1
00:00:04,600 --> 00:00:06,720
Speaker 1: Okay, So I just want to kind of get out

2
00:00:06,720 --> 00:00:09,480
Speaker 1: in front of this recording.

3
00:00:09,680 --> 00:00:10,160
Speaker 2: I want to.

4
00:00:10,160 --> 00:00:12,800
Speaker 1: Say, obviously we're going to talk about what you two

5
00:00:12,960 --> 00:00:14,760
Speaker 1: have been up to, and I want to do my

6
00:00:14,840 --> 00:00:19,360
Speaker 1: best to promote your show. Congratulations on the show, Brandon

7
00:00:19,440 --> 00:00:24,400
Speaker 1: Carl are here. But I also do have Moss, and

8
00:00:25,920 --> 00:00:27,520
Speaker 1: I want to read to you a little bit about

9
00:00:27,600 --> 00:00:29,480
Speaker 1: There's two things I want to read to you, So

10
00:00:29,560 --> 00:00:30,560
Speaker 1: please don't interrupt me.

11
00:00:30,600 --> 00:00:30,960
Speaker 3: Brandon.

12
00:00:31,040 --> 00:00:35,159
Speaker 1: Specifically, I'm looking at Yes, this is a drink, so

13
00:00:35,360 --> 00:00:37,920
Speaker 1: we are living Moss today, and so I am I'm

14
00:00:37,960 --> 00:00:41,040
Speaker 1: going to live Moss with this beverage, and I just

15
00:00:41,080 --> 00:00:43,919
Speaker 1: want you know, I'll probably having physical reaction to it.

16
00:00:44,120 --> 00:00:46,280
Speaker 1: And if I seem like, oh, that's not how Sean

17
00:00:46,360 --> 00:00:48,519
Speaker 1: usually behaves, this is why a treasure.

18
00:00:48,520 --> 00:00:50,479
Speaker 4: I must stop right there. Hey, Brandon, I just want

19
00:00:50,479 --> 00:00:54,600
Speaker 4: to let you know that on this show, yeah, like,

20
00:00:54,720 --> 00:00:58,800
Speaker 4: don't interrupt Sean. Okay, don't like that's important. Yeah, okay,

21
00:00:58,880 --> 00:01:02,200
Speaker 4: don't interrupt him. Don't don't like, don't stop him when

22
00:01:02,200 --> 00:01:05,000
Speaker 4: he's trying to do his thing. It's kind of like,

23
00:01:05,120 --> 00:01:07,039
Speaker 4: you know, gotcha, when they're in his own This is

24
00:01:07,080 --> 00:01:09,000
Speaker 4: not this is not the show that I host.

25
00:01:09,080 --> 00:01:12,360
Speaker 3: I know this is the show, and I can. I

26
00:01:12,400 --> 00:01:14,360
Speaker 3: just want to second that, don't interrupt him, because when

27
00:01:14,360 --> 00:01:19,240
Speaker 3: he comes back, he's gonna be bigger, louder, just like

28
00:01:20,280 --> 00:01:23,040
Speaker 3: kind of a very defensive place, and like trying to

29
00:01:23,080 --> 00:01:25,000
Speaker 3: stop that from.

30
00:01:26,080 --> 00:01:31,000
Speaker 4: Yes, yeah, he's gonna get bigger, louder, Chris Rod bigger.

31
00:01:29,959 --> 00:01:31,800
Speaker 3: Yes, yeah, that's im.

32
00:01:32,120 --> 00:01:34,000
Speaker 2: That's the same comparison I always use.

33
00:01:34,280 --> 00:01:35,399
Speaker 4: Chris Rod bigger and blacker.

34
00:01:35,520 --> 00:01:36,680
Speaker 2: Yeah, it's like that.

35
00:01:37,240 --> 00:01:39,720
Speaker 1: Yeah, and it's and it is and it is punitive

36
00:01:39,880 --> 00:01:42,400
Speaker 1: when I start speaking again after being interrupted. Just so

37
00:01:42,520 --> 00:01:47,640
Speaker 1: you a treasure beneath our sails. There is a wild

38
00:01:47,720 --> 00:01:51,120
Speaker 1: forest beneath the waves, rich with natural wonders. Take the plunge,

39
00:01:51,120 --> 00:01:53,520
Speaker 1: embark on a journey to far away shores, and uncover

40
00:01:53,600 --> 00:01:55,400
Speaker 1: one of the ocean's best kept secrets.

41
00:01:55,760 --> 00:01:59,200
Speaker 2: Unleash your wildest self. But then look at this. This

42
00:01:59,360 --> 00:02:06,200
Speaker 2: is pure flavor, a wild crafted sea moss beverage supporting energy. Okay,

43
00:02:06,240 --> 00:02:15,680
Speaker 2: cool mood. Oh, that'll help the show and libido. So unfortunately.

44
00:02:16,160 --> 00:02:21,160
Speaker 1: I need I need my energy and mood improved. Unfortunately,

45
00:02:21,200 --> 00:02:25,800
Speaker 1: I will become incredibly horned throughout the course of this episode.

46
00:02:25,840 --> 00:02:28,240
Speaker 1: And that's something I try to leave outside. You know,

47
00:02:28,440 --> 00:02:30,960
Speaker 1: I try not to bring that into the show, but

48
00:02:31,080 --> 00:02:39,040
Speaker 1: it is going to uh support my libido, and I

49
00:02:39,040 --> 00:02:41,119
Speaker 1: don't know what that looks like for all of us.

50
00:02:41,520 --> 00:02:44,160
Speaker 1: Just the m Brandon was right at the edge of

51
00:02:44,200 --> 00:02:47,080
Speaker 1: interrupting me. I just want to say, it was very

52
00:02:47,080 --> 00:02:49,680
Speaker 1: close to like, I didn't hear any.

53
00:02:49,600 --> 00:02:53,400
Speaker 3: Question, so yeah, and I was listening pretty closely. I

54
00:02:53,480 --> 00:02:55,080
Speaker 3: like to listen. That's part of the big part of

55
00:02:55,080 --> 00:02:57,079
Speaker 3: my hosting is listening. And I didn't hear questions.

56
00:02:57,160 --> 00:02:57,520
Speaker 2: Yeah.

57
00:02:57,680 --> 00:03:01,480
Speaker 1: So so it's just let's get into the show. I'll

58
00:03:01,480 --> 00:03:03,600
Speaker 1: probably crack this puppy open. I'll let you know what

59
00:03:03,639 --> 00:03:06,400
Speaker 1: the pure flavor tastes like. It says, Shake well and

60
00:03:06,560 --> 00:03:08,000
Speaker 1: enjoy cold.

61
00:03:08,720 --> 00:03:13,560
Speaker 4: Hurry up, hurry up. Sean's gonna be doing this show.

62
00:03:13,600 --> 00:03:18,480
Speaker 4: Dig hard as Chinese, Yeah, and then enjoy hot. WHOA,

63
00:03:19,560 --> 00:03:20,040
Speaker 4: all right.

64
00:03:20,560 --> 00:03:24,800
Speaker 3: So it Brandon's here, Brandon Gardner. But you haven't been

65
00:03:24,880 --> 00:03:27,920
Speaker 3: very constant, have you. It's been quite a while.

66
00:03:29,200 --> 00:03:29,399
Speaker 1: Here.

67
00:03:32,720 --> 00:03:35,720
Speaker 3: You just have one sip. Excuse me.

68
00:03:36,600 --> 00:03:46,680
Speaker 5: I'm a little worried. Can you interrupt noises? Can you

69
00:03:46,720 --> 00:03:49,360
Speaker 5: interrupt like if Sean's doing a run of noises.

70
00:03:50,320 --> 00:03:52,640
Speaker 4: If it sounds anything like Tim to two man, Taylor,

71
00:03:52,760 --> 00:04:01,480
Speaker 4: do not interrupt, Okay, yeah, and.

72
00:04:01,920 --> 00:04:05,560
Speaker 3: You have a show now. Carl is a voice talent

73
00:04:05,720 --> 00:04:09,400
Speaker 3: on the show. You co created it with Zach Woods,

74
00:04:09,440 --> 00:04:13,000
Speaker 3: and we will get Zach on here. We'll like, well, like,

75
00:04:13,080 --> 00:04:13,840
Speaker 3: it's just.

76
00:04:14,040 --> 00:04:15,160
Speaker 2: I saw that he did.

77
00:04:16,560 --> 00:04:21,159
Speaker 1: Bridgers podcast last week, which normally is a bridge to

78
00:04:21,240 --> 00:04:21,920
Speaker 1: doing ours.

79
00:04:22,080 --> 00:04:25,039
Speaker 3: Yes, I know he really wants to do this. We'll

80
00:04:25,080 --> 00:04:25,720
Speaker 3: have asked him.

81
00:04:25,600 --> 00:04:28,760
Speaker 2: Four or five times and he always seems so excited.

82
00:04:30,600 --> 00:04:32,880
Speaker 2: And obviously this came about Kevin.

83
00:04:32,920 --> 00:04:35,800
Speaker 1: You can confirm through the kind of booking people, the

84
00:04:35,880 --> 00:04:36,880
Speaker 1: promo people.

85
00:04:36,600 --> 00:04:37,320
Speaker 2: For your show.

86
00:04:37,880 --> 00:04:41,520
Speaker 1: And of course we said, you know, let's get Carl

87
00:04:41,560 --> 00:04:47,279
Speaker 1: and Brandon first, because we need obviously the Peacock people

88
00:04:47,320 --> 00:04:49,840
Speaker 1: to handle that, yes, for us to be able to

89
00:04:49,880 --> 00:04:53,080
Speaker 1: get in contact with you guys, and then for Zach,

90
00:04:53,120 --> 00:04:53,760
Speaker 1: I'll probably just.

91
00:04:53,720 --> 00:04:54,680
Speaker 2: Go directly to him.

92
00:04:54,800 --> 00:04:57,080
Speaker 5: That makes sense. I will be honest. I thought I

93
00:04:57,160 --> 00:05:00,599
Speaker 5: was doing the show a couple weeks ago, and the

94
00:05:00,680 --> 00:05:03,080
Speaker 5: day before I was like, I haven't gotten any confirmation,

95
00:05:03,560 --> 00:05:05,880
Speaker 5: and then a Peacock care persons like, oh, yeah, you're

96
00:05:05,920 --> 00:05:07,400
Speaker 5: not doing it. I don't think Zach was available, and

97
00:05:07,440 --> 00:05:13,680
Speaker 5: I wasn't aware of that. Yeah, So this is I'm ready.

98
00:05:14,120 --> 00:05:16,200
Speaker 5: And so when you warned me about interrupting, I was like,

99
00:05:16,200 --> 00:05:18,919
Speaker 5: that's going to be hard because I've been like taking

100
00:05:19,000 --> 00:05:19,440
Speaker 5: up things.

101
00:05:20,120 --> 00:05:21,640
Speaker 2: I'll tell you what else is going to be hard

102
00:05:21,880 --> 00:05:22,200
Speaker 2: is my.

103
00:05:24,920 --> 00:05:26,960
Speaker 5: Well I'm a little worried if you get upset at

104
00:05:26,960 --> 00:05:30,320
Speaker 5: me for interrupting. How that drink will affect it. It's

105
00:05:30,320 --> 00:05:31,880
Speaker 5: like a horny Chris Rock.

106
00:05:32,200 --> 00:05:33,640
Speaker 2: Yeah it is, it's gonna be.

107
00:05:33,720 --> 00:05:36,400
Speaker 3: That's one thing about Chris Rock. He never was very horny.

108
00:05:36,400 --> 00:05:38,920
Speaker 5: He doesn't come across as a real sexual person.

109
00:05:39,200 --> 00:05:43,159
Speaker 3: No, yeah, he only he only even thinks he loves

110
00:05:43,200 --> 00:05:48,320
Speaker 3: his wife. Yeah, that's like that's the whole movie at all. Yeah.

111
00:05:48,520 --> 00:05:51,919
Speaker 1: No, when you're and I can confirm, like I'm halfway

112
00:05:51,920 --> 00:05:57,560
Speaker 1: through this drink and my feelings for my wife, the flames.

113
00:05:57,360 --> 00:05:59,040
Speaker 3: No, no thinking about it.

114
00:05:59,320 --> 00:06:01,560
Speaker 2: No, it's not, it's I don't it's nice. I love

115
00:06:01,600 --> 00:06:06,280
Speaker 2: my wife. I need I loved my wife.

116
00:06:07,080 --> 00:06:07,440
Speaker 5: Wow.

117
00:06:07,720 --> 00:06:10,360
Speaker 4: Top five, let's name the top five times for most

118
00:06:10,400 --> 00:06:11,440
Speaker 4: money for our wives.

119
00:06:11,600 --> 00:06:14,640
Speaker 2: Yes, mm hmmm, when I drink moss.

120
00:06:14,760 --> 00:06:17,080
Speaker 5: Yeah, number one, mm hmmm.

121
00:06:17,240 --> 00:06:20,360
Speaker 1: When I'm about to drink moss, because I know what's

122
00:06:20,400 --> 00:06:22,440
Speaker 1: gonna happen when I get that Moss and yeah, when

123
00:06:22,440 --> 00:06:25,800
Speaker 1: I'm at war, when I'm in a Yeah, in a

124
00:06:25,880 --> 00:06:27,359
Speaker 1: war is a big one for me.

125
00:06:29,400 --> 00:06:31,640
Speaker 2: Halftime of the Super Bowl, Yeah, oh.

126
00:06:31,600 --> 00:06:33,640
Speaker 5: Yeah, depends on who's performing.

127
00:06:33,839 --> 00:06:39,760
Speaker 4: Yeah for me, Sunday post church dinner, right, yeah, big

128
00:06:39,800 --> 00:06:42,479
Speaker 4: family dinner, and I just want to take her under

129
00:06:42,520 --> 00:06:42,880
Speaker 4: the table.

130
00:06:42,880 --> 00:06:49,240
Speaker 1: Well, I've been at church, which, yeah, the imagery around there.

131
00:06:50,720 --> 00:06:56,000
Speaker 2: There's a semi nude man mm hmmm who takes.

132
00:06:55,760 --> 00:06:59,520
Speaker 1: Care of himself up there, and that starts making me think,

133
00:06:59,560 --> 00:07:01,919
Speaker 1: like about my own body?

134
00:07:02,400 --> 00:07:06,120
Speaker 2: Right, has anybody else experienced this every time I see him?

135
00:07:06,600 --> 00:07:10,960
Speaker 1: Yeah, And then you go like, maybe I should disrobe

136
00:07:11,000 --> 00:07:13,400
Speaker 1: a little bit. And then once I start doing that,

137
00:07:13,520 --> 00:07:16,760
Speaker 1: I think maybe somebody else should do this too.

138
00:07:18,800 --> 00:07:19,080
Speaker 4: Yeah.

139
00:07:19,800 --> 00:07:21,680
Speaker 3: So the show, the show is called in the Know.

140
00:07:22,640 --> 00:07:24,080
Speaker 4: I gotta create a show.

141
00:07:23,920 --> 00:07:28,480
Speaker 3: Man, Dude, you gotta get it. I've yes, I've been

142
00:07:28,800 --> 00:07:32,280
Speaker 3: like thinking about doing this. I gotta just do it.

143
00:07:32,400 --> 00:07:35,200
Speaker 3: I gotta you're excited about it. I gotta just bite the

144
00:07:35,240 --> 00:07:38,040
Speaker 3: bullet and have an idea. And like I don't right now,

145
00:07:38,120 --> 00:07:39,760
Speaker 3: but like, I gotta have my idea.

146
00:07:40,840 --> 00:07:43,840
Speaker 1: Getting bored and I think that like for me, so

147
00:07:44,040 --> 00:07:47,120
Speaker 1: much of my journey in this industry has been not

148
00:07:48,320 --> 00:07:51,480
Speaker 1: creating a show and having it go onto like a

149
00:07:51,760 --> 00:07:52,840
Speaker 1: streamer or something.

150
00:07:52,800 --> 00:07:54,240
Speaker 3: Like I see you guys doing I'm just like, I

151
00:07:54,320 --> 00:07:57,080
Speaker 3: gotta do this, you know what. It looks pretty fun,

152
00:07:57,120 --> 00:07:57,880
Speaker 3: and yeah.

153
00:07:58,400 --> 00:08:00,440
Speaker 1: I think I'll do it, you know I I think

154
00:08:00,480 --> 00:08:01,440
Speaker 1: I got to do it too.

155
00:08:01,840 --> 00:08:03,160
Speaker 2: I mean, would you recommend it?

156
00:08:03,240 --> 00:08:03,400
Speaker 3: Well?

157
00:08:03,400 --> 00:08:06,200
Speaker 5: It's interesting because for me, i've I was for a

158
00:08:06,240 --> 00:08:07,840
Speaker 5: long time. I was just like, maybe I just won't

159
00:08:07,880 --> 00:08:10,960
Speaker 5: be involved in this industry at at all, Okay, And

160
00:08:11,040 --> 00:08:14,680
Speaker 5: then I was like, maybe if I make a show, yeah,

161
00:08:14,720 --> 00:08:17,320
Speaker 5: I'll do that. Under those circumstances, I would write.

162
00:08:17,560 --> 00:08:19,360
Speaker 2: Yeah, you're kind of like take it or leave it.

163
00:08:19,440 --> 00:08:21,640
Speaker 5: Yeah, I don't want either show. I don't want to

164
00:08:21,640 --> 00:08:24,640
Speaker 5: write on someone else's show that doesn't interest me.

165
00:08:25,080 --> 00:08:25,520
Speaker 3: Yeah.

166
00:08:25,640 --> 00:08:26,640
Speaker 5: I've had those offers.

167
00:08:26,880 --> 00:08:29,360
Speaker 1: Yes, Yeah, time to put your foot down and just

168
00:08:29,400 --> 00:08:31,560
Speaker 1: going do you want to make my show or you

169
00:08:31,600 --> 00:08:33,640
Speaker 1: want to lose all this all that?

170
00:08:33,840 --> 00:08:37,360
Speaker 3: Yeah, it's really one or the other. These days. It's

171
00:08:37,400 --> 00:08:42,679
Speaker 3: either from nothing like total disconnection from like everything that

172
00:08:42,800 --> 00:08:48,560
Speaker 3: is happening in the industry, or being completely in charge

173
00:08:49,040 --> 00:08:54,840
Speaker 3: of a massive creative endeavor that employs hundreds of people

174
00:08:55,800 --> 00:08:57,760
Speaker 3: and that you just kind of like go back and

175
00:08:57,800 --> 00:08:58,600
Speaker 3: forth and like.

176
00:09:00,800 --> 00:09:04,880
Speaker 1: Yeah, It's it's an interesting, uh position that we find

177
00:09:04,960 --> 00:09:08,480
Speaker 1: ourselves in now where it's like I'm either yeah, I'm

178
00:09:08,520 --> 00:09:09,320
Speaker 1: either gonna make.

179
00:09:09,200 --> 00:09:10,920
Speaker 2: A show, which I've been thinking about doing, and I

180
00:09:10,960 --> 00:09:11,679
Speaker 2: think Hay.

181
00:09:13,240 --> 00:09:13,840
Speaker 3: Should do it.

182
00:09:14,080 --> 00:09:15,120
Speaker 2: Yeah, what I might do?

183
00:09:15,200 --> 00:09:17,960
Speaker 3: Is he about other people doing it? I'm just like yeah,

184
00:09:18,240 --> 00:09:20,640
Speaker 3: like right now, I am just here. I'm here, which

185
00:09:20,679 --> 00:09:23,720
Speaker 3: is fine too. Yeah, you know, but like I've been thinking,

186
00:09:23,760 --> 00:09:26,200
Speaker 3: I gotta do this. Every time I read an article,

187
00:09:26,600 --> 00:09:28,440
Speaker 3: you know, like all these articles, well.

188
00:09:28,360 --> 00:09:31,080
Speaker 2: Every time I turn on the TV there's another show. Yeah,

189
00:09:31,320 --> 00:09:34,960
Speaker 2: and I'm like, I should one of these.

190
00:09:35,280 --> 00:09:35,720
Speaker 3: It should.

191
00:09:35,960 --> 00:09:39,040
Speaker 5: It's a little like running, like getting into running or something. Right,

192
00:09:39,640 --> 00:09:44,120
Speaker 5: I know I should do it, but I have a

193
00:09:44,160 --> 00:09:46,880
Speaker 5: busy week. Christmas is coming up.

194
00:09:48,480 --> 00:09:51,600
Speaker 3: These old knees, you know, And the advice I would

195
00:09:51,600 --> 00:09:52,360
Speaker 3: give is.

196
00:09:54,679 --> 00:09:55,800
Speaker 5: Make a limited series.

197
00:09:56,559 --> 00:09:56,719
Speaker 4: Right.

198
00:09:56,760 --> 00:09:58,760
Speaker 5: You don't have to come out of the gate.

199
00:09:59,360 --> 00:09:59,640
Speaker 3: You don't.

200
00:10:00,080 --> 00:10:00,560
Speaker 2: You don't stay.

201
00:10:00,559 --> 00:10:02,600
Speaker 1: You don't run a marathon, you know, sign for marathon,

202
00:10:02,679 --> 00:10:05,000
Speaker 1: run the next day, get out, do a five k.

203
00:10:05,520 --> 00:10:06,160
Speaker 2: You know what I mean?

204
00:10:07,160 --> 00:10:13,840
Speaker 4: You have a beat, Hawney, Yeah, but yeah, he never

205
00:10:13,920 --> 00:10:19,679
Speaker 4: said that. You just got a touch. You're sitting it up.

206
00:10:21,160 --> 00:10:23,560
Speaker 2: You see buff Jesus.

207
00:10:26,400 --> 00:10:30,080
Speaker 4: Someone working on that's a show. Yeah, I feel like creating.

208
00:10:32,120 --> 00:10:35,640
Speaker 1: Unfortunately, all my show ideas right now are are related

209
00:10:35,679 --> 00:10:40,640
Speaker 1: to Chris Rock having sex because it's the combination of the.

210
00:10:40,480 --> 00:10:42,920
Speaker 2: Moss and sort of the energy in the room.

211
00:10:43,440 --> 00:10:47,480
Speaker 1: And I don't know how receptive, you know, the current

212
00:10:47,520 --> 00:10:51,720
Speaker 1: TV landscape would be to me creating a show that

213
00:10:51,880 --> 00:10:53,440
Speaker 1: is just po V.

214
00:10:53,640 --> 00:10:58,559
Speaker 2: Sex with Chris Rock, Like, I'm not sure. I think

215
00:10:58,600 --> 00:10:59,680
Speaker 2: it could be interesting.

216
00:11:01,640 --> 00:11:05,760
Speaker 3: And it gets around needing Chris Rock to be in

217
00:11:05,800 --> 00:11:10,520
Speaker 3: the show. If it's POB you are Chris Rock getting

218
00:11:10,559 --> 00:11:12,440
Speaker 3: down mm hmmm. Yeah.

219
00:11:12,440 --> 00:11:13,720
Speaker 5: He doesn't even have to get permission.

220
00:11:14,880 --> 00:11:16,400
Speaker 2: No, no, Yeah.

221
00:11:16,520 --> 00:11:20,079
Speaker 4: It starts off with the with the AI voice po

222
00:11:20,240 --> 00:11:22,400
Speaker 4: V you Chris Rock happened sex?

223
00:11:27,200 --> 00:11:27,400
Speaker 3: Yeah?

224
00:11:27,440 --> 00:11:27,920
Speaker 2: Wellt's see.

225
00:11:27,960 --> 00:11:31,120
Speaker 1: I just yeah, Carl, I mean I already know. Look,

226
00:11:31,160 --> 00:11:32,760
Speaker 1: you're pre approved his voice talent.

227
00:11:33,360 --> 00:11:34,280
Speaker 3: Yeah, but here's.

228
00:11:34,280 --> 00:11:35,319
Speaker 2: Doing it on his show.

229
00:11:36,240 --> 00:11:39,360
Speaker 3: Him doing this with that is that Carl? Like in

230
00:11:39,360 --> 00:11:41,120
Speaker 3: this show and all the others that he's done that,

231
00:11:41,240 --> 00:11:44,560
Speaker 3: his character is always named Carl. Yeah, and this character

232
00:11:44,559 --> 00:11:46,559
Speaker 3: would I guess would have to be then named Carl

233
00:11:46,640 --> 00:11:47,679
Speaker 3: Chris Rock.

234
00:11:49,080 --> 00:11:51,319
Speaker 5: Yeah, or like Chris Carl Rock.

235
00:11:51,400 --> 00:11:54,840
Speaker 2: Well, it'd be Carl. It would be Chris Chris, Carl

236
00:11:54,960 --> 00:11:56,880
Speaker 2: Rock hard.

237
00:11:56,960 --> 00:11:58,720
Speaker 5: Right, and work in the horny part.

238
00:11:59,160 --> 00:12:01,800
Speaker 1: Well, I do think think you want to promise a

239
00:12:01,840 --> 00:12:05,480
Speaker 1: little bit of what you're going to deliver, right. But

240
00:12:05,920 --> 00:12:07,600
Speaker 1: the other thing that I know, and I'm not going

241
00:12:07,679 --> 00:12:09,240
Speaker 1: to say how I know this, but the thing I

242
00:12:09,320 --> 00:12:12,240
Speaker 1: know is that Chris Rock has sex with his eyes closed.

243
00:12:12,960 --> 00:12:17,360
Speaker 2: So the po V aspect of it is just well enough.

244
00:12:18,040 --> 00:12:21,120
Speaker 1: Yeah, that's sort of a famous trait. And so then

245
00:12:21,120 --> 00:12:23,040
Speaker 1: we would have to kind of leave the lens cap

246
00:12:23,080 --> 00:12:24,839
Speaker 1: on for a lot of.

247
00:12:24,760 --> 00:12:27,920
Speaker 5: It, or it's a podcast, then it's just sound.

248
00:12:28,559 --> 00:12:32,080
Speaker 2: Well, that's kind of back to where I.

249
00:12:31,160 --> 00:12:37,200
Speaker 3: Yeah, I gotta gotta I gotta get it together TV.

250
00:12:37,760 --> 00:12:40,040
Speaker 4: It's like going back to therapy, like you took that

251
00:12:40,200 --> 00:12:45,160
Speaker 4: year off and you went funks. Damn mom, I on

252
00:12:45,200 --> 00:12:50,000
Speaker 4: the funk and feeling that you create a TV show?

253
00:12:50,280 --> 00:12:51,000
Speaker 2: Is that what it is?

254
00:12:51,360 --> 00:12:54,400
Speaker 3: Going back to therapy when the therapist is like, oh

255
00:12:54,440 --> 00:12:57,079
Speaker 3: my god, I can't imagine how fucked up you are

256
00:12:57,200 --> 00:12:59,240
Speaker 3: now after an entire.

257
00:12:59,320 --> 00:13:01,920
Speaker 2: Year, not when you left.

258
00:13:04,200 --> 00:13:07,200
Speaker 3: Gone thy Okay, just let me let me wash my hands.

259
00:13:09,120 --> 00:13:10,280
Speaker 3: That's how bad it's gonna be.

260
00:13:10,559 --> 00:13:13,880
Speaker 1: First day back yeah, they're just like, Okay, let's not

261
00:13:13,920 --> 00:13:15,320
Speaker 1: even do therapy today.

262
00:13:15,520 --> 00:13:17,840
Speaker 2: Let's just have you get used to sitting still.

263
00:13:19,480 --> 00:13:22,679
Speaker 4: Like just I.

264
00:13:22,600 --> 00:13:24,320
Speaker 1: Don't think either one of us is ready for what

265
00:13:24,360 --> 00:13:26,560
Speaker 1: it's gonna look like when we actually do it again.

266
00:13:29,280 --> 00:13:33,280
Speaker 1: But I do want to say, like whether I create

267
00:13:33,320 --> 00:13:38,320
Speaker 1: a show which I think I should, or not, if

268
00:13:38,360 --> 00:13:40,760
Speaker 1: you're gonna do more.

269
00:13:43,240 --> 00:13:44,400
Speaker 2: Doing about us.

270
00:13:45,840 --> 00:13:50,800
Speaker 3: This is a limited series, probably okay, so in the

271
00:13:50,400 --> 00:13:52,600
Speaker 3: know the other show that should be its own, that

272
00:13:52,600 --> 00:13:57,560
Speaker 3: should be its own category, and probably probably limited.

273
00:13:57,440 --> 00:14:01,680
Speaker 5: Probably limited. We make it and we don't say, right,

274
00:14:02,520 --> 00:14:04,680
Speaker 5: we make six episodes and we're like, maybe we could

275
00:14:04,679 --> 00:14:07,160
Speaker 5: make more. This could be one hundred episodes.

276
00:14:07,840 --> 00:14:12,480
Speaker 3: It's hard to do those guys. It's I mean, it's clay. Yes,

277
00:14:12,679 --> 00:14:22,160
Speaker 3: it's gonna rain. It's going to rain all weekend Clay work. Sorry, yes, yeah,

278
00:14:22,400 --> 00:14:23,040
Speaker 3: I look at it.

279
00:14:23,040 --> 00:14:25,040
Speaker 5: It's I stay away from that part of the process.

280
00:14:25,200 --> 00:14:29,160
Speaker 3: And there it's gonna get so wet, it's gonna get everywhere.

281
00:14:29,440 --> 00:14:33,120
Speaker 5: For all the exterior shots, like when you're shooting outside.

282
00:14:32,800 --> 00:14:35,280
Speaker 3: It's just like it's gonna be a total mess.

283
00:14:35,280 --> 00:14:40,040
Speaker 1: Well, we're doing We're doing that, We're doing outside. For inside, Yeah,

284
00:14:40,400 --> 00:14:42,280
Speaker 1: a lot of we're putting that relter on.

285
00:14:42,520 --> 00:14:45,560
Speaker 4: Yeah. I remember when Homer became real and walked down

286
00:14:45,680 --> 00:14:46,600
Speaker 4: Ventura Boulevard.

287
00:14:46,840 --> 00:14:52,120
Speaker 3: Yeah yeah, it was after he was in the Tron world, right, yeah,

288
00:14:52,160 --> 00:14:58,840
Speaker 3: and then he was transported to Ventura Boulevard. Yeah, I remember. Yeah,

289
00:14:58,840 --> 00:15:00,760
Speaker 3: what did that? What impact did that have on you?

290
00:15:01,280 --> 00:15:04,680
Speaker 4: I mean, that's what really inspired my character Carl in

291
00:15:04,680 --> 00:15:07,400
Speaker 4: in the know, especially like because it's gonna be raining

292
00:15:07,440 --> 00:15:09,440
Speaker 4: this weekend and then we gotta do those exteriors, we

293
00:15:09,440 --> 00:15:12,320
Speaker 4: gotta do some pickups, and I'm gonna be walking down

294
00:15:12,320 --> 00:15:13,160
Speaker 4: into a boulevard.

295
00:15:13,320 --> 00:15:13,640
Speaker 3: Not me.

296
00:15:14,400 --> 00:15:17,160
Speaker 4: I'm gonna be in the studio, yeah, but Carl, Carl

297
00:15:17,240 --> 00:15:18,080
Speaker 4: will be walking down.

298
00:15:18,680 --> 00:15:23,800
Speaker 3: But get when he becomes real, that's not you me

299
00:15:24,240 --> 00:15:24,920
Speaker 3: me in the suit.

300
00:15:25,080 --> 00:15:28,360
Speaker 4: Yeah No, so I am kind of when he becomes real,

301
00:15:28,440 --> 00:15:30,920
Speaker 4: I am kind of behind him. I'm in an all

302
00:15:30,960 --> 00:15:33,920
Speaker 4: black suit as if I'm doing the Lion King, and

303
00:15:33,960 --> 00:15:35,880
Speaker 4: I'm kind of like, yeah.

304
00:15:38,480 --> 00:15:40,600
Speaker 1: I thought I thought that when he becomes real, you

305
00:15:40,640 --> 00:15:45,600
Speaker 1: go into a coma and that you can yeah.

306
00:15:45,400 --> 00:15:46,080
Speaker 4: When he goes back.

307
00:15:46,120 --> 00:15:48,920
Speaker 1: That was my understanding of it. But I guess being

308
00:15:48,920 --> 00:15:50,960
Speaker 1: in an all black suit holding sticks.

309
00:15:51,040 --> 00:15:54,160
Speaker 3: When Carl goes back to therapy. The therapist is thinking like, Okay,

310
00:15:54,160 --> 00:15:56,880
Speaker 3: I wonder it's been a year, and maybe he is

311
00:15:56,960 --> 00:16:00,440
Speaker 3: not going to talk about Homer because of walking that

312
00:16:00,560 --> 00:16:04,040
Speaker 3: back to her boulevard. Maybe maybe that's kind of iron

313
00:16:04,480 --> 00:16:04,800
Speaker 3: we need.

314
00:16:04,800 --> 00:16:07,320
Speaker 2: It was just a break, yeah, and then now we

315
00:16:07,400 --> 00:16:08,520
Speaker 2: can have get it.

316
00:16:08,720 --> 00:16:11,440
Speaker 3: Okay, Okay, he is talking about it. Okay, it's coming

317
00:16:11,440 --> 00:16:20,480
Speaker 3: out as if I remember, all right, and he's pulling

318
00:16:20,520 --> 00:16:21,320
Speaker 3: it up on his phone.

319
00:16:21,400 --> 00:16:24,160
Speaker 2: All right, yes, and I'll be watching it again.

320
00:16:24,240 --> 00:16:26,600
Speaker 4: Watch this. How much time we got let's watch this?

321
00:16:29,160 --> 00:16:31,000
Speaker 4: We got an hour? Right, let's watch this.

322
00:16:31,720 --> 00:16:33,200
Speaker 5: How long is the video? Is a video close to

323
00:16:33,240 --> 00:16:33,600
Speaker 5: an hour?

324
00:16:33,800 --> 00:16:33,960
Speaker 3: No?

325
00:16:33,960 --> 00:16:35,720
Speaker 4: No, no, it's not that long. It's just a little clip.

326
00:16:37,560 --> 00:16:39,200
Speaker 2: It was short. But they looped it.

327
00:16:39,960 --> 00:16:42,120
Speaker 4: Yeah, they looped it. And I and I showed my

328
00:16:42,160 --> 00:16:46,840
Speaker 4: therapist loop to make sure that she sees like, this

329
00:16:46,920 --> 00:16:49,680
Speaker 4: is him on Ventura Boulevard. A lot of stuff is

330
00:16:49,680 --> 00:16:51,680
Speaker 4: not open anymore, right there.

331
00:16:51,800 --> 00:16:55,840
Speaker 2: Yeah, I've been boulevards changed since then. Yeah, we don't

332
00:16:55,880 --> 00:16:56,680
Speaker 2: talk about that.

333
00:16:56,800 --> 00:16:57,000
Speaker 3: Man.

334
00:16:58,400 --> 00:17:02,320
Speaker 1: It's her boulevard has changed right from when we were

335
00:17:02,320 --> 00:17:10,159
Speaker 1: growing up. Used to be uh different stores. I remember

336
00:17:10,200 --> 00:17:13,080
Speaker 1: there was a bed bath and beyond it a durable

337
00:17:13,160 --> 00:17:16,879
Speaker 1: of our and Britney Spears.

338
00:17:17,040 --> 00:17:17,440
Speaker 3: Was there?

339
00:17:18,000 --> 00:17:21,280
Speaker 5: Wow, different time it was.

340
00:17:22,600 --> 00:17:30,520
Speaker 2: There was a restaurant there, not one bad? What they have.

341
00:17:33,040 --> 00:17:40,159
Speaker 5: To Molly's. Maybe you're just to Mally's, you know.

342
00:17:40,480 --> 00:17:41,520
Speaker 2: Now now.

343
00:17:42,960 --> 00:17:46,360
Speaker 1: I'm wondering if I'm even remembering the right place.

344
00:17:46,119 --> 00:17:47,360
Speaker 3: To Molly Ringwalds.

345
00:17:47,640 --> 00:17:49,200
Speaker 2: To Molly Ringwalds.

346
00:17:49,840 --> 00:18:02,280
Speaker 3: Right, Yeah, the show is about this cartoon. Talk tell

347
00:18:02,320 --> 00:18:05,120
Speaker 3: me more about that. To do a show about a cartoon.

348
00:18:05,280 --> 00:18:08,560
Speaker 5: M h, Yes, there's a show within a show with

349
00:18:08,600 --> 00:18:09,760
Speaker 5: about it.

350
00:18:09,880 --> 00:18:12,640
Speaker 3: Yes, in this in the now.

351
00:18:13,680 --> 00:18:18,320
Speaker 5: Oh, that's interesting that it could be a second season, Yes,

352
00:18:18,960 --> 00:18:21,600
Speaker 5: but probably not, probably not, probably limited.

353
00:18:22,119 --> 00:18:24,160
Speaker 3: Probably the Clay is gonna get everywhere.

354
00:18:24,920 --> 00:18:29,280
Speaker 5: So, yeah, it's the Puppets. The there's a host of

355
00:18:29,280 --> 00:18:33,320
Speaker 5: a public radio interview program, so like Fresh Air and

356
00:18:33,640 --> 00:18:36,080
Speaker 5: Zach Woods we were talking about before he voices the

357
00:18:36,080 --> 00:18:37,840
Speaker 5: main puppet and.

358
00:18:38,280 --> 00:18:41,600
Speaker 2: Uh he works uh car Puppets.

359
00:18:41,680 --> 00:18:45,399
Speaker 6: Yeah, you keep saying that, and it's actually starting to like,

360
00:18:46,520 --> 00:18:54,800
Speaker 6: it's starting to make me pissed off, Clay.

361
00:18:54,600 --> 00:19:01,360
Speaker 1: Clay, especially knowing since you know that I am becoming

362
00:19:01,400 --> 00:19:03,880
Speaker 1: increasingly aroused throughout the course.

363
00:19:03,560 --> 00:19:04,359
Speaker 3: Of the program.

364
00:19:05,119 --> 00:19:09,480
Speaker 1: To be talking about puppets this much is like it's

365
00:19:09,520 --> 00:19:13,800
Speaker 1: a trigger for me where you're trying to sort of.

366
00:19:15,560 --> 00:19:17,000
Speaker 2: Create a fetish.

367
00:19:17,800 --> 00:19:22,680
Speaker 1: Uh. You obviously know that I am so vulnerable right

368
00:19:22,680 --> 00:19:27,680
Speaker 1: now to becoming attracted to something new interest and that like, uh.

369
00:19:27,400 --> 00:19:29,040
Speaker 5: So this could be your thing now for a long time.

370
00:19:29,119 --> 00:19:31,800
Speaker 3: Well yeah, baby, you could. Basically you could.

371
00:19:31,840 --> 00:19:36,800
Speaker 1: Basically I would become imprinted on puppets as like sort

372
00:19:36,800 --> 00:19:43,000
Speaker 1: of a a sexual desire, whereas Clay like, that's.

373
00:19:42,920 --> 00:19:45,920
Speaker 2: Fine, I mean I'm doing that. Yeah, that's already been

374
00:19:46,000 --> 00:19:47,439
Speaker 2: happening for quite a while.

375
00:19:49,000 --> 00:19:52,760
Speaker 5: Yeah. So these like clay blobs, yes.

376
00:19:53,119 --> 00:19:55,879
Speaker 3: After after, after it's all over, Yes.

377
00:19:56,960 --> 00:19:59,480
Speaker 5: They all work together. And Carl is one of those

378
00:19:59,480 --> 00:20:00,640
Speaker 5: clay blob too.

379
00:20:00,920 --> 00:20:02,000
Speaker 2: Yeah.

380
00:20:02,040 --> 00:20:05,480
Speaker 5: But then they also talk to you real celebrities.

381
00:20:05,640 --> 00:20:11,120
Speaker 1: Okay, and so that is actually badass. So like, can

382
00:20:11,160 --> 00:20:13,880
Speaker 1: we get some of these celebrities in here?

383
00:20:16,160 --> 00:20:16,840
Speaker 5: We can try?

384
00:20:17,000 --> 00:20:22,400
Speaker 3: Yeah, all right, Kevin, great, because so far Kevin has

385
00:20:22,440 --> 00:20:25,480
Speaker 3: been saying we can't try. Ye, you're saying that we

386
00:20:25,560 --> 00:20:26,920
Speaker 3: can try. I think we can try.

387
00:20:27,040 --> 00:20:28,639
Speaker 5: I don't know any of them.

388
00:20:29,000 --> 00:20:32,040
Speaker 2: Yeah, so who did that in them? Yeah? How has

389
00:20:32,080 --> 00:20:35,680
Speaker 2: this happen? Because we've been thinking about doing that. It's

390
00:20:35,720 --> 00:20:38,520
Speaker 2: similar setup right where people are talking on microphone to

391
00:20:38,560 --> 00:20:40,359
Speaker 2: someone who's acting a.

392
00:20:40,359 --> 00:20:44,800
Speaker 1: Little bit unusual. Yes, that's what we've been trying to do.

393
00:20:45,119 --> 00:20:46,480
Speaker 3: And Carl talked to them too.

394
00:20:47,400 --> 00:20:50,080
Speaker 4: I was not allowed. No, I was not allowed.

395
00:20:51,280 --> 00:20:52,399
Speaker 5: That was one of the big rules.

396
00:20:52,440 --> 00:20:53,120
Speaker 4: I was not allowed.

397
00:20:54,960 --> 00:20:58,679
Speaker 3: And who did that? That was Zach who did the

398
00:20:59,119 --> 00:21:02,120
Speaker 3: who did being the celebrities who?

399
00:21:02,280 --> 00:21:08,520
Speaker 5: Uh kaya Gerber m m Jonathan van Ness, the Gerber baby,

400
00:21:08,800 --> 00:21:15,119
Speaker 5: the Gerber baby all growing up, Mike Tyson, ken Burns

401
00:21:15,600 --> 00:21:18,120
Speaker 5: to name four, to name a four.

402
00:21:18,720 --> 00:21:20,439
Speaker 4: He looked much younger than I thought he was going

403
00:21:20,520 --> 00:21:20,679
Speaker 4: to be.

404
00:21:21,440 --> 00:21:22,840
Speaker 3: No burns.

405
00:21:23,880 --> 00:21:26,280
Speaker 5: Uh. I think he's got a new haircut.

406
00:21:26,359 --> 00:21:30,640
Speaker 4: Yeah, yeah, yeah, I thought like I was like when

407
00:21:30,640 --> 00:21:32,560
Speaker 4: I saw the interview, I was like, wait, where did

408
00:21:32,600 --> 00:21:36,440
Speaker 4: baseball come out.

409
00:21:35,440 --> 00:21:37,800
Speaker 3: A while ago? Yeah?

410
00:21:38,040 --> 00:21:39,480
Speaker 4: But he seemed like I thought he was gonna be

411
00:21:39,520 --> 00:21:40,320
Speaker 4: like a real old man.

412
00:21:40,400 --> 00:21:42,560
Speaker 5: He seems like he stays out of the sun.

413
00:21:43,040 --> 00:21:45,639
Speaker 4: That's what it is. That's what it is right there.

414
00:21:46,640 --> 00:21:50,520
Speaker 3: It's the secret was really Yeah, a young man who

415
00:21:50,560 --> 00:21:55,040
Speaker 3: makes documentaries about baseball, the national parks in the Civil War.

416
00:21:55,600 --> 00:21:58,960
Speaker 5: Like, oh you're twenty five, Yeah that would be cool.

417
00:22:00,240 --> 00:22:01,720
Speaker 2: Yeah.

418
00:22:01,480 --> 00:22:05,359
Speaker 3: He just has a boomer haircut that's like short on

419
00:22:05,400 --> 00:22:06,520
Speaker 3: the sides and like curly On.

420
00:22:07,119 --> 00:22:08,040
Speaker 4: You got Patrick Mahomes.

421
00:22:08,160 --> 00:22:12,240
Speaker 2: Yeah, baseball is busting no cap.

422
00:22:12,240 --> 00:22:15,520
Speaker 4: For real, he's got a long, zippy ear ring.

423
00:22:22,080 --> 00:22:27,200
Speaker 3: The show is on Peacock all the time.

424
00:22:27,840 --> 00:22:30,880
Speaker 5: I think that's it for the moment. Yeah, it's all

425
00:22:30,880 --> 00:22:31,240
Speaker 5: the time.

426
00:22:31,680 --> 00:22:32,760
Speaker 3: So you're saying, probably not.

427
00:22:33,400 --> 00:22:37,720
Speaker 5: I don't know how these things work. So I checked

428
00:22:37,760 --> 00:22:39,160
Speaker 5: every day to be like, is it there?

429
00:22:39,200 --> 00:22:39,399
Speaker 2: You know?

430
00:22:39,520 --> 00:22:43,520
Speaker 1: Yeah, I've been going like, oh, I should do a show,

431
00:22:43,720 --> 00:22:48,960
Speaker 1: but like, because I have to, I have to go, yeah.

432
00:22:48,800 --> 00:22:53,840
Speaker 2: I've got got there. Just finally just do it. And

433
00:22:53,880 --> 00:22:56,000
Speaker 2: it's like, just starting is what's hard?

434
00:22:56,119 --> 00:22:57,280
Speaker 3: Have an idea.

435
00:22:58,520 --> 00:23:01,000
Speaker 1: Of course, of course, But I see you do it,

436
00:23:01,040 --> 00:23:03,359
Speaker 1: and I go, well, he must have some understanding of

437
00:23:03,400 --> 00:23:05,320
Speaker 1: how all this works that I don't have. But then

438
00:23:05,359 --> 00:23:09,200
Speaker 1: you're going, you don't know when it's our peacock? How

439
00:23:09,680 --> 00:23:13,840
Speaker 1: how long you think Clay is puppets? And so now

440
00:23:13,920 --> 00:23:21,159
Speaker 1: I'm going like, what the fuck went down? It's in

441
00:23:21,280 --> 00:23:27,160
Speaker 1: their celebrities and Kevin can't get in touch with them.

442
00:23:27,200 --> 00:23:31,760
Speaker 2: It's just not adding up for me. Carl, you were

443
00:23:31,800 --> 00:23:35,720
Speaker 2: on the front lines. I was what happened.

444
00:23:35,720 --> 00:23:39,560
Speaker 1: By the way this Carl character you're playing, correct me

445
00:23:39,600 --> 00:23:41,240
Speaker 1: if I'm wrong. It seems like maybe he's had a

446
00:23:41,280 --> 00:23:42,680
Speaker 1: couple of SIPs of the moss.

447
00:23:43,040 --> 00:23:50,960
Speaker 4: He's it feels like spinning game the whole series.

448
00:23:51,200 --> 00:23:52,359
Speaker 2: Yes, he's tried.

449
00:23:53,200 --> 00:23:55,960
Speaker 3: And what did he say?

450
00:23:57,119 --> 00:23:59,640
Speaker 4: I'm touching my dick, I got my dick, I'm stroking

451
00:23:59,640 --> 00:24:00,639
Speaker 4: my ship right now.

452
00:24:02,400 --> 00:24:07,800
Speaker 5: That was improvised. Yeah, and at first we were like,

453
00:24:07,880 --> 00:24:10,960
Speaker 5: I don't know if we can fit that in, but

454
00:24:11,080 --> 00:24:12,200
Speaker 5: we were like, we love it.

455
00:24:13,359 --> 00:24:18,200
Speaker 3: He said, he said, I've touched you my dick, stroking

456
00:24:18,240 --> 00:24:19,280
Speaker 3: by ship right now.

457
00:24:22,600 --> 00:24:26,480
Speaker 5: We want to do a lot of rewriting around that.

458
00:24:27,160 --> 00:24:31,960
Speaker 6: Yeah, because you can feel that the episode takes our

459
00:24:32,160 --> 00:24:32,879
Speaker 6: chip short of.

460
00:24:32,960 --> 00:24:37,000
Speaker 2: To accommodate that moment. Yeah, I had to feel.

461
00:24:36,880 --> 00:24:40,840
Speaker 3: The character there, the character the way he's bout this movie.

462
00:24:40,880 --> 00:24:45,080
Speaker 4: That doesn't seem like what he's supposed to be saying.

463
00:24:46,280 --> 00:24:49,360
Speaker 4: Because they built they built the clay around us. We

464
00:24:49,400 --> 00:24:51,760
Speaker 4: recorded before they built the clay, so we were able

465
00:24:51,760 --> 00:24:54,119
Speaker 4: to bring our own flair to it. So I was

466
00:24:54,160 --> 00:24:56,920
Speaker 4: able to say, I'm touching my dick, I got a

467
00:24:56,960 --> 00:24:59,120
Speaker 4: lotion on my dick, I'm stroking my ship right now.

468
00:25:00,520 --> 00:25:06,560
Speaker 5: A lot of the animators quit they were not comfortable anime.

469
00:25:06,720 --> 00:25:08,840
Speaker 3: Just after the first part. They didn't even hear the

470
00:25:08,920 --> 00:25:09,639
Speaker 3: second two.

471
00:25:11,880 --> 00:25:14,960
Speaker 1: They already quit, which, by the way, like this is

472
00:25:15,000 --> 00:25:18,240
Speaker 1: what art is supposed to be, right, it's supposed to challenge.

473
00:25:18,240 --> 00:25:19,040
Speaker 2: You're supposed to.

474
00:25:19,080 --> 00:25:22,320
Speaker 6: Make the quit with your had lip line about stroking

475
00:25:22,400 --> 00:25:27,840
Speaker 6: your ship and the immediacy of right now, you know,

476
00:25:28,280 --> 00:25:30,880
Speaker 6: like to not say like it's something that you're going

477
00:25:30,920 --> 00:25:31,720
Speaker 6: to do later.

478
00:25:32,600 --> 00:25:35,240
Speaker 2: I just feel like, right in the middle.

479
00:25:34,960 --> 00:25:37,760
Speaker 3: Of the story, yeah, the character is not doing it,

480
00:25:37,840 --> 00:25:40,560
Speaker 3: though them himself is not.

481
00:25:41,200 --> 00:25:44,359
Speaker 1: No, no, no, he's not doing that.

482
00:25:45,280 --> 00:25:45,600
Speaker 2: Yeah.

483
00:25:45,800 --> 00:25:46,040
Speaker 4: Yeah.

484
00:25:46,560 --> 00:25:49,000
Speaker 2: But often when people say that, I find that they're

485
00:25:49,040 --> 00:25:49,800
Speaker 2: not right.

486
00:25:50,080 --> 00:25:53,040
Speaker 5: Yeah, you know, because if you're doing it, you don't

487
00:25:53,080 --> 00:25:54,960
Speaker 5: need to narrate it exactly why.

488
00:25:55,560 --> 00:25:59,720
Speaker 1: Yeah, No, it's like you know, uh. In Robert Bresson,

489
00:26:00,320 --> 00:26:06,640
Speaker 1: uh pick pocket. Yes, the opening, the opening narration is

490
00:26:06,800 --> 00:26:10,040
Speaker 1: you know, uh, I understand that many people who do

491
00:26:10,080 --> 00:26:12,600
Speaker 1: these things never talk about it, and those that talk

492
00:26:12,640 --> 00:26:16,240
Speaker 1: about it have not done it. And yet I have

493
00:26:16,359 --> 00:26:19,520
Speaker 1: done these things. He says this to us, and that

494
00:26:19,720 --> 00:26:21,600
Speaker 1: really is what Carl is saying.

495
00:26:22,359 --> 00:26:25,040
Speaker 3: Is drawing inspiration from that by picking at his own pocket.

496
00:26:25,200 --> 00:26:28,840
Speaker 1: Yes, well there's a hole in the reaching all the

497
00:26:28,840 --> 00:26:31,000
Speaker 1: way and stroking his ship right now.

498
00:26:33,840 --> 00:26:34,359
Speaker 2: With lotion.

499
00:26:38,480 --> 00:26:40,640
Speaker 3: Yeah, you gotta do a show about us, man.

500
00:26:40,640 --> 00:26:46,040
Speaker 1: Yeah, I think it would actually be cool, because let's

501
00:26:46,040 --> 00:26:48,960
Speaker 1: face it, I'm not gonna fucking create a show like

502
00:26:49,240 --> 00:26:51,600
Speaker 1: I've been saying I gotta do it, but like I'm

503
00:26:52,040 --> 00:26:53,960
Speaker 1: just proably not going to get my ship together.

504
00:26:54,040 --> 00:26:56,280
Speaker 3: And actually I'm just looking at my week.

505
00:26:56,359 --> 00:27:04,800
Speaker 1: It's fucking nuts, like I have, I'm busy, Like I'm

506
00:27:04,960 --> 00:27:06,960
Speaker 1: just looking at the schedule and it's not going to

507
00:27:07,040 --> 00:27:10,200
Speaker 1: happen for me, certainly this week and next week's even crazier.

508
00:27:11,119 --> 00:27:18,119
Speaker 1: I have two lunches okay, yeah, packed, already packed. But

509
00:27:18,200 --> 00:27:21,959
Speaker 1: we did radio from before, yes, and that's sort of

510
00:27:22,000 --> 00:27:24,400
Speaker 1: your area, and I can I know how to fix

511
00:27:24,440 --> 00:27:27,520
Speaker 1: this because I have experience with radio and so like

512
00:27:27,840 --> 00:27:30,920
Speaker 1: this could be an episode as people are in.

513
00:27:30,880 --> 00:27:33,640
Speaker 3: A pants the square falls off and then I fix

514
00:27:33,720 --> 00:27:39,480
Speaker 3: it nude Mike. Oh see, the show could be about

515
00:27:39,760 --> 00:27:41,720
Speaker 3: how we did the radio from before. We used to

516
00:27:41,760 --> 00:27:45,080
Speaker 3: have a show, oh called the Professor and the Coyote.

517
00:27:45,200 --> 00:27:49,359
Speaker 5: Okay, is this like a pitch? Are you pitching?

518
00:27:50,320 --> 00:27:50,600
Speaker 4: Are you?

519
00:27:50,800 --> 00:27:54,040
Speaker 3: And what would that mean? Like? You mean tell me

520
00:27:54,880 --> 00:28:02,000
Speaker 3: what whatever I say? What effect that has on what happens?

521
00:28:02,240 --> 00:28:06,840
Speaker 5: I I guess I want to know if you're pitching it.

522
00:28:09,320 --> 00:28:11,520
Speaker 2: How how I want to professionals.

523
00:28:11,560 --> 00:28:13,679
Speaker 1: Do I need to subtle pitch for in the Know,

524
00:28:14,440 --> 00:28:16,280
Speaker 1: because I want to know if you're pitching.

525
00:28:16,359 --> 00:28:18,080
Speaker 2: He's always pushing his show.

526
00:28:17,960 --> 00:28:19,600
Speaker 3: I worked in.

527
00:28:21,400 --> 00:28:21,920
Speaker 5: All the time.

528
00:28:21,960 --> 00:28:27,439
Speaker 3: Are you concerned that you've left your flank exposed for

529
00:28:27,520 --> 00:28:31,000
Speaker 3: a review, the headline of which is in the no.

530
00:28:31,200 --> 00:28:36,800
Speaker 1: Thank you also lot of it. I didn't want to

531
00:28:36,800 --> 00:28:41,560
Speaker 1: bring it up, but now that Hayes has broken the seal.

532
00:28:41,880 --> 00:28:45,560
Speaker 5: Wow, now I am. I wasn't before.

533
00:28:47,000 --> 00:28:47,520
Speaker 3: Helpable.

534
00:28:48,120 --> 00:28:52,240
Speaker 5: I think we've had two reviews flank that said all

535
00:28:52,360 --> 00:28:58,040
Speaker 5: things considered in the nose pretty funny, or something something.

536
00:29:02,240 --> 00:29:05,640
Speaker 2: Considered in the pretty funny in the know is a

537
00:29:05,680 --> 00:29:06,640
Speaker 2: breath of fresh air.

538
00:29:07,240 --> 00:29:08,880
Speaker 5: There was a yes that's also been.

539
00:29:09,440 --> 00:29:11,320
Speaker 4: What I liked was wait, wait, don't tell me this

540
00:29:11,360 --> 00:29:14,040
Speaker 4: show is funny.

541
00:29:14,880 --> 00:29:17,440
Speaker 5: And there's another one that's not even to play on words,

542
00:29:17,480 --> 00:29:20,680
Speaker 5: It's just like this show is for no one?

543
00:29:25,000 --> 00:29:25,240
Speaker 3: Was it?

544
00:29:25,280 --> 00:29:28,600
Speaker 5: No one that would have been so much they would

545
00:29:29,000 --> 00:29:29,400
Speaker 5: do that?

546
00:29:29,760 --> 00:29:35,480
Speaker 3: Yeah, couldn't even give you that much. Well, it could

547
00:29:35,480 --> 00:29:36,960
Speaker 3: be better to do this.

548
00:29:37,040 --> 00:29:41,480
Speaker 2: American liked it. I'm just trying to find another. I'm

549
00:29:41,520 --> 00:29:43,000
Speaker 2: trying to find another one.

550
00:29:45,400 --> 00:29:45,920
Speaker 4: Car talk.

551
00:29:48,120 --> 00:29:50,120
Speaker 2: There's so planet money and you don't even know it.

552
00:29:50,160 --> 00:29:50,480
Speaker 3: Baby.

553
00:29:51,600 --> 00:29:53,720
Speaker 4: I watched this show with my Prairie Home companion.

554
00:29:53,800 --> 00:29:54,360
Speaker 3: That's nice.

555
00:29:55,000 --> 00:29:58,160
Speaker 4: That's really nice, good car talk.

556
00:30:01,120 --> 00:30:02,960
Speaker 3: It could be better to do a show that's about

557
00:30:02,960 --> 00:30:06,480
Speaker 3: me and Sean. Yeah, when we were The Professor and

558
00:30:06,560 --> 00:30:08,240
Speaker 3: the Coyot.

559
00:30:08,000 --> 00:30:10,400
Speaker 1: We had this radio show, The Professor in the Coyo.

560
00:30:10,640 --> 00:30:12,160
Speaker 1: That was sort of where we started out.

561
00:30:12,160 --> 00:30:13,480
Speaker 3: Those were our roots.

562
00:30:13,360 --> 00:30:15,520
Speaker 2: And it was and it was fun.

563
00:30:15,640 --> 00:30:17,800
Speaker 1: It's at the template you know that has gone on

564
00:30:17,880 --> 00:30:20,800
Speaker 1: to be imitated by a lot of other sort of

565
00:30:20,920 --> 00:30:23,520
Speaker 1: Zoo crew hosts. But we kicked it off and then

566
00:30:23,560 --> 00:30:27,280
Speaker 1: obviously we evolved and graduated in other things, but none

567
00:30:27,320 --> 00:30:29,480
Speaker 1: of the other things have really had any impact.

568
00:30:29,480 --> 00:30:33,120
Speaker 2: And we are willing to go all the way back, especially.

569
00:30:32,680 --> 00:30:36,360
Speaker 1: If you would create the show, which we both are

570
00:30:36,440 --> 00:30:37,720
Speaker 1: having some trouble.

571
00:30:38,600 --> 00:30:42,520
Speaker 3: Figure the Yeah, it's the TV show, it's the getting

572
00:30:42,560 --> 00:30:49,400
Speaker 3: the TV show created and on geez, just to.

573
00:30:49,280 --> 00:30:49,960
Speaker 2: Say it too.

574
00:30:50,120 --> 00:30:54,520
Speaker 1: Carl could be stroking his ship in this show as well.

575
00:30:54,720 --> 00:31:01,440
Speaker 1: Like I don't think not nothing would stop him. Uh,

576
00:31:01,120 --> 00:31:02,720
Speaker 1: I think.

577
00:31:02,560 --> 00:31:05,000
Speaker 2: It actually could help. It could be the whole pilot

578
00:31:06,320 --> 00:31:06,880
Speaker 2: if we want to.

579
00:31:07,080 --> 00:31:15,200
Speaker 3: Carl Tark Carl talk, Carl, Carl Tark talk right now. Yeah, yeah,

580
00:31:15,200 --> 00:31:17,000
Speaker 3: if we want to throw a tarp on the Carl

581
00:31:17,080 --> 00:31:19,680
Speaker 3: puppet so it doesn't get everywhere this weekend, like.

582
00:31:20,080 --> 00:31:22,560
Speaker 5: Well, that's advice, I would. You have to be flexible

583
00:31:22,760 --> 00:31:26,800
Speaker 5: because our original vision of the show was not what

584
00:31:26,960 --> 00:31:32,920
Speaker 5: Carl brought. We really had to pivot hard to that.

585
00:31:31,080 --> 00:31:35,960
Speaker 3: So we should be concerned. Potentially that will put this

586
00:31:36,000 --> 00:31:40,959
Speaker 3: whole show together and we will not be stroking as

587
00:31:40,960 --> 00:31:42,080
Speaker 3: ship will not have loss.

588
00:31:42,560 --> 00:31:43,640
Speaker 5: It could go either direction.

589
00:31:44,600 --> 00:31:47,560
Speaker 3: Yeah, okay, we just need to account for that possibility

590
00:31:47,880 --> 00:31:52,280
Speaker 3: right down. Very prepared for the version where Carl is

591
00:31:52,320 --> 00:31:53,880
Speaker 3: touching his dick, and I was very.

592
00:31:53,800 --> 00:31:56,000
Speaker 5: Prepared for the version where he didn't, and then I

593
00:31:56,320 --> 00:31:57,040
Speaker 5: throw that out.

594
00:31:57,840 --> 00:32:01,920
Speaker 1: I'm just I just every sort of scenario like game

595
00:32:01,960 --> 00:32:05,760
Speaker 1: plan out through this. No matter how we started, it

596
00:32:05,800 --> 00:32:07,720
Speaker 1: does end up that Hayes and I are not evolved

597
00:32:07,720 --> 00:32:11,800
Speaker 1: in it. But yet I wanted to ask, I keep, yeah,

598
00:32:11,960 --> 00:32:15,240
Speaker 1: you want to play yourselves because because when you did that,

599
00:32:15,360 --> 00:32:19,280
Speaker 1: when you did the Professor and you were young, Yeah

600
00:32:19,440 --> 00:32:22,959
Speaker 1: we were young, yeah, young man, yeah, but we were

601
00:32:23,000 --> 00:32:23,680
Speaker 1: young adults.

602
00:32:23,760 --> 00:32:24,320
Speaker 3: Yeah.

603
00:32:25,400 --> 00:32:26,840
Speaker 2: Shout out to the elbow, Cody.

604
00:32:26,880 --> 00:32:28,800
Speaker 5: Do you have are their actors out there that you're

605
00:32:28,840 --> 00:32:29,400
Speaker 5: like they.

606
00:32:29,240 --> 00:32:31,560
Speaker 2: Could do they couldn't have that same.

607
00:32:33,240 --> 00:32:34,440
Speaker 3: Whether or not they look like you.

608
00:32:34,560 --> 00:32:40,800
Speaker 2: Yeah, yeahs that are younger than us that we think.

609
00:32:40,640 --> 00:32:42,120
Speaker 5: I would say, we're the age you were.

610
00:32:43,320 --> 00:32:46,200
Speaker 3: I guess right, I guess they're kind of are just

611
00:32:46,240 --> 00:32:49,960
Speaker 3: like seems scrapped. But like do we just do it? Yeah,

612
00:32:50,080 --> 00:32:53,840
Speaker 3: because it's just us doing it? Bring it up.

613
00:32:53,920 --> 00:32:56,080
Speaker 2: Yeah, we just sort of yeah, I don't even talk

614
00:32:56,120 --> 00:32:56,480
Speaker 2: about it.

615
00:32:56,520 --> 00:32:59,400
Speaker 1: We just kind of do it, play ourselves and like

616
00:32:59,560 --> 00:33:02,400
Speaker 1: nobody else really would be able to pull it off. Maybe,

617
00:33:03,640 --> 00:33:06,160
Speaker 1: I guess if I'm looking at actors younger than I

618
00:33:06,240 --> 00:33:08,080
Speaker 1: am now, who I think could do it?

619
00:33:09,560 --> 00:33:13,080
Speaker 3: Maybe Liam Neeson mm hmm.

620
00:33:14,440 --> 00:33:19,840
Speaker 4: Maybe I'm rubbing my dick, I got, I'm stroking my

621
00:33:19,960 --> 00:33:20,800
Speaker 4: ship right now.

622
00:33:21,920 --> 00:33:27,560
Speaker 1: But but but that's he could do Haese, but no

623
00:33:27,600 --> 00:33:28,320
Speaker 1: one could do me.

624
00:33:29,880 --> 00:33:30,120
Speaker 3: You know.

625
00:33:31,080 --> 00:33:35,560
Speaker 2: The Coyote especially was such a specific.

626
00:33:35,160 --> 00:33:38,640
Speaker 1: Tone because I was embodying a character.

627
00:33:38,800 --> 00:33:42,000
Speaker 2: You know, I wasn't just being me and his was

628
00:33:42,040 --> 00:33:46,040
Speaker 2: being as professorial as he is. He was bringing another

629
00:33:46,080 --> 00:33:46,720
Speaker 2: element to it.

630
00:33:46,760 --> 00:33:49,600
Speaker 3: And so you're concerned that with how much older we

631
00:33:49,680 --> 00:33:52,440
Speaker 3: are now, that we would not even be able to

632
00:33:53,160 --> 00:33:56,959
Speaker 3: be voice talent for ourselves.

633
00:33:56,280 --> 00:34:03,960
Speaker 2: For ourselves for a fas just people distracta it's taking you.

634
00:34:04,280 --> 00:34:07,480
Speaker 5: It starts to like change it. It makes it a

635
00:34:07,520 --> 00:34:09,160
Speaker 5: little sadder.

636
00:34:09,719 --> 00:34:12,040
Speaker 1: What if we could write to that that the you

637
00:34:12,080 --> 00:34:15,319
Speaker 1: know that they've been like you're doing the writing right,

638
00:34:15,640 --> 00:34:16,560
Speaker 1: Maybe they've been through.

639
00:34:16,440 --> 00:34:17,680
Speaker 2: A horrible accident.

640
00:34:18,280 --> 00:34:18,680
Speaker 3: Mm hmm.

641
00:34:20,239 --> 00:34:21,719
Speaker 2: Like that's a story right there.

642
00:34:22,000 --> 00:34:26,040
Speaker 3: And you get like if we're recording the voices and

643
00:34:26,080 --> 00:34:28,719
Speaker 3: we're like falling down, which like, yes, it's gonna have.

644
00:34:28,760 --> 00:34:31,439
Speaker 2: We're going to I'm going to be falling around the store.

645
00:34:31,480 --> 00:34:33,160
Speaker 2: We're going to be getting hurt.

646
00:34:33,640 --> 00:34:36,880
Speaker 3: Can't you attach the mic to like a harness around

647
00:34:36,920 --> 00:34:39,840
Speaker 3: our waist and like have the mic be extending up

648
00:34:39,880 --> 00:34:43,280
Speaker 3: from our waist? Study Yeah, and so we're falling down,

649
00:34:43,760 --> 00:34:46,360
Speaker 3: but then the mic is also falling as well. But

650
00:34:46,480 --> 00:34:48,400
Speaker 3: I keep going, I'm not gonna stop.

651
00:34:48,200 --> 00:34:50,719
Speaker 1: Like, can I have my entire up to my neck?

652
00:34:50,760 --> 00:34:55,000
Speaker 1: I'm in some kind of gel cube so that as

653
00:34:55,040 --> 00:34:58,359
Speaker 1: I'm falling, you know, I'm protecting there's a cushioning right,

654
00:34:58,600 --> 00:35:02,279
Speaker 1: And uh, I'm not necessarily as mobile as I am

655
00:35:02,320 --> 00:35:05,160
Speaker 1: because I'm hyper mobile, I'm able to sort of you know,

656
00:35:05,520 --> 00:35:07,480
Speaker 1: as the second I go to stand up. I'm going

657
00:35:07,560 --> 00:35:09,440
Speaker 1: to just spill off the couch and kind of be

658
00:35:09,520 --> 00:35:11,160
Speaker 1: rolling around on the floor in here.

659
00:35:11,800 --> 00:35:13,000
Speaker 2: But if we could.

660
00:35:12,920 --> 00:35:17,160
Speaker 1: Get a tank of a gel cube and put me

661
00:35:17,239 --> 00:35:19,399
Speaker 1: there and then the mic is kind of dangled down

662
00:35:19,400 --> 00:35:21,640
Speaker 1: in front of me, It's like, well that's pretty easy.

663
00:35:23,640 --> 00:35:26,719
Speaker 5: Maybe I was like the Margins. Sometimes you're a TV show.

664
00:35:27,040 --> 00:35:28,600
Speaker 5: I don't know how much that costs. You're going to.

665
00:35:29,239 --> 00:35:30,040
Speaker 3: Rain this weekend.

666
00:35:30,160 --> 00:35:34,359
Speaker 2: Gel is not going to be able to hold up. Well, Kryl,

667
00:35:34,440 --> 00:35:35,200
Speaker 2: how did you do it?

668
00:35:35,239 --> 00:35:38,719
Speaker 1: Because you're always flopping around insaying like and you were

669
00:35:38,719 --> 00:35:41,280
Speaker 1: somehow able to record this like what happened?

670
00:35:41,520 --> 00:35:43,680
Speaker 4: It was a lot of work. It was a lot

671
00:35:43,680 --> 00:35:48,080
Speaker 4: of work. I was flopping around quite a bit, couldn't

672
00:35:48,160 --> 00:35:51,040
Speaker 4: couldn't sit still, and they were getting frustrated. And I

673
00:35:51,160 --> 00:35:52,600
Speaker 4: just want to apologize to you, Brandon.

674
00:35:52,719 --> 00:35:54,440
Speaker 5: I'm sorry for getting so frustrated.

675
00:35:54,960 --> 00:35:58,280
Speaker 4: It's all good. Uh, we have come to an agreement.

676
00:35:58,840 --> 00:36:03,680
Speaker 4: I was able to keep the mic. The room was miked, okay,

677
00:36:03,719 --> 00:36:06,000
Speaker 4: so I was able to kind of do my one

678
00:36:06,000 --> 00:36:09,279
Speaker 4: flew over the cuckoo's next thing that I do, you know,

679
00:36:09,400 --> 00:36:14,120
Speaker 4: bouncing around yeah, sure, you know, yeah, and biting at

680
00:36:14,160 --> 00:36:17,759
Speaker 4: the air and stuff and uh it was everything was

681
00:36:17,800 --> 00:36:18,759
Speaker 4: got everything I caught.

682
00:36:19,800 --> 00:36:22,600
Speaker 5: Yeah, they were able to peep every part of the

683
00:36:22,719 --> 00:36:24,920
Speaker 5: room so that he could play.

684
00:36:26,400 --> 00:36:30,720
Speaker 3: Okay, well that's playing. When you do that flap around

685
00:36:30,760 --> 00:36:32,839
Speaker 3: like that, you're you're having fun. You don't really seem

686
00:36:32,920 --> 00:36:34,080
Speaker 3: like you're yeah.

687
00:36:34,440 --> 00:36:36,480
Speaker 4: You know you guys have never stayed to the yea.

688
00:36:36,840 --> 00:36:40,120
Speaker 3: I definitely not stayed to the end. I stayed for

689
00:36:40,160 --> 00:36:42,560
Speaker 3: what I thought was the yeah, but then it was

690
00:36:42,680 --> 00:36:44,600
Speaker 3: then it was It continued.

691
00:36:44,239 --> 00:36:45,719
Speaker 4: Every time at the end. I always look over the

692
00:36:45,800 --> 00:36:47,520
Speaker 4: cheeky smile and go, I just play it.

693
00:36:48,120 --> 00:36:50,680
Speaker 3: Okay. So you so you've been looking up and doing

694
00:36:50,719 --> 00:36:51,800
Speaker 3: that and everyone's.

695
00:36:51,440 --> 00:36:56,680
Speaker 1: Gone, okay, hey, yeah, I have not seen that before.

696
00:36:56,680 --> 00:36:58,520
Speaker 2: That would have made me feel a lot more uncomfortable,

697
00:36:58,600 --> 00:37:01,440
Speaker 2: because I have. But when I I usually are pretty scared.

698
00:37:01,719 --> 00:37:05,719
Speaker 4: Yeah yeah, and y'all leave before I've finished. But then

699
00:37:05,719 --> 00:37:08,640
Speaker 4: I always get it and go play it.

700
00:37:09,920 --> 00:37:10,760
Speaker 3: Oh that's nice.

701
00:37:11,280 --> 00:37:14,680
Speaker 1: Yeah, I mean, do you want to just like, should

702
00:37:14,719 --> 00:37:17,080
Speaker 1: we play a clip of Professor and Coyle just to

703
00:37:17,080 --> 00:37:19,839
Speaker 1: get a sense of like what Yeah, I mean.

704
00:37:19,800 --> 00:37:22,640
Speaker 3: I don't know, like Brandon asking if this was a

705
00:37:22,680 --> 00:37:27,399
Speaker 3: pitch is like really like freak in your head? My game.

706
00:37:27,440 --> 00:37:29,000
Speaker 3: I thought we would just kind of talk about I

707
00:37:29,000 --> 00:37:31,279
Speaker 3: really thought we would, like, yeah, we'd like known you

708
00:37:31,320 --> 00:37:32,680
Speaker 3: for a long time. I kind of just thought we

709
00:37:32,680 --> 00:37:35,120
Speaker 3: could hang out and if you like it, you like it,

710
00:37:35,200 --> 00:37:37,479
Speaker 3: and you want to like create the that's what.

711
00:37:37,400 --> 00:37:39,400
Speaker 2: I talk about it, you would make it.

712
00:37:39,480 --> 00:37:42,640
Speaker 5: Yeah, right, But like, honestly, I feel like I'm giving

713
00:37:42,640 --> 00:37:45,239
Speaker 5: this impression that I know all these industry terms.

714
00:37:46,120 --> 00:37:50,279
Speaker 1: Uh, and I don't well fucking hammered me with like

715
00:37:50,640 --> 00:37:53,280
Speaker 1: I don't even know if I used it pict cudgel

716
00:37:53,440 --> 00:37:56,160
Speaker 1: certainly that you used to budget.

717
00:37:55,560 --> 00:37:57,200
Speaker 5: Me my own insecurity coming.

718
00:37:57,880 --> 00:37:59,799
Speaker 3: Yeah, So we could just play a clip and just

719
00:37:59,800 --> 00:38:02,360
Speaker 3: be normal like that would be my preference.

720
00:38:02,480 --> 00:38:04,279
Speaker 1: I just have a normal conversation where I play you

721
00:38:04,320 --> 00:38:06,120
Speaker 1: a clip of my old show. I ask you to

722
00:38:06,120 --> 00:38:08,319
Speaker 1: turn it into a new show that is kind of

723
00:38:08,320 --> 00:38:10,399
Speaker 1: like the show that you've made, which, by the way,

724
00:38:10,480 --> 00:38:11,920
Speaker 1: I have been meaning to do.

725
00:38:12,080 --> 00:38:13,080
Speaker 3: And I I'm.

726
00:38:12,880 --> 00:38:16,360
Speaker 5: Pretty sure I told you that you might have I asked.

727
00:38:16,360 --> 00:38:21,239
Speaker 2: I think I mentioned it. So Alison, you go do it. Yeah,

728
00:38:21,480 --> 00:38:23,480
Speaker 2: I have one six minute clip.

729
00:38:24,719 --> 00:38:30,360
Speaker 5: Great, okay, professor, and.

730
00:38:31,280 --> 00:38:35,400
Speaker 1: Hey, everybody will to go back to the Professor Coy

731
00:38:36,200 --> 00:38:40,040
Speaker 1: the co here with Professor hegeh tab it Port.

732
00:38:40,239 --> 00:38:44,080
Speaker 3: I'm Professor Hayes Davenport. You're listening to KBLI Santa Fez

733
00:38:44,120 --> 00:38:46,880
Speaker 3: adult Hits of the eighties nineties and now that was

734
00:38:46,920 --> 00:38:50,160
Speaker 3: Sean Colvin with Sonny Came Home. Uh. And we actually

735
00:38:50,160 --> 00:38:55,040
Speaker 3: have some exciting news on that front. Sean Colvin will

736
00:38:55,520 --> 00:38:59,799
Speaker 3: be performing at the KBLI Fall Ball this November ninth,

737
00:39:00,040 --> 00:39:02,799
Speaker 3: the Georgia O Keef Performing Art Center in downtown Santa Fe.

738
00:39:03,120 --> 00:39:04,120
Speaker 2: Make sure you step by.

739
00:39:04,200 --> 00:39:06,600
Speaker 3: We got all the big world's going to be doing.

740
00:39:08,000 --> 00:39:10,799
Speaker 3: Edwin McCain is going to be there. He's gonna sing, I'll.

741
00:39:10,560 --> 00:39:14,080
Speaker 2: Be Paula Cole is gonna be pall cole.

742
00:39:14,760 --> 00:39:17,839
Speaker 3: Tonic probably gonna perform if you can only what are

743
00:39:18,280 --> 00:39:21,640
Speaker 3: cole is gonna shaver arm pits co I don't think

744
00:39:24,320 --> 00:39:25,040
Speaker 3: sticky old.

745
00:39:26,160 --> 00:39:28,480
Speaker 2: Sorry.

746
00:39:29,120 --> 00:39:33,040
Speaker 3: Hey, hey Coyote, I know you caught Shark Tank last night.

747
00:39:33,440 --> 00:39:36,120
Speaker 3: Oh yeah, I ever missed an episode of that one.

748
00:39:36,920 --> 00:39:39,760
Speaker 3: The Coyote and I we love this little show called

749
00:39:39,880 --> 00:39:41,960
Speaker 3: Shark Tank. And you guys know, we like to do

750
00:39:42,000 --> 00:39:44,080
Speaker 3: things a little differently over here on k b l I.

751
00:39:44,800 --> 00:39:47,440
Speaker 3: And one of our favorite games is a game called Tanks.

752
00:39:47,480 --> 00:39:50,560
Speaker 3: But no tanks where we we play clips from the

753
00:39:50,560 --> 00:39:53,160
Speaker 3: show Shark Tank and we explain why the products are

754
00:39:53,560 --> 00:39:59,879
Speaker 3: are useful? Are just playing cool? So he help?

755
00:40:00,160 --> 00:40:01,080
Speaker 2: This is really helpful.

756
00:40:02,080 --> 00:40:08,840
Speaker 3: The show is like, it's right there, it's a platter

757
00:40:09,040 --> 00:40:09,960
Speaker 3: for you.

758
00:40:10,080 --> 00:40:12,640
Speaker 5: Just so I understand. It would be a little of

759
00:40:12,960 --> 00:40:15,520
Speaker 5: those on air moments.

760
00:40:15,520 --> 00:40:17,960
Speaker 3: This question could possibly.

761
00:40:17,560 --> 00:40:20,360
Speaker 5: Do we see any of your life?

762
00:40:20,400 --> 00:40:23,480
Speaker 1: So I understand, let me reframe the most obvious thing

763
00:40:23,560 --> 00:40:26,000
Speaker 1: in history, which is what this show would be. Okay,

764
00:40:26,120 --> 00:40:26,920
Speaker 1: but go ahead.

765
00:40:27,040 --> 00:40:35,000
Speaker 3: I mean two guys who talk the same. They host

766
00:40:35,040 --> 00:40:36,160
Speaker 3: a radio show.

767
00:40:36,480 --> 00:40:40,480
Speaker 5: It's Santa fe In like the mid two thousands, who

768
00:40:40,680 --> 00:40:42,880
Speaker 5: I was trying to place it based on the references

769
00:40:43,360 --> 00:40:44,120
Speaker 5: and your age.

770
00:40:45,480 --> 00:40:49,560
Speaker 3: Yeah, And they talk about so boring concerts that are

771
00:40:49,600 --> 00:40:53,440
Speaker 3: coming up, and then they watch clips from the show

772
00:40:53,600 --> 00:40:58,680
Speaker 3: Shark Tank and they talk about why the different products

773
00:40:58,960 --> 00:41:01,520
Speaker 3: would be useful or funny or cool.

774
00:41:02,200 --> 00:41:06,480
Speaker 2: Yeah, And the Coyo is like a little bit every nasty.

775
00:41:07,360 --> 00:41:12,360
Speaker 1: Okay, he's been he's been drinking some of that moss.

776
00:41:12,800 --> 00:41:16,520
Speaker 3: He talked about Paula Cole's arm page.

777
00:41:17,080 --> 00:41:18,560
Speaker 2: He wants to sniff them.

778
00:41:19,160 --> 00:41:22,120
Speaker 5: So, Coyo, So a lot of the things in the

779
00:41:22,120 --> 00:41:27,880
Speaker 5: clip you played that would be very consistent you like, like,

780
00:41:28,000 --> 00:41:28,920
Speaker 5: how often are you.

781
00:41:29,320 --> 00:41:30,920
Speaker 2: You will change?

782
00:41:31,120 --> 00:41:33,840
Speaker 1: No, We'll take a formula that works a fucking slam

783
00:41:34,000 --> 00:41:37,520
Speaker 1: dunk and we'll just start passing it back around the gym.

784
00:41:38,200 --> 00:41:38,399
Speaker 3: No.

785
00:41:38,600 --> 00:41:43,520
Speaker 1: Yeah, what you just heard was so good, Like I

786
00:41:43,840 --> 00:41:46,719
Speaker 1: didn't even remember. Like I was like, oh, I hope,

787
00:41:46,719 --> 00:41:49,400
Speaker 1: I'm not embarrassed by this clip. And I'm actually really

788
00:41:49,640 --> 00:41:52,160
Speaker 1: proud of the work that we did in that clip.

789
00:41:53,400 --> 00:41:54,640
Speaker 2: Carl, you heard it.

790
00:41:54,680 --> 00:41:57,120
Speaker 1: I mean you're a neutral party here, Like, would you

791
00:41:57,160 --> 00:41:58,920
Speaker 1: be able to slide right into that show?

792
00:41:59,239 --> 00:42:01,839
Speaker 2: Stroke your ship right now? Take out your meat.

793
00:42:01,920 --> 00:42:05,839
Speaker 4: I actually I sent a clip to Kevin if could

794
00:42:05,880 --> 00:42:10,640
Speaker 4: you play that clip? Sure, I just got a dialogue pitch.

795
00:42:11,600 --> 00:42:13,560
Speaker 4: I'm over here stroking my dick. I got a notion

796
00:42:13,640 --> 00:42:14,360
Speaker 4: on my dick right now.

797
00:42:14,360 --> 00:42:17,640
Speaker 3: I'm just stroking my ship. I'm on his fuck man,

798
00:42:17,760 --> 00:42:18,960
Speaker 3: I'm a freak man life.

799
00:42:20,280 --> 00:42:23,839
Speaker 5: Wow, you did something with your voice.

800
00:42:24,239 --> 00:42:28,000
Speaker 4: Yeah, yeah, subtle. Uh you know that, And that's the

801
00:42:28,080 --> 00:42:29,400
Speaker 4: art of voice acting.

802
00:42:29,840 --> 00:42:32,920
Speaker 2: No, you're becoming Would you believe that?

803
00:42:33,160 --> 00:42:33,279
Speaker 3: Uh?

804
00:42:33,880 --> 00:42:37,280
Speaker 1: Homer and Mark Simpson are voiced by the same person,

805
00:42:37,680 --> 00:42:39,920
Speaker 1: you know, but you wouldn't know it. That's voice acting.

806
00:42:40,280 --> 00:42:44,520
Speaker 1: These people just transform their sound. There's tools now to

807
00:42:44,560 --> 00:42:45,520
Speaker 1: help them as well.

808
00:42:46,440 --> 00:42:46,640
Speaker 4: You know.

809
00:42:47,040 --> 00:42:49,239
Speaker 2: I mean it's like all these singers ain't here, can't

810
00:42:49,280 --> 00:42:51,279
Speaker 2: fucking say not like I can.

811
00:42:52,480 --> 00:42:54,000
Speaker 5: What are some of the singers who can't sing?

812
00:42:54,600 --> 00:42:55,480
Speaker 3: Ah Jesus?

813
00:42:55,640 --> 00:42:59,240
Speaker 2: I mean, you know, look at I mean name the radio.

814
00:43:00,200 --> 00:43:02,800
Speaker 3: Yeah, Sean conn.

815
00:43:04,640 --> 00:43:08,800
Speaker 2: Like ass sounds like my asshole farting.

816
00:43:10,960 --> 00:43:15,600
Speaker 3: Pretenuinely sounds until they get the production in there. Yeah yeah,

817
00:43:15,640 --> 00:43:18,040
Speaker 3: they have these filters and this stuff.

818
00:43:18,480 --> 00:43:21,320
Speaker 2: All of a sudden, it's it's a beautiful song.

819
00:43:21,560 --> 00:43:25,240
Speaker 1: You know, these song ares, they're just packaging these pop stars.

820
00:43:25,280 --> 00:43:26,719
Speaker 2: You know what I mean, you have the right look.

821
00:43:26,960 --> 00:43:27,960
Speaker 2: I got the wrong look.

822
00:43:28,080 --> 00:43:32,680
Speaker 1: I can sing like a fucking angel, but you know

823
00:43:32,880 --> 00:43:34,680
Speaker 1: I'm not marketable, and I won't.

824
00:43:34,480 --> 00:43:35,239
Speaker 2: Do what they tell me.

825
00:43:35,320 --> 00:43:38,440
Speaker 1: I won't dance to their little puppet strings, you know

826
00:43:38,520 --> 00:43:42,000
Speaker 1: the way that your clamation guys do. So you know,

827
00:43:42,400 --> 00:43:45,879
Speaker 1: I can't necessarily get put forth, and so now I'm

828
00:43:45,960 --> 00:43:47,799
Speaker 1: left the decision where the only thing I can do

829
00:43:47,920 --> 00:43:50,399
Speaker 1: is create my own show, and I can't even do that.

830
00:43:51,160 --> 00:43:54,000
Speaker 1: So it's like, you know, they they don't want to

831
00:43:54,040 --> 00:43:55,759
Speaker 1: put the filters, and they wouldn't need the filter for me.

832
00:43:55,760 --> 00:43:57,560
Speaker 1: They don't want to put it on me because I

833
00:43:57,600 --> 00:44:00,520
Speaker 1: won't play the game. I won't play. I sing about

834
00:44:00,560 --> 00:44:02,920
Speaker 1: what they want me to singing about what really going on?

835
00:44:03,040 --> 00:44:08,960
Speaker 2: What they want me to sing about? Consumerism, cash cars, right.

836
00:44:11,320 --> 00:44:12,280
Speaker 3: Joining the army.

837
00:44:13,160 --> 00:44:17,759
Speaker 2: Yeah really war going to like a very pot like

838
00:44:17,960 --> 00:44:24,200
Speaker 2: Patrio loving the President. Yes, yes, Walmart.

839
00:44:24,880 --> 00:44:26,800
Speaker 5: That explains a lot of the pop music I listened

840
00:44:26,800 --> 00:44:27,720
Speaker 5: to in the themes.

841
00:44:28,120 --> 00:44:31,560
Speaker 3: And he wants to sing about like real, actual stuff,

842
00:44:31,680 --> 00:44:34,040
Speaker 3: actual things. He says a lot of stuff about like

843
00:44:34,120 --> 00:44:35,920
Speaker 3: kind of scooting around the floor on his.

844
00:44:35,920 --> 00:44:38,279
Speaker 5: Butt Okay, and they're not cool with that.

845
00:44:38,400 --> 00:44:41,440
Speaker 1: Pushing myself around, Yeah, get my feet off the ground

846
00:44:41,480 --> 00:44:44,840
Speaker 1: and using my hands to push myself all around the

847
00:44:44,840 --> 00:44:49,840
Speaker 1: floor in a circle, just by touching the ground.

848
00:44:49,920 --> 00:44:52,200
Speaker 3: They know what they don't want people to know about that.

849
00:44:52,600 --> 00:44:56,040
Speaker 2: Wow, no, no, because we all need to drive a car.

850
00:44:57,200 --> 00:45:00,160
Speaker 3: Spend spend, spend. We don't. We don't need cars as

851
00:45:00,200 --> 00:45:02,560
Speaker 3: we we are cars.

852
00:45:02,160 --> 00:45:05,359
Speaker 1: More gas fuel No, no, no, no, no, you have you

853
00:45:05,480 --> 00:45:08,359
Speaker 1: have the power to actually scoot yourself around on your

854
00:45:08,360 --> 00:45:11,000
Speaker 1: butt cheeks, just pushing with your hands.

855
00:45:11,280 --> 00:45:13,600
Speaker 5: I've heard that like La used to be a city

856
00:45:13,600 --> 00:45:14,760
Speaker 5: where everyone's scooted.

857
00:45:14,960 --> 00:45:18,880
Speaker 3: Yes, exactly. It's always been like that built highway.

858
00:45:18,960 --> 00:45:21,839
Speaker 1: But now the Hollywood sign was built by people who

859
00:45:21,920 --> 00:45:24,520
Speaker 1: scooed it on their butts. But now everyone who you

860
00:45:24,560 --> 00:45:27,000
Speaker 1: know moves here does it in a plane.

861
00:45:27,200 --> 00:45:29,960
Speaker 3: Yeah, and that's why we you know, we do not

862
00:45:30,080 --> 00:45:32,359
Speaker 3: have any more Hollywood signs since then.

863
00:45:32,800 --> 00:45:34,759
Speaker 1: Made anything that lasts since then, not a single It

864
00:45:34,760 --> 00:45:38,280
Speaker 1: don't make anything that lasts because you're going your gas fuel,

865
00:45:38,640 --> 00:45:40,480
Speaker 1: you're in a plane, you're on a truck.

866
00:45:40,680 --> 00:45:44,120
Speaker 3: Yes, if you nothing, you go out to Mars. No

867
00:45:44,320 --> 00:45:49,480
Speaker 3: gigantic sign, that says Marvista, there's not even a hill.

868
00:45:51,000 --> 00:45:54,280
Speaker 1: You know what mar Vista translates to tell me, because

869
00:45:54,480 --> 00:45:56,120
Speaker 1: I've learned this and forgotten it.

870
00:45:56,640 --> 00:46:00,360
Speaker 3: Beach view, Okay, I that was marv Albert.

871
00:46:01,040 --> 00:46:04,920
Speaker 5: It's not see you you okay, shut up man.

872
00:46:06,239 --> 00:46:09,160
Speaker 3: And this is what he does though a pitch, shut up,

873
00:46:09,760 --> 00:46:11,360
Speaker 3: and he creates one.

874
00:46:11,600 --> 00:46:15,480
Speaker 2: Show by the way, I was going to do. So

875
00:46:15,520 --> 00:46:17,120
Speaker 2: I'm not. And you give me if I.

876
00:46:17,520 --> 00:46:20,080
Speaker 3: Actually remember you telling me that you had told him that.

877
00:46:20,000 --> 00:46:21,960
Speaker 2: I mentioned it. I think I mentioned to you after

878
00:46:22,000 --> 00:46:23,200
Speaker 2: I said, you know, I gave it. I had the

879
00:46:23,360 --> 00:46:25,560
Speaker 2: sick ass idea, I told them, Brandon.

880
00:46:25,400 --> 00:46:27,440
Speaker 3: Well, not that you had an idea. The idea was

881
00:46:27,480 --> 00:46:28,640
Speaker 3: that you were going to do a show.

882
00:46:28,719 --> 00:46:30,120
Speaker 2: The idea was to do a show.

883
00:46:31,000 --> 00:46:32,200
Speaker 5: I will say, I don't want to get you in

884
00:46:32,239 --> 00:46:35,000
Speaker 5: your head, but if this was a pitch, you have

885
00:46:35,200 --> 00:46:38,399
Speaker 5: the tone, right, this is the tone you would come,

886
00:46:38,800 --> 00:46:42,040
Speaker 5: which I'll take the compliment, the sort of like I don't.

887
00:46:42,000 --> 00:46:44,719
Speaker 3: Because I know I do have it, Like I understand

888
00:46:44,719 --> 00:46:46,920
Speaker 3: that I do have it, but what exactly what is

889
00:46:46,960 --> 00:46:48,440
Speaker 3: it that I say it for? Kevin?

890
00:46:48,640 --> 00:46:51,600
Speaker 5: The sort of you need me more than I need

891
00:46:51,640 --> 00:46:53,440
Speaker 5: your energy.

892
00:46:53,800 --> 00:46:56,960
Speaker 3: They respond to and that's what you that's what you did.

893
00:46:57,360 --> 00:46:58,840
Speaker 5: Yeah, I mean I we didn't even pick. I was

894
00:46:58,880 --> 00:47:02,880
Speaker 5: at a party, okay, and a guy was like.

895
00:47:02,800 --> 00:47:04,720
Speaker 2: I've been I've got to do that as well.

896
00:47:04,960 --> 00:47:06,719
Speaker 4: You have to go to you got to go.

897
00:47:06,880 --> 00:47:08,480
Speaker 2: Yeah, I'm going to.

898
00:47:08,800 --> 00:47:11,200
Speaker 5: I was at a five year old's birthday party and

899
00:47:11,560 --> 00:47:13,480
Speaker 5: was me and another guy and we're watching like kids

900
00:47:13,480 --> 00:47:17,920
Speaker 5: in a bouncy house and he's like, I need something

901
00:47:18,280 --> 00:47:21,239
Speaker 5: to be on Peacock in January of twenty twenty four.

902
00:47:22,680 --> 00:47:23,080
Speaker 3: Mm hmm.

903
00:47:23,560 --> 00:47:26,279
Speaker 5: And he didn't even know it was an invitation. He

904
00:47:26,360 --> 00:47:29,239
Speaker 5: was started talking to himself, Yeah, what am I gonna do? Yeah,

905
00:47:30,239 --> 00:47:32,960
Speaker 5: I'm gonna get fired if I don't find that thing.

906
00:47:33,040 --> 00:47:35,839
Speaker 1: There's no Yeah, there's gonna be nothing on there. There's

907
00:47:35,920 --> 00:47:38,520
Speaker 1: just a big empty space on Peacock. There's just a

908
00:47:38,640 --> 00:47:40,160
Speaker 1: black square right now.

909
00:47:40,000 --> 00:47:41,200
Speaker 2: That says watched now.

910
00:47:41,400 --> 00:47:42,799
Speaker 5: It just like we paid all this money for this

911
00:47:42,880 --> 00:47:46,000
Speaker 5: football game. Maybe it's going to be nothing after that.

912
00:47:46,080 --> 00:47:49,960
Speaker 1: Yeah, we've got everyone in the door. How are weeople

913
00:47:50,080 --> 00:47:51,440
Speaker 1: locked the door behind?

914
00:47:51,480 --> 00:47:53,600
Speaker 2: People are so excited, and they.

915
00:47:53,360 --> 00:47:56,600
Speaker 1: Said, like, what do we know about football fans? They've

916
00:47:56,600 --> 00:47:58,480
Speaker 1: been looking to take NPR down to pay.

917
00:47:58,600 --> 00:48:04,440
Speaker 3: Yes, was it fun during the game hearing Marv Albert

918
00:48:04,520 --> 00:48:09,720
Speaker 3: say this January on Peacock in the.

919
00:48:09,640 --> 00:48:11,560
Speaker 5: Know, Yes, that was a thrill.

920
00:48:12,760 --> 00:48:13,000
Speaker 3: I was.

921
00:48:13,040 --> 00:48:15,960
Speaker 5: I appreciated how much he brought it into the telecast.

922
00:48:16,280 --> 00:48:20,200
Speaker 5: Was and he wasn't contractually obligated to do that.

923
00:48:20,360 --> 00:48:22,800
Speaker 3: Oh, he was just promoting a show that he was excited.

924
00:48:22,880 --> 00:48:24,920
Speaker 5: He was just like he'd seen I think a trailer

925
00:48:25,560 --> 00:48:28,840
Speaker 5: oh wow, and like something tickled him about it. I

926
00:48:28,840 --> 00:48:29,719
Speaker 5: think he likestop motion.

927
00:48:30,680 --> 00:48:33,600
Speaker 7: Okay, you know what I when I was like our

928
00:48:33,600 --> 00:48:38,160
Speaker 7: show to be go motion, I did have to take

929
00:48:38,200 --> 00:48:40,680
Speaker 7: me through what that is twice as fast?

930
00:48:41,239 --> 00:48:41,800
Speaker 5: Oh wow?

931
00:48:42,440 --> 00:48:48,040
Speaker 2: Flies all the points in along your process where you

932
00:48:48,120 --> 00:48:52,160
Speaker 2: were stopping take the fucking.

933
00:48:52,160 --> 00:48:56,600
Speaker 3: And it's like instead of okay, we could move his

934
00:48:56,840 --> 00:49:01,640
Speaker 3: freaking pinky toe right like I got shipped to do,

935
00:49:02,200 --> 00:49:05,160
Speaker 3: I'm gonna hold it in my hand and make it walk.

936
00:49:05,600 --> 00:49:09,120
Speaker 3: Uh huh, Okay, I'm just gonna go like if you're

937
00:49:09,120 --> 00:49:12,839
Speaker 3: holding your hand and goes like, then it's walking. The

938
00:49:12,880 --> 00:49:15,720
Speaker 3: effect is the same. You don't have to like stop

939
00:49:15,719 --> 00:49:16,680
Speaker 3: it every single time.

940
00:49:16,719 --> 00:49:19,280
Speaker 2: Do you remember when Homer or Simpson walked down Venturable?

941
00:49:19,560 --> 00:49:22,319
Speaker 5: Yeah, he was real yeah mm hmm.

942
00:49:23,719 --> 00:49:27,560
Speaker 4: It was behind him in a black suit of yes, exactly.

943
00:49:27,640 --> 00:49:28,799
Speaker 3: You know me.

944
00:49:28,920 --> 00:49:29,920
Speaker 4: I'm about.

945
00:49:32,280 --> 00:49:34,600
Speaker 3: I did wonder why Homer was saying that.

946
00:49:35,480 --> 00:49:37,800
Speaker 5: Yeah, it's so that's.

947
00:49:38,160 --> 00:49:44,799
Speaker 3: Met about the context that he's American.

948
00:49:44,920 --> 00:49:46,439
Speaker 2: You seems like a donuts guy.

949
00:49:47,320 --> 00:49:49,680
Speaker 1: Carl is making the move to take the headphones off,

950
00:49:49,719 --> 00:49:51,480
Speaker 1: and I think it's brave.

951
00:49:51,719 --> 00:49:55,040
Speaker 3: What if what if a new clip? A third clip?

952
00:49:55,600 --> 00:50:00,360
Speaker 4: I'm just gonna have to miss it.

953
00:50:00,360 --> 00:50:03,040
Speaker 3: It's not what what? What category is it under in

954
00:50:03,120 --> 00:50:06,960
Speaker 3: the in the peacock menu so people know what what appetizers?

955
00:50:07,760 --> 00:50:10,439
Speaker 3: I think it's appetizers, Okay.

956
00:50:10,200 --> 00:50:12,960
Speaker 5: Yeah, appetizers or stuff you might like.

957
00:50:13,560 --> 00:50:16,800
Speaker 3: Stuff you might like. Okay, are you sure that's maybe

958
00:50:16,840 --> 00:50:20,800
Speaker 3: not just for you, because you've created the show you.

959
00:50:21,560 --> 00:50:24,360
Speaker 5: I think pretty much anyone who logs onto Peacock, I

960
00:50:24,360 --> 00:50:26,200
Speaker 5: think it's going to be there under stuff you might.

961
00:50:26,160 --> 00:50:30,000
Speaker 3: Like, Okay, stuff you might like okay, and it's just

962
00:50:30,000 --> 00:50:33,360
Speaker 3: going to stay there forever or like what.

963
00:50:33,560 --> 00:50:35,720
Speaker 5: That's what I'm figuring out I check every day?

964
00:50:35,840 --> 00:50:40,080
Speaker 3: Okay, wow, stuff you might like, Okay.

965
00:50:40,520 --> 00:50:45,240
Speaker 1: What menu would your show be under when you actually

966
00:50:45,280 --> 00:50:46,720
Speaker 1: get your act together?

967
00:50:47,640 --> 00:50:52,080
Speaker 3: What I'm anticipating and what I'm like kind of building

968
00:50:52,120 --> 00:50:56,800
Speaker 3: my show around is getting it in the category amazed

969
00:50:56,840 --> 00:51:03,360
Speaker 3: balls with macaroni sauce. Okay, the concept of macaroni sauce

970
00:51:03,400 --> 00:51:07,880
Speaker 3: to be it's like, how have we not It's like

971
00:51:07,880 --> 00:51:11,960
Speaker 3: we haven't cracked it yet as like a people, you know,

972
00:51:13,000 --> 00:51:15,759
Speaker 3: but like if we were able to come up with

973
00:51:15,880 --> 00:51:20,799
Speaker 3: macaroni sauce, like can you imagine how huge that would be?

974
00:51:20,880 --> 00:51:24,799
Speaker 3: How popular? Like every kid is gonna want macaroni? Yeah?

975
00:51:25,520 --> 00:51:27,480
Speaker 2: Have you dip your chicken nuggets and macaroni?

976
00:51:27,680 --> 00:51:28,000
Speaker 4: Yes?

977
00:51:28,160 --> 00:51:31,919
Speaker 1: You would put everything burger with macaroni. So yes, that

978
00:51:31,960 --> 00:51:33,920
Speaker 1: would be really powerful.

979
00:51:33,400 --> 00:51:37,200
Speaker 5: And for like a slow listener, like a listener slow

980
00:51:37,239 --> 00:51:42,439
Speaker 5: in the upkeep up. Yeah, the macaroni sauce is made

981
00:51:42,440 --> 00:51:44,680
Speaker 5: out of macaroni. It's like you've taken macaroni or we

982
00:51:44,719 --> 00:51:45,440
Speaker 5: don't know what sauce.

983
00:51:45,520 --> 00:51:49,040
Speaker 3: Yeah, exactly. And this is like I gotta I gotta

984
00:51:49,080 --> 00:51:51,360
Speaker 3: get it together. I gotta create a show so I

985
00:51:51,360 --> 00:51:55,640
Speaker 3: can get in this category. But when I've had these

986
00:51:55,640 --> 00:51:58,399
Speaker 3: conversations with Peacock in the past, they said that they

987
00:51:58,440 --> 00:52:01,279
Speaker 3: were if I worry to get something up there, they

988
00:52:01,320 --> 00:52:04,719
Speaker 3: would put it in the uh in the category that

989
00:52:04,960 --> 00:52:06,480
Speaker 3: to some bullshit.

990
00:52:06,200 --> 00:52:09,080
Speaker 1: Well I some bullshit okay, yeah, that This is my

991
00:52:09,239 --> 00:52:11,799
Speaker 1: issue is I've been pre assigned my category as well,

992
00:52:11,800 --> 00:52:13,920
Speaker 1: which isn't really jiving with the ideas that I have

993
00:52:13,960 --> 00:52:16,920
Speaker 1: amazed ball as macaroni sauce sounds like it's just generally positive.

994
00:52:17,120 --> 00:52:22,160
Speaker 1: Mine is diabolical dog walkers and nothing that I like.

995
00:52:22,239 --> 00:52:25,840
Speaker 2: I doesn't give me an idea like I haven't.

996
00:52:25,680 --> 00:52:30,040
Speaker 3: Found almost to some bullshit category I can I know

997
00:52:30,160 --> 00:52:33,400
Speaker 3: I can do. I think of as some bullshit diabolical

998
00:52:33,560 --> 00:52:38,280
Speaker 3: dog walkers. I don't really know what you would do.

999
00:52:37,680 --> 00:52:41,080
Speaker 1: I don't I don't know how to even start, like

1000
00:52:41,160 --> 00:52:43,360
Speaker 1: you would think it would be helpful to go Okay,

1001
00:52:43,400 --> 00:52:45,680
Speaker 1: it's a narrow enough category that like, you know what

1002
00:52:45,719 --> 00:52:48,799
Speaker 1: you're working with. But when I come up with a

1003
00:52:48,880 --> 00:52:51,960
Speaker 1: dog walker idea, they're not diabolical. When I come up

1004
00:52:51,960 --> 00:52:54,719
Speaker 1: with something diabolical, they're not walking dogs. And I think

1005
00:52:54,719 --> 00:52:57,920
Speaker 1: it's the combination has left me fully paralyzed.

1006
00:52:58,640 --> 00:53:01,719
Speaker 3: What would Carl when you do? Yeah, when you get

1007
00:53:02,120 --> 00:53:10,839
Speaker 3: the Carl show, what car Carl talk? What? Wait?

1008
00:53:10,880 --> 00:53:13,920
Speaker 5: Can I is it Carl talk, Carl, car truck.

1009
00:53:13,920 --> 00:53:15,680
Speaker 4: Carl druck truck.

1010
00:53:16,360 --> 00:53:18,399
Speaker 3: Okay, no, it's not either of what you said. It's

1011
00:53:18,520 --> 00:53:23,919
Speaker 3: Carl truck truck. That was way off. What category would

1012
00:53:24,000 --> 00:53:25,640
Speaker 3: Carl truck be under?

1013
00:53:26,719 --> 00:53:28,240
Speaker 4: I would think I would put it in.

1014
00:53:28,200 --> 00:53:33,879
Speaker 5: Like is this, Oh, that's you can fit a lot

1015
00:53:33,920 --> 00:53:34,480
Speaker 5: into that.

1016
00:53:36,880 --> 00:53:37,680
Speaker 4: Pure confusion.

1017
00:53:37,680 --> 00:53:42,200
Speaker 2: I killed for that. This that's a lot of freedom,

1018
00:53:43,640 --> 00:53:44,000
Speaker 2: is this?

1019
00:53:44,920 --> 00:53:45,160
Speaker 1: Yeah?

1020
00:53:47,000 --> 00:53:50,160
Speaker 3: In some ways my category some bullshit is an answer

1021
00:53:50,239 --> 00:53:54,040
Speaker 3: to this. Yeah. I would rather be on be on

1022
00:53:54,120 --> 00:53:59,640
Speaker 3: the front edd where people are at least wondering. They

1023
00:53:59,719 --> 00:54:01,480
Speaker 3: come a round to and that, in fact, it is

1024
00:54:01,520 --> 00:54:03,440
Speaker 3: some bold you've.

1025
00:54:03,239 --> 00:54:06,880
Speaker 5: Watched one episode, it sort of moves into another.

1026
00:54:06,960 --> 00:54:09,280
Speaker 2: Here are you watching some bullshit?

1027
00:54:10,760 --> 00:54:11,160
Speaker 3: Okay?

1028
00:54:11,280 --> 00:54:12,520
Speaker 5: Why are you watching it?

1029
00:54:14,000 --> 00:54:14,480
Speaker 4: I know?

1030
00:54:14,760 --> 00:54:17,560
Speaker 3: And if people like, if people watching the know enough,

1031
00:54:18,160 --> 00:54:20,920
Speaker 3: it could potentially graduate from stuff you might like to

1032
00:54:21,000 --> 00:54:22,319
Speaker 3: stuff you must like.

1033
00:54:22,920 --> 00:54:28,440
Speaker 2: Yes, you might have like state because you liked.

1034
00:54:29,520 --> 00:54:29,799
Speaker 3: Like this.

1035
00:54:31,400 --> 00:54:33,799
Speaker 5: Hm. That's the goal.

1036
00:54:35,120 --> 00:54:37,560
Speaker 1: Well, until next time. This is the professor and the

1037
00:54:37,680 --> 00:54:39,719
Speaker 1: koyo signing up, right,