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Speaker 1: I am all in.

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Speaker 2: I am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. iHeartRadio

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Speaker 1: one eleven productions. iHeartMedia, iHeart podcast, iHeart dish soap. iHeart

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Speaker 1: all kinds of things. You know, iheart's getting into all

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Speaker 1: kinds of durs. Anyway, we are gonna break down episode fifteen,

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Speaker 1: Season six eight, Vineyard Vallance. I have a controversial take,

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Speaker 1: and I am joined by my controversial yet intrepid crew

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Speaker 1: led by terror Suit Susanne French, Amy Sugarman. Welcome, ladies.

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Speaker 1: What is your controversial take?

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Speaker 3: Oh you want me to tell you now?

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Speaker 1: I too well, So we have a lot to talk about.

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Speaker 3: But I'll tell you this. Half the episode I loved

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Speaker 3: and half the episode I thought was stupid.

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Speaker 4: Okay, I feel like it's fair.

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Speaker 3: Yeah, like the We'll get into it, but first, I

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Speaker 3: have not gotten your tickets. I am all in live.

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Speaker 3: Oh man, it is. We are getting close to sold out.

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Speaker 3: There are some tickets left. There's tickets for the stream.

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Speaker 3: If you cannot be in La, obviously get your tickets

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Speaker 3: at the stream. If you can be in LA. I

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Speaker 3: really I'm actually excited about this. Scott's going to be there,

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Speaker 3: We have all those amazing cast members that are going

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Speaker 3: to be there, and it's very intimate venue, so like

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Speaker 3: we're doing a full Q and A and you're really

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Speaker 3: going to have the opportunity to ask all those people questions.

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Speaker 3: But it will be snowing. We have Doci's Market, We

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Speaker 3: have all the things, and we just added like, you know, look,

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Speaker 3: I understand tickets are expensive, right, and I want people

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Speaker 3: to feel like they're getting a lot of value for

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Speaker 3: that money. We have in the back lot, so it's

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Speaker 3: on the studio lot, like it's super cool. Where the

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Speaker 3: theater is a Luke's Diner food truck.

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Speaker 1: Oh oh, I was hoping that was going to come

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Speaker 1: through a Luke's Diner food truck. And who's panning that truck?

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Speaker 3: You will see when you're there, it's going to be

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Speaker 3: And we have a Luke's Diner coffee cart in the venue.

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Speaker 3: So like for people listening, like you get a lot

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Speaker 3: of bang for your buck, right, Like, I get it,

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Speaker 3: it's expensive, but you're getting the show, you're getting dinner,

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Speaker 3: you're getting you know. We obviously have Dosi's Market that

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Speaker 3: has concessions for sale, but like everybody gets, you know,

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Speaker 3: some real cool perks with their ticket.

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Speaker 1: A tad pricey, but there's a reason for that. We're

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Speaker 1: not trying to gouge people's amy Amy can provide.

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Speaker 3: We wanted to do it at this venue, right, So

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Speaker 3: it's a very it's a very cool place to see

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Speaker 3: a show, and it's very intimate, so we can only

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Speaker 3: have a certain number of people in there, which obviously

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Speaker 3: makes ticket prices higher. So we've done you know, like

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Speaker 3: like I said, you get you know, your coffee beverages,

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Speaker 3: you get dinner after the show from the Luke's Diner

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Speaker 3: food truck. Like we're doing everything we can. We really

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Speaker 3: want to make it people have an amazing experience and write,

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Speaker 3: but a real Gilmore evening.

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Speaker 1: We have to offset the cost of what it's costing

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Speaker 1: us to rent the venue and hire the workers and

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Speaker 1: all of that stuff. That we're Yeah, we're not as

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Speaker 1: strike done.

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Speaker 3: It's not we're not We're not trying to make money.

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Speaker 1: We're trying to break even here. We're not to bring

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Speaker 1: you some great entertainment and some great guests.

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Speaker 4: That's it's the old it's the old Jay Leno studio.

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Speaker 1: Yeah, old Johnny Carson's Jay Leno. It's so it's it's

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Speaker 1: got a lot of history behind it. We're really exciting.

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Speaker 3: What I'll say is if you can travel, it's worth it.

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Speaker 3: I'm traveling down from San Francisco, Like it's this is

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Speaker 3: going to be really, really cool. So Scott, you better

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Speaker 3: be awesome too, because you've got to carry the whole show.

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Speaker 1: So I know that's very hard for me, but I'm

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Speaker 1: practicing a great deal. I'm doing my Walter Cronkite imitations.

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Speaker 1: I'm brushing up on those.

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Speaker 3: I don't know about that, no, but it is very intimate,

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Speaker 3: so I do want people to know, like it's it's yeah,

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Speaker 3: you're gonna be up close and personal with these guys.

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Speaker 1: Yeah, it's gonna be a lot of fun. We're just

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Speaker 1: gonna just rip the roof off.

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Speaker 3: That snow is expensive.

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Speaker 1: Is expensive little pieces of paper, right.

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Speaker 4: The most expensive part.

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Speaker 3: It's sort of true.

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Speaker 1: It's sort of well, look, we're gonna bring you a

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Speaker 1: great show, great guests. We're gonna have a blast, and

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Speaker 1: I can't wait to meet everybody in the meet and

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Speaker 1: greets and that it's just gonna be We're real. It's

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Speaker 1: it's really really pumped for this, So it's it's we're

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Speaker 1: gonna We're going to give you one hundred and ten percent.

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Speaker 4: So the easiest way to get tickets to the in

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Speaker 4: person event is if you can go to our Instagram.

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Speaker 4: On our page, there's a little link. It'll take you

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Speaker 4: to a link tree and you can click in person

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Speaker 4: tickets and that'll take you to the exact link. And

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Speaker 4: that's the best way you can buy tickets.

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Speaker 1: All right, good deal, good? I love it.

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Speaker 3: So, okay, guys, maybe we should synopsize first.

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Speaker 1: I'm ready to synopsize.

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Speaker 3: All right.

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Speaker 5: This is season six, episode fifteen, a Vineyard Valentine, and

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Speaker 5: it aired appropriately enough on February fourteenth, two thousand and six.

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Speaker 5: It's a couple's weekend with Luke and Lorelei Logan in

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Speaker 5: Martha's vineyard, but Luke doesn't seem too keen on hanging

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Speaker 5: out with Logan. The weekend is then ruined when Mitcham

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Speaker 5: shows up demanding Logan to leave right away and tells

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Speaker 5: him he is moving to London right after graduation.

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Speaker 3: Was I the only one that thought half the episode

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Speaker 3: was awesome and half was really not great?

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Speaker 1: Well, it's all this. The first half was all this

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Speaker 1: setup and getting there, and we're getting out of Star's

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Speaker 1: Hollow and getting out of our comfort zone and going

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Speaker 1: to the vineyard. I was looking forward to it. I

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Speaker 1: was like, Yay, let's go on a trip. But right

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Speaker 1: off the bat, Luke just seemed a little that's like,

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Speaker 1: can you It's like the impression that I got from both, well,

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Speaker 1: especially from Luke, is that he was just It's like, dude, really, yes,

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Speaker 1: you're a grown man. Chill stop with the covetching about everything.

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Speaker 1: And she slams him in the bedroom about it. He

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Speaker 1: deserved that.

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Speaker 3: Yeah, he was like a different character.

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Speaker 1: It was. He was like this very cagey, strange guy

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Speaker 1: who didn't want to mix with anybody or do anything.

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Speaker 1: I mean, who the hell would want to marry that?

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Speaker 3: Yeah?

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Speaker 1: Right, I think that.

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Speaker 3: I think that's what was bothering me. He was so

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Speaker 3: likely who is that guy?

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Speaker 1: Right?

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Speaker 3: Once Logan gave him the gift, it all switched. But

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Speaker 3: I was just like, what is going on?

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Speaker 1: I just have never seen Luke so weak, drawn, so

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Speaker 1: weak as a chara annoying and annoying and really weakened

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Speaker 1: in front of Logan when Logan figured out his gift

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Speaker 1: problem and Luke said, well, I mean, he just seems

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Speaker 1: so and he just forgot here's a word I wanted

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Speaker 1: to use, is impotent. He just seemed impotent as a man.

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Speaker 3: He just wouldn't have forgotten the gift. Like nor he

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Speaker 3: wouldn't have He would never not have the gift.

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Speaker 6: Now.

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Speaker 3: I get that it wasn't exactly Valentine's Day yet, and

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Speaker 3: so I sort of was giving him a little bit

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Speaker 3: of a pass for that, but like he also would

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Speaker 3: never be such a rude guest.

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Speaker 1: Hmm.

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Speaker 4: Well, Also, going back to the gift, Laurel I's reaction

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Speaker 4: made it seem like she's never received a Valentine's Day gift.

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Speaker 4: That's how I sick it.

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Speaker 3: But it's so weird. He gives her gifts all the time.

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Speaker 4: That's why I just thought it was odd. It's funny, Amy,

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Speaker 4: I thought you were gonna say the weird part, or

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Speaker 4: the part that you felt was off, was that they

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Speaker 4: were not on their sets.

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Speaker 3: Like clearly this was a I mean that they were

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Speaker 3: in Malibu.

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Speaker 4: Yeah, bother but weirdly enough, like for some reason, whenever

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Speaker 4: shows do that and they go like on location or

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Speaker 4: you know, like down the street, it bothers me. Weird

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Speaker 4: this one didn't bother me for some reason. I think

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Speaker 4: it's because we always hear that, like the Gilmore's go

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Speaker 4: to Martha's vineyard, and like he kind of created this

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Speaker 4: like I don't know, I something in my head that

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Speaker 4: like this is where they always go. So for me,

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Speaker 4: it just felt like normal. But I made this place

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Speaker 4: up in my head.

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Speaker 3: And part of the house tracked for me where I'm like,

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Speaker 3: that's what the house would be like. The house was

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Speaker 3: not nearly fancy enough though.

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Speaker 1: Yeah, yeah, you know that was I believe that was

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Speaker 1: Olivia Newton John's house.

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Speaker 3: Oh my gosh, you know what. That's sort of ringing

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Speaker 3: a bell for me.

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Speaker 5: It was Malibu, Like, it definitely was Mayeah.

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Speaker 3: First of all. The one thing I don't like about

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Speaker 3: Gilmour girls, and I don't know if it's a money thing,

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Speaker 3: when they do those sort of establishing shots that are

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Speaker 3: like we got these from by establishing shots dot com

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Speaker 3: that weird seagull and it was so like, oh my god,

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Speaker 3: and it just felt like Malibu. I was like we

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Speaker 3: and I don't know, maybe it's because we're all from LA,

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Speaker 3: like we all live in La. It was so Malibui, like.

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Speaker 5: Yeah, well, I don't think it fooled anybody because there's

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Speaker 5: leaves on the trees, Like there was nothing about it

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Speaker 5: that looked like New England.

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Speaker 3: And isn't Martha's vineyard. You're like sea level, there's not

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Speaker 3: like tall tall.

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Speaker 1: Right, yes, yeah, there's no mountain behind you.

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Speaker 3: Yeah, happening. And then at the beginning, the house just

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Speaker 3: seemed like is this like an airban be fairly cheap

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Speaker 3: house in Malibu, Like it wasn't mansionny, It wasn't what

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Speaker 3: the Huntsburgers would have like. It was so like the

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Speaker 3: decor was okay, but again it was not up to

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Speaker 3: the level. And so I just was like, what's happened? Yeah,

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Speaker 3: and Luke was acting like a fool.

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Speaker 5: It was like a whole alternate universe Gilmore Girls, Like

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Speaker 5: it just was really like Luke was weird. Rory was

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Speaker 5: really weird. I don't know what her deal was. I

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Speaker 5: don't know. I didn't understand the whole thing with Luke

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Speaker 5: not having the right clothes.

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Speaker 3: Like is the weather.

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Speaker 5: Than the weather in Connecticut, Like he just would have

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Speaker 5: to bring what.

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Speaker 3: He would wear at home? Why should come on?

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Speaker 4: It's like he came from Malibu to like the East

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Speaker 4: coast right, like he.

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Speaker 1: Would just wear he would have been wearing.

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Speaker 3: Like the good laugh for me was the Martha's Vineyard sweats.

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Speaker 3: I'm like, at least that made me chuckle because I'm like,

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Speaker 3: exactly what.

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Speaker 5: But he like he brings a camp stove, but he

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Speaker 5: doesn't bring a jacket like that.

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Speaker 3: It was so first of all, right, why would he

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Speaker 3: bring any of that nonsense? It was so insane. He

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Speaker 3: was acting cuckoo.

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Speaker 6: Who.

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Speaker 3: I also don't.

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Speaker 5: Believe that Luke never had lobster before.

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Speaker 1: I refuse to believe that. It's hard to that's that's

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Speaker 1: hard to swallow.

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Speaker 3: Yeah, And also I'm sorry, but Rory went from being

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Speaker 3: Rory to Rachel Ray in like five seconds flat.

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Speaker 4: That girl has never cut anything, Like she use a

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Speaker 4: microwave and throws like pizza in the oven like that's it.

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Speaker 5: And when she was doing the tour, she was like

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Speaker 5: a little girl playing house. She's like, don't use you

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Speaker 5: know only one person can use the shower and also

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Speaker 5: open the window like she just was like marrying the house,

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Speaker 5: which flat.

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Speaker 3: I'm sorry. We have done enough of our research to

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Speaker 3: know that the Huntsburgers are almost billionaires, right right, They

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Speaker 3: definitely do not have a house in Martha's Vineyard where

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Speaker 3: only one person can shower at a time. Exactly.

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Speaker 5: It's like, no way, okay, so fix them like the

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Speaker 5: a even like just let stuff like that go exactly.

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Speaker 3: That's why it was so like, this does not track.

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Speaker 3: This is like, like I said, it, fine, then make

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Speaker 3: it an airbnb.

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Speaker 4: That or say they just bought it and they're flipping

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Speaker 4: it like something like but you know what I mean.

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Speaker 3: That's not gonna work because we know this is like

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Speaker 3: this is their like halatial Martha's Vineyard estate and I

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Speaker 3: have never been to Martha's Vineyard, but I have enough

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Speaker 3: knowledge in the Worldwide Web to know that's not what

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Speaker 3: the Huntsburgers would have.

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Speaker 1: Like where's like what I think that house fit into

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Speaker 1: the budget? The episode budget? Quite yes.

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Speaker 3: I was like, yeah, I mean it's pretty cool that

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Speaker 3: it was a living in John's house, but like I.

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Speaker 1: Said, it was either her house or her house was

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Speaker 1: next door or something like that.

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Speaker 3: It was just so Malibu that's pretty budget. Went like literally,

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Speaker 3: I was like, can we just go to Howdies and

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Speaker 3: get a burrito? Because literally we're in Malibu? Like it

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Speaker 3: was just so why didn't they just make it Malibu.

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Speaker 3: I don't know anyway. That really took me out. And

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Speaker 3: also like everybody, you're right, Suzanne was just weird.

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Speaker 1: Yeah, I thought Logan was consistent. His character always seems

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Speaker 1: to be very consistent. Now he he he was. He

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Speaker 1: was the entertainment part for me.

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Speaker 3: Zere was probably like why is everybody acting crazy? He's like,

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Speaker 3: I'm just gonna be me what.

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Speaker 1: I enjoyed him. He was his charming self, Like.

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Speaker 3: Even at the basketball he was normal. And Lucas I

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Speaker 3: think so weird and who suddenly snap snaps for a

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Speaker 3: gym person to give them a massage?

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Speaker 1: Like I was just like so weird. It was so strange.

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Speaker 4: Also, like Laura, I will say I did laugh at

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Speaker 4: Laura I and Rory going to the gym, but like

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Speaker 4: literally just like not knowing what to do it. That

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Speaker 4: was a little like on point with the two of them.

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Speaker 3: But okay, the one thing I will say, and I

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Speaker 3: know we're going out of order, but like this episode

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Speaker 3: was so weird, we just have to you know, when

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Speaker 3: the gym guy's like can I work in? I I

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Speaker 3: wouldn't have known what that meant either, except I just

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Speaker 3: listened to Arnold Schwarzenegger on SmartLess and totally learned because

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Speaker 3: Arnold will say like, can I work in? And I'm like,

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Speaker 3: oh my god, Okay, now I know what that means.

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Speaker 4: I've never heard that.

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Speaker 3: Yeah, Arnold totally explained it. Scott Nos, Scott.

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Speaker 1: Nos, Yeah, I tried to work in yesterday. I didn't

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Speaker 1: let him, just gave him a luck get out of here.

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Speaker 3: Okay, So let's let's go back. So we started the episode,

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Speaker 3: and it was weird from the start. First of all,

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Speaker 3: in this we must have had a hiatus, right, because

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Speaker 3: the recap was extraordinarily long, which I get if I

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Speaker 3: wasn't watching how we're watching every week, right, But it

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Speaker 3: must have been. When did this air February fourteenth? Maybe

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Speaker 3: they didn't have a lot of episodes in January, I

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Speaker 3: don't know, But the recap was just so.

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Speaker 4: It also went back a little bit, like really back

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Speaker 4: towards older episodes in the season, like it was at

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Speaker 4: last week's episode.

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Speaker 3: Suki made me laugh and she said, Zuki, you mean sucky,

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Speaker 3: But I just don't think she's going to be like

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Speaker 3: struggling that hard over the Valentine's menus. I liked louralized

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Speaker 3: curls in the rap dress right out the gate. But like,

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Speaker 3: I don't know, what do you guys think of just

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Speaker 3: sort of the inn and then the Zydago mess and

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Speaker 3: the whole thing.

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Speaker 1: Well, it was there were just you know, it wasn't

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Speaker 1: your obviously your traditional Gilmore Girls episode where we're in

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Speaker 1: stars Hollow and we get to see everybody in town.

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Speaker 1: We saw Luke, Laureli, Rory and Logan and that's pretty

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Speaker 1: much it.

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Speaker 3: Yeah, yeah, except for the very beginning.

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Speaker 1: Mitcham came in and then we get a little suki

305
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Speaker 1: in the beginning and there's some zydeco stuff, which was like, huh.

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Speaker 1: I think that just shows how off this episode was.

307
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Speaker 1: Was the it was so incongruous with the and it

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Speaker 1: was maybe a funny bit, yeah, but we didn't get

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Speaker 1: to see anybody else in this episode, and it's like.

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Speaker 3: It could have been good four.

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Speaker 1: Characters carrying the whole show. Yeah, And I don't know

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Speaker 1: if we pulled it.

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Speaker 3: Off because you weren't yourselves.

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Speaker 4: Yeah, I feel like that bit with the band actually

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Speaker 4: could have worked in a different episode. Like I thought

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Speaker 4: it was kind of funny. I just feel like it

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Speaker 4: it had nothing to do with this episode.

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Speaker 3: Yeah, other than I guess she's you know, it was

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Speaker 3: heartfelt when she sort of is realizing, like June third

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Speaker 3: is not happening, right, So that was sort of okay.

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Speaker 3: You know, look I giggled when she said led Zep

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Speaker 3: again because I was like, I love those yacht rocky

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Speaker 3: you know, cover bands, Super Diamond, all that kind of stuff,

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Speaker 3: So I was like, oh, go for led Zep again.

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Speaker 3: But otherwise it was sort of just like what's going on?

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Speaker 1: A yeah, A little U just joined it at a

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Speaker 1: character uh out of its elements in Martha's vineyard, which

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Speaker 1: was not depicted well right, and just like it was

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Speaker 1: a very strained Even having said all that, I was

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Speaker 1: still entertained because we have Logan to keep us afloat.

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Speaker 3: Well, and it got good in the second half, So okay,

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Speaker 3: we'll get We'll get to that. So then we get

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Speaker 3: the setup right, So we're in the uh, we're in

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Speaker 3: the apartment and in Logan's apartment. Now the bed felt

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Speaker 3: like it was in the living room for me, but

336
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Speaker 3: maybe it's just a very large bedroom. Did anybody else.

337
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Speaker 3: I was a little thrown off by the bed being

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Speaker 3: with the couch, and I was like, am I.

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Speaker 5: Yeah, I didn't quite get it. Either it feels like

340
00:18:45,000 --> 00:18:48,399
Speaker 5: it's just one giant open room. Maybe it's a loft,

341
00:18:48,440 --> 00:18:52,080
Speaker 5: I don't know, Yeah, maybe anyway, you know, and look,

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Speaker 5: Logan's gonna be up at eleven.

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Speaker 3: But that was still sort of funny. The whole world's up,

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Speaker 3: YadA YadA.

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Speaker 1: Now.

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Speaker 3: I thought it was really cute when he said bring

347
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Speaker 3: your mother and the guy. Now he would have known

348
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Speaker 3: his name, but otherwise it was cute.

349
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Speaker 5: It was nice of him to think of them.

350
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Speaker 3: Yeah, and yeah, that was all cute. What was Ducididies again?

351
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Speaker 1: A Greek philosopher.

352
00:19:19,359 --> 00:19:22,280
Speaker 3: Yeah, So then we sort of have a brief visit

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Speaker 3: to the paper and she's like pretty much got her

354
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Speaker 3: leave together at the paper, right like, feeling like that's

355
00:19:28,720 --> 00:19:31,200
Speaker 3: going well. And then we sort of tea up, like, no,

356
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Speaker 3: take the weekend off, it's been We.

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Speaker 1: See her interpersonal skills with her staff. Yes, that she's

358
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Speaker 1: a good leader and that she listens and she cares

359
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Speaker 1: about people.

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Speaker 3: Empowers them and the whole thing right like that was

361
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Speaker 3: all good. My next takeaway was just I am a

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Speaker 3: fan of low Rise jeans. I love the.

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Speaker 7: Low Rise Jens and this Loralai really wears low Rise jeans,

364
00:19:57,480 --> 00:20:01,600
Speaker 7: so that really stood out from and then so Rory

365
00:20:01,680 --> 00:20:04,840
Speaker 7: calls and, you know, kind of says to Lurlai, come,

366
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Speaker 7: this was Logan's idea, and let's do it.

367
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Speaker 4: I don't know, it just took too long to get there,

368
00:20:14,600 --> 00:20:17,399
Speaker 4: Like we should have just like going to the beach

369
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Speaker 4: how or Martha's vineyar should have been like the sub

370
00:20:19,760 --> 00:20:22,160
Speaker 4: should have been one scene, Like that's the same point.

371
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Speaker 4: I think that's what it is. It was just two.

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Speaker 4: I think it was like, let's see one, two, three,

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Speaker 4: it's like four scenes before we even got to Martha's vineyard.

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Speaker 3: You know, Yeah, I want to talk about it, Yeah,

375
00:20:33,000 --> 00:20:34,800
Speaker 3: you want to talking about it. We have that moment

376
00:20:34,840 --> 00:20:36,359
Speaker 3: that I thought was important where she says it's the

377
00:20:36,440 --> 00:20:41,159
Speaker 3: last nail in the June third coffin. So I was like, oh, okay,

378
00:20:42,119 --> 00:20:44,919
Speaker 3: all right, But but Luke and Laureley seemed to be

379
00:20:44,920 --> 00:20:48,560
Speaker 3: getting along great, Like yeah, you know, he was sort

380
00:20:48,560 --> 00:20:51,120
Speaker 3: of a curmudgeon about it, but otherwise, like they seem

381
00:20:51,200 --> 00:20:52,960
Speaker 3: to be getting along. I'm taking the truck.

382
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Speaker 4: I think it's one of those things when you tell

383
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Speaker 4: someone like for her, it's she told people a date,

384
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Speaker 4: especially her mom, and that date sticks with people because now,

385
00:21:03,119 --> 00:21:05,240
Speaker 4: like if it doesn't happen. I think it's more of

386
00:21:06,200 --> 00:21:08,680
Speaker 4: she's okay with Luke and she's okay with the situation.

387
00:21:08,800 --> 00:21:11,000
Speaker 4: I think she's worried about what other people think now,

388
00:21:11,359 --> 00:21:14,680
Speaker 4: because like remember when Suki was like what did you do?

389
00:21:14,760 --> 00:21:17,199
Speaker 4: Why is it not happening? And then like it wasn't me,

390
00:21:17,400 --> 00:21:20,040
Speaker 4: it was because of April. So I think it's more

391
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Speaker 4: of how people. She's worried about how people think about

392
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Speaker 4: her more than shitting married.

393
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Speaker 3: The one that suggested moving the wedding.

394
00:21:31,880 --> 00:21:34,360
Speaker 5: Yeah, but not because she wanted to though, yeah.

395
00:21:34,240 --> 00:21:37,040
Speaker 3: She thought it was the right thing to do, but still.

396
00:21:37,640 --> 00:21:40,119
Speaker 4: Yeah, but he didn't disagree. He agreed with her to

397
00:21:40,160 --> 00:21:40,439
Speaker 4: move it.

398
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Speaker 3: So few questions for Scott. Did you feel that the

399
00:21:45,040 --> 00:21:47,639
Speaker 3: luggage had stuff in it? Or were you just caring

400
00:21:47,720 --> 00:21:49,080
Speaker 3: very lightweight to so I'm glad.

401
00:21:49,280 --> 00:21:52,679
Speaker 1: I'm glad you brought that up. I thought I was

402
00:21:52,760 --> 00:21:57,400
Speaker 1: selling it very well. Luggage I accently do up until

403
00:21:57,440 --> 00:22:00,480
Speaker 1: the point. There was an accident when I I put

404
00:22:00,800 --> 00:22:05,320
Speaker 1: the big bag down before loading it into the truck

405
00:22:05,359 --> 00:22:10,080
Speaker 1: at Lorelei's house and it it almost toppled over and

406
00:22:10,200 --> 00:22:14,760
Speaker 1: it looked very light, So I thought, oh, that's.

407
00:22:14,800 --> 00:22:17,320
Speaker 3: You nailed it on the stairs and going out of

408
00:22:17,359 --> 00:22:19,200
Speaker 3: the house, I really thought, oh wow, those are some

409
00:22:19,280 --> 00:22:21,080
Speaker 3: heavy suitcases. And then all of a sudden, I was

410
00:22:21,119 --> 00:22:31,679
Speaker 3: like like an envelope. My next two questions.

411
00:22:31,800 --> 00:22:34,120
Speaker 1: Gravity was my enemy in that scene.

412
00:22:34,520 --> 00:22:37,359
Speaker 3: The next question for Scott, are there not seat belts

413
00:22:37,359 --> 00:22:37,960
Speaker 3: in that truck?

414
00:22:39,480 --> 00:22:41,560
Speaker 1: Die? I believe there are.

415
00:22:41,920 --> 00:22:44,959
Speaker 3: Properly okay lap belts. I did not see a restraint.

416
00:22:45,119 --> 00:22:48,480
Speaker 1: I don't I actually don't recall lap belts. I think

417
00:22:48,520 --> 00:22:51,240
Speaker 1: it was just such a vined truck. It didn't have anything.

418
00:22:51,320 --> 00:22:55,080
Speaker 3: So sketchy driving to Martha's vineyard in the winter with

419
00:22:55,119 --> 00:22:58,240
Speaker 3: no seat belts, just slashing all around that bench seat.

420
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Speaker 1: We roll man.

421
00:23:00,520 --> 00:23:05,000
Speaker 3: My next topic for everybody though, Even though Luke was

422
00:23:05,040 --> 00:23:08,640
Speaker 3: being super curmudgeony, I thought it was okay for him

423
00:23:08,640 --> 00:23:10,320
Speaker 3: to say, where do we stand with this guy? Oh,

424
00:23:10,359 --> 00:23:12,679
Speaker 3: we've called a truce. That part didn't bother me. That

425
00:23:12,720 --> 00:23:17,480
Speaker 3: needed to be acknowledged. I will agree with you, Luke.

426
00:23:18,680 --> 00:23:22,520
Speaker 3: I don't like staying at other people's houses either. It's

427
00:23:22,560 --> 00:23:24,440
Speaker 3: not fun, it's weird.

428
00:23:24,960 --> 00:23:29,480
Speaker 1: I agree, I don't mind it. I mean, if it's

429
00:23:29,480 --> 00:23:30,560
Speaker 1: a nice house.

430
00:23:30,560 --> 00:23:32,520
Speaker 4: Over a hotel, would you rather stay a hotel? Or

431
00:23:32,600 --> 00:23:34,240
Speaker 4: someone's house my own.

432
00:23:34,720 --> 00:23:37,040
Speaker 1: I'd rather stay at somebody's house if it's you know,

433
00:23:37,119 --> 00:23:41,119
Speaker 1: I really would. No, I've always had good experiences with that,

434
00:23:41,520 --> 00:23:43,880
Speaker 1: especially in ski country, you know.

435
00:23:44,119 --> 00:23:46,680
Speaker 3: But you are they there renting a house is.

436
00:23:46,840 --> 00:23:48,960
Speaker 1: Yeah, I know they're there and they're hosting you, and

437
00:23:49,000 --> 00:23:50,439
Speaker 1: it's and it's fun. I love it.

438
00:23:50,920 --> 00:23:53,280
Speaker 3: Oh God, you have to be so on your best behavior.

439
00:23:53,520 --> 00:23:55,679
Speaker 3: You can't just cloud around and watch TV. You have

440
00:23:55,680 --> 00:23:58,720
Speaker 3: to make the bed. You guys need to google Sebastian

441
00:23:58,760 --> 00:24:01,720
Speaker 3: Man of Scalco. That can be bit on staying at

442
00:24:01,760 --> 00:24:05,760
Speaker 3: other people's houses, as it sums it up perfectly, just

443
00:24:05,840 --> 00:24:07,480
Speaker 3: like Rory when she's like, oh you can't take a

444
00:24:07,560 --> 00:24:09,840
Speaker 3: share at the same time like he does this a

445
00:24:09,840 --> 00:24:12,000
Speaker 3: whole bit about like this toilet doesn't really work, so

446
00:24:12,080 --> 00:24:13,359
Speaker 3: jiggle a handle.

447
00:24:13,080 --> 00:24:16,280
Speaker 1: And you're just like, oh see, that's I think that's

448
00:24:16,280 --> 00:24:18,399
Speaker 1: the problem. I think what you pointed out earlier is

449
00:24:18,440 --> 00:24:22,800
Speaker 1: it wasn't a palatial enough to stay for them to

450
00:24:22,880 --> 00:24:26,399
Speaker 1: be behaving that way once they got inside the house

451
00:24:27,160 --> 00:24:30,120
Speaker 1: that would have sold that same behavior in some kind

452
00:24:30,160 --> 00:24:33,920
Speaker 1: of gorgeous mansion that was obviously worth you know, twenty

453
00:24:34,000 --> 00:24:36,679
Speaker 1: thirty million dollars that would have tracked, right.

454
00:24:36,640 --> 00:24:38,600
Speaker 3: It says something, Am I right? He says something at

455
00:24:38,600 --> 00:24:42,919
Speaker 3: I'd been grandma's house. It has its kinks something. But

456
00:24:42,960 --> 00:24:47,880
Speaker 3: I still was like, hey, the Huntsburgers, no way, that

457
00:24:47,920 --> 00:24:50,240
Speaker 3: thing would have eight showers.

458
00:24:50,359 --> 00:24:53,200
Speaker 1: Right, that all they would have remodeled exactly.

459
00:24:53,240 --> 00:24:56,480
Speaker 3: They would have had beautiful marble, white marble.

460
00:24:56,640 --> 00:24:58,679
Speaker 5: I think they were trying to make it seem like

461
00:24:58,880 --> 00:25:04,879
Speaker 5: this is the cun Tree getaway cabin, you know, whack shack.

462
00:25:05,080 --> 00:25:09,359
Speaker 4: Yeah, that's his exact Actually, Amy, his exact line was,

463
00:25:09,480 --> 00:25:13,719
Speaker 4: it's a grandma, so it's got its kinks. It's a grandma.

464
00:25:13,800 --> 00:25:14,440
Speaker 4: That's what he said.

465
00:25:14,760 --> 00:25:15,040
Speaker 1: Camp.

466
00:25:15,560 --> 00:25:18,120
Speaker 3: I mean, I'm glad they acknowledge it and don't act

467
00:25:18,160 --> 00:25:20,280
Speaker 3: like at least somehow, but I still was like, no way,

468
00:25:20,359 --> 00:25:21,680
Speaker 3: these people are a millionaires.

469
00:25:21,840 --> 00:25:25,240
Speaker 5: And the way they described it, like Rory talks about

470
00:25:25,240 --> 00:25:28,399
Speaker 5: how the dining room seats twenty, but like that doesn't

471
00:25:28,440 --> 00:25:31,520
Speaker 5: correlate with what we saw visually. That did not look

472
00:25:31,560 --> 00:25:33,720
Speaker 5: like a place that has a dining room that seats twenty.

473
00:25:33,920 --> 00:25:41,840
Speaker 3: We saw five hundred dollars night Airbnb. Yeah, okay, okay, well,

474
00:25:42,280 --> 00:25:43,800
Speaker 3: and then now we get to where I sort of

475
00:25:43,840 --> 00:25:48,040
Speaker 3: was like, oh, Luke, you know, calling him snotty and

476
00:25:48,119 --> 00:25:51,080
Speaker 3: saying that he oh did you see how Logan was

477
00:25:51,080 --> 00:25:53,840
Speaker 3: so rude? He corrected Rory about the gym.

478
00:25:54,000 --> 00:25:57,680
Speaker 1: I was just like, what, Yeah, that was weird stuff up,

479
00:26:01,680 --> 00:26:03,640
Speaker 1: Like I wanted to just smack them.

480
00:26:03,760 --> 00:26:07,240
Speaker 3: And like why would they be scared to leave their room?

481
00:26:07,600 --> 00:26:08,800
Speaker 4: It was so odd.

482
00:26:09,040 --> 00:26:11,880
Speaker 3: Yeah, this was where I was like, oh my god,

483
00:26:11,960 --> 00:26:13,520
Speaker 3: I am not this is.

484
00:26:15,280 --> 00:26:20,160
Speaker 4: If it was to Luke that Luke doesn't like Logan,

485
00:26:20,280 --> 00:26:21,760
Speaker 4: then okay, I feel like there was another way of

486
00:26:21,800 --> 00:26:23,960
Speaker 4: doing it. But it just felt like out of character.

487
00:26:24,600 --> 00:26:27,320
Speaker 5: Yeah, and he like needs a signal the next morning

488
00:26:27,359 --> 00:26:30,240
Speaker 5: to come out.

489
00:26:30,840 --> 00:26:32,560
Speaker 1: Did you tell him I was hiding? I mean, it's

490
00:26:32,880 --> 00:26:36,880
Speaker 1: it's so forced, everything so forced, and.

491
00:26:36,840 --> 00:26:39,679
Speaker 3: Luke's a stud, right, so he's not going to be

492
00:26:40,240 --> 00:26:43,679
Speaker 3: a weirdo. Like he's gonna own that thing. He's going

493
00:26:43,760 --> 00:26:46,119
Speaker 3: to be in the kitchen cooking up the meal. Like

494
00:26:46,160 --> 00:26:49,080
Speaker 3: he's literally just not going to be such a weirdo.

495
00:26:49,640 --> 00:26:52,359
Speaker 3: I wrote, why is Luke so weird?

496
00:26:54,560 --> 00:26:59,159
Speaker 1: That's maybe maybe it's you take him out of the diner,

497
00:26:59,520 --> 00:27:01,439
Speaker 1: you take him out of that town, you put that

498
00:27:01,560 --> 00:27:06,520
Speaker 1: behavior in someplace else and it's glaring. Maybe that's the reason.

499
00:27:07,440 --> 00:27:09,560
Speaker 3: Is it Camper, Right, he's not going to be bothered

500
00:27:09,600 --> 00:27:12,600
Speaker 3: by the waves or stand the raccoon, Like, I mean,

501
00:27:12,680 --> 00:27:15,359
Speaker 3: we're beating a dead horse, right, Like Luke was a weirdo.

502
00:27:15,720 --> 00:27:18,640
Speaker 3: We have to just acknowledge that. Whatever.

503
00:27:20,160 --> 00:27:23,199
Speaker 1: That's the one episode that I would erase. If you

504
00:27:23,240 --> 00:27:27,240
Speaker 1: were to say, you know, take your best episode and

505
00:27:27,440 --> 00:27:30,119
Speaker 1: take your worst episode and just get them out so

506
00:27:30,160 --> 00:27:33,800
Speaker 1: we can average in, you know, that would be for me.

507
00:27:34,080 --> 00:27:36,680
Speaker 1: I'd say deep six to that episode.

508
00:27:36,760 --> 00:27:40,359
Speaker 3: I love it. I think things took a turn once

509
00:27:40,400 --> 00:27:44,840
Speaker 3: they're having the dinner, right, But okay, first let's get

510
00:27:44,880 --> 00:27:48,159
Speaker 3: to a couple of things. Rory coming down the steps

511
00:27:48,160 --> 00:27:51,399
Speaker 3: in Malibu and her cute blue coat. She did have

512
00:27:51,440 --> 00:27:53,160
Speaker 3: a cute cloth. Then they're all going to the gym.

513
00:27:53,240 --> 00:27:53,680
Speaker 1: Gym.

514
00:27:54,000 --> 00:27:56,040
Speaker 3: They're all going to the gym. We've acknowledged the gym

515
00:27:56,080 --> 00:27:59,879
Speaker 3: was weird. Although I did enjoy his Luke's Martha's beenyard thing.

516
00:28:00,359 --> 00:28:03,080
Speaker 3: This is where I wrote this episode isn't good. So

517
00:28:03,119 --> 00:28:05,840
Speaker 3: at this point I'm sort of like, really like, this

518
00:28:06,040 --> 00:28:10,320
Speaker 3: is not good and we're just wasting time, right, Like

519
00:28:10,359 --> 00:28:15,439
Speaker 3: the gym was just like filling airtime to me.

520
00:28:15,560 --> 00:28:20,160
Speaker 4: Yeah, and we got the gym twice, right, not just once.

521
00:28:21,119 --> 00:28:22,520
Speaker 4: Didn't they go back to it?

522
00:28:23,000 --> 00:28:24,960
Speaker 3: No, they were there. It just felt like that because

523
00:28:25,040 --> 00:28:26,639
Speaker 3: first they were in the gym, then we went to

524
00:28:26,680 --> 00:28:27,600
Speaker 3: the basketball, then we.

525
00:28:27,560 --> 00:28:33,159
Speaker 1: Went But here's the thing, what an opportunity to to

526
00:28:33,320 --> 00:28:35,320
Speaker 1: lampoon Martha's vineyard.

527
00:28:36,040 --> 00:28:38,680
Speaker 3: Or to make it awesome either way either way?

528
00:28:38,920 --> 00:28:39,120
Speaker 6: Right?

529
00:28:39,560 --> 00:28:41,200
Speaker 1: And then they chose to go into a.

530
00:28:41,200 --> 00:28:45,040
Speaker 3: Gym with right, which was like clearly in LA where

531
00:28:45,040 --> 00:28:48,960
Speaker 3: they put up stickers that said Martha's Vineyard gym or

532
00:28:49,000 --> 00:28:49,720
Speaker 3: something else.

533
00:28:49,640 --> 00:28:53,280
Speaker 5: Right, right, And Rory says, Oh, we like to go

534
00:28:53,320 --> 00:28:55,160
Speaker 5: to the gym when we're here. But then you see

535
00:28:55,200 --> 00:28:57,880
Speaker 5: her there and she doesn't understand anything.

536
00:28:57,520 --> 00:28:59,800
Speaker 3: That's happening exactly. Obviously she doesn't go.

537
00:28:59,760 --> 00:29:01,680
Speaker 5: To the jim while we're there.

538
00:29:02,320 --> 00:29:02,440
Speaker 3: Right.

539
00:29:02,600 --> 00:29:03,520
Speaker 4: I actually have a question.

540
00:29:03,600 --> 00:29:05,120
Speaker 5: It makes sense, Scott.

541
00:29:04,840 --> 00:29:06,880
Speaker 4: I have a questioned. The show is in season We

542
00:29:06,960 --> 00:29:09,000
Speaker 4: in season five, yeah, five, six?

543
00:29:09,040 --> 00:29:09,719
Speaker 3: Sorry six?

544
00:29:09,800 --> 00:29:13,440
Speaker 4: So at this point the show is very successful, has

545
00:29:13,480 --> 00:29:16,640
Speaker 4: made a lot of money. Why wouldn't they just like

546
00:29:17,240 --> 00:29:19,960
Speaker 4: send you guys on location, because like other networks have

547
00:29:20,040 --> 00:29:23,800
Speaker 4: done it, where like ABC would send all their tgifs

548
00:29:23,800 --> 00:29:25,800
Speaker 4: to Disney World, like they would spend the money.

549
00:29:26,440 --> 00:29:28,920
Speaker 3: Well, you've got that real characters in the episode.

550
00:29:29,320 --> 00:29:32,440
Speaker 1: Because it's CW, the budgets aren't as big, the profit

551
00:29:32,560 --> 00:29:34,760
Speaker 1: isn't as big, the revenue is in as big.

552
00:29:35,000 --> 00:29:37,280
Speaker 3: Right, I think they spent the money on oliving in

553
00:29:37,360 --> 00:29:39,240
Speaker 3: John's House like it was already expensive.

554
00:29:39,320 --> 00:29:43,920
Speaker 1: Taking the budgets on these shows was not what you

555
00:29:43,920 --> 00:29:46,840
Speaker 1: know a friend's budget is or or you know.

556
00:29:46,920 --> 00:29:49,200
Speaker 3: Man, Modern Family had their money.

557
00:29:49,320 --> 00:29:51,160
Speaker 1: Right if you're if your show, if you have a

558
00:29:51,200 --> 00:29:56,880
Speaker 1: hit show on a major network ABCNBCCBS, Fox, now I

559
00:29:56,880 --> 00:29:59,760
Speaker 1: guess we joined the big that's the Big Four, then

560
00:29:59,800 --> 00:30:02,640
Speaker 1: you you've got some money to burn and you're making

561
00:30:02,800 --> 00:30:09,160
Speaker 1: large dollars on at that time the DVD side and all,

562
00:30:09,320 --> 00:30:11,760
Speaker 1: you know, all kinds of revenue streams coming in. But

563
00:30:12,240 --> 00:30:15,560
Speaker 1: on the CW with Gilmour, even though it was a

564
00:30:15,600 --> 00:30:20,560
Speaker 1: hit show, it didn't have the it didn't have those

565
00:30:20,640 --> 00:30:21,520
Speaker 1: size the side.

566
00:30:21,560 --> 00:30:24,560
Speaker 3: I can give you a little a little fun fact

567
00:30:24,640 --> 00:30:26,840
Speaker 3: if you all want it. So you know the Ryan

568
00:30:26,920 --> 00:30:30,280
Speaker 3: Murphy show nine to one one, that's on Fox. It's Foxes,

569
00:30:31,360 --> 00:30:36,280
Speaker 3: that's right, just went it's Fox's biggest hit. Right now,

570
00:30:36,280 --> 00:30:38,320
Speaker 3: they're all kind of owned by the same people, so whatever,

571
00:30:38,400 --> 00:30:40,440
Speaker 3: But it's Fox's biggest hit, but the show is so

572
00:30:40,680 --> 00:30:44,840
Speaker 3: expensive that Fox couldn't afford it anymore. And that's why

573
00:30:44,920 --> 00:30:46,720
Speaker 3: nine to one one is now going to be on ABC.

574
00:30:47,000 --> 00:30:49,480
Speaker 3: So you think about that because that show is so

575
00:30:49,560 --> 00:30:51,240
Speaker 3: expensive to do with the stunts, and.

576
00:30:51,280 --> 00:30:53,800
Speaker 4: Like, yeah, that's a great example. I didn't think about that.

577
00:30:54,240 --> 00:30:58,720
Speaker 1: Yeah, yeah, I can afford it. Right. This is why

578
00:30:58,960 --> 00:31:02,000
Speaker 1: hit shows get canceled, and nobody can understand. The audience

579
00:31:02,080 --> 00:31:03,680
Speaker 1: is like, why did you cancel? It was the number one,

580
00:31:03,720 --> 00:31:06,480
Speaker 1: it was huge hit and all because it's too expensive

581
00:31:06,520 --> 00:31:09,920
Speaker 1: to produce profit margin and as it as it, you know,

582
00:31:10,040 --> 00:31:13,040
Speaker 1: labor costs and casts want more salary. Then it just

583
00:31:13,080 --> 00:31:16,600
Speaker 1: gets more expensive every every year, but the revenue streams

584
00:31:16,640 --> 00:31:18,520
Speaker 1: remain the same or go down or dwindle.

585
00:31:18,640 --> 00:31:22,320
Speaker 3: So it's an interesting thing though, because I would have

586
00:31:22,440 --> 00:31:25,120
Speaker 3: just kept you all in Stars Hollow. But whatever, for

587
00:31:25,160 --> 00:31:26,600
Speaker 3: whatever reason they wanted you to.

588
00:31:26,640 --> 00:31:29,520
Speaker 1: Malbot, don't get out of the boat.

589
00:31:29,320 --> 00:31:33,240
Speaker 3: Right right stage. Just do this same kind of concept.

590
00:31:33,600 --> 00:31:36,880
Speaker 3: I would have enjoyed if Rory and Logan decided to

591
00:31:36,960 --> 00:31:40,680
Speaker 3: come home to Stars Hollow for the weekend, we could

592
00:31:40,720 --> 00:31:45,280
Speaker 3: have had the same sort of episode, or or a

593
00:31:45,400 --> 00:31:47,920
Speaker 3: Loreleizes House with Luke there and they're kind of having that.

594
00:31:48,160 --> 00:31:51,000
Speaker 3: I guess the thing here is when it gets good

595
00:31:51,080 --> 00:31:53,080
Speaker 3: is when Mitcham comes in. But we'll get to that.

596
00:31:53,240 --> 00:31:56,360
Speaker 1: So yeah, Valentine's Day in stars Hollow would have been

597
00:31:56,400 --> 00:32:00,720
Speaker 1: amazing with Babette and and.

598
00:32:00,960 --> 00:32:03,520
Speaker 3: Still could have had Mitcham come blaring in. Right if

599
00:32:03,520 --> 00:32:06,720
Speaker 3: Mitchen went all the way from wherever he lives to

600
00:32:07,160 --> 00:32:09,480
Speaker 3: Martha's vineyard. He could have gone from wherever he lives

601
00:32:09,520 --> 00:32:12,320
Speaker 3: to stars Hollow and just knocked on the Gilmore door.

602
00:32:12,920 --> 00:32:15,840
Speaker 1: I imagine how much more disturbing and shocking if he

603
00:32:16,000 --> 00:32:18,800
Speaker 1: came into that very placid environment and blew up like that.

604
00:32:18,800 --> 00:32:19,840
Speaker 3: That would have been amazing.

605
00:32:20,000 --> 00:32:24,520
Speaker 1: So yeah, and then reacted like I don't think he's happier.

606
00:32:24,600 --> 00:32:27,000
Speaker 3: Right, right, right exactly. It could have been so good.

607
00:32:27,040 --> 00:32:29,840
Speaker 1: And then he was like a volcano.

608
00:32:30,040 --> 00:32:33,880
Speaker 3: Yeah, thought he was gonna head, was gonna blow exactly.

609
00:32:33,960 --> 00:32:35,880
Speaker 5: It would have been so that would be a.

610
00:32:36,560 --> 00:32:48,960
Speaker 3: Right well back in the world we're in then now

611
00:32:49,000 --> 00:32:53,000
Speaker 3: we talked about this very reluctantly, and Rory's cooking, which

612
00:32:53,920 --> 00:32:56,480
Speaker 3: was weird, like she doesn't know how to cook. She's

613
00:32:56,480 --> 00:32:58,520
Speaker 3: not gonna suddenly take it up when she goes to

614
00:32:58,520 --> 00:33:02,320
Speaker 3: Martha's vineyard. Nope, I get the GISTs we're supposed to get,

615
00:33:02,360 --> 00:33:06,160
Speaker 3: like they she knows where everything is and they's such

616
00:33:06,200 --> 00:33:08,280
Speaker 3: a happy couple and they're going on their trip to

617
00:33:08,320 --> 00:33:15,440
Speaker 3: Asia so that it's more disruptive when mitchem whatever. So

618
00:33:15,480 --> 00:33:18,760
Speaker 3: then we go outside and Logan says, I'm going to

619
00:33:18,840 --> 00:33:22,640
Speaker 3: do the gift at dinner, and Luke's like, what murder

620
00:33:25,800 --> 00:33:30,560
Speaker 3: Like he's never heard of a Valentine's President before. My

621
00:33:30,760 --> 00:33:31,640
Speaker 3: problem here.

622
00:33:31,520 --> 00:33:33,240
Speaker 1: Is stupid wardrobe.

623
00:33:35,320 --> 00:33:38,040
Speaker 3: The tennis bracelet. Let me tell you how much a

624
00:33:38,080 --> 00:33:45,400
Speaker 3: tennis bracelet is not cheap, minimum five grand, probably maybe

625
00:33:46,600 --> 00:33:50,080
Speaker 3: thirty five hundred, right, So they were clearly a set.

626
00:33:50,320 --> 00:33:53,080
Speaker 3: So he's got this necklace. That necklace would have been

627
00:33:53,520 --> 00:33:55,800
Speaker 3: so expensive and just not the kind of thing that

628
00:33:55,880 --> 00:33:56,400
Speaker 3: Luke would have.

629
00:33:57,400 --> 00:33:59,600
Speaker 1: And why didn't she suss that out? And that's what

630
00:33:59,640 --> 00:34:02,400
Speaker 1: I thought she was gonna send when she was holding it,

631
00:34:02,480 --> 00:34:04,760
Speaker 1: like I thought so too, Ogan gave this to you

632
00:34:04,840 --> 00:34:07,360
Speaker 1: because it looks exactly like the tennis bracelet. It came

633
00:34:07,400 --> 00:34:10,120
Speaker 1: in a set.

634
00:34:08,800 --> 00:34:13,320
Speaker 4: Her reaction was like, in all these years, she has

635
00:34:13,360 --> 00:34:16,600
Speaker 4: never received a gift from Luke. That's how our reaction was. Well,

636
00:34:16,640 --> 00:34:19,920
Speaker 4: she has as I know she has, but her reaction

637
00:34:20,000 --> 00:34:21,440
Speaker 4: was like, oh my, oh my god.

638
00:34:21,880 --> 00:34:25,239
Speaker 1: I have never seen such a beloved couple ever portrayed

639
00:34:25,280 --> 00:34:27,120
Speaker 1: in such a bad light on TV.

640
00:34:27,320 --> 00:34:28,880
Speaker 3: It was so weird.

641
00:34:29,200 --> 00:34:30,360
Speaker 1: It was just like.

642
00:34:32,400 --> 00:34:39,239
Speaker 3: Like, well le meshing and then I had such a

643
00:34:39,280 --> 00:34:42,200
Speaker 3: flag on the way Rory was doing the tomatoes. Nobody

644
00:34:42,280 --> 00:34:45,719
Speaker 3: puts tomatoes slice like that in their salad. She was

645
00:34:45,760 --> 00:34:47,960
Speaker 3: cutting them like they were for a hamburger or sandwich.

646
00:34:48,480 --> 00:34:50,840
Speaker 3: I was just getting so irritated.

647
00:34:51,080 --> 00:34:51,360
Speaker 6: I was.

648
00:34:52,960 --> 00:34:54,680
Speaker 4: It's like it was at that point when we started

649
00:34:54,719 --> 00:34:55,520
Speaker 4: just picking apart.

650
00:34:56,880 --> 00:35:00,719
Speaker 1: It was, but it does. It does that happens. It's snowballs.

651
00:35:00,760 --> 00:35:02,480
Speaker 1: If something is a little oft and then it just

652
00:35:02,520 --> 00:35:04,840
Speaker 1: starts snowballing. Then you just it's you.

653
00:35:05,360 --> 00:35:09,279
Speaker 3: And now you're now you're Logan's best friend because he

654
00:35:09,320 --> 00:35:11,719
Speaker 3: gave you a necklace. Like that's sort of a D

655
00:35:11,960 --> 00:35:14,719
Speaker 3: move too, Like, oh, I only like this rich guy

656
00:35:14,760 --> 00:35:16,839
Speaker 3: because he saved my ass. Right, Yeah.

657
00:35:18,080 --> 00:35:20,480
Speaker 1: I was just like how to destroy a character one

658
00:35:20,480 --> 00:35:20,879
Speaker 1: on one?

659
00:35:21,280 --> 00:35:25,319
Speaker 3: And Rory so is is the word insipid? She's so

660
00:35:25,520 --> 00:35:29,680
Speaker 3: like these could be the ones like I'm sorry, what

661
00:35:29,719 --> 00:35:33,840
Speaker 3: about your whole Christian amanpour career? You're the head of

662
00:35:33,880 --> 00:35:37,440
Speaker 3: the Yale paper. These could be the ones.

663
00:35:37,400 --> 00:35:41,399
Speaker 5: Well, and Luke and Lory were engaged, so clearly it's

664
00:35:41,400 --> 00:35:44,759
Speaker 5: not Luke could be the one, like Luke is the one.

665
00:35:44,800 --> 00:35:46,160
Speaker 5: They're engaged to be married.

666
00:35:49,000 --> 00:35:51,200
Speaker 3: I just don't understand.

667
00:35:52,280 --> 00:35:53,560
Speaker 1: We don't understand.

668
00:35:54,320 --> 00:35:55,720
Speaker 4: I don't think I ever ripped apart.

669
00:35:57,239 --> 00:35:59,239
Speaker 3: We had one other one we didn't like, but this

670
00:35:59,280 --> 00:36:02,360
Speaker 3: one's definitely going. And then like they're clapping for her,

671
00:36:02,560 --> 00:36:06,160
Speaker 3: Celery cutting, like what's happening.

672
00:36:06,080 --> 00:36:08,760
Speaker 5: Well, did you notice that Luke after all that about

673
00:36:08,760 --> 00:36:11,319
Speaker 5: the lobsters, Luke is the only one that had any

674
00:36:11,560 --> 00:36:16,439
Speaker 5: lobster pieces on his plate, Like Logan had like one

675
00:36:16,480 --> 00:36:18,960
Speaker 5: little piece, Rory had one little piece. It's like they

676
00:36:19,000 --> 00:36:21,080
Speaker 5: make this big deal about making the lobster and the

677
00:36:21,160 --> 00:36:22,760
Speaker 5: no one it.

678
00:36:25,080 --> 00:36:25,560
Speaker 1: I don't know.

679
00:36:26,560 --> 00:36:28,919
Speaker 3: And then also like they have to add in like, yeah,

680
00:36:28,960 --> 00:36:30,560
Speaker 3: we went to the same shop so we could bod

681
00:36:30,560 --> 00:36:32,960
Speaker 3: these together, like give it get the next.

682
00:36:34,800 --> 00:36:38,040
Speaker 5: Yeah, they had to come up with the cover.

683
00:36:39,880 --> 00:36:42,439
Speaker 1: Let's just pause for a second. Let's each of us

684
00:36:43,360 --> 00:36:47,520
Speaker 1: state something positive about the episode. Ready, go, Tara, go.

685
00:36:49,560 --> 00:36:52,879
Speaker 3: The end until this.

686
00:36:52,800 --> 00:36:57,240
Speaker 4: Point the end to end credits, No, no, not until

687
00:36:57,280 --> 00:36:57,880
Speaker 4: this point.

688
00:36:58,200 --> 00:37:00,120
Speaker 3: Only Zukree is all I can and.

689
00:37:00,360 --> 00:37:02,879
Speaker 1: Do Zoree, Susan, what do you think?

690
00:37:04,400 --> 00:37:06,880
Speaker 5: The only thing in this episode that redeems it for

691
00:37:06,960 --> 00:37:09,960
Speaker 5: me is Luke saying I love you?

692
00:37:09,960 --> 00:37:10,840
Speaker 3: You know I love you?

693
00:37:11,440 --> 00:37:15,400
Speaker 1: Yeah, that was awing feature of this episode.

694
00:37:15,480 --> 00:37:18,200
Speaker 3: It starts to take a turn now, right, It starts

695
00:37:18,239 --> 00:37:20,359
Speaker 3: to get better now because he sort of acknowledges I've

696
00:37:20,400 --> 00:37:23,920
Speaker 3: been preoccupied, you know, I love you. We can have

697
00:37:24,000 --> 00:37:27,680
Speaker 3: lobster at our wedding. No, now it's taking a turn

698
00:37:27,760 --> 00:37:29,920
Speaker 3: right where they're sort of getting back to themselves. She

699
00:37:30,000 --> 00:37:33,240
Speaker 3: loves the necklace. Then they wake up the next morning

700
00:37:33,480 --> 00:37:38,359
Speaker 3: they slept like angels. The breakfast Santa blah blah blah.

701
00:37:38,440 --> 00:37:41,040
Speaker 3: It's starting to get Now, I'm starting to feel like

702
00:37:41,400 --> 00:37:43,640
Speaker 3: more comfortable. Okay, I know where I am right, I'm

703
00:37:43,640 --> 00:37:46,319
Speaker 3: now I'm in Gilmore Girls, and it's like the the

704
00:37:46,360 --> 00:37:50,480
Speaker 3: Emilio Estevez reference. I'm like, okay, now I'm starting to

705
00:37:50,560 --> 00:37:53,279
Speaker 3: like this. They think they're going to elope really get

706
00:37:53,280 --> 00:37:58,640
Speaker 3: in somewhere and incomes bit Chum and that Now I'm like,

707
00:37:59,600 --> 00:38:03,480
Speaker 3: now cooking. I was like, now I'm now I'm.

708
00:38:03,600 --> 00:38:05,280
Speaker 4: Like forty one minutes.

709
00:38:06,320 --> 00:38:13,799
Speaker 8: Yeah, yeah, yeah, But mitcham as unhinged as he is

710
00:38:14,920 --> 00:38:18,480
Speaker 8: it was Now I loved it, right, Mitcham is yelling

711
00:38:18,480 --> 00:38:19,000
Speaker 8: at Logan.

712
00:38:19,320 --> 00:38:23,960
Speaker 3: Mitcham's so awful, he's so embarrassing, he's so inappropriate, and

713
00:38:24,000 --> 00:38:29,000
Speaker 3: the face acting ten out of ten because Rory's watching

714
00:38:29,640 --> 00:38:36,320
Speaker 3: lorealized face Luke everybody. Now I'm like, now this is good.

715
00:38:37,400 --> 00:38:39,720
Speaker 4: I think a lot of times we hear Logan say

716
00:38:40,080 --> 00:38:43,200
Speaker 4: how far his dad is on him, but we we've

717
00:38:43,239 --> 00:38:46,680
Speaker 4: only seen it like maybe once, But I think this

718
00:38:46,760 --> 00:38:50,239
Speaker 4: is where we really see it, like you're gonna do this,

719
00:38:50,520 --> 00:38:53,520
Speaker 4: You're gonna follow in my footsteps. End of discussion. You're

720
00:38:53,560 --> 00:38:55,960
Speaker 4: getting on that plane like we finally saw it instead

721
00:38:56,000 --> 00:38:58,200
Speaker 4: of hearing about it well, And we.

722
00:38:58,239 --> 00:39:01,399
Speaker 3: Get to see Luke say you need any help there,

723
00:39:01,520 --> 00:39:05,520
Speaker 3: which meant you okay, buddy, like I got it, and

724
00:39:05,560 --> 00:39:09,640
Speaker 3: then Loral says no one understands, like I understand, and

725
00:39:09,719 --> 00:39:12,280
Speaker 3: we're having this moment where I'm like they're all bonding,

726
00:39:12,800 --> 00:39:16,640
Speaker 3: and then he's very sweet with Rory like when are

727
00:39:16,680 --> 00:39:19,200
Speaker 3: you leaving? And he's like, let's just not think about it.

728
00:39:19,200 --> 00:39:24,120
Speaker 3: It's only February like all that. Suddenly, I literally don't

729
00:39:24,160 --> 00:39:26,279
Speaker 3: know how far into the episode we were, but now

730
00:39:26,320 --> 00:39:28,320
Speaker 3: I'm like, now I like this.

731
00:39:30,000 --> 00:39:33,000
Speaker 1: Yeah, well you had to feel for Logan. I mean,

732
00:39:33,040 --> 00:39:34,840
Speaker 1: no matter how you feel about him as a character,

733
00:39:35,760 --> 00:39:37,280
Speaker 1: you had to feel for him in that moment.

734
00:39:37,520 --> 00:39:42,560
Speaker 3: And Greg Henry, who plays Mitcham, pulls that off because

735
00:39:42,560 --> 00:39:45,360
Speaker 3: that could have been over the top or too Carney

736
00:39:45,640 --> 00:39:49,200
Speaker 3: or too he pulled that off, like he comes in

737
00:39:49,360 --> 00:39:54,960
Speaker 3: like that Dad would yelling and raising his voice and

738
00:39:55,000 --> 00:39:58,160
Speaker 3: talking down and who are you? And da da da

739
00:39:58,480 --> 00:40:01,200
Speaker 3: and still like well they stay, but you're out of here,

740
00:40:01,239 --> 00:40:05,160
Speaker 3: you know, like and you He really pulls that off

741
00:40:05,320 --> 00:40:06,000
Speaker 3: that character.

742
00:40:06,680 --> 00:40:08,760
Speaker 5: That scene where the two of them are just screaming

743
00:40:08,760 --> 00:40:10,840
Speaker 5: over each other was really well done.

744
00:40:11,000 --> 00:40:12,200
Speaker 1: Oh yeah, and.

745
00:40:12,120 --> 00:40:14,959
Speaker 3: The faces on the other three it's like, oh my god.

746
00:40:15,040 --> 00:40:18,560
Speaker 3: And I liked that they didn't step in because that

747
00:40:18,600 --> 00:40:19,880
Speaker 3: would have been not okay.

748
00:40:21,200 --> 00:40:28,080
Speaker 1: Here's a technical aspect of that. Greg and Matt knew

749
00:40:28,280 --> 00:40:32,040
Speaker 1: going in that they weren't going to cover the scene.

750
00:40:32,120 --> 00:40:34,840
Speaker 1: Means they weren't going to do cover close ups or

751
00:40:34,880 --> 00:40:40,200
Speaker 1: coverage either side of that argument. So the director was

752
00:40:40,200 --> 00:40:43,880
Speaker 1: it Dan Palatine Dance. So Dan said, look, this is

753
00:40:43,960 --> 00:40:45,880
Speaker 1: just going to be a two shot. You'll both be

754
00:40:45,920 --> 00:40:48,600
Speaker 1: in profiles to go ahead and overlap each other's dialogue,

755
00:40:48,640 --> 00:40:54,640
Speaker 1: because when you do coverage, they really discourage you from

756
00:40:54,960 --> 00:40:58,480
Speaker 1: overlapping dialogue. They want to interesting, so then it kind

757
00:40:58,480 --> 00:41:00,800
Speaker 1: of comes off stilted a little bit, but the editors

758
00:41:00,800 --> 00:41:08,320
Speaker 1: oftentimes want that space to cut the scene right. And luckily,

759
00:41:08,560 --> 00:41:12,520
Speaker 1: luckily those guys got a free pass to be great,

760
00:41:12,760 --> 00:41:17,560
Speaker 1: you know, and no considerations for editing or no considerations

761
00:41:17,560 --> 00:41:21,560
Speaker 1: for coverage. They could just go, you know, full speed overlap,

762
00:41:21,719 --> 00:41:24,360
Speaker 1: let's go, let's create a great, great scene like you

763
00:41:24,360 --> 00:41:25,320
Speaker 1: would see in the theater.

764
00:41:25,440 --> 00:41:27,839
Speaker 3: Well, it feels like Dan Palladino's just showed up, like

765
00:41:27,920 --> 00:41:33,239
Speaker 3: he just started. Maybe at the Valentine's Dinner scene. I

766
00:41:33,239 --> 00:41:36,120
Speaker 3: feel like he wasn't directing it leading up to that

767
00:41:36,160 --> 00:41:39,360
Speaker 3: because it was so bizarre. But now it's like whoa.

768
00:41:40,040 --> 00:41:43,200
Speaker 3: And then I think it thrives from there. When we

769
00:41:43,239 --> 00:41:46,760
Speaker 3: go back to the diner. It felt good, and Caesar

770
00:41:46,800 --> 00:41:48,440
Speaker 3: is sort of like, wait, I was to tell you something,

771
00:41:48,440 --> 00:41:51,000
Speaker 3: what was that? And then you sort of get the

772
00:41:51,000 --> 00:41:54,640
Speaker 3: balloon popped when he brings up April, because suddenly Lorelei

773
00:41:55,680 --> 00:41:57,279
Speaker 3: isn't a part of it again. And I wanted so

774
00:41:57,360 --> 00:41:59,239
Speaker 3: badly for Luke to say, well, no, why don't you

775
00:41:59,280 --> 00:42:04,080
Speaker 3: come why don't you come. I thought it was weird

776
00:42:04,120 --> 00:42:07,040
Speaker 3: that she says the bike's at my place.

777
00:42:07,000 --> 00:42:10,200
Speaker 1: Isn't it. It almost sounded place. It almost sounded like

778
00:42:10,239 --> 00:42:14,400
Speaker 1: a breakup. It was. It was yeah again, it was

779
00:42:14,480 --> 00:42:16,600
Speaker 1: just it was actually didn't think.

780
00:42:16,520 --> 00:42:19,720
Speaker 3: That the bike's at my place. It's their place.

781
00:42:19,800 --> 00:42:23,160
Speaker 4: It's It's funny though, because now that you say it,

782
00:42:23,200 --> 00:42:25,080
Speaker 4: I think about it. But when I was watching it,

783
00:42:25,120 --> 00:42:29,160
Speaker 4: I was just like, well, that's laurelized, Like in my head, yeah, there, he.

784
00:42:29,200 --> 00:42:34,960
Speaker 1: Just paid, But yeah, why are they acting like they're

785
00:42:34,960 --> 00:42:36,920
Speaker 1: breaking up and it's her place and he's got to

786
00:42:36,920 --> 00:42:38,319
Speaker 1: come get his stuff out of there.

787
00:42:39,120 --> 00:42:42,720
Speaker 3: She's gonna walk home. Like even though it was still good,

788
00:42:43,440 --> 00:42:48,480
Speaker 3: now it was good strange instead of like, what showing

789
00:42:48,560 --> 00:42:49,480
Speaker 3: my strange strength.

790
00:42:50,000 --> 00:42:54,200
Speaker 5: Yeah, the ending was just really disappointing for me because

791
00:42:54,200 --> 00:42:57,560
Speaker 5: you felt like when they had that moment at that

792
00:42:57,719 --> 00:43:00,239
Speaker 5: Martha's vineyard house and he was like, oh, you know,

793
00:43:00,280 --> 00:43:02,680
Speaker 5: I'm sorry I didn't that's just how I am. You

794
00:43:02,800 --> 00:43:06,360
Speaker 5: kind of felt like, Okay, now he's aware of what

795
00:43:07,160 --> 00:43:09,760
Speaker 5: laurelized perspective is, and now he's going to be better

796
00:43:09,800 --> 00:43:12,760
Speaker 5: about letting her. When I get back to the diner,

797
00:43:13,239 --> 00:43:15,000
Speaker 5: and it just goes right back to what it was.

798
00:43:15,080 --> 00:43:18,560
Speaker 5: It's like, Okay, Laurela I by and I was so disappointed.

799
00:43:18,560 --> 00:43:20,600
Speaker 5: I'm like, okay, I guess we didn't make any progress here.

800
00:43:21,040 --> 00:43:27,840
Speaker 3: Yeah, yeah, yeah. So then we come so Laura I

801
00:43:27,880 --> 00:43:29,560
Speaker 3: walks home. I did like the flower on the back

802
00:43:29,600 --> 00:43:32,759
Speaker 3: of her jacket, and we play the messages, which I

803
00:43:32,760 --> 00:43:37,080
Speaker 3: thought was an effective way of telling this part of

804
00:43:37,120 --> 00:43:40,319
Speaker 3: the story. My flag is, why would it just be

805
00:43:40,400 --> 00:43:44,040
Speaker 3: Larelli's picture in the paper that was so weird everyone else?

806
00:43:44,080 --> 00:43:46,480
Speaker 3: Why would it Why would Emily not put a picture

807
00:43:46,480 --> 00:43:47,480
Speaker 3: of Luke and Larelai?

808
00:43:48,000 --> 00:43:50,240
Speaker 1: So I think I think that says a lot about

809
00:43:50,239 --> 00:43:51,360
Speaker 1: how she feels about.

810
00:43:51,200 --> 00:43:54,560
Speaker 3: Luke and how would she have a picture of Luke.

811
00:43:54,840 --> 00:43:57,360
Speaker 1: It's a diss I mean, I don't know.

812
00:43:57,600 --> 00:43:59,040
Speaker 4: I think it's at the end of the day, it's

813
00:43:59,080 --> 00:44:02,680
Speaker 4: all about her daughter and her daughter's getting married because

814
00:44:02,680 --> 00:44:05,240
Speaker 4: it's going to be Emily's day, you know. It's yeah,

815
00:44:05,440 --> 00:44:08,160
Speaker 4: this is more of an event for Emily than than

816
00:44:08,200 --> 00:44:11,200
Speaker 4: it is Laura Lai and Lukes. So I think she

817
00:44:11,360 --> 00:44:13,319
Speaker 4: just that's how she took it, like because it's her

818
00:44:13,360 --> 00:44:16,760
Speaker 4: status and d A R and all that stuff.

819
00:44:19,400 --> 00:44:22,160
Speaker 5: Yeah, I don't know that she would have had a

820
00:44:22,200 --> 00:44:24,240
Speaker 5: reason to have a picture of Luke though.

821
00:44:25,120 --> 00:44:26,840
Speaker 3: Did you think it was at the birthday party or

822
00:44:26,840 --> 00:44:28,440
Speaker 3: at the re wedding, sorry, the re wedding.

823
00:44:28,880 --> 00:44:31,359
Speaker 4: She could have asked for one, she could have exactly,

824
00:44:32,080 --> 00:44:34,600
Speaker 4: but then she.

825
00:44:34,640 --> 00:44:36,879
Speaker 3: Was then Laura I would have known what she was doing,

826
00:44:36,920 --> 00:44:38,120
Speaker 3: and she would have had to tell her the date

827
00:44:38,200 --> 00:44:42,680
Speaker 3: was postponed. Yeah, Luke or everybody was hot?

828
00:44:43,640 --> 00:44:47,480
Speaker 1: All right? So I think, uh, we are going to

829
00:44:47,520 --> 00:44:49,680
Speaker 1: wrap up this delightful episode.

830
00:44:51,400 --> 00:44:53,000
Speaker 3: So now what do we raid it?

831
00:44:53,760 --> 00:44:54,440
Speaker 1: Going to it?

832
00:44:55,080 --> 00:44:57,040
Speaker 3: Her favorite lines really from it?

833
00:44:57,160 --> 00:45:00,040
Speaker 4: I had one I actually chuckled at. It was a

834
00:45:00,080 --> 00:45:03,480
Speaker 4: the school paper and it's when they were saying us

835
00:45:03,520 --> 00:45:05,759
Speaker 4: and them, and then Rory was like what are they

836
00:45:05,760 --> 00:45:07,480
Speaker 4: put on the paper? And He's like s and m

837
00:45:07,760 --> 00:45:10,920
Speaker 4: oh yeah. I actually I had laugh at that.

838
00:45:13,160 --> 00:45:22,040
Speaker 1: A highly unlikely mistake that a yeah, reach HIV, what

839
00:45:22,080 --> 00:45:23,880
Speaker 1: are you giving this? And what is your measure?

840
00:45:23,960 --> 00:45:29,440
Speaker 4: Okay, my measuring measuring stick is going to be lobsters

841
00:45:29,800 --> 00:45:33,920
Speaker 4: and I'm going to give it. I'm going to give

842
00:45:33,920 --> 00:45:35,359
Speaker 4: it five lobsters.

843
00:45:36,320 --> 00:45:41,560
Speaker 1: That's a lot of lobster, Suzanne, what is.

844
00:45:43,040 --> 00:45:46,879
Speaker 5: I'm gonna I'm gonna give this. I thought that there

845
00:45:46,920 --> 00:45:49,400
Speaker 5: was some of the banter was good. So I'm going

846
00:45:49,480 --> 00:45:52,520
Speaker 5: to also give this five giant knives.

847
00:45:53,880 --> 00:45:54,279
Speaker 1: Mm hmm.

848
00:45:54,920 --> 00:45:57,560
Speaker 3: I'm giving it six. So I thought I hated it

849
00:45:57,600 --> 00:46:02,279
Speaker 3: the most Smarta's vineyards or awkwardly sliced tomatoes.

850
00:46:02,320 --> 00:46:04,880
Speaker 4: I can't decide mix the both.

851
00:46:05,320 --> 00:46:08,359
Speaker 3: Six. Yeah, it's my lowest we've had in how many

852
00:46:08,360 --> 00:46:10,640
Speaker 3: What episode number? Is this my lowest score?

853
00:46:10,760 --> 00:46:10,960
Speaker 2: Yeah?

854
00:46:11,000 --> 00:46:12,759
Speaker 4: I think mine too, mm hmm.

855
00:46:14,600 --> 00:46:18,799
Speaker 1: I'm going to give it since I kind of take

856
00:46:18,880 --> 00:46:26,920
Speaker 1: it personally, since I had to watch that myself being

857
00:46:27,120 --> 00:46:33,640
Speaker 1: that and it was not it was not enjoyable, I'm

858
00:46:33,640 --> 00:46:35,399
Speaker 1: going to give it. I'm going to put it down

859
00:46:35,440 --> 00:46:39,239
Speaker 1: into the threes. Oh, I'm going to give it a

860
00:46:39,400 --> 00:46:43,239
Speaker 1: three point six. Fow, I'm going to give it a

861
00:46:43,280 --> 00:46:53,080
Speaker 1: three point six five. Uh, portable camp of burners that

862
00:46:53,280 --> 00:46:55,040
Speaker 1: is out of kerosene.

863
00:46:55,120 --> 00:47:00,640
Speaker 6: The only thing with maybe three points six ' five

864
00:47:01,680 --> 00:47:05,840
Speaker 6: bowie knives to take off the feet if anybody involved.

865
00:47:10,239 --> 00:47:13,240
Speaker 4: That thing is officially the lowest rating on any episode

866
00:47:13,280 --> 00:47:13,600
Speaker 4: we don't.

867
00:47:14,440 --> 00:47:18,880
Speaker 1: I'm sorry, I just think. I mean, listen, I understand

868
00:47:19,160 --> 00:47:23,000
Speaker 1: the creative people like to mix it up if they

869
00:47:23,080 --> 00:47:25,800
Speaker 1: feel a little stale and they come up with an idea.

870
00:47:26,560 --> 00:47:28,719
Speaker 1: Let's take it to Martha's vain. Let's do that. Then

871
00:47:28,800 --> 00:47:32,680
Speaker 1: that's what they must do, uh, to find their way

872
00:47:32,719 --> 00:47:38,040
Speaker 1: back home as it were. So I don't I applaud

873
00:47:38,080 --> 00:47:40,560
Speaker 1: the effort. You know, it's hard to take this out

874
00:47:40,560 --> 00:47:44,680
Speaker 1: of Star's hollow so much and limit it to so

875
00:47:44,840 --> 00:47:48,040
Speaker 1: few characters. So I applaud the effort, But you know,

876
00:47:48,120 --> 00:47:49,840
Speaker 1: the execution is a different story.

877
00:47:50,000 --> 00:47:51,960
Speaker 4: I feel like the more we talked about it, I

878
00:47:52,040 --> 00:47:55,600
Speaker 4: like dislike I didn't mind being at the beach house

879
00:47:55,640 --> 00:47:57,279
Speaker 4: at first, and then alway talking about it, I'm like, yeah,

880
00:47:57,280 --> 00:47:58,080
Speaker 4: it just go worse.

881
00:47:59,040 --> 00:48:06,800
Speaker 1: Oh yeah, we'll sway anyway, I'm worried, you know what.

882
00:48:06,920 --> 00:48:11,280
Speaker 3: I also will say, I'm not sure I've seen this episode,

883
00:48:11,360 --> 00:48:18,239
Speaker 3: but once, like one episode I've ever rewatched, and I wonder,

884
00:48:18,520 --> 00:48:20,919
Speaker 3: like I was literally like, have I even seen this ever?

885
00:48:22,000 --> 00:48:24,040
Speaker 3: Like I'm kind of like confused.

886
00:48:24,480 --> 00:48:28,160
Speaker 1: I don't know that it's a famous so we might be.

887
00:48:28,239 --> 00:48:32,160
Speaker 3: In for some trouble, but I do know. Look, anyway,

888
00:48:32,200 --> 00:48:32,680
Speaker 3: I digress.

889
00:48:32,920 --> 00:48:34,680
Speaker 1: We're gonna We're just gonna tuck and roll out of

890
00:48:34,760 --> 00:48:38,759
Speaker 1: this anyway. Thanks, ladies. The house is on fire. Let's

891
00:48:38,800 --> 00:48:41,160
Speaker 1: just get out of that we got to get some

892
00:48:41,239 --> 00:48:48,439
Speaker 1: fresh air. Thank you ladies, Tarist, Suit, Susan and French Amy,

893
00:48:48,520 --> 00:48:52,440
Speaker 1: Sugarman and best fans of all the planet thanks for

894
00:48:52,960 --> 00:49:02,600
Speaker 1: downloading uh this giant bowl of positivity MS of love anyway,

895
00:49:02,680 --> 00:49:06,640
Speaker 1: we will see you on the seventeenth. Get your tickets.

896
00:49:08,960 --> 00:49:40,879
Speaker 1: Much love and stay safe out there everybody, and don't

897
00:49:40,920 --> 00:49:44,400
Speaker 1: forget Follow us on Instagram at i Am all In

898
00:49:44,680 --> 00:49:49,799
Speaker 1: podcast and email us at Gilmour at iHeartRadio dot com.