WEBVTT - Episode 468 | Musiq Snowchild

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<v Speaker 1>No Willian doctor fees were not rolling. Is this thing on?

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<v Speaker 1>It's this thing on?

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<v Speaker 2>It's on? Oh yeah, we are bad to the dragging

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<v Speaker 2>the building.

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<v Speaker 1>Happy Monday, my brother. First of all, Happy Saint Patrick's Day.

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<v Speaker 1>I want my.

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<v Speaker 2>Green for you today, Roy, what my green? I don't

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<v Speaker 2>know if it's a clap to day.

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<v Speaker 1>I mean it's happy Saint Patty's Day. Man, you're an

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<v Speaker 1>Irish brother in arms, so we've got to support you too.

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<v Speaker 3>Yeah, and I I take Saint Patrick stay very seriously.

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<v Speaker 3>I didn't wear green just because I don't. I don't

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<v Speaker 3>really submit to the commercialism and capitalism of what they've

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<v Speaker 3>done with my culture.

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<v Speaker 4>But it is a very important day.

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<v Speaker 3>It's a good representation of our faith and getting the

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<v Speaker 3>English the funk out.

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<v Speaker 2>Of here shouts of IRA. Yeah that's really.

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<v Speaker 4>Where I'm at with it.

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<v Speaker 3>But yeah, everyone amateur day and enjoy I don't think

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<v Speaker 3>you're celebrating Irish culture, but you know, whatever, it's I'll

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<v Speaker 3>be on on it's Pops in town.

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<v Speaker 4>No, he's in Florida. Yeah, I was trying. I was

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<v Speaker 4>trying to get them to come up.

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<v Speaker 3>I went to my godfather's over the week and we

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<v Speaker 3>did a little sint Patrick Stiate thing with the kids

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<v Speaker 3>and everything. But I'll yeah, I'll be on I'll be

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<v Speaker 3>on a fifth. If you're listening to this, I'm one

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<v Speaker 3>fifth that.

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<v Speaker 2>Right now, with with with the with the.

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<v Speaker 1>Mar with the rest of the lads. What what do

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<v Speaker 1>they call the women? Uh like, there's lads of guys

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<v Speaker 1>right Irish?

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<v Speaker 2>You think we acknowledge?

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<v Speaker 1>Never.

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<v Speaker 3>I think that's cute that you think their.

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<v Speaker 4>Name is kitchen. That's a job. That's the original stove.

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<v Speaker 1>We are backspotsored by Boost Mobile unlimited talk texts and that. Yes, yeah, yeah, yeah,

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<v Speaker 1>I heard. I read all your comments over the week

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<v Speaker 1>and all your niggas out there.

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<v Speaker 3>Okay, yeah, you do believe the potato famine was a genocide,

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<v Speaker 3>that's what you're talking about. Yes, all right, as long

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<v Speaker 3>as we're on the same page as I'm talking about. Yes,

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<v Speaker 3>But I read some of the comments over the week

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<v Speaker 3>and everybody was killing me. It's okay, I take it off,

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<v Speaker 3>It's I welcome in.

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<v Speaker 1>I understand.

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<v Speaker 2>You're a cute baby.

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<v Speaker 5>Did they they said? Looked like a coal miner?

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<v Speaker 1>But yeah, why were you so?

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<v Speaker 3>I don't know, I have to ask. I think my

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<v Speaker 3>dad took that I have to ask exactly where I was.

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<v Speaker 3>Was it taking your kid to work? There? You ja

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<v Speaker 3>and probably I have no idea where this that. It's

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<v Speaker 3>just hilarious, like.

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<v Speaker 1>A runaway, a stowaway. He was underneath the Greyhound with

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<v Speaker 1>the luggage.

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<v Speaker 4>Which is like, I'm sure I ate fine that day.

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<v Speaker 1>You didn't look like it doesn't look like you were

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<v Speaker 1>starving at all, just.

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<v Speaker 2>Like you were doing It was the shirt off your

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<v Speaker 2>like you just no, but that was that was Come on,

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<v Speaker 2>that's fashion. Yeah, come on man, Loven see that.

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<v Speaker 3>Yeah, I would rock that shirt now though I would

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<v Speaker 3>like a dinosaur shirt like that right now.

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<v Speaker 2>Yeah.

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<v Speaker 5>They said, moll look like he belonged than you know,

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<v Speaker 5>a nineties like R and B group. They said, you

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<v Speaker 5>had a button up turtleneck. They've never seen that before,

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<v Speaker 5>but they don't notice it's not a party.

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<v Speaker 1>Yeah I was before caught again like you, I don't

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<v Speaker 1>even know what Cardigan's was back then. Man, that was

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<v Speaker 1>like eighty I want to say eighty seven, maybe eighty eight.

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<v Speaker 3>Jesus, And that's a that's a live background, right yeah,

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<v Speaker 3>come on, that's not at the mall, you know, strip malls.

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<v Speaker 4>One hundred and sixty. First next to the movie in Ireland.

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<v Speaker 3>I was in Ireland, right, I know exactly where you

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<v Speaker 3>took that in Ireland.

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<v Speaker 1>Man, it was in Island. I don't tell nobody.

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<v Speaker 2>Well, yeah, the Northern Bronx, that part of Ireland.

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<v Speaker 1>Yeah. Man, that was picture day. Man. You know picture

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<v Speaker 1>day in school you had to get I remember the

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<v Speaker 1>funny thing about it.

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<v Speaker 3>Your mom got money though, because to get that background

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<v Speaker 3>instead of the generic one, you had a different envelope.

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<v Speaker 2>You had a different envelope different everybody.

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<v Speaker 1>Everybody in school had that background.

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<v Speaker 4>Oh nah, No, you had a generic one that if

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<v Speaker 4>you didn't pay.

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<v Speaker 1>For that, everybody got that same background. But it's funny

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<v Speaker 1>because I do remember. It's funny when you see pictures

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<v Speaker 1>like it to take you back to that day. I

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<v Speaker 1>remember that. I remember my mother telling me, don't eat nothing,

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<v Speaker 1>don't white. Yeah, because I got to school. So I

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<v Speaker 1>remember just sitting in school. I was scared to say

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<v Speaker 1>with something to the homie. I was scared to give DAPs.

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<v Speaker 1>I was just like, y'all got to sit here and wait.

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<v Speaker 1>And then my mom said, after you take your pictures,

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<v Speaker 1>go crazy, dude. Yeah.

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<v Speaker 3>And then that was always the thing as you got older,

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<v Speaker 3>was later in the day that you took your photos. Yeah,

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<v Speaker 3>it's always a big thing with parents, like yo, all

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<v Speaker 3>right now now you're in sixth grade.

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<v Speaker 4>That means at you you have to wait till noon exactly.

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<v Speaker 1>Yeah, you can't eat nothing, like, you got to sit

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<v Speaker 1>here and just chill, don't you don't use your crayons,

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<v Speaker 1>don't do nothing. Y My mom gave me the crazy

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<v Speaker 1>speech leaving. I was look at baby d Laras ain't changed.

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<v Speaker 1>It looked like you was doing something you wasn't supposed

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<v Speaker 1>to be doing. She was rapping where you was at.

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<v Speaker 5>I think this was my first birthday and I think

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<v Speaker 5>I bit my cousin Daja Highdaysia. I think I bit

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<v Speaker 5>her on her mouth like a little bit after this picture.

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<v Speaker 1>Oh so you were hungry, Okay, that's what tongue out means.

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<v Speaker 3>I was just like, Wow, you guys made fun of

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<v Speaker 3>me for admitting that vulnerable story and me getting kicked

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<v Speaker 3>out of daycare for biting somebody. Don't call me a

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<v Speaker 3>bier for like seven episodes straight, but I.

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<v Speaker 2>Admitted to be a that's my bag. I still bite

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<v Speaker 2>mother fuckers. You crazy ship.

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<v Speaker 1>That's what she do. I mean, that's your strongest asset

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<v Speaker 1>at that age. Yeah, look at the bowtie with the

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<v Speaker 1>suspenders is crazy, Like, look at this suspended. It does

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<v Speaker 1>go all the suspenders of it.

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<v Speaker 3>It does give the vies of like every murdered doc

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<v Speaker 3>on Netflix in them.

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<v Speaker 2>Yeah, a lot of that. Where did it go wrong?

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<v Speaker 2>He was such a love shot.

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<v Speaker 1>You look at his family with such a family kid.

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<v Speaker 1>Everybody loved him. And then you know, just high school,

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<v Speaker 1>he just went he went.

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<v Speaker 3>Left, and then all of us are watching Netflix going,

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<v Speaker 3>how do you not look in his eyes?

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<v Speaker 2>Did you not see this?

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<v Speaker 3>Look at those ers's had a clip on?

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<v Speaker 4>Was that was that tied clip on? Okay?

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<v Speaker 2>I mean you were young?

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<v Speaker 1>Yeh?

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<v Speaker 3>Ryan made it early? Oh yeah, I almost went in

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<v Speaker 3>there delete. I almost hated it. I was like, I

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<v Speaker 3>don't know if Ryan is allowed on the IG yet

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<v Speaker 3>it's not.

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<v Speaker 2>We love Ryan.

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<v Speaker 4>That's hilarious. That was a hilarious preak.

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<v Speaker 5>Yeah, if you would have sent me a whack photo,

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<v Speaker 5>he wouldn't have made it. But the photo was really cute.

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<v Speaker 4>It was a door.

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<v Speaker 3>It was also adorable because it was a shot in

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<v Speaker 3>I don't know in twenty fifteen, so like it was

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<v Speaker 3>super high rack.

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<v Speaker 1>That was last summer. I was last summer.

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<v Speaker 3>I do like that trend of this is who you're

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<v Speaker 3>and then it's the baby picture, because that's I've had

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<v Speaker 3>that in like a couple of therapy before, and I've

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<v Speaker 3>always thought it was like the worst strategy. Like remember

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<v Speaker 3>when you're judging your partner or looking at them, just

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<v Speaker 3>think about the baby and nah, this is an adult

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<v Speaker 3>that's sucking up in front of me yelling at that child.

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<v Speaker 3>And I would not never yell at it child. We're

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<v Speaker 3>not in nineteen ninety six. Yeah, it's now, and she's

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<v Speaker 3>an adult that needs to take accountability.

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<v Speaker 1>Yo? What is that with these memes that be going around?

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<v Speaker 1>Like do y'all? I would just like scroll on social

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<v Speaker 1>media and just like just see all these memes and

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<v Speaker 1>just like that just tug at your like emotional strings.

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<v Speaker 1>Oh my god, what memes?

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<v Speaker 2>How it is our relationship?

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<v Speaker 1>Ship?

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<v Speaker 2>Just shut up? Just what memes? Mom? Just what memes?

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<v Speaker 2>Thank you?

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<v Speaker 1>Why is? Why is the marriage algorithm only relationshipship?

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<v Speaker 2>And what means she's a lover girl?

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<v Speaker 1>Which but what she be what you what should be watching?

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<v Speaker 1>Like what she be liking because it's only her algorithms

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<v Speaker 1>because she liking some ship. Now because sometimes people send

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<v Speaker 1>you stuff, but why they send you relationship ship? Never mind?

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<v Speaker 1>So I saw this, I saw this. I saw this.

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<v Speaker 1>It wasn't really a meme. He's more or less, I guess,

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<v Speaker 1>like a skit where the uh the kid was talking

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<v Speaker 1>to his mom and his mom was like, oh my god,

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<v Speaker 1>look at this is so funny. He was like, mom,

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<v Speaker 1>what is that? Doesn't make any sense? Da? Da da,

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<v Speaker 1>And he kind of like turns and looks and it's

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<v Speaker 1>like a baby version of him and his mom when

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<v Speaker 1>he's showing his mom, like a drawing that he did

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<v Speaker 1>in class looked like shit. The mom was like, oh

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<v Speaker 1>my god, it's so beautiful. So it was saying like

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<v Speaker 1>as we get older, now our parents show with shit

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<v Speaker 1>that were like, yo, that's not even funny, Like what

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<v Speaker 1>is that? But it's like yeah, but you gotta still

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<v Speaker 1>you know, like, hey, they did it for you at

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<v Speaker 1>one point, like they thought you were the funniest, most

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<v Speaker 1>creative kid in the world. Yeah, and now your parents

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<v Speaker 1>are getting older and they showing you things that they

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<v Speaker 1>think it's funny. You have to laugh.

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<v Speaker 2>Did you cry?

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<v Speaker 1>I ain't cry? What I definitely call my mom after that, though,

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<v Speaker 1>I had to check it on I was like, yeah,

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<v Speaker 1>because my mom is sending me shit and I feel like,

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<v Speaker 1>my what what is this?

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<v Speaker 3>Typically you want to say, hey, I saw this meme

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<v Speaker 3>two years ago, right like, ma, this is.

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<v Speaker 1>Not even this.

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<v Speaker 4>It just got to Facebook.

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<v Speaker 1>My favorite thing now is AI. My mom don't know

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<v Speaker 1>what's real. AI is so dated, you know what's real?

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<v Speaker 1>Dog Like It's like and now I'm just like, all man,

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<v Speaker 1>just alright, cool.

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<v Speaker 5>Now my mom and my step mom, I go on,

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<v Speaker 5>I go on fucking their facebooks, and it's just all

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<v Speaker 5>AI photos of them, like they're on a they're a biker.

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<v Speaker 2>Now they're a superhero. Now there are a cop.

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<v Speaker 5>It's like, y'all have to start with a y'all are

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<v Speaker 5>literally burning down a small city.

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<v Speaker 3>Like, but we were fucked before the AI stuff because

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<v Speaker 3>they would fall for just memes or just images. Even

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<v Speaker 3>on Sunday when I was over at my godfather, somebody screamed, uh, wait,

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<v Speaker 3>you have to be.

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<v Speaker 2>Gay now to win an oscar.

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<v Speaker 4>That's a rule.

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<v Speaker 2>I said.

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<v Speaker 3>I said, that's fake. What you're reading right now is fake.

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<v Speaker 3>Like give me your phone. I'm telling you right now,

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<v Speaker 3>this is fake. I don't know that might be, it

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<v Speaker 3>might be all parm It was a list of rules

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<v Speaker 3>that said this is and the caption said this is

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<v Speaker 3>real of Oscar.

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<v Speaker 1>This is real. Just says that it's real. You know that.

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<v Speaker 3>I was like, this is I promise you, this is

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<v Speaker 3>not in the Oscar booklet. You have to walk them

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<v Speaker 3>off the ledge, like what is going on now? Like,

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<v Speaker 3>promise you this is not real?

0:09:51.480 --> 0:09:55.440
<v Speaker 1>Oh my god, pez it was real.

0:09:55.679 --> 0:09:58.360
<v Speaker 2>So you're calling them NBJ gay that's what you're saying.

0:09:58.640 --> 0:10:00.400
<v Speaker 1>No, we're not doing that. First one. Out out to

0:10:00.400 --> 0:10:01.240
<v Speaker 1>Michael B. Jordan.

0:10:01.480 --> 0:10:03.719
<v Speaker 2>Rapulations graduate to both of.

0:10:03.679 --> 0:10:08.880
<v Speaker 1>Them, to both of them. Shout out to Smoking Stack. No,

0:10:08.960 --> 0:10:12.520
<v Speaker 1>but Congratson. Michael B. Jordan on winning Best Actor at

0:10:12.520 --> 0:10:15.920
<v Speaker 1>the Oscars this year, well deserved. It was dope to

0:10:15.920 --> 0:10:18.800
<v Speaker 1>see Michael B. Jordan received that award and just received

0:10:18.800 --> 0:10:21.959
<v Speaker 1>praise from his peers and actors and actress that he

0:10:22.000 --> 0:10:24.480
<v Speaker 1>looked up to. I think everybody kind of felt like

0:10:24.520 --> 0:10:27.800
<v Speaker 1>Sinners was the movie of the year, even though one

0:10:27.840 --> 0:10:30.680
<v Speaker 1>battle after another one movie of the year. Yeah, another

0:10:30.679 --> 0:10:32.560
<v Speaker 1>great movie. Shout out to Tiana Taylor. She she got

0:10:32.559 --> 0:10:35.120
<v Speaker 1>an Oscar. She's in that movie obviously, so she won

0:10:35.200 --> 0:10:37.360
<v Speaker 1>to Oscar for that. But shout out to Michael B. Jordan, Man,

0:10:37.559 --> 0:10:40.240
<v Speaker 1>well deserved. And if you didn't see Sinners, I don't

0:10:40.240 --> 0:10:42.560
<v Speaker 1>know what you're waiting for. It's a good movie and

0:10:42.559 --> 0:10:45.280
<v Speaker 1>it's definitely, you know, another one of the movies that

0:10:45.400 --> 0:10:49.160
<v Speaker 1>Ryan Coogler and Michael B. Jordan to add to their filmography.

0:10:49.600 --> 0:10:51.640
<v Speaker 1>Just just great films and great work that they have together.

0:10:51.720 --> 0:10:55.400
<v Speaker 5>And shout out to Ryan Coogler for winning Best Original Screenplay.

0:10:55.520 --> 0:10:56.480
<v Speaker 1>Yeah, shout out to Ryan.

0:10:57.080 --> 0:11:00.000
<v Speaker 2>Shout out to Ryan cool Bler, Young Cools.

0:11:00.880 --> 0:11:01.880
<v Speaker 1>Yeah, man, no, I.

0:11:01.840 --> 0:11:02.280
<v Speaker 2>Thought it was great.

0:11:02.280 --> 0:11:03.720
<v Speaker 3>I didn't watch the Oscars, I'll be honest with you,

0:11:03.720 --> 0:11:05.040
<v Speaker 3>but I did watch the clips of them winning, and

0:11:05.080 --> 0:11:09.520
<v Speaker 3>I appreciated that. I watched Conan's uh monologue, and that

0:11:09.600 --> 0:11:11.880
<v Speaker 3>was a cold crowd. I felt for him. I thought

0:11:11.880 --> 0:11:12.840
<v Speaker 3>Conan was kind of funny.

0:11:12.960 --> 0:11:13.600
<v Speaker 1>I didn't see it.

0:11:13.640 --> 0:11:16.439
<v Speaker 2>I just it was. It was a rough crowd, and

0:11:16.600 --> 0:11:17.240
<v Speaker 2>I felt for him.

0:11:17.400 --> 0:11:18.439
<v Speaker 1>That's a tough gig though.

0:11:18.520 --> 0:11:20.839
<v Speaker 2>It was stiff from there, I know, stiff.

0:11:20.800 --> 0:11:23.439
<v Speaker 1>Yeah, because I feel like everybody's still kind of little.

0:11:24.000 --> 0:11:25.600
<v Speaker 1>I thought we was making a little turn and like,

0:11:25.679 --> 0:11:27.280
<v Speaker 1>you know, everybody not being so sensitive.

0:11:27.480 --> 0:11:29.440
<v Speaker 3>But Conan didn't even like say anything. That was like

0:11:29.480 --> 0:11:31.199
<v Speaker 3>super over that it was just it was just a

0:11:31.240 --> 0:11:32.319
<v Speaker 3>stiff room.

0:11:32.640 --> 0:11:34.679
<v Speaker 1>Oh maybe maybe he wasn't funny.

0:11:35.240 --> 0:11:37.120
<v Speaker 4>I thought it wasn't bad. I think Conan is a

0:11:37.120 --> 0:11:37.680
<v Speaker 4>really good writer.

0:11:37.840 --> 0:11:38.439
<v Speaker 1>He's Irish.

0:11:39.559 --> 0:11:42.760
<v Speaker 5>Ah, they didn't laugh at him during fucking Saint Patty's weekend.

0:11:42.800 --> 0:11:44.240
<v Speaker 2>That's crazy, man.

0:11:44.559 --> 0:11:46.960
<v Speaker 1>Y'all did Conan dirty? Don't do Conan like that?

0:11:47.120 --> 0:11:48.080
<v Speaker 4>Focused on centers.

0:11:49.960 --> 0:11:51.280
<v Speaker 2>We're all every it was over.

0:11:51.280 --> 0:11:52.959
<v Speaker 1>I thought it was we're all sinners and we're all

0:11:53.000 --> 0:11:53.520
<v Speaker 1>having sinch.

0:11:53.880 --> 0:11:57.720
<v Speaker 2>Maybe keep it whatever, I keep it. No, it's funny.

0:11:57.720 --> 0:12:00.559
<v Speaker 2>We're all we're all sinners and we're all having sent Actually, yeah.

0:12:01.760 --> 0:12:04.000
<v Speaker 1>Even Conan, even Conan is Heaven said, I don't know

0:12:04.000 --> 0:12:04.400
<v Speaker 1>if you know that.

0:12:06.040 --> 0:12:09.440
<v Speaker 3>On Saturday, I got a very strange text message. This

0:12:09.440 --> 0:12:11.680
<v Speaker 3>could either bomb. This is completely true. This could either

0:12:11.720 --> 0:12:13.480
<v Speaker 3>bomb and Maul could be mad at me, or.

0:12:13.400 --> 0:12:14.000
<v Speaker 1>We can keep it.

0:12:14.800 --> 0:12:17.960
<v Speaker 3>I get a text message on Saturday at twelve thirty

0:12:18.000 --> 0:12:20.920
<v Speaker 3>at night. I just met a man whose name is

0:12:20.960 --> 0:12:24.400
<v Speaker 3>Hank Strong. He's an actor, and he wanted me to

0:12:24.440 --> 0:12:26.880
<v Speaker 3>say hi to Maul for him and tell him that

0:12:27.000 --> 0:12:31.199
<v Speaker 3>big dick Buster says hello. I will tell you the

0:12:31.240 --> 0:12:33.520
<v Speaker 3>rest later. This is a person that's very very near

0:12:33.559 --> 0:12:35.320
<v Speaker 3>and dear to my heart that that texted this to me.

0:12:35.520 --> 0:12:37.720
<v Speaker 3>She was at work and ran into this gentleman. I

0:12:37.720 --> 0:12:39.800
<v Speaker 3>got the rest of the story. Apparently you were at

0:12:39.920 --> 0:12:44.160
<v Speaker 3>a club at one point and you met the gentleman

0:12:44.200 --> 0:12:46.400
<v Speaker 3>and he reminded you of somebody else, and then you

0:12:46.440 --> 0:12:49.520
<v Speaker 3>continued to call him Big dick Buster for the rest

0:12:49.520 --> 0:12:51.400
<v Speaker 3>of the night in the club, which I wanted to

0:12:51.440 --> 0:12:53.439
<v Speaker 3>call cap On because you don't give anyone nicknames a

0:12:53.480 --> 0:12:55.480
<v Speaker 3>littone Big dick Buster, But I don't know you have

0:12:55.559 --> 0:12:57.959
<v Speaker 3>been You have been known to do toast at daven

0:12:58.040 --> 0:13:00.800
<v Speaker 3>Busters with the Kardashians, so I thought that had something

0:13:00.800 --> 0:13:03.120
<v Speaker 3>to do with it. Okay, are you do you know

0:13:04.200 --> 0:13:05.560
<v Speaker 3>any recollection of the story?

0:13:06.160 --> 0:13:08.720
<v Speaker 1>I don't know. Hank Hank is ah. He did security

0:13:08.720 --> 0:13:11.280
<v Speaker 1>in the city. He does security, personal security for for

0:13:11.440 --> 0:13:16.000
<v Speaker 1>US celebrities. But he was in Godfather Harlem. Okay, he

0:13:16.200 --> 0:13:17.959
<v Speaker 1>had a roll in Godfather Harlem. His name was Big

0:13:18.000 --> 0:13:20.000
<v Speaker 1>dick Buster. He was like one of one.

0:13:20.679 --> 0:13:22.600
<v Speaker 4>Okay, I'm only on season one of Godfather.

0:13:23.000 --> 0:13:25.480
<v Speaker 1>You know, he was one of the like the muscle

0:13:26.200 --> 0:13:28.400
<v Speaker 1>for Bumpy Johnson and you know, one of the guys

0:13:28.400 --> 0:13:31.480
<v Speaker 1>that that had like stole some money or did something

0:13:31.559 --> 0:13:33.600
<v Speaker 1>like they had him in the warehouse, beat him up,

0:13:33.600 --> 0:13:35.760
<v Speaker 1>and then they had Big Dick Buster come in, you know,

0:13:35.840 --> 0:13:38.560
<v Speaker 1>do a big dick but only Big Dick Buster can do. Okay,

0:13:38.679 --> 0:13:40.240
<v Speaker 1>you know what I mean. So, but you know, shout

0:13:40.240 --> 0:13:41.520
<v Speaker 1>out shout out to Hank's.

0:13:42.640 --> 0:13:45.000
<v Speaker 4>I'm just saying he should add more context to his.

0:13:45.160 --> 0:13:46.840
<v Speaker 1>Yeah, yeah, I wasn't position. I don't know.

0:13:48.080 --> 0:13:51.520
<v Speaker 3>He did not add in Godfather Harlem, he's not adding acting.

0:13:51.559 --> 0:13:53.160
<v Speaker 3>He said, yo, just to tell him all Big dig

0:13:53.200 --> 0:13:54.000
<v Speaker 3>Buster said what up?

0:13:54.080 --> 0:13:56.400
<v Speaker 1>Yeah, that's that's first of all. And I wasn't walking

0:13:56.440 --> 0:14:01.840
<v Speaker 1>around calling him real, I wasn't doing that. But shout

0:14:01.840 --> 0:14:03.760
<v Speaker 1>out shout out to Hank Man, good dude, you know

0:14:03.800 --> 0:14:05.240
<v Speaker 1>what that was like to get that text to twelve.

0:14:06.080 --> 0:14:06.920
<v Speaker 1>That's wow.

0:14:07.160 --> 0:14:09.360
<v Speaker 2>I'm definitely not an underground scene he was in.

0:14:09.480 --> 0:14:11.360
<v Speaker 1>Yeah. No, I'm not calling Hank big dick bust. I'm

0:14:11.360 --> 0:14:13.640
<v Speaker 1>not walking around calling Hank at the club at the club,

0:14:15.720 --> 0:14:18.439
<v Speaker 1>shut up, my g what that's not? Wait what season

0:14:18.440 --> 0:14:20.400
<v Speaker 1>of Godfather Harlem? Because I'm almost done with season I

0:14:20.400 --> 0:14:24.480
<v Speaker 1>think I'm actually the beginning of season two, probably season two. Okay,

0:14:24.600 --> 0:14:27.080
<v Speaker 1>and they just they call him big Dick bust just

0:14:27.120 --> 0:14:28.680
<v Speaker 1>think like that's what he does. He comes in and

0:14:28.720 --> 0:14:32.040
<v Speaker 1>he just he raped it. Well, I mean that's what

0:14:32.080 --> 0:14:35.360
<v Speaker 1>Bumpy Johnson. I didn't say that bumpump Bumpy gave him that. Yeah,

0:14:35.400 --> 0:14:36.800
<v Speaker 1>I didn't give him that name. But yeah, he comes

0:14:36.840 --> 0:14:38.920
<v Speaker 1>in and everybody looking like that, they think he gonna

0:14:38.920 --> 0:14:41.320
<v Speaker 1>beat you up because he's, you know, big guy. But

0:14:41.360 --> 0:14:46.920
<v Speaker 1>then no, he taking your butt. Oh yeah. Sometimes I

0:14:46.960 --> 0:14:48.720
<v Speaker 1>wish I had lived in the seventies, and other times

0:14:48.760 --> 0:14:52.480
<v Speaker 1>I'm kind of glad. Shoot me. Yeah, they just just

0:14:52.560 --> 0:14:55.480
<v Speaker 1>kill just killed me, just me on fire, shoot me

0:14:55.480 --> 0:14:56.560
<v Speaker 1>for just shoot me. That's it.

0:14:56.680 --> 0:14:58.960
<v Speaker 3>I don't need to go out that way. What's okay? Yeah,

0:14:59.000 --> 0:15:02.120
<v Speaker 3>then I guess that does. But even then, like I've

0:15:02.160 --> 0:15:04.280
<v Speaker 3>never been ahead of a criminal organization, I understand you

0:15:04.280 --> 0:15:05.880
<v Speaker 3>have to do some diabolical ship to get there. I

0:15:05.920 --> 0:15:07.520
<v Speaker 3>don't know if I want to, Like what if this

0:15:07.520 --> 0:15:10.080
<v Speaker 3>guy turns on me one day? Yeah, I could maybe

0:15:10.160 --> 0:15:13.480
<v Speaker 3>defend myself against a killer that whatever, but this year,

0:15:13.720 --> 0:15:15.760
<v Speaker 3>like you got to treat that guy with a different

0:15:15.800 --> 0:15:16.760
<v Speaker 3>level of class.

0:15:17.320 --> 0:15:19.720
<v Speaker 4>He should be when your number one shooter doesn't.

0:15:19.480 --> 0:15:22.800
<v Speaker 1>Just shoot yeah. Yeah, but yeah, he want butt, that's

0:15:22.840 --> 0:15:23.280
<v Speaker 1>what he want.

0:15:23.800 --> 0:15:25.480
<v Speaker 4>Like but like he could just kill the person who

0:15:25.480 --> 0:15:25.920
<v Speaker 4>wants to do that.

0:15:25.960 --> 0:15:27.960
<v Speaker 1>Instead, I'm gonna get and take some button and then

0:15:27.960 --> 0:15:30.080
<v Speaker 1>with throw a multi roof. You know what salary do

0:15:30.120 --> 0:15:30.520
<v Speaker 1>you want? Sir?

0:15:32.280 --> 0:15:34.120
<v Speaker 2>We are not advocating for rape, by the way.

0:15:34.240 --> 0:15:37.600
<v Speaker 1>Oh no, no no, that was his role in The

0:15:37.600 --> 0:15:40.240
<v Speaker 1>Godfather Hall obviously just a gangster series, so it was

0:15:40.240 --> 0:15:42.320
<v Speaker 1>a gangster shit happening. So I don't know how gangster

0:15:42.400 --> 0:15:44.840
<v Speaker 1>that is, but you know whatever, man, I'm not telling

0:15:44.880 --> 0:15:47.040
<v Speaker 1>anybody how to run their criminal organizations for sure.

0:15:49.440 --> 0:15:53.000
<v Speaker 3>Anyways, it was, uh, it was it. Was it a

0:15:53.000 --> 0:15:55.120
<v Speaker 3>good music weekend or was it just a music weekend?

0:15:55.200 --> 0:16:00.200
<v Speaker 3>Because we've gotten some good ones back to back, said

0:16:00.440 --> 0:16:01.840
<v Speaker 3>we deal with the white elf in the room first,

0:16:01.960 --> 0:16:04.400
<v Speaker 3>or should we get to James Blake Olexie like a lot?

0:16:04.480 --> 0:16:06.840
<v Speaker 1>No, no, no, no, We're going right to Monica. We're

0:16:06.840 --> 0:16:09.600
<v Speaker 1>gonna write to Santa Monica. Let's go right right to

0:16:09.640 --> 0:16:15.440
<v Speaker 1>Santa Monica. Jack Harlow dropped his very much anticipated new project.

0:16:15.720 --> 0:16:17.480
<v Speaker 1>As we've been waiting to hear from Jack, and we

0:16:17.480 --> 0:16:18.880
<v Speaker 1>talked about it last week and we was like, you know,

0:16:18.920 --> 0:16:21.280
<v Speaker 1>this is an important project for Jack. Which way is

0:16:21.320 --> 0:16:24.080
<v Speaker 1>he gonna go what is it gonna sound like? This?

0:16:24.160 --> 0:16:25.680
<v Speaker 1>That and the third and all of the ideas that

0:16:25.720 --> 0:16:28.040
<v Speaker 1>we threw around. I don't think any of us landed

0:16:28.160 --> 0:16:33.800
<v Speaker 1>on what exactly the project turned out to indeed be. Yeah,

0:16:34.800 --> 0:16:38.680
<v Speaker 1>first thoughts as soon as I played it, I'm like, Okay,

0:16:38.800 --> 0:16:41.320
<v Speaker 1>Jack is in a whole different bag. Rory, I'm like,

0:16:41.360 --> 0:16:50.040
<v Speaker 1>I wasn't expecting this. This was completely different for Jack Carlow. Sure,

0:16:50.160 --> 0:16:53.880
<v Speaker 1>this just felt like an entirely new artist, somebody that

0:16:53.920 --> 0:17:01.680
<v Speaker 1>we've never heard before. But while it was different, it

0:17:01.720 --> 0:17:06.040
<v Speaker 1>wasn't what I expected. It wasn't terrible. It wasn't terrible.

0:17:06.640 --> 0:17:08.440
<v Speaker 1>I was I was a little thrown off. I was

0:17:08.480 --> 0:17:12.720
<v Speaker 1>a little confused, but it wasn't terrible. It was it

0:17:12.800 --> 0:17:15.600
<v Speaker 1>was okay. It just wasn't terrible, but definitely was not

0:17:15.640 --> 0:17:17.159
<v Speaker 1>what we expected. I don't think it was what we

0:17:17.200 --> 0:17:17.920
<v Speaker 1>expected at all.

0:17:18.080 --> 0:17:18.800
<v Speaker 2>No, I was not.

0:17:19.200 --> 0:17:21.520
<v Speaker 3>After the Doja Cat single, I was like, all right,

0:17:21.800 --> 0:17:24.080
<v Speaker 3>let's let's keep let's keep the train moved.

0:17:24.080 --> 0:17:25.440
<v Speaker 1>I didn't though he was going all the way pop.

0:17:25.720 --> 0:17:28.160
<v Speaker 1>I'm not gonna lie, we said pop. Maybe I think

0:17:28.160 --> 0:17:29.680
<v Speaker 1>he gives a little sprinkle, a little rap in this

0:17:29.800 --> 0:17:30.720
<v Speaker 1>still hip hop, but.

0:17:30.880 --> 0:17:34.000
<v Speaker 3>I anticipated a mix between Jack Man and the kids,

0:17:34.400 --> 0:17:35.880
<v Speaker 3>Miss You. I thought he was gonna find a good

0:17:35.880 --> 0:17:37.800
<v Speaker 3>balance there, of not. I didn't think he was gonna

0:17:37.840 --> 0:17:40.800
<v Speaker 3>go post malone or sell out the way a lot

0:17:40.800 --> 0:17:42.840
<v Speaker 3>of white rappers have done in the past.

0:17:42.840 --> 0:17:45.280
<v Speaker 4>I didn't think Jack was gonna do that. I did

0:17:45.440 --> 0:17:47.920
<v Speaker 4>not expect him.

0:17:48.440 --> 0:17:50.280
<v Speaker 3>No wonder, I have not been able to book Electric

0:17:50.400 --> 0:17:52.760
<v Speaker 3>Lady Lamb for the past fucking six months.

0:17:52.920 --> 0:17:54.320
<v Speaker 1>Jack had it, He had it booked out.

0:17:54.600 --> 0:17:56.840
<v Speaker 2>Yeah, you're expensive, that place is.

0:17:58.359 --> 0:17:59.040
<v Speaker 1>He had it booked up.

0:17:59.200 --> 0:18:03.160
<v Speaker 2>That's d Achelo's. I don't know where to begin here.

0:18:04.119 --> 0:18:07.000
<v Speaker 3>I would be a liar if I did not.

0:18:07.160 --> 0:18:10.480
<v Speaker 2>Laugh at all the jokes the entire weekend, and it

0:18:10.560 --> 0:18:12.399
<v Speaker 2>was plenty of true.

0:18:12.920 --> 0:18:15.480
<v Speaker 1>Oh, it was plenty of jokes to laugh at. They

0:18:15.520 --> 0:18:17.640
<v Speaker 1>called him I R S one. I R S one

0:18:17.720 --> 0:18:20.600
<v Speaker 1>was definitely one of my favorites. I did.

0:18:20.680 --> 0:18:22.840
<v Speaker 3>This is what you can put on the screen. Uh pH,

0:18:22.920 --> 0:18:25.040
<v Speaker 3>I'll send it to you. Darn instead of damn. Was

0:18:25.080 --> 0:18:34.240
<v Speaker 3>one of my favorites. If you know your history into

0:18:34.280 --> 0:18:42.240
<v Speaker 3>the Nation of Islam, yakub quality, Yes, music rothschild was

0:18:42.280 --> 0:18:44.840
<v Speaker 3>definitely a child was fucking hilarious.

0:18:45.040 --> 0:18:47.720
<v Speaker 5>They called it in January sixth and Park.

0:18:49.840 --> 0:18:51.280
<v Speaker 2>Somebody called him Juwe hill.

0:18:57.480 --> 0:19:02.600
<v Speaker 3>Day last stole bro they said, they said bland, Nubian.

0:19:04.800 --> 0:19:09.600
<v Speaker 5>Proud boys to men they did tearing his ass up, Yo, man.

0:19:09.560 --> 0:19:12.040
<v Speaker 1>Jack Man, it's when they put it's when white boys

0:19:12.040 --> 0:19:14.119
<v Speaker 1>put that hat on right there. That hat does it

0:19:14.200 --> 0:19:14.800
<v Speaker 1>every time.

0:19:15.040 --> 0:19:15.480
<v Speaker 4>This one.

0:19:15.680 --> 0:19:19.240
<v Speaker 3>I also again the album covers the best white on

0:19:19.320 --> 0:19:20.000
<v Speaker 3>both sides.

0:19:25.359 --> 0:19:26.960
<v Speaker 2>They saw him Auschwitz Alcina.

0:19:27.720 --> 0:19:29.960
<v Speaker 5>Oh my, I had to look up if he was

0:19:30.000 --> 0:19:31.880
<v Speaker 5>actually Jewish because Madam them were Jewish jokes.

0:19:31.880 --> 0:19:33.080
<v Speaker 2>I'm like, he's not even.

0:19:32.920 --> 0:19:36.840
<v Speaker 1>Jewish, Oh my god, man, yeah, yeah, Jack, I don't know, man,

0:19:37.080 --> 0:19:39.520
<v Speaker 1>this is this just wasn't what we was expecting. Man, Like,

0:19:39.520 --> 0:19:42.719
<v Speaker 1>the music is not terrible, it's cool, but it's just

0:19:42.800 --> 0:19:45.280
<v Speaker 1>like we wasn't. We didn't think we ain't need this.

0:19:45.640 --> 0:19:48.439
<v Speaker 3>It's like DiAngelo is funny, but they spelt it the

0:19:48.480 --> 0:19:49.120
<v Speaker 3>Italian way.

0:19:49.520 --> 0:19:50.560
<v Speaker 1>Yeah.

0:19:51.040 --> 0:19:54.800
<v Speaker 5>I saw the Anglo saxon that fucking fried me nigga,

0:19:54.800 --> 0:19:56.359
<v Speaker 5>said Leon Thomas Jefferson.

0:19:57.800 --> 0:19:59.160
<v Speaker 4>Someone called him ninth wonder Bread.

0:19:59.359 --> 0:20:06.040
<v Speaker 2>Oh my in f doom Yo went on for hours.

0:20:07.119 --> 0:20:13.119
<v Speaker 1>Q tip tip Yeah, Jack, they frying you up for

0:20:13.160 --> 0:20:16.280
<v Speaker 1>this one. I ain't gonna lie listen, man, I'm really

0:20:16.280 --> 0:20:19.719
<v Speaker 1>not here. It's not terrible though, Like y'all know, this ISOs,

0:20:19.720 --> 0:20:21.280
<v Speaker 1>but it's not a terrible album.

0:20:22.000 --> 0:20:24.399
<v Speaker 3>Y'all know this is my bag. So I am actually

0:20:24.480 --> 0:20:28.840
<v Speaker 3>very critical of people going into this genre, especially when

0:20:28.840 --> 0:20:29.680
<v Speaker 3>they've not been in it.

0:20:29.800 --> 0:20:30.920
<v Speaker 2>It's it's really not.

0:20:32.400 --> 0:20:32.920
<v Speaker 6>That bad.

0:20:33.119 --> 0:20:33.680
<v Speaker 2>I think what.

0:20:35.160 --> 0:20:38.119
<v Speaker 3>I think music fans find it a bit distasteful is

0:20:38.160 --> 0:20:41.000
<v Speaker 3>how Mac Miller coded he was trying to be in it.

0:20:41.160 --> 0:20:43.600
<v Speaker 3>And I'm not saying Jack went anywhere with Mac Miller

0:20:43.640 --> 0:20:49.439
<v Speaker 3>on his mind whatsoever. But we saw Mac transition from

0:20:49.440 --> 0:20:53.480
<v Speaker 3>being a backpack rapper into a full blown musician, like

0:20:53.600 --> 0:20:57.200
<v Speaker 3>Mac could play every instrument producing. You saw the artist

0:20:57.280 --> 0:20:59.520
<v Speaker 3>he got respect from, and you watched that entire thing

0:20:59.800 --> 0:21:02.480
<v Speaker 3>was like one day I decided I want to do a.

0:21:02.359 --> 0:21:04.200
<v Speaker 4>Soul quarian album.

0:21:04.400 --> 0:21:04.600
<v Speaker 2>Mac.

0:21:04.640 --> 0:21:07.159
<v Speaker 3>We watched do that in such an authentic way. And

0:21:07.160 --> 0:21:08.919
<v Speaker 3>I don't even want to make this a race thing

0:21:09.040 --> 0:21:11.760
<v Speaker 3>per se. But Mac is the closest thing we've probably

0:21:11.800 --> 0:21:16.160
<v Speaker 3>seen with modern artists that have transitioned to another genre

0:21:16.520 --> 0:21:20.960
<v Speaker 3>in a very respectful and authentic way. Yeah, and I'm

0:21:20.960 --> 0:21:23.239
<v Speaker 3>not saying I don't know Jack's intentions. I don't know

0:21:23.640 --> 0:21:28.000
<v Speaker 3>Jack personally. He could have had every authentic he could have.

0:21:28.040 --> 0:21:29.760
<v Speaker 3>I mean, I know he didn't know Brandy two years ago,

0:21:30.000 --> 0:21:33.320
<v Speaker 3>but maybe he discovered neo soul music and really fell

0:21:33.359 --> 0:21:35.400
<v Speaker 3>in love with it and wanted to do this. I

0:21:35.520 --> 0:21:40.080
<v Speaker 3>just don't know who's ever running the program of getting

0:21:40.119 --> 0:21:44.280
<v Speaker 3>out an album like this. Whereas Three Stacks, when Love

0:21:44.320 --> 0:21:46.840
<v Speaker 3>Below came out, I went and bought it as a kid,

0:21:47.600 --> 0:21:50.760
<v Speaker 3>expecting an outcast album. I was confused as fuck, but

0:21:50.800 --> 0:21:54.639
<v Speaker 3>Andre just sat quietly and let us all deal with it.

0:21:54.800 --> 0:21:59.440
<v Speaker 3>This with throwing on the costume of the fucking the

0:21:59.440 --> 0:22:04.159
<v Speaker 3>beanie you in the park like Brown Sugar, it was

0:22:04.240 --> 0:22:06.280
<v Speaker 3>like too much on the nose, a bit like when

0:22:06.320 --> 0:22:08.800
<v Speaker 3>Mac was moving into another genre.

0:22:09.680 --> 0:22:11.080
<v Speaker 4>Mac was himself through the whole thing.

0:22:11.520 --> 0:22:14.560
<v Speaker 1>He didn't put on a new costume for it.

0:22:14.560 --> 0:22:16.960
<v Speaker 3>It was just like Max just being Mac this. Even

0:22:17.000 --> 0:22:18.400
<v Speaker 3>though I'm not saying that's Jack at all, I want

0:22:18.400 --> 0:22:19.920
<v Speaker 3>to make that very clear. I don't know Jack Carlow.

0:22:19.960 --> 0:22:22.240
<v Speaker 3>I'm not saying he's doing that. It just got odd

0:22:22.280 --> 0:22:25.359
<v Speaker 3>that you completely changed your style to the stereotypical neo

0:22:25.440 --> 0:22:27.719
<v Speaker 3>soshit in twenty twenty six, when people making Neil Sol

0:22:27.800 --> 0:22:28.880
<v Speaker 3>music don't even dress that way.

0:22:28.920 --> 0:22:29.520
<v Speaker 2>No more, no.

0:22:31.119 --> 0:22:33.520
<v Speaker 3>They dress how they dress, it's almost like you were doing.

0:22:33.840 --> 0:22:35.320
<v Speaker 3>And I'm not saying you don't like to dress that way.

0:22:35.359 --> 0:22:37.399
<v Speaker 3>Maybe Jack, I like a beanie too. I used to

0:22:37.400 --> 0:22:39.920
<v Speaker 3>have the beanie with the brain.

0:22:39.920 --> 0:22:41.320
<v Speaker 5>You want to just kill him like you ain't got

0:22:41.320 --> 0:22:43.240
<v Speaker 5>to keep saying. I'm not saying I don't know Jack,

0:22:43.280 --> 0:22:44.119
<v Speaker 5>I just kill him.

0:22:44.160 --> 0:22:47.600
<v Speaker 2>It's okay, I'm not here to kill him. I'm just

0:22:47.640 --> 0:22:50.119
<v Speaker 2>saying you checked.

0:22:50.400 --> 0:22:53.400
<v Speaker 3>Sometimes checking too many boxes is the wrong thing. Sometimes

0:22:53.400 --> 0:22:54.640
<v Speaker 3>going you know what, I want to make a Neil

0:22:54.640 --> 0:22:57.359
<v Speaker 3>Sol album and record it an electric lady is like,

0:22:57.720 --> 0:22:59.959
<v Speaker 3>all right, man, let's pull it back.

0:23:00.440 --> 0:23:02.159
<v Speaker 4>How about you be your version of this?

0:23:02.200 --> 0:23:05.320
<v Speaker 3>Because I think Jack's between Jack Man and the kids

0:23:05.320 --> 0:23:07.199
<v Speaker 3>miss you. I think Jack could have incorporated a lot

0:23:07.200 --> 0:23:10.920
<v Speaker 3>of Neil Sol into his sound already in a way

0:23:10.960 --> 0:23:13.960
<v Speaker 3>that may have been less. Let's check every neo soabox

0:23:14.000 --> 0:23:16.720
<v Speaker 3>and put the beanie on. Let's get a black girl

0:23:16.800 --> 0:23:19.800
<v Speaker 3>with short hair, Let's smile in the park, let's walk

0:23:19.840 --> 0:23:23.080
<v Speaker 3>around like we're Maxwell and Brooklyn like. It was just

0:23:23.240 --> 0:23:26.600
<v Speaker 3>too much of the box checking. But with that said,

0:23:26.680 --> 0:23:28.800
<v Speaker 3>I don't think the music is that bad. The way

0:23:28.840 --> 0:23:30.359
<v Speaker 3>people were killing the music. I don't think it's as

0:23:30.400 --> 0:23:32.119
<v Speaker 3>bad as people are making enough. It's not as I

0:23:32.119 --> 0:23:33.119
<v Speaker 3>actually it's not.

0:23:34.080 --> 0:23:37.479
<v Speaker 2>I mean, it's just a hard left like he is.

0:23:37.560 --> 0:23:39.880
<v Speaker 3>To me, it was the hard left with the marketing.

0:23:39.960 --> 0:23:44.399
<v Speaker 3>And then you sit and listen my white face and

0:23:45.080 --> 0:23:47.919
<v Speaker 3>my past. You can pull up anything. I'm not not

0:23:48.000 --> 0:23:49.920
<v Speaker 3>guilty in this entire thing, but sitting with two white

0:23:49.920 --> 0:23:51.760
<v Speaker 3>people from New York Times to talk about your black

0:23:51.760 --> 0:23:53.040
<v Speaker 3>album is a little fucking weird to me.

0:23:54.440 --> 0:23:55.960
<v Speaker 1>And who's Monica?

0:23:57.320 --> 0:24:00.720
<v Speaker 2>He said, you know what, it's staying for somebody.

0:24:00.760 --> 0:24:02.280
<v Speaker 4>Somebody told me to sound it out, but don't say

0:24:02.320 --> 0:24:02.680
<v Speaker 4>it out loud.

0:24:02.720 --> 0:24:13.200
<v Speaker 1>And I went, oh, fuck my Nika, my Nikai.

0:24:11.480 --> 0:24:14.320
<v Speaker 5>Or whatever whatever girl he got with folllox. That is

0:24:14.400 --> 0:24:16.360
<v Speaker 5>fucking the ship out of him.

0:24:16.600 --> 0:24:19.560
<v Speaker 1>Ye foind out what Monica looked like. It's gonna give

0:24:19.600 --> 0:24:21.119
<v Speaker 1>us all the all the answers we need right here.

0:24:21.119 --> 0:24:23.159
<v Speaker 1>It's gonna tell us everything we need to know. But

0:24:23.200 --> 0:24:25.480
<v Speaker 1>I mean, we don't know the muse. Who's the muse

0:24:25.520 --> 0:24:26.520
<v Speaker 1>to this this music?

0:24:26.640 --> 0:24:26.800
<v Speaker 5>Well?

0:24:26.840 --> 0:24:29.520
<v Speaker 3>I think that's why because the rollout was so confusing.

0:24:31.840 --> 0:24:37.440
<v Speaker 3>That's why the disconnect to me has happened. Because there

0:24:37.440 --> 0:24:39.159
<v Speaker 3>could have been a rollout of who Monica really was,

0:24:39.200 --> 0:24:42.480
<v Speaker 3>and we would have probably had an idea. How it

0:24:42.560 --> 0:24:45.679
<v Speaker 3>appears is that he just chose a black name to

0:24:45.720 --> 0:24:50.719
<v Speaker 3>call his black album Monica. Now, if there was a

0:24:50.760 --> 0:24:54.000
<v Speaker 3>story that we missed, I think that could have helped

0:24:54.000 --> 0:24:55.879
<v Speaker 3>with the rollout and kind of eased people into this,

0:24:56.000 --> 0:25:01.600
<v Speaker 3>if you wanted to make this drass transition into soul music.

0:25:03.400 --> 0:25:06.000
<v Speaker 4>But there wasn't that. Yeah, it's just is just a

0:25:06.040 --> 0:25:06.760
<v Speaker 4>hard left jack.

0:25:07.119 --> 0:25:09.320
<v Speaker 3>And again, I think I think it's insane to sit

0:25:09.400 --> 0:25:11.320
<v Speaker 3>down with I'm not saying sitting down New York Times

0:25:11.400 --> 0:25:14.240
<v Speaker 3>is wrong, but sitting down with two white people that

0:25:14.359 --> 0:25:16.679
<v Speaker 3>probably have never heard Mama's Gun in their entire life

0:25:18.000 --> 0:25:22.000
<v Speaker 3>to discuss your neo soul album is a strange way.

0:25:22.280 --> 0:25:24.119
<v Speaker 3>He did get fucked over. I mean that the clip

0:25:24.280 --> 0:25:27.280
<v Speaker 3>is insane. I got blacker. I know what he was

0:25:27.320 --> 0:25:29.760
<v Speaker 3>trying to say, as far as white artists usually go

0:25:29.880 --> 0:25:33.160
<v Speaker 3>to white ship and he's saying his music went more

0:25:33.200 --> 0:25:36.240
<v Speaker 3>to the black black region of music.

0:25:38.440 --> 0:25:39.080
<v Speaker 1>What does that mean?

0:25:39.560 --> 0:25:41.360
<v Speaker 4>I don't know, because I think all music is black.

0:25:41.240 --> 0:25:43.520
<v Speaker 1>Right, So that's what you mean? Got blacker? Did he

0:25:43.560 --> 0:25:44.360
<v Speaker 1>say got blacker?

0:25:44.720 --> 0:25:46.879
<v Speaker 3>Yeah, he said he got blacker, But he was what

0:25:46.960 --> 0:25:49.320
<v Speaker 3>I think he was trying. Jack Carlo said he got blacker,

0:25:49.359 --> 0:25:50.760
<v Speaker 3>but he did not see the clip that went viral.

0:25:51.119 --> 0:25:54.600
<v Speaker 5>Even in reference to his music, his music got blacker

0:25:54.640 --> 0:25:56.240
<v Speaker 5>instead of going white, Like how his.

0:25:57.680 --> 0:25:59.560
<v Speaker 1>Hip hop album It'll get more Black than hip Hop?

0:25:59.600 --> 0:25:59.800
<v Speaker 1>Do it?

0:25:59.840 --> 0:26:03.760
<v Speaker 3>Well, they were talking about people more than how a

0:26:03.800 --> 0:26:05.959
<v Speaker 3>lot of artists will start with hip hop and then

0:26:06.000 --> 0:26:08.119
<v Speaker 3>they'll venture up kid Rock did hip hop, then he

0:26:08.160 --> 0:26:08.640
<v Speaker 3>went white.

0:26:08.640 --> 0:26:11.200
<v Speaker 1>I mean white. I was in the congratulations is kind

0:26:11.240 --> 0:26:11.600
<v Speaker 1>of the same.

0:26:13.240 --> 0:26:15.320
<v Speaker 3>Okay, Well, a lot of people would say post Malone

0:26:15.760 --> 0:26:18.600
<v Speaker 3>got hot because of hip hop and then immediately said

0:26:18.640 --> 0:26:21.399
<v Speaker 3>hip hop has no substance in a quote, and then

0:26:21.440 --> 0:26:23.960
<v Speaker 3>started making country and pop music that he used hip

0:26:23.960 --> 0:26:26.320
<v Speaker 3>hop to get to pull his career and move on.

0:26:26.400 --> 0:26:29.199
<v Speaker 3>And New York Times and Jack were trying to explain

0:26:29.280 --> 0:26:31.960
<v Speaker 3>that at this moment where he was a huge white artist,

0:26:32.200 --> 0:26:35.760
<v Speaker 3>he decided to go more towards what people would consider

0:26:35.800 --> 0:26:37.120
<v Speaker 3>black music, which would be neil.

0:26:37.160 --> 0:26:38.360
<v Speaker 4>So even though all music.

0:26:38.160 --> 0:26:40.639
<v Speaker 3>Is black music, he just chose to say the word

0:26:40.800 --> 0:26:43.720
<v Speaker 3>I got blacker, and that got clipped.

0:26:44.440 --> 0:26:49.119
<v Speaker 4>Now that's insane, Yeah, Jack, that's Jack.

0:26:49.320 --> 0:26:51.560
<v Speaker 2>That's crazy.

0:26:51.600 --> 0:26:54.520
<v Speaker 3>But what I think he was trying to say is

0:26:55.240 --> 0:26:59.320
<v Speaker 3>I instead of doing what all my other white counterparts

0:26:59.400 --> 0:27:02.480
<v Speaker 3>do in this situation, I decided not to go for

0:27:02.560 --> 0:27:05.920
<v Speaker 3>the fame pop shit and went more towards music that

0:27:06.080 --> 0:27:09.040
<v Speaker 3>I prefer which Neil Soul is obviously black. But then again,

0:27:09.080 --> 0:27:11.640
<v Speaker 3>so is fucking rock and roll pop music every day

0:27:12.040 --> 0:27:14.240
<v Speaker 3>periods because ball music is black. So but that's a

0:27:14.240 --> 0:27:18.040
<v Speaker 3>separate conversation. But that's me speculating. Let's just deal with

0:27:18.040 --> 0:27:20.920
<v Speaker 3>what he said. Yeah he said, I got blacker. Yeah,

0:27:20.960 --> 0:27:21.560
<v Speaker 3>that's just not it.

0:27:22.119 --> 0:27:24.320
<v Speaker 2>And you're wearing the beanie and it just I don't know,

0:27:24.480 --> 0:27:25.720
<v Speaker 2>I feel like that.

0:27:25.640 --> 0:27:27.639
<v Speaker 5>Fucking beanie is pushing me off, Like I'm not gonna lie. Like,

0:27:27.640 --> 0:27:28.880
<v Speaker 5>if you want to put off the music you want

0:27:28.880 --> 0:27:31.919
<v Speaker 5>to put out, that's fine, especially if it's good like whatever.

0:27:32.000 --> 0:27:35.960
<v Speaker 5>But the cosplaying, the cosplaying of like my uncle, I

0:27:35.960 --> 0:27:38.520
<v Speaker 5>don't like that shit. That shit is so unnecessary and

0:27:38.560 --> 0:27:39.920
<v Speaker 5>it makes it seem like you're taking it as a

0:27:40.000 --> 0:27:41.520
<v Speaker 5>joke and you're not really respecting the music.

0:27:41.600 --> 0:27:43.879
<v Speaker 1>You remember, like the in the shitcoms in the nineties

0:27:43.880 --> 0:27:45.920
<v Speaker 1>when the white kids showed up the high school he

0:27:46.080 --> 0:27:49.280
<v Speaker 1>was cool like and Steve Harvey Show and all of that,

0:27:49.320 --> 0:27:51.600
<v Speaker 1>and old girls liked him, and there's like a talent show.

0:27:51.640 --> 0:27:54.000
<v Speaker 1>You feel like, oh he can rap. That's what Jack

0:27:54.040 --> 0:27:56.640
<v Speaker 1>Hall remind me a little bit. He can play basketball.

0:27:56.760 --> 0:27:59.520
<v Speaker 1>The white man can't jump, right. He played basketball and

0:27:59.560 --> 0:28:01.360
<v Speaker 1>he gave it, you know, he wrapped you, I mean,

0:28:01.400 --> 0:28:03.440
<v Speaker 1>and then now he's giving us neil soul.

0:28:04.640 --> 0:28:09.320
<v Speaker 2>I mean, it's a it's an interesting move. Was it

0:28:09.320 --> 0:28:09.960
<v Speaker 2>a good I'm trying.

0:28:10.640 --> 0:28:12.160
<v Speaker 3>I shouldn't be the way I feel like y'all should

0:28:12.160 --> 0:28:13.440
<v Speaker 3>be speaking. You know, I'm just saying what you do

0:28:14.000 --> 0:28:15.800
<v Speaker 3>the New York Times and Jack already cleaned up my

0:28:15.840 --> 0:28:17.760
<v Speaker 3>side speaking.

0:28:17.920 --> 0:28:19.800
<v Speaker 1>I think it was a smart move, though, I think,

0:28:19.880 --> 0:28:23.320
<v Speaker 1>do you I think this? This hurt Jack, just definitely

0:28:23.359 --> 0:28:25.160
<v Speaker 1>hurt him in my in my in my humble opinion.

0:28:25.200 --> 0:28:27.200
<v Speaker 1>I'm not an artist. I don't make music, so I'm

0:28:27.240 --> 0:28:28.879
<v Speaker 1>not going to, you know, speak too much to that.

0:28:29.000 --> 0:28:33.800
<v Speaker 1>But it's hard left. I think hurt Jack's trajectory more

0:28:33.840 --> 0:28:37.960
<v Speaker 1>than it helped. For sure, No.

0:28:38.240 --> 0:28:40.520
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<v Speaker 5>A right, Okay, I have to think that maybe maybe

0:29:31.840 --> 0:29:34.880
<v Speaker 5>him and whoever is on his team knows something I don't,

0:29:35.360 --> 0:29:38.240
<v Speaker 5>because this is such an obvious, simply bad move for

0:29:38.360 --> 0:29:40.280
<v Speaker 5>his career that I would think, Okay, if they did this,

0:29:40.400 --> 0:29:42.680
<v Speaker 5>they must have reasoning for it, because it's like to ask,

0:29:42.880 --> 0:29:44.840
<v Speaker 5>was this like not good for him?

0:29:44.840 --> 0:29:46.720
<v Speaker 2>I think that's pretty obvious. We were just.

0:29:46.640 --> 0:29:48.880
<v Speaker 5>Talking on the last episode about how you don't have

0:29:49.000 --> 0:29:51.040
<v Speaker 5>a particular sound that we can go to.

0:29:51.400 --> 0:29:52.000
<v Speaker 2>What is it?

0:29:52.040 --> 0:29:54.480
<v Speaker 5>Who are you as an artist and then you switch again.

0:29:54.520 --> 0:29:57.160
<v Speaker 5>So it's like, are you just gonna hop around genres

0:29:57.160 --> 0:29:58.480
<v Speaker 5>for the rest of the life now.

0:29:58.600 --> 0:30:03.120
<v Speaker 1>Right, because now with the he can't go back like

0:30:03.280 --> 0:30:05.000
<v Speaker 1>full rap on the next project. Why not?

0:30:05.560 --> 0:30:08.880
<v Speaker 2>Hell no, he wants but how he'll come around.

0:30:09.080 --> 0:30:10.840
<v Speaker 1>You're right, he can do. Jack Haller can do whatever

0:30:10.880 --> 0:30:12.800
<v Speaker 1>the fuck he want to do. I'm saying if he

0:30:12.920 --> 0:30:15.719
<v Speaker 1>goes full rap hip hop next album, that's gonna make

0:30:15.760 --> 0:30:18.520
<v Speaker 1>this album look even crazier this it's gonna be like,

0:30:18.560 --> 0:30:20.280
<v Speaker 1>what the fuck was that about? Like what I mean,

0:30:20.320 --> 0:30:21.520
<v Speaker 1>even even what was that moment?

0:30:22.360 --> 0:30:24.480
<v Speaker 3>I mean even with I don't know. I want to

0:30:24.480 --> 0:30:27.080
<v Speaker 3>make this very clear. I'm not comparing Jack Harlow Monica

0:30:27.120 --> 0:30:29.440
<v Speaker 3>to Kanye West Edaways and Heartbreaks, but Kanye went back

0:30:29.440 --> 0:30:32.520
<v Speaker 3>to rapping like you can do something. It's different though

0:30:32.800 --> 0:30:36.160
<v Speaker 3>after fucking the love below he went and wrapped over.

0:30:36.040 --> 0:30:38.400
<v Speaker 1>The is different. He was already established as a man.

0:30:38.960 --> 0:30:40.160
<v Speaker 2>I was just gonna say that, like he was.

0:30:40.160 --> 0:30:42.920
<v Speaker 1>Already established as a mega, mega producer.

0:30:44.120 --> 0:30:45.520
<v Speaker 4>That's why I'm saying I'm not comparing them.

0:30:45.560 --> 0:30:48.000
<v Speaker 3>But in the same breath, I will say, which we

0:30:48.040 --> 0:30:49.920
<v Speaker 3>talked about on the last episode when we were trying

0:30:49.920 --> 0:30:52.040
<v Speaker 3>to figure out what this album was going to sound like.

0:30:52.760 --> 0:30:55.760
<v Speaker 3>Jack Harlow is a he sells out at the Barclay Center.

0:30:56.280 --> 0:30:59.840
<v Speaker 3>He does have a TikTok fan base, and I think

0:31:00.160 --> 0:31:01.800
<v Speaker 3>he looked out at the crowd and probably was like,

0:31:01.840 --> 0:31:04.880
<v Speaker 3>I hate the fans, Steve Lacy treatment, I hate the

0:31:04.880 --> 0:31:05.840
<v Speaker 3>people that I'm performing to.

0:31:06.360 --> 0:31:07.520
<v Speaker 4>Man, we had that full conversation.

0:31:08.400 --> 0:31:10.400
<v Speaker 3>Let's not act like Jack is also not I'm not

0:31:10.440 --> 0:31:13.280
<v Speaker 3>a megastar, of course, but anyone that sells out in arena,

0:31:13.360 --> 0:31:16.240
<v Speaker 3>I think you can put in a pretty high category.

0:31:16.320 --> 0:31:19.600
<v Speaker 1>No, no, for sure, but but you can't. We're not

0:31:19.600 --> 0:31:22.760
<v Speaker 1>talking about somebody that is only doing two thousand seats, which,

0:31:22.760 --> 0:31:24.000
<v Speaker 1>by the way, two thousand seat is great.

0:31:24.000 --> 0:31:27.640
<v Speaker 4>But he's doing arenas. Okay, So let's he's not going

0:31:27.680 --> 0:31:28.640
<v Speaker 4>to do arenas with Monica.

0:31:28.800 --> 0:31:30.880
<v Speaker 5>Let's but and that's so that's what I was about

0:31:30.880 --> 0:31:34.480
<v Speaker 5>to say, right so with let's address the he's doing arenas.

0:31:34.480 --> 0:31:37.200
<v Speaker 5>Because the way that music moves so fast these days,

0:31:37.880 --> 0:31:40.880
<v Speaker 5>like for example, if Jenna Jackson came back right now

0:31:40.960 --> 0:31:42.680
<v Speaker 5>or decided to drop something she can do in arena

0:31:42.680 --> 0:31:44.040
<v Speaker 5>for the rest of her life, she will be able

0:31:44.080 --> 0:31:46.680
<v Speaker 5>to do an arena if you have one hot project

0:31:46.840 --> 0:31:48.959
<v Speaker 5>that will and it was hot because of a couple singles,

0:31:48.960 --> 0:31:50.880
<v Speaker 5>and you were able to do an arena that year,

0:31:51.440 --> 0:31:53.480
<v Speaker 5>like before this album, I don't know if Jack would

0:31:53.480 --> 0:31:54.880
<v Speaker 5>have been able to do an arena like. I don't

0:31:54.880 --> 0:31:55.960
<v Speaker 5>know if he would have been able to do an

0:31:55.960 --> 0:31:57.920
<v Speaker 5>arena after jack Man. I don't know if he would

0:31:57.920 --> 0:31:59.520
<v Speaker 5>have be able to do an arena after now. So

0:31:59.600 --> 0:32:02.480
<v Speaker 5>then you can't say he does arenas because that means

0:32:02.480 --> 0:32:04.920
<v Speaker 5>you have a dedicated fan base who will support you

0:32:04.960 --> 0:32:07.520
<v Speaker 5>no matter what. That's what makes you an established artist.

0:32:07.640 --> 0:32:10.080
<v Speaker 5>I don't think that he has that. I don't think

0:32:10.080 --> 0:32:12.080
<v Speaker 5>that he can release this album and go and do

0:32:12.160 --> 0:32:14.680
<v Speaker 5>an arena and his dedicated fan base will show up.

0:32:14.760 --> 0:32:16.560
<v Speaker 5>That what will make him established. I don't think he's

0:32:16.600 --> 0:32:17.160
<v Speaker 5>there yet.

0:32:17.440 --> 0:32:18.880
<v Speaker 4>Okay, I see your point again.

0:32:18.920 --> 0:32:21.200
<v Speaker 3>I think jack Man was more of a mixtape, and

0:32:21.320 --> 0:32:24.680
<v Speaker 3>it came out pretty quick afterwards and was clearly just

0:32:24.720 --> 0:32:27.280
<v Speaker 3>a quick like I'm putting something out for my core

0:32:27.400 --> 0:32:30.880
<v Speaker 3>fan base. If he would have stayed more in the

0:32:30.960 --> 0:32:33.800
<v Speaker 3>lane of the kids, Miss You, I think Jack would

0:32:33.840 --> 0:32:37.440
<v Speaker 3>have still been able to do arenas. Now I would

0:32:37.480 --> 0:32:40.480
<v Speaker 3>assume that he's going to I hope purposely choose small

0:32:40.560 --> 0:32:44.440
<v Speaker 3>venues to perform this. And then also I don't know

0:32:45.240 --> 0:32:48.640
<v Speaker 3>again how much of this music he created. That's also

0:32:48.760 --> 0:32:53.240
<v Speaker 3>tough to perform when you didn't make this type of music.

0:32:53.080 --> 0:32:55.160
<v Speaker 4>Like that's a lot of the allure of.

0:32:57.120 --> 0:32:58.560
<v Speaker 3>Let me not say a lure, but a lot of

0:32:58.600 --> 0:33:01.640
<v Speaker 3>the authenticity with Neil so is a lot of those

0:33:01.720 --> 0:33:04.520
<v Speaker 3>artists are producing that music. So those live shows hit

0:33:04.840 --> 0:33:07.960
<v Speaker 3>a bit differently when you're controlling the entire band, you're

0:33:08.040 --> 0:33:12.560
<v Speaker 3>participating in every instrument is it's just a little different.

0:33:12.760 --> 0:33:15.680
<v Speaker 3>I don't know how this looks. And they and most

0:33:15.720 --> 0:33:17.840
<v Speaker 3>of those artists have been doing venues for so long.

0:33:17.880 --> 0:33:19.520
<v Speaker 3>They know how to control those crowds. They know how

0:33:19.520 --> 0:33:21.920
<v Speaker 3>to put a show on. I'm not saying Jack doesn't,

0:33:22.040 --> 0:33:24.840
<v Speaker 3>but doing first class in Barclays is a little different

0:33:24.880 --> 0:33:26.960
<v Speaker 3>than controlling four shows in one night in Blue Note,

0:33:27.880 --> 0:33:31.520
<v Speaker 3>where you have to play every instrument. Yeah, So I

0:33:31.520 --> 0:33:33.000
<v Speaker 3>just don't know if it's gonna come across. I don't

0:33:33.000 --> 0:33:34.840
<v Speaker 3>know if he knows how to perform this yet. And

0:33:35.320 --> 0:33:39.840
<v Speaker 3>he's a professional. I'm sure he's probably rehearsing as as

0:33:39.920 --> 0:33:41.960
<v Speaker 3>much as he can. I just don't know how this

0:33:42.080 --> 0:33:43.720
<v Speaker 3>is gonna pivot and.

0:33:44.000 --> 0:33:44.680
<v Speaker 2>Who even.

0:33:46.040 --> 0:33:48.000
<v Speaker 5>He doesn't give a fuck if he does sobs, who

0:33:48.040 --> 0:33:49.320
<v Speaker 5>goes and see some asobs?

0:33:49.840 --> 0:33:51.480
<v Speaker 2>Who's the consumer?

0:33:52.480 --> 0:33:53.800
<v Speaker 4>That's a great question.

0:33:54.440 --> 0:33:59.360
<v Speaker 1>Every white woman that just left American Apparel and went

0:33:59.400 --> 0:33:59.960
<v Speaker 1>to get a lot to.

0:34:03.440 --> 0:34:03.920
<v Speaker 2>I'm acha.

0:34:04.960 --> 0:34:07.440
<v Speaker 4>Here's the what Maul is saying is.

0:34:09.400 --> 0:34:10.360
<v Speaker 1>This is a bad idea.

0:34:10.719 --> 0:34:11.640
<v Speaker 2>It's not what I'm saying.

0:34:11.680 --> 0:34:13.640
<v Speaker 1>This was a bad idea. This album all right, but

0:34:13.640 --> 0:34:15.960
<v Speaker 1>here's listening the experiment like this, Jack way too soon.

0:34:17.880 --> 0:34:20.880
<v Speaker 3>You're kind of not wrong, though, because that crowd that

0:34:20.920 --> 0:34:24.560
<v Speaker 3>followed him on TikTok probably has never heard Neil soul

0:34:24.840 --> 0:34:26.960
<v Speaker 3>in their lives. And if you soon, if you consider

0:34:27.000 --> 0:34:29.439
<v Speaker 3>this diet Neil, so some of those people may think

0:34:29.520 --> 0:34:33.319
<v Speaker 3>that they just Jack just tapped into a genre that

0:34:33.320 --> 0:34:36.120
<v Speaker 3>no one's ever heard before. Right, some people really might

0:34:36.160 --> 0:34:39.240
<v Speaker 3>be like, yo, what this is? This type of music

0:34:39.320 --> 0:34:42.880
<v Speaker 3>is crazy, even if it is diet. And again, really

0:34:42.920 --> 0:34:45.279
<v Speaker 3>they have the women you're talking about. Go to Blue

0:34:45.280 --> 0:34:47.600
<v Speaker 3>Note one time to watch Jack and look at Jack

0:34:47.840 --> 0:34:49.399
<v Speaker 3>like he's three stacks and level below, like.

0:34:49.480 --> 0:34:52.080
<v Speaker 1>I've never even heard anything like this. But this is

0:34:52.120 --> 0:34:54.759
<v Speaker 1>not this is Jack. This was just too soon to

0:34:55.040 --> 0:34:56.799
<v Speaker 1>experiment like this for Jack, do you.

0:34:56.760 --> 0:35:02.440
<v Speaker 3>Give him any any respect for at this moment pivoting

0:35:02.480 --> 0:35:04.399
<v Speaker 3>to something you think he in his.

0:35:04.320 --> 0:35:05.120
<v Speaker 4>Words, I don't know.

0:35:05.680 --> 0:35:08.440
<v Speaker 1>I mean as an artist, I respect risk. Yeah, I

0:35:08.480 --> 0:35:13.120
<v Speaker 1>respect when artists take risks. You know, you gotta believe

0:35:13.120 --> 0:35:15.320
<v Speaker 1>in yourself. You have to have the utmost belief in

0:35:15.360 --> 0:35:18.000
<v Speaker 1>yourself first before the fans will believe in you. So

0:35:18.000 --> 0:35:20.879
<v Speaker 1>I respect Jack for that. I mean, I just think that,

0:35:20.960 --> 0:35:24.040
<v Speaker 1>you know, this was just such a hard pivot where

0:35:24.040 --> 0:35:27.600
<v Speaker 1>it's like from his sound, it's like, I just think

0:35:27.640 --> 0:35:29.000
<v Speaker 1>it was too soon to do that. I think you

0:35:29.040 --> 0:35:32.080
<v Speaker 1>needed to give us one more, maybe two more bona

0:35:32.080 --> 0:35:37.200
<v Speaker 1>fide rap hip hop albums. You could sprinkle in some

0:35:37.400 --> 0:35:39.920
<v Speaker 1>R and B, even some neo soul vibes in that.

0:35:40.040 --> 0:35:43.960
<v Speaker 3>Within that album Mac Miller The Divine, which to me

0:35:44.040 --> 0:35:46.200
<v Speaker 3>is more of a modern classic of that type of

0:35:46.280 --> 0:35:48.239
<v Speaker 3>genre where it's like Mac is rapping on that. You

0:35:48.280 --> 0:35:51.040
<v Speaker 3>still got to hit with Anderson Pact, but then you

0:35:51.120 --> 0:35:56.280
<v Speaker 3>have joints on there. Shit, even the record with Grande

0:35:56.400 --> 0:35:57.600
<v Speaker 3>is a record.

0:35:57.800 --> 0:36:00.399
<v Speaker 1>Yeah, I just think this was this was too hard left.

0:36:00.440 --> 0:36:03.400
<v Speaker 1>It was like you know, and and again I respect

0:36:03.480 --> 0:36:06.520
<v Speaker 1>artists taking risks. That's that's that's you know, that speaks

0:36:06.560 --> 0:36:09.000
<v Speaker 1>to an artist just believing in themselves. So I respect

0:36:09.080 --> 0:36:12.200
<v Speaker 1>Jack there, but you know, just somebody just listening and

0:36:12.320 --> 0:36:14.239
<v Speaker 1>I press play on it on the Jack Harlow album.

0:36:14.239 --> 0:36:16.680
<v Speaker 1>I was not expecting this to be the album at all.

0:36:16.800 --> 0:36:18.440
<v Speaker 5>So if you didn't know it was Jack Harlow and

0:36:18.600 --> 0:36:21.719
<v Speaker 5>somebody just threw it on, would you like it?

0:36:21.760 --> 0:36:22.719
<v Speaker 2>And ask, like, yo, who's that?

0:36:22.880 --> 0:36:28.960
<v Speaker 1>I like, Yo, Rey Shan is back? My god, stop yo,

0:36:29.560 --> 0:36:30.439
<v Speaker 1>me saying is back?

0:36:43.120 --> 0:36:44.840
<v Speaker 2>Absolutely yo.

0:36:45.719 --> 0:36:47.200
<v Speaker 3>You know the amount of people that were saying Jack

0:36:47.239 --> 0:36:51.719
<v Speaker 3>Carlow's next album it's gonna be dancehol what ship.

0:36:54.080 --> 0:36:54.520
<v Speaker 1>Yo?

0:36:55.120 --> 0:36:57.719
<v Speaker 3>Demarus? I would ask, who is this? Yes, because I

0:36:57.719 --> 0:37:00.880
<v Speaker 3>don't think it's bad music. I like Prague all of

0:37:00.920 --> 0:37:03.480
<v Speaker 3>my friends. Hook is crazy. I like, say, hello, I

0:37:03.600 --> 0:37:07.040
<v Speaker 3>like the project, but here's my thing. If you're gonna

0:37:07.080 --> 0:37:12.680
<v Speaker 3>go for the risk, don't, Glenn Lewis, the entire project

0:37:12.800 --> 0:37:13.360
<v Speaker 3>is safe.

0:37:13.400 --> 0:37:14.680
<v Speaker 4>Like, that's what's weird about it.

0:37:15.440 --> 0:37:17.440
<v Speaker 3>It's a risk because you pivoted to Neo Soul with

0:37:17.480 --> 0:37:19.480
<v Speaker 3>a beanie on and said you got Blacker and then

0:37:19.520 --> 0:37:23.000
<v Speaker 3>met Mona Like all of that is a crazy, crazy risk.

0:37:23.400 --> 0:37:26.440
<v Speaker 3>But again, not comparing Jack to Andre two thousand. But

0:37:26.480 --> 0:37:29.359
<v Speaker 3>when Andre two thousand took that pivot, he went all

0:37:29.400 --> 0:37:32.399
<v Speaker 3>the way. You got weird shit like Happy Valentine's Day. Yeah,

0:37:32.600 --> 0:37:38.880
<v Speaker 3>you got records that were digestible, like hey, prototype, like

0:37:38.920 --> 0:37:41.759
<v Speaker 3>you got things that the world could accept. But then

0:37:41.960 --> 0:37:45.359
<v Speaker 3>you got love and war, you got Happy Valentine's Day,

0:37:45.480 --> 0:37:48.400
<v Speaker 3>you got all these like really pushing the genre forward

0:37:48.719 --> 0:37:51.000
<v Speaker 3>instead of just copy and pasting. For this is the

0:37:51.040 --> 0:37:52.879
<v Speaker 3>safest meal soul album I've ever heard in my life.

0:37:53.800 --> 0:37:56.160
<v Speaker 3>That's that's really my issue. It's not bad music, but

0:37:56.200 --> 0:37:58.279
<v Speaker 3>if you're gonna take the risk push the genre forward,

0:37:58.280 --> 0:38:02.040
<v Speaker 3>don't just every record. Every record is the safest meal

0:38:02.120 --> 0:38:04.200
<v Speaker 3>soul record I've ever heard, which doesn't mean it's bad,

0:38:04.719 --> 0:38:05.279
<v Speaker 3>but it's safe.

0:38:06.120 --> 0:38:06.920
<v Speaker 2>There's nothing on.

0:38:06.880 --> 0:38:08.399
<v Speaker 3>There that I was like, Okay, I see you're trying

0:38:08.440 --> 0:38:11.839
<v Speaker 3>to push You appreciate neo soul so much that you're

0:38:11.880 --> 0:38:15.160
<v Speaker 3>trying to push it forward. This is a very, very

0:38:15.200 --> 0:38:19.680
<v Speaker 3>safe nine records of what someone would think neo soul

0:38:19.760 --> 0:38:20.640
<v Speaker 3>was in twenty twenty six.

0:38:20.960 --> 0:38:22.239
<v Speaker 4>And I want to make it clear, I don't think

0:38:22.280 --> 0:38:24.320
<v Speaker 4>that's bad. It's good music.

0:38:24.960 --> 0:38:25.319
<v Speaker 1>It's good.

0:38:25.400 --> 0:38:28.399
<v Speaker 3>All of my friends has incredible writing. Again, say hello,

0:38:28.480 --> 0:38:30.520
<v Speaker 3>I'll probably listen to say hello, that'll stay in the way,

0:38:30.520 --> 0:38:33.320
<v Speaker 3>like progue is fire, I move along school.

0:38:33.680 --> 0:38:35.480
<v Speaker 4>Every song is cool, but it's safe.

0:38:35.800 --> 0:38:39.000
<v Speaker 3>Yeah, So to me when you're saying this is a risk, yeah,

0:38:39.040 --> 0:38:41.719
<v Speaker 3>it's a risk, but it's the safest risk I've ever seen.

0:38:42.440 --> 0:38:44.120
<v Speaker 2>Like, if you're gonna do it, do it right.

0:38:44.680 --> 0:38:47.279
<v Speaker 3>Well, I meant get in there, like I love that

0:38:47.440 --> 0:38:49.919
<v Speaker 3>Robert Glasper was on it. But at that point, let's

0:38:49.960 --> 0:38:54.080
<v Speaker 3>let's tap in a little bit more. Let's really try

0:38:54.120 --> 0:38:56.560
<v Speaker 3>to push this. No, let's not okay if you let's

0:38:56.640 --> 0:38:57.759
<v Speaker 3>just not go that deep.

0:38:57.840 --> 0:39:01.680
<v Speaker 1>They're hard left shrinkle the album with a cut program

0:39:01.760 --> 0:39:04.200
<v Speaker 1>on the album, but then get back and wrapping not

0:39:04.320 --> 0:39:07.319
<v Speaker 1>mad like okay, like you slowly introducing your audience to

0:39:07.400 --> 0:39:11.239
<v Speaker 1>a different side of your different sound. Yeah, this is

0:39:11.280 --> 0:39:13.920
<v Speaker 1>just straight up like who is this? This is a

0:39:13.960 --> 0:39:14.760
<v Speaker 1>whole different person.

0:39:15.080 --> 0:39:19.760
<v Speaker 2>We know, we know why there was no single. Yeah awkward?

0:39:19.840 --> 0:39:22.920
<v Speaker 3>Oh yeah what super I get it. Yeah, there's kind

0:39:22.960 --> 0:39:25.200
<v Speaker 3>of no win for losing in that capacity. You put

0:39:25.200 --> 0:39:26.960
<v Speaker 3>a single out, it's like, wait, what the fuck is

0:39:27.000 --> 0:39:28.440
<v Speaker 3>going on? Then you get a full Yeah you kind

0:39:28.480 --> 0:39:31.440
<v Speaker 3>of just had to put this out. But I mean,

0:39:32.120 --> 0:39:34.799
<v Speaker 3>at the same time, though, the Will Smith segment that

0:39:34.840 --> 0:39:37.240
<v Speaker 3>we cut, which I went back and saw that freestyle,

0:39:37.280 --> 0:39:38.760
<v Speaker 3>and I think we owe them all like a huge apology.

0:39:38.800 --> 0:39:39.360
<v Speaker 4>We should have kept that.

0:39:41.440 --> 0:39:41.960
<v Speaker 2>I still.

0:39:45.400 --> 0:39:49.640
<v Speaker 5>Didn't lying on us and what we said that it

0:39:49.680 --> 0:39:50.720
<v Speaker 5>wasn't clout chasing.

0:39:51.000 --> 0:39:54.719
<v Speaker 1>Yes he was, That's what we said he was.

0:39:55.440 --> 0:39:58.239
<v Speaker 3>He was wrapping over pancakes. I'm not saying, first of all,

0:39:58.239 --> 0:40:00.160
<v Speaker 3>that Will Smith freestut was awful. I'm not saying Jack

0:40:00.200 --> 0:40:03.280
<v Speaker 3>Carlo's album is awful. Our point in the Will Smith

0:40:03.320 --> 0:40:05.080
<v Speaker 3>segment was if this is what you want to do

0:40:05.120 --> 0:40:07.279
<v Speaker 3>as an artist, and you feel whole, and this is

0:40:07.320 --> 0:40:09.399
<v Speaker 3>what you want to do, more power to.

0:40:09.360 --> 0:40:12.160
<v Speaker 1>You, bro. I mean, but that's what about it Jack.

0:40:12.239 --> 0:40:14.640
<v Speaker 3>If Jack feels better instead of he may have felt

0:40:14.719 --> 0:40:16.640
<v Speaker 3>nasty after that, doja cash shit? Like all right, I'm

0:40:16.640 --> 0:40:20.760
<v Speaker 3>not really becoming a caricterature of the same first class record.

0:40:21.080 --> 0:40:22.279
<v Speaker 3>Let me put a beanie on it, go be a

0:40:22.320 --> 0:40:25.000
<v Speaker 3>character somewhere else. But he may have felt whole with that.

0:40:25.840 --> 0:40:27.000
<v Speaker 3>Maybe he feels like I wanted.

0:40:27.080 --> 0:40:30.560
<v Speaker 1>Jack could feel whole, cool, great, he could experiment, great,

0:40:31.160 --> 0:40:34.160
<v Speaker 1>do all of those things, right, But we go sit

0:40:34.239 --> 0:40:37.439
<v Speaker 1>here and laugh at joke about it like that. That's

0:40:37.480 --> 0:40:39.799
<v Speaker 1>just not it. Jack, like we we we fuck with you.

0:40:39.880 --> 0:40:42.440
<v Speaker 1>But come on, though, this album is not what we expected.

0:40:43.040 --> 0:40:45.799
<v Speaker 1>Respect the risks as an artist, cool do that, but

0:40:47.040 --> 0:40:49.239
<v Speaker 1>I just think that it was too too far left,

0:40:49.280 --> 0:40:52.040
<v Speaker 1>and you got to ease ease the audience in the

0:40:52.080 --> 0:40:56.040
<v Speaker 1>ears into this new Jack Harlow Monica vibe. This was

0:40:56.120 --> 0:40:59.480
<v Speaker 1>just like a complete you know, reset, and it's like

0:40:59.480 --> 0:41:00.799
<v Speaker 1>a whole different person now.

0:41:00.880 --> 0:41:03.960
<v Speaker 3>Yeah, I'm still gonna laugh at Curtis Mayflower. Yeah, come

0:41:03.920 --> 0:41:06.839
<v Speaker 3>on man Q and on Tip Yeah, I'm laughing at

0:41:06.840 --> 0:41:07.120
<v Speaker 3>all of that.

0:41:07.400 --> 0:41:10.080
<v Speaker 2>Juwe Hill, Yeah, Jue Hill's fucking insane.

0:41:10.560 --> 0:41:16.520
<v Speaker 5>They called America America bad Judaism album America.

0:41:18.040 --> 0:41:23.520
<v Speaker 1>Americanism and just calling it Judaism. This fucking oh god.

0:41:24.040 --> 0:41:25.840
<v Speaker 1>But someone did before we get get off this and

0:41:25.960 --> 0:41:29.719
<v Speaker 1>get some other music. Someone did post.

0:41:29.680 --> 0:41:32.840
<v Speaker 3>Hip hop by the Numbers posted artists that have done

0:41:33.040 --> 0:41:36.640
<v Speaker 3>like the shift, starting with Jack Harlow, Neil Solauren b

0:41:37.320 --> 0:41:40.240
<v Speaker 3>Post Malone, Drake, with House No R and b Andre.

0:41:40.840 --> 0:41:43.080
<v Speaker 1>They put Ambia in New age jazz. I'm not broke.

0:41:43.160 --> 0:41:45.640
<v Speaker 1>He was how many albums in before Drake did that? Honestly,

0:41:45.640 --> 0:41:46.399
<v Speaker 1>never mine out that.

0:41:46.360 --> 0:41:49.120
<v Speaker 3>Wasn't really that far out of his ship Kanye obviously

0:41:49.160 --> 0:41:52.440
<v Speaker 3>with ata Waits Little Yachty, when he bit all of

0:41:52.520 --> 0:41:56.399
<v Speaker 3>child Sound, Childish Gambino cud.

0:41:56.480 --> 0:41:58.800
<v Speaker 4>He did some old rock shit. Wane did a rock album.

0:41:59.080 --> 0:42:01.200
<v Speaker 3>I don't like that they put or Hill Unplugged under

0:42:01.200 --> 0:42:04.359
<v Speaker 3>folks soul, but I guess I get it. Snoop has

0:42:04.360 --> 0:42:05.879
<v Speaker 3>done every genre you can think of.

0:42:06.800 --> 0:42:09.319
<v Speaker 1>Every artist you name. It was so established in so

0:42:09.640 --> 0:42:12.680
<v Speaker 1>big pause when they decided to do that, Like, that's

0:42:12.680 --> 0:42:16.680
<v Speaker 1>the difference. You have to establish an identity, a sound

0:42:16.760 --> 0:42:18.520
<v Speaker 1>that people know you for when they hear it, or

0:42:18.560 --> 0:42:21.399
<v Speaker 1>that's Jack Harlow. Like we were sitting here saying, like, Yo,

0:42:21.400 --> 0:42:23.239
<v Speaker 1>what is it again? What is it gonna sound?

0:42:23.239 --> 0:42:23.279
<v Speaker 3>Like?

0:42:23.320 --> 0:42:25.560
<v Speaker 1>What is this project? Is da da? We were still

0:42:25.600 --> 0:42:27.640
<v Speaker 1>looking for that. We were still trying to figure out

0:42:28.040 --> 0:42:30.719
<v Speaker 1>the Jack Harlow sound. So then they give us a

0:42:30.760 --> 0:42:33.799
<v Speaker 1>completely different sound than we've ever heard from Jack. You

0:42:33.880 --> 0:42:35.799
<v Speaker 1>confuse us even more now now we really don't know

0:42:35.800 --> 0:42:38.520
<v Speaker 1>what to expect. What's the next album? I just told

0:42:38.560 --> 0:42:41.040
<v Speaker 1>you Dan say that one hundred two thousand, like just instruments?

0:42:41.080 --> 0:42:44.319
<v Speaker 1>Is he gonna let us know that he can actually play? Now? Like, like,

0:42:44.360 --> 0:42:46.560
<v Speaker 1>what is it? What is the next he cannot go

0:42:46.719 --> 0:42:49.680
<v Speaker 1>back full rap hip hop next album. He can't.

0:42:49.920 --> 0:42:54.080
<v Speaker 3>Yeah, because even like with Child's Gambino, if you have

0:42:54.200 --> 0:42:57.000
<v Speaker 3>because of the Internet, going to Awaken My Love, that

0:42:57.120 --> 0:43:01.400
<v Speaker 3>was very much a funk album. It wasn't that crazy

0:43:01.480 --> 0:43:04.520
<v Speaker 3>because the Internet had elements of that, Like it was.

0:43:05.480 --> 0:43:09.719
<v Speaker 3>Everyone does kind of ease their way. You have to, Yeah,

0:43:10.120 --> 0:43:12.960
<v Speaker 3>you have to. You can't like you have to. It's

0:43:12.960 --> 0:43:13.560
<v Speaker 3>a way to do it.

0:43:13.600 --> 0:43:14.920
<v Speaker 1>I'm not mad. It's a way to do it. It's

0:43:14.960 --> 0:43:16.040
<v Speaker 1>just a way to do it. And I think this

0:43:16.200 --> 0:43:17.399
<v Speaker 1>was he miscalculated his.

0:43:17.440 --> 0:43:20.560
<v Speaker 3>Yeah, because even like Three Stacks too, Like yeah, Love

0:43:20.600 --> 0:43:23.120
<v Speaker 3>Below threw me off a bit, but it was like.

0:43:23.080 --> 0:43:24.960
<v Speaker 1>Three Stacks gave us a lot of rapping before he

0:43:24.960 --> 0:43:25.719
<v Speaker 1>gave us the flu out.

0:43:25.840 --> 0:43:27.600
<v Speaker 2>But I know what I'm saying, he also gave us

0:43:27.640 --> 0:43:28.040
<v Speaker 2>a lot of bum.

0:43:28.120 --> 0:43:29.360
<v Speaker 3>I'm saying he gave us a lot of rapping, but

0:43:29.400 --> 0:43:32.400
<v Speaker 3>also a lot of singing before he did Love Below.

0:43:32.440 --> 0:43:35.520
<v Speaker 3>Like there was elements like the Miss Jackson hook could

0:43:35.520 --> 0:43:36.760
<v Speaker 3>have been on Love Below, and it wouldn't.

0:43:36.800 --> 0:43:39.080
<v Speaker 4>You wouldn't have exact LinkedIn I ad exactly.

0:43:39.480 --> 0:43:41.040
<v Speaker 1>So it's a way to do it, all right.

0:43:41.040 --> 0:43:43.600
<v Speaker 3>Three Sacks in a wig, I don't think it's that weird, right,

0:43:44.040 --> 0:43:45.719
<v Speaker 3>this is the part we get it.

0:43:45.760 --> 0:43:47.719
<v Speaker 1>We understand this has always been a part of his thing.

0:43:48.960 --> 0:43:50.920
<v Speaker 2>But yeah, I mean, I don't know if this this

0:43:50.960 --> 0:43:51.839
<v Speaker 2>is Jacks thing this year?

0:43:52.760 --> 0:43:55.960
<v Speaker 1>Well, looking forward to the next project Jack. Do we

0:43:56.000 --> 0:43:58.080
<v Speaker 1>want to stay on the Whites, Yes, sir, it's a big,

0:43:58.160 --> 0:43:59.400
<v Speaker 1>big weekend for the Whites.

0:44:00.360 --> 0:44:02.160
<v Speaker 3>I don't know if you guys are big James Blake

0:44:02.200 --> 0:44:05.920
<v Speaker 3>fans the way I am. I like you, James.

0:44:06.000 --> 0:44:08.680
<v Speaker 1>James has disappointed me in the last few projects as

0:44:08.680 --> 0:44:09.680
<v Speaker 1>a big James Blake fan.

0:44:09.800 --> 0:44:12.879
<v Speaker 3>I hated the YACHTI project. His album before that kind

0:44:12.880 --> 0:44:15.760
<v Speaker 3>of felt all over the place. I think we got

0:44:16.160 --> 0:44:20.720
<v Speaker 3>the James that I love back, trying Toms, trying Tomes.

0:44:21.360 --> 0:44:24.200
<v Speaker 3>I'm two listeners in and this is this is the James.

0:44:24.200 --> 0:44:30.560
<v Speaker 3>I like, full, full, full on producer James and more

0:44:30.600 --> 0:44:33.320
<v Speaker 3>of the R and B esque stuff. I like his

0:44:33.320 --> 0:44:36.680
<v Speaker 3>electronics stuff. I like the alternative stuff. But sometimes James

0:44:36.719 --> 0:44:39.200
<v Speaker 3>just needs to give us some harmonies and bring us

0:44:39.239 --> 0:44:44.239
<v Speaker 3>all back. Sometimes experimenting is not good for your fan base,

0:44:45.160 --> 0:44:48.240
<v Speaker 3>Like sometimes you shouldn't do an album with Little YACHTI.

0:44:49.160 --> 0:44:53.719
<v Speaker 1>Yeah, don't confuse the listeners don't confuse your fan base.

0:44:53.760 --> 0:44:56.160
<v Speaker 5>I get it, but see some people experiment and that

0:44:56.200 --> 0:44:57.279
<v Speaker 5>shit pops off, Like.

0:44:57.239 --> 0:44:59.600
<v Speaker 3>You never know what James was experimenting and has popped off.

0:44:59.640 --> 0:45:02.799
<v Speaker 3>I'm saying he left us for like two years where

0:45:02.840 --> 0:45:03.279
<v Speaker 3>I was like.

0:45:03.280 --> 0:45:04.839
<v Speaker 1>He was busy, he had to go do some other ship.

0:45:05.360 --> 0:45:07.440
<v Speaker 4>I don't know what fan base he was serving, and

0:45:07.520 --> 0:45:08.120
<v Speaker 4>I could be wrong.

0:45:08.560 --> 0:45:13.719
<v Speaker 3>I like more James R and B saying he went

0:45:13.960 --> 0:45:16.040
<v Speaker 3>in a different bag for the last couple of years,

0:45:16.040 --> 0:45:17.839
<v Speaker 3>that that had confused me a lot.

0:45:18.719 --> 0:45:19.720
<v Speaker 4>This is a really good album.

0:45:19.800 --> 0:45:22.000
<v Speaker 1>I gotta check it out. I didn't hit this one yet. Yeah. No,

0:45:22.120 --> 0:45:22.800
<v Speaker 1>the whites.

0:45:23.480 --> 0:45:25.240
<v Speaker 4>The whites try to give give you all some souls

0:45:25.480 --> 0:45:26.160
<v Speaker 4>this weekend.

0:45:27.840 --> 0:45:30.120
<v Speaker 1>I didn't take it, but hopefully James gave us a

0:45:30.120 --> 0:45:31.239
<v Speaker 1>little more soul than.

0:45:31.920 --> 0:45:32.439
<v Speaker 2>We're talking about.

0:45:32.520 --> 0:45:37.680
<v Speaker 3>James Blake. Yeah, that's that's authenticity. You're right, I can

0:45:37.760 --> 0:45:39.720
<v Speaker 3>I know who he is. Yeah, I know what's expecting.

0:45:41.320 --> 0:45:44.200
<v Speaker 3>Alex Osley put out a record west Side. That's that's fire.

0:45:45.560 --> 0:45:49.360
<v Speaker 2>One of the finest, bad the most talented.

0:45:49.520 --> 0:45:50.600
<v Speaker 1>You're right, I'm cool.

0:45:51.040 --> 0:45:54.040
<v Speaker 2>Alex is very pretty, but she's also very talented, very talented.

0:45:54.200 --> 0:45:55.400
<v Speaker 4>We don't have to get.

0:45:55.239 --> 0:45:57.080
<v Speaker 1>Her looks all the time, amazing voice.

0:45:57.760 --> 0:46:02.440
<v Speaker 3>Yeah, she I mean she's I kind of want her

0:46:03.000 --> 0:46:04.320
<v Speaker 3>and I know she doesn't want to do this. I

0:46:04.400 --> 0:46:06.759
<v Speaker 3>kind of want her to sit with the pop producers.

0:46:07.400 --> 0:46:09.040
<v Speaker 3>Just give me one year to sell out for a

0:46:09.080 --> 0:46:10.759
<v Speaker 3>second and see what you could do, because I think

0:46:10.760 --> 0:46:12.720
<v Speaker 3>we get soul full sellout.

0:46:12.360 --> 0:46:17.000
<v Speaker 1>Music, soulful sellout music.

0:46:17.120 --> 0:46:18.800
<v Speaker 3>Let me not all right, sell out is the wrong

0:46:19.120 --> 0:46:21.480
<v Speaker 3>verb of that of crossover shit if you would have

0:46:21.480 --> 0:46:24.759
<v Speaker 3>made this anyway, but you're in there, Maybe we do

0:46:24.840 --> 0:46:25.839
<v Speaker 3>one session.

0:46:25.480 --> 0:46:27.200
<v Speaker 4>With Benny Blanco, even though it's not really my.

0:46:27.200 --> 0:46:29.520
<v Speaker 3>Guy, but just to see what you could do with

0:46:29.600 --> 0:46:33.520
<v Speaker 3>your talent, with what the machine producers could do, because

0:46:33.600 --> 0:46:37.440
<v Speaker 3>I think Alex could make the way we love Beyonce

0:46:37.840 --> 0:46:41.279
<v Speaker 3>as far as pop music, soul authenticity, even though it's

0:46:41.320 --> 0:46:45.400
<v Speaker 3>pop music. You know what Tom it is where I

0:46:45.440 --> 0:46:47.719
<v Speaker 3>don't think Alex is far from that, even though she

0:46:47.800 --> 0:46:50.240
<v Speaker 3>stays in her lane as far as this type of music.

0:46:52.640 --> 0:46:54.719
<v Speaker 4>Just one go, give it three months, see what you

0:46:54.719 --> 0:46:55.160
<v Speaker 4>come up with.

0:46:55.280 --> 0:46:56.839
<v Speaker 1>I love Alex Osley, like.

0:46:57.000 --> 0:47:00.319
<v Speaker 3>I really think Alex Osley could be with her talent level,

0:47:00.600 --> 0:47:02.560
<v Speaker 3>one of the biggest artists in the R and B

0:47:02.600 --> 0:47:05.600
<v Speaker 3>pop world for sure. Like it wouldn't be mean, like

0:47:05.600 --> 0:47:08.239
<v Speaker 3>you would not expect from her, but she has that.

0:47:08.960 --> 0:47:13.200
<v Speaker 3>Her talent is just different, her tone is different. She

0:47:13.200 --> 0:47:16.520
<v Speaker 3>she would sing circles around these girls, but knows how

0:47:16.560 --> 0:47:18.680
<v Speaker 3>to pull it back where it's digestible, where you're not

0:47:18.760 --> 0:47:21.320
<v Speaker 3>just crooning the entire time on some traditional R and B.

0:47:21.400 --> 0:47:21.600
<v Speaker 2>Shit.

0:47:22.040 --> 0:47:23.560
<v Speaker 3>I'd like to see Alex do that, even though I

0:47:23.560 --> 0:47:26.480
<v Speaker 3>know she's not going to do that. But you know,

0:47:27.480 --> 0:47:29.720
<v Speaker 3>I didn't listen to the YG shi it, so forgive

0:47:29.760 --> 0:47:32.440
<v Speaker 3>me there hate the West Coast.

0:47:32.960 --> 0:47:34.520
<v Speaker 4>I know, I'm come on, I'm heaving sent.

0:47:37.480 --> 0:47:39.400
<v Speaker 1>You just had to you just had to go there,

0:47:39.480 --> 0:47:40.920
<v Speaker 1>right yo.

0:47:42.760 --> 0:47:44.680
<v Speaker 4>Even Jack Carl Lowis, Evans.

0:47:44.400 --> 0:47:48.440
<v Speaker 1>Jack Cars, Monica's Heaven Sent Monica for show Heaven Sent.

0:47:50.000 --> 0:47:51.240
<v Speaker 1>So how I put on another record?

0:47:51.400 --> 0:47:53.040
<v Speaker 4>He did Bouncing and it's great.

0:47:54.120 --> 0:47:56.680
<v Speaker 1>Wait what the fuck is doing? Man? I love it?

0:47:56.760 --> 0:48:00.960
<v Speaker 1>I love it, we get how happened and putting music out.

0:48:01.000 --> 0:48:02.719
<v Speaker 1>I love it. I just didn't hit his record yet though.

0:48:03.560 --> 0:48:06.319
<v Speaker 2>Dope, Yeah, it's great. It's a good rollout. I think

0:48:06.320 --> 0:48:08.000
<v Speaker 2>all these records aren't gonna make the album.

0:48:08.160 --> 0:48:09.800
<v Speaker 1>I think there's just a lot of lucy stuff that

0:48:09.840 --> 0:48:12.640
<v Speaker 1>he's just getting the attention back to his solo career.

0:48:13.120 --> 0:48:16.080
<v Speaker 2>So I can't wait, even though he said soon on

0:48:16.320 --> 0:48:16.800
<v Speaker 2>his album.

0:48:16.880 --> 0:48:19.600
<v Speaker 1>Yeah, I'm not fulling, but but he's been consistent every

0:48:19.600 --> 0:48:22.080
<v Speaker 1>Friday we get That's what I'm saying, know.

0:48:22.040 --> 0:48:24.640
<v Speaker 3>Bouncing his spot too production, He's he's been great on

0:48:24.680 --> 0:48:29.200
<v Speaker 3>that end. Can we pull up the Larrussell clip before

0:48:29.200 --> 0:48:31.799
<v Speaker 3>we get out of music? Just because I just think

0:48:31.920 --> 0:48:34.640
<v Speaker 3>and sometimes in these trying times, it's a lot going on,

0:48:35.080 --> 0:48:38.400
<v Speaker 3>especially with global politics, and this is where you know,

0:48:38.520 --> 0:48:43.839
<v Speaker 3>artists like poc Chuck d Michael Stevie, everyone is as

0:48:43.840 --> 0:48:47.239
<v Speaker 3>spoke of Marvin Gay, what's going on that there's been

0:48:47.320 --> 0:48:49.360
<v Speaker 3>artists that have stepped in to really put things in

0:48:49.360 --> 0:48:51.760
<v Speaker 3>perspective for us. And I think that's really what artistry

0:48:51.800 --> 0:48:54.440
<v Speaker 3>is missing. So I agree with with Larrussell in his

0:48:54.480 --> 0:48:57.560
<v Speaker 3>statement in starting this where his engineer said you don't

0:48:57.640 --> 0:49:01.600
<v Speaker 3>drop this, m saying, this is the point of artists.

0:49:01.600 --> 0:49:03.279
<v Speaker 3>This is what's been missing an artistry. We got to

0:49:03.280 --> 0:49:05.760
<v Speaker 3>take a stance. We have to calm the world down

0:49:06.080 --> 0:49:09.920
<v Speaker 3>and explain things. And I was ready, and then then

0:49:09.920 --> 0:49:10.760
<v Speaker 3>he started the record.

0:49:11.360 --> 0:49:13.160
<v Speaker 6>I made this record and I sent it off to

0:49:13.239 --> 0:49:16.680
<v Speaker 6>my engineer. Fact he calls me. He said, Man, you

0:49:16.719 --> 0:49:19.680
<v Speaker 6>probably shouldn't put this out. I said, what, what the

0:49:19.760 --> 0:49:22.920
<v Speaker 6>hell happened? He said, you know you you're talking about Empstein.

0:49:22.960 --> 0:49:25.360
<v Speaker 6>The It's a lot of shit going on. And I said,

0:49:26.080 --> 0:49:28.440
<v Speaker 6>thank you for calling me. I'm finna drop this.

0:49:28.600 --> 0:49:30.279
<v Speaker 4>That's what they said about.

0:49:30.960 --> 0:49:35.240
<v Speaker 6>That's exactly why we need it, because everybody sitting be silent,

0:49:35.920 --> 0:49:38.480
<v Speaker 6>and the goal of artist is to express the times

0:49:38.840 --> 0:49:41.759
<v Speaker 6>and discuss say all the things that nobody else want

0:49:41.800 --> 0:49:45.560
<v Speaker 6>to say or know how to say. I'm not perfect,

0:49:46.080 --> 0:49:49.320
<v Speaker 6>and neither is the president's guilty or then the nigga

0:49:49.360 --> 0:49:51.680
<v Speaker 6>had an apple dance. You can't be mad that they

0:49:51.719 --> 0:49:55.120
<v Speaker 6>heeded if you don't let them vent, even the devil,

0:49:55.239 --> 0:49:58.919
<v Speaker 6>what's had been sent, even Malcolm, what's had been sent?

0:50:00.080 --> 0:50:04.560
<v Speaker 6>Even ma and what's having sent? Even Kanye's had been sent?

0:50:06.120 --> 0:50:07.480
<v Speaker 6>We all haven't sent.

0:50:09.680 --> 0:50:17.719
<v Speaker 7>Down too. We all haven't sent Epstein too. We all

0:50:17.840 --> 0:50:23.600
<v Speaker 7>have been sent eight off too. We all haven't.

0:50:23.640 --> 0:50:29.520
<v Speaker 1>I wonder if I am even you have been.

0:50:29.360 --> 0:50:35.439
<v Speaker 5>Sent They said that they said I was having sent

0:50:36.760 --> 0:50:37.239
<v Speaker 5>Who said that?

0:50:37.360 --> 0:50:37.520
<v Speaker 1>Tom?

0:50:38.360 --> 0:50:41.959
<v Speaker 3>Everybody don't know you pissed me off? The most about

0:50:41.960 --> 0:50:43.960
<v Speaker 3>this wasn't Epstein or ate off or any of that.

0:50:44.800 --> 0:50:47.719
<v Speaker 3>It was that he brought me into it. Even you,

0:50:48.280 --> 0:50:52.440
<v Speaker 3>even I was questioning myself. You know, even you love

0:50:52.520 --> 0:50:54.759
<v Speaker 3>the Russell Man, so do I. But that doesn't mean

0:50:54.760 --> 0:50:55.719
<v Speaker 3>he can't get jokes.

0:50:55.520 --> 0:50:59.200
<v Speaker 1>To No, listen, nobody is.

0:50:59.040 --> 0:51:02.840
<v Speaker 3>We support Larussell. This was nuts. Your engineer was correct.

0:51:04.600 --> 0:51:07.560
<v Speaker 1>That ship was I'm just wait. That wasn't the whole song? No,

0:51:07.680 --> 0:51:09.680
<v Speaker 1>was it dode it matter? It was a big chunk

0:51:09.680 --> 0:51:11.200
<v Speaker 1>of it. He might have gave us some ball, don't

0:51:11.200 --> 0:51:12.520
<v Speaker 1>do that. It might be some bars in it.

0:51:12.360 --> 0:51:13.959
<v Speaker 3>But that was also like, all right, yeah, it sounds

0:51:14.040 --> 0:51:17.560
<v Speaker 3>nuts and he's definitely not using Heaven sent the correct way.

0:51:18.480 --> 0:51:20.759
<v Speaker 3>But the speech I was with him all the way, like, nah,

0:51:20.840 --> 0:51:23.879
<v Speaker 3>if your team is scared, your engineer is scared, maybe

0:51:23.880 --> 0:51:27.200
<v Speaker 3>you actually have something like that. I was that this

0:51:27.320 --> 0:51:29.080
<v Speaker 3>is a point where artists need to say something. And

0:51:29.120 --> 0:51:31.400
<v Speaker 3>then he went on to say absolutely fucking nothing.

0:51:31.600 --> 0:51:33.520
<v Speaker 1>But that's what is that the whole song? Though?

0:51:33.840 --> 0:51:35.919
<v Speaker 2>No, it's not the whole song, but.

0:51:35.560 --> 0:51:36.560
<v Speaker 1>We gotta hit the whole record.

0:51:37.360 --> 0:51:39.160
<v Speaker 2>Nah, I'm cool, actually, but what if.

0:51:39.120 --> 0:51:40.920
<v Speaker 1>He getting off though? Like what if he the record

0:51:41.000 --> 0:51:44.200
<v Speaker 1>is like he really saying some ship though you gonna

0:51:44.200 --> 0:51:46.399
<v Speaker 1>come back? And walk aback Atlanta to say it got

0:51:46.440 --> 0:51:47.400
<v Speaker 1>kind of He's.

0:51:47.239 --> 0:51:49.160
<v Speaker 2>Not really saying he was when he was first.

0:51:49.400 --> 0:51:52.720
<v Speaker 5>It ain't like he was just aren't the hook?

0:51:53.320 --> 0:51:54.319
<v Speaker 2>There was some verse in there.

0:51:54.640 --> 0:51:58.880
<v Speaker 3>I think he's gonna explain uh Iranian gas prices and

0:51:59.480 --> 0:51:59.920
<v Speaker 3>throwing bom.

0:52:00.480 --> 0:52:03.120
<v Speaker 1>I don't know what. I don't know what I'm just saying.

0:52:03.160 --> 0:52:05.960
<v Speaker 1>I feel like we've heard of russell songs, We've heard

0:52:05.920 --> 0:52:08.000
<v Speaker 1>of some of his music. You know, he does a

0:52:08.000 --> 0:52:08.480
<v Speaker 1>great job.

0:52:08.719 --> 0:52:11.560
<v Speaker 3>Despite what y'all, I understand a lot in his music.

0:52:11.680 --> 0:52:13.440
<v Speaker 1>Yeah, that's what this is. I get it. You know

0:52:13.440 --> 0:52:16.520
<v Speaker 1>what I'm saying. Epstein too, even I get it. Everybody

0:52:17.160 --> 0:52:19.560
<v Speaker 1>get about it. That is kind of crazy to Saystein

0:52:19.600 --> 0:52:22.080
<v Speaker 1>was eversent. I think that Nigga is the devil, but

0:52:23.120 --> 0:52:26.319
<v Speaker 1>the devil wasn't angel once right, he fell down from

0:52:26.320 --> 0:52:28.160
<v Speaker 1>heaving right. That's that's how the story goes with him.

0:52:28.960 --> 0:52:31.640
<v Speaker 1>So in order to believe in and said, you gotta

0:52:31.640 --> 0:52:32.239
<v Speaker 1>believe in the devil.

0:52:32.280 --> 0:52:35.800
<v Speaker 3>Okay, And again this this isn't a religious podcast, but

0:52:36.000 --> 0:52:39.560
<v Speaker 3>anyone that is Christian respect and believe. If you believe

0:52:39.600 --> 0:52:42.920
<v Speaker 3>that everyone is sevencent, that's cool. Why did I need

0:52:43.000 --> 0:52:47.440
<v Speaker 3>that information? What was groundbreaking about telling me that Epstein

0:52:47.800 --> 0:52:48.680
<v Speaker 3>was created by God.

0:52:49.960 --> 0:52:51.359
<v Speaker 1>That's why we need to get the rest of the song.

0:52:51.400 --> 0:52:52.800
<v Speaker 2>What's what like you might tie it all in?

0:52:53.480 --> 0:52:56.080
<v Speaker 3>All right, so after everything, we should stop be like,

0:52:56.120 --> 0:52:58.680
<v Speaker 3>you know what, Heaven think about it though, like he

0:52:58.840 --> 0:52:59.719
<v Speaker 3>was also heaven sent.

0:53:00.120 --> 0:53:01.759
<v Speaker 1>I'm just saying, we gotta hear the rest.

0:53:01.920 --> 0:53:04.160
<v Speaker 2>You know what, maybe maybe maybe you should babysit.

0:53:04.239 --> 0:53:07.400
<v Speaker 1>It's not no, no, no, it's not fair if we

0:53:07.440 --> 0:53:09.759
<v Speaker 1>don't hear the entire record. We have to hear the

0:53:09.880 --> 0:53:11.719
<v Speaker 1>entire record. That's what I'm saying. Get the joke. So

0:53:12.000 --> 0:53:14.840
<v Speaker 1>let's get the joke. So, but let's also hear the

0:53:14.920 --> 0:53:15.560
<v Speaker 1>rest of the record.

0:53:15.640 --> 0:53:20.359
<v Speaker 2>Okay, strange rollout I had the weekend or strange rollout.

0:53:20.680 --> 0:53:22.200
<v Speaker 1>He's at the Bogola, you know what I mean. He's

0:53:22.239 --> 0:53:23.719
<v Speaker 1>probably wanted to preview his new song.

0:53:24.320 --> 0:53:24.839
<v Speaker 2>You know what I mean.

0:53:25.040 --> 0:53:27.880
<v Speaker 1>But I mean it's it's a little weird. It's like whoa, Okay,

0:53:28.040 --> 0:53:30.920
<v Speaker 1>but let him land it. We got a even opportunity

0:53:31.040 --> 0:53:32.000
<v Speaker 1>to land the record.

0:53:32.520 --> 0:53:36.640
<v Speaker 3>Chuck English, who's an amazing producer, Chuck said, said don't

0:53:36.680 --> 0:53:39.120
<v Speaker 3>lose me dog. He retweeted it, and then l Russell

0:53:39.360 --> 0:53:41.839
<v Speaker 3>replied explaining what he was trying to say in the song.

0:53:42.200 --> 0:53:44.200
<v Speaker 3>He said, what do y'all think I'm saying in the song?

0:53:44.719 --> 0:53:47.719
<v Speaker 3>Is it the truth that's bothered something? Or is it

0:53:47.960 --> 0:53:50.759
<v Speaker 3>what you think I'm saying. I'm saying every human was

0:53:50.800 --> 0:53:54.719
<v Speaker 3>made by God, even the evil ones, even going to

0:53:54.840 --> 0:53:57.880
<v Speaker 3>hell alongside some of you'all uncles, daddy's and favorite rappers.

0:53:58.960 --> 0:54:01.799
<v Speaker 2>All Right, So I still still with Okay, he made

0:54:01.840 --> 0:54:03.120
<v Speaker 2>a point, No he didn't.

0:54:03.440 --> 0:54:06.080
<v Speaker 5>How if I make a song that's saying what the

0:54:06.200 --> 0:54:09.360
<v Speaker 5>boy is blue? The sky is blue. You know what

0:54:09.400 --> 0:54:11.799
<v Speaker 5>I'm saying, The sky is blue. Even you can see

0:54:11.800 --> 0:54:14.120
<v Speaker 5>that the sky is blue. What the fuck is the

0:54:14.160 --> 0:54:14.799
<v Speaker 5>point of that song?

0:54:15.080 --> 0:54:16.400
<v Speaker 1>I'm saying. We got to hit the rest of the song.

0:54:16.440 --> 0:54:19.480
<v Speaker 1>I'm saying what he said. In response to what Chuck

0:54:19.520 --> 0:54:23.560
<v Speaker 1>English said, He's right, though every human was made by God,

0:54:23.840 --> 0:54:26.840
<v Speaker 1>even the evil ones. That's a fact, even the niggas

0:54:26.880 --> 0:54:31.080
<v Speaker 1>going to hell alongside some of your uncles, daddies and

0:54:31.160 --> 0:54:34.399
<v Speaker 1>favorite rappers. What is false about what he says? It's

0:54:34.400 --> 0:54:36.719
<v Speaker 1>not about it being fall That's all I'm saying. I'm

0:54:36.719 --> 0:54:37.440
<v Speaker 1>saying what he said that.

0:54:37.560 --> 0:54:41.000
<v Speaker 5>Chuck was arrested on the seventh day okay, Like it's

0:54:41.280 --> 0:54:44.120
<v Speaker 5>like that's the thing. Fact though, okay, but there's mad facts.

0:54:44.160 --> 0:54:46.279
<v Speaker 5>But if I still say, what was he saying wrong?

0:54:46.280 --> 0:54:46.840
<v Speaker 5>That's what I'm saying, what.

0:54:47.400 --> 0:54:50.040
<v Speaker 2>About being okay? So I did not grasping this.

0:54:50.560 --> 0:54:53.319
<v Speaker 5>It doesn't matter that what he's not about what he's saying,

0:54:53.400 --> 0:54:55.640
<v Speaker 5>not being wrong, It's about what's the point.

0:54:55.960 --> 0:54:57.799
<v Speaker 2>There's no point in me making a song that says,

0:54:58.040 --> 0:54:58.879
<v Speaker 2>mall shirt is green.

0:54:58.920 --> 0:55:01.960
<v Speaker 1>But we didn't hear a song, That's what I'm saying.

0:55:02.000 --> 0:55:03.359
<v Speaker 1>We got to hit a rest of the song. We didn't.

0:55:03.520 --> 0:55:06.480
<v Speaker 3>At this point, he released the verses, and my thing

0:55:06.640 --> 0:55:08.759
<v Speaker 3>was that could be the song. That could be the

0:55:08.800 --> 0:55:12.640
<v Speaker 3>song we just heard right up, like you're making a

0:55:12.760 --> 0:55:15.120
<v Speaker 3>revolt record the way Fight the Power was like that

0:55:15.239 --> 0:55:17.600
<v Speaker 3>he's explaining why artists are so important and then you

0:55:17.800 --> 0:55:18.919
<v Speaker 3>just give me a bunch of shit.

0:55:19.000 --> 0:55:21.600
<v Speaker 4>That's like, okay, why did I need to know that

0:55:21.760 --> 0:55:23.400
<v Speaker 4>Epstein is okay?

0:55:23.480 --> 0:55:23.560
<v Speaker 2>Now?

0:55:23.600 --> 0:55:25.160
<v Speaker 1>What? Why?

0:55:25.239 --> 0:55:26.560
<v Speaker 4>Why is my perspective different?

0:55:26.600 --> 0:55:31.080
<v Speaker 2>Now here is the world looking like that is the song?

0:55:31.200 --> 0:55:32.560
<v Speaker 1>Then it's like, all right, what the fuck was that?

0:55:32.880 --> 0:55:34.680
<v Speaker 1>If that is the song, that's the full record that

0:55:35.040 --> 0:55:37.040
<v Speaker 1>he just we just heard, then it's like, what the

0:55:37.680 --> 0:55:40.200
<v Speaker 1>what is the Russell talking about? But if there's more

0:55:40.280 --> 0:55:42.719
<v Speaker 1>to it, and he makes it, he ties it on,

0:55:42.800 --> 0:55:45.000
<v Speaker 1>it makes it make sense, then we're gonna be sitting

0:55:45.040 --> 0:55:46.520
<v Speaker 1>here having to talk about the record again.

0:55:46.560 --> 0:55:49.080
<v Speaker 3>Like Okay, I didn't even see Chuck English's reply until

0:55:49.239 --> 0:55:51.480
<v Speaker 3>literally just now, and he's saying what Damarison are saying?

0:55:51.960 --> 0:55:55.319
<v Speaker 4>So water is wet? What's the reason or the point

0:55:55.360 --> 0:55:56.080
<v Speaker 4>that you tried to make?

0:55:57.680 --> 0:56:02.880
<v Speaker 5>Yeah, he said, you've been to heaven. I'm just now

0:56:03.000 --> 0:56:04.759
<v Speaker 5>Joe Spita kind of kill. He said it wasn't even

0:56:04.760 --> 0:56:06.160
<v Speaker 5>good enough for you to come out with the song. Like,

0:56:06.200 --> 0:56:08.000
<v Speaker 5>if you're going to try to be an introspective artist,

0:56:08.040 --> 0:56:09.200
<v Speaker 5>you got to pick up a book and read and

0:56:09.280 --> 0:56:12.040
<v Speaker 5>expand your vocabulary. You can't make elementary music and then

0:56:12.080 --> 0:56:14.840
<v Speaker 5>try to rap like nas. And I'm not saying that

0:56:14.840 --> 0:56:18.480
<v Speaker 5>about Russell as a whole. I guess my thing is,

0:56:18.600 --> 0:56:21.800
<v Speaker 5>even when Kanye has went off the deep end on

0:56:21.960 --> 0:56:24.560
<v Speaker 5>shit that I didn't agree with what he was doing,

0:56:26.000 --> 0:56:28.400
<v Speaker 5>he at least gave some context and some explanation, like

0:56:29.000 --> 0:56:31.160
<v Speaker 5>I don't agree with what you're saying, but it's coming

0:56:31.360 --> 0:56:35.600
<v Speaker 5>somewhat from a place that you have some points to make.

0:56:35.880 --> 0:56:38.040
<v Speaker 5>Even if we disagree with them, like I didn't agree

0:56:38.040 --> 0:56:40.680
<v Speaker 5>with everything Kanye did at the TMZ office and Van

0:56:40.719 --> 0:56:42.520
<v Speaker 5>put him in his places and that. But at least

0:56:42.600 --> 0:56:45.160
<v Speaker 5>Kanye was trying to make some points from another perspective

0:56:45.480 --> 0:56:46.719
<v Speaker 5>that I didn't agree with.

0:56:47.000 --> 0:56:49.720
<v Speaker 2>But there was some substance to his points.

0:56:49.880 --> 0:56:51.960
<v Speaker 3>Even though he got them from Kandas and Tucker he

0:56:52.120 --> 0:56:54.719
<v Speaker 3>was just regurgitating what they were saying. There still was

0:56:54.800 --> 0:56:57.520
<v Speaker 3>something behind what he was saying. Just telling me that

0:56:57.600 --> 0:57:01.120
<v Speaker 3>Epstein was made by God. Okay, what should I do

0:57:01.160 --> 0:57:01.520
<v Speaker 3>with that now?

0:57:03.160 --> 0:57:06.360
<v Speaker 5>Yeah, So I guess we'll see. Maw's the point. Maybe

0:57:06.480 --> 0:57:08.799
<v Speaker 5>he cleans it up in the rest of the song.

0:57:08.840 --> 0:57:13.760
<v Speaker 3>If I's and has a great perspective, make us records

0:57:13.800 --> 0:57:14.200
<v Speaker 3>and listen.

0:57:14.360 --> 0:57:16.680
<v Speaker 1>If that's the full song, I'm with you, what the

0:57:16.800 --> 0:57:19.680
<v Speaker 1>fuck is Russell talking about? If that's the full song?

0:57:20.160 --> 0:57:23.200
<v Speaker 1>I'm saying. If it's not, then we got to hear

0:57:23.240 --> 0:57:25.360
<v Speaker 1>the full record. And they're like, Okay, maybe he may

0:57:25.920 --> 0:57:27.280
<v Speaker 1>tie it all in to make it make sense.

0:57:28.840 --> 0:57:30.720
<v Speaker 2>Because I thought he's about to rap. He's just sitting there.

0:57:31.560 --> 0:57:33.960
<v Speaker 1>So what I'm saying, wish we need is that the record.

0:57:34.080 --> 0:57:37.480
<v Speaker 1>If not, let us hear the full record. But can

0:57:37.520 --> 0:57:38.160
<v Speaker 1>we joke about it?

0:57:38.240 --> 0:57:41.880
<v Speaker 4>Oh, for sure, absolutely do we think.

0:57:44.280 --> 0:57:46.280
<v Speaker 3>I'm not going into any of the conspiracy stuff. I

0:57:46.400 --> 0:57:50.960
<v Speaker 3>just do think it's crazy how the Timeline has turned

0:57:51.000 --> 0:57:53.360
<v Speaker 3>on Larussell post rock Nation signing.

0:57:54.800 --> 0:57:57.120
<v Speaker 2>Well, the Timeline wasn't really worried about l Russell pre

0:57:57.360 --> 0:57:58.200
<v Speaker 2>rock Nation signing.

0:57:58.680 --> 0:58:04.040
<v Speaker 3>No, I mean not the non music fan. The gossipy

0:58:04.120 --> 0:58:08.160
<v Speaker 3>timeline now cares more. Yeah, it's just interesting that the

0:58:08.280 --> 0:58:11.720
<v Speaker 3>choices that have been made post that, like l Russell

0:58:11.800 --> 0:58:15.080
<v Speaker 3>choices as far as music, because I've followed everything that

0:58:16.120 --> 0:58:19.080
<v Speaker 3>he's done. I've watched full streams, full YouTube videos of

0:58:19.320 --> 0:58:22.400
<v Speaker 3>his backyard, like I've never heard him get in the

0:58:22.440 --> 0:58:25.920
<v Speaker 3>Wayne shit or say Epstein was It's just bad timing.

0:58:26.080 --> 0:58:27.520
<v Speaker 4>I'm not on the side that I think rock Nation

0:58:27.680 --> 0:58:28.080
<v Speaker 4>is telling.

0:58:28.000 --> 0:58:30.360
<v Speaker 3>Him to make these moves. I'm not that psychotic. I

0:58:30.400 --> 0:58:32.240
<v Speaker 3>think y'all give rock Nation way too much credit. I

0:58:32.280 --> 0:58:35.320
<v Speaker 3>don't even really think rock Nation like talks them to

0:58:35.440 --> 0:58:38.000
<v Speaker 3>Larussell as much as you guys think he does. It's

0:58:38.160 --> 0:58:41.280
<v Speaker 3>just now with the lights on, with the timeline that's

0:58:41.440 --> 0:58:45.840
<v Speaker 3>only dedicated to killing people and ruining their careers, especially

0:58:45.880 --> 0:58:49.800
<v Speaker 3>if they have some connection to Rock Nation. You've made

0:58:49.800 --> 0:58:53.760
<v Speaker 3>some choices, though, what do you mean, because you've made

0:58:53.840 --> 0:58:56.480
<v Speaker 3>nothing but positive choices for the last seven years.

0:58:56.520 --> 0:58:58.440
<v Speaker 4>I've been watching you, and.

0:58:58.520 --> 0:59:00.320
<v Speaker 2>Now all you're doing is arguing or creating.

0:59:00.360 --> 0:59:03.240
<v Speaker 3>Now you're just arguing with fucking everybody. Yeah, just be

0:59:03.360 --> 0:59:06.520
<v Speaker 3>the positive human being that you are, man, Stop walking

0:59:06.600 --> 0:59:06.840
<v Speaker 3>up hill.

0:59:06.960 --> 0:59:08.840
<v Speaker 1>That wasn't trying to be the positive human being. No,

0:59:09.440 --> 0:59:12.360
<v Speaker 1>it's a way to be positive. It's a way to

0:59:12.440 --> 0:59:15.000
<v Speaker 1>be positive in a way to just like, nah, don't

0:59:15.040 --> 0:59:19.440
<v Speaker 1>do it that way, y'all are crazy. That wasn't him

0:59:19.480 --> 0:59:24.040
<v Speaker 1>being positive. I'm just asking, was that not him being positive?

0:59:24.080 --> 0:59:27.520
<v Speaker 3>What's pastor positive where they're embezzling money through the church

0:59:27.600 --> 0:59:28.600
<v Speaker 3>and just say everyone's fine.

0:59:29.840 --> 0:59:31.200
<v Speaker 1>I don't understand the correlation.

0:59:31.640 --> 0:59:33.880
<v Speaker 3>I don't think you're positive because you say Epstein is

0:59:33.880 --> 0:59:36.160
<v Speaker 3>even said. I think you can draw the line to

0:59:36.160 --> 0:59:37.800
<v Speaker 3>be a positive person and say and not say that,

0:59:38.800 --> 0:59:42.240
<v Speaker 3>especially when you I think it's when pastors getting and

0:59:42.240 --> 0:59:43.840
<v Speaker 3>I'm not saying that about l. Russell, but I think

0:59:44.040 --> 0:59:46.560
<v Speaker 3>when pastors get on their positivity ship, it starts saying

0:59:46.640 --> 0:59:50.240
<v Speaker 3>everyone is God said, and God has every reason for everything.

0:59:50.360 --> 0:59:52.800
<v Speaker 3>Sometimes you just you using that as a cop out.

0:59:53.600 --> 0:59:56.040
<v Speaker 3>The cop out to what to be trying to be positive, like, na,

0:59:56.120 --> 0:59:59.560
<v Speaker 3>some people are just should burn in hell. No, but

1:00:00.200 --> 1:00:01.600
<v Speaker 3>that's what he said, Like I don't want to put

1:00:01.640 --> 1:00:03.600
<v Speaker 3>the word heaven near none of y'all true.

1:00:03.680 --> 1:00:06.680
<v Speaker 1>But what I'm saying is you saying he's not being positive,

1:00:07.160 --> 1:00:09.560
<v Speaker 1>right even if even though somebody you feel like he

1:00:09.560 --> 1:00:11.920
<v Speaker 1>shouldn't be trying to be positive about he should.

1:00:11.680 --> 1:00:13.600
<v Speaker 4>Say that opera and ballet are the greatest genres of

1:00:13.640 --> 1:00:14.000
<v Speaker 4>all time.

1:00:14.800 --> 1:00:17.120
<v Speaker 1>It's the only way to be more.

1:00:17.160 --> 1:00:18.600
<v Speaker 5>I get what you're saying, but I think that he's

1:00:18.720 --> 1:00:21.920
<v Speaker 5>just saying that you can be positive. But when you

1:00:22.080 --> 1:00:24.160
<v Speaker 5>know that, you know when he knew, when he came

1:00:24.200 --> 1:00:25.920
<v Speaker 5>out and said that, he knew what the reaction would be,

1:00:26.480 --> 1:00:29.440
<v Speaker 5>and then to feed into the reaction with more negativity.

1:00:29.480 --> 1:00:31.440
<v Speaker 5>When people are sending negativity your way, it sounds like

1:00:31.440 --> 1:00:32.800
<v Speaker 5>you're rage baiting us for attention.

1:00:33.320 --> 1:00:36.360
<v Speaker 2>That's what one could take it as. So sometimes people

1:00:36.440 --> 1:00:39.160
<v Speaker 2>are are saying rage bait, saying Epstein.

1:00:39.160 --> 1:00:44.040
<v Speaker 5>The rage bait is talking about like saying that Adolph Hitler, Epstein,

1:00:44.080 --> 1:00:47.000
<v Speaker 5>all of these people are sent by God. That's yes,

1:00:47.200 --> 1:00:48.920
<v Speaker 5>that that would rage bait people because you know that

1:00:48.960 --> 1:00:51.280
<v Speaker 5>people are gonna the people are gonna.

1:00:51.080 --> 1:00:53.200
<v Speaker 2>You know, push back on that. And then when people.

1:00:53.000 --> 1:00:57.200
<v Speaker 5>Push back rightfully, so you're then arguing with them, You're

1:00:57.240 --> 1:00:58.400
<v Speaker 5>not leading with love.

1:00:58.280 --> 1:00:59.919
<v Speaker 2>In that, like you're rage bated.

1:01:00.320 --> 1:01:03.880
<v Speaker 3>And I think those types of whether they be outrage

1:01:04.000 --> 1:01:07.600
<v Speaker 3>or clickbait or something like that, should post questions for conversation,

1:01:07.800 --> 1:01:09.919
<v Speaker 3>which I think Kanye has done even when he's been wrong,

1:01:10.320 --> 1:01:15.640
<v Speaker 3>Conversation actually happens. What is the conversation we're having here? Yeah, nothing,

1:01:16.640 --> 1:01:20.280
<v Speaker 3>a bunch of nothing. But I did have a blast

1:01:20.320 --> 1:01:24.040
<v Speaker 3>texting all my friends in rock Nation this morning. Good morning,

1:01:24.080 --> 1:01:28.680
<v Speaker 3>Happy Monday. You're having said, he's so silly.

1:01:29.680 --> 1:01:32.040
<v Speaker 1>Positivity you just like the pastor.

1:01:33.400 --> 1:01:34.720
<v Speaker 2>May you think you're a positive person?

1:01:35.000 --> 1:01:35.040
<v Speaker 8>Me?

1:01:35.960 --> 1:01:39.360
<v Speaker 1>Yeah, you think I'm a positive person.

1:01:40.400 --> 1:01:41.640
<v Speaker 2>I'll see positivity in you.

1:01:41.840 --> 1:01:43.640
<v Speaker 1>You think I'm negative? You think I've ever been negative?

1:01:44.480 --> 1:01:46.120
<v Speaker 5>You have a negative size sometimes, But I don't think

1:01:46.120 --> 1:01:46.880
<v Speaker 5>you're a negative.

1:01:46.600 --> 1:01:48.800
<v Speaker 1>I mean, you don't have size, but like that's okay.

1:01:48.840 --> 1:01:49.920
<v Speaker 1>So that's what I'm sing. I don't think you're a

1:01:49.960 --> 1:01:51.520
<v Speaker 1>negative person. I want to say, you can't think I'm

1:01:51.520 --> 1:01:52.120
<v Speaker 1>a negative person.

1:01:52.120 --> 1:01:54.360
<v Speaker 2>I think you're optimistic. I think you're very optimistic.

1:01:55.040 --> 1:01:57.479
<v Speaker 1>I mean I think you have to be in this world.

1:01:57.560 --> 1:02:01.680
<v Speaker 5>No, I think some times people can use pessimism as

1:02:01.760 --> 1:02:05.160
<v Speaker 5>a you know, as a defense mechanism shield.

1:02:05.600 --> 1:02:08.240
<v Speaker 1>Yeah, you don't think I'm one of those people.

1:02:08.440 --> 1:02:09.520
<v Speaker 2>Know you're not pessimistic at all.

1:02:09.560 --> 1:02:11.800
<v Speaker 5>You guys are like the Ying and the Yang, like optimism,

1:02:12.120 --> 1:02:13.480
<v Speaker 5>self deprecating pessimism.

1:02:14.120 --> 1:02:15.480
<v Speaker 4>I have positive pessimism.

1:02:15.720 --> 1:02:16.520
<v Speaker 1>What is negative about?

1:02:16.600 --> 1:02:21.480
<v Speaker 2>What the fuck is positive pessimism? I mean, yes, I'm pessimistic,

1:02:21.520 --> 1:02:22.800
<v Speaker 2>for sure, I would never say otherwise.

1:02:22.880 --> 1:02:25.640
<v Speaker 1>But I don't like you've literally said you're Pessimisty.

1:02:25.840 --> 1:02:30.040
<v Speaker 3>I know I'm pessimistic, but only with certain things. In

1:02:30.120 --> 1:02:33.200
<v Speaker 3>regards to myself. I don't look at every everyone else

1:02:33.400 --> 1:02:36.120
<v Speaker 3>in a negative way. It's more of a to her

1:02:36.200 --> 1:02:39.880
<v Speaker 3>point self deprecation. I don't like I do have positives,

1:02:40.000 --> 1:02:42.680
<v Speaker 3>so I think you can be okay. I think you're

1:02:42.720 --> 1:02:44.920
<v Speaker 3>pessimistic when it comes to everybody else too. But I

1:02:45.000 --> 1:02:47.840
<v Speaker 3>think pessimistic and negativity is two different things. I think

1:02:47.920 --> 1:02:50.040
<v Speaker 3>negativity can be a bad thing. I think pessimist is

1:02:50.120 --> 1:02:53.000
<v Speaker 3>just you don't really believe in people as a whole.

1:02:53.360 --> 1:03:00.720
<v Speaker 1>You think Roy don't believe in people. You don't think

1:03:00.720 --> 1:03:01.680
<v Speaker 1>he believes in anybody.

1:03:04.120 --> 1:03:05.400
<v Speaker 4>You don't think I believe in anyone.

1:03:05.520 --> 1:03:05.880
<v Speaker 2>No, I know.

1:03:05.960 --> 1:03:09.760
<v Speaker 3>I think you believe Emotional Orders did fifteen thousand seats

1:03:09.800 --> 1:03:12.720
<v Speaker 3>and stelf No, that's not like one hundred views on

1:03:12.800 --> 1:03:13.560
<v Speaker 3>sounds don't.

1:03:13.720 --> 1:03:14.040
<v Speaker 2>I don't.

1:03:14.240 --> 1:03:16.280
<v Speaker 5>So when I say believe in people, I'm not talking

1:03:16.320 --> 1:03:17.280
<v Speaker 5>about talent wise.

1:03:17.280 --> 1:03:20.880
<v Speaker 3>I'm talking about he photoshopped his face on Beyonce's ass

1:03:21.240 --> 1:03:23.600
<v Speaker 3>twenty years ago, and he's here because I believe in him.

1:03:24.080 --> 1:03:25.280
<v Speaker 1>I had to see it, he had to see it.

1:03:25.520 --> 1:03:28.080
<v Speaker 3>I'm talking about jamarriage. You never want to do podcasting.

1:03:28.160 --> 1:03:31.240
<v Speaker 3>I think you're the best female podcaster period.

1:03:31.400 --> 1:03:33.520
<v Speaker 1>Yeah, like box her in. You got a boxer in

1:03:33.600 --> 1:03:36.840
<v Speaker 1>give a. I think he's put female right, yeah, put

1:03:36.840 --> 1:03:37.680
<v Speaker 1>her in the box though.

1:03:38.440 --> 1:03:40.280
<v Speaker 4>Yeah, well women, yeah, I mean that's how.

1:03:41.160 --> 1:03:41.680
<v Speaker 2>No, I don't.

1:03:41.720 --> 1:03:44.640
<v Speaker 5>I think you believe in people's talents. You're very amazing

1:03:44.720 --> 1:03:46.920
<v Speaker 5>ass spot in talent, you know, thanks for my job

1:03:47.000 --> 1:03:47.240
<v Speaker 5>all of.

1:03:47.240 --> 1:03:49.520
<v Speaker 2>That cool stuff. I mean as people.

1:03:50.320 --> 1:03:53.560
<v Speaker 5>I think sometimes you see like you don't always believe

1:03:53.640 --> 1:03:55.000
<v Speaker 5>in the good of people.

1:03:55.560 --> 1:03:57.800
<v Speaker 4>Oh no, I mean yeah, childhood trauma.

1:03:57.920 --> 1:04:01.320
<v Speaker 3>Yeah, not talent wise, but as man expectations, because in

1:04:01.440 --> 1:04:03.400
<v Speaker 3>my early twenties I was like, let me not be

1:04:03.520 --> 1:04:07.960
<v Speaker 3>that way and trust everyone. Okay, it didn't work out

1:04:08.040 --> 1:04:09.520
<v Speaker 3>for you, well, and I should have been like yo,

1:04:10.000 --> 1:04:12.920
<v Speaker 3>I should have just been my teenage. So so that's

1:04:12.960 --> 1:04:15.600
<v Speaker 3>where that comes. But in like business and stuff, I'm

1:04:15.600 --> 1:04:18.520
<v Speaker 3>not pessimistic with everything. I just manage expectations for myself

1:04:19.240 --> 1:04:20.560
<v Speaker 3>just because I know how that I know how that

1:04:20.800 --> 1:04:24.840
<v Speaker 3>shit goes. Like this isn't pessimistic in saying it's actually

1:04:24.920 --> 1:04:27.280
<v Speaker 3>like a fact, usually it's.

1:04:27.240 --> 1:04:28.000
<v Speaker 4>Not going to work out.

1:04:31.560 --> 1:04:34.480
<v Speaker 1>Usually it's not going to work out.

1:04:36.040 --> 1:04:40.280
<v Speaker 3>It's cliche, but I have failed ten thousand times succeeded twice.

1:04:40.360 --> 1:04:42.360
<v Speaker 3>Like it's it's usually not going to work out. So

1:04:42.400 --> 1:04:46.520
<v Speaker 3>you should manage your expectations in that regard. Yes, it's pessimistic,

1:04:46.600 --> 1:04:49.880
<v Speaker 3>but it is also realistic. You should also always have

1:04:50.040 --> 1:04:51.680
<v Speaker 3>that drive of this could be the one, because it

1:04:51.720 --> 1:04:52.240
<v Speaker 3>could be the one.

1:04:52.560 --> 1:04:57.360
<v Speaker 2>Yeah, but don't think every time like don't show earlier.

1:04:57.480 --> 1:05:01.480
<v Speaker 3>Yeah, like it it probably won't workout, gotcha, And that's

1:05:01.560 --> 1:05:04.800
<v Speaker 3>okay if you're viewing it in that type of way.

1:05:05.680 --> 1:05:06.960
<v Speaker 3>It's not gonna be the end of me if this

1:05:07.040 --> 1:05:07.720
<v Speaker 3>doesn't work out.

1:05:07.880 --> 1:05:11.160
<v Speaker 1>Okay, So yeah, that's kind of a defense mechanism. Don't

1:05:11.200 --> 1:05:13.680
<v Speaker 1>get my hopes up because I'm probably I've been let

1:05:13.760 --> 1:05:15.680
<v Speaker 1>down more than i've been Yeah.

1:05:15.520 --> 1:05:19.200
<v Speaker 5>You know, okay, Maul, you know where you're pessimistic and

1:05:19.280 --> 1:05:23.439
<v Speaker 5>negative when it comes to love. It's super that nigga

1:05:23.480 --> 1:05:27.400
<v Speaker 5>don't believe in nothing. That everybody cheating them all every

1:05:27.600 --> 1:05:29.080
<v Speaker 5>You know why she did that, she cheating?

1:05:29.600 --> 1:05:31.680
<v Speaker 2>She just on tweet.

1:05:31.680 --> 1:05:33.160
<v Speaker 1>Tell me when I was wrong, though, Tell me when

1:05:33.200 --> 1:05:35.880
<v Speaker 1>I've ever said somebody was cheating, wasn't doing something right

1:05:36.000 --> 1:05:36.640
<v Speaker 1>and I was wrong?

1:05:36.720 --> 1:05:39.160
<v Speaker 2>Well, just because you haven't been proven wrong or right,

1:05:39.280 --> 1:05:40.080
<v Speaker 2>doesn't mean you weren't.

1:05:40.080 --> 1:05:43.200
<v Speaker 1>No, I've been proven right. I've been proven right. I've

1:05:43.200 --> 1:05:45.320
<v Speaker 1>been proven right. We ain't gonna say I even proved right.

1:05:45.680 --> 1:05:48.160
<v Speaker 1>I've been proven right. I'm not saying I don't. Don't

1:05:48.200 --> 1:05:50.760
<v Speaker 1>say that. I don't think everybody cheats. I don't. I

1:05:50.840 --> 1:05:54.520
<v Speaker 1>don't know everybody to say that, But I can spot

1:05:54.600 --> 1:05:58.240
<v Speaker 1>the relationships where I'm like, come on, man, cut the ship,

1:05:58.880 --> 1:06:01.480
<v Speaker 1>have just have fun. We get it. It's a moment,

1:06:01.640 --> 1:06:04.320
<v Speaker 1>but we know this. This too shall pass. That's all

1:06:04.320 --> 1:06:07.840
<v Speaker 1>I'll be trying. This too shall pass. I believe in love.

1:06:07.920 --> 1:06:09.840
<v Speaker 1>I've seen people in love. I know people in love.

1:06:09.880 --> 1:06:13.479
<v Speaker 1>I've been in love. I get it, but like Rory said,

1:06:13.680 --> 1:06:18.040
<v Speaker 1>it's probably not gonna work out. It's just not even

1:06:18.080 --> 1:06:21.200
<v Speaker 1>if you're married for fifteen years the sixteenth year you

1:06:21.280 --> 1:06:24.680
<v Speaker 1>got a divorce. But that kind of is the beauty

1:06:24.720 --> 1:06:27.880
<v Speaker 1>of young people. They have like this false sense of like, oh,

1:06:28.280 --> 1:06:31.280
<v Speaker 1>this could work out. Yes, it's so beautiful. You still

1:06:31.320 --> 1:06:35.800
<v Speaker 1>have that and it could right, but it probably won't.

1:06:36.800 --> 1:06:39.040
<v Speaker 1>That's all. That's where I'm at. So it's not like

1:06:39.120 --> 1:06:40.840
<v Speaker 1>I believe in love. I believe that you should be

1:06:40.920 --> 1:06:43.560
<v Speaker 1>in love, fall in love, find love. Love is beautiful,

1:06:43.640 --> 1:06:47.080
<v Speaker 1>you need love. I get that, But come on, we

1:06:47.240 --> 1:06:49.480
<v Speaker 1>know we have we all have examples of people that

1:06:49.640 --> 1:06:51.520
<v Speaker 1>we were like, damn, like they love each other and

1:06:51.560 --> 1:06:53.160
<v Speaker 1>then one day you were like what happened? You know,

1:06:53.320 --> 1:06:55.520
<v Speaker 1>you know, just irreconcilable differences.

1:06:55.880 --> 1:06:57.360
<v Speaker 4>But you are a pessimistic about love.

1:06:57.760 --> 1:07:01.080
<v Speaker 5>She's not wrong love because as you tend to lean

1:07:01.240 --> 1:07:03.800
<v Speaker 5>more towards it not working out than it working out.

1:07:04.200 --> 1:07:06.000
<v Speaker 1>That's not true though, I just speak.

1:07:07.040 --> 1:07:09.400
<v Speaker 4>Do you think all like women for the most part, I.

1:07:09.440 --> 1:07:13.880
<v Speaker 2>Know what, I know why it's that other nigga.

1:07:13.920 --> 1:07:16.600
<v Speaker 3>I'll be like, mo, that's not like every girl is

1:07:16.680 --> 1:07:18.880
<v Speaker 3>fucking someone that like. Sometimes it just doesn't work out.

1:07:18.960 --> 1:07:20.200
<v Speaker 2>No one cheating. It just doesn't work out.

1:07:20.280 --> 1:07:23.640
<v Speaker 1>Not every woman is sleeping with somebody. Yes, a lot

1:07:23.720 --> 1:07:25.760
<v Speaker 1>of that be jokes. I don't believe that every woman

1:07:25.840 --> 1:07:29.760
<v Speaker 1>is a cheater. But some of you holds I'm right about,

1:07:30.400 --> 1:07:32.640
<v Speaker 1>And that's all I'm saying. Some of you holds I'm

1:07:32.680 --> 1:07:33.080
<v Speaker 1>right about.

1:07:33.520 --> 1:07:37.360
<v Speaker 3>But I think my pessimism with business comes from a

1:07:37.640 --> 1:07:41.000
<v Speaker 3>very shady and disgusting business. That's why I think that way.

1:07:41.200 --> 1:07:43.439
<v Speaker 3>It's not all businesses, it's this one. Yeah, but people

1:07:43.480 --> 1:07:46.240
<v Speaker 3>are shady. You know what I'm saying you as far

1:07:46.280 --> 1:07:48.600
<v Speaker 3>as relationships and what you've been exposed to at a

1:07:48.680 --> 1:07:52.760
<v Speaker 3>young age, is a genre where dating and long term

1:07:52.800 --> 1:07:55.680
<v Speaker 3>relationships doesn't work out. Whereas Demarius and I have been

1:07:55.720 --> 1:07:59.640
<v Speaker 3>on the other side, is common common folk and you know,

1:08:00.120 --> 1:08:01.280
<v Speaker 3>just pedestrians over here.

1:08:01.320 --> 1:08:02.120
<v Speaker 4>We've seen love work.

1:08:02.320 --> 1:08:06.080
<v Speaker 3>You've been in entertainment world your whole life, and those

1:08:06.160 --> 1:08:09.560
<v Speaker 3>relationships usually don't work out. We've seen people be college

1:08:09.600 --> 1:08:12.880
<v Speaker 3>sweethearts and go on and have ten kids and be happy.

1:08:12.960 --> 1:08:15.200
<v Speaker 1>I've seen people be college sweet I don't have sweethearts,

1:08:15.240 --> 1:08:16.519
<v Speaker 1>have ten kids and get divorced.

1:08:17.560 --> 1:08:20.040
<v Speaker 3>Fair, No, of course that's happens I'm just saying that,

1:08:20.479 --> 1:08:25.360
<v Speaker 3>and a higher clip of that than what you were

1:08:25.439 --> 1:08:27.639
<v Speaker 3>exposed to at a young age and stayed. You've stayed

1:08:27.680 --> 1:08:30.240
<v Speaker 3>in a world where relationships don't really work out. And

1:08:30.360 --> 1:08:31.920
<v Speaker 3>now we've entered that world and.

1:08:31.960 --> 1:08:34.920
<v Speaker 2>We see it too. Yeah, okay, so I'm not wrong.

1:08:35.200 --> 1:08:37.280
<v Speaker 2>So it's not that you're not You're just in your world.

1:08:37.360 --> 1:08:38.880
<v Speaker 2>You think that's the whole world, and that's not.

1:08:39.160 --> 1:08:42.080
<v Speaker 1>I don't think that's the whole world. I could never

1:08:42.120 --> 1:08:43.760
<v Speaker 1>speak for the whole world. I don't know the whole world.

1:08:44.080 --> 1:08:47.280
<v Speaker 1>I'm just saying that, like you, some more times than not,

1:08:48.040 --> 1:08:50.920
<v Speaker 1>things don't last or work out. When it's people in

1:08:51.080 --> 1:08:53.439
<v Speaker 1>love married like we see it. You get married, great,

1:08:53.600 --> 1:08:59.160
<v Speaker 1>happy for years, great, and then something happens. People fall

1:08:59.240 --> 1:09:00.919
<v Speaker 1>in love and they also fall.

1:09:00.800 --> 1:09:01.280
<v Speaker 2>Out of love.

1:09:01.479 --> 1:09:03.400
<v Speaker 5>But I think that there's a beauty even in fall

1:09:03.479 --> 1:09:05.840
<v Speaker 5>in love, even in falling out. I think there's a

1:09:05.880 --> 1:09:06.519
<v Speaker 5>beauty in both.

1:09:06.680 --> 1:09:09.800
<v Speaker 1>So beauty and falling out. If you fell out, only

1:09:10.000 --> 1:09:13.639
<v Speaker 1>if you've tried to make it work, yes, then it's

1:09:13.680 --> 1:09:17.679
<v Speaker 1>like okay, just go separates, be happy, go find love again,

1:09:17.800 --> 1:09:20.519
<v Speaker 1>go be happy again. Like that's when it's beauty and

1:09:20.640 --> 1:09:21.320
<v Speaker 1>falling out of love.

1:09:21.439 --> 1:09:23.240
<v Speaker 2>That's only cool in movie scripts.

1:09:23.800 --> 1:09:26.320
<v Speaker 4>It's literally just it literally destroys your entire nerves.

1:09:26.439 --> 1:09:29.479
<v Speaker 1>No, it does. You'll find love again. She'll find love again,

1:09:29.560 --> 1:09:31.120
<v Speaker 1>like y'all can go on to be happy. I literally

1:09:31.160 --> 1:09:33.599
<v Speaker 1>become a different. People that cold parent have great cold parents.

1:09:33.680 --> 1:09:35.400
<v Speaker 1>I know some people that have a better relationship as

1:09:35.439 --> 1:09:36.360
<v Speaker 1>cold parents than they did.

1:09:37.360 --> 1:09:38.960
<v Speaker 2>Yeah, they don't got to both, you know.

1:09:39.040 --> 1:09:41.200
<v Speaker 5>The beautiful thing about cold parenting is that you get

1:09:41.320 --> 1:09:43.920
<v Speaker 5>days off of being a parent. If y'all both live

1:09:43.960 --> 1:09:45.760
<v Speaker 5>in the same house at the same time, it's never

1:09:45.880 --> 1:09:48.439
<v Speaker 5>days off being a parent. No, of course, never a

1:09:48.520 --> 1:09:50.479
<v Speaker 5>day off. I mean physically where you don't have your child,

1:09:50.560 --> 1:09:52.800
<v Speaker 5>that's what I mean. Like, mentally, there's never a day off.

1:09:53.080 --> 1:09:54.560
<v Speaker 5>But if y'all both live in the house at the

1:09:54.600 --> 1:09:57.880
<v Speaker 5>same time, like that child is always with us. But

1:09:58.000 --> 1:10:00.920
<v Speaker 5>if you got her Tuesday through Thirdsursday, and I got

1:10:00.960 --> 1:10:03.680
<v Speaker 5>her Friday through Sunday or Monday.

1:10:03.720 --> 1:10:04.240
<v Speaker 2>It's lit.

1:10:04.479 --> 1:10:09.320
<v Speaker 5>I get days off break. Yeah, they're safe with their

1:10:09.360 --> 1:10:11.360
<v Speaker 5>other parents. That's why cold parents will be like, oh

1:10:11.400 --> 1:10:13.639
<v Speaker 5>it's cool. I get I get to take time for myself.

1:10:14.840 --> 1:10:15.240
<v Speaker 1>I get it.

1:10:15.880 --> 1:10:17.400
<v Speaker 2>Love one the two people that don't have kids talk

1:10:17.439 --> 1:10:18.040
<v Speaker 2>about kids.

1:10:18.680 --> 1:10:20.719
<v Speaker 5>I'm sorry that that's not your experience. If you can't

1:10:20.760 --> 1:10:23.599
<v Speaker 5>you know, relate. But I've heard that from cold parents.

1:10:23.720 --> 1:10:25.120
<v Speaker 2>Oh no, for sure, I hear you.

1:10:26.800 --> 1:10:28.360
<v Speaker 3>I do want to can we get like a very

1:10:28.479 --> 1:10:30.880
<v Speaker 3>loud round of applause. I think Doja Cat is the

1:10:31.000 --> 1:10:38.439
<v Speaker 3>first woman to ever take accountability. We always had Doja

1:10:38.520 --> 1:10:47.000
<v Speaker 3>Cat very on our rapper list, but I think she's crazy.

1:10:47.720 --> 1:10:50.559
<v Speaker 2>You died for do I'm gonna make that merch died

1:10:50.600 --> 1:10:51.360
<v Speaker 2>for thought.

1:10:51.360 --> 1:10:55.200
<v Speaker 4>It was funny. This is a monumental thing.

1:10:55.360 --> 1:10:59.240
<v Speaker 3>Like I think the way Hove did that Samsung thing

1:10:59.280 --> 1:11:02.040
<v Speaker 3>where he sold a milllion albums before the album even

1:11:02.120 --> 1:11:03.559
<v Speaker 3>came out, was like, yea, we got to put him

1:11:03.600 --> 1:11:04.960
<v Speaker 3>higher up on the rapper shit because he did that.

1:11:05.360 --> 1:11:07.320
<v Speaker 3>I think a woman taking accountability for the first time

1:11:07.360 --> 1:11:10.519
<v Speaker 3>in her entire life kind of puts Dojah higher up

1:11:10.600 --> 1:11:13.479
<v Speaker 3>on the female rap list. To me, like, this is

1:11:13.520 --> 1:11:16.880
<v Speaker 3>a monumental moment. And I'd like Demaris to read this

1:11:17.040 --> 1:11:19.120
<v Speaker 3>just so it can come, you know, from a female voice,

1:11:19.840 --> 1:11:23.160
<v Speaker 3>because I've never heard I've never heard a woman say

1:11:23.200 --> 1:11:25.120
<v Speaker 3>this before, so I want to hear it from like that.

1:11:26.880 --> 1:11:28.200
<v Speaker 2>Give the backstory.

1:11:28.000 --> 1:11:30.679
<v Speaker 5>Women not taking accountability and go is so old because

1:11:30.720 --> 1:11:32.760
<v Speaker 5>we all know that a niggas that don't take accountability.

1:11:32.840 --> 1:11:33.439
<v Speaker 3>But sure.

1:11:35.040 --> 1:11:37.719
<v Speaker 2>In therapy, even though maybe that is true.

1:11:37.840 --> 1:11:40.200
<v Speaker 3>Right now, we're talking about women and their accountability, So

1:11:40.280 --> 1:11:41.960
<v Speaker 3>stop trying to deflect and talk about us.

1:11:43.439 --> 1:11:46.120
<v Speaker 5>Criticism of Timothy Shalla may And says that her outrage

1:11:46.200 --> 1:11:49.479
<v Speaker 5>was quote unquote virtual signaling and quote I've never been

1:11:49.520 --> 1:11:51.040
<v Speaker 5>to a ballet, I've never seen an opera. I took

1:11:51.080 --> 1:11:52.840
<v Speaker 5>it upon myself yesterday to kind of give it to

1:11:52.880 --> 1:11:55.479
<v Speaker 5>the man because there is a culture based around outrage

1:11:55.520 --> 1:11:56.920
<v Speaker 5>and things like that, and people want to feel like

1:11:56.920 --> 1:11:59.040
<v Speaker 5>they're part of something. It's a need to connect, whether

1:11:59.200 --> 1:12:00.680
<v Speaker 5>good or bad. What I was doing yesterday it was

1:12:00.760 --> 1:12:02.760
<v Speaker 5>virtual signal because I wanted to connect, and I knew

1:12:02.800 --> 1:12:05.000
<v Speaker 5>that Timothy's goof up was something that I could leverage

1:12:05.040 --> 1:12:06.760
<v Speaker 5>and order for people to connect with me and fuck

1:12:06.840 --> 1:12:09.280
<v Speaker 5>with me, she continued, And it's easy. It's a modern

1:12:09.280 --> 1:12:11.320
<v Speaker 5>way to garner clicks, likes, approval on all kinds of

1:12:11.400 --> 1:12:13.240
<v Speaker 5>things like that from people. And so I did that

1:12:13.360 --> 1:12:15.360
<v Speaker 5>yesterday and I didn't really think about why I was

1:12:15.439 --> 1:12:17.479
<v Speaker 5>doing it. I don't know anything about opera, I don't

1:12:17.479 --> 1:12:18.360
<v Speaker 5>know anything about ballet.

1:12:18.400 --> 1:12:20.280
<v Speaker 2>And I've never been to either shows.

1:12:20.400 --> 1:12:21.320
<v Speaker 1>That that was all.

1:12:21.520 --> 1:12:24.000
<v Speaker 3>That was beautiful jo Yo jokes aside, that was I know,

1:12:24.080 --> 1:12:27.040
<v Speaker 3>we make it the woman thing, that was just a joke.

1:12:27.360 --> 1:12:29.400
<v Speaker 4>This is one of the greatest things I've ever read

1:12:29.960 --> 1:12:30.720
<v Speaker 4>any human being.

1:12:31.479 --> 1:12:34.120
<v Speaker 3>We've all been guilty of this to so to hear

1:12:34.200 --> 1:12:35.960
<v Speaker 3>a fucking no, I'm dead asked to hear an a

1:12:36.080 --> 1:12:38.519
<v Speaker 3>list artist like admit this shit because this is everybody

1:12:38.560 --> 1:12:39.280
<v Speaker 3>on the fucking internet.

1:12:39.280 --> 1:12:39.920
<v Speaker 2>That's so y'all.

1:12:40.000 --> 1:12:43.160
<v Speaker 3>Don't y'all do not care about the things you're outraged about. No,

1:12:43.720 --> 1:12:46.320
<v Speaker 3>like the fact that she flat out admitted this is.

1:12:47.240 --> 1:12:49.040
<v Speaker 3>Of course, the Internet kind of ignored this because the

1:12:49.120 --> 1:12:51.880
<v Speaker 3>Internet is this. You guys all get outraged about shit

1:12:51.960 --> 1:12:54.160
<v Speaker 3>you do not care about. You have no interest in.

1:12:54.320 --> 1:12:56.720
<v Speaker 3>You've never been to a ballet or that's just a

1:12:56.840 --> 1:12:59.120
<v Speaker 3>metaphor for everything. You've never been to a ballet. You

1:12:59.240 --> 1:13:03.400
<v Speaker 3>don't care. You just want to get some feedback that

1:13:03.520 --> 1:13:07.080
<v Speaker 3>you're a good person. When someone fucks up, at least

1:13:07.120 --> 1:13:07.720
<v Speaker 3>I'm not them.

1:13:07.920 --> 1:13:08.719
<v Speaker 1>It's called trolling.

1:13:09.160 --> 1:13:10.040
<v Speaker 4>No, this isn't trolling.

1:13:10.080 --> 1:13:12.000
<v Speaker 1>This is the no, no, no, no. What she was

1:13:12.120 --> 1:13:15.880
<v Speaker 1>doing virtue signaling or whatever that that's just trolling.

1:13:16.600 --> 1:13:18.439
<v Speaker 3>Trolling to me is more on the joke side, like

1:13:18.560 --> 1:13:21.320
<v Speaker 3>we troll Jack Harlowe. Now I don't particularly care to

1:13:21.439 --> 1:13:24.240
<v Speaker 3>ship on Jack. I don't really virtual virtue singling is

1:13:24.320 --> 1:13:26.240
<v Speaker 3>like more here, right.

1:13:26.200 --> 1:13:28.479
<v Speaker 5>Yeah, it's more like God, it's like, oh my god,

1:13:28.560 --> 1:13:30.439
<v Speaker 5>I'm so much better than you're. Like, look, I can't

1:13:30.479 --> 1:13:32.640
<v Speaker 5>believe you did that. Yeah, like, oh my god, I

1:13:32.680 --> 1:13:33.960
<v Speaker 5>can't believe that black lives matter.

1:13:34.280 --> 1:13:36.360
<v Speaker 3>Like, let's look at let me post a black square

1:13:36.560 --> 1:13:39.280
<v Speaker 3>so it shows that I care even though I'm in

1:13:39.360 --> 1:13:40.240
<v Speaker 3>my house doing nothing.

1:13:40.479 --> 1:13:41.519
<v Speaker 1>I look at all at this trolling.

1:13:43.320 --> 1:13:45.320
<v Speaker 2>But I hate gen z.

1:13:47.760 --> 1:13:49.840
<v Speaker 3>Like dialogue, but this one does make more sense to

1:13:49.880 --> 1:13:52.679
<v Speaker 3>me because I think trolling and virtue singling are drastically different.

1:13:53.200 --> 1:13:56.800
<v Speaker 3>Trolling's funny whatever troll away make jokes, but trolling people

1:13:56.840 --> 1:13:59.719
<v Speaker 3>that try to make themselves be better than everyone else

1:14:00.000 --> 1:14:02.439
<v Speaker 3>off a topic they don't give a fuck about. And

1:14:02.520 --> 1:14:04.519
<v Speaker 3>the fact that an A list artist admitted this to me,

1:14:04.960 --> 1:14:08.400
<v Speaker 3>I think dojakav really deserves like flowers for having that

1:14:08.520 --> 1:14:14.519
<v Speaker 3>moment that was gangsters you Okay, we've all we've all

1:14:14.600 --> 1:14:14.840
<v Speaker 3>done this.

1:14:14.880 --> 1:14:17.320
<v Speaker 5>Ship No, we know what's really admitted, and let's stop

1:14:17.360 --> 1:14:18.160
<v Speaker 5>saying that don't speak to me.

1:14:18.280 --> 1:14:20.599
<v Speaker 3>We have not all done that, done what virtue signaling?

1:14:20.800 --> 1:14:23.320
<v Speaker 3>Not not maybe for like real serious issues. But she

1:14:23.520 --> 1:14:25.040
<v Speaker 3>just said, I don't care about the opera. I did

1:14:25.080 --> 1:14:27.439
<v Speaker 3>that ship because I needed some attention. That I need

1:14:27.479 --> 1:14:28.320
<v Speaker 3>attention that days.

1:14:28.320 --> 1:14:28.760
<v Speaker 2>So I did it.

1:14:29.479 --> 1:14:33.320
<v Speaker 5>You kick somebody's back in, horribly, kick somebody's back in

1:14:33.479 --> 1:14:36.040
<v Speaker 5>about something when everybody was already on top of them,

1:14:36.240 --> 1:14:38.080
<v Speaker 5>to make it seem like you were a better person

1:14:38.160 --> 1:14:38.479
<v Speaker 5>than them.

1:14:38.800 --> 1:14:41.439
<v Speaker 3>Not everybody should I refresh all of our mentions. That's

1:14:41.479 --> 1:14:42.400
<v Speaker 3>what's happens every day.

1:14:42.439 --> 1:14:43.960
<v Speaker 1>I think most people have done that at least once

1:14:44.040 --> 1:14:45.320
<v Speaker 1>in their life on the internet for sure.

1:14:45.600 --> 1:14:47.240
<v Speaker 2>Okay, yeah, I think.

1:14:47.200 --> 1:14:49.320
<v Speaker 5>That y'all are applauding somebody for admitting that they did

1:14:49.360 --> 1:14:51.280
<v Speaker 5>some corny shit, just got through the corny ship.

1:14:51.320 --> 1:14:53.519
<v Speaker 1>And then you don't have to no, no, what that

1:14:53.640 --> 1:14:56.000
<v Speaker 1>needs to be to be applauded when you when you

1:14:56.160 --> 1:15:00.320
<v Speaker 1>call yourself out for no one because niggas nobody don't

1:15:00.320 --> 1:15:02.880
<v Speaker 1>do that. So for somebody and then somebody like dose

1:15:02.920 --> 1:15:07.240
<v Speaker 1>you to do that. Yes, I applauded that she's.

1:15:07.120 --> 1:15:10.480
<v Speaker 2>Done a whole bunch of other cornery ship, though she definitelylized.

1:15:12.000 --> 1:15:14.000
<v Speaker 1>I'm just saying this is a start. This is a start.

1:15:14.240 --> 1:15:17.439
<v Speaker 1>She's admitted she's virtual signaling. Whatever she was wrong, she

1:15:17.600 --> 1:15:20.519
<v Speaker 1>was doing it for engagements with people connecting. Well, even this,

1:15:20.800 --> 1:15:23.160
<v Speaker 1>but this is the thing. Even this apology is no,

1:15:23.240 --> 1:15:25.080
<v Speaker 1>but don't do that. No, no, no, don't do that apology.

1:15:27.320 --> 1:15:32.440
<v Speaker 2>But even this apology is virtue because everyone internet would attension.

1:15:32.520 --> 1:15:34.200
<v Speaker 2>I just wanted attention and I wanted people to give

1:15:34.200 --> 1:15:36.040
<v Speaker 2>me attention. So I kicked the man's back. And I

1:15:36.080 --> 1:15:36.840
<v Speaker 2>shouldn't have did that.

1:15:36.960 --> 1:15:39.320
<v Speaker 5>You know, nowadays this is a modern way to guard

1:15:39.360 --> 1:15:41.600
<v Speaker 5>her clicks, likes and attention, and we shouldn't do that,

1:15:41.800 --> 1:15:44.880
<v Speaker 5>and we should be It's even your apology is virtual signals.

1:15:44.880 --> 1:15:46.479
<v Speaker 4>No, she made it about her. She didn't say anyone else.

1:15:46.520 --> 1:15:47.880
<v Speaker 4>She said, I did this ship.

1:15:49.200 --> 1:15:49.600
<v Speaker 1>I did it.

1:15:50.640 --> 1:15:51.120
<v Speaker 2>What you gonna say?

1:15:51.120 --> 1:15:55.439
<v Speaker 3>It was virtual signaling because I wanted to connect. I'm sorry,

1:15:55.800 --> 1:15:57.760
<v Speaker 3>you gotta make that bigger pulse. And I knew that

1:15:58.080 --> 1:16:00.280
<v Speaker 3>Timothy's goof up was something that I could love and

1:16:00.400 --> 1:16:03.280
<v Speaker 3>order for people to connect with me and fuck with me.

1:16:03.800 --> 1:16:06.040
<v Speaker 2>She ain't say yo, y'all were doing this. She made

1:16:06.040 --> 1:16:06.559
<v Speaker 2>it all about her.

1:16:07.240 --> 1:16:09.560
<v Speaker 5>Based there is a culture based around their rage and

1:16:09.680 --> 1:16:11.479
<v Speaker 5>they like that, and people want to feel like they're

1:16:11.479 --> 1:16:13.320
<v Speaker 5>a part of something. Don't just say that she's they're talking.

1:16:14.200 --> 1:16:16.360
<v Speaker 5>Don't change the subject. You said that she didn't address.

1:16:16.360 --> 1:16:19.120
<v Speaker 5>Subject is her entire No, the subject was that You

1:16:19.200 --> 1:16:21.599
<v Speaker 5>said that she didn't address anybody else, and she did.

1:16:21.800 --> 1:16:23.920
<v Speaker 5>There is a culture based around outrage and things like that,

1:16:24.040 --> 1:16:26.360
<v Speaker 5>and people wanting to feel like they're a part of something.

1:16:26.560 --> 1:16:27.559
<v Speaker 2>It was not just about her.

1:16:27.680 --> 1:16:29.960
<v Speaker 5>Well, I just did this, Okay, it's bringing up the

1:16:30.120 --> 1:16:31.240
<v Speaker 5>masses in all of this.

1:16:31.360 --> 1:16:32.880
<v Speaker 1>You're the whole thing.

1:16:33.040 --> 1:16:33.960
<v Speaker 4>You're missing, all right.

1:16:34.040 --> 1:16:37.400
<v Speaker 3>Yes, she's saying that there is a culture based around outrage,

1:16:37.400 --> 1:16:39.479
<v Speaker 3>which I think everyone in this room can agree, of course.

1:16:40.000 --> 1:16:42.439
<v Speaker 3>And she's saying, I have felt victim to that me.

1:16:43.120 --> 1:16:46.720
<v Speaker 3>I have fallen into that culture of the outrage shit

1:16:47.000 --> 1:16:49.719
<v Speaker 3>where I just needed some dopamine that day. I needed

1:16:49.720 --> 1:16:51.240
<v Speaker 3>to feel like I was better than someone else that

1:16:51.360 --> 1:16:53.040
<v Speaker 3>was fucking up at the time. Even though I don't

1:16:53.040 --> 1:16:55.479
<v Speaker 3>give a fuck about ballet or opera. I'm gonna look

1:16:55.560 --> 1:16:57.719
<v Speaker 3>like the better person in this story.

1:16:58.120 --> 1:17:00.840
<v Speaker 2>I care like. I appreciate that.

1:17:00.920 --> 1:17:05.240
<v Speaker 5>Message Timothy into intext because I said, message Timothy, this

1:17:05.479 --> 1:17:07.200
<v Speaker 5>this exact message message.

1:17:06.960 --> 1:17:08.280
<v Speaker 1>Him you're not on the side of If I do

1:17:08.400 --> 1:17:10.120
<v Speaker 1>something public, the apology has to be public.

1:17:10.320 --> 1:17:14.519
<v Speaker 5>No message Timothy about how it depends. Just come out

1:17:14.560 --> 1:17:16.040
<v Speaker 5>and say, yea, y'all, I'm not gonna lie. What I

1:17:16.040 --> 1:17:17.200
<v Speaker 5>said about Timothy was corny.

1:17:17.320 --> 1:17:20.519
<v Speaker 2>That's it. All this extra explanation of all of this shit.

1:17:20.680 --> 1:17:22.960
<v Speaker 3>But do you not think it's important for especially with

1:17:24.000 --> 1:17:28.080
<v Speaker 3>dojah cats stand fan base as well and the culture

1:17:28.160 --> 1:17:30.720
<v Speaker 3>that is of this whole thing, that this was not

1:17:30.840 --> 1:17:31.599
<v Speaker 3>important to say?

1:17:32.400 --> 1:17:34.320
<v Speaker 2>Should admit that people do this?

1:17:34.960 --> 1:17:37.680
<v Speaker 5>Sure, I just don't just don't just don't do it

1:17:37.760 --> 1:17:39.599
<v Speaker 5>in the beginning, just to just don't do it anyway.

1:17:39.840 --> 1:17:41.800
<v Speaker 5>It wasn't like she was kicking his back end about

1:17:42.000 --> 1:17:45.360
<v Speaker 5>him being a racist or or something of that nature,

1:17:45.439 --> 1:17:48.160
<v Speaker 5>him being a woman kicking that with real topics.

1:17:48.200 --> 1:17:49.840
<v Speaker 3>I'm saying she did it with something she didn't give

1:17:49.840 --> 1:17:51.679
<v Speaker 3>a fuck about, which I think everyone does the Internet

1:17:51.680 --> 1:17:54.400
<v Speaker 3>every day. I'm not talking about real, fucking, real shit.

1:17:54.439 --> 1:17:56.000
<v Speaker 3>You're talking about colourism. I know for a fact you

1:17:56.080 --> 1:17:58.080
<v Speaker 3>care about colorism. We're talking about things that people do

1:17:58.200 --> 1:18:00.439
<v Speaker 3>not care about. All of a sudden, you're just on

1:18:00.560 --> 1:18:01.880
<v Speaker 3>the Internet going in all that you.

1:18:01.880 --> 1:18:05.400
<v Speaker 8>Don't care about this. You don't, okay, and you're just

1:18:05.479 --> 1:18:07.679
<v Speaker 8>trying to look like a better person. And I agree,

1:18:07.760 --> 1:18:09.679
<v Speaker 8>I agree. A lot of people do that, but they're

1:18:09.800 --> 1:18:12.200
<v Speaker 8>corny people. So I'm not going so this is my thing.

1:18:12.520 --> 1:18:14.400
<v Speaker 2>This was corny. What she did was corny.

1:18:14.439 --> 1:18:16.639
<v Speaker 5>So I'm not amusing she was corny, Okay, but I'm

1:18:16.640 --> 1:18:19.320
<v Speaker 5>not to applaud her for admitting that she was corny.

1:18:19.360 --> 1:18:21.919
<v Speaker 2>When you're just being corny, you're still rewarding corniness.

1:18:21.960 --> 1:18:24.280
<v Speaker 3>Okay, all right to Marris, But I can't look at

1:18:24.320 --> 1:18:26.400
<v Speaker 3>it like you are correct that you do not need

1:18:26.479 --> 1:18:28.360
<v Speaker 3>to applaud someone for saying, yo, I was corny.

1:18:28.439 --> 1:18:29.320
<v Speaker 4>That's what you're supposed to do.

1:18:29.560 --> 1:18:31.320
<v Speaker 3>I'm saying, in this day and age on the internet,

1:18:31.360 --> 1:18:34.799
<v Speaker 3>in twenty twenty six, we do need to highlight somebody

1:18:34.920 --> 1:18:37.000
<v Speaker 3>finally saying you know, I did some corny shit that

1:18:37.200 --> 1:18:40.000
<v Speaker 3>everyone does on the internet all the time. It's we're

1:18:40.000 --> 1:18:42.320
<v Speaker 3>in different times. You don't need to, but I think

1:18:42.439 --> 1:18:44.720
<v Speaker 3>at this point everyone needs to look at this and go,

1:18:45.080 --> 1:18:47.200
<v Speaker 3>oh yeah, this is pretty much the entire timeline.

1:18:47.880 --> 1:18:48.160
<v Speaker 2>Okay.

1:18:48.479 --> 1:18:50.920
<v Speaker 5>I like apologies when they come a while after you

1:18:51.000 --> 1:18:52.920
<v Speaker 5>did something, because that means that you've grown.

1:18:53.120 --> 1:18:56.840
<v Speaker 2>It's no la Russell was a but it's important if

1:18:56.840 --> 1:18:57.120
<v Speaker 2>you knew.

1:18:57.160 --> 1:18:58.840
<v Speaker 5>If you're admitting that it's corny now, you knew it

1:18:58.880 --> 1:19:00.680
<v Speaker 5>was corny when you did it, Like if it took

1:19:00.800 --> 1:19:03.040
<v Speaker 5>years and you was like, hey, I grew up. I

1:19:03.120 --> 1:19:05.040
<v Speaker 5>didn't know back then, but i'm better now. This is

1:19:05.040 --> 1:19:08.360
<v Speaker 5>an apology. But I said she was corny when you

1:19:08.439 --> 1:19:10.160
<v Speaker 5>did it, and then you just like come out and

1:19:10.240 --> 1:19:11.080
<v Speaker 5>admit it tode later.

1:19:11.680 --> 1:19:13.600
<v Speaker 3>The habit on the internet of doing corny shit so

1:19:13.720 --> 1:19:15.120
<v Speaker 3>much that they get so used to it that they

1:19:15.120 --> 1:19:16.160
<v Speaker 3>don't think they're corny anymore.

1:19:16.200 --> 1:19:19.040
<v Speaker 1>So you're saying the apology she should have let it breathe. No,

1:19:19.240 --> 1:19:20.720
<v Speaker 1>I don't even think that she should have let it breathe.

1:19:20.760 --> 1:19:23.519
<v Speaker 5>What I'm saying is, I'm not your apology means nothing

1:19:23.560 --> 1:19:25.160
<v Speaker 5>because you knew it was corny when you did it.

1:19:25.200 --> 1:19:26.680
<v Speaker 2>If you can come out a week later and say, hey,

1:19:26.760 --> 1:19:27.720
<v Speaker 2>that was corny. You know it's corny.

1:19:27.960 --> 1:19:29.439
<v Speaker 1>But a week later, a month later, a year later,

1:19:29.520 --> 1:19:30.520
<v Speaker 1>what's the difference.

1:19:30.280 --> 1:19:31.840
<v Speaker 5>Because at least in a year she could say, hey,

1:19:31.880 --> 1:19:33.840
<v Speaker 5>I didn't know it was corny then, but I grew now.

1:19:33.880 --> 1:19:35.639
<v Speaker 3>It's just like, you know what corny when I've done

1:19:35.920 --> 1:19:38.920
<v Speaker 3>I've done corny shit in real time realized I was

1:19:38.960 --> 1:19:39.639
<v Speaker 3>doing some corny sh.

1:19:39.640 --> 1:19:43.679
<v Speaker 1>If she apologized ten years later, I would say, even

1:19:43.680 --> 1:19:45.599
<v Speaker 1>if she apologized ten years from now, said I belive

1:19:45.800 --> 1:19:47.479
<v Speaker 1>she knew that was wrong when she did that.

1:19:47.680 --> 1:19:50.120
<v Speaker 2>Like, I just can't believe a celebrity actually admitted this.

1:19:50.280 --> 1:19:52.240
<v Speaker 3>I'm not saying she needs to be applaud the same

1:19:52.240 --> 1:19:53.679
<v Speaker 3>way men say you, I take care of my kids,

1:19:54.080 --> 1:19:56.080
<v Speaker 3>like you want to be applauded for that. I'm just

1:19:56.120 --> 1:19:57.960
<v Speaker 3>saying I think in this day and age, it's cool

1:19:57.960 --> 1:20:01.160
<v Speaker 3>to hear somebody admit the shit. Yeah, that's all I agree.

1:20:00.880 --> 1:20:03.720
<v Speaker 1>With that, because everyone on the internet does this shit

1:20:03.760 --> 1:20:08.280
<v Speaker 1>and tries to avoid like they don't like now y'all care. Yeah,

1:20:08.439 --> 1:20:09.720
<v Speaker 1>that's just where I'm at with But.

1:20:11.479 --> 1:20:15.679
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<v Speaker 2>There were some people that really cared about Timothy's comments.

1:21:49.200 --> 1:21:50.080
<v Speaker 1>No, they didn't know.

1:21:50.200 --> 1:21:52.200
<v Speaker 2>There were some people in the world who really did

1:21:52.280 --> 1:21:52.960
<v Speaker 2>care about Timmy.

1:21:53.160 --> 1:21:55.360
<v Speaker 1>They don't. Niggas is just want to be out raised

1:21:55.360 --> 1:21:56.280
<v Speaker 1>and upset about.

1:21:56.240 --> 1:22:00.200
<v Speaker 5>Why why are y'all acting like it's I'm not talking

1:22:00.200 --> 1:22:02.080
<v Speaker 5>about just random people on the internet. I'm talking about

1:22:02.080 --> 1:22:04.599
<v Speaker 5>people in the field that spent their whole life study

1:22:04.640 --> 1:22:06.280
<v Speaker 5>in the field that he shout it on. There were

1:22:06.400 --> 1:22:08.040
<v Speaker 5>some people who had a reason to be upset about

1:22:08.080 --> 1:22:11.160
<v Speaker 5>what he said just because it doesn't apply to you. Like,

1:22:11.479 --> 1:22:13.880
<v Speaker 5>what did he say when he was talking about how

1:22:14.000 --> 1:22:15.760
<v Speaker 5>opera is not important? Let me get the direct quote.

1:22:15.800 --> 1:22:19.080
<v Speaker 5>He was basically not shitting on opera's importance, opera in

1:22:19.200 --> 1:22:22.679
<v Speaker 5>ballet's importance, performing arts. There are people who aren't performing

1:22:22.760 --> 1:22:24.280
<v Speaker 5>arts who do care about that type of thing.

1:22:24.560 --> 1:22:27.080
<v Speaker 3>I think there's a difference between between saying it should

1:22:27.160 --> 1:22:28.400
<v Speaker 3>die or it is dying.

1:22:29.640 --> 1:22:32.240
<v Speaker 2>Oh no, that's a that's a total. So I'm not

1:22:32.280 --> 1:22:33.760
<v Speaker 2>sure we can talk about a fact.

1:22:33.840 --> 1:22:33.920
<v Speaker 8>Right.

1:22:34.000 --> 1:22:36.120
<v Speaker 1>Is this the quote? Is this the quote? He said?

1:22:36.200 --> 1:22:38.000
<v Speaker 5>I don't want to be working in ballet or opera

1:22:38.120 --> 1:22:39.720
<v Speaker 5>or you know, things where it's like, hey, keep this

1:22:39.800 --> 1:22:41.760
<v Speaker 5>thing alive even though it's like no one cares about

1:22:41.760 --> 1:22:44.000
<v Speaker 5>this anymore. Yeah, all respect to the ballet and opera

1:22:44.000 --> 1:22:46.559
<v Speaker 5>people out there. I just lost fourteen ships, fourteen cents

1:22:46.600 --> 1:22:48.599
<v Speaker 5>in viewership. I just took shots for no reason.

1:22:49.320 --> 1:22:50.599
<v Speaker 4>And he said it in a joking way.

1:22:50.640 --> 1:22:50.880
<v Speaker 1>Whatever.

1:22:50.960 --> 1:22:51.160
<v Speaker 2>Cool.

1:22:51.320 --> 1:22:54.040
<v Speaker 3>If someone feels the way about that, I'm not not

1:22:54.160 --> 1:22:55.920
<v Speaker 3>here to tell you not to feel a way. But

1:22:56.120 --> 1:23:00.360
<v Speaker 3>at that point, yes, it is a dying art on Broadway.

1:23:00.400 --> 1:23:03.360
<v Speaker 3>Ticket prices keep going way too high. It's a lot

1:23:03.560 --> 1:23:07.320
<v Speaker 3>of people not passing that art form down to their kids.

1:23:07.560 --> 1:23:09.920
<v Speaker 3>So kids don't care. We're supposed to make kids care

1:23:09.960 --> 1:23:11.080
<v Speaker 3>about opera in ballet.

1:23:11.400 --> 1:23:13.479
<v Speaker 5>Yes, Actually, y'all make kids care about a whole lot

1:23:13.520 --> 1:23:17.960
<v Speaker 5>of shit that don't really matter. Authentic, authentic like theater,

1:23:18.920 --> 1:23:22.000
<v Speaker 5>authentic art and performance art, yes, we should make kids

1:23:22.040 --> 1:23:22.960
<v Speaker 5>think care about those type.

1:23:23.000 --> 1:23:24.920
<v Speaker 3>Even when it was popular, it was still a very

1:23:25.000 --> 1:23:27.160
<v Speaker 3>small percentage of kids that ended up caring about it.

1:23:28.360 --> 1:23:29.120
<v Speaker 2>No, it's not true.

1:23:29.120 --> 1:23:31.599
<v Speaker 5>It's that it was available to a very small percentage

1:23:31.640 --> 1:23:34.280
<v Speaker 5>of kids. It was available to a very small percentage

1:23:34.280 --> 1:23:36.280
<v Speaker 5>of kids. That's why people used to funnel and try

1:23:36.360 --> 1:23:39.160
<v Speaker 5>to raise money for their art departments. Not because not

1:23:39.240 --> 1:23:40.920
<v Speaker 5>a lot of kids cared about it, but because a

1:23:40.960 --> 1:23:43.680
<v Speaker 5>lot of kids couldn't afford to care about it, they

1:23:43.680 --> 1:23:45.280
<v Speaker 5>couldn't afford to be exposed to it.

1:23:45.439 --> 1:23:48.160
<v Speaker 2>That's been going on for years. Okay, the highest form

1:23:49.360 --> 1:23:50.479
<v Speaker 2>of ballet can be in a.

1:23:50.479 --> 1:23:51.080
<v Speaker 1>Theater right.

1:23:53.000 --> 1:23:55.880
<v Speaker 2>To an extent modernly, it could be of what.

1:23:56.040 --> 1:23:59.320
<v Speaker 3>Can you tell me a time where opera and ballet

1:23:59.720 --> 1:24:03.640
<v Speaker 3>sold out an arena size or a stadium size, or

1:24:03.920 --> 1:24:05.599
<v Speaker 3>what do you like? I don't understand what you guys

1:24:05.600 --> 1:24:07.640
<v Speaker 3>are getting at. He didn't say anything wrong. It's a

1:24:07.800 --> 1:24:11.720
<v Speaker 3>dying art form, like even at its peak it only

1:24:11.800 --> 1:24:14.040
<v Speaker 3>sold so many tickets. I'm not taking away from the

1:24:14.160 --> 1:24:16.080
<v Speaker 3>art of it. I think that's what you I think

1:24:16.160 --> 1:24:18.120
<v Speaker 3>that's what everyone's missing in this whole thing. No one

1:24:18.200 --> 1:24:20.920
<v Speaker 3>is saying opera isn't important, or ballet isn't important. Matter

1:24:20.920 --> 1:24:23.000
<v Speaker 3>of fact, Kanye West dedicated one of the greatest hip

1:24:23.000 --> 1:24:25.759
<v Speaker 3>hop albums of all time to ballet. Ballet is super important.

1:24:26.439 --> 1:24:29.160
<v Speaker 3>But to say it's not a dying art form when

1:24:29.200 --> 1:24:31.960
<v Speaker 3>at its peak it was only selling two thousand tickets,

1:24:33.280 --> 1:24:36.519
<v Speaker 3>I don't really know every art form is dying. That

1:24:36.800 --> 1:24:39.800
<v Speaker 3>was doing ten billion streams now something that only sold

1:24:39.800 --> 1:24:41.080
<v Speaker 3>two thousand tickets at its prime.

1:24:41.240 --> 1:24:43.160
<v Speaker 4>We're supposed to sit here and go, oh, what's going on?

1:24:45.400 --> 1:24:49.000
<v Speaker 2>Okay, I'm not the person to argue that for you.

1:24:49.000 --> 1:24:51.200
<v Speaker 3>You just told me with Jack Harlow when he sold

1:24:51.200 --> 1:24:53.320
<v Speaker 3>out the Barclays, is he going to sell it out again?

1:24:53.360 --> 1:24:55.840
<v Speaker 3>Those aren't real fans. You can only fill up so

1:24:56.000 --> 1:25:00.679
<v Speaker 3>much of a size theater for ballet or opera. Okay,

1:25:02.160 --> 1:25:04.920
<v Speaker 3>correct me if I'm wrong. In the sixteen hundreds when

1:25:04.960 --> 1:25:07.120
<v Speaker 3>Shakespeare was around, maybe they were doing the coliseum.

1:25:07.479 --> 1:25:09.720
<v Speaker 4>I don't know. I'm just saying in the modern time,

1:25:09.960 --> 1:25:11.000
<v Speaker 4>like what did Timothy say?

1:25:11.040 --> 1:25:11.719
<v Speaker 1>That was so crazy?

1:25:14.760 --> 1:25:15.040
<v Speaker 4>Fire?

1:25:16.680 --> 1:25:20.000
<v Speaker 2>That's one of how many artists and any other genre.

1:25:20.120 --> 1:25:23.280
<v Speaker 1>Arrotty very rarely did performances here though, so I can

1:25:23.400 --> 1:25:26.519
<v Speaker 1>understand why that was such a big event. So I

1:25:26.640 --> 1:25:26.880
<v Speaker 1>get that.

1:25:27.439 --> 1:25:31.240
<v Speaker 3>So it's Timothy's felt like he's influencing kids. Watch Timothy

1:25:31.280 --> 1:25:32.400
<v Speaker 3>and the way you know what, fuck ballet.

1:25:32.800 --> 1:25:35.679
<v Speaker 5>No, it's not about him. It's not about him influencing

1:25:35.720 --> 1:25:37.960
<v Speaker 5>anything people. All I'm saying is that the people in

1:25:38.040 --> 1:25:40.599
<v Speaker 5>an art form can be allowed to say that, can

1:25:40.680 --> 1:25:42.800
<v Speaker 5>be allowed to be outraged that you said that their

1:25:42.880 --> 1:25:45.080
<v Speaker 5>art firm that they work their whole life towards is dying,

1:25:45.560 --> 1:25:47.040
<v Speaker 5>or that there's not a lot of people into it,

1:25:47.800 --> 1:25:49.439
<v Speaker 5>or that he doesn't even though he came from it,

1:25:49.479 --> 1:25:51.080
<v Speaker 5>he doesn't want to stay in it. Like people can

1:25:51.200 --> 1:25:52.679
<v Speaker 5>look at that and be offended. That's fine.

1:25:53.240 --> 1:25:55.760
<v Speaker 3>Conan made a hilarious joking his monologue when he brought

1:25:55.760 --> 1:25:57.880
<v Speaker 3>that up, and he said, the only thing Timothy said

1:25:58.080 --> 1:26:07.360
<v Speaker 3>wrong was he forgot jazz, which is funny. And they

1:26:07.439 --> 1:26:09.920
<v Speaker 3>were saying that about jazz until hip hop showed up. Yeah,

1:26:10.600 --> 1:26:12.759
<v Speaker 3>because hip hop revamped jazz.

1:26:12.880 --> 1:26:16.800
<v Speaker 1>If we being real, Yeah used elements from it.

1:26:17.800 --> 1:26:18.120
<v Speaker 4>Sample.

1:26:18.200 --> 1:26:19.920
<v Speaker 3>I started getting at jazz music because of hip hop.

1:26:20.280 --> 1:26:22.559
<v Speaker 3>I wasn't sitting there just researching jazz. Hip Hop got

1:26:22.560 --> 1:26:25.880
<v Speaker 3>me into that ship. Some of the stuff that just blaze.

1:26:25.920 --> 1:26:28.160
<v Speaker 3>The sample from Opera singers I've looked into because of

1:26:28.280 --> 1:26:31.280
<v Speaker 3>hip hop to sit here and act like opera and

1:26:31.400 --> 1:26:34.160
<v Speaker 3>ballet have this crazy pr and it's just us, us

1:26:34.240 --> 1:26:35.920
<v Speaker 3>young kids shitting on it to get rid of it.

1:26:36.000 --> 1:26:38.439
<v Speaker 4>It's just like insane to me. So I said, dying

1:26:38.520 --> 1:26:41.000
<v Speaker 4>for just just like music.

1:26:41.640 --> 1:26:45.519
<v Speaker 2>It's okay, like like you are know him or something.

1:26:46.479 --> 1:26:47.200
<v Speaker 1>Yeah, this is God.

1:26:47.360 --> 1:26:50.559
<v Speaker 2>That's gotta be his guy. That's my guy friends to me, Yeah,

1:26:50.640 --> 1:26:51.880
<v Speaker 2>I figure the same block.

1:26:52.120 --> 1:26:55.639
<v Speaker 1>I mean, mistery Copeland kind of revamped and made black

1:26:55.720 --> 1:26:58.599
<v Speaker 1>girls fall in love with ballet again. You know, ballet

1:26:58.680 --> 1:27:01.960
<v Speaker 1>is fireron but it's a very it's a very niche,

1:27:02.200 --> 1:27:04.880
<v Speaker 1>very you know, unique art form that not a lot

1:27:04.960 --> 1:27:08.240
<v Speaker 1>of you know, kids are into anymore.

1:27:08.320 --> 1:27:14.320
<v Speaker 2>So yeah, yeah, they said that was a shot at Timothy.

1:27:15.760 --> 1:27:18.960
<v Speaker 1>I'm sure Timothy laughed at that. Y'all go get the

1:27:19.000 --> 1:27:19.960
<v Speaker 1>greatest ballery ever.

1:27:20.280 --> 1:27:22.679
<v Speaker 2>On top of that, I'm sure he enjoyed that performance.

1:27:22.920 --> 1:27:25.200
<v Speaker 1>Yeah, yeah, I get it.

1:27:25.360 --> 1:27:27.760
<v Speaker 5>But that's why we shouldn't let ballet and things die out,

1:27:27.880 --> 1:27:29.960
<v Speaker 5>and we should encourage the kids to go into it.

1:27:30.040 --> 1:27:32.560
<v Speaker 1>And when you were the kids into ballet, that's just

1:27:32.640 --> 1:27:35.400
<v Speaker 1>the way for you to have extra free time after school. Yeah,

1:27:36.200 --> 1:27:38.680
<v Speaker 1>and even if you get to that that you keep

1:27:38.760 --> 1:27:41.320
<v Speaker 1>pushing your kids unless they fall in love with it.

1:27:42.160 --> 1:27:43.920
<v Speaker 1>But like, you know, how many little girls I know

1:27:44.120 --> 1:27:45.880
<v Speaker 1>was into ballet at one point. I'm like, yoh, when

1:27:45.880 --> 1:27:48.160
<v Speaker 1>the last time your daughter didn't? Like, she didn't do

1:27:48.240 --> 1:27:49.120
<v Speaker 1>ballet in nine years?

1:27:49.680 --> 1:27:51.400
<v Speaker 3>And you know what, look what Shorty had to go

1:27:51.439 --> 1:27:53.680
<v Speaker 3>through with save the last dance just to get into Juilliard. Like,

1:27:53.720 --> 1:27:54.760
<v Speaker 3>I'm not putting my kid through that.

1:27:55.080 --> 1:27:58.640
<v Speaker 1>Ballet is like like remember karate classes. It's yes, how

1:27:58.680 --> 1:28:00.840
<v Speaker 1>many of these niggas that was in karate classes they

1:28:00.920 --> 1:28:02.160
<v Speaker 1>went on to get their black belt.

1:28:02.720 --> 1:28:03.920
<v Speaker 2>That's a perfect example.

1:28:04.200 --> 1:28:04.719
<v Speaker 1>I'm idiot.

1:28:05.120 --> 1:28:07.800
<v Speaker 3>Get some of them ended up being ninjas, but that's

1:28:07.840 --> 1:28:09.679
<v Speaker 3>like one out of every ten thousand.

1:28:09.960 --> 1:28:14.800
<v Speaker 1>They're more Ninja warriors than ninjas, though more niggas have

1:28:14.880 --> 1:28:18.200
<v Speaker 1>completed the Warrior gauntlet. Every little girl had a to to,

1:28:18.479 --> 1:28:21.439
<v Speaker 1>every little boy had a yellow belt. Some people went

1:28:21.520 --> 1:28:24.360
<v Speaker 1>to the yellow belt and some people became ninjas. But

1:28:24.479 --> 1:28:27.599
<v Speaker 1>it's very small to make out of it. They give

1:28:27.640 --> 1:28:29.280
<v Speaker 1>a yellow belt if you could do a roundhouse like

1:28:30.760 --> 1:28:31.559
<v Speaker 1>like you know.

1:28:31.600 --> 1:28:34.240
<v Speaker 3>I love the movie Whiplash. I watched that ship. It's

1:28:34.280 --> 1:28:36.120
<v Speaker 3>based off a true story. I was like, all right,

1:28:36.160 --> 1:28:38.599
<v Speaker 3>so this guy after he bleeds through his hands, what's

1:28:38.640 --> 1:28:39.360
<v Speaker 3>the end goal here?

1:28:40.240 --> 1:28:40.400
<v Speaker 2>Nick?

1:28:40.439 --> 1:28:41.800
<v Speaker 3>Can't let the end of drum line and lets you

1:28:41.840 --> 1:28:43.640
<v Speaker 3>about to be a producer like you're about to be

1:28:43.680 --> 1:28:44.920
<v Speaker 3>in a marsh fan for the rest of your life.

1:28:45.600 --> 1:28:50.120
<v Speaker 1>Yo yo. Karate classes and ballet classes definitely the same thing,

1:28:50.600 --> 1:28:56.000
<v Speaker 1>the same R form, same R form it is, though.

1:28:56.080 --> 1:28:58.000
<v Speaker 1>I'm just saying, like I get it over there, you know,

1:28:58.800 --> 1:28:59.120
<v Speaker 1>all right?

1:28:59.360 --> 1:29:02.840
<v Speaker 2>All right, top ballet. Oh God, that ship is so corny.

1:29:02.920 --> 1:29:05.040
<v Speaker 2>I hate when you do that. That's so corny.

1:29:05.360 --> 1:29:09.320
<v Speaker 5>Just because because something isn't my passion does not mean

1:29:09.400 --> 1:29:11.240
<v Speaker 5>that it shouldn't be respected, and that it's a dying

1:29:11.760 --> 1:29:15.240
<v Speaker 5>respected though, especially something is not dying just because you

1:29:15.360 --> 1:29:16.040
<v Speaker 5>aren't a fan of it.

1:29:17.360 --> 1:29:20.120
<v Speaker 3>Well, who whoever said that? I was very clear inside

1:29:20.240 --> 1:29:23.640
<v Speaker 3>every genre list, that's what.

1:29:23.640 --> 1:29:24.880
<v Speaker 1>You got to tell me. You got to name one

1:29:24.920 --> 1:29:28.599
<v Speaker 1>person you know that's in the ballet, just somebody personally

1:29:28.680 --> 1:29:29.880
<v Speaker 1>in your contact, somebody that you.

1:29:30.000 --> 1:29:32.160
<v Speaker 2>Met, my old ballet teacher. Shout out to her.

1:29:32.320 --> 1:29:35.160
<v Speaker 1>That don't count. She's a ballet teacher. I'm talking about

1:29:35.200 --> 1:29:36.120
<v Speaker 1>one of your own girls.

1:29:36.600 --> 1:29:39.800
<v Speaker 2>That's like, y'all, Alex just went to the ballet last week, Alex.

1:29:41.280 --> 1:29:41.599
<v Speaker 1>Gucci.

1:29:41.760 --> 1:29:43.880
<v Speaker 4>Yeah, I would go to a ballet.

1:29:44.240 --> 1:29:45.400
<v Speaker 2>Yeah, I would go to opera too.

1:29:45.640 --> 1:29:47.760
<v Speaker 1>I'm not going to that. I've been.

1:29:48.360 --> 1:29:50.680
<v Speaker 5>I've been, see the whispers before I go to the

1:29:50.800 --> 1:29:54.000
<v Speaker 5>chocolate Nutcracker deb Alan. If I had access to the

1:29:54.080 --> 1:29:55.960
<v Speaker 5>money to do some of those things, I definitely will.

1:29:56.080 --> 1:29:56.880
<v Speaker 1>That's why I died.

1:29:58.200 --> 1:30:01.080
<v Speaker 3>They raising ticket prices everything, like Hamilton was the first

1:30:01.120 --> 1:30:04.479
<v Speaker 3>fucking Broadway play that they got, busting kids from New

1:30:04.560 --> 1:30:06.759
<v Speaker 3>York City public schools to sit in the fucking mezzanine.

1:30:07.360 --> 1:30:08.599
<v Speaker 2>Like that's a snob.

1:30:08.800 --> 1:30:10.400
<v Speaker 3>That's what I hated the most about it, because that's

1:30:10.439 --> 1:30:13.280
<v Speaker 3>the snobbiest fucking world on earth. And now y'all want

1:30:13.320 --> 1:30:16.000
<v Speaker 3>to play victim. Y'all are snobs that never wanted us

1:30:16.040 --> 1:30:18.919
<v Speaker 3>around you. Now the sudden is like only God Timothy

1:30:19.000 --> 1:30:21.160
<v Speaker 3>said this bitch, you've never even wanted any of us

1:30:21.200 --> 1:30:23.920
<v Speaker 3>around you. It's a thousand dollars to go to that shit.

1:30:24.320 --> 1:30:24.800
<v Speaker 2>Shut up.

1:30:25.400 --> 1:30:29.800
<v Speaker 1>But okay, he wasn't telling you to shut up.

1:30:29.840 --> 1:30:33.080
<v Speaker 2>Now I know he wasn't, But okay, we're not gonna

1:30:33.240 --> 1:30:34.560
<v Speaker 2>She can't name one ballet. Do you think I was

1:30:34.600 --> 1:30:34.960
<v Speaker 2>talking to her?

1:30:35.000 --> 1:30:35.920
<v Speaker 4>She can't name a ballet.

1:30:35.800 --> 1:30:41.360
<v Speaker 1>Person as somebody that studied performing arts. It's definitely been

1:30:41.439 --> 1:30:44.560
<v Speaker 1>something that you know, it's a very niche group of

1:30:44.600 --> 1:30:48.320
<v Speaker 1>people that really follow that from middle school, high school,

1:30:48.360 --> 1:30:51.800
<v Speaker 1>college and go all the way to actually performing for sure.

1:30:52.040 --> 1:30:54.840
<v Speaker 5>And my only my only thing with that is a

1:30:54.920 --> 1:30:56.719
<v Speaker 5>lot of it has to do with access and money,

1:30:58.280 --> 1:31:00.280
<v Speaker 5>not ability interested honey.

1:31:01.000 --> 1:31:04.120
<v Speaker 1>You know, I think a lot of dancers that we

1:31:04.280 --> 1:31:05.920
<v Speaker 1>know that like, you know, going to and dance for

1:31:05.920 --> 1:31:08.200
<v Speaker 1>a lot of our favorite artists, a lot of them studied.

1:31:08.680 --> 1:31:10.960
<v Speaker 1>They come from the ballet world and they study dance

1:31:11.000 --> 1:31:14.040
<v Speaker 1>and things like that. But to actually stick and like

1:31:14.200 --> 1:31:17.439
<v Speaker 1>really perform like how Misty did ballet all the way through,

1:31:17.479 --> 1:31:18.439
<v Speaker 1>that is very rare.

1:31:19.080 --> 1:31:22.479
<v Speaker 3>But again I say culture, but I think the dancers

1:31:22.520 --> 1:31:25.120
<v Speaker 3>that are on tour Beyonce are more inspired than by

1:31:25.200 --> 1:31:28.120
<v Speaker 3>Sierra than they are ballet dancers. A lot of that too,

1:31:28.200 --> 1:31:32.639
<v Speaker 3>but they're trained. Oh oh that's what I was. Sierra's

1:31:32.640 --> 1:31:34.000
<v Speaker 3>one of the great dances of all time. It's a

1:31:34.080 --> 1:31:34.840
<v Speaker 3>trained dancer.

1:31:35.080 --> 1:31:35.200
<v Speaker 1>Yes.

1:31:35.400 --> 1:31:38.320
<v Speaker 3>But to close this, I will say Timothy is from

1:31:38.360 --> 1:31:41.800
<v Speaker 3>a building that subsidized artists to live there because it

1:31:41.880 --> 1:31:45.759
<v Speaker 3>was a dying art in nineteen seventy. He's from Manhattan Plaza.

1:31:45.800 --> 1:31:48.479
<v Speaker 3>They made it for artists that were working on Broadway

1:31:48.520 --> 1:31:52.479
<v Speaker 3>doing ballet opera performance. They could get cheap rent because

1:31:52.520 --> 1:31:54.600
<v Speaker 3>it was a dying art form in nineteen seventy. His

1:31:54.720 --> 1:31:58.240
<v Speaker 3>building is based off a dying art form, which I

1:31:58.280 --> 1:31:58.920
<v Speaker 3>think is beautiful.

1:31:58.920 --> 1:31:59.800
<v Speaker 2>I love Manaddan Plaza.

1:32:00.360 --> 1:32:01.880
<v Speaker 3>But to have the kid that grew up in a

1:32:01.960 --> 1:32:04.720
<v Speaker 3>building that is based off an art form dying to say, hey,

1:32:04.760 --> 1:32:08.040
<v Speaker 3>I think the art form is dying is nuts. Give

1:32:08.080 --> 1:32:09.760
<v Speaker 3>the kid a break, That's what I'm saying.

1:32:11.200 --> 1:32:13.320
<v Speaker 5>You know, set up for all the whites this episode, Man,

1:32:13.400 --> 1:32:15.280
<v Speaker 5>you got your cape on for the whites.

1:32:15.439 --> 1:32:22.360
<v Speaker 3>Jacky, listen, I ain't seen I ain't seen Collie in

1:32:22.400 --> 1:32:22.920
<v Speaker 3>the building yet.

1:32:23.720 --> 1:32:24.639
<v Speaker 1>Kylie who Jenner?

1:32:24.920 --> 1:32:27.599
<v Speaker 4>Yeah, where you got? I don't see Collie on the block.

1:32:28.360 --> 1:32:29.439
<v Speaker 1>Kylie won't be on that block.

1:32:31.320 --> 1:32:34.439
<v Speaker 4>Kim Uh No, Chloe went to uh South Jamaica.

1:32:35.840 --> 1:32:38.880
<v Speaker 1>She was with you know how they ain't got the

1:32:38.920 --> 1:32:41.360
<v Speaker 1>stripes like that. No, they're calling French Timmy in the building,

1:32:41.760 --> 1:32:45.880
<v Speaker 1>Fridge tim How are no Timmy got staying in the building?

1:32:46.040 --> 1:32:46.360
<v Speaker 1>All right?

1:32:46.760 --> 1:32:50.040
<v Speaker 2>How are the Knicks doing? We're doing all right?

1:32:51.520 --> 1:32:54.960
<v Speaker 1>I don't I don't know they're going to the playoffs.

1:32:55.000 --> 1:32:57.720
<v Speaker 5>They went to the playoffs. Yeah, okay, how's Meg's boyfriend doing?

1:32:58.320 --> 1:33:01.080
<v Speaker 1>Clay? He plays, He has a name, Klay Thompson. Yes,

1:33:01.920 --> 1:33:03.960
<v Speaker 1>they'll probably go to the Hall of Fame. No, Clay

1:33:04.000 --> 1:33:08.080
<v Speaker 1>Thompson is definitely this season. Uh no, it's not a

1:33:08.120 --> 1:33:08.880
<v Speaker 1>good season for him, not.

1:33:08.880 --> 1:33:09.360
<v Speaker 2>A good season.

1:33:09.479 --> 1:33:12.639
<v Speaker 1>Are they going to the playoffs the Mavericks. No, well,

1:33:12.640 --> 1:33:14.479
<v Speaker 1>they might be in the play in they might make it.

1:33:15.280 --> 1:33:16.639
<v Speaker 1>I think they might be. They don't need to play.

1:33:16.640 --> 1:33:19.280
<v Speaker 1>They should be in the player right now. Yeah they might.

1:33:19.360 --> 1:33:21.439
<v Speaker 1>I mean they might. No, I don't. I don't know.

1:33:21.640 --> 1:33:27.479
<v Speaker 1>But they got a chance. They ben't playing not Oh yes,

1:33:27.680 --> 1:33:32.120
<v Speaker 1>no they're fucked. Oh what places in? Oh yeah they're fucked.

1:33:33.760 --> 1:33:35.240
<v Speaker 1>How many games back of the day from the AC

1:33:36.080 --> 1:33:40.120
<v Speaker 1>Uh nine games that got this Nah and it's only

1:33:40.160 --> 1:33:45.559
<v Speaker 1>thirteen games left. Yeah, now they're fucked. Yeah they went out. Yeah,

1:33:45.640 --> 1:33:47.519
<v Speaker 1>Clay's having a terrible year that ship. This is probably

1:33:47.560 --> 1:33:50.280
<v Speaker 1>his worst year, probably the best year of his life.

1:33:50.439 --> 1:33:54.160
<v Speaker 1>But personally, oh no, personally he fucking hooping. He hooping

1:33:54.200 --> 1:33:58.080
<v Speaker 1>in his personal life at work. Yeah no, it's it's

1:33:58.160 --> 1:34:00.560
<v Speaker 1>just not you know, it's not translating but happy for

1:34:00.640 --> 1:34:02.920
<v Speaker 1>him and you know his his relationship with Meg.

1:34:03.080 --> 1:34:04.679
<v Speaker 2>I just want to know I ask you guys about

1:34:04.880 --> 1:34:06.160
<v Speaker 2>like the ball game things.

1:34:06.720 --> 1:34:10.880
<v Speaker 3>Yeah, I'm with Clay on this entire year. If you've

1:34:10.880 --> 1:34:15.240
<v Speaker 3>accomplished this much, you're fine financially. Man, Just just go

1:34:15.320 --> 1:34:18.880
<v Speaker 3>off in the sunset with your queen. Like I'm kind

1:34:19.120 --> 1:34:22.559
<v Speaker 3>I'm kind of over Thompson. He's not he's getting He's

1:34:22.600 --> 1:34:23.400
<v Speaker 3>no spring chicken.

1:34:24.160 --> 1:34:24.880
<v Speaker 1>Yeah he could.

1:34:25.000 --> 1:34:26.720
<v Speaker 3>He he's a shooter, so I mean he could sit

1:34:26.920 --> 1:34:28.560
<v Speaker 3>in the side for the next two years and just

1:34:28.840 --> 1:34:29.840
<v Speaker 3>get Corter threes off.

1:34:29.960 --> 1:34:31.120
<v Speaker 1>But he ain't been doing that.

1:34:32.760 --> 1:34:35.439
<v Speaker 3>But if you've accomplished what he's accomplished, your your family's

1:34:35.439 --> 1:34:37.599
<v Speaker 3>fine for the rest of their lives. You found your person.

1:34:38.920 --> 1:34:41.240
<v Speaker 3>I fuck basketball, like your whole life shouldn't have to

1:34:41.280 --> 1:34:43.000
<v Speaker 3>be that. Yeah, but then you have to play your

1:34:43.000 --> 1:34:46.640
<v Speaker 3>thirty six years Thirty six years old is old for

1:34:46.760 --> 1:34:48.479
<v Speaker 3>an athlete, not for a human being on earth.

1:34:48.800 --> 1:34:51.000
<v Speaker 4>Like playing the rest of your life. Though, go be

1:34:51.080 --> 1:34:51.439
<v Speaker 4>with the person.

1:34:53.040 --> 1:34:53.920
<v Speaker 1>Let me be pessimistic.

1:34:53.960 --> 1:34:57.760
<v Speaker 3>But if they don't work out, of course you still

1:34:57.800 --> 1:35:01.560
<v Speaker 3>have one hundred million. Okay, well fifty million if she

1:35:01.640 --> 1:35:02.320
<v Speaker 3>takes half of it.

1:35:02.439 --> 1:35:04.559
<v Speaker 1>We didn't talk about Vam's eighty three point game.

1:35:04.800 --> 1:35:06.320
<v Speaker 5>Oh, we didn't. I try to bring it up. Ya,

1:35:06.320 --> 1:35:07.320
<v Speaker 5>I didn't want to talk about it.

1:35:08.479 --> 1:35:14.720
<v Speaker 1>We did, Oh, how'd you feel about that? Let me

1:35:14.800 --> 1:35:15.040
<v Speaker 1>say this.

1:35:15.479 --> 1:35:18.439
<v Speaker 2>I saw a new pr Agent's his grandmother died that

1:35:18.640 --> 1:35:21.479
<v Speaker 2>day at eighty three years old. So I wish they

1:35:21.520 --> 1:35:22.080
<v Speaker 2>would have led with that.

1:35:22.160 --> 1:35:24.799
<v Speaker 1>BAM's grandmother. Yeah, I didn't know that they put.

1:35:24.680 --> 1:35:29.960
<v Speaker 2>That out today. Word died that day at eighty three,

1:35:30.479 --> 1:35:31.680
<v Speaker 2>And I was like, why didn't you guys leave with

1:35:31.720 --> 1:35:33.120
<v Speaker 2>this because I was shitting on it.

1:35:33.160 --> 1:35:36.320
<v Speaker 1>But Form's grandmother died that day at eighty three years old. Yeah,

1:35:36.640 --> 1:35:37.599
<v Speaker 1>there's no way that's true.

1:35:40.360 --> 1:35:41.479
<v Speaker 4>But she would have turned eighty three.

1:35:42.520 --> 1:35:46.120
<v Speaker 2>No, yeah, yeah, five years ago.

1:35:46.040 --> 1:35:48.519
<v Speaker 3>And it was her birthday that day and she died

1:35:48.560 --> 1:35:53.880
<v Speaker 3>at eighty three. But I mean, if we're just putting

1:35:53.920 --> 1:35:55.320
<v Speaker 3>grandmas into every game, then.

1:35:56.320 --> 1:35:59.479
<v Speaker 1>Wait a minute, because this is news. His grandmother died

1:35:59.520 --> 1:36:02.240
<v Speaker 1>in eighty three and her birthday was that day, and.

1:36:02.360 --> 1:36:04.400
<v Speaker 2>His mother was there with the jersey that had eighty

1:36:04.479 --> 1:36:06.920
<v Speaker 2>three on it with grandma's name on the back.

1:36:08.000 --> 1:36:09.840
<v Speaker 3>No way, I don't know why they didn't leave with that.

1:36:09.880 --> 1:36:11.240
<v Speaker 3>I don't know why it took a week to get

1:36:11.280 --> 1:36:11.679
<v Speaker 3>this news.

1:36:12.600 --> 1:36:14.679
<v Speaker 2>Is that real? Like his grandma, his mother had a jersey,

1:36:14.960 --> 1:36:17.040
<v Speaker 2>It could be a that day, could be ai. I

1:36:17.080 --> 1:36:17.320
<v Speaker 2>don't know.

1:36:17.720 --> 1:36:19.280
<v Speaker 1>Now, that's no fucking way, bro.

1:36:20.479 --> 1:36:20.679
<v Speaker 7>Yeah.

1:36:20.760 --> 1:36:21.240
<v Speaker 2>Oh yeah.

1:36:21.280 --> 1:36:23.840
<v Speaker 1>Look she's crying. He's crying, and that's that's eighty three

1:36:23.880 --> 1:36:27.120
<v Speaker 1>on the back of the jersey. Yeah nah, bro, that

1:36:27.240 --> 1:36:29.400
<v Speaker 1>got Nah. There's no way, there's no way that's real.

1:36:30.120 --> 1:36:35.960
<v Speaker 1>There's no fucking way that. Please report. Yeah it was

1:36:36.280 --> 1:36:39.040
<v Speaker 1>eighty three. Oh then someone definitely changed. His mother did

1:36:39.080 --> 1:36:40.880
<v Speaker 1>not have a jersey with the number eighty three on

1:36:41.000 --> 1:36:47.040
<v Speaker 1>it the night he scored eighty three. There's no fucking way. Yeah,

1:36:47.200 --> 1:36:50.360
<v Speaker 1>either way, listen, respect the BAM. Scoring eighty three points

1:36:50.400 --> 1:36:53.880
<v Speaker 1>on any level of sports is fucking incredible and hard

1:36:53.920 --> 1:36:56.760
<v Speaker 1>to do. Now, with that being said, I do feel

1:36:56.800 --> 1:37:00.320
<v Speaker 1>like it was nasty because they chased it and you know,

1:37:00.439 --> 1:37:03.120
<v Speaker 1>he was up damn near forty with four minutes left

1:37:03.160 --> 1:37:07.280
<v Speaker 1>and still in the game. Like, if you listen, records

1:37:07.280 --> 1:37:08.760
<v Speaker 1>are made to be broken. If you got a chance,

1:37:08.760 --> 1:37:10.280
<v Speaker 1>you feel like you got a chance to break a record,

1:37:11.200 --> 1:37:16.280
<v Speaker 1>go after it. But it's just it just looks a

1:37:16.320 --> 1:37:18.840
<v Speaker 1>little nasty though, like when you you chasing it down

1:37:18.920 --> 1:37:20.439
<v Speaker 1>the stretch and it's just like I get it, but

1:37:21.760 --> 1:37:24.519
<v Speaker 1>just a little nasty. If y'all gonna get mad. If

1:37:24.560 --> 1:37:27.599
<v Speaker 1>y'all gonna get mad, because down listen. But here's my thing.

1:37:27.920 --> 1:37:30.880
<v Speaker 1>They get mad. And when the team is up thirty, right,

1:37:31.479 --> 1:37:34.880
<v Speaker 1>and it's a minute left or thirty seconds, and they

1:37:34.960 --> 1:37:38.000
<v Speaker 1>still shooting the ball, so we got it. We gotta

1:37:38.320 --> 1:37:41.320
<v Speaker 1>keep the same energy if you up thirty and because

1:37:41.720 --> 1:37:46.080
<v Speaker 1>he got sixty eight seventy some points and y'all still

1:37:46.439 --> 1:37:48.200
<v Speaker 1>giving him the ball try to score. It's to say,

1:37:48.320 --> 1:37:50.720
<v Speaker 1>keep the same energy. You can't get mad that when

1:37:50.800 --> 1:37:52.519
<v Speaker 1>the game is out of reach and the other team

1:37:52.640 --> 1:37:55.240
<v Speaker 1>is still trying to score, because the players get mad.

1:37:55.280 --> 1:37:56.840
<v Speaker 1>If you take a shot, you are you'll have twenty. Bro,

1:37:56.920 --> 1:37:58.439
<v Speaker 1>the game is over, like why are you trying to go?

1:37:58.520 --> 1:38:01.760
<v Speaker 1>Get this layup? Players get mad, then be ready to fight.

1:38:03.320 --> 1:38:05.600
<v Speaker 1>Keep the same energy on this side. Why is he

1:38:05.640 --> 1:38:09.439
<v Speaker 1>still in the game? If y'all up forty or whatever

1:38:09.520 --> 1:38:11.600
<v Speaker 1>with three minutes however much times that you know the

1:38:11.640 --> 1:38:14.000
<v Speaker 1>game is over, like y'all gonna win the game, why

1:38:14.120 --> 1:38:15.600
<v Speaker 1>is he still in the game. And not only that,

1:38:16.080 --> 1:38:18.760
<v Speaker 1>y'all are feeding them, like y'all going to them like

1:38:18.840 --> 1:38:20.120
<v Speaker 1>yoll give him the ball, give them the ball, like

1:38:20.840 --> 1:38:23.840
<v Speaker 1>so that's my only problem, Like I get it. Eighty

1:38:23.920 --> 1:38:26.760
<v Speaker 1>three on any level is fucking crazy. You can't go

1:38:26.880 --> 1:38:28.559
<v Speaker 1>out and score eighty three in a fucking high school

1:38:28.600 --> 1:38:30.439
<v Speaker 1>game right now if you as a pro, like a

1:38:30.439 --> 1:38:31.840
<v Speaker 1>lot of pros wouldn't be able to get eighty three

1:38:31.840 --> 1:38:34.760
<v Speaker 1>in the high school game right now. So I'm just saying, like,

1:38:35.640 --> 1:38:37.040
<v Speaker 1>keep the same energy if you don't get mad when

1:38:37.040 --> 1:38:39.120
<v Speaker 1>players try to score when they up and the game

1:38:39.200 --> 1:38:40.479
<v Speaker 1>is out of reach and they still trying to get

1:38:40.560 --> 1:38:43.439
<v Speaker 1>layups and easy and score the ball, keep the same energy.

1:38:43.520 --> 1:38:47.240
<v Speaker 1>Win Bam got seventy something and he's still in the game,

1:38:47.320 --> 1:38:49.680
<v Speaker 1>up forty and they feeding him the ball, Like, keep

1:38:49.720 --> 1:38:50.800
<v Speaker 1>the same energy all them.

1:38:51.000 --> 1:38:53.080
<v Speaker 3>I think Ryan text us at the beginning of the

1:38:53.120 --> 1:38:55.599
<v Speaker 3>fourth and said he had seventy and I thought they

1:38:55.640 --> 1:38:57.800
<v Speaker 3>were taking him out the game at that point, and

1:38:57.920 --> 1:38:59.519
<v Speaker 3>then he ended up doing eighty three.

1:38:59.640 --> 1:39:00.479
<v Speaker 2>It was like ket over.

1:39:02.920 --> 1:39:04.600
<v Speaker 4>How many points in the third course, Like all right,

1:39:04.600 --> 1:39:05.280
<v Speaker 4>they're taking them out.

1:39:05.320 --> 1:39:07.439
<v Speaker 1>I mean, listen, I salute the eighty three because it's

1:39:07.520 --> 1:39:10.640
<v Speaker 1>not easy to score that many, you know, points in

1:39:10.720 --> 1:39:13.960
<v Speaker 1>the NBA, the professional game. But keep the same energy.

1:39:14.080 --> 1:39:16.280
<v Speaker 1>That's all you have when they shooting, when they up

1:39:16.280 --> 1:39:17.680
<v Speaker 1>by twenty and it's a minute left.

1:39:17.840 --> 1:39:22.599
<v Speaker 3>If you have that same strategy with someone like Dame shit,

1:39:22.680 --> 1:39:25.880
<v Speaker 3>I don't even say Gilbert Arenas. How many points are

1:39:25.880 --> 1:39:30.479
<v Speaker 3>they getting with that same strategy? How much is Damian

1:39:30.520 --> 1:39:35.200
<v Speaker 3>Lillard getting with that strategy that they gave back. I mean,

1:39:35.520 --> 1:39:36.680
<v Speaker 3>it's well past eighty three.

1:39:36.760 --> 1:39:37.280
<v Speaker 4>I'll tell you that.

1:39:37.479 --> 1:39:39.400
<v Speaker 1>I mean they had they I mean, but I can't

1:39:39.400 --> 1:39:40.920
<v Speaker 1>say that. You know, you still got to be able

1:39:40.920 --> 1:39:43.200
<v Speaker 1>to put the ball in the hoop. But forty three

1:39:43.240 --> 1:39:46.439
<v Speaker 1>throws is crazy. Shooting forty three throws in the game

1:39:46.560 --> 1:39:51.400
<v Speaker 1>is fucking wild. Like that's insane. But listen, I'm not

1:39:51.880 --> 1:39:54.240
<v Speaker 1>like I see people mad all that. I'm not mad,

1:39:54.320 --> 1:39:56.080
<v Speaker 1>but it's just a little nasty. It looks a little

1:39:56.160 --> 1:39:58.720
<v Speaker 1>nasty when they was chasing it. I understand going after

1:39:58.760 --> 1:40:00.960
<v Speaker 1>the record if you're able to get it, but just

1:40:01.000 --> 1:40:03.080
<v Speaker 1>don't get mad now next week. I don't want to

1:40:03.080 --> 1:40:05.840
<v Speaker 1>see nobody mad when a team is up and they

1:40:05.880 --> 1:40:07.360
<v Speaker 1>still got they started in and they trying to run

1:40:07.400 --> 1:40:10.800
<v Speaker 1>the score up. Don't don't ask for sportsmanship then, because

1:40:10.800 --> 1:40:13.000
<v Speaker 1>there was no sportsmanship insite. When your team is up

1:40:13.040 --> 1:40:15.639
<v Speaker 1>forty and Bam got seventy something, and you're like fucking

1:40:15.720 --> 1:40:18.000
<v Speaker 1>go after the record, like there was no sportsmanship show.

1:40:18.080 --> 1:40:22.360
<v Speaker 1>Did so keep the same energy as all. Yeah, that

1:40:22.520 --> 1:40:25.080
<v Speaker 1>was like old college football type shit. But shout out

1:40:25.080 --> 1:40:26.680
<v Speaker 1>to maam, I'm not not definitely don't want to do

1:40:27.040 --> 1:40:28.080
<v Speaker 1>that like that just scored eighty three.

1:40:28.960 --> 1:40:31.880
<v Speaker 5>Everybody was shipping on him so bad. I'm like what

1:40:32.040 --> 1:40:33.800
<v Speaker 5>they were like, Bam out of all people, I'm like,

1:40:33.920 --> 1:40:36.280
<v Speaker 5>is he whack or something? Like why is it so bad?

1:40:36.479 --> 1:40:38.120
<v Speaker 1>He's not whack? But I think his career how I

1:40:38.240 --> 1:40:39.200
<v Speaker 1>was like forty before that.

1:40:39.640 --> 1:40:42.160
<v Speaker 4>It's just crazy. By the way, forty points.

1:40:42.200 --> 1:40:44.479
<v Speaker 1>You average like twenty, you know something. It's just like

1:40:45.479 --> 1:40:47.760
<v Speaker 1>he's not a scorer. Yeah, he's just not a He's

1:40:47.800 --> 1:40:49.880
<v Speaker 1>not like a prolific scorer like that. So for him

1:40:49.920 --> 1:40:53.080
<v Speaker 1>to have eighty three, like it's like something is like,

1:40:53.479 --> 1:40:55.120
<v Speaker 1>just what the fuck is going to keep going with you?

1:40:55.240 --> 1:40:55.599
<v Speaker 4>Up twenty?

1:40:55.640 --> 1:40:58.160
<v Speaker 1>It's just up twenty. They was up forty. I think

1:40:58.160 --> 1:41:00.840
<v Speaker 1>at one point in that game. It's just like, well

1:41:00.880 --> 1:41:03.160
<v Speaker 1>I was just slow on the floor. What do they say?

1:41:03.200 --> 1:41:03.519
<v Speaker 2>On Twitter?

1:41:03.600 --> 1:41:07.599
<v Speaker 3>Said Jason Sadam would have scored eighty and then stubbed

1:41:07.680 --> 1:41:14.840
<v Speaker 3>himself out and texted Kobe before we get out of here, Demarus,

1:41:14.960 --> 1:41:17.639
<v Speaker 3>I want to say, I thought your goat was retired,

1:41:17.800 --> 1:41:20.439
<v Speaker 3>but we are getting another J Cole record. Mike Will

1:41:20.479 --> 1:41:24.160
<v Speaker 3>made it just announced his album Reset March twentieth, end

1:41:24.160 --> 1:41:24.599
<v Speaker 3>of this week.

1:41:25.640 --> 1:41:26.839
<v Speaker 4>There is one.

1:41:26.720 --> 1:41:32.040
<v Speaker 3>Record solo with J Coole, no other features. But I mean,

1:41:32.120 --> 1:41:34.280
<v Speaker 3>Mike Will is to me one of the best modern

1:41:34.320 --> 1:41:39.479
<v Speaker 3>producers period, so I'm excited for Oh my, I mean,

1:41:39.479 --> 1:41:41.519
<v Speaker 3>he got Travis Porter on the second record, so I

1:41:41.680 --> 1:41:42.240
<v Speaker 3>don't doubt it.

1:41:42.840 --> 1:41:45.000
<v Speaker 4>Yeah, I love bringing back Travis Porter.

1:41:45.840 --> 1:41:50.120
<v Speaker 3>The record that I'm most excited for Rooms featuring NBA,

1:41:50.200 --> 1:41:50.679
<v Speaker 3>Young Boy.

1:41:50.640 --> 1:41:51.360
<v Speaker 2>And Chief Keith.

1:41:52.479 --> 1:41:54.439
<v Speaker 1>Oh. No, I'm a lot like no, I like, I'm

1:41:54.439 --> 1:41:56.880
<v Speaker 1>gonnahoose To, I'm a civilian and shit, but like we

1:41:57.120 --> 1:42:00.720
<v Speaker 1>might need to take my gun and go somewhere and

1:42:00.920 --> 1:42:03.400
<v Speaker 1>go somewhere. But where are we going?

1:42:03.439 --> 1:42:06.000
<v Speaker 4>I don't know, but like, let's just go somewhere. Okay,

1:42:06.160 --> 1:42:06.960
<v Speaker 4>let's just figure it out.

1:42:07.560 --> 1:42:08.360
<v Speaker 1>Do you know a bus it?

1:42:08.400 --> 1:42:09.760
<v Speaker 2>Though, I'm not going nowhere with you. If you don't

1:42:09.760 --> 1:42:10.799
<v Speaker 2>know how to bus show gun.

1:42:13.080 --> 1:42:13.320
<v Speaker 1>I will.

1:42:13.439 --> 1:42:15.320
<v Speaker 3>I will send you all my results every time I

1:42:15.360 --> 1:42:18.200
<v Speaker 3>go to Atlanta. I go to the range every time.

1:42:18.360 --> 1:42:20.400
<v Speaker 2>Why are you gonna it's ranges in Jersey? I don't

1:42:20.400 --> 1:42:20.640
<v Speaker 2>been to.

1:42:20.880 --> 1:42:23.000
<v Speaker 3>Yeah, but them they don't. They don't accept my guns.

1:42:24.360 --> 1:42:26.960
<v Speaker 3>And you need a different type of It's not the

1:42:26.960 --> 1:42:28.880
<v Speaker 3>way Atlanta. You walk in and they don't even ask

1:42:28.920 --> 1:42:30.040
<v Speaker 3>you you've ever held a gun before?

1:42:30.920 --> 1:42:33.000
<v Speaker 2>That's what I did in Jersey. But you know that's

1:42:33.000 --> 1:42:34.519
<v Speaker 2>what's so crazy. Like Atlanta.

1:42:34.640 --> 1:42:36.720
<v Speaker 3>Literally, you could just walk in and as long as

1:42:36.760 --> 1:42:39.040
<v Speaker 3>you have the cash, they will give you an assault

1:42:39.080 --> 1:42:41.960
<v Speaker 3>rifle and be like, well, they won't even ask you

1:42:41.960 --> 1:42:43.040
<v Speaker 3>if you know how to put a clip in.

1:42:44.120 --> 1:42:46.720
<v Speaker 5>But you can do that in Jersey too, I promise you.

1:42:47.320 --> 1:42:49.040
<v Speaker 5>My first time ever shooting a gun was in Jersey.

1:42:49.080 --> 1:42:50.280
<v Speaker 5>I just walked in and was like, hey, guys, I

1:42:50.320 --> 1:42:50.760
<v Speaker 5>want to shoot.

1:42:50.760 --> 1:42:51.599
<v Speaker 2>All right, he gave me a gun.

1:42:51.720 --> 1:42:53.320
<v Speaker 4>Springfield Avenue in York doesn't count.

1:42:57.400 --> 1:43:01.040
<v Speaker 2>It's called OFG And what you think the O F

1:43:01.160 --> 1:43:01.559
<v Speaker 2>stand for.

1:43:05.200 --> 1:43:06.200
<v Speaker 4>Ryan's is the only fans?

1:43:06.280 --> 1:43:06.439
<v Speaker 5>Girl?

1:43:06.560 --> 1:43:07.439
<v Speaker 4>Is the J Cole record?

1:43:07.560 --> 1:43:11.240
<v Speaker 2>You too horny? Ryan? You too horny? Baby?

1:43:11.600 --> 1:43:14.240
<v Speaker 4>That's I don't know what it stands for.

1:43:14.439 --> 1:43:17.120
<v Speaker 3>I mean, I do like anytime Mike Will and coleor together,

1:43:18.360 --> 1:43:19.840
<v Speaker 3>But I hope it's not one of the old records

1:43:19.840 --> 1:43:21.400
<v Speaker 3>from like those sessions a few years ago.

1:43:22.200 --> 1:43:24.920
<v Speaker 5>Oh standard, Oh that's Travis Porter am Mowna Leo. Yeah,

1:43:25.000 --> 1:43:28.360
<v Speaker 5>I'm on that just looking at this this track list,

1:43:28.560 --> 1:43:31.080
<v Speaker 5>like Mike Will is just trying to make good music.

1:43:31.960 --> 1:43:35.400
<v Speaker 2>Yeah, t I, Young dro and Killer Mike. I'm with that.

1:43:36.240 --> 1:43:36.720
<v Speaker 2>I'm with that.

1:43:37.320 --> 1:43:41.000
<v Speaker 1>Skipping over that TZ touchdown Ludacris record. Yeah that might be.

1:43:41.040 --> 1:43:43.360
<v Speaker 3>Crazy dts O front of the show. I definitely want

1:43:43.400 --> 1:43:45.479
<v Speaker 3>of your ts and lute together and swey Lee by

1:43:45.560 --> 1:43:50.960
<v Speaker 3>himself okay, see low by himself. I just like this

1:43:51.080 --> 1:43:53.280
<v Speaker 3>track list. Usually we don't judge it off track list,

1:43:53.320 --> 1:43:58.639
<v Speaker 3>but I don't know. I'm excited, willing to produce everything. Yeah,

1:43:58.680 --> 1:44:00.400
<v Speaker 3>I always get excited in niggas let me down.

1:44:00.439 --> 1:44:01.160
<v Speaker 2>On toide of that, So.

1:44:02.720 --> 1:44:04.240
<v Speaker 1>It's Mike Will that's pessimistic.

1:44:04.360 --> 1:44:06.680
<v Speaker 2>See, but I don't think that that's pessimistic.

1:44:07.479 --> 1:44:09.599
<v Speaker 1>I always get excited and niggas always let me down.

1:44:09.840 --> 1:44:11.960
<v Speaker 5>That's just the truth. Me saying a nigga's going to

1:44:12.080 --> 1:44:14.360
<v Speaker 5>let me down, that's pessimistic. I didn't say he's gonna

1:44:14.400 --> 1:44:16.080
<v Speaker 5>let me down. I'm saying it's been happened.

1:44:15.880 --> 1:44:19.320
<v Speaker 1>To me before you know Mike will is on that

1:44:19.400 --> 1:44:22.200
<v Speaker 1>short list for me. Oh no, Mike Willi is perfect.

1:44:23.000 --> 1:44:24.519
<v Speaker 1>He I don't think he's ever let me down.

1:44:25.439 --> 1:44:26.680
<v Speaker 4>No a list.

1:44:26.880 --> 1:44:29.479
<v Speaker 3>I mean he's a list too, But like legendary legendary

1:44:29.479 --> 1:44:31.559
<v Speaker 3>producers have let me down. I can't think of the time.

1:44:31.439 --> 1:44:32.240
<v Speaker 4>Mike Will let me do.

1:44:32.960 --> 1:44:34.160
<v Speaker 1>You should send them some flowers.

1:44:34.680 --> 1:44:37.960
<v Speaker 2>I mean, if it'll accept them, take him on the date.

1:44:38.040 --> 1:44:43.760
<v Speaker 2>Maybe you love him so much. That was mean, guys,

1:44:43.800 --> 1:44:44.320
<v Speaker 2>that was meanly.

1:44:44.960 --> 1:44:48.120
<v Speaker 1>I'm sorry, Saint Patrick. I'm sorry seeing Patrick day once

1:44:48.160 --> 1:44:51.120
<v Speaker 1>again to all of our Irish lads and laddets. Is

1:44:51.160 --> 1:44:52.599
<v Speaker 1>that what they call yeah lidettes?

1:44:52.760 --> 1:44:53.200
<v Speaker 4>Exactly what.

1:44:55.479 --> 1:44:58.760
<v Speaker 1>Rory and the Lidebt's hopefully Rory right now. As where

1:44:59.240 --> 1:45:01.240
<v Speaker 1>hear in the little world hearing the show on Fifth Avenue,

1:45:01.280 --> 1:45:04.519
<v Speaker 1>having a great time with the family. I will be there,

1:45:04.720 --> 1:45:07.160
<v Speaker 1>yeah man, and we'll talk to y'all soon. Be safe,

1:45:07.560 --> 1:45:11.360
<v Speaker 1>be blessed. I'm that nigga. He's just ginger happy. Saint

1:45:11.400 --> 1:45:11.960
<v Speaker 1>Patrick's day.

1:45:12.840 --> 1:45:13.640
<v Speaker 2>Willian No