WEBVTT - 2026 Update: Skye

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<v Speaker 1>Pushkin.

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<v Speaker 2>Hi, Hello, I think people probably know the drill. We're

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<v Speaker 2>going to revisiting an old, an old episode, and we're

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<v Speaker 2>going to have an update.

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<v Speaker 1>That's not good broadcasting. You don't say to people they

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<v Speaker 1>know the drill. You tell them the drill. You guys

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<v Speaker 1>your powers as a storytelling.

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<v Speaker 2>Hey, everyone, here's the drill.

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<v Speaker 1>And drills are exciting. Think of a fire drill when

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<v Speaker 1>you were in elementary school.

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<v Speaker 2>How great was that you're getting out of class.

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<v Speaker 1>Especially if you were in gym, like you ran outside

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<v Speaker 1>in the winter, snow and your shirt. It was great. So, yeah,

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<v Speaker 1>here's the drill.

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<v Speaker 2>Today, we're going to listen to an episode called the Sky.

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<v Speaker 3>Oh.

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<v Speaker 1>It's a classic episode.

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<v Speaker 4>You know.

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<v Speaker 2>We get a lot of pitches about being cut out

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<v Speaker 2>of friend groups, about being bullied in some way. I

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<v Speaker 2>think it's unfortunately, like a pretty common story that a

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<v Speaker 2>lot of people can relate to. But what we really

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<v Speaker 2>liked about Sky's story is that we really liked that

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<v Speaker 2>it involved her son and that she was doing it

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<v Speaker 2>at the encouragement of her son.

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<v Speaker 1>And now that same son from the story, get this.

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<v Speaker 1>This is a bit of a spoiler alert. He's now

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<v Speaker 1>an adult.

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<v Speaker 2>Yeah, a young adult.

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<v Speaker 1>That's what time will do to you. Yeah, make a

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<v Speaker 1>little kid, a young man, make an old man like me,

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<v Speaker 1>and even older man. Yeah sad.

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<v Speaker 2>Really you remember the Joey episode?

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<v Speaker 1>I do, of course.

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<v Speaker 2>Do you remember how you did Sky and Joey on

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<v Speaker 2>the same trip.

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<v Speaker 1>Oh, yeah, that's right.

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<v Speaker 2>You did just like a week of knocking out people's problems.

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<v Speaker 1>So productive, so helpful.

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<v Speaker 2>Yeah.

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<v Speaker 1>I should have a private jet and on the side

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<v Speaker 1>it would say mister Helpful.

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<v Speaker 2>And when you took off, people would clap like Superman

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<v Speaker 2>and they'd say thank you, mister helpful.

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<v Speaker 1>Do you think there's a room in the Marvel universe

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<v Speaker 1>for a mister helpful?

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<v Speaker 2>It's not the catchiest name.

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<v Speaker 1>The power of helping people.

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<v Speaker 2>Well, sit back, enjoy. And then we're going to hear

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<v Speaker 2>from Sky at the end.

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<v Speaker 1>Oh, but first, a word from our sponsors high podcast friends.

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<v Speaker 1>As regular listeners know, I try to run a family

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<v Speaker 1>friendlish podcast. But because it's integral to the plot. In

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<v Speaker 1>this episode of Heavyweight, we drop the F bomb and

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<v Speaker 1>unprecedented nine times. If they were giving out peabodies for swearing,

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<v Speaker 1>maybe I'd get one. Also, as long as I'm giving advisories,

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<v Speaker 1>I also pronounced the word garage as garage, I encourage

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<v Speaker 1>you to listen anyway. Hello, did you get a message

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<v Speaker 1>from me a couple months ago? A phone message was

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<v Speaker 1>on your birthday. I was wishing you a happy birthday.

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<v Speaker 5>It's possible I didn't.

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<v Speaker 1>Hear anything back, so I was concer When someone leaves

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<v Speaker 1>your message on your birthday, you have no obligation to

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<v Speaker 1>return that message. But that's it. Oh my god, it

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<v Speaker 1>would have been nice to get. I'm not saying a

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<v Speaker 1>thank you card, but you know, if I.

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<v Speaker 4>Was under non obligation, why are you now giving me

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<v Speaker 4>suggestions as to how I should have responded.

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<v Speaker 1>Some things in life aren't obligatory, but we just do them,

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<v Speaker 1>you know what I mean?

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<v Speaker 4>Absolutely, like picking up the phone when I just saw that,

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<v Speaker 4>you call.

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<v Speaker 1>Me exactly like, Hey, wait a minute from Gimblet Media.

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<v Speaker 1>I'm Jonathan Goldstein and this is Heavyweight. Today's episode, sky

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<v Speaker 1>Sky and her son Clark ever ritual every night. After

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<v Speaker 1>his teeth are brushed and he's all tucked in, right

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<v Speaker 1>before Clark goes to sleep, Sky sits down on the

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<v Speaker 1>edge of his bed and they talk.

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<v Speaker 4>What was your favorite part of that movie?

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<v Speaker 6>Probably like the end was.

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<v Speaker 4>A good helicopter.

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<v Speaker 1>Clark's eleven, so naturally there's a lot of discussion about

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<v Speaker 1>comic books and movies.

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<v Speaker 4>I don't think it was a movie, you know, the

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<v Speaker 4>original Jumanji was not funny.

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<v Speaker 1>But there's something about the stillness of nighttime that also

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<v Speaker 1>frees Clark up to speak in a way that he

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<v Speaker 1>doesn't normally. Not only does he tell Sky about what

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<v Speaker 1>he's watching and reading, he tells her about his feelings.

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<v Speaker 1>He shares stories about what's going on at school, and

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<v Speaker 1>Sky shares stories too, stories from her childhood. Some stories

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<v Speaker 1>she tells just to entertain Clark, but other stories she

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<v Speaker 1>tells to impart a lesson. There's one story in particular

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<v Speaker 1>she's told Clark over and over again throughout the years.

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<v Speaker 1>It's been coming up a lot. Recently, Sky told me

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<v Speaker 1>the story.

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<v Speaker 4>So the story, in a way, the story starts when

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<v Speaker 4>I moved.

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<v Speaker 1>When she was eleven years old, Sky was best friends

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<v Speaker 1>with a group of four girls girl They wore a

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<v Speaker 1>spree sweatshirts and watched Love Boat on the weekends. They

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<v Speaker 1>were the popular girls.

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<v Speaker 4>That was sort of the vibe of that group was

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<v Speaker 4>like we're exclusive and we're kind of the shit. Yeah,

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<v Speaker 4>you know, how like in high school they have you know,

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<v Speaker 4>most beautiful and most popular, and all of those. We

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<v Speaker 4>decided to make our own book of you know, awarding

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<v Speaker 4>people various prizes. We gave me best eyes, and I

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<v Speaker 4>remember sort of having this pride in.

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<v Speaker 1>That they spent all the fifth grade together. Then summer

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<v Speaker 1>came and with it long days filled with lazy bike

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<v Speaker 1>rides and trips to the candy shop. But early one

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<v Speaker 1>summer morning, Sky I woke up to find her yard

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<v Speaker 1>had been tepeed, covered in toilet paper, and there was more.

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<v Speaker 4>Someone had written fuck you on our garage door. And

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<v Speaker 4>we had a double garage, and so fuck was on

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<v Speaker 4>one and you was on the other, and they were

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<v Speaker 4>written in large white letters on our brown garage.

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<v Speaker 1>Sky's mom had seen the vandals make their getaway. The

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<v Speaker 1>words fuck you had been written by none other than

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<v Speaker 1>Sky's for best friends.

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<v Speaker 4>And they had been written in paint. I wish they

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<v Speaker 4>had done it was something that had come off, because

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<v Speaker 4>I do remember this feeling of like being driven home

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<v Speaker 4>day after day and seeing those words on the garage door.

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<v Speaker 4>Teeping someone's house is one thing. It's sort of a

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<v Speaker 4>common prank, but the fact that they wrote fuck you

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<v Speaker 4>that felt to me like it really came from anger.

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<v Speaker 4>And they had to have brought the paint, you know,

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<v Speaker 4>there had to have been some thought put into this.

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<v Speaker 1>Why had they done it? What were they angry about?

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<v Speaker 1>Sky had no idea. Did you ever see those girls again?

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<v Speaker 7>Well?

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<v Speaker 4>I saw them again for sure. We all funneled into

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<v Speaker 4>this junior high school that fall, and I think that

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<v Speaker 4>I just avoided them. I never ever said a word

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<v Speaker 4>to any of the four girls ever. Again, I pretended

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<v Speaker 4>it never happened.

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<v Speaker 1>And when Sky tells Clark this story, here's where she

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<v Speaker 1>delivers the moral. Awful things do happen, but in the

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<v Speaker 1>end everything turns out fine. Sky grew up, got married,

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<v Speaker 1>has a job she likes, and a family she loves.

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<v Speaker 1>Her story, she tells him, has a happy ending. In

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<v Speaker 1>the past. When he's heard the story, Clark's taken his

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<v Speaker 1>mom's lesson at face value. But Clark is now the

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<v Speaker 1>same age Sky was when her friends turned on her.

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<v Speaker 1>He's starting to see his own classmates leave old friends

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<v Speaker 1>behind for the more popular crowd. For the first time,

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<v Speaker 1>he's able to imagine what it would be like if

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<v Speaker 1>his own small group of friends suddenly cast him out,

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<v Speaker 1>stopped coming over to his house to play video games,

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<v Speaker 1>stop speaking to them altogether. So Sky's moral that everyone

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<v Speaker 1>lives happily ever after is starting to feel untrue, and

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<v Speaker 1>so Clark has a question for his mother, why didn't

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<v Speaker 1>she ever confront her friends about what they did? Why

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<v Speaker 1>not then? But also he asks Sky why not now?

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<v Speaker 3>Like did they do it for themselves or because of you?

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<v Speaker 3>Or was it because of something you did or something.

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<v Speaker 1>Clark brings up Sky's story during their bedtime ritual, looking

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<v Speaker 1>for details, weighing the injustice, fantasizing about Sky looking up

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<v Speaker 1>her old friends and confronting them with some questions.

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<v Speaker 4>I think you.

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<v Speaker 3>Can't be like the person that you normally are, where

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<v Speaker 3>you're like timid little mommy, funny City.

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<v Speaker 4>That you think of me as timid mommy, that's very interesting.

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<v Speaker 3>Yeah, well I have like a lot of occasions to

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<v Speaker 3>prove that your New Year's resolution was to say no

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<v Speaker 3>more often. That was your resolution because you were too

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<v Speaker 3>timid to say no to people before that.

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<v Speaker 4>Well, I like to think that it's less about me

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<v Speaker 4>being timid and more about me being a canned do

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<v Speaker 4>kind of person. There it is right there.

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<v Speaker 1>At school functions, Clark watches his mom try to accommodate

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<v Speaker 1>the other parents and get steamrolled in the process. In restaurants,

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<v Speaker 1>he sees his mom settled for the wrong meal rather

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<v Speaker 1>than bother the waiter. For once, he wants Guy to

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<v Speaker 1>stop worrying about everyone else's feelings. He wants her to

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<v Speaker 1>focus on herself.

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<v Speaker 4>I would really love to know, like why it's important

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<v Speaker 4>to you.

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<v Speaker 5>It's basically for.

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<v Speaker 3>Me more like my mom avenging. Those people just wanted

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<v Speaker 3>you to kind of like get your avenge, my revenge,

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<v Speaker 3>avenge yourself. Sorry I'm using the wrong word. You got

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<v Speaker 3>to be like you did this, and do you remember

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<v Speaker 3>why it happened and say sorry to me?

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<v Speaker 4>He said at the end, Mom, you've got to figure

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<v Speaker 4>this out. You've got to go for it. You have

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<v Speaker 4>to have a chance to find out why this happened.

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<v Speaker 1>It's not just Clark who feels this way. There's someone

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<v Speaker 1>else who also wonders why this happened. And it's always

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<v Speaker 1>Sky had had the chance to ask, Hello, is this Rachel?

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<v Speaker 1>This is Sky's mom. Rachel the only eyewitnessed what happened

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<v Speaker 1>that night, and the person talking to her while chewing

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<v Speaker 1>a hunk of munster cheese and hollow bread because his boss,

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<v Speaker 1>Alex thinks taking lunch breaks is more of a BizOps thing,

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<v Speaker 1>is me.

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<v Speaker 8>I got out of my chair and I stood at

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<v Speaker 8>the window and pulled back the drape, and I see

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<v Speaker 8>their bikes sort of going off into the night.

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<v Speaker 1>The night the girl showed up, around two or three

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<v Speaker 1>in the morning, Rachel was reading in an armchair by

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<v Speaker 1>the window. She's always up in the middle of the night.

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<v Speaker 1>It's a habit that began in childhood. She tells me

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<v Speaker 1>that her own mom, Sky's grandmother suffered from schizophrenia. She

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<v Speaker 1>was unpredictable. In the middle of the night was the

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<v Speaker 1>only time the house was ever quiet and safe. Who

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<v Speaker 1>was during those calm nights alone that Rachel began writing poetry.

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<v Speaker 4>And here I.

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<v Speaker 8>Am, all these years later, and I'm still doing it.

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<v Speaker 8>There's something holy about the middle of the night. Nobody's

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<v Speaker 8>hassling you, and you can really hear yourself somehow.

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<v Speaker 1>But on the night the vandals struck, she could also

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<v Speaker 1>hear four eleven year old girls making their getaway. When

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<v Speaker 1>the sun came up, Rachel saw the fuck you on

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<v Speaker 1>the garage, and immediately she phoned up one of the

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<v Speaker 1>girls and spoke with both her and her mom well

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<v Speaker 1>neither denied what had happened. Nothing much came of the conversation,

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<v Speaker 1>and after that Sky begged Rachel not to make any

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<v Speaker 1>more phone calls. The idea of confronting anyone just upset

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<v Speaker 1>Sky Moore. So Rachel stopped calling, and after a few

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<v Speaker 1>days things seemed to go back to normal.

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<v Speaker 8>We felt it was over, and for her it really wasn't.

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<v Speaker 8>It really took her being i mean grown up, for

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<v Speaker 8>her to start saying to me, I think about this

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<v Speaker 8>all the time, and it was shocking to me. I

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<v Speaker 8>had not understood that, and I felt dopey that I

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<v Speaker 8>hadn't understood that because I thought I was pretty well

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<v Speaker 8>attuned to her and her feelings. It broke my heart.

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<v Speaker 8>She always understood how to sit in with people, completely

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<v Speaker 8>unlike her parents. My husband, you know, was born in

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<v Speaker 8>Finland and was a mathematician and had his PhD when

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<v Speaker 8>he was nineteen. And I was this strange high school

0:14:11.330 --> 0:14:15.730
<v Speaker 8>dropout poet. I mean, we were really odd and eccentric birds,

0:14:15.770 --> 0:14:19.890
<v Speaker 8>and here was this kid who was just exquisitely normal,

0:14:19.970 --> 0:14:22.930
<v Speaker 8>and to us, she's always been a wonder, you know, like,

0:14:23.050 --> 0:14:27.010
<v Speaker 8>who is this very social being, this is a kid

0:14:27.050 --> 0:14:31.490
<v Speaker 8>who whose first word was high, and who, when she

0:14:31.690 --> 0:14:35.410
<v Speaker 8>was small, literally sat on the front step all day

0:14:36.370 --> 0:14:40.890
<v Speaker 8>and said hi to every person who passed on the sidewalk,

0:14:42.010 --> 0:14:49.730
<v Speaker 8>and we loved her for that. And what happened with

0:14:49.810 --> 0:14:52.890
<v Speaker 8>the girls. This had the effect of making her more

0:14:53.930 --> 0:14:55.290
<v Speaker 8>you know, pulling in her wings.

0:14:57.570 --> 0:15:00.810
<v Speaker 1>And this is the person Clark sees today, someone who

0:15:00.890 --> 0:15:03.450
<v Speaker 1>keeps her wings tucked in so tight for fear of

0:15:03.490 --> 0:15:06.330
<v Speaker 1>them getting in anyone's way, and she's forgotten how to

0:15:06.330 --> 0:15:10.490
<v Speaker 1>open them. Rachel knows that Clark has recently begun urging

0:15:10.490 --> 0:15:14.890
<v Speaker 1>his mom to be less timid, and she approves there's.

0:15:14.650 --> 0:15:20.090
<v Speaker 8>Something authoritative about a child they haven't had. They're not

0:15:20.130 --> 0:15:23.210
<v Speaker 8>all hammered by doubts and worries about what they're saying.

0:15:23.290 --> 0:15:25.530
<v Speaker 8>They're like, well, why didn't you do this?

0:15:26.610 --> 0:15:31.090
<v Speaker 1>You know, Rachel had asked me to call at the

0:15:31.170 --> 0:15:34.410
<v Speaker 1>end of her work night. It's now seven thirty AM,

0:15:34.610 --> 0:15:38.210
<v Speaker 1>close to her bedtime, so we say, oh goodbyes, But

0:15:38.370 --> 0:15:41.850
<v Speaker 1>just before putting down the phone, she offers a final benediction.

0:15:42.530 --> 0:15:45.370
<v Speaker 8>I thought was so beautiful the way he wanted her

0:15:45.970 --> 0:15:50.690
<v Speaker 8>to figure this out. Because she'll hear that from him

0:15:50.970 --> 0:15:53.290
<v Speaker 8>in a way that she probably could never hear that

0:15:53.850 --> 0:15:57.610
<v Speaker 8>from me, it has more of a chance to wake

0:15:57.650 --> 0:15:58.090
<v Speaker 8>her up.

0:16:00.730 --> 0:16:03.930
<v Speaker 1>And with that, Rachel heads off to bed, and I

0:16:04.050 --> 0:16:07.650
<v Speaker 1>turned back to Sky, who, with a little help from Clark,

0:16:08.330 --> 0:16:09.650
<v Speaker 1>is still trying to wake up.

0:16:10.490 --> 0:16:14.250
<v Speaker 4>He does have this sense of but that's an unfinished thing.

0:16:14.530 --> 0:16:18.810
<v Speaker 1>Yeah, like the good that this good ending hasn't fully

0:16:19.490 --> 0:16:20.050
<v Speaker 1>happened yet.

0:16:20.170 --> 0:16:24.610
<v Speaker 4>Yeah, yeah, the good ending hasn't happened. Now. It's sort

0:16:24.650 --> 0:16:27.690
<v Speaker 4>of turning into a different story, which is that it's

0:16:28.330 --> 0:16:32.810
<v Speaker 4>kind of never too late to summon courage and do

0:16:32.930 --> 0:16:43.210
<v Speaker 4>something that that scares you. I guess in a way,

0:16:43.250 --> 0:16:46.490
<v Speaker 4>I want to live up to his to who I

0:16:46.530 --> 0:16:48.970
<v Speaker 4>think he'd like me to be, you know, I think

0:16:49.090 --> 0:16:55.690
<v Speaker 4>like I need to show him that I can stand

0:16:55.770 --> 0:16:56.490
<v Speaker 4>up for myself.

0:17:04.770 --> 0:17:08.330
<v Speaker 1>Thirty five years later, and Sky's finally decided she's ready.

0:17:09.170 --> 0:17:12.050
<v Speaker 1>She just needs help reaching the girls and not backing

0:17:12.090 --> 0:17:16.169
<v Speaker 1>down when she does. So, you want to do this?

0:17:17.929 --> 0:17:20.409
<v Speaker 4>I think that I want to do this. Yes, I

0:17:20.449 --> 0:17:23.169
<v Speaker 4>want to do this. You know. Now I'll be able

0:17:23.169 --> 0:17:25.850
<v Speaker 4>to say I did what I could.

0:17:28.409 --> 0:17:30.170
<v Speaker 1>And if you want to be able to say you

0:17:30.209 --> 0:17:33.530
<v Speaker 1>did what you could to save scads of cash with

0:17:33.570 --> 0:17:37.649
<v Speaker 1>some truly great deals. Here's the chance you've been dreaming

0:17:37.689 --> 0:17:51.689
<v Speaker 1>of your entire life. Sky and I get to work

0:17:51.730 --> 0:17:56.290
<v Speaker 1>reaching out to the four girls, Sam, Nicky, Randy, and Tessa.

0:17:57.129 --> 0:18:01.090
<v Speaker 1>We begin with Sam because Sky already has their contact info.

0:18:01.409 --> 0:18:03.330
<v Speaker 1>They'd run into each other at their ten year high

0:18:03.330 --> 0:18:09.409
<v Speaker 1>school reunion. Sky Sam had said, it's me been the

0:18:09.409 --> 0:18:12.209
<v Speaker 1>perfect opportunity to ask about the fuck you on the

0:18:12.250 --> 0:18:15.770
<v Speaker 1>garage door, but Sky just couldn't bring herself to mention it,

0:18:16.490 --> 0:18:19.009
<v Speaker 1>so instead they made awkward small.

0:18:18.770 --> 0:18:24.129
<v Speaker 4>Talk, and then she fronted me on Facebook, which practically

0:18:24.169 --> 0:18:29.249
<v Speaker 4>made me laugh. But I this sounds ridiculous, but I

0:18:29.250 --> 0:18:32.850
<v Speaker 4>didn't want to be rude, and so I accepted her friendship.

0:18:34.810 --> 0:18:37.889
<v Speaker 1>I helped Sky write a Facebook message to Sam saying

0:18:37.929 --> 0:18:40.489
<v Speaker 1>she has some questions about the end of their friendship,

0:18:41.090 --> 0:18:45.449
<v Speaker 1>but with no response, Sky follows up again and again.

0:18:46.369 --> 0:18:50.730
<v Speaker 1>Eventually Sam writes back, we just naturally grew apart as

0:18:50.770 --> 0:18:55.090
<v Speaker 1>life events progressed, she says. She concludes by saying that

0:18:55.169 --> 0:18:58.609
<v Speaker 1>Sky's attempts to contact her are making her feel quote

0:18:58.970 --> 0:19:10.010
<v Speaker 1>overwhelmed and stressed, and that makes Sky feel bad. Second

0:19:10.250 --> 0:19:13.809
<v Speaker 1>is Nicky, who says that even those guy's mom clearly

0:19:13.889 --> 0:19:18.290
<v Speaker 1>remembers her being there that day, She absolutely wasn't. In fact,

0:19:18.330 --> 0:19:22.769
<v Speaker 1>she says she and Sky weren't even that close. Third

0:19:23.050 --> 0:19:26.169
<v Speaker 1>comes Randy. Randy's hard to get a hold of, so

0:19:26.250 --> 0:19:28.330
<v Speaker 1>when we get no answer on her house phone, we

0:19:28.449 --> 0:19:31.169
<v Speaker 1>try all the numbers we can find. We leave her

0:19:31.209 --> 0:19:34.969
<v Speaker 1>repeated messages, but it seems like she's not even getting them.

0:19:35.490 --> 0:19:38.530
<v Speaker 1>But as it turns out, she's gotten all of them,

0:19:38.689 --> 0:19:41.330
<v Speaker 1>because she sends Sky an email to say that she's

0:19:41.369 --> 0:19:46.250
<v Speaker 1>not happy about it. In fact, she's creeped out. Sky

0:19:46.369 --> 0:19:48.770
<v Speaker 1>was at the grocery store when she received the email.

0:19:49.530 --> 0:19:55.529
<v Speaker 4>I was in line and I completely was out of

0:19:55.570 --> 0:19:58.210
<v Speaker 4>my body as I was reading it. I so forgot

0:19:58.250 --> 0:20:00.570
<v Speaker 4>where I was that someone had to say, are you

0:20:00.649 --> 0:20:03.489
<v Speaker 4>in line? And I was like, uh no, I'm not.

0:20:03.609 --> 0:20:07.169
<v Speaker 4>And I had to like push my cart away from

0:20:07.169 --> 0:20:11.050
<v Speaker 4>the checkout stand because I could not focus.

0:20:12.409 --> 0:20:15.729
<v Speaker 1>Sky went into damage control mode, writing back to Randy

0:20:15.770 --> 0:20:19.209
<v Speaker 1>to say how deeply sorry she was. I asked her

0:20:19.250 --> 0:20:20.369
<v Speaker 1>to read me what she'd send.

0:20:21.209 --> 0:20:24.369
<v Speaker 4>Randy. I'm so grateful that you wrote me back. It

0:20:24.409 --> 0:20:27.170
<v Speaker 4>makes me cringe to think about how semi creepy and

0:20:27.209 --> 0:20:30.970
<v Speaker 4>weird it must have seemed to get those messages. I'm

0:20:31.050 --> 0:20:33.850
<v Speaker 4>kicking myself for letting that happen. I'm still hoping to

0:20:33.889 --> 0:20:37.050
<v Speaker 4>talk to you privately and just explain myself. Would that

0:20:37.090 --> 0:20:37.570
<v Speaker 4>be okay?

0:20:40.649 --> 0:20:44.129
<v Speaker 1>Like, you know, is there a kind of like do

0:20:44.169 --> 0:20:47.450
<v Speaker 1>you feel like your default is to sort of apologize

0:20:47.649 --> 0:20:52.049
<v Speaker 1>for having reached out?

0:20:53.609 --> 0:20:53.969
<v Speaker 5>Yeah?

0:20:54.050 --> 0:20:55.169
<v Speaker 7>I do.

0:20:56.570 --> 0:20:57.489
<v Speaker 4>That has occurred to me.

0:20:59.490 --> 0:21:02.850
<v Speaker 1>Later, Sky shares the email with Clark, and it seems

0:21:02.889 --> 0:21:04.529
<v Speaker 1>like it's occurred to him as well.

0:21:05.129 --> 0:21:09.689
<v Speaker 3>I think you were over apologetic if you yourself was

0:21:09.730 --> 0:21:12.649
<v Speaker 3>the kind of character was like, oh sorry, sorry, sorry,

0:21:12.730 --> 0:21:13.650
<v Speaker 3>I shouldn't.

0:21:13.209 --> 0:21:14.090
<v Speaker 9>Have done that.

0:21:14.090 --> 0:21:17.369
<v Speaker 1>That automatically makes her basically.

0:21:17.209 --> 0:21:18.689
<v Speaker 4>Like gives her power.

0:21:18.770 --> 0:21:21.090
<v Speaker 6>Yeah, it puts her in a better spot than you're in,

0:21:21.850 --> 0:21:22.810
<v Speaker 6>and that's bad.

0:21:24.810 --> 0:21:28.050
<v Speaker 1>At Sky's insistence, Randy finally agrees to a phone call,

0:21:28.770 --> 0:21:31.369
<v Speaker 1>but in the end, all she tells Sky is that

0:21:31.369 --> 0:21:34.850
<v Speaker 1>she doesn't remember that night, doesn't remember any toilet paper

0:21:35.290 --> 0:21:44.449
<v Speaker 1>or gras door, She doesn't remember anything at all. Of

0:21:44.490 --> 0:21:49.010
<v Speaker 1>the four friends, only one remains, Tessa, the girl Sky's

0:21:49.050 --> 0:21:53.129
<v Speaker 1>mom phoned directly after the incident. Over the next couple

0:21:53.129 --> 0:21:56.530
<v Speaker 1>of weeks, I speak with Tessa several times. She can't

0:21:56.530 --> 0:21:59.770
<v Speaker 1>decide if she wants to talk with Sky for one thing,

0:21:59.850 --> 0:22:02.409
<v Speaker 1>she says it was so long ago that she doesn't

0:22:02.409 --> 0:22:06.129
<v Speaker 1>remember much, to which I rejoin that she's all we've got.

0:22:07.050 --> 0:22:10.050
<v Speaker 1>For another, she adds getting contact like this through a

0:22:10.090 --> 0:22:15.409
<v Speaker 1>third party interlocutionary international podcasting host is pretty weird, to

0:22:15.449 --> 0:22:20.050
<v Speaker 1>which I admit that it is slightly unconventional. Finally, Tessa

0:22:20.090 --> 0:22:23.330
<v Speaker 1>says she doesn't want to inadvertently drag the other girl's

0:22:23.409 --> 0:22:26.090
<v Speaker 1>names through the dirt for something they did as kids,

0:22:26.689 --> 0:22:30.169
<v Speaker 1>to which I say, well, let's change those names and

0:22:30.250 --> 0:22:33.409
<v Speaker 1>draw some pseudonyms through the dirt. And once I agree

0:22:33.449 --> 0:22:36.530
<v Speaker 1>to change the names of the four girls, Tessa, not

0:22:36.649 --> 0:22:40.249
<v Speaker 1>her real name, agrees to sit down with Sky, still

0:22:40.290 --> 0:22:43.490
<v Speaker 1>her real name, so she can finally have a conversation

0:22:43.929 --> 0:22:48.650
<v Speaker 1>about the night in question. Both Sky and Tessa live

0:22:48.649 --> 0:22:51.929
<v Speaker 1>in California, pretty close to where they grew up. I

0:22:52.010 --> 0:22:55.689
<v Speaker 1>figure my presence at their meeting could be calming, helpful.

0:22:55.730 --> 0:22:59.010
<v Speaker 1>Even All Sky has to do is invite me out

0:22:59.050 --> 0:23:04.809
<v Speaker 1>there to join her. I like California, I know, I

0:23:04.889 --> 0:23:08.649
<v Speaker 1>love it, but because of her cursed timidity, Sky just

0:23:08.689 --> 0:23:12.329
<v Speaker 1>doesn't have have the lima beans to ask, so I

0:23:12.409 --> 0:23:15.689
<v Speaker 1>continue to offer her prompt. I haven't been there in

0:23:15.730 --> 0:23:16.170
<v Speaker 1>some time.

0:23:18.530 --> 0:23:19.689
<v Speaker 4>Well, it's a lovely state.

0:23:20.730 --> 0:23:24.009
<v Speaker 1>After several minutes of this elaborate dance, I get to

0:23:24.050 --> 0:23:28.409
<v Speaker 1>the point for both our sakes, So does do you

0:23:28.449 --> 0:23:31.850
<v Speaker 1>think that you think I should come?

0:23:33.050 --> 0:23:34.010
<v Speaker 4>That would be amazing?

0:23:36.530 --> 0:23:40.409
<v Speaker 1>And so it's off to California A for some long

0:23:40.449 --> 0:23:47.489
<v Speaker 1>overdue Q and A Hi. Good, how aut you guys?

0:23:48.649 --> 0:23:48.810
<v Speaker 8>Hi?

0:23:48.889 --> 0:23:52.129
<v Speaker 1>Clark, nice to meet you. Sky picks me up at

0:23:52.129 --> 0:23:55.290
<v Speaker 1>the hotel. Clark's along too, to make sure his mom

0:23:55.330 --> 0:23:56.250
<v Speaker 1>doesn't lose their nerve.

0:23:56.649 --> 0:23:58.649
<v Speaker 4>Park you can continue to navigate for me.

0:24:00.889 --> 0:24:04.090
<v Speaker 1>Clark sits in the passenger seat, leafing through a comic book.

0:24:04.209 --> 0:24:05.689
<v Speaker 1>All right, let me I'm just going to throw this

0:24:05.770 --> 0:24:11.290
<v Speaker 1>in here if that's okay, yeah.

0:24:07.409 --> 0:24:07.770
<v Speaker 10>And then.

0:24:09.169 --> 0:24:11.889
<v Speaker 1>Tossed my bag into the back of the hatchback and

0:24:12.570 --> 0:24:18.969
<v Speaker 1>we head off to meet Tessa. It felt great to

0:24:18.970 --> 0:24:26.770
<v Speaker 1>be in San Francisco. It's just like the Mamas and

0:24:26.850 --> 0:24:30.369
<v Speaker 1>the Papa saying, if one is going to San Francisco,

0:24:30.689 --> 0:24:34.369
<v Speaker 1>one should wear flowers in one's hair. As we speed

0:24:34.409 --> 0:24:38.050
<v Speaker 1>down the highway, I close my eyes, lean back and

0:24:38.609 --> 0:24:42.289
<v Speaker 1>would that I had hair enjoy the wind blowing through it.

0:24:45.330 --> 0:24:47.009
<v Speaker 4>Wait, is the trunk open?

0:24:47.250 --> 0:24:47.609
<v Speaker 3>Oh?

0:24:47.649 --> 0:24:50.810
<v Speaker 1>Wow, it seems that in my excitement to hit the

0:24:50.850 --> 0:24:54.369
<v Speaker 1>streets of San fran I'd left the hatchback door open,

0:24:55.209 --> 0:24:57.770
<v Speaker 1>which it turns out is the source of the San

0:24:57.810 --> 0:25:02.570
<v Speaker 1>Franciscan breeze. She whizz, I'm sorry about that.

0:25:03.010 --> 0:25:03.290
<v Speaker 6>God.

0:25:04.609 --> 0:25:06.970
<v Speaker 1>Sky finds a place on the shoulder of the highway

0:25:06.970 --> 0:25:11.449
<v Speaker 1>to pull over, oh Man, and shuts the trunk door,

0:25:14.449 --> 0:25:19.250
<v Speaker 1>and with that we were back on our way. That's

0:25:19.250 --> 0:25:24.730
<v Speaker 1>why they call me mister excitement. Actually, no one calls

0:25:24.770 --> 0:25:37.489
<v Speaker 1>me mister excitement. San Francisco is pretty.

0:25:38.369 --> 0:25:40.409
<v Speaker 4>We're not in San Francisco, you know that, right?

0:25:40.449 --> 0:25:40.649
<v Speaker 5>I mean?

0:25:50.090 --> 0:25:52.850
<v Speaker 1>As we drive to meet Tessa, I ask Sky how

0:25:52.889 --> 0:25:53.369
<v Speaker 1>she's doing.

0:25:54.810 --> 0:26:01.170
<v Speaker 4>I feel nervous sighted, which is a word that I am.

0:26:01.490 --> 0:26:04.890
<v Speaker 1>When when have you used the word nervous sided, Clark.

0:26:06.490 --> 0:26:10.810
<v Speaker 3>Like before, like baseball games and stuff like that.

0:26:11.730 --> 0:26:13.290
<v Speaker 4>I kind of feel nervecited.

0:26:14.649 --> 0:26:19.330
<v Speaker 1>Nervous sighted is a portmanteau word, like the way say romance,

0:26:19.490 --> 0:26:24.929
<v Speaker 1>a word denoting an incestuous relationship between brothers is or chillax,

0:26:25.409 --> 0:26:28.410
<v Speaker 1>the act of chilling out with a bar of family

0:26:28.490 --> 0:26:29.489
<v Speaker 1>sized x lax.

0:26:31.050 --> 0:26:34.169
<v Speaker 4>How do you feel about meeting Do you want to

0:26:34.209 --> 0:26:37.409
<v Speaker 4>meet her? Or will resist temptations to pundry over what

0:26:37.490 --> 0:26:37.850
<v Speaker 4>she did.

0:26:39.570 --> 0:26:42.889
<v Speaker 1>Clark is eleven years old. In the comic books he reads,

0:26:43.250 --> 0:26:47.289
<v Speaker 1>that's how problems are solved with punches, kung fu chops.

0:26:47.889 --> 0:26:51.409
<v Speaker 1>Writing the scales is a simpler business. It's one thing

0:26:51.449 --> 0:26:54.130
<v Speaker 1>to hear stories about his mom being stepped on. It's

0:26:54.169 --> 0:26:56.330
<v Speaker 1>another to be in the same room with one of

0:26:56.369 --> 0:26:59.609
<v Speaker 1>the people who did the stepping. Sky tries to tamp

0:26:59.649 --> 0:27:01.050
<v Speaker 1>down his need for revenge.

0:27:01.929 --> 0:27:06.929
<v Speaker 4>Well, as we were talking about last night, before you

0:27:06.970 --> 0:27:10.929
<v Speaker 4>went to slay, you won't forgivenoriveness. Forgiveness. We need to

0:27:10.929 --> 0:27:13.129
<v Speaker 4>find the forgiveness.

0:27:15.169 --> 0:27:17.649
<v Speaker 1>I wanted a quiet place for Sky and Tessa to talk,

0:27:18.090 --> 0:27:20.409
<v Speaker 1>and it turned out that on the weekends, the local

0:27:20.530 --> 0:27:22.889
<v Speaker 1>university had an unoccupied studio.

0:27:23.449 --> 0:27:24.690
<v Speaker 4>I think we're basically here.

0:27:25.490 --> 0:27:27.689
<v Speaker 1>We pull into the empty campus parking lot.

0:27:28.330 --> 0:27:29.930
<v Speaker 4>Clark, you want to look and make sure I'm within

0:27:29.970 --> 0:27:30.490
<v Speaker 4>the lines?

0:27:30.730 --> 0:27:41.369
<v Speaker 1>Yeah, a lins, Okay, let's get set up. So this

0:27:41.409 --> 0:27:45.729
<v Speaker 1>is where Clark and I, well, we'll sit. The studio

0:27:45.810 --> 0:27:48.489
<v Speaker 1>is only big enough for Sky and Tessa, So Clark

0:27:48.490 --> 0:27:50.649
<v Speaker 1>and I sit in the control booth where we'll be

0:27:50.689 --> 0:27:54.329
<v Speaker 1>able to eavesdrop on the conversation. There's a mic. So

0:27:54.369 --> 0:27:57.530
<v Speaker 1>should the need arise, Clark and offer guidance that only

0:27:57.570 --> 0:27:59.289
<v Speaker 1>Sky can hear through her headphones.

0:27:59.649 --> 0:28:01.330
<v Speaker 4>I'm mom, Hi Clark.

0:28:01.649 --> 0:28:02.769
<v Speaker 1>Okay, so you turn it on.

0:28:02.929 --> 0:28:04.050
<v Speaker 4>It's good to hear your voice.

0:28:04.530 --> 0:28:05.169
<v Speaker 11>Can you hear me?

0:28:05.730 --> 0:28:10.050
<v Speaker 1>Sky? Sandy the studio technician helped let's get set up

0:28:10.250 --> 0:28:13.049
<v Speaker 1>and takes a level on Sky's voice by asking her

0:28:13.050 --> 0:28:14.529
<v Speaker 1>an easy, neutral question.

0:28:15.250 --> 0:28:18.009
<v Speaker 11>Tell me how's the right in today?

0:28:18.409 --> 0:28:19.330
<v Speaker 4>How is the right in?

0:28:19.570 --> 0:28:20.770
<v Speaker 8>You don't have to shout into it.

0:28:20.770 --> 0:28:23.409
<v Speaker 4>It was easy, except for when we left the hatchback

0:28:23.449 --> 0:28:25.529
<v Speaker 4>open on the freeway.

0:28:27.649 --> 0:28:31.250
<v Speaker 1>Laugh it up, Sandy the studio technician, Laugh it up.

0:28:38.050 --> 0:28:41.250
<v Speaker 1>Tessa's running late, so Sky sits waiting in the studio

0:28:41.370 --> 0:28:44.890
<v Speaker 1>by yourself. Finally, wait, she's here.

0:28:47.330 --> 0:29:11.210
<v Speaker 5>Ah, okay, okay, Hey.

0:29:11.090 --> 0:29:15.250
<v Speaker 1>I'm Jonathan. Made it nice to meet you too. Tessa,

0:29:15.370 --> 0:29:19.610
<v Speaker 1>stylish and like Sky, looks younger than her years. You

0:29:19.610 --> 0:29:22.610
<v Speaker 1>could still see a trace of the popular girl. I

0:29:22.650 --> 0:29:25.570
<v Speaker 1>show her into the studio where Sky's been waiting. The

0:29:25.610 --> 0:29:27.610
<v Speaker 1>two haven't seen each other since they were children.

0:29:28.370 --> 0:29:30.489
<v Speaker 4>Who do you do you keep in close touch with?

0:29:30.530 --> 0:29:32.610
<v Speaker 4>Anywhere in high school?

0:29:33.290 --> 0:29:33.650
<v Speaker 11>Anyone?

0:29:34.330 --> 0:29:37.810
<v Speaker 1>As they settle in, the mood is formal, a little stilted,

0:29:38.530 --> 0:29:40.330
<v Speaker 1>since the room is only about the size of a

0:29:40.370 --> 0:29:44.050
<v Speaker 1>small elevator, their knees practically touch you.

0:29:44.130 --> 0:29:47.209
<v Speaker 4>Guys can start now, okay, thanks Clark. Clark says, we

0:29:47.250 --> 0:29:47.769
<v Speaker 4>can start.

0:29:47.930 --> 0:29:48.529
<v Speaker 1>Okay.

0:29:49.370 --> 0:29:56.250
<v Speaker 4>So, so I'm just gonna go backtrack a little bit. Yeah,

0:29:56.730 --> 0:30:00.890
<v Speaker 4>So my memory is that we were all in sort

0:30:00.890 --> 0:30:04.170
<v Speaker 4>of a tight knit group. You know, is it doingly

0:30:04.290 --> 0:30:07.170
<v Speaker 4>for me to ask like or this discussion? Why didn't

0:30:07.170 --> 0:30:12.090
<v Speaker 4>you do it? Yes, of a good instrum for both

0:30:12.090 --> 0:30:17.450
<v Speaker 4>of us, But then had also written fuck you on

0:30:17.530 --> 0:30:23.410
<v Speaker 4>the garage door, and that then from that point on,

0:30:24.290 --> 0:30:31.890
<v Speaker 4>we never spoke again. And it's something that has always

0:30:32.170 --> 0:30:34.810
<v Speaker 4>stuck with me because I don't know why it happened.

0:30:36.010 --> 0:30:39.930
<v Speaker 4>And so I guess I'd love to know what your

0:30:39.970 --> 0:30:40.610
<v Speaker 4>memories are.

0:30:42.209 --> 0:30:45.170
<v Speaker 1>Clark's got this look on his face, love to know

0:30:45.250 --> 0:30:49.330
<v Speaker 1>what your memories are. From his perspective, his mom's doing

0:30:49.330 --> 0:30:52.810
<v Speaker 1>what she always does. That is exactly what he told

0:30:52.810 --> 0:30:56.729
<v Speaker 1>her not to. She's being overly sensitive to Tessa's feelings.

0:30:57.530 --> 0:30:59.890
<v Speaker 1>But even after thirty five years of waiting to ask

0:30:59.930 --> 0:31:04.930
<v Speaker 1>the question, Sky just can't help being Sky. Tessa takes

0:31:04.930 --> 0:31:05.650
<v Speaker 1>a sip of water.

0:31:06.970 --> 0:31:09.050
<v Speaker 9>Sorry, I'm just my throat is struck.

0:31:09.450 --> 0:31:14.330
<v Speaker 1>Yeah, no problem, Sky smiles warmly and gives Tessa a

0:31:14.370 --> 0:31:15.570
<v Speaker 1>moment to collect yourself.

0:31:16.250 --> 0:31:17.009
<v Speaker 4>Take your time.

0:31:20.810 --> 0:31:25.489
<v Speaker 12>So I have a vague recollection.

0:31:25.970 --> 0:31:28.209
<v Speaker 9>It's really really vague.

0:31:29.970 --> 0:31:33.890
<v Speaker 12>What I what really stands out is that we were

0:31:33.930 --> 0:31:38.289
<v Speaker 12>just going deeping, like we went teping a lot, you know,

0:31:38.490 --> 0:31:43.610
<v Speaker 12>not just on that night, and we literally just stumbled

0:31:43.690 --> 0:31:44.450
<v Speaker 12>upon your home.

0:31:45.970 --> 0:31:47.690
<v Speaker 9>And that's what I remember.

0:31:47.810 --> 0:31:51.370
<v Speaker 1>Clark Farros's brow. He wants his mother to push harder,

0:31:51.890 --> 0:31:52.729
<v Speaker 1>be more aggressive.

0:31:54.410 --> 0:31:57.970
<v Speaker 3>Ask why you weren't invited to go toilet papering with them?

0:31:58.170 --> 0:32:01.610
<v Speaker 1>And that's a really good question. We watch a sky

0:32:01.730 --> 0:32:03.850
<v Speaker 1>waits patiently for Tessa to finish speaking.

0:32:04.450 --> 0:32:08.769
<v Speaker 4>He wanted me to ask you why didn't come with

0:32:08.850 --> 0:32:12.930
<v Speaker 4>you that night teeping? Why weren't you invited? Not why

0:32:12.970 --> 0:32:14.850
<v Speaker 4>didn't that come? Why I wasn't invited?

0:32:17.530 --> 0:32:23.530
<v Speaker 12>I I in my mind we had drifted apart by then.

0:32:25.130 --> 0:32:27.810
<v Speaker 1>Inside the control room, Clark shakes his head.

0:32:28.490 --> 0:32:30.490
<v Speaker 4>I think there's more to the story, you do.

0:32:30.930 --> 0:32:35.930
<v Speaker 1>Yeah, what makes you think that? He slumps back in

0:32:35.970 --> 0:32:39.490
<v Speaker 1>his seat and crosses his arms. He seems frustrated.

0:32:42.370 --> 0:32:47.170
<v Speaker 12>I remember your mom calling my mom, and for my

0:32:47.330 --> 0:32:49.730
<v Speaker 12>mom it wasn't a big deal either. My mom, first

0:32:49.730 --> 0:32:52.370
<v Speaker 12>of all, didn't even know what teaping was I had

0:32:52.370 --> 0:32:53.370
<v Speaker 12>to explain.

0:32:53.010 --> 0:32:53.410
<v Speaker 5>It to her.

0:32:53.570 --> 0:32:59.610
<v Speaker 12>Oh, okay, I did not realize until maybe now that

0:32:59.730 --> 0:33:02.850
<v Speaker 12>it was more of a big deal for you.

0:33:03.209 --> 0:33:06.450
<v Speaker 4>Yeah, And I feel like you're being very, very honest,

0:33:06.490 --> 0:33:08.770
<v Speaker 4>and I really really appreciate that.

0:33:10.050 --> 0:33:12.969
<v Speaker 1>When Tessa and I last spoke, she'd mentioned how odd

0:33:13.010 --> 0:33:16.170
<v Speaker 1>this whole undertaking seemed to her. A woman she hadn't

0:33:16.209 --> 0:33:19.050
<v Speaker 1>heard from in thirty five years, wanted to talk to

0:33:19.090 --> 0:33:22.930
<v Speaker 1>her about a random night from their childhood. Oh and

0:33:23.010 --> 0:33:25.090
<v Speaker 1>she also wanted to bring along her eleven year old

0:33:25.130 --> 0:33:28.810
<v Speaker 1>son and his forty eight year old sidekick, both of

0:33:28.850 --> 0:33:32.530
<v Speaker 1>whom would be communicating with Sky through a secret microphone.

0:33:32.810 --> 0:33:33.850
<v Speaker 9>Well, can you hear Wait?

0:33:33.890 --> 0:33:35.690
<v Speaker 5>Wait, let's wait so she can talk about.

0:33:35.970 --> 0:33:39.490
<v Speaker 1>Wait wait wait. Inside the control room, I watched Sky

0:33:39.610 --> 0:33:43.570
<v Speaker 1>perform a delicate balancing act. She's aware that Clark is watching,

0:33:43.810 --> 0:33:46.330
<v Speaker 1>so she's trying not to be too timid, but she

0:33:46.370 --> 0:33:48.209
<v Speaker 1>also wants to set a good example for how to

0:33:48.250 --> 0:33:51.890
<v Speaker 1>behave and through all that, she can't help seeing it

0:33:51.930 --> 0:33:55.489
<v Speaker 1>from Tessa's perspective, how weird and uncomfortable this must be

0:33:55.570 --> 0:33:59.610
<v Speaker 1>for her. Sky wants to help Tessa feel safe, and

0:33:59.690 --> 0:34:01.450
<v Speaker 1>so she treads lightly.

0:34:03.010 --> 0:34:06.049
<v Speaker 4>I mean, I think being the parent now of a child,

0:34:06.090 --> 0:34:11.610
<v Speaker 4>I understand how quickly things can get confused. And it

0:34:11.690 --> 0:34:15.810
<v Speaker 4>really was the words that that's what seemed to communicate

0:34:15.850 --> 0:34:21.410
<v Speaker 4>to me, I've done something terrible, like I must have it.

0:34:21.490 --> 0:34:24.010
<v Speaker 4>I must be responsible for this in some way, you know,

0:34:24.170 --> 0:34:26.650
<v Speaker 4>And so I wondered, did I do something?

0:34:29.850 --> 0:34:33.170
<v Speaker 1>You can see that. TESSAs weighing her response. She doesn't

0:34:33.210 --> 0:34:35.770
<v Speaker 1>quite know what to say, but with Sky being so

0:34:35.850 --> 0:34:38.610
<v Speaker 1>gracious and open, it's like she feels the least she

0:34:38.610 --> 0:34:41.610
<v Speaker 1>can do is try to meet her halfway, and so

0:34:41.730 --> 0:34:44.170
<v Speaker 1>tentatively she offers a thought.

0:34:45.010 --> 0:34:59.890
<v Speaker 13>Ah, maybe we're a little different than them in what way?

0:35:01.410 --> 0:35:01.730
<v Speaker 4>Again?

0:35:02.250 --> 0:35:05.529
<v Speaker 1>Tessa searches for the right words, all the while, never

0:35:05.610 --> 0:35:08.009
<v Speaker 1>seeing us or we, but always they.

0:35:08.890 --> 0:35:17.250
<v Speaker 12>Oh they were like they were a little mischievous, you know.

0:35:17.410 --> 0:35:24.890
<v Speaker 12>They were they were a little rebellious and wanting to

0:35:24.890 --> 0:35:28.690
<v Speaker 12>do something bad, and I was, and maybe you weren't.

0:35:30.410 --> 0:35:34.170
<v Speaker 12>Maybe you didn't want to go along with what they

0:35:34.170 --> 0:35:34.770
<v Speaker 12>were doing.

0:35:35.810 --> 0:35:39.850
<v Speaker 4>Well, you know what's interesting about that is the whole

0:35:39.890 --> 0:35:43.650
<v Speaker 4>tepeeing thing. I remember that being a thing, but I

0:35:43.690 --> 0:35:49.730
<v Speaker 4>remember I actually remember not wanting to do that. Would

0:35:49.810 --> 0:35:53.490
<v Speaker 4>you say that that that maybe I was more like

0:35:53.530 --> 0:35:54.850
<v Speaker 4>a goodie two shoes.

0:35:56.090 --> 0:35:58.130
<v Speaker 13>Type compared to them.

0:35:58.250 --> 0:36:00.530
<v Speaker 4>Yeah, you know.

0:36:07.410 --> 0:36:10.570
<v Speaker 1>According to Tessa, if Sky stayed friends with those girls,

0:36:10.930 --> 0:36:13.610
<v Speaker 1>it would have meant a summer of drinking alcohol and

0:36:13.650 --> 0:36:17.850
<v Speaker 1>pulling off semi illegal pranks after dark, all things Sky

0:36:17.930 --> 0:36:21.490
<v Speaker 1>wouldn't have wanted. Even back then, she didn't want to

0:36:21.570 --> 0:36:25.090
<v Speaker 1>upset anyone. To her friends, that made her seem like

0:36:25.130 --> 0:36:28.010
<v Speaker 1>a goody two shoes, And to a goodie two shoes

0:36:28.050 --> 0:36:30.610
<v Speaker 1>who thinks they're better than you. What could be more

0:36:30.650 --> 0:36:34.010
<v Speaker 1>of a fuck you than a literal fuck you? The

0:36:34.050 --> 0:36:38.009
<v Speaker 1>words large and clear emblazoned across her family's garage door.

0:36:39.250 --> 0:36:41.490
<v Speaker 1>I turned to Clark to see what he makes of

0:36:41.530 --> 0:36:44.050
<v Speaker 1>all this. Is there something that you feel like we're

0:36:44.130 --> 0:36:48.490
<v Speaker 1>just kind of missing or we're not getting it? And

0:36:48.770 --> 0:36:51.890
<v Speaker 1>I remember really not wanting to beat clarkstairs straight ahead,

0:36:52.010 --> 0:36:55.410
<v Speaker 1>watching his mom. I can see he's thinking something through.

0:36:56.290 --> 0:36:58.969
<v Speaker 1>He makes a move towards the mic, but then shies away.

0:36:59.690 --> 0:37:04.730
<v Speaker 1>He's antsy, rising from his seat, settling back. Eventually, I

0:37:04.810 --> 0:37:07.290
<v Speaker 1>make a suggestion, do you just want to go with them?

0:37:09.690 --> 0:37:10.410
<v Speaker 4>Yeah? Totally?

0:37:12.090 --> 0:37:15.090
<v Speaker 1>Clark gets up, leaves the control room and makes his

0:37:15.130 --> 0:37:17.370
<v Speaker 1>way to the studio to talk to his mom. In

0:37:17.410 --> 0:37:21.450
<v Speaker 1>person watching him, I have no idea what he's up to.

0:37:23.050 --> 0:37:26.450
<v Speaker 4>Oh Clark is here, Oh Clark.

0:37:26.290 --> 0:37:26.930
<v Speaker 1>Enters the room.

0:37:27.970 --> 0:37:28.130
<v Speaker 7>Was that?

0:37:29.330 --> 0:37:33.330
<v Speaker 1>But it's not his Mommy's addressing, it's Tessa. I take

0:37:33.370 --> 0:37:36.130
<v Speaker 1>a deep breath as Clark begins to speak.

0:37:37.290 --> 0:37:40.810
<v Speaker 3>Uh, did you feel in any way like dragged into it,

0:37:41.210 --> 0:37:44.370
<v Speaker 3>like to do, like to toilet paper people's houses.

0:37:47.490 --> 0:37:50.570
<v Speaker 12>I don't know if I would say dragged, but I

0:37:50.610 --> 0:37:54.490
<v Speaker 12>would say definitely I was a follower.

0:37:56.090 --> 0:37:59.410
<v Speaker 1>I'm not exactly surprised by Clark's question. It's the same

0:37:59.410 --> 0:38:03.529
<v Speaker 1>one he's been asking since the beginning, essentially, why did

0:38:03.530 --> 0:38:06.450
<v Speaker 1>you do this to my mother? But I am surprised

0:38:06.530 --> 0:38:10.050
<v Speaker 1>by the way he's asking it, not with him but

0:38:10.130 --> 0:38:14.090
<v Speaker 1>with sympathy. For the first time, Clark's trying to see

0:38:14.090 --> 0:38:18.250
<v Speaker 1>it all from Tessa's perspective. He's following his mom's example.

0:38:18.890 --> 0:38:23.050
<v Speaker 12>Sometimes you're with friends because those are the ones you have,

0:38:23.330 --> 0:38:26.370
<v Speaker 12>So you'll stick with your friends even though you see

0:38:26.450 --> 0:38:29.210
<v Speaker 12>things that you don't like in them. You know that

0:38:29.610 --> 0:38:32.050
<v Speaker 12>you just don't want to be alone.

0:38:33.570 --> 0:38:36.130
<v Speaker 9>Yeah, thanks, okay, yeah, thanks Claire.

0:38:37.410 --> 0:38:40.290
<v Speaker 1>And because Tessa didn't want to be alone, she continued

0:38:40.290 --> 0:38:42.730
<v Speaker 1>to hang out with the girls for several more years

0:38:43.090 --> 0:38:47.290
<v Speaker 1>before eventually finding a new group of friends. Tessa turns

0:38:47.330 --> 0:38:49.370
<v Speaker 1>the Sky.

0:38:48.610 --> 0:38:51.330
<v Speaker 9>Honey, you freakin dodged a bullet.

0:38:51.410 --> 0:38:53.970
<v Speaker 14>That's what you did with not being with those girls,

0:38:54.010 --> 0:39:01.490
<v Speaker 14>I have to say.

0:39:03.010 --> 0:39:05.610
<v Speaker 1>Sky tells Tessa that there's still one thing she's been

0:39:05.610 --> 0:39:08.490
<v Speaker 1>wondering about. Why did Tessa agree to talk with her

0:39:08.530 --> 0:39:11.010
<v Speaker 1>at all? It would have been easy to say no,

0:39:11.890 --> 0:39:13.450
<v Speaker 1>everyone else did well.

0:39:13.570 --> 0:39:18.770
<v Speaker 12>I said, yeah, yeah, truthfully, the call was so out

0:39:18.810 --> 0:39:21.810
<v Speaker 12>of the blue, of course, I you know, at the beginning,

0:39:21.850 --> 0:39:26.770
<v Speaker 12>I said, yeah, sure, you know, like and then I

0:39:26.810 --> 0:39:30.610
<v Speaker 12>talked to my daughter and she was like, no, like,

0:39:30.890 --> 0:39:31.530
<v Speaker 12>don't do that.

0:39:31.610 --> 0:39:32.450
<v Speaker 4>How old is your daughter?

0:39:32.650 --> 0:39:35.970
<v Speaker 9>My daughter is almost thirteen? Okay, yeah.

0:39:36.010 --> 0:39:37.170
<v Speaker 4>What was she worried about?

0:39:38.770 --> 0:39:41.090
<v Speaker 9>She's she kind of said, like, what's in it for you?

0:39:41.530 --> 0:39:41.850
<v Speaker 8>Mm hm?

0:39:42.330 --> 0:39:44.370
<v Speaker 12>You know, she was kind of worried that, like I

0:39:44.410 --> 0:39:46.690
<v Speaker 12>would come out as a bad person or something.

0:39:48.490 --> 0:39:50.489
<v Speaker 4>How is she feeling right now that you're here?

0:39:50.930 --> 0:39:51.530
<v Speaker 9>She's mad?

0:39:52.050 --> 0:39:54.970
<v Speaker 12>She is, Yeah, she's mad, But you know I told her, like,

0:39:55.290 --> 0:39:57.730
<v Speaker 12>not everything we do in life is for us, it's

0:39:57.770 --> 0:40:00.930
<v Speaker 12>for other people as well, So she'll be fine.

0:40:02.570 --> 0:40:04.970
<v Speaker 1>Whereas Guy set out to show her Sun that she

0:40:05.050 --> 0:40:07.370
<v Speaker 1>has the courage to stand up for her own needs.

0:40:07.890 --> 0:40:10.690
<v Speaker 1>Tessa wants to show her that she has the courage

0:40:10.730 --> 0:40:12.610
<v Speaker 1>to stand up for someone else's.

0:40:17.250 --> 0:40:19.170
<v Speaker 9>I'm sorry that I didn't.

0:40:20.250 --> 0:40:24.970
<v Speaker 12>The thought of you thinking for thirty five years that

0:40:25.330 --> 0:40:32.010
<v Speaker 12>you had done something wrong is like, ugh, I really

0:40:32.170 --> 0:40:34.370
<v Speaker 12>don't think that you did anything.

0:40:35.050 --> 0:40:35.890
<v Speaker 9>I really don't.

0:40:36.850 --> 0:40:39.530
<v Speaker 12>I'm sorry that you felt like that, you know, I

0:40:39.610 --> 0:40:41.090
<v Speaker 12>wish that you hadn't.

0:40:41.130 --> 0:40:42.850
<v Speaker 4>I'm so glad. I'm hearing it now.

0:40:43.490 --> 0:40:44.250
<v Speaker 9>I'm glad too.

0:40:45.050 --> 0:40:48.330
<v Speaker 12>So I'm really glad, And it's really good to see you.

0:40:48.330 --> 0:40:51.850
<v Speaker 12>And you literally look exactly the same. Your hair is

0:40:51.930 --> 0:40:53.370
<v Speaker 12>a little shorter, right.

0:41:00.330 --> 0:41:02.290
<v Speaker 1>Michael, do you go ahead?

0:41:04.370 --> 0:41:07.770
<v Speaker 4>Was that dramatic hug? Oh, you want a dramatic hug.

0:41:07.890 --> 0:41:11.250
<v Speaker 4>That's glad. I think we have to have the dramatic hug.

0:41:13.730 --> 0:41:17.330
<v Speaker 1>Because the room's so small. When they stand, they're already

0:41:17.370 --> 0:41:20.650
<v Speaker 1>almost touching. They look at each other for a brief moment,

0:41:21.410 --> 0:41:25.770
<v Speaker 1>and then Sky opens her wings.

0:41:25.930 --> 0:41:29.330
<v Speaker 4>Oh to see so good to see you.

0:41:37.730 --> 0:41:40.570
<v Speaker 1>After the meeting with Tessa, Clark didn't have much to say,

0:41:41.290 --> 0:41:44.250
<v Speaker 1>but at night, back in his room, in that space

0:41:44.290 --> 0:41:47.170
<v Speaker 1>where he feels free to open up, Clark's eager to

0:41:47.210 --> 0:41:49.650
<v Speaker 1>talk about Tessa.

0:41:50.010 --> 0:41:53.730
<v Speaker 6>Honestly, I didn't know that person, so I thought they

0:41:53.810 --> 0:41:58.570
<v Speaker 6>might like still be the boy still bullying you. And

0:41:59.050 --> 0:42:01.850
<v Speaker 6>I didn't want you to feel like scared or anything

0:42:01.890 --> 0:42:05.130
<v Speaker 6>in that situation, so I was kind of anxious. Well

0:42:05.170 --> 0:42:09.410
<v Speaker 6>then I met Tessa and she was like super nice.

0:42:09.730 --> 0:42:13.130
<v Speaker 5>She was nice, and.

0:42:14.170 --> 0:42:18.530
<v Speaker 6>I feel like you'd like you weren't, tim and Mommy,

0:42:19.610 --> 0:42:24.610
<v Speaker 6>you were brave, Mommy.

0:42:24.650 --> 0:42:28.530
<v Speaker 1>Tonight there's no talk of avenging. Through his mom's example,

0:42:29.010 --> 0:42:32.050
<v Speaker 1>Clark's learning that one can be kind without being timid.

0:42:32.850 --> 0:42:35.210
<v Speaker 1>The kindness can carry its own strength.

0:42:36.330 --> 0:42:38.730
<v Speaker 4>If you had if he hadn't had that night where

0:42:38.770 --> 0:42:41.690
<v Speaker 4>you had said you have to figure this out, Mom,

0:42:42.250 --> 0:42:44.610
<v Speaker 4>I really honestly don't think I would have done it.

0:42:45.650 --> 0:42:47.930
<v Speaker 4>So thank you.

0:42:47.930 --> 0:42:48.930
<v Speaker 6>You're welcome.

0:42:53.690 --> 0:42:56.650
<v Speaker 1>There's a lot more coming for Clark, moments when he'll

0:42:56.650 --> 0:42:59.770
<v Speaker 1>have to make difficult decisions. Some of them he'll talk

0:42:59.770 --> 0:43:04.770
<v Speaker 1>about with Sky and some he won't. But for now

0:43:05.050 --> 0:43:08.330
<v Speaker 1>they keep talking, neither of them quite ready to go

0:43:08.370 --> 0:43:10.090
<v Speaker 1>to sleep just yet.

0:43:10.570 --> 0:43:13.450
<v Speaker 4>Remember when you said that there was an international tomato day,

0:43:15.170 --> 0:43:21.890
<v Speaker 4>Stop hugging me, it was international.

0:43:56.210 --> 0:44:05.730
<v Speaker 11>Now that the furnitures returning to its goodwill home, Now

0:44:05.810 --> 0:44:07.130
<v Speaker 11>that the last.

0:44:06.970 --> 0:44:11.370
<v Speaker 7>Month's rent is ski mean, with the damage to the bottom,

0:44:11.770 --> 0:44:17.250
<v Speaker 7>take this moment to do so if we meant it,

0:44:17.410 --> 0:44:28.050
<v Speaker 7>if we from things that accidentally?

0:44:29.530 --> 0:44:33.530
<v Speaker 1>Hello, Hi, Hi, how are you?

0:44:33.530 --> 0:44:34.490
<v Speaker 4>You guys can't see me.

0:44:34.610 --> 0:44:36.330
<v Speaker 1>It looks like, yeah, are we doing this with the

0:44:36.370 --> 0:44:37.090
<v Speaker 1>cameras off?

0:44:37.210 --> 0:44:40.130
<v Speaker 4>There? I think I just clicked there you are?

0:44:40.370 --> 0:44:43.930
<v Speaker 1>Hello? You know, as I was waiting for you to

0:44:44.090 --> 0:44:47.050
<v Speaker 1>pop up. You know what word entered my mind?

0:44:47.530 --> 0:44:48.250
<v Speaker 4>What word is that?

0:44:48.610 --> 0:44:49.410
<v Speaker 1>Nervous? Sighted?

0:44:50.250 --> 0:44:54.410
<v Speaker 4>Oh my gosh, Jonathan nervous? I still use that word,

0:44:54.850 --> 0:44:58.410
<v Speaker 4>do you really? I mean I use it regularly. I

0:44:58.410 --> 0:45:00.530
<v Speaker 4>mean I feel like it should be an actual word.

0:45:00.930 --> 0:45:04.810
<v Speaker 1>Yeah, totally. It's Uh, it's the perfect portmanteau. I feel like. Also,

0:45:04.890 --> 0:45:09.090
<v Speaker 1>it's come up recently for me, as it does occasionally,

0:45:09.170 --> 0:45:10.810
<v Speaker 1>and I think of I think of you, I think

0:45:10.850 --> 0:45:11.290
<v Speaker 1>of Clark.

0:45:12.010 --> 0:45:13.330
<v Speaker 4>Yeah that's great.

0:45:13.410 --> 0:45:16.450
<v Speaker 1>So let me ask you some real meat and potato

0:45:16.970 --> 0:45:18.010
<v Speaker 1>questions here.

0:45:18.050 --> 0:45:19.010
<v Speaker 4>All right, bring it on.

0:45:20.250 --> 0:45:22.930
<v Speaker 1>So did you ever hear from Tessa or the other

0:45:22.970 --> 0:45:24.569
<v Speaker 1>girls after the episode came out?

0:45:26.090 --> 0:45:28.530
<v Speaker 4>I never heard from any of the other girls. And

0:45:28.570 --> 0:45:33.290
<v Speaker 4>then Tessa and I kept in touch for a little while,

0:45:33.890 --> 0:45:36.890
<v Speaker 4>and I actually, when I knew that we were going

0:45:36.970 --> 0:45:39.529
<v Speaker 4>to be having this conversation. I reached out to her

0:45:39.970 --> 0:45:42.450
<v Speaker 4>and I told her that I was going to be

0:45:42.450 --> 0:45:49.370
<v Speaker 4>talking to you, and what I wanted to know mostly

0:45:49.530 --> 0:45:52.489
<v Speaker 4>from her was how her daughter felt about it. Now.

0:45:52.690 --> 0:45:56.530
<v Speaker 4>Oh and actually she texted me, Should I read you

0:45:56.570 --> 0:45:57.730
<v Speaker 4>what she wrote?

0:45:57.890 --> 0:45:58.170
<v Speaker 2>Sure?

0:45:58.490 --> 0:46:01.770
<v Speaker 4>Yeah, okay, okay, So here's what she said. We did

0:46:01.810 --> 0:46:06.050
<v Speaker 4>go back and listen to the podcast together. She's referring

0:46:06.050 --> 0:46:08.850
<v Speaker 4>to her daughter. She did not remember being mad at me,

0:46:09.770 --> 0:46:12.370
<v Speaker 4>and she said she was thankful and happy that I

0:46:12.370 --> 0:46:15.570
<v Speaker 4>took part in that. Seven years makes a huge difference.

0:46:16.170 --> 0:46:18.490
<v Speaker 4>She also said, middle school sucks.

0:46:19.010 --> 0:46:22.010
<v Speaker 1>Oh man, wow, it really does go full circle.

0:46:22.410 --> 0:46:23.250
<v Speaker 4>Yeah.

0:46:23.290 --> 0:46:26.730
<v Speaker 1>And speaking of which, so back then Clark was eleven,

0:46:27.010 --> 0:46:30.090
<v Speaker 1>so that would mean that he's what eighteen.

0:46:30.010 --> 0:46:33.930
<v Speaker 4>Now he's nineteen, actually eighteen. Yeah, it's not that insane,

0:46:34.650 --> 0:46:37.370
<v Speaker 4>it's insane. He's a freshman in college.

0:46:38.330 --> 0:46:40.130
<v Speaker 1>Wow, So what is he studying.

0:46:41.410 --> 0:46:42.890
<v Speaker 4>He's studying political science.

0:46:43.290 --> 0:46:46.570
<v Speaker 1>That seems to make sense. I mean, even from just

0:46:46.650 --> 0:46:49.370
<v Speaker 1>what I knew of him at the age of eleven. Yeah,

0:46:49.410 --> 0:46:51.810
<v Speaker 1>like standing up for himself, standing up standing up for

0:46:51.850 --> 0:46:52.410
<v Speaker 1>the little guy.

0:46:52.530 --> 0:46:54.529
<v Speaker 4>Yeah, like standing up for the little guy, and sort

0:46:54.570 --> 0:46:57.810
<v Speaker 4>of also like this sense of like justice must be served.

0:47:00.610 --> 0:47:05.770
<v Speaker 1>You would hoped that that Clark would learn from the

0:47:05.850 --> 0:47:08.810
<v Speaker 1>episode's mission, like basically, you wanted to show how to

0:47:08.810 --> 0:47:11.050
<v Speaker 1>stand up for yourself, but to do so with kindness.

0:47:11.050 --> 0:47:14.130
<v Speaker 1>And do you feel like he took those lessons with

0:47:14.290 --> 0:47:16.690
<v Speaker 1>him through the rest of middle school in high school.

0:47:18.330 --> 0:47:22.450
<v Speaker 4>Okay, let me be perfectly honest with you, Jonathan. Yeah,

0:47:22.490 --> 0:47:25.210
<v Speaker 4>he was really grateful, just like I am. I think

0:47:25.210 --> 0:47:32.330
<v Speaker 4>he felt fondness for Tessa for showing up. Yeah, but

0:47:32.370 --> 0:47:35.489
<v Speaker 4>I do have to also tell you, yea, as far

0:47:35.530 --> 0:47:39.210
<v Speaker 4>as the other three girls who didn't show up go,

0:47:40.370 --> 0:47:42.090
<v Speaker 4>he's still really mad at them.

0:47:42.330 --> 0:47:42.810
<v Speaker 7>Yeah.

0:47:43.610 --> 0:47:46.890
<v Speaker 4>He feels like they didn't take accountability for what happened,

0:47:46.890 --> 0:47:50.930
<v Speaker 4>and that's really still frustrating to him. So I you know,

0:47:51.330 --> 0:47:53.090
<v Speaker 4>I sort of at first when he said to me,

0:47:54.130 --> 0:47:56.210
<v Speaker 4>you know, I'm still mad at those girls, there was

0:47:56.250 --> 0:48:02.930
<v Speaker 4>a part of me that felt disappointed because like, I

0:48:03.490 --> 0:48:04.370
<v Speaker 4>don't feel that way.

0:48:05.690 --> 0:48:07.770
<v Speaker 1>Yeah, you didn't feel that way even afterwards?

0:48:07.890 --> 0:48:11.290
<v Speaker 4>No, immediately, Yeah, I really didn't. I mean, I think

0:48:13.650 --> 0:48:17.130
<v Speaker 4>the warm feelings, the sense of fondness that I developed

0:48:17.170 --> 0:48:22.690
<v Speaker 4>for Tessa during our conversation like really eclipsed these old

0:48:23.050 --> 0:48:26.090
<v Speaker 4>painful feelings that I had had. And also in the meantime,

0:48:26.130 --> 0:48:29.610
<v Speaker 4>I've raised two teenagers too, right, and maybe you know,

0:48:29.770 --> 0:48:32.130
<v Speaker 4>I don't know if Clark will have children, but if

0:48:32.170 --> 0:48:36.090
<v Speaker 4>he does have children, like, maybe then his perspective on

0:48:36.930 --> 0:48:39.570
<v Speaker 4>how he feels about the girls who didn't show up,

0:48:39.570 --> 0:48:42.330
<v Speaker 4>maybe it will change then, Like we're always evolving, We're

0:48:42.370 --> 0:48:45.290
<v Speaker 4>always changing, and you know, I can't argue with him

0:48:45.290 --> 0:48:48.130
<v Speaker 4>about his feelings. His feelings are valid, and I want

0:48:48.170 --> 0:48:50.330
<v Speaker 4>to respect the way that he feels about it, and

0:48:50.370 --> 0:48:55.410
<v Speaker 4>so I feel great about how things have evolved since then. Good.

0:48:57.650 --> 0:49:01.850
<v Speaker 1>Well, you know, if if Clark was so inclined, it

0:49:01.850 --> 0:49:04.530
<v Speaker 1>would be really cool if he wanted to send a

0:49:04.610 --> 0:49:06.290
<v Speaker 1>voice message to saying, Hi.

0:49:06.610 --> 0:49:13.050
<v Speaker 4>Oh my gosh, she sounds so different. Yeah, I'll ask him,

0:49:13.170 --> 0:49:15.530
<v Speaker 4>ask him.

0:49:15.730 --> 0:49:17.970
<v Speaker 10>Hey, guys, it's Clark. I think it's really cool that

0:49:18.690 --> 0:49:22.050
<v Speaker 10>you guys are doing this episode to revisit the podcast

0:49:22.170 --> 0:49:25.730
<v Speaker 10>we did all those years ago. That's a really cool

0:49:25.770 --> 0:49:28.650
<v Speaker 10>memory for me that I really cherish, you know, kind

0:49:28.650 --> 0:49:31.050
<v Speaker 10>of helping my mom get closure about a story that

0:49:31.090 --> 0:49:32.650
<v Speaker 10>she used to tell me when I was growing up.

0:49:32.690 --> 0:49:35.410
<v Speaker 10>Before we even thought of trying to write in and

0:49:35.450 --> 0:49:37.530
<v Speaker 10>see if people would be interested in listening to it,

0:49:39.250 --> 0:49:40.210
<v Speaker 10>I'm off in college.

0:49:40.250 --> 0:49:40.489
<v Speaker 1>Now.

0:49:40.930 --> 0:49:44.330
<v Speaker 10>It's been quite a while, but I'd just like to

0:49:44.330 --> 0:49:47.050
<v Speaker 10>thank everyone was involved. It was a really great time,

0:49:48.650 --> 0:49:50.489
<v Speaker 10>great experience, and I'm glad to have had it.

0:49:56.970 --> 0:50:03.090
<v Speaker 1>To piggyback off of Clark's words, spoken in a surprisingly

0:50:03.610 --> 0:50:07.210
<v Speaker 1>bass baritone, I'd like to thank everyone who helped put

0:50:07.250 --> 0:50:10.850
<v Speaker 1>the episode together, and we'll be back once again with

0:50:10.930 --> 0:50:14.210
<v Speaker 1>another exciting update in two weeks. But before then, might

0:50:14.250 --> 0:50:17.090
<v Speaker 1>I direct your attention to our free newsletter. Maybe you've

0:50:17.130 --> 0:50:19.090
<v Speaker 1>heard about it, maybe you haven't. If you have not,

0:50:19.370 --> 0:50:22.770
<v Speaker 1>please sign up at patreon dot com. Slash Heavyweight