1>character actor Peter Laurie, fired his agent for signing him

0:34:24.316 --> 0:34:28.476
<v Speaker 1>onto that project. Anyway, the Bridey Murphy phenomenon was completely

0:34:28.516 --> 0:34:34.836
<v Speaker 1>off the rails back in Vermont. In true last Archive fashion,

0:34:35.396 --> 0:34:38.156
<v Speaker 1>all these Bridey Murphy movies got us wondering about a

0:34:38.156 --> 0:34:42.156
<v Speaker 1>different film from nineteen fifty six. I really am a

0:34:42.196 --> 0:34:44.676
<v Speaker 1>sucker for the idea that science fiction tends to really

0:34:44.716 --> 0:34:49.476
<v Speaker 1>reflect what's really going on deeply in his society. But

0:34:49.596 --> 0:34:52.196
<v Speaker 1>Invasion of the Body Snatches is kind of a Bridey

0:34:52.276 --> 0:34:57.996
<v Speaker 1>Murphy story, right, Like it's the anxiety that we might

0:34:58.036 --> 0:35:02.036
<v Speaker 1>not be who we think we are. Suddenly, while you're asleep,

0:35:02.836 --> 0:35:06.556
<v Speaker 1>they love so of your minds, your memories. As the

0:35:06.676 --> 0:35:13.876
<v Speaker 1>unimaginable becomes real, the impossible becomes true. Okay, I am

0:35:13.956 --> 0:35:17.236
<v Speaker 1>hijacking this episode here for a minute, because I love

0:35:17.276 --> 0:35:23.996
<v Speaker 1>this movie. At first glance, everything looked the same. It

0:35:24.196 --> 0:35:31.676
<v Speaker 1>wasn't something evil had taken possession of the town. Invasion

0:35:31.716 --> 0:35:33.756
<v Speaker 1>of the Body Snatchers is a movie about a small

0:35:33.796 --> 0:35:37.076
<v Speaker 1>town in California where one by one, people are being

0:35:37.076 --> 0:35:40.756
<v Speaker 1>replaced by heartless aliens who look just like them but

0:35:40.836 --> 0:35:44.796
<v Speaker 1>aren't them because they're aliens. It's like Bridie Murphy showing

0:35:44.836 --> 0:35:48.676
<v Speaker 1>up in Virginia Tie's Body. The hero, Myles, is a

0:35:48.716 --> 0:35:51.716
<v Speaker 1>medical doctor, but in the end it's a psychiatrist, a

0:35:51.796 --> 0:35:54.996
<v Speaker 1>guy like BF Skinner, the behaviorist who tries to convince

0:35:55.076 --> 0:36:02.076
<v Speaker 1>myles to give in there's no pain. Suddenly, while you're asleep,

0:36:02.396 --> 0:36:06.996
<v Speaker 1>they'll absorb your minds, your memories, and you're born into

0:36:06.996 --> 0:36:13.956
<v Speaker 1>an untroubled world where everyone's the same exactly. People take

0:36:13.996 --> 0:36:16.556
<v Speaker 1>invasion of the Body Snatchers as an allegory for two

0:36:16.596 --> 0:36:21.756
<v Speaker 1>completely different things. Either it's about the perils of communism,

0:36:21.916 --> 0:36:24.396
<v Speaker 1>or else it's about the Red Scare, where Americans accused

0:36:24.396 --> 0:36:28.076
<v Speaker 1>each other of being secret communists. But really those are

0:36:28.116 --> 0:36:31.116
<v Speaker 1>just two versions of the same anxiety, that fear that

0:36:31.196 --> 0:36:34.916
<v Speaker 1>people can be remolded like rats and cages, sapped of

0:36:34.956 --> 0:36:51.156
<v Speaker 1>their individuality, turned into mindless conformists. Wake up, sheeple, Except

0:36:51.236 --> 0:36:54.356
<v Speaker 1>in nineteen fifty six people didn't say wake up, sheeple.

0:36:54.716 --> 0:36:58.476
<v Speaker 1>They said don't get brainwashed. Brainwashing was a new term then.

0:36:58.756 --> 0:37:01.436
<v Speaker 1>It had come out of the Korean War. People thought

0:37:01.436 --> 0:37:04.436
<v Speaker 1>of brainwashing as a kind of hypnosis that could take

0:37:04.436 --> 0:37:10.676
<v Speaker 1>American soldiers and turn them into communist robots. Let us

0:37:10.716 --> 0:37:13.836
<v Speaker 1>review once again the weaknesses in the American character. That's

0:37:13.876 --> 0:37:16.996
<v Speaker 1>an American documentary film made after the Korean War about

0:37:16.996 --> 0:37:19.956
<v Speaker 1>how communists in China and North Korea had found it

0:37:20.076 --> 0:37:26.556
<v Speaker 1>so easy to brainwash Americans. You, as instructors of American prisoners,

0:37:26.636 --> 0:37:30.836
<v Speaker 1>can exploit these weaknesses in order to control them. So

0:37:31.276 --> 0:37:33.276
<v Speaker 1>as I was trying to put all the pieces together,

0:37:33.836 --> 0:37:36.796
<v Speaker 1>it began to look to me like this. Men get

0:37:36.836 --> 0:37:40.756
<v Speaker 1>brainwashed as an active war. Women get hypnotized as a

0:37:40.796 --> 0:37:43.996
<v Speaker 1>parlor trick. But at the end of the day, everybody

0:37:43.996 --> 0:37:46.796
<v Speaker 1>in the nineteen fifties is doubting that they have a constant,

0:37:46.996 --> 0:37:54.716
<v Speaker 1>stable self. Your name is what, Freddie? It's the same

0:37:54.756 --> 0:37:57.796
<v Speaker 1>set of questions the psychologists were asking about people, and

0:37:57.916 --> 0:38:01.436
<v Speaker 1>people were asking about Bridie Murphy. Who are you? Who

0:38:01.476 --> 0:38:05.036
<v Speaker 1>are you? Or maybe in Bridie Murphy's case, who is

0:38:05.076 --> 0:38:09.396
<v Speaker 1>the real impostor? Because ever since Maury Bernstein first brought

0:38:09.396 --> 0:38:12.316
<v Speaker 1>the story of Bridie Murphy to the press, people had asked,

0:38:12.756 --> 0:38:16.956
<v Speaker 1>was Bridie Murphy of fake? Eventually newspaper editors sent reporters

0:38:16.956 --> 0:38:20.076
<v Speaker 1>to Ireland to fact check. Turns out, the kind of

0:38:20.116 --> 0:38:22.356
<v Speaker 1>iron bed she said, she scratched the paint off in

0:38:22.396 --> 0:38:26.596
<v Speaker 1>eighteen o two. There weren't beds like that in Ireland

0:38:26.596 --> 0:38:29.236
<v Speaker 1>for almost fifty more years. He went on like that,

0:38:29.676 --> 0:38:34.916
<v Speaker 1>detail after detail struck down until the final blow. A

0:38:35.036 --> 0:38:38.276
<v Speaker 1>reporter discovered that Virginia Tye had grown up across the

0:38:38.316 --> 0:38:42.156
<v Speaker 1>street from an Irish woman named bride Murphy Corkle, and

0:38:42.276 --> 0:38:45.076
<v Speaker 1>Ty had even had a crush on her son. The

0:38:45.116 --> 0:38:47.916
<v Speaker 1>search for Bridie Murphy started to come to an end,

0:38:50.076 --> 0:38:53.516
<v Speaker 1>Maury Bernstein wouldn't let it go. After the articles to

0:38:53.556 --> 0:38:56.716
<v Speaker 1>bunking Bridey Murphy came out, he began warring with everyone

0:38:56.756 --> 0:38:59.396
<v Speaker 1>who doubted him. He said those debunking reports got it

0:38:59.436 --> 0:39:02.156
<v Speaker 1>wrong and ignored all the strange knowledge Ty had about

0:39:02.236 --> 0:39:05.556
<v Speaker 1>nineteenth century Ireland. He met with a lawyer and asked

0:39:05.556 --> 0:39:09.596
<v Speaker 1>Ty if she'd give interviews, but she refused. She'd fallen

0:39:09.596 --> 0:39:11.996
<v Speaker 1>out with her family, her home life was in shambles,

0:39:12.516 --> 0:39:15.116
<v Speaker 1>and look, I don't think Tie was lying about Bridie

0:39:15.156 --> 0:39:18.436
<v Speaker 1>Murphy or about being hypnotized. I think she was just

0:39:18.516 --> 0:39:21.916
<v Speaker 1>semi conscious and stitching together a story at Bernstein's suggestion,

0:39:22.276 --> 0:39:27.796
<v Speaker 1>combining stray details from the past. But then again, things

0:39:27.836 --> 0:39:35.236
<v Speaker 1>do have strange afterlives. What is your name? Please? My

0:39:35.356 --> 0:39:39.956
<v Speaker 1>name is Virginia Tie. My name is Virginia Tie. My

0:39:40.036 --> 0:39:46.036
<v Speaker 1>name is Virginia Tie. Final least three ladies all claimed

0:39:46.036 --> 0:39:50.116
<v Speaker 1>to be Virginia Tie's got to cost examination with That's

0:39:50.156 --> 0:39:52.996
<v Speaker 1>a TV game show popular in the sixties called to

0:39:53.156 --> 0:39:57.516
<v Speaker 1>Tell the Truth Very Last Archive. In each episode, three

0:39:57.556 --> 0:40:00.596
<v Speaker 1>people all claim to be the same person, but only

0:40:00.596 --> 0:40:03.636
<v Speaker 1>one of them really is. The panelists have to guess

0:40:03.636 --> 0:40:06.356
<v Speaker 1>who none of three was the times that two went

0:40:06.436 --> 0:40:10.476
<v Speaker 1>into it in it was on purpose to find out

0:40:10.516 --> 0:40:13.436
<v Speaker 1>something like this or did it just happened? A first

0:40:13.716 --> 0:40:16.796
<v Speaker 1>trance was accidental? Accidental? And number two, how did you

0:40:16.836 --> 0:40:20.836
<v Speaker 1>happen to fall into this accidental first trance? I mean

0:40:20.876 --> 0:40:23.796
<v Speaker 1>other than hypnosis? Yes, yes, well I was it a

0:40:23.876 --> 0:40:26.676
<v Speaker 1>social contact the man that we knew personally? Ah, and

0:40:26.756 --> 0:40:29.876
<v Speaker 1>it just happened. And the number one was at the

0:40:29.916 --> 0:40:32.076
<v Speaker 1>time then that you began. It's not much fun if

0:40:32.076 --> 0:40:34.596
<v Speaker 1>you can't see them, so I'll just tell you that's

0:40:34.636 --> 0:40:38.636
<v Speaker 1>the real Virginia Tie. Number two, how extraordinary? Number two?

0:40:38.636 --> 0:40:39.996
<v Speaker 1>Did you remember anything when you came out of the

0:40:40.076 --> 0:40:41.756
<v Speaker 1>drandella and nothing? Well, how do you know they weren't

0:40:41.756 --> 0:40:43.836
<v Speaker 1>just putting you on when you woke up? Their shud

0:40:43.876 --> 0:40:48.276
<v Speaker 1>go what you should? I'd like to think they did.

0:40:48.756 --> 0:40:51.916
<v Speaker 1>This tape ten years after Bernstein's book came out. Is

0:40:51.956 --> 0:40:55.036
<v Speaker 1>the only non hypnotized audio that I could find of Tie.

0:40:56.076 --> 0:41:06.756
<v Speaker 1>Well there, Virginia Tie, please stand You hardly ever get

0:41:06.756 --> 0:41:09.396
<v Speaker 1>to hear Tie speak for herself in this story, just

0:41:09.556 --> 0:41:13.476
<v Speaker 1>Bernstein speaking Bridie Murphy through her. So I had high

0:41:13.476 --> 0:41:17.076
<v Speaker 1>hopes for the game show. But after the real Virginia

0:41:17.116 --> 0:41:19.476
<v Speaker 1>Tie stood up, finally stood up in front of a

0:41:19.516 --> 0:41:23.596
<v Speaker 1>mic her own self, the host just ended the segment.

0:41:24.516 --> 0:41:27.916
<v Speaker 1>I guess that's how the game is played. A fascinating story.

0:41:27.956 --> 0:41:29.596
<v Speaker 1>We thank you for bringing a dulas and hope you

0:41:29.676 --> 0:41:38.196
<v Speaker 1>enjoyed it too. Good night, and God left you. Tie

0:41:38.196 --> 0:41:40.796
<v Speaker 1>and her husband got divorced not long after that game

0:41:40.836 --> 0:41:43.516
<v Speaker 1>show aired. She moved on to a new life, but

0:41:43.676 --> 0:41:46.916
<v Speaker 1>she never lived the past one down. She died from

0:41:46.956 --> 0:41:50.996
<v Speaker 1>cancer in nineteen ninety five. I don't know what happened

0:41:50.996 --> 0:41:56.756
<v Speaker 1>to her after death. Maury Bernstein became a millionaire trading stocks,

0:41:57.036 --> 0:42:00.876
<v Speaker 1>but he became more and more withdrawn, angrier, and more controlling.

0:42:01.916 --> 0:42:04.596
<v Speaker 1>His wife divorced him. He moved into a small apartment

0:42:04.636 --> 0:42:07.276
<v Speaker 1>and never really left it. He stopped cutting his hair,

0:42:07.436 --> 0:42:10.316
<v Speaker 1>left stains on his shirt. People called him the Howard

0:42:10.356 --> 0:42:13.836
<v Speaker 1>Hughes of Pueblo. He liked to say that people didn't die.

0:42:14.276 --> 0:42:17.516
<v Speaker 1>They just went to Brideyville. But he did die in

0:42:17.596 --> 0:42:34.236
<v Speaker 1>nineteen ninety nine. His brother said it was malnutrition. But so,

0:42:34.316 --> 0:42:37.796
<v Speaker 1>the thing that I'm still struggling with trying to understand

0:42:37.836 --> 0:42:39.996
<v Speaker 1>this story and the whole of the twentieth cent true

0:42:40.036 --> 0:42:46.236
<v Speaker 1>which I am still babbled by, is what happened to

0:42:46.316 --> 0:42:49.876
<v Speaker 1>a tolerance for just uncertainty, Like, what about the kind

0:42:49.916 --> 0:42:55.076
<v Speaker 1>of mystical unknowability of why we do things? Jill and

0:42:55.116 --> 0:42:57.436
<v Speaker 1>I batted the meaning of this story around for a

0:42:57.436 --> 0:43:00.196
<v Speaker 1>long time out in that cabin, like in one of

0:43:00.236 --> 0:43:03.676
<v Speaker 1>those late night conversations in the hallway of your dorm room,

0:43:03.676 --> 0:43:07.356
<v Speaker 1>except in the middle of a global pandemic waiting for

0:43:07.396 --> 0:43:10.156
<v Speaker 1>the world to end. I'm not sure that the search

0:43:10.196 --> 0:43:13.076
<v Speaker 1>for Bridey Murphy produces a lot of doubt. Yeah. I mean,

0:43:13.076 --> 0:43:20.116
<v Speaker 1>it's like it's an artifact of our growing intolerance for uncertainty. Yeah,

0:43:20.236 --> 0:43:22.516
<v Speaker 1>and I'm going to nail this one down. Yeah, because

0:43:22.636 --> 0:43:24.196
<v Speaker 1>you don't want to be uncertain about what happens to

0:43:24.236 --> 0:43:32.596
<v Speaker 1>you after you die? Yeah, who you really are? I

0:43:32.636 --> 0:43:35.596
<v Speaker 1>don't think Bridie Murphy proved anything about who we really

0:43:35.636 --> 0:43:38.156
<v Speaker 1>are or about what happens to us after we Die.

0:43:38.996 --> 0:43:42.396
<v Speaker 1>Americans in the nineteen fifties never did settle those questions,

0:43:43.196 --> 0:43:46.436
<v Speaker 1>because those questions can't ever be settled all the way.

0:43:47.036 --> 0:43:49.516
<v Speaker 1>They're like a window you can't quite shut and the

0:43:49.596 --> 0:43:56.716
<v Speaker 1>draft keeps getting in. But I guess the thing about

0:43:56.756 --> 0:44:02.916
<v Speaker 1>all of these stories, Bridie Murphy, brainwashing, body snatchers, even

0:44:02.996 --> 0:44:07.556
<v Speaker 1>Freudiani is um just looking hit to the nineteen sixties.

0:44:08.556 --> 0:44:11.356
<v Speaker 1>It doesn't fare for to get to conspiracy theories from here.

0:44:13.476 --> 0:44:17.196
<v Speaker 1>We'll find out more on the next thrilling episode of

0:44:17.196 --> 0:44:20.036
<v Speaker 1>The Last Dark Eve from the Kevin in the Woods,

0:44:45.436 --> 0:44:49.196
<v Speaker 1>My Heart All the Time. This episode was written by

0:44:49.236 --> 0:44:52.556
<v Speaker 1>Ben Natt of Halfrey. It's produced by Sophie Crane mckibbon

0:44:52.716 --> 0:44:55.716
<v Speaker 1>and Ben Natt of Halfrey. Our editor is Julia Bartner

0:44:55.916 --> 0:44:59.596
<v Speaker 1>and our executive producer is Mia Lobell. Martin Gonzalez is

0:44:59.596 --> 0:45:03.716
<v Speaker 1>our engineer. Back checking by Amy Gaines's original music by

0:45:03.796 --> 0:45:07.916
<v Speaker 1>Matthias Bossi and John Evans of Stellwagen Symphinett. Our research

0:45:07.916 --> 0:45:11.676
<v Speaker 1>assistants are Olivia Oldham and Oliver Riskin. Cuts are full

0:45:11.716 --> 0:45:16.476
<v Speaker 1>Proof players are Yoshia Mao, Raymond Blankenhorne, Matthias Bosse, Dan Epstein,

0:45:16.636 --> 0:45:20.716
<v Speaker 1>Ethan Herschenfeld, Becka A. Lewis, Andrew Perella, Robert Ricotta, and

0:45:20.836 --> 0:45:24.356
<v Speaker 1>Nick Saxton. The Last Archive is a production of Pushkin Industries.

0:45:24.676 --> 0:45:28.236
<v Speaker 1>Head Pushkin thanks to Jacob Weisberg, Heather Fame, John Schnarz,

0:45:28.396 --> 0:45:32.836
<v Speaker 1>Harley Migliori, Christina Sullivan, Eric Sandler, Emily Rost, Maggie Taylor,

0:45:33.196 --> 0:45:36.796
<v Speaker 1>Maya Kanig and Daniella Lacan Special thanks to Simon Leak,

0:45:36.916 --> 0:45:39.836
<v Speaker 1>Vicky Merrick and the Pueblo Historical Society. Many of our

0:45:39.836 --> 0:45:42.076
<v Speaker 1>sound effects are from Harry Janet Junior and the Star

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<v Speaker 1>Jenett Foundation. If you like the show, please remember to rate,

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<v Speaker 1>share and review. To find more Pushkin podcasts, Listen on

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<v Speaker 1>the iHeartRadio app, Apple Podcast, or wherever you listen to podcasts.

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<v Speaker 1>I'm Jillapoor Bride. Speak to me, Briday, Speak Boya. Eyes

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<v Speaker 1>are full of the love for you, and this song

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<v Speaker 1>in my heart must be heard. Speak Briday, Yes, my love,

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<v Speaker 1>Bright Bright are you here? Yes, my love? What do

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<v Speaker 1>you see? Briday? Will we be together soon and for always? Always?

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<v Speaker 1>My love? Away, eternity, forever and ever. Oh, I've got

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<v Speaker 1>a feeling that I'm moving on from the soldier Thompson

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<v Speaker 1>gone and She'll be there right by my side when

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<v Speaker 1>I crossed the Great line. For the love of bright

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<v Speaker 1>in my heart all the time you list in my

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<v Speaker 1>heart a time