1 00:00:03,360 --> 00:00:10,320 Speaker 1: Motherfucking mini episode, mini episode, motherfucking mini episode. 2 00:00:13,480 --> 00:00:17,720 Speaker 2: At night, I dream of you. I want to be 3 00:00:18,079 --> 00:00:24,439 Speaker 2: a lady bab Welcome to another phenomenal episode of My 4 00:00:24,600 --> 00:00:27,760 Speaker 2: Mama told me. Oh, let me. It's not gonna pick 5 00:00:27,800 --> 00:00:31,800 Speaker 2: up the slack phe Nope, nope, you had a chance, 6 00:00:31,800 --> 00:00:36,680 Speaker 2: and and you blew it. The the podcast it dives 7 00:00:36,720 --> 00:00:41,080 Speaker 2: deep into the pockets of black conspiracy theories and propile 8 00:00:42,200 --> 00:00:47,479 Speaker 2: Neither of us are doing great this week. No, I'm 9 00:00:47,520 --> 00:00:49,600 Speaker 2: not even gonna fit. I'm not gonna finish the intro. 10 00:00:49,880 --> 00:00:51,800 Speaker 2: It's it's some other fucking mini episode. 11 00:00:52,000 --> 00:00:55,440 Speaker 3: Oh my goodness. We're just trying over here. We're trying. 12 00:00:56,000 --> 00:00:59,680 Speaker 3: It is a motherfucking mini episode. And you're hearing my 13 00:00:59,760 --> 00:01:02,280 Speaker 3: voice and this is not like hermit. 14 00:01:03,160 --> 00:01:07,559 Speaker 2: Yeah, how do you like that? Langston is at a 15 00:01:07,680 --> 00:01:12,680 Speaker 2: sidewalk moonwalk sideways moonwalking class. He does it for exercise, 16 00:01:13,319 --> 00:01:15,360 Speaker 2: very similar to a lot of you and your room 17 00:01:15,440 --> 00:01:19,440 Speaker 2: buss and whatnot. And he left us Olivia and I 18 00:01:19,560 --> 00:01:21,560 Speaker 2: to hold down the floor and read an email. And 19 00:01:21,640 --> 00:01:24,880 Speaker 2: I'm I'm excited. This is this is a lot of Olivia. 20 00:01:24,920 --> 00:01:25,920 Speaker 2: How do you feel about it? 21 00:01:26,200 --> 00:01:29,520 Speaker 3: I'm feeling all right. I mean, I don't. I mean, 22 00:01:29,640 --> 00:01:32,280 Speaker 3: first off, I just want to say how awesome the 23 00:01:32,319 --> 00:01:34,560 Speaker 3: live show was this past Sunday. 24 00:01:34,880 --> 00:01:38,000 Speaker 2: And oh it was very good. A lot of very 25 00:01:38,040 --> 00:01:39,480 Speaker 2: off colored jokes. 26 00:01:39,280 --> 00:01:42,800 Speaker 3: Yes, yes, And I had people come up to me 27 00:01:43,240 --> 00:01:46,120 Speaker 3: and man, this might be something you and Langston got 28 00:01:46,120 --> 00:01:48,920 Speaker 3: to talk about. But they were like, Olivia, we're so 29 00:01:49,040 --> 00:01:51,800 Speaker 3: glad that you're the researcher and you can rain them in. 30 00:01:52,080 --> 00:01:55,160 Speaker 3: And I'm like, what, what the what the hell is that? 31 00:01:56,080 --> 00:01:58,520 Speaker 2: Also, first of all, I need you to understand, if 32 00:01:58,520 --> 00:02:01,360 Speaker 2: you're listening, and I know that I speak Lamba Apple Likeston, 33 00:02:01,840 --> 00:02:05,880 Speaker 2: I can't be contained. I can't be managed exactly. I 34 00:02:05,920 --> 00:02:10,040 Speaker 2: have no manager Langston too. Yeah, you cut out some 35 00:02:10,080 --> 00:02:12,800 Speaker 2: stuff that we say that is probably a little too 36 00:02:12,840 --> 00:02:14,040 Speaker 2: aggressive for the public. 37 00:02:14,520 --> 00:02:17,640 Speaker 3: Yeah, But at the same time, it's like, how often 38 00:02:17,720 --> 00:02:20,120 Speaker 3: I think the thing that threw me off was people 39 00:02:20,160 --> 00:02:22,640 Speaker 3: being like, oh, the researcher, the researcher, And I'm like, 40 00:02:22,680 --> 00:02:25,040 Speaker 3: I don't think Langston would appreciate if people are calling 41 00:02:25,080 --> 00:02:27,240 Speaker 3: me the researcher because he's. 42 00:02:27,080 --> 00:02:29,280 Speaker 2: The main guy doing He would not it would hurt 43 00:02:29,280 --> 00:02:32,480 Speaker 2: his feelings. Uh yeah, No, that's I don't like the 44 00:02:32,560 --> 00:02:34,480 Speaker 2: idea that they look at you as some kind of 45 00:02:34,520 --> 00:02:38,320 Speaker 2: a you're a third part in this equally as problematic. 46 00:02:38,680 --> 00:02:40,920 Speaker 3: Yes, I will say I take part of that. I 47 00:02:40,919 --> 00:02:43,519 Speaker 3: think the best way to describe it as way back 48 00:02:43,560 --> 00:02:46,520 Speaker 3: when we talked about the blow of it all, as 49 00:02:46,639 --> 00:02:50,800 Speaker 3: how we described each other. I think you two dubbed 50 00:02:50,800 --> 00:02:53,720 Speaker 3: me the bagheera of the group, which I'm like, Okay, 51 00:02:53,720 --> 00:02:55,919 Speaker 3: that seems fair, Like that's fair. 52 00:02:56,000 --> 00:02:59,200 Speaker 2: But you're still a Christiananigan's you love the club? I do? 53 00:02:59,320 --> 00:03:02,200 Speaker 2: I do? I do? 54 00:03:02,320 --> 00:03:06,959 Speaker 3: I do love the club. Okay, contact After some fun 55 00:03:07,240 --> 00:03:10,600 Speaker 3: Shenanigans at JFL, I did make a proclamation of how 56 00:03:10,680 --> 00:03:13,480 Speaker 3: much I do love the club, and I think I 57 00:03:13,520 --> 00:03:14,520 Speaker 3: still do to this day. 58 00:03:15,320 --> 00:03:17,280 Speaker 2: I think it's great that you love the clubs love 59 00:03:17,480 --> 00:03:20,400 Speaker 2: we all love the club. Yeah, that's one thing people 60 00:03:20,440 --> 00:03:22,880 Speaker 2: will get from this podcast. You want to listen to 61 00:03:23,760 --> 00:03:28,320 Speaker 2: three mid to late thirties people who still love the club. 62 00:03:28,520 --> 00:03:30,320 Speaker 2: My mama told me exactly. 63 00:03:30,400 --> 00:03:33,320 Speaker 3: Yeah, And to that part, I can't be contained, just 64 00:03:33,960 --> 00:03:35,960 Speaker 3: like a club girl will always be a club girl, 65 00:03:36,000 --> 00:03:38,280 Speaker 3: and you just can't shake that out no matter the age. 66 00:03:38,800 --> 00:03:42,960 Speaker 2: Yeah, Rat's gonna rat. Here's my question. Here's my question 67 00:03:43,000 --> 00:03:45,200 Speaker 2: about the club. Before we get into the email have 68 00:03:45,240 --> 00:03:48,080 Speaker 2: you ever? This is I like the club too, but 69 00:03:48,680 --> 00:03:51,720 Speaker 2: I've never been like a take something off in the club, 70 00:03:52,120 --> 00:03:55,600 Speaker 2: Like I never take off my shoes or like the 71 00:03:55,640 --> 00:03:58,480 Speaker 2: top shirt or something like that. I always wanted to be 72 00:03:58,520 --> 00:03:59,760 Speaker 2: a take it off in the club. 73 00:04:00,560 --> 00:04:03,120 Speaker 3: I get Okay, I can see that. I okay, personally, 74 00:04:03,200 --> 00:04:05,200 Speaker 3: I've never been taken off at the club, but I've 75 00:04:05,400 --> 00:04:09,480 Speaker 3: witnessed them and they do have like a really like 76 00:04:09,840 --> 00:04:12,320 Speaker 3: sense good sense of like a good time and the 77 00:04:12,480 --> 00:04:15,520 Speaker 3: aura is there for them, like this isn't their first 78 00:04:15,560 --> 00:04:16,200 Speaker 3: time doing this. 79 00:04:16,720 --> 00:04:19,880 Speaker 2: It's beautiful, It's beautiful. I gotta take it off, but 80 00:04:19,960 --> 00:04:21,480 Speaker 2: I'm still gonna stay in the club. 81 00:04:21,839 --> 00:04:23,600 Speaker 3: Do you know what you would take off? 82 00:04:24,200 --> 00:04:27,799 Speaker 2: Oh? In a perfect world. 83 00:04:27,920 --> 00:04:29,360 Speaker 3: It's a perfect, perfect world. 84 00:04:29,600 --> 00:04:35,040 Speaker 2: Perfect world. Okay, here's how I come in. I have 85 00:04:35,080 --> 00:04:36,839 Speaker 2: a what do you call you're not supposed to call 86 00:04:36,880 --> 00:04:38,880 Speaker 2: a white beeter on one? What do you call it? 87 00:04:39,000 --> 00:04:39,160 Speaker 4: Now? 88 00:04:39,360 --> 00:04:40,919 Speaker 3: Isn't it a white tea white tank? 89 00:04:41,360 --> 00:04:43,760 Speaker 2: Okay? I come in. I have a white tank. I 90 00:04:43,800 --> 00:04:46,760 Speaker 2: have a button up over it right, Okay, this is 91 00:04:46,800 --> 00:04:49,880 Speaker 2: a Caribbean club or island rhythms. 92 00:04:49,560 --> 00:04:50,720 Speaker 3: Okay, like dance all night? 93 00:04:50,800 --> 00:04:55,359 Speaker 2: Okay, yeah, yeah, I start and I'm dancing. I noticed 94 00:04:55,440 --> 00:05:00,640 Speaker 2: I get sweaty. I I'm button it and then I button. 95 00:05:00,720 --> 00:05:05,200 Speaker 2: Now it's open and flowing. Then it comes off completely 96 00:05:05,680 --> 00:05:07,960 Speaker 2: and I'm like, I'm like, I'm like moving it in 97 00:05:08,040 --> 00:05:09,839 Speaker 2: the air, you know. Okay, and then by the end 98 00:05:09,880 --> 00:05:12,200 Speaker 2: of the night it's around my neck almost like a 99 00:05:12,200 --> 00:05:12,920 Speaker 2: cooling towel. 100 00:05:13,279 --> 00:05:13,520 Speaker 3: Okay. 101 00:05:13,520 --> 00:05:15,279 Speaker 2: And I'm just in a take took. 102 00:05:15,400 --> 00:05:18,800 Speaker 3: Okay, I'm digging that. And I assume, like this button up, 103 00:05:18,880 --> 00:05:21,800 Speaker 3: like it's definitely like predetermined or is it kind of 104 00:05:21,839 --> 00:05:24,599 Speaker 3: like a wild card, like it just depends. 105 00:05:25,160 --> 00:05:29,240 Speaker 2: It will fit the moment. Okay. Maybe it's a part 106 00:05:29,240 --> 00:05:31,640 Speaker 2: of a set. Maybe I'm wearing like a short set, 107 00:05:31,680 --> 00:05:33,080 Speaker 2: like a colorful short set. 108 00:05:33,160 --> 00:05:34,000 Speaker 3: Oh yeah, okay. 109 00:05:34,200 --> 00:05:37,360 Speaker 2: And then like a sneaker with no sock type of situation, 110 00:05:37,720 --> 00:05:39,560 Speaker 2: no sock in the clothes, or I wear those I 111 00:05:39,600 --> 00:05:42,080 Speaker 2: wear the low socks, but it looks like no sock 112 00:05:42,240 --> 00:05:44,760 Speaker 2: got it because my feet it does too much damage 113 00:05:44,760 --> 00:05:48,039 Speaker 2: to like a raw Nike. Yeah, you have to have 114 00:05:48,120 --> 00:05:48,839 Speaker 2: like a barrier. 115 00:05:48,960 --> 00:05:52,080 Speaker 3: Yeah, you got to keep those in checks, the like 116 00:05:52,160 --> 00:05:54,159 Speaker 3: the good Nikes and all that, and don't want to 117 00:05:54,440 --> 00:05:55,440 Speaker 3: ruin them in any way. 118 00:05:56,120 --> 00:05:58,240 Speaker 2: And you know, if you're wearing ones, they get to 119 00:05:58,279 --> 00:06:00,279 Speaker 2: stink in air Force one. After a while, you just 120 00:06:00,279 --> 00:06:02,680 Speaker 2: have to throw them out because they get bad, even 121 00:06:02,680 --> 00:06:05,200 Speaker 2: if you kept them clean. But anyways, we're not here 122 00:06:05,240 --> 00:06:08,719 Speaker 2: to discuss how clean or dirty you keep your ones. 123 00:06:09,200 --> 00:06:12,799 Speaker 2: We got an email that we're going to read, right, Yeah, i'll. 124 00:06:12,640 --> 00:06:14,839 Speaker 3: Have you kick it off. But this comes from a 125 00:06:14,920 --> 00:06:18,680 Speaker 3: listener named Evan, and yeah, I'll throw it to you 126 00:06:19,200 --> 00:06:20,080 Speaker 3: BORI to read it. 127 00:06:20,440 --> 00:06:25,440 Speaker 2: I guess I gotta do everything around here. Uh, I 128 00:06:25,520 --> 00:06:27,240 Speaker 2: was gonna for the rest of this. 129 00:06:27,480 --> 00:06:29,719 Speaker 3: I don't want this podcast to turn out where I 130 00:06:29,920 --> 00:06:33,000 Speaker 3: end up taking it over. I gotta I gotta play 131 00:06:33,000 --> 00:06:35,640 Speaker 3: that producer role. I gotta be like, hey, this is 132 00:06:35,720 --> 00:06:39,360 Speaker 3: you and Langston's thing. I'm here to like bring in 133 00:06:39,440 --> 00:06:43,000 Speaker 3: things when necessary because we don't. We don't want to 134 00:06:43,000 --> 00:06:46,520 Speaker 3: one off to happen where it ends up beet that. 135 00:06:46,640 --> 00:06:52,280 Speaker 2: Like, yeah, right, okay, that's fair. But just know if 136 00:06:52,320 --> 00:06:53,960 Speaker 2: you want to, you can take your shoes off in 137 00:06:54,040 --> 00:06:54,760 Speaker 2: the club. 138 00:06:54,600 --> 00:06:59,840 Speaker 3: All right, get right. I think my my husband would say, 139 00:07:00,400 --> 00:07:01,320 Speaker 3: don't encourage her. 140 00:07:02,560 --> 00:07:04,320 Speaker 2: You should tell him to take his shirt off in 141 00:07:04,400 --> 00:07:04,799 Speaker 2: the club. 142 00:07:05,000 --> 00:07:06,280 Speaker 3: I will, I will next time. 143 00:07:06,640 --> 00:07:08,200 Speaker 2: I feel like you could trick him into it. I 144 00:07:08,240 --> 00:07:11,440 Speaker 2: feel like you can get in there. 145 00:07:17,320 --> 00:07:22,240 Speaker 4: We're calling upon you because we have new merch. We 146 00:07:22,320 --> 00:07:26,480 Speaker 4: have very exciting merch that we are now selling and 147 00:07:26,520 --> 00:07:29,000 Speaker 4: it's it's fucking great. We love it so much. 148 00:07:29,160 --> 00:07:31,160 Speaker 2: Just sleek, it's sexy. 149 00:07:31,720 --> 00:07:33,400 Speaker 4: Come on, you want to tell them what we have. 150 00:07:33,640 --> 00:07:36,400 Speaker 2: Yeah, we have three different types of hats, which is 151 00:07:36,440 --> 00:07:39,960 Speaker 2: really fun. We have a two tone hat, an alien 152 00:07:40,080 --> 00:07:43,560 Speaker 2: dad hat, the traditional logo in black and khaki. Then 153 00:07:43,600 --> 00:07:46,000 Speaker 2: we have the enamel pin with an alien who has 154 00:07:46,040 --> 00:07:48,280 Speaker 2: a coofie on it since my mama told me. And 155 00:07:48,320 --> 00:07:51,120 Speaker 2: then we have t shirts that say proud little Mama, 156 00:07:51,160 --> 00:07:52,120 Speaker 2: which is who you are. 157 00:07:52,640 --> 00:07:55,240 Speaker 4: Yeah, you can buy the merch now, go to my 158 00:07:55,400 --> 00:07:58,880 Speaker 4: mama told me dot merch table dot com. It's a 159 00:07:58,920 --> 00:08:01,880 Speaker 4: brand new name, but it's the same old merch and 160 00:08:01,920 --> 00:08:03,640 Speaker 4: we would love for you to get some if you 161 00:08:03,720 --> 00:08:06,560 Speaker 4: haven't got it already, and we want you to have 162 00:08:06,720 --> 00:08:08,320 Speaker 4: all the sweet stuff, so get it. 163 00:08:11,520 --> 00:08:11,880 Speaker 1: All right. 164 00:08:11,960 --> 00:08:15,440 Speaker 2: Let me read this email. It is from Evan and says, hey, Lang, 165 00:08:15,480 --> 00:08:19,280 Speaker 2: Sin and David. I guess that's an okay address. This 166 00:08:19,440 --> 00:08:22,320 Speaker 2: is definitely not from my mom's because she's the sweetest 167 00:08:22,320 --> 00:08:25,000 Speaker 2: woman alive and would never have a theory about the 168 00:08:25,040 --> 00:08:27,760 Speaker 2: way people die. But I've heard this saying they come 169 00:08:27,760 --> 00:08:31,920 Speaker 2: in threes in reference to celebrities deaths. Then this happened, 170 00:08:32,600 --> 00:08:35,560 Speaker 2: and with other celebrity deaths recently, it was top of mind. 171 00:08:35,559 --> 00:08:39,760 Speaker 2: What do y'all think? And he shows us set Eleanor Coppola, 172 00:08:40,320 --> 00:08:47,320 Speaker 2: Roberto Covali, and Robert McNeil, which he co anchored a 173 00:08:47,400 --> 00:08:51,520 Speaker 2: PBS evening newscast. I don't know if that's a celebrity. 174 00:08:52,040 --> 00:08:54,600 Speaker 3: First we got to define, like what is celebrity? Are 175 00:08:54,640 --> 00:08:56,559 Speaker 3: these celebrities? 176 00:08:57,040 --> 00:09:01,360 Speaker 2: And this isn't me shooting on PBS news. I love 177 00:09:01,440 --> 00:09:06,880 Speaker 2: PBS News like well, and I mean I like their 178 00:09:07,000 --> 00:09:10,240 Speaker 2: actual news. Shout out to Judy Oh actually, okay, yeah, 179 00:09:10,360 --> 00:09:14,320 Speaker 2: Judy Woodruff is on there. You me shall Sindor I 180 00:09:14,360 --> 00:09:16,840 Speaker 2: think is her name. I probably butchered it. There's some 181 00:09:16,920 --> 00:09:19,200 Speaker 2: good I like. I like non biased news. That's not 182 00:09:19,280 --> 00:09:22,320 Speaker 2: the point. What I'm saying is I My mom says 183 00:09:22,360 --> 00:09:23,880 Speaker 2: this too. By the way, do you is this a 184 00:09:24,559 --> 00:09:26,599 Speaker 2: Do they have this in Latino culture. 185 00:09:27,240 --> 00:09:30,920 Speaker 3: And Latino No, We're just highly superstitious, so we think 186 00:09:31,520 --> 00:09:36,000 Speaker 3: like it's a calling from God or it's either having 187 00:09:36,440 --> 00:09:39,640 Speaker 3: this is the complicated thing about Latinos. We have very 188 00:09:39,640 --> 00:09:42,920 Speaker 3: close connection. Shit, this is a new segment, complicated issues 189 00:09:42,960 --> 00:09:44,160 Speaker 3: in the Latino community. 190 00:09:45,040 --> 00:09:48,199 Speaker 2: Your own Latino corner. I'm taking over the whole show 191 00:09:48,280 --> 00:09:50,720 Speaker 2: like they do our jobs. But you can have your 192 00:09:50,720 --> 00:09:51,800 Speaker 2: own corner, all. 193 00:09:51,800 --> 00:09:56,720 Speaker 3: Right, all right, I will say, Okay, So the complicated 194 00:09:57,280 --> 00:09:59,880 Speaker 3: things that we have is like we're most of us 195 00:10:00,080 --> 00:10:03,480 Speaker 3: can't say all Latinos, but most are Catholics, most have 196 00:10:03,559 --> 00:10:07,679 Speaker 3: been raised like with Catholicism. But also we also have 197 00:10:08,040 --> 00:10:13,880 Speaker 3: that like brew ha like energy, like craft. Yeah, so 198 00:10:14,160 --> 00:10:18,000 Speaker 3: it's like thinking about it as a community as a whole. 199 00:10:18,160 --> 00:10:21,280 Speaker 3: I don't think it's like we look at threes, but 200 00:10:21,360 --> 00:10:24,200 Speaker 3: we definitely are like looking at signs that could be 201 00:10:24,280 --> 00:10:30,199 Speaker 3: signaling like a death to becoming or like even reviewing 202 00:10:30,200 --> 00:10:32,960 Speaker 3: the signs after a death. Those those are things I 203 00:10:32,960 --> 00:10:36,960 Speaker 3: think we're more in tuned with versus three consecutive deaths, 204 00:10:37,040 --> 00:10:37,920 Speaker 3: if that makes sense. 205 00:10:38,360 --> 00:10:41,680 Speaker 2: That makes sense to me. I think it's mad easy 206 00:10:41,760 --> 00:10:44,480 Speaker 2: to see because this is what happens. I think that 207 00:10:44,600 --> 00:10:47,920 Speaker 2: two people die or or one person dies, and you 208 00:10:48,000 --> 00:10:51,320 Speaker 2: start looking for it, and then the timing gets loose 209 00:10:51,440 --> 00:10:54,640 Speaker 2: and then you start being like, oh, I mean famous 210 00:10:54,640 --> 00:10:57,319 Speaker 2: to me, I think that people die all the time. 211 00:10:58,440 --> 00:10:59,240 Speaker 2: That's a fact. 212 00:10:59,559 --> 00:11:01,439 Speaker 3: That's a fact. People die a free day. 213 00:11:01,600 --> 00:11:05,560 Speaker 2: People get shot every day by And I think that, like, 214 00:11:05,880 --> 00:11:08,680 Speaker 2: I think that, like it becomes really easy to be 215 00:11:08,760 --> 00:11:11,880 Speaker 2: hyper focused on it because it doesn't come in threes. 216 00:11:11,880 --> 00:11:16,080 Speaker 2: It comes into quads or quinns. If you're at tracking 217 00:11:16,200 --> 00:11:19,280 Speaker 2: every person a note who dies, it's constant. It's a 218 00:11:19,360 --> 00:11:22,480 Speaker 2: constant stream. You can always pick three. So as much 219 00:11:22,520 --> 00:11:25,079 Speaker 2: as I like this idea, I think, if I were, 220 00:11:25,080 --> 00:11:26,960 Speaker 2: I have to say so, I think that it's like, 221 00:11:27,720 --> 00:11:30,160 Speaker 2: it's not so much that people die in threes as 222 00:11:30,240 --> 00:11:33,520 Speaker 2: much as people die. You pay attention in threes. 223 00:11:33,760 --> 00:11:36,280 Speaker 3: Yeah, you pay attention. I feel like also, three is 224 00:11:36,320 --> 00:11:38,920 Speaker 3: an odd number to I think people make more sense 225 00:11:38,960 --> 00:11:42,760 Speaker 3: of odd numbers versus even numbers too, when like thinking 226 00:11:42,920 --> 00:11:45,200 Speaker 3: of like a consecutive order to happen. 227 00:11:45,760 --> 00:11:45,960 Speaker 1: Right. 228 00:11:46,080 --> 00:11:49,040 Speaker 2: I also think if we're talking about numbers, odd numbers 229 00:11:49,040 --> 00:11:51,199 Speaker 2: are way more magical than even numbers. 230 00:11:51,320 --> 00:11:52,880 Speaker 3: Yeah, that's right true. 231 00:11:52,840 --> 00:11:56,480 Speaker 2: There's nothing for ough. Yeah, get it away from me. 232 00:11:56,760 --> 00:11:59,840 Speaker 2: That's the most normal ast number. Oh you just reason 233 00:12:00,559 --> 00:12:04,120 Speaker 2: in two groups and two too easy? But five the 234 00:12:04,120 --> 00:12:06,559 Speaker 2: fuck's going on? Why is it shaped like that? Yeah? 235 00:12:07,040 --> 00:12:10,480 Speaker 3: I agree, with that completely. I will say like for 236 00:12:10,600 --> 00:12:13,920 Speaker 3: the groups of deaths, there's definitely been like celebrity deaths 237 00:12:13,960 --> 00:12:18,440 Speaker 3: where one has taken like more attention from the other. 238 00:12:19,000 --> 00:12:21,080 Speaker 3: The one that first came to mind to me was 239 00:12:21,120 --> 00:12:24,760 Speaker 3: when Farah Fawcett and Michael Jackson died, because I believe 240 00:12:24,840 --> 00:12:29,600 Speaker 3: Sarah Fawcett died first, and like within twenty four hours, 241 00:12:29,600 --> 00:12:35,000 Speaker 3: Michael Jackson died and everyone just like forgot about Sarah Fawcett. 242 00:12:35,400 --> 00:12:38,199 Speaker 2: I didn't until I thought she was alive, until just now. 243 00:12:38,240 --> 00:12:41,840 Speaker 2: I didn't really I remember because I've been thinking about 244 00:12:41,840 --> 00:12:43,920 Speaker 2: her because Langston pulled up with those bangs. 245 00:12:45,400 --> 00:12:47,920 Speaker 3: That's true. Oh my gosh. If you all haven't seen 246 00:12:47,960 --> 00:12:51,120 Speaker 3: it now, Okay, well we know that. David earlier said 247 00:12:51,160 --> 00:12:56,120 Speaker 3: that he was at a moonwalking side moonwalking class. In reality, 248 00:12:56,760 --> 00:13:01,160 Speaker 3: he's been he's been working on John Mulaney's show Everybody's 249 00:13:01,200 --> 00:13:05,960 Speaker 3: in La which it's so funny and like hilarious. And 250 00:13:06,280 --> 00:13:11,280 Speaker 3: what David is referencing to is literally Langston did a 251 00:13:11,320 --> 00:13:13,640 Speaker 3: segment about Terrence Howard. 252 00:13:14,400 --> 00:13:18,240 Speaker 2: Yeah to that. Yeah, And you know what I love 253 00:13:18,559 --> 00:13:23,920 Speaker 2: about you know what I love about it is that 254 00:13:23,920 --> 00:13:26,400 Speaker 2: that's the best part about Langston. I feel like as 255 00:13:26,440 --> 00:13:29,000 Speaker 2: soon as he saw that wig, he was like, I 256 00:13:29,000 --> 00:13:29,920 Speaker 2: gotta get in there. 257 00:13:30,440 --> 00:13:34,240 Speaker 3: Absolutely, Like he hit up the producer and was like, 258 00:13:34,720 --> 00:13:38,319 Speaker 3: tell hair and makeup, they need to make this wig now. 259 00:13:39,320 --> 00:13:41,160 Speaker 2: And then it's like, where is the wig now? It's 260 00:13:41,240 --> 00:13:41,760 Speaker 2: in his home? 261 00:13:42,120 --> 00:13:42,640 Speaker 3: Is at his home? 262 00:13:42,760 --> 00:13:42,960 Speaker 2: Yeah? 263 00:13:43,000 --> 00:13:45,720 Speaker 3: I was gonna say the wig is absolutely in his home. 264 00:13:46,640 --> 00:13:50,160 Speaker 3: I'm sure Nicky has to hide the wig so Langston 265 00:13:50,200 --> 00:13:51,360 Speaker 3: doesn't get a hold of it. 266 00:13:51,679 --> 00:13:54,080 Speaker 2: Oh do you think he gets like wig crazy where 267 00:13:54,120 --> 00:13:57,680 Speaker 2: it's like like, oh, it started out his fun role play, 268 00:13:57,679 --> 00:14:01,160 Speaker 2: but now it's like, maybe you're too late to Terrence Howard. 269 00:14:02,160 --> 00:14:04,679 Speaker 3: I can maybe see that happening. I can see that happening. 270 00:14:04,800 --> 00:14:06,280 Speaker 2: I mean we got to do an episode where he 271 00:14:06,320 --> 00:14:07,760 Speaker 2: puts it on, right. Yeah. 272 00:14:07,800 --> 00:14:10,280 Speaker 3: Absolutely, I feel like that's got to be like when 273 00:14:10,320 --> 00:14:12,600 Speaker 3: you're back in Los Angeles, he has to put that 274 00:14:12,640 --> 00:14:16,160 Speaker 3: wig back on, and you too, do like a podcast record. 275 00:14:16,400 --> 00:14:18,160 Speaker 2: Yeah, I don't want to wear a costume, but I 276 00:14:18,160 --> 00:14:19,240 Speaker 2: would like hear no. 277 00:14:19,040 --> 00:14:21,280 Speaker 3: No, you wouldn't have to, but we would make Langston 278 00:14:21,400 --> 00:14:25,760 Speaker 3: put on that way. Okay, yeah, yeah, these are just 279 00:14:25,840 --> 00:14:30,080 Speaker 3: ideas we're throwing around. If the listeners the Little Mamas 280 00:14:30,120 --> 00:14:32,880 Speaker 3: are feeling it, you know, hit us up over email 281 00:14:33,000 --> 00:14:35,800 Speaker 3: and we'll make it happen. We'll make it happen perfect. 282 00:14:35,880 --> 00:14:39,080 Speaker 2: And if you want me to wear something, go fuck yourself. No, 283 00:14:39,160 --> 00:14:41,280 Speaker 2: I would wear a costume. I would wear a costume 284 00:14:41,320 --> 00:14:44,280 Speaker 2: for you. I appreciate you all. And uh, I think 285 00:14:44,320 --> 00:14:46,800 Speaker 2: we did it. Yeah, I think we did. 286 00:14:47,040 --> 00:14:49,240 Speaker 3: Yeah, as we're like, did we do this? 287 00:14:49,400 --> 00:14:50,320 Speaker 2: Yeah, I think we did. 288 00:14:50,360 --> 00:14:54,080 Speaker 3: I think we overall are like it's purely coincidental when 289 00:14:54,680 --> 00:14:59,960 Speaker 3: celebrity deaths happen because celebrities are so much in our pergia, 290 00:15:00,120 --> 00:15:02,240 Speaker 3: Like anytime we look at our phone, anytime we turn 291 00:15:02,280 --> 00:15:06,920 Speaker 3: into the news, celebrity like news is there and it's 292 00:15:07,040 --> 00:15:10,200 Speaker 3: always in the forefront of our mind. People know, like 293 00:15:10,320 --> 00:15:15,800 Speaker 3: the US is a big celebrity like news consumer. So 294 00:15:16,120 --> 00:15:20,160 Speaker 3: with that, it's like, oh, this is such a weird, 295 00:15:20,600 --> 00:15:24,280 Speaker 3: like irotic thing happening of like celebrities dying in three 296 00:15:24,680 --> 00:15:26,880 Speaker 3: But also at the same time, I think a further 297 00:15:26,960 --> 00:15:30,040 Speaker 3: discussion is like, what do you consider a celebrity? 298 00:15:30,680 --> 00:15:33,800 Speaker 2: Yes, exactly, And once again I do want to say 299 00:15:34,160 --> 00:15:38,080 Speaker 2: I don't want to shit on PBS News shout out 300 00:15:38,120 --> 00:15:40,440 Speaker 2: to you mischel Sindor. I think I said her name 301 00:15:40,480 --> 00:15:43,480 Speaker 2: wrong earlier. I felt bad about that. I love what 302 00:15:43,520 --> 00:15:45,200 Speaker 2: you're doing over there, love that they have a black 303 00:15:45,200 --> 00:15:51,080 Speaker 2: person on BBS News. Also, Judy Woodreff, I love you anyways. 304 00:15:52,480 --> 00:15:56,120 Speaker 3: Most informed. I feel like you're the most informed person that. 305 00:15:59,000 --> 00:16:05,480 Speaker 2: Oh no, that's hilarious. I'd rather have this conversation before 306 00:16:05,520 --> 00:16:07,640 Speaker 2: I have to out how ill informed I am. 307 00:16:07,760 --> 00:16:10,200 Speaker 3: All right, all right, we'll wrap this. We'll wrap this 308 00:16:10,320 --> 00:16:10,800 Speaker 3: baby up. 309 00:16:11,320 --> 00:16:13,720 Speaker 2: Olivia. Would you like to tell people what they could 310 00:16:13,760 --> 00:16:14,120 Speaker 2: find you? 311 00:16:15,160 --> 00:16:21,040 Speaker 3: Oh, you'll find me here in my chair producing podcasts. Yeah, 312 00:16:21,080 --> 00:16:23,160 Speaker 3: I mean like I produced. My mama told me, and 313 00:16:23,280 --> 00:16:27,000 Speaker 3: it's one of my favorite shows to produce. And you 314 00:16:27,040 --> 00:16:29,200 Speaker 3: know you can find me on social media. I'm not 315 00:16:29,200 --> 00:16:31,320 Speaker 3: gonna plug it, but you can find me on social media. 316 00:16:31,400 --> 00:16:32,280 Speaker 2: Yeah, we tager it. 317 00:16:33,040 --> 00:16:34,760 Speaker 3: Yeah, you tag me, it's there. 318 00:16:35,240 --> 00:16:38,120 Speaker 2: If you could find that ex boyfriend, you could find Olivia. 319 00:16:38,240 --> 00:16:43,240 Speaker 3: I promise absolutely. Also, I want to include it would 320 00:16:43,240 --> 00:16:47,800 Speaker 3: be remiss if I didn't mention our amazing editor, Justin Smith. 321 00:16:48,120 --> 00:16:51,720 Speaker 3: He makes sures that we get all our episodes up 322 00:16:51,720 --> 00:16:55,080 Speaker 3: on the feed on time. He also does some research 323 00:16:55,120 --> 00:16:58,800 Speaker 3: as well to make sure editing is flowing and making 324 00:16:58,840 --> 00:17:05,119 Speaker 3: sure Linkston and David's voices are fine tuned. Soultiter you 325 00:17:05,280 --> 00:17:07,879 Speaker 3: whatever you think or what you I guess what you 326 00:17:08,000 --> 00:17:11,520 Speaker 3: end up consuming from this podcast And on the next 327 00:17:11,520 --> 00:17:15,640 Speaker 3: mini episode we will have him on to discuss more 328 00:17:15,720 --> 00:17:20,920 Speaker 3: emails with David and myself and it will be one 329 00:17:20,960 --> 00:17:23,960 Speaker 3: mini episode you don't want to miss. And how about you? 330 00:17:24,040 --> 00:17:24,960 Speaker 3: What do you have to plug? 331 00:17:25,160 --> 00:17:27,480 Speaker 2: Oh? You know what, I would love it if you 332 00:17:27,480 --> 00:17:30,480 Speaker 2: would sign up for my Patreon. I'm dropping my one 333 00:17:30,520 --> 00:17:33,240 Speaker 2: hour self produced special. It's called Birth of a Nation 334 00:17:34,119 --> 00:17:35,840 Speaker 2: with a G I'm taking it back. 335 00:17:36,160 --> 00:17:38,600 Speaker 3: Hi, I love it. I love it so much. 336 00:17:38,760 --> 00:17:41,639 Speaker 2: Oh wait till you see the poster. Also going to 337 00:17:41,680 --> 00:17:44,639 Speaker 2: be available on the Patreon patreons for free. I'm gonna 338 00:17:44,680 --> 00:17:47,719 Speaker 2: drop it on there. I got bonus content and backstage 339 00:17:47,760 --> 00:17:50,120 Speaker 2: and some old product projects that I've done on there. 340 00:17:50,440 --> 00:17:54,640 Speaker 2: So go to patreon dot com. Backslash David Bori, D 341 00:17:54,720 --> 00:17:57,520 Speaker 2: A V I, D G B O R I E 342 00:17:58,119 --> 00:18:01,280 Speaker 2: and Cool Guy Jokes on eighty seven on Instagram. Follow 343 00:18:01,400 --> 00:18:07,960 Speaker 2: Langston as well at Sideways Moonwalk Forever on Instagram. No 344 00:18:08,119 --> 00:18:13,720 Speaker 2: lang Sykurtman on all platforms, and uh yeah, I'm not 345 00:18:13,800 --> 00:18:14,760 Speaker 2: great at the ends. 346 00:18:14,920 --> 00:18:17,320 Speaker 3: No, it's it's all right, I mean, and how we 347 00:18:17,359 --> 00:18:20,560 Speaker 3: all sign off? I feel like it's Langston saying bye. 348 00:18:20,320 --> 00:18:22,440 Speaker 2: Bitch, Yeah, you do it, you want to do it? 349 00:18:22,520 --> 00:18:24,480 Speaker 3: All right, I'll do it. I'll do I've been waiting 350 00:18:24,520 --> 00:18:25,080 Speaker 3: for this moment. 351 00:18:25,119 --> 00:18:26,960 Speaker 2: But do your best Lengthston impression. 352 00:18:27,240 --> 00:18:28,880 Speaker 3: Oh my god, No, I'm not gonna come on. 353 00:18:29,000 --> 00:18:31,200 Speaker 2: It's not racist. You're Latino, Matino. 354 00:18:31,359 --> 00:18:34,400 Speaker 3: It's all Latino. If you want to send us your drops, 355 00:18:34,600 --> 00:18:40,360 Speaker 3: your conspiracies, the reason why or what who you consider 356 00:18:40,520 --> 00:18:44,600 Speaker 3: a celebrity is email us at Mamma pod at gmail 357 00:18:44,640 --> 00:18:48,120 Speaker 3: dot com. Well, I think that's it, By bitch. 358 00:18:48,480 --> 00:18:51,480 Speaker 1: There was due to a feces thrown all over the walls, 359 00:18:51,800 --> 00:18:58,480 Speaker 1: the floor, the ceiling in a stunk so bad. The 360 00:18:58,600 --> 00:19:09,120 Speaker 1: fucking minio mini episode, all the fucking mini episode. Well, 361 00:19:09,160 --> 00:19:15,320 Speaker 1: the fucking mini episode, mini episode, all the fucking mini 362 00:19:15,359 --> 00:19:15,879 Speaker 1: episode