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Speaker 1: No Willian doctor fees were not rolling. Is this thing on?

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Speaker 1: It's this thing on?

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Speaker 2: It's on? Oh yeah, we are bad to the dragging

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Speaker 2: the building.

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Speaker 1: Happy Monday, my brother. First of all, Happy Saint Patrick's Day.

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Speaker 1: I want my.

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Speaker 2: Green for you today, Roy, what my green? I don't

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Speaker 2: know if it's a clap to day.

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Speaker 1: I mean it's happy Saint Patty's Day. Man, you're an

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Speaker 1: Irish brother in arms, so we've got to support you too.

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Speaker 3: Yeah, and I I take Saint Patrick stay very seriously.

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Speaker 3: I didn't wear green just because I don't. I don't

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Speaker 3: really submit to the commercialism and capitalism of what they've

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Speaker 3: done with my culture.

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Speaker 4: But it is a very important day.

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Speaker 3: It's a good representation of our faith and getting the

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Speaker 3: English the funk out.

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Speaker 2: Of here shouts of IRA. Yeah that's really.

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Speaker 4: Where I'm at with it.

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Speaker 3: But yeah, everyone amateur day and enjoy I don't think

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Speaker 3: you're celebrating Irish culture, but you know, whatever, it's I'll

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Speaker 3: be on on it's Pops in town.

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Speaker 4: No, he's in Florida. Yeah, I was trying. I was

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Speaker 4: trying to get them to come up.

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Speaker 3: I went to my godfather's over the week and we

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Speaker 3: did a little sint Patrick Stiate thing with the kids

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Speaker 3: and everything. But I'll yeah, I'll be on I'll be

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Speaker 3: on a fifth. If you're listening to this, I'm one

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Speaker 3: fifth that.

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Speaker 2: Right now, with with with the with the.

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Speaker 1: Mar with the rest of the lads. What what do

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Speaker 1: they call the women? Uh like, there's lads of guys

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Speaker 1: right Irish?

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Speaker 2: You think we acknowledge?

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Speaker 1: Never.

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Speaker 3: I think that's cute that you think their.

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Speaker 4: Name is kitchen. That's a job. That's the original stove.

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Speaker 1: We are backspotsored by Boost Mobile unlimited talk texts and that. Yes, yeah, yeah, yeah,

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Speaker 1: I heard. I read all your comments over the week

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Speaker 1: and all your niggas out there.

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Speaker 3: Okay, yeah, you do believe the potato famine was a genocide,

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Speaker 3: that's what you're talking about. Yes, all right, as long

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Speaker 3: as we're on the same page as I'm talking about. Yes,

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Speaker 3: But I read some of the comments over the week

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Speaker 3: and everybody was killing me. It's okay, I take it off,

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Speaker 3: It's I welcome in.

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Speaker 1: I understand.

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Speaker 2: You're a cute baby.

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Speaker 5: Did they they said? Looked like a coal miner?

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Speaker 1: But yeah, why were you so?

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Speaker 3: I don't know, I have to ask. I think my

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Speaker 3: dad took that I have to ask exactly where I was.

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Speaker 3: Was it taking your kid to work? There? You ja

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Speaker 3: and probably I have no idea where this that. It's

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Speaker 3: just hilarious, like.

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Speaker 1: A runaway, a stowaway. He was underneath the Greyhound with

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Speaker 1: the luggage.

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Speaker 4: Which is like, I'm sure I ate fine that day.

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Speaker 1: You didn't look like it doesn't look like you were

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Speaker 1: starving at all, just.

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Speaker 2: Like you were doing It was the shirt off your

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Speaker 2: like you just no, but that was that was Come on,

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Speaker 2: that's fashion. Yeah, come on man, Loven see that.

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Speaker 3: Yeah, I would rock that shirt now though I would

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Speaker 3: like a dinosaur shirt like that right now.

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Speaker 2: Yeah.

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Speaker 5: They said, moll look like he belonged than you know,

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Speaker 5: a nineties like R and B group. They said, you

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Speaker 5: had a button up turtleneck. They've never seen that before,

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Speaker 5: but they don't notice it's not a party.

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Speaker 1: Yeah I was before caught again like you, I don't

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Speaker 1: even know what Cardigan's was back then. Man, that was

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Speaker 1: like eighty I want to say eighty seven, maybe eighty eight.

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Speaker 3: Jesus, And that's a that's a live background, right yeah,

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Speaker 3: come on, that's not at the mall, you know, strip malls.

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Speaker 4: One hundred and sixty. First next to the movie in Ireland.

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Speaker 3: I was in Ireland, right, I know exactly where you

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Speaker 3: took that in Ireland.

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Speaker 1: Man, it was in Island. I don't tell nobody.

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Speaker 2: Well, yeah, the Northern Bronx, that part of Ireland.

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Speaker 1: Yeah. Man, that was picture day. Man. You know picture

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Speaker 1: day in school you had to get I remember the

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Speaker 1: funny thing about it.

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Speaker 3: Your mom got money though, because to get that background

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Speaker 3: instead of the generic one, you had a different envelope.

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Speaker 2: You had a different envelope different everybody.

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Speaker 1: Everybody in school had that background.

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Speaker 4: Oh nah, No, you had a generic one that if

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Speaker 4: you didn't pay.

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Speaker 1: For that, everybody got that same background. But it's funny

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Speaker 1: because I do remember. It's funny when you see pictures

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Speaker 1: like it to take you back to that day. I

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Speaker 1: remember that. I remember my mother telling me, don't eat nothing,

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Speaker 1: don't white. Yeah, because I got to school. So I

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Speaker 1: remember just sitting in school. I was scared to say

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Speaker 1: with something to the homie. I was scared to give DAPs.

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Speaker 1: I was just like, y'all got to sit here and wait.

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Speaker 1: And then my mom said, after you take your pictures,

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Speaker 1: go crazy, dude. Yeah.

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Speaker 3: And then that was always the thing as you got older,

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Speaker 3: was later in the day that you took your photos. Yeah,

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Speaker 3: it's always a big thing with parents, like yo, all

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Speaker 3: right now now you're in sixth grade.

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Speaker 4: That means at you you have to wait till noon exactly.

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Speaker 1: Yeah, you can't eat nothing, like, you got to sit

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Speaker 1: here and just chill, don't you don't use your crayons,

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Speaker 1: don't do nothing. Y My mom gave me the crazy

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Speaker 1: speech leaving. I was look at baby d Laras ain't changed.

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Speaker 1: It looked like you was doing something you wasn't supposed

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Speaker 1: to be doing. She was rapping where you was at.

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Speaker 5: I think this was my first birthday and I think

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Speaker 5: I bit my cousin Daja Highdaysia. I think I bit

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Speaker 5: her on her mouth like a little bit after this picture.

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Speaker 1: Oh so you were hungry, Okay, that's what tongue out means.

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Speaker 3: I was just like, Wow, you guys made fun of

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Speaker 3: me for admitting that vulnerable story and me getting kicked

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Speaker 3: out of daycare for biting somebody. Don't call me a

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Speaker 3: bier for like seven episodes straight, but I.

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Speaker 2: Admitted to be a that's my bag. I still bite

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Speaker 2: mother fuckers. You crazy ship.

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Speaker 1: That's what she do. I mean, that's your strongest asset

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Speaker 1: at that age. Yeah, look at the bowtie with the

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Speaker 1: suspenders is crazy, Like, look at this suspended. It does

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Speaker 1: go all the suspenders of it.

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Speaker 3: It does give the vies of like every murdered doc

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Speaker 3: on Netflix in them.

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Speaker 2: Yeah, a lot of that. Where did it go wrong?

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Speaker 2: He was such a love shot.

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Speaker 1: You look at his family with such a family kid.

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Speaker 1: Everybody loved him. And then you know, just high school,

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Speaker 1: he just went he went.

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Speaker 3: Left, and then all of us are watching Netflix going,

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Speaker 3: how do you not look in his eyes?

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Speaker 2: Did you not see this?

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Speaker 3: Look at those ers's had a clip on?

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Speaker 4: Was that was that tied clip on? Okay?

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Speaker 2: I mean you were young?

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Speaker 1: Yeh?

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Speaker 3: Ryan made it early? Oh yeah, I almost went in

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Speaker 3: there delete. I almost hated it. I was like, I

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Speaker 3: don't know if Ryan is allowed on the IG yet

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Speaker 3: it's not.

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Speaker 2: We love Ryan.

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Speaker 4: That's hilarious. That was a hilarious preak.

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Speaker 5: Yeah, if you would have sent me a whack photo,

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Speaker 5: he wouldn't have made it. But the photo was really cute.

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Speaker 4: It was a door.

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Speaker 3: It was also adorable because it was a shot in

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Speaker 3: I don't know in twenty fifteen, so like it was

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Speaker 3: super high rack.

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Speaker 1: That was last summer. I was last summer.

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Speaker 3: I do like that trend of this is who you're

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Speaker 3: and then it's the baby picture, because that's I've had

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Speaker 3: that in like a couple of therapy before, and I've

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Speaker 3: always thought it was like the worst strategy. Like remember

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Speaker 3: when you're judging your partner or looking at them, just

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Speaker 3: think about the baby and nah, this is an adult

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Speaker 3: that's sucking up in front of me yelling at that child.

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Speaker 3: And I would not never yell at it child. We're

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Speaker 3: not in nineteen ninety six. Yeah, it's now, and she's

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Speaker 3: an adult that needs to take accountability.

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Speaker 1: Yo? What is that with these memes that be going around?

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Speaker 1: Like do y'all? I would just like scroll on social

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Speaker 1: media and just like just see all these memes and

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Speaker 1: just like that just tug at your like emotional strings.

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Speaker 1: Oh my god, what memes?

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Speaker 2: How it is our relationship?

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Speaker 1: Ship?

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Speaker 2: Just shut up? Just what memes? Mom? Just what memes?

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Speaker 2: Thank you?

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Speaker 1: Why is? Why is the marriage algorithm only relationshipship?

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Speaker 2: And what means she's a lover girl?

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Speaker 1: Which but what she be what you what should be watching?

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Speaker 1: Like what she be liking because it's only her algorithms

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Speaker 1: because she liking some ship. Now because sometimes people send

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Speaker 1: you stuff, but why they send you relationship ship? Never mind?

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Speaker 1: So I saw this, I saw this. I saw this.

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Speaker 1: It wasn't really a meme. He's more or less, I guess,

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Speaker 1: like a skit where the uh the kid was talking

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Speaker 1: to his mom and his mom was like, oh my god,

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Speaker 1: look at this is so funny. He was like, mom,

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Speaker 1: what is that? Doesn't make any sense? Da? Da da,

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Speaker 1: And he kind of like turns and looks and it's

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Speaker 1: like a baby version of him and his mom when

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Speaker 1: he's showing his mom, like a drawing that he did

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Speaker 1: in class looked like shit. The mom was like, oh

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Speaker 1: my god, it's so beautiful. So it was saying like

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Speaker 1: as we get older, now our parents show with shit

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Speaker 1: that were like, yo, that's not even funny, Like what

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Speaker 1: is that? But it's like yeah, but you gotta still

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Speaker 1: you know, like, hey, they did it for you at

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Speaker 1: one point, like they thought you were the funniest, most

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Speaker 1: creative kid in the world. Yeah, and now your parents

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Speaker 1: are getting older and they showing you things that they

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Speaker 1: think it's funny. You have to laugh.

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Speaker 2: Did you cry?

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Speaker 1: I ain't cry? What I definitely call my mom after that, though,

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Speaker 1: I had to check it on I was like, yeah,

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Speaker 1: because my mom is sending me shit and I feel like,

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Speaker 1: my what what is this?

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Speaker 3: Typically you want to say, hey, I saw this meme

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Speaker 3: two years ago, right like, ma, this is.

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Speaker 1: Not even this.

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Speaker 4: It just got to Facebook.

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Speaker 1: My favorite thing now is AI. My mom don't know

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Speaker 1: what's real. AI is so dated, you know what's real?

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Speaker 1: Dog Like It's like and now I'm just like, all man,

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Speaker 1: just alright, cool.

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Speaker 5: Now my mom and my step mom, I go on,

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Speaker 5: I go on fucking their facebooks, and it's just all

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Speaker 5: AI photos of them, like they're on a they're a biker.

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Speaker 2: Now they're a superhero. Now there are a cop.

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Speaker 5: It's like, y'all have to start with a y'all are

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Speaker 5: literally burning down a small city.

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Speaker 3: Like, but we were fucked before the AI stuff because

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Speaker 3: they would fall for just memes or just images. Even

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Speaker 3: on Sunday when I was over at my godfather, somebody screamed, uh, wait,

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Speaker 3: you have to be.

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Speaker 2: Gay now to win an oscar.

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Speaker 4: That's a rule.

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Speaker 2: I said.

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Speaker 3: I said, that's fake. What you're reading right now is fake.

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Speaker 3: Like give me your phone. I'm telling you right now,

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Speaker 3: this is fake. I don't know that might be, it

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Speaker 3: might be all parm It was a list of rules

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Speaker 3: that said this is and the caption said this is

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Speaker 3: real of Oscar.

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Speaker 1: This is real. Just says that it's real. You know that.

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Speaker 3: I was like, this is I promise you, this is

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Speaker 3: not in the Oscar booklet. You have to walk them

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Speaker 3: off the ledge, like what is going on now? Like,

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Speaker 3: promise you this is not real?

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Speaker 1: Oh my god, pez it was real.

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Speaker 2: So you're calling them NBJ gay that's what you're saying.

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Speaker 1: No, we're not doing that. First one. Out out to

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Speaker 1: Michael B. Jordan.

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Speaker 2: Rapulations graduate to both of.

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Speaker 1: Them, to both of them. Shout out to Smoking Stack. No,

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Speaker 1: but Congratson. Michael B. Jordan on winning Best Actor at

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Speaker 1: the Oscars this year, well deserved. It was dope to

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Speaker 1: see Michael B. Jordan received that award and just received

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Speaker 1: praise from his peers and actors and actress that he

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Speaker 1: looked up to. I think everybody kind of felt like

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Speaker 1: Sinners was the movie of the year, even though one

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Speaker 1: battle after another one movie of the year. Yeah, another

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Speaker 1: great movie. Shout out to Tiana Taylor. She she got

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Speaker 1: an Oscar. She's in that movie obviously, so she won

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Speaker 1: to Oscar for that. But shout out to Michael B. Jordan, Man,

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Speaker 1: well deserved. And if you didn't see Sinners, I don't

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Speaker 1: know what you're waiting for. It's a good movie and

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Speaker 1: it's definitely, you know, another one of the movies that

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Speaker 1: Ryan Coogler and Michael B. Jordan to add to their filmography.

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Speaker 1: Just just great films and great work that they have together.

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Speaker 5: And shout out to Ryan Coogler for winning Best Original Screenplay.

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Speaker 1: Yeah, shout out to Ryan.

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Speaker 2: Shout out to Ryan cool Bler, Young Cools.

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Speaker 1: Yeah, man, no, I.

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Speaker 2: Thought it was great.

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Speaker 3: I didn't watch the Oscars, I'll be honest with you,

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Speaker 3: but I did watch the clips of them winning, and

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Speaker 3: I appreciated that. I watched Conan's uh monologue, and that

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Speaker 3: was a cold crowd. I felt for him. I thought

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Speaker 3: Conan was kind of funny.

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Speaker 1: I didn't see it.

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Speaker 2: I just it was. It was a rough crowd, and

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Speaker 2: I felt for him.

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Speaker 1: That's a tough gig though.

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Speaker 2: It was stiff from there, I know, stiff.

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Speaker 1: Yeah, because I feel like everybody's still kind of little.

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Speaker 1: I thought we was making a little turn and like,

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Speaker 1: you know, everybody not being so sensitive.

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Speaker 3: But Conan didn't even like say anything. That was like

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Speaker 3: super over that it was just it was just a

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Speaker 3: stiff room.

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Speaker 1: Oh maybe maybe he wasn't funny.

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Speaker 4: I thought it wasn't bad. I think Conan is a

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Speaker 4: really good writer.

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Speaker 1: He's Irish.

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Speaker 5: Ah, they didn't laugh at him during fucking Saint Patty's weekend.

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Speaker 2: That's crazy, man.

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Speaker 1: Y'all did Conan dirty? Don't do Conan like that?

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Speaker 4: Focused on centers.

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Speaker 2: We're all every it was over.

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Speaker 1: I thought it was we're all sinners and we're all

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Speaker 1: having sinch.

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Speaker 2: Maybe keep it whatever, I keep it. No, it's funny.

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Speaker 2: We're all we're all sinners and we're all having sent Actually, yeah.

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Speaker 1: Even Conan, even Conan is Heaven said, I don't know

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Speaker 1: if you know that.

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Speaker 3: On Saturday, I got a very strange text message. This

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Speaker 3: could either bomb. This is completely true. This could either

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Speaker 3: bomb and Maul could be mad at me, or.

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Speaker 1: We can keep it.

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Speaker 3: I get a text message on Saturday at twelve thirty

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Speaker 3: at night. I just met a man whose name is

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Speaker 3: Hank Strong. He's an actor, and he wanted me to

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Speaker 3: say hi to Maul for him and tell him that

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Speaker 3: big dick Buster says hello. I will tell you the

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Speaker 3: rest later. This is a person that's very very near

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Speaker 3: and dear to my heart that that texted this to me.

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Speaker 3: She was at work and ran into this gentleman. I

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Speaker 3: got the rest of the story. Apparently you were at

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Speaker 3: a club at one point and you met the gentleman

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Speaker 3: and he reminded you of somebody else, and then you

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Speaker 3: continued to call him Big dick Buster for the rest

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Speaker 3: of the night in the club, which I wanted to

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Speaker 3: call cap On because you don't give anyone nicknames a

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Speaker 3: littone Big dick Buster, But I don't know you have

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Speaker 3: been You have been known to do toast at daven

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Speaker 3: Busters with the Kardashians, so I thought that had something

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Speaker 3: to do with it. Okay, are you do you know

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Speaker 3: any recollection of the story?

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Speaker 1: I don't know. Hank Hank is ah. He did security

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Speaker 1: in the city. He does security, personal security for for

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Speaker 1: US celebrities. But he was in Godfather Harlem. Okay, he

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Speaker 1: had a roll in Godfather Harlem. His name was Big

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Speaker 1: dick Buster. He was like one of one.

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Speaker 4: Okay, I'm only on season one of Godfather.

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Speaker 1: You know, he was one of the like the muscle

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Speaker 1: for Bumpy Johnson and you know, one of the guys

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Speaker 1: that that had like stole some money or did something

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Speaker 1: like they had him in the warehouse, beat him up,

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Speaker 1: and then they had Big Dick Buster come in, you know,

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Speaker 1: do a big dick but only Big Dick Buster can do. Okay,

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Speaker 1: you know what I mean. So, but you know, shout

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Speaker 1: out shout out to Hank's.

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Speaker 4: I'm just saying he should add more context to his.

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Speaker 1: Yeah, yeah, I wasn't position. I don't know.

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Speaker 3: He did not add in Godfather Harlem, he's not adding acting.

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Speaker 3: He said, yo, just to tell him all Big dig

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Speaker 3: Buster said what up?

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Speaker 1: Yeah, that's that's first of all. And I wasn't walking

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Speaker 1: around calling him real, I wasn't doing that. But shout

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Speaker 1: out shout out to Hank Man, good dude, you know

335
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Speaker 1: what that was like to get that text to twelve.

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Speaker 1: That's wow.

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00:14:07,160 --> 00:14:09,360
Speaker 2: I'm definitely not an underground scene he was in.

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Speaker 1: Yeah. No, I'm not calling Hank big dick bust. I'm

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Speaker 1: not walking around calling Hank at the club at the club,

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Speaker 1: shut up, my g what that's not? Wait what season

341
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Speaker 1: of Godfather Harlem? Because I'm almost done with season I

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00:14:20,400 --> 00:14:24,480
Speaker 1: think I'm actually the beginning of season two, probably season two. Okay,

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Speaker 1: and they just they call him big Dick bust just

344
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Speaker 1: think like that's what he does. He comes in and

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00:14:28,720 --> 00:14:32,040
Speaker 1: he just he raped it. Well, I mean that's what

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Speaker 1: Bumpy Johnson. I didn't say that bumpump Bumpy gave him that. Yeah,

347
00:14:35,400 --> 00:14:36,800
Speaker 1: I didn't give him that name. But yeah, he comes

348
00:14:36,840 --> 00:14:38,920
Speaker 1: in and everybody looking like that, they think he gonna

349
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Speaker 1: beat you up because he's, you know, big guy. But

350
00:14:41,360 --> 00:14:46,920
Speaker 1: then no, he taking your butt. Oh yeah. Sometimes I

351
00:14:46,960 --> 00:14:48,720
Speaker 1: wish I had lived in the seventies, and other times

352
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Speaker 1: I'm kind of glad. Shoot me. Yeah, they just just

353
00:14:52,560 --> 00:14:55,480
Speaker 1: kill just killed me, just me on fire, shoot me

354
00:14:55,480 --> 00:14:56,560
Speaker 1: for just shoot me. That's it.

355
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Speaker 3: I don't need to go out that way. What's okay? Yeah,

356
00:14:59,000 --> 00:15:02,120
Speaker 3: then I guess that does. But even then, like I've

357
00:15:02,160 --> 00:15:04,280
Speaker 3: never been ahead of a criminal organization, I understand you

358
00:15:04,280 --> 00:15:05,880
Speaker 3: have to do some diabolical ship to get there. I

359
00:15:05,920 --> 00:15:07,520
Speaker 3: don't know if I want to, Like what if this

360
00:15:07,520 --> 00:15:10,080
Speaker 3: guy turns on me one day? Yeah, I could maybe

361
00:15:10,160 --> 00:15:13,480
Speaker 3: defend myself against a killer that whatever, but this year,

362
00:15:13,720 --> 00:15:15,760
Speaker 3: like you got to treat that guy with a different

363
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Speaker 3: level of class.

364
00:15:17,320 --> 00:15:19,720
Speaker 4: He should be when your number one shooter doesn't.

365
00:15:19,480 --> 00:15:22,800
Speaker 1: Just shoot yeah. Yeah, but yeah, he want butt, that's

366
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Speaker 1: what he want.

367
00:15:23,800 --> 00:15:25,480
Speaker 4: Like but like he could just kill the person who

368
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Speaker 4: wants to do that.

369
00:15:25,960 --> 00:15:27,960
Speaker 1: Instead, I'm gonna get and take some button and then

370
00:15:27,960 --> 00:15:30,080
Speaker 1: with throw a multi roof. You know what salary do

371
00:15:30,120 --> 00:15:30,520
Speaker 1: you want? Sir?

372
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Speaker 2: We are not advocating for rape, by the way.

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Speaker 1: Oh no, no no, that was his role in The

374
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Speaker 1: Godfather Hall obviously just a gangster series, so it was

375
00:15:40,240 --> 00:15:42,320
Speaker 1: a gangster shit happening. So I don't know how gangster

376
00:15:42,400 --> 00:15:44,840
Speaker 1: that is, but you know whatever, man, I'm not telling

377
00:15:44,880 --> 00:15:47,040
Speaker 1: anybody how to run their criminal organizations for sure.

378
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Speaker 3: Anyways, it was, uh, it was it. Was it a

379
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Speaker 3: good music weekend or was it just a music weekend?

380
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Speaker 3: Because we've gotten some good ones back to back, said

381
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Speaker 3: we deal with the white elf in the room first,

382
00:16:01,960 --> 00:16:04,400
Speaker 3: or should we get to James Blake Olexie like a lot?

383
00:16:04,480 --> 00:16:06,840
Speaker 1: No, no, no, no, We're going right to Monica. We're

384
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Speaker 1: gonna write to Santa Monica. Let's go right right to

385
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Speaker 1: Santa Monica. Jack Harlow dropped his very much anticipated new project.

386
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Speaker 1: As we've been waiting to hear from Jack, and we

387
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Speaker 1: talked about it last week and we was like, you know,

388
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Speaker 1: this is an important project for Jack. Which way is

389
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Speaker 1: he gonna go what is it gonna sound like? This?

390
00:16:24,160 --> 00:16:25,680
Speaker 1: That and the third and all of the ideas that

391
00:16:25,720 --> 00:16:28,040
Speaker 1: we threw around. I don't think any of us landed

392
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Speaker 1: on what exactly the project turned out to indeed be. Yeah,

393
00:16:34,800 --> 00:16:38,680
Speaker 1: first thoughts as soon as I played it, I'm like, Okay,

394
00:16:38,800 --> 00:16:41,320
Speaker 1: Jack is in a whole different bag. Rory, I'm like,

395
00:16:41,360 --> 00:16:50,040
Speaker 1: I wasn't expecting this. This was completely different for Jack Carlow. Sure,

396
00:16:50,160 --> 00:16:53,880
Speaker 1: this just felt like an entirely new artist, somebody that

397
00:16:53,920 --> 00:17:01,680
Speaker 1: we've never heard before. But while it was different, it

398
00:17:01,720 --> 00:17:06,040
Speaker 1: wasn't what I expected. It wasn't terrible. It wasn't terrible.

399
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Speaker 1: I was I was a little thrown off. I was

400
00:17:08,480 --> 00:17:12,720
Speaker 1: a little confused, but it wasn't terrible. It was it

401
00:17:12,800 --> 00:17:15,600
Speaker 1: was okay. It just wasn't terrible, but definitely was not

402
00:17:15,640 --> 00:17:17,159
Speaker 1: what we expected. I don't think it was what we

403
00:17:17,200 --> 00:17:17,920
Speaker 1: expected at all.

404
00:17:18,080 --> 00:17:18,800
Speaker 2: No, I was not.

405
00:17:19,200 --> 00:17:21,520
Speaker 3: After the Doja Cat single, I was like, all right,

406
00:17:21,800 --> 00:17:24,080
Speaker 3: let's let's keep let's keep the train moved.

407
00:17:24,080 --> 00:17:25,440
Speaker 1: I didn't though he was going all the way pop.

408
00:17:25,720 --> 00:17:28,160
Speaker 1: I'm not gonna lie, we said pop. Maybe I think

409
00:17:28,160 --> 00:17:29,680
Speaker 1: he gives a little sprinkle, a little rap in this

410
00:17:29,800 --> 00:17:30,720
Speaker 1: still hip hop, but.

411
00:17:30,880 --> 00:17:34,000
Speaker 3: I anticipated a mix between Jack Man and the kids,

412
00:17:34,400 --> 00:17:35,880
Speaker 3: Miss You. I thought he was gonna find a good

413
00:17:35,880 --> 00:17:37,800
Speaker 3: balance there, of not. I didn't think he was gonna

414
00:17:37,840 --> 00:17:40,800
Speaker 3: go post malone or sell out the way a lot

415
00:17:40,800 --> 00:17:42,840
Speaker 3: of white rappers have done in the past.

416
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Speaker 4: I didn't think Jack was gonna do that. I did

417
00:17:45,440 --> 00:17:47,920
Speaker 4: not expect him.

418
00:17:48,440 --> 00:17:50,280
Speaker 3: No wonder, I have not been able to book Electric

419
00:17:50,400 --> 00:17:52,760
Speaker 3: Lady Lamb for the past fucking six months.

420
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Speaker 1: Jack had it, He had it booked out.

421
00:17:54,600 --> 00:17:56,840
Speaker 2: Yeah, you're expensive, that place is.

422
00:17:58,359 --> 00:17:59,040
Speaker 1: He had it booked up.

423
00:17:59,200 --> 00:18:03,160
Speaker 2: That's d Achelo's. I don't know where to begin here.

424
00:18:04,119 --> 00:18:07,000
Speaker 3: I would be a liar if I did not.

425
00:18:07,160 --> 00:18:10,480
Speaker 2: Laugh at all the jokes the entire weekend, and it

426
00:18:10,560 --> 00:18:12,399
Speaker 2: was plenty of true.

427
00:18:12,920 --> 00:18:15,480
Speaker 1: Oh, it was plenty of jokes to laugh at. They

428
00:18:15,520 --> 00:18:17,640
Speaker 1: called him I R S one. I R S one

429
00:18:17,720 --> 00:18:20,600
Speaker 1: was definitely one of my favorites. I did.

430
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Speaker 3: This is what you can put on the screen. Uh pH,

431
00:18:22,920 --> 00:18:25,040
Speaker 3: I'll send it to you. Darn instead of damn. Was

432
00:18:25,080 --> 00:18:34,240
Speaker 3: one of my favorites. If you know your history into

433
00:18:34,280 --> 00:18:42,240
Speaker 3: the Nation of Islam, yakub quality, Yes, music rothschild was

434
00:18:42,280 --> 00:18:44,840
Speaker 3: definitely a child was fucking hilarious.

435
00:18:45,040 --> 00:18:47,720
Speaker 5: They called it in January sixth and Park.

436
00:18:49,840 --> 00:18:51,280
Speaker 2: Somebody called him Juwe hill.

437
00:18:57,480 --> 00:19:02,600
Speaker 3: Day last stole bro they said, they said bland, Nubian.

438
00:19:04,800 --> 00:19:09,600
Speaker 5: Proud boys to men they did tearing his ass up, Yo, man.

439
00:19:09,560 --> 00:19:12,040
Speaker 1: Jack Man, it's when they put it's when white boys

440
00:19:12,040 --> 00:19:14,119
Speaker 1: put that hat on right there. That hat does it

441
00:19:14,200 --> 00:19:14,800
Speaker 1: every time.

442
00:19:15,040 --> 00:19:15,480
Speaker 4: This one.

443
00:19:15,680 --> 00:19:19,240
Speaker 3: I also again the album covers the best white on

444
00:19:19,320 --> 00:19:20,000
Speaker 3: both sides.

445
00:19:25,359 --> 00:19:26,960
Speaker 2: They saw him Auschwitz Alcina.

446
00:19:27,720 --> 00:19:29,960
Speaker 5: Oh my, I had to look up if he was

447
00:19:30,000 --> 00:19:31,880
Speaker 5: actually Jewish because Madam them were Jewish jokes.

448
00:19:31,880 --> 00:19:33,080
Speaker 2: I'm like, he's not even.

449
00:19:32,920 --> 00:19:36,840
Speaker 1: Jewish, Oh my god, man, yeah, yeah, Jack, I don't know, man,

450
00:19:37,080 --> 00:19:39,520
Speaker 1: this is this just wasn't what we was expecting. Man, Like,

451
00:19:39,520 --> 00:19:42,719
Speaker 1: the music is not terrible, it's cool, but it's just

452
00:19:42,800 --> 00:19:45,280
Speaker 1: like we wasn't. We didn't think we ain't need this.

453
00:19:45,640 --> 00:19:48,439
Speaker 3: It's like DiAngelo is funny, but they spelt it the

454
00:19:48,480 --> 00:19:49,120
Speaker 3: Italian way.

455
00:19:49,520 --> 00:19:50,560
Speaker 1: Yeah.

456
00:19:51,040 --> 00:19:54,800
Speaker 5: I saw the Anglo saxon that fucking fried me nigga,

457
00:19:54,800 --> 00:19:56,359
Speaker 5: said Leon Thomas Jefferson.

458
00:19:57,800 --> 00:19:59,160
Speaker 4: Someone called him ninth wonder Bread.

459
00:19:59,359 --> 00:20:06,040
Speaker 2: Oh my in f doom Yo went on for hours.

460
00:20:07,119 --> 00:20:13,119
Speaker 1: Q tip tip Yeah, Jack, they frying you up for

461
00:20:13,160 --> 00:20:16,280
Speaker 1: this one. I ain't gonna lie listen, man, I'm really

462
00:20:16,280 --> 00:20:19,719
Speaker 1: not here. It's not terrible though, Like y'all know, this ISOs,

463
00:20:19,720 --> 00:20:21,280
Speaker 1: but it's not a terrible album.

464
00:20:22,000 --> 00:20:24,399
Speaker 3: Y'all know this is my bag. So I am actually

465
00:20:24,480 --> 00:20:28,840
Speaker 3: very critical of people going into this genre, especially when

466
00:20:28,840 --> 00:20:29,680
Speaker 3: they've not been in it.

467
00:20:29,800 --> 00:20:30,920
Speaker 2: It's it's really not.

468
00:20:32,400 --> 00:20:32,920
Speaker 6: That bad.

469
00:20:33,119 --> 00:20:33,680
Speaker 2: I think what.

470
00:20:35,160 --> 00:20:38,119
Speaker 3: I think music fans find it a bit distasteful is

471
00:20:38,160 --> 00:20:41,000
Speaker 3: how Mac Miller coded he was trying to be in it.

472
00:20:41,160 --> 00:20:43,600
Speaker 3: And I'm not saying Jack went anywhere with Mac Miller

473
00:20:43,640 --> 00:20:49,439
Speaker 3: on his mind whatsoever. But we saw Mac transition from

474
00:20:49,440 --> 00:20:53,480
Speaker 3: being a backpack rapper into a full blown musician, like

475
00:20:53,600 --> 00:20:57,200
Speaker 3: Mac could play every instrument producing. You saw the artist

476
00:20:57,280 --> 00:20:59,520
Speaker 3: he got respect from, and you watched that entire thing

477
00:20:59,800 --> 00:21:02,480
Speaker 3: was like one day I decided I want to do a.

478
00:21:02,359 --> 00:21:04,200
Speaker 4: Soul quarian album.

479
00:21:04,400 --> 00:21:04,600
Speaker 2: Mac.

480
00:21:04,640 --> 00:21:07,159
Speaker 3: We watched do that in such an authentic way. And

481
00:21:07,160 --> 00:21:08,919
Speaker 3: I don't even want to make this a race thing

482
00:21:09,040 --> 00:21:11,760
Speaker 3: per se. But Mac is the closest thing we've probably

483
00:21:11,800 --> 00:21:16,160
Speaker 3: seen with modern artists that have transitioned to another genre

484
00:21:16,520 --> 00:21:20,960
Speaker 3: in a very respectful and authentic way. Yeah, and I'm

485
00:21:20,960 --> 00:21:23,239
Speaker 3: not saying I don't know Jack's intentions. I don't know

486
00:21:23,640 --> 00:21:28,000
Speaker 3: Jack personally. He could have had every authentic he could have.

487
00:21:28,040 --> 00:21:29,760
Speaker 3: I mean, I know he didn't know Brandy two years ago,

488
00:21:30,000 --> 00:21:33,320
Speaker 3: but maybe he discovered neo soul music and really fell

489
00:21:33,359 --> 00:21:35,400
Speaker 3: in love with it and wanted to do this. I

490
00:21:35,520 --> 00:21:40,080
Speaker 3: just don't know who's ever running the program of getting

491
00:21:40,119 --> 00:21:44,280
Speaker 3: out an album like this. Whereas Three Stacks, when Love

492
00:21:44,320 --> 00:21:46,840
Speaker 3: Below came out, I went and bought it as a kid,

493
00:21:47,600 --> 00:21:50,760
Speaker 3: expecting an outcast album. I was confused as fuck, but

494
00:21:50,800 --> 00:21:54,639
Speaker 3: Andre just sat quietly and let us all deal with it.

495
00:21:54,800 --> 00:21:59,440
Speaker 3: This with throwing on the costume of the fucking the

496
00:21:59,440 --> 00:22:04,159
Speaker 3: beanie you in the park like Brown Sugar, it was

497
00:22:04,240 --> 00:22:06,280
Speaker 3: like too much on the nose, a bit like when

498
00:22:06,320 --> 00:22:08,800
Speaker 3: Mac was moving into another genre.

499
00:22:09,680 --> 00:22:11,080
Speaker 4: Mac was himself through the whole thing.

500
00:22:11,520 --> 00:22:14,560
Speaker 1: He didn't put on a new costume for it.

501
00:22:14,560 --> 00:22:16,960
Speaker 3: It was just like Max just being Mac this. Even

502
00:22:17,000 --> 00:22:18,400
Speaker 3: though I'm not saying that's Jack at all, I want

503
00:22:18,400 --> 00:22:19,920
Speaker 3: to make that very clear. I don't know Jack Carlow.

504
00:22:19,960 --> 00:22:22,240
Speaker 3: I'm not saying he's doing that. It just got odd

505
00:22:22,280 --> 00:22:25,359
Speaker 3: that you completely changed your style to the stereotypical neo

506
00:22:25,440 --> 00:22:27,719
Speaker 3: soshit in twenty twenty six, when people making Neil Sol

507
00:22:27,800 --> 00:22:28,880
Speaker 3: music don't even dress that way.

508
00:22:28,920 --> 00:22:29,520
Speaker 2: No more, no.

509
00:22:31,119 --> 00:22:33,520
Speaker 3: They dress how they dress, it's almost like you were doing.

510
00:22:33,840 --> 00:22:35,320
Speaker 3: And I'm not saying you don't like to dress that way.

511
00:22:35,359 --> 00:22:37,399
Speaker 3: Maybe Jack, I like a beanie too. I used to

512
00:22:37,400 --> 00:22:39,920
Speaker 3: have the beanie with the brain.

513
00:22:39,920 --> 00:22:41,320
Speaker 5: You want to just kill him like you ain't got

514
00:22:41,320 --> 00:22:43,240
Speaker 5: to keep saying. I'm not saying I don't know Jack,

515
00:22:43,280 --> 00:22:44,119
Speaker 5: I just kill him.

516
00:22:44,160 --> 00:22:47,600
Speaker 2: It's okay, I'm not here to kill him. I'm just

517
00:22:47,640 --> 00:22:50,119
Speaker 2: saying you checked.

518
00:22:50,400 --> 00:22:53,400
Speaker 3: Sometimes checking too many boxes is the wrong thing. Sometimes

519
00:22:53,400 --> 00:22:54,640
Speaker 3: going you know what, I want to make a Neil

520
00:22:54,640 --> 00:22:57,359
Speaker 3: Sol album and record it an electric lady is like,

521
00:22:57,720 --> 00:22:59,959
Speaker 3: all right, man, let's pull it back.

522
00:23:00,440 --> 00:23:02,159
Speaker 4: How about you be your version of this?

523
00:23:02,200 --> 00:23:05,320
Speaker 3: Because I think Jack's between Jack Man and the kids

524
00:23:05,320 --> 00:23:07,199
Speaker 3: miss you. I think Jack could have incorporated a lot

525
00:23:07,200 --> 00:23:10,920
Speaker 3: of Neil Sol into his sound already in a way

526
00:23:10,960 --> 00:23:13,960
Speaker 3: that may have been less. Let's check every neo soabox

527
00:23:14,000 --> 00:23:16,720
Speaker 3: and put the beanie on. Let's get a black girl

528
00:23:16,800 --> 00:23:19,800
Speaker 3: with short hair, Let's smile in the park, let's walk

529
00:23:19,840 --> 00:23:23,080
Speaker 3: around like we're Maxwell and Brooklyn like. It was just

530
00:23:23,240 --> 00:23:26,600
Speaker 3: too much of the box checking. But with that said,

531
00:23:26,680 --> 00:23:28,800
Speaker 3: I don't think the music is that bad. The way

532
00:23:28,840 --> 00:23:30,359
Speaker 3: people were killing the music. I don't think it's as

533
00:23:30,400 --> 00:23:32,119
Speaker 3: bad as people are making enough. It's not as I

534
00:23:32,119 --> 00:23:33,119
Speaker 3: actually it's not.

535
00:23:34,080 --> 00:23:37,479
Speaker 2: I mean, it's just a hard left like he is.

536
00:23:37,560 --> 00:23:39,880
Speaker 3: To me, it was the hard left with the marketing.

537
00:23:39,960 --> 00:23:44,399
Speaker 3: And then you sit and listen my white face and

538
00:23:45,080 --> 00:23:47,919
Speaker 3: my past. You can pull up anything. I'm not not

539
00:23:48,000 --> 00:23:49,920
Speaker 3: guilty in this entire thing, but sitting with two white

540
00:23:49,920 --> 00:23:51,760
Speaker 3: people from New York Times to talk about your black

541
00:23:51,760 --> 00:23:53,040
Speaker 3: album is a little fucking weird to me.

542
00:23:54,440 --> 00:23:55,960
Speaker 1: And who's Monica?

543
00:23:57,320 --> 00:24:00,720
Speaker 2: He said, you know what, it's staying for somebody.

544
00:24:00,760 --> 00:24:02,280
Speaker 4: Somebody told me to sound it out, but don't say

545
00:24:02,320 --> 00:24:02,680
Speaker 4: it out loud.

546
00:24:02,720 --> 00:24:13,200
Speaker 1: And I went, oh, fuck my Nika, my Nikai.

547
00:24:11,480 --> 00:24:14,320
Speaker 5: Or whatever whatever girl he got with folllox. That is

548
00:24:14,400 --> 00:24:16,360
Speaker 5: fucking the ship out of him.

549
00:24:16,600 --> 00:24:19,560
Speaker 1: Ye foind out what Monica looked like. It's gonna give

550
00:24:19,600 --> 00:24:21,119
Speaker 1: us all the all the answers we need right here.

551
00:24:21,119 --> 00:24:23,159
Speaker 1: It's gonna tell us everything we need to know. But

552
00:24:23,200 --> 00:24:25,480
Speaker 1: I mean, we don't know the muse. Who's the muse

553
00:24:25,520 --> 00:24:26,520
Speaker 1: to this this music?

554
00:24:26,640 --> 00:24:26,800
Speaker 5: Well?

555
00:24:26,840 --> 00:24:29,520
Speaker 3: I think that's why because the rollout was so confusing.

556
00:24:31,840 --> 00:24:37,440
Speaker 3: That's why the disconnect to me has happened. Because there

557
00:24:37,440 --> 00:24:39,159
Speaker 3: could have been a rollout of who Monica really was,

558
00:24:39,200 --> 00:24:42,480
Speaker 3: and we would have probably had an idea. How it

559
00:24:42,560 --> 00:24:45,679
Speaker 3: appears is that he just chose a black name to

560
00:24:45,720 --> 00:24:50,719
Speaker 3: call his black album Monica. Now, if there was a

561
00:24:50,760 --> 00:24:54,000
Speaker 3: story that we missed, I think that could have helped

562
00:24:54,000 --> 00:24:55,879
Speaker 3: with the rollout and kind of eased people into this,

563
00:24:56,000 --> 00:25:01,600
Speaker 3: if you wanted to make this drass transition into soul music.

564
00:25:03,400 --> 00:25:06,000
Speaker 4: But there wasn't that. Yeah, it's just is just a

565
00:25:06,040 --> 00:25:06,760
Speaker 4: hard left jack.

566
00:25:07,119 --> 00:25:09,320
Speaker 3: And again, I think I think it's insane to sit

567
00:25:09,400 --> 00:25:11,320
Speaker 3: down with I'm not saying sitting down New York Times

568
00:25:11,400 --> 00:25:14,240
Speaker 3: is wrong, but sitting down with two white people that

569
00:25:14,359 --> 00:25:16,679
Speaker 3: probably have never heard Mama's Gun in their entire life

570
00:25:18,000 --> 00:25:22,000
Speaker 3: to discuss your neo soul album is a strange way.

571
00:25:22,280 --> 00:25:24,119
Speaker 3: He did get fucked over. I mean that the clip

572
00:25:24,280 --> 00:25:27,280
Speaker 3: is insane. I got blacker. I know what he was

573
00:25:27,320 --> 00:25:29,760
Speaker 3: trying to say, as far as white artists usually go

574
00:25:29,880 --> 00:25:33,160
Speaker 3: to white ship and he's saying his music went more

575
00:25:33,200 --> 00:25:36,240
Speaker 3: to the black black region of music.

576
00:25:38,440 --> 00:25:39,080
Speaker 1: What does that mean?

577
00:25:39,560 --> 00:25:41,360
Speaker 4: I don't know, because I think all music is black.

578
00:25:41,240 --> 00:25:43,520
Speaker 1: Right, So that's what you mean? Got blacker? Did he

579
00:25:43,560 --> 00:25:44,360
Speaker 1: say got blacker?

580
00:25:44,720 --> 00:25:46,879
Speaker 3: Yeah, he said he got blacker, But he was what

581
00:25:46,960 --> 00:25:49,320
Speaker 3: I think he was trying. Jack Carlo said he got blacker,

582
00:25:49,359 --> 00:25:50,760
Speaker 3: but he did not see the clip that went viral.

583
00:25:51,119 --> 00:25:54,600
Speaker 5: Even in reference to his music, his music got blacker

584
00:25:54,640 --> 00:25:56,240
Speaker 5: instead of going white, Like how his.

585
00:25:57,680 --> 00:25:59,560
Speaker 1: Hip hop album It'll get more Black than hip Hop?

586
00:25:59,600 --> 00:25:59,800
Speaker 1: Do it?

587
00:25:59,840 --> 00:26:03,760
Speaker 3: Well, they were talking about people more than how a

588
00:26:03,800 --> 00:26:05,959
Speaker 3: lot of artists will start with hip hop and then

589
00:26:06,000 --> 00:26:08,119
Speaker 3: they'll venture up kid Rock did hip hop, then he

590
00:26:08,160 --> 00:26:08,640
Speaker 3: went white.

591
00:26:08,640 --> 00:26:11,200
Speaker 1: I mean white. I was in the congratulations is kind

592
00:26:11,240 --> 00:26:11,600
Speaker 1: of the same.

593
00:26:13,240 --> 00:26:15,320
Speaker 3: Okay, Well, a lot of people would say post Malone

594
00:26:15,760 --> 00:26:18,600
Speaker 3: got hot because of hip hop and then immediately said

595
00:26:18,640 --> 00:26:21,399
Speaker 3: hip hop has no substance in a quote, and then

596
00:26:21,440 --> 00:26:23,960
Speaker 3: started making country and pop music that he used hip

597
00:26:23,960 --> 00:26:26,320
Speaker 3: hop to get to pull his career and move on.

598
00:26:26,400 --> 00:26:29,199
Speaker 3: And New York Times and Jack were trying to explain

599
00:26:29,280 --> 00:26:31,960
Speaker 3: that at this moment where he was a huge white artist,

600
00:26:32,200 --> 00:26:35,760
Speaker 3: he decided to go more towards what people would consider

601
00:26:35,800 --> 00:26:37,120
Speaker 3: black music, which would be neil.

602
00:26:37,160 --> 00:26:38,360
Speaker 4: So even though all music.

603
00:26:38,160 --> 00:26:40,639
Speaker 3: Is black music, he just chose to say the word

604
00:26:40,800 --> 00:26:43,720
Speaker 3: I got blacker, and that got clipped.

605
00:26:44,440 --> 00:26:49,119
Speaker 4: Now that's insane, Yeah, Jack, that's Jack.

606
00:26:49,320 --> 00:26:51,560
Speaker 2: That's crazy.

607
00:26:51,600 --> 00:26:54,520
Speaker 3: But what I think he was trying to say is

608
00:26:55,240 --> 00:26:59,320
Speaker 3: I instead of doing what all my other white counterparts

609
00:26:59,400 --> 00:27:02,480
Speaker 3: do in this situation, I decided not to go for

610
00:27:02,560 --> 00:27:05,920
Speaker 3: the fame pop shit and went more towards music that

611
00:27:06,080 --> 00:27:09,040
Speaker 3: I prefer which Neil Soul is obviously black. But then again,

612
00:27:09,080 --> 00:27:11,640
Speaker 3: so is fucking rock and roll pop music every day

613
00:27:12,040 --> 00:27:14,240
Speaker 3: periods because ball music is black. So but that's a

614
00:27:14,240 --> 00:27:18,040
Speaker 3: separate conversation. But that's me speculating. Let's just deal with

615
00:27:18,040 --> 00:27:20,920
Speaker 3: what he said. Yeah he said, I got blacker. Yeah,

616
00:27:20,960 --> 00:27:21,560
Speaker 3: that's just not it.

617
00:27:22,119 --> 00:27:24,320
Speaker 2: And you're wearing the beanie and it just I don't know,

618
00:27:24,480 --> 00:27:25,720
Speaker 2: I feel like that.

619
00:27:25,640 --> 00:27:27,639
Speaker 5: Fucking beanie is pushing me off, Like I'm not gonna lie. Like,

620
00:27:27,640 --> 00:27:28,880
Speaker 5: if you want to put off the music you want

621
00:27:28,880 --> 00:27:31,919
Speaker 5: to put out, that's fine, especially if it's good like whatever.

622
00:27:32,000 --> 00:27:35,960
Speaker 5: But the cosplaying, the cosplaying of like my uncle, I

623
00:27:35,960 --> 00:27:38,520
Speaker 5: don't like that shit. That shit is so unnecessary and

624
00:27:38,560 --> 00:27:39,920
Speaker 5: it makes it seem like you're taking it as a

625
00:27:40,000 --> 00:27:41,520
Speaker 5: joke and you're not really respecting the music.

626
00:27:41,600 --> 00:27:43,879
Speaker 1: You remember, like the in the shitcoms in the nineties

627
00:27:43,880 --> 00:27:45,920
Speaker 1: when the white kids showed up the high school he

628
00:27:46,080 --> 00:27:49,280
Speaker 1: was cool like and Steve Harvey Show and all of that,

629
00:27:49,320 --> 00:27:51,600
Speaker 1: and old girls liked him, and there's like a talent show.

630
00:27:51,640 --> 00:27:54,000
Speaker 1: You feel like, oh he can rap. That's what Jack

631
00:27:54,040 --> 00:27:56,640
Speaker 1: Hall remind me a little bit. He can play basketball.

632
00:27:56,760 --> 00:27:59,520
Speaker 1: The white man can't jump, right. He played basketball and

633
00:27:59,560 --> 00:28:01,360
Speaker 1: he gave it, you know, he wrapped you, I mean,

634
00:28:01,400 --> 00:28:03,440
Speaker 1: and then now he's giving us neil soul.

635
00:28:04,640 --> 00:28:09,320
Speaker 2: I mean, it's a it's an interesting move. Was it

636
00:28:09,320 --> 00:28:09,960
Speaker 2: a good I'm trying.

637
00:28:10,640 --> 00:28:12,160
Speaker 3: I shouldn't be the way I feel like y'all should

638
00:28:12,160 --> 00:28:13,440
Speaker 3: be speaking. You know, I'm just saying what you do

639
00:28:14,000 --> 00:28:15,800
Speaker 3: the New York Times and Jack already cleaned up my

640
00:28:15,840 --> 00:28:17,760
Speaker 3: side speaking.

641
00:28:17,920 --> 00:28:19,800
Speaker 1: I think it was a smart move, though, I think,

642
00:28:19,880 --> 00:28:23,320
Speaker 1: do you I think this? This hurt Jack, just definitely

643
00:28:23,359 --> 00:28:25,160
Speaker 1: hurt him in my in my in my humble opinion.

644
00:28:25,200 --> 00:28:27,200
Speaker 1: I'm not an artist. I don't make music, so I'm

645
00:28:27,240 --> 00:28:28,879
Speaker 1: not going to, you know, speak too much to that.

646
00:28:29,000 --> 00:28:33,800
Speaker 1: But it's hard left. I think hurt Jack's trajectory more

647
00:28:33,840 --> 00:28:37,960
Speaker 1: than it helped. For sure, No.

648
00:28:38,240 --> 00:28:40,520
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662
00:29:14,000 --> 00:29:16,800
Speaker 1: T Verizon and T Mobile customers compared to twelve months

663
00:29:16,840 --> 00:29:19,240
Speaker 1: on the boost Mobile Unlimited plan as of January twenty

664
00:29:19,240 --> 00:29:22,320
Speaker 1: twenty six. For full off of details, visit boothsmobile dot com.

665
00:29:28,400 --> 00:29:31,600
Speaker 5: A right, Okay, I have to think that maybe maybe

666
00:29:31,840 --> 00:29:34,880
Speaker 5: him and whoever is on his team knows something I don't,

667
00:29:35,360 --> 00:29:38,240
Speaker 5: because this is such an obvious, simply bad move for

668
00:29:38,360 --> 00:29:40,280
Speaker 5: his career that I would think, Okay, if they did this,

669
00:29:40,400 --> 00:29:42,680
Speaker 5: they must have reasoning for it, because it's like to ask,

670
00:29:42,880 --> 00:29:44,840
Speaker 5: was this like not good for him?

671
00:29:44,840 --> 00:29:46,720
Speaker 2: I think that's pretty obvious. We were just.

672
00:29:46,640 --> 00:29:48,880
Speaker 5: Talking on the last episode about how you don't have

673
00:29:49,000 --> 00:29:51,040
Speaker 5: a particular sound that we can go to.

674
00:29:51,400 --> 00:29:52,000
Speaker 2: What is it?

675
00:29:52,040 --> 00:29:54,480
Speaker 5: Who are you as an artist and then you switch again.

676
00:29:54,520 --> 00:29:57,160
Speaker 5: So it's like, are you just gonna hop around genres

677
00:29:57,160 --> 00:29:58,480
Speaker 5: for the rest of the life now.

678
00:29:58,600 --> 00:30:03,120
Speaker 1: Right, because now with the he can't go back like

679
00:30:03,280 --> 00:30:05,000
Speaker 1: full rap on the next project. Why not?

680
00:30:05,560 --> 00:30:08,880
Speaker 2: Hell no, he wants but how he'll come around.

681
00:30:09,080 --> 00:30:10,840
Speaker 1: You're right, he can do. Jack Haller can do whatever

682
00:30:10,880 --> 00:30:12,800
Speaker 1: the fuck he want to do. I'm saying if he

683
00:30:12,920 --> 00:30:15,719
Speaker 1: goes full rap hip hop next album, that's gonna make

684
00:30:15,760 --> 00:30:18,520
Speaker 1: this album look even crazier this it's gonna be like,

685
00:30:18,560 --> 00:30:20,280
Speaker 1: what the fuck was that about? Like what I mean,

686
00:30:20,320 --> 00:30:21,520
Speaker 1: even even what was that moment?

687
00:30:22,360 --> 00:30:24,480
Speaker 3: I mean even with I don't know. I want to

688
00:30:24,480 --> 00:30:27,080
Speaker 3: make this very clear. I'm not comparing Jack Harlow Monica

689
00:30:27,120 --> 00:30:29,440
Speaker 3: to Kanye West Edaways and Heartbreaks, but Kanye went back

690
00:30:29,440 --> 00:30:32,520
Speaker 3: to rapping like you can do something. It's different though

691
00:30:32,800 --> 00:30:36,160
Speaker 3: after fucking the love below he went and wrapped over.

692
00:30:36,040 --> 00:30:38,400
Speaker 1: The is different. He was already established as a man.

693
00:30:38,960 --> 00:30:40,160
Speaker 2: I was just gonna say that, like he was.

694
00:30:40,160 --> 00:30:42,920
Speaker 1: Already established as a mega, mega producer.

695
00:30:44,120 --> 00:30:45,520
Speaker 4: That's why I'm saying I'm not comparing them.

696
00:30:45,560 --> 00:30:48,000
Speaker 3: But in the same breath, I will say, which we

697
00:30:48,040 --> 00:30:49,920
Speaker 3: talked about on the last episode when we were trying

698
00:30:49,920 --> 00:30:52,040
Speaker 3: to figure out what this album was going to sound like.

699
00:30:52,760 --> 00:30:55,760
Speaker 3: Jack Harlow is a he sells out at the Barclay Center.

700
00:30:56,280 --> 00:30:59,840
Speaker 3: He does have a TikTok fan base, and I think

701
00:31:00,160 --> 00:31:01,800
Speaker 3: he looked out at the crowd and probably was like,

702
00:31:01,840 --> 00:31:04,880
Speaker 3: I hate the fans, Steve Lacy treatment, I hate the

703
00:31:04,880 --> 00:31:05,840
Speaker 3: people that I'm performing to.

704
00:31:06,360 --> 00:31:07,520
Speaker 4: Man, we had that full conversation.

705
00:31:08,400 --> 00:31:10,400
Speaker 3: Let's not act like Jack is also not I'm not

706
00:31:10,440 --> 00:31:13,280
Speaker 3: a megastar, of course, but anyone that sells out in arena,

707
00:31:13,360 --> 00:31:16,240
Speaker 3: I think you can put in a pretty high category.

708
00:31:16,320 --> 00:31:19,600
Speaker 1: No, no, for sure, but but you can't. We're not

709
00:31:19,600 --> 00:31:22,760
Speaker 1: talking about somebody that is only doing two thousand seats, which,

710
00:31:22,760 --> 00:31:24,000
Speaker 1: by the way, two thousand seat is great.

711
00:31:24,000 --> 00:31:27,640
Speaker 4: But he's doing arenas. Okay, So let's he's not going

712
00:31:27,680 --> 00:31:28,640
Speaker 4: to do arenas with Monica.

713
00:31:28,800 --> 00:31:30,880
Speaker 5: Let's but and that's so that's what I was about

714
00:31:30,880 --> 00:31:34,480
Speaker 5: to say, right so with let's address the he's doing arenas.

715
00:31:34,480 --> 00:31:37,200
Speaker 5: Because the way that music moves so fast these days,

716
00:31:37,880 --> 00:31:40,880
Speaker 5: like for example, if Jenna Jackson came back right now

717
00:31:40,960 --> 00:31:42,680
Speaker 5: or decided to drop something she can do in arena

718
00:31:42,680 --> 00:31:44,040
Speaker 5: for the rest of her life, she will be able

719
00:31:44,080 --> 00:31:46,680
Speaker 5: to do an arena if you have one hot project

720
00:31:46,840 --> 00:31:48,959
Speaker 5: that will and it was hot because of a couple singles,

721
00:31:48,960 --> 00:31:50,880
Speaker 5: and you were able to do an arena that year,

722
00:31:51,440 --> 00:31:53,480
Speaker 5: like before this album, I don't know if Jack would

723
00:31:53,480 --> 00:31:54,880
Speaker 5: have been able to do an arena like. I don't

724
00:31:54,880 --> 00:31:55,960
Speaker 5: know if he would have been able to do an

725
00:31:55,960 --> 00:31:57,920
Speaker 5: arena after jack Man. I don't know if he would

726
00:31:57,920 --> 00:31:59,520
Speaker 5: have be able to do an arena after now. So

727
00:31:59,600 --> 00:32:02,480
Speaker 5: then you can't say he does arenas because that means

728
00:32:02,480 --> 00:32:04,920
Speaker 5: you have a dedicated fan base who will support you

729
00:32:04,960 --> 00:32:07,520
Speaker 5: no matter what. That's what makes you an established artist.

730
00:32:07,640 --> 00:32:10,080
Speaker 5: I don't think that he has that. I don't think

731
00:32:10,080 --> 00:32:12,080
Speaker 5: that he can release this album and go and do

732
00:32:12,160 --> 00:32:14,680
Speaker 5: an arena and his dedicated fan base will show up.

733
00:32:14,760 --> 00:32:16,560
Speaker 5: That what will make him established. I don't think he's

734
00:32:16,600 --> 00:32:17,160
Speaker 5: there yet.

735
00:32:17,440 --> 00:32:18,880
Speaker 4: Okay, I see your point again.

736
00:32:18,920 --> 00:32:21,200
Speaker 3: I think jack Man was more of a mixtape, and

737
00:32:21,320 --> 00:32:24,680
Speaker 3: it came out pretty quick afterwards and was clearly just

738
00:32:24,720 --> 00:32:27,280
Speaker 3: a quick like I'm putting something out for my core

739
00:32:27,400 --> 00:32:30,880
Speaker 3: fan base. If he would have stayed more in the

740
00:32:30,960 --> 00:32:33,800
Speaker 3: lane of the kids, Miss You, I think Jack would

741
00:32:33,840 --> 00:32:37,440
Speaker 3: have still been able to do arenas. Now I would

742
00:32:37,480 --> 00:32:40,480
Speaker 3: assume that he's going to I hope purposely choose small

743
00:32:40,560 --> 00:32:44,440
Speaker 3: venues to perform this. And then also I don't know

744
00:32:45,240 --> 00:32:48,640
Speaker 3: again how much of this music he created. That's also

745
00:32:48,760 --> 00:32:53,240
Speaker 3: tough to perform when you didn't make this type of music.

746
00:32:53,080 --> 00:32:55,160
Speaker 4: Like that's a lot of the allure of.

747
00:32:57,120 --> 00:32:58,560
Speaker 3: Let me not say a lure, but a lot of

748
00:32:58,600 --> 00:33:01,640
Speaker 3: the authenticity with Neil so is a lot of those

749
00:33:01,720 --> 00:33:04,520
Speaker 3: artists are producing that music. So those live shows hit

750
00:33:04,840 --> 00:33:07,960
Speaker 3: a bit differently when you're controlling the entire band, you're

751
00:33:08,040 --> 00:33:12,560
Speaker 3: participating in every instrument is it's just a little different.

752
00:33:12,760 --> 00:33:15,680
Speaker 3: I don't know how this looks. And they and most

753
00:33:15,720 --> 00:33:17,840
Speaker 3: of those artists have been doing venues for so long.

754
00:33:17,880 --> 00:33:19,520
Speaker 3: They know how to control those crowds. They know how

755
00:33:19,520 --> 00:33:21,920
Speaker 3: to put a show on. I'm not saying Jack doesn't,

756
00:33:22,040 --> 00:33:24,840
Speaker 3: but doing first class in Barclays is a little different

757
00:33:24,880 --> 00:33:26,960
Speaker 3: than controlling four shows in one night in Blue Note,

758
00:33:27,880 --> 00:33:31,520
Speaker 3: where you have to play every instrument. Yeah, So I

759
00:33:31,520 --> 00:33:33,000
Speaker 3: just don't know if it's gonna come across. I don't

760
00:33:33,000 --> 00:33:34,840
Speaker 3: know if he knows how to perform this yet. And

761
00:33:35,320 --> 00:33:39,840
Speaker 3: he's a professional. I'm sure he's probably rehearsing as as

762
00:33:39,920 --> 00:33:41,960
Speaker 3: much as he can. I just don't know how this

763
00:33:42,080 --> 00:33:43,720
Speaker 3: is gonna pivot and.

764
00:33:44,000 --> 00:33:44,680
Speaker 2: Who even.

765
00:33:46,040 --> 00:33:48,000
Speaker 5: He doesn't give a fuck if he does sobs, who

766
00:33:48,040 --> 00:33:49,320
Speaker 5: goes and see some asobs?

767
00:33:49,840 --> 00:33:51,480
Speaker 2: Who's the consumer?

768
00:33:52,480 --> 00:33:53,800
Speaker 4: That's a great question.

769
00:33:54,440 --> 00:33:59,360
Speaker 1: Every white woman that just left American Apparel and went

770
00:33:59,400 --> 00:33:59,960
Speaker 1: to get a lot to.

771
00:34:03,440 --> 00:34:03,920
Speaker 2: I'm acha.

772
00:34:04,960 --> 00:34:07,440
Speaker 4: Here's the what Maul is saying is.

773
00:34:09,400 --> 00:34:10,360
Speaker 1: This is a bad idea.

774
00:34:10,719 --> 00:34:11,640
Speaker 2: It's not what I'm saying.

775
00:34:11,680 --> 00:34:13,640
Speaker 1: This was a bad idea. This album all right, but

776
00:34:13,640 --> 00:34:15,960
Speaker 1: here's listening the experiment like this, Jack way too soon.

777
00:34:17,880 --> 00:34:20,880
Speaker 3: You're kind of not wrong, though, because that crowd that

778
00:34:20,920 --> 00:34:24,560
Speaker 3: followed him on TikTok probably has never heard Neil soul

779
00:34:24,840 --> 00:34:26,960
Speaker 3: in their lives. And if you soon, if you consider

780
00:34:27,000 --> 00:34:29,439
Speaker 3: this diet Neil, so some of those people may think

781
00:34:29,520 --> 00:34:33,319
Speaker 3: that they just Jack just tapped into a genre that

782
00:34:33,320 --> 00:34:36,120
Speaker 3: no one's ever heard before. Right, some people really might

783
00:34:36,160 --> 00:34:39,240
Speaker 3: be like, yo, what this is? This type of music

784
00:34:39,320 --> 00:34:42,880
Speaker 3: is crazy, even if it is diet. And again, really

785
00:34:42,920 --> 00:34:45,279
Speaker 3: they have the women you're talking about. Go to Blue

786
00:34:45,280 --> 00:34:47,600
Speaker 3: Note one time to watch Jack and look at Jack

787
00:34:47,840 --> 00:34:49,399
Speaker 3: like he's three stacks and level below, like.

788
00:34:49,480 --> 00:34:52,080
Speaker 1: I've never even heard anything like this. But this is

789
00:34:52,120 --> 00:34:54,759
Speaker 1: not this is Jack. This was just too soon to

790
00:34:55,040 --> 00:34:56,799
Speaker 1: experiment like this for Jack, do you.

791
00:34:56,760 --> 00:35:02,440
Speaker 3: Give him any any respect for at this moment pivoting

792
00:35:02,480 --> 00:35:04,399
Speaker 3: to something you think he in his.

793
00:35:04,320 --> 00:35:05,120
Speaker 4: Words, I don't know.

794
00:35:05,680 --> 00:35:08,440
Speaker 1: I mean as an artist, I respect risk. Yeah, I

795
00:35:08,480 --> 00:35:13,120
Speaker 1: respect when artists take risks. You know, you gotta believe

796
00:35:13,120 --> 00:35:15,320
Speaker 1: in yourself. You have to have the utmost belief in

797
00:35:15,360 --> 00:35:18,000
Speaker 1: yourself first before the fans will believe in you. So

798
00:35:18,000 --> 00:35:20,879
Speaker 1: I respect Jack for that. I mean, I just think that,

799
00:35:20,960 --> 00:35:24,040
Speaker 1: you know, this was just such a hard pivot where

800
00:35:24,040 --> 00:35:27,600
Speaker 1: it's like from his sound, it's like, I just think

801
00:35:27,640 --> 00:35:29,000
Speaker 1: it was too soon to do that. I think you

802
00:35:29,040 --> 00:35:32,080
Speaker 1: needed to give us one more, maybe two more bona

803
00:35:32,080 --> 00:35:37,200
Speaker 1: fide rap hip hop albums. You could sprinkle in some

804
00:35:37,400 --> 00:35:39,920
Speaker 1: R and B, even some neo soul vibes in that.

805
00:35:40,040 --> 00:35:43,960
Speaker 3: Within that album Mac Miller The Divine, which to me

806
00:35:44,040 --> 00:35:46,200
Speaker 3: is more of a modern classic of that type of

807
00:35:46,280 --> 00:35:48,239
Speaker 3: genre where it's like Mac is rapping on that. You

808
00:35:48,280 --> 00:35:51,040
Speaker 3: still got to hit with Anderson Pact, but then you

809
00:35:51,120 --> 00:35:56,280
Speaker 3: have joints on there. Shit, even the record with Grande

810
00:35:56,400 --> 00:35:57,600
Speaker 3: is a record.

811
00:35:57,800 --> 00:36:00,399
Speaker 1: Yeah, I just think this was this was too hard left.

812
00:36:00,440 --> 00:36:03,400
Speaker 1: It was like you know, and and again I respect

813
00:36:03,480 --> 00:36:06,520
Speaker 1: artists taking risks. That's that's that's you know, that speaks

814
00:36:06,560 --> 00:36:09,000
Speaker 1: to an artist just believing in themselves. So I respect

815
00:36:09,080 --> 00:36:12,200
Speaker 1: Jack there, but you know, just somebody just listening and

816
00:36:12,320 --> 00:36:14,239
Speaker 1: I press play on it on the Jack Harlow album.

817
00:36:14,239 --> 00:36:16,680
Speaker 1: I was not expecting this to be the album at all.

818
00:36:16,800 --> 00:36:18,440
Speaker 5: So if you didn't know it was Jack Harlow and

819
00:36:18,600 --> 00:36:21,719
Speaker 5: somebody just threw it on, would you like it?

820
00:36:21,760 --> 00:36:22,719
Speaker 2: And ask, like, yo, who's that?

821
00:36:22,880 --> 00:36:28,960
Speaker 1: I like, Yo, Rey Shan is back? My god, stop yo,

822
00:36:29,560 --> 00:36:30,439
Speaker 1: me saying is back?

823
00:36:43,120 --> 00:36:44,840
Speaker 2: Absolutely yo.

824
00:36:45,719 --> 00:36:47,200
Speaker 3: You know the amount of people that were saying Jack

825
00:36:47,239 --> 00:36:51,719
Speaker 3: Carlow's next album it's gonna be dancehol what ship.

826
00:36:54,080 --> 00:36:54,520
Speaker 1: Yo?

827
00:36:55,120 --> 00:36:57,719
Speaker 3: Demarus? I would ask, who is this? Yes, because I

828
00:36:57,719 --> 00:37:00,880
Speaker 3: don't think it's bad music. I like Prague all of

829
00:37:00,920 --> 00:37:03,480
Speaker 3: my friends. Hook is crazy. I like, say, hello, I

830
00:37:03,600 --> 00:37:07,040
Speaker 3: like the project, but here's my thing. If you're gonna

831
00:37:07,080 --> 00:37:12,680
Speaker 3: go for the risk, don't, Glenn Lewis, the entire project

832
00:37:12,800 --> 00:37:13,360
Speaker 3: is safe.

833
00:37:13,400 --> 00:37:14,680
Speaker 4: Like, that's what's weird about it.

834
00:37:15,440 --> 00:37:17,440
Speaker 3: It's a risk because you pivoted to Neo Soul with

835
00:37:17,480 --> 00:37:19,480
Speaker 3: a beanie on and said you got Blacker and then

836
00:37:19,520 --> 00:37:23,000
Speaker 3: met Mona Like all of that is a crazy, crazy risk.

837
00:37:23,400 --> 00:37:26,440
Speaker 3: But again, not comparing Jack to Andre two thousand. But

838
00:37:26,480 --> 00:37:29,359
Speaker 3: when Andre two thousand took that pivot, he went all

839
00:37:29,400 --> 00:37:32,399
Speaker 3: the way. You got weird shit like Happy Valentine's Day. Yeah,

840
00:37:32,600 --> 00:37:38,880
Speaker 3: you got records that were digestible, like hey, prototype, like

841
00:37:38,920 --> 00:37:41,759
Speaker 3: you got things that the world could accept. But then

842
00:37:41,960 --> 00:37:45,359
Speaker 3: you got love and war, you got Happy Valentine's Day,

843
00:37:45,480 --> 00:37:48,400
Speaker 3: you got all these like really pushing the genre forward

844
00:37:48,719 --> 00:37:51,000
Speaker 3: instead of just copy and pasting. For this is the

845
00:37:51,040 --> 00:37:52,879
Speaker 3: safest meal soul album I've ever heard in my life.

846
00:37:53,800 --> 00:37:56,160
Speaker 3: That's that's really my issue. It's not bad music, but

847
00:37:56,200 --> 00:37:58,279
Speaker 3: if you're gonna take the risk push the genre forward,

848
00:37:58,280 --> 00:38:02,040
Speaker 3: don't just every record. Every record is the safest meal

849
00:38:02,120 --> 00:38:04,200
Speaker 3: soul record I've ever heard, which doesn't mean it's bad,

850
00:38:04,719 --> 00:38:05,279
Speaker 3: but it's safe.

851
00:38:06,120 --> 00:38:06,920
Speaker 2: There's nothing on.

852
00:38:06,880 --> 00:38:08,399
Speaker 3: There that I was like, Okay, I see you're trying

853
00:38:08,440 --> 00:38:11,839
Speaker 3: to push You appreciate neo soul so much that you're

854
00:38:11,880 --> 00:38:15,160
Speaker 3: trying to push it forward. This is a very, very

855
00:38:15,200 --> 00:38:19,680
Speaker 3: safe nine records of what someone would think neo soul

856
00:38:19,760 --> 00:38:20,640
Speaker 3: was in twenty twenty six.

857
00:38:20,960 --> 00:38:22,239
Speaker 4: And I want to make it clear, I don't think

858
00:38:22,280 --> 00:38:24,320
Speaker 4: that's bad. It's good music.

859
00:38:24,960 --> 00:38:25,319
Speaker 1: It's good.

860
00:38:25,400 --> 00:38:28,399
Speaker 3: All of my friends has incredible writing. Again, say hello,

861
00:38:28,480 --> 00:38:30,520
Speaker 3: I'll probably listen to say hello, that'll stay in the way,

862
00:38:30,520 --> 00:38:33,320
Speaker 3: like progue is fire, I move along school.

863
00:38:33,680 --> 00:38:35,480
Speaker 4: Every song is cool, but it's safe.

864
00:38:35,800 --> 00:38:39,000
Speaker 3: Yeah, So to me when you're saying this is a risk, yeah,

865
00:38:39,040 --> 00:38:41,719
Speaker 3: it's a risk, but it's the safest risk I've ever seen.

866
00:38:42,440 --> 00:38:44,120
Speaker 2: Like, if you're gonna do it, do it right.

867
00:38:44,680 --> 00:38:47,279
Speaker 3: Well, I meant get in there, like I love that

868
00:38:47,440 --> 00:38:49,919
Speaker 3: Robert Glasper was on it. But at that point, let's

869
00:38:49,960 --> 00:38:54,080
Speaker 3: let's tap in a little bit more. Let's really try

870
00:38:54,120 --> 00:38:56,560
Speaker 3: to push this. No, let's not okay if you let's

871
00:38:56,640 --> 00:38:57,759
Speaker 3: just not go that deep.

872
00:38:57,840 --> 00:39:01,680
Speaker 1: They're hard left shrinkle the album with a cut program

873
00:39:01,760 --> 00:39:04,200
Speaker 1: on the album, but then get back and wrapping not

874
00:39:04,320 --> 00:39:07,319
Speaker 1: mad like okay, like you slowly introducing your audience to

875
00:39:07,400 --> 00:39:11,239
Speaker 1: a different side of your different sound. Yeah, this is

876
00:39:11,280 --> 00:39:13,920
Speaker 1: just straight up like who is this? This is a

877
00:39:13,960 --> 00:39:14,760
Speaker 1: whole different person.

878
00:39:15,080 --> 00:39:19,760
Speaker 2: We know, we know why there was no single. Yeah awkward?

879
00:39:19,840 --> 00:39:22,920
Speaker 3: Oh yeah what super I get it. Yeah, there's kind

880
00:39:22,960 --> 00:39:25,200
Speaker 3: of no win for losing in that capacity. You put

881
00:39:25,200 --> 00:39:26,960
Speaker 3: a single out, it's like, wait, what the fuck is

882
00:39:27,000 --> 00:39:28,440
Speaker 3: going on? Then you get a full Yeah you kind

883
00:39:28,480 --> 00:39:31,440
Speaker 3: of just had to put this out. But I mean,

884
00:39:32,120 --> 00:39:34,799
Speaker 3: at the same time, though, the Will Smith segment that

885
00:39:34,840 --> 00:39:37,240
Speaker 3: we cut, which I went back and saw that freestyle,

886
00:39:37,280 --> 00:39:38,760
Speaker 3: and I think we owe them all like a huge apology.

887
00:39:38,800 --> 00:39:39,360
Speaker 4: We should have kept that.

888
00:39:41,440 --> 00:39:41,960
Speaker 2: I still.

889
00:39:45,400 --> 00:39:49,640
Speaker 5: Didn't lying on us and what we said that it

890
00:39:49,680 --> 00:39:50,720
Speaker 5: wasn't clout chasing.

891
00:39:51,000 --> 00:39:54,719
Speaker 1: Yes he was, That's what we said he was.

892
00:39:55,440 --> 00:39:58,239
Speaker 3: He was wrapping over pancakes. I'm not saying, first of all,

893
00:39:58,239 --> 00:40:00,160
Speaker 3: that Will Smith freestut was awful. I'm not saying Jack

894
00:40:00,200 --> 00:40:03,280
Speaker 3: Carlo's album is awful. Our point in the Will Smith

895
00:40:03,320 --> 00:40:05,080
Speaker 3: segment was if this is what you want to do

896
00:40:05,120 --> 00:40:07,279
Speaker 3: as an artist, and you feel whole, and this is

897
00:40:07,320 --> 00:40:09,399
Speaker 3: what you want to do, more power to.

898
00:40:09,360 --> 00:40:12,160
Speaker 1: You, bro. I mean, but that's what about it Jack.

899
00:40:12,239 --> 00:40:14,640
Speaker 3: If Jack feels better instead of he may have felt

900
00:40:14,719 --> 00:40:16,640
Speaker 3: nasty after that, doja cash shit? Like all right, I'm

901
00:40:16,640 --> 00:40:20,760
Speaker 3: not really becoming a caricterature of the same first class record.

902
00:40:21,080 --> 00:40:22,279
Speaker 3: Let me put a beanie on it, go be a

903
00:40:22,320 --> 00:40:25,000
Speaker 3: character somewhere else. But he may have felt whole with that.

904
00:40:25,840 --> 00:40:27,000
Speaker 3: Maybe he feels like I wanted.

905
00:40:27,080 --> 00:40:30,560
Speaker 1: Jack could feel whole, cool, great, he could experiment, great,

906
00:40:31,160 --> 00:40:34,160
Speaker 1: do all of those things, right, But we go sit

907
00:40:34,239 --> 00:40:37,439
Speaker 1: here and laugh at joke about it like that. That's

908
00:40:37,480 --> 00:40:39,799
Speaker 1: just not it. Jack, like we we we fuck with you.

909
00:40:39,880 --> 00:40:42,440
Speaker 1: But come on, though, this album is not what we expected.

910
00:40:43,040 --> 00:40:45,799
Speaker 1: Respect the risks as an artist, cool do that, but

911
00:40:47,040 --> 00:40:49,239
Speaker 1: I just think that it was too too far left,

912
00:40:49,280 --> 00:40:52,040
Speaker 1: and you got to ease ease the audience in the

913
00:40:52,080 --> 00:40:56,040
Speaker 1: ears into this new Jack Harlow Monica vibe. This was

914
00:40:56,120 --> 00:40:59,480
Speaker 1: just like a complete you know, reset, and it's like

915
00:40:59,480 --> 00:41:00,799
Speaker 1: a whole different person now.

916
00:41:00,880 --> 00:41:03,960
Speaker 3: Yeah, I'm still gonna laugh at Curtis Mayflower. Yeah, come

917
00:41:03,920 --> 00:41:06,839
Speaker 3: on man Q and on Tip Yeah, I'm laughing at

918
00:41:06,840 --> 00:41:07,120
Speaker 3: all of that.

919
00:41:07,400 --> 00:41:10,080
Speaker 2: Juwe Hill, Yeah, Jue Hill's fucking insane.

920
00:41:10,560 --> 00:41:16,520
Speaker 5: They called America America bad Judaism album America.

921
00:41:18,040 --> 00:41:23,520
Speaker 1: Americanism and just calling it Judaism. This fucking oh god.

922
00:41:24,040 --> 00:41:25,840
Speaker 1: But someone did before we get get off this and

923
00:41:25,960 --> 00:41:29,719
Speaker 1: get some other music. Someone did post.

924
00:41:29,680 --> 00:41:32,840
Speaker 3: Hip hop by the Numbers posted artists that have done

925
00:41:33,040 --> 00:41:36,640
Speaker 3: like the shift, starting with Jack Harlow, Neil Solauren b

926
00:41:37,320 --> 00:41:40,240
Speaker 3: Post Malone, Drake, with House No R and b Andre.

927
00:41:40,840 --> 00:41:43,080
Speaker 1: They put Ambia in New age jazz. I'm not broke.

928
00:41:43,160 --> 00:41:45,640
Speaker 1: He was how many albums in before Drake did that? Honestly,

929
00:41:45,640 --> 00:41:46,399
Speaker 1: never mine out that.

930
00:41:46,360 --> 00:41:49,120
Speaker 3: Wasn't really that far out of his ship Kanye obviously

931
00:41:49,160 --> 00:41:52,440
Speaker 3: with ata Waits Little Yachty, when he bit all of

932
00:41:52,520 --> 00:41:56,399
Speaker 3: child Sound, Childish Gambino cud.

933
00:41:56,480 --> 00:41:58,800
Speaker 4: He did some old rock shit. Wane did a rock album.

934
00:41:59,080 --> 00:42:01,200
Speaker 3: I don't like that they put or Hill Unplugged under

935
00:42:01,200 --> 00:42:04,359
Speaker 3: folks soul, but I guess I get it. Snoop has

936
00:42:04,360 --> 00:42:05,879
Speaker 3: done every genre you can think of.

937
00:42:06,800 --> 00:42:09,319
Speaker 1: Every artist you name. It was so established in so

938
00:42:09,640 --> 00:42:12,680
Speaker 1: big pause when they decided to do that, Like, that's

939
00:42:12,680 --> 00:42:16,680
Speaker 1: the difference. You have to establish an identity, a sound

940
00:42:16,760 --> 00:42:18,520
Speaker 1: that people know you for when they hear it, or

941
00:42:18,560 --> 00:42:21,399
Speaker 1: that's Jack Harlow. Like we were sitting here saying, like, Yo,

942
00:42:21,400 --> 00:42:23,239
Speaker 1: what is it again? What is it gonna sound?

943
00:42:23,239 --> 00:42:23,279
Speaker 3: Like?

944
00:42:23,320 --> 00:42:25,560
Speaker 1: What is this project? Is da da? We were still

945
00:42:25,600 --> 00:42:27,640
Speaker 1: looking for that. We were still trying to figure out

946
00:42:28,040 --> 00:42:30,719
Speaker 1: the Jack Harlow sound. So then they give us a

947
00:42:30,760 --> 00:42:33,799
Speaker 1: completely different sound than we've ever heard from Jack. You

948
00:42:33,880 --> 00:42:35,799
Speaker 1: confuse us even more now now we really don't know

949
00:42:35,800 --> 00:42:38,520
Speaker 1: what to expect. What's the next album? I just told

950
00:42:38,560 --> 00:42:41,040
Speaker 1: you Dan say that one hundred two thousand, like just instruments?

951
00:42:41,080 --> 00:42:44,319
Speaker 1: Is he gonna let us know that he can actually play? Now? Like, like,

952
00:42:44,360 --> 00:42:46,560
Speaker 1: what is it? What is the next he cannot go

953
00:42:46,719 --> 00:42:49,680
Speaker 1: back full rap hip hop next album. He can't.

954
00:42:49,920 --> 00:42:54,080
Speaker 3: Yeah, because even like with Child's Gambino, if you have

955
00:42:54,200 --> 00:42:57,000
Speaker 3: because of the Internet, going to Awaken My Love, that

956
00:42:57,120 --> 00:43:01,400
Speaker 3: was very much a funk album. It wasn't that crazy

957
00:43:01,480 --> 00:43:04,520
Speaker 3: because the Internet had elements of that, Like it was.

958
00:43:05,480 --> 00:43:09,719
Speaker 3: Everyone does kind of ease their way. You have to, Yeah,

959
00:43:10,120 --> 00:43:12,960
Speaker 3: you have to. You can't like you have to. It's

960
00:43:12,960 --> 00:43:13,560
Speaker 3: a way to do it.

961
00:43:13,600 --> 00:43:14,920
Speaker 1: I'm not mad. It's a way to do it. It's

962
00:43:14,960 --> 00:43:16,040
Speaker 1: just a way to do it. And I think this

963
00:43:16,200 --> 00:43:17,399
Speaker 1: was he miscalculated his.

964
00:43:17,440 --> 00:43:20,560
Speaker 3: Yeah, because even like Three Stacks too, Like yeah, Love

965
00:43:20,600 --> 00:43:23,120
Speaker 3: Below threw me off a bit, but it was like.

966
00:43:23,080 --> 00:43:24,960
Speaker 1: Three Stacks gave us a lot of rapping before he

967
00:43:24,960 --> 00:43:25,719
Speaker 1: gave us the flu out.

968
00:43:25,840 --> 00:43:27,600
Speaker 2: But I know what I'm saying, he also gave us

969
00:43:27,640 --> 00:43:28,040
Speaker 2: a lot of bum.

970
00:43:28,120 --> 00:43:29,360
Speaker 3: I'm saying he gave us a lot of rapping, but

971
00:43:29,400 --> 00:43:32,400
Speaker 3: also a lot of singing before he did Love Below.

972
00:43:32,440 --> 00:43:35,520
Speaker 3: Like there was elements like the Miss Jackson hook could

973
00:43:35,520 --> 00:43:36,760
Speaker 3: have been on Love Below, and it wouldn't.

974
00:43:36,800 --> 00:43:39,080
Speaker 4: You wouldn't have exact LinkedIn I ad exactly.

975
00:43:39,480 --> 00:43:41,040
Speaker 1: So it's a way to do it, all right.

976
00:43:41,040 --> 00:43:43,600
Speaker 3: Three Sacks in a wig, I don't think it's that weird, right,

977
00:43:44,040 --> 00:43:45,719
Speaker 3: this is the part we get it.

978
00:43:45,760 --> 00:43:47,719
Speaker 1: We understand this has always been a part of his thing.

979
00:43:48,960 --> 00:43:50,920
Speaker 2: But yeah, I mean, I don't know if this this

980
00:43:50,960 --> 00:43:51,839
Speaker 2: is Jacks thing this year?

981
00:43:52,760 --> 00:43:55,960
Speaker 1: Well, looking forward to the next project Jack. Do we

982
00:43:56,000 --> 00:43:58,080
Speaker 1: want to stay on the Whites, Yes, sir, it's a big,

983
00:43:58,160 --> 00:43:59,400
Speaker 1: big weekend for the Whites.

984
00:44:00,360 --> 00:44:02,160
Speaker 3: I don't know if you guys are big James Blake

985
00:44:02,200 --> 00:44:05,920
Speaker 3: fans the way I am. I like you, James.

986
00:44:06,000 --> 00:44:08,680
Speaker 1: James has disappointed me in the last few projects as

987
00:44:08,680 --> 00:44:09,680
Speaker 1: a big James Blake fan.

988
00:44:09,800 --> 00:44:12,879
Speaker 3: I hated the YACHTI project. His album before that kind

989
00:44:12,880 --> 00:44:15,760
Speaker 3: of felt all over the place. I think we got

990
00:44:16,160 --> 00:44:20,720
Speaker 3: the James that I love back, trying Toms, trying Tomes.

991
00:44:21,360 --> 00:44:24,200
Speaker 3: I'm two listeners in and this is this is the James.

992
00:44:24,200 --> 00:44:30,560
Speaker 3: I like, full, full, full on producer James and more

993
00:44:30,600 --> 00:44:33,320
Speaker 3: of the R and B esque stuff. I like his

994
00:44:33,320 --> 00:44:36,680
Speaker 3: electronics stuff. I like the alternative stuff. But sometimes James

995
00:44:36,719 --> 00:44:39,200
Speaker 3: just needs to give us some harmonies and bring us

996
00:44:39,239 --> 00:44:44,239
Speaker 3: all back. Sometimes experimenting is not good for your fan base,

997
00:44:45,160 --> 00:44:48,240
Speaker 3: Like sometimes you shouldn't do an album with Little YACHTI.

998
00:44:49,160 --> 00:44:53,719
Speaker 1: Yeah, don't confuse the listeners don't confuse your fan base.

999
00:44:53,760 --> 00:44:56,160
Speaker 5: I get it, but see some people experiment and that

1000
00:44:56,200 --> 00:44:57,279
Speaker 5: shit pops off, Like.

1001
00:44:57,239 --> 00:44:59,600
Speaker 3: You never know what James was experimenting and has popped off.

1002
00:44:59,640 --> 00:45:02,799
Speaker 3: I'm saying he left us for like two years where

1003
00:45:02,840 --> 00:45:03,279
Speaker 3: I was like.

1004
00:45:03,280 --> 00:45:04,839
Speaker 1: He was busy, he had to go do some other ship.

1005
00:45:05,360 --> 00:45:07,440
Speaker 4: I don't know what fan base he was serving, and

1006
00:45:07,520 --> 00:45:08,120
Speaker 4: I could be wrong.

1007
00:45:08,560 --> 00:45:13,719
Speaker 3: I like more James R and B saying he went

1008
00:45:13,960 --> 00:45:16,040
Speaker 3: in a different bag for the last couple of years,

1009
00:45:16,040 --> 00:45:17,839
Speaker 3: that that had confused me a lot.

1010
00:45:18,719 --> 00:45:19,720
Speaker 4: This is a really good album.

1011
00:45:19,800 --> 00:45:22,000
Speaker 1: I gotta check it out. I didn't hit this one yet. Yeah. No,

1012
00:45:22,120 --> 00:45:22,800
Speaker 1: the whites.

1013
00:45:23,480 --> 00:45:25,240
Speaker 4: The whites try to give give you all some souls

1014
00:45:25,480 --> 00:45:26,160
Speaker 4: this weekend.

1015
00:45:27,840 --> 00:45:30,120
Speaker 1: I didn't take it, but hopefully James gave us a

1016
00:45:30,120 --> 00:45:31,239
Speaker 1: little more soul than.

1017
00:45:31,920 --> 00:45:32,439
Speaker 2: We're talking about.

1018
00:45:32,520 --> 00:45:37,680
Speaker 3: James Blake. Yeah, that's that's authenticity. You're right, I can

1019
00:45:37,760 --> 00:45:39,720
Speaker 3: I know who he is. Yeah, I know what's expecting.

1020
00:45:41,320 --> 00:45:44,200
Speaker 3: Alex Osley put out a record west Side. That's that's fire.

1021
00:45:45,560 --> 00:45:49,360
Speaker 2: One of the finest, bad the most talented.

1022
00:45:49,520 --> 00:45:50,600
Speaker 1: You're right, I'm cool.

1023
00:45:51,040 --> 00:45:54,040
Speaker 2: Alex is very pretty, but she's also very talented, very talented.

1024
00:45:54,200 --> 00:45:55,400
Speaker 4: We don't have to get.

1025
00:45:55,239 --> 00:45:57,080
Speaker 1: Her looks all the time, amazing voice.

1026
00:45:57,760 --> 00:46:02,440
Speaker 3: Yeah, she I mean she's I kind of want her

1027
00:46:03,000 --> 00:46:04,320
Speaker 3: and I know she doesn't want to do this. I

1028
00:46:04,400 --> 00:46:06,759
Speaker 3: kind of want her to sit with the pop producers.

1029
00:46:07,400 --> 00:46:09,040
Speaker 3: Just give me one year to sell out for a

1030
00:46:09,080 --> 00:46:10,759
Speaker 3: second and see what you could do, because I think

1031
00:46:10,760 --> 00:46:12,720
Speaker 3: we get soul full sellout.

1032
00:46:12,360 --> 00:46:17,000
Speaker 1: Music, soulful sellout music.

1033
00:46:17,120 --> 00:46:18,800
Speaker 3: Let me not all right, sell out is the wrong

1034
00:46:19,120 --> 00:46:21,480
Speaker 3: verb of that of crossover shit if you would have

1035
00:46:21,480 --> 00:46:24,759
Speaker 3: made this anyway, but you're in there, Maybe we do

1036
00:46:24,840 --> 00:46:25,839
Speaker 3: one session.

1037
00:46:25,480 --> 00:46:27,200
Speaker 4: With Benny Blanco, even though it's not really my.

1038
00:46:27,200 --> 00:46:29,520
Speaker 3: Guy, but just to see what you could do with

1039
00:46:29,600 --> 00:46:33,520
Speaker 3: your talent, with what the machine producers could do, because

1040
00:46:33,600 --> 00:46:37,440
Speaker 3: I think Alex could make the way we love Beyonce

1041
00:46:37,840 --> 00:46:41,279
Speaker 3: as far as pop music, soul authenticity, even though it's

1042
00:46:41,320 --> 00:46:45,400
Speaker 3: pop music. You know what Tom it is where I

1043
00:46:45,440 --> 00:46:47,719
Speaker 3: don't think Alex is far from that, even though she

1044
00:46:47,800 --> 00:46:50,240
Speaker 3: stays in her lane as far as this type of music.

1045
00:46:52,640 --> 00:46:54,719
Speaker 4: Just one go, give it three months, see what you

1046
00:46:54,719 --> 00:46:55,160
Speaker 4: come up with.

1047
00:46:55,280 --> 00:46:56,839
Speaker 1: I love Alex Osley, like.

1048
00:46:57,000 --> 00:47:00,319
Speaker 3: I really think Alex Osley could be with her talent level,

1049
00:47:00,600 --> 00:47:02,560
Speaker 3: one of the biggest artists in the R and B

1050
00:47:02,600 --> 00:47:05,600
Speaker 3: pop world for sure. Like it wouldn't be mean, like

1051
00:47:05,600 --> 00:47:08,239
Speaker 3: you would not expect from her, but she has that.

1052
00:47:08,960 --> 00:47:13,200
Speaker 3: Her talent is just different, her tone is different. She

1053
00:47:13,200 --> 00:47:16,520
Speaker 3: she would sing circles around these girls, but knows how

1054
00:47:16,560 --> 00:47:18,680
Speaker 3: to pull it back where it's digestible, where you're not

1055
00:47:18,760 --> 00:47:21,320
Speaker 3: just crooning the entire time on some traditional R and B.

1056
00:47:21,400 --> 00:47:21,600
Speaker 2: Shit.

1057
00:47:22,040 --> 00:47:23,560
Speaker 3: I'd like to see Alex do that, even though I

1058
00:47:23,560 --> 00:47:26,480
Speaker 3: know she's not going to do that. But you know,

1059
00:47:27,480 --> 00:47:29,720
Speaker 3: I didn't listen to the YG shi it, so forgive

1060
00:47:29,760 --> 00:47:32,440
Speaker 3: me there hate the West Coast.

1061
00:47:32,960 --> 00:47:34,520
Speaker 4: I know, I'm come on, I'm heaving sent.

1062
00:47:37,480 --> 00:47:39,400
Speaker 1: You just had to you just had to go there,

1063
00:47:39,480 --> 00:47:40,920
Speaker 1: right yo.

1064
00:47:42,760 --> 00:47:44,680
Speaker 4: Even Jack Carl Lowis, Evans.

1065
00:47:44,400 --> 00:47:48,440
Speaker 1: Jack Cars, Monica's Heaven Sent Monica for show Heaven Sent.

1066
00:47:50,000 --> 00:47:51,240
Speaker 1: So how I put on another record?

1067
00:47:51,400 --> 00:47:53,040
Speaker 4: He did Bouncing and it's great.

1068
00:47:54,120 --> 00:47:56,680
Speaker 1: Wait what the fuck is doing? Man? I love it?

1069
00:47:56,760 --> 00:48:00,960
Speaker 1: I love it, we get how happened and putting music out.

1070
00:48:01,000 --> 00:48:02,719
Speaker 1: I love it. I just didn't hit his record yet though.

1071
00:48:03,560 --> 00:48:06,319
Speaker 2: Dope, Yeah, it's great. It's a good rollout. I think

1072
00:48:06,320 --> 00:48:08,000
Speaker 2: all these records aren't gonna make the album.

1073
00:48:08,160 --> 00:48:09,800
Speaker 1: I think there's just a lot of lucy stuff that

1074
00:48:09,840 --> 00:48:12,640
Speaker 1: he's just getting the attention back to his solo career.

1075
00:48:13,120 --> 00:48:16,080
Speaker 2: So I can't wait, even though he said soon on

1076
00:48:16,320 --> 00:48:16,800
Speaker 2: his album.

1077
00:48:16,880 --> 00:48:19,600
Speaker 1: Yeah, I'm not fulling, but but he's been consistent every

1078
00:48:19,600 --> 00:48:22,080
Speaker 1: Friday we get That's what I'm saying, know.

1079
00:48:22,040 --> 00:48:24,640
Speaker 3: Bouncing his spot too production, He's he's been great on

1080
00:48:24,680 --> 00:48:29,200
Speaker 3: that end. Can we pull up the Larrussell clip before

1081
00:48:29,200 --> 00:48:31,799
Speaker 3: we get out of music? Just because I just think

1082
00:48:31,920 --> 00:48:34,640
Speaker 3: and sometimes in these trying times, it's a lot going on,

1083
00:48:35,080 --> 00:48:38,400
Speaker 3: especially with global politics, and this is where you know,

1084
00:48:38,520 --> 00:48:43,839
Speaker 3: artists like poc Chuck d Michael Stevie, everyone is as

1085
00:48:43,840 --> 00:48:47,239
Speaker 3: spoke of Marvin Gay, what's going on that there's been

1086
00:48:47,320 --> 00:48:49,360
Speaker 3: artists that have stepped in to really put things in

1087
00:48:49,360 --> 00:48:51,760
Speaker 3: perspective for us. And I think that's really what artistry

1088
00:48:51,800 --> 00:48:54,440
Speaker 3: is missing. So I agree with with Larrussell in his

1089
00:48:54,480 --> 00:48:57,560
Speaker 3: statement in starting this where his engineer said you don't

1090
00:48:57,640 --> 00:49:01,600
Speaker 3: drop this, m saying, this is the point of artists.

1091
00:49:01,600 --> 00:49:03,279
Speaker 3: This is what's been missing an artistry. We got to

1092
00:49:03,280 --> 00:49:05,760
Speaker 3: take a stance. We have to calm the world down

1093
00:49:06,080 --> 00:49:09,920
Speaker 3: and explain things. And I was ready, and then then

1094
00:49:09,920 --> 00:49:10,760
Speaker 3: he started the record.

1095
00:49:11,360 --> 00:49:13,160
Speaker 6: I made this record and I sent it off to

1096
00:49:13,239 --> 00:49:16,680
Speaker 6: my engineer. Fact he calls me. He said, Man, you

1097
00:49:16,719 --> 00:49:19,680
Speaker 6: probably shouldn't put this out. I said, what, what the

1098
00:49:19,760 --> 00:49:22,920
Speaker 6: hell happened? He said, you know you you're talking about Empstein.

1099
00:49:22,960 --> 00:49:25,360
Speaker 6: The It's a lot of shit going on. And I said,

1100
00:49:26,080 --> 00:49:28,440
Speaker 6: thank you for calling me. I'm finna drop this.

1101
00:49:28,600 --> 00:49:30,279
Speaker 4: That's what they said about.

1102
00:49:30,960 --> 00:49:35,240
Speaker 6: That's exactly why we need it, because everybody sitting be silent,

1103
00:49:35,920 --> 00:49:38,480
Speaker 6: and the goal of artist is to express the times

1104
00:49:38,840 --> 00:49:41,759
Speaker 6: and discuss say all the things that nobody else want

1105
00:49:41,800 --> 00:49:45,560
Speaker 6: to say or know how to say. I'm not perfect,

1106
00:49:46,080 --> 00:49:49,320
Speaker 6: and neither is the president's guilty or then the nigga

1107
00:49:49,360 --> 00:49:51,680
Speaker 6: had an apple dance. You can't be mad that they

1108
00:49:51,719 --> 00:49:55,120
Speaker 6: heeded if you don't let them vent, even the devil,

1109
00:49:55,239 --> 00:49:58,919
Speaker 6: what's had been sent, even Malcolm, what's had been sent?

1110
00:50:00,080 --> 00:50:04,560
Speaker 6: Even ma and what's having sent? Even Kanye's had been sent?

1111
00:50:06,120 --> 00:50:07,480
Speaker 6: We all haven't sent.

1112
00:50:09,680 --> 00:50:17,719
Speaker 7: Down too. We all haven't sent Epstein too. We all

1113
00:50:17,840 --> 00:50:23,600
Speaker 7: have been sent eight off too. We all haven't.

1114
00:50:23,640 --> 00:50:29,520
Speaker 1: I wonder if I am even you have been.

1115
00:50:29,360 --> 00:50:35,439
Speaker 5: Sent They said that they said I was having sent

1116
00:50:36,760 --> 00:50:37,239
Speaker 5: Who said that?

1117
00:50:37,360 --> 00:50:37,520
Speaker 1: Tom?

1118
00:50:38,360 --> 00:50:41,959
Speaker 3: Everybody don't know you pissed me off? The most about

1119
00:50:41,960 --> 00:50:43,960
Speaker 3: this wasn't Epstein or ate off or any of that.

1120
00:50:44,800 --> 00:50:47,719
Speaker 3: It was that he brought me into it. Even you,

1121
00:50:48,280 --> 00:50:52,440
Speaker 3: even I was questioning myself. You know, even you love

1122
00:50:52,520 --> 00:50:54,759
Speaker 3: the Russell Man, so do I. But that doesn't mean

1123
00:50:54,760 --> 00:50:55,719
Speaker 3: he can't get jokes.

1124
00:50:55,520 --> 00:50:59,200
Speaker 1: To No, listen, nobody is.

1125
00:50:59,040 --> 00:51:02,840
Speaker 3: We support Larussell. This was nuts. Your engineer was correct.

1126
00:51:04,600 --> 00:51:07,560
Speaker 1: That ship was I'm just wait. That wasn't the whole song? No,

1127
00:51:07,680 --> 00:51:09,680
Speaker 1: was it dode it matter? It was a big chunk

1128
00:51:09,680 --> 00:51:11,200
Speaker 1: of it. He might have gave us some ball, don't

1129
00:51:11,200 --> 00:51:12,520
Speaker 1: do that. It might be some bars in it.

1130
00:51:12,360 --> 00:51:13,959
Speaker 3: But that was also like, all right, yeah, it sounds

1131
00:51:14,040 --> 00:51:17,560
Speaker 3: nuts and he's definitely not using Heaven sent the correct way.

1132
00:51:18,480 --> 00:51:20,759
Speaker 3: But the speech I was with him all the way, like, nah,

1133
00:51:20,840 --> 00:51:23,879
Speaker 3: if your team is scared, your engineer is scared, maybe

1134
00:51:23,880 --> 00:51:27,200
Speaker 3: you actually have something like that. I was that this

1135
00:51:27,320 --> 00:51:29,080
Speaker 3: is a point where artists need to say something. And

1136
00:51:29,120 --> 00:51:31,400
Speaker 3: then he went on to say absolutely fucking nothing.

1137
00:51:31,600 --> 00:51:33,520
Speaker 1: But that's what is that the whole song? Though?

1138
00:51:33,840 --> 00:51:35,919
Speaker 2: No, it's not the whole song, but.

1139
00:51:35,560 --> 00:51:36,560
Speaker 1: We gotta hit the whole record.

1140
00:51:37,360 --> 00:51:39,160
Speaker 2: Nah, I'm cool, actually, but what if.

1141
00:51:39,120 --> 00:51:40,920
Speaker 1: He getting off though? Like what if he the record

1142
00:51:41,000 --> 00:51:44,200
Speaker 1: is like he really saying some ship though you gonna

1143
00:51:44,200 --> 00:51:46,399
Speaker 1: come back? And walk aback Atlanta to say it got

1144
00:51:46,440 --> 00:51:47,400
Speaker 1: kind of He's.

1145
00:51:47,239 --> 00:51:49,160
Speaker 2: Not really saying he was when he was first.

1146
00:51:49,400 --> 00:51:52,720
Speaker 5: It ain't like he was just aren't the hook?

1147
00:51:53,320 --> 00:51:54,319
Speaker 2: There was some verse in there.

1148
00:51:54,640 --> 00:51:58,880
Speaker 3: I think he's gonna explain uh Iranian gas prices and

1149
00:51:59,480 --> 00:51:59,920
Speaker 3: throwing bom.

1150
00:52:00,480 --> 00:52:03,120
Speaker 1: I don't know what. I don't know what I'm just saying.

1151
00:52:03,160 --> 00:52:05,960
Speaker 1: I feel like we've heard of russell songs, We've heard

1152
00:52:05,920 --> 00:52:08,000
Speaker 1: of some of his music. You know, he does a

1153
00:52:08,000 --> 00:52:08,480
Speaker 1: great job.

1154
00:52:08,719 --> 00:52:11,560
Speaker 3: Despite what y'all, I understand a lot in his music.

1155
00:52:11,680 --> 00:52:13,440
Speaker 1: Yeah, that's what this is. I get it. You know

1156
00:52:13,440 --> 00:52:16,520
Speaker 1: what I'm saying. Epstein too, even I get it. Everybody

1157
00:52:17,160 --> 00:52:19,560
Speaker 1: get about it. That is kind of crazy to Saystein

1158
00:52:19,600 --> 00:52:22,080
Speaker 1: was eversent. I think that Nigga is the devil, but

1159
00:52:23,120 --> 00:52:26,319
Speaker 1: the devil wasn't angel once right, he fell down from

1160
00:52:26,320 --> 00:52:28,160
Speaker 1: heaving right. That's that's how the story goes with him.

1161
00:52:28,960 --> 00:52:31,640
Speaker 1: So in order to believe in and said, you gotta

1162
00:52:31,640 --> 00:52:32,239
Speaker 1: believe in the devil.

1163
00:52:32,280 --> 00:52:35,800
Speaker 3: Okay, And again this this isn't a religious podcast, but

1164
00:52:36,000 --> 00:52:39,560
Speaker 3: anyone that is Christian respect and believe. If you believe

1165
00:52:39,600 --> 00:52:42,920
Speaker 3: that everyone is sevencent, that's cool. Why did I need

1166
00:52:43,000 --> 00:52:47,440
Speaker 3: that information? What was groundbreaking about telling me that Epstein

1167
00:52:47,800 --> 00:52:48,680
Speaker 3: was created by God.

1168
00:52:49,960 --> 00:52:51,359
Speaker 1: That's why we need to get the rest of the song.

1169
00:52:51,400 --> 00:52:52,800
Speaker 2: What's what like you might tie it all in?

1170
00:52:53,480 --> 00:52:56,080
Speaker 3: All right, so after everything, we should stop be like,

1171
00:52:56,120 --> 00:52:58,680
Speaker 3: you know what, Heaven think about it though, like he

1172
00:52:58,840 --> 00:52:59,719
Speaker 3: was also heaven sent.

1173
00:53:00,120 --> 00:53:01,759
Speaker 1: I'm just saying, we gotta hear the rest.

1174
00:53:01,920 --> 00:53:04,160
Speaker 2: You know what, maybe maybe maybe you should babysit.

1175
00:53:04,239 --> 00:53:07,400
Speaker 1: It's not no, no, no, it's not fair if we

1176
00:53:07,440 --> 00:53:09,759
Speaker 1: don't hear the entire record. We have to hear the

1177
00:53:09,880 --> 00:53:11,719
Speaker 1: entire record. That's what I'm saying. Get the joke. So

1178
00:53:12,000 --> 00:53:14,840
Speaker 1: let's get the joke. So, but let's also hear the

1179
00:53:14,920 --> 00:53:15,560
Speaker 1: rest of the record.

1180
00:53:15,640 --> 00:53:20,359
Speaker 2: Okay, strange rollout I had the weekend or strange rollout.

1181
00:53:20,680 --> 00:53:22,200
Speaker 1: He's at the Bogola, you know what I mean. He's

1182
00:53:22,239 --> 00:53:23,719
Speaker 1: probably wanted to preview his new song.

1183
00:53:24,320 --> 00:53:24,839
Speaker 2: You know what I mean.

1184
00:53:25,040 --> 00:53:27,880
Speaker 1: But I mean it's it's a little weird. It's like whoa, Okay,

1185
00:53:28,040 --> 00:53:30,920
Speaker 1: but let him land it. We got a even opportunity

1186
00:53:31,040 --> 00:53:32,000
Speaker 1: to land the record.

1187
00:53:32,520 --> 00:53:36,640
Speaker 3: Chuck English, who's an amazing producer, Chuck said, said don't

1188
00:53:36,680 --> 00:53:39,120
Speaker 3: lose me dog. He retweeted it, and then l Russell

1189
00:53:39,360 --> 00:53:41,839
Speaker 3: replied explaining what he was trying to say in the song.

1190
00:53:42,200 --> 00:53:44,200
Speaker 3: He said, what do y'all think I'm saying in the song?

1191
00:53:44,719 --> 00:53:47,719
Speaker 3: Is it the truth that's bothered something? Or is it

1192
00:53:47,960 --> 00:53:50,759
Speaker 3: what you think I'm saying. I'm saying every human was

1193
00:53:50,800 --> 00:53:54,719
Speaker 3: made by God, even the evil ones, even going to

1194
00:53:54,840 --> 00:53:57,880
Speaker 3: hell alongside some of you'all uncles, daddy's and favorite rappers.

1195
00:53:58,960 --> 00:54:01,799
Speaker 2: All Right, So I still still with Okay, he made

1196
00:54:01,840 --> 00:54:03,120
Speaker 2: a point, No he didn't.

1197
00:54:03,440 --> 00:54:06,080
Speaker 5: How if I make a song that's saying what the

1198
00:54:06,200 --> 00:54:09,360
Speaker 5: boy is blue? The sky is blue. You know what

1199
00:54:09,400 --> 00:54:11,799
Speaker 5: I'm saying, The sky is blue. Even you can see

1200
00:54:11,800 --> 00:54:14,120
Speaker 5: that the sky is blue. What the fuck is the

1201
00:54:14,160 --> 00:54:14,799
Speaker 5: point of that song?

1202
00:54:15,080 --> 00:54:16,400
Speaker 1: I'm saying. We got to hit the rest of the song.

1203
00:54:16,440 --> 00:54:19,480
Speaker 1: I'm saying what he said. In response to what Chuck

1204
00:54:19,520 --> 00:54:23,560
Speaker 1: English said, He's right, though every human was made by God,

1205
00:54:23,840 --> 00:54:26,840
Speaker 1: even the evil ones. That's a fact, even the niggas

1206
00:54:26,880 --> 00:54:31,080
Speaker 1: going to hell alongside some of your uncles, daddies and

1207
00:54:31,160 --> 00:54:34,399
Speaker 1: favorite rappers. What is false about what he says? It's

1208
00:54:34,400 --> 00:54:36,719
Speaker 1: not about it being fall That's all I'm saying. I'm

1209
00:54:36,719 --> 00:54:37,440
Speaker 1: saying what he said that.

1210
00:54:37,560 --> 00:54:41,000
Speaker 5: Chuck was arrested on the seventh day okay, Like it's

1211
00:54:41,280 --> 00:54:44,120
Speaker 5: like that's the thing. Fact though, okay, but there's mad facts.

1212
00:54:44,160 --> 00:54:46,279
Speaker 5: But if I still say, what was he saying wrong?

1213
00:54:46,280 --> 00:54:46,840
Speaker 5: That's what I'm saying, what.

1214
00:54:47,400 --> 00:54:50,040
Speaker 2: About being okay? So I did not grasping this.

1215
00:54:50,560 --> 00:54:53,319
Speaker 5: It doesn't matter that what he's not about what he's saying,

1216
00:54:53,400 --> 00:54:55,640
Speaker 5: not being wrong, It's about what's the point.

1217
00:54:55,960 --> 00:54:57,799
Speaker 2: There's no point in me making a song that says,

1218
00:54:58,040 --> 00:54:58,879
Speaker 2: mall shirt is green.

1219
00:54:58,920 --> 00:55:01,960
Speaker 1: But we didn't hear a song, That's what I'm saying.

1220
00:55:02,000 --> 00:55:03,359
Speaker 1: We got to hit a rest of the song. We didn't.

1221
00:55:03,520 --> 00:55:06,480
Speaker 3: At this point, he released the verses, and my thing

1222
00:55:06,640 --> 00:55:08,759
Speaker 3: was that could be the song. That could be the

1223
00:55:08,800 --> 00:55:12,640
Speaker 3: song we just heard right up, like you're making a

1224
00:55:12,760 --> 00:55:15,120
Speaker 3: revolt record the way Fight the Power was like that

1225
00:55:15,239 --> 00:55:17,600
Speaker 3: he's explaining why artists are so important and then you

1226
00:55:17,800 --> 00:55:18,919
Speaker 3: just give me a bunch of shit.

1227
00:55:19,000 --> 00:55:21,600
Speaker 4: That's like, okay, why did I need to know that

1228
00:55:21,760 --> 00:55:23,400
Speaker 4: Epstein is okay?

1229
00:55:23,480 --> 00:55:23,560
Speaker 2: Now?

1230
00:55:23,600 --> 00:55:25,160
Speaker 1: What? Why?

1231
00:55:25,239 --> 00:55:26,560
Speaker 4: Why is my perspective different?

1232
00:55:26,600 --> 00:55:31,080
Speaker 2: Now here is the world looking like that is the song?

1233
00:55:31,200 --> 00:55:32,560
Speaker 1: Then it's like, all right, what the fuck was that?

1234
00:55:32,880 --> 00:55:34,680
Speaker 1: If that is the song, that's the full record that

1235
00:55:35,040 --> 00:55:37,040
Speaker 1: he just we just heard, then it's like, what the

1236
00:55:37,680 --> 00:55:40,200
Speaker 1: what is the Russell talking about? But if there's more

1237
00:55:40,280 --> 00:55:42,719
Speaker 1: to it, and he makes it, he ties it on,

1238
00:55:42,800 --> 00:55:45,000
Speaker 1: it makes it make sense, then we're gonna be sitting

1239
00:55:45,040 --> 00:55:46,520
Speaker 1: here having to talk about the record again.

1240
00:55:46,560 --> 00:55:49,080
Speaker 3: Like Okay, I didn't even see Chuck English's reply until

1241
00:55:49,239 --> 00:55:51,480
Speaker 3: literally just now, and he's saying what Damarison are saying?

1242
00:55:51,960 --> 00:55:55,319
Speaker 4: So water is wet? What's the reason or the point

1243
00:55:55,360 --> 00:55:56,080
Speaker 4: that you tried to make?

1244
00:55:57,680 --> 00:56:02,880
Speaker 5: Yeah, he said, you've been to heaven. I'm just now

1245
00:56:03,000 --> 00:56:04,759
Speaker 5: Joe Spita kind of kill. He said it wasn't even

1246
00:56:04,760 --> 00:56:06,160
Speaker 5: good enough for you to come out with the song. Like,

1247
00:56:06,200 --> 00:56:08,000
Speaker 5: if you're going to try to be an introspective artist,

1248
00:56:08,040 --> 00:56:09,200
Speaker 5: you got to pick up a book and read and

1249
00:56:09,280 --> 00:56:12,040
Speaker 5: expand your vocabulary. You can't make elementary music and then

1250
00:56:12,080 --> 00:56:14,840
Speaker 5: try to rap like nas. And I'm not saying that

1251
00:56:14,840 --> 00:56:18,480
Speaker 5: about Russell as a whole. I guess my thing is,

1252
00:56:18,600 --> 00:56:21,800
Speaker 5: even when Kanye has went off the deep end on

1253
00:56:21,960 --> 00:56:24,560
Speaker 5: shit that I didn't agree with what he was doing,

1254
00:56:26,000 --> 00:56:28,400
Speaker 5: he at least gave some context and some explanation, like

1255
00:56:29,000 --> 00:56:31,160
Speaker 5: I don't agree with what you're saying, but it's coming

1256
00:56:31,360 --> 00:56:35,600
Speaker 5: somewhat from a place that you have some points to make.

1257
00:56:35,880 --> 00:56:38,040
Speaker 5: Even if we disagree with them, like I didn't agree

1258
00:56:38,040 --> 00:56:40,680
Speaker 5: with everything Kanye did at the TMZ office and Van

1259
00:56:40,719 --> 00:56:42,520
Speaker 5: put him in his places and that. But at least

1260
00:56:42,600 --> 00:56:45,160
Speaker 5: Kanye was trying to make some points from another perspective

1261
00:56:45,480 --> 00:56:46,719
Speaker 5: that I didn't agree with.

1262
00:56:47,000 --> 00:56:49,720
Speaker 2: But there was some substance to his points.

1263
00:56:49,880 --> 00:56:51,960
Speaker 3: Even though he got them from Kandas and Tucker he

1264
00:56:52,120 --> 00:56:54,719
Speaker 3: was just regurgitating what they were saying. There still was

1265
00:56:54,800 --> 00:56:57,520
Speaker 3: something behind what he was saying. Just telling me that

1266
00:56:57,600 --> 00:57:01,120
Speaker 3: Epstein was made by God. Okay, what should I do

1267
00:57:01,160 --> 00:57:01,520
Speaker 3: with that now?

1268
00:57:03,160 --> 00:57:06,360
Speaker 5: Yeah, So I guess we'll see. Maw's the point. Maybe

1269
00:57:06,480 --> 00:57:08,799
Speaker 5: he cleans it up in the rest of the song.

1270
00:57:08,840 --> 00:57:13,760
Speaker 3: If I's and has a great perspective, make us records

1271
00:57:13,800 --> 00:57:14,200
Speaker 3: and listen.

1272
00:57:14,360 --> 00:57:16,680
Speaker 1: If that's the full song, I'm with you, what the

1273
00:57:16,800 --> 00:57:19,680
Speaker 1: fuck is Russell talking about? If that's the full song?

1274
00:57:20,160 --> 00:57:23,200
Speaker 1: I'm saying. If it's not, then we got to hear

1275
00:57:23,240 --> 00:57:25,360
Speaker 1: the full record. And they're like, Okay, maybe he may

1276
00:57:25,920 --> 00:57:27,280
Speaker 1: tie it all in to make it make sense.

1277
00:57:28,840 --> 00:57:30,720
Speaker 2: Because I thought he's about to rap. He's just sitting there.

1278
00:57:31,560 --> 00:57:33,960
Speaker 1: So what I'm saying, wish we need is that the record.

1279
00:57:34,080 --> 00:57:37,480
Speaker 1: If not, let us hear the full record. But can

1280
00:57:37,520 --> 00:57:38,160
Speaker 1: we joke about it?

1281
00:57:38,240 --> 00:57:41,880
Speaker 4: Oh, for sure, absolutely do we think.

1282
00:57:44,280 --> 00:57:46,280
Speaker 3: I'm not going into any of the conspiracy stuff. I

1283
00:57:46,400 --> 00:57:50,960
Speaker 3: just do think it's crazy how the Timeline has turned

1284
00:57:51,000 --> 00:57:53,360
Speaker 3: on Larussell post rock Nation signing.

1285
00:57:54,800 --> 00:57:57,120
Speaker 2: Well, the Timeline wasn't really worried about l Russell pre

1286
00:57:57,360 --> 00:57:58,200
Speaker 2: rock Nation signing.

1287
00:57:58,680 --> 00:58:04,040
Speaker 3: No, I mean not the non music fan. The gossipy

1288
00:58:04,120 --> 00:58:08,160
Speaker 3: timeline now cares more. Yeah, it's just interesting that the

1289
00:58:08,280 --> 00:58:11,720
Speaker 3: choices that have been made post that, like l Russell

1290
00:58:11,800 --> 00:58:15,080
Speaker 3: choices as far as music, because I've followed everything that

1291
00:58:16,120 --> 00:58:19,080
Speaker 3: he's done. I've watched full streams, full YouTube videos of

1292
00:58:19,320 --> 00:58:22,400
Speaker 3: his backyard, like I've never heard him get in the

1293
00:58:22,440 --> 00:58:25,920
Speaker 3: Wayne shit or say Epstein was It's just bad timing.

1294
00:58:26,080 --> 00:58:27,520
Speaker 4: I'm not on the side that I think rock Nation

1295
00:58:27,680 --> 00:58:28,080
Speaker 4: is telling.

1296
00:58:28,000 --> 00:58:30,360
Speaker 3: Him to make these moves. I'm not that psychotic. I

1297
00:58:30,400 --> 00:58:32,240
Speaker 3: think y'all give rock Nation way too much credit. I

1298
00:58:32,280 --> 00:58:35,320
Speaker 3: don't even really think rock Nation like talks them to

1299
00:58:35,440 --> 00:58:38,000
Speaker 3: Larussell as much as you guys think he does. It's

1300
00:58:38,160 --> 00:58:41,280
Speaker 3: just now with the lights on, with the timeline that's

1301
00:58:41,440 --> 00:58:45,840
Speaker 3: only dedicated to killing people and ruining their careers, especially

1302
00:58:45,880 --> 00:58:49,800
Speaker 3: if they have some connection to Rock Nation. You've made

1303
00:58:49,800 --> 00:58:53,760
Speaker 3: some choices, though, what do you mean, because you've made

1304
00:58:53,840 --> 00:58:56,480
Speaker 3: nothing but positive choices for the last seven years.

1305
00:58:56,520 --> 00:58:58,440
Speaker 4: I've been watching you, and.

1306
00:58:58,520 --> 00:59:00,320
Speaker 2: Now all you're doing is arguing or creating.

1307
00:59:00,360 --> 00:59:03,240
Speaker 3: Now you're just arguing with fucking everybody. Yeah, just be

1308
00:59:03,360 --> 00:59:06,520
Speaker 3: the positive human being that you are, man, Stop walking

1309
00:59:06,600 --> 00:59:06,840
Speaker 3: up hill.

1310
00:59:06,960 --> 00:59:08,840
Speaker 1: That wasn't trying to be the positive human being. No,

1311
00:59:09,440 --> 00:59:12,360
Speaker 1: it's a way to be positive. It's a way to

1312
00:59:12,440 --> 00:59:15,000
Speaker 1: be positive in a way to just like, nah, don't

1313
00:59:15,040 --> 00:59:19,440
Speaker 1: do it that way, y'all are crazy. That wasn't him

1314
00:59:19,480 --> 00:59:24,040
Speaker 1: being positive. I'm just asking, was that not him being positive?

1315
00:59:24,080 --> 00:59:27,520
Speaker 3: What's pastor positive where they're embezzling money through the church

1316
00:59:27,600 --> 00:59:28,600
Speaker 3: and just say everyone's fine.

1317
00:59:29,840 --> 00:59:31,200
Speaker 1: I don't understand the correlation.

1318
00:59:31,640 --> 00:59:33,880
Speaker 3: I don't think you're positive because you say Epstein is

1319
00:59:33,880 --> 00:59:36,160
Speaker 3: even said. I think you can draw the line to

1320
00:59:36,160 --> 00:59:37,800
Speaker 3: be a positive person and say and not say that,

1321
00:59:38,800 --> 00:59:42,240
Speaker 3: especially when you I think it's when pastors getting and

1322
00:59:42,240 --> 00:59:43,840
Speaker 3: I'm not saying that about l. Russell, but I think

1323
00:59:44,040 --> 00:59:46,560
Speaker 3: when pastors get on their positivity ship, it starts saying

1324
00:59:46,640 --> 00:59:50,240
Speaker 3: everyone is God said, and God has every reason for everything.

1325
00:59:50,360 --> 00:59:52,800
Speaker 3: Sometimes you just you using that as a cop out.

1326
00:59:53,600 --> 00:59:56,040
Speaker 3: The cop out to what to be trying to be positive, like, na,

1327
00:59:56,120 --> 00:59:59,560
Speaker 3: some people are just should burn in hell. No, but

1328
01:00:00,200 --> 01:00:01,600
Speaker 3: that's what he said, Like I don't want to put

1329
01:00:01,640 --> 01:00:03,600
Speaker 3: the word heaven near none of y'all true.

1330
01:00:03,680 --> 01:00:06,680
Speaker 1: But what I'm saying is you saying he's not being positive,

1331
01:00:07,160 --> 01:00:09,560
Speaker 1: right even if even though somebody you feel like he

1332
01:00:09,560 --> 01:00:11,920
Speaker 1: shouldn't be trying to be positive about he should.

1333
01:00:11,680 --> 01:00:13,600
Speaker 4: Say that opera and ballet are the greatest genres of

1334
01:00:13,640 --> 01:00:14,000
Speaker 4: all time.

1335
01:00:14,800 --> 01:00:17,120
Speaker 1: It's the only way to be more.

1336
01:00:17,160 --> 01:00:18,600
Speaker 5: I get what you're saying, but I think that he's

1337
01:00:18,720 --> 01:00:21,920
Speaker 5: just saying that you can be positive. But when you

1338
01:00:22,080 --> 01:00:24,160
Speaker 5: know that, you know when he knew, when he came

1339
01:00:24,200 --> 01:00:25,920
Speaker 5: out and said that, he knew what the reaction would be,

1340
01:00:26,480 --> 01:00:29,440
Speaker 5: and then to feed into the reaction with more negativity.

1341
01:00:29,480 --> 01:00:31,440
Speaker 5: When people are sending negativity your way, it sounds like

1342
01:00:31,440 --> 01:00:32,800
Speaker 5: you're rage baiting us for attention.

1343
01:00:33,320 --> 01:00:36,360
Speaker 2: That's what one could take it as. So sometimes people

1344
01:00:36,440 --> 01:00:39,160
Speaker 2: are are saying rage bait, saying Epstein.

1345
01:00:39,160 --> 01:00:44,040
Speaker 5: The rage bait is talking about like saying that Adolph Hitler, Epstein,

1346
01:00:44,080 --> 01:00:47,000
Speaker 5: all of these people are sent by God. That's yes,

1347
01:00:47,200 --> 01:00:48,920
Speaker 5: that that would rage bait people because you know that

1348
01:00:48,960 --> 01:00:51,280
Speaker 5: people are gonna the people are gonna.

1349
01:00:51,080 --> 01:00:53,200
Speaker 2: You know, push back on that. And then when people.

1350
01:00:53,000 --> 01:00:57,200
Speaker 5: Push back rightfully, so you're then arguing with them, You're

1351
01:00:57,240 --> 01:00:58,400
Speaker 5: not leading with love.

1352
01:00:58,280 --> 01:00:59,919
Speaker 2: In that, like you're rage bated.

1353
01:01:00,320 --> 01:01:03,880
Speaker 3: And I think those types of whether they be outrage

1354
01:01:04,000 --> 01:01:07,600
Speaker 3: or clickbait or something like that, should post questions for conversation,

1355
01:01:07,800 --> 01:01:09,919
Speaker 3: which I think Kanye has done even when he's been wrong,

1356
01:01:10,320 --> 01:01:15,640
Speaker 3: Conversation actually happens. What is the conversation we're having here? Yeah, nothing,

1357
01:01:16,640 --> 01:01:20,280
Speaker 3: a bunch of nothing. But I did have a blast

1358
01:01:20,320 --> 01:01:24,040
Speaker 3: texting all my friends in rock Nation this morning. Good morning,

1359
01:01:24,080 --> 01:01:28,680
Speaker 3: Happy Monday. You're having said, he's so silly.

1360
01:01:29,680 --> 01:01:32,040
Speaker 1: Positivity you just like the pastor.

1361
01:01:33,400 --> 01:01:34,720
Speaker 2: May you think you're a positive person?

1362
01:01:35,000 --> 01:01:35,040
Speaker 8: Me?

1363
01:01:35,960 --> 01:01:39,360
Speaker 1: Yeah, you think I'm a positive person.

1364
01:01:40,400 --> 01:01:41,640
Speaker 2: I'll see positivity in you.

1365
01:01:41,840 --> 01:01:43,640
Speaker 1: You think I'm negative? You think I've ever been negative?

1366
01:01:44,480 --> 01:01:46,120
Speaker 5: You have a negative size sometimes, But I don't think

1367
01:01:46,120 --> 01:01:46,880
Speaker 5: you're a negative.

1368
01:01:46,600 --> 01:01:48,800
Speaker 1: I mean, you don't have size, but like that's okay.

1369
01:01:48,840 --> 01:01:49,920
Speaker 1: So that's what I'm sing. I don't think you're a

1370
01:01:49,960 --> 01:01:51,520
Speaker 1: negative person. I want to say, you can't think I'm

1371
01:01:51,520 --> 01:01:52,120
Speaker 1: a negative person.

1372
01:01:52,120 --> 01:01:54,360
Speaker 2: I think you're optimistic. I think you're very optimistic.

1373
01:01:55,040 --> 01:01:57,479
Speaker 1: I mean I think you have to be in this world.

1374
01:01:57,560 --> 01:02:01,680
Speaker 5: No, I think some times people can use pessimism as

1375
01:02:01,760 --> 01:02:05,160
Speaker 5: a you know, as a defense mechanism shield.

1376
01:02:05,600 --> 01:02:08,240
Speaker 1: Yeah, you don't think I'm one of those people.

1377
01:02:08,440 --> 01:02:09,520
Speaker 2: Know you're not pessimistic at all.

1378
01:02:09,560 --> 01:02:11,800
Speaker 5: You guys are like the Ying and the Yang, like optimism,

1379
01:02:12,120 --> 01:02:13,480
Speaker 5: self deprecating pessimism.

1380
01:02:14,120 --> 01:02:15,480
Speaker 4: I have positive pessimism.

1381
01:02:15,720 --> 01:02:16,520
Speaker 1: What is negative about?

1382
01:02:16,600 --> 01:02:21,480
Speaker 2: What the fuck is positive pessimism? I mean, yes, I'm pessimistic,

1383
01:02:21,520 --> 01:02:22,800
Speaker 2: for sure, I would never say otherwise.

1384
01:02:22,880 --> 01:02:25,640
Speaker 1: But I don't like you've literally said you're Pessimisty.

1385
01:02:25,840 --> 01:02:30,040
Speaker 3: I know I'm pessimistic, but only with certain things. In

1386
01:02:30,120 --> 01:02:33,200
Speaker 3: regards to myself. I don't look at every everyone else

1387
01:02:33,400 --> 01:02:36,120
Speaker 3: in a negative way. It's more of a to her

1388
01:02:36,200 --> 01:02:39,880
Speaker 3: point self deprecation. I don't like I do have positives,

1389
01:02:40,000 --> 01:02:42,680
Speaker 3: so I think you can be okay. I think you're

1390
01:02:42,720 --> 01:02:44,920
Speaker 3: pessimistic when it comes to everybody else too. But I

1391
01:02:45,000 --> 01:02:47,840
Speaker 3: think pessimistic and negativity is two different things. I think

1392
01:02:47,920 --> 01:02:50,040
Speaker 3: negativity can be a bad thing. I think pessimist is

1393
01:02:50,120 --> 01:02:53,000
Speaker 3: just you don't really believe in people as a whole.

1394
01:02:53,360 --> 01:03:00,720
Speaker 1: You think Roy don't believe in people. You don't think

1395
01:03:00,720 --> 01:03:01,680
Speaker 1: he believes in anybody.

1396
01:03:04,120 --> 01:03:05,400
Speaker 4: You don't think I believe in anyone.

1397
01:03:05,520 --> 01:03:05,880
Speaker 2: No, I know.

1398
01:03:05,960 --> 01:03:09,760
Speaker 3: I think you believe Emotional Orders did fifteen thousand seats

1399
01:03:09,800 --> 01:03:12,720
Speaker 3: and stelf No, that's not like one hundred views on

1400
01:03:12,800 --> 01:03:13,560
Speaker 3: sounds don't.

1401
01:03:13,720 --> 01:03:14,040
Speaker 2: I don't.

1402
01:03:14,240 --> 01:03:16,280
Speaker 5: So when I say believe in people, I'm not talking

1403
01:03:16,320 --> 01:03:17,280
Speaker 5: about talent wise.

1404
01:03:17,280 --> 01:03:20,880
Speaker 3: I'm talking about he photoshopped his face on Beyonce's ass

1405
01:03:21,240 --> 01:03:23,600
Speaker 3: twenty years ago, and he's here because I believe in him.

1406
01:03:24,080 --> 01:03:25,280
Speaker 1: I had to see it, he had to see it.

1407
01:03:25,520 --> 01:03:28,080
Speaker 3: I'm talking about jamarriage. You never want to do podcasting.

1408
01:03:28,160 --> 01:03:31,240
Speaker 3: I think you're the best female podcaster period.

1409
01:03:31,400 --> 01:03:33,520
Speaker 1: Yeah, like box her in. You got a boxer in

1410
01:03:33,600 --> 01:03:36,840
Speaker 1: give a. I think he's put female right, yeah, put

1411
01:03:36,840 --> 01:03:37,680
Speaker 1: her in the box though.

1412
01:03:38,440 --> 01:03:40,280
Speaker 4: Yeah, well women, yeah, I mean that's how.

1413
01:03:41,160 --> 01:03:41,680
Speaker 2: No, I don't.

1414
01:03:41,720 --> 01:03:44,640
Speaker 5: I think you believe in people's talents. You're very amazing

1415
01:03:44,720 --> 01:03:46,920
Speaker 5: ass spot in talent, you know, thanks for my job

1416
01:03:47,000 --> 01:03:47,240
Speaker 5: all of.

1417
01:03:47,240 --> 01:03:49,520
Speaker 2: That cool stuff. I mean as people.

1418
01:03:50,320 --> 01:03:53,560
Speaker 5: I think sometimes you see like you don't always believe

1419
01:03:53,640 --> 01:03:55,000
Speaker 5: in the good of people.

1420
01:03:55,560 --> 01:03:57,800
Speaker 4: Oh no, I mean yeah, childhood trauma.

1421
01:03:57,920 --> 01:04:01,320
Speaker 3: Yeah, not talent wise, but as man expectations, because in

1422
01:04:01,440 --> 01:04:03,400
Speaker 3: my early twenties I was like, let me not be

1423
01:04:03,520 --> 01:04:07,960
Speaker 3: that way and trust everyone. Okay, it didn't work out

1424
01:04:08,040 --> 01:04:09,520
Speaker 3: for you, well, and I should have been like yo,

1425
01:04:10,000 --> 01:04:12,920
Speaker 3: I should have just been my teenage. So so that's

1426
01:04:12,960 --> 01:04:15,600
Speaker 3: where that comes. But in like business and stuff, I'm

1427
01:04:15,600 --> 01:04:18,520
Speaker 3: not pessimistic with everything. I just manage expectations for myself

1428
01:04:19,240 --> 01:04:20,560
Speaker 3: just because I know how that I know how that

1429
01:04:20,800 --> 01:04:24,840
Speaker 3: shit goes. Like this isn't pessimistic in saying it's actually

1430
01:04:24,920 --> 01:04:27,280
Speaker 3: like a fact, usually it's.

1431
01:04:27,240 --> 01:04:28,000
Speaker 4: Not going to work out.

1432
01:04:31,560 --> 01:04:34,480
Speaker 1: Usually it's not going to work out.

1433
01:04:36,040 --> 01:04:40,280
Speaker 3: It's cliche, but I have failed ten thousand times succeeded twice.

1434
01:04:40,360 --> 01:04:42,360
Speaker 3: Like it's it's usually not going to work out. So

1435
01:04:42,400 --> 01:04:46,520
Speaker 3: you should manage your expectations in that regard. Yes, it's pessimistic,

1436
01:04:46,600 --> 01:04:49,880
Speaker 3: but it is also realistic. You should also always have

1437
01:04:50,040 --> 01:04:51,680
Speaker 3: that drive of this could be the one, because it

1438
01:04:51,720 --> 01:04:52,240
Speaker 3: could be the one.

1439
01:04:52,560 --> 01:04:57,360
Speaker 2: Yeah, but don't think every time like don't show earlier.

1440
01:04:57,480 --> 01:05:01,480
Speaker 3: Yeah, like it it probably won't workout, gotcha, And that's

1441
01:05:01,560 --> 01:05:04,800
Speaker 3: okay if you're viewing it in that type of way.

1442
01:05:05,680 --> 01:05:06,960
Speaker 3: It's not gonna be the end of me if this

1443
01:05:07,040 --> 01:05:07,720
Speaker 3: doesn't work out.

1444
01:05:07,880 --> 01:05:11,160
Speaker 1: Okay, So yeah, that's kind of a defense mechanism. Don't

1445
01:05:11,200 --> 01:05:13,680
Speaker 1: get my hopes up because I'm probably I've been let

1446
01:05:13,760 --> 01:05:15,680
Speaker 1: down more than i've been Yeah.

1447
01:05:15,520 --> 01:05:19,200
Speaker 5: You know, okay, Maul, you know where you're pessimistic and

1448
01:05:19,280 --> 01:05:23,439
Speaker 5: negative when it comes to love. It's super that nigga

1449
01:05:23,480 --> 01:05:27,400
Speaker 5: don't believe in nothing. That everybody cheating them all every

1450
01:05:27,600 --> 01:05:29,080
Speaker 5: You know why she did that, she cheating?

1451
01:05:29,600 --> 01:05:31,680
Speaker 2: She just on tweet.

1452
01:05:31,680 --> 01:05:33,160
Speaker 1: Tell me when I was wrong, though, Tell me when

1453
01:05:33,200 --> 01:05:35,880
Speaker 1: I've ever said somebody was cheating, wasn't doing something right

1454
01:05:36,000 --> 01:05:36,640
Speaker 1: and I was wrong?

1455
01:05:36,720 --> 01:05:39,160
Speaker 2: Well, just because you haven't been proven wrong or right,

1456
01:05:39,280 --> 01:05:40,080
Speaker 2: doesn't mean you weren't.

1457
01:05:40,080 --> 01:05:43,200
Speaker 1: No, I've been proven right. I've been proven right. I've

1458
01:05:43,200 --> 01:05:45,320
Speaker 1: been proven right. We ain't gonna say I even proved right.

1459
01:05:45,680 --> 01:05:48,160
Speaker 1: I've been proven right. I'm not saying I don't. Don't

1460
01:05:48,200 --> 01:05:50,760
Speaker 1: say that. I don't think everybody cheats. I don't. I

1461
01:05:50,840 --> 01:05:54,520
Speaker 1: don't know everybody to say that, But I can spot

1462
01:05:54,600 --> 01:05:58,240
Speaker 1: the relationships where I'm like, come on, man, cut the ship,

1463
01:05:58,880 --> 01:06:01,480
Speaker 1: have just have fun. We get it. It's a moment,

1464
01:06:01,640 --> 01:06:04,320
Speaker 1: but we know this. This too shall pass. That's all

1465
01:06:04,320 --> 01:06:07,840
Speaker 1: I'll be trying. This too shall pass. I believe in love.

1466
01:06:07,920 --> 01:06:09,840
Speaker 1: I've seen people in love. I know people in love.

1467
01:06:09,880 --> 01:06:13,479
Speaker 1: I've been in love. I get it, but like Rory said,

1468
01:06:13,680 --> 01:06:18,040
Speaker 1: it's probably not gonna work out. It's just not even

1469
01:06:18,080 --> 01:06:21,200
Speaker 1: if you're married for fifteen years the sixteenth year you

1470
01:06:21,280 --> 01:06:24,680
Speaker 1: got a divorce. But that kind of is the beauty

1471
01:06:24,720 --> 01:06:27,880
Speaker 1: of young people. They have like this false sense of like, oh,

1472
01:06:28,280 --> 01:06:31,280
Speaker 1: this could work out. Yes, it's so beautiful. You still

1473
01:06:31,320 --> 01:06:35,800
Speaker 1: have that and it could right, but it probably won't.

1474
01:06:36,800 --> 01:06:39,040
Speaker 1: That's all. That's where I'm at. So it's not like

1475
01:06:39,120 --> 01:06:40,840
Speaker 1: I believe in love. I believe that you should be

1476
01:06:40,920 --> 01:06:43,560
Speaker 1: in love, fall in love, find love. Love is beautiful,

1477
01:06:43,640 --> 01:06:47,080
Speaker 1: you need love. I get that, But come on, we

1478
01:06:47,240 --> 01:06:49,480
Speaker 1: know we have we all have examples of people that

1479
01:06:49,640 --> 01:06:51,520
Speaker 1: we were like, damn, like they love each other and

1480
01:06:51,560 --> 01:06:53,160
Speaker 1: then one day you were like what happened? You know,

1481
01:06:53,320 --> 01:06:55,520
Speaker 1: you know, just irreconcilable differences.

1482
01:06:55,880 --> 01:06:57,360
Speaker 4: But you are a pessimistic about love.

1483
01:06:57,760 --> 01:07:01,080
Speaker 5: She's not wrong love because as you tend to lean

1484
01:07:01,240 --> 01:07:03,800
Speaker 5: more towards it not working out than it working out.

1485
01:07:04,200 --> 01:07:06,000
Speaker 1: That's not true though, I just speak.

1486
01:07:07,040 --> 01:07:09,400
Speaker 4: Do you think all like women for the most part, I.

1487
01:07:09,440 --> 01:07:13,880
Speaker 2: Know what, I know why it's that other nigga.

1488
01:07:13,920 --> 01:07:16,600
Speaker 3: I'll be like, mo, that's not like every girl is

1489
01:07:16,680 --> 01:07:18,880
Speaker 3: fucking someone that like. Sometimes it just doesn't work out.

1490
01:07:18,960 --> 01:07:20,200
Speaker 2: No one cheating. It just doesn't work out.

1491
01:07:20,280 --> 01:07:23,640
Speaker 1: Not every woman is sleeping with somebody. Yes, a lot

1492
01:07:23,720 --> 01:07:25,760
Speaker 1: of that be jokes. I don't believe that every woman

1493
01:07:25,840 --> 01:07:29,760
Speaker 1: is a cheater. But some of you holds I'm right about,

1494
01:07:30,400 --> 01:07:32,640
Speaker 1: And that's all I'm saying. Some of you holds I'm

1495
01:07:32,680 --> 01:07:33,080
Speaker 1: right about.

1496
01:07:33,520 --> 01:07:37,360
Speaker 3: But I think my pessimism with business comes from a

1497
01:07:37,640 --> 01:07:41,000
Speaker 3: very shady and disgusting business. That's why I think that way.

1498
01:07:41,200 --> 01:07:43,439
Speaker 3: It's not all businesses, it's this one. Yeah, but people

1499
01:07:43,480 --> 01:07:46,240
Speaker 3: are shady. You know what I'm saying you as far

1500
01:07:46,280 --> 01:07:48,600
Speaker 3: as relationships and what you've been exposed to at a

1501
01:07:48,680 --> 01:07:52,760
Speaker 3: young age, is a genre where dating and long term

1502
01:07:52,800 --> 01:07:55,680
Speaker 3: relationships doesn't work out. Whereas Demarius and I have been

1503
01:07:55,720 --> 01:07:59,640
Speaker 3: on the other side, is common common folk and you know,

1504
01:08:00,120 --> 01:08:01,280
Speaker 3: just pedestrians over here.

1505
01:08:01,320 --> 01:08:02,120
Speaker 4: We've seen love work.

1506
01:08:02,320 --> 01:08:06,080
Speaker 3: You've been in entertainment world your whole life, and those

1507
01:08:06,160 --> 01:08:09,560
Speaker 3: relationships usually don't work out. We've seen people be college

1508
01:08:09,600 --> 01:08:12,880
Speaker 3: sweethearts and go on and have ten kids and be happy.

1509
01:08:12,960 --> 01:08:15,200
Speaker 1: I've seen people be college sweet I don't have sweethearts,

1510
01:08:15,240 --> 01:08:16,519
Speaker 1: have ten kids and get divorced.

1511
01:08:17,560 --> 01:08:20,040
Speaker 3: Fair, No, of course that's happens I'm just saying that,

1512
01:08:20,479 --> 01:08:25,360
Speaker 3: and a higher clip of that than what you were

1513
01:08:25,439 --> 01:08:27,639
Speaker 3: exposed to at a young age and stayed. You've stayed

1514
01:08:27,680 --> 01:08:30,240
Speaker 3: in a world where relationships don't really work out. And

1515
01:08:30,360 --> 01:08:31,920
Speaker 3: now we've entered that world and.

1516
01:08:31,960 --> 01:08:34,920
Speaker 2: We see it too. Yeah, okay, so I'm not wrong.

1517
01:08:35,200 --> 01:08:37,280
Speaker 2: So it's not that you're not You're just in your world.

1518
01:08:37,360 --> 01:08:38,880
Speaker 2: You think that's the whole world, and that's not.

1519
01:08:39,160 --> 01:08:42,080
Speaker 1: I don't think that's the whole world. I could never

1520
01:08:42,120 --> 01:08:43,760
Speaker 1: speak for the whole world. I don't know the whole world.

1521
01:08:44,080 --> 01:08:47,280
Speaker 1: I'm just saying that, like you, some more times than not,

1522
01:08:48,040 --> 01:08:50,920
Speaker 1: things don't last or work out. When it's people in

1523
01:08:51,080 --> 01:08:53,439
Speaker 1: love married like we see it. You get married, great,

1524
01:08:53,600 --> 01:08:59,160
Speaker 1: happy for years, great, and then something happens. People fall

1525
01:08:59,240 --> 01:09:00,919
Speaker 1: in love and they also fall.

1526
01:09:00,800 --> 01:09:01,280
Speaker 2: Out of love.

1527
01:09:01,479 --> 01:09:03,400
Speaker 5: But I think that there's a beauty even in fall

1528
01:09:03,479 --> 01:09:05,840
Speaker 5: in love, even in falling out. I think there's a

1529
01:09:05,880 --> 01:09:06,519
Speaker 5: beauty in both.

1530
01:09:06,680 --> 01:09:09,800
Speaker 1: So beauty and falling out. If you fell out, only

1531
01:09:10,000 --> 01:09:13,639
Speaker 1: if you've tried to make it work, yes, then it's

1532
01:09:13,680 --> 01:09:17,679
Speaker 1: like okay, just go separates, be happy, go find love again,

1533
01:09:17,800 --> 01:09:20,519
Speaker 1: go be happy again. Like that's when it's beauty and

1534
01:09:20,640 --> 01:09:21,320
Speaker 1: falling out of love.

1535
01:09:21,439 --> 01:09:23,240
Speaker 2: That's only cool in movie scripts.

1536
01:09:23,800 --> 01:09:26,320
Speaker 4: It's literally just it literally destroys your entire nerves.

1537
01:09:26,439 --> 01:09:29,479
Speaker 1: No, it does. You'll find love again. She'll find love again,

1538
01:09:29,560 --> 01:09:31,120
Speaker 1: like y'all can go on to be happy. I literally

1539
01:09:31,160 --> 01:09:33,599
Speaker 1: become a different. People that cold parent have great cold parents.

1540
01:09:33,680 --> 01:09:35,400
Speaker 1: I know some people that have a better relationship as

1541
01:09:35,439 --> 01:09:36,360
Speaker 1: cold parents than they did.

1542
01:09:37,360 --> 01:09:38,960
Speaker 2: Yeah, they don't got to both, you know.

1543
01:09:39,040 --> 01:09:41,200
Speaker 5: The beautiful thing about cold parenting is that you get

1544
01:09:41,320 --> 01:09:43,920
Speaker 5: days off of being a parent. If y'all both live

1545
01:09:43,960 --> 01:09:45,760
Speaker 5: in the same house at the same time, it's never

1546
01:09:45,880 --> 01:09:48,439
Speaker 5: days off being a parent. No, of course, never a

1547
01:09:48,520 --> 01:09:50,479
Speaker 5: day off. I mean physically where you don't have your child,

1548
01:09:50,560 --> 01:09:52,800
Speaker 5: that's what I mean. Like, mentally, there's never a day off.

1549
01:09:53,080 --> 01:09:54,560
Speaker 5: But if y'all both live in the house at the

1550
01:09:54,600 --> 01:09:57,880
Speaker 5: same time, like that child is always with us. But

1551
01:09:58,000 --> 01:10:00,920
Speaker 5: if you got her Tuesday through Thirdsursday, and I got

1552
01:10:00,960 --> 01:10:03,680
Speaker 5: her Friday through Sunday or Monday.

1553
01:10:03,720 --> 01:10:04,240
Speaker 2: It's lit.

1554
01:10:04,479 --> 01:10:09,320
Speaker 5: I get days off break. Yeah, they're safe with their

1555
01:10:09,360 --> 01:10:11,360
Speaker 5: other parents. That's why cold parents will be like, oh

1556
01:10:11,400 --> 01:10:13,639
Speaker 5: it's cool. I get I get to take time for myself.

1557
01:10:14,840 --> 01:10:15,240
Speaker 1: I get it.

1558
01:10:15,880 --> 01:10:17,400
Speaker 2: Love one the two people that don't have kids talk

1559
01:10:17,439 --> 01:10:18,040
Speaker 2: about kids.

1560
01:10:18,680 --> 01:10:20,719
Speaker 5: I'm sorry that that's not your experience. If you can't

1561
01:10:20,760 --> 01:10:23,599
Speaker 5: you know, relate. But I've heard that from cold parents.

1562
01:10:23,720 --> 01:10:25,120
Speaker 2: Oh no, for sure, I hear you.

1563
01:10:26,800 --> 01:10:28,360
Speaker 3: I do want to can we get like a very

1564
01:10:28,479 --> 01:10:30,880
Speaker 3: loud round of applause. I think Doja Cat is the

1565
01:10:31,000 --> 01:10:38,439
Speaker 3: first woman to ever take accountability. We always had Doja

1566
01:10:38,520 --> 01:10:47,000
Speaker 3: Cat very on our rapper list, but I think she's crazy.

1567
01:10:47,720 --> 01:10:50,559
Speaker 2: You died for do I'm gonna make that merch died

1568
01:10:50,600 --> 01:10:51,360
Speaker 2: for thought.

1569
01:10:51,360 --> 01:10:55,200
Speaker 4: It was funny. This is a monumental thing.

1570
01:10:55,360 --> 01:10:59,240
Speaker 3: Like I think the way Hove did that Samsung thing

1571
01:10:59,280 --> 01:11:02,040
Speaker 3: where he sold a milllion albums before the album even

1572
01:11:02,120 --> 01:11:03,559
Speaker 3: came out, was like, yea, we got to put him

1573
01:11:03,600 --> 01:11:04,960
Speaker 3: higher up on the rapper shit because he did that.

1574
01:11:05,360 --> 01:11:07,320
Speaker 3: I think a woman taking accountability for the first time

1575
01:11:07,360 --> 01:11:10,519
Speaker 3: in her entire life kind of puts Dojah higher up

1576
01:11:10,600 --> 01:11:13,479
Speaker 3: on the female rap list. To me, like, this is

1577
01:11:13,520 --> 01:11:16,880
Speaker 3: a monumental moment. And I'd like Demaris to read this

1578
01:11:17,040 --> 01:11:19,120
Speaker 3: just so it can come, you know, from a female voice,

1579
01:11:19,840 --> 01:11:23,160
Speaker 3: because I've never heard I've never heard a woman say

1580
01:11:23,200 --> 01:11:25,120
Speaker 3: this before, so I want to hear it from like that.

1581
01:11:26,880 --> 01:11:28,200
Speaker 2: Give the backstory.

1582
01:11:28,000 --> 01:11:30,679
Speaker 5: Women not taking accountability and go is so old because

1583
01:11:30,720 --> 01:11:32,760
Speaker 5: we all know that a niggas that don't take accountability.

1584
01:11:32,840 --> 01:11:33,439
Speaker 3: But sure.

1585
01:11:35,040 --> 01:11:37,719
Speaker 2: In therapy, even though maybe that is true.

1586
01:11:37,840 --> 01:11:40,200
Speaker 3: Right now, we're talking about women and their accountability, So

1587
01:11:40,280 --> 01:11:41,960
Speaker 3: stop trying to deflect and talk about us.

1588
01:11:43,439 --> 01:11:46,120
Speaker 5: Criticism of Timothy Shalla may And says that her outrage

1589
01:11:46,200 --> 01:11:49,479
Speaker 5: was quote unquote virtual signaling and quote I've never been

1590
01:11:49,520 --> 01:11:51,040
Speaker 5: to a ballet, I've never seen an opera. I took

1591
01:11:51,080 --> 01:11:52,840
Speaker 5: it upon myself yesterday to kind of give it to

1592
01:11:52,880 --> 01:11:55,479
Speaker 5: the man because there is a culture based around outrage

1593
01:11:55,520 --> 01:11:56,920
Speaker 5: and things like that, and people want to feel like

1594
01:11:56,920 --> 01:11:59,040
Speaker 5: they're part of something. It's a need to connect, whether

1595
01:11:59,200 --> 01:12:00,680
Speaker 5: good or bad. What I was doing yesterday it was

1596
01:12:00,760 --> 01:12:02,760
Speaker 5: virtual signal because I wanted to connect, and I knew

1597
01:12:02,800 --> 01:12:05,000
Speaker 5: that Timothy's goof up was something that I could leverage

1598
01:12:05,040 --> 01:12:06,760
Speaker 5: and order for people to connect with me and fuck

1599
01:12:06,840 --> 01:12:09,280
Speaker 5: with me, she continued, And it's easy. It's a modern

1600
01:12:09,280 --> 01:12:11,320
Speaker 5: way to garner clicks, likes, approval on all kinds of

1601
01:12:11,400 --> 01:12:13,240
Speaker 5: things like that from people. And so I did that

1602
01:12:13,360 --> 01:12:15,360
Speaker 5: yesterday and I didn't really think about why I was

1603
01:12:15,439 --> 01:12:17,479
Speaker 5: doing it. I don't know anything about opera, I don't

1604
01:12:17,479 --> 01:12:18,360
Speaker 5: know anything about ballet.

1605
01:12:18,400 --> 01:12:20,280
Speaker 2: And I've never been to either shows.

1606
01:12:20,400 --> 01:12:21,320
Speaker 1: That that was all.

1607
01:12:21,520 --> 01:12:24,000
Speaker 3: That was beautiful jo Yo jokes aside, that was I know,

1608
01:12:24,080 --> 01:12:27,040
Speaker 3: we make it the woman thing, that was just a joke.

1609
01:12:27,360 --> 01:12:29,400
Speaker 4: This is one of the greatest things I've ever read

1610
01:12:29,960 --> 01:12:30,720
Speaker 4: any human being.

1611
01:12:31,479 --> 01:12:34,120
Speaker 3: We've all been guilty of this to so to hear

1612
01:12:34,200 --> 01:12:35,960
Speaker 3: a fucking no, I'm dead asked to hear an a

1613
01:12:36,080 --> 01:12:38,519
Speaker 3: list artist like admit this shit because this is everybody

1614
01:12:38,560 --> 01:12:39,280
Speaker 3: on the fucking internet.

1615
01:12:39,280 --> 01:12:39,920
Speaker 2: That's so y'all.

1616
01:12:40,000 --> 01:12:43,160
Speaker 3: Don't y'all do not care about the things you're outraged about. No,

1617
01:12:43,720 --> 01:12:46,320
Speaker 3: like the fact that she flat out admitted this is.

1618
01:12:47,240 --> 01:12:49,040
Speaker 3: Of course, the Internet kind of ignored this because the

1619
01:12:49,120 --> 01:12:51,880
Speaker 3: Internet is this. You guys all get outraged about shit

1620
01:12:51,960 --> 01:12:54,160
Speaker 3: you do not care about. You have no interest in.

1621
01:12:54,320 --> 01:12:56,720
Speaker 3: You've never been to a ballet or that's just a

1622
01:12:56,840 --> 01:12:59,120
Speaker 3: metaphor for everything. You've never been to a ballet. You

1623
01:12:59,240 --> 01:13:03,400
Speaker 3: don't care. You just want to get some feedback that

1624
01:13:03,520 --> 01:13:07,080
Speaker 3: you're a good person. When someone fucks up, at least

1625
01:13:07,120 --> 01:13:07,720
Speaker 3: I'm not them.

1626
01:13:07,920 --> 01:13:08,719
Speaker 1: It's called trolling.

1627
01:13:09,160 --> 01:13:10,040
Speaker 4: No, this isn't trolling.

1628
01:13:10,080 --> 01:13:12,000
Speaker 1: This is the no, no, no, no. What she was

1629
01:13:12,120 --> 01:13:15,880
Speaker 1: doing virtue signaling or whatever that that's just trolling.

1630
01:13:16,600 --> 01:13:18,439
Speaker 3: Trolling to me is more on the joke side, like

1631
01:13:18,560 --> 01:13:21,320
Speaker 3: we troll Jack Harlowe. Now I don't particularly care to

1632
01:13:21,439 --> 01:13:24,240
Speaker 3: ship on Jack. I don't really virtual virtue singling is

1633
01:13:24,320 --> 01:13:26,240
Speaker 3: like more here, right.

1634
01:13:26,200 --> 01:13:28,479
Speaker 5: Yeah, it's more like God, it's like, oh my god,

1635
01:13:28,560 --> 01:13:30,439
Speaker 5: I'm so much better than you're. Like, look, I can't

1636
01:13:30,479 --> 01:13:32,640
Speaker 5: believe you did that. Yeah, like, oh my god, I

1637
01:13:32,680 --> 01:13:33,960
Speaker 5: can't believe that black lives matter.

1638
01:13:34,280 --> 01:13:36,360
Speaker 3: Like, let's look at let me post a black square

1639
01:13:36,560 --> 01:13:39,280
Speaker 3: so it shows that I care even though I'm in

1640
01:13:39,360 --> 01:13:40,240
Speaker 3: my house doing nothing.

1641
01:13:40,479 --> 01:13:41,519
Speaker 1: I look at all at this trolling.

1642
01:13:43,320 --> 01:13:45,320
Speaker 2: But I hate gen z.

1643
01:13:47,760 --> 01:13:49,840
Speaker 3: Like dialogue, but this one does make more sense to

1644
01:13:49,880 --> 01:13:52,679
Speaker 3: me because I think trolling and virtue singling are drastically different.

1645
01:13:53,200 --> 01:13:56,800
Speaker 3: Trolling's funny whatever troll away make jokes, but trolling people

1646
01:13:56,840 --> 01:13:59,719
Speaker 3: that try to make themselves be better than everyone else

1647
01:14:00,000 --> 01:14:02,439
Speaker 3: off a topic they don't give a fuck about. And

1648
01:14:02,520 --> 01:14:04,519
Speaker 3: the fact that an A list artist admitted this to me,

1649
01:14:04,960 --> 01:14:08,400
Speaker 3: I think dojakav really deserves like flowers for having that

1650
01:14:08,520 --> 01:14:14,519
Speaker 3: moment that was gangsters you Okay, we've all we've all

1651
01:14:14,600 --> 01:14:14,840
Speaker 3: done this.

1652
01:14:14,880 --> 01:14:17,320
Speaker 5: Ship No, we know what's really admitted, and let's stop

1653
01:14:17,360 --> 01:14:18,160
Speaker 5: saying that don't speak to me.

1654
01:14:18,280 --> 01:14:20,599
Speaker 3: We have not all done that, done what virtue signaling?

1655
01:14:20,800 --> 01:14:23,320
Speaker 3: Not not maybe for like real serious issues. But she

1656
01:14:23,520 --> 01:14:25,040
Speaker 3: just said, I don't care about the opera. I did

1657
01:14:25,080 --> 01:14:27,439
Speaker 3: that ship because I needed some attention. That I need

1658
01:14:27,479 --> 01:14:28,320
Speaker 3: attention that days.

1659
01:14:28,320 --> 01:14:28,760
Speaker 2: So I did it.

1660
01:14:29,479 --> 01:14:33,320
Speaker 5: You kick somebody's back in, horribly, kick somebody's back in

1661
01:14:33,479 --> 01:14:36,040
Speaker 5: about something when everybody was already on top of them,

1662
01:14:36,240 --> 01:14:38,080
Speaker 5: to make it seem like you were a better person

1663
01:14:38,160 --> 01:14:38,479
Speaker 5: than them.

1664
01:14:38,800 --> 01:14:41,439
Speaker 3: Not everybody should I refresh all of our mentions. That's

1665
01:14:41,479 --> 01:14:42,400
Speaker 3: what's happens every day.

1666
01:14:42,439 --> 01:14:43,960
Speaker 1: I think most people have done that at least once

1667
01:14:44,040 --> 01:14:45,320
Speaker 1: in their life on the internet for sure.

1668
01:14:45,600 --> 01:14:47,240
Speaker 2: Okay, yeah, I think.

1669
01:14:47,200 --> 01:14:49,320
Speaker 5: That y'all are applauding somebody for admitting that they did

1670
01:14:49,360 --> 01:14:51,280
Speaker 5: some corny shit, just got through the corny ship.

1671
01:14:51,320 --> 01:14:53,519
Speaker 1: And then you don't have to no, no, what that

1672
01:14:53,640 --> 01:14:56,000
Speaker 1: needs to be to be applauded when you when you

1673
01:14:56,160 --> 01:15:00,320
Speaker 1: call yourself out for no one because niggas nobody don't

1674
01:15:00,320 --> 01:15:02,880
Speaker 1: do that. So for somebody and then somebody like dose

1675
01:15:02,920 --> 01:15:07,240
Speaker 1: you to do that. Yes, I applauded that she's.

1676
01:15:07,120 --> 01:15:10,480
Speaker 2: Done a whole bunch of other cornery ship, though she definitelylized.

1677
01:15:12,000 --> 01:15:14,000
Speaker 1: I'm just saying this is a start. This is a start.

1678
01:15:14,240 --> 01:15:17,439
Speaker 1: She's admitted she's virtual signaling. Whatever she was wrong, she

1679
01:15:17,600 --> 01:15:20,519
Speaker 1: was doing it for engagements with people connecting. Well, even this,

1680
01:15:20,800 --> 01:15:23,160
Speaker 1: but this is the thing. Even this apology is no,

1681
01:15:23,240 --> 01:15:25,080
Speaker 1: but don't do that. No, no, no, don't do that apology.

1682
01:15:27,320 --> 01:15:32,440
Speaker 2: But even this apology is virtue because everyone internet would attension.

1683
01:15:32,520 --> 01:15:34,200
Speaker 2: I just wanted attention and I wanted people to give

1684
01:15:34,200 --> 01:15:36,040
Speaker 2: me attention. So I kicked the man's back. And I

1685
01:15:36,080 --> 01:15:36,840
Speaker 2: shouldn't have did that.

1686
01:15:36,960 --> 01:15:39,320
Speaker 5: You know, nowadays this is a modern way to guard

1687
01:15:39,360 --> 01:15:41,600
Speaker 5: her clicks, likes and attention, and we shouldn't do that,

1688
01:15:41,800 --> 01:15:44,880
Speaker 5: and we should be It's even your apology is virtual signals.

1689
01:15:44,880 --> 01:15:46,479
Speaker 4: No, she made it about her. She didn't say anyone else.

1690
01:15:46,520 --> 01:15:47,880
Speaker 4: She said, I did this ship.

1691
01:15:49,200 --> 01:15:49,600
Speaker 1: I did it.

1692
01:15:50,640 --> 01:15:51,120
Speaker 2: What you gonna say?

1693
01:15:51,120 --> 01:15:55,439
Speaker 3: It was virtual signaling because I wanted to connect. I'm sorry,

1694
01:15:55,800 --> 01:15:57,760
Speaker 3: you gotta make that bigger pulse. And I knew that

1695
01:15:58,080 --> 01:16:00,280
Speaker 3: Timothy's goof up was something that I could love and

1696
01:16:00,400 --> 01:16:03,280
Speaker 3: order for people to connect with me and fuck with me.

1697
01:16:03,800 --> 01:16:06,040
Speaker 2: She ain't say yo, y'all were doing this. She made

1698
01:16:06,040 --> 01:16:06,559
Speaker 2: it all about her.

1699
01:16:07,240 --> 01:16:09,560
Speaker 5: Based there is a culture based around their rage and

1700
01:16:09,680 --> 01:16:11,479
Speaker 5: they like that, and people want to feel like they're

1701
01:16:11,479 --> 01:16:13,320
Speaker 5: a part of something. Don't just say that she's they're talking.

1702
01:16:14,200 --> 01:16:16,360
Speaker 5: Don't change the subject. You said that she didn't address.

1703
01:16:16,360 --> 01:16:19,120
Speaker 5: Subject is her entire No, the subject was that You

1704
01:16:19,200 --> 01:16:21,599
Speaker 5: said that she didn't address anybody else, and she did.

1705
01:16:21,800 --> 01:16:23,920
Speaker 5: There is a culture based around outrage and things like that,

1706
01:16:24,040 --> 01:16:26,360
Speaker 5: and people wanting to feel like they're a part of something.

1707
01:16:26,560 --> 01:16:27,559
Speaker 2: It was not just about her.

1708
01:16:27,680 --> 01:16:29,960
Speaker 5: Well, I just did this, Okay, it's bringing up the

1709
01:16:30,120 --> 01:16:31,240
Speaker 5: masses in all of this.

1710
01:16:31,360 --> 01:16:32,880
Speaker 1: You're the whole thing.

1711
01:16:33,040 --> 01:16:33,960
Speaker 4: You're missing, all right.

1712
01:16:34,040 --> 01:16:37,400
Speaker 3: Yes, she's saying that there is a culture based around outrage,

1713
01:16:37,400 --> 01:16:39,479
Speaker 3: which I think everyone in this room can agree, of course.

1714
01:16:40,000 --> 01:16:42,439
Speaker 3: And she's saying, I have felt victim to that me.

1715
01:16:43,120 --> 01:16:46,720
Speaker 3: I have fallen into that culture of the outrage shit

1716
01:16:47,000 --> 01:16:49,719
Speaker 3: where I just needed some dopamine that day. I needed

1717
01:16:49,720 --> 01:16:51,240
Speaker 3: to feel like I was better than someone else that

1718
01:16:51,360 --> 01:16:53,040
Speaker 3: was fucking up at the time. Even though I don't

1719
01:16:53,040 --> 01:16:55,479
Speaker 3: give a fuck about ballet or opera. I'm gonna look

1720
01:16:55,560 --> 01:16:57,719
Speaker 3: like the better person in this story.

1721
01:16:58,120 --> 01:17:00,840
Speaker 2: I care like. I appreciate that.

1722
01:17:00,920 --> 01:17:05,240
Speaker 5: Message Timothy into intext because I said, message Timothy, this

1723
01:17:05,479 --> 01:17:07,200
Speaker 5: this exact message message.

1724
01:17:06,960 --> 01:17:08,280
Speaker 1: Him you're not on the side of If I do

1725
01:17:08,400 --> 01:17:10,120
Speaker 1: something public, the apology has to be public.

1726
01:17:10,320 --> 01:17:14,519
Speaker 5: No message Timothy about how it depends. Just come out

1727
01:17:14,560 --> 01:17:16,040
Speaker 5: and say, yea, y'all, I'm not gonna lie. What I

1728
01:17:16,040 --> 01:17:17,200
Speaker 5: said about Timothy was corny.

1729
01:17:17,320 --> 01:17:20,519
Speaker 2: That's it. All this extra explanation of all of this shit.

1730
01:17:20,680 --> 01:17:22,960
Speaker 3: But do you not think it's important for especially with

1731
01:17:24,000 --> 01:17:28,080
Speaker 3: dojah cats stand fan base as well and the culture

1732
01:17:28,160 --> 01:17:30,720
Speaker 3: that is of this whole thing, that this was not

1733
01:17:30,840 --> 01:17:31,599
Speaker 3: important to say?

1734
01:17:32,400 --> 01:17:34,320
Speaker 2: Should admit that people do this?

1735
01:17:34,960 --> 01:17:37,680
Speaker 5: Sure, I just don't just don't just don't do it

1736
01:17:37,760 --> 01:17:39,599
Speaker 5: in the beginning, just to just don't do it anyway.

1737
01:17:39,840 --> 01:17:41,800
Speaker 5: It wasn't like she was kicking his back end about

1738
01:17:42,000 --> 01:17:45,360
Speaker 5: him being a racist or or something of that nature,

1739
01:17:45,439 --> 01:17:48,160
Speaker 5: him being a woman kicking that with real topics.

1740
01:17:48,200 --> 01:17:49,840
Speaker 3: I'm saying she did it with something she didn't give

1741
01:17:49,840 --> 01:17:51,679
Speaker 3: a fuck about, which I think everyone does the Internet

1742
01:17:51,680 --> 01:17:54,400
Speaker 3: every day. I'm not talking about real, fucking, real shit.

1743
01:17:54,439 --> 01:17:56,000
Speaker 3: You're talking about colourism. I know for a fact you

1744
01:17:56,080 --> 01:17:58,080
Speaker 3: care about colorism. We're talking about things that people do

1745
01:17:58,200 --> 01:18:00,439
Speaker 3: not care about. All of a sudden, you're just on

1746
01:18:00,560 --> 01:18:01,880
Speaker 3: the Internet going in all that you.

1747
01:18:01,880 --> 01:18:05,400
Speaker 8: Don't care about this. You don't, okay, and you're just

1748
01:18:05,479 --> 01:18:07,679
Speaker 8: trying to look like a better person. And I agree,

1749
01:18:07,760 --> 01:18:09,679
Speaker 8: I agree. A lot of people do that, but they're

1750
01:18:09,800 --> 01:18:12,200
Speaker 8: corny people. So I'm not going so this is my thing.

1751
01:18:12,520 --> 01:18:14,400
Speaker 2: This was corny. What she did was corny.

1752
01:18:14,439 --> 01:18:16,639
Speaker 5: So I'm not amusing she was corny, Okay, but I'm

1753
01:18:16,640 --> 01:18:19,320
Speaker 5: not to applaud her for admitting that she was corny.

1754
01:18:19,360 --> 01:18:21,919
Speaker 2: When you're just being corny, you're still rewarding corniness.

1755
01:18:21,960 --> 01:18:24,280
Speaker 3: Okay, all right to Marris, But I can't look at

1756
01:18:24,320 --> 01:18:26,400
Speaker 3: it like you are correct that you do not need

1757
01:18:26,479 --> 01:18:28,360
Speaker 3: to applaud someone for saying, yo, I was corny.

1758
01:18:28,439 --> 01:18:29,320
Speaker 4: That's what you're supposed to do.

1759
01:18:29,560 --> 01:18:31,320
Speaker 3: I'm saying, in this day and age on the internet,

1760
01:18:31,360 --> 01:18:34,799
Speaker 3: in twenty twenty six, we do need to highlight somebody

1761
01:18:34,920 --> 01:18:37,000
Speaker 3: finally saying you know, I did some corny shit that

1762
01:18:37,200 --> 01:18:40,000
Speaker 3: everyone does on the internet all the time. It's we're

1763
01:18:40,000 --> 01:18:42,320
Speaker 3: in different times. You don't need to, but I think

1764
01:18:42,439 --> 01:18:44,720
Speaker 3: at this point everyone needs to look at this and go,

1765
01:18:45,080 --> 01:18:47,200
Speaker 3: oh yeah, this is pretty much the entire timeline.

1766
01:18:47,880 --> 01:18:48,160
Speaker 2: Okay.

1767
01:18:48,479 --> 01:18:50,920
Speaker 5: I like apologies when they come a while after you

1768
01:18:51,000 --> 01:18:52,920
Speaker 5: did something, because that means that you've grown.

1769
01:18:53,120 --> 01:18:56,840
Speaker 2: It's no la Russell was a but it's important if

1770
01:18:56,840 --> 01:18:57,120
Speaker 2: you knew.

1771
01:18:57,160 --> 01:18:58,840
Speaker 5: If you're admitting that it's corny now, you knew it

1772
01:18:58,880 --> 01:19:00,680
Speaker 5: was corny when you did it, Like if it took

1773
01:19:00,800 --> 01:19:03,040
Speaker 5: years and you was like, hey, I grew up. I

1774
01:19:03,120 --> 01:19:05,040
Speaker 5: didn't know back then, but i'm better now. This is

1775
01:19:05,040 --> 01:19:08,360
Speaker 5: an apology. But I said she was corny when you

1776
01:19:08,439 --> 01:19:10,160
Speaker 5: did it, and then you just like come out and

1777
01:19:10,240 --> 01:19:11,080
Speaker 5: admit it tode later.

1778
01:19:11,680 --> 01:19:13,600
Speaker 3: The habit on the internet of doing corny shit so

1779
01:19:13,720 --> 01:19:15,120
Speaker 3: much that they get so used to it that they

1780
01:19:15,120 --> 01:19:16,160
Speaker 3: don't think they're corny anymore.

1781
01:19:16,200 --> 01:19:19,040
Speaker 1: So you're saying the apology she should have let it breathe. No,

1782
01:19:19,240 --> 01:19:20,720
Speaker 1: I don't even think that she should have let it breathe.

1783
01:19:20,760 --> 01:19:23,519
Speaker 5: What I'm saying is, I'm not your apology means nothing

1784
01:19:23,560 --> 01:19:25,160
Speaker 5: because you knew it was corny when you did it.

1785
01:19:25,200 --> 01:19:26,680
Speaker 2: If you can come out a week later and say, hey,

1786
01:19:26,760 --> 01:19:27,720
Speaker 2: that was corny. You know it's corny.

1787
01:19:27,960 --> 01:19:29,439
Speaker 1: But a week later, a month later, a year later,

1788
01:19:29,520 --> 01:19:30,520
Speaker 1: what's the difference.

1789
01:19:30,280 --> 01:19:31,840
Speaker 5: Because at least in a year she could say, hey,

1790
01:19:31,880 --> 01:19:33,840
Speaker 5: I didn't know it was corny then, but I grew now.

1791
01:19:33,880 --> 01:19:35,639
Speaker 3: It's just like, you know what corny when I've done

1792
01:19:35,920 --> 01:19:38,920
Speaker 3: I've done corny shit in real time realized I was

1793
01:19:38,960 --> 01:19:39,639
Speaker 3: doing some corny sh.

1794
01:19:39,640 --> 01:19:43,679
Speaker 1: If she apologized ten years later, I would say, even

1795
01:19:43,680 --> 01:19:45,599
Speaker 1: if she apologized ten years from now, said I belive

1796
01:19:45,800 --> 01:19:47,479
Speaker 1: she knew that was wrong when she did that.

1797
01:19:47,680 --> 01:19:50,120
Speaker 2: Like, I just can't believe a celebrity actually admitted this.

1798
01:19:50,280 --> 01:19:52,240
Speaker 3: I'm not saying she needs to be applaud the same

1799
01:19:52,240 --> 01:19:53,679
Speaker 3: way men say you, I take care of my kids,

1800
01:19:54,080 --> 01:19:56,080
Speaker 3: like you want to be applauded for that. I'm just

1801
01:19:56,120 --> 01:19:57,960
Speaker 3: saying I think in this day and age, it's cool

1802
01:19:57,960 --> 01:20:01,160
Speaker 3: to hear somebody admit the shit. Yeah, that's all I agree.

1803
01:20:00,880 --> 01:20:03,720
Speaker 1: With that, because everyone on the internet does this shit

1804
01:20:03,760 --> 01:20:08,280
Speaker 1: and tries to avoid like they don't like now y'all care. Yeah,

1805
01:20:08,439 --> 01:20:09,720
Speaker 1: that's just where I'm at with But.

1806
01:20:11,479 --> 01:20:15,679
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1838
01:21:46,560 --> 01:21:49,120
Speaker 2: There were some people that really cared about Timothy's comments.

1839
01:21:49,200 --> 01:21:50,080
Speaker 1: No, they didn't know.

1840
01:21:50,200 --> 01:21:52,200
Speaker 2: There were some people in the world who really did

1841
01:21:52,280 --> 01:21:52,960
Speaker 2: care about Timmy.

1842
01:21:53,160 --> 01:21:55,360
Speaker 1: They don't. Niggas is just want to be out raised

1843
01:21:55,360 --> 01:21:56,280
Speaker 1: and upset about.

1844
01:21:56,240 --> 01:22:00,200
Speaker 5: Why why are y'all acting like it's I'm not talking

1845
01:22:00,200 --> 01:22:02,080
Speaker 5: about just random people on the internet. I'm talking about

1846
01:22:02,080 --> 01:22:04,599
Speaker 5: people in the field that spent their whole life study

1847
01:22:04,640 --> 01:22:06,280
Speaker 5: in the field that he shout it on. There were

1848
01:22:06,400 --> 01:22:08,040
Speaker 5: some people who had a reason to be upset about

1849
01:22:08,080 --> 01:22:11,160
Speaker 5: what he said just because it doesn't apply to you. Like,

1850
01:22:11,479 --> 01:22:13,880
Speaker 5: what did he say when he was talking about how

1851
01:22:14,000 --> 01:22:15,760
Speaker 5: opera is not important? Let me get the direct quote.

1852
01:22:15,800 --> 01:22:19,080
Speaker 5: He was basically not shitting on opera's importance, opera in

1853
01:22:19,200 --> 01:22:22,679
Speaker 5: ballet's importance, performing arts. There are people who aren't performing

1854
01:22:22,760 --> 01:22:24,280
Speaker 5: arts who do care about that type of thing.

1855
01:22:24,560 --> 01:22:27,080
Speaker 3: I think there's a difference between between saying it should

1856
01:22:27,160 --> 01:22:28,400
Speaker 3: die or it is dying.

1857
01:22:29,640 --> 01:22:32,240
Speaker 2: Oh no, that's a that's a total. So I'm not

1858
01:22:32,280 --> 01:22:33,760
Speaker 2: sure we can talk about a fact.

1859
01:22:33,840 --> 01:22:33,920
Speaker 8: Right.

1860
01:22:34,000 --> 01:22:36,120
Speaker 1: Is this the quote? Is this the quote? He said?

1861
01:22:36,200 --> 01:22:38,000
Speaker 5: I don't want to be working in ballet or opera

1862
01:22:38,120 --> 01:22:39,720
Speaker 5: or you know, things where it's like, hey, keep this

1863
01:22:39,800 --> 01:22:41,760
Speaker 5: thing alive even though it's like no one cares about

1864
01:22:41,760 --> 01:22:44,000
Speaker 5: this anymore. Yeah, all respect to the ballet and opera

1865
01:22:44,000 --> 01:22:46,559
Speaker 5: people out there. I just lost fourteen ships, fourteen cents

1866
01:22:46,600 --> 01:22:48,599
Speaker 5: in viewership. I just took shots for no reason.

1867
01:22:49,320 --> 01:22:50,599
Speaker 4: And he said it in a joking way.

1868
01:22:50,640 --> 01:22:50,880
Speaker 1: Whatever.

1869
01:22:50,960 --> 01:22:51,160
Speaker 2: Cool.

1870
01:22:51,320 --> 01:22:54,040
Speaker 3: If someone feels the way about that, I'm not not

1871
01:22:54,160 --> 01:22:55,920
Speaker 3: here to tell you not to feel a way. But

1872
01:22:56,120 --> 01:23:00,360
Speaker 3: at that point, yes, it is a dying art on Broadway.

1873
01:23:00,400 --> 01:23:03,360
Speaker 3: Ticket prices keep going way too high. It's a lot

1874
01:23:03,560 --> 01:23:07,320
Speaker 3: of people not passing that art form down to their kids.

1875
01:23:07,560 --> 01:23:09,920
Speaker 3: So kids don't care. We're supposed to make kids care

1876
01:23:09,960 --> 01:23:11,080
Speaker 3: about opera in ballet.

1877
01:23:11,400 --> 01:23:13,479
Speaker 5: Yes, Actually, y'all make kids care about a whole lot

1878
01:23:13,520 --> 01:23:17,960
Speaker 5: of shit that don't really matter. Authentic, authentic like theater,

1879
01:23:18,920 --> 01:23:22,000
Speaker 5: authentic art and performance art, yes, we should make kids

1880
01:23:22,040 --> 01:23:22,960
Speaker 5: think care about those type.

1881
01:23:23,000 --> 01:23:24,920
Speaker 3: Even when it was popular, it was still a very

1882
01:23:25,000 --> 01:23:27,160
Speaker 3: small percentage of kids that ended up caring about it.

1883
01:23:28,360 --> 01:23:29,120
Speaker 2: No, it's not true.

1884
01:23:29,120 --> 01:23:31,599
Speaker 5: It's that it was available to a very small percentage

1885
01:23:31,640 --> 01:23:34,280
Speaker 5: of kids. It was available to a very small percentage

1886
01:23:34,280 --> 01:23:36,280
Speaker 5: of kids. That's why people used to funnel and try

1887
01:23:36,360 --> 01:23:39,160
Speaker 5: to raise money for their art departments. Not because not

1888
01:23:39,240 --> 01:23:40,920
Speaker 5: a lot of kids cared about it, but because a

1889
01:23:40,960 --> 01:23:43,680
Speaker 5: lot of kids couldn't afford to care about it, they

1890
01:23:43,680 --> 01:23:45,280
Speaker 5: couldn't afford to be exposed to it.

1891
01:23:45,439 --> 01:23:48,160
Speaker 2: That's been going on for years. Okay, the highest form

1892
01:23:49,360 --> 01:23:50,479
Speaker 2: of ballet can be in a.

1893
01:23:50,479 --> 01:23:51,080
Speaker 1: Theater right.

1894
01:23:53,000 --> 01:23:55,880
Speaker 2: To an extent modernly, it could be of what.

1895
01:23:56,040 --> 01:23:59,320
Speaker 3: Can you tell me a time where opera and ballet

1896
01:23:59,720 --> 01:24:03,640
Speaker 3: sold out an arena size or a stadium size, or

1897
01:24:03,920 --> 01:24:05,599
Speaker 3: what do you like? I don't understand what you guys

1898
01:24:05,600 --> 01:24:07,640
Speaker 3: are getting at. He didn't say anything wrong. It's a

1899
01:24:07,800 --> 01:24:11,720
Speaker 3: dying art form, like even at its peak it only

1900
01:24:11,800 --> 01:24:14,040
Speaker 3: sold so many tickets. I'm not taking away from the

1901
01:24:14,160 --> 01:24:16,080
Speaker 3: art of it. I think that's what you I think

1902
01:24:16,160 --> 01:24:18,120
Speaker 3: that's what everyone's missing in this whole thing. No one

1903
01:24:18,200 --> 01:24:20,920
Speaker 3: is saying opera isn't important, or ballet isn't important. Matter

1904
01:24:20,920 --> 01:24:23,000
Speaker 3: of fact, Kanye West dedicated one of the greatest hip

1905
01:24:23,000 --> 01:24:25,759
Speaker 3: hop albums of all time to ballet. Ballet is super important.

1906
01:24:26,439 --> 01:24:29,160
Speaker 3: But to say it's not a dying art form when

1907
01:24:29,200 --> 01:24:31,960
Speaker 3: at its peak it was only selling two thousand tickets,

1908
01:24:33,280 --> 01:24:36,519
Speaker 3: I don't really know every art form is dying. That

1909
01:24:36,800 --> 01:24:39,800
Speaker 3: was doing ten billion streams now something that only sold

1910
01:24:39,800 --> 01:24:41,080
Speaker 3: two thousand tickets at its prime.

1911
01:24:41,240 --> 01:24:43,160
Speaker 4: We're supposed to sit here and go, oh, what's going on?

1912
01:24:45,400 --> 01:24:49,000
Speaker 2: Okay, I'm not the person to argue that for you.

1913
01:24:49,000 --> 01:24:51,200
Speaker 3: You just told me with Jack Harlow when he sold

1914
01:24:51,200 --> 01:24:53,320
Speaker 3: out the Barclays, is he going to sell it out again?

1915
01:24:53,360 --> 01:24:55,840
Speaker 3: Those aren't real fans. You can only fill up so

1916
01:24:56,000 --> 01:25:00,679
Speaker 3: much of a size theater for ballet or opera. Okay,

1917
01:25:02,160 --> 01:25:04,920
Speaker 3: correct me if I'm wrong. In the sixteen hundreds when

1918
01:25:04,960 --> 01:25:07,120
Speaker 3: Shakespeare was around, maybe they were doing the coliseum.

1919
01:25:07,479 --> 01:25:09,720
Speaker 4: I don't know. I'm just saying in the modern time,

1920
01:25:09,960 --> 01:25:11,000
Speaker 4: like what did Timothy say?

1921
01:25:11,040 --> 01:25:11,719
Speaker 1: That was so crazy?

1922
01:25:14,760 --> 01:25:15,040
Speaker 4: Fire?

1923
01:25:16,680 --> 01:25:20,000
Speaker 2: That's one of how many artists and any other genre.

1924
01:25:20,120 --> 01:25:23,280
Speaker 1: Arrotty very rarely did performances here though, so I can

1925
01:25:23,400 --> 01:25:26,519
Speaker 1: understand why that was such a big event. So I

1926
01:25:26,640 --> 01:25:26,880
Speaker 1: get that.

1927
01:25:27,439 --> 01:25:31,240
Speaker 3: So it's Timothy's felt like he's influencing kids. Watch Timothy

1928
01:25:31,280 --> 01:25:32,400
Speaker 3: and the way you know what, fuck ballet.

1929
01:25:32,800 --> 01:25:35,679
Speaker 5: No, it's not about him. It's not about him influencing

1930
01:25:35,720 --> 01:25:37,960
Speaker 5: anything people. All I'm saying is that the people in

1931
01:25:38,040 --> 01:25:40,599
Speaker 5: an art form can be allowed to say that, can

1932
01:25:40,680 --> 01:25:42,800
Speaker 5: be allowed to be outraged that you said that their

1933
01:25:42,880 --> 01:25:45,080
Speaker 5: art firm that they work their whole life towards is dying,

1934
01:25:45,560 --> 01:25:47,040
Speaker 5: or that there's not a lot of people into it,

1935
01:25:47,800 --> 01:25:49,439
Speaker 5: or that he doesn't even though he came from it,

1936
01:25:49,479 --> 01:25:51,080
Speaker 5: he doesn't want to stay in it. Like people can

1937
01:25:51,200 --> 01:25:52,679
Speaker 5: look at that and be offended. That's fine.

1938
01:25:53,240 --> 01:25:55,760
Speaker 3: Conan made a hilarious joking his monologue when he brought

1939
01:25:55,760 --> 01:25:57,880
Speaker 3: that up, and he said, the only thing Timothy said

1940
01:25:58,080 --> 01:26:07,360
Speaker 3: wrong was he forgot jazz, which is funny. And they

1941
01:26:07,439 --> 01:26:09,920
Speaker 3: were saying that about jazz until hip hop showed up. Yeah,

1942
01:26:10,600 --> 01:26:12,759
Speaker 3: because hip hop revamped jazz.

1943
01:26:12,880 --> 01:26:16,800
Speaker 1: If we being real, Yeah used elements from it.

1944
01:26:17,800 --> 01:26:18,120
Speaker 4: Sample.

1945
01:26:18,200 --> 01:26:19,920
Speaker 3: I started getting at jazz music because of hip hop.

1946
01:26:20,280 --> 01:26:22,559
Speaker 3: I wasn't sitting there just researching jazz. Hip Hop got

1947
01:26:22,560 --> 01:26:25,880
Speaker 3: me into that ship. Some of the stuff that just blaze.

1948
01:26:25,920 --> 01:26:28,160
Speaker 3: The sample from Opera singers I've looked into because of

1949
01:26:28,280 --> 01:26:31,280
Speaker 3: hip hop to sit here and act like opera and

1950
01:26:31,400 --> 01:26:34,160
Speaker 3: ballet have this crazy pr and it's just us, us

1951
01:26:34,240 --> 01:26:35,920
Speaker 3: young kids shitting on it to get rid of it.

1952
01:26:36,000 --> 01:26:38,439
Speaker 4: It's just like insane to me. So I said, dying

1953
01:26:38,520 --> 01:26:41,000
Speaker 4: for just just like music.

1954
01:26:41,640 --> 01:26:45,519
Speaker 2: It's okay, like like you are know him or something.

1955
01:26:46,479 --> 01:26:47,200
Speaker 1: Yeah, this is God.

1956
01:26:47,360 --> 01:26:50,559
Speaker 2: That's gotta be his guy. That's my guy friends to me, Yeah,

1957
01:26:50,640 --> 01:26:51,880
Speaker 2: I figure the same block.

1958
01:26:52,120 --> 01:26:55,639
Speaker 1: I mean, mistery Copeland kind of revamped and made black

1959
01:26:55,720 --> 01:26:58,599
Speaker 1: girls fall in love with ballet again. You know, ballet

1960
01:26:58,680 --> 01:27:01,960
Speaker 1: is fireron but it's a very it's a very niche,

1961
01:27:02,200 --> 01:27:04,880
Speaker 1: very you know, unique art form that not a lot

1962
01:27:04,960 --> 01:27:08,240
Speaker 1: of you know, kids are into anymore.

1963
01:27:08,320 --> 01:27:14,320
Speaker 2: So yeah, yeah, they said that was a shot at Timothy.

1964
01:27:15,760 --> 01:27:18,960
Speaker 1: I'm sure Timothy laughed at that. Y'all go get the

1965
01:27:19,000 --> 01:27:19,960
Speaker 1: greatest ballery ever.

1966
01:27:20,280 --> 01:27:22,679
Speaker 2: On top of that, I'm sure he enjoyed that performance.

1967
01:27:22,920 --> 01:27:25,200
Speaker 1: Yeah, yeah, I get it.

1968
01:27:25,360 --> 01:27:27,760
Speaker 5: But that's why we shouldn't let ballet and things die out,

1969
01:27:27,880 --> 01:27:29,960
Speaker 5: and we should encourage the kids to go into it.

1970
01:27:30,040 --> 01:27:32,560
Speaker 1: And when you were the kids into ballet, that's just

1971
01:27:32,640 --> 01:27:35,400
Speaker 1: the way for you to have extra free time after school. Yeah,

1972
01:27:36,200 --> 01:27:38,680
Speaker 1: and even if you get to that that you keep

1973
01:27:38,760 --> 01:27:41,320
Speaker 1: pushing your kids unless they fall in love with it.

1974
01:27:42,160 --> 01:27:43,920
Speaker 1: But like, you know, how many little girls I know

1975
01:27:44,120 --> 01:27:45,880
Speaker 1: was into ballet at one point. I'm like, yoh, when

1976
01:27:45,880 --> 01:27:48,160
Speaker 1: the last time your daughter didn't? Like, she didn't do

1977
01:27:48,240 --> 01:27:49,120
Speaker 1: ballet in nine years?

1978
01:27:49,680 --> 01:27:51,400
Speaker 3: And you know what, look what Shorty had to go

1979
01:27:51,439 --> 01:27:53,680
Speaker 3: through with save the last dance just to get into Juilliard. Like,

1980
01:27:53,720 --> 01:27:54,760
Speaker 3: I'm not putting my kid through that.

1981
01:27:55,080 --> 01:27:58,640
Speaker 1: Ballet is like like remember karate classes. It's yes, how

1982
01:27:58,680 --> 01:28:00,840
Speaker 1: many of these niggas that was in karate classes they

1983
01:28:00,920 --> 01:28:02,160
Speaker 1: went on to get their black belt.

1984
01:28:02,720 --> 01:28:03,920
Speaker 2: That's a perfect example.

1985
01:28:04,200 --> 01:28:04,719
Speaker 1: I'm idiot.

1986
01:28:05,120 --> 01:28:07,800
Speaker 3: Get some of them ended up being ninjas, but that's

1987
01:28:07,840 --> 01:28:09,679
Speaker 3: like one out of every ten thousand.

1988
01:28:09,960 --> 01:28:14,800
Speaker 1: They're more Ninja warriors than ninjas, though more niggas have

1989
01:28:14,880 --> 01:28:18,200
Speaker 1: completed the Warrior gauntlet. Every little girl had a to to,

1990
01:28:18,479 --> 01:28:21,439
Speaker 1: every little boy had a yellow belt. Some people went

1991
01:28:21,520 --> 01:28:24,360
Speaker 1: to the yellow belt and some people became ninjas. But

1992
01:28:24,479 --> 01:28:27,599
Speaker 1: it's very small to make out of it. They give

1993
01:28:27,640 --> 01:28:29,280
Speaker 1: a yellow belt if you could do a roundhouse like

1994
01:28:30,760 --> 01:28:31,559
Speaker 1: like you know.

1995
01:28:31,600 --> 01:28:34,240
Speaker 3: I love the movie Whiplash. I watched that ship. It's

1996
01:28:34,280 --> 01:28:36,120
Speaker 3: based off a true story. I was like, all right,

1997
01:28:36,160 --> 01:28:38,599
Speaker 3: so this guy after he bleeds through his hands, what's

1998
01:28:38,640 --> 01:28:39,360
Speaker 3: the end goal here?

1999
01:28:40,240 --> 01:28:40,400
Speaker 2: Nick?

2000
01:28:40,439 --> 01:28:41,800
Speaker 3: Can't let the end of drum line and lets you

2001
01:28:41,840 --> 01:28:43,640
Speaker 3: about to be a producer like you're about to be

2002
01:28:43,680 --> 01:28:44,920
Speaker 3: in a marsh fan for the rest of your life.

2003
01:28:45,600 --> 01:28:50,120
Speaker 1: Yo yo. Karate classes and ballet classes definitely the same thing,

2004
01:28:50,600 --> 01:28:56,000
Speaker 1: the same R form, same R form it is, though.

2005
01:28:56,080 --> 01:28:58,000
Speaker 1: I'm just saying, like I get it over there, you know,

2006
01:28:58,800 --> 01:28:59,120
Speaker 1: all right?

2007
01:28:59,360 --> 01:29:02,840
Speaker 2: All right, top ballet. Oh God, that ship is so corny.

2008
01:29:02,920 --> 01:29:05,040
Speaker 2: I hate when you do that. That's so corny.

2009
01:29:05,360 --> 01:29:09,320
Speaker 5: Just because because something isn't my passion does not mean

2010
01:29:09,400 --> 01:29:11,240
Speaker 5: that it shouldn't be respected, and that it's a dying

2011
01:29:11,760 --> 01:29:15,240
Speaker 5: respected though, especially something is not dying just because you

2012
01:29:15,360 --> 01:29:16,040
Speaker 5: aren't a fan of it.

2013
01:29:17,360 --> 01:29:20,120
Speaker 3: Well, who whoever said that? I was very clear inside

2014
01:29:20,240 --> 01:29:23,640
Speaker 3: every genre list, that's what.

2015
01:29:23,640 --> 01:29:24,880
Speaker 1: You got to tell me. You got to name one

2016
01:29:24,920 --> 01:29:28,599
Speaker 1: person you know that's in the ballet, just somebody personally

2017
01:29:28,680 --> 01:29:29,880
Speaker 1: in your contact, somebody that you.

2018
01:29:30,000 --> 01:29:32,160
Speaker 2: Met, my old ballet teacher. Shout out to her.

2019
01:29:32,320 --> 01:29:35,160
Speaker 1: That don't count. She's a ballet teacher. I'm talking about

2020
01:29:35,200 --> 01:29:36,120
Speaker 1: one of your own girls.

2021
01:29:36,600 --> 01:29:39,800
Speaker 2: That's like, y'all, Alex just went to the ballet last week, Alex.

2022
01:29:41,280 --> 01:29:41,599
Speaker 1: Gucci.

2023
01:29:41,760 --> 01:29:43,880
Speaker 4: Yeah, I would go to a ballet.

2024
01:29:44,240 --> 01:29:45,400
Speaker 2: Yeah, I would go to opera too.

2025
01:29:45,640 --> 01:29:47,760
Speaker 1: I'm not going to that. I've been.

2026
01:29:48,360 --> 01:29:50,680
Speaker 5: I've been, see the whispers before I go to the

2027
01:29:50,800 --> 01:29:54,000
Speaker 5: chocolate Nutcracker deb Alan. If I had access to the

2028
01:29:54,080 --> 01:29:55,960
Speaker 5: money to do some of those things, I definitely will.

2029
01:29:56,080 --> 01:29:56,880
Speaker 1: That's why I died.

2030
01:29:58,200 --> 01:30:01,080
Speaker 3: They raising ticket prices everything, like Hamilton was the first

2031
01:30:01,120 --> 01:30:04,479
Speaker 3: fucking Broadway play that they got, busting kids from New

2032
01:30:04,560 --> 01:30:06,759
Speaker 3: York City public schools to sit in the fucking mezzanine.

2033
01:30:07,360 --> 01:30:08,599
Speaker 2: Like that's a snob.

2034
01:30:08,800 --> 01:30:10,400
Speaker 3: That's what I hated the most about it, because that's

2035
01:30:10,439 --> 01:30:13,280
Speaker 3: the snobbiest fucking world on earth. And now y'all want

2036
01:30:13,320 --> 01:30:16,000
Speaker 3: to play victim. Y'all are snobs that never wanted us

2037
01:30:16,040 --> 01:30:18,919
Speaker 3: around you. Now the sudden is like only God Timothy

2038
01:30:19,000 --> 01:30:21,160
Speaker 3: said this bitch, you've never even wanted any of us

2039
01:30:21,200 --> 01:30:23,920
Speaker 3: around you. It's a thousand dollars to go to that shit.

2040
01:30:24,320 --> 01:30:24,800
Speaker 2: Shut up.

2041
01:30:25,400 --> 01:30:29,800
Speaker 1: But okay, he wasn't telling you to shut up.

2042
01:30:29,840 --> 01:30:33,080
Speaker 2: Now I know he wasn't, But okay, we're not gonna

2043
01:30:33,240 --> 01:30:34,560
Speaker 2: She can't name one ballet. Do you think I was

2044
01:30:34,600 --> 01:30:34,960
Speaker 2: talking to her?

2045
01:30:35,000 --> 01:30:35,920
Speaker 4: She can't name a ballet.

2046
01:30:35,800 --> 01:30:41,360
Speaker 1: Person as somebody that studied performing arts. It's definitely been

2047
01:30:41,439 --> 01:30:44,560
Speaker 1: something that you know, it's a very niche group of

2048
01:30:44,600 --> 01:30:48,320
Speaker 1: people that really follow that from middle school, high school,

2049
01:30:48,360 --> 01:30:51,800
Speaker 1: college and go all the way to actually performing for sure.

2050
01:30:52,040 --> 01:30:54,840
Speaker 5: And my only my only thing with that is a

2051
01:30:54,920 --> 01:30:56,719
Speaker 5: lot of it has to do with access and money,

2052
01:30:58,280 --> 01:31:00,280
Speaker 5: not ability interested honey.

2053
01:31:01,000 --> 01:31:04,120
Speaker 1: You know, I think a lot of dancers that we

2054
01:31:04,280 --> 01:31:05,920
Speaker 1: know that like, you know, going to and dance for

2055
01:31:05,920 --> 01:31:08,200
Speaker 1: a lot of our favorite artists, a lot of them studied.

2056
01:31:08,680 --> 01:31:10,960
Speaker 1: They come from the ballet world and they study dance

2057
01:31:11,000 --> 01:31:14,040
Speaker 1: and things like that. But to actually stick and like

2058
01:31:14,200 --> 01:31:17,439
Speaker 1: really perform like how Misty did ballet all the way through,

2059
01:31:17,479 --> 01:31:18,439
Speaker 1: that is very rare.

2060
01:31:19,080 --> 01:31:22,479
Speaker 3: But again I say culture, but I think the dancers

2061
01:31:22,520 --> 01:31:25,120
Speaker 3: that are on tour Beyonce are more inspired than by

2062
01:31:25,200 --> 01:31:28,120
Speaker 3: Sierra than they are ballet dancers. A lot of that too,

2063
01:31:28,200 --> 01:31:32,639
Speaker 3: but they're trained. Oh oh that's what I was. Sierra's

2064
01:31:32,640 --> 01:31:34,000
Speaker 3: one of the great dances of all time. It's a

2065
01:31:34,080 --> 01:31:34,840
Speaker 3: trained dancer.

2066
01:31:35,080 --> 01:31:35,200
Speaker 1: Yes.

2067
01:31:35,400 --> 01:31:38,320
Speaker 3: But to close this, I will say Timothy is from

2068
01:31:38,360 --> 01:31:41,800
Speaker 3: a building that subsidized artists to live there because it

2069
01:31:41,880 --> 01:31:45,759
Speaker 3: was a dying art in nineteen seventy. He's from Manhattan Plaza.

2070
01:31:45,800 --> 01:31:48,479
Speaker 3: They made it for artists that were working on Broadway

2071
01:31:48,520 --> 01:31:52,479
Speaker 3: doing ballet opera performance. They could get cheap rent because

2072
01:31:52,520 --> 01:31:54,600
Speaker 3: it was a dying art form in nineteen seventy. His

2073
01:31:54,720 --> 01:31:58,240
Speaker 3: building is based off a dying art form, which I

2074
01:31:58,280 --> 01:31:58,920
Speaker 3: think is beautiful.

2075
01:31:58,920 --> 01:31:59,800
Speaker 2: I love Manaddan Plaza.

2076
01:32:00,360 --> 01:32:01,880
Speaker 3: But to have the kid that grew up in a

2077
01:32:01,960 --> 01:32:04,720
Speaker 3: building that is based off an art form dying to say, hey,

2078
01:32:04,760 --> 01:32:08,040
Speaker 3: I think the art form is dying is nuts. Give

2079
01:32:08,080 --> 01:32:09,760
Speaker 3: the kid a break, That's what I'm saying.

2080
01:32:11,200 --> 01:32:13,320
Speaker 5: You know, set up for all the whites this episode, Man,

2081
01:32:13,400 --> 01:32:15,280
Speaker 5: you got your cape on for the whites.

2082
01:32:15,439 --> 01:32:22,360
Speaker 3: Jacky, listen, I ain't seen I ain't seen Collie in

2083
01:32:22,400 --> 01:32:22,920
Speaker 3: the building yet.

2084
01:32:23,720 --> 01:32:24,639
Speaker 1: Kylie who Jenner?

2085
01:32:24,920 --> 01:32:27,599
Speaker 4: Yeah, where you got? I don't see Collie on the block.

2086
01:32:28,360 --> 01:32:29,439
Speaker 1: Kylie won't be on that block.

2087
01:32:31,320 --> 01:32:34,439
Speaker 4: Kim Uh No, Chloe went to uh South Jamaica.

2088
01:32:35,840 --> 01:32:38,880
Speaker 1: She was with you know how they ain't got the

2089
01:32:38,920 --> 01:32:41,360
Speaker 1: stripes like that. No, they're calling French Timmy in the building,

2090
01:32:41,760 --> 01:32:45,880
Speaker 1: Fridge tim How are no Timmy got staying in the building?

2091
01:32:46,040 --> 01:32:46,360
Speaker 1: All right?

2092
01:32:46,760 --> 01:32:50,040
Speaker 2: How are the Knicks doing? We're doing all right?

2093
01:32:51,520 --> 01:32:54,960
Speaker 1: I don't I don't know they're going to the playoffs.

2094
01:32:55,000 --> 01:32:57,720
Speaker 5: They went to the playoffs. Yeah, okay, how's Meg's boyfriend doing?

2095
01:32:58,320 --> 01:33:01,080
Speaker 1: Clay? He plays, He has a name, Klay Thompson. Yes,

2096
01:33:01,920 --> 01:33:03,960
Speaker 1: they'll probably go to the Hall of Fame. No, Clay

2097
01:33:04,000 --> 01:33:08,080
Speaker 1: Thompson is definitely this season. Uh no, it's not a

2098
01:33:08,120 --> 01:33:08,880
Speaker 1: good season for him, not.

2099
01:33:08,880 --> 01:33:09,360
Speaker 2: A good season.

2100
01:33:09,479 --> 01:33:12,639
Speaker 1: Are they going to the playoffs the Mavericks. No, well,

2101
01:33:12,640 --> 01:33:14,479
Speaker 1: they might be in the play in they might make it.

2102
01:33:15,280 --> 01:33:16,639
Speaker 1: I think they might be. They don't need to play.

2103
01:33:16,640 --> 01:33:19,280
Speaker 1: They should be in the player right now. Yeah they might.

2104
01:33:19,360 --> 01:33:21,439
Speaker 1: I mean they might. No, I don't. I don't know.

2105
01:33:21,640 --> 01:33:27,479
Speaker 1: But they got a chance. They ben't playing not Oh yes,

2106
01:33:27,680 --> 01:33:32,120
Speaker 1: no they're fucked. Oh what places in? Oh yeah they're fucked.

2107
01:33:33,760 --> 01:33:35,240
Speaker 1: How many games back of the day from the AC

2108
01:33:36,080 --> 01:33:40,120
Speaker 1: Uh nine games that got this Nah and it's only

2109
01:33:40,160 --> 01:33:45,559
Speaker 1: thirteen games left. Yeah, now they're fucked. Yeah they went out. Yeah,

2110
01:33:45,640 --> 01:33:47,519
Speaker 1: Clay's having a terrible year that ship. This is probably

2111
01:33:47,560 --> 01:33:50,280
Speaker 1: his worst year, probably the best year of his life.

2112
01:33:50,439 --> 01:33:54,160
Speaker 1: But personally, oh no, personally he fucking hooping. He hooping

2113
01:33:54,200 --> 01:33:58,080
Speaker 1: in his personal life at work. Yeah no, it's it's

2114
01:33:58,160 --> 01:34:00,560
Speaker 1: just not you know, it's not translating but happy for

2115
01:34:00,640 --> 01:34:02,920
Speaker 1: him and you know his his relationship with Meg.

2116
01:34:03,080 --> 01:34:04,679
Speaker 2: I just want to know I ask you guys about

2117
01:34:04,880 --> 01:34:06,160
Speaker 2: like the ball game things.

2118
01:34:06,720 --> 01:34:10,880
Speaker 3: Yeah, I'm with Clay on this entire year. If you've

2119
01:34:10,880 --> 01:34:15,240
Speaker 3: accomplished this much, you're fine financially. Man, Just just go

2120
01:34:15,320 --> 01:34:18,880
Speaker 3: off in the sunset with your queen. Like I'm kind

2121
01:34:19,120 --> 01:34:22,559
Speaker 3: I'm kind of over Thompson. He's not he's getting He's

2122
01:34:22,600 --> 01:34:23,400
Speaker 3: no spring chicken.

2123
01:34:24,160 --> 01:34:24,880
Speaker 1: Yeah he could.

2124
01:34:25,000 --> 01:34:26,720
Speaker 3: He he's a shooter, so I mean he could sit

2125
01:34:26,920 --> 01:34:28,560
Speaker 3: in the side for the next two years and just

2126
01:34:28,840 --> 01:34:29,840
Speaker 3: get Corter threes off.

2127
01:34:29,960 --> 01:34:31,120
Speaker 1: But he ain't been doing that.

2128
01:34:32,760 --> 01:34:35,439
Speaker 3: But if you've accomplished what he's accomplished, your your family's

2129
01:34:35,439 --> 01:34:37,599
Speaker 3: fine for the rest of their lives. You found your person.

2130
01:34:38,920 --> 01:34:41,240
Speaker 3: I fuck basketball, like your whole life shouldn't have to

2131
01:34:41,280 --> 01:34:43,000
Speaker 3: be that. Yeah, but then you have to play your

2132
01:34:43,000 --> 01:34:46,640
Speaker 3: thirty six years Thirty six years old is old for

2133
01:34:46,760 --> 01:34:48,479
Speaker 3: an athlete, not for a human being on earth.

2134
01:34:48,800 --> 01:34:51,000
Speaker 4: Like playing the rest of your life. Though, go be

2135
01:34:51,080 --> 01:34:51,439
Speaker 4: with the person.

2136
01:34:53,040 --> 01:34:53,920
Speaker 1: Let me be pessimistic.

2137
01:34:53,960 --> 01:34:57,760
Speaker 3: But if they don't work out, of course you still

2138
01:34:57,800 --> 01:35:01,560
Speaker 3: have one hundred million. Okay, well fifty million if she

2139
01:35:01,640 --> 01:35:02,320
Speaker 3: takes half of it.

2140
01:35:02,439 --> 01:35:04,559
Speaker 1: We didn't talk about Vam's eighty three point game.

2141
01:35:04,800 --> 01:35:06,320
Speaker 5: Oh, we didn't. I try to bring it up. Ya,

2142
01:35:06,320 --> 01:35:07,320
Speaker 5: I didn't want to talk about it.

2143
01:35:08,479 --> 01:35:14,720
Speaker 1: We did, Oh, how'd you feel about that? Let me

2144
01:35:14,800 --> 01:35:15,040
Speaker 1: say this.

2145
01:35:15,479 --> 01:35:18,439
Speaker 2: I saw a new pr Agent's his grandmother died that

2146
01:35:18,640 --> 01:35:21,479
Speaker 2: day at eighty three years old. So I wish they

2147
01:35:21,520 --> 01:35:22,080
Speaker 2: would have led with that.

2148
01:35:22,160 --> 01:35:24,799
Speaker 1: BAM's grandmother. Yeah, I didn't know that they put.

2149
01:35:24,680 --> 01:35:29,960
Speaker 2: That out today. Word died that day at eighty three,

2150
01:35:30,479 --> 01:35:31,680
Speaker 2: And I was like, why didn't you guys leave with

2151
01:35:31,720 --> 01:35:33,120
Speaker 2: this because I was shitting on it.

2152
01:35:33,160 --> 01:35:36,320
Speaker 1: But Form's grandmother died that day at eighty three years old. Yeah,

2153
01:35:36,640 --> 01:35:37,599
Speaker 1: there's no way that's true.

2154
01:35:40,360 --> 01:35:41,479
Speaker 4: But she would have turned eighty three.

2155
01:35:42,520 --> 01:35:46,120
Speaker 2: No, yeah, yeah, five years ago.

2156
01:35:46,040 --> 01:35:48,519
Speaker 3: And it was her birthday that day and she died

2157
01:35:48,560 --> 01:35:53,880
Speaker 3: at eighty three. But I mean, if we're just putting

2158
01:35:53,920 --> 01:35:55,320
Speaker 3: grandmas into every game, then.

2159
01:35:56,320 --> 01:35:59,479
Speaker 1: Wait a minute, because this is news. His grandmother died

2160
01:35:59,520 --> 01:36:02,240
Speaker 1: in eighty three and her birthday was that day, and.

2161
01:36:02,360 --> 01:36:04,400
Speaker 2: His mother was there with the jersey that had eighty

2162
01:36:04,479 --> 01:36:06,920
Speaker 2: three on it with grandma's name on the back.

2163
01:36:08,000 --> 01:36:09,840
Speaker 3: No way, I don't know why they didn't leave with that.

2164
01:36:09,880 --> 01:36:11,240
Speaker 3: I don't know why it took a week to get

2165
01:36:11,280 --> 01:36:11,679
Speaker 3: this news.

2166
01:36:12,600 --> 01:36:14,679
Speaker 2: Is that real? Like his grandma, his mother had a jersey,

2167
01:36:14,960 --> 01:36:17,040
Speaker 2: It could be a that day, could be ai. I

2168
01:36:17,080 --> 01:36:17,320
Speaker 2: don't know.

2169
01:36:17,720 --> 01:36:19,280
Speaker 1: Now, that's no fucking way, bro.

2170
01:36:20,479 --> 01:36:20,679
Speaker 7: Yeah.

2171
01:36:20,760 --> 01:36:21,240
Speaker 2: Oh yeah.

2172
01:36:21,280 --> 01:36:23,840
Speaker 1: Look she's crying. He's crying, and that's that's eighty three

2173
01:36:23,880 --> 01:36:27,120
Speaker 1: on the back of the jersey. Yeah nah, bro, that

2174
01:36:27,240 --> 01:36:29,400
Speaker 1: got Nah. There's no way, there's no way that's real.

2175
01:36:30,120 --> 01:36:35,960
Speaker 1: There's no fucking way that. Please report. Yeah it was

2176
01:36:36,280 --> 01:36:39,040
Speaker 1: eighty three. Oh then someone definitely changed. His mother did

2177
01:36:39,080 --> 01:36:40,880
Speaker 1: not have a jersey with the number eighty three on

2178
01:36:41,000 --> 01:36:47,040
Speaker 1: it the night he scored eighty three. There's no fucking way. Yeah,

2179
01:36:47,200 --> 01:36:50,360
Speaker 1: either way, listen, respect the BAM. Scoring eighty three points

2180
01:36:50,400 --> 01:36:53,880
Speaker 1: on any level of sports is fucking incredible and hard

2181
01:36:53,920 --> 01:36:56,760
Speaker 1: to do. Now, with that being said, I do feel

2182
01:36:56,800 --> 01:37:00,320
Speaker 1: like it was nasty because they chased it and you know,

2183
01:37:00,439 --> 01:37:03,120
Speaker 1: he was up damn near forty with four minutes left

2184
01:37:03,160 --> 01:37:07,280
Speaker 1: and still in the game. Like, if you listen, records

2185
01:37:07,280 --> 01:37:08,760
Speaker 1: are made to be broken. If you got a chance,

2186
01:37:08,760 --> 01:37:10,280
Speaker 1: you feel like you got a chance to break a record,

2187
01:37:11,200 --> 01:37:16,280
Speaker 1: go after it. But it's just it just looks a

2188
01:37:16,320 --> 01:37:18,840
Speaker 1: little nasty though, like when you you chasing it down

2189
01:37:18,920 --> 01:37:20,439
Speaker 1: the stretch and it's just like I get it, but

2190
01:37:21,760 --> 01:37:24,519
Speaker 1: just a little nasty. If y'all gonna get mad. If

2191
01:37:24,560 --> 01:37:27,599
Speaker 1: y'all gonna get mad, because down listen. But here's my thing.

2192
01:37:27,920 --> 01:37:30,880
Speaker 1: They get mad. And when the team is up thirty, right,

2193
01:37:31,479 --> 01:37:34,880
Speaker 1: and it's a minute left or thirty seconds, and they

2194
01:37:34,960 --> 01:37:38,000
Speaker 1: still shooting the ball, so we got it. We gotta

2195
01:37:38,320 --> 01:37:41,320
Speaker 1: keep the same energy if you up thirty and because

2196
01:37:41,720 --> 01:37:46,080
Speaker 1: he got sixty eight seventy some points and y'all still

2197
01:37:46,439 --> 01:37:48,200
Speaker 1: giving him the ball try to score. It's to say,

2198
01:37:48,320 --> 01:37:50,720
Speaker 1: keep the same energy. You can't get mad that when

2199
01:37:50,800 --> 01:37:52,519
Speaker 1: the game is out of reach and the other team

2200
01:37:52,640 --> 01:37:55,240
Speaker 1: is still trying to score, because the players get mad.

2201
01:37:55,280 --> 01:37:56,840
Speaker 1: If you take a shot, you are you'll have twenty. Bro,

2202
01:37:56,920 --> 01:37:58,439
Speaker 1: the game is over, like why are you trying to go?

2203
01:37:58,520 --> 01:38:01,760
Speaker 1: Get this layup? Players get mad, then be ready to fight.

2204
01:38:03,320 --> 01:38:05,600
Speaker 1: Keep the same energy on this side. Why is he

2205
01:38:05,640 --> 01:38:09,439
Speaker 1: still in the game? If y'all up forty or whatever

2206
01:38:09,520 --> 01:38:11,600
Speaker 1: with three minutes however much times that you know the

2207
01:38:11,640 --> 01:38:14,000
Speaker 1: game is over, like y'all gonna win the game, why

2208
01:38:14,120 --> 01:38:15,600
Speaker 1: is he still in the game. And not only that,

2209
01:38:16,080 --> 01:38:18,760
Speaker 1: y'all are feeding them, like y'all going to them like

2210
01:38:18,840 --> 01:38:20,120
Speaker 1: yoll give him the ball, give them the ball, like

2211
01:38:20,840 --> 01:38:23,840
Speaker 1: so that's my only problem, Like I get it. Eighty

2212
01:38:23,920 --> 01:38:26,760
Speaker 1: three on any level is fucking crazy. You can't go

2213
01:38:26,880 --> 01:38:28,559
Speaker 1: out and score eighty three in a fucking high school

2214
01:38:28,600 --> 01:38:30,439
Speaker 1: game right now if you as a pro, like a

2215
01:38:30,439 --> 01:38:31,840
Speaker 1: lot of pros wouldn't be able to get eighty three

2216
01:38:31,840 --> 01:38:34,760
Speaker 1: in the high school game right now. So I'm just saying, like,

2217
01:38:35,640 --> 01:38:37,040
Speaker 1: keep the same energy if you don't get mad when

2218
01:38:37,040 --> 01:38:39,120
Speaker 1: players try to score when they up and the game

2219
01:38:39,200 --> 01:38:40,479
Speaker 1: is out of reach and they still trying to get

2220
01:38:40,560 --> 01:38:43,439
Speaker 1: layups and easy and score the ball, keep the same energy.

2221
01:38:43,520 --> 01:38:47,240
Speaker 1: Win Bam got seventy something and he's still in the game,

2222
01:38:47,320 --> 01:38:49,680
Speaker 1: up forty and they feeding him the ball, Like, keep

2223
01:38:49,720 --> 01:38:50,800
Speaker 1: the same energy all them.

2224
01:38:51,000 --> 01:38:53,080
Speaker 3: I think Ryan text us at the beginning of the

2225
01:38:53,120 --> 01:38:55,599
Speaker 3: fourth and said he had seventy and I thought they

2226
01:38:55,640 --> 01:38:57,800
Speaker 3: were taking him out the game at that point, and

2227
01:38:57,920 --> 01:38:59,519
Speaker 3: then he ended up doing eighty three.

2228
01:38:59,640 --> 01:39:00,479
Speaker 2: It was like ket over.

2229
01:39:02,920 --> 01:39:04,600
Speaker 4: How many points in the third course, Like all right,

2230
01:39:04,600 --> 01:39:05,280
Speaker 4: they're taking them out.

2231
01:39:05,320 --> 01:39:07,439
Speaker 1: I mean, listen, I salute the eighty three because it's

2232
01:39:07,520 --> 01:39:10,640
Speaker 1: not easy to score that many, you know, points in

2233
01:39:10,720 --> 01:39:13,960
Speaker 1: the NBA, the professional game. But keep the same energy.

2234
01:39:14,080 --> 01:39:16,280
Speaker 1: That's all you have when they shooting, when they up

2235
01:39:16,280 --> 01:39:17,680
Speaker 1: by twenty and it's a minute left.

2236
01:39:17,840 --> 01:39:22,599
Speaker 3: If you have that same strategy with someone like Dame shit,

2237
01:39:22,680 --> 01:39:25,880
Speaker 3: I don't even say Gilbert Arenas. How many points are

2238
01:39:25,880 --> 01:39:30,479
Speaker 3: they getting with that same strategy? How much is Damian

2239
01:39:30,520 --> 01:39:35,200
Speaker 3: Lillard getting with that strategy that they gave back. I mean,

2240
01:39:35,520 --> 01:39:36,680
Speaker 3: it's well past eighty three.

2241
01:39:36,760 --> 01:39:37,280
Speaker 4: I'll tell you that.

2242
01:39:37,479 --> 01:39:39,400
Speaker 1: I mean they had they I mean, but I can't

2243
01:39:39,400 --> 01:39:40,920
Speaker 1: say that. You know, you still got to be able

2244
01:39:40,920 --> 01:39:43,200
Speaker 1: to put the ball in the hoop. But forty three

2245
01:39:43,240 --> 01:39:46,439
Speaker 1: throws is crazy. Shooting forty three throws in the game

2246
01:39:46,560 --> 01:39:51,400
Speaker 1: is fucking wild. Like that's insane. But listen, I'm not

2247
01:39:51,880 --> 01:39:54,240
Speaker 1: like I see people mad all that. I'm not mad,

2248
01:39:54,320 --> 01:39:56,080
Speaker 1: but it's just a little nasty. It looks a little

2249
01:39:56,160 --> 01:39:58,720
Speaker 1: nasty when they was chasing it. I understand going after

2250
01:39:58,760 --> 01:40:00,960
Speaker 1: the record if you're able to get it, but just

2251
01:40:01,000 --> 01:40:03,080
Speaker 1: don't get mad now next week. I don't want to

2252
01:40:03,080 --> 01:40:05,840
Speaker 1: see nobody mad when a team is up and they

2253
01:40:05,880 --> 01:40:07,360
Speaker 1: still got they started in and they trying to run

2254
01:40:07,400 --> 01:40:10,800
Speaker 1: the score up. Don't don't ask for sportsmanship then, because

2255
01:40:10,800 --> 01:40:13,000
Speaker 1: there was no sportsmanship insite. When your team is up

2256
01:40:13,040 --> 01:40:15,639
Speaker 1: forty and Bam got seventy something, and you're like fucking

2257
01:40:15,720 --> 01:40:18,000
Speaker 1: go after the record, like there was no sportsmanship show.

2258
01:40:18,080 --> 01:40:22,360
Speaker 1: Did so keep the same energy as all. Yeah, that

2259
01:40:22,520 --> 01:40:25,080
Speaker 1: was like old college football type shit. But shout out

2260
01:40:25,080 --> 01:40:26,680
Speaker 1: to maam, I'm not not definitely don't want to do

2261
01:40:27,040 --> 01:40:28,080
Speaker 1: that like that just scored eighty three.

2262
01:40:28,960 --> 01:40:31,880
Speaker 5: Everybody was shipping on him so bad. I'm like what

2263
01:40:32,040 --> 01:40:33,800
Speaker 5: they were like, Bam out of all people, I'm like,

2264
01:40:33,920 --> 01:40:36,280
Speaker 5: is he whack or something? Like why is it so bad?

2265
01:40:36,479 --> 01:40:38,120
Speaker 1: He's not whack? But I think his career how I

2266
01:40:38,240 --> 01:40:39,200
Speaker 1: was like forty before that.

2267
01:40:39,640 --> 01:40:42,160
Speaker 4: It's just crazy. By the way, forty points.

2268
01:40:42,200 --> 01:40:44,479
Speaker 1: You average like twenty, you know something. It's just like

2269
01:40:45,479 --> 01:40:47,760
Speaker 1: he's not a scorer. Yeah, he's just not a He's

2270
01:40:47,800 --> 01:40:49,880
Speaker 1: not like a prolific scorer like that. So for him

2271
01:40:49,920 --> 01:40:53,080
Speaker 1: to have eighty three, like it's like something is like,

2272
01:40:53,479 --> 01:40:55,120
Speaker 1: just what the fuck is going to keep going with you?

2273
01:40:55,240 --> 01:40:55,599
Speaker 4: Up twenty?

2274
01:40:55,640 --> 01:40:58,160
Speaker 1: It's just up twenty. They was up forty. I think

2275
01:40:58,160 --> 01:41:00,840
Speaker 1: at one point in that game. It's just like, well

2276
01:41:00,880 --> 01:41:03,160
Speaker 1: I was just slow on the floor. What do they say?

2277
01:41:03,200 --> 01:41:03,519
Speaker 2: On Twitter?

2278
01:41:03,600 --> 01:41:07,599
Speaker 3: Said Jason Sadam would have scored eighty and then stubbed

2279
01:41:07,680 --> 01:41:14,840
Speaker 3: himself out and texted Kobe before we get out of here, Demarus,

2280
01:41:14,960 --> 01:41:17,639
Speaker 3: I want to say, I thought your goat was retired,

2281
01:41:17,800 --> 01:41:20,439
Speaker 3: but we are getting another J Cole record. Mike Will

2282
01:41:20,479 --> 01:41:24,160
Speaker 3: made it just announced his album Reset March twentieth, end

2283
01:41:24,160 --> 01:41:24,599
Speaker 3: of this week.

2284
01:41:25,640 --> 01:41:26,839
Speaker 4: There is one.

2285
01:41:26,720 --> 01:41:32,040
Speaker 3: Record solo with J Coole, no other features. But I mean,

2286
01:41:32,120 --> 01:41:34,280
Speaker 3: Mike Will is to me one of the best modern

2287
01:41:34,320 --> 01:41:39,479
Speaker 3: producers period, so I'm excited for Oh my, I mean,

2288
01:41:39,479 --> 01:41:41,519
Speaker 3: he got Travis Porter on the second record, so I

2289
01:41:41,680 --> 01:41:42,240
Speaker 3: don't doubt it.

2290
01:41:42,840 --> 01:41:45,000
Speaker 4: Yeah, I love bringing back Travis Porter.

2291
01:41:45,840 --> 01:41:50,120
Speaker 3: The record that I'm most excited for Rooms featuring NBA,

2292
01:41:50,200 --> 01:41:50,679
Speaker 3: Young Boy.

2293
01:41:50,640 --> 01:41:51,360
Speaker 2: And Chief Keith.

2294
01:41:52,479 --> 01:41:54,439
Speaker 1: Oh. No, I'm a lot like no, I like, I'm

2295
01:41:54,439 --> 01:41:56,880
Speaker 1: gonnahoose To, I'm a civilian and shit, but like we

2296
01:41:57,120 --> 01:42:00,720
Speaker 1: might need to take my gun and go somewhere and

2297
01:42:00,920 --> 01:42:03,400
Speaker 1: go somewhere. But where are we going?

2298
01:42:03,439 --> 01:42:06,000
Speaker 4: I don't know, but like, let's just go somewhere. Okay,

2299
01:42:06,160 --> 01:42:06,960
Speaker 4: let's just figure it out.

2300
01:42:07,560 --> 01:42:08,360
Speaker 1: Do you know a bus it?

2301
01:42:08,400 --> 01:42:09,760
Speaker 2: Though, I'm not going nowhere with you. If you don't

2302
01:42:09,760 --> 01:42:10,799
Speaker 2: know how to bus show gun.

2303
01:42:13,080 --> 01:42:13,320
Speaker 1: I will.

2304
01:42:13,439 --> 01:42:15,320
Speaker 3: I will send you all my results every time I

2305
01:42:15,360 --> 01:42:18,200
Speaker 3: go to Atlanta. I go to the range every time.

2306
01:42:18,360 --> 01:42:20,400
Speaker 2: Why are you gonna it's ranges in Jersey? I don't

2307
01:42:20,400 --> 01:42:20,640
Speaker 2: been to.

2308
01:42:20,880 --> 01:42:23,000
Speaker 3: Yeah, but them they don't. They don't accept my guns.

2309
01:42:24,360 --> 01:42:26,960
Speaker 3: And you need a different type of It's not the

2310
01:42:26,960 --> 01:42:28,880
Speaker 3: way Atlanta. You walk in and they don't even ask

2311
01:42:28,920 --> 01:42:30,040
Speaker 3: you you've ever held a gun before?

2312
01:42:30,920 --> 01:42:33,000
Speaker 2: That's what I did in Jersey. But you know that's

2313
01:42:33,000 --> 01:42:34,519
Speaker 2: what's so crazy. Like Atlanta.

2314
01:42:34,640 --> 01:42:36,720
Speaker 3: Literally, you could just walk in and as long as

2315
01:42:36,760 --> 01:42:39,040
Speaker 3: you have the cash, they will give you an assault

2316
01:42:39,080 --> 01:42:41,960
Speaker 3: rifle and be like, well, they won't even ask you

2317
01:42:41,960 --> 01:42:43,040
Speaker 3: if you know how to put a clip in.

2318
01:42:44,120 --> 01:42:46,720
Speaker 5: But you can do that in Jersey too, I promise you.

2319
01:42:47,320 --> 01:42:49,040
Speaker 5: My first time ever shooting a gun was in Jersey.

2320
01:42:49,080 --> 01:42:50,280
Speaker 5: I just walked in and was like, hey, guys, I

2321
01:42:50,320 --> 01:42:50,760
Speaker 5: want to shoot.

2322
01:42:50,760 --> 01:42:51,599
Speaker 2: All right, he gave me a gun.

2323
01:42:51,720 --> 01:42:53,320
Speaker 4: Springfield Avenue in York doesn't count.

2324
01:42:57,400 --> 01:43:01,040
Speaker 2: It's called OFG And what you think the O F

2325
01:43:01,160 --> 01:43:01,559
Speaker 2: stand for.

2326
01:43:05,200 --> 01:43:06,200
Speaker 4: Ryan's is the only fans?

2327
01:43:06,280 --> 01:43:06,439
Speaker 5: Girl?

2328
01:43:06,560 --> 01:43:07,439
Speaker 4: Is the J Cole record?

2329
01:43:07,560 --> 01:43:11,240
Speaker 2: You too horny? Ryan? You too horny? Baby?

2330
01:43:11,600 --> 01:43:14,240
Speaker 4: That's I don't know what it stands for.

2331
01:43:14,439 --> 01:43:17,120
Speaker 3: I mean, I do like anytime Mike Will and coleor together,

2332
01:43:18,360 --> 01:43:19,840
Speaker 3: But I hope it's not one of the old records

2333
01:43:19,840 --> 01:43:21,400
Speaker 3: from like those sessions a few years ago.

2334
01:43:22,200 --> 01:43:24,920
Speaker 5: Oh standard, Oh that's Travis Porter am Mowna Leo. Yeah,

2335
01:43:25,000 --> 01:43:28,360
Speaker 5: I'm on that just looking at this this track list,

2336
01:43:28,560 --> 01:43:31,080
Speaker 5: like Mike Will is just trying to make good music.

2337
01:43:31,960 --> 01:43:35,400
Speaker 2: Yeah, t I, Young dro and Killer Mike. I'm with that.

2338
01:43:36,240 --> 01:43:36,720
Speaker 2: I'm with that.

2339
01:43:37,320 --> 01:43:41,000
Speaker 1: Skipping over that TZ touchdown Ludacris record. Yeah that might be.

2340
01:43:41,040 --> 01:43:43,360
Speaker 3: Crazy dts O front of the show. I definitely want

2341
01:43:43,400 --> 01:43:45,479
Speaker 3: of your ts and lute together and swey Lee by

2342
01:43:45,560 --> 01:43:50,960
Speaker 3: himself okay, see low by himself. I just like this

2343
01:43:51,080 --> 01:43:53,280
Speaker 3: track list. Usually we don't judge it off track list,

2344
01:43:53,320 --> 01:43:58,639
Speaker 3: but I don't know. I'm excited, willing to produce everything. Yeah,

2345
01:43:58,680 --> 01:44:00,400
Speaker 3: I always get excited in niggas let me down.

2346
01:44:00,439 --> 01:44:01,160
Speaker 2: On toide of that, So.

2347
01:44:02,720 --> 01:44:04,240
Speaker 1: It's Mike Will that's pessimistic.

2348
01:44:04,360 --> 01:44:06,680
Speaker 2: See, but I don't think that that's pessimistic.

2349
01:44:07,479 --> 01:44:09,599
Speaker 1: I always get excited and niggas always let me down.

2350
01:44:09,840 --> 01:44:11,960
Speaker 5: That's just the truth. Me saying a nigga's going to

2351
01:44:12,080 --> 01:44:14,360
Speaker 5: let me down, that's pessimistic. I didn't say he's gonna

2352
01:44:14,400 --> 01:44:16,080
Speaker 5: let me down. I'm saying it's been happened.

2353
01:44:15,880 --> 01:44:19,320
Speaker 1: To me before you know Mike will is on that

2354
01:44:19,400 --> 01:44:22,200
Speaker 1: short list for me. Oh no, Mike Willi is perfect.

2355
01:44:23,000 --> 01:44:24,519
Speaker 1: He I don't think he's ever let me down.

2356
01:44:25,439 --> 01:44:26,680
Speaker 4: No a list.

2357
01:44:26,880 --> 01:44:29,479
Speaker 3: I mean he's a list too, But like legendary legendary

2358
01:44:29,479 --> 01:44:31,559
Speaker 3: producers have let me down. I can't think of the time.

2359
01:44:31,439 --> 01:44:32,240
Speaker 4: Mike Will let me do.

2360
01:44:32,960 --> 01:44:34,160
Speaker 1: You should send them some flowers.

2361
01:44:34,680 --> 01:44:37,960
Speaker 2: I mean, if it'll accept them, take him on the date.

2362
01:44:38,040 --> 01:44:43,760
Speaker 2: Maybe you love him so much. That was mean, guys,

2363
01:44:43,800 --> 01:44:44,320
Speaker 2: that was meanly.

2364
01:44:44,960 --> 01:44:48,120
Speaker 1: I'm sorry, Saint Patrick. I'm sorry seeing Patrick day once

2365
01:44:48,160 --> 01:44:51,120
Speaker 1: again to all of our Irish lads and laddets. Is

2366
01:44:51,160 --> 01:44:52,599
Speaker 1: that what they call yeah lidettes?

2367
01:44:52,760 --> 01:44:53,200
Speaker 4: Exactly what.

2368
01:44:55,479 --> 01:44:58,760
Speaker 1: Rory and the Lidebt's hopefully Rory right now. As where

2369
01:44:59,240 --> 01:45:01,240
Speaker 1: hear in the little world hearing the show on Fifth Avenue,

2370
01:45:01,280 --> 01:45:04,519
Speaker 1: having a great time with the family. I will be there,

2371
01:45:04,720 --> 01:45:07,160
Speaker 1: yeah man, and we'll talk to y'all soon. Be safe,

2372
01:45:07,560 --> 01:45:11,360
Speaker 1: be blessed. I'm that nigga. He's just ginger happy. Saint

2373
01:45:11,400 --> 01:45:11,960
Speaker 1: Patrick's day.

2374
01:45:12,840 --> 01:45:13,640
Speaker 2: Willian No