WEBVTT - "Comedy Saved Me with Jimmy Tingle-Finding Humor for Humanity"

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<v Speaker 1>Comedy Saved Me, and so when you watch a great

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<v Speaker 1>comic on stage, you might be seeing them in this

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<v Speaker 1>video and Netflix or whatever that bit that they're doing

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<v Speaker 1>and has taken usually a year plus to develop.

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<v Speaker 2>Welcome to another episode of the Comedy Saved Me Podcast.

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<v Speaker 2>I'm your host, Lynn Hoffman and Lucky Me. Today we

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<v Speaker 2>are thrilled to welcome renowned comedian, political satirist, is it

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<v Speaker 2>satirist or satirist?

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<v Speaker 3>Not sure?

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<v Speaker 2>And social commentator Jimmy Tingle. Now With a career spanning

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<v Speaker 2>stand up, television, radio, and film, Jimmy is known for

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<v Speaker 2>his sharp wit, insightful humor, and heartfelt storytelling. From his

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<v Speaker 2>appearances on everything from Oh Sixty Minutes to The Tonight

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<v Speaker 2>Show to his acclaimed one man shows and activism, Jimmy's

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<v Speaker 2>unique comedic voice has inspired and uplifted audiences nationwide, and

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<v Speaker 2>in this episode, so we'll explore how comedy has shaped

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<v Speaker 2>his life, provided resilience through challenges, and become a tool

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<v Speaker 2>for social change. Jimmy Tingle, the man, the myth, the legend,

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<v Speaker 2>is here with us today on Comedy Save Me.

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<v Speaker 3>Welcome to the show. It's so great to have you here.

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<v Speaker 1>So great to be here, Lynn, Thanks so much for having.

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<v Speaker 3>Me, Well, thank you for being had.

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<v Speaker 2>I know I don't have a lot of time with you,

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<v Speaker 2>so I want to start off with what first drew

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<v Speaker 2>you to comedy? Was it a television show? Was it

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<v Speaker 2>an album you listened to?

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<v Speaker 3>What was it?

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<v Speaker 1>Oh? Boy, probably the funniest stuff that we heard as

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<v Speaker 1>kids where we watched The Honeymooners with the whole family,

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<v Speaker 1>you know, back with Jackie Gleason and Ott Connie and

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<v Speaker 1>the June Taylor Dances. That was a great show on

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<v Speaker 1>Sunday nights. You know that. You know, as I get older,

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<v Speaker 1>more things like oh, the movie Lenny Lenny Bruce. But

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<v Speaker 1>Dustin Hoffman was really influential set it in that live

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<v Speaker 1>when it first came on the air, you know in

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<v Speaker 1>the early seventies, and you know, watching the Tonight Show

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<v Speaker 1>with Johnny and the people that he would have on.

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<v Speaker 1>Especially in college, we had sit around the dorms and

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<v Speaker 1>we'd watch like a Saturday Live and then of course

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<v Speaker 1>the Tonight Show with Johnny and all those guests that

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<v Speaker 1>they would have on. We just had a blast watching it.

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<v Speaker 1>It was you know, it was inspiring and yeah, so

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<v Speaker 1>what really got me into it though, is when the

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<v Speaker 1>a comedy club opened up in my hometown, to my

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<v Speaker 1>neighborhood in Cambridge. It was called the ding Ho. It

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<v Speaker 1>was a Chinese restaurant slash comedy club and it opened

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<v Speaker 1>up in Cambridge and it was like two blocks from

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<v Speaker 1>my house and they were having an open mic night.

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<v Speaker 1>And one of my friends from high school, Lenny Clark,

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<v Speaker 1>also a comedian. He was hosting an open mic night

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<v Speaker 1>on Wednesday nights. And I was interested in performing, but

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<v Speaker 1>I didn't have I didn't play an instrument. Really, I

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<v Speaker 1>didn't you know, sing, But comedy was something that you

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<v Speaker 1>could do just by basically talking and telling stories and

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<v Speaker 1>jokes and stuff. So that's that was really my first

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<v Speaker 1>intro into it, the open mic nights back in like

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<v Speaker 1>seventy nine, eighty eighty one. Yeah, that's when I first started.

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<v Speaker 3>Wow. And it didn't take you long too.

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<v Speaker 2>I mean, what eighty eight was You end up on

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<v Speaker 2>the Carson Show, which is the pinnacle at that time.

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<v Speaker 2>But I need to know before that happened, when did

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<v Speaker 2>you realize it was more than just making people laugh?

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<v Speaker 2>Did you know that there was healing things involved there

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<v Speaker 2>going on?

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<v Speaker 1>Well? I knew that, you know, there were people like

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<v Speaker 1>George Colin and people like Richard Pryor. Of course, there

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<v Speaker 1>were big influences on everybody. And like I said, Lenny

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<v Speaker 1>Bruce and you know, Moresaul, those folks were using comedy laughing.

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<v Speaker 1>In the sixties and seventies, there was more true commentary

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<v Speaker 1>along with just the stand up component, you know. So

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<v Speaker 1>and my friend Barry Kremin's worked at the dingh as well.

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<v Speaker 1>He was the booker and the founder of the Dingho,

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<v Speaker 1>and he was doing political humor and I was just

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<v Speaker 1>talking about what was going on in the news. So

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<v Speaker 1>I knew that it could be it could be effective. Yeah,

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<v Speaker 1>there was. There was a track record of people who

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<v Speaker 1>admitted had used it effectively, from Will Rogers to Mark

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<v Speaker 1>Twain to like I said, Prior and Colin and Lenny

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<v Speaker 1>Bruce and Mortsol and all those folks, and of course

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<v Speaker 1>the Skitz and Saturday and that Live. You know, all

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<v Speaker 1>of those were talking about really what was going on,

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<v Speaker 1>uh in the in the society at the time, and

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<v Speaker 1>it was just it was funny and it was fun

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<v Speaker 1>to When I went to college, I studied sociology, political science, history,

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<v Speaker 1>you know, so it was fun to approach the comedy

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<v Speaker 1>with that kind of a background and that kind of

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<v Speaker 1>an insight because that because that's what I was studying

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<v Speaker 1>in school, and that's what I'm supposed to be learning about,

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<v Speaker 1>which I was very interested in, and it kind of

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<v Speaker 1>just translated into not always, but eventually it just evolved

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<v Speaker 1>into more social commentary and along with the laughs.

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<v Speaker 2>Yeah, you know, it's funny you say that about college

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<v Speaker 2>because I studied, you know, journalism and broadcasting, but for

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<v Speaker 2>some reason, I felt like I need to know how

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<v Speaker 2>to talk to people, so I took my secondary was

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<v Speaker 2>abnormal psychology, and I like got no idea how well

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<v Speaker 2>that would help me in my life moving forward.

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<v Speaker 1>You're in the right field.

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<v Speaker 2>Can you share or remember a moment when comedy helped

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<v Speaker 2>you through a difficult time in your life?

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<v Speaker 3>Does anyone time stand out to you?

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<v Speaker 1>Yeah? I mean, well, we worked in bars, and you know,

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<v Speaker 1>I was a heavy drinker, and a friend of mine said,

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<v Speaker 1>if you have a quit drinking, you know, you could

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<v Speaker 1>do really well. You could do well in comedy. And

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<v Speaker 1>you know, that was very attractive to me, the idea

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<v Speaker 1>of actually being successful in this field. But as you know,

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<v Speaker 1>and there's you know, it's it's very difficult to fulfill

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<v Speaker 1>your potential as a carmak or an actor or any field.

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<v Speaker 1>If you're a really heavy drinker at a young age,

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<v Speaker 1>it just is, it just is in the way. And

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<v Speaker 1>so it was in the way for me. It was

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<v Speaker 1>screwing up a lot of things in my life. So

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<v Speaker 1>that was the biggest thing. But when when he put

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<v Speaker 1>he connected this guy connected my comedy career to quitn't drinking,

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<v Speaker 1>that was like, that was like the magic bullet that

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<v Speaker 1>really got my attention and helped me to It helped

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<v Speaker 1>motivate me to really try very hard to quit drinking,

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<v Speaker 1>which I was able to do. So that was really

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<v Speaker 1>really good, with the help of a lot of other

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<v Speaker 1>people and you know, the higher power and everything else,

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<v Speaker 1>not just me. But so that was the comedy was

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<v Speaker 1>a real game changer like that because respect.

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<v Speaker 2>That's like an epiphany moment when someone says that to you.

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<v Speaker 3>What were you? How did you react initially?

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<v Speaker 1>Were you?

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<v Speaker 3>Were you offended?

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<v Speaker 1>It was so encouraged. No, I was encouraged. I was

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<v Speaker 1>encouraged because it's a very depressing substance. You know, if

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<v Speaker 1>you drink every day for an extended period of time,

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<v Speaker 1>you can't help. But being hungover all the time for

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<v Speaker 1>the end, hungover, I guess there's a form of depression.

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<v Speaker 1>So it was just it was kind of a darker time.

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<v Speaker 1>Even though I loved performing and being in the clubs

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<v Speaker 1>and the camaraderie and all the people that were around

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<v Speaker 1>and the audiences. That was a blast, but the hangovers

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<v Speaker 1>were a killer, you know. And and yeah, and so

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<v Speaker 1>it was like this reason, it was a really strong reason,

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<v Speaker 1>a strong motivation to try to make a real solid

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<v Speaker 1>effort to get sober. And so that's the path I

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<v Speaker 1>went down, and it's worked for the last thirty five years.

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<v Speaker 1>So so it was. But without the comedy, I don't

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<v Speaker 1>know if I would have got that incentive, you know

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<v Speaker 1>what I mean, I don't know if something else would

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<v Speaker 1>have caught my attention, maybe, but maybe not, you know.

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<v Speaker 1>So it was definitely a game changing.

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<v Speaker 2>Sounds like a great combination between a mentor someone who's

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<v Speaker 2>going to just say it straight shooter like it is

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<v Speaker 2>and what you love to do was like that perfect

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<v Speaker 2>storm that that.

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<v Speaker 1>Well he was a comic also, he was a comic,

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<v Speaker 1>and he said, you know, I'm in the business, and

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<v Speaker 1>you know, you're you're you're you're good you could be

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<v Speaker 1>really good, you know, if you so that was that

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<v Speaker 1>was a big thing.

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<v Speaker 2>In what ways do you think humor can help people

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<v Speaker 2>cope with with adversity or trauma?

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<v Speaker 3>I mean, we're in the middle of a.

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<v Speaker 2>Horrible mental health crisis of epic proportions today.

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<v Speaker 3>Yeah, how do you think that.

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<v Speaker 1>Well, I don't know if comedy alone can you know,

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<v Speaker 1>I don't know if comedy alone can you know, help people.

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<v Speaker 1>I'm sure puts you in a better mood, that's for sure.

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<v Speaker 1>I think if people were doing you know, comedy around

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<v Speaker 1>mental health issues in maybe facilities or hospitals or two

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<v Speaker 1>people who were you know, had those issues, then they

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<v Speaker 1>maybe somebody who had their own mental health issues, you know,

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<v Speaker 1>is doing comedy around those issues. That can definitely help.

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<v Speaker 1>I mean, there's a common friend of mine, Gary Gullman,

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<v Speaker 1>who you know, had severe depression and talks about it

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<v Speaker 1>on stage and did a one person show about it

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<v Speaker 1>called The Great Depression. It's a great special, but he

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<v Speaker 1>addresses depression on stage, and I know that thousands of

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<v Speaker 1>people have reached out to him about that issue and

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<v Speaker 1>their personal challenges with that. So in that sense, it

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<v Speaker 1>can help. It can because you're communicating with people. The comedy,

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<v Speaker 1>you're communicating with people, but the laughter itself is it's

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<v Speaker 1>going to be more than laugh. It's got to be

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<v Speaker 1>the follow up and the work that is involved, whether

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<v Speaker 1>it's getting sober or whatever it is. You know, mental

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<v Speaker 1>health issues are getting help, you know, but it can

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<v Speaker 1>be a motivated because it's fun. It's fun to listen to,

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<v Speaker 1>it's fun to laugh at, and it's fun to know

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<v Speaker 1>that you're not alone.

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<v Speaker 2>Right there, right right there, It's fun to know you're

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<v Speaker 2>not alone.

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<v Speaker 3>I mean that, that's huge.

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<v Speaker 1>Yeah, And because it's obviously a communication medium, you're telling people,

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<v Speaker 1>and he was doing that part of his story. I

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<v Speaker 1>do some of that in my in my shows and

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<v Speaker 1>people respond because, like you said, it is a it's

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<v Speaker 1>a national epidemic, the mental health issue, and so is

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<v Speaker 1>the addiction and the you know, whether it's alcohol or

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<v Speaker 1>drugs or whatever it is.

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<v Speaker 4>You know, you'll be right back with more of the

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<v Speaker 4>Comedy Save Me Podcast. Come back to the Comedy Saved

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<v Speaker 4>Me Podcast.

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<v Speaker 2>I want to talk to you a bit about your

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<v Speaker 2>craft and your process. I want to say a few

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<v Speaker 2>years back, maybe in the two thousands, what do they

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<v Speaker 2>call them, the aughts now, or something. Yeah, the early

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<v Speaker 2>two thousand, I was fortunate enough to know someone who

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<v Speaker 2>took me to Joan Rivers at the cutting room where

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<v Speaker 2>I found out when I got there was this little

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<v Speaker 2>room in the back where she would test out all

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<v Speaker 2>her material and she would just put these big like

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<v Speaker 2>she'd write her jokes and throw them on the floor

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<v Speaker 2>so she could see them on the stage floor.

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<v Speaker 3>What you want?

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<v Speaker 2>I had no idea, That's what I was going to see.

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<v Speaker 2>What is your process about writing new material and testing

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<v Speaker 2>it out on your audiences, especially if you're dealing with

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<v Speaker 2>things you know of a serious or political topics where

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<v Speaker 2>you really have to be extra creative.

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<v Speaker 1>Well, I wish I was as organized as Joan Rivers,

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<v Speaker 1>and I have a little place to go with big

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<v Speaker 1>It's it's really trial and error. You know. You get

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<v Speaker 1>an idea, you write it down sometimes just in your head,

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<v Speaker 1>and you present it to people. And my process is

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<v Speaker 1>basically I'm much more of an oral I don't you know.

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<v Speaker 1>Some folks write it down in every word and it's

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<v Speaker 1>perfectly and they memorize it. And again, I'm just I've

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<v Speaker 1>never been that disciplined in that organized to write it

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<v Speaker 1>down to that extent. Although I'm a big fan of

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<v Speaker 1>people who do, and it's good to hear that that

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<v Speaker 1>Jo Homa was doing that. But I write a set list,

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<v Speaker 1>and I have ideas and I present them to a

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<v Speaker 1>live audience. And the thing is, you don't know really

0:12:36.920 --> 0:12:39.439
<v Speaker 1>if something's going to work until you do it. It's

0:12:39.480 --> 0:12:42.920
<v Speaker 1>the only way to tell. It sounds great on paper, right,

0:12:43.200 --> 0:12:47.360
<v Speaker 1>it sounds good on paper, but it depends on you know,

0:12:48.040 --> 0:12:51.520
<v Speaker 1>how the audience reacts, and also having a safe place

0:12:51.600 --> 0:12:54.960
<v Speaker 1>to do it, having places that you can do it,

0:12:55.040 --> 0:12:57.760
<v Speaker 1>because you have to fail. You have to fail, and

0:12:57.800 --> 0:13:00.840
<v Speaker 1>that's part of the process in terms of just presenting

0:13:00.960 --> 0:13:04.000
<v Speaker 1>new material. And that's that no one likes to fail.

0:13:04.120 --> 0:13:05.680
<v Speaker 1>Nobody likes to be in front of a bunch of

0:13:05.720 --> 0:13:08.839
<v Speaker 1>people with a great idea go and they do it

0:13:08.880 --> 0:13:13.960
<v Speaker 1>and nothing. It's like, it's embarrassing, happened, But it's part

0:13:13.960 --> 0:13:14.679
<v Speaker 1>of the process.

0:13:14.960 --> 0:13:17.160
<v Speaker 2>Has that happened to you? And if it has, Oh,

0:13:17.600 --> 0:13:19.840
<v Speaker 2>how how do you handle that with an audience?

0:13:19.840 --> 0:13:23.240
<v Speaker 1>You just keep going, You just keep going. Yeah, yeah,

0:13:23.400 --> 0:13:27.920
<v Speaker 1>you keep going. These days, I record most of my

0:13:28.000 --> 0:13:29.959
<v Speaker 1>sets and I can listen to them and see what

0:13:30.040 --> 0:13:33.839
<v Speaker 1>worked and what didn't, and you know, it's got I've

0:13:33.840 --> 0:13:37.280
<v Speaker 1>gotten much better and much more disciplined as if you know,

0:13:37.400 --> 0:13:40.800
<v Speaker 1>evolved as a comic. But in the early days, you know,

0:13:41.480 --> 0:13:46.160
<v Speaker 1>the nobody was video video and everything, and nobody had

0:13:46.240 --> 0:13:49.560
<v Speaker 1>not everybody had, you know, a phone with a you know,

0:13:49.600 --> 0:13:52.120
<v Speaker 1>you couldn't just record yourself and your phone, so it

0:13:52.200 --> 0:13:55.680
<v Speaker 1>was much more memory. That's how it basically was for me, notebook,

0:13:56.080 --> 0:13:59.800
<v Speaker 1>trying to memorize it and remembering, well, how the audience reacted.

0:14:00.120 --> 0:14:03.080
<v Speaker 1>That's really how it was in the early days for

0:14:03.160 --> 0:14:05.560
<v Speaker 1>me anyway. But I would record some of my sets,

0:14:05.600 --> 0:14:09.720
<v Speaker 1>not all of them, but you know, enough to enough

0:14:09.720 --> 0:14:13.760
<v Speaker 1>to remember how they worked and if they didn't work.

0:14:14.160 --> 0:14:16.679
<v Speaker 2>Yeah, And did you ever have an issue with an

0:14:16.720 --> 0:14:18.760
<v Speaker 2>audience member or anyone that you had to kind of

0:14:18.760 --> 0:14:21.880
<v Speaker 2>handle live in the room. I'm just curious how you

0:14:21.920 --> 0:14:23.160
<v Speaker 2>would deal with that.

0:14:23.640 --> 0:14:27.080
<v Speaker 1>Oh yeah, I mean some people are better than others.

0:14:27.120 --> 0:14:30.480
<v Speaker 1>Some people talk to the audience and you know, want

0:14:30.560 --> 0:14:34.520
<v Speaker 1>to solicit back and forth, and that was never my style.

0:14:34.800 --> 0:14:36.160
<v Speaker 1>I just go up there and go this is what

0:14:36.200 --> 0:14:38.960
<v Speaker 1>I've been thinking about, boom, and just do it. And

0:14:39.040 --> 0:14:43.680
<v Speaker 1>occasionally people get upset or talk back or whatever. I

0:14:43.760 --> 0:14:46.680
<v Speaker 1>tend to ignore them more than engage with them. Honestly,

0:14:47.280 --> 0:14:50.320
<v Speaker 1>you know it's not it's my style. I don't want to.

0:14:50.680 --> 0:14:54.040
<v Speaker 1>I'm not. Nobody's there to hear that person hit what

0:14:54.080 --> 0:14:57.840
<v Speaker 1>I got to say and my comedy, and so that's

0:14:57.880 --> 0:14:59.640
<v Speaker 1>what I stick to pretty much.

0:15:00.000 --> 0:15:00.600
<v Speaker 3>That's incredible.

0:15:00.640 --> 0:15:02.600
<v Speaker 2>First of all, the fact that you don't write them

0:15:02.640 --> 0:15:05.280
<v Speaker 2>down and that it's from memory is amazing to me.

0:15:06.120 --> 0:15:09.920
<v Speaker 1>Well, you know, I write a set list like, this

0:15:09.960 --> 0:15:11.320
<v Speaker 1>is what I'm going to do here, This is what

0:15:11.400 --> 0:15:14.400
<v Speaker 1>I'm going to do here. This will bullet points, Yeah,

0:15:14.480 --> 0:15:19.680
<v Speaker 1>bullet points exactly exactly, and and then and do the bits.

0:15:19.760 --> 0:15:21.280
<v Speaker 1>And a lot of them are tried and true, and

0:15:21.320 --> 0:15:23.320
<v Speaker 1>you know they're going to work because you've spente them

0:15:23.320 --> 0:15:26.000
<v Speaker 1>a hundred times. Other ones are new and the only

0:15:26.040 --> 0:15:28.040
<v Speaker 1>way to work it is to just keep saying it

0:15:28.400 --> 0:15:30.760
<v Speaker 1>and doing it. And I mean then you listen to

0:15:30.800 --> 0:15:33.520
<v Speaker 1>the tape and change the word here. Change is set

0:15:33.560 --> 0:15:36.400
<v Speaker 1>up there. So much of it is how you say it,

0:15:36.560 --> 0:15:39.320
<v Speaker 1>when you say it in the show. You know what

0:15:39.360 --> 0:15:42.720
<v Speaker 1>you open with, what you close with, which lines are

0:15:42.760 --> 0:15:45.040
<v Speaker 1>the funniest, How it builds. I mean, there's a lot

0:15:45.040 --> 0:15:47.320
<v Speaker 1>that goes into it. And so when you watch a

0:15:47.320 --> 0:15:50.560
<v Speaker 1>great comic on stage. You might be seeing them in

0:15:50.600 --> 0:15:55.120
<v Speaker 1>this video and Netflix or whatever that bit that they're

0:15:55.160 --> 0:15:58.480
<v Speaker 1>doing and has taken, you know, usually a year plus

0:15:58.520 --> 0:16:01.560
<v Speaker 1>to develop, and the only way to do it is

0:16:01.680 --> 0:16:02.920
<v Speaker 1>over and over and over again.

0:16:03.200 --> 0:16:06.000
<v Speaker 2>Yeah, is there anything you're working on right now that

0:16:06.080 --> 0:16:07.240
<v Speaker 2>you want to test out on me?

0:16:08.200 --> 0:16:08.880
<v Speaker 3>I don't know why.

0:16:08.960 --> 0:16:11.760
<v Speaker 2>I just wanted to ask you that I want to

0:16:11.760 --> 0:16:13.479
<v Speaker 2>be the first to hear something.

0:16:15.360 --> 0:16:18.560
<v Speaker 1>Not really, No, I don't have anything right now.

0:16:18.760 --> 0:16:19.480
<v Speaker 3>I just three on this.

0:16:19.520 --> 0:16:20.440
<v Speaker 1>Thank you for asking.

0:16:21.680 --> 0:16:23.800
<v Speaker 2>I've been told that I'm a good audience, so when

0:16:23.840 --> 0:16:27.040
<v Speaker 2>the urged strikes, call me anytime, I'm a good audience.

0:16:27.640 --> 0:16:31.080
<v Speaker 2>In what ways do you see comedy as a force

0:16:31.360 --> 0:16:34.560
<v Speaker 2>for social good and activism? Because I do know that

0:16:34.640 --> 0:16:37.160
<v Speaker 2>I saw and I'm pretty sure I saw this that

0:16:37.280 --> 0:16:41.880
<v Speaker 2>you literally ran for lieutenant governor of Massachusetts, which I

0:16:41.960 --> 0:16:44.600
<v Speaker 2>think is amazing in and of itself.

0:16:45.200 --> 0:16:49.440
<v Speaker 1>Yeah, well, thank you, and I did. And the reason

0:16:49.640 --> 0:16:54.680
<v Speaker 1>is is because going back to entertainment, entertainment like what

0:16:54.800 --> 0:16:59.880
<v Speaker 1>John stewartt did with the with the firefighters and getting

0:16:59.880 --> 0:17:02.880
<v Speaker 1>the treatment and the healthcare that they deserved the people

0:17:02.880 --> 0:17:06.600
<v Speaker 1>who were injured because of the chemicals, right, and getting

0:17:06.640 --> 0:17:10.119
<v Speaker 1>that and bringing that before Congress, and all the hard

0:17:10.160 --> 0:17:13.439
<v Speaker 1>work that went into that was the result of the

0:17:13.480 --> 0:17:17.440
<v Speaker 1>hard work behind the scenes. It wasn't the result of

0:17:16.960 --> 0:17:22.240
<v Speaker 1>the jokes necessarily, but his career as a comic and

0:17:22.920 --> 0:17:26.520
<v Speaker 1>the platform that he has allows him to draw attention

0:17:26.960 --> 0:17:31.000
<v Speaker 1>to these issues. But the real change is the people

0:17:31.040 --> 0:17:35.280
<v Speaker 1>in Congress writing you, writing the bills and enacting them

0:17:35.520 --> 0:17:40.080
<v Speaker 1>and motivating people and getting people on board to actually

0:17:40.240 --> 0:17:43.199
<v Speaker 1>change the law. So it's a combination of both. The

0:17:43.200 --> 0:17:45.719
<v Speaker 1>reason I ran for Lieutenant governor, one of the biggest

0:17:45.760 --> 0:17:50.119
<v Speaker 1>reasons was around the substance abuse issue in Massachusetts, and

0:17:52.280 --> 0:17:57.480
<v Speaker 1>I know that that comedy can do a certain amount. Again,

0:17:57.720 --> 0:18:01.040
<v Speaker 1>give you the platform, tell the jokes, reach the two

0:18:01.119 --> 0:18:03.720
<v Speaker 1>hundred people in front of you or how many people

0:18:03.720 --> 0:18:07.760
<v Speaker 1>are watching on television, But the real work is in

0:18:07.800 --> 0:18:11.520
<v Speaker 1>the legislature and in the public. You know, the public

0:18:11.560 --> 0:18:14.800
<v Speaker 1>awareness and the pressure on the legislature and the pressure

0:18:14.840 --> 0:18:17.679
<v Speaker 1>on the politicians, and that's where the real change comes.

0:18:17.960 --> 0:18:22.000
<v Speaker 1>Where whatever the issue is, you can have cultural awareness

0:18:22.160 --> 0:18:27.200
<v Speaker 1>through comedy and cultural awareness through entertainment. But entertainment by

0:18:27.240 --> 0:18:30.320
<v Speaker 1>itself is just a means to a lodger end. If

0:18:30.359 --> 0:18:33.120
<v Speaker 1>you're trying to use it for those ends. For example,

0:18:33.240 --> 0:18:37.960
<v Speaker 1>I started an organization of social enterprise called Humor for Humanity,

0:18:38.359 --> 0:18:42.160
<v Speaker 1>and our mission statement is Humor for Humanity more than entertainment,

0:18:42.600 --> 0:18:47.160
<v Speaker 1>raising spirits, funds and awareness for nonprofits, charities and social causes.

0:18:47.240 --> 0:18:51.199
<v Speaker 1>Our mission is your mission Humor for Humanity, humor and

0:18:51.240 --> 0:18:55.640
<v Speaker 1>helping humor in healing, humor and hope. Ha ha ha.

0:18:56.000 --> 0:19:00.160
<v Speaker 1>And because of this organization, what I do is I

0:19:00.160 --> 0:19:04.120
<v Speaker 1>I love comedy. I try to use not every night,

0:19:04.200 --> 0:19:06.560
<v Speaker 1>but a lot of the time I'm using. I'm doing

0:19:06.600 --> 0:19:10.359
<v Speaker 1>fundraisers basically for non profits, and I EMC and I

0:19:10.440 --> 0:19:14.040
<v Speaker 1>perform and I can do the auctions and help raise money.

0:19:14.080 --> 0:19:16.000
<v Speaker 1>And we've raised a lot of money over the last

0:19:16.040 --> 0:19:20.400
<v Speaker 1>ten fifteen years for organizations. So it's not the comedy.

0:19:20.480 --> 0:19:23.719
<v Speaker 1>The comedy is one component of the fundraiser, but the

0:19:23.760 --> 0:19:27.360
<v Speaker 1>fundraiser and the nonprofit that's doing the work, whether it's

0:19:27.400 --> 0:19:33.000
<v Speaker 1>around you know, child development or subst abuse, or rehabs

0:19:33.240 --> 0:19:36.520
<v Speaker 1>or treatment centers are any of that type of thing.

0:19:36.920 --> 0:19:40.000
<v Speaker 1>It's the people on the ground doing the work in

0:19:40.080 --> 0:19:43.000
<v Speaker 1>the trenches that are really changing things. But the comedy

0:19:43.080 --> 0:19:45.800
<v Speaker 1>is a great gift and a great entree into that

0:19:47.080 --> 0:19:50.399
<v Speaker 1>In terms of an entertaining component to do our attention

0:19:50.560 --> 0:19:55.160
<v Speaker 1>to that particular issue in that particular nonprofit. So that's

0:19:55.200 --> 0:19:56.439
<v Speaker 1>been a lot of fun doing that.

0:19:56.640 --> 0:19:59.280
<v Speaker 3>What better way? Did you enjoy the process at all?

0:19:59.440 --> 0:20:00.199
<v Speaker 3>Or was it?

0:20:00.280 --> 0:20:02.440
<v Speaker 2>Was it more grueling than you thought it would be

0:20:02.720 --> 0:20:04.920
<v Speaker 2>even though you bring such money purpose?

0:20:05.160 --> 0:20:05.440
<v Speaker 3>Yeah?

0:20:05.760 --> 0:20:10.320
<v Speaker 1>Yeah, oh the process is pretty grueling. Did I enjoy it?

0:20:10.359 --> 0:20:13.000
<v Speaker 1>I loved meeting the people. I loved, you know, being

0:20:13.000 --> 0:20:16.840
<v Speaker 1>on the stump. I don't know if I enjoyed it

0:20:16.880 --> 0:20:21.639
<v Speaker 1>as much as I enjoyed doing the Humor for Humanity,

0:20:21.800 --> 0:20:25.200
<v Speaker 1>Because the Humor for Humanity, I just have more freedom.

0:20:25.320 --> 0:20:30.040
<v Speaker 1>There's direct there's the direct effect with the with the nonprofits.

0:20:30.720 --> 0:20:34.040
<v Speaker 1>And if they raise you know, one hundred thousand dollars,

0:20:34.080 --> 0:20:37.120
<v Speaker 1>it's a big deal. You know, it's especially the smaller

0:20:37.119 --> 0:20:39.840
<v Speaker 1>one to some of the events we've done. I've raised

0:20:39.880 --> 0:20:42.399
<v Speaker 1>a lot of money for large hospitals. They've raised you know,

0:20:42.440 --> 0:20:45.919
<v Speaker 1>a million where I was the MC and the auctioneer.

0:20:45.960 --> 0:20:49.399
<v Speaker 1>But most of them are on the smaller end of

0:20:49.720 --> 0:20:52.720
<v Speaker 1>you know, moderate nonprofits, and they have they don't they

0:20:52.760 --> 0:20:56.879
<v Speaker 1>have budgets aren't huge. So fifty thousand dollars here and

0:20:56.880 --> 0:20:59.879
<v Speaker 1>one hundred thousand dollars there or twenty thousand dollars here.

0:21:00.119 --> 0:21:02.840
<v Speaker 1>That's a big deal and it helps them so and

0:21:03.160 --> 0:21:04.160
<v Speaker 1>that's what I like to do.

0:21:04.800 --> 0:21:05.000
<v Speaker 4>Well.

0:21:05.040 --> 0:21:06.720
<v Speaker 2>I think it's amazing, and I also think it's so

0:21:07.520 --> 0:21:12.159
<v Speaker 2>selfless of you to have had the cajones to do it.

0:21:12.400 --> 0:21:13.080
<v Speaker 3>To begin with.

0:21:13.240 --> 0:21:17.240
<v Speaker 2>Like, you know, I really I really applaud your efforts

0:21:17.280 --> 0:21:19.840
<v Speaker 2>on that, and I think it's amazing because basically, at

0:21:19.840 --> 0:21:22.600
<v Speaker 2>the core, you just want to help others, and I

0:21:22.600 --> 0:21:23.960
<v Speaker 2>think that's such an amazing thing.

0:21:24.440 --> 0:21:28.560
<v Speaker 1>Yeah, but running for office is like that's that's a job.

0:21:28.640 --> 0:21:32.200
<v Speaker 1>And in the human humidity is a job too. I mean,

0:21:32.480 --> 0:21:34.800
<v Speaker 1>you know, it's part of my business, is what I do.

0:21:35.440 --> 0:21:39.000
<v Speaker 1>But it serves the most purposes like a public servants.

0:21:39.520 --> 0:21:43.160
<v Speaker 1>You know, people get paid for running for well, if

0:21:43.200 --> 0:21:46.399
<v Speaker 1>you get elected, you get a salary. And same thing

0:21:46.440 --> 0:21:49.080
<v Speaker 1>with humor for humanity. But it's the it's way, your

0:21:49.119 --> 0:21:52.000
<v Speaker 1>passion is. That's how people come up with material. Usually

0:21:52.240 --> 0:21:54.160
<v Speaker 1>what are they passionate about? And that's what you see

0:21:54.200 --> 0:21:57.280
<v Speaker 1>them talking about on stage or on TV. You know,

0:21:57.320 --> 0:22:01.200
<v Speaker 1>what are they passion what? What motivates you to write

0:22:01.280 --> 0:22:03.840
<v Speaker 1>material or come up with this or even want to

0:22:03.880 --> 0:22:05.439
<v Speaker 1>be in public talking about it.

0:22:06.040 --> 0:22:08.760
<v Speaker 2>Well, speaking of passion. Looking back, now that you have

0:22:08.840 --> 0:22:11.400
<v Speaker 2>a little bit of a hindsight, how would you say

0:22:11.440 --> 0:22:14.720
<v Speaker 2>comedy has changed you as a person or shaped you

0:22:14.800 --> 0:22:15.479
<v Speaker 2>as a person?

0:22:18.280 --> 0:22:22.640
<v Speaker 1>Well, it gives you a great sense of it's empowering.

0:22:23.320 --> 0:22:26.920
<v Speaker 1>It's empowering to think of something. I have an idea

0:22:27.200 --> 0:22:29.880
<v Speaker 1>and present it to people and you get an immediate

0:22:29.920 --> 0:22:33.040
<v Speaker 1>reaction and like that was a good idea. All these

0:22:33.040 --> 0:22:35.960
<v Speaker 1>people like that. I want to do that again, you know,

0:22:37.280 --> 0:22:40.719
<v Speaker 1>And so it builds it can when you you know,

0:22:40.800 --> 0:22:43.040
<v Speaker 1>the more you do it and the more successful you become,

0:22:43.320 --> 0:22:46.000
<v Speaker 1>it builds confidence. It builds a sense of that you

0:22:46.040 --> 0:22:49.680
<v Speaker 1>can do things. You can you have You're not powerless

0:22:50.119 --> 0:22:53.440
<v Speaker 1>in the world. You have a voice. People listen, people

0:22:53.600 --> 0:22:56.040
<v Speaker 1>enjoy it. You can make a living at it. And

0:22:56.119 --> 0:22:59.520
<v Speaker 1>so in that respect, it's been pretty amazing because I

0:22:59.560 --> 0:23:02.879
<v Speaker 1>never thought I would be doing this when I was

0:23:03.080 --> 0:23:06.600
<v Speaker 1>growing up. You know, there was it wasn't as common

0:23:06.720 --> 0:23:09.639
<v Speaker 1>as it is now. You know, so well.

0:23:09.520 --> 0:23:12.600
<v Speaker 3>Everyone has a studio at their house now.

0:23:13.160 --> 0:23:17.240
<v Speaker 1>Exactly exactly so. But it's I mean, I was able

0:23:17.280 --> 0:23:19.120
<v Speaker 1>to go back to school, I was able to run

0:23:19.160 --> 0:23:21.760
<v Speaker 1>for office, I was able to do a lot of

0:23:22.040 --> 0:23:24.840
<v Speaker 1>different things in my life. Travel all over the world.

0:23:25.920 --> 0:23:30.080
<v Speaker 1>It broadens your perspective. You meet new people, uh, you know,

0:23:30.200 --> 0:23:32.800
<v Speaker 1>get to live in New York and LA at different times,

0:23:32.840 --> 0:23:36.520
<v Speaker 1>and travel and so it's broadened my perspective of the

0:23:36.560 --> 0:23:40.720
<v Speaker 1>world tremendously, especially trying to keep up with politics on

0:23:40.760 --> 0:23:42.960
<v Speaker 1>what's going on in the world. That it's kind of

0:23:42.960 --> 0:23:46.160
<v Speaker 1>like your job, you know, and.

0:23:45.640 --> 0:23:46.520
<v Speaker 3>Your exact job.

0:23:47.480 --> 0:23:50.000
<v Speaker 2>How does that feel to you, though, when when you've

0:23:50.000 --> 0:23:52.479
<v Speaker 2>made a difference in someone else's life.

0:23:52.960 --> 0:23:56.639
<v Speaker 1>Oh, it's great. It's a great feeling. It's a great feeling,

0:23:57.119 --> 0:23:59.360
<v Speaker 1>you know. I was on the I did a show

0:23:59.480 --> 0:24:04.480
<v Speaker 1>last night, and one of the things is, you know,

0:24:04.600 --> 0:24:07.800
<v Speaker 1>I have my own political opinions, and I'm on the

0:24:07.840 --> 0:24:12.120
<v Speaker 1>Democratic side of the ile generally speaking, that's I've been

0:24:12.240 --> 0:24:15.520
<v Speaker 1>a lifelong Democrat. But I say in the audience, I

0:24:15.560 --> 0:24:17.960
<v Speaker 1>say to the Trump supporters, I said, you guys won,

0:24:18.119 --> 0:24:22.160
<v Speaker 1>Let's see what happens. And I tell a story about

0:24:22.280 --> 0:24:26.560
<v Speaker 1>how to react after your side of the ile losers,

0:24:27.119 --> 0:24:31.119
<v Speaker 1>and and my friends. I have friends that are the

0:24:31.280 --> 0:24:34.520
<v Speaker 1>Trump is They you know, they that's the that's what

0:24:34.560 --> 0:24:37.639
<v Speaker 1>they like, and that's what they voted for. And I

0:24:37.680 --> 0:24:39.520
<v Speaker 1>said how am I going to react to these guys?

0:24:39.560 --> 0:24:42.399
<v Speaker 1>And I said, how about just saying congratulations? So when

0:24:42.440 --> 0:24:45.080
<v Speaker 1>I saw them, I just said, hey, man, you guys

0:24:45.240 --> 0:24:50.080
<v Speaker 1>you won. Congratulations. Two on two occasions, this guy lit up.

0:24:50.080 --> 0:24:53.000
<v Speaker 1>He goes, Jimmy, thank you. I appreciate it. And our

0:24:53.280 --> 0:24:56.359
<v Speaker 1>kind of relationship went to a different level because he

0:24:56.400 --> 0:25:00.400
<v Speaker 1>felt heard, he felt respected, and he felt like it's

0:25:00.440 --> 0:25:02.719
<v Speaker 1>like having a good game, a hot fought, you know,

0:25:03.280 --> 0:25:07.959
<v Speaker 1>basketball game or sporting events. Yeah, you shake hands and

0:25:08.000 --> 0:25:10.800
<v Speaker 1>you're you know, good game, man, you guys won. It

0:25:10.880 --> 0:25:13.000
<v Speaker 1>got three hits. Good for you. I mean, that's how

0:25:13.040 --> 0:25:15.480
<v Speaker 1>it was. And it did that on a couple of occasions.

0:25:15.880 --> 0:25:19.159
<v Speaker 1>It was just it put the relationship on a different level.

0:25:19.800 --> 0:25:22.280
<v Speaker 1>So it's not a big thing, and it's not even

0:25:23.600 --> 0:25:26.720
<v Speaker 1>so much of a comedy thing, but you're affecting somebody

0:25:26.800 --> 0:25:30.040
<v Speaker 1>the way you act off stage as well as on stage,

0:25:30.320 --> 0:25:33.520
<v Speaker 1>and that's really effective. And of course, when you when

0:25:33.560 --> 0:25:38.200
<v Speaker 1>you do something that changes people or helps them with

0:25:38.600 --> 0:25:42.679
<v Speaker 1>whatever it is the mental illness issues or the recovery issues,

0:25:42.800 --> 0:25:46.600
<v Speaker 1>or raising money for their charity or their school, or

0:25:46.640 --> 0:25:51.000
<v Speaker 1>we did one for the school down the street and

0:25:51.080 --> 0:25:53.399
<v Speaker 1>they raised a lot of money. They were thrilled. They

0:25:53.440 --> 0:25:57.520
<v Speaker 1>were thrilled the relatively small nonprofit and they were just

0:25:57.920 --> 0:26:00.240
<v Speaker 1>a static over it, you know. And it wasn't even

0:26:00.800 --> 0:26:03.600
<v Speaker 1>millions of dollars. It was a fair amount of money

0:26:03.640 --> 0:26:05.600
<v Speaker 1>for that school and it meant a lot to them.

0:26:06.040 --> 0:26:09.200
<v Speaker 1>And it's like, you're actually putting your ideas and your

0:26:09.240 --> 0:26:12.440
<v Speaker 1>actions where you're I mean, you're putting your actions where

0:26:12.480 --> 0:26:16.320
<v Speaker 1>your ideas are and where your values. And comedies allowed

0:26:16.320 --> 0:26:20.160
<v Speaker 1>me to do that, whether it's the jokes or off

0:26:20.200 --> 0:26:24.159
<v Speaker 1>stage or in the service of the performance for something

0:26:25.160 --> 0:26:27.040
<v Speaker 1>other than yourself purely.

0:26:27.320 --> 0:26:34.080
<v Speaker 2>Well, Jimmy Tingle, leading by example literally and figuratively. I

0:26:34.240 --> 0:26:36.919
<v Speaker 2>love I love all that you are doing, and I

0:26:36.960 --> 0:26:39.520
<v Speaker 2>love that you stop by to share that with us,

0:26:39.560 --> 0:26:42.280
<v Speaker 2>because I think it's important. Your angle on life in

0:26:42.280 --> 0:26:45.880
<v Speaker 2>general is such a great and unique take that people

0:26:45.960 --> 0:26:47.040
<v Speaker 2>need to hear more of it.

0:26:47.240 --> 0:26:50.359
<v Speaker 1>I think, well, thank you, it's very kind of you.

0:26:50.400 --> 0:26:52.280
<v Speaker 1>Just say Lynn, I appreciate it.

0:26:52.359 --> 0:26:54.960
<v Speaker 2>Thank you, And before you go the real quickly, are

0:26:55.000 --> 0:26:56.960
<v Speaker 2>there any projects that you're working on besides what we

0:26:57.040 --> 0:27:00.440
<v Speaker 2>discussed and what's next where people can see you all

0:27:00.480 --> 0:27:01.320
<v Speaker 2>that fun stuff?

0:27:01.520 --> 0:27:04.119
<v Speaker 1>Sure? Well, I have a film out. It's called Jimmy

0:27:04.160 --> 0:27:07.360
<v Speaker 1>Tingle The Radical Middle Why would a comedian run for office?

0:27:07.560 --> 0:27:10.840
<v Speaker 1>It's on my website Jimmy Tingle dot com so people

0:27:10.840 --> 0:27:13.880
<v Speaker 1>can watch that for free, ladies and gentlemen for free.

0:27:14.480 --> 0:27:16.960
<v Speaker 1>And on my website, I have all my show dates

0:27:16.960 --> 0:27:19.640
<v Speaker 1>coming up. I'm gonna be a Mortha's Vineyard and Nantucket

0:27:19.680 --> 0:27:23.000
<v Speaker 1>in August and cartul At Center for the Arts and

0:27:23.000 --> 0:27:26.680
<v Speaker 1>on the second and shows in September and all for

0:27:26.840 --> 0:27:29.560
<v Speaker 1>the rest of the year. So Jimmy Tingle dot com.

0:27:29.600 --> 0:27:34.280
<v Speaker 1>You can follow me on Instagram at Jimmy Tingle humor

0:27:35.200 --> 0:27:37.399
<v Speaker 1>get some funny clips up there. I think you'll get

0:27:37.440 --> 0:27:40.520
<v Speaker 1>a big kick out of But thanks again for having

0:27:40.560 --> 0:27:42.359
<v Speaker 1>me Lynn, And they can always find me there and

0:27:42.440 --> 0:27:45.040
<v Speaker 1>sign up on my newsletter and I'll keep you in

0:27:45.080 --> 0:27:46.840
<v Speaker 1>touch and informed about what we're doing.

0:27:47.000 --> 0:27:49.159
<v Speaker 3>Yeah, find out why he got the last name Tingle,

0:27:50.440 --> 0:27:50.920
<v Speaker 3>That is.

0:27:50.840 --> 0:27:51.560
<v Speaker 1>My real name.

0:27:52.320 --> 0:27:55.879
<v Speaker 3>That's awesome. Thank you so much for being on a Comiday.

0:27:55.920 --> 0:27:56.199
<v Speaker 1>Thank you