WEBVTT - Jiggly: Shapewear Then and Now – Lab 080

0:00:00.640 --> 0:00:04.280
<v Speaker 1>Listen. We are in the heyday of the bodysuit, of

0:00:04.559 --> 0:00:08.720
<v Speaker 1>the velcro wrap around the waist, and I feel like

0:00:08.720 --> 0:00:09.680
<v Speaker 1>it's snuck up on us.

0:00:10.160 --> 0:00:14.640
<v Speaker 2>Yes, it feels like everything and everyone wants to be

0:00:14.880 --> 0:00:16.919
<v Speaker 2>shaped inside of their clothes.

0:00:17.320 --> 0:00:21.680
<v Speaker 1>You know who is my favorite person that talks about shapewear? Who? Well,

0:00:21.680 --> 0:00:23.960
<v Speaker 1>they make my favorite shapewear ads and they're like, I'm

0:00:23.960 --> 0:00:28.520
<v Speaker 1>trying to be shaped like a Coca Cola bottle. Alonzo Arnold. Ah.

0:00:29.360 --> 0:00:32.920
<v Speaker 2>I love Alonzo Arnold. They are giving you looks and

0:00:32.960 --> 0:00:35.360
<v Speaker 2>they are giving you comedy, so I love it. But

0:00:35.880 --> 0:00:38.800
<v Speaker 2>just like you said, Alonzo Arnold is going to put

0:00:38.840 --> 0:00:41.159
<v Speaker 2>on that shapewear hon knee.

0:00:41.960 --> 0:00:44.440
<v Speaker 1>And Alonzo isn't the only one. A lot of people are.

0:00:44.880 --> 0:00:47.520
<v Speaker 1>And it really makes us think like has this always

0:00:47.600 --> 0:00:50.960
<v Speaker 1>been going on, just in different forms, and now it's acceptable.

0:00:51.000 --> 0:00:53.159
<v Speaker 1>I feel like we're one step away from the sports

0:00:53.280 --> 0:00:57.120
<v Speaker 1>rap outside the shirt. This really started with the slippery

0:00:57.160 --> 0:00:59.760
<v Speaker 1>slope with the compression sock. It all goes back to.

0:00:59.680 --> 0:01:06.840
<v Speaker 2>That I'm t T and I'm Zachiah and from Spotify.

0:01:07.080 --> 0:01:32.040
<v Speaker 3>This is Dope Labs.

0:01:33.959 --> 0:01:37.920
<v Speaker 1>Welcome to Dope Labs, a weekly podcast that mixes hardcore science,

0:01:38.000 --> 0:01:41.319
<v Speaker 1>pop culture, and a healthy dose of friendship. The semester

0:01:41.480 --> 0:01:43.840
<v Speaker 1>is winding down and we want to have a really

0:01:43.959 --> 0:01:47.880
<v Speaker 1>special semester finale featuring all of you. So make sure

0:01:47.920 --> 0:01:50.040
<v Speaker 1>you give us a call and let us know your

0:01:50.200 --> 0:01:54.520
<v Speaker 1>favorite episode from this semester. Yes, call us to zero

0:01:54.600 --> 0:01:57.960
<v Speaker 1>two five six seven seven zero two eight, or if

0:01:58.000 --> 0:02:01.560
<v Speaker 1>you're shy with your voice, email as at contact at

0:02:01.600 --> 0:02:05.440
<v Speaker 1>Dope lapspodcast dot com.

0:02:06.440 --> 0:02:10.000
<v Speaker 2>This week, we're talking all about shapewear specifically. We really

0:02:10.040 --> 0:02:12.880
<v Speaker 2>wanted to know more about where it all started, what

0:02:13.000 --> 0:02:15.280
<v Speaker 2>it's made of, and the social impacts on the people

0:02:15.320 --> 0:02:15.800
<v Speaker 2>that wear it.

0:02:16.320 --> 0:02:28.440
<v Speaker 1>Let's get into the recitation. What do we know?

0:02:29.080 --> 0:02:34.040
<v Speaker 2>Well, we know that shapewear is everywhere. It feels like

0:02:34.080 --> 0:02:36.200
<v Speaker 2>it's in everything. I just bought a pair of pants,

0:02:36.240 --> 0:02:40.960
<v Speaker 2>just regular black pants, and there was like some shapewear

0:02:41.000 --> 0:02:43.600
<v Speaker 2>at the top. It was really tight at the top

0:02:43.639 --> 0:02:45.839
<v Speaker 2>and I wasn't even expecting it. So now it's being

0:02:45.840 --> 0:02:47.840
<v Speaker 2>incorporated into just regular apparel.

0:02:48.280 --> 0:02:52.120
<v Speaker 1>You know. I feel like when the Spanks Lady really

0:02:52.160 --> 0:02:55.320
<v Speaker 1>made it big. Oh yeah, I knew every celebrity was

0:02:55.360 --> 0:02:58.519
<v Speaker 1>going to have their shapewear aligned shapewear and like body

0:02:58.520 --> 0:03:03.120
<v Speaker 1>sculpting all those. Yeah, but underwear and undergarments, it's a huge.

0:03:02.960 --> 0:03:06.920
<v Speaker 2>Thing, absolutely, and we know that people use different types

0:03:06.960 --> 0:03:07.760
<v Speaker 2>of different things.

0:03:08.240 --> 0:03:12.360
<v Speaker 1>They have the compression stuff in the gut and they

0:03:12.480 --> 0:03:13.800
<v Speaker 1>letting it loose in the butt.

0:03:13.960 --> 0:03:18.160
<v Speaker 2>Okay, I have seen that. I've seen it for myself.

0:03:18.200 --> 0:03:19.440
<v Speaker 2>I've seen it with my own eyes.

0:03:20.000 --> 0:03:22.760
<v Speaker 1>And you know, a thing I know you know about

0:03:22.800 --> 0:03:25.480
<v Speaker 1>me is that I hate shapewear. All my friends are like, girl,

0:03:25.480 --> 0:03:26.880
<v Speaker 1>that dress will be so cute if you had on

0:03:26.960 --> 0:03:30.600
<v Speaker 1>some spanks or you had on some friends, not all

0:03:30.639 --> 0:03:32.680
<v Speaker 1>my friends, not you. You don't do that to me.

0:03:35.680 --> 0:03:39.640
<v Speaker 1>I want your gut and butt loose. You let me

0:03:39.680 --> 0:03:40.760
<v Speaker 1>be my real self.

0:03:43.560 --> 0:03:47.480
<v Speaker 2>But it also feels like it's really taking off where

0:03:47.520 --> 0:03:51.160
<v Speaker 2>celebrities are coming out with their own shapewear brands, and

0:03:52.160 --> 0:03:55.840
<v Speaker 2>now it's like in every home this old has Yiddy,

0:03:56.480 --> 0:03:58.640
<v Speaker 2>Kim Kardashian has skims.

0:04:00.080 --> 0:04:03.000
<v Speaker 1>In Atlanta has their own brand of those like corsets

0:04:03.040 --> 0:04:06.120
<v Speaker 1>and things and Tommy Buster things.

0:04:06.160 --> 0:04:08.120
<v Speaker 2>So yeah, and then I see a bunch of them

0:04:08.160 --> 0:04:11.440
<v Speaker 2>on Instagram, like Sweet Sweat, where it's like a waste

0:04:11.520 --> 0:04:14.440
<v Speaker 2>thing like a waiste trainer. But I have a lot

0:04:14.480 --> 0:04:17.560
<v Speaker 2>of questions like why is this so popular now? I

0:04:17.600 --> 0:04:20.719
<v Speaker 2>know we're going back to the maiden type dresses and

0:04:20.880 --> 0:04:26.240
<v Speaker 2>Victorian styles, Like are we getting course? Yes, are we

0:04:26.279 --> 0:04:28.440
<v Speaker 2>getting back to that? I'm not ready.

0:04:28.440 --> 0:04:31.159
<v Speaker 1>If we are, I'm not either. I'm not wearing a

0:04:31.160 --> 0:04:31.800
<v Speaker 1>hoop skirt.

0:04:32.400 --> 0:04:38.000
<v Speaker 2>Hey, the doorways are not wide enough anymore. I think

0:04:38.040 --> 0:04:40.919
<v Speaker 2>I want to know as a material scientist, like the

0:04:41.000 --> 0:04:46.360
<v Speaker 2>technology that's going into shapewear and these new age corsets,

0:04:46.360 --> 0:04:52.040
<v Speaker 2>because they're not your great, great great grannies corsets. And

0:04:52.279 --> 0:04:57.160
<v Speaker 2>I'm also curious about like the impact on society, particularly

0:04:57.600 --> 0:05:00.560
<v Speaker 2>when we think about body image and what we normally lies.

0:05:01.600 --> 0:05:06.800
<v Speaker 2>In addition to photoshop, these types of shapewear contraptions are

0:05:06.839 --> 0:05:10.359
<v Speaker 2>really changing what the beauty standards are, like, oh this

0:05:10.480 --> 0:05:12.839
<v Speaker 2>is normal or this is not when you go back.

0:05:13.200 --> 0:05:15.400
<v Speaker 2>I was looking at some old photos and they were like, oh,

0:05:15.440 --> 0:05:18.000
<v Speaker 2>this person was too thick, or they were too this

0:05:18.040 --> 0:05:19.360
<v Speaker 2>person was plus size, or.

0:05:19.279 --> 0:05:22.040
<v Speaker 1>They X, Y and Z. I'm like, in the nineties

0:05:22.920 --> 0:05:26.479
<v Speaker 1>it was messed up, But now I'm like, have we

0:05:26.560 --> 0:05:30.880
<v Speaker 1>gone the other way where we're like big booty, little leg,

0:05:31.440 --> 0:05:35.800
<v Speaker 1>you know, or really flat stomach, unexpected smoothness in these

0:05:35.839 --> 0:05:39.240
<v Speaker 1>different places. What does that do to our images of

0:05:39.320 --> 0:05:42.000
<v Speaker 1>self for men and women when we take those things off.

0:05:42.160 --> 0:05:44.520
<v Speaker 1>Is it just women wearing these shapewear? Because I think

0:05:44.920 --> 0:05:45.880
<v Speaker 1>men are wearing them too.

0:05:46.520 --> 0:05:47.440
<v Speaker 3>I've seen them.

0:05:48.000 --> 0:05:59.839
<v Speaker 1>Let's jump into the dissection. Our guest for today's lab

0:05:59.920 --> 0:06:01.920
<v Speaker 1>is doctor Wendy Burns Ardellino.

0:06:02.360 --> 0:06:04.200
<v Speaker 4>I'm Wendy Burns Ardellino.

0:06:04.640 --> 0:06:08.240
<v Speaker 5>I am the Dean of the College of Humanities Social

0:06:08.320 --> 0:06:11.680
<v Speaker 5>Sciences at the University of Houston Downtown and I am

0:06:11.720 --> 0:06:13.960
<v Speaker 5>a cultural studies practitioner and scholar.

0:06:14.520 --> 0:06:19.200
<v Speaker 2>Doctor Burns Ardolino is the author of Jiggle Reshaping American Women,

0:06:19.360 --> 0:06:22.640
<v Speaker 2>a book about American women in their relationship to traditional

0:06:22.720 --> 0:06:25.200
<v Speaker 2>foundation garments and modern shapewear.

0:06:26.000 --> 0:06:27.760
<v Speaker 1>Most of us have probably.

0:06:27.400 --> 0:06:30.200
<v Speaker 2>Heard about SPANX, like we talked about already, but we

0:06:30.240 --> 0:06:34.200
<v Speaker 2>wanted to learn more about what came before Spanx. How

0:06:34.240 --> 0:06:36.719
<v Speaker 2>did the idea of shapewear come to be?

0:06:37.480 --> 0:06:39.680
<v Speaker 1>Well, it begins with the corset.

0:06:39.760 --> 0:06:45.480
<v Speaker 5>That all kind of began in the nineteenth century, and

0:06:45.680 --> 0:06:49.480
<v Speaker 5>you would be hard pressed in Western society to find

0:06:49.560 --> 0:06:53.039
<v Speaker 5>a woman who didn't wear a corset in that time frame.

0:06:53.640 --> 0:06:59.320
<v Speaker 5>By the twentieth century, basically, corstree is on the ropes

0:06:59.360 --> 0:06:59.640
<v Speaker 5>a bit.

0:07:00.200 --> 0:07:04.240
<v Speaker 2>Corsets were traditional foundation garments, so garments that go under

0:07:04.279 --> 0:07:06.880
<v Speaker 2>your clothes before you put your clothes on top. It

0:07:06.960 --> 0:07:10.040
<v Speaker 2>was made to support a woman's torso, to hold the

0:07:10.080 --> 0:07:14.360
<v Speaker 2>women's torso in and train it into a specific desired shape.

0:07:14.800 --> 0:07:19.360
<v Speaker 2>They were handmade from rigid materials like wood, ivory, and whalebone.

0:07:19.720 --> 0:07:21.080
<v Speaker 1>As the quote unquote.

0:07:20.760 --> 0:07:25.680
<v Speaker 2>Ideal image and shape of women changed throughout time, soda corsets,

0:07:25.680 --> 0:07:28.960
<v Speaker 2>so there were multiple styles of corsets throughout history.

0:07:29.360 --> 0:07:32.160
<v Speaker 1>And my question is why, you know, why are women

0:07:32.240 --> 0:07:35.520
<v Speaker 1>supposed to be wearing whalebones while men are walking around

0:07:35.600 --> 0:07:37.000
<v Speaker 1>in free flowing pants.

0:07:37.520 --> 0:07:43.440
<v Speaker 5>The arguments about the need to wear foundation garments and

0:07:43.520 --> 0:07:48.080
<v Speaker 5>to wear shaping garments, and some of those include medical

0:07:48.120 --> 0:07:53.520
<v Speaker 5>discourse that women's bodies will actually not hold their form.

0:07:53.800 --> 0:07:58.320
<v Speaker 5>Women are not muscular enough, so they need the external

0:07:58.800 --> 0:08:03.880
<v Speaker 5>garment to hold for them, otherwise their organs are going

0:08:03.920 --> 0:08:07.200
<v Speaker 5>to just kind of drop out of their bodies or

0:08:07.200 --> 0:08:09.720
<v Speaker 5>something like that. And I've done some work in sport

0:08:09.800 --> 0:08:12.560
<v Speaker 5>discourse as well with regard to women who run. Some

0:08:12.640 --> 0:08:16.200
<v Speaker 5>of the medical discourse was that their uteruses would fall

0:08:16.360 --> 0:08:18.840
<v Speaker 5>out of their bodies so that there would be this

0:08:18.920 --> 0:08:22.880
<v Speaker 5>collapsing of organs, this idea that if you were going

0:08:22.960 --> 0:08:26.040
<v Speaker 5>to be bearing children that you needed to have a

0:08:26.080 --> 0:08:29.160
<v Speaker 5>certain form for that, that you needed to care for

0:08:29.280 --> 0:08:32.000
<v Speaker 5>your women parts and wearing shape.

0:08:32.000 --> 0:08:33.240
<v Speaker 4>Where was a part of that.

0:08:33.800 --> 0:08:38.760
<v Speaker 1>This is ridiculous. Yeah, absolutely ridiculous. Let me tell you.

0:08:38.760 --> 0:08:41.880
<v Speaker 2>We've talked about science and how it can be racist, sexist,

0:08:42.000 --> 0:08:45.200
<v Speaker 2>and homophobic, but you can see it specifically in this

0:08:45.360 --> 0:08:48.400
<v Speaker 2>scientific talk quote unquote from back in the day, and

0:08:48.440 --> 0:08:51.480
<v Speaker 2>they had it all wrong. Women weren't allowed to run

0:08:51.520 --> 0:08:55.520
<v Speaker 2>in marathons for this reason. They first started allowing women

0:08:55.559 --> 0:08:58.600
<v Speaker 2>to run in marathons in like the seventies because of

0:08:58.640 --> 0:08:59.480
<v Speaker 2>this idea.

0:08:59.679 --> 0:09:03.080
<v Speaker 1>Right, So the seventies probably for general marathons, but it

0:09:03.120 --> 0:09:06.320
<v Speaker 1>wasn't until nineteen eighty four when women were allowed to

0:09:06.360 --> 0:09:10.400
<v Speaker 1>participate in the Olympics in the marathons. There, that's not

0:09:10.520 --> 0:09:11.319
<v Speaker 1>that long ago.

0:09:11.920 --> 0:09:16.240
<v Speaker 5>What's interesting about corcatry itself is really it is a

0:09:16.280 --> 0:09:19.680
<v Speaker 5>locus of social control for women's bodies, and it really

0:09:19.720 --> 0:09:26.559
<v Speaker 5>does emerge out of the discourses of hygiene, moral purpeitude,

0:09:27.080 --> 0:09:34.280
<v Speaker 5>bound up with religion. Definitely patriarchal values, idealized images of

0:09:34.320 --> 0:09:39.440
<v Speaker 5>the cult of womanhood and women's role in society.

0:09:39.600 --> 0:09:43.040
<v Speaker 2>This sounds eerily familiar to women's fashion today and how

0:09:43.160 --> 0:09:46.600
<v Speaker 2>lots of trends and ideals are dictated by men in

0:09:46.640 --> 0:09:50.840
<v Speaker 2>the male gaze, high heels, the coke bottle figure. It

0:09:50.880 --> 0:09:53.920
<v Speaker 2>seems like not a lot has changed over the past

0:09:53.920 --> 0:09:57.760
<v Speaker 2>couple centuries. Yes, I'm not wearing high heels. I don't

0:09:57.800 --> 0:09:58.720
<v Speaker 2>like wearing high heels.

0:09:58.800 --> 0:10:02.320
<v Speaker 1>Yeah, you see, I've been wearing my sneakers with my skirt. Okay,

0:10:02.840 --> 0:10:13.320
<v Speaker 1>Like these nikes feel good. So doctor Burns Ardellino told

0:10:13.360 --> 0:10:16.400
<v Speaker 1>us that corset use was at a high, but you know,

0:10:16.880 --> 0:10:19.280
<v Speaker 1>the trends are always changing. Skinny zy and curvy's in

0:10:19.360 --> 0:10:22.080
<v Speaker 1>big button, No, but big butt, but only with this shape.

0:10:22.200 --> 0:10:25.160
<v Speaker 1>Like you know, you're doing all these things to emphasize

0:10:25.200 --> 0:10:30.000
<v Speaker 1>and de emphasize your body according to these changing ideals.

0:10:30.760 --> 0:10:33.240
<v Speaker 1>And one thing that was a major factor in the

0:10:33.280 --> 0:10:38.200
<v Speaker 1>adoption of corset use was the advancement of technology for

0:10:38.240 --> 0:10:41.480
<v Speaker 1>the mass production of garments in the nineteen thirties, and

0:10:41.559 --> 0:10:44.200
<v Speaker 1>so this paved the way to the rise of modern.

0:10:43.880 --> 0:10:48.400
<v Speaker 5>Shapewear when they become mass produced garments. In some ways,

0:10:48.400 --> 0:10:54.120
<v Speaker 5>it democratizes shapewear because then more people can afford it.

0:10:54.200 --> 0:10:57.680
<v Speaker 5>But I think the flip side of that is that

0:10:58.200 --> 0:11:03.600
<v Speaker 5>the mass production of it enables it to be more controlled.

0:11:03.920 --> 0:11:07.080
<v Speaker 5>There's more mass social control at the same time.

0:11:07.440 --> 0:11:09.679
<v Speaker 1>Hmm. That's such a good point. So now it's not

0:11:09.760 --> 0:11:13.000
<v Speaker 1>just ladies who lunch walking around with their stomachs crushed in,

0:11:13.080 --> 0:11:14.319
<v Speaker 1>but now is everybody.

0:11:15.000 --> 0:11:18.200
<v Speaker 5>And then at that point, more and more people are

0:11:18.400 --> 0:11:21.800
<v Speaker 5>buying these products, right, and they might have multiple garments

0:11:21.880 --> 0:11:23.960
<v Speaker 5>as opposed to like when you had a course, you know,

0:11:24.000 --> 0:11:26.160
<v Speaker 5>maybe you would only have one or if you were

0:11:26.200 --> 0:11:27.120
<v Speaker 5>wealthy too.

0:11:27.559 --> 0:11:29.439
<v Speaker 4>At a time because they had to be handmade.

0:11:30.000 --> 0:11:33.720
<v Speaker 2>Not only did mass production accelerate the growth of the

0:11:33.800 --> 0:11:38.240
<v Speaker 2>shapewear industry, but new technology and innovation around fabrics and

0:11:38.360 --> 0:11:42.360
<v Speaker 2>textiles also allowed the market to flourish, boom, and thrive.

0:11:42.960 --> 0:11:45.600
<v Speaker 5>One of the first fabrics that was used is called

0:11:46.120 --> 0:11:51.040
<v Speaker 5>last X, and with last X, the elastic was woven

0:11:51.200 --> 0:11:54.880
<v Speaker 5>through the fabric to give it some stretch, right, So

0:11:54.960 --> 0:11:58.160
<v Speaker 5>that's kind of like a precursor to spandex.

0:11:58.880 --> 0:12:02.720
<v Speaker 1>So last text was vented in the thirties and Spandex,

0:12:03.120 --> 0:12:06.079
<v Speaker 1>which we know for is elasticity, first hit the market

0:12:06.120 --> 0:12:08.360
<v Speaker 1>in nineteen fifty eight. Although we see it in a

0:12:08.400 --> 0:12:11.040
<v Speaker 1>lot of things now. It was first used in bras,

0:12:11.240 --> 0:12:13.120
<v Speaker 1>jockstraps and athletic wear.

0:12:13.640 --> 0:12:16.720
<v Speaker 2>Now it feels like all our clothes has plastics. Yeah,

0:12:16.840 --> 0:12:20.080
<v Speaker 2>every item of clothing has some type of stretch, and

0:12:20.520 --> 0:12:22.880
<v Speaker 2>sometimes you'll be able to see it if your clothes

0:12:22.880 --> 0:12:26.840
<v Speaker 2>are falling apart, like minar, you can see the little

0:12:27.800 --> 0:12:32.320
<v Speaker 2>elastic threading that's also ran through the fabric as well,

0:12:32.400 --> 0:12:34.560
<v Speaker 2>just to give it some give, so that when you're

0:12:34.600 --> 0:12:36.760
<v Speaker 2>pulling on those jeans that they have some stretch.

0:12:37.400 --> 0:12:39.840
<v Speaker 1>I don't want no hard jeans. Keep the span dex

0:12:39.880 --> 0:12:40.319
<v Speaker 1>in mind.

0:12:42.800 --> 0:12:44.680
<v Speaker 2>I don't even know what it's like to put on

0:12:44.679 --> 0:12:47.160
<v Speaker 2>a pair of jeans that don't have any stretch. Nah,

0:12:47.280 --> 0:12:49.079
<v Speaker 2>that's why the cowboys were walking like that.

0:12:49.240 --> 0:12:52.840
<v Speaker 1>Yes, the jeans were crisped, the cardboard pants. It's not

0:12:52.880 --> 0:12:55.079
<v Speaker 1>the horses, y'all. It was the jeans the whole time.

0:12:55.800 --> 0:12:58.600
<v Speaker 1>A good grief.

0:13:06.200 --> 0:13:10.640
<v Speaker 2>Another factor that contributed to the rise of shapewear was advertising.

0:13:11.200 --> 0:13:15.760
<v Speaker 5>Advertising is occurring in magazines that women have access to,

0:13:15.920 --> 0:13:23.040
<v Speaker 5>but also trade journals, writing to fashion fires, get department stores.

0:13:23.520 --> 0:13:26.000
<v Speaker 4>And then a third prong of this is.

0:13:25.960 --> 0:13:29.120
<v Speaker 5>That literally a lot of these companies were marketing to

0:13:29.440 --> 0:13:33.960
<v Speaker 5>the salespeople who were on the floor of the department stores.

0:13:34.320 --> 0:13:37.240
<v Speaker 5>They would let them try out the garments, they would

0:13:37.360 --> 0:13:42.280
<v Speaker 5>solicit their feedback, they would recommend how to sell the garments.

0:13:42.600 --> 0:13:45.240
<v Speaker 5>So they'd be like, you need this garment because this

0:13:45.440 --> 0:13:48.440
<v Speaker 5>is your problem with your body, right, That's kind of

0:13:48.440 --> 0:13:49.400
<v Speaker 5>how they sold it.

0:13:49.880 --> 0:13:52.560
<v Speaker 1>So fast forward to the rise of feminism and the

0:13:52.600 --> 0:13:56.240
<v Speaker 1>women's movement in the sixties and seventies. Now there's where

0:13:56.280 --> 0:13:58.400
<v Speaker 1>we see a decline in shapewear use.

0:13:58.800 --> 0:14:01.760
<v Speaker 5>Feminism is on the right eyes and women really say

0:14:02.200 --> 0:14:05.840
<v Speaker 5>we're not going to have our bodies be objects for men.

0:14:06.040 --> 0:14:08.319
<v Speaker 4>We're going to enjoy our bodies for our bodies.

0:14:08.840 --> 0:14:12.640
<v Speaker 5>And culturally that's such a profound moment. And I know

0:14:12.840 --> 0:14:15.839
<v Speaker 5>the lore is that women burn the bras. They didn't

0:14:15.840 --> 0:14:18.000
<v Speaker 5>really burn the bras, they just took them off. But

0:14:18.080 --> 0:14:21.440
<v Speaker 5>I think the important part to understand about that was

0:14:21.480 --> 0:14:26.160
<v Speaker 5>it was a moment of collective cultural consciousness when women

0:14:26.600 --> 0:14:29.680
<v Speaker 5>really in the seventies were like, no, we're not gonna

0:14:29.680 --> 0:14:33.360
<v Speaker 5>subscribe to this anymore. And that went on for probably

0:14:33.520 --> 0:14:37.760
<v Speaker 5>twenty years, but it was quickly followed up with kind

0:14:37.760 --> 0:14:41.720
<v Speaker 5>of an internal girdilization where women focus so much on

0:14:41.840 --> 0:14:43.160
<v Speaker 5>what their bodies looked like.

0:14:43.760 --> 0:14:46.360
<v Speaker 2>So that's a really important point. Even if women weren't

0:14:46.400 --> 0:14:50.800
<v Speaker 2>wearing bras or shapewear, it doesn't mean that the social

0:14:50.880 --> 0:14:53.520
<v Speaker 2>conditions that led us to wear shapewear in the first

0:14:53.520 --> 0:14:55.120
<v Speaker 2>place no longer existed.

0:14:55.440 --> 0:14:57.160
<v Speaker 1>The girdles are in our minds.

0:14:58.000 --> 0:15:01.200
<v Speaker 2>So many people struggle with healthy really relationships to eating

0:15:01.440 --> 0:15:04.320
<v Speaker 2>or exercising, and a lot of that is from social

0:15:04.320 --> 0:15:07.960
<v Speaker 2>pressure to look a certain way. Shapewear and external garments

0:15:08.000 --> 0:15:11.440
<v Speaker 2>are just one way of affecting or controlling how our

0:15:11.440 --> 0:15:12.240
<v Speaker 2>bodies are seen.

0:15:12.880 --> 0:15:18.160
<v Speaker 5>Women are still trying to constrain themselves into an idealized figure,

0:15:18.680 --> 0:15:22.680
<v Speaker 5>and if you're not that figure, then what you do.

0:15:23.280 --> 0:15:26.840
<v Speaker 1>And these idealized images of what women should look like, well,

0:15:26.920 --> 0:15:30.360
<v Speaker 1>not only are they unrealistic and sexists, but they also

0:15:30.480 --> 0:15:34.040
<v Speaker 1>intersect with fat phobia and the idea that a person's

0:15:34.080 --> 0:15:38.520
<v Speaker 1>weight correlates directly to their health, and that's simply not true.

0:15:39.040 --> 0:15:41.680
<v Speaker 5>In my book, I actually have like hang tags from

0:15:41.680 --> 0:15:44.920
<v Speaker 5>the garments themselves that shows you that they're marketing it

0:15:45.000 --> 0:15:51.440
<v Speaker 5>as slimming, shaping, trimming. Everything is about weight and controlling weight.

0:15:51.480 --> 0:15:53.040
<v Speaker 4>When you look back at those.

0:15:52.840 --> 0:15:57.480
<v Speaker 5>Women's journals like Red Book and Women's Day, they're actually

0:15:57.920 --> 0:16:02.160
<v Speaker 5>recommending how to purchase just the right shapewear, how to

0:16:02.320 --> 0:16:05.800
<v Speaker 5>wear the right shape, where how to do it correctly.

0:16:05.880 --> 0:16:09.360
<v Speaker 4>So it's very prescriptive, filled with dos and don'ts.

0:16:09.840 --> 0:16:14.200
<v Speaker 5>And again it's like taking the control away from women

0:16:14.600 --> 0:16:16.280
<v Speaker 5>of their own bodies.

0:16:16.240 --> 0:16:19.320
<v Speaker 2>From the garments, to the advertising, to the reason behind

0:16:19.440 --> 0:16:22.000
<v Speaker 2>it all. In the first place, shapewear seems to point

0:16:22.000 --> 0:16:25.320
<v Speaker 2>back to one thing, controlling women's bodies.

0:16:25.880 --> 0:16:29.600
<v Speaker 4>And then there's this weird discourse that I follow throughout these.

0:16:29.480 --> 0:16:35.200
<v Speaker 5>Journal even advertisements for these garments, that basically says, wear

0:16:35.280 --> 0:16:37.200
<v Speaker 5>this garment and it will set you free.

0:16:37.840 --> 0:16:39.320
<v Speaker 4>It does this weird.

0:16:39.600 --> 0:16:42.960
<v Speaker 5>Dichotomy where it's saying that you need to be constrained

0:16:43.080 --> 0:16:45.320
<v Speaker 5>in order to be set free, and.

0:16:45.320 --> 0:16:46.200
<v Speaker 4>People buy that.

0:16:47.680 --> 0:16:48.840
<v Speaker 1>The math is not math.

0:16:48.920 --> 0:16:53.800
<v Speaker 5>And for me, women are told by their family members,

0:16:54.080 --> 0:16:58.680
<v Speaker 5>by their community, by society, by their religious leaders, by

0:16:58.720 --> 0:17:01.280
<v Speaker 5>the medical community, this is what you need to do

0:17:01.400 --> 0:17:04.280
<v Speaker 5>in order to be a proper and good woman. Otherwise,

0:17:04.400 --> 0:17:06.879
<v Speaker 5>like this idea of a loose woman. And hence the

0:17:06.880 --> 0:17:09.320
<v Speaker 5>title of my book, right jiggle because we don't want

0:17:09.400 --> 0:17:12.479
<v Speaker 5>jiggly bits, right, We want to have everything kind of

0:17:12.880 --> 0:17:15.440
<v Speaker 5>like elaminated in smooth surface.

0:17:16.359 --> 0:17:20.560
<v Speaker 2>I had no idea that the term loose woman was

0:17:20.600 --> 0:17:23.680
<v Speaker 2>about their body composition.

0:17:24.080 --> 0:17:27.320
<v Speaker 1>What I didn't either, I've always heard it related to

0:17:27.359 --> 0:17:28.400
<v Speaker 1>something different.

0:17:28.480 --> 0:17:32.760
<v Speaker 2>Exactly, Doctor Burns Ottolino said, the term loose women started

0:17:32.800 --> 0:17:36.080
<v Speaker 2>with Okay, if you have like jiggly bits, as she's

0:17:36.119 --> 0:17:40.400
<v Speaker 2>saying that, it correlates to you being like promiscuous because

0:17:40.600 --> 0:17:43.399
<v Speaker 2>all of your you know, how you're being held together,

0:17:43.760 --> 0:17:46.160
<v Speaker 2>and the patriarchy says, oh, if you're not all held

0:17:46.200 --> 0:17:50.600
<v Speaker 2>together and tight like that, then you're probably a promiscuous woman.

0:17:50.720 --> 0:17:55.680
<v Speaker 2>So jigly bits equals promiscuity. And then as time change,

0:17:55.680 --> 0:17:58.520
<v Speaker 2>we changed it to loose women, like you know, loose.

0:17:59.680 --> 0:18:04.080
<v Speaker 1>That's why, isn't it boy? The nineteenth century still has

0:18:04.119 --> 0:18:06.760
<v Speaker 1>a grip on us. Okay, let's take a break, and

0:18:06.800 --> 0:18:09.080
<v Speaker 1>when we come back, we'll talk about how celebrities are

0:18:09.160 --> 0:18:12.719
<v Speaker 1>contributing to the shapewear conversation and how social media affects

0:18:12.720 --> 0:18:34.880
<v Speaker 1>the way we see our bodies. We're back next week.

0:18:34.920 --> 0:18:38.800
<v Speaker 2>We're talking all about eco tourism with Sarah Stadola, the

0:18:38.920 --> 0:18:42.120
<v Speaker 2>impacts of travel on the environment and local communities.

0:18:42.400 --> 0:18:47.960
<v Speaker 1>But right now let's get back to the lab. We've

0:18:47.960 --> 0:18:50.800
<v Speaker 1>been talking with doctor Wendy Burns Ardelino all about the

0:18:50.880 --> 0:18:55.399
<v Speaker 1>history of shapewear, from corsets to spandex. Shapewears rise and

0:18:55.440 --> 0:18:58.560
<v Speaker 1>fall in the seventies with the women's movement and how

0:18:58.680 --> 0:19:01.520
<v Speaker 1>well basically shape where it's had a comeback.

0:19:01.520 --> 0:19:06.320
<v Speaker 5>And then in the nineties again technology allows us to

0:19:06.440 --> 0:19:11.760
<v Speaker 5>have these really pretty colored garments and stretch lays, and

0:19:12.440 --> 0:19:16.960
<v Speaker 5>spandex is huge part of that, and then the marketability

0:19:16.960 --> 0:19:17.680
<v Speaker 5>back to women.

0:19:18.240 --> 0:19:21.160
<v Speaker 2>It feels like shapewear has stuck around and is here

0:19:21.320 --> 0:19:25.440
<v Speaker 2>to stay. Spanx was launched in two thousand and.

0:19:25.400 --> 0:19:28.760
<v Speaker 1>I can remember when Spanx was launched, I was like, Oh,

0:19:29.119 --> 0:19:31.680
<v Speaker 1>who really needs that? We don't really need that. But

0:19:32.000 --> 0:19:34.760
<v Speaker 1>I can also remember, you know what else came out

0:19:34.800 --> 0:19:36.760
<v Speaker 1>that I feel like people don't talk about enough. That

0:19:37.000 --> 0:19:41.920
<v Speaker 1>was borderline shapewear but make it fashion American apparel. Do

0:19:42.080 --> 0:19:45.280
<v Speaker 1>you have some pants from them like that shiny shapewere

0:19:45.880 --> 0:19:49.200
<v Speaker 1>it's not shapewear, but it's like spandex is just to

0:19:49.480 --> 0:19:54.680
<v Speaker 1>your body. Oh yes, yes, yes, I wore those pants out.

0:19:55.040 --> 0:19:57.680
<v Speaker 2>It's not shapewear. It's not shapewear, it's a brand, no,

0:19:57.760 --> 0:19:59.760
<v Speaker 2>But the smooth like.

0:20:00.200 --> 0:20:04.719
<v Speaker 1>Silhouette, yeah, it was all like spandex like that was

0:20:04.760 --> 0:20:08.400
<v Speaker 1>the thing for a while. Yeah. So it started off

0:20:08.480 --> 0:20:09.680
<v Speaker 1>as underwear.

0:20:10.440 --> 0:20:14.280
<v Speaker 2>Then we transitioned to the legging, you know, wearing things

0:20:14.320 --> 0:20:18.440
<v Speaker 2>that we considered underwear now on the outside. And then

0:20:18.840 --> 0:20:22.720
<v Speaker 2>now we had full blown bodysuits with the gloves all

0:20:22.760 --> 0:20:23.640
<v Speaker 2>the way up to the neck.

0:20:24.160 --> 0:20:30.480
<v Speaker 1>Mock turtleneck. That's not my kind of turtlenick. Do you

0:20:30.480 --> 0:20:33.160
<v Speaker 1>remember when people were wearing those like, hmm, I'm gonna

0:20:33.160 --> 0:20:35.520
<v Speaker 1>be aging myself. But like those long shirts that were

0:20:35.600 --> 0:20:37.680
<v Speaker 1>kind of like tunics. Some of them were baby doll shaped,

0:20:37.720 --> 0:20:41.280
<v Speaker 1>a big belt and just like tights. Yes, I am people,

0:20:41.359 --> 0:20:46.119
<v Speaker 1>she was me. I never knew where the belt was

0:20:46.119 --> 0:20:47.560
<v Speaker 1>supposed to go. I have a short tour, so I

0:20:47.640 --> 0:20:49.960
<v Speaker 1>just felt like it was around my neck. I felt

0:20:50.000 --> 0:20:57.440
<v Speaker 1>like I could not get it right, you know. And

0:20:57.480 --> 0:21:00.560
<v Speaker 1>in addition to those brands, I think we've seen another

0:21:00.680 --> 0:21:05.360
<v Speaker 1>wave of shapewear booming along with the athletic wear ath

0:21:05.480 --> 0:21:10.720
<v Speaker 1>leisure with celebrity brands like Skims, Ivy, park Yitty, Lululemon.

0:21:11.119 --> 0:21:13.560
<v Speaker 1>Lululemon has a hold on the girls, well the girls

0:21:13.560 --> 0:21:20.000
<v Speaker 1>with money because it's expensive and I'm not getting Lululemon

0:21:20.040 --> 0:21:21.399
<v Speaker 1>because it doesn't come in my size.

0:21:21.400 --> 0:21:24.320
<v Speaker 2>Baby With Yity, the reason why it was so important

0:21:24.400 --> 0:21:28.160
<v Speaker 2>and why people find their groundbreaking is because it prioritizes

0:21:28.640 --> 0:21:32.520
<v Speaker 2>larger sizes, like it starts at six X, and that's

0:21:32.520 --> 0:21:33.160
<v Speaker 2>not something.

0:21:32.920 --> 0:21:35.280
<v Speaker 1>That you see for most apparel.

0:21:35.760 --> 0:21:38.480
<v Speaker 2>For a lot of apparel, they might have larger sizes,

0:21:38.920 --> 0:21:42.240
<v Speaker 2>but they'll only have a few and so those will

0:21:42.240 --> 0:21:44.239
<v Speaker 2>be sold out really quickly, and so then there's an

0:21:44.359 --> 0:21:47.399
<v Speaker 2>entire population of people who don't have access to some

0:21:47.440 --> 0:21:49.399
<v Speaker 2>of the clothing that they would like to have access to.

0:21:49.960 --> 0:21:53.439
<v Speaker 2>You know, there's a huge mass production of extra extra

0:21:53.480 --> 0:21:57.800
<v Speaker 2>smalls and size zeros and things like that, but folks

0:21:57.840 --> 0:22:00.600
<v Speaker 2>that are on the plus size and of the spectrum,

0:22:00.880 --> 0:22:03.560
<v Speaker 2>they don't have that option even in store.

0:22:04.160 --> 0:22:06.320
<v Speaker 1>You can't go into a store and find those sizes.

0:22:06.600 --> 0:22:09.480
<v Speaker 2>What Lizo is doing, what Yity is doing as a brand,

0:22:09.920 --> 0:22:14.120
<v Speaker 2>is keeping the focal point the focus is plus size women.

0:22:14.520 --> 0:22:17.359
<v Speaker 2>And that's really important because what the manufacturers in these

0:22:17.359 --> 0:22:20.440
<v Speaker 2>apparel companies are always saying is that there's no market

0:22:20.640 --> 0:22:23.960
<v Speaker 2>for plus size, Like you can't make money prioritizing plus

0:22:24.000 --> 0:22:27.000
<v Speaker 2>size women. And what she's saying is you're wrong, and

0:22:27.000 --> 0:22:29.480
<v Speaker 2>I'm gonna show you. And she has like she's been

0:22:29.640 --> 0:22:32.760
<v Speaker 2>selling out and so many people are wearing YITDDI now.

0:22:33.040 --> 0:22:35.119
<v Speaker 1>I mean, and we see this in general, you know

0:22:35.119 --> 0:22:37.920
<v Speaker 1>what I mean. If there's only a few being made,

0:22:37.960 --> 0:22:40.400
<v Speaker 1>those few are selling out. You know, when you talk

0:22:40.400 --> 0:22:43.800
<v Speaker 1>about scarcity for large sizes and we're talking extra large

0:22:44.320 --> 0:22:49.400
<v Speaker 1>and two exl Okay, everybody deserves to have these options.

0:22:49.440 --> 0:22:52.119
<v Speaker 1>I think this is something we've talked about in a

0:22:52.119 --> 0:22:55.600
<v Speaker 1>couple of different places, but we're seeing it once again.

0:22:56.280 --> 0:23:00.440
<v Speaker 5>I have recently come into contact with some younger women

0:23:00.520 --> 0:23:05.560
<v Speaker 5>and preteen girls who are just mortified about their images

0:23:06.000 --> 0:23:08.920
<v Speaker 5>in social media. And I do feel like, as someone

0:23:08.920 --> 0:23:12.119
<v Speaker 5>who grew up in the eighties and nineties that I

0:23:12.320 --> 0:23:15.919
<v Speaker 5>did not grow up with that pervasiveness of social media

0:23:16.080 --> 0:23:19.440
<v Speaker 5>controlling my every image. But I think for women, it's

0:23:19.480 --> 0:23:22.800
<v Speaker 5>always like any image of yourself that's out there in

0:23:22.840 --> 0:23:25.359
<v Speaker 5>your body, really it puts you at risk.

0:23:25.560 --> 0:23:27.480
<v Speaker 4>And so it's concerning.

0:23:27.920 --> 0:23:31.040
<v Speaker 1>I mean really when you think about it, like if

0:23:31.480 --> 0:23:36.160
<v Speaker 1>women's bodies are often under critique or being critiqued, the

0:23:36.160 --> 0:23:40.440
<v Speaker 1>more opportunity to see those bodies, the more opportunity there

0:23:40.480 --> 0:23:42.200
<v Speaker 1>is to critique them, and so it is some type

0:23:42.240 --> 0:23:45.000
<v Speaker 1>of risk. I can remember coming across some features of

0:23:45.000 --> 0:23:47.400
<v Speaker 1>me in the eighth grade. I didn't know anything about posing,

0:23:47.720 --> 0:23:51.560
<v Speaker 1>none of that stuff. I was just like a teenage dirtbag,

0:23:51.720 --> 0:23:53.560
<v Speaker 1>Okay is what I was looking like.

0:23:53.720 --> 0:23:57.040
<v Speaker 2>Yeah, And now eighth graders these days, they know their angles,

0:23:57.359 --> 0:23:59.520
<v Speaker 2>they know how to find the light, they know how

0:23:59.520 --> 0:24:02.879
<v Speaker 2>to smile. They're wearing a full face of makeup. Yes,

0:24:03.320 --> 0:24:07.520
<v Speaker 2>I mean, things are just very different now. And social

0:24:07.560 --> 0:24:11.240
<v Speaker 2>media definitely has that effect because what social media does

0:24:11.359 --> 0:24:13.680
<v Speaker 2>is put you in a place where you're constantly comparing

0:24:13.720 --> 0:24:16.560
<v Speaker 2>yourself to other people. And so they're looking at some

0:24:16.600 --> 0:24:20.800
<v Speaker 2>of these celebrities who are absolutely photoshopping their photos and saying,

0:24:20.880 --> 0:24:22.080
<v Speaker 2>I want to look like that too.

0:24:22.480 --> 0:24:25.880
<v Speaker 1>It takes me back to our Edges Snatched episode where

0:24:25.920 --> 0:24:28.520
<v Speaker 1>we had with doctor Rocky Harris and he talked about

0:24:28.880 --> 0:24:31.680
<v Speaker 1>the digital camera and the cameras in our phones, taking

0:24:31.720 --> 0:24:34.760
<v Speaker 1>pictures of yourself and constantly evaluating yourself, and then with

0:24:34.840 --> 0:24:38.520
<v Speaker 1>social media, other people evaluating you. You know, and like

0:24:38.560 --> 0:24:41.200
<v Speaker 1>you said, a lot of these folks are photoshopping these photos.

0:24:41.320 --> 0:24:44.160
<v Speaker 1>Those photos have run through so many processors before they

0:24:44.200 --> 0:24:48.040
<v Speaker 1>get to your screen. Right if you look like that,

0:24:48.080 --> 0:24:50.560
<v Speaker 1>call for help and so On one hand is really

0:24:50.560 --> 0:24:55.040
<v Speaker 1>interesting because celebrities are sometimes being more transparent about like, oh,

0:24:55.040 --> 0:24:57.280
<v Speaker 1>this is the shape where I'm using, instead of pretending

0:24:57.320 --> 0:24:59.240
<v Speaker 1>that it's their natural body. True.

0:24:59.240 --> 0:25:01.239
<v Speaker 2>But on the other hand, and social media means that

0:25:01.359 --> 0:25:03.879
<v Speaker 2>people are more likely to be scrutinizing our bodies and

0:25:03.920 --> 0:25:06.160
<v Speaker 2>feel pressure to look a certain way.

0:25:06.720 --> 0:25:11.040
<v Speaker 5>There's a connection there to feeding that paranoia that women

0:25:11.119 --> 0:25:14.720
<v Speaker 5>need to be a certain way. We're constantly chasing, chasing,

0:25:14.920 --> 0:25:16.240
<v Speaker 5>chasing this.

0:25:16.280 --> 0:25:18.439
<v Speaker 4>Idealized body, this.

0:25:18.359 --> 0:25:22.760
<v Speaker 5>Idealized image of femininity that we can never attain. We're

0:25:22.800 --> 0:25:27.080
<v Speaker 5>basically self policing. We're in the panopticon where we're looking

0:25:27.119 --> 0:25:31.640
<v Speaker 5>at ourselves through the lens of the male gaze, and

0:25:32.480 --> 0:25:33.480
<v Speaker 5>we're saying, no.

0:25:33.560 --> 0:25:35.560
<v Speaker 4>That's not right, and that's not right, and you have

0:25:35.600 --> 0:25:37.399
<v Speaker 4>to change that, and you have to change thought.

0:25:37.840 --> 0:25:42.000
<v Speaker 1>Doctor Burns. Ardelino shared an idea from feminist philosopher Iris

0:25:42.040 --> 0:25:45.320
<v Speaker 1>Marian Young about how women can occupy the male gaze

0:25:45.520 --> 0:25:47.239
<v Speaker 1>even when they're trying to avoid it.

0:25:47.640 --> 0:25:51.280
<v Speaker 5>She's like, people will make the argument that I love

0:25:51.359 --> 0:25:54.639
<v Speaker 5>this beautiful sweater or I love this beautiful.

0:25:54.320 --> 0:25:55.920
<v Speaker 4>Piece of shapewear, for example.

0:25:56.320 --> 0:26:00.440
<v Speaker 5>But what they love, what women are enjoying about it

0:26:00.480 --> 0:26:05.320
<v Speaker 5>isn't the experience of wearing the garment right, the feel

0:26:05.359 --> 0:26:08.560
<v Speaker 5>of the garment or wearing the garment. They love the

0:26:08.600 --> 0:26:12.360
<v Speaker 5>way they look in the garment, which the way they

0:26:12.440 --> 0:26:17.439
<v Speaker 5>look in the garment is them occupying the male gaze

0:26:17.440 --> 0:26:18.720
<v Speaker 5>and looking at themselves.

0:26:19.320 --> 0:26:24.000
<v Speaker 4>I really believe that that's a social norm for us.

0:26:24.359 --> 0:26:28.159
<v Speaker 5>For women, it's like we're pre programmed from birth to

0:26:28.359 --> 0:26:33.600
<v Speaker 5>experience our bodies as other people see us right through

0:26:33.640 --> 0:26:39.280
<v Speaker 5>that social lens. It's almost impossible to see yourself without

0:26:39.560 --> 0:26:41.800
<v Speaker 5>occupying the male gaze.

0:26:42.119 --> 0:26:45.040
<v Speaker 2>I think that's a really important framework that doctor burns

0:26:45.119 --> 0:26:47.840
<v Speaker 2>Ardolino is highlighting because I feel like a lot of

0:26:47.880 --> 0:26:50.159
<v Speaker 2>folks nowadays are saying, oh, I don't drust for men,

0:26:50.240 --> 0:26:53.240
<v Speaker 2>I dress for women. I like when women are complimenting me.

0:26:53.520 --> 0:26:56.600
<v Speaker 2>I don't need a man to compliment me, which is true,

0:26:57.040 --> 0:26:59.800
<v Speaker 2>I'm right there with you. But then you also have

0:26:59.840 --> 0:27:02.400
<v Speaker 2>to think about why other women are finding what you're

0:27:02.440 --> 0:27:06.200
<v Speaker 2>wearing attractive, and it's usually because of these patriarchal standards

0:27:06.200 --> 0:27:09.200
<v Speaker 2>where it's like, yes, waste is snatched, honey, Yes, booty

0:27:09.240 --> 0:27:12.080
<v Speaker 2>is looking right. Yes, legs and all the things like that.

0:27:12.160 --> 0:27:14.760
<v Speaker 2>But these are all things that men over the centuries

0:27:14.800 --> 0:27:18.119
<v Speaker 2>have programmed us to believe. Is what the definition of

0:27:18.160 --> 0:27:18.800
<v Speaker 2>beauty is.

0:27:19.680 --> 0:27:24.000
<v Speaker 1>Wow, I'm about to start saying, yes, girl, posture is slumped,

0:27:24.720 --> 0:27:29.440
<v Speaker 1>relaxation is on a thousand Yes girl looking cozy, looking comfy.

0:27:29.800 --> 0:27:32.920
<v Speaker 2>That's a sleepy girl realness. That's right. I love those

0:27:32.960 --> 0:27:35.800
<v Speaker 2>bags under your eyes. I can tell you've been working hard.

0:27:37.119 --> 0:27:39.680
<v Speaker 1>Yes, And so that begs the question of, like, what

0:27:39.760 --> 0:27:42.879
<v Speaker 1>can we do to detach our self worth and confidence

0:27:43.240 --> 0:27:45.800
<v Speaker 1>from the shape of our bodies and how we look, Like,

0:27:45.840 --> 0:27:47.560
<v Speaker 1>how can we pull those things apart.

0:27:48.240 --> 0:27:51.120
<v Speaker 5>I'm still struggling with it, and I'm fifty four.

0:27:51.320 --> 0:27:54.359
<v Speaker 4>So I would say what I have come to now,

0:27:54.800 --> 0:27:56.680
<v Speaker 4>based on experience.

0:27:56.800 --> 0:28:00.760
<v Speaker 5>Is that if we focus on kind of our mind,

0:28:00.840 --> 0:28:05.280
<v Speaker 5>body spirit connection and what it's like to inhabit our

0:28:05.320 --> 0:28:09.160
<v Speaker 5>bodies in the world and to be whole and well

0:28:09.280 --> 0:28:11.720
<v Speaker 5>and whatever that means for you, because I think that's

0:28:11.720 --> 0:28:17.040
<v Speaker 5>a very individualized experience. What constitutes that and how can

0:28:17.119 --> 0:28:23.440
<v Speaker 5>I occupy the space of the healthiest, wellest, fittest version

0:28:23.880 --> 0:28:27.479
<v Speaker 5>of myself? What is it like to inhabit this body

0:28:27.600 --> 0:28:30.239
<v Speaker 5>and what joy can we find in this body? And

0:28:30.320 --> 0:28:34.400
<v Speaker 5>if I focus on that experientially as what that feels

0:28:34.520 --> 0:28:37.480
<v Speaker 5>like and the practice of that, I.

0:28:37.400 --> 0:28:41.800
<v Speaker 4>Think it gets around a little bit the corners of

0:28:42.360 --> 0:28:44.720
<v Speaker 4>what does your body look like all the time.

0:28:45.440 --> 0:28:48.360
<v Speaker 1>So it sounds like we're trying to shift the perspective

0:28:48.480 --> 0:28:51.600
<v Speaker 1>from what does my body look like? To what can

0:28:51.640 --> 0:28:53.760
<v Speaker 1>my body do for me? Or what can I do

0:28:53.880 --> 0:28:57.400
<v Speaker 1>with my body? And that feels like a really powerful approach.

0:28:57.800 --> 0:29:01.560
<v Speaker 5>Having a body that can do things and finding joy

0:29:01.720 --> 0:29:05.320
<v Speaker 5>in the capacity of one's body is something that's often

0:29:05.360 --> 0:29:08.560
<v Speaker 5>denied women. Not all women and not always, but a

0:29:08.600 --> 0:29:12.400
<v Speaker 5>lot of women never experience their bodies as a body

0:29:12.440 --> 0:29:16.120
<v Speaker 5>that can do things and that can be intentional and

0:29:16.160 --> 0:29:20.840
<v Speaker 5>can achieve things. I can totally imagine people being like, well,

0:29:20.840 --> 0:29:26.840
<v Speaker 5>that's a very ablest attitude about women's physicality. But I

0:29:26.880 --> 0:29:31.800
<v Speaker 5>think whatever your physical limitters are, and I can say

0:29:31.840 --> 0:29:34.800
<v Speaker 5>this as someone who has a metal plate in tense

0:29:34.800 --> 0:29:38.239
<v Speaker 5>screws in my leg, that there are still things that

0:29:38.320 --> 0:29:42.480
<v Speaker 5>you can do. I have been a triathlete for ten

0:29:42.560 --> 0:29:46.280
<v Speaker 5>years and I had a major injury in twenty seventeen,

0:29:46.840 --> 0:29:50.800
<v Speaker 5>but I still have a very active lifestyle and applying

0:29:50.840 --> 0:29:53.920
<v Speaker 5>yourselves to the things that you can do. It does

0:29:54.000 --> 0:29:57.960
<v Speaker 5>bring you a certain amount of confidence and also like

0:29:58.360 --> 0:30:00.959
<v Speaker 5>it puts you in relationship with your body in a

0:30:01.040 --> 0:30:05.600
<v Speaker 5>different way than visa via the lens of social media

0:30:05.960 --> 0:30:07.160
<v Speaker 5>or the mirror.

0:30:08.800 --> 0:30:10.080
<v Speaker 1>That is such a good point.

0:30:10.480 --> 0:30:13.200
<v Speaker 2>Yeah, So no matter what your abilities are when it

0:30:13.240 --> 0:30:16.160
<v Speaker 2>comes to your body, you can still enjoy the body

0:30:16.160 --> 0:30:18.200
<v Speaker 2>that you have and the things that it can do.

0:30:18.760 --> 0:30:20.400
<v Speaker 4>Right, So here's my pitch.

0:30:20.480 --> 0:30:26.080
<v Speaker 5>My pitch is for cultural studies and media studies education,

0:30:26.840 --> 0:30:32.000
<v Speaker 5>so that our kids, our students, our women are all

0:30:32.160 --> 0:30:37.120
<v Speaker 5>going into society with those media goggles on, they have

0:30:37.240 --> 0:30:40.360
<v Speaker 5>the tools to discern what's happening in society.

0:30:41.000 --> 0:30:44.240
<v Speaker 1>This makes me think back to Doctor Burn's Ardelino talking

0:30:44.240 --> 0:30:47.280
<v Speaker 1>about being socialized for this kind of stuff from birth,

0:30:47.320 --> 0:30:50.040
<v Speaker 1>you know, And it makes me think back to people

0:30:50.080 --> 0:30:54.400
<v Speaker 1>in my family saying sit still or sit like a lady, right,

0:30:55.240 --> 0:30:59.320
<v Speaker 1>don't wrinkle your dress, you know, don't switch your hair out,

0:30:59.600 --> 0:31:02.280
<v Speaker 1>and just you know, all of these things. Don't get

0:31:02.280 --> 0:31:06.200
<v Speaker 1>your clothes dirty, yes, all that stuff. You're just limiting yourself. Now,

0:31:06.360 --> 0:31:08.720
<v Speaker 1>somebody had to do laundry, So I understand part of.

0:31:08.640 --> 0:31:12.160
<v Speaker 2>That but but you're doing all of these things so

0:31:12.320 --> 0:31:15.280
<v Speaker 2>other people see you as nice. And I think one

0:31:15.360 --> 0:31:18.200
<v Speaker 2>of the things we didn't really talk about earlier in

0:31:18.200 --> 0:31:22.120
<v Speaker 2>the episode, but should be considered, is that we sometimes

0:31:22.120 --> 0:31:23.160
<v Speaker 2>see this in men.

0:31:23.280 --> 0:31:25.480
<v Speaker 1>Like in the gym Bros. Yeah, you're trying to get

0:31:25.520 --> 0:31:27.800
<v Speaker 1>that ultimate V shaped body.

0:31:28.440 --> 0:31:31.280
<v Speaker 2>And going to great measures that are very unhealthy to

0:31:31.320 --> 0:31:31.959
<v Speaker 2>try and get it.

0:31:32.560 --> 0:31:35.440
<v Speaker 1>Yes, I'm like, why you want to be shaped? Like

0:31:35.480 --> 0:31:38.000
<v Speaker 1>Larry the Lobster who decided that.

0:31:38.040 --> 0:31:40.440
<v Speaker 2>Was in exactly and they faced some of the same

0:31:40.560 --> 0:31:42.440
<v Speaker 2>societal pressures that women face.

0:31:42.720 --> 0:31:44.200
<v Speaker 1>It's not exactly the same.

0:31:44.240 --> 0:31:48.080
<v Speaker 2>It's different because men still have male privilege, but there's

0:31:48.160 --> 0:31:50.560
<v Speaker 2>still a lot of men that are suffering because of

0:31:50.560 --> 0:31:52.920
<v Speaker 2>social media, body image and things like that.

0:31:53.440 --> 0:31:56.440
<v Speaker 1>Yeah, And I think that just takes us right back

0:31:56.960 --> 0:31:59.320
<v Speaker 1>to this thing that you kind of started touching on

0:31:59.400 --> 0:32:04.360
<v Speaker 1>earlier tea about okay Mailgates, Yeah, yeah, yeah, right, and pressure.

0:32:05.200 --> 0:32:08.480
<v Speaker 1>But we still are existing in this society, so right,

0:32:08.840 --> 0:32:11.200
<v Speaker 1>as long as we're going to exist here, there's something

0:32:11.240 --> 0:32:15.720
<v Speaker 1>about being able to exist comfortably in our skin. I

0:32:15.720 --> 0:32:20.960
<v Speaker 1>guess I better copyright Beyonce Buovo and my skin Cozy

0:32:21.760 --> 0:32:25.360
<v Speaker 1>and shape, where in some ways can be empowering, but

0:32:25.400 --> 0:32:29.240
<v Speaker 1>it can also be limiting. And from the empowering aspect,

0:32:29.840 --> 0:32:32.520
<v Speaker 1>everybody should have access to it right absolutely, so that

0:32:32.560 --> 0:32:34.120
<v Speaker 1>you can look the way that you want to look

0:32:34.200 --> 0:32:35.920
<v Speaker 1>when you look in the mirror. I mean, you know,

0:32:35.960 --> 0:32:38.360
<v Speaker 1>we talk about this all the time. Too much of

0:32:38.400 --> 0:32:41.600
<v Speaker 1>anything can be bad. Now, if you are nipping and

0:32:41.640 --> 0:32:45.040
<v Speaker 1>tucking with spandex and lycra all the time, you may

0:32:45.080 --> 0:32:47.280
<v Speaker 1>forget or it may start to not like what your

0:32:47.280 --> 0:32:50.200
<v Speaker 1>body looks like without those things right, and that feels

0:32:50.320 --> 0:32:51.960
<v Speaker 1>very possible exactly.

0:32:52.240 --> 0:32:54.920
<v Speaker 2>And we talk to Manti Oid Harris about the effects

0:32:54.960 --> 0:32:58.560
<v Speaker 2>of social media and how body dysmorphia is now at

0:32:58.600 --> 0:33:01.320
<v Speaker 2>an all time high. It seems like because people are

0:33:01.440 --> 0:33:05.600
<v Speaker 2>using these filters and celebrities are using a lot of shapewear,

0:33:05.640 --> 0:33:07.640
<v Speaker 2>a lot of filters to make their bodies look a

0:33:07.680 --> 0:33:10.680
<v Speaker 2>certain way, but that's not actually what it is in reality,

0:33:11.080 --> 0:33:14.800
<v Speaker 2>and it all can negatively affect our perception of ourselves

0:33:15.120 --> 0:33:17.760
<v Speaker 2>because it's like, wow, how come my body doesn't look

0:33:17.800 --> 0:33:20.520
<v Speaker 2>like that? When the truth is their body doesn't look

0:33:20.600 --> 0:33:20.920
<v Speaker 2>like that.

0:33:21.320 --> 0:33:22.200
<v Speaker 1>Such a good point.

0:33:22.440 --> 0:33:24.400
<v Speaker 2>They're just doing what they want to do in order

0:33:24.440 --> 0:33:26.720
<v Speaker 2>to look the way that they want to look.

0:33:33.360 --> 0:33:35.880
<v Speaker 1>All right, it's time for one thing. This episode focused

0:33:35.920 --> 0:33:39.040
<v Speaker 1>on shapewear, and we talked about some positives and negatives

0:33:39.080 --> 0:33:42.200
<v Speaker 1>for shapewear, but the reality is people are wearing it.

0:33:42.520 --> 0:33:45.600
<v Speaker 2>Yes, So shapewear is a part of our everyday lives,

0:33:45.640 --> 0:33:48.840
<v Speaker 2>and so we really want to support shapewear that is

0:33:48.960 --> 0:33:55.280
<v Speaker 2>inclusive of everybody type, everybody's size, and of marginalized communities.

0:33:55.640 --> 0:33:58.840
<v Speaker 2>So we really recommend Yiddy and we will be adding

0:33:58.880 --> 0:34:02.200
<v Speaker 2>some more shapewear brands in the show notes, so check

0:34:02.200 --> 0:34:12.560
<v Speaker 2>it out at Dope labspodcast dot com.

0:34:12.600 --> 0:34:14.720
<v Speaker 1>All right, that's it for Lab eighty.

0:34:15.160 --> 0:34:17.799
<v Speaker 2>I want to know are y'all wearing shapewear If you are,

0:34:17.920 --> 0:34:18.879
<v Speaker 2>what's your favorite kid?

0:34:18.920 --> 0:34:20.920
<v Speaker 1>What do you like? What don't you like about it?

0:34:21.360 --> 0:34:23.680
<v Speaker 1>Call us and tell us what you thought. Call us

0:34:23.680 --> 0:34:27.440
<v Speaker 1>at two zero two five six seven seven zero two eight. Gabriella,

0:34:27.520 --> 0:34:30.640
<v Speaker 1>we got your message last week. Okay, thank you, and

0:34:30.719 --> 0:34:33.319
<v Speaker 1>so just know we aren't listening to those messages when

0:34:33.320 --> 0:34:36.359
<v Speaker 1>you do call Now, the semester is winding down, so

0:34:36.800 --> 0:34:38.520
<v Speaker 1>don't forget to call in and tell us what you

0:34:38.560 --> 0:34:41.880
<v Speaker 1>want to hear about. In our final episode of the semester,

0:34:41.880 --> 0:34:44.640
<v Speaker 1>which is gonna air on October twenty seven. Remember that's

0:34:44.640 --> 0:34:47.440
<v Speaker 1>two zero two five six seven seven zero two.

0:34:47.360 --> 0:34:49.719
<v Speaker 2>Eight, and don't forget There's so much more for you

0:34:49.760 --> 0:34:51.879
<v Speaker 2>to dig into on our website. There'll be a cheat

0:34:51.920 --> 0:34:55.279
<v Speaker 2>sheet for today's lab and additional links and resources in

0:34:55.320 --> 0:34:58.040
<v Speaker 2>the show notes. Plus, you can sign up for our newsletter.

0:34:58.360 --> 0:35:02.160
<v Speaker 2>Check it out at Dope Labs Podcast special Thanks to

0:35:02.160 --> 0:35:06.840
<v Speaker 2>today's guest expert, doctor Wendy Burns Ardolino. Her book Jiggle

0:35:07.040 --> 0:35:09.240
<v Speaker 2>is free on academia dot edu.

0:35:09.640 --> 0:35:12.839
<v Speaker 1>You can find her on Twitter at burns Ardellino, and.

0:35:12.840 --> 0:35:15.200
<v Speaker 2>You can find us on Twitter and Instagram at Dope

0:35:15.280 --> 0:35:16.160
<v Speaker 2>Lab Podcast.

0:35:16.480 --> 0:35:20.000
<v Speaker 1>Tt is on Twitter and Instagram at dr Underscore t

0:35:20.160 --> 0:35:23.040
<v Speaker 1>s h O, and you can find Zakia at z

0:35:23.360 --> 0:35:27.279
<v Speaker 1>said So. Dope Labs is a Spotify original production from

0:35:27.400 --> 0:35:31.319
<v Speaker 1>Mega Owned Media Group. Our producers are Jenny Radlettmass and

0:35:31.400 --> 0:35:35.360
<v Speaker 1>Lydia Smith of Wave Runner Studios. Our associate producer is

0:35:35.440 --> 0:35:40.080
<v Speaker 1>Caro Rolando. Editing and sound design by Rob Smerzaiak, with

0:35:40.120 --> 0:35:43.760
<v Speaker 1>additional mixing and sound design by Hannes Brown. Original music

0:35:43.840 --> 0:35:48.279
<v Speaker 1>composed and produced by Taka Yasuzawa and Alex Sugiura from

0:35:48.320 --> 0:35:53.520
<v Speaker 1>Spotify Creative producer Miguel Contreras. Special thanks to Shirley Ramos,

0:35:53.600 --> 0:35:57.960
<v Speaker 1>Jess Borison, Till krat Key and Brian Marquis, executive producers

0:35:57.960 --> 0:36:00.879
<v Speaker 1>from Mega owned Media Group rs T T Show Dia,

0:36:01.200 --> 0:36:11.720
<v Speaker 1>and Zakiah Wattley