1 00:00:12,840 --> 00:00:15,800 Speaker 1: So, so I'm meeting with Johnny Kamal and eventually the 2 00:00:15,840 --> 00:00:17,280 Speaker 1: conversation gets to, you know. 3 00:00:17,239 --> 00:00:19,520 Speaker 2: Like we makesim talk for a while, and. 4 00:00:19,600 --> 00:00:23,720 Speaker 1: They want to ask me to be the fifth Jerky Boy. 5 00:00:24,160 --> 00:00:29,440 Speaker 1: This is when it was Johnny Kamal, Jonathan Frakes, and 6 00:00:30,120 --> 00:00:34,800 Speaker 1: Steve Steve Aoki. Yes, and I say like, thank you know, 7 00:00:34,920 --> 00:00:37,600 Speaker 1: that's really nice. I love you. Can I just try one? 8 00:00:39,000 --> 00:00:41,120 Speaker 1: Can I just like, you know, can I just get 9 00:00:41,159 --> 00:00:43,920 Speaker 1: on the phone and try one of these things? Yes? 10 00:00:45,040 --> 00:00:49,320 Speaker 1: And I ordered a real pizza, hung up the phone 11 00:00:49,600 --> 00:00:53,680 Speaker 1: and said, thank you, gentlemen, I'm not interested. Enjoy your pizza. 12 00:00:53,800 --> 00:00:56,720 Speaker 1: And you left one hundred dollars bill to pay for 13 00:00:56,760 --> 00:00:57,200 Speaker 1: the pizza. 14 00:00:57,320 --> 00:01:01,440 Speaker 3: Yes, yes, well that's big of you. And I certainly 15 00:01:01,520 --> 00:01:05,280 Speaker 3: have some regrets from my wild youth of doing some 16 00:01:06,360 --> 00:01:07,720 Speaker 3: pranks I wish I could take. 17 00:01:08,040 --> 00:01:10,759 Speaker 1: Yes, that's what I was like, you know you must 18 00:01:10,760 --> 00:01:11,440 Speaker 1: think about that. 19 00:01:12,280 --> 00:01:15,720 Speaker 3: Yes, And I don't sleep well, that's for sure. 20 00:01:15,760 --> 00:01:22,760 Speaker 1: And one of them was hitting my uh neighbor with 21 00:01:22,840 --> 00:01:27,440 Speaker 1: a cream pie. M Oh, that wasn't Was that a 22 00:01:27,480 --> 00:01:32,320 Speaker 1: phone call? Mm? That wasn't that was a prank phone call? No? 23 00:01:32,319 --> 00:01:34,479 Speaker 3: No, I wasn't allot to have a phone as a youth. 24 00:01:34,560 --> 00:01:39,000 Speaker 3: But I did have a cream pie and I should 25 00:01:39,000 --> 00:01:42,280 Speaker 3: have just eaten it looking back, but instead I hit 26 00:01:42,319 --> 00:01:45,200 Speaker 3: my neighbor on his took us with it, and uh 27 00:01:45,920 --> 00:01:47,960 Speaker 3: looked like he sat it. Well, it looked like he 28 00:01:48,000 --> 00:01:51,520 Speaker 3: sat in a cream pie. But it was tough stuff. 29 00:01:51,960 --> 00:01:54,680 Speaker 1: Hey, Well, go to Hollywood. Had got to kicking button 30 00:01:54,720 --> 00:01:56,760 Speaker 1: dropping names in the red carpet lineback hallways of this 31 00:01:56,800 --> 00:02:01,600 Speaker 1: industry we call showbiz. We did a few weeks ago 32 00:02:02,800 --> 00:02:05,680 Speaker 1: a listener call in show Yeah. We said at the 33 00:02:05,760 --> 00:02:11,280 Speaker 1: time we were not going to be doing one. 34 00:02:11,880 --> 00:02:13,600 Speaker 3: For a while, oh yes, and that if we ever 35 00:02:13,639 --> 00:02:15,800 Speaker 3: did it again, it meant the show was in big trouble. 36 00:02:16,400 --> 00:02:19,000 Speaker 1: Well, it turns out we are doing one again, but 37 00:02:19,280 --> 00:02:21,480 Speaker 1: the show is not in big trouble. The show is 38 00:02:21,480 --> 00:02:25,800 Speaker 1: doing very well. And it just turns out that we 39 00:02:25,919 --> 00:02:26,640 Speaker 1: just wanted to. 40 00:02:27,440 --> 00:02:29,840 Speaker 3: Yes, and we just liked it, and we didn't have 41 00:02:29,919 --> 00:02:30,919 Speaker 3: a guest cancel. 42 00:02:31,160 --> 00:02:33,880 Speaker 1: It's not for any emergency. Nobody canceled. 43 00:02:34,040 --> 00:02:36,720 Speaker 3: It's for normal and it wasn't the second time they 44 00:02:36,760 --> 00:02:39,680 Speaker 3: canceled either, and I'd like to make that very clear. 45 00:02:40,280 --> 00:02:44,240 Speaker 3: So we wanted to talk to our fans, and it's 46 00:02:44,280 --> 00:02:46,960 Speaker 3: even nicer than talking to guests. And one thing is 47 00:02:47,360 --> 00:02:50,120 Speaker 3: our fans never cancel on us. And not that that 48 00:02:50,200 --> 00:02:51,280 Speaker 3: happened with the guest, but. 49 00:02:52,280 --> 00:02:57,000 Speaker 1: Juey, continue talking with somebody on the line, or just 50 00:02:57,000 --> 00:02:59,480 Speaker 1: like have our own conversation with just somebody hanging out, 51 00:03:00,080 --> 00:03:00,359 Speaker 1: should we? 52 00:03:00,600 --> 00:03:03,240 Speaker 3: Yes, let's get somebody on the line. Just tell him 53 00:03:03,280 --> 00:03:04,480 Speaker 3: to be quest, to be a. 54 00:03:04,480 --> 00:03:07,440 Speaker 1: Quiet observer and just be a little That sounds good, 55 00:03:07,680 --> 00:03:10,600 Speaker 1: tiny mouse out there, who do we Let's get Let's 56 00:03:10,639 --> 00:03:13,040 Speaker 1: get somebody on to talk with us, Cody, all right, 57 00:03:13,040 --> 00:03:21,520 Speaker 1: our first color is Andrew here, okay, someone respectful? Hello Andrew, Andrew. Hello, Hello, 58 00:03:22,160 --> 00:03:27,320 Speaker 1: Oh hi Andrew Andrew. How do you feel so you 59 00:03:27,440 --> 00:03:32,079 Speaker 1: we know you? Your avatar is Steve z Sue because 60 00:03:32,120 --> 00:03:36,920 Speaker 1: you love the movie. What's your favorite part of that movie? 61 00:03:38,480 --> 00:03:44,960 Speaker 4: The oh the Yellow Submarine? 62 00:03:43,640 --> 00:03:43,839 Speaker 5: Oh? 63 00:03:45,480 --> 00:03:49,000 Speaker 3: Yes, your favorite band? Yes por Portuguese David Bowie. 64 00:03:49,080 --> 00:03:51,800 Speaker 1: It's a funny, funny movie and there's always funny things 65 00:03:51,800 --> 00:03:55,000 Speaker 1: happening in it, and we love it too. But how 66 00:03:55,000 --> 00:03:58,320 Speaker 1: do you feel about just being just like sitting quietly 67 00:03:58,400 --> 00:04:01,000 Speaker 1: for a little while and it being like you're in 68 00:04:01,040 --> 00:04:04,040 Speaker 1: a conversation with me and Sean, but just like Sean 69 00:04:04,080 --> 00:04:04,640 Speaker 1: and I are. 70 00:04:04,520 --> 00:04:07,040 Speaker 3: Catching up, and then like in a real conversation, you're 71 00:04:07,080 --> 00:04:10,760 Speaker 3: sort of just watching the two masters at work. 72 00:04:10,840 --> 00:04:13,320 Speaker 1: Yes, and you're just sipping a soda pop and enjoying 73 00:04:13,360 --> 00:04:13,760 Speaker 1: the show. 74 00:04:15,800 --> 00:04:19,360 Speaker 4: Okay, So I wouldn't be contributing in any way. 75 00:04:19,760 --> 00:04:22,920 Speaker 1: Well, in some way, I wouldn't say it's not in 76 00:04:22,960 --> 00:04:26,560 Speaker 1: any way. I definitely feel your presence to be a 77 00:04:26,640 --> 00:04:28,560 Speaker 1: good observer is a real skill. 78 00:04:28,760 --> 00:04:34,440 Speaker 4: Andrew, Okay, well I can do that if ye great. 79 00:04:36,080 --> 00:04:38,880 Speaker 1: I was gone last week. Yes, tell me all about it. 80 00:04:39,839 --> 00:04:41,800 Speaker 1: You mentioned on the show I went to space with 81 00:04:41,960 --> 00:04:45,880 Speaker 1: Lance Bass. How's Lance? He's fine. He likes to go 82 00:04:46,000 --> 00:04:50,159 Speaker 1: up into the moon and he likes to scuff up 83 00:04:50,200 --> 00:04:53,360 Speaker 1: all the other footprints that are up there, because you 84 00:04:53,480 --> 00:04:56,760 Speaker 1: had so he's the only moon man Neil's and Buzzes 85 00:04:56,760 --> 00:04:59,480 Speaker 1: and Alan's footprints, because the footprints is science saying they 86 00:04:59,520 --> 00:05:04,640 Speaker 1: stay forever. They become fossils on the moon, and he 87 00:05:04,680 --> 00:05:06,719 Speaker 1: goes in he scuffs them up. So it's only Lance. 88 00:05:06,800 --> 00:05:11,560 Speaker 1: Have you think about this at all now? Lance Bass? 89 00:05:11,600 --> 00:05:14,680 Speaker 3: His peak career wise, we could say, is probably when 90 00:05:14,720 --> 00:05:18,719 Speaker 3: he was given the Moonman Award by the MTV Movies 91 00:05:18,800 --> 00:05:23,160 Speaker 3: and Music people. And so I think he misinterpreted that. Yes, 92 00:05:23,320 --> 00:05:26,400 Speaker 3: do you think that this whole space thing that he's 93 00:05:26,440 --> 00:05:30,240 Speaker 3: done with you and some other gentleman he's friends with. 94 00:05:30,320 --> 00:05:32,400 Speaker 1: Is a misunderstanding? Is possibly? 95 00:05:33,200 --> 00:05:36,840 Speaker 3: Yes, just either trying to recapture the moonman magic or 96 00:05:36,920 --> 00:05:39,080 Speaker 3: just him thinking that he's getting that award being given 97 00:05:39,120 --> 00:05:42,560 Speaker 3: a mission meant he yes, meant he was being assigned 98 00:05:42,600 --> 00:05:43,239 Speaker 3: to the Moon. 99 00:05:47,279 --> 00:05:50,080 Speaker 1: Well, I know he likes to do. We went to 100 00:05:50,080 --> 00:05:56,920 Speaker 1: look into scientific cave up there, and we saw special rocks, 101 00:05:58,120 --> 00:06:02,880 Speaker 1: and we saw uneral streams, and there was a turtle 102 00:06:04,120 --> 00:06:08,600 Speaker 1: oh in like kind of the space outfit, and we 103 00:06:08,680 --> 00:06:12,920 Speaker 1: thought like, oh, is this like a smart smart turtles planet? Yes, 104 00:06:13,320 --> 00:06:19,680 Speaker 1: turtles or yes, but it was Yuri Gagarin had dropped 105 00:06:20,440 --> 00:06:25,560 Speaker 1: this turtle on his way through space, oh, which we 106 00:06:25,640 --> 00:06:29,719 Speaker 1: eventually figured out. He used to just like get pets 107 00:06:30,279 --> 00:06:33,440 Speaker 1: and then kind of like forget about them and just 108 00:06:33,480 --> 00:06:35,799 Speaker 1: like drop them wherever, you know, just like forget about 109 00:06:35,800 --> 00:06:39,080 Speaker 1: them in space. That's disrespectful. Yes, the turtle was Okay, 110 00:06:39,320 --> 00:06:44,200 Speaker 1: turtles great, well science thing. Turtles live. They get old, 111 00:06:44,400 --> 00:06:47,120 Speaker 1: get young again, get old again, get young again, and 112 00:06:47,160 --> 00:06:51,200 Speaker 1: they spiral back and forth. It's the yo yo, it's 113 00:06:51,200 --> 00:06:52,880 Speaker 1: the yo yo effect of space. 114 00:06:53,120 --> 00:06:55,880 Speaker 3: Yeah, so, oh that's so interesting, and he just eats 115 00:06:55,960 --> 00:06:57,400 Speaker 3: moon rocks now, mm hmm. 116 00:06:58,160 --> 00:07:01,040 Speaker 1: That's nice, missus swimming. 117 00:07:01,279 --> 00:07:07,359 Speaker 3: But you know, everybody has to make sacrifices, especially in space. Andrew, 118 00:07:07,440 --> 00:07:09,720 Speaker 3: did you have something you wanted to call about. 119 00:07:09,480 --> 00:07:14,840 Speaker 1: Some kind of prepared game plan stick some kind Yeah? 120 00:07:15,800 --> 00:07:20,800 Speaker 4: No, not really. Did you have a topic or fame 121 00:07:20,920 --> 00:07:21,320 Speaker 4: or anything? 122 00:07:21,600 --> 00:07:24,640 Speaker 1: A topic that's enough thing? Maybe we should do that 123 00:07:24,720 --> 00:07:28,840 Speaker 1: if we movies? Oh, yes, movies. Okay, the topic is 124 00:07:28,920 --> 00:07:33,080 Speaker 1: movies today, Andrew speak on that. Why don't you please? 125 00:07:34,120 --> 00:07:40,360 Speaker 4: Yeah? I saw Interstella the other day. 126 00:07:40,880 --> 00:07:43,600 Speaker 1: Interstellar, Yeah, what is that? 127 00:07:45,400 --> 00:07:49,200 Speaker 4: It's the the space space movie. 128 00:07:50,560 --> 00:07:54,560 Speaker 1: Okay, Well, we just did a lot of talking about 129 00:07:54,800 --> 00:07:56,360 Speaker 1: all the space talk we were going to do for 130 00:07:56,440 --> 00:07:58,840 Speaker 1: the like, we were sort of talked out about space. 131 00:07:59,720 --> 00:08:03,560 Speaker 1: But I guess we can do a little more. Do 132 00:08:03,640 --> 00:08:06,120 Speaker 1: you think, Andrew, do you think that's space is on 133 00:08:06,160 --> 00:08:07,480 Speaker 1: the other side of a bookshelf? 134 00:08:08,880 --> 00:08:14,320 Speaker 4: The bookshelf? I mean, I don't really have a bookshelf, 135 00:08:14,640 --> 00:08:15,800 Speaker 4: so I couldn't really. 136 00:08:16,480 --> 00:08:22,680 Speaker 1: Not my question, did you when you know, when there's 137 00:08:22,720 --> 00:08:25,920 Speaker 1: a big surprise in the movie when Matt Damon shows up, 138 00:08:26,240 --> 00:08:28,120 Speaker 1: and did you turn to the person you were away 139 00:08:28,120 --> 00:08:31,320 Speaker 1: with and go, that's Matt Damon. That's what you're supposed 140 00:08:31,320 --> 00:08:33,000 Speaker 1: to do in that movie when you're sitting watching the 141 00:08:33,040 --> 00:08:35,400 Speaker 1: movie in the theater, when he appears, you're supposed to 142 00:08:35,440 --> 00:08:36,160 Speaker 1: go to the person. 143 00:08:35,960 --> 00:08:39,280 Speaker 3: Action, go that that's my d Ideally, you're on a 144 00:08:39,360 --> 00:08:41,240 Speaker 3: date with a girl who you think is unable to 145 00:08:41,280 --> 00:08:44,240 Speaker 3: recognize faces, and see who can sort of lean close 146 00:08:44,280 --> 00:08:46,280 Speaker 3: to her and loud enough for the people around you 147 00:08:46,320 --> 00:08:47,920 Speaker 3: to see, you can go from. 148 00:08:47,720 --> 00:08:51,680 Speaker 1: The informant, is that him? Is that that's my dam 149 00:08:52,400 --> 00:08:56,040 Speaker 1: Did you do that? That's just I was watching it 150 00:08:56,080 --> 00:08:56,480 Speaker 1: with my mum. 151 00:08:58,000 --> 00:08:59,520 Speaker 4: I did tell her it was ma Damon, But I 152 00:08:59,520 --> 00:09:01,440 Speaker 4: don't think when he knew it was supposed to be 153 00:09:01,840 --> 00:09:02,960 Speaker 4: a surprise. 154 00:09:02,679 --> 00:09:05,120 Speaker 1: Is he? Is he not really a celebrity over there? 155 00:09:05,200 --> 00:09:08,880 Speaker 1: Is he? He's certainly no Graham Norton. Who's your Matt Damon? Yes? 156 00:09:09,000 --> 00:09:11,360 Speaker 1: Is it Graham Norton? Or is it still Erics Iidels, 157 00:09:11,360 --> 00:09:18,440 Speaker 1: Stephen Fry, Yes, Jimmy Carr, Wassie? Isn't Washee? Somebody? You 158 00:09:18,440 --> 00:09:23,520 Speaker 1: guys have some you guys have some very good celebrities. Yeah, 159 00:09:23,640 --> 00:09:25,840 Speaker 1: you think it's Wassi? I think so too. 160 00:09:26,800 --> 00:09:29,920 Speaker 3: What about that, Simon Cowell, what a nasty man. But 161 00:09:30,000 --> 00:09:32,720 Speaker 3: I but he's got taste, and then you you can't 162 00:09:33,080 --> 00:09:36,240 Speaker 3: teach that. So thanks Andrew, We'll see you later, and 163 00:09:36,360 --> 00:09:38,760 Speaker 3: let's get a new caller and engineering thank you Andrew. 164 00:09:38,800 --> 00:09:45,440 Speaker 1: Bye. I don't want him to have time to say 165 00:09:45,480 --> 00:09:47,840 Speaker 1: bye on the air. So when I say a new caller, 166 00:09:48,400 --> 00:09:49,640 Speaker 1: get him out of here. 167 00:09:49,720 --> 00:09:51,240 Speaker 6: We've got Tim treeson. 168 00:09:51,120 --> 00:09:55,320 Speaker 1: Okay guessing, Okay, I was gonna say, I'm guessing the 169 00:09:55,320 --> 00:09:59,360 Speaker 1: signal is going to be significantly better than the last 170 00:09:59,360 --> 00:10:01,880 Speaker 1: one since we have Tim chrees on here, and he's 171 00:10:01,960 --> 00:10:06,440 Speaker 1: a techno wizard an America got money to spend, yes, 172 00:10:06,480 --> 00:10:07,680 Speaker 1: and he's got a lot of dump. 173 00:10:07,800 --> 00:10:11,679 Speaker 2: I'm I'm calling from a smartphone, actually. 174 00:10:11,600 --> 00:10:16,520 Speaker 1: See and isn't that amazing? So we had Andrew calling 175 00:10:16,600 --> 00:10:21,080 Speaker 1: from it sounded like, well, it sounds an airplane. 176 00:10:21,200 --> 00:10:24,920 Speaker 3: Yes, it sounded like a payphone on an airplane, which 177 00:10:24,960 --> 00:10:30,199 Speaker 3: is just not practical at all. So don't do that, Andrew. 178 00:10:30,280 --> 00:10:33,280 Speaker 3: But now Tim ches is calling from these smartphones. And 179 00:10:33,320 --> 00:10:37,920 Speaker 3: if you've seen these things, they can do computers, they 180 00:10:37,920 --> 00:10:41,960 Speaker 3: can do talking like Tim's doing, but they can do 181 00:10:42,040 --> 00:10:42,520 Speaker 3: what else? 182 00:10:42,600 --> 00:10:45,640 Speaker 1: Hey, describe your phone, Tim and then we'll talk about 183 00:10:45,640 --> 00:10:46,199 Speaker 1: what it can do. 184 00:10:46,360 --> 00:10:52,920 Speaker 2: Yes, well it can uh talk like this, you know, 185 00:10:53,120 --> 00:10:53,960 Speaker 2: I can talk. 186 00:10:53,960 --> 00:10:57,000 Speaker 1: Describe norie the phone. Describe the phone. Don't say what 187 00:10:57,040 --> 00:10:58,880 Speaker 1: it can do. Describe the phone. We'll say what it 188 00:10:58,920 --> 00:10:59,200 Speaker 1: can do. 189 00:11:01,000 --> 00:11:04,839 Speaker 2: Oh, it's it's kind of like a black rectangle. 190 00:11:04,880 --> 00:11:11,959 Speaker 1: I guess I have seen this phone does math? Right? Am? 191 00:11:11,960 --> 00:11:12,559 Speaker 1: I right about it? 192 00:11:12,640 --> 00:11:13,080 Speaker 2: A little bit. 193 00:11:13,240 --> 00:11:15,240 Speaker 1: The phone is almost a calculator itself. 194 00:11:17,160 --> 00:11:20,600 Speaker 3: And if you would play pac Man or something like that, 195 00:11:21,000 --> 00:11:23,440 Speaker 3: you can't do that on this phone because those machines 196 00:11:23,440 --> 00:11:24,040 Speaker 3: are too big. 197 00:11:24,360 --> 00:11:26,360 Speaker 1: But you can actually you need a dongle. 198 00:11:26,800 --> 00:11:31,080 Speaker 3: Yes, you can actually do via dongle, another kind of game. 199 00:11:32,160 --> 00:11:33,840 Speaker 2: Yeah, it's got a USB plug. 200 00:11:34,320 --> 00:11:38,200 Speaker 1: Yeah that's what we said. Yes, Now aren't you supposed 201 00:11:38,200 --> 00:11:40,200 Speaker 1: to Are you allowed to say the big company you 202 00:11:40,240 --> 00:11:40,560 Speaker 1: work for? 203 00:11:41,800 --> 00:11:42,760 Speaker 2: Uh? No? 204 00:11:43,520 --> 00:11:46,160 Speaker 3: Okay, Well then we're you're just gonna say it, okay, 205 00:11:46,480 --> 00:11:51,640 Speaker 3: And then can you send us some of those binocular 206 00:11:51,679 --> 00:11:56,319 Speaker 3: riff machines that they have where it's only cheap cardboard, 207 00:11:56,480 --> 00:11:58,920 Speaker 3: but you put it on your head and then watch 208 00:11:58,960 --> 00:12:00,959 Speaker 3: the three D movie Tim. 209 00:12:01,240 --> 00:12:03,920 Speaker 1: Ok let's let's let us just say who you work for. 210 00:12:04,960 --> 00:12:07,200 Speaker 1: We're gonna do it, so just let us do it? Okay? 211 00:12:07,480 --> 00:12:10,120 Speaker 1: Tim works for Google. This is my question for you, Tim, 212 00:12:10,360 --> 00:12:16,360 Speaker 1: Why are you guys doing TV shows? You're getting smoked 213 00:12:16,800 --> 00:12:19,760 Speaker 1: in these TV shows. All the other search edits are 214 00:12:19,800 --> 00:12:20,640 Speaker 1: doing TV shows. 215 00:12:20,720 --> 00:12:20,880 Speaker 2: Yeah? 216 00:12:20,880 --> 00:12:27,880 Speaker 1: Who's he in your lunch? Scrumming? Oh so good? That's what? Yeah? 217 00:12:27,880 --> 00:12:30,000 Speaker 1: Who sounds like with your lunch? 218 00:12:33,679 --> 00:12:36,720 Speaker 2: I can bring it up? I mean, how should I 219 00:12:36,800 --> 00:12:39,000 Speaker 2: do that? How do I make a TV show? 220 00:12:39,720 --> 00:12:41,240 Speaker 1: Are you the boss or do you have a boss? 221 00:12:43,760 --> 00:12:44,560 Speaker 2: I have a boss? 222 00:12:44,679 --> 00:12:48,400 Speaker 1: Switch with him? Yeah, you guys have to switch, Tim, 223 00:12:49,280 --> 00:12:52,679 Speaker 1: you have to start being the boss. Okay, he's got 224 00:12:52,720 --> 00:12:53,360 Speaker 1: a name tag. 225 00:12:54,960 --> 00:12:56,439 Speaker 2: Uh, he's got a badge. 226 00:12:56,840 --> 00:13:02,560 Speaker 1: Yes, you're gonna need that. You'll need to his fingerprints too, 227 00:13:02,720 --> 00:13:05,240 Speaker 1: if that's how you do it there, just to get 228 00:13:05,320 --> 00:13:09,280 Speaker 1: into the door beard beard? Do they scan the beard? 229 00:13:09,679 --> 00:13:10,040 Speaker 2: Yeah? 230 00:13:11,160 --> 00:13:14,200 Speaker 1: Oh? Beard scanning? Hmmm. 231 00:13:14,880 --> 00:13:17,520 Speaker 3: That's making it tough. I wish Andy would keep it 232 00:13:17,559 --> 00:13:22,120 Speaker 3: down out there. I mean, I got a call screener 233 00:13:22,160 --> 00:13:23,880 Speaker 3: out there, and I can hear him yelling. 234 00:13:23,960 --> 00:13:27,199 Speaker 1: Could you do you hear that? Tim? We might as 235 00:13:27,200 --> 00:13:29,600 Speaker 1: well just yeah, when I go ahead. 236 00:13:29,640 --> 00:13:31,440 Speaker 2: When I talked to him when he was screening me, 237 00:13:31,679 --> 00:13:34,280 Speaker 2: he said, okay, bye, and then he forgot to hang. 238 00:13:34,200 --> 00:13:41,000 Speaker 3: Up on me, Tim, is Tree is your real last 239 00:13:41,080 --> 00:13:43,000 Speaker 3: name or you change it because you're cheebahawk. 240 00:13:43,120 --> 00:13:44,520 Speaker 1: You love chief in that kind. 241 00:13:48,320 --> 00:13:50,600 Speaker 2: It's actually an Ellis Island thing, so it's kind of 242 00:13:50,640 --> 00:13:51,440 Speaker 2: not my real name. 243 00:13:51,679 --> 00:13:51,920 Speaker 1: Hmm. 244 00:13:52,000 --> 00:13:54,120 Speaker 3: Yeah, and you love chief in the kind buds. It's 245 00:13:54,120 --> 00:13:57,040 Speaker 3: supposed to be token to refer it's supposed to be cheese. Yeah, 246 00:13:57,120 --> 00:13:59,839 Speaker 3: timmy cheese. They changed your name out. 247 00:14:00,040 --> 00:14:02,160 Speaker 2: You know, I don't think our family even knows from. 248 00:14:02,000 --> 00:14:06,560 Speaker 1: Cheese to trees. Tim Did you have anything for the 249 00:14:06,559 --> 00:14:07,480 Speaker 1: topic of movies? 250 00:14:09,840 --> 00:14:14,960 Speaker 2: Oh? I wanted to ask, uh, what's your favorite movies? 251 00:14:15,360 --> 00:14:23,760 Speaker 1: Ooh, that's a great engineer, Cody. Yeah, what favorite movie movies? Go, 252 00:14:24,440 --> 00:14:28,120 Speaker 1: Citizen Kane, What do you like about that? Yes? What 253 00:14:28,160 --> 00:14:28,600 Speaker 1: do you like? 254 00:14:28,800 --> 00:14:31,400 Speaker 6: I like their use of depth of field, especially with background, 255 00:14:31,520 --> 00:14:35,560 Speaker 6: mid ground and foreground. Three things happening simultaneously in the frame. 256 00:14:35,600 --> 00:14:38,480 Speaker 6: That was unprecedented. I don't think he got it. I 257 00:14:38,480 --> 00:14:41,600 Speaker 6: don't think he really got that movie. Also, I'm a 258 00:14:41,600 --> 00:14:42,680 Speaker 6: big fan of Rose Water. 259 00:14:44,200 --> 00:14:47,240 Speaker 1: Now, that's a great movie. That's a movie. 260 00:14:47,280 --> 00:14:50,600 Speaker 3: Did you understand when he's dancing that even though he's 261 00:14:50,600 --> 00:14:53,680 Speaker 3: in captivity, his spirit is still free. 262 00:14:55,720 --> 00:14:59,920 Speaker 1: Citizen Kane and rose Water are sort of bookends really 263 00:15:00,080 --> 00:15:02,640 Speaker 1: in the cannon of cinema. 264 00:15:03,040 --> 00:15:06,040 Speaker 3: Well, we started with Citizen Kane, which was bad, and 265 00:15:06,080 --> 00:15:09,080 Speaker 3: then it took us all this time to get to Rosewater, 266 00:15:09,160 --> 00:15:10,000 Speaker 3: which was good. 267 00:15:10,160 --> 00:15:13,400 Speaker 1: You can see the seed of the idea of Rosewater 268 00:15:13,480 --> 00:15:16,960 Speaker 1: and Citizen Kane. But when he's in jail, he's not 269 00:15:17,200 --> 00:15:20,160 Speaker 1: dancing and having a good time. What did you What 270 00:15:20,240 --> 00:15:23,120 Speaker 1: else did you like about that movie? I don't know. 271 00:15:23,160 --> 00:15:24,040 Speaker 6: I liked air Bud two. 272 00:15:25,560 --> 00:15:28,280 Speaker 3: You liked Airbud two Golden Receiver, or you liked air 273 00:15:28,360 --> 00:15:33,280 Speaker 3: Bud as well the original movie Golden Receiver Golden Receiver. Yeah, 274 00:15:33,320 --> 00:15:35,800 Speaker 3: of course, yes, that made more sense to dog playing 275 00:15:35,840 --> 00:15:39,560 Speaker 3: football than basketball. That's definitely true. Much harder on the 276 00:15:39,600 --> 00:15:43,200 Speaker 3: dog on a puppies little nosy to hit a basketball 277 00:15:43,200 --> 00:15:45,600 Speaker 3: into the hoop, But catching a football that's pretty reasonable 278 00:15:46,040 --> 00:15:48,720 Speaker 3: and so thank goodness of the movie. 279 00:15:48,720 --> 00:15:51,960 Speaker 1: They can never catch him, but you are always a 280 00:15:52,000 --> 00:15:54,520 Speaker 1: little on the field or trying to tackle him, you 281 00:15:54,560 --> 00:15:56,880 Speaker 1: are always a little scared, like if one of those 282 00:15:56,880 --> 00:16:03,440 Speaker 1: big guys did land on him, he would be crushed, 283 00:16:04,400 --> 00:16:08,040 Speaker 1: his bones, his bones would be broken, yes, but luckily 284 00:16:08,120 --> 00:16:09,400 Speaker 1: he's too fast to be caught. 285 00:16:09,520 --> 00:16:11,880 Speaker 3: That part is lucky. But I will say this about 286 00:16:12,080 --> 00:16:17,120 Speaker 3: golden receiver. Isn't that deflate gate? That that should have 287 00:16:17,120 --> 00:16:19,840 Speaker 3: been deflake. I mean that feels like deflate gate. Dog's 288 00:16:19,920 --> 00:16:23,560 Speaker 3: chomping on the football. Yeah, Tim Trees, what's the truth? 289 00:16:26,600 --> 00:16:29,320 Speaker 2: Yeah, I mean, I think there's pretty strong evidence that 290 00:16:29,880 --> 00:16:32,720 Speaker 2: the Patriots didn't really do anything wrong in that case. 291 00:16:32,800 --> 00:16:35,400 Speaker 2: So I think you have a good argument in. 292 00:16:35,720 --> 00:16:38,720 Speaker 1: The case where that well what a case of golden receiver. 293 00:16:40,080 --> 00:16:41,960 Speaker 1: They were doing that thing one of their receivers. He 294 00:16:42,000 --> 00:16:43,760 Speaker 1: wasn't catching the ball in his mouth, but it was 295 00:16:43,800 --> 00:16:48,280 Speaker 1: a dog in a velcrow suit and the football was 296 00:16:48,360 --> 00:16:52,280 Speaker 1: bell crow. They did prove that, and the Patriots did that. 297 00:16:52,320 --> 00:16:54,560 Speaker 1: They would throw a velcrow football at the dog and 298 00:16:54,600 --> 00:16:57,200 Speaker 1: it would stick to him and he would run away. Yes, 299 00:16:57,320 --> 00:17:01,960 Speaker 1: that is actually one true thing that happened. You're saying, 300 00:17:02,000 --> 00:17:02,560 Speaker 1: that's okay. 301 00:17:04,000 --> 00:17:05,800 Speaker 2: I don't think there's a rule that says you can't 302 00:17:05,880 --> 00:17:06,119 Speaker 2: do that. 303 00:17:07,320 --> 00:17:07,600 Speaker 1: Yeah. 304 00:17:07,640 --> 00:17:10,399 Speaker 3: Well, because it's been proven that Danny A Mondola is 305 00:17:10,400 --> 00:17:14,080 Speaker 3: actually an Alaskan malamute, and so that was you know, 306 00:17:14,200 --> 00:17:15,760 Speaker 3: that was a little bit controversial. 307 00:17:16,680 --> 00:17:18,480 Speaker 1: What sound does it make when I make a search 308 00:17:18,520 --> 00:17:19,240 Speaker 1: over at Google? 309 00:17:21,400 --> 00:17:25,760 Speaker 2: It's like a buzz kind of sound, and then we 310 00:17:25,800 --> 00:17:26,880 Speaker 2: can see. 311 00:17:27,680 --> 00:17:30,639 Speaker 1: You're thinking you're thinking of BuzzFeed. 312 00:17:32,240 --> 00:17:32,400 Speaker 4: Mm. 313 00:17:32,920 --> 00:17:34,560 Speaker 2: Yeah, you're right. It's a bell sound. 314 00:17:36,320 --> 00:17:42,240 Speaker 1: That's being. That's either being or taco bell. Tim. 315 00:17:42,359 --> 00:17:45,160 Speaker 2: Yes, oh yeah, I don't know which one. 316 00:17:46,880 --> 00:17:47,119 Speaker 7: Is it. 317 00:17:47,160 --> 00:17:49,600 Speaker 2: Do you want me to keep guessing or no? 318 00:17:49,800 --> 00:17:54,040 Speaker 1: Let's just take another call. Thanks Tim? All right, we 319 00:17:54,119 --> 00:18:01,959 Speaker 1: got a burger ho burger hoy door. Oh, he's in 320 00:18:01,960 --> 00:18:04,600 Speaker 1: the hallway on the way back to his dorm. His 321 00:18:04,760 --> 00:18:07,320 Speaker 1: guy guys, guys. Let me step outway, let me step 322 00:18:07,359 --> 00:18:09,080 Speaker 1: out of my dorm for one second. I just got 323 00:18:09,119 --> 00:18:10,960 Speaker 1: to make a quick call to my friends. 324 00:18:13,520 --> 00:18:15,600 Speaker 5: This happened last time, so I'm trying to specifically not 325 00:18:15,640 --> 00:18:17,800 Speaker 5: be in an e hallway. I'm sorry. 326 00:18:18,240 --> 00:18:19,720 Speaker 1: Who tell us about your roommates? 327 00:18:21,720 --> 00:18:23,240 Speaker 5: I am I'm actually in New York right now? 328 00:18:23,359 --> 00:18:25,280 Speaker 8: Do you want me to tell you about my Boston roommate. 329 00:18:26,960 --> 00:18:30,800 Speaker 1: In New York? In a big hallway? Where are you? 330 00:18:31,160 --> 00:18:31,800 Speaker 5: New York? Are you? 331 00:18:32,640 --> 00:18:34,760 Speaker 1: That's like? This is what the subway is. The subway 332 00:18:34,840 --> 00:18:35,680 Speaker 1: is just a big hallway. 333 00:18:35,720 --> 00:18:37,840 Speaker 3: Are you on Ellis Island trying to find out Tim 334 00:18:37,880 --> 00:18:38,800 Speaker 3: Treesy's old name. 335 00:18:41,480 --> 00:18:42,080 Speaker 4: No, I'm on that. 336 00:18:42,160 --> 00:18:44,200 Speaker 5: I'm on Manhattan Island. Trying to make it. 337 00:18:44,160 --> 00:18:44,840 Speaker 7: In the big city. 338 00:18:45,280 --> 00:18:50,360 Speaker 3: Okay, it sounds like you are trying to take your 339 00:18:50,359 --> 00:18:51,280 Speaker 3: phone apart with a. 340 00:18:51,320 --> 00:18:54,440 Speaker 1: Four like that's the noise. 341 00:18:54,800 --> 00:18:59,120 Speaker 3: It's sort of a clumsy scraping that's happening against the speaker. 342 00:19:00,320 --> 00:19:02,520 Speaker 3: And I would say, don't do that, not while you're 343 00:19:02,560 --> 00:19:04,920 Speaker 3: on a call. Just talk with the phone and then 344 00:19:04,960 --> 00:19:05,600 Speaker 3: maybe later. 345 00:19:05,920 --> 00:19:09,200 Speaker 1: I I agree with you that something is not working. 346 00:19:09,320 --> 00:19:11,879 Speaker 1: You should change something about the way the calls. We 347 00:19:11,960 --> 00:19:14,080 Speaker 1: want to crack that baby open and clean it up. 348 00:19:14,600 --> 00:19:17,680 Speaker 1: I don't think this is the illusion for right now. 349 00:19:18,800 --> 00:19:19,680 Speaker 7: How about now? Are we good? 350 00:19:19,680 --> 00:19:20,160 Speaker 4: Are we good? 351 00:19:22,000 --> 00:19:23,359 Speaker 1: Please come down Burger Ho. 352 00:19:24,920 --> 00:19:28,320 Speaker 3: I like you, but your energy is insane right now. 353 00:19:29,000 --> 00:19:31,280 Speaker 7: I know, I know, I did, I had, I had 354 00:19:31,480 --> 00:19:32,440 Speaker 7: a prepared. 355 00:19:32,160 --> 00:19:33,239 Speaker 5: Question if you like to ask. 356 00:19:33,720 --> 00:19:34,600 Speaker 1: Is that about movies? 357 00:19:35,600 --> 00:19:37,960 Speaker 5: It is about movies at Fester too. 358 00:19:37,960 --> 00:19:39,080 Speaker 7: I don't know if you guys mind that. 359 00:19:39,600 --> 00:19:40,919 Speaker 1: This is good? Okay. 360 00:19:41,880 --> 00:19:44,600 Speaker 9: I was wondering you ever see Seinfeld? 361 00:19:44,880 --> 00:19:45,840 Speaker 1: Sorry? Sorry? Sorry? 362 00:19:45,840 --> 00:19:50,040 Speaker 3: Have you have you seen Seinfeld? 363 00:19:50,200 --> 00:19:50,400 Speaker 7: Great? 364 00:19:50,480 --> 00:19:54,720 Speaker 9: Okay, go ahead, Okay, it's a it's a big, you know, 365 00:19:54,800 --> 00:19:57,280 Speaker 9: movie movie near to holiday coming up tomorrow, and I 366 00:19:57,320 --> 00:19:58,800 Speaker 9: was I was wondering, maybe if you guys could talk 367 00:19:58,840 --> 00:20:00,760 Speaker 9: about some of your favorite Easter in the movies. 368 00:20:02,720 --> 00:20:07,760 Speaker 1: Yes, yes, Easter's a great holiday for movie nerds because 369 00:20:07,760 --> 00:20:10,680 Speaker 1: that's when they hide all the movie secrets. There's a 370 00:20:10,800 --> 00:20:19,040 Speaker 1: one on the the DVD for Dante's Peak, okay, where 371 00:20:19,160 --> 00:20:23,359 Speaker 1: you're at the main menu right and you hit the 372 00:20:23,480 --> 00:20:28,679 Speaker 1: left on your controller, yes, and it's mousing over. You 373 00:20:28,760 --> 00:20:34,520 Speaker 1: just keep hitting left, special features, subtitles, recommendations, and then 374 00:20:34,680 --> 00:20:38,639 Speaker 1: when you think that there aren't any more buttons to 375 00:20:38,720 --> 00:20:43,439 Speaker 1: go over, go mo. You hit left again and then 376 00:20:43,480 --> 00:20:48,080 Speaker 1: it's a little like lava pool and you select that 377 00:20:48,359 --> 00:20:53,560 Speaker 1: disappears and you select the lava pool, and that's bloopers 378 00:20:53,560 --> 00:20:56,720 Speaker 1: of people pretending like they're supposed to get burned but 379 00:20:56,800 --> 00:20:58,560 Speaker 1: the lava wasn't hot enough. 380 00:20:59,359 --> 00:21:02,280 Speaker 3: Oh that's funny, you know that. So yes, they fall 381 00:21:02,320 --> 00:21:04,480 Speaker 3: in and they go oh no no, and that they're 382 00:21:04,560 --> 00:21:05,840 Speaker 3: just kind of splashing around. 383 00:21:06,600 --> 00:21:06,840 Speaker 5: Yeah. 384 00:21:06,920 --> 00:21:09,960 Speaker 3: I guess My favorite is on the Criterion edition Blu 385 00:21:10,119 --> 00:21:16,520 Speaker 3: ray for Spanglish, and it's in the If you pause 386 00:21:16,600 --> 00:21:20,960 Speaker 3: it right at the part where Tayleioni, then what you 387 00:21:21,520 --> 00:21:26,479 Speaker 3: can actually find out is what the Spanglish version of 388 00:21:26,520 --> 00:21:29,719 Speaker 3: her lines is. And you all you have to do 389 00:21:29,800 --> 00:21:36,960 Speaker 3: is you pause it and then you hit up down, up, up, down, down, left, right, 390 00:21:37,080 --> 00:21:40,960 Speaker 3: left right, ab select and that is going to allow 391 00:21:41,000 --> 00:21:43,959 Speaker 3: you to see the spanglish version of the line. And 392 00:21:44,200 --> 00:21:47,320 Speaker 3: it's just a fun way to tie in the title 393 00:21:47,760 --> 00:21:50,919 Speaker 3: and also do it on the tailione park. 394 00:21:51,080 --> 00:21:54,320 Speaker 1: The part where there's a scene where she's behind sort 395 00:21:54,359 --> 00:21:59,040 Speaker 1: of the clouded shower glass. But you can see it. Yes, 396 00:21:59,840 --> 00:22:02,360 Speaker 1: you can tell see where the colors change a little bit, 397 00:22:03,080 --> 00:22:05,879 Speaker 1: and you can see where the different things are. And 398 00:22:07,200 --> 00:22:11,080 Speaker 1: yes it's shadowy, and that as far as where it's 399 00:22:11,080 --> 00:22:13,160 Speaker 1: a little darker, and that's how you know where it's. 400 00:22:13,200 --> 00:22:18,600 Speaker 1: That's the best stuff. And yes, and and pause. 401 00:22:19,720 --> 00:22:23,240 Speaker 3: And I I'm maybe I'm confusing because I'm saying pause, 402 00:22:23,320 --> 00:22:27,639 Speaker 3: and I believe that movie starred pause Vega. When I 403 00:22:27,680 --> 00:22:30,080 Speaker 3: say pause, I mean stop the movie, but don't hit 404 00:22:30,119 --> 00:22:32,760 Speaker 3: stop hit the two lines. 405 00:22:33,480 --> 00:22:37,440 Speaker 1: I think it's weird sometimes when black people say something 406 00:22:37,480 --> 00:22:40,560 Speaker 1: they think sounds gay and then they say then they 407 00:22:40,640 --> 00:22:45,679 Speaker 1: say and then they say pause, like pause Vega. I 408 00:22:45,720 --> 00:22:47,879 Speaker 1: have never been able to figure out what that is 409 00:22:47,920 --> 00:22:51,639 Speaker 1: supposed Why are they invoking pause Vega when they say pause? 410 00:22:51,760 --> 00:22:53,080 Speaker 1: Do you know about this burger? 411 00:22:53,119 --> 00:22:56,080 Speaker 5: How I do know what the concept. 412 00:22:56,119 --> 00:22:57,879 Speaker 7: I didn't know it was related to pause Vega though. 413 00:22:57,920 --> 00:22:58,680 Speaker 5: I thought it was like. 414 00:22:59,200 --> 00:23:01,800 Speaker 1: Can you explain, like, hold up, can you explain it? 415 00:23:01,840 --> 00:23:04,800 Speaker 3: Because I don't know what Hayes is talking about, and 416 00:23:04,840 --> 00:23:06,520 Speaker 3: it's making me, Oh, this is a trend. 417 00:23:06,720 --> 00:23:09,439 Speaker 1: You don't know about this trend. Oh it's a real trend. 418 00:23:09,480 --> 00:23:13,200 Speaker 1: It's like it's like the black that's what she said. 419 00:23:14,240 --> 00:23:17,560 Speaker 1: Ah okay, So what's an example of something? They might say? 420 00:23:18,200 --> 00:23:21,280 Speaker 1: Burger howe, So you. 421 00:23:21,200 --> 00:23:23,760 Speaker 7: Know they might they might say something like, hey, you 422 00:23:23,800 --> 00:23:26,600 Speaker 7: look really good in those in those genes, those levies 423 00:23:26,600 --> 00:23:28,639 Speaker 7: that you just bought. And then another guy who they 424 00:23:28,640 --> 00:23:31,800 Speaker 7: would be like like like hold up and be like pause, hold. 425 00:23:31,680 --> 00:23:35,120 Speaker 5: Up or just pause just like I think, think about 426 00:23:35,160 --> 00:23:35,760 Speaker 5: what you're saying. 427 00:23:35,560 --> 00:23:38,359 Speaker 3: From well, but what we're doing is pause is all 428 00:23:38,400 --> 00:23:39,320 Speaker 3: we're talking about. 429 00:23:39,560 --> 00:23:43,480 Speaker 1: Yes, so don't eliminate the whole up thing. 430 00:23:45,359 --> 00:23:50,439 Speaker 10: And if you don't do that, yeah, and then they 431 00:23:50,440 --> 00:23:54,680 Speaker 10: say pause, Oh okay, like pause Vega, who's a straight 432 00:23:54,760 --> 00:23:55,880 Speaker 10: woman as far as I. 433 00:23:55,920 --> 00:23:59,320 Speaker 1: Know, are sure it's not pause de la Cuerta. Well, 434 00:23:59,359 --> 00:24:04,640 Speaker 1: that's interesting because I think she might be bisexual. Yes, 435 00:24:05,000 --> 00:24:09,080 Speaker 1: maybe it's referring to pause de la Ferta's bisexuality. Mm hmm, 436 00:24:09,760 --> 00:24:12,280 Speaker 1: and we've cracked another one. 437 00:24:14,080 --> 00:24:16,560 Speaker 3: Burger Ho, thanks for solving a mystery with us, and 438 00:24:16,640 --> 00:24:21,720 Speaker 3: thanks for coming by and see you next time on Hollywood, Hambuck, 439 00:24:22,720 --> 00:24:23,200 Speaker 3: What up? 440 00:24:23,280 --> 00:24:24,240 Speaker 1: What down? 441 00:24:24,480 --> 00:24:24,680 Speaker 4: By? 442 00:24:26,200 --> 00:24:26,520 Speaker 11: All right? 443 00:24:26,600 --> 00:24:27,240 Speaker 6: We got next? 444 00:24:27,320 --> 00:24:31,760 Speaker 1: Chanson? Okay, Jansen, We would have liked to do this earlier. 445 00:24:31,920 --> 00:24:35,280 Speaker 1: And as I recall last time, he was the second 446 00:24:35,320 --> 00:24:40,159 Speaker 1: or third call, and instead of what we specifically asked for, 447 00:24:40,240 --> 00:24:42,760 Speaker 1: which was him to be the first call, he has 448 00:24:43,440 --> 00:24:48,960 Speaker 1: moved deeper into the show. He's ten. Actually no, he's 449 00:24:49,000 --> 00:24:50,960 Speaker 1: not the tenth call. This is some other's. 450 00:24:50,840 --> 00:24:53,320 Speaker 6: Dropped in between. But just for technically speaking. 451 00:24:53,000 --> 00:24:56,200 Speaker 1: Who dropped? I want names? People? Hung up? 452 00:24:57,600 --> 00:24:57,840 Speaker 3: Yeah? 453 00:24:57,960 --> 00:24:58,440 Speaker 11: Ran Ran? 454 00:24:59,200 --> 00:25:03,760 Speaker 1: Oh, come on? Ran? Ran hung up? And now we're 455 00:25:03,760 --> 00:25:05,440 Speaker 1: stuck with Chan Chan. 456 00:25:07,359 --> 00:25:12,320 Speaker 6: And a couple, a couple of numbers but no names, four, three, five, 457 00:25:12,440 --> 00:25:15,359 Speaker 6: and seventy four of them. 458 00:25:15,400 --> 00:25:19,119 Speaker 1: Probably all the girls, All the girls, Sausage fest on 459 00:25:19,160 --> 00:25:23,080 Speaker 1: the line, all the girls, Chan Man, what's krack a lacin? 460 00:25:25,560 --> 00:25:28,280 Speaker 1: I'm just sitting in my car, Chance And we found 461 00:25:28,320 --> 00:25:31,080 Speaker 1: out on the forums that the car that you're referring 462 00:25:31,119 --> 00:25:35,399 Speaker 1: to is an Audi. Yes, what's the mod? What's the story? There, 463 00:25:36,280 --> 00:25:39,320 Speaker 1: what's the model, and then explain how that's possible, because 464 00:25:39,359 --> 00:25:43,080 Speaker 1: you don't do anything. As far as I know, that's true. 465 00:25:43,359 --> 00:25:45,440 Speaker 5: I don't do jack shit. 466 00:25:45,560 --> 00:25:48,000 Speaker 3: Really, I didn't think on Vishnu Island that they had 467 00:25:48,000 --> 00:25:50,359 Speaker 3: an AUDI, and that's where I believe is where you 468 00:25:50,400 --> 00:25:53,240 Speaker 3: said you live. 469 00:25:53,520 --> 00:25:54,760 Speaker 1: You should be driving a boat. 470 00:25:54,960 --> 00:26:00,879 Speaker 5: Yeah, now, I mean my dad's the captain of the island. 471 00:26:00,880 --> 00:26:01,480 Speaker 5: He has a boat. 472 00:26:02,640 --> 00:26:02,920 Speaker 1: Hmm. 473 00:26:03,359 --> 00:26:06,240 Speaker 3: This is interesting. I don't want to talk about it though. 474 00:26:06,280 --> 00:26:08,280 Speaker 3: What's the audi? What kind of audi? 475 00:26:10,000 --> 00:26:11,840 Speaker 5: Well, do you want to know the one I'm in 476 00:26:12,119 --> 00:26:14,840 Speaker 5: or the one that is mine because mine's in the 477 00:26:14,880 --> 00:26:16,840 Speaker 5: shop because my fuel pump went out. 478 00:26:17,080 --> 00:26:21,760 Speaker 1: Well, that's definitely the one we want to hear about. Okay, 479 00:26:21,880 --> 00:26:24,400 Speaker 1: you're like, you're in like a loaner one. 480 00:26:25,880 --> 00:26:27,040 Speaker 5: I'm in a loaner right now. 481 00:26:27,160 --> 00:26:30,080 Speaker 1: Yeah, but you generally drive a what a A three? 482 00:26:31,480 --> 00:26:32,480 Speaker 5: Yeah, the cheap one. 483 00:26:34,119 --> 00:26:34,520 Speaker 4: Mm hmm. 484 00:26:34,800 --> 00:26:37,600 Speaker 1: That's I mean, still for who you are? All the 485 00:26:37,640 --> 00:26:40,200 Speaker 1: fixtions lease. 486 00:26:40,080 --> 00:26:43,879 Speaker 5: Or by it's it's got a couple of fixtions and 487 00:26:44,160 --> 00:26:45,240 Speaker 5: I finally own it. 488 00:26:45,160 --> 00:26:48,520 Speaker 1: Now finally you're like twenty two. 489 00:26:49,880 --> 00:26:51,600 Speaker 5: I'm twenty five, Thank you very much. 490 00:26:51,680 --> 00:26:54,040 Speaker 1: The only explanation I have for this is that your father, 491 00:26:54,760 --> 00:27:01,280 Speaker 1: this boat captain drives people to the island and then say, boy, 492 00:27:01,720 --> 00:27:04,280 Speaker 1: gotta be pretty expensive to buy the gas to get back. 493 00:27:04,400 --> 00:27:08,320 Speaker 1: We're gonna have to really come up with some extra 494 00:27:08,440 --> 00:27:11,200 Speaker 1: dough like starting to get pretty cold. Here's what I think. 495 00:27:11,240 --> 00:27:13,919 Speaker 1: Have you ever seen a movie Culture Band? You know what? 496 00:27:14,000 --> 00:27:15,160 Speaker 1: I have seen that movie? 497 00:27:15,240 --> 00:27:18,199 Speaker 3: Okay, So in Mark Wahlberg's hiding stashing stuff on the 498 00:27:18,240 --> 00:27:20,399 Speaker 3: boat to bring that's illegal. 499 00:27:21,040 --> 00:27:22,879 Speaker 1: Okay, So who else do we know? That's a captain 500 00:27:22,920 --> 00:27:27,800 Speaker 1: of a boat Chanson's dad, dad. 501 00:27:27,800 --> 00:27:32,480 Speaker 3: And so maybe he's stashing something. Maybe it's even a car. Oh, 502 00:27:32,560 --> 00:27:36,680 Speaker 3: that's right, he's smuggling cars and he's yep, and he's 503 00:27:36,800 --> 00:27:38,919 Speaker 3: bringing him back in one and one fell off the 504 00:27:38,960 --> 00:27:41,679 Speaker 3: boat and oops. Now my son drives it and he 505 00:27:42,240 --> 00:27:45,080 Speaker 3: owns it finally after having to wait for it to 506 00:27:45,119 --> 00:27:46,879 Speaker 3: go all the way around the ocean first. 507 00:27:48,080 --> 00:27:51,040 Speaker 5: Well, that's true, that's how that happens. 508 00:27:51,080 --> 00:27:55,439 Speaker 1: Congratulations. Did you have something for the topic of movies? Chanson? 509 00:27:58,960 --> 00:27:59,480 Speaker 5: Not really? 510 00:27:59,520 --> 00:28:01,960 Speaker 1: Actually, well what do you have? 511 00:28:02,320 --> 00:28:05,200 Speaker 5: I mean, I just wanted to call and apologize for 512 00:28:05,200 --> 00:28:06,800 Speaker 5: the last time because I feel like I was really 513 00:28:06,840 --> 00:28:10,240 Speaker 5: combative and and I came to the realization. But that's 514 00:28:10,280 --> 00:28:12,720 Speaker 5: not that's not that's not the face I want to 515 00:28:12,760 --> 00:28:13,600 Speaker 5: put out in the world. 516 00:28:13,640 --> 00:28:15,320 Speaker 1: What as you go on some kind of rant about 517 00:28:15,600 --> 00:28:18,000 Speaker 1: affirmative action, I'm not. 518 00:28:18,160 --> 00:28:18,880 Speaker 5: I don't remember. 519 00:28:19,119 --> 00:28:23,720 Speaker 1: Listen, I'm not last time, as I recall, you made 520 00:28:23,760 --> 00:28:29,119 Speaker 1: some interesting points about that, about how is that a 521 00:28:29,200 --> 00:28:33,440 Speaker 1: different kind of racism? Is that? Is that also racism? 522 00:28:33,480 --> 00:28:37,560 Speaker 1: If you get a higher SAT score than pretty much 523 00:28:37,600 --> 00:28:41,320 Speaker 1: any minority, which I think is what you said. If 524 00:28:42,040 --> 00:28:45,160 Speaker 1: I think that's a quote, yeah, because you're because of 525 00:28:45,200 --> 00:28:47,920 Speaker 1: your race, you didn't get to go to a good 526 00:28:47,960 --> 00:28:53,120 Speaker 1: college and all these other undeserving people did. Isn't that racist? 527 00:28:53,360 --> 00:28:55,160 Speaker 1: How is that not discrimination? 528 00:28:55,520 --> 00:28:55,760 Speaker 10: And? 529 00:28:56,080 --> 00:28:58,200 Speaker 5: Uh, well did you see this girl who wrote that 530 00:28:58,320 --> 00:28:59,240 Speaker 5: letter back to Duke. 531 00:28:59,600 --> 00:29:03,719 Speaker 1: It was on CNN, No tell us, tell us about it. 532 00:29:04,840 --> 00:29:07,880 Speaker 5: Well, she didn't get in and she's pretty upset about it. 533 00:29:07,920 --> 00:29:11,520 Speaker 5: I guess. So she wrote a letter rejecting Duke because 534 00:29:11,520 --> 00:29:12,360 Speaker 5: they rejected her. 535 00:29:13,440 --> 00:29:17,440 Speaker 1: Okay, And have you done that with women sometimes? 536 00:29:19,760 --> 00:29:22,800 Speaker 5: Yeah? Yeah, I have. Actually I always write letters rejecting 537 00:29:22,880 --> 00:29:25,440 Speaker 5: them when they reject me because it hurts so bad 538 00:29:25,480 --> 00:29:27,440 Speaker 5: and you just need some way to like get the 539 00:29:27,520 --> 00:29:28,080 Speaker 5: power back. 540 00:29:28,160 --> 00:29:30,120 Speaker 1: You know, when are you going to find a girlfriend 541 00:29:30,160 --> 00:29:32,200 Speaker 1: on the forum's chance, and it feels like a lot 542 00:29:32,200 --> 00:29:36,360 Speaker 1: of you know, there, there are a lot of there's 543 00:29:36,360 --> 00:29:39,200 Speaker 1: a lot of tension I think between you and some 544 00:29:39,280 --> 00:29:43,720 Speaker 1: of the female forum people. Yes, and that's gonna's help me, 545 00:29:44,320 --> 00:29:47,080 Speaker 1: That's what I'm saying. It's going through that stage now 546 00:29:47,120 --> 00:29:50,080 Speaker 1: where they all really dislike you because of the inflammatory 547 00:29:50,080 --> 00:29:52,760 Speaker 1: things that you say about women. But if you've ever 548 00:29:52,760 --> 00:29:55,800 Speaker 1: seen Moonlight, yes, yes, thank you, that's exactly what I 549 00:29:55,840 --> 00:30:02,000 Speaker 1: was going to say. Ultimately, that bicker and sort of fiery, 550 00:30:02,400 --> 00:30:06,640 Speaker 1: passionate interplay is bound to morph into something else at 551 00:30:06,680 --> 00:30:10,000 Speaker 1: a certain point. There is an arc, there's a built 552 00:30:10,040 --> 00:30:13,840 Speaker 1: in arc there where somebody makes a change. Perhaps they 553 00:30:13,920 --> 00:30:16,960 Speaker 1: realized that they should be confined to a traditional role 554 00:30:17,760 --> 00:30:22,560 Speaker 1: and they, you know, they start to warm up to 555 00:30:22,600 --> 00:30:26,440 Speaker 1: you a little bit. Maybe you guys get cost think 556 00:30:26,680 --> 00:30:29,000 Speaker 1: they should change. I don't know I'm saying they should. 557 00:30:29,000 --> 00:30:31,280 Speaker 1: I'm just saying that I know that's the only possibility 558 00:30:31,320 --> 00:30:34,880 Speaker 1: of what will what will happen you brought up. 559 00:30:35,200 --> 00:30:37,040 Speaker 3: I think one thing that's working against you is you 560 00:30:37,160 --> 00:30:40,000 Speaker 3: did bring up, you know, writing letters to Duke, and 561 00:30:40,160 --> 00:30:44,000 Speaker 3: you did write that letter in defense of the alleged 562 00:30:44,040 --> 00:30:48,680 Speaker 3: actions of some members of a you know, certain Duke 563 00:30:48,720 --> 00:30:52,320 Speaker 3: sports team. Yes, as I baskets on sticks. 564 00:30:52,520 --> 00:30:57,200 Speaker 1: When they were exonerated for what happened, then you were 565 00:30:57,320 --> 00:30:58,240 Speaker 1: upset with them? 566 00:31:00,040 --> 00:31:02,680 Speaker 5: When upset they didn't they didn't just say yeah, we 567 00:31:02,800 --> 00:31:04,040 Speaker 5: did this and it's fine. 568 00:31:04,080 --> 00:31:07,040 Speaker 1: Well you were you were, You were upset that they 569 00:31:07,080 --> 00:31:07,720 Speaker 1: hadn't done it. 570 00:31:08,120 --> 00:31:11,480 Speaker 5: Yes, yeah, Well I think they did do it, and 571 00:31:11,520 --> 00:31:13,160 Speaker 5: I think they should just say that they did it. 572 00:31:13,760 --> 00:31:17,080 Speaker 3: Okay, And I want to say this. We're going to 573 00:31:17,160 --> 00:31:20,800 Speaker 3: get an upset for a member who is a big defender. 574 00:31:22,040 --> 00:31:23,760 Speaker 3: Do you know what I'm talking about? I can't remember 575 00:31:23,800 --> 00:31:27,240 Speaker 3: who it is, but someone doesn't like anybody bringing up 576 00:31:27,320 --> 00:31:28,040 Speaker 3: Duke lacrosse. 577 00:31:28,480 --> 00:31:33,080 Speaker 1: Oh yeah, someone did mention that. Yeah, is that? Does 578 00:31:33,160 --> 00:31:35,960 Speaker 1: anyone remember? Yeah, I don't remember. He must be from 579 00:31:36,000 --> 00:31:38,000 Speaker 1: that area saying that. Oh it might have been Matt 580 00:31:38,040 --> 00:31:42,000 Speaker 1: Cameron who was from that area. And he does not posted. 581 00:31:42,160 --> 00:31:47,080 Speaker 1: So he's pissed. Chance's pissed. I'm pissed. Engineer Cody looks 582 00:31:47,120 --> 00:31:48,920 Speaker 1: like he's about to putch a hole through the wall. 583 00:31:50,880 --> 00:31:51,320 Speaker 5: Fuck you. 584 00:31:52,640 --> 00:31:54,600 Speaker 1: Ah well, I wish you didn't have to hear that. 585 00:31:54,800 --> 00:32:00,560 Speaker 1: Chance and give hugs to dreda chance in. 586 00:32:02,240 --> 00:32:03,840 Speaker 5: All right, I'll give her a hug for you guys. 587 00:32:04,400 --> 00:32:08,840 Speaker 1: Okay, not the way that sounded. Just forget it. No, 588 00:32:10,000 --> 00:32:10,960 Speaker 1: it's a normal hug. 589 00:32:11,040 --> 00:32:13,680 Speaker 3: If you do it, if you give it, if it's 590 00:32:13,720 --> 00:32:16,520 Speaker 3: from us, Do a normal one, not whatever you're talking 591 00:32:16,600 --> 00:32:18,120 Speaker 3: about in the way that you're saying that. 592 00:32:18,320 --> 00:32:21,640 Speaker 5: Okay, okay, I'll do a normal one. 593 00:32:23,480 --> 00:32:25,120 Speaker 1: I can't be comfortable with this. 594 00:32:28,960 --> 00:32:29,760 Speaker 5: What do you want me to do? 595 00:32:30,600 --> 00:32:41,520 Speaker 1: Get off the phone. Okay, Hey, gout, who's next? We 596 00:32:41,640 --> 00:32:43,440 Speaker 1: got Joe mcgirl, Hey. 597 00:32:43,440 --> 00:32:46,720 Speaker 2: Joe, Hey boys, what's going on? 598 00:32:47,120 --> 00:32:49,360 Speaker 1: Wait? Can I just shut up for a second. Joe 599 00:32:50,040 --> 00:32:52,480 Speaker 1: Cody's had a literary death match? Mug? 600 00:32:54,280 --> 00:32:55,640 Speaker 6: Yeah, I found this in the kitchen. I don't know. 601 00:32:55,840 --> 00:32:58,440 Speaker 1: Don't drink out of the literary death match, mug Cody. 602 00:32:58,600 --> 00:33:01,240 Speaker 1: You don't know what that means when I don't even 603 00:33:01,280 --> 00:33:03,560 Speaker 1: know what it means in general, it's a show that 604 00:33:03,720 --> 00:33:07,880 Speaker 1: they do here where like writers read their things and 605 00:33:08,280 --> 00:33:10,600 Speaker 1: they compete against each other, and it's a death match. 606 00:33:11,080 --> 00:33:12,960 Speaker 1: When you read that, it makes you seem like you're 607 00:33:13,120 --> 00:33:16,760 Speaker 1: like a well read car. When you sip out of 608 00:33:16,840 --> 00:33:21,000 Speaker 1: that that, you're like a cosmopolitan young man. I am, 609 00:33:21,680 --> 00:33:23,280 Speaker 1: I say I am. You don't even know what you 610 00:33:23,400 --> 00:33:25,360 Speaker 1: just said. You don't even know what literary deathmatch is. 611 00:33:25,560 --> 00:33:30,160 Speaker 1: I know, but I read Citizen Kane, don't Cody. The 612 00:33:30,240 --> 00:33:33,480 Speaker 1: most cosmopolitan thing you've ever done is give me five 613 00:33:33,600 --> 00:33:38,400 Speaker 1: tips on how to please my man. Gentlemen, girl, are 614 00:33:38,400 --> 00:33:41,160 Speaker 1: you liking that one? I know you feel. 615 00:33:45,400 --> 00:33:45,640 Speaker 7: Yeah? 616 00:33:45,840 --> 00:33:53,920 Speaker 1: Pause pause, Okay, Cody, pause that so we can't do 617 00:33:54,080 --> 00:34:00,760 Speaker 1: that anymore. Joe, what's going on in uh? In the 618 00:34:00,960 --> 00:34:02,680 Speaker 1: town from the office that you moved to because you 619 00:34:02,800 --> 00:34:03,400 Speaker 1: like the office? 620 00:34:04,840 --> 00:34:04,959 Speaker 4: Uh? 621 00:34:05,640 --> 00:34:07,040 Speaker 8: Not A lot's happening right now? 622 00:34:07,360 --> 00:34:09,160 Speaker 1: Was it disappointed because you live in Scranton? 623 00:34:09,280 --> 00:34:09,440 Speaker 7: Right? 624 00:34:10,760 --> 00:34:11,000 Speaker 5: Yeah? 625 00:34:11,600 --> 00:34:13,640 Speaker 1: Was it disappointing when you moved there and we're like 626 00:34:13,800 --> 00:34:16,920 Speaker 1: expecting to You've been hunting for dunder Mifflin for years, 627 00:34:17,120 --> 00:34:19,280 Speaker 1: right to meet all your friends. 628 00:34:19,280 --> 00:34:21,560 Speaker 8: I've been looking all around town for Rayne Wilkin and 629 00:34:21,680 --> 00:34:23,160 Speaker 8: he's just nowhere to be found. 630 00:34:23,840 --> 00:34:29,520 Speaker 1: The Stanley you'd be looking for, Dwight, Yeah, yeah, yeah, right, yeah, Stanley, 631 00:34:29,640 --> 00:34:34,319 Speaker 1: I know, was your primary target. He kind of makes 632 00:34:34,360 --> 00:34:36,520 Speaker 1: a face sometimes like is this guy serious? 633 00:34:38,760 --> 00:34:38,880 Speaker 5: You know? 634 00:34:39,360 --> 00:34:41,560 Speaker 8: I like Jim's face and he's like, are you kidding me? 635 00:34:42,480 --> 00:34:48,359 Speaker 1: Yes, yes, I know the one Joe mcgirl Classic Joe, 636 00:34:48,440 --> 00:34:51,920 Speaker 1: did you have a question about movies? Uh? 637 00:34:52,480 --> 00:34:56,040 Speaker 8: Yeah, I mean, what's your favorite superhero movie? And why 638 00:34:56,360 --> 00:34:58,719 Speaker 8: why do you love Cardians in the Galaxy so much? 639 00:34:59,560 --> 00:35:03,560 Speaker 1: Well, okay, favorite superhero movie? I guess, like, what is 640 00:35:03,640 --> 00:35:07,080 Speaker 1: it like? Which of the Guardians is our favorite? That's 641 00:35:07,120 --> 00:35:07,759 Speaker 1: a great question. 642 00:35:07,840 --> 00:35:10,680 Speaker 8: Yeah, that's a great question. 643 00:35:10,719 --> 00:35:13,560 Speaker 1: I would have to say that I can't pick. And 644 00:35:13,920 --> 00:35:16,520 Speaker 1: the reason I say that is because they're so great. Yes, 645 00:35:16,880 --> 00:35:24,400 Speaker 1: I do have a pick Goma because she's strong, she's badass, 646 00:35:25,480 --> 00:35:29,520 Speaker 1: she knows how to kick but and she doesn't take 647 00:35:29,600 --> 00:35:30,719 Speaker 1: no for an answer. 648 00:35:30,560 --> 00:35:34,320 Speaker 3: And she can handle herself in a fight. And I say, okay, Gomura, 649 00:35:34,440 --> 00:35:37,920 Speaker 3: that's a great answer. But if you think for a 650 00:35:38,000 --> 00:35:43,640 Speaker 3: second about Drags the Destroyer, isn't it true that he's strong, 651 00:35:43,920 --> 00:35:47,440 Speaker 3: that he's badass, that he's a tough guy, he can 652 00:35:47,480 --> 00:35:49,440 Speaker 3: handle himself in a fight, and he doesn't take no 653 00:35:49,640 --> 00:35:55,120 Speaker 3: for an answer, And so doesn't that Yeah, what's up? 654 00:35:55,520 --> 00:35:55,759 Speaker 7: I think? 655 00:35:55,920 --> 00:35:58,440 Speaker 8: You know, maybe Drags is the real heart of the movie, 656 00:35:58,600 --> 00:36:01,600 Speaker 8: you know. That's that's my theory, is that it's all 657 00:36:01,680 --> 00:36:02,320 Speaker 8: around Drax. 658 00:36:02,600 --> 00:36:04,840 Speaker 1: Wow, food for thought. A lot of people think the 659 00:36:04,920 --> 00:36:10,040 Speaker 1: movie is Drax's dream like it's taking it's taking place 660 00:36:10,640 --> 00:36:13,239 Speaker 1: inside Drax's dream when he was. 661 00:36:13,680 --> 00:36:16,640 Speaker 8: After his entire family was murdered. He just, yes, kind 662 00:36:16,680 --> 00:36:17,680 Speaker 8: of a comatose state. 663 00:36:17,960 --> 00:36:19,960 Speaker 3: Yes, well, I think he got killed in the first 664 00:36:20,040 --> 00:36:23,080 Speaker 3: frame of the movie, and that he and that Drax 665 00:36:23,239 --> 00:36:25,319 Speaker 3: is actually star Lord's. 666 00:36:25,040 --> 00:36:31,359 Speaker 1: Grandma or whatever, ah okay, dressing up because she wasn't 667 00:36:31,400 --> 00:36:34,440 Speaker 1: allowed to be one of the Guardians. Yes, and so 668 00:36:34,880 --> 00:36:36,080 Speaker 1: then that's all her. 669 00:36:37,560 --> 00:36:40,360 Speaker 3: Just in her final sort of waking moments or her 670 00:36:40,440 --> 00:36:43,480 Speaker 3: sort of passage to the afterlife. Is this Guardian adventure? 671 00:36:44,640 --> 00:36:46,040 Speaker 3: And isn't that a true theory? 672 00:36:48,560 --> 00:36:51,280 Speaker 8: I mean, I'm gonna have to consult the message boards online, 673 00:36:51,320 --> 00:36:52,960 Speaker 8: but that that sounds pretty strong. 674 00:36:53,480 --> 00:36:55,520 Speaker 1: Wasn't it a nice moment in that movie when John 675 00:36:55,560 --> 00:37:00,160 Speaker 1: c Riley's character, who you had met maybe twice the 676 00:37:00,200 --> 00:37:02,200 Speaker 1: movie prior to that and only had a couple of lines, 677 00:37:02,239 --> 00:37:05,160 Speaker 1: But when he was reunited with his family. I was 678 00:37:05,239 --> 00:37:07,840 Speaker 1: really concerned that that character wasn't going to get to 679 00:37:07,920 --> 00:37:09,719 Speaker 1: his back to his family at any point. I didn't 680 00:37:09,719 --> 00:37:12,680 Speaker 1: really know him. I was terrified it. 681 00:37:12,760 --> 00:37:15,719 Speaker 8: Was emotional payoffs that we were waiting for the entire time. 682 00:37:15,920 --> 00:37:19,920 Speaker 1: Yes, it would have been confusing if they hadn't settled, 683 00:37:20,040 --> 00:37:22,719 Speaker 1: like does he ever hug his wife? Well, you say 684 00:37:22,760 --> 00:37:23,680 Speaker 1: you didn't know him. 685 00:37:23,600 --> 00:37:25,840 Speaker 3: But don't you remember when he described each of the 686 00:37:25,920 --> 00:37:28,680 Speaker 3: guardians and then was like these assholes. 687 00:37:29,160 --> 00:37:29,320 Speaker 7: You know? 688 00:37:30,480 --> 00:37:32,960 Speaker 8: But then he had that night humanizing moment where it's like, 689 00:37:33,080 --> 00:37:35,120 Speaker 8: I don't think everyone's really an asshole. 690 00:37:37,040 --> 00:37:39,320 Speaker 1: I don't remember that, but I don't disgree with you. 691 00:37:39,440 --> 00:37:42,319 Speaker 8: I'm sorry, Sean, No, I don't care you think. 692 00:37:42,360 --> 00:37:46,040 Speaker 1: I'll give a fuck what you say, dude, And it 693 00:37:46,120 --> 00:37:49,800 Speaker 1: was on the fucker. And it was also interesting to 694 00:37:49,880 --> 00:37:53,960 Speaker 1: see that he has that he is actually tolerant because 695 00:37:54,000 --> 00:37:58,040 Speaker 1: he has like a hot red wife. She was like 696 00:37:58,080 --> 00:38:01,600 Speaker 1: a different color. She was liked or green or something, 697 00:38:02,080 --> 00:38:07,359 Speaker 1: and she had she had big titties, and she had 698 00:38:07,360 --> 00:38:11,480 Speaker 1: a yeah, she had nice taters and and a great 699 00:38:11,520 --> 00:38:15,279 Speaker 1: big took us. But but she was like a weird color. Yes, 700 00:38:15,640 --> 00:38:17,680 Speaker 1: and he was tolerant of that and that and that's 701 00:38:17,719 --> 00:38:18,600 Speaker 1: a great message. 702 00:38:18,719 --> 00:38:22,000 Speaker 3: And I think we're headed that way where even someone 703 00:38:22,040 --> 00:38:26,600 Speaker 3: who's a different color, if they do have uh sweet 704 00:38:27,000 --> 00:38:31,640 Speaker 3: large toiras and us and a juicy a juicy set 705 00:38:31,719 --> 00:38:36,439 Speaker 3: of uh potatos, and a squeezebox and a squeeze box 706 00:38:36,520 --> 00:38:39,959 Speaker 3: the NATO that if those elements are there, that really 707 00:38:40,040 --> 00:38:42,600 Speaker 3: that's what love is about, and it's not about what color, 708 00:38:42,800 --> 00:38:45,480 Speaker 3: and that that stuff doesn't matter. And and I think 709 00:38:45,560 --> 00:38:53,040 Speaker 3: that men, white men specifically, will become willing to uh 710 00:38:53,719 --> 00:38:58,840 Speaker 3: take full access to all those parts that we mentioned 711 00:38:58,920 --> 00:39:01,399 Speaker 3: of that woman, regardless of her color. 712 00:39:01,680 --> 00:39:04,360 Speaker 1: And I hope, I hope that's where we're headed. 713 00:39:05,320 --> 00:39:07,480 Speaker 8: Yeah, I mean, let's see what we got for the sequel. 714 00:39:07,520 --> 00:39:13,320 Speaker 1: You know, Joe, you do a lot of Shakespeare, right, Yes, correct, 715 00:39:13,440 --> 00:39:18,239 Speaker 1: we love Shakespeare. Disagree. 716 00:39:18,600 --> 00:39:21,719 Speaker 3: I love the plays that Shakespeare supposedly he wrote that 717 00:39:21,800 --> 00:39:26,600 Speaker 3: he definitely didn't well, and so I love the word. 718 00:39:28,040 --> 00:39:31,359 Speaker 1: This is Joe's life, This is Joe's life. Well, he's 719 00:39:31,480 --> 00:39:32,320 Speaker 1: living a lie. 720 00:39:33,480 --> 00:39:35,960 Speaker 3: And if you ever saw Anonymous, you'll know that a 721 00:39:36,040 --> 00:39:38,480 Speaker 3: lot of people got shot with cannons over that lie. 722 00:39:40,000 --> 00:39:41,680 Speaker 8: I'm curious. I'm fuming right now. 723 00:39:41,920 --> 00:39:43,200 Speaker 1: Okay, Cody, you better hang out. 724 00:39:43,239 --> 00:39:43,560 Speaker 5: What's this? 725 00:39:43,800 --> 00:39:44,640 Speaker 7: This is my life? Bless? 726 00:39:45,280 --> 00:39:47,080 Speaker 1: What's the best Shakespeare? Right before you go? 727 00:39:49,960 --> 00:39:54,640 Speaker 8: Ah, Boy of the Shrew, Boy. 728 00:39:54,520 --> 00:39:58,919 Speaker 1: Taming of the Shrew sounds a little salacious for someone 729 00:39:59,000 --> 00:40:03,719 Speaker 1: to get a true to get what is Yes, I 730 00:40:03,800 --> 00:40:06,360 Speaker 1: don't know if i'd like to see a shrew or 731 00:40:06,400 --> 00:40:09,120 Speaker 1: anybody get boy tamed on stage. 732 00:40:09,320 --> 00:40:11,480 Speaker 5: But you like what? 733 00:40:11,840 --> 00:40:13,840 Speaker 1: Who am I to tell you what you should like 734 00:40:13,960 --> 00:40:20,120 Speaker 1: and not like? Bye? Boy taming? M hmm. 735 00:40:22,280 --> 00:40:24,080 Speaker 6: Is it a this is Anastasia? 736 00:40:24,480 --> 00:40:24,760 Speaker 5: Okay? 737 00:40:25,560 --> 00:40:30,200 Speaker 1: Hi? Anasasia? Well? Well, well is it taming someone so 738 00:40:30,360 --> 00:40:34,440 Speaker 1: they become a boy or is it taking a boy 739 00:40:35,440 --> 00:40:38,720 Speaker 1: and taming it into Anastasia? What's boy taming? 740 00:40:40,000 --> 00:40:41,399 Speaker 5: It's taming a wild boy. 741 00:40:42,480 --> 00:40:46,640 Speaker 1: Oh, it's taking a wild jungle boy and making an 742 00:40:46,680 --> 00:40:50,040 Speaker 1: engineer boy. Oh okay, so I like that. I would 743 00:40:50,160 --> 00:40:52,880 Speaker 1: like to see that happen. Well, thank you for cleaning 744 00:40:52,960 --> 00:40:55,160 Speaker 1: that up, Anastasia. 745 00:40:55,440 --> 00:40:57,400 Speaker 7: All right, I God, I can help Anastasia. 746 00:40:57,440 --> 00:41:00,319 Speaker 1: What's krak alakin? Not much. 747 00:41:00,680 --> 00:41:03,600 Speaker 5: I'm just sitting in my car in San Francisco looking 748 00:41:03,640 --> 00:41:04,640 Speaker 5: at the Golden Gate Bridge. 749 00:41:05,640 --> 00:41:10,440 Speaker 1: Don't jump, I can tell in your voice listen. Thank 750 00:41:10,480 --> 00:41:13,320 Speaker 1: you for you made me a nice birthday video, and 751 00:41:13,480 --> 00:41:16,360 Speaker 1: you sent me a card that I just got today, 752 00:41:16,560 --> 00:41:18,680 Speaker 1: a nice birthday card. Thank you for being so obsessed 753 00:41:18,719 --> 00:41:19,320 Speaker 1: with my birthday. 754 00:41:19,440 --> 00:41:21,800 Speaker 3: I got a card as well. There was one large 755 00:41:21,880 --> 00:41:24,760 Speaker 3: difference between Hayes's card and my card. 756 00:41:25,360 --> 00:41:26,680 Speaker 1: Five large that is huh. 757 00:41:29,560 --> 00:41:31,719 Speaker 5: Sorry I didn't have enough cash, couldn't have. 758 00:41:31,680 --> 00:41:34,640 Speaker 1: Given us each two fifty. Well, what is what upsets 759 00:41:34,680 --> 00:41:38,520 Speaker 1: me about that is? I thank you for she gave 760 00:41:38,520 --> 00:41:40,920 Speaker 1: me five dollars for my birthday, But why it's not 761 00:41:40,960 --> 00:41:43,320 Speaker 1: even Sean's birthday? Why did he even get a card? 762 00:41:43,560 --> 00:41:46,080 Speaker 1: It delegitimizes my car ripped the. 763 00:41:46,080 --> 00:41:48,759 Speaker 3: Five and a half, you know, one half in his 764 00:41:48,880 --> 00:41:51,080 Speaker 3: one half in mind. Then he can't use his without me. 765 00:41:52,600 --> 00:41:54,920 Speaker 1: I have to spend it on a nice outing with you. 766 00:41:55,800 --> 00:41:56,279 Speaker 1: That's nice. 767 00:41:57,280 --> 00:42:01,160 Speaker 5: I just wanted Sean to join in the celebra of 768 00:42:01,200 --> 00:42:01,640 Speaker 5: your birthday. 769 00:42:01,719 --> 00:42:04,160 Speaker 1: Sean doesn't need Yes, you're right, Sean does need an 770 00:42:04,160 --> 00:42:06,920 Speaker 1: on birthday present. If Sean doesn't get an on birthday present, 771 00:42:07,440 --> 00:42:12,400 Speaker 1: when one of his siblings get something, when one of 772 00:42:12,480 --> 00:42:13,920 Speaker 1: his friends has a birthday. 773 00:42:14,400 --> 00:42:17,319 Speaker 3: I remember having my own birthday a few months back, 774 00:42:17,400 --> 00:42:20,360 Speaker 3: and I remember getting I'm trying to remember exactly what 775 00:42:20,480 --> 00:42:23,840 Speaker 3: I got. Oh yeah, jack fucking shit from all you 776 00:42:24,000 --> 00:42:26,960 Speaker 3: motherfucking forum members. And we've been doing the show for 777 00:42:27,000 --> 00:42:30,080 Speaker 3: a little bit, so it's surprising to me that Hayes 778 00:42:30,120 --> 00:42:32,800 Speaker 3: would get so much, and that I would that I 779 00:42:32,840 --> 00:42:36,839 Speaker 3: would necessitate me getting a consolation prize when the opportunity 780 00:42:36,920 --> 00:42:39,399 Speaker 3: was there it's like, don't worry, Sean, you'll get something 781 00:42:39,440 --> 00:42:40,200 Speaker 3: for your birthday too. 782 00:42:40,400 --> 00:42:41,720 Speaker 1: Uh. I had my birthday. 783 00:42:43,520 --> 00:42:45,160 Speaker 5: I know that your birthday was in August. 784 00:42:46,160 --> 00:42:56,480 Speaker 1: Yeah, that's right. Did we skip August? Coming around again? Hmmm, 785 00:42:57,120 --> 00:43:00,359 Speaker 1: she's coming around, coming around again. I hope you're right. 786 00:43:00,719 --> 00:43:03,440 Speaker 1: But some of the stuff I'm reading about the water 787 00:43:03,560 --> 00:43:05,000 Speaker 1: in California. 788 00:43:04,760 --> 00:43:05,439 Speaker 7: Not so sure. 789 00:43:05,760 --> 00:43:10,680 Speaker 1: Yeah, and stuff that's true with you, even apart from 790 00:43:11,239 --> 00:43:13,800 Speaker 1: oh yeah, August maybe coming for the planet, but not 791 00:43:13,920 --> 00:43:23,640 Speaker 1: necessarily for yours truly, Anastasia, What's what's happening? What's what 792 00:43:23,840 --> 00:43:25,640 Speaker 1: kind of movies? Stuff? Do you want to talk about? 793 00:43:28,560 --> 00:43:31,920 Speaker 5: Well, what's your what's the best comedy you've seen recently? 794 00:43:32,640 --> 00:43:32,799 Speaker 4: Mm? 795 00:43:34,680 --> 00:43:41,600 Speaker 1: Hmm, funniest or best? There are two different questions, maybe both, 796 00:43:42,960 --> 00:43:47,320 Speaker 1: Oh that I don't know. I want to talk about Birdman. 797 00:43:47,440 --> 00:43:48,400 Speaker 1: Did you like Birdman? 798 00:43:50,280 --> 00:43:53,560 Speaker 5: I thought it was okay, but I honestly that's incorrect. 799 00:43:53,640 --> 00:43:56,400 Speaker 1: It was very, very good movie. It was actually the 800 00:43:56,480 --> 00:43:58,959 Speaker 1: best movie of the year. And you can just check. 801 00:43:59,120 --> 00:44:01,000 Speaker 1: You can just check and they tell you which the 802 00:44:01,040 --> 00:44:05,560 Speaker 1: best movie of the year was. I appreciate young people 803 00:44:05,640 --> 00:44:11,360 Speaker 1: in other movies aren't discussing Twitter exclusively, and they in 804 00:44:11,520 --> 00:44:13,960 Speaker 1: this movie, they did the right thing, which was having 805 00:44:14,320 --> 00:44:18,200 Speaker 1: the young daughter, who is I guess like in her 806 00:44:18,280 --> 00:44:21,240 Speaker 1: mid twenties, but she sort of acts like a fourteen 807 00:44:21,280 --> 00:44:25,720 Speaker 1: year old, is really strongly patgeonate about her father getting 808 00:44:25,760 --> 00:44:28,680 Speaker 1: on Twitter. This is what young people care about today, 809 00:44:28,760 --> 00:44:32,480 Speaker 1: their parents going on Twitter. I mean, I have. 810 00:44:34,000 --> 00:44:36,840 Speaker 3: Gone so far as to make a Twitter account for 811 00:44:37,000 --> 00:44:41,120 Speaker 3: my dad, take his hand, put it on the keyboard 812 00:44:41,200 --> 00:44:45,320 Speaker 3: and start typing tweets out with his hand while he's asleep. 813 00:44:45,880 --> 00:44:50,800 Speaker 3: That's how much I care Anastasia. And so for me 814 00:44:50,960 --> 00:44:54,800 Speaker 3: to see a movie where the daughter has a soul 815 00:44:56,680 --> 00:45:02,640 Speaker 3: intention of getting her dad to like Twitter, and for 816 00:45:02,760 --> 00:45:04,400 Speaker 3: him to say something that my dad says to me 817 00:45:04,440 --> 00:45:06,719 Speaker 3: all the time, which is your whole generation only cares 818 00:45:06,719 --> 00:45:12,680 Speaker 3: about going viral. For that to be the best part 819 00:45:12,760 --> 00:45:14,840 Speaker 3: of the movie as well, which was used in every 820 00:45:15,000 --> 00:45:21,120 Speaker 3: clip at the Oscars for every actor that is truly 821 00:45:21,880 --> 00:45:25,480 Speaker 3: the voice of my generation and every generation and the 822 00:45:25,520 --> 00:45:28,840 Speaker 3: whole year in its best movie. So that's probably the 823 00:45:28,920 --> 00:45:32,600 Speaker 3: best comedy I saw because it had laughs, it had truths, 824 00:45:32,960 --> 00:45:36,440 Speaker 3: it had acting, and it had a whole ten minutes 825 00:45:36,480 --> 00:45:39,080 Speaker 3: at the end that I really thought was necessary. 826 00:45:43,280 --> 00:45:47,719 Speaker 1: Yeah, I agree, what else was good and innerit too. 827 00:45:49,920 --> 00:45:52,960 Speaker 3: Everyone's gonna be going coming to your next dance, whoever 828 00:45:53,080 --> 00:45:59,520 Speaker 3: you invite, homie, Remember that of the Golden Globe. 829 00:45:59,600 --> 00:46:00,279 Speaker 1: What do you think, kid? 830 00:46:01,440 --> 00:46:03,160 Speaker 8: What do you think his next movie is gonna. 831 00:46:02,920 --> 00:46:07,319 Speaker 1: Be his next dance? Yeah, everybody's say his next dance. Yeah, 832 00:46:07,320 --> 00:46:08,120 Speaker 1: I call it his dance. 833 00:46:09,920 --> 00:46:11,320 Speaker 5: What's the next dance gonna be? 834 00:46:12,920 --> 00:46:15,000 Speaker 1: And hayes as a joke for this, it's gonna be 835 00:46:15,239 --> 00:46:17,520 Speaker 1: Uh well, this is actually not the joke. It sounds 836 00:46:17,520 --> 00:46:19,920 Speaker 1: like it's gonna be the Fox Trot, which sounds like 837 00:46:20,000 --> 00:46:26,040 Speaker 1: a joke. But he is doing the Fox Trot adaptation. Yes, yes, 838 00:46:26,239 --> 00:46:30,359 Speaker 1: Bill Bill Oh the comic, Yes, the comic Fox. 839 00:46:30,480 --> 00:46:33,520 Speaker 3: No the other No, the other iconic fox Trot that 840 00:46:33,560 --> 00:46:37,320 Speaker 3: could be adapted into a movie. Please imstage you. We 841 00:46:37,600 --> 00:46:42,040 Speaker 3: like you, but just right before you talk, just think 842 00:46:42,080 --> 00:46:46,360 Speaker 3: about what you're gonna say, because the comic and I 843 00:46:46,640 --> 00:46:49,600 Speaker 3: like you, but the comic, I mean, you gotta know 844 00:46:49,680 --> 00:46:50,520 Speaker 3: how that sounds. 845 00:46:53,400 --> 00:46:54,360 Speaker 5: Yeah, my fault. 846 00:46:55,400 --> 00:46:59,879 Speaker 3: Your husband around. He asked him to shrink for us. Okay, 847 00:47:00,120 --> 00:47:03,160 Speaker 3: shred for us. Oh you're in the car, because does 848 00:47:03,239 --> 00:47:03,720 Speaker 3: he shred? 849 00:47:05,080 --> 00:47:08,600 Speaker 1: Your husband likes the shred? Does he not? He does 850 00:47:08,680 --> 00:47:12,719 Speaker 1: shred say the truth? Okay did you? Were you just 851 00:47:12,840 --> 00:47:17,360 Speaker 1: like at a bar one night by yourself, thinking like 852 00:47:17,520 --> 00:47:20,160 Speaker 1: it was just like any other night, and then you 853 00:47:20,320 --> 00:47:26,839 Speaker 1: heard the most salacious shred you'd ever heard. You fell 854 00:47:26,920 --> 00:47:29,120 Speaker 1: in love with him before you'd even seen his face. 855 00:47:30,360 --> 00:47:30,880 Speaker 1: Isn't that right? 856 00:47:32,680 --> 00:47:33,279 Speaker 7: That is right? 857 00:47:34,040 --> 00:47:36,719 Speaker 5: I think the Carpenters wrote a song about us. 858 00:47:36,840 --> 00:47:40,880 Speaker 7: Actually, I fell in love with his guitar. It was that? 859 00:47:41,040 --> 00:47:41,160 Speaker 4: Was it? 860 00:47:41,640 --> 00:47:42,240 Speaker 5: End of story? 861 00:47:42,800 --> 00:47:44,919 Speaker 1: You fell in love with his guitar. Oh, I could 862 00:47:45,960 --> 00:47:47,560 Speaker 1: I see? And he thought that you were trying to 863 00:47:49,080 --> 00:47:49,640 Speaker 1: marry him. 864 00:47:50,280 --> 00:47:52,200 Speaker 3: Oh, but then the only way to be alone with 865 00:47:52,320 --> 00:47:56,440 Speaker 3: his guitar was to ultimately marry him. And then when 866 00:47:56,520 --> 00:47:58,640 Speaker 3: he goes to sleep, you sneak out and you spend 867 00:47:58,719 --> 00:47:59,680 Speaker 3: some time with the guitar. 868 00:48:03,960 --> 00:48:07,279 Speaker 1: That's cool. That's a movie. I mean, maybe that's the 869 00:48:07,520 --> 00:48:09,560 Speaker 1: you know, maybe that's the next uh, you know, rent 870 00:48:09,560 --> 00:48:14,480 Speaker 1: to after Foxtrot, of course, and yes, Anastasia the comic. 871 00:48:20,080 --> 00:48:25,520 Speaker 1: What else is going on? And that strange city of yours? 872 00:48:28,080 --> 00:48:32,439 Speaker 5: A whole lot is going on. There's it's a beautiful day, 873 00:48:32,880 --> 00:48:36,560 Speaker 5: not a cloud in the sky, no fog. People are 874 00:48:37,400 --> 00:48:38,239 Speaker 5: out and about. 875 00:48:38,080 --> 00:48:41,680 Speaker 1: I missed when San Francisco was only identified with being gay? 876 00:48:42,239 --> 00:48:44,600 Speaker 1: What happened to that? It used to be that someone 877 00:48:44,640 --> 00:48:48,120 Speaker 1: would say like, I'm going to San Francisco and they'd 878 00:48:48,160 --> 00:48:52,399 Speaker 1: be like, look out, watch out for the boys. Don't 879 00:48:52,400 --> 00:48:56,040 Speaker 1: get kissed by a boy. Now it's all Geirro Deli chocolate. Yes, 880 00:48:56,160 --> 00:48:58,560 Speaker 1: Now they always talk about the chocolate. Bring me back 881 00:48:58,600 --> 00:49:01,719 Speaker 1: some geara Deli chocolate. They say, what happened to the 882 00:49:01,800 --> 00:49:04,319 Speaker 1: gay jokes when people used to mention San Francisco? Yes? 883 00:49:04,480 --> 00:49:05,760 Speaker 1: Is that not okay anymore? 884 00:49:08,000 --> 00:49:12,920 Speaker 7: Well, actually, the gay population is dwindling here and the 885 00:49:13,080 --> 00:49:16,560 Speaker 7: chocolate chocolate population is writing. 886 00:49:16,719 --> 00:49:19,080 Speaker 1: So they've been eating the chocolate and turning straight. 887 00:49:19,480 --> 00:49:21,960 Speaker 3: And I want to be very clear we're talking about 888 00:49:23,320 --> 00:49:26,040 Speaker 3: the candy chocolate because there's something about when you say 889 00:49:26,640 --> 00:49:31,520 Speaker 3: the chocolate population is yes, that could sound just because 890 00:49:31,560 --> 00:49:34,200 Speaker 3: of Chocolate News and some of the other shows that 891 00:49:35,239 --> 00:49:39,560 Speaker 3: we love, it could sound like you are implying something 892 00:49:39,600 --> 00:49:43,000 Speaker 3: else when you say the chocolate population is rising. Uh, 893 00:49:43,400 --> 00:49:47,279 Speaker 3: And we're not complaining about that. We are complaining about 894 00:49:47,320 --> 00:49:49,759 Speaker 3: the candy lovers who appear to have taken over the city. 895 00:49:50,280 --> 00:49:54,640 Speaker 1: Yes, you're you're talking about the gay population eating real 896 00:49:54,840 --> 00:49:59,600 Speaker 1: chocolate and being cured of their gayness. 897 00:50:01,680 --> 00:50:01,879 Speaker 9: Yes. 898 00:50:03,160 --> 00:50:06,040 Speaker 3: Wow, well that's a that's something to really think on 899 00:50:06,200 --> 00:50:08,840 Speaker 3: for us. I never I had never looked at it 900 00:50:08,960 --> 00:50:12,160 Speaker 3: that way. But that's why you have callers. I mean, 901 00:50:12,200 --> 00:50:15,160 Speaker 3: Anastasia is here to educate us. I can't be in 902 00:50:15,280 --> 00:50:18,400 Speaker 3: that city all the time. I can't see what's happening. 903 00:50:18,480 --> 00:50:20,560 Speaker 3: So your boots on the ground saying that the entire 904 00:50:20,640 --> 00:50:24,200 Speaker 3: gay population has started to eat candy and that that 905 00:50:24,400 --> 00:50:26,799 Speaker 3: has made them now either move out of the city 906 00:50:27,040 --> 00:50:32,320 Speaker 3: entirely or start liking people who have different body parts 907 00:50:32,360 --> 00:50:33,920 Speaker 3: in the downstairs part of their body. 908 00:50:35,640 --> 00:50:36,240 Speaker 11: It's happening. 909 00:50:37,520 --> 00:50:41,800 Speaker 1: You say candy, You say chocolate is candy? Mmm, No, 910 00:50:42,320 --> 00:50:47,839 Speaker 1: chocolate is just chocolate. Candy's necho wafers. Hmm. What's a gummy? Sour? 911 00:50:47,880 --> 00:50:52,520 Speaker 3: Gummy worms? Those are gummies. What about the wax bottles. 912 00:50:52,719 --> 00:50:55,239 Speaker 3: It's like a wax soda bottle and it's got uh 913 00:50:55,960 --> 00:50:57,000 Speaker 3: you know liquid inside. 914 00:50:57,120 --> 00:50:59,160 Speaker 1: Oh, yes, that's soda. 915 00:50:59,640 --> 00:51:03,399 Speaker 3: Okay, styrofoam ufo thingies. And there's a little hard uh 916 00:51:04,440 --> 00:51:08,760 Speaker 3: like miniature jawbreakers in it. Oh, that's a suck them okay. 917 00:51:08,880 --> 00:51:12,879 Speaker 3: Bottle caps. Bottle caps is like neca waivers. So that's candy. 918 00:51:12,920 --> 00:51:13,440 Speaker 3: That's candy. 919 00:51:13,520 --> 00:51:18,000 Speaker 1: Okay, yes, it's soda candy. M suard we be what's 920 00:51:18,040 --> 00:51:18,680 Speaker 1: your favorite? 921 00:51:18,960 --> 00:51:19,080 Speaker 3: Uh? 922 00:51:19,920 --> 00:51:23,920 Speaker 1: Chocolate gear Deli chocolate Anastasia? Which color bar? 923 00:51:25,280 --> 00:51:28,400 Speaker 5: I think it's orange and it has caramel inside? 924 00:51:28,520 --> 00:51:36,880 Speaker 1: Oh ce cill caramel. Very interesting combination. Okay, bye, and 925 00:51:37,000 --> 00:51:38,759 Speaker 1: this probably is going to be the end of the show. 926 00:51:40,719 --> 00:51:43,040 Speaker 1: One more caller, Yeah, one more call? How many do 927 00:51:43,120 --> 00:51:46,240 Speaker 1: we have still waiting? Quite a few. Let's do rapid 928 00:51:46,400 --> 00:51:47,200 Speaker 1: fire calls. 929 00:51:47,280 --> 00:51:49,920 Speaker 6: Okay, okay, cast up as Steve h American diaper. 930 00:51:50,520 --> 00:51:51,239 Speaker 5: Oh, this is it. 931 00:51:52,520 --> 00:51:59,719 Speaker 1: This is American diaper. Is that your kid? Yes? It is? Congratulations? Wow, 932 00:52:00,560 --> 00:52:01,160 Speaker 1: oh thank you. 933 00:52:01,640 --> 00:52:03,080 Speaker 8: He's wearing an American diaper. 934 00:52:04,080 --> 00:52:06,879 Speaker 1: Can we can we talk to your child really fast? 935 00:52:08,560 --> 00:52:10,400 Speaker 5: He doesn't really know how to talk, but shure, we. 936 00:52:10,520 --> 00:52:12,879 Speaker 1: Just want to talk to him. Yes, we'll talk at him. 937 00:52:13,040 --> 00:52:13,720 Speaker 5: Okay, go ahead. 938 00:52:13,800 --> 00:52:18,759 Speaker 1: Okay. Steve's son, Okay, Steve's son, Little Steve. When you 939 00:52:18,880 --> 00:52:23,120 Speaker 1: grow up, you're gonna think back to this time in 940 00:52:23,200 --> 00:52:26,640 Speaker 1: your life and wonder why your dad was always posting 941 00:52:26,680 --> 00:52:29,200 Speaker 1: on the forums when he should have been playing with you. 942 00:52:31,719 --> 00:52:35,120 Speaker 1: Forgive your father. One day, you'll understand. 943 00:52:35,320 --> 00:52:39,120 Speaker 3: Because a soothsayer like a Sean or a haze or 944 00:52:39,440 --> 00:52:43,040 Speaker 3: if you're lucky, both will enter your life and you'll 945 00:52:43,160 --> 00:52:49,680 Speaker 3: need to at all times scanning other people, talking about them, 946 00:52:50,600 --> 00:52:53,479 Speaker 3: posting about them, sometimes posting about other stuff and making 947 00:52:53,520 --> 00:52:56,759 Speaker 3: people mad. But in general, you're gonna want to be 948 00:52:57,200 --> 00:52:59,759 Speaker 3: on the front lines, and that's what Steve has done. 949 00:53:00,200 --> 00:53:04,520 Speaker 3: So while you're suffering now, ultimately it will be your gain. 950 00:53:05,280 --> 00:53:09,640 Speaker 1: Maybe our children one day will grow up host a 951 00:53:09,719 --> 00:53:13,239 Speaker 1: podcast with a forum that you will post in a lot, 952 00:53:13,520 --> 00:53:15,680 Speaker 1: and will that be nice? And then the circle will 953 00:53:15,800 --> 00:53:19,440 Speaker 1: remain unbroken. Anyway, You sound like a nice kid. You 954 00:53:19,520 --> 00:53:21,200 Speaker 1: got a good head on your shoulder. Good luck to you. 955 00:53:21,400 --> 00:53:28,799 Speaker 1: You're gonna be fine, Steve. Yes, Steve, thanks for being 956 00:53:28,840 --> 00:53:29,120 Speaker 1: a fan. 957 00:53:29,200 --> 00:53:32,520 Speaker 8: Okay, thank you guys. 958 00:53:33,200 --> 00:53:42,000 Speaker 1: Okay, okay, bye, all right up next up a bear? Okay, 959 00:53:43,400 --> 00:53:49,040 Speaker 1: hi bear? Are you j Monster Face Love? Why does 960 00:53:49,080 --> 00:53:53,960 Speaker 1: that theory exist? Then here's what I think. Yeah, my 961 00:53:54,160 --> 00:53:56,920 Speaker 1: theory is when you join the forum, you and Jay 962 00:53:56,960 --> 00:54:00,400 Speaker 1: monster Face sort of joined the forums new at the 963 00:54:00,480 --> 00:54:06,080 Speaker 1: same time, and you used each other as like a 964 00:54:06,239 --> 00:54:08,960 Speaker 1: sounding board, like you supported each other in such a 965 00:54:09,000 --> 00:54:11,960 Speaker 1: way that it seemed like you both had the approval 966 00:54:12,080 --> 00:54:15,600 Speaker 1: of the forums. When actually it was just one other person. 967 00:54:16,040 --> 00:54:18,440 Speaker 1: It was a coordinated smoke screen effort. 968 00:54:19,920 --> 00:54:23,040 Speaker 5: Correct, Yes, that's right. 969 00:54:24,800 --> 00:54:26,640 Speaker 1: Smart. Where are you from? 970 00:54:28,480 --> 00:54:34,640 Speaker 2: I am from Philadelphia, baby, Yeah, yeah, yeah. 971 00:54:34,560 --> 00:54:38,440 Speaker 1: The goofy mascot guy. So I love that stuff. And 972 00:54:38,560 --> 00:54:40,759 Speaker 1: it's so funny. You love that. And even that's a 973 00:54:40,800 --> 00:54:44,680 Speaker 1: reference because of the world's most beautiful statue. What could 974 00:54:44,719 --> 00:54:46,960 Speaker 1: be more beautiful than a statue that just says the 975 00:54:47,040 --> 00:54:51,120 Speaker 1: word love? Yes, and and for and brotherly love. 976 00:54:52,520 --> 00:54:53,440 Speaker 2: It's very inspiring. 977 00:54:53,719 --> 00:54:57,959 Speaker 1: Yes, is that the brotherly love thing? This is something 978 00:54:57,960 --> 00:55:00,360 Speaker 1: that's always confused me. Is that supposed to be like 979 00:55:01,520 --> 00:55:07,960 Speaker 1: between is it like two guys or like two black guys? 980 00:55:11,239 --> 00:55:14,080 Speaker 5: Well its twenty fifteen, you know, I think. 981 00:55:14,000 --> 00:55:19,160 Speaker 1: But which is it? Like brotherly large? You know what 982 00:55:19,239 --> 00:55:22,080 Speaker 1: I mean? One thing is this caller episode. 983 00:55:22,360 --> 00:55:28,920 Speaker 3: I don't know a single caller that hasn't brought up race, sexuality, uh, 984 00:55:29,640 --> 00:55:34,279 Speaker 3: you know, gender inequality, like it's all and very controversial 985 00:55:34,360 --> 00:55:37,960 Speaker 3: angles on it. And to the listener who's listening this episode, 986 00:55:38,000 --> 00:55:40,120 Speaker 3: it may sound like it's coming out of Hayes, maybe 987 00:55:40,200 --> 00:55:43,680 Speaker 3: mainly because of the way it's edited that he at 988 00:55:43,719 --> 00:55:46,239 Speaker 3: every turn has somehow made stuff about that. 989 00:55:46,400 --> 00:55:52,320 Speaker 1: But no it's the callers bringing it up and admit 990 00:55:52,480 --> 00:55:58,879 Speaker 1: that a bear. Bobby Abar admits, okay, next person, thanks 991 00:55:58,920 --> 00:55:59,200 Speaker 1: a bear. 992 00:56:00,200 --> 00:56:03,080 Speaker 6: All right, this Chandler bing dot com and mom. 993 00:56:05,960 --> 00:56:09,640 Speaker 1: Am I this is the true girl of the forums, 994 00:56:10,920 --> 00:56:14,239 Speaker 1: the man who almost destroyed the forum. What nefarious plan 995 00:56:14,400 --> 00:56:15,760 Speaker 1: do you have for this show? 996 00:56:17,719 --> 00:56:21,719 Speaker 11: I brought some show girls for you, guys, because your 997 00:56:21,760 --> 00:56:25,239 Speaker 11: demographics have been down. I got my mom my dad, 998 00:56:26,280 --> 00:56:31,320 Speaker 11: and they like shows. They like showing the stuff, and 999 00:56:31,400 --> 00:56:32,600 Speaker 11: I can keep going no. 1000 00:56:32,840 --> 00:56:36,680 Speaker 1: Yes, yes. When we're quiet. That means keep going. 1001 00:56:38,400 --> 00:56:42,200 Speaker 11: Yes, mom and dad. They're oh, they're calling me, they're 1002 00:56:42,200 --> 00:56:47,480 Speaker 11: calling you off. Okay, they're leaving right now. So, guys, 1003 00:56:48,680 --> 00:56:51,000 Speaker 11: I've been on the forums. I've been making some jokes 1004 00:56:51,440 --> 00:56:57,200 Speaker 11: and I came to say hello, and it's really quiet here, 1005 00:56:58,000 --> 00:56:59,080 Speaker 11: very very quiet. 1006 00:57:00,280 --> 00:57:00,920 Speaker 4: So quiet. 1007 00:57:03,360 --> 00:57:06,640 Speaker 1: We'd just like to hear you do your stuff. This 1008 00:57:06,840 --> 00:57:07,960 Speaker 1: is your platform. Man. 1009 00:57:10,440 --> 00:57:12,719 Speaker 11: Yes, I've been listening to the show and laughing my 1010 00:57:12,800 --> 00:57:15,080 Speaker 11: face off. It's quite enjoyable. 1011 00:57:16,000 --> 00:57:16,360 Speaker 1: Thank you. 1012 00:57:16,600 --> 00:57:22,840 Speaker 11: And yes, you're quite talented. And that's been rubbing off 1013 00:57:22,880 --> 00:57:24,480 Speaker 11: on all of us as I've noticed. 1014 00:57:25,200 --> 00:57:33,280 Speaker 1: I don't know about all that. Thanks Chandler. And we 1015 00:57:33,440 --> 00:57:34,439 Speaker 1: love friends. 1016 00:57:37,680 --> 00:57:39,120 Speaker 11: Friends with canceled in the nineties. 1017 00:57:39,320 --> 00:57:40,160 Speaker 1: But remember the. 1018 00:57:40,160 --> 00:57:45,040 Speaker 3: One episode where Chandler is gonna go inside and he 1019 00:57:46,440 --> 00:57:50,760 Speaker 3: is worried about being funny and he's sort of practicing 1020 00:57:51,000 --> 00:57:58,120 Speaker 3: jokes outside the door, and he says, uh. 1021 00:57:57,440 --> 00:57:59,040 Speaker 1: Is that funny? And then he says, why am I 1022 00:57:59,120 --> 00:58:01,000 Speaker 1: asking you to the door? He says, why I'm asking you? 1023 00:58:01,080 --> 00:58:01,560 Speaker 1: You're a door. 1024 00:58:01,600 --> 00:58:04,040 Speaker 3: You only like knock knock jokes, and then he goes, Ah, 1025 00:58:04,200 --> 00:58:05,360 Speaker 3: save it for inside. 1026 00:58:06,960 --> 00:58:07,960 Speaker 1: That one was good. 1027 00:58:09,920 --> 00:58:12,160 Speaker 11: Yes, the inside jokes are always the best jokes. 1028 00:58:13,280 --> 00:58:16,600 Speaker 3: Joyce, I know you'd missed the point of the story, 1029 00:58:17,080 --> 00:58:20,720 Speaker 3: and that's okay. But yes, you missed the point in 1030 00:58:20,720 --> 00:58:23,040 Speaker 3: the story and that's okay. But it was a good 1031 00:58:23,080 --> 00:58:26,040 Speaker 3: part of the show. And maybe, since it's your namesake, 1032 00:58:26,120 --> 00:58:29,320 Speaker 3: go back find that episode and just really study it. 1033 00:58:30,120 --> 00:58:32,760 Speaker 1: That is consistent with his posting style as well, though, 1034 00:58:32,800 --> 00:58:37,360 Speaker 1: which is taking the last word that someone said and 1035 00:58:37,560 --> 00:58:40,680 Speaker 1: saying something about it doesn't matter what it, but it 1036 00:58:40,880 --> 00:58:41,920 Speaker 1: must be something. 1037 00:58:43,080 --> 00:58:45,640 Speaker 3: Yes, it seems like sometimes you're in a hurry. Joke, 1038 00:58:46,920 --> 00:58:50,000 Speaker 3: there's two things happening. Someone is holding someone you love 1039 00:58:50,080 --> 00:58:53,080 Speaker 3: hostage and telling you that if you don't post, they're 1040 00:58:53,160 --> 00:58:55,840 Speaker 3: going to hurt them. But Also, they don't want you 1041 00:58:55,920 --> 00:58:58,320 Speaker 3: to fully read the post before they need you to 1042 00:58:58,440 --> 00:59:00,360 Speaker 3: skim it is that true? 1043 00:59:02,040 --> 00:59:04,520 Speaker 11: Hey, posting works for York? 1044 00:59:04,560 --> 00:59:05,120 Speaker 7: Who works for me? 1045 00:59:06,000 --> 00:59:13,800 Speaker 1: Then you're doing it again. That's exactly the same thing. Wow. Well, 1046 00:59:13,840 --> 00:59:16,680 Speaker 1: I'm sorry. It's amazing. I hope your loved one is free. 1047 00:59:16,840 --> 00:59:20,520 Speaker 1: I don't want to say talent disease. I guess it's 1048 00:59:20,560 --> 00:59:23,840 Speaker 1: an amazing it's an amazing disease that you have. Okay, 1049 00:59:23,920 --> 00:59:29,000 Speaker 1: thanks Chandler, Thank you Chandler. Who's next? Next? We got Lauren? 1050 00:59:29,800 --> 00:59:30,800 Speaker 6: Silly Lily Qui? 1051 00:59:32,400 --> 00:59:33,080 Speaker 1: Is this a woman? 1052 00:59:35,440 --> 00:59:35,640 Speaker 7: Yep? 1053 00:59:36,040 --> 00:59:43,040 Speaker 1: Oh my god, we didn't know you were still out there. Yeah, yeah, 1054 00:59:43,600 --> 00:59:44,840 Speaker 1: who are you in the forums? 1055 00:59:46,480 --> 00:59:50,160 Speaker 12: Silly Lily Quy? I just joined the forums. It's actually 1056 00:59:50,240 --> 00:59:53,920 Speaker 12: my first time posting anything online. But I haven't posted 1057 00:59:54,040 --> 00:59:55,240 Speaker 12: yet because I've been too nervous. 1058 00:59:55,560 --> 00:59:56,520 Speaker 1: We're nervous too. 1059 00:59:57,320 --> 00:59:57,360 Speaker 5: You. 1060 00:59:57,600 --> 00:59:59,960 Speaker 1: You certainly have nothing to be nervous about, because you're 1061 01:00:00,040 --> 01:00:04,440 Speaker 1: going to get a lot of attention. And the way 1062 01:00:04,520 --> 01:00:10,439 Speaker 1: they do it in our forums is they're not like offensive, really, 1063 01:00:10,560 --> 01:00:12,200 Speaker 1: they're just excessively nice. 1064 01:00:13,080 --> 01:00:14,880 Speaker 12: Yes, yeah, seem really nice. 1065 01:00:15,440 --> 01:00:15,640 Speaker 1: Yes. 1066 01:00:15,840 --> 01:00:20,480 Speaker 3: But specifically if you are a female forum member, chance 1067 01:00:20,640 --> 01:00:23,680 Speaker 3: in particularly is trying to marry someone from the forums. 1068 01:00:23,720 --> 01:00:26,360 Speaker 3: And he's made that very clear and so you will 1069 01:00:26,480 --> 01:00:29,680 Speaker 3: get and if you're married, slow play that like Anastasia did. 1070 01:00:29,760 --> 01:00:31,920 Speaker 1: Don't tell them for a year or so. Yes, really 1071 01:00:32,240 --> 01:00:35,960 Speaker 1: ingratiate yourself and become, you know, an the central part 1072 01:00:36,040 --> 01:00:36,760 Speaker 1: of the fabric. 1073 01:00:36,960 --> 01:00:41,200 Speaker 3: Casually mention your husband so that they know. But that's 1074 01:00:41,280 --> 01:00:43,240 Speaker 3: probably the way to do it because they will keep 1075 01:00:43,320 --> 01:00:46,000 Speaker 3: complementing your posts. You'll get a lot of likes. 1076 01:00:46,760 --> 01:00:46,880 Speaker 8: Uh. 1077 01:00:47,280 --> 01:00:50,280 Speaker 3: And and we always like to see that those numbers 1078 01:00:50,360 --> 01:00:53,360 Speaker 3: bolstered just so we can, you know, brag to our 1079 01:00:53,440 --> 01:00:55,080 Speaker 3: investors that women like creator. 1080 01:00:55,560 --> 01:00:59,840 Speaker 12: Yeah, well that's some great tips. I appreciate it. 1081 01:01:00,960 --> 01:01:04,480 Speaker 1: We appreciate you. We did that movie since in the 1082 01:01:04,720 --> 01:01:08,120 Speaker 1: dollars and SAIDs oh god, I have jailor big disease. 1083 01:01:10,920 --> 01:01:13,680 Speaker 1: I've been infected with jailor big disease. I have to comment. 1084 01:01:13,920 --> 01:01:16,800 Speaker 1: It came through the phone. What we I just spoke 1085 01:01:16,840 --> 01:01:18,480 Speaker 1: over you. What were you gonna say, it's my show? 1086 01:01:18,520 --> 01:01:19,320 Speaker 1: But what were you going to say? 1087 01:01:20,800 --> 01:01:23,600 Speaker 12: Well, yes, I'll respect to your show. I had a 1088 01:01:23,720 --> 01:01:28,600 Speaker 12: question about movies. Uh, for you guys, what was or 1089 01:01:28,680 --> 01:01:31,560 Speaker 12: when were you the most afraid during a movie? 1090 01:01:32,240 --> 01:01:32,360 Speaker 4: MM? 1091 01:01:32,520 --> 01:01:34,000 Speaker 1: Hmm, go ahead. 1092 01:01:34,080 --> 01:01:36,640 Speaker 3: There was a moment where I thought that Groot wasn't 1093 01:01:36,680 --> 01:01:41,640 Speaker 3: coming back, and they really made it feel as if 1094 01:01:41,920 --> 01:01:46,160 Speaker 3: Grew had sacrificed himself for the team, and I thought, 1095 01:01:46,280 --> 01:01:49,040 Speaker 3: oh no, that means Groot is gone. But the nice 1096 01:01:49,080 --> 01:01:53,040 Speaker 3: thing about that movie is that he wasn't and it 1097 01:01:53,280 --> 01:01:57,840 Speaker 3: just is fine. So I did like the sense of 1098 01:01:57,960 --> 01:02:02,840 Speaker 3: stakes it created. But then after you know, the steaks 1099 01:02:02,920 --> 01:02:07,840 Speaker 3: are cooked. I I was very scared, Oh no, no 1100 01:02:07,960 --> 01:02:09,840 Speaker 3: more Groot and are my friends in trouble? 1101 01:02:10,600 --> 01:02:10,720 Speaker 7: Uh? 1102 01:02:11,120 --> 01:02:13,560 Speaker 3: And that's probably the most scared I've ever felt, and 1103 01:02:13,640 --> 01:02:16,600 Speaker 3: I'm so glad. I was relieved afterwards that he wasn't dead. 1104 01:02:16,640 --> 01:02:21,120 Speaker 3: He was just dancing and he's a baby and Alan McBeal, Uh, improved. 1105 01:02:21,160 --> 01:02:21,720 Speaker 1: That works? 1106 01:02:23,200 --> 01:02:26,400 Speaker 3: What else I think we do? We gotta go, we 1107 01:02:26,440 --> 01:02:28,840 Speaker 3: gotta go, We gotta go. Thank you, will Show's over? 1108 01:02:29,080 --> 01:02:32,360 Speaker 3: Thank you, Lily. I guess it's you've never posted you 1109 01:02:32,480 --> 01:02:35,640 Speaker 3: in the pro version. Yeah, but most improved has to 1110 01:02:35,760 --> 01:02:40,040 Speaker 3: go to mister Chance and ohhol, I don't know what 1111 01:02:40,320 --> 01:02:43,840 Speaker 3: that means, but he I feel like last time was 1112 01:02:43,920 --> 01:02:47,000 Speaker 3: a bad caller and this time he was an okay caller, 1113 01:02:47,560 --> 01:02:49,360 Speaker 3: verging on pretty okay. 1114 01:02:51,440 --> 01:02:54,440 Speaker 1: So thanks everyone for listening and talking to us on 1115 01:02:54,520 --> 01:02:58,120 Speaker 1: the forums because you already do that, and liking us 1116 01:02:58,160 --> 01:03:01,600 Speaker 1: on Facebook you probably have done that by now as well. 1117 01:03:01,760 --> 01:03:05,120 Speaker 1: And literally gets the pro version and. 1118 01:03:06,880 --> 01:03:09,440 Speaker 3: I guess yes, she gets a pro version and it's 1119 01:03:09,560 --> 01:03:12,160 Speaker 3: she's gonna get one haze like on her first post 1120 01:03:12,240 --> 01:03:13,800 Speaker 3: and those are tough to come by. 1121 01:03:14,640 --> 01:03:14,920 Speaker 4: Bye. 1122 01:03:21,320 --> 01:03:24,280 Speaker 3: This has been an Earwolf Media production Executive producers Jeff 1123 01:03:24,320 --> 01:03:25,280 Speaker 3: Ulrick and Scott Ackerman. 1124 01:03:25,440 --> 01:03:33,320 Speaker 1: For more information, visit earwolf dot com, ear Warlf Radio, 1125 01:03:33,720 --> 01:03:42,640 Speaker 1: Boom dot com, The Worlf Dead