WEBVTT - S2 Episode 6: How To Be A Pro

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<v Speaker 1>Drafted as a production of tree Ford Media, Clutch Sports

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<v Speaker 1>Group and I Heart Radio, Love La. What do you

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<v Speaker 1>do you know? On our way to the Beverly Senator

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<v Speaker 1>last night in l A last night and then they

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<v Speaker 1>gotta gone with peg actually last night in l A.

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<v Speaker 1>On the ways in Bellston, they gotta find a new

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<v Speaker 1>pair of shoes. Welcome back to Drafted. I'm kicking Michael Key.

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<v Speaker 1>On the last episode, we heard the story behind what

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<v Speaker 1>drives Anthony Edwards in his pursuit towards greatness. Today we're

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<v Speaker 1>on another very different pursuit. Tyrese, Maxie and his uncle

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<v Speaker 1>Brandon are trying to find the perfect pair of draft

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<v Speaker 1>day shoes. Good. How are you? Yeah, Yes, I'm truly good. Cool, cool,

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<v Speaker 1>sanitize where you go. We're gonna part of you guys

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<v Speaker 1>up in just to second pistad. It give us just

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<v Speaker 1>a few minutes and then someone's cann step up. We

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<v Speaker 1>have a rotating system in our storey. If you haven't

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<v Speaker 1>been here in a loud yeah, yeah, solid. You guys

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<v Speaker 1>have anything specifically looking for, I can checker in joy

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<v Speaker 1>level if you want, Nah, not not check Yeah. Trying

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<v Speaker 1>to complain an outfit. It's their last day in Los

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<v Speaker 1>Angeles after eight months in the city, and for most draftees,

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<v Speaker 1>fighting the right footwear might seem like a minor detail

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<v Speaker 1>for a virtual draft at home, especially when there's no

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<v Speaker 1>stage to walk across. In fact, the draft cameras might

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<v Speaker 1>not even capture most players shoes. It had to be real, real, plain.

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<v Speaker 1>You gotta be so none of these popped, none of

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<v Speaker 1>these pop. This don't pop. Tyrese is obsessing over the

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<v Speaker 1>perfect shoes because no fine point it's too small or unimportant.

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<v Speaker 1>For him. He's been focusing on this level of detail

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<v Speaker 1>ever since breaking down his own film as an eight

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<v Speaker 1>year old. That's part of what propels him to greatness.

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<v Speaker 1>He's still chasing the high expectations he and his family

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<v Speaker 1>set all those years ago, So even his shoes on

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<v Speaker 1>draft night can't be brushed aside. It's too much. Yeah,

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<v Speaker 1>it's too much for the suit. That's too plain. Nah,

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<v Speaker 1>it's not not that, ain't it. This first stop is

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<v Speaker 1>a Gucci store where they struggled to find the perfect shoe.

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<v Speaker 1>You see. That would be too much. This would be

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<v Speaker 1>too much. Yeah, it's too much going on. That would

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<v Speaker 1>be good because it's antique finished it's good with a coloration.

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<v Speaker 1>It's good. Nah, it could be an option. NA, thank you. Frustrated,

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<v Speaker 1>Tires calls his agent, Rich Paul for advice. YEO, hold up,

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<v Speaker 1>because I'm looking for a shoe you think I should get? Uh?

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<v Speaker 1>We looked at a product tennis shoe now as hard

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<v Speaker 1>or a loafer. What do you think? You know what

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<v Speaker 1>I would go with? That? Silk? Don't really get you

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<v Speaker 1>want to you can do, you can get if you

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<v Speaker 1>go to this route, you can get both. Go back

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<v Speaker 1>to Ralph Lauren. They have a double punt black, double punks,

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<v Speaker 1>double month double telling you want to found a double

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<v Speaker 1>month up leather shoot and then gold call you speaks

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<v Speaker 1>sla and they have a plastic. Tires and Rich have

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<v Speaker 1>an uncommonly close relationship for an agent and client, and

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<v Speaker 1>this kind of conversation is normal for that. So Tyres

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<v Speaker 1>and Brandon take the shoe advice and head to St.

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<v Speaker 1>Laurent in search of Rich's suggestion. Right, what's one I'm

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<v Speaker 1>going in? Yes, sir, Yes, sir, that's it. That's it.

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<v Speaker 1>That right there, that's what I did it right there.

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<v Speaker 1>That's how you know when you found it when you walk,

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<v Speaker 1>when we both walk inside. That's it. They're gonna be like, man,

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<v Speaker 1>who'll be who'll be stalling? Oh yeah, my uncle, you

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<v Speaker 1>want to be on league seats every week. To Rees's

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<v Speaker 1>time in Los Angeles has been a training ground on

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<v Speaker 1>and off the court, where he's learned how to live

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<v Speaker 1>and work like a professional athlete. For him, that means

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<v Speaker 1>showing up early to work every morning and completing three

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<v Speaker 1>workouts before lunch. It also means learning how to navigate

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<v Speaker 1>life in a big city as a celebrity, including fighting

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<v Speaker 1>the perfect suit and shoes. I think the attention to

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<v Speaker 1>detail is for reasons. It's sceptional. This is Tyresis trainer

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<v Speaker 1>Chris Johnson, who, like Justin Holland with Anthony Edwards, plays

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<v Speaker 1>the role of mentor, counselor, and friend in addition to

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<v Speaker 1>basketball guru. Not all young players have it, and I'm

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<v Speaker 1>gonna tell you this, not all old players have it either.

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<v Speaker 1>And that's the difference. When people say, well, well, why

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<v Speaker 1>is that guy better than they got? They both sixty eleven,

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<v Speaker 1>they both two d sixty pounds, they both got a

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<v Speaker 1>four days vertical. Those are the people that dominate the

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<v Speaker 1>game because they're playing chess as a rookie coming in

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<v Speaker 1>the first thing you have to navigate. It's the veteran players.

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<v Speaker 1>Not the veteran players are trying to be the best

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<v Speaker 1>they could be. The veteran players that are kind of

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<v Speaker 1>in the coast mode and they see that you're on

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<v Speaker 1>the heels, but they can kind of be like, Yo,

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<v Speaker 1>we're not going hard today. Yo, why are you going

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<v Speaker 1>so hard? In their drill? So down? And so I

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<v Speaker 1>wanted him to know right away you are a professional.

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<v Speaker 1>So your jobs just set the tone with the way

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<v Speaker 1>you want to be every day. You don't change how

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<v Speaker 1>you're gonna be. You make them adjust to you. So

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<v Speaker 1>when they see you coming, they're gonna know if I'm

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<v Speaker 1>not on my ship, he's gonna embass me in practice,

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<v Speaker 1>because practice is the way you play the game. And

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<v Speaker 1>so I taught him like a bunch of the the

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<v Speaker 1>O G tricks and I was like, this is what

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<v Speaker 1>a rookie will go through, and this is like, you know, fun,

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<v Speaker 1>like you gotta carry and got bags and stuff like that.

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<v Speaker 1>People don't see that. But let's talk about some things

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<v Speaker 1>that people don't talk about. Let's talk about the manipulation,

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<v Speaker 1>because you're actually are attempting to take their job. So

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<v Speaker 1>perspective is very important, and so that's what we talked about.

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<v Speaker 1>It's easy to forget that NBA rookies are not only

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<v Speaker 1>competing for playing time and games. They're competing every minute

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<v Speaker 1>of practice for one of four hundred and fifty jobs,

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<v Speaker 1>and they're shooting, passing, and defense. Those are only part

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<v Speaker 1>of what a professional lead master. Here's Tyrese again talking

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<v Speaker 1>about some of those off the court demands. Being in

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<v Speaker 1>l A you never know who you're gonna step on

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<v Speaker 1>the quote with, who you're gonna be working out with,

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<v Speaker 1>or you're gonna be playing against. But as soon as

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<v Speaker 1>I step on the court with these guys that are

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<v Speaker 1>in the NBA or in whatever position they are, I

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<v Speaker 1>feel perfectly fine. I feel like this is where I belong.

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<v Speaker 1>So when I'm on the court, I feel like at

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<v Speaker 1>home there's I feel like there's nothing wrong or out

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<v Speaker 1>of place there. Now being in in a different lifestyle

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<v Speaker 1>to where you have to do different things like I

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<v Speaker 1>have to do interviews, I have to do you know,

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<v Speaker 1>certain media stuff. I have to look at, contracts, have

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<v Speaker 1>to stuff different stuff like that. You know that that's

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<v Speaker 1>where you start getting to like like WHOA like Okay,

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<v Speaker 1>you know this is different, not saying like I mean,

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<v Speaker 1>I've been working for this, this is why I wanted

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<v Speaker 1>to be in my whole life. But it's still different.

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<v Speaker 1>Chris Johnson tells the story about the moment he saw

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<v Speaker 1>things click for Tyrese during a one on one game

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<v Speaker 1>with another pro man. I'm gonna tell you a story

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<v Speaker 1>about Rundo and Tyrese. He's talking about Roger on Roundo,

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<v Speaker 1>another former University of Kentucky star, has become a fifteen

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<v Speaker 1>year NBA VET with two championships and multiple All Star

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<v Speaker 1>Games under his belt. Manname was compete so hard man.

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<v Speaker 1>Rundo and him got into it. Tyree's said, man, check ball.

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<v Speaker 1>Rundo wouldn't play run us and now I didn't get

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<v Speaker 1>the file. So Rundo been a vet. Rundo wasn't affected

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<v Speaker 1>by any of it. But Rundo was pushing his mentor

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<v Speaker 1>think about it like it's just them every day. So

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<v Speaker 1>then Rundo was like, Chris, I'm done. Game over. I'm

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<v Speaker 1>a VET. I get that foul. I was trying to

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<v Speaker 1>teach her Rees say this is how it goes. Here

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<v Speaker 1>we go. But you know, Rundo is a great mind.

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<v Speaker 1>Player of the game. And he's one of the better

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<v Speaker 1>point guards than ever played the game. So Rundo's teaching

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<v Speaker 1>him all these tricks and he hes getting into his

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<v Speaker 1>brain and and then all of a sudden, you see

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<v Speaker 1>tires go from this side, and he started playing the game.

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<v Speaker 1>See that is development, and he understood it. He didn't

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<v Speaker 1>get it at first. And he you know, Rundell bolling him,

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<v Speaker 1>hit him in his side, stepping on his shoes. This

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<v Speaker 1>true story. Nothing going. Who was winning and losing? That

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<v Speaker 1>that ain't important. It was lessons that were being taught.

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<v Speaker 1>Tyree spent the last eight months learning these lessons, and

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<v Speaker 1>he's improved his shot, his physique, and his game. He's

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<v Speaker 1>learned how to move and operate off the court. He's

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<v Speaker 1>practiced scenarios that might never occur and found shoes that

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<v Speaker 1>might never get seen. He's covered every detail and prepared

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<v Speaker 1>for every scenario. There's no doubt he's ready to go.

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<v Speaker 1>As soon as Brandon packs up his hotel room, that is,

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<v Speaker 1>we'll be right back. It's true to get out of here.

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<v Speaker 1>It's been a long journey to enjoy the process, but

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<v Speaker 1>it is time to l a start. The new journey

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<v Speaker 1>man like literally packing up and I'm out. They're checking

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<v Speaker 1>out and heading to l a X Airport for their

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<v Speaker 1>flight back to Texas, but first they need to make

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<v Speaker 1>one last stop before leaving town. B there is Hey,

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<v Speaker 1>just see my dog go man m lonts of a

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<v Speaker 1>hard grind, get the head of a job though, Man,

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<v Speaker 1>I'm proud of you. Appreciate, appreciate. That's Rich Paul at

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<v Speaker 1>his house in Beverly Hills with Clutch agent Mark Murray,

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<v Speaker 1>both waiting to say goodbye. A lot of guys can't

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<v Speaker 1>can't stomach that like that, especially the way you handled

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<v Speaker 1>it flawless, which I'm a hard critic. I don't have

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<v Speaker 1>much of I'm the hardest critic. I don't really have

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<v Speaker 1>much of critique. How your body feel over with all

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<v Speaker 1>of them? So good? Good? You know for rehab, you know,

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<v Speaker 1>get recovery every single day lifting. You're gonna fall in

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<v Speaker 1>love with that part. See, that's what guys understand too,

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<v Speaker 1>coming in as rookies, that recovery aspect of it. Now,

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<v Speaker 1>you're not gonna go with you, You're not gonna go

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<v Speaker 1>without it. If you can't get that in Garland, you're

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<v Speaker 1>gonna be like, man, I'm getting the hell out of here,

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<v Speaker 1>because I'm telling you, once you come in like that,

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<v Speaker 1>you're getting your body taken care of. You won't ever

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<v Speaker 1>go backwards. It's gonna be good. Bro. I can't ain't.

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<v Speaker 1>I'm sing, it ain't the same. I can't. I mean,

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<v Speaker 1>I'm still doing everything, working out and getting my shots,

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<v Speaker 1>are doing all that, But I ain't. But you need

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<v Speaker 1>your process. Yeah, I agree, But that's part of being

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<v Speaker 1>a pro, you know. That's that's part of being a pro.

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<v Speaker 1>So now your trainers whatever whatever team, you go to

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<v Speaker 1>your training stack and be looking at you like, damn,

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<v Speaker 1>young fellow, like what you're doing. Man. I fell in

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<v Speaker 1>love with it a day long. Few rookies worry about

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<v Speaker 1>rehab and recovery because when you're twenty years old, like Tyrese,

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<v Speaker 1>injuries are less common and sore muscles heal fast. But

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<v Speaker 1>that's a false sense of security For young players. The

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<v Speaker 1>competition in the NBA is significantly bigger, faster, and stronger

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<v Speaker 1>than any they faced before. Pros play four times as

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<v Speaker 1>many games as college players, and the traveling demands are

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<v Speaker 1>grueling throughout the season. All this leads to younger players

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<v Speaker 1>regularly hitting a wall in their rookie year where they

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<v Speaker 1>physically begin to wear out. But thanks to his extra

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<v Speaker 1>time in l A this offseason, Tyrese is already one

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<v Speaker 1>step ahead. All right, makes sure you are those mass

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<v Speaker 1>out there or we gotta keep you safe for a

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<v Speaker 1>couple of day. Double it up. You got some sanitizing. Yeah,

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<v Speaker 1>I'm talking about all right, my dog, I talked to

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<v Speaker 1>a show. Okay, be thank you too. Man Rich and

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<v Speaker 1>Mark watched them drive away. They don't come like that often. No, no,

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<v Speaker 1>they don't come like that. You really had to drag

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<v Speaker 1>him out of the gym today, like he was like

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<v Speaker 1>sad leaving Chris Sports Rehab, crazy parties, all of them

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<v Speaker 1>are sad. They said, he's leaving from like not just

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<v Speaker 1>like the people working from like assistance, the interns, the rebounders,

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<v Speaker 1>like they all because he's just such a good kid,

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<v Speaker 1>like you don't. And that's what I'm telling these teams,

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<v Speaker 1>y'all don't understand. This kid is a superstar person paying

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<v Speaker 1>him millions and dollars not gonna matter. He is a

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<v Speaker 1>super for star person. And when you got that, times

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<v Speaker 1>is work ethic times and skill set times is man,

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<v Speaker 1>It's dangerous, bro, that is what it means to be

0:14:09.600 --> 0:14:12.319
<v Speaker 1>a professional, and people around the league are already starting

0:14:12.360 --> 0:14:15.120
<v Speaker 1>to notice. Here again, it's Chris Johnson talking about a

0:14:15.200 --> 0:14:21.600
<v Speaker 1>moment in Los Angeles this summer. I remember we're played

0:14:21.640 --> 0:14:25.720
<v Speaker 1>two on two and Katie was here, k d Is Brooklyn,

0:14:25.800 --> 0:14:28.600
<v Speaker 1>that superstar Kevin Durant. We were trying to figure out

0:14:28.640 --> 0:14:31.280
<v Speaker 1>the two on two teams, and you know, Katie first

0:14:31.320 --> 0:14:35.960
<v Speaker 1>pick Tyrese because if we ain't gonna name all the players, Yeah,

0:14:36.000 --> 0:14:38.880
<v Speaker 1>it was a number of NBA players's I want Tyrese.

0:14:39.320 --> 0:14:42.040
<v Speaker 1>Him and Tyres killed the gym. They destroyed at the gym.

0:14:42.080 --> 0:14:45.440
<v Speaker 1>I mean, Kevin was kicking it moving and Tyrese burning

0:14:45.480 --> 0:14:48.480
<v Speaker 1>the gym down right there to Kevin. That's why I thought.

0:14:48.520 --> 0:14:50.160
<v Speaker 1>I was like, man, Brooklyn may try to get him,

0:14:50.160 --> 0:14:52.000
<v Speaker 1>because Kevin knows how good he is. He's seen him.

0:14:52.760 --> 0:14:55.960
<v Speaker 1>So now, with only two days to go, Tyrese just

0:14:56.080 --> 0:14:58.560
<v Speaker 1>wants to get back to Garland, Texas and find out

0:14:58.600 --> 0:15:05.280
<v Speaker 1>where he'll be playing and living. We'll be right back.

0:15:21.760 --> 0:15:27.160
<v Speaker 1>You won't say call her, You just being all ye earlier.

0:15:29.920 --> 0:15:43.440
<v Speaker 1>That's Terse's mom, Denise Maxie. Oh god box in a

0:15:43.560 --> 0:15:47.480
<v Speaker 1>sand e p a draft box. But I did hoping open.

0:15:47.520 --> 0:15:51.920
<v Speaker 1>They won't. No, I'm gonna take me. Who are John's

0:15:52.120 --> 0:15:54.960
<v Speaker 1>showing U some mew yeah I did the mask pad

0:15:55.040 --> 0:15:58.840
<v Speaker 1>s door was so exciting. You think you delivered the supermom.

0:15:59.000 --> 0:16:01.360
<v Speaker 1>This was the lier. Moe's so exciting these guys and

0:16:02.440 --> 0:16:04.840
<v Speaker 1>blah blah blah blah blah. So I guess got your

0:16:04.960 --> 0:16:08.160
<v Speaker 1>hands honestly, Yeah, the hats and I don't know, little

0:16:08.160 --> 0:16:12.560
<v Speaker 1>I don't got the hats in there. I want to

0:16:12.600 --> 0:16:17.360
<v Speaker 1>what that leather box for that every season there is

0:16:17.360 --> 0:16:20.760
<v Speaker 1>a green box. There's what he made the name name

0:16:20.840 --> 0:16:25.840
<v Speaker 1>was sitting us watching game and there's the green box.

0:16:30.160 --> 0:16:32.160
<v Speaker 1>Draft was supposed to take place in the Barclay Center

0:16:32.200 --> 0:16:35.200
<v Speaker 1>in Brooklyn, and normally Tyrese and his family would be

0:16:35.280 --> 0:16:37.240
<v Speaker 1>at the arena in the green room with all the

0:16:37.320 --> 0:16:41.960
<v Speaker 1>hats and swag waiting for them. This year, the league

0:16:41.960 --> 0:16:43.920
<v Speaker 1>shipped a version of the green room in a giant

0:16:44.000 --> 0:16:47.760
<v Speaker 1>green box two players houses instead. The box contains hats

0:16:47.800 --> 0:16:49.680
<v Speaker 1>of every team in the league, so he can put

0:16:49.720 --> 0:16:52.400
<v Speaker 1>on the logo for whichever franchise picks him in the moment.

0:17:02.880 --> 0:17:07.000
<v Speaker 1>M hey me and Brott, just time aboutible, it's here,

0:17:07.040 --> 0:17:09.280
<v Speaker 1>ain't no, but I don't run if I'm not like,

0:17:09.400 --> 0:17:11.960
<v Speaker 1>this's the real thing, because you just want to say

0:17:11.960 --> 0:17:25.760
<v Speaker 1>an you get you say h m hm. So I'm

0:17:25.760 --> 0:17:27.320
<v Speaker 1>only even here gonna know you hibly don't get it.

0:17:27.480 --> 0:17:31.160
<v Speaker 1>You get handy home. My conscious so heavy. I don't

0:17:31.160 --> 0:17:39.960
<v Speaker 1>know what happened. Ye, he's a whole hundred Yeah. Yeah,

0:17:40.000 --> 0:17:44.480
<v Speaker 1>we're about to come up any minute. Ye, I'm gonnaquite

0:17:44.520 --> 0:17:49.639
<v Speaker 1>when we get to the game. So all right, I

0:17:49.680 --> 0:17:51.920
<v Speaker 1>wanted to they said, and say everybody that's in first

0:17:51.960 --> 0:17:56.960
<v Speaker 1>and second round. I think they s draft bots everybody. Yeah,

0:17:57.200 --> 0:18:00.040
<v Speaker 1>because everybody even you know what I'm saying. But the

0:18:00.200 --> 0:18:04.080
<v Speaker 1>name is so what they what you're doing? The heads

0:18:08.520 --> 0:18:13.560
<v Speaker 1>keep keep No, I ain't keeping more. I'm tee you

0:18:13.640 --> 0:18:17.760
<v Speaker 1>go to that my new favorite team. Well, I'm just

0:18:17.800 --> 0:18:20.879
<v Speaker 1>talking about from me. The car service drops Brandon and

0:18:20.920 --> 0:18:23.160
<v Speaker 1>Tyrese at l a X Airport. As they get out,

0:18:23.240 --> 0:18:26.280
<v Speaker 1>an airport employee greets them, but instead of asking questions

0:18:26.320 --> 0:18:28.960
<v Speaker 1>about their flight, the employee wants to talk about the

0:18:29.040 --> 0:18:35.680
<v Speaker 1>latest NBA news. What do you think on a drip

0:18:35.760 --> 0:18:39.480
<v Speaker 1>pol trade? We're just talking about that, man, I don't know,

0:18:39.680 --> 0:18:43.400
<v Speaker 1>like what I don't know if I mean, he said

0:18:43.400 --> 0:18:45.200
<v Speaker 1>when we think about the curs paultry and I'm like,

0:18:48.040 --> 0:18:50.920
<v Speaker 1>it's cool, I guess, but what is that exactly? What

0:18:51.000 --> 0:18:54.399
<v Speaker 1>does it means? They're referring to the trade that sent

0:18:54.520 --> 0:18:57.639
<v Speaker 1>All star point guard Chris Paul from Oklahoma City to

0:18:57.760 --> 0:19:01.040
<v Speaker 1>the Phoenix Suns, likely to the Suns into a legit

0:19:01.119 --> 0:19:05.520
<v Speaker 1>playoff contender. Right, It's good to have vetterans around, but

0:19:09.480 --> 0:19:14.720
<v Speaker 1>what they got They need this kid by the name

0:19:14.760 --> 0:19:17.040
<v Speaker 1>of Tyrese max You know you know who that is?

0:19:18.960 --> 0:19:22.399
<v Speaker 1>On whe is that you? You? You know? I appreciate m.

0:19:22.400 --> 0:19:34.600
<v Speaker 1>My man, have a good one. The employee at the

0:19:34.640 --> 0:19:37.640
<v Speaker 1>airport might not know his name yet, but he will soon.

0:19:40.320 --> 0:19:43.680
<v Speaker 1>In forty eight hours, basketball fans everywhere will know Tyrese

0:19:43.760 --> 0:19:46.479
<v Speaker 1>Maxi and in a few years he'll be the one

0:19:46.520 --> 0:19:48.680
<v Speaker 1>in the gym helping pass these lessons on to the

0:19:48.760 --> 0:19:51.560
<v Speaker 1>next fresh faced teenager trying to make the jump to

0:19:51.600 --> 0:19:55.040
<v Speaker 1>the league. And maybe ten or fifteen years after that,

0:19:55.400 --> 0:19:57.560
<v Speaker 1>an employee at the airport will be asking some young

0:19:57.680 --> 0:20:01.439
<v Speaker 1>prospect what he thinks about the Tyrese ma trade. Now

0:20:01.520 --> 0:20:03.719
<v Speaker 1>that Tyrese has developed all the tools for a long,

0:20:03.800 --> 0:20:17.639
<v Speaker 1>successful career, the question is where will this journey start next? Undrafted.

0:20:19.440 --> 0:20:22.879
<v Speaker 1>I guess I'll get this last little record. Actually, like

0:20:23.000 --> 0:20:25.320
<v Speaker 1>to get on the plane, go back to the crib.

0:20:25.800 --> 0:20:28.080
<v Speaker 1>Planning sports with my two older brothers was rough because

0:20:28.119 --> 0:20:30.840
<v Speaker 1>I never could win, and that definitely pushed me to

0:20:30.920 --> 0:20:33.160
<v Speaker 1>be better because like I'm like, one day, I gotta

0:20:33.160 --> 0:20:34.840
<v Speaker 1>be able to beat him. This is their first time

0:20:34.920 --> 0:20:37.800
<v Speaker 1>going through this whole ordeal too, and so it's new

0:20:37.880 --> 0:20:41.879
<v Speaker 1>to them. Drafted equipment. Here's an NBA ban or for media.

0:20:42.280 --> 0:20:45.680
<v Speaker 1>Here's an I pan for draft night. Here's some technical

0:20:45.760 --> 0:20:48.159
<v Speaker 1>equipment for this and that. I'm so excited for you.

0:20:48.680 --> 0:20:51.760
<v Speaker 1>Thank you, thank you everything you do me brother, like

0:20:52.680 --> 0:20:55.760
<v Speaker 1>you appreciate that. Yeah, no, who we have been through

0:20:55.880 --> 0:20:58.600
<v Speaker 1>these last few years with you. It's been freaking crazy.

0:21:06.920 --> 0:21:09.720
<v Speaker 1>Drafted as a production of tree Fort Media, Clutch Sports Group,

0:21:09.760 --> 0:21:12.639
<v Speaker 1>and I Heart Radio. The executive producers are Kelly Garner,

0:21:12.880 --> 0:21:16.200
<v Speaker 1>Lisa Ammerman, Eric s A Lott, sewn To Tone l

0:21:16.320 --> 0:21:19.800
<v Speaker 1>Ki and me Keegan Michael Key. The series is produced

0:21:19.840 --> 0:21:22.960
<v Speaker 1>and written by Eric Winer. Jared brom is our coordinating producer.

0:21:23.320 --> 0:21:26.399
<v Speaker 1>Trey McCain is our associate producer. Tom Monahan is our

0:21:26.440 --> 0:21:30.480
<v Speaker 1>senior audio engineer. Mixed and edited by Steven Johnson, additional

0:21:30.520 --> 0:21:34.359
<v Speaker 1>production help from Tim Shower, June Rosen, and Hayley Mandelberg.

0:21:34.920 --> 0:21:37.359
<v Speaker 1>For transcripts of the show and more information on Drafted,

0:21:37.440 --> 0:21:40.440
<v Speaker 1>go to tree Fort dot fm. For more podcasts. For

0:21:40.560 --> 0:21:44.080
<v Speaker 1>my heart Radio, visit the I Heart Radio app, Apple Podcasts,

0:21:44.320 --> 0:21:46.280
<v Speaker 1>or wherever you listen to your favorite shows.