WEBVTT - #11 - Conway The Machine

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<v Speaker 1>That's right, ladies and gentlemen, another edition of the Bootleg

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<v Speaker 1>CAAP podcast. I'm trying to figure out. I think we're

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<v Speaker 1>episode eleven right now. Man. Shout out to everybody locked in.

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<v Speaker 1>We got a dope week coming up, starting off though

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<v Speaker 1>with the homie Conway representing that Grizelda this week hell

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<v Speaker 1>of an episode, one of my favorite rappers. I love

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<v Speaker 1>everything that Griselda's doing. I feel like they can never

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<v Speaker 1>get enough props for everything they're doing for hip hop

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<v Speaker 1>right now. So that's coming up. Shout out to our

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<v Speaker 1>Use that keyword bootleg Cap. Get twenty percent off when

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<v Speaker 1>you check out. And remember when you support odd socks

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<v Speaker 1>using that code, you're supporting the botleg Cap podcast. And

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<v Speaker 1>it's very important that you know, you show some love

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<v Speaker 1>if you appreciate what we're doing. That's how you can

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<v Speaker 1>show love. Besides you know, leaving a review and you

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<v Speaker 1>know sharing it with your friends and all that, but

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<v Speaker 1>appreciate everybody who listens to the podcast every week. Last

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<v Speaker 1>week or Friday, we did Sean King. By the way,

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<v Speaker 1>a lot of people hit me talking hell is shit

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<v Speaker 1>about that dude, saying he was a scammer, and I

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<v Speaker 1>kind of looked into a lot of that, uh, that

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<v Speaker 1>narrative and a lot of it is bullshit. And then

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<v Speaker 1>I just I hit up Killer Mike and I was like, Yo, Mike,

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<v Speaker 1>am I tripping because like, I interviewed this guy and

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<v Speaker 1>I didn't press him on any of the quote unquote

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<v Speaker 1>uh things people say about him, right, And Killer Mike

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<v Speaker 1>assured me that I'm not tripping. Seawan's a good dude.

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<v Speaker 1>He does more for the movement than ninety nine point

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<v Speaker 1>ninety nine nine percent of the people on Earth, and that,

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<v Speaker 1>you know, I should feel really good about interview with

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<v Speaker 1>Sean King. I thought the interview was fire. If you

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<v Speaker 1>missed it, it was last week's episode. Go check that out.

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<v Speaker 1>And yeah, man, all the haters, it is what it is.

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<v Speaker 1>Still appreciate you listening. You're you know you have writes

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<v Speaker 1>her own opinion. But I'm gonna tell you what I'm

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<v Speaker 1>gonna do. Anytimes and shit like that comes up, I'm

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<v Speaker 1>gonna just hit killer Mike and be like, am I tripping?

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<v Speaker 1>And I'm a rock with a killer Mike says to me.

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<v Speaker 1>All right, another shout out to one of our sponsors, vaping.

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<v Speaker 1>that Herbal Well Inness Center in Phoenix, and uh, let's

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<v Speaker 1>get to the podcast Conway the Machine. All right, this

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<v Speaker 1>was recorded almost three weeks ago and we've been holding

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<v Speaker 1>on to it because his album is about to come

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<v Speaker 1>out and Conway was the reason why I got into Griselda.

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<v Speaker 1>So this guy is an elite MC solid dude, has

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<v Speaker 1>a crazy story and I might even throw in I

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<v Speaker 1>think this is probably the best interview he's ever done,

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<v Speaker 1>so at least that I've seen. I mean, no biased.

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<v Speaker 1>All right, let's get into it. The Conway the Machine

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<v Speaker 1>episode of the boutleg Cat podcast. Thank you so much

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<v Speaker 1>for tuning in every week. Thank you. I appreciate it.

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<v Speaker 1>Share it with your people. Let's get to it. Boutle

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<v Speaker 1>care Podcasts. We got Conway the motherfucking Machine, Ladies and gentlemen. Yes,

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<v Speaker 1>it's good, yo, man. I gotta thank you because you

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<v Speaker 1>pulled up on me last night. You're in l A.

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<v Speaker 1>You know, we'll talk about what you're doing in l

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<v Speaker 1>a little bit later, but you in l A and uh,

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<v Speaker 1>you played me to your albums, the Shady Records debut,

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<v Speaker 1>which is which is you know to be determined? When

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<v Speaker 1>that when when the rest of the world hears that

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<v Speaker 1>they're not going to be disappointed by the way. Uh,

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<v Speaker 1>and then you're a new project that is, you know,

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<v Speaker 1>ship a little bit for everybody on there. Man. Yeah, yeah,

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<v Speaker 1>like I say, Man, know, I purposely try to like

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<v Speaker 1>go outside of you know what people like my fans

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<v Speaker 1>may expect coming from me, because I put out a

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<v Speaker 1>lot of tapes that's just like you know, I be

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<v Speaker 1>on my just super grimy rap bag, and I'd be

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<v Speaker 1>wanting to just keep my my same chemistry, my same formula.

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<v Speaker 1>But like Damren during Alchemists, you know, yeah, but I

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<v Speaker 1>fucked with some you know, some different producers I never

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<v Speaker 1>worked with, like Havoc, you know what I'm saying. And

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<v Speaker 1>you got Havoc out on the hook too. I have

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<v Speaker 1>it on the hook. So I wanted to defend Eric Simon,

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<v Speaker 1>my deep Eric Simon on there and you know my

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<v Speaker 1>man treasy heat. You know, I'm becoming a man through

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<v Speaker 1>like this Instagram that's the change record and that beat

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<v Speaker 1>is crazy. Yeah. So I just try to, you know

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<v Speaker 1>what I'm saying, try to go with my approach a

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<v Speaker 1>little different, that's all, but it's still the same, same,

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<v Speaker 1>same machine, same you know. The bars is pressure, you

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<v Speaker 1>know what I'm saying, And I'm happy with him, man,

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<v Speaker 1>I love it. I think it's some of my best ship. Yo.

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<v Speaker 1>It's incredible, and I think that what makes you you.

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<v Speaker 1>You had a great reference yesterday when we were in

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<v Speaker 1>the studio talking. I'll let you break it down. When

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<v Speaker 1>you think of Griselda as a human body like you,

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<v Speaker 1>you said, Gun is the brain. Yeah, yeah, yeah, we's

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<v Speaker 1>Danny is the muscle. I forget what you said, daring

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<v Speaker 1>respiratory system, but you're the heart. Yeah. I put the

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<v Speaker 1>emotion in it, you know what I'm saying. You know,

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<v Speaker 1>musically I put I put you know, just that feel

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<v Speaker 1>that that you know what I mean. You listen on

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<v Speaker 1>my ship, if you it's like if you know, you know,

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<v Speaker 1>and if you know that should have make like the

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<v Speaker 1>hair on the back of your next stand up. You

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<v Speaker 1>get goose bumps listening to my ship facts what I'm saying,

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<v Speaker 1>and I just feel like Darren, j'all call, I'm like

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<v Speaker 1>the respiratory system because like that production and that you know,

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<v Speaker 1>that's the sound. So that's like, that's the what broke

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<v Speaker 1>you know, that was the breath, that was the oxygen

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<v Speaker 1>and to make it all work. You know what I'm saying.

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<v Speaker 1>The brain and the heart ain't gonna work without oxygen,

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<v Speaker 1>you know what I'm saying. I look at it like that,

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<v Speaker 1>and I'm just thankful for them doors. And so when

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<v Speaker 1>we're talking, like, uh, you being so like you be

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<v Speaker 1>in the heart of the crew, and I feel like,

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<v Speaker 1>what would makes what people people relate to you? Like

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<v Speaker 1>you said, it's that pain in your music, bro, And

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<v Speaker 1>what made you want to be put yourself out there

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<v Speaker 1>and be so vulnerable on records? Because a lot because

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<v Speaker 1>like you're obviously you know, you talk about the other ship,

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<v Speaker 1>the street ship, the coke shit, all that shit. But

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<v Speaker 1>you also I think you're you're vulnerable in a way

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<v Speaker 1>that not a lot of artists allow their fans in on.

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<v Speaker 1>Like you know, there's not a lot of people who

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<v Speaker 1>talk in deepthly about personal life and experience. Like what

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<v Speaker 1>made you make that decision? I don't know, man. I

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<v Speaker 1>think it was a part of, like, you know, the

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<v Speaker 1>rehab that I had to put myself through after when

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<v Speaker 1>I got shot, right, I'm saying, I had to overcome

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<v Speaker 1>like a lot of like to get my confidence back up,

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<v Speaker 1>to get my you know, I didn't even you know,

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<v Speaker 1>I didn't even want to leave a house and all

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<v Speaker 1>type of shit like my parents. I just wasn't comfortable

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<v Speaker 1>with my parents at that time, and I just had

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<v Speaker 1>to you know, move different and think different. And I think,

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<v Speaker 1>you know what I'm saying, what helped me being able

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<v Speaker 1>to deal with you know that that uh you know,

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<v Speaker 1>being you know, depressed and all that shit over over

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<v Speaker 1>my parents and shit. I think I had to just

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<v Speaker 1>kind of like I think, being more honest and being

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<v Speaker 1>more transparent and my music kind of helped me open

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<v Speaker 1>up almost like there was like a burden lift off

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<v Speaker 1>your shoulder, like just be free. I don't remember which

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<v Speaker 1>record this was Conway, because I listened to so many

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<v Speaker 1>songs last night. But when we talk about you speaking

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<v Speaker 1>about your demons and your experiences and shit, you were

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<v Speaker 1>talking about your drinking problem right right on cue as

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<v Speaker 1>I'm taking a sip, right and now, I mean, look

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<v Speaker 1>at the end of the day, like we all got

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<v Speaker 1>our fucking demons, right, Like, you know what I'm saying, Like,

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<v Speaker 1>do you do you consider yourself someone who's like an

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<v Speaker 1>alcoholic at all? Yes? Yes, I'm I consider myself an alcoholic,

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<v Speaker 1>you know what I'm saying, functioning of course, yeah, yeah, yeah,

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<v Speaker 1>I mean like I don't know. I feel like it's

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<v Speaker 1>levels to that word like you know what I'm saying,

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<v Speaker 1>Like I ain't. I've seen some alcoholics that just turning

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<v Speaker 1>on like bombs and like win no whinyl, you know

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<v Speaker 1>what I'm saying. But I do you know, I enjoy

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<v Speaker 1>a nice cocktail with dinner, you know what I'm saying,

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<v Speaker 1>Or cord I'm in a store, I'm definitely gonna let

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<v Speaker 1>me back off a bottle of douce or something. You

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<v Speaker 1>know what I'm saying. Has that how you always have been?

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<v Speaker 1>Or was that something? Because obviously, like you said, man,

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<v Speaker 1>like you got shot, you come out of the hospital.

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<v Speaker 1>You I can only imagine how hard it is to

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<v Speaker 1>like like you said, like you being able to talk

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<v Speaker 1>about it in your music it helped you like feel

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<v Speaker 1>free and shit. But I can imagine, you know, going

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<v Speaker 1>through some shit like that. That's gotta be like like

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<v Speaker 1>you gotta, like, like you said, depression is involved, Like

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<v Speaker 1>did you resort to like alcohol to help you get

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<v Speaker 1>through some of that shit? Yeah, I'm gonna be honest,

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<v Speaker 1>you know what I'm saying. I used to I used to,

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<v Speaker 1>like I said, like for me, like I would be

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<v Speaker 1>drinking and shit to try to, like so I can

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<v Speaker 1>keep shit off my mind, not be thinking about the

0:10:41.559 --> 0:10:45.120
<v Speaker 1>shit that I'll be depressed about it, like a lot

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<v Speaker 1>of things that you know, I've been going through over

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<v Speaker 1>the last couple of years, you know what I'm saying.

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<v Speaker 1>So I just like like hide behind a bottle kinda

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<v Speaker 1>know what I'm saying. But I've been able to you

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<v Speaker 1>know what I'm saying. The best thing you could do

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<v Speaker 1>is just face shit, you know what I'm saying. They

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<v Speaker 1>add on like sometimes you just gotta look look shit

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<v Speaker 1>and look your demons in the eyes, like you know

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<v Speaker 1>what I'm saying. That's how you get get past them ships,

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<v Speaker 1>get over them shits, you know what I'm saying. And

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<v Speaker 1>so out. You know, I definitely, uh, you know what

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<v Speaker 1>i mean, gravitated to to the to the liquor and

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<v Speaker 1>shit a little more than usual, you know what I'm saying,

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<v Speaker 1>because it was like I just didn't want to think

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<v Speaker 1>about I just wanted to forget everything and just you

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<v Speaker 1>know what i mean, like just have fun, just be

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<v Speaker 1>a fun like because it's funny, like you know what

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<v Speaker 1>I'm saying. Like a lot of people like if they

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<v Speaker 1>don't know me or that never been around me, they

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<v Speaker 1>be thinking like like I'm like, I'm screw facing them more.

0:11:44.640 --> 0:11:46.600
<v Speaker 1>I'm like, you know, yeah, yeah, they be looking at

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<v Speaker 1>you crazy if they don't know your story or like

0:11:48.880 --> 0:11:50.880
<v Speaker 1>they think, yeah, I'm just like I'm on ship, Like

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<v Speaker 1>I'm just this big this mean you know what I'm

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<v Speaker 1>saying bad dudes. So I try to, like, you know

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<v Speaker 1>what I'm saying, drink and joke around and stuff kind

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<v Speaker 1>of like the you know what I'm saying to you know,

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<v Speaker 1>lighten the mood, so to speak. But like I said,

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<v Speaker 1>like behind closed doors and shit, like, man, it's a

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<v Speaker 1>lot man, personally, it's a lot professionally. It's something now

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<v Speaker 1>that you're kind of known for it. And on one

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<v Speaker 1>of the records that I heard last night, you had said,

0:12:19.840 --> 0:12:23.480
<v Speaker 1>like I wonder if essentially if you never got shot,

0:12:23.600 --> 0:12:26.679
<v Speaker 1>never had ball the Bell's palsy, would there still be

0:12:26.960 --> 0:12:30.960
<v Speaker 1>murals of you on walls and all that shit. So

0:12:31.000 --> 0:12:35.600
<v Speaker 1>it's like, obviously it's a personal, you know, situation that

0:12:35.640 --> 0:12:38.400
<v Speaker 1>you're dealing with, but I think you also recognize that,

0:12:38.559 --> 0:12:42.320
<v Speaker 1>like it's a part of your hip hop character now,

0:12:42.559 --> 0:12:46.400
<v Speaker 1>you know what I'm saying. Yeah, absolutely, I definitely accept it.

0:12:46.520 --> 0:12:49.880
<v Speaker 1>And and and wear it. You know what I'm saying,

0:12:50.200 --> 0:12:53.960
<v Speaker 1>more prideful, like more you know what I'm saying, more

0:12:54.000 --> 0:12:56.600
<v Speaker 1>comfortable with you know what I'm saying. The bell's pausey

0:12:56.640 --> 0:12:59.280
<v Speaker 1>and shit, and I do realize. I feel like everything

0:12:59.360 --> 0:13:01.800
<v Speaker 1>that come from as a blessing, you know what I'm saying.

0:13:01.880 --> 0:13:04.480
<v Speaker 1>So God don't make mistakes. God don't make mistakes. So

0:13:04.800 --> 0:13:07.120
<v Speaker 1>this was I feel like maybe this was the blessing

0:13:07.160 --> 0:13:09.600
<v Speaker 1>that I needed because like around the time, like when

0:13:09.600 --> 0:13:12.520
<v Speaker 1>I got shot, like I was, I was, I was

0:13:12.559 --> 0:13:15.880
<v Speaker 1>moving different. I really wasn't taking music serious, you know

0:13:15.920 --> 0:13:18.199
<v Speaker 1>what I'm saying, Like we was outside, you know what

0:13:18.240 --> 0:13:21.280
<v Speaker 1>I'm saying. So I feel like, you know what I mean.

0:13:22.240 --> 0:13:24.040
<v Speaker 1>Sometimes I think about it like that, like damn, I

0:13:24.040 --> 0:13:26.319
<v Speaker 1>feel like God just did that, you know what I mean,

0:13:26.400 --> 0:13:29.880
<v Speaker 1>like almost almost like as a signal, like look, man,

0:13:30.000 --> 0:13:32.360
<v Speaker 1>like this, you got so much got you so gifted,

0:13:32.480 --> 0:13:35.280
<v Speaker 1>you got so much potential and so much ahead of you,

0:13:35.400 --> 0:13:37.480
<v Speaker 1>but you ain't taking a shit serious. So you know

0:13:37.559 --> 0:13:40.520
<v Speaker 1>what I'm you know what I mean? Life like that.

0:13:40.600 --> 0:13:45.480
<v Speaker 1>It's crazy too because probably your your verse that you're

0:13:45.559 --> 0:13:50.480
<v Speaker 1>most famous for, the cow right, Yeah, that specific record

0:13:50.760 --> 0:13:54.079
<v Speaker 1>when you talk about your boy getting shot and how

0:13:55.040 --> 0:13:58.079
<v Speaker 1>it was almost like a blessing that you didn't know

0:13:58.120 --> 0:14:00.439
<v Speaker 1>who did it because you could have winning. You would

0:14:00.440 --> 0:14:03.880
<v Speaker 1>have obviously went and gotten revenge. What if and you

0:14:03.920 --> 0:14:06.720
<v Speaker 1>wouldn't have been sitting here right because I mean, or

0:14:06.760 --> 0:14:09.079
<v Speaker 1>you might have been, but you know what I'm saying,

0:14:09.559 --> 0:14:12.360
<v Speaker 1>it's almost like you said, like God, don't make mistakes

0:14:12.400 --> 0:14:16.280
<v Speaker 1>like yo, like like you're in this position now now

0:14:16.280 --> 0:14:19.000
<v Speaker 1>they gotta mention you top five. You know what I'm saying,

0:14:19.440 --> 0:14:21.280
<v Speaker 1>right right? You know what I mean? Things could have

0:14:21.280 --> 0:14:24.280
<v Speaker 1>won a lot definitely and been a lot worse. So

0:14:24.360 --> 0:14:26.760
<v Speaker 1>that was another thing that helped me kind of overcome,

0:14:26.880 --> 0:14:29.040
<v Speaker 1>like you know, be on some ship. Like man, what

0:14:29.080 --> 0:14:31.720
<v Speaker 1>I'm tripping for? Like I'm still alive, you know what

0:14:31.760 --> 0:14:35.000
<v Speaker 1>I'm saying. I'm still gonna got money. I could still rap,

0:14:35.040 --> 0:14:37.520
<v Speaker 1>I can still talk, I can still walk, I could

0:14:37.560 --> 0:14:41.280
<v Speaker 1>still fuck before for the show, you know what I mean?

0:14:42.120 --> 0:14:43.880
<v Speaker 1>When I got to be you know what I'm saying,

0:14:44.040 --> 0:14:47.000
<v Speaker 1>what did Uh? I was at the Noble tonight, the

0:14:47.040 --> 0:14:51.080
<v Speaker 1>whole was there and uh when when you got off stage,

0:14:51.080 --> 0:14:53.080
<v Speaker 1>you guys had a conversation after you did the cow right,

0:14:53.960 --> 0:14:57.240
<v Speaker 1>what was that short? You know exchange between you two

0:14:57.400 --> 0:15:00.440
<v Speaker 1>was it? It was pretty much like about that, like

0:15:00.680 --> 0:15:03.400
<v Speaker 1>just like man, like, you know what I'm saying, be

0:15:03.680 --> 0:15:07.040
<v Speaker 1>proud of like how far you made it, and like

0:15:07.080 --> 0:15:09.480
<v Speaker 1>where the ship you're doing and where you taking it

0:15:09.480 --> 0:15:12.520
<v Speaker 1>to like nigga, you you see what you're doing out here? Yeah,

0:15:12.640 --> 0:15:15.320
<v Speaker 1>let them tears out, let them shit fall, you know

0:15:15.320 --> 0:15:18.280
<v Speaker 1>what I'm saying. And and and really just asking me

0:15:18.360 --> 0:15:21.120
<v Speaker 1>about after that. We were just really talking about, uh,

0:15:21.360 --> 0:15:25.200
<v Speaker 1>that that song I did it Overdose. He was just like, Yo,

0:15:25.240 --> 0:15:28.640
<v Speaker 1>what's that song you did? Like three songs back? That

0:15:28.720 --> 0:15:31.680
<v Speaker 1>shit crazy? You know what I'm saying? That uh shit

0:15:31.720 --> 0:15:34.880
<v Speaker 1>out there with Alchemists called Overdose. We were just talking

0:15:34.880 --> 0:15:37.760
<v Speaker 1>about that. But it was just really just letting me know,

0:15:37.920 --> 0:15:40.160
<v Speaker 1>like and it was just I needed to hear that

0:15:40.200 --> 0:15:44.400
<v Speaker 1>from somebody like him, like man like, because I had

0:15:44.480 --> 0:15:47.040
<v Speaker 1>broke down on stage and shit lying and all that,

0:15:47.160 --> 0:15:48.880
<v Speaker 1>like you know what I mean, I don't be knowing

0:15:48.880 --> 0:15:52.680
<v Speaker 1>how to like suppress that shit. Man. Sometimes it just

0:15:52.720 --> 0:15:56.520
<v Speaker 1>be it has to come out because I've been out,

0:15:56.720 --> 0:15:59.720
<v Speaker 1>like lashed out at somebody. It had just going to

0:15:59.760 --> 0:16:02.480
<v Speaker 1>come out in some other way, some other way, a

0:16:02.520 --> 0:16:05.600
<v Speaker 1>negative way. Possibly. Yeah, that's why I appreciated hearing that

0:16:05.640 --> 0:16:09.160
<v Speaker 1>from him, Like, man, don't don't don't don't hold that in, bro,

0:16:09.400 --> 0:16:12.240
<v Speaker 1>don't hold it in. Like let that out, man, that's

0:16:12.320 --> 0:16:15.160
<v Speaker 1>real ship, Like, let that ship out, Man, don't worry

0:16:15.200 --> 0:16:17.760
<v Speaker 1>about that. You know. What's crazy is as as as

0:16:18.360 --> 0:16:22.000
<v Speaker 1>like as much as that verse like penetrating my soul. Bro,

0:16:22.240 --> 0:16:28.720
<v Speaker 1>Like you got some new ship that is crazy, as

0:16:28.760 --> 0:16:32.960
<v Speaker 1>far as like the pain ship. Like man, man, you

0:16:33.040 --> 0:16:36.760
<v Speaker 1>was playing some ship last night that was real, real deep.

0:16:39.000 --> 0:16:42.560
<v Speaker 1>You know. I feel like like you you you were

0:16:42.600 --> 0:16:44.680
<v Speaker 1>saying you were like, Yo, there's so much stuff that

0:16:44.800 --> 0:16:47.120
<v Speaker 1>like like you've been through a lot, bro, Your your

0:16:47.120 --> 0:16:49.920
<v Speaker 1>life is crazy as far as just like a lot

0:16:49.920 --> 0:16:52.800
<v Speaker 1>of tragedies that you had to deal with. Yeah, you

0:16:52.880 --> 0:16:55.840
<v Speaker 1>know what I'm saying. People close to you, you know

0:16:55.840 --> 0:17:00.720
<v Speaker 1>what I'm saying, ship like that you almost dyeing yourself

0:17:01.520 --> 0:17:05.320
<v Speaker 1>and then even just kind of seeing like how hip

0:17:05.320 --> 0:17:07.960
<v Speaker 1>hop we've lost a lot of people recently, Pop smoke,

0:17:08.040 --> 0:17:12.119
<v Speaker 1>rest in peace. You know what I'm saying. Wow, And

0:17:12.160 --> 0:17:16.640
<v Speaker 1>you're somebody who actually was like really involved with shit,

0:17:16.880 --> 0:17:25.199
<v Speaker 1>right have you had a hard time with you know,

0:17:25.240 --> 0:17:28.480
<v Speaker 1>you're moving around different cities shit like that, Like do

0:17:28.600 --> 0:17:31.360
<v Speaker 1>you ever like I don't know if you got problems

0:17:31.359 --> 0:17:33.240
<v Speaker 1>in the streets or whatever, but do you ever like

0:17:34.240 --> 0:17:37.080
<v Speaker 1>Biggie was super paranoid, you know what I'm saying, Like

0:17:37.240 --> 0:17:39.280
<v Speaker 1>you heard it in his music, Like when you like like,

0:17:39.440 --> 0:17:41.199
<v Speaker 1>do you ever find yourself looking over your shoulder like

0:17:41.720 --> 0:17:44.920
<v Speaker 1>or just being like can you ever just relax being

0:17:45.000 --> 0:17:47.639
<v Speaker 1>conway now that you're you know what I'm saying, with

0:17:47.760 --> 0:17:55.639
<v Speaker 1>the life you've lived, honestly, No, Like no, I tried to,

0:17:56.359 --> 0:17:58.160
<v Speaker 1>like I'm gonna keep it a thousand like I tried.

0:17:58.240 --> 0:18:01.920
<v Speaker 1>I tried being on that type of time like chilling

0:18:01.960 --> 0:18:04.520
<v Speaker 1>and relaxing, like I don't have no problems like in

0:18:04.560 --> 0:18:07.520
<v Speaker 1>the streets, like no beed like you know what I mean,

0:18:07.600 --> 0:18:09.199
<v Speaker 1>I don't be on that type of time. I was

0:18:09.240 --> 0:18:12.040
<v Speaker 1>one of them dudes. That's why a lot of people

0:18:12.119 --> 0:18:14.080
<v Speaker 1>in my city like niggas that's in the streets and

0:18:14.080 --> 0:18:17.320
<v Speaker 1>shiit like that kind of like like respect how and

0:18:17.400 --> 0:18:19.439
<v Speaker 1>move like and look up to me, because like I

0:18:19.520 --> 0:18:21.320
<v Speaker 1>was one of them dudes that put all that shit

0:18:21.640 --> 0:18:23.520
<v Speaker 1>on the back seat. That shit took a back seat

0:18:23.560 --> 0:18:26.480
<v Speaker 1>to this music shit. I like, after I got shot,

0:18:26.520 --> 0:18:29.680
<v Speaker 1>I realized, like you know what I mean like this

0:18:29.760 --> 0:18:31.800
<v Speaker 1>shit ain't ain't it ain't what it is. I even

0:18:31.880 --> 0:18:34.280
<v Speaker 1>I went broke, you know what I'm saying, and all

0:18:34.320 --> 0:18:36.840
<v Speaker 1>I wasn't hustling. I went broke, and I was just

0:18:36.960 --> 0:18:38.840
<v Speaker 1>like because I'm like, I'm not going back in the

0:18:38.920 --> 0:18:41.560
<v Speaker 1>hood like I'm chilling. I'm over here Darrens your house,

0:18:42.760 --> 0:18:47.239
<v Speaker 1>recording and just working on my craft, getting better at

0:18:47.359 --> 0:18:49.879
<v Speaker 1>rapping because I was still kind of like trying to

0:18:49.960 --> 0:18:52.560
<v Speaker 1>find my lane because I couldn't really like when my

0:18:53.320 --> 0:18:56.080
<v Speaker 1>jaw couldn't really open my ship that well, I was

0:18:56.119 --> 0:18:58.720
<v Speaker 1>like your way to rest, you know what I'm saying.

0:18:58.760 --> 0:19:01.920
<v Speaker 1>So I'm still getting myself together, but at the same time,

0:19:02.000 --> 0:19:05.920
<v Speaker 1>I already had my mind made up like like this ship,

0:19:06.400 --> 0:19:10.480
<v Speaker 1>the streets, even the streets everything, Like when you're making sacrifices, man,

0:19:10.640 --> 0:19:13.879
<v Speaker 1>like everything gotta if you want something bad enough, sometimes

0:19:13.920 --> 0:19:18.000
<v Speaker 1>you gotta make like some difficult sacrifices man, like you know,

0:19:18.280 --> 0:19:23.520
<v Speaker 1>ship time, where my family, my kids? Of course, yeah,

0:19:23.760 --> 0:19:27.320
<v Speaker 1>that's what anything being broke. I tell the home low

0:19:27.359 --> 0:19:29.119
<v Speaker 1>homies all the time, like sometimes you got to learn

0:19:29.160 --> 0:19:32.160
<v Speaker 1>how to be broken bored sometimes, like niggas be broken,

0:19:32.200 --> 0:19:34.600
<v Speaker 1>niggas be boring. Niggas go outside, they end up fucking

0:19:34.840 --> 0:19:38.159
<v Speaker 1>doing some dumb shit because yep, sometimes you gotta know

0:19:38.240 --> 0:19:43.560
<v Speaker 1>how to just like man broke one out, you know

0:19:43.600 --> 0:19:45.399
<v Speaker 1>what I'm saying. But back to what you're saying, Like

0:19:46.359 --> 0:19:50.480
<v Speaker 1>you know, I try to to you know, remove that

0:19:50.680 --> 0:19:53.639
<v Speaker 1>that that street paranoise of knowing, because I know how

0:19:53.680 --> 0:19:56.879
<v Speaker 1>the streets is. The streets is nasty, especially like for

0:19:57.080 --> 0:20:01.359
<v Speaker 1>rappers like niggas in this like niggas, rappers ain't safe

0:20:01.440 --> 0:20:04.000
<v Speaker 1>just because you're a rapper like you, you know, there's

0:20:04.040 --> 0:20:06.479
<v Speaker 1>somebody in that city who you know, you might get

0:20:06.520 --> 0:20:09.080
<v Speaker 1>caught slipping. Like, Bro, I got robbed. I got robbed

0:20:09.119 --> 0:20:11.120
<v Speaker 1>in Atlanta. Bro, this is the this is the first

0:20:11.200 --> 0:20:15.239
<v Speaker 1>day of the first uh that tour that ended at

0:20:15.240 --> 0:20:17.560
<v Speaker 1>the Noble. The first show was in Atlanta. I'm leaving

0:20:17.600 --> 0:20:20.639
<v Speaker 1>them all, nigga, nigga call me lacking, you know what

0:20:20.680 --> 0:20:24.200
<v Speaker 1>I'm saying. Snatched the door open, you know what I'm saying.

0:20:24.400 --> 0:20:27.080
<v Speaker 1>But I just charged that ship to the game because

0:20:27.119 --> 0:20:29.200
<v Speaker 1>I know how sometimes you gotta you gotta learn when

0:20:29.240 --> 0:20:31.520
<v Speaker 1>to take the l like you know what I'm saying, Well,

0:20:31.680 --> 0:20:35.240
<v Speaker 1>you know, but but that's what it is. So now

0:20:35.440 --> 0:20:38.359
<v Speaker 1>that paranoia is back. Now. You know what I'm saying.

0:20:39.560 --> 0:20:41.720
<v Speaker 1>I gotta have you know what I mean, A fifty

0:20:41.760 --> 0:20:44.800
<v Speaker 1>clip on the A yo, not not for nothing. When

0:20:44.840 --> 0:20:48.080
<v Speaker 1>that kind of shit happens to you the raide, you feel, Yeah,

0:20:48.119 --> 0:20:51.040
<v Speaker 1>I got the feeling too comfortable, man, because I'm the

0:20:51.080 --> 0:20:53.920
<v Speaker 1>type of nigga like I have no fears or nothing

0:20:54.000 --> 0:20:56.360
<v Speaker 1>of nobody like you feel me like, I know, God,

0:20:56.800 --> 0:20:58.399
<v Speaker 1>all the ship I've been through, if I could get

0:20:58.440 --> 0:21:00.760
<v Speaker 1>through that, nigga, I ain't worried about no nig or

0:21:00.800 --> 0:21:04.119
<v Speaker 1>nothing happening to me. So I'll be everywhere by myself.

0:21:04.119 --> 0:21:06.200
<v Speaker 1>You see how I pull up here? Yeah? Me, you

0:21:06.240 --> 0:21:08.840
<v Speaker 1>know what I'm saying, Chad, that's it, That's it. I

0:21:08.920 --> 0:21:12.159
<v Speaker 1>don't really move with a gang. I don't have no fears,

0:21:12.560 --> 0:21:13.960
<v Speaker 1>and I'm like, you know what I mean, I got

0:21:14.080 --> 0:21:17.120
<v Speaker 1>lost in that comfort zone. So now you know I'm back.

0:21:17.880 --> 0:21:22.240
<v Speaker 1>You know what I man, I'm back, yok situated. We

0:21:22.440 --> 0:21:27.119
<v Speaker 1>was talking about how you guys kind of have have

0:21:27.359 --> 0:21:30.040
<v Speaker 1>lived through so many eras of hip hop right and

0:21:30.160 --> 0:21:31.680
<v Speaker 1>that there was a point in time that one O

0:21:31.800 --> 0:21:34.480
<v Speaker 1>six and park ship like where you where you might

0:21:34.520 --> 0:21:36.440
<v Speaker 1>not have been necessarily making the music. We know you

0:21:36.520 --> 0:21:41.399
<v Speaker 1>for making at the moment, I'm curious, like the Griselda sound,

0:21:42.320 --> 0:21:46.960
<v Speaker 1>you and Gun at at what point in time do

0:21:47.080 --> 0:21:51.920
<v Speaker 1>you feel like you guys figured that out where you

0:21:52.000 --> 0:21:54.760
<v Speaker 1>guys were like, yeah, this is like because it obviously

0:21:54.920 --> 0:21:57.920
<v Speaker 1>wasn't off the rip like when you guys felt like

0:21:58.000 --> 0:22:00.800
<v Speaker 1>you guys was pocket it was off the rep. But

0:22:01.040 --> 0:22:04.960
<v Speaker 1>we we we we got we got blinded. Like most

0:22:05.119 --> 0:22:09.119
<v Speaker 1>rappers are trying to chase hit what's popping? And you

0:22:09.200 --> 0:22:11.080
<v Speaker 1>know what I mean, what's something? What we think people

0:22:11.160 --> 0:22:12.560
<v Speaker 1>going like like this is what they want to hear

0:22:13.560 --> 0:22:17.600
<v Speaker 1>popping some bottles stand, you know what I'm saying. So

0:22:18.080 --> 0:22:19.960
<v Speaker 1>we kind of, you know what i mean, deviated. But

0:22:20.040 --> 0:22:22.600
<v Speaker 1>the funny thing is is like we are family, but

0:22:22.720 --> 0:22:27.840
<v Speaker 1>it ain't like we never really like joint forces like

0:22:28.320 --> 0:22:31.280
<v Speaker 1>like that until like later on in life far as

0:22:31.400 --> 0:22:34.639
<v Speaker 1>like being a group or a label, you know what

0:22:34.680 --> 0:22:38.960
<v Speaker 1>I'm saying. So everybody was individually doing their own thing,

0:22:39.119 --> 0:22:41.080
<v Speaker 1>you know what I'm saying, Like Benny was doing him

0:22:41.680 --> 0:22:44.320
<v Speaker 1>I was doing making music and doing what I'm doing

0:22:44.359 --> 0:22:46.800
<v Speaker 1>with and West was was you know what I'm saying.

0:22:47.160 --> 0:22:50.280
<v Speaker 1>He lived down south, he lived in Atlanta, and he

0:22:50.480 --> 0:22:53.159
<v Speaker 1>was like you know, working around like in the streets,

0:22:53.200 --> 0:22:54.680
<v Speaker 1>he was, you know, west to tell you like he

0:22:54.800 --> 0:22:56.720
<v Speaker 1>wasn't doing the rapper time and none of that ship

0:22:57.320 --> 0:22:58.920
<v Speaker 1>you know what I'm saying. But we all family, and

0:22:59.000 --> 0:23:02.480
<v Speaker 1>he loves hip hop, like you know, he's just you know,

0:23:02.880 --> 0:23:05.280
<v Speaker 1>probably your biggest hip hop fan, just a lover of

0:23:05.400 --> 0:23:09.000
<v Speaker 1>hip hop. So he will always just be around because

0:23:09.080 --> 0:23:12.000
<v Speaker 1>knowing how good I am and then how good Benny getting,

0:23:12.520 --> 0:23:14.240
<v Speaker 1>you know what I'm saying, So he would always be.

0:23:14.440 --> 0:23:16.760
<v Speaker 1>But he wouldn't rap in the ciphers. He wouldn't get

0:23:16.800 --> 0:23:19.680
<v Speaker 1>on the records. He wouldn't He wasn't thinking about that.

0:23:20.640 --> 0:23:24.560
<v Speaker 1>But you know, you know after the you know that

0:23:24.920 --> 0:23:27.600
<v Speaker 1>after we we kind of figured that back out, like

0:23:27.840 --> 0:23:30.000
<v Speaker 1>you know, after I got shot, you know what I'm saying,

0:23:31.040 --> 0:23:34.320
<v Speaker 1>and west Side kind of like jumped in the driver's

0:23:34.359 --> 0:23:37.200
<v Speaker 1>seat like, yo, I gotta kind of you know what

0:23:37.240 --> 0:23:41.000
<v Speaker 1>I'm saying, I gotta, you know, cause it looked like

0:23:41.200 --> 0:23:43.560
<v Speaker 1>for a minute like I'm you know, I was paralyzed

0:23:43.560 --> 0:23:46.000
<v Speaker 1>from the neck down, like almost some shit like that happens.

0:23:46.280 --> 0:23:48.240
<v Speaker 1>You're like it was over, Yeah, it's over, Like this

0:23:48.359 --> 0:23:51.440
<v Speaker 1>nigga Sam took bro out, you know what I'm saying,

0:23:51.880 --> 0:23:53.920
<v Speaker 1>shot this nigga his head and his neck. This nigga

0:23:53.920 --> 0:23:56.440
<v Speaker 1>peralyanin this nigga the wheelchair can't even move his jaw,

0:23:56.920 --> 0:23:58.639
<v Speaker 1>you know what I mean. So it's like West. That's

0:23:58.680 --> 0:24:01.120
<v Speaker 1>when West start doing like the hill where her Mas one.

0:24:01.800 --> 0:24:04.840
<v Speaker 1>And then by the time Part two came out, I

0:24:05.040 --> 0:24:08.560
<v Speaker 1>mustered up like one verse on there. I think, I think,

0:24:09.000 --> 0:24:12.399
<v Speaker 1>is that your first verse after getting shot? Yeah? Okay,

0:24:12.600 --> 0:24:16.240
<v Speaker 1>well not after getting shot, but my first verse. Like

0:24:16.840 --> 0:24:20.400
<v Speaker 1>for like Griselda Records, Chazelda Records wasn't even a thing

0:24:20.560 --> 0:24:26.440
<v Speaker 1>when we did Hitler two. Oh, the first actual Griselda record.

0:24:26.480 --> 0:24:28.760
<v Speaker 1>When we thought of it, it was hauling the haul

0:24:28.840 --> 0:24:32.640
<v Speaker 1>of nash Ep. Okay, I'm saying, like, Yo, this's gonna

0:24:32.680 --> 0:24:33.920
<v Speaker 1>be the you know what I'm saying, It's gonna be

0:24:33.960 --> 0:24:35.520
<v Speaker 1>the first tape we're gonna call this ship what you

0:24:35.880 --> 0:24:37.280
<v Speaker 1>you know what I mean. I remember the phone called

0:24:37.280 --> 0:24:40.679
<v Speaker 1>a conversation like what you think about calling ship Griselda Records.

0:24:40.720 --> 0:24:43.639
<v Speaker 1>You know what I'm saying. This would be the first tape,

0:24:43.680 --> 0:24:45.439
<v Speaker 1>you know what I mean, off the off, the off

0:24:45.520 --> 0:24:48.720
<v Speaker 1>the label, and it just grew from there, you know

0:24:48.800 --> 0:24:52.119
<v Speaker 1>what I'm saying, Yo, it's crazy. Like I think with

0:24:52.320 --> 0:24:54.600
<v Speaker 1>gun Man. Guns got one of the best minds I've

0:24:54.640 --> 0:24:58.680
<v Speaker 1>ever seen in the in the game, the guys just

0:24:59.080 --> 0:25:01.159
<v Speaker 1>like like you were saying, like he's just he's just

0:25:01.200 --> 0:25:07.080
<v Speaker 1>a visionary. Is there a fireless he's yeah, man like

0:25:07.280 --> 0:25:09.440
<v Speaker 1>and and too like y'all. You know he gonna do

0:25:09.440 --> 0:25:11.400
<v Speaker 1>if you want to do something, he said, he's gonna

0:25:11.440 --> 0:25:13.280
<v Speaker 1>do it and bring it to life. And and you

0:25:13.359 --> 0:25:16.520
<v Speaker 1>guys never ever ever, like Man, I just feel like

0:25:16.560 --> 0:25:19.640
<v Speaker 1>you guys have never pivoted away from like why why

0:25:20.280 --> 0:25:23.359
<v Speaker 1>why you're here? Yeah, which is which is hard to do.

0:25:24.119 --> 0:25:25.680
<v Speaker 1>To do what got you here? You know what I'm saying,

0:25:25.800 --> 0:25:27.560
<v Speaker 1>Keep doing what got you to where you're at. Man,

0:25:28.000 --> 0:25:31.240
<v Speaker 1>you don't try to don't deviate. But it's like you said,

0:25:31.280 --> 0:25:33.080
<v Speaker 1>it's hard. It's hard to do. And that's kind of

0:25:33.440 --> 0:25:35.679
<v Speaker 1>going back to like different King to a God album.

0:25:36.040 --> 0:25:37.840
<v Speaker 1>That's kind of what I was trying to like steer

0:25:37.920 --> 0:25:40.359
<v Speaker 1>away from, Like I don't want to. I want to,

0:25:40.880 --> 0:25:45.199
<v Speaker 1>you know, differentiate myself from like this project, from all

0:25:45.240 --> 0:25:47.920
<v Speaker 1>the other projects I dropped. But I don't want to

0:25:48.000 --> 0:25:50.600
<v Speaker 1>sound like I'm on some corny ship, right Like you're

0:25:50.640 --> 0:25:53.520
<v Speaker 1>trying too hard. You know, it don't sound like that

0:25:53.640 --> 0:25:56.920
<v Speaker 1>at all, not for sure. By the way, I think

0:25:56.960 --> 0:25:58.600
<v Speaker 1>my favorite line on there is you said the only

0:25:58.680 --> 0:26:02.720
<v Speaker 1>thing you need a bitch for is herd that it was,

0:26:02.800 --> 0:26:07.399
<v Speaker 1>So that's pretty much shit, y'o. What's crazy too is

0:26:07.480 --> 0:26:09.760
<v Speaker 1>when you you got a record and you and Fred

0:26:09.800 --> 0:26:13.640
<v Speaker 1>are kind of developing a cool little chemistry on records.

0:26:14.040 --> 0:26:18.040
<v Speaker 1>This song on this album caught me off guard because

0:26:18.080 --> 0:26:19.240
<v Speaker 1>when I saw you pull it out, I was like,

0:26:19.280 --> 0:26:23.840
<v Speaker 1>oh shit, Gibs Conway was definitely different than what I

0:26:24.000 --> 0:26:27.479
<v Speaker 1>was expected. Talk about y'all's because I saw y'all out

0:26:27.480 --> 0:26:29.840
<v Speaker 1>in Miami together, but talk about y'all's chemistry, and like,

0:26:30.359 --> 0:26:35.320
<v Speaker 1>you know, I feel like Griselda Fred, you know Black Thought,

0:26:36.200 --> 0:26:37.760
<v Speaker 1>you know, run the Jewel. I feel like there's some

0:26:37.920 --> 0:26:39.720
<v Speaker 1>Jedis in the game, you know what I'm saying. It's

0:26:39.760 --> 0:26:42.560
<v Speaker 1>like there's the Jedi Club. Royce is one of them,

0:26:42.640 --> 0:26:44.760
<v Speaker 1>you know what I'm saying. But you and Fred, like

0:26:44.800 --> 0:26:48.040
<v Speaker 1>I feel like between Fred and Grisel the album putting

0:26:48.040 --> 0:26:49.880
<v Speaker 1>out the best hip hop music for the last couple

0:26:49.880 --> 0:26:55.720
<v Speaker 1>of years. What's y'all's relationship and like, you know, that

0:26:55.920 --> 0:26:59.680
<v Speaker 1>chemistry has been wild on records so far, and it

0:26:59.680 --> 0:27:01.440
<v Speaker 1>took a wow for the for the record too, wow

0:27:01.480 --> 0:27:03.680
<v Speaker 1>for y'all to work together. Yeah, yeah, yeah, yeah. I

0:27:03.840 --> 0:27:07.120
<v Speaker 1>mean give that's my nigga, like Gibbs my nigga. Man,

0:27:07.359 --> 0:27:08.920
<v Speaker 1>you know what I'm saying. I got love with Giz.

0:27:09.200 --> 0:27:11.639
<v Speaker 1>Like every time I ever, you know, been around that

0:27:11.720 --> 0:27:15.680
<v Speaker 1>nigga or whatever, it's like it's love show and vice versa.

0:27:15.800 --> 0:27:18.399
<v Speaker 1>Like anytime he come around me, I try to, you

0:27:18.480 --> 0:27:20.719
<v Speaker 1>know what I'm saying, show the utmost love and respect

0:27:20.760 --> 0:27:23.440
<v Speaker 1>because I respect his craft and I just respect it.

0:27:23.520 --> 0:27:25.080
<v Speaker 1>You know the type of nigga he is, you know

0:27:25.119 --> 0:27:27.359
<v Speaker 1>what I'm saying. I went on tour with Gibs, so

0:27:27.440 --> 0:27:29.720
<v Speaker 1>I gotta kind of be a little got a little

0:27:29.760 --> 0:27:32.040
<v Speaker 1>closer with him, you know what I'm saying, and to

0:27:32.160 --> 0:27:34.000
<v Speaker 1>be around him a little more than I have in

0:27:34.080 --> 0:27:36.960
<v Speaker 1>the past, and I just got to see what type

0:27:36.960 --> 0:27:39.680
<v Speaker 1>of duty is and you know, I fuck with the nigga,

0:27:39.760 --> 0:27:41.840
<v Speaker 1>you know what I'm saying. And so it was only

0:27:41.960 --> 0:27:45.719
<v Speaker 1>right like we we always even before like this record

0:27:47.359 --> 0:27:50.879
<v Speaker 1>the Babies and Fools off his tape and shit like that,

0:27:51.119 --> 0:27:54.840
<v Speaker 1>like we've always talked and kicked it and about doing songs,

0:27:54.960 --> 0:27:57.120
<v Speaker 1>doing the record, doing the tape. Yeah, we gotta let's

0:27:57.119 --> 0:27:59.040
<v Speaker 1>do a tape. If y'all did a tape, that should

0:27:59.080 --> 0:28:03.639
<v Speaker 1>be crazytly exactly so. But you know what I mean,

0:28:03.880 --> 0:28:06.719
<v Speaker 1>it just you know what what, I'm one of them

0:28:06.760 --> 0:28:09.000
<v Speaker 1>type of niggas. Everything ain't about rat shit all the

0:28:09.080 --> 0:28:10.920
<v Speaker 1>time to me, So like if I hit you, I

0:28:10.960 --> 0:28:13.560
<v Speaker 1>ain't all the time, like yo, I got a joint

0:28:13.640 --> 0:28:15.720
<v Speaker 1>for you, Yo, Yo, I want you to I need

0:28:15.800 --> 0:28:18.080
<v Speaker 1>I need a worse bro. I need this, Like I

0:28:18.119 --> 0:28:20.399
<v Speaker 1>don't care about that rat shit all the time. Sometimes

0:28:20.400 --> 0:28:22.959
<v Speaker 1>I just be genuinely just tapping in, like what up,

0:28:23.000 --> 0:28:24.960
<v Speaker 1>bro with you? What you want you? Guys? Gonna ask you?

0:28:25.000 --> 0:28:27.320
<v Speaker 1>Because I feel like in hip hop, I mean especially y'all, man,

0:28:27.480 --> 0:28:33.119
<v Speaker 1>Like you know, there's there's like very few actual friends

0:28:33.160 --> 0:28:36.480
<v Speaker 1>you'll make in the hip hop business. Absolutely tons of acquaintances,

0:28:37.280 --> 0:28:40.360
<v Speaker 1>tons of people who you wrap up and you know

0:28:40.400 --> 0:28:42.640
<v Speaker 1>what I'm saying, you'll see it shows, you'll see it evanced,

0:28:42.680 --> 0:28:46.000
<v Speaker 1>but like actual friends that like if your rap career

0:28:46.080 --> 0:28:50.440
<v Speaker 1>went away tomorrow, that y'all would actually still be boys.

0:28:51.320 --> 0:28:55.200
<v Speaker 1>Like who's on that list for you? If anybody the

0:28:55.360 --> 0:28:57.320
<v Speaker 1>list is short, I'm gonna be honest with you. Of

0:28:57.400 --> 0:28:59.560
<v Speaker 1>course it is this just short cause you know what

0:28:59.560 --> 0:29:01.560
<v Speaker 1>I mean, Like you got to keep in mindment a

0:29:01.600 --> 0:29:04.200
<v Speaker 1>lot of these niggas caps, so they're just sometimes they

0:29:04.280 --> 0:29:06.840
<v Speaker 1>say ship, you know, because it sounds good because you

0:29:06.960 --> 0:29:10.440
<v Speaker 1>ran into it. Yeah, you know what I mean. You

0:29:10.560 --> 0:29:12.840
<v Speaker 1>had a nigga and the nigga don't even answer you

0:29:13.000 --> 0:29:17.120
<v Speaker 1>trakes back, but tried to say, you know, resting peace Prodigy.

0:29:17.640 --> 0:29:21.040
<v Speaker 1>That was probably the prategy was early with y'all. Mo. Yeah,

0:29:21.240 --> 0:29:23.040
<v Speaker 1>you know what I'm saying, like resting peace to my

0:29:23.160 --> 0:29:28.240
<v Speaker 1>boy Prodigy. Man, that was my real friend. Ray Kwan

0:29:29.240 --> 0:29:31.680
<v Speaker 1>did the intro in the BRAZILA. That's my real friend.

0:29:31.920 --> 0:29:35.760
<v Speaker 1>I like to consider us like real friends. Royce the

0:29:35.840 --> 0:29:40.080
<v Speaker 1>five nine, for sure, that's my brother. Like always love,

0:29:40.400 --> 0:29:42.880
<v Speaker 1>always love. You know what I'm saying, outside of any

0:29:43.000 --> 0:29:45.239
<v Speaker 1>rap ship, like you know what I mean. I look

0:29:45.320 --> 0:29:48.480
<v Speaker 1>at it like we two of the Ellis lyricists. Man,

0:29:48.720 --> 0:29:50.080
<v Speaker 1>you know what I mean, we only got you know,

0:29:50.200 --> 0:29:52.320
<v Speaker 1>one of two or three songs like because it ain't

0:29:52.320 --> 0:29:56.600
<v Speaker 1>about rap, it's genuine love. Flee Lord, that's my brother.

0:29:58.760 --> 0:30:01.960
<v Speaker 1>I remember what which project we heard? The Flee Ship,

0:30:02.040 --> 0:30:04.680
<v Speaker 1>He snapped on that ship though, Yeah, yeah, flee when

0:30:04.800 --> 0:30:06.880
<v Speaker 1>flees on from Kings to a God? Okay, was that

0:30:07.040 --> 0:30:09.400
<v Speaker 1>that ship would have it? Yeah? Yeah, that's right, you

0:30:09.680 --> 0:30:12.920
<v Speaker 1>have it. Action Brons in the Court. I fun with

0:30:13.080 --> 0:30:17.040
<v Speaker 1>act Mayhem, Lorn those like bro friends of mines. You

0:30:17.080 --> 0:30:20.560
<v Speaker 1>know what I'm saying. Yo, this is more. But I

0:30:20.840 --> 0:30:22.800
<v Speaker 1>can't think right right right right, So if you didn't

0:30:22.800 --> 0:30:26.240
<v Speaker 1>get named, don't be infected. Right, I'm gonna get a text.

0:30:26.320 --> 0:30:28.520
<v Speaker 1>Damn broll. You don't fuck with me like that. Yeah,

0:30:29.400 --> 0:30:33.720
<v Speaker 1>I just I don't even high right now, baby, something

0:30:33.800 --> 0:30:35.240
<v Speaker 1>that I don't know if we're gonna be able to

0:30:35.320 --> 0:30:38.480
<v Speaker 1>put out or not. But you're in l a helping

0:30:38.680 --> 0:30:41.920
<v Speaker 1>You were helping Kanye write some ship. Yeah, I'm doing

0:30:41.920 --> 0:30:45.960
<v Speaker 1>a little ghost you know, collaboration this man. I'm just

0:30:46.640 --> 0:30:48.320
<v Speaker 1>you know, I'm in a room for the for the

0:30:48.560 --> 0:30:52.680
<v Speaker 1>for the vibe man and the inspiration. Yeah, all other

0:30:52.800 --> 0:30:55.960
<v Speaker 1>Kanye shipped aside. He's one of the greatest artists of

0:30:56.000 --> 0:30:59.760
<v Speaker 1>all time. Uh. And I'm curious how did the relationship

0:30:59.840 --> 0:31:02.440
<v Speaker 1>with you and like, how did you end up in

0:31:02.560 --> 0:31:05.200
<v Speaker 1>that discuss somebody else that I forgot that I can

0:31:05.240 --> 0:31:08.120
<v Speaker 1>saider Kanye like a real friend. You and Kanye you

0:31:08.120 --> 0:31:11.360
<v Speaker 1>would consider him a friend absolutely, You've been around him recently,

0:31:11.440 --> 0:31:13.480
<v Speaker 1>how do you feel like, is he like good? It's

0:31:13.600 --> 0:31:19.200
<v Speaker 1>like he in good spirits, Like he's in good spirits.

0:31:19.280 --> 0:31:21.600
<v Speaker 1>But it's like, see, I don't know because I had

0:31:21.720 --> 0:31:25.400
<v Speaker 1>I didn't know him prior, prior to what people would

0:31:25.400 --> 0:31:29.360
<v Speaker 1>say him changing and going, you know, going left, you

0:31:29.440 --> 0:31:31.760
<v Speaker 1>know what I'm saying. So I don't know. But just

0:31:31.920 --> 0:31:34.880
<v Speaker 1>me being around him, man, I know it's hard. I know.

0:31:35.280 --> 0:31:37.600
<v Speaker 1>I know. I said that on Twitter at the other day.

0:31:37.600 --> 0:31:40.000
<v Speaker 1>I'm like, Yo, he got a good heart, right he

0:31:41.080 --> 0:31:43.880
<v Speaker 1>you know he mean, well, I'm gonna be just totally

0:31:43.960 --> 0:31:47.640
<v Speaker 1>one thousand percent honest. I feel like he just need

0:31:48.720 --> 0:31:51.200
<v Speaker 1>you know, some better, some better guys in his circle.

0:31:52.040 --> 0:31:54.960
<v Speaker 1>You know what I'm saying. Yeah, I saw somebody say like, Yo, man,

0:31:55.120 --> 0:31:58.200
<v Speaker 1>like some better dudes. Sometimes you gotta gotta listen and

0:31:58.360 --> 0:32:00.480
<v Speaker 1>respect them dudes. And you know what, it's all that

0:32:00.560 --> 0:32:02.920
<v Speaker 1>they telling you signing because they love you, doing this

0:32:03.000 --> 0:32:04.920
<v Speaker 1>because they love you, you know what I'm saying. But

0:32:05.080 --> 0:32:07.880
<v Speaker 1>I just hate to see like the all the jokes

0:32:07.960 --> 0:32:09.800
<v Speaker 1>and the you know what I mean, the social media

0:32:09.920 --> 0:32:13.120
<v Speaker 1>ridicule man or my brother man, because like, you know

0:32:13.120 --> 0:32:15.600
<v Speaker 1>what I'm saying. He going through some things, man, you

0:32:15.680 --> 0:32:17.800
<v Speaker 1>know what I'm saying, and we all go through it

0:32:17.880 --> 0:32:20.640
<v Speaker 1>in life. And of course I'm not, you know, trying

0:32:20.680 --> 0:32:23.200
<v Speaker 1>to condone or make no excuses and ship for him.

0:32:23.320 --> 0:32:25.520
<v Speaker 1>But I love that man, and I'm you know what

0:32:25.560 --> 0:32:28.200
<v Speaker 1>I mean. It's like when I got love for people,

0:32:28.640 --> 0:32:30.520
<v Speaker 1>even if I don't know you or whatever, like I

0:32:30.680 --> 0:32:32.800
<v Speaker 1>just love everybody. I got more love in my heart

0:32:33.160 --> 0:32:36.120
<v Speaker 1>and didn't hate. So like I'm not here to tear

0:32:36.240 --> 0:32:37.960
<v Speaker 1>and tear a nigga down and tell him what he

0:32:38.080 --> 0:32:41.040
<v Speaker 1>can't do or you crazy, you tripping like when he

0:32:41.440 --> 0:32:43.480
<v Speaker 1>now I was, I was, you know what I'm saying

0:32:43.640 --> 0:32:47.080
<v Speaker 1>on the wrench when he you know, he called me

0:32:47.200 --> 0:32:49.040
<v Speaker 1>and Siha was in the studio. He's like, yo, I

0:32:49.480 --> 0:32:52.560
<v Speaker 1>just check the Twitter. I'm just running for president. You

0:32:52.640 --> 0:32:55.560
<v Speaker 1>were in Wyoming right when I got that. But then

0:32:55.600 --> 0:32:59.800
<v Speaker 1>I start seeing like Twitter, you know what I'm saying, Like,

0:33:00.680 --> 0:33:03.240
<v Speaker 1>you know, just the ridicule and all that making fun

0:33:03.320 --> 0:33:04.840
<v Speaker 1>of that man, and I just look at it like

0:33:04.920 --> 0:33:07.640
<v Speaker 1>that's our problem man in the community, Like we we

0:33:08.360 --> 0:33:11.320
<v Speaker 1>too quick to tear tear somebody down. Then it kind

0:33:11.360 --> 0:33:14.040
<v Speaker 1>of build them up. I don't give a fuck niggas say, man,

0:33:14.080 --> 0:33:16.280
<v Speaker 1>I'm mother, man, build me a house on the moon.

0:33:16.640 --> 0:33:18.400
<v Speaker 1>I'll be like, I know that shit gonna be flying.

0:33:18.520 --> 0:33:20.680
<v Speaker 1>Bro Hell yeah, do that shit. I'm just one of

0:33:20.720 --> 0:33:24.120
<v Speaker 1>them type of niggas. I ain't negative, like tearing nobody down. Ye,

0:33:24.240 --> 0:33:27.520
<v Speaker 1>how did that initial like connection happen? Because I do like, look,

0:33:27.600 --> 0:33:29.600
<v Speaker 1>Kanye keeps you know, he got pushed around, and we

0:33:29.640 --> 0:33:30.920
<v Speaker 1>got sit high around, and we got some of the

0:33:30.920 --> 0:33:34.640
<v Speaker 1>greatest lyricists of all time around him. But like you specifically,

0:33:34.840 --> 0:33:36.720
<v Speaker 1>how did that relationship start. Did he reach out his

0:33:36.800 --> 0:33:40.480
<v Speaker 1>people reach out it was I really don't know if

0:33:40.520 --> 0:33:45.000
<v Speaker 1>it was like he reached out or whatever. But I

0:33:45.200 --> 0:33:49.600
<v Speaker 1>just remember this was that Sunday after our show at

0:33:49.640 --> 0:33:52.959
<v Speaker 1>the novel last show with a tour, which was right

0:33:53.000 --> 0:33:56.400
<v Speaker 1>before everything shut down, right before that's really my show

0:33:56.520 --> 0:34:00.520
<v Speaker 1>was March seventh, yep, March eighth. We went to Sunday

0:34:00.600 --> 0:34:04.560
<v Speaker 1>service that morning. I remember that, Yeah, I remember, and

0:34:05.040 --> 0:34:07.920
<v Speaker 1>he seen us in the crowd, look like, oh, you

0:34:08.000 --> 0:34:10.920
<v Speaker 1>know what I mean. So after this joint, you know

0:34:10.920 --> 0:34:12.400
<v Speaker 1>what I mean, he bring us in the back of

0:34:12.440 --> 0:34:15.520
<v Speaker 1>the ship or whatever, and we just sitting there and

0:34:15.640 --> 0:34:18.600
<v Speaker 1>Kanye he's a real sporadic like you know, you know

0:34:19.560 --> 0:34:21.759
<v Speaker 1>dude like that. Like he was just like, you know what, man,

0:34:21.800 --> 0:34:23.680
<v Speaker 1>we need to go to Cobbo and just record all

0:34:23.760 --> 0:34:25.600
<v Speaker 1>this energy right now. I looked in the crowd. I

0:34:25.719 --> 0:34:27.640
<v Speaker 1>sent y'all there, you know what I mean, like we

0:34:27.840 --> 0:34:29.520
<v Speaker 1>just need to all just get on the jet just

0:34:29.600 --> 0:34:31.560
<v Speaker 1>go to Cabbo, you know what I mean. Mean and

0:34:31.640 --> 0:34:34.560
<v Speaker 1>Benny looking at each other like ship nigga. We we

0:34:35.000 --> 0:34:40.839
<v Speaker 1>got warrants, you know what I mean. So we ended

0:34:40.880 --> 0:34:43.840
<v Speaker 1>up going We literally ended up going to Wyoming the

0:34:43.960 --> 0:34:47.680
<v Speaker 1>next morning. So the next morning, so tour ends, sore ends,

0:34:47.800 --> 0:34:50.840
<v Speaker 1>next morning, we go to Sunday service. Next morning we

0:34:51.320 --> 0:34:58.080
<v Speaker 1>flying to Wyoming. Wow, you Benny gun was gunn out there. Yeah,

0:34:58.120 --> 0:35:02.160
<v Speaker 1>he came like because I remember he had like a

0:35:02.239 --> 0:35:05.920
<v Speaker 1>meeting with with with guys. Some other hadn't met us

0:35:05.920 --> 0:35:08.080
<v Speaker 1>out there, but me and Benny was already out there, y'all.

0:35:08.600 --> 0:35:11.320
<v Speaker 1>So let me ask you this, like y'all over some

0:35:11.760 --> 0:35:15.440
<v Speaker 1>First of all, obviously you're helping him with with with

0:35:15.640 --> 0:35:18.000
<v Speaker 1>with creating records, but is there gonna be any sort

0:35:18.040 --> 0:35:21.120
<v Speaker 1>of I don't know if it's is there is there

0:35:21.840 --> 0:35:24.880
<v Speaker 1>any Kanye records where you or Benny are on the

0:35:24.960 --> 0:35:28.200
<v Speaker 1>record with him that exists, not saying they're ever gonna

0:35:28.200 --> 0:35:36.520
<v Speaker 1>come out. I mean you went to Wyoming. I don't know.

0:35:36.520 --> 0:35:41.279
<v Speaker 1>I'm gonna get a phone call soon, man, but I'm

0:35:41.280 --> 0:35:46.720
<v Speaker 1>gonna keep it a hunted. There's one that's that's a record.

0:35:47.480 --> 0:35:51.000
<v Speaker 1>Benny's not on it, but I was in the room.

0:35:51.120 --> 0:35:53.200
<v Speaker 1>I'm with the nigga. You show me and he like,

0:35:53.400 --> 0:35:57.640
<v Speaker 1>y'all like, I want to just keep your verse on

0:35:57.800 --> 0:36:01.560
<v Speaker 1>there and west to one and then I do the

0:36:01.640 --> 0:36:06.160
<v Speaker 1>third verse type. Shit. Yo, it's wild because like, you know, shit,

0:36:06.440 --> 0:36:09.359
<v Speaker 1>that Wyoming thing is real, Like you know, Push came

0:36:09.400 --> 0:36:11.799
<v Speaker 1>out of the other side of Wyoming with Daytona. Yeah.

0:36:12.200 --> 0:36:14.840
<v Speaker 1>Was there something about being in the middle of nowhere

0:36:15.000 --> 0:36:18.239
<v Speaker 1>like that that was inspiring your creative process because you

0:36:18.360 --> 0:36:20.800
<v Speaker 1>know that shit is in the middle of nowhere like

0:36:21.480 --> 0:36:23.719
<v Speaker 1>Jackson Hole or wherever it is, man, because it's so

0:36:23.920 --> 0:36:27.520
<v Speaker 1>peace and tranquil, right, so peaceful and tranquil man that

0:36:27.680 --> 0:36:31.160
<v Speaker 1>you just ain't got no time to do nothing, but

0:36:31.480 --> 0:36:34.200
<v Speaker 1>kind of your mind has kind of opened up, you

0:36:34.280 --> 0:36:38.960
<v Speaker 1>know what I'm saying. So, yeah, man, it's inspiring, especially

0:36:39.160 --> 0:36:41.800
<v Speaker 1>just to being you know, you know, Initially, it's just

0:36:41.880 --> 0:36:43.719
<v Speaker 1>you got to get over the nerves of like, you know,

0:36:44.160 --> 0:36:46.920
<v Speaker 1>it's Kanye right, Like you know what I'm saying, Like

0:36:47.239 --> 0:36:49.719
<v Speaker 1>we in the same you know what I mean, Like

0:36:49.920 --> 0:36:52.320
<v Speaker 1>you Kanye West, I mean, were sitting there like that.

0:36:53.320 --> 0:36:55.640
<v Speaker 1>So you know, I still look at it like I'm

0:36:55.680 --> 0:36:57.880
<v Speaker 1>an upcoming nigga in the game. So there's moments like that,

0:36:58.040 --> 0:37:00.440
<v Speaker 1>I'll be on my leg. Oh man, you've had a

0:37:00.480 --> 0:37:02.480
<v Speaker 1>few of those. First day, it was kind of like

0:37:03.280 --> 0:37:05.239
<v Speaker 1>I was kind of like I had a bad game

0:37:05.320 --> 0:37:09.000
<v Speaker 1>if we talking sports terms, Okay, But the next day

0:37:09.320 --> 0:37:13.400
<v Speaker 1>I did like maybe like two or three songs. And

0:37:13.719 --> 0:37:16.279
<v Speaker 1>the next day, the more comfortable I got, the more

0:37:16.400 --> 0:37:18.880
<v Speaker 1>you know what I'm saying, because it's like it's different

0:37:19.000 --> 0:37:22.360
<v Speaker 1>atmosphere than the type of studio atmosphere used to. You

0:37:22.400 --> 0:37:25.440
<v Speaker 1>know what I'm like, There's no cussing, ain't nobody costing,

0:37:25.480 --> 0:37:28.359
<v Speaker 1>ain't no smoking, no drinking or none of that. It's

0:37:28.440 --> 0:37:31.520
<v Speaker 1>world just it's good energy though, it's great energy. Like

0:37:31.800 --> 0:37:34.960
<v Speaker 1>were you on your Jesus ship when you was rapping? Yeah, okay, yeah,

0:37:35.239 --> 0:37:37.319
<v Speaker 1>so he took you to a different place because I'm like, yo,

0:37:37.400 --> 0:37:39.520
<v Speaker 1>you you on that you talk that talk. You know

0:37:39.560 --> 0:37:42.239
<v Speaker 1>what I'm saying. Nah, Nah, you know what I'm saying.

0:37:42.400 --> 0:37:45.600
<v Speaker 1>I kind of just I found a way to kind

0:37:45.640 --> 0:37:47.200
<v Speaker 1>of just make it like to where I was just

0:37:47.320 --> 0:37:50.360
<v Speaker 1>thankful for even having a second chance at life and

0:37:50.560 --> 0:37:53.600
<v Speaker 1>be in this position because you know, Hick, like I said,

0:37:53.680 --> 0:37:55.279
<v Speaker 1>could have when left, I could have died when I

0:37:55.360 --> 0:38:00.400
<v Speaker 1>got shot. So I just you know, talked about those

0:38:00.600 --> 0:38:04.080
<v Speaker 1>times were like, you know, I feel like God was

0:38:04.160 --> 0:38:07.919
<v Speaker 1>there for me. I mean, you guys have had am

0:38:08.440 --> 0:38:13.839
<v Speaker 1>with obviously you guys do the shady situation. Yeah, hove, now, yay,

0:38:14.680 --> 0:38:17.640
<v Speaker 1>I'll be damned if the Buffalo Boys ain't he ain't

0:38:17.680 --> 0:38:22.759
<v Speaker 1>on or something. Right. This shit is crazy when you

0:38:24.440 --> 0:38:26.919
<v Speaker 1>let me let me ask you something. Because my son

0:38:27.080 --> 0:38:31.319
<v Speaker 1>is My son is h He's fourteen, and he's got

0:38:31.360 --> 0:38:33.719
<v Speaker 1>the weirdest taste in hip hop, like he loves like

0:38:33.920 --> 0:38:36.439
<v Speaker 1>the young ignorant shit. But Eminem is his favorite rapper.

0:38:37.360 --> 0:38:42.840
<v Speaker 1>That's crazy my son too, right, Yeah, And and I

0:38:43.040 --> 0:38:45.800
<v Speaker 1>was like, you know, my kid listens to anything I

0:38:45.920 --> 0:38:48.920
<v Speaker 1>play in the car and I played the you know,

0:38:49.280 --> 0:38:51.719
<v Speaker 1>I maybe seven eight months ago, was had the Bang

0:38:51.800 --> 0:38:58.000
<v Speaker 1>remix on, right, and obviously Eminem hopping on one of

0:38:58.040 --> 0:39:01.000
<v Speaker 1>your joints, even though being signed to him is a

0:39:01.080 --> 0:39:07.240
<v Speaker 1>big deal. What is like your approach as an MC

0:39:08.000 --> 0:39:11.239
<v Speaker 1>if you know now and I don't even know if

0:39:11.280 --> 0:39:14.000
<v Speaker 1>you've recorded a song knowing necessarily when you recorded it

0:39:14.080 --> 0:39:16.400
<v Speaker 1>that and was gonna end up on it, but like

0:39:17.120 --> 0:39:20.279
<v Speaker 1>when you know someone like that, it's gonna be on

0:39:20.440 --> 0:39:22.759
<v Speaker 1>the record. Now, you've been on records with Buster, I mean,

0:39:22.880 --> 0:39:24.879
<v Speaker 1>you've been on records with the Who's who? This shit

0:39:25.719 --> 0:39:28.399
<v Speaker 1>so my like and sometimes you record a record I'm

0:39:28.400 --> 0:39:30.399
<v Speaker 1>sure and later on be like, you know what, let's

0:39:30.400 --> 0:39:31.920
<v Speaker 1>try to get this person on it. But when you're

0:39:31.920 --> 0:39:34.840
<v Speaker 1>approaching a record where you know there's and mind you,

0:39:34.920 --> 0:39:37.680
<v Speaker 1>your squad is all killers, but like one of them

0:39:37.880 --> 0:39:43.360
<v Speaker 1>legendary Mount Rushmore names, do you approach like it's almost

0:39:43.440 --> 0:39:45.560
<v Speaker 1>like I feel like it's almost like we're talking basketball,

0:39:45.640 --> 0:39:47.640
<v Speaker 1>like being clutch in the fourth quarter, you know what

0:39:47.719 --> 0:39:51.480
<v Speaker 1>I'm saying, Like the pressure is on, Like it's absolutely man. Oh,

0:39:53.040 --> 0:39:55.839
<v Speaker 1>I mean I handle it pretty well. I just look

0:39:55.920 --> 0:39:58.080
<v Speaker 1>at it like shit, there can't be no worse than

0:39:59.040 --> 0:40:02.160
<v Speaker 1>being in a getting on ship with Benny and West

0:40:02.400 --> 0:40:06.319
<v Speaker 1>Facts and I got with them too. I gotta make

0:40:06.400 --> 0:40:09.160
<v Speaker 1>sure I'm on my I can't let off the gas pedal,

0:40:09.680 --> 0:40:11.400
<v Speaker 1>so like I look at it like that, you know

0:40:11.440 --> 0:40:14.040
<v Speaker 1>what I mean. I'm just like a I'm an animal man,

0:40:14.080 --> 0:40:17.040
<v Speaker 1>I got animal instinct. Man, I'm trying to I can't

0:40:17.239 --> 0:40:20.080
<v Speaker 1>buy no shape or form be the nigga that I got.

0:40:20.120 --> 0:40:22.719
<v Speaker 1>The Whackers verse on the song, like, I don't care

0:40:22.800 --> 0:40:26.120
<v Speaker 1>who I'm on a song with. I gotta if they

0:40:26.120 --> 0:40:29.600
<v Speaker 1>ain't saying Conway killed it the hardest. I feel like

0:40:29.640 --> 0:40:32.960
<v Speaker 1>you failed. That was a verse for me. Speaking of verses,

0:40:33.320 --> 0:40:35.360
<v Speaker 1>I saw you the other day. Complex put out the

0:40:35.560 --> 0:40:40.239
<v Speaker 1>Best Verses of the Year list, right, and I watched

0:40:40.320 --> 0:40:42.919
<v Speaker 1>the Fire in the Booth freestyle once a week at least.

0:40:43.600 --> 0:40:46.040
<v Speaker 1>That ship, to me is the best verse of the year. Now,

0:40:46.120 --> 0:40:50.640
<v Speaker 1>mind you, it is on a freestyle, but god damn, Like,

0:40:52.400 --> 0:40:54.319
<v Speaker 1>do you still feel like you like because I mean

0:40:54.520 --> 0:40:56.880
<v Speaker 1>like like you had a reason to complain, because I

0:40:56.920 --> 0:41:02.400
<v Speaker 1>feel like you know you are else complaining. Yeah, But

0:41:02.480 --> 0:41:04.759
<v Speaker 1>do you feel like you're still slept on sometimes? Yeah?

0:41:04.880 --> 0:41:08.360
<v Speaker 1>Which is crazy to think. Yeah, And it just you know,

0:41:08.640 --> 0:41:11.520
<v Speaker 1>I just I understand, man. It just comes from you

0:41:11.640 --> 0:41:14.360
<v Speaker 1>know where we're from. You know what I'm saying. I

0:41:14.520 --> 0:41:16.800
<v Speaker 1>just feel like if we was from like one of

0:41:16.880 --> 0:41:20.320
<v Speaker 1>the Burroughs or something, or a big name city, like

0:41:20.400 --> 0:41:23.560
<v Speaker 1>we would get a little more like love from you know,

0:41:23.800 --> 0:41:27.160
<v Speaker 1>our peers and you know some of the gatekeepers before

0:41:27.280 --> 0:41:29.680
<v Speaker 1>us and shit like that. You know what I'm saying,

0:41:29.960 --> 0:41:32.359
<v Speaker 1>But it really ain't fair to say because so that's

0:41:32.360 --> 0:41:34.719
<v Speaker 1>why I don't really say that shit too much no more,

0:41:34.840 --> 0:41:38.000
<v Speaker 1>because like, man, you do the work, you get, you

0:41:38.080 --> 0:41:40.840
<v Speaker 1>get noticed. Man to work, gonna speak for yourself. So

0:41:40.960 --> 0:41:43.239
<v Speaker 1>I don't want to look like I'm just like on

0:41:43.480 --> 0:41:46.600
<v Speaker 1>like like I'm like I'm Brady or something like, man,

0:41:46.680 --> 0:41:48.920
<v Speaker 1>ain't talking about me, you know what I mean. But

0:41:49.120 --> 0:41:51.920
<v Speaker 1>like I'm just I'm just I'm so confident in my

0:41:52.080 --> 0:41:54.879
<v Speaker 1>in my craft dog that I know, ain't nobody show

0:41:54.960 --> 0:41:57.359
<v Speaker 1>me listen. It's like when Nigga, like when I see

0:41:57.440 --> 0:42:00.320
<v Speaker 1>like the list, which I agree like a lot a

0:42:00.400 --> 0:42:02.960
<v Speaker 1>lot of those verses on that agree with I definitely

0:42:03.080 --> 0:42:06.800
<v Speaker 1>agree with, but like there's no way, you know what

0:42:06.880 --> 0:42:09.120
<v Speaker 1>I'm saying. Some of the verses, I don't put out

0:42:09.160 --> 0:42:11.200
<v Speaker 1>this year alone. You know what I'm saying. I don't

0:42:11.239 --> 0:42:15.600
<v Speaker 1>put out probably the most output of music this year alone.

0:42:16.239 --> 0:42:19.440
<v Speaker 1>You can't tell me not one of my ships was

0:42:19.920 --> 0:42:23.480
<v Speaker 1>a top verse of the year. But if you know

0:42:23.560 --> 0:42:25.279
<v Speaker 1>it is what it is, everybody got there on a pane?

0:42:25.360 --> 0:42:27.200
<v Speaker 1>Or is that firing the break? Is that firing? The

0:42:27.239 --> 0:42:29.480
<v Speaker 1>booth verse gonna end up on an actual song because

0:42:29.520 --> 0:42:31.239
<v Speaker 1>I hate that I have to put it up on

0:42:31.280 --> 0:42:34.600
<v Speaker 1>YouTube every time a piece of it dead. Okay, so

0:42:34.800 --> 0:42:41.400
<v Speaker 1>it did ended up on on on flea album album

0:42:41.760 --> 0:42:44.960
<v Speaker 1>almost Fleet put out this year. It was on there.

0:42:45.239 --> 0:42:48.759
<v Speaker 1>But yeah, but like that verse, I feel like the

0:42:48.880 --> 0:42:52.680
<v Speaker 1>second verse of the front Lines joint, it was crazy,

0:42:53.320 --> 0:42:54.960
<v Speaker 1>you know what I'm saying, Like the way I just

0:42:55.560 --> 0:42:59.640
<v Speaker 1>addressed the whole climate right now with the social ingest. Yeah,

0:42:59.680 --> 0:43:01.759
<v Speaker 1>I told you that last night. I told you that

0:43:01.840 --> 0:43:06.400
<v Speaker 1>last night, that Jim Jones record, that Jim Jones versus too, Like,

0:43:06.560 --> 0:43:09.120
<v Speaker 1>you know what I'm saying. But you know, people can't.

0:43:10.120 --> 0:43:12.759
<v Speaker 1>I can't judge with them here or that's true. So

0:43:13.200 --> 0:43:18.080
<v Speaker 1>let me ask you this when when with the emergence

0:43:18.120 --> 0:43:21.560
<v Speaker 1>of Benny right over the last two years, Benny went

0:43:21.600 --> 0:43:26.439
<v Speaker 1>from being like, you know, like y'all homie who would

0:43:26.440 --> 0:43:28.400
<v Speaker 1>come along and rap kind of like what like rick

0:43:28.719 --> 0:43:31.080
<v Speaker 1>rick Ricky Hyde is now no, that's her cousin right

0:43:31.440 --> 0:43:35.360
<v Speaker 1>shout out to Rick, and now he's emerging as like

0:43:35.440 --> 0:43:41.600
<v Speaker 1>a star in his own right. Does that like, like

0:43:41.920 --> 0:43:46.200
<v Speaker 1>I wonder between all three of y'all, man, because Gun

0:43:46.320 --> 0:43:49.840
<v Speaker 1>put out Pray for Paris, which is a classic. You know,

0:43:50.960 --> 0:43:54.160
<v Speaker 1>you guys have all had your share of timeless music.

0:43:55.000 --> 0:43:59.600
<v Speaker 1>How is the competition within the crew? Like, is it like, yo, fam,

0:43:59.719 --> 0:44:03.120
<v Speaker 1>I you know, I got you on that ship. Yeah, honestly,

0:44:03.440 --> 0:44:07.360
<v Speaker 1>Tito's back, I got y'all on that ship. Yeah honestly,

0:44:08.440 --> 0:44:15.000
<v Speaker 1>it really ain't. No, like like we're not competing like

0:44:15.160 --> 0:44:19.000
<v Speaker 1>we ain't. It's not on the outside. I'm sure devenside

0:44:19.120 --> 0:44:21.080
<v Speaker 1>niggas like I'm about to kill I gotta kill Bennie

0:44:21.120 --> 0:44:24.239
<v Speaker 1>on this right right my body. I know con we're

0:44:24.239 --> 0:44:27.000
<v Speaker 1>gonna come. I'm about to kill this nigga. I'm sure

0:44:27.480 --> 0:44:33.200
<v Speaker 1>inside it's a competitive you know what I mean? Fun competition, fun, yeah, no,

0:44:33.360 --> 0:44:37.960
<v Speaker 1>friendly all that. Yeah, of course, family, we really champion

0:44:38.040 --> 0:44:41.080
<v Speaker 1>each other and just like we just like salute like yeah, no,

0:44:41.239 --> 0:44:42.800
<v Speaker 1>that shit is crazy, you know what I mean. I

0:44:42.880 --> 0:44:45.080
<v Speaker 1>think that's what's unique about y'all is like even if

0:44:45.120 --> 0:44:47.719
<v Speaker 1>you I mean, you know, like I remember the first

0:44:47.760 --> 0:44:49.719
<v Speaker 1>time I watched the show documentary when I was a

0:44:49.800 --> 0:44:51.960
<v Speaker 1>kid and I saw that Wu Tang didn't get along

0:44:52.320 --> 0:44:54.719
<v Speaker 1>like Method Man and you guys were fighting on the documentary,

0:44:54.719 --> 0:44:56.960
<v Speaker 1>and I was like, wait what I fore like we

0:44:57.120 --> 0:44:59.759
<v Speaker 1>old was a little more praise for being able to

0:44:59.800 --> 0:45:02.480
<v Speaker 1>put when I watch that ship like niggas shooting at

0:45:02.520 --> 0:45:04.920
<v Speaker 1>each other in our carp and ship like Residue was

0:45:04.960 --> 0:45:09.239
<v Speaker 1>able to move. For dude, all that give us an

0:45:09.280 --> 0:45:16.240
<v Speaker 1>ill him. We alls a huge debt of gratitude. That's facts.

0:45:16.560 --> 0:45:18.560
<v Speaker 1>But I feel like that's unique about y'all. It's like,

0:45:19.719 --> 0:45:22.719
<v Speaker 1>no matter what we know, when when we look at

0:45:22.760 --> 0:45:25.680
<v Speaker 1>that at whoever's album it is, there's gonna be at

0:45:25.760 --> 0:45:27.800
<v Speaker 1>least that one that's got all three y'all on it.

0:45:28.920 --> 0:45:32.680
<v Speaker 1>And you know the ship you played me last night,

0:45:33.239 --> 0:45:36.560
<v Speaker 1>which which ailme is the Spurs record on three is

0:45:36.800 --> 0:45:39.080
<v Speaker 1>from King to a God. Yeah that ship is crazy.

0:45:39.200 --> 0:45:42.400
<v Speaker 1>Yeah yeah, yeah, yeah. Now that's one of the ones

0:45:42.440 --> 0:45:45.200
<v Speaker 1>where it's just like I said, like when we all together,

0:45:45.280 --> 0:45:48.160
<v Speaker 1>it's like, you know what I'm saying, Lebron Wade and

0:45:48.239 --> 0:45:52.800
<v Speaker 1>Bosh some ship like that we just and that that

0:45:53.080 --> 0:45:56.440
<v Speaker 1>that friendly competition that's burning in the inside all of

0:45:56.520 --> 0:45:59.399
<v Speaker 1>us want to be able to have the flyest ship

0:45:59.520 --> 0:46:02.759
<v Speaker 1>on the joint. I think that's what makes when we

0:46:02.960 --> 0:46:06.920
<v Speaker 1>do it all together, make it best, even with Darringer

0:46:06.960 --> 0:46:10.720
<v Speaker 1>because Darner and the competition too, like deep down the side,

0:46:10.800 --> 0:46:13.880
<v Speaker 1>like I can't have a wacky ship on the album.

0:46:14.719 --> 0:46:16.600
<v Speaker 1>I gotta come with it, come with some Craig and

0:46:16.800 --> 0:46:18.800
<v Speaker 1>all three of them morning, I gotta kill you know

0:46:18.840 --> 0:46:21.879
<v Speaker 1>what I mean? Ship like that? But like I said, man,

0:46:22.239 --> 0:46:27.120
<v Speaker 1>I think that's you know, we just all like niggas

0:46:27.160 --> 0:46:30.319
<v Speaker 1>being family player huge role too. We just love love

0:46:30.600 --> 0:46:33.560
<v Speaker 1>everything that we do and push each other, like when

0:46:33.600 --> 0:46:35.720
<v Speaker 1>it was Benny turned like you said, last two years

0:46:35.800 --> 0:46:38.080
<v Speaker 1>like me and you know me and bro like Noah,

0:46:38.160 --> 0:46:40.080
<v Speaker 1>go ahead, Benny, Like if you look at all our

0:46:40.160 --> 0:46:42.319
<v Speaker 1>freestyles and shit like that, I'll be like, yo, Benny,

0:46:42.680 --> 0:46:46.000
<v Speaker 1>let me here, man, me give what you got, Benny,

0:46:46.120 --> 0:46:47.480
<v Speaker 1>you know what I mean? And ship like that like

0:46:47.880 --> 0:46:50.560
<v Speaker 1>it was Benny Turner like let's go Benny. Y y'all

0:46:51.040 --> 0:46:53.400
<v Speaker 1>y'all heard up, like y ain't heard nothing yet, Benny

0:46:53.560 --> 0:46:57.080
<v Speaker 1>get him type shit. So we do it. We do

0:46:57.200 --> 0:46:59.800
<v Speaker 1>it like that. Man, I ain't I could. I ain't know.

0:47:00.440 --> 0:47:02.800
<v Speaker 1>I ain't no sucker like that, Like I want to

0:47:02.800 --> 0:47:08.280
<v Speaker 1>everyone win Win Eat. The result of album was crazy. Obviously,

0:47:08.400 --> 0:47:10.120
<v Speaker 1>that was like such a big deal because you guys,

0:47:10.680 --> 0:47:12.600
<v Speaker 1>I mean technically, I feel like you guys are on

0:47:12.680 --> 0:47:16.200
<v Speaker 1>Shady for so long, but that was the official first release.

0:47:17.280 --> 0:47:18.600
<v Speaker 1>I think you guys got to have one of the

0:47:18.680 --> 0:47:21.320
<v Speaker 1>illess deals in hip hop because you guys are getting

0:47:21.320 --> 0:47:24.560
<v Speaker 1>your indie shit off all day, but then when it's time, okay,

0:47:24.760 --> 0:47:28.280
<v Speaker 1>you know you could do both, which I cannot imagine

0:47:28.280 --> 0:47:30.640
<v Speaker 1>a lot of people have that kind of freedom to

0:47:30.760 --> 0:47:33.439
<v Speaker 1>run up their indie catalog all the meanwhile being signed

0:47:33.480 --> 0:47:38.200
<v Speaker 1>to you know, Eminem. Yeah, Paul, I feel like Paul was.

0:47:38.440 --> 0:47:41.960
<v Speaker 1>You know, it's generous when it come to that. You

0:47:42.040 --> 0:47:44.160
<v Speaker 1>know what I'm saying, Like I ain't trying to get

0:47:44.200 --> 0:47:46.040
<v Speaker 1>in y'all way or nothing, you know what I'm saying.

0:47:46.280 --> 0:47:47.480
<v Speaker 1>We just want to be a part of what y'all

0:47:47.480 --> 0:47:50.360
<v Speaker 1>got going on, right, But I just felt like, you know,

0:47:51.200 --> 0:47:55.320
<v Speaker 1>they Shady couldn't be really a part of none of

0:47:55.360 --> 0:47:58.919
<v Speaker 1>that shit because you know, the samples and all that shit,

0:47:59.440 --> 0:48:02.400
<v Speaker 1>Like our sound is based off like if you was,

0:48:02.520 --> 0:48:05.160
<v Speaker 1>if you're a Day one Griselda fan, you know that

0:48:05.280 --> 0:48:09.279
<v Speaker 1>our sound is based off like Dander doing immaculate sampling

0:48:09.520 --> 0:48:11.800
<v Speaker 1>and ship like that, Like our beats it is so

0:48:12.080 --> 0:48:15.239
<v Speaker 1>dark and dusty and that incredible. Yeah, you know what

0:48:15.280 --> 0:48:17.359
<v Speaker 1>I'm saying. That's how we was able to change kind

0:48:17.400 --> 0:48:19.600
<v Speaker 1>of change the game and shift the culture back to

0:48:19.760 --> 0:48:22.359
<v Speaker 1>like you hear a lot of where it is getting

0:48:22.400 --> 0:48:25.880
<v Speaker 1>alchemist beats and fucking you know what I mean, like

0:48:25.960 --> 0:48:29.640
<v Speaker 1>that dam just sounding beats because we kind of shifted

0:48:29.719 --> 0:48:33.400
<v Speaker 1>that shitn't but that ship we was doing. We couldn't

0:48:33.880 --> 0:48:36.920
<v Speaker 1>paul them one ship trying to get all them samples cleared.

0:48:37.880 --> 0:48:40.239
<v Speaker 1>Fucking with that ship. But I think about the whole

0:48:40.360 --> 0:48:44.799
<v Speaker 1>Y'll up with your shady debut. Whenever it comes out,

0:48:44.920 --> 0:48:48.799
<v Speaker 1>is it gonna be mostly sample free? I mean, yeah, yeah,

0:48:48.880 --> 0:48:53.839
<v Speaker 1>it's about It's probably about eighty five percent sample free,

0:48:54.800 --> 0:48:56.759
<v Speaker 1>like a lot of them beats you ship you heard,

0:48:56.800 --> 0:48:59.120
<v Speaker 1>I ain't had no samples. I heard the record that

0:48:59.719 --> 0:49:02.600
<v Speaker 1>you You played the record that Wayne was on. Mm hmm.

0:49:03.640 --> 0:49:11.080
<v Speaker 1>Now you got Wayne to like Wayne was you know,

0:49:11.239 --> 0:49:13.239
<v Speaker 1>way knew what it was when he got on the record.

0:49:13.280 --> 0:49:15.640
<v Speaker 1>I'll just say that shout out to Wayne. Was that

0:49:15.760 --> 0:49:17.560
<v Speaker 1>a record like we just talked about, Was that like

0:49:17.640 --> 0:49:19.839
<v Speaker 1>one of those records where you knew Wayne was getting

0:49:19.880 --> 0:49:23.840
<v Speaker 1>on it when you cut it. Actually, no, no, I

0:49:23.920 --> 0:49:27.160
<v Speaker 1>had already. I had already made that joint. I had

0:49:27.200 --> 0:49:29.680
<v Speaker 1>already recorded, but I didn't finish it. It was just

0:49:29.800 --> 0:49:35.759
<v Speaker 1>like the verse was on my verse and I had

0:49:38.160 --> 0:49:41.200
<v Speaker 1>I think, Yo, Wayne has sent me to the Russian

0:49:41.280 --> 0:49:43.920
<v Speaker 1>Roulette joint. Well his album Me and Benny know, Me

0:49:43.960 --> 0:49:48.160
<v Speaker 1>and Bennie on his album Russian Roulette ship and sent

0:49:48.280 --> 0:49:51.240
<v Speaker 1>that ship back and whatever, and you know in the podcast.

0:49:51.280 --> 0:49:54.759
<v Speaker 1>Then we did the podcast his you know radio shit,

0:49:55.360 --> 0:49:58.799
<v Speaker 1>and you know what I mean. He he was like, man, y'all, man,

0:49:58.840 --> 0:50:01.520
<v Speaker 1>I appreciate saw man. Y'all never need me for anything.

0:50:01.680 --> 0:50:03.640
<v Speaker 1>Send it through. Y'all got signed to send it through.

0:50:04.600 --> 0:50:08.200
<v Speaker 1>I said, oh yeah, don't tell me that. Yeah, send

0:50:08.239 --> 0:50:11.000
<v Speaker 1>you something. I'll send it right now. And I sent

0:50:11.120 --> 0:50:14.200
<v Speaker 1>it through. You know, shout out my nigga Mac Maine, Man,

0:50:14.239 --> 0:50:17.040
<v Speaker 1>my nigga Mac Main. Good dude, man, that shit happened. Man,

0:50:17.280 --> 0:50:20.080
<v Speaker 1>that's my dog right there. And shout out to Wayne Man.

0:50:20.120 --> 0:50:22.400
<v Speaker 1>That niggas incredible. We did most shit too. I got

0:50:22.440 --> 0:50:24.960
<v Speaker 1>in the studio with them niggas on Miami and we

0:50:25.080 --> 0:50:27.160
<v Speaker 1>did some more. There's some other ship on a hard

0:50:27.239 --> 0:50:31.080
<v Speaker 1>drive somewhere. Man, Wayne got something crazy. That's a fact.

0:50:32.440 --> 0:50:35.239
<v Speaker 1>Talk about your relationship with KD. Man, KD, I feel

0:50:35.280 --> 0:50:39.200
<v Speaker 1>like has always had such an amazing taste in hip hop.

0:50:39.320 --> 0:50:42.560
<v Speaker 1>That's the first thing I told him. Actually, I tapped

0:50:42.600 --> 0:50:43.840
<v Speaker 1>him up because I went over to his house with

0:50:44.120 --> 0:50:46.880
<v Speaker 1>Fred and I was like, hey, man, all bullshit aside,

0:50:46.960 --> 0:50:49.480
<v Speaker 1>Like I've always respected your because I'm a basketball guy,

0:50:49.520 --> 0:50:50.799
<v Speaker 1>you know what I'm saying. So I got my own

0:50:50.840 --> 0:50:53.120
<v Speaker 1>opinions about the sports ship, you know what I'm saying.

0:50:53.760 --> 0:50:56.440
<v Speaker 1>I was like, I've always respected your you know, your

0:50:56.520 --> 0:50:58.920
<v Speaker 1>taste in hip hop. It's always the real ship, you do. Like,

0:50:59.680 --> 0:51:02.400
<v Speaker 1>But talk about how y'all linked up and was it

0:51:02.560 --> 0:51:04.279
<v Speaker 1>just from him being a fan of w of what

0:51:04.440 --> 0:51:07.200
<v Speaker 1>y'all do, or like, how did that relationship happen? Yeah?

0:51:07.480 --> 0:51:09.640
<v Speaker 1>Just I I you know it started out. I guess

0:51:09.680 --> 0:51:12.440
<v Speaker 1>he you know, he was he he fucked with the music.

0:51:12.520 --> 0:51:16.000
<v Speaker 1>But you know, my my guy, my big brother set Free,

0:51:16.360 --> 0:51:18.080
<v Speaker 1>you know what I'm saying. He he kind of like

0:51:18.840 --> 0:51:21.440
<v Speaker 1>bridged that gap, you know what I'm saying. He he

0:51:21.600 --> 0:51:23.879
<v Speaker 1>brought KD to one of my shows in New York,

0:51:24.239 --> 0:51:25.880
<v Speaker 1>you know what I'm saying. And then from there it

0:51:26.040 --> 0:51:28.480
<v Speaker 1>was just you know, we we was kind of like

0:51:29.520 --> 0:51:31.560
<v Speaker 1>like hung out the whole night, Like we went from

0:51:31.600 --> 0:51:34.560
<v Speaker 1>the show, went straight to the studio and I'm playing

0:51:34.600 --> 0:51:37.520
<v Speaker 1>them songs and from there it's just like it was

0:51:37.560 --> 0:51:41.000
<v Speaker 1>a genuine like you know what I mean, Like we know,

0:51:41.120 --> 0:51:43.200
<v Speaker 1>Nigga pick up on the first second ring for me

0:51:43.280 --> 0:51:45.000
<v Speaker 1>when I called, you know, I was just at his

0:51:45.080 --> 0:51:48.160
<v Speaker 1>house the other day, right yesterday, matter of fact, Oh yeah,

0:51:48.400 --> 0:51:51.080
<v Speaker 1>his house and and and you know what I'm saying.

0:51:51.120 --> 0:51:52.840
<v Speaker 1>But he's a he he definitely a fan of the

0:51:52.920 --> 0:51:57.440
<v Speaker 1>Griselda shit. Like even before like set Free introduced me,

0:51:57.480 --> 0:52:01.120
<v Speaker 1>I seen him like post like shit, like you know,

0:52:01.280 --> 0:52:04.760
<v Speaker 1>him listening and like everybody is full a black tape

0:52:04.840 --> 0:52:06.360
<v Speaker 1>or side like that, you know what I mean. And

0:52:06.719 --> 0:52:09.080
<v Speaker 1>you know what I man, But you know, I like

0:52:09.160 --> 0:52:12.200
<v Speaker 1>the thing set Free for you know, making that you know,

0:52:12.360 --> 0:52:16.080
<v Speaker 1>bridging that gap man and shout out the KD. Man,

0:52:16.200 --> 0:52:19.520
<v Speaker 1>that's that's that's my dog yo. Thus far in your career, man,

0:52:19.600 --> 0:52:23.120
<v Speaker 1>what has been You've had a lot of these moments,

0:52:23.200 --> 0:52:25.239
<v Speaker 1>But what has been the one surreal moment where you

0:52:25.440 --> 0:52:29.080
<v Speaker 1>like really like you you felt like yeah, I'm like

0:52:29.120 --> 0:52:30.919
<v Speaker 1>I'm doing what I'm supposed to do, Like this ship

0:52:31.000 --> 0:52:34.200
<v Speaker 1>is really like this is where I'm at. I'm at

0:52:34.200 --> 0:52:36.080
<v Speaker 1>exactly where I'm supposed to be at. Like everything I

0:52:36.160 --> 0:52:38.000
<v Speaker 1>did in my life like led up to this ship

0:52:38.280 --> 0:52:39.759
<v Speaker 1>because I feel like a lot you know, on the

0:52:40.040 --> 0:52:42.640
<v Speaker 1>way up. We have those moments. Yeah, yeah, man, I

0:52:42.680 --> 0:52:52.279
<v Speaker 1>would probably say that, you know Whole backstage, you know

0:52:52.280 --> 0:52:57.080
<v Speaker 1>what I mean? Yeah, that was that hit me different,

0:52:57.239 --> 0:53:00.439
<v Speaker 1>that just sat with me different. You know I'm saying

0:53:00.600 --> 0:53:03.640
<v Speaker 1>like Whole didn't have to do that, Like Whole, I

0:53:03.800 --> 0:53:06.520
<v Speaker 1>just viverly remember like Hole made it his business, like

0:53:06.600 --> 0:53:10.239
<v Speaker 1>this is jay Z. Yeah this nigga. Lakers had a

0:53:10.320 --> 0:53:13.839
<v Speaker 1>game and right across the lay mind you, and then

0:53:13.880 --> 0:53:16.800
<v Speaker 1>I was just so impressed by like I think the

0:53:16.880 --> 0:53:19.320
<v Speaker 1>Lakers beat the Bucks that night. It was like his bucks.

0:53:20.480 --> 0:53:22.360
<v Speaker 1>I bet on that game. It was Lakers Bucks. I

0:53:22.440 --> 0:53:25.960
<v Speaker 1>bet on the game. But it's just him and Emery.

0:53:26.360 --> 0:53:28.399
<v Speaker 1>You know what I'm saying, Like, damn, you are here,

0:53:28.480 --> 0:53:31.080
<v Speaker 1>you had a you know, our type of hip hop

0:53:31.239 --> 0:53:35.000
<v Speaker 1>is defferently the crowds. It's different, like you Dolo, it's

0:53:35.480 --> 0:53:38.080
<v Speaker 1>essentially you know what I'm saying, You and Emery. You

0:53:38.160 --> 0:53:40.759
<v Speaker 1>know what I'm saying like I was just gone by

0:53:40.800 --> 0:53:42.600
<v Speaker 1>that and then that he just made his way Like

0:53:42.680 --> 0:53:44.480
<v Speaker 1>when I got off stage and I'm broken down, I'm

0:53:44.560 --> 0:53:47.040
<v Speaker 1>crying and you know what I'm saying, and fleet arms

0:53:47.120 --> 0:53:49.279
<v Speaker 1>and all that ship and that nigga like like he

0:53:49.440 --> 0:53:52.239
<v Speaker 1>walks over, tell me like he came personally to like

0:53:52.440 --> 0:53:55.440
<v Speaker 1>grab me, like me, like yo, bro, like you know

0:53:55.440 --> 0:53:57.160
<v Speaker 1>what I mean and do that. That was a huge

0:53:57.239 --> 0:54:01.719
<v Speaker 1>moment for me. But and up until getting nominated for

0:54:01.800 --> 0:54:05.440
<v Speaker 1>that BET Best Group or right there, it was like

0:54:06.200 --> 0:54:07.800
<v Speaker 1>that was that moment you said, like you know this

0:54:07.920 --> 0:54:09.440
<v Speaker 1>where this is where I need to be. Yeah. No,

0:54:09.520 --> 0:54:11.719
<v Speaker 1>I remember reposting that like, man, y'all should have won

0:54:11.800 --> 0:54:14.160
<v Speaker 1>that though who wanted the Migos. They didn't even put

0:54:14.160 --> 0:54:17.600
<v Speaker 1>it out mount That's what I understand, you know, you know,

0:54:17.719 --> 0:54:20.839
<v Speaker 1>shout out to the Migos, man offset to real one Bro,

0:54:21.280 --> 0:54:23.680
<v Speaker 1>shout out the city girls, shout out to everybody that

0:54:23.800 --> 0:54:26.680
<v Speaker 1>was nominated. Have you guys linked with the Migos at all?

0:54:26.800 --> 0:54:29.080
<v Speaker 1>Or I mean off set? I never linked with Migos.

0:54:29.800 --> 0:54:31.440
<v Speaker 1>I know off sets of real hip hop head I

0:54:31.560 --> 0:54:35.080
<v Speaker 1>linked with like you know, like P, Like shout out

0:54:35.120 --> 0:54:36.680
<v Speaker 1>to P. You know what I'm saying like him and

0:54:36.760 --> 0:54:39.239
<v Speaker 1>Coach K came to the Atlanta show. You know what

0:54:39.280 --> 0:54:41.480
<v Speaker 1>I'm saying. That night, Wow, you know what I'm saying.

0:54:41.480 --> 0:54:43.799
<v Speaker 1>I know why energy probably was a little little different.

0:54:43.880 --> 0:54:47.560
<v Speaker 1>I had just got ribbed like three hours earlier. Still

0:54:47.640 --> 0:54:49.919
<v Speaker 1>went like rock that bitch. You know what I'm saying.

0:54:50.040 --> 0:54:53.359
<v Speaker 1>But shout out to p You know what I'm saying.

0:54:53.400 --> 0:54:54.759
<v Speaker 1>We ended up going You know what I'm saying. We

0:54:54.840 --> 0:54:57.040
<v Speaker 1>linked with them before he put up to his studio

0:54:57.239 --> 0:54:59.720
<v Speaker 1>and went out with him and stuff to the club

0:54:59.800 --> 0:55:02.080
<v Speaker 1>and sh hung up, hung out with him and all

0:55:02.160 --> 0:55:05.200
<v Speaker 1>that after the after the show. No, this was before

0:55:05.239 --> 0:55:09.120
<v Speaker 1>we initially linked up at the Javonte Davis fight. You

0:55:09.200 --> 0:55:11.839
<v Speaker 1>know what I'm saying. That was crazy fighting Atlanta. Yo.

0:55:12.040 --> 0:55:14.640
<v Speaker 1>I feel like I hear about him beefing with rappers

0:55:14.680 --> 0:55:18.960
<v Speaker 1>more than I hear about him. He turned up on Twitter, boy,

0:55:19.560 --> 0:55:22.560
<v Speaker 1>have you what's your guys' relationship like with fifty Man

0:55:23.360 --> 0:55:26.399
<v Speaker 1>fifty that you know fifty was on the project, which

0:55:26.440 --> 0:55:30.160
<v Speaker 1>I thought was such an important moment. You know what

0:55:30.200 --> 0:55:35.000
<v Speaker 1>I'm saying. I can't lie like I don't. I don't

0:55:35.040 --> 0:55:36.560
<v Speaker 1>want to cap and make it saying like I know

0:55:36.719 --> 0:55:39.200
<v Speaker 1>fifty all like that. I don't got a fifty phone

0:55:39.239 --> 0:55:41.279
<v Speaker 1>number and ane of that ship, I don't whatever. But

0:55:41.520 --> 0:55:44.800
<v Speaker 1>any time I ever was around and fifty cent was around,

0:55:45.280 --> 0:55:48.239
<v Speaker 1>fifty cent definitely showed me love, like you know what

0:55:48.280 --> 0:55:51.520
<v Speaker 1>I'm saying, like like I'm around my shoulder type shit

0:55:51.560 --> 0:55:54.840
<v Speaker 1>without nigga laughing joking type shit, you know what I'm saying.

0:55:54.920 --> 0:55:58.520
<v Speaker 1>And I got mad love for I look up the

0:55:58.640 --> 0:56:02.080
<v Speaker 1>fifty low key just how he did it and did

0:56:02.120 --> 0:56:04.080
<v Speaker 1>it his way and how he just you know what

0:56:04.080 --> 0:56:06.040
<v Speaker 1>I mean, to take it to where he took it to.

0:56:06.160 --> 0:56:08.440
<v Speaker 1>I just I just funck with that and I salute that.

0:56:08.640 --> 0:56:12.800
<v Speaker 1>And it's crazy because the last time I seen fifty

0:56:13.600 --> 0:56:17.960
<v Speaker 1>was when he the unveiling of his Hollywood star I'm

0:56:18.360 --> 0:56:21.040
<v Speaker 1>and ship or whatever. Then like after his speaks and

0:56:21.440 --> 0:56:24.920
<v Speaker 1>the Dre was there, right, we go up the stairs

0:56:25.040 --> 0:56:27.680
<v Speaker 1>like to like the hotel, like on the rooftop of

0:56:28.040 --> 0:56:30.279
<v Speaker 1>w with some ship to just like through some more

0:56:30.360 --> 0:56:33.200
<v Speaker 1>like photos and ship or whatever, and and me and

0:56:33.280 --> 0:56:35.840
<v Speaker 1>Western standing there. Obviously we're the only dudes with like

0:56:36.200 --> 0:56:39.200
<v Speaker 1>hoodies and shit, you know what I mean. But after

0:56:39.280 --> 0:56:41.800
<v Speaker 1>he like he taking pictures with like doctor Dre, and

0:56:42.520 --> 0:56:45.680
<v Speaker 1>you know what I mean top Dog marshaling them and

0:56:45.800 --> 0:56:47.840
<v Speaker 1>then like before they it was all over, But that

0:56:47.960 --> 0:56:50.600
<v Speaker 1>nigga made sure he like looked dead at me, like, yo,

0:56:50.760 --> 0:56:53.839
<v Speaker 1>come here, nah, yeah, you the niggas come over here

0:56:53.920 --> 0:56:55.600
<v Speaker 1>and to prepare with us, you know what I mean?

0:56:55.760 --> 0:56:58.759
<v Speaker 1>Like that, Like I forever salute that nigga. I feel

0:56:58.800 --> 0:57:04.040
<v Speaker 1>like y'all are the hard movement group wise energy wise

0:57:05.080 --> 0:57:09.319
<v Speaker 1>since G UNIT, right because it was you know, I mean,

0:57:09.440 --> 0:57:11.560
<v Speaker 1>I think, you know, Migo's one of the greatest rat

0:57:11.600 --> 0:57:13.759
<v Speaker 1>groups of all time. But I feel like energy wise,

0:57:13.800 --> 0:57:16.480
<v Speaker 1>their energy doesn't necessarily match the energy I felt like

0:57:16.720 --> 0:57:18.640
<v Speaker 1>with G UNIT. Like I felt like with G Units,

0:57:18.680 --> 0:57:21.120
<v Speaker 1>so much came with that, you know, the way people

0:57:21.240 --> 0:57:24.600
<v Speaker 1>dressed and there was just so much that came with that,

0:57:24.960 --> 0:57:28.720
<v Speaker 1>that energy. And I feel like you guys definitely are

0:57:28.800 --> 0:57:31.960
<v Speaker 1>the first groups or crew whatever you want to call

0:57:32.040 --> 0:57:34.560
<v Speaker 1>it click since G UNIT. That's given me that like

0:57:34.760 --> 0:57:40.400
<v Speaker 1>same exact vibe and with that like there's you guys

0:57:40.400 --> 0:57:45.160
<v Speaker 1>are from Buffalo. But I think that you guys, I mean,

0:57:45.360 --> 0:57:47.280
<v Speaker 1>all three of y'all sharing the king of New York

0:57:47.760 --> 0:57:51.160
<v Speaker 1>as a state, maybe not New York City, but you know,

0:57:51.400 --> 0:57:54.200
<v Speaker 1>I've been seeing a lot of you know, bullshit, people

0:57:54.440 --> 0:57:56.840
<v Speaker 1>claiming king of New York and I'm like, yo, listen, man,

0:57:58.160 --> 0:58:01.040
<v Speaker 1>y'all got it? Do you do you feel like yo? Y'

0:58:01.240 --> 0:58:04.440
<v Speaker 1>like like legitimately like take take yourself, like, but like

0:58:05.360 --> 0:58:08.960
<v Speaker 1>in New York, you got there's nobody who's fucking with y'all, bro,

0:58:10.160 --> 0:58:13.439
<v Speaker 1>new York City. That means whatever you want to call it. Yeah,

0:58:14.280 --> 0:58:18.320
<v Speaker 1>I mean I just look at it like that really

0:58:18.360 --> 0:58:20.680
<v Speaker 1>ain't my you know what I'm saying, My my my.

0:58:21.360 --> 0:58:23.520
<v Speaker 1>I want to just be the king of rap that's

0:58:23.760 --> 0:58:26.400
<v Speaker 1>rap game. Like, I want to be just when niggas

0:58:26.400 --> 0:58:28.560
<v Speaker 1>be like, you're not asked, and that's the otherest nigga

0:58:28.560 --> 0:58:30.360
<v Speaker 1>in the game right now. That's what I'm on. That's

0:58:30.400 --> 0:58:32.760
<v Speaker 1>what I'm after. So like that King of New York

0:58:32.800 --> 0:58:35.760
<v Speaker 1>shit and all that, I mean, I'm I still I'm

0:58:35.760 --> 0:58:37.560
<v Speaker 1>gonna say I'm the King of New York too, because

0:58:37.640 --> 0:58:41.840
<v Speaker 1>like shit, like pen wise, I do feel like, of course, like,

0:58:41.880 --> 0:58:44.880
<v Speaker 1>ain't nobody fucking with me? But I'm not going around

0:58:44.960 --> 0:58:47.040
<v Speaker 1>beating on my chests and trying to like you know,

0:58:48.160 --> 0:58:50.840
<v Speaker 1>like slight niggas to say nothing like that. Man. I

0:58:50.960 --> 0:58:54.440
<v Speaker 1>respect everybody, cry. I expect everybody as men, you know

0:58:54.440 --> 0:58:57.240
<v Speaker 1>what I'm saying, And shit, I wish everybody the best,

0:58:57.360 --> 0:59:00.920
<v Speaker 1>keeps striving, But I know, like how I carry myself

0:59:00.960 --> 0:59:02.680
<v Speaker 1>like I'm the king of New York, I'm the king

0:59:02.800 --> 0:59:05.760
<v Speaker 1>of the rap game. You know what I'm saying. I

0:59:05.880 --> 0:59:09.840
<v Speaker 1>truly believe that when when did you guys really decide?

0:59:10.760 --> 0:59:12.280
<v Speaker 1>And I don't know if this was Gun or if

0:59:12.280 --> 0:59:14.440
<v Speaker 1>this was a group, but I feel like you guys

0:59:14.680 --> 0:59:20.920
<v Speaker 1>moved in unit set, like with just the aesthetics. It's

0:59:21.000 --> 0:59:27.439
<v Speaker 1>the artwork, it's the merch everything. It's it's it's fly,

0:59:27.840 --> 0:59:31.840
<v Speaker 1>it's you know, it's the painting. Shit, it's it's dark.

0:59:32.040 --> 0:59:35.480
<v Speaker 1>Like what like, was is that a group collective? Or

0:59:35.560 --> 0:59:37.560
<v Speaker 1>is that something? Because I know that it was Gun's

0:59:37.560 --> 0:59:39.680
<v Speaker 1>idea to put the lady on the Griselda cover, right,

0:59:39.800 --> 0:59:43.960
<v Speaker 1>the Lady from Buffalo, But like it was designed a

0:59:44.000 --> 0:59:45.880
<v Speaker 1>lot of the cover, a lot of the covers coming

0:59:45.960 --> 0:59:48.960
<v Speaker 1>up like earlier, like in our career, it would design

0:59:49.040 --> 0:59:51.160
<v Speaker 1>a lot of the covers and shit like that. But

0:59:51.280 --> 0:59:54.040
<v Speaker 1>it's just you know what I mean, Like we're just

0:59:54.160 --> 0:59:56.400
<v Speaker 1>students of the game, and we had the benefits of

0:59:56.520 --> 0:59:59.480
<v Speaker 1>just being older and being able to be around so

0:59:59.640 --> 1:00:02.960
<v Speaker 1>many different eras of hip hop, or when we be

1:00:03.040 --> 1:00:06.320
<v Speaker 1>able to watch and learn, like we've seen everybody, the

1:00:06.440 --> 1:00:08.440
<v Speaker 1>best of the best come and do it, come and go,

1:00:08.640 --> 1:00:10.640
<v Speaker 1>you know what I'm saying, and do it how they

1:00:10.720 --> 1:00:12.720
<v Speaker 1>did it. So we was able to just you know,

1:00:12.880 --> 1:00:16.120
<v Speaker 1>take notes, take notes and just apply it. But you

1:00:16.160 --> 1:00:19.480
<v Speaker 1>know what I'm saying, we're just different, man. We we

1:00:20.160 --> 1:00:23.960
<v Speaker 1>acknowledge the fan. You know what I'm saying. The show well,

1:00:24.080 --> 1:00:27.040
<v Speaker 1>So I like to think of like what type of

1:00:27.160 --> 1:00:31.160
<v Speaker 1>experience the fans will enjoy most from an artist if

1:00:31.200 --> 1:00:33.480
<v Speaker 1>it was me. You know what I'm saying. I want

1:00:33.520 --> 1:00:36.960
<v Speaker 1>to be able to have a collector's edition Vinyl Luna

1:00:37.040 --> 1:00:39.800
<v Speaker 1>brad Bi it is this artist. I want to have

1:00:39.920 --> 1:00:42.920
<v Speaker 1>a cassette. They don't even make cassettes no more. But

1:00:43.200 --> 1:00:46.479
<v Speaker 1>I got this cassette of a nigga dropped the twenty

1:00:46.560 --> 1:00:50.240
<v Speaker 1>twenty and signed it and it's gold and something like that.

1:00:50.320 --> 1:00:54.919
<v Speaker 1>You know what I'm saying. I think that is what's

1:00:55.560 --> 1:00:59.600
<v Speaker 1>you know, the important and that's the collective thing. You

1:00:59.640 --> 1:01:01.680
<v Speaker 1>know what I'm say saying. As far as like the

1:01:01.800 --> 1:01:03.680
<v Speaker 1>cover iron and a lot of that ship like you

1:01:03.760 --> 1:01:06.680
<v Speaker 1>know what I'm saying. West definitely spiritheaded a lot of

1:01:06.800 --> 1:01:09.800
<v Speaker 1>our earlier covers, like it was just designed to cover

1:01:10.080 --> 1:01:12.080
<v Speaker 1>like you know what what we was on. Like I

1:01:12.160 --> 1:01:14.120
<v Speaker 1>was just like, bro, you I don't be in the

1:01:14.280 --> 1:01:15.920
<v Speaker 1>officers and doing that. I don't want to talk to

1:01:16.000 --> 1:01:19.480
<v Speaker 1>the motherfuckers. Bro, Like go ahead, get us the bag. Bro,

1:01:19.560 --> 1:01:21.600
<v Speaker 1>I'm gonna just I'm being here in the studio. What

1:01:21.720 --> 1:01:24.200
<v Speaker 1>do you feel right now? Man? Obviously the world's in

1:01:24.240 --> 1:01:27.360
<v Speaker 1>the crazy ass place. Hey, y'all got that tour off

1:01:27.440 --> 1:01:33.200
<v Speaker 1>right in time for shure that we had part two,

1:01:33.680 --> 1:01:35.600
<v Speaker 1>Like I know, you guys had a whole other, a

1:01:35.680 --> 1:01:38.800
<v Speaker 1>whole other run the cancer get you guys had to

1:01:38.880 --> 1:01:42.680
<v Speaker 1>cancel it. But like obviously with the coronavirus and uh,

1:01:43.840 --> 1:01:46.480
<v Speaker 1>you know just where the world is man with with

1:01:47.040 --> 1:01:50.920
<v Speaker 1>you know, obviously the murder of George Floyd has changed

1:01:50.960 --> 1:01:54.920
<v Speaker 1>the world. And then now you know, with with the

1:01:55.160 --> 1:02:01.200
<v Speaker 1>election coming up, like like it's it's almost you said

1:02:01.280 --> 1:02:03.000
<v Speaker 1>something earlier like you kind of took a break from

1:02:03.040 --> 1:02:05.960
<v Speaker 1>the internet. It's almost like it's hard on, Like man,

1:02:06.000 --> 1:02:09.000
<v Speaker 1>it's it's it's draining to open your phone now, bro, Yeah,

1:02:09.240 --> 1:02:12.520
<v Speaker 1>turn the nose on, put your phone on, or so

1:02:12.720 --> 1:02:16.840
<v Speaker 1>much bullshit going on it's crazy motherfuckers in the White

1:02:16.880 --> 1:02:20.120
<v Speaker 1>House and all that shit. Yeah, they're bad here, man,

1:02:20.160 --> 1:02:23.680
<v Speaker 1>it's police going crazy. It's like every time I open

1:02:23.760 --> 1:02:26.440
<v Speaker 1>my phone, it's like it's bad nose. It's like a

1:02:26.760 --> 1:02:30.240
<v Speaker 1>snag some some bolls. Shit. Like That's why I don't

1:02:30.240 --> 1:02:32.640
<v Speaker 1>even be really having my phone on me all like that,

1:02:32.880 --> 1:02:36.280
<v Speaker 1>Like I don't want to talk to nobody, like because

1:02:36.280 --> 1:02:38.960
<v Speaker 1>I know somebody calling me with their problem or the

1:02:39.160 --> 1:02:42.000
<v Speaker 1>down know that shit. Man, I got my own proble.

1:02:42.000 --> 1:02:46.520
<v Speaker 1>I'm trying to drink away in my pain. Feel me yoo, Yeah,

1:02:46.680 --> 1:02:49.280
<v Speaker 1>we got more. I think we killed that bottle duce

1:02:49.480 --> 1:02:52.280
<v Speaker 1>last night. It got to be the seventeen thirty eight

1:02:52.360 --> 1:02:55.920
<v Speaker 1>last you've done with my own shit? Yo, Getting back

1:02:55.960 --> 1:02:58.640
<v Speaker 1>to your you're drinking? You are you in the darker?

1:02:58.840 --> 1:03:01.400
<v Speaker 1>I knew you're in the dark right now, but what

1:03:01.600 --> 1:03:05.800
<v Speaker 1>is the preferred uh drink everything he said everything? I

1:03:05.920 --> 1:03:08.080
<v Speaker 1>really just I really just started back fucking with the

1:03:08.200 --> 1:03:12.320
<v Speaker 1>dark though I've been untransitioned over to that forty two.

1:03:13.000 --> 1:03:16.040
<v Speaker 1>The forty two is that ship I fuck with that tequila? Man,

1:03:16.120 --> 1:03:20.480
<v Speaker 1>that forty It's way smoother. Yeah, but what I really

1:03:20.480 --> 1:03:22.600
<v Speaker 1>ain't been drinking all like that I'm kind of been,

1:03:23.360 --> 1:03:25.760
<v Speaker 1>you know what I mean, I ain't really I don't

1:03:25.840 --> 1:03:28.200
<v Speaker 1>drink all like that no more. What's the craziest drug

1:03:28.280 --> 1:03:31.760
<v Speaker 1>you've tried? Because I just did mushrooms for the first time,

1:03:32.840 --> 1:03:37.720
<v Speaker 1>which was wild. Yeah, that ship was something else. Honestly,

1:03:37.920 --> 1:03:40.560
<v Speaker 1>the craziest shit I tried. It was like some ship

1:03:40.680 --> 1:03:44.200
<v Speaker 1>called with its Oh the whips, Yeah, were one of

1:03:44.240 --> 1:03:46.720
<v Speaker 1>my white homeboys. This when I was living in Atlanta.

1:03:47.000 --> 1:03:48.800
<v Speaker 1>It'd be a long time ago. This was a long

1:03:48.880 --> 1:03:51.720
<v Speaker 1>time ago. Guys tried to bring those back. But yeah, yeah,

1:03:51.800 --> 1:03:54.400
<v Speaker 1>I was. I was a long time ago. I was

1:03:54.480 --> 1:03:56.880
<v Speaker 1>homeless in Atlanta and shit, and I met this white nigga.

1:03:56.880 --> 1:03:58.400
<v Speaker 1>That's so weird. It would have been a white guy,

1:04:00.000 --> 1:04:02.479
<v Speaker 1>know what I'm saying. You know it's crazy, house says

1:04:03.120 --> 1:04:05.160
<v Speaker 1>and Ship you think that comes from the South. It

1:04:05.280 --> 1:04:07.480
<v Speaker 1>was like a white dude that allowed me to Man,

1:04:07.520 --> 1:04:09.720
<v Speaker 1>you can crash here, bro, let you stay at his crib.

1:04:10.600 --> 1:04:13.600
<v Speaker 1>Take this whipping. Yeah here try this whipping. You ever

1:04:13.680 --> 1:04:17.280
<v Speaker 1>had this? You know what I'm saying. And I tried

1:04:17.320 --> 1:04:20.080
<v Speaker 1>that and it was only like thirtyn't even an't even

1:04:20.200 --> 1:04:23.240
<v Speaker 1>like I was gone before you knew it. And Ship

1:04:23.360 --> 1:04:25.560
<v Speaker 1>like and it was gone before I knew it. But

1:04:25.680 --> 1:04:27.680
<v Speaker 1>it was just crazy because it's like I didn't know

1:04:27.760 --> 1:04:30.280
<v Speaker 1>what the fuck that was, Like, you know what, what

1:04:30.400 --> 1:04:33.120
<v Speaker 1>about what's the shittiest job you ever had? Conaway? I

1:04:33.240 --> 1:04:39.680
<v Speaker 1>worked at McDonald's in Alabama. In Alabama, and like lou Verne, Alabama,

1:04:39.840 --> 1:04:42.680
<v Speaker 1>it's like the country. It ain't even like no big cities,

1:04:43.200 --> 1:04:46.160
<v Speaker 1>dirt rolls and ship. How long were you at McDonald's, bro,

1:04:46.840 --> 1:04:50.760
<v Speaker 1>I lasted about a good month one one man I

1:04:51.160 --> 1:04:53.280
<v Speaker 1>worked at I worked at McDonald's. I was fifteen. I

1:04:53.320 --> 1:04:58.160
<v Speaker 1>lasted one shift. Yeah it was over. I tried my yeah,

1:04:58.240 --> 1:05:00.520
<v Speaker 1>fuck all that, yo. So you bounced around a lot

1:05:00.680 --> 1:05:02.880
<v Speaker 1>as far as like where you've lived obviously from Buffalo.

1:05:03.000 --> 1:05:05.520
<v Speaker 1>But why were you in Alabama? Well, you know, we

1:05:05.640 --> 1:05:07.480
<v Speaker 1>have family down there. Okay, you know what I'm saying.

1:05:07.520 --> 1:05:09.840
<v Speaker 1>I was down there, me and West. He's living with

1:05:10.000 --> 1:05:13.040
<v Speaker 1>you know, Graham Dukes. You know what I'm saying. And

1:05:14.000 --> 1:05:16.280
<v Speaker 1>should I couldn't? You know, of course I can't be

1:05:16.360 --> 1:05:19.480
<v Speaker 1>no growing ass, you know what I mean, living with

1:05:19.640 --> 1:05:22.320
<v Speaker 1>somebody and not making get a job and holding it down.

1:05:22.440 --> 1:05:25.439
<v Speaker 1>So we're just out in Alabama just to get away,

1:05:25.560 --> 1:05:28.240
<v Speaker 1>like sometimes I just need to get away from the

1:05:28.320 --> 1:05:30.600
<v Speaker 1>streets for a little bit, that's fair. And I was

1:05:30.680 --> 1:05:32.560
<v Speaker 1>able to do that with West Side Gun like he

1:05:32.680 --> 1:05:36.360
<v Speaker 1>always will be. You know what I'm saying, think it bigger. Yeah,

1:05:36.440 --> 1:05:41.280
<v Speaker 1>he just would always he you know, he had you know,

1:05:41.400 --> 1:05:44.000
<v Speaker 1>his mom's side of the family and ship. They made

1:05:44.080 --> 1:05:46.520
<v Speaker 1>sure that he ain't have to have to grow up

1:05:46.680 --> 1:05:49.400
<v Speaker 1>like you know, most most niggas in the hood, you

1:05:49.480 --> 1:05:52.920
<v Speaker 1>know what I'm saying. So they really had ship going on,

1:05:53.400 --> 1:05:55.520
<v Speaker 1>nice stuff and shit like that. So I would go,

1:05:56.800 --> 1:05:58.120
<v Speaker 1>you know what I mean, when I go spend the

1:05:58.160 --> 1:05:59.840
<v Speaker 1>night at his houses when I would be able to

1:06:00.440 --> 1:06:04.960
<v Speaker 1>have some pizza or some playing PlayStations right right, right,

1:06:05.080 --> 1:06:10.320
<v Speaker 1>right right right. You you and Gun are big wrestling guys,

1:06:10.720 --> 1:06:13.520
<v Speaker 1>which has been a big I feel like you guys

1:06:13.600 --> 1:06:18.640
<v Speaker 1>and smoke dizzer kind of a bottle it is, and

1:06:18.760 --> 1:06:21.800
<v Speaker 1>a brown bag in the truck, brown bag in the truck.

1:06:22.400 --> 1:06:25.200
<v Speaker 1>Ad I'm saying, like with the with the wrestling ship,

1:06:25.320 --> 1:06:27.040
<v Speaker 1>like you know, I give it up to Dizze and

1:06:27.080 --> 1:06:29.400
<v Speaker 1>I give it up to you guys to really kind

1:06:29.440 --> 1:06:32.760
<v Speaker 1>of uh and shout out to my got Rosenberg to

1:06:32.880 --> 1:06:36.680
<v Speaker 1>kind of make a wrestling cool again. In hip hop. Yeah, yeah,

1:06:37.080 --> 1:06:39.600
<v Speaker 1>you know about a decade ago, like you would really

1:06:40.080 --> 1:06:42.520
<v Speaker 1>be at a wrestling fan. It was like a it

1:06:42.680 --> 1:06:47.200
<v Speaker 1>was like a scarlet letter, like, Yo, you watched that Bullshita?

1:06:48.640 --> 1:06:52.440
<v Speaker 1>How are you how? Like? Because right now it's fucked

1:06:52.520 --> 1:06:58.479
<v Speaker 1>up because there's no crowd, Like WrestleMania was so crowd

1:06:58.560 --> 1:07:01.320
<v Speaker 1>it's hard to watch. Right I'm tapped out. See, I

1:07:01.360 --> 1:07:03.680
<v Speaker 1>ain't gonna lie like I love the wrestling ship and

1:07:03.760 --> 1:07:08.040
<v Speaker 1>all that, but I wasn't like no big, big wrestling

1:07:08.160 --> 1:07:11.480
<v Speaker 1>head ass nigga like West and doz Gun is ahead.

1:07:11.960 --> 1:07:14.240
<v Speaker 1>You'll like, he'll like travel and go to the little

1:07:14.280 --> 1:07:17.360
<v Speaker 1>indie shows. Okay, okay, that's rather spend my money in

1:07:17.560 --> 1:07:22.320
<v Speaker 1>something else. That's fair. But you know what I'm saying again,

1:07:22.480 --> 1:07:26.520
<v Speaker 1>that just goes with back into you know, knowing what

1:07:27.200 --> 1:07:29.520
<v Speaker 1>what a fan want, Like you got to cater to

1:07:29.600 --> 1:07:35.000
<v Speaker 1>the fans. Man. People love wrestling, Yeah, people love movies,

1:07:35.440 --> 1:07:38.120
<v Speaker 1>people love ship like that, you know what I mean?

1:07:38.200 --> 1:07:40.560
<v Speaker 1>Like kind of like with Wu Tang with the karate flicks.

1:07:40.640 --> 1:07:43.800
<v Speaker 1>Who don't love karate flicks? Especially back then like in

1:07:43.840 --> 1:07:46.480
<v Speaker 1>the ninth if he was listening to hip hop, you know,

1:07:46.720 --> 1:07:50.920
<v Speaker 1>the age to really understand what niggas was doing in

1:07:51.080 --> 1:07:54.040
<v Speaker 1>ninety two, ninety three, ninety four. Then you grew up

1:07:54.080 --> 1:07:56.600
<v Speaker 1>in a Kung fu flick era and if you didn't

1:07:56.640 --> 1:07:58.640
<v Speaker 1>you listen to Wu Tang, and then you wouldn't found it.

1:07:59.240 --> 1:08:02.320
<v Speaker 1>I was like, oh shit, yeah, with the rest of

1:08:02.360 --> 1:08:04.360
<v Speaker 1>the shit, y'all do for sure, right? You know what

1:08:04.400 --> 1:08:08.800
<v Speaker 1>I'm saying. That's facts. We were talking last night. You

1:08:08.800 --> 1:08:10.360
<v Speaker 1>were talking about the eras that you've lived through, and

1:08:10.400 --> 1:08:13.440
<v Speaker 1>I think it's dope that, like you said, like, yo,

1:08:13.520 --> 1:08:17.840
<v Speaker 1>look we're older, like we've lived some life, and it's

1:08:17.880 --> 1:08:21.200
<v Speaker 1>almost probably better that you guys are hitting your stride

1:08:21.360 --> 1:08:22.920
<v Speaker 1>now because maybe if you would have hit it when

1:08:22.960 --> 1:08:25.200
<v Speaker 1>you were twenty two twenty three, shit might have got crazy.

1:08:25.680 --> 1:08:30.240
<v Speaker 1>You know what I'm saying. But like what the eras

1:08:30.240 --> 1:08:32.639
<v Speaker 1>of hip hop you lived through? You know, I think

1:08:32.720 --> 1:08:35.639
<v Speaker 1>you and I probably got similar taste in music. I'm curious,

1:08:35.680 --> 1:08:40.800
<v Speaker 1>what are you like three or four albums of all time?

1:08:41.000 --> 1:08:43.679
<v Speaker 1>Like if you had to, if you had the Lord forbid,

1:08:43.760 --> 1:08:46.400
<v Speaker 1>do a bid, and you had one iPod with and

1:08:46.479 --> 1:08:48.559
<v Speaker 1>you can only put three or four projects on there,

1:08:48.600 --> 1:08:49.920
<v Speaker 1>what are you What are you taking with you that

1:08:50.000 --> 1:08:54.920
<v Speaker 1>aren't your own or Griselle. Obviously we asking like my

1:08:55.160 --> 1:08:58.160
<v Speaker 1>favorite or your favorite thing is not the best because

1:08:58.160 --> 1:09:00.840
<v Speaker 1>it's two different conversations, right, That's why I'm a cla

1:09:01.280 --> 1:09:05.880
<v Speaker 1>your favorite hmm, that's crazy. That's different because always getting

1:09:05.880 --> 1:09:07.920
<v Speaker 1>too with Kanye people because I know his best album

1:09:08.040 --> 1:09:10.639
<v Speaker 1>is my beautiful dark Twist of Fantasy, but my favorite

1:09:10.640 --> 1:09:13.080
<v Speaker 1>album is like Registration. You know what I'm saying. So

1:09:13.160 --> 1:09:19.920
<v Speaker 1>it's not they're not the same. Your favorites. I would say, definitely, uh,

1:09:20.400 --> 1:09:24.639
<v Speaker 1>Doggy Style best West Coast hip hop album ever. I agree,

1:09:25.400 --> 1:09:29.799
<v Speaker 1>I've been screening one. I wouldn't be mad if somebody

1:09:29.920 --> 1:09:33.720
<v Speaker 1>said the chronic was. But either way, right, I think

1:09:33.880 --> 1:09:36.599
<v Speaker 1>doggy styles. I take Doggy Style. I like Doggy Style.

1:09:36.760 --> 1:09:41.880
<v Speaker 1>I would take Doggy Style. I would take helter skeltering Nocturnal, Okay,

1:09:43.160 --> 1:09:51.200
<v Speaker 1>I would take It's getting tricky because that dad press

1:09:51.439 --> 1:10:00.240
<v Speaker 1>let's get free. Yep, reasonable doubt for me. It was

1:10:00.280 --> 1:10:03.200
<v Speaker 1>written for me. It was written all right, you know.

1:10:03.280 --> 1:10:07.840
<v Speaker 1>I respect that man. I will say, like, you know,

1:10:08.080 --> 1:10:11.519
<v Speaker 1>the Purple tape and Iron Man, hey man, not to

1:10:11.600 --> 1:10:13.479
<v Speaker 1>have some wool. So it's like it's hard for me

1:10:13.600 --> 1:10:15.960
<v Speaker 1>to just take three or four. I'll be fucked up.

1:10:16.080 --> 1:10:18.400
<v Speaker 1>You know what's funny that you said Healter Skelter because

1:10:19.200 --> 1:10:21.519
<v Speaker 1>you know, Sean Price was one of my favorite MC's

1:10:22.200 --> 1:10:24.720
<v Speaker 1>and uh and when he died, man, it just it

1:10:24.880 --> 1:10:26.840
<v Speaker 1>was it was it was tough because I was such

1:10:26.920 --> 1:10:28.360
<v Speaker 1>I mean I used to buy his vinyl. Was like,

1:10:28.880 --> 1:10:32.040
<v Speaker 1>I love Sean Price, but I feel like you in particular,

1:10:33.280 --> 1:10:36.360
<v Speaker 1>there's something about you the way you deliver rhymes that

1:10:36.640 --> 1:10:38.760
<v Speaker 1>kind of as a Sean Price fan, it kind of

1:10:38.880 --> 1:10:41.599
<v Speaker 1>hit me. Not saying that you're like sound like Price,

1:10:42.360 --> 1:10:44.640
<v Speaker 1>but you feel me like like like the way you

1:10:44.880 --> 1:10:48.240
<v Speaker 1>just maybe it's just not giving a fuck my last

1:10:48.320 --> 1:10:52.400
<v Speaker 1>name Price. Man, this is Sean Price vibes. Man. I

1:10:52.520 --> 1:10:58.439
<v Speaker 1>mean I feel like Ruck is like probably taking I mean,

1:10:58.479 --> 1:11:00.880
<v Speaker 1>it's either him or Black Thought, my opinion, the most

1:11:00.960 --> 1:11:04.720
<v Speaker 1>underrated mcs. You know what I'm saying. Like p was

1:11:04.800 --> 1:11:08.080
<v Speaker 1>so crazy, bro, Yeah, yeah, you know what I mean.

1:11:08.240 --> 1:11:10.800
<v Speaker 1>That was like I said, man, I would listen to that.

1:11:10.920 --> 1:11:13.720
<v Speaker 1>I know that album front to back. You know what

1:11:13.760 --> 1:11:15.840
<v Speaker 1>I'm saying. I can wrap that ship word for word,

1:11:16.760 --> 1:11:18.360
<v Speaker 1>you know what I'm saying. And there was some more

1:11:18.479 --> 1:11:21.720
<v Speaker 1>niggas that I just you know, I looked up to

1:11:21.880 --> 1:11:24.640
<v Speaker 1>and studied and and fucked with their craft and how

1:11:24.680 --> 1:11:28.040
<v Speaker 1>they did that ship like, I love it. I love

1:11:28.240 --> 1:11:30.519
<v Speaker 1>I love that album. I love to help the Skelter.

1:11:30.760 --> 1:11:34.639
<v Speaker 1>Shout out to Bernardette and rest in peace, Sean Price,

1:11:34.880 --> 1:11:37.720
<v Speaker 1>Shout out to my nigga rock, my nigga rock Nests.

1:11:37.880 --> 1:11:41.120
<v Speaker 1>You know what I'm saying, Like you you mentioned it

1:11:41.200 --> 1:11:44.720
<v Speaker 1>Ray Kwan earlier. What about Ghosts? You you have you

1:11:44.800 --> 1:11:46.479
<v Speaker 1>linked up with ghost at all as far as like

1:11:46.960 --> 1:11:49.080
<v Speaker 1>a like, like at least having a relationship with them.

1:11:49.120 --> 1:11:52.000
<v Speaker 1>Ghost is my one of my top five all time. Yeah,

1:11:52.280 --> 1:11:58.800
<v Speaker 1>like I never I never linked with Ghosts, like you

1:11:58.840 --> 1:12:01.240
<v Speaker 1>know what I'm saying. Like like you said, like no relationship,

1:12:01.320 --> 1:12:04.439
<v Speaker 1>ship or whatever, Like the way I like I pull

1:12:04.520 --> 1:12:06.280
<v Speaker 1>up to the studio where I've been out to eat

1:12:06.320 --> 1:12:09.360
<v Speaker 1>with Ray Korn. You know what I mean, Chill, we

1:12:09.600 --> 1:12:11.920
<v Speaker 1>did we party together. We don'e did shit together, you

1:12:11.960 --> 1:12:14.880
<v Speaker 1>know what I'm saying. Like Ghosts, I would always see him,

1:12:15.000 --> 1:12:18.240
<v Speaker 1>like you know in the trailer we like on the

1:12:18.320 --> 1:12:21.160
<v Speaker 1>same bill out of like at festivals and stuff, like

1:12:21.160 --> 1:12:23.600
<v Speaker 1>when he was like Rowland Loud New York. We was

1:12:23.680 --> 1:12:26.000
<v Speaker 1>on the same bill. I'll go on the trailer out

1:12:26.280 --> 1:12:28.439
<v Speaker 1>because you know, they all know me. I'm fun. They

1:12:28.479 --> 1:12:30.800
<v Speaker 1>all shows love like. That's one thing I can say,

1:12:30.880 --> 1:12:34.240
<v Speaker 1>man about the woo like And I love about them

1:12:34.280 --> 1:12:36.640
<v Speaker 1>niggas because a lot of time, like you know, the

1:12:36.840 --> 1:12:39.880
<v Speaker 1>artists that came before the niggas be kind of like

1:12:40.120 --> 1:12:42.360
<v Speaker 1>stingy with that, with that lot, they don't want to

1:12:42.439 --> 1:12:44.680
<v Speaker 1>let go you got it sometimes, like man, sometimes you

1:12:44.720 --> 1:12:46.439
<v Speaker 1>got to just embrace little you know what I mean,

1:12:46.520 --> 1:12:49.360
<v Speaker 1>the young little homies that's coming up, man like, So

1:12:49.520 --> 1:12:52.800
<v Speaker 1>I love the wool for that because they always like, man, yo,

1:12:52.920 --> 1:12:55.720
<v Speaker 1>y'all boys killing that shit. Keep doing what y'all doing.

1:12:56.240 --> 1:12:58.799
<v Speaker 1>I love that shiit each and every one of the members.

1:12:59.240 --> 1:13:00.920
<v Speaker 1>You know what I'm saying, shout out to you know,

1:13:01.000 --> 1:13:03.360
<v Speaker 1>you had a line on one of these songs where

1:13:03.400 --> 1:13:08.080
<v Speaker 1>he was like they say Darren Dremin, they remind Rizza.

1:13:09.439 --> 1:13:12.240
<v Speaker 1>You remind me of somebody who in the face with

1:13:13.840 --> 1:13:16.920
<v Speaker 1>it was crazy. You know, have you got because you know,

1:13:17.200 --> 1:13:19.280
<v Speaker 1>I feel like Rizza don't produce like that no more.

1:13:19.320 --> 1:13:22.519
<v Speaker 1>But I feel like you know that's I don't know

1:13:22.600 --> 1:13:25.360
<v Speaker 1>you guys haven't worked with Rizzi yet, right, No, not yet.

1:13:25.640 --> 1:13:29.920
<v Speaker 1>I just feel like that. Don't say nothing, but we spoke,

1:13:30.160 --> 1:13:32.040
<v Speaker 1>you know what I'm saying. So he's tapped in yeah

1:13:32.320 --> 1:13:34.600
<v Speaker 1>about you know, he wanted to you know, like, you know,

1:13:34.760 --> 1:13:38.519
<v Speaker 1>we gotta do some ship, but we ain't do nothing yet.

1:13:38.600 --> 1:13:40.479
<v Speaker 1>I'm sure that's coming. I was just hoping that that

1:13:40.600 --> 1:13:42.960
<v Speaker 1>battle kind of sparked his interest in doing rap again

1:13:43.840 --> 1:13:46.040
<v Speaker 1>because he got so much other ship going on. Yeah,

1:13:46.120 --> 1:13:48.160
<v Speaker 1>I would love. That's like a bucket list ship for

1:13:48.280 --> 1:13:51.439
<v Speaker 1>me to be in the studio Rizi. You know what

1:13:51.479 --> 1:13:54.760
<v Speaker 1>I'm saying about it though the way, well from the

1:13:54.840 --> 1:13:57.360
<v Speaker 1>stories I heard, I don't know this want to, but

1:13:57.560 --> 1:14:00.479
<v Speaker 1>just the stories I heard, like I probably wouldn't even

1:14:00.479 --> 1:14:02.080
<v Speaker 1>be in the same room with the rim, Like I

1:14:02.200 --> 1:14:04.680
<v Speaker 1>probably just go there, lay my verse and then this

1:14:04.920 --> 1:14:06.960
<v Speaker 1>time I gotta live and then you hear it. We

1:14:08.400 --> 1:14:10.680
<v Speaker 1>it just don't even sound like what I did or

1:14:10.720 --> 1:14:13.439
<v Speaker 1>what I rapped on. I heard. That's how he do

1:14:13.680 --> 1:14:16.519
<v Speaker 1>so well, that's buckle list to work with the Rizord.

1:14:17.240 --> 1:14:20.000
<v Speaker 1>Kanye was one. I can check that onf eminem check

1:14:20.080 --> 1:14:23.639
<v Speaker 1>that off. So Benny said he's got some joints with Drake.

1:14:25.080 --> 1:14:29.479
<v Speaker 1>Yeah that that yeah, Yeah, like it is just like

1:14:30.200 --> 1:14:32.479
<v Speaker 1>we're talking about like I feel like, man, your bucket's

1:14:32.479 --> 1:14:34.639
<v Speaker 1>got to be getting shorter, at least the squads because

1:14:34.680 --> 1:14:38.000
<v Speaker 1>I worked with everybody, man, so it's like, who was

1:14:38.080 --> 1:14:39.960
<v Speaker 1>the who was your who was your first big feature?

1:14:40.800 --> 1:14:44.160
<v Speaker 1>Rock Marciano? That that rock on my mind, one of

1:14:44.200 --> 1:14:47.800
<v Speaker 1>the most underrated whatever. We got Rock Marciana and popped

1:14:47.840 --> 1:14:49.800
<v Speaker 1>the bottle and on and we got the words back.

1:14:50.240 --> 1:14:54.639
<v Speaker 1>Did you have to pay for the rock Verse? Crazy? Crazy? Right? Hey, man,

1:14:54.800 --> 1:15:01.360
<v Speaker 1>he's an incredible I just man like outside of that,

1:15:01.800 --> 1:15:05.320
<v Speaker 1>like prior, its like that was just like Dick fans

1:15:05.640 --> 1:15:08.759
<v Speaker 1>like crazy blew my mind was Cool Gie Rap reached

1:15:08.800 --> 1:15:10.599
<v Speaker 1>out and one of it was on Cool g Raps.

1:15:10.920 --> 1:15:13.280
<v Speaker 1>I want to say it was his last album, one

1:15:13.320 --> 1:15:17.439
<v Speaker 1>of them maybe the last album. Did you guys send

1:15:17.520 --> 1:15:19.760
<v Speaker 1>the Verse in or did you guys meet up? We

1:15:19.840 --> 1:15:22.559
<v Speaker 1>sent it in. We sent it. That's got to be crazy.

1:15:23.360 --> 1:15:26.559
<v Speaker 1>We did the ship. We recorded that ship in Texas,

1:15:26.680 --> 1:15:28.920
<v Speaker 1>someone from the world. We're just down there for south

1:15:29.000 --> 1:15:32.559
<v Speaker 1>by Southwest, hustling and ship passing out CDs. That ship's

1:15:32.560 --> 1:15:34.599
<v Speaker 1>got to be over with the COVID ship. I don't

1:15:34.600 --> 1:15:38.920
<v Speaker 1>know how that's ever coming back. Yeah, No, it's wild, bro, Like,

1:15:40.200 --> 1:15:42.040
<v Speaker 1>I just don't see how. I just don't see how

1:15:42.080 --> 1:15:45.720
<v Speaker 1>that ship is possible. Move over sh crazy, it's crazy, man.

1:15:45.760 --> 1:15:50.439
<v Speaker 1>Well look you got two albums on the way, yeah,

1:15:51.120 --> 1:15:56.120
<v Speaker 1>two of them. What is it like with m Let

1:15:56.160 --> 1:16:01.160
<v Speaker 1>me ask you, like the process of turning the album

1:16:01.240 --> 1:16:04.960
<v Speaker 1>into eminem does he give you a lot of feedback?

1:16:05.760 --> 1:16:08.920
<v Speaker 1>Is it like have you like, like, do you kind

1:16:08.960 --> 1:16:10.880
<v Speaker 1>of know like the ship that he's looking for to

1:16:10.960 --> 1:16:13.519
<v Speaker 1>make the album or or do you guys for the

1:16:13.560 --> 1:16:17.160
<v Speaker 1>most part, he trusts you guys creatively. I really I

1:16:17.240 --> 1:16:20.600
<v Speaker 1>don't know if I can't answer that fully because I

1:16:20.720 --> 1:16:23.840
<v Speaker 1>never We hadn't handled in no projects. Yeah, well you

1:16:23.920 --> 1:16:26.960
<v Speaker 1>know what we're gonna do, right what I'm saying, And well,

1:16:27.040 --> 1:16:30.280
<v Speaker 1>like I know that I've played God don't make mistakes

1:16:30.360 --> 1:16:32.560
<v Speaker 1>for him in Detroit. I went to his studio in

1:16:32.680 --> 1:16:37.040
<v Speaker 1>Detroit and I played it for him and Paul, and

1:16:37.960 --> 1:16:40.599
<v Speaker 1>you know, he had nothing to say. Everything was like, Yo,

1:16:40.720 --> 1:16:43.920
<v Speaker 1>this this ship is crazy. This this this, this ship

1:16:44.040 --> 1:16:48.440
<v Speaker 1>is crazy. So I never ever heard any like feedback

1:16:48.600 --> 1:16:50.599
<v Speaker 1>or like yo, nah, do this change that I think

1:16:50.640 --> 1:16:53.320
<v Speaker 1>you should wrap on this beat or do this? Like

1:16:53.439 --> 1:16:55.880
<v Speaker 1>I never was so I feel like, you know, shit,

1:16:55.960 --> 1:16:58.800
<v Speaker 1>he want us to just do what we do. You

1:16:58.840 --> 1:17:01.800
<v Speaker 1>know what I'm saying. Yeahmer, we were talking last night

1:17:02.120 --> 1:17:03.600
<v Speaker 1>and I heard the album and I was like, this

1:17:03.800 --> 1:17:08.960
<v Speaker 1>is perfect because I I remember when slaughter House dropped

1:17:09.000 --> 1:17:11.160
<v Speaker 1>on Shady and they tried to do the radio thing,

1:17:11.360 --> 1:17:13.760
<v Speaker 1>and there was a record you played last night that

1:17:13.960 --> 1:17:16.000
<v Speaker 1>probably never come out, that was on some radio shit

1:17:16.080 --> 1:17:20.439
<v Speaker 1>that was fly as fuck. But I feel like you're you,

1:17:20.760 --> 1:17:25.760
<v Speaker 1>like like we were saying, like shit, man, like you you.

1:17:25.960 --> 1:17:30.600
<v Speaker 1>I think you found a great place sonically where you

1:17:30.680 --> 1:17:33.920
<v Speaker 1>could do new ship and still stay true to yourself staates,

1:17:33.960 --> 1:17:37.560
<v Speaker 1>true to your your core fan base and not necessarily

1:17:37.720 --> 1:17:39.840
<v Speaker 1>you know, a lot of cats be reaching for hits

1:17:40.920 --> 1:17:43.599
<v Speaker 1>and then it's like disappointing. You'll be like, dog, why

1:17:43.680 --> 1:17:46.599
<v Speaker 1>did you put this step right? Because that was reaching.

1:17:46.800 --> 1:17:50.160
<v Speaker 1>They was reaching. You know. You gotta understand, like the

1:17:51.160 --> 1:17:54.040
<v Speaker 1>all the hits that came on that we considered hits,

1:17:54.520 --> 1:17:56.360
<v Speaker 1>they just didn't go in there like Yo, I'm gonther

1:17:56.439 --> 1:17:57.800
<v Speaker 1>go man, I want to make a hit. You know

1:17:58.360 --> 1:18:01.400
<v Speaker 1>it's organic. You don't know gonna be ahead. That's how

1:18:01.439 --> 1:18:03.200
<v Speaker 1>I look at like, you don't know what's gonna be it.

1:18:03.720 --> 1:18:05.560
<v Speaker 1>You gotta just go in down and make music with

1:18:05.720 --> 1:18:09.320
<v Speaker 1>your heart and not what your thinking. You know, nobody

1:18:09.479 --> 1:18:12.519
<v Speaker 1>know you know what I'm saying. It'd be songs that

1:18:13.200 --> 1:18:15.760
<v Speaker 1>I've done the tapes and when I let somebody hear

1:18:15.960 --> 1:18:17.640
<v Speaker 1>the song that I had in mind, like this, the

1:18:17.720 --> 1:18:19.519
<v Speaker 1>single that's gonna be the one when people hear this.

1:18:20.080 --> 1:18:24.240
<v Speaker 1>Motherfucker's fucked with a whole different a whole different record,

1:18:24.320 --> 1:18:26.840
<v Speaker 1>you know what I'm saying. So you never know. You

1:18:26.920 --> 1:18:28.760
<v Speaker 1>know what I'm saying. So you've been known to do

1:18:28.840 --> 1:18:34.880
<v Speaker 1>that obviously Alchemists collab project, Lulu. Is there anybody else

1:18:34.920 --> 1:18:38.680
<v Speaker 1>who you have interest in doing a collaboration project with

1:18:39.479 --> 1:18:42.559
<v Speaker 1>now that's either a producer or artist you know. Earlier

1:18:42.600 --> 1:18:44.639
<v Speaker 1>you and You were saying you and Gibbs kicked around

1:18:44.680 --> 1:18:48.200
<v Speaker 1>the idea, like who's somebody who you want to or

1:18:48.360 --> 1:18:50.439
<v Speaker 1>is there something that's actually in the works for somebody

1:18:50.560 --> 1:18:56.519
<v Speaker 1>that that like, because like I said, man, I really

1:18:57.600 --> 1:18:59.439
<v Speaker 1>I'm at the space and all like I'm gonna be

1:19:00.200 --> 1:19:03.160
<v Speaker 1>this man, like I really don't I really don't give

1:19:03.200 --> 1:19:06.320
<v Speaker 1>a fuck about work with no niggas, Like I don't

1:19:06.320 --> 1:19:09.080
<v Speaker 1>really fuck with nobody man, And I don't really you

1:19:09.120 --> 1:19:10.920
<v Speaker 1>know what I'm saying. I don't want nobody to fuck

1:19:10.960 --> 1:19:13.360
<v Speaker 1>with me. Just leave me alone. I don't care about

1:19:13.439 --> 1:19:16.120
<v Speaker 1>working to collab it because I don't tried being that

1:19:16.280 --> 1:19:19.479
<v Speaker 1>type of artist reaching out, Hey man, let's do a joint, man,

1:19:20.840 --> 1:19:23.599
<v Speaker 1>and you know what I mean, take my number, man,

1:19:23.840 --> 1:19:26.560
<v Speaker 1>call me, yeah, let's do it. Send it dude, and

1:19:26.640 --> 1:19:29.040
<v Speaker 1>then you know, I don't get it back or I

1:19:29.080 --> 1:19:31.439
<v Speaker 1>don't get a text back and shit like, I don't

1:19:31.520 --> 1:19:33.920
<v Speaker 1>play like that, you know what I'm saying. So I

1:19:34.080 --> 1:19:37.320
<v Speaker 1>gotta learn to just I've learned to just don't even

1:19:37.439 --> 1:19:40.000
<v Speaker 1>expect nothing out of these niggas because I've been gonna

1:19:40.040 --> 1:19:42.240
<v Speaker 1>put my hands on one of these motherfuckers on you

1:19:42.280 --> 1:19:43.960
<v Speaker 1>know what I mean. I don't like playing. Don't cap

1:19:44.040 --> 1:19:46.080
<v Speaker 1>to me, like, just keep it a hundred, just keep

1:19:46.080 --> 1:19:48.160
<v Speaker 1>it a buck. Yet, just keep it a buck, keep

1:19:48.160 --> 1:19:51.880
<v Speaker 1>on that lip service, but I would probably believe it

1:19:52.000 --> 1:19:53.960
<v Speaker 1>or not. I want to do a take with Stevie J.

1:19:54.960 --> 1:20:00.800
<v Speaker 1>Word yeah, okay, like legendary producers, people forgetting because he

1:20:00.880 --> 1:20:04.840
<v Speaker 1>be on the TV. Because Stevie J Is a legend, legend.

1:20:05.120 --> 1:20:09.360
<v Speaker 1>Go the mons as a nigga, all that all the

1:20:09.520 --> 1:20:13.000
<v Speaker 1>craziest ship you heard of early Big and the whole

1:20:13.160 --> 1:20:16.120
<v Speaker 1>nigga you think made that ship. I feel like it'd

1:20:16.120 --> 1:20:18.880
<v Speaker 1>be kind of crazy to hear you on some like

1:20:19.040 --> 1:20:21.360
<v Speaker 1>Dame Grease Ship or I wanted I would love to

1:20:21.439 --> 1:20:23.360
<v Speaker 1>hear you in d m X do some ship. Man.

1:20:23.800 --> 1:20:27.000
<v Speaker 1>Absolutely ya. But on the flip side of what I

1:20:27.160 --> 1:20:30.120
<v Speaker 1>just said before that, like I'm really open to like

1:20:30.520 --> 1:20:32.439
<v Speaker 1>you know what I'm saying, yo, you in DMX, I

1:20:32.479 --> 1:20:34.920
<v Speaker 1>don't object to work with no niggas, but like I'm

1:20:34.960 --> 1:20:37.479
<v Speaker 1>not doing the reach out no more. No, I get

1:20:37.520 --> 1:20:39.880
<v Speaker 1>that what I respect that. Man, anybody want to work

1:20:39.920 --> 1:20:42.200
<v Speaker 1>with me, Man, let's get it. Let's let's let's work.

1:20:42.280 --> 1:20:44.400
<v Speaker 1>I know me and dave E talked about doing the

1:20:44.479 --> 1:20:48.120
<v Speaker 1>tape that Craze get that done. Like I said earlier, Man,

1:20:48.240 --> 1:20:52.840
<v Speaker 1>gives have spoken about that. You know what I'm saying.

1:20:53.960 --> 1:20:57.240
<v Speaker 1>But you know, right now, what about you? What about

1:20:57.720 --> 1:21:00.320
<v Speaker 1>I mean, obviously we have outa project, but what about

1:21:00.400 --> 1:21:02.920
<v Speaker 1>just you and Benny. We talked about that a lot

1:21:03.080 --> 1:21:05.800
<v Speaker 1>as supposed to. You know, we're gonna get that out song.

1:21:05.840 --> 1:21:07.280
<v Speaker 1>We're gonna get that done. So I feel like it

1:21:07.360 --> 1:21:09.519
<v Speaker 1>gotta happen, man, you know what I'm saying. For the culture,

1:21:09.640 --> 1:21:12.679
<v Speaker 1>for the culture, for the Griselda fans, you and Benny,

1:21:12.960 --> 1:21:16.160
<v Speaker 1>even if it's a little six piece. Yeah yeah, yeah, No,

1:21:16.320 --> 1:21:18.920
<v Speaker 1>that's gonna come. That's coming, that's gonna come. Well, look man,

1:21:19.600 --> 1:21:23.080
<v Speaker 1>the one we do. Conway, appreciate your time, bro go

1:21:23.240 --> 1:21:26.840
<v Speaker 1>support uh man everything this God does. You got so

1:21:26.960 --> 1:21:30.080
<v Speaker 1>much music that comes out, like what like the Big

1:21:30.400 --> 1:21:32.719
<v Speaker 1>Ghost Ship. I didn't even like to see you promote

1:21:32.760 --> 1:21:35.120
<v Speaker 1>that ship. I was like, it just popped up on

1:21:35.160 --> 1:21:37.720
<v Speaker 1>my Spotify feet. I was like, what is this ship? Yeah,

1:21:39.160 --> 1:21:41.280
<v Speaker 1>you know, man, I'll be cooking. Man, you know, I'll

1:21:41.320 --> 1:21:43.680
<v Speaker 1>be cooking. Man, shout out the Big Ghost you know

1:21:43.680 --> 1:21:46.080
<v Speaker 1>what I mean. Salute for even even thinking of having

1:21:46.160 --> 1:21:48.320
<v Speaker 1>me on that, doing that with me. And that was

1:21:48.400 --> 1:21:50.800
<v Speaker 1>just a project he was doing, you know what I mean, Like, Yo,

1:21:51.120 --> 1:21:52.200
<v Speaker 1>you know what I mean. I need a couple of

1:21:52.320 --> 1:21:55.120
<v Speaker 1>verses like let's get it man, Like I said, Man,

1:21:55.120 --> 1:21:56.800
<v Speaker 1>I'm working whoever you want to work with me. Man,

1:21:56.840 --> 1:22:00.519
<v Speaker 1>I'm with it. Conway the Machine, Yes, sir, boom So

1:22:00.680 --> 1:22:00.800
<v Speaker 1>Lou