1
00:00:01,440 --> 00:00:09,039
Speaker 1: The Dangerous Morning Show, the Breakfast Club. Y'all together, y'all

2
00:00:09,119 --> 00:00:11,520
Speaker 1: are like a manga for us. Y'all just took over

3
00:00:12,840 --> 00:00:16,360
Speaker 1: your past. This Chris Brown, I've officially joined the Breakfast Club.

4
00:00:16,520 --> 00:00:24,560
Speaker 1: Say something, mother, I'm Dangerous Morning Shows Club is your

5
00:00:24,600 --> 00:00:26,400
Speaker 1: time to get it off your chest, whether you're man

6
00:00:26,560 --> 00:00:28,920
Speaker 1: or blast. So people to have the same Indy. We

7
00:00:29,000 --> 00:00:31,440
Speaker 1: want to hear from you on the Breakfast Club. Hello.

8
00:00:31,480 --> 00:00:35,000
Speaker 1: Who's this? This is Ashley. How are you guys this morning?

9
00:00:35,040 --> 00:00:40,120
Speaker 1: Good morning? I'm calling from Dayton, Ohio. How are you guys?

10
00:00:40,360 --> 00:00:43,040
Speaker 1: We all black and highly favored? Well, I'm black? How

11
00:00:44,120 --> 00:00:47,640
Speaker 1: I'm black? You are so extras. Everybody's black on the panel.

12
00:00:48,040 --> 00:00:51,120
Speaker 1: That is not true. I'm the panel. You're all black?

13
00:00:51,120 --> 00:00:54,040
Speaker 1: What's up? Ast? Okay? So my thing is okay. So

14
00:00:54,080 --> 00:00:56,480
Speaker 1: I've been dealing with a guy for close to eight years,

15
00:00:56,560 --> 00:00:59,760
Speaker 1: right and it's all good. But my thing is he

16
00:01:00,040 --> 00:01:03,280
Speaker 1: doesn't want to like he keeps that I'm wifey. You

17
00:01:03,280 --> 00:01:07,240
Speaker 1: know that term like wifey, right, Like that has that

18
00:01:07,319 --> 00:01:09,600
Speaker 1: has to come with something more than words. So like

19
00:01:09,840 --> 00:01:12,039
Speaker 1: what's too long to wait when you're when you're dealing

20
00:01:12,040 --> 00:01:14,399
Speaker 1: with a guy before you cut it off? If it's

21
00:01:14,440 --> 00:01:20,240
Speaker 1: not marriage. How older you I'm thirty two years callie,

22
00:01:20,319 --> 00:01:22,720
Speaker 1: it's been eight years. So what is it that you want?

23
00:01:22,800 --> 00:01:24,679
Speaker 1: Because it's really more about it. If you guys are

24
00:01:24,840 --> 00:01:27,560
Speaker 1: matching up as far as your future together, what does

25
00:01:27,560 --> 00:01:29,520
Speaker 1: he want and what does what do you win? Clearly

26
00:01:29,680 --> 00:01:32,640
Speaker 1: you want to be the wife. Share We share a son, okay,

27
00:01:32,680 --> 00:01:36,560
Speaker 1: so we call parents pretty good, right, and um, I

28
00:01:36,600 --> 00:01:39,199
Speaker 1: don't know. To me, I just think that he's pushing

29
00:01:39,240 --> 00:01:41,520
Speaker 1: it back like it. I feel like if you want something,

30
00:01:41,520 --> 00:01:44,839
Speaker 1: you're obtaining it, right, and so I think it's excuses

31
00:01:44,920 --> 00:01:47,320
Speaker 1: like day after day like, oh, it's not it's not this,

32
00:01:47,560 --> 00:01:49,560
Speaker 1: it's dead. I do want to marry you. We're gonna

33
00:01:49,600 --> 00:01:53,240
Speaker 1: get their film, you know. But I'm like, let me

34
00:01:53,240 --> 00:01:55,480
Speaker 1: give you a little hope. Me and my wife been together,

35
00:01:55,760 --> 00:01:58,600
Speaker 1: oh boy, since nineteen ninety eight, so whatever the math, ficks,

36
00:01:58,640 --> 00:02:00,480
Speaker 1: I don't know, twenty one, twenty two year, we've been

37
00:02:00,520 --> 00:02:04,720
Speaker 1: married five Okay. That's all I got for you. So

38
00:02:04,760 --> 00:02:07,120
Speaker 1: if you, if you you know, want to wait that long,

39
00:02:07,280 --> 00:02:10,960
Speaker 1: just stay down, y'all. Already share a son, as you said,

40
00:02:11,520 --> 00:02:13,680
Speaker 1: make it sound like it's an airbnb. But good luck

41
00:02:13,680 --> 00:02:19,560
Speaker 1: for mamma. I share a son. We share a son. Hello,

42
00:02:19,600 --> 00:02:23,760
Speaker 1: who's this? QUI calling from the Bull City Club? What

43
00:02:23,919 --> 00:02:26,840
Speaker 1: up making off the ball City? What's going on? It's

44
00:02:26,880 --> 00:02:30,079
Speaker 1: out here during roy? Yeah? Yeah, yeah, okay, got you? Hey?

45
00:02:30,120 --> 00:02:31,720
Speaker 1: Can I shut out my wife right quick? That's when

46
00:02:31,720 --> 00:02:34,480
Speaker 1: to shut my wife? Sheen out? He did had our

47
00:02:34,520 --> 00:02:38,720
Speaker 1: baby girl or your um? October twenty second? My beautiful wife,

48
00:02:39,120 --> 00:02:42,119
Speaker 1: strongest woman I know. Man who shout her? My two

49
00:02:42,160 --> 00:02:45,440
Speaker 1: boys Elijah and I might say out, y'all have a

50
00:02:45,480 --> 00:02:49,240
Speaker 1: blessed day? Yea, sir? Hello, who's this? Hi? My name

51
00:02:49,280 --> 00:02:53,880
Speaker 1: is Okay, I'm yeah. What's someme? I'm gonna get off

52
00:02:53,919 --> 00:02:58,919
Speaker 1: your chest? I have a question for and so, well,

53
00:02:58,919 --> 00:03:03,480
Speaker 1: how do you say saying that you can't wear some

54
00:03:03,560 --> 00:03:06,040
Speaker 1: type of dress? So, guy that's your boyfriends say he

55
00:03:06,080 --> 00:03:07,840
Speaker 1: can't wear some type of drass or some kind of

56
00:03:07,880 --> 00:03:10,920
Speaker 1: outfit because he doesn't like it in it, but he

57
00:03:11,040 --> 00:03:15,160
Speaker 1: likes grows on Instagram in the same outfit. Well, first

58
00:03:15,200 --> 00:03:17,760
Speaker 1: of all, he can't tell you what you can and

59
00:03:17,760 --> 00:03:20,280
Speaker 1: can't wear. That's completely up to you. So let's get

60
00:03:20,320 --> 00:03:24,040
Speaker 1: that straight first and foremost. And that's a silly reason. Now,

61
00:03:24,080 --> 00:03:26,440
Speaker 1: he could not like something that you wear and he

62
00:03:26,480 --> 00:03:28,679
Speaker 1: can't express himself in that way, but he can't tell

63
00:03:28,720 --> 00:03:30,720
Speaker 1: you you can't wear it. So now it's up to

64
00:03:30,760 --> 00:03:33,240
Speaker 1: you how you react to that. Do you say, Okay,

65
00:03:33,280 --> 00:03:35,080
Speaker 1: I'm going to do what I want to do and

66
00:03:35,480 --> 00:03:37,480
Speaker 1: make this stand that I'm going to take so you

67
00:03:37,520 --> 00:03:40,160
Speaker 1: don't try this in the future, or do you say, okay,

68
00:03:40,240 --> 00:03:41,720
Speaker 1: let me listen to what he's saying and see if

69
00:03:41,720 --> 00:03:43,960
Speaker 1: there's a valid reason that he feels that way, and

70
00:03:44,000 --> 00:03:47,160
Speaker 1: then we can discuss it. It's up to you. Okay, Well,

71
00:03:47,200 --> 00:03:51,160
Speaker 1: what is it? Like he doesn't like it because he

72
00:03:51,200 --> 00:03:53,119
Speaker 1: doesn't want it? Like what if you wear it while

73
00:03:53,120 --> 00:03:56,240
Speaker 1: you're with him? Like it's a dress with a foot

74
00:03:56,360 --> 00:03:58,720
Speaker 1: in it, but he doesn't like the foot. I mean,

75
00:03:58,760 --> 00:04:01,440
Speaker 1: with him going out, there's nothing he could really do

76
00:04:01,480 --> 00:04:04,280
Speaker 1: about it. It's not really on him. He should think

77
00:04:04,320 --> 00:04:07,360
Speaker 1: that you're his girl and here you know, you know

78
00:04:07,360 --> 00:04:10,680
Speaker 1: how to dress and you look cute. I don't think that. Um,

79
00:04:10,800 --> 00:04:12,160
Speaker 1: he can tell you what to wear and what not

80
00:04:12,240 --> 00:04:14,160
Speaker 1: to wear, that's all. What's he gonna do? Take you

81
00:04:14,280 --> 00:04:17,440
Speaker 1: home and say we're not going out anymore. Do you

82
00:04:17,440 --> 00:04:22,080
Speaker 1: ever tell him how to dress? No? No, really, it's

83
00:04:22,120 --> 00:04:25,200
Speaker 1: just like I don't know. It's really weird to me.

84
00:04:25,440 --> 00:04:27,600
Speaker 1: We had this discussion like the other day because I

85
00:04:27,680 --> 00:04:29,920
Speaker 1: wanted to wear a dress and he was like, I

86
00:04:29,960 --> 00:04:32,280
Speaker 1: don't want anybody else to see it. Well tell him

87
00:04:32,279 --> 00:04:37,040
Speaker 1: to value girls and short shorts and shy And I'm like,

88
00:04:37,320 --> 00:04:41,159
Speaker 1: is that because me? Were like, well, tell him to

89
00:04:41,200 --> 00:04:44,680
Speaker 1: value some clothes that he likes. Then have a good one. Mama. Hello,

90
00:04:44,760 --> 00:04:49,039
Speaker 1: who's this? Hey? This is Jay j Get off your chest? Hey,

91
00:04:49,080 --> 00:04:55,440
Speaker 1: how you Good morning a league, Good morning, Charlomagney. Guy's man,

92
00:04:55,440 --> 00:04:56,880
Speaker 1: I got a bone to pick with your man. Pick

93
00:04:56,960 --> 00:05:00,000
Speaker 1: my bone, man. A matter of fact, it's about your bone. Man.

94
00:05:00,080 --> 00:05:02,320
Speaker 1: Why you be out here telling people that you got

95
00:05:02,320 --> 00:05:05,320
Speaker 1: an average penis? Man, that's a whole lie. Bro. How

96
00:05:05,360 --> 00:05:08,360
Speaker 1: do you How do you know I don't have average penis? Sir? Well,

97
00:05:08,400 --> 00:05:10,600
Speaker 1: you be saying I don't. I don't know. But here's

98
00:05:10,640 --> 00:05:12,320
Speaker 1: my thing. If you got if you and what you

99
00:05:12,400 --> 00:05:14,320
Speaker 1: say is like you're talking about Joe pea size all

100
00:05:14,360 --> 00:05:18,479
Speaker 1: the pope. What that size that you say? Tell me

101
00:05:18,520 --> 00:05:20,360
Speaker 1: my measurements? No, no, no, no, no no, no, no, tell

102
00:05:20,400 --> 00:05:22,560
Speaker 1: me my measurement, sir. Come on, let me know that

103
00:05:22,600 --> 00:05:25,360
Speaker 1: you listen. Tell me, Hey, man, a little man, you've

104
00:05:25,400 --> 00:05:27,080
Speaker 1: been talking about a lot of know what you've been saying?

105
00:05:27,080 --> 00:05:30,320
Speaker 1: Seven or something? Man? A seven inches three fourth eight

106
00:05:30,360 --> 00:05:32,279
Speaker 1: when it is warm out, about two and a half

107
00:05:32,320 --> 00:05:34,280
Speaker 1: inches of girth maybe three? Anything else you need to

108
00:05:34,320 --> 00:05:36,839
Speaker 1: know now that No, no, no, that's true. That's a

109
00:05:36,839 --> 00:05:39,960
Speaker 1: lot because the world average about five point five. So

110
00:05:40,040 --> 00:05:41,880
Speaker 1: why you be out here to raised the women's explications?

111
00:05:41,960 --> 00:05:44,520
Speaker 1: Oh so you're telling me I'm above average? Hey man,

112
00:05:44,560 --> 00:05:47,160
Speaker 1: I'm just telling you the facts. Man, I appreciate you, ken't.

113
00:05:47,160 --> 00:05:49,920
Speaker 1: I needed that that boost of confidence this morning. Thank you, KNT.

114
00:05:50,360 --> 00:05:53,279
Speaker 1: I'm kind of kind appreciate that. No, it don't sound weird.

115
00:05:53,320 --> 00:05:55,200
Speaker 1: That's the problem y'all think stuff like this is weird.

116
00:05:55,240 --> 00:05:58,120
Speaker 1: Brothers can kind of explications. Man, that's all I'm saying.

117
00:05:58,160 --> 00:05:59,880
Speaker 1: You don't have a girls thinking of seven something to

118
00:06:01,000 --> 00:06:03,000
Speaker 1: the average when that's not true, Sir, I don't care

119
00:06:03,080 --> 00:06:05,359
Speaker 1: what girls girls think because black men don't cheat. I

120
00:06:05,400 --> 00:06:08,240
Speaker 1: have a beautiful wife at home, and to me, it's average.

121
00:06:08,240 --> 00:06:11,200
Speaker 1: I've been hearing about that black man don't cheat. I

122
00:06:11,279 --> 00:06:12,919
Speaker 1: was with my girl about the year now, man, so

123
00:06:13,120 --> 00:06:15,640
Speaker 1: I'm with you on that. Well, thank you for that confidence.

124
00:06:15,640 --> 00:06:18,200
Speaker 1: Boostlet's morning, sir. I appreciate you thinking my penis size

125
00:06:18,240 --> 00:06:20,039
Speaker 1: is above average. That's real. That's just odd that he

126
00:06:20,080 --> 00:06:21,520
Speaker 1: was thinking about it. But get it off your chest

127
00:06:21,600 --> 00:06:23,839
Speaker 1: eight hundred five eight five one on five one. If

128
00:06:23,880 --> 00:06:25,120
Speaker 1: you need to vent hit us up now. It was

129
00:06:25,160 --> 00:06:31,200
Speaker 1: the Breakfast Club. Good morning, the breakfast Club. Wake up,

130
00:06:31,240 --> 00:06:34,920
Speaker 1: wake up, wake y'all your time to get it off

131
00:06:34,920 --> 00:06:38,640
Speaker 1: your chest? Your man or black we want to hear

132
00:06:38,680 --> 00:06:46,479
Speaker 1: from you on a breakfast club. Hello. Who's this? You

133
00:06:46,520 --> 00:06:49,000
Speaker 1: cannot be named after one of the most legendary hip

134
00:06:49,040 --> 00:06:52,000
Speaker 1: hop iconic figures ever, sir, And it's Angela. Ye bro,

135
00:06:52,080 --> 00:06:55,280
Speaker 1: what's up? Hey y'all doing this morning? I want to

136
00:06:55,279 --> 00:06:57,120
Speaker 1: give a shout out to my daughter till you your

137
00:06:57,200 --> 00:07:00,920
Speaker 1: little jar Man. Stop. That's your real name? Your real

138
00:07:01,000 --> 00:07:04,680
Speaker 1: last name is Little John. Yeah, yeah, okay, I get it.

139
00:07:04,960 --> 00:07:08,719
Speaker 1: She's graduating college. Okay, and uh go follow on Instagram.

140
00:07:08,760 --> 00:07:12,880
Speaker 1: Little John four k, Hey, congratulations, congratulators to you being

141
00:07:12,880 --> 00:07:14,960
Speaker 1: a black man who raised the fine young daughter. Sir,

142
00:07:15,440 --> 00:07:17,840
Speaker 1: Thank you, brother, thank you, yes sir? All right, have

143
00:07:17,880 --> 00:07:20,880
Speaker 1: a going brother, chuckout. I don't know YouTube too, Little

144
00:07:20,960 --> 00:07:25,200
Speaker 1: John four k all right, Little John? Hello, who's this. Hey,

145
00:07:25,280 --> 00:07:28,320
Speaker 1: what's up? Man is David? Yo? This's envy? David? What's up?

146
00:07:28,440 --> 00:07:33,000
Speaker 1: Get off your chance? Bro? Oh no, envy? What up? Man?

147
00:07:33,040 --> 00:07:38,200
Speaker 1: With up? Charl the main Anthelae peace King? How you? Oh? Man? No,

148
00:07:38,360 --> 00:07:40,160
Speaker 1: I just want to get off my chest. Man. I'm

149
00:07:40,360 --> 00:07:43,680
Speaker 1: so excited right now. But now I got this racist manager. Man,

150
00:07:43,800 --> 00:07:46,560
Speaker 1: I work in a factory. May he's a foreman, you know.

151
00:07:46,800 --> 00:07:49,960
Speaker 1: And then he's given all the white heads, white people

152
00:07:50,360 --> 00:07:54,720
Speaker 1: two dollars races. He's only giving us us one dollar raisers. Man,

153
00:07:54,760 --> 00:07:57,360
Speaker 1: I don't know what to do. Man, driving me nuts?

154
00:07:57,360 --> 00:08:01,960
Speaker 1: So I don't know they it really it's literally all

155
00:08:02,000 --> 00:08:04,960
Speaker 1: the white people are getting two dollar raises. Yeah, like

156
00:08:05,080 --> 00:08:07,040
Speaker 1: you know, we like we put in the work, you know,

157
00:08:07,040 --> 00:08:09,680
Speaker 1: and uh they all go out fishing and all that.

158
00:08:09,720 --> 00:08:11,240
Speaker 1: You know what I mean? Don't go out and you

159
00:08:11,400 --> 00:08:13,560
Speaker 1: might have a class action lawsuit. Why don't you want?

160
00:08:13,720 --> 00:08:15,920
Speaker 1: Did you go to human resources? And I don't even know?

161
00:08:16,200 --> 00:08:17,920
Speaker 1: Can you go to human Russell's complaint? Is that where

162
00:08:17,920 --> 00:08:19,840
Speaker 1: he goes? I don't know. No, I don't know, but

163
00:08:20,000 --> 00:08:22,200
Speaker 1: y'all all I want to know. I want the stairs, yo.

164
00:08:22,280 --> 00:08:24,800
Speaker 1: I'm mad excited right now, like I love y'all. You

165
00:08:24,840 --> 00:08:26,880
Speaker 1: know what I mean, y'all keeping real, you know, I

166
00:08:26,960 --> 00:08:29,560
Speaker 1: listened to y'all that work, you know, YouTube and all that.

167
00:08:29,600 --> 00:08:31,880
Speaker 1: You know what I mean. All right, we couldn't help

168
00:08:31,920 --> 00:08:34,559
Speaker 1: you with um, you know, firing your foreman or getting

169
00:08:34,559 --> 00:08:37,560
Speaker 1: at him. I don't know. Hello, who's this? Hey? What's

170
00:08:37,600 --> 00:08:40,319
Speaker 1: up this? Nikki? Nikki? What's up? Getting off her chests? NIGGI.

171
00:08:40,920 --> 00:08:43,240
Speaker 1: I'm so sad that I didn't know that was a

172
00:08:43,320 --> 00:08:44,880
Speaker 1: detour on my way to work, and I had to

173
00:08:44,960 --> 00:08:47,120
Speaker 1: drive all the way around to get to a place

174
00:08:47,200 --> 00:08:50,280
Speaker 1: that was like right there. Don't you hate when that happens.

175
00:08:50,720 --> 00:08:53,200
Speaker 1: I absolutely hate it. And then you running a little

176
00:08:53,240 --> 00:08:55,559
Speaker 1: late now because the detour got you off ten minutes,

177
00:08:55,559 --> 00:08:58,520
Speaker 1: and that ten minutes meant everything new. Well, I leave

178
00:08:58,679 --> 00:09:02,840
Speaker 1: real early, so I wasn't later. That just happens to me.

179
00:09:02,880 --> 00:09:05,480
Speaker 1: Create a bus for that, all right? Thank you, Mama,

180
00:09:05,640 --> 00:09:09,360
Speaker 1: Me too? Hello, who's this market? Hey? Markey to get

181
00:09:09,400 --> 00:09:13,000
Speaker 1: it off your chests? Okay, Charlomagne's there, Yes, ma'am, I'm here.

182
00:09:13,640 --> 00:09:15,800
Speaker 1: I feel like you should be able to pre record

183
00:09:15,800 --> 00:09:18,040
Speaker 1: the yo yo yos in the morning. I think so too.

184
00:09:18,440 --> 00:09:19,959
Speaker 1: I feel like it should happen I mean if the

185
00:09:20,000 --> 00:09:21,960
Speaker 1: contract say six o five, than it is what it

186
00:09:22,040 --> 00:09:25,280
Speaker 1: is exactly. No, he can't do that. Sorry, why not?

187
00:09:25,440 --> 00:09:28,079
Speaker 1: Because it's feeling. It's feeling. They should have been a

188
00:09:28,200 --> 00:09:30,600
Speaker 1: ko yo yo yo yo yo tomorrow should have been

189
00:09:30,600 --> 00:09:33,440
Speaker 1: a this yo yo, like you have different feeling, different expressions.

190
00:09:33,440 --> 00:09:34,680
Speaker 1: We don't just want to hear the same yo yo

191
00:09:34,800 --> 00:09:37,719
Speaker 1: yo every day. Not really. The yo yo yo is

192
00:09:37,760 --> 00:09:40,040
Speaker 1: what you make it right, and then we can say

193
00:09:40,040 --> 00:09:42,040
Speaker 1: it with them. So I feel like he should clean report.

194
00:09:42,400 --> 00:09:45,040
Speaker 1: I think I'm gonna do that for you bo goodbye Hello,

195
00:09:45,040 --> 00:09:49,880
Speaker 1: who's ends up on marketa like that? Hello, Hello, good morning,

196
00:09:50,240 --> 00:09:56,360
Speaker 1: morning morning Yo. Why are you guys playing that like

197
00:09:56,400 --> 00:09:59,080
Speaker 1: the video song? And I prof your song like it's

198
00:09:59,120 --> 00:10:01,599
Speaker 1: the only Africive song in the world. You don't like that,

199
00:10:01,679 --> 00:10:03,600
Speaker 1: So I don't know why NV keep playing that same

200
00:10:03,600 --> 00:10:06,640
Speaker 1: song over and over. Other afric beat music out here,

201
00:10:06,840 --> 00:10:11,680
Speaker 1: no more African song like socc Yeah from Ghana, like

202
00:10:11,720 --> 00:10:14,040
Speaker 1: all this other African songs. But you guys to play

203
00:10:14,080 --> 00:10:16,480
Speaker 1: like that through Africa's like when you show up to

204
00:10:16,559 --> 00:10:19,440
Speaker 1: like a like a party and then they're like, oh,

205
00:10:19,520 --> 00:10:22,600
Speaker 1: you were play prisons, so you must like fighting chickens well, listen,

206
00:10:22,640 --> 00:10:26,040
Speaker 1: here's the thing. You know, radio, we treat the African

207
00:10:26,120 --> 00:10:27,880
Speaker 1: artists the same way we treat the American artist who

208
00:10:27,880 --> 00:10:29,719
Speaker 1: played the same American songs over and over. We play

209
00:10:29,760 --> 00:10:32,760
Speaker 1: the same African song. There's no difference. Come on, it's

210
00:10:32,800 --> 00:10:37,280
Speaker 1: just not you guys like jo By jo By. Yeah,

211
00:10:37,559 --> 00:10:40,080
Speaker 1: they come on, man, the can go song from Ghana

212
00:10:40,200 --> 00:10:42,800
Speaker 1: like you know, good artists from Ghana soccer they do

213
00:10:43,000 --> 00:10:45,800
Speaker 1: just want to be to your ward. Yeah. But you

214
00:10:45,880 --> 00:10:49,360
Speaker 1: know Burner Boy Yeah, burna Boy is okay. We have

215
00:10:49,480 --> 00:10:51,680
Speaker 1: Burner Boy up here. I'm telling about somebody else. Shut

216
00:10:51,720 --> 00:10:54,360
Speaker 1: the shout the wallet from Ghana. Come on, man, bro,

217
00:10:54,520 --> 00:10:58,560
Speaker 1: bro bro, We don't pick the records. That's all the music. Man.

218
00:10:58,600 --> 00:11:00,959
Speaker 1: People believe it. They believe that about his fake stop it.

219
00:11:01,160 --> 00:11:03,839
Speaker 1: It's the truth. Goodbye, sir, you have a great weekend.

220
00:11:04,040 --> 00:11:06,360
Speaker 1: Get it off your chests. Eight hundred five A five

221
00:11:06,440 --> 00:11:08,040
Speaker 1: one oh five one. If you need to vent, hit

222
00:11:08,120 --> 00:11:10,120
Speaker 1: us up now. It's the Breakfast Club. Good morning, the

223
00:11:10,360 --> 00:11:18,120
Speaker 1: Breakfast Club. Morning. Everybody's DJ mvy Angela Yee, Charlomagne the guy.

224
00:11:18,160 --> 00:11:20,200
Speaker 1: We all the Breakfast Club. We got a special guest

225
00:11:20,280 --> 00:11:25,439
Speaker 1: in the building. Hi, thanks for having me. Bad. She

226
00:11:25,600 --> 00:11:28,679
Speaker 1: was early today. Yes, he wasn't onna rap all this time. No,

227
00:11:28,920 --> 00:11:30,840
Speaker 1: it was an hour and a half early, so early.

228
00:11:31,040 --> 00:11:34,000
Speaker 1: I was early because I'm trying to change the narrative

229
00:11:34,040 --> 00:11:39,559
Speaker 1: about big women being late and lazy. Don't you know

230
00:11:39,640 --> 00:11:42,400
Speaker 1: what it is? People say, what's your thing is? Black

231
00:11:42,480 --> 00:11:45,880
Speaker 1: men don't cheat? Okay, well, fat bitches don't eat. Then

232
00:11:46,040 --> 00:11:49,320
Speaker 1: if we tell them lies, let's tell them all who

233
00:11:49,400 --> 00:11:54,200
Speaker 1: don't cheat? I'm playing. You said, who don't cheat? Listen,

234
00:11:54,320 --> 00:11:56,679
Speaker 1: black men don't cheat. We're changing the narrative. Okay, you're

235
00:11:56,760 --> 00:12:00,560
Speaker 1: changing a big bitches. We don't eat. We just got

236
00:12:00,640 --> 00:12:03,160
Speaker 1: this way because God wants us to be flumpy and lumpy.

237
00:12:03,480 --> 00:12:06,040
Speaker 1: I do feel like that big y'allun stop. I am

238
00:12:06,160 --> 00:12:10,680
Speaker 1: very curvy and all the right places. Yes, heavy breast,

239
00:12:10,800 --> 00:12:13,719
Speaker 1: heavy thighs, but you know I cannot deny that I

240
00:12:13,800 --> 00:12:16,200
Speaker 1: have a gut. Anytime a man has to lift up

241
00:12:16,240 --> 00:12:18,319
Speaker 1: the hood to get in there, you know you're a

242
00:12:18,360 --> 00:12:21,360
Speaker 1: big girl. So I love the outfit, thank you. I

243
00:12:21,440 --> 00:12:25,200
Speaker 1: love the colors. Yes, taste the rainbow. Speaking of taste

244
00:12:25,200 --> 00:12:26,480
Speaker 1: the rainbow, how did they lift up the hood? What

245
00:12:26,559 --> 00:12:28,200
Speaker 1: did they do? Like? Did they actually grab your stomach

246
00:12:28,240 --> 00:12:29,760
Speaker 1: and don't act like you ain't been with no big

247
00:12:29,800 --> 00:12:32,839
Speaker 1: bitch before. You know what to do. Come on now,

248
00:12:33,880 --> 00:12:37,000
Speaker 1: picture I mean one time I did one time. Yeah,

249
00:12:37,280 --> 00:12:39,120
Speaker 1: you have to lift the hood. Nah, she laid on

250
00:12:39,160 --> 00:12:42,840
Speaker 1: the floor. And the women are big. Women are more

251
00:12:42,880 --> 00:12:45,559
Speaker 1: flexible than people think. Yes, I am very flexible. But

252
00:12:45,679 --> 00:12:47,199
Speaker 1: if you didn't have to lift up the hood on

253
00:12:47,240 --> 00:12:49,280
Speaker 1: a big woman, that's because she was doing a summersault

254
00:12:49,280 --> 00:12:51,000
Speaker 1: while you was trying to get around and then everything

255
00:12:51,080 --> 00:12:56,319
Speaker 1: just fell down kind of guys you like, No, it

256
00:12:56,440 --> 00:12:58,439
Speaker 1: was a quickie because we were trying to do it

257
00:12:58,440 --> 00:13:00,439
Speaker 1: before her father came back on its way back in

258
00:13:00,480 --> 00:13:02,280
Speaker 1: the day. Okay, Yeah, I had did a weekend in

259
00:13:02,360 --> 00:13:05,280
Speaker 1: jail and I was just horny. Her name, her name was.

260
00:13:05,559 --> 00:13:07,800
Speaker 1: She used to call herself big, big nasty, like you

261
00:13:07,840 --> 00:13:09,280
Speaker 1: know how she used to have an airbrush on the

262
00:13:09,320 --> 00:13:15,240
Speaker 1: front of her Honda real quick and dip off into

263
00:13:15,280 --> 00:13:19,040
Speaker 1: big Nastis I just spent this weekend in jail, any man? Yeah?

264
00:13:20,840 --> 00:13:22,360
Speaker 1: What kind of body things do you like? When it

265
00:13:22,400 --> 00:13:24,800
Speaker 1: comes to guys? So do you have a preference? Um? Well,

266
00:13:24,960 --> 00:13:28,840
Speaker 1: skinny guys normally like me. Short guys like me, um,

267
00:13:29,160 --> 00:13:31,400
Speaker 1: But I don't have a preference when it comes to guys,

268
00:13:31,480 --> 00:13:34,960
Speaker 1: I am dealing with a nice, cute, little twenty nine

269
00:13:35,040 --> 00:13:42,839
Speaker 1: year old right now. He's black, that's even black. Yeah,

270
00:13:42,880 --> 00:13:44,439
Speaker 1: he'd be putting a little you know, when he'd be

271
00:13:44,520 --> 00:13:46,199
Speaker 1: making stews and stuff out to make sure it's like

272
00:13:46,280 --> 00:13:48,199
Speaker 1: really a stew and not you know whom trying to

273
00:13:48,320 --> 00:13:52,439
Speaker 1: kill me. But you know I have posted him. I

274
00:13:52,480 --> 00:13:54,599
Speaker 1: won't tag him, but you know what the girls to

275
00:13:54,679 --> 00:13:57,480
Speaker 1: see who you know, I don't know, like you know,

276
00:13:57,640 --> 00:13:59,480
Speaker 1: just in case I don't want to be out there.

277
00:13:59,600 --> 00:14:01,360
Speaker 1: You know what I'm saying, Like Mary J. Blige put

278
00:14:01,440 --> 00:14:02,719
Speaker 1: my out there and then I got to write a

279
00:14:02,720 --> 00:14:04,840
Speaker 1: song about him because it didn't work out. Look up,

280
00:14:06,200 --> 00:14:09,000
Speaker 1: he's very cute. Should I say his No, I'm not.

281
00:14:09,200 --> 00:14:14,520
Speaker 1: My Lord's biss So I just she knows he's a comic.

282
00:14:15,000 --> 00:14:20,640
Speaker 1: I'll tell you later. Yeah, yeah, yeah, he's cute. He's cute. No,

283
00:14:21,240 --> 00:14:23,880
Speaker 1: I wish it was. Will would get my body right.

284
00:14:24,000 --> 00:14:28,640
Speaker 1: You know, Will is all about health and raw. Will

285
00:14:28,800 --> 00:14:31,400
Speaker 1: is great. Will is great, but Will has a speech impediment.

286
00:14:31,520 --> 00:14:33,600
Speaker 1: So also you don't know what the hell he's saying.

287
00:14:33,680 --> 00:14:35,240
Speaker 1: So it's like you want to be out or you

288
00:14:35,320 --> 00:14:38,000
Speaker 1: just what okay, but I love Will Charlotte Wilson. Fancy

289
00:14:38,120 --> 00:14:41,440
Speaker 1: is amazing you Will Friday. Right, Yes, I'm gonna be

290
00:14:41,480 --> 00:14:45,040
Speaker 1: at the Grammacy Theater. I'm doing a brand new hour. Hey.

291
00:14:46,720 --> 00:14:49,560
Speaker 1: Um well, I had a lot of content available. People

292
00:14:49,560 --> 00:14:51,680
Speaker 1: don't understand, like, as you know, I've been doing comedy

293
00:14:51,720 --> 00:14:54,800
Speaker 1: for almost twenty years, even though I'm twelve, and um,

294
00:14:55,080 --> 00:14:56,800
Speaker 1: you know, it's just sometimes it's hard to just get

295
00:14:56,880 --> 00:15:00,400
Speaker 1: the spotlight on you Tube, you know, sort of raise

296
00:15:00,520 --> 00:15:02,040
Speaker 1: up in the business, and then people are like, oh,

297
00:15:02,080 --> 00:15:03,680
Speaker 1: you some brand new comics, Like, no, I've been doing

298
00:15:03,720 --> 00:15:05,480
Speaker 1: this for a long time. I have a lot of

299
00:15:05,560 --> 00:15:08,000
Speaker 1: things to say. So when I did The Degenerates, which

300
00:15:08,040 --> 00:15:11,000
Speaker 1: is out on Netflix, that was all my sort of dirty,

301
00:15:11,160 --> 00:15:13,920
Speaker 1: raw material. And then I just had my album come out,

302
00:15:14,000 --> 00:15:16,640
Speaker 1: Damnzel and Distress, which was sort of like you know

303
00:15:16,720 --> 00:15:19,960
Speaker 1: who Yaminika is and just wanting to be vulnerable and kidnapped,

304
00:15:20,040 --> 00:15:23,920
Speaker 1: and you know, I want to be kidnapped because I

305
00:15:24,040 --> 00:15:26,320
Speaker 1: want to get kidnapped. I mean, why all the other

306
00:15:26,360 --> 00:15:32,640
Speaker 1: girls have fun somebody to grab? Oh don't you know

307
00:15:32,720 --> 00:15:34,360
Speaker 1: I do commentary on that. I know. That's why I

308
00:15:34,360 --> 00:15:36,360
Speaker 1: said it, because being you are both into that show.

309
00:15:36,560 --> 00:15:38,960
Speaker 1: I'm so into ninety Day Fiance, but I have to

310
00:15:39,000 --> 00:15:41,120
Speaker 1: be I have to be real, like, don't know an

311
00:15:41,280 --> 00:15:43,200
Speaker 1: other country, want me. You understand what I'm saying. So

312
00:15:43,240 --> 00:15:45,120
Speaker 1: I couldn't do it the other way because I would

313
00:15:45,120 --> 00:15:47,040
Speaker 1: just get their host together and they ain't got time

314
00:15:47,080 --> 00:15:53,440
Speaker 1: for that. Forget Um. I like as In and because

315
00:15:53,560 --> 00:15:55,720
Speaker 1: he doesn't like the girl, Nicole. I think it's as

316
00:15:55,800 --> 00:15:57,520
Speaker 1: In Nicole because she hed been trying to get her

317
00:15:57,560 --> 00:15:59,360
Speaker 1: to lose weight. And let me just say this, ladies,

318
00:15:59,560 --> 00:16:01,760
Speaker 1: if you the man and he's like, I can fix you,

319
00:16:02,280 --> 00:16:07,600
Speaker 1: leave that wanting. Everybody is DJ Envy, Angela yee, Charlomagne

320
00:16:07,640 --> 00:16:09,480
Speaker 1: the guy. We are the Breakfast Club. We're still kicking

321
00:16:09,520 --> 00:16:12,680
Speaker 1: it with ya. Monika Sands yee, yes, Yamnika. I remember

322
00:16:12,720 --> 00:16:15,160
Speaker 1: I was laughing so hard. I've seen you Um on

323
00:16:15,360 --> 00:16:17,880
Speaker 1: stage for Danielle Rowling show. I caaralyzed that you were

324
00:16:17,880 --> 00:16:20,120
Speaker 1: supposed to go on later, but you went on early

325
00:16:20,160 --> 00:16:22,240
Speaker 1: because you actually had to leave and go to another gig.

326
00:16:22,600 --> 00:16:24,200
Speaker 1: Shut up the darnel I love me, y'all be giving

327
00:16:24,280 --> 00:16:27,200
Speaker 1: him such a hard time. I love him, Dona Rollins,

328
00:16:28,040 --> 00:16:31,480
Speaker 1: And let me just say for you, so he did

329
00:16:31,600 --> 00:16:35,360
Speaker 1: not open up for me. Is a notorious fat shamer.

330
00:16:36,000 --> 00:16:40,600
Speaker 1: Notorious he's never Yes, he is envy. Has a real

331
00:16:40,720 --> 00:16:45,960
Speaker 1: estate partner game pull up. I saw the one story

332
00:16:46,800 --> 00:16:50,160
Speaker 1: he started it I deleted. It didn't look like big partners.

333
00:16:52,120 --> 00:16:54,200
Speaker 1: I adore you. I want to I want to get

334
00:16:54,240 --> 00:16:56,160
Speaker 1: a house from you whenever I can afford. I want

335
00:16:56,160 --> 00:16:59,120
Speaker 1: you to flip some houses. But what is you flipping

336
00:16:59,200 --> 00:17:02,840
Speaker 1: something that you're doing? Every time I see you doing something,

337
00:17:02,840 --> 00:17:04,960
Speaker 1: you're flipping the house in New Jersey. It's like that

338
00:17:05,080 --> 00:17:07,680
Speaker 1: that you're doing this. You're building, you're doing dress, you're

339
00:17:07,720 --> 00:17:17,239
Speaker 1: working at mons weekends. I buy houses, I fix them,

340
00:17:17,280 --> 00:17:22,480
Speaker 1: and I run them out. He can help you. He

341
00:17:22,600 --> 00:17:24,240
Speaker 1: can having to buy a home. He can help you

342
00:17:24,359 --> 00:17:26,560
Speaker 1: buy a home. I'm not a real time. I'm trying

343
00:17:26,600 --> 00:17:30,159
Speaker 1: to encourage people to buy homes and to create. But

344
00:17:30,200 --> 00:17:32,280
Speaker 1: I'm trying to figure out because then you got the home,

345
00:17:32,760 --> 00:17:34,480
Speaker 1: and you trying to make money off the home, and

346
00:17:34,560 --> 00:17:37,119
Speaker 1: you're making money off the home. Yes, so you're selling homes.

347
00:17:37,640 --> 00:17:40,840
Speaker 1: I'm selling rooms, your apartments. Oh oh you do. I'm

348
00:17:40,960 --> 00:17:44,760
Speaker 1: keeping sorrows. Yeah, I'm keeping it. So lord, I'm not

349
00:17:47,440 --> 00:17:57,080
Speaker 1: man apartments. Okay, apartment. Because apartments it's like four family units.

350
00:17:57,119 --> 00:18:04,680
Speaker 1: So I sell units one living under one. God. Anyway,

351
00:18:04,880 --> 00:18:08,800
Speaker 1: I home. I don't care what it is. Give me

352
00:18:08,840 --> 00:18:14,359
Speaker 1: a family. I don't have one family. This is so

353
00:18:14,440 --> 00:18:21,320
Speaker 1: you want to kid program. Also, I'm not this jen

354
00:18:21,440 --> 00:18:24,960
Speaker 1: go on change, so I leave that alone. But I do.

355
00:18:25,119 --> 00:18:27,920
Speaker 1: I am doing you. Thank you so much. Encourage people

356
00:18:27,960 --> 00:18:30,119
Speaker 1: to buy homes and to invest in themselves so they

357
00:18:30,160 --> 00:18:32,840
Speaker 1: can always have properties to continue to rent by investing

358
00:18:32,840 --> 00:18:37,960
Speaker 1: in you and get putting in your pockets. Like you

359
00:18:38,160 --> 00:18:40,040
Speaker 1: not making money. I'm just to the point is you're

360
00:18:40,080 --> 00:18:44,040
Speaker 1: making money. I'm trying to encourage people to insist how

361
00:18:44,080 --> 00:18:46,720
Speaker 1: you making money, not in me. I'm bringing you. Bring

362
00:18:47,160 --> 00:18:52,680
Speaker 1: repair people, okay, lenders, lenders, agents, chids, attorneys at people

363
00:18:52,840 --> 00:18:54,640
Speaker 1: know how to do it the right way without getting got.

364
00:18:55,160 --> 00:18:56,720
Speaker 1: But they got to get got by you before they

365
00:18:56,760 --> 00:19:03,800
Speaker 1: don't get So here you get about Handy first of all,

366
00:19:03,880 --> 00:19:05,879
Speaker 1: his ten train his hel So tell me right now,

367
00:19:06,200 --> 00:19:12,160
Speaker 1: getting money okay, missing the same I was missing when

368
00:19:12,240 --> 00:19:16,240
Speaker 1: I came here. I need somebody to help me. I'm

369
00:19:16,280 --> 00:19:19,800
Speaker 1: gonna flip home now, sir, get that I was gonna

370
00:19:19,840 --> 00:19:21,520
Speaker 1: get it. I need you to help me. Get a family.

371
00:19:21,520 --> 00:19:23,080
Speaker 1: You got the young boy, Now you can shoot your

372
00:19:23,080 --> 00:19:25,280
Speaker 1: club up. Well, I hope so, but you know the

373
00:19:25,359 --> 00:19:29,560
Speaker 1: club's getting about to close down. I want to have kids,

374
00:19:29,600 --> 00:19:31,280
Speaker 1: but I gotta have them because now kiss you know

375
00:19:31,320 --> 00:19:33,119
Speaker 1: when you're getting your forties. They's what I'm saying, Well,

376
00:19:33,160 --> 00:19:34,720
Speaker 1: you better hurry up and have a baby before the

377
00:19:34,880 --> 00:19:40,560
Speaker 1: baby handicap. And I'm like, damn, but that's what they

378
00:19:40,640 --> 00:19:43,359
Speaker 1: tell They still tell the women. Now I want to

379
00:19:43,400 --> 00:19:45,160
Speaker 1: be and I don't care if the baby's handicap because

380
00:19:45,280 --> 00:19:46,920
Speaker 1: people in my family are handicap. I would love that

381
00:19:46,960 --> 00:19:48,520
Speaker 1: handicap baby. Plus, it's gonna come with a stick of

382
00:19:48,560 --> 00:19:50,840
Speaker 1: we can park where we want, so that baby. I

383
00:19:51,080 --> 00:19:53,840
Speaker 1: need that baby because I like to park up front Costco.

384
00:19:54,080 --> 00:19:55,800
Speaker 1: You know they don't give you no bags. You're gonna

385
00:19:55,800 --> 00:19:59,160
Speaker 1: carry a box. It's Y'allmaniqua Saunders is the Breakfast Club.

386
00:19:59,200 --> 00:20:06,920
Speaker 1: Go Morning, it's topic time. He got the phone called

387
00:20:06,960 --> 00:20:08,800
Speaker 1: eight hundred five eight five one oh five. Want to

388
00:20:08,880 --> 00:20:11,280
Speaker 1: join it to the discussion with the Breakfast Club. Talk

389
00:20:11,320 --> 00:20:16,439
Speaker 1: about it morning. Everybody is DJ Envy, Angelie Charlomagne, the guy.

390
00:20:16,520 --> 00:20:18,280
Speaker 1: We are the Breakfast Club. Now, if you just joined us,

391
00:20:18,280 --> 00:20:20,320
Speaker 1: with talking about our good friend Steve. He's a camera

392
00:20:20,400 --> 00:20:24,360
Speaker 1: guy Revolts. Steve is the cameraman of Revolts right now. Yeah,

393
00:20:24,440 --> 00:20:26,840
Speaker 1: he hasn't had sex all year long. You know, he

394
00:20:26,920 --> 00:20:29,320
Speaker 1: hasn't had sex since December. I don't I think it's

395
00:20:29,359 --> 00:20:31,120
Speaker 1: been and you know, I don't want him to block

396
00:20:31,160 --> 00:20:32,880
Speaker 1: his blessings right now. I just want to tell y'all

397
00:20:32,880 --> 00:20:35,760
Speaker 1: who he is. Steve is about forty two, about forty two, right, Steve. No,

398
00:20:35,880 --> 00:20:43,120
Speaker 1: he's not terribly okay. Stevens thirty two years old, white male,

399
00:20:43,320 --> 00:20:46,240
Speaker 1: a cermudgeon, but a nice guy. Okay. He has a dog,

400
00:20:46,560 --> 00:20:49,359
Speaker 1: He plays the guitar. He has his own house. Yes, no,

401
00:20:49,440 --> 00:20:52,000
Speaker 1: it's not a house, condo. It's a condo off the beach.

402
00:20:52,240 --> 00:20:57,560
Speaker 1: No furniture, all right, Okay, you got furniture, Steve, Well,

403
00:20:57,560 --> 00:20:59,560
Speaker 1: you gotta speak for your stuff. I'most speak for you.

404
00:21:00,040 --> 00:21:02,240
Speaker 1: So you're going so far? All right? What kind of

405
00:21:02,320 --> 00:21:07,440
Speaker 1: dog is it? Dood? Okay? He's recently divorced, you know

406
00:21:07,480 --> 00:21:09,640
Speaker 1: what I'm saying. Um, So, I don't know if it's

407
00:21:09,960 --> 00:21:12,320
Speaker 1: like the after effects of that, the aftermath of that

408
00:21:12,440 --> 00:21:15,280
Speaker 1: that's keeping him down. But I want to restore Steven's confidence.

409
00:21:15,280 --> 00:21:16,760
Speaker 1: You know what I'm saying. I want Steven to know

410
00:21:17,240 --> 00:21:19,320
Speaker 1: that there is some vagina out there for him, but

411
00:21:19,359 --> 00:21:21,520
Speaker 1: he doesn't want just vagina. He wants to love. But

412
00:21:21,600 --> 00:21:23,080
Speaker 1: there's there's a lot of people that's going through the

413
00:21:23,119 --> 00:21:25,800
Speaker 1: same thing Stephen's going through. Yeah, and we have some

414
00:21:25,840 --> 00:21:27,480
Speaker 1: people on the line. Let's talk to these people. Let's

415
00:21:27,480 --> 00:21:29,160
Speaker 1: see if we can make a love connection this morning.

416
00:21:29,440 --> 00:21:33,720
Speaker 1: Kanika ya hey, k now, Kannika, you totally relate to

417
00:21:33,800 --> 00:21:38,800
Speaker 1: see even in knique, that could be an amazing cap Kanka.

418
00:21:39,240 --> 00:21:44,880
Speaker 1: What's up to y'all? Y'all girl? Okay, so I can

419
00:21:44,960 --> 00:21:47,399
Speaker 1: relate to Steed for the simple fact that it may

420
00:21:47,440 --> 00:21:50,320
Speaker 1: not be that s You're not like Okay, I'm not

421
00:21:50,400 --> 00:21:56,680
Speaker 1: in a relationship right now. I don't want mediop for

422
00:21:56,840 --> 00:22:01,080
Speaker 1: like something mediopa I want. I want to be back bacular.

423
00:22:01,200 --> 00:22:03,320
Speaker 1: So maybe you just you know what I mean? So

424
00:22:03,480 --> 00:22:05,520
Speaker 1: Steve isn't the same thing. You don't want medio coapenis.

425
00:22:05,840 --> 00:22:08,119
Speaker 1: I don't want medio copenis. No, I don't want settle

426
00:22:08,200 --> 00:22:10,080
Speaker 1: for that. I want. I wanted to be amazed and

427
00:22:10,240 --> 00:22:12,560
Speaker 1: when I you know, my if my numbers bomber up,

428
00:22:12,880 --> 00:22:15,280
Speaker 1: I wanted to be amazing. What's your Instagram to Nika?

429
00:22:15,720 --> 00:22:19,720
Speaker 1: Oh you know, Nick? You as in the letter you okay?

430
00:22:21,640 --> 00:22:25,000
Speaker 1: On you k n O w and e A qu

431
00:22:25,400 --> 00:22:29,520
Speaker 1: eat and e a okay? Are you against? Are you

432
00:22:29,560 --> 00:22:32,119
Speaker 1: against dating white guys? You're from New Orleans? Oh no,

433
00:22:32,200 --> 00:22:34,680
Speaker 1: I'm open to I'm open to Yeah, No, I don't.

434
00:22:34,680 --> 00:22:36,760
Speaker 1: I don't see color. I'm open to it. Now, Steve,

435
00:22:36,840 --> 00:22:38,840
Speaker 1: I'm not gonna front from this little now she looks

436
00:22:38,840 --> 00:22:41,280
Speaker 1: a little small picture cute. Her page is private, so

437
00:22:41,359 --> 00:22:44,199
Speaker 1: I can't see everything, but from this profile picked nicoles

438
00:22:44,240 --> 00:22:52,960
Speaker 1: like she I Nick, Steve, boy Steve. If you don't

439
00:22:52,960 --> 00:22:55,760
Speaker 1: get but Steve, don't be Steve. Marlene all right, I'm

440
00:22:55,800 --> 00:22:57,240
Speaker 1: trying to get you some of that, but don't be

441
00:22:57,359 --> 00:23:02,919
Speaker 1: that all right? Hey, money, how old you Merlen? How

442
00:23:02,960 --> 00:23:05,320
Speaker 1: old you write this Instagram? That? Right? You know? Nique down?

443
00:23:05,320 --> 00:23:08,760
Speaker 1: You gotta write all of you down, write down drama, lady.

444
00:23:08,840 --> 00:23:12,200
Speaker 1: But can I first start us saying Charlotte Maine, I

445
00:23:12,400 --> 00:23:15,800
Speaker 1: love you. I love you too, baby, I love Oh

446
00:23:16,040 --> 00:23:18,879
Speaker 1: you have no idea? How old you? All you guys?

447
00:23:19,080 --> 00:23:21,640
Speaker 1: But Charlotte Maine, I love you. I am an invalid?

448
00:23:21,920 --> 00:23:25,280
Speaker 1: So what an invalid. What does that mean? Get out

449
00:23:25,320 --> 00:23:28,080
Speaker 1: the house. I don't get out the house. Um, I

450
00:23:28,240 --> 00:23:34,240
Speaker 1: can't walk. So you are my cractice. What you in

451
00:23:34,320 --> 00:23:37,000
Speaker 1: the morning, Charlotte Maine? You, I don't know what when

452
00:23:37,040 --> 00:23:39,320
Speaker 1: you're not there, I don't even know what it's about.

453
00:23:39,680 --> 00:23:43,639
Speaker 1: It's about Steve. I love you. I'm married. Now. You

454
00:23:43,720 --> 00:23:46,200
Speaker 1: sound perfect for Steve, and I'm old enough to be

455
00:23:46,400 --> 00:23:49,480
Speaker 1: your grandmother. And but I'm just letting you know I don't.

456
00:23:49,640 --> 00:23:53,200
Speaker 1: I'm not talking about sexual love. I'm talking about love. Oh,

457
00:23:53,320 --> 00:23:56,280
Speaker 1: I love you too. Love for a young brother that

458
00:23:57,200 --> 00:24:00,600
Speaker 1: just doing what he do. And I'm proud of you. Well,

459
00:24:00,680 --> 00:24:02,600
Speaker 1: thank you, baby. I'm here for you. I'll give you

460
00:24:02,720 --> 00:24:04,480
Speaker 1: all the emotional love you need. And I think my

461
00:24:04,520 --> 00:24:08,000
Speaker 1: wife would understand. Steve needs to love too. Now you said,

462
00:24:08,160 --> 00:24:10,680
Speaker 1: you said that you haven't had sex. And three years, bro,

463
00:24:10,920 --> 00:24:16,560
Speaker 1: no I did. My husband got sick and I love

464
00:24:16,680 --> 00:24:20,040
Speaker 1: my husband and I didn't care how long it took

465
00:24:20,119 --> 00:24:23,680
Speaker 1: for him to get better. My knees could wait until

466
00:24:24,600 --> 00:24:28,440
Speaker 1: he satisfied him. Did he get better? He got better

467
00:24:28,600 --> 00:24:32,359
Speaker 1: for two years and then he passed away. So and

468
00:24:32,600 --> 00:24:35,040
Speaker 1: doing it And all of this time, I still haven't

469
00:24:35,119 --> 00:24:37,800
Speaker 1: had sex. It's been down about six years. Do you

470
00:24:37,880 --> 00:24:40,760
Speaker 1: want to have sex right now? And I think I'm

471
00:24:40,840 --> 00:24:43,200
Speaker 1: just getting over this? Oh God, you got you. So

472
00:24:43,320 --> 00:24:46,239
Speaker 1: you're you're still you're still grieving, and you're getting out

473
00:24:46,280 --> 00:24:47,800
Speaker 1: of that grief stage. And then once you get out

474
00:24:47,800 --> 00:24:49,119
Speaker 1: of that grief stage, you'll be ready to get your

475
00:24:49,119 --> 00:24:51,840
Speaker 1: groove back. Just the old bit together for thirty years.

476
00:24:52,200 --> 00:24:56,840
Speaker 1: I understand, I understand, and you know it does take

477
00:24:56,920 --> 00:24:59,959
Speaker 1: that time, you know. But oh yeah, I'm going back

478
00:25:00,000 --> 00:25:04,480
Speaker 1: back in there. Okay, okay, hope hopefully you find a

479
00:25:04,560 --> 00:25:08,080
Speaker 1: man that's not married that's something like man I'm looking for,

480
00:25:08,480 --> 00:25:11,600
Speaker 1: but you and your wife, No, little No, I'm not

481
00:25:11,680 --> 00:25:13,879
Speaker 1: coming at you like that. I'm just coming at you

482
00:25:14,080 --> 00:25:16,520
Speaker 1: as a black woman, proud of a black man. I

483
00:25:16,560 --> 00:25:21,080
Speaker 1: appreciate you, baby very much, and I love you. I

484
00:25:21,200 --> 00:25:25,520
Speaker 1: love you more. Dude, I would happened to Steve. This

485
00:25:25,640 --> 00:25:30,280
Speaker 1: was about Steve. I know it is, but but you don't.

486
00:25:30,480 --> 00:25:34,840
Speaker 1: That's chain interesting to Steve. All right, all right, how

487
00:25:34,920 --> 00:25:36,320
Speaker 1: old you you would you say? Would you say? Well?

488
00:25:36,359 --> 00:25:38,920
Speaker 1: I said, like fifty five. No, I'm older than that,

489
00:25:39,160 --> 00:25:42,840
Speaker 1: six years old, sixty six. Okay. Charlemagne likes him that

490
00:25:42,920 --> 00:25:47,159
Speaker 1: age too, but I'm I'm a married man. But I do,

491
00:25:47,400 --> 00:25:50,200
Speaker 1: I do. I do love you, man, I respect you.

492
00:25:50,240 --> 00:25:52,560
Speaker 1: Do you feel sorry for Steve at all? Because he's

493
00:25:52,600 --> 00:25:56,560
Speaker 1: not an invalid and he can't walk and yeah, yeah,

494
00:25:56,640 --> 00:25:58,920
Speaker 1: nobody died in his life. At least you have reasons?

495
00:26:00,119 --> 00:26:03,000
Speaker 1: My good You know you you're you're very handsome man.

496
00:26:03,720 --> 00:26:06,600
Speaker 1: Steve is a handsome dude. You've seen Steve. You have

497
00:26:06,720 --> 00:26:09,200
Speaker 1: no excuse not to get laid though, right, Ma, No,

498
00:26:09,600 --> 00:26:12,480
Speaker 1: he don't. I don't, I don't, I don't. I don't

499
00:26:12,560 --> 00:26:14,760
Speaker 1: see what. No man has an excuse not to get

500
00:26:14,840 --> 00:26:18,760
Speaker 1: laid exactly, you know, not just Steve any man. You

501
00:26:18,800 --> 00:26:21,479
Speaker 1: got to be kind of a loser right when you like? Okay,

502
00:26:22,440 --> 00:26:27,200
Speaker 1: wrong with you something, Scott exactly? I know you not

503
00:26:27,320 --> 00:26:30,200
Speaker 1: help to feel you, baby? I feel thank you, Mama.

504
00:26:31,240 --> 00:26:34,200
Speaker 1: You know come on now, you know you're a man,

505
00:26:34,720 --> 00:26:39,000
Speaker 1: Steve Man. That's what a man is, Steve. This is

506
00:26:40,480 --> 00:26:43,120
Speaker 1: thank you. You know love you do. You have Charlomaie's books.

507
00:26:43,960 --> 00:26:47,600
Speaker 1: Thank all of you guys. You have charms book. I'm

508
00:26:47,600 --> 00:26:49,520
Speaker 1: gonna get your adress. I'm gonna tail you something. Okay,

509
00:26:49,920 --> 00:26:52,360
Speaker 1: thank you? Hold on one second, Steve, I don't want

510
00:26:52,359 --> 00:26:54,320
Speaker 1: you to know that she's an invalid who can't walk,

511
00:26:54,680 --> 00:26:57,280
Speaker 1: whose husband died. She has that second three years because

512
00:26:57,280 --> 00:27:00,280
Speaker 1: of those reasons, and she feels sorry for you. Don't

513
00:27:00,320 --> 00:27:03,880
Speaker 1: drid five A five one. Steve the camera guy hasn't

514
00:27:03,920 --> 00:27:06,600
Speaker 1: had sex in months. Remote camera guy, we're not claming this.

515
00:27:07,520 --> 00:27:13,000
Speaker 1: Our camera guy. Get laid right neck. The breakfast Club.

516
00:27:13,040 --> 00:27:21,480
Speaker 1: Good morning, the breakfast Club Morning. Everybody is DJ mvy

517
00:27:21,680 --> 00:27:24,520
Speaker 1: Angela yee, Charlemagne the guy. We are the breakfast Club.

518
00:27:24,560 --> 00:27:26,840
Speaker 1: We got a special guest in the building, a whole legend.

519
00:27:26,920 --> 00:27:31,440
Speaker 1: That's right, Uncle Snoop still's headening in breakfast club was happening,

520
00:27:31,800 --> 00:27:33,560
Speaker 1: and I'm slow motion with the postion trying to get

521
00:27:33,600 --> 00:27:35,879
Speaker 1: to the ocean. Who was still having fun? I did?

522
00:27:35,960 --> 00:27:38,880
Speaker 1: The pool party was the weekend, and I ain't seen

523
00:27:38,920 --> 00:27:41,679
Speaker 1: some tycoon party, fifty cents tycoon party. I ain't say.

524
00:27:41,680 --> 00:27:43,679
Speaker 1: He still had so much fun. He was at everybody's section.

525
00:27:43,960 --> 00:27:46,760
Speaker 1: He was chasing Trey songs down with water guns, hitting

526
00:27:46,800 --> 00:27:49,320
Speaker 1: casting over with water guns. Wife and Lucie. He even

527
00:27:49,440 --> 00:27:53,920
Speaker 1: made fifty cents smoke. He didn't get that's I didn't

528
00:27:53,920 --> 00:27:57,480
Speaker 1: had that much club, but I was able to get

529
00:27:57,480 --> 00:27:59,359
Speaker 1: a picture with it at the entrance to the party

530
00:28:00,680 --> 00:28:02,520
Speaker 1: a picture, and then left her outside the party. Who

531
00:28:02,640 --> 00:28:08,800
Speaker 1: was our post? Not even I was leaving. I was

532
00:28:08,840 --> 00:28:12,000
Speaker 1: trying to figure out there, how did Scoopers are? I

533
00:28:12,480 --> 00:28:14,680
Speaker 1: was the last rapper to leave. That's that's when I

534
00:28:14,760 --> 00:28:17,480
Speaker 1: found out, like I'm having so much fun, I'm just parting.

535
00:28:18,160 --> 00:28:20,440
Speaker 1: He said, you know, fifty left two hours ago. I'm like,

536
00:28:21,000 --> 00:28:22,600
Speaker 1: I'm supposed to get out of here cuse I was

537
00:28:22,720 --> 00:28:25,320
Speaker 1: driving cud cor cut was adding it and I had

538
00:28:25,359 --> 00:28:26,800
Speaker 1: to figure out how to get out of there? Did

539
00:28:26,880 --> 00:28:28,200
Speaker 1: she ask you, like, yo, can you get me in?

540
00:28:28,480 --> 00:28:31,399
Speaker 1: It wasn't even that conversation wasn't even like that. I

541
00:28:31,440 --> 00:28:33,280
Speaker 1: didn't even put one plus one together that her and

542
00:28:33,359 --> 00:28:36,359
Speaker 1: fifty was not like cool. I was just on somebody, Hey,

543
00:28:36,400 --> 00:28:37,680
Speaker 1: how are you doing? When do you go to see

544
00:28:38,480 --> 00:28:40,800
Speaker 1: how boo boo Bama? And I'm out? And then I

545
00:28:40,920 --> 00:28:44,000
Speaker 1: seen it on Instagram later like oh oh oh wow, right,

546
00:28:44,200 --> 00:28:47,800
Speaker 1: oh you know everything. I could have slipped my little

547
00:28:47,800 --> 00:28:52,000
Speaker 1: wristband had asked you gave it to gave it. You

548
00:28:52,040 --> 00:28:53,800
Speaker 1: know when you leave, you're gonna give it to somebody here.

549
00:28:53,840 --> 00:28:57,040
Speaker 1: You can have that. It's all good time Back up,

550
00:28:58,640 --> 00:29:01,200
Speaker 1: It feels so good to see you having so much

551
00:29:01,280 --> 00:29:03,239
Speaker 1: fun like that, especially in New York, because at one

552
00:29:03,280 --> 00:29:06,680
Speaker 1: time it was just so much it was ten tension

553
00:29:06,760 --> 00:29:08,520
Speaker 1: in beef just to I mean, if y'all would have

554
00:29:08,560 --> 00:29:10,280
Speaker 1: seen stud it just it just made me smile because

555
00:29:10,280 --> 00:29:13,280
Speaker 1: he's running from section and section, no security. You were

556
00:29:13,320 --> 00:29:14,800
Speaker 1: just having a good time. So how does it feel

557
00:29:14,840 --> 00:29:16,720
Speaker 1: like being able to just that's the love you were getting.

558
00:29:16,920 --> 00:29:18,720
Speaker 1: They're giving me that. You know when you when you

559
00:29:18,800 --> 00:29:20,560
Speaker 1: when you weren't getting it, you were not like that.

560
00:29:20,960 --> 00:29:22,360
Speaker 1: But if you're getting it and you're feeling that, you

561
00:29:22,440 --> 00:29:24,640
Speaker 1: gotta go give it back. And I felt like New

562
00:29:24,760 --> 00:29:26,240
Speaker 1: York always loved me. I just felt like it was

563
00:29:26,280 --> 00:29:29,040
Speaker 1: a miscommunication and a misunderstanding at a certain point. But

564
00:29:29,160 --> 00:29:31,880
Speaker 1: I always maintained my understanding with them because I stayed

565
00:29:31,920 --> 00:29:33,640
Speaker 1: in their face and I gave it to him when

566
00:29:33,640 --> 00:29:35,600
Speaker 1: I told him how I felt about certain situations and

567
00:29:35,640 --> 00:29:38,080
Speaker 1: they respected that. So now that I'm able to become

568
00:29:38,120 --> 00:29:40,680
Speaker 1: a grown man and really look at the rap game

569
00:29:40,720 --> 00:29:42,680
Speaker 1: for water is worth, I could come have phone with

570
00:29:42,760 --> 00:29:45,360
Speaker 1: my nephews and party like the cool uncle that shows

571
00:29:45,440 --> 00:29:46,840
Speaker 1: up and be like, man, my uncle is here. Man,

572
00:29:46,840 --> 00:29:48,320
Speaker 1: you know my uncle, want to live with my grandmama

573
00:29:48,320 --> 00:29:49,760
Speaker 1: in the garage. Oh, it's got the good week here,

574
00:29:49,840 --> 00:29:51,920
Speaker 1: got to come on, got the CDs him he here.

575
00:29:52,080 --> 00:29:54,000
Speaker 1: Well that's as great is that you also have no

576
00:29:54,160 --> 00:29:56,600
Speaker 1: issues with anybody, and you have the song let Bygones

577
00:29:56,640 --> 00:29:58,240
Speaker 1: be bygones if you talked about up here on the

578
00:29:58,280 --> 00:30:01,120
Speaker 1: Breakfast Club, and even a song like one Blood one couse,

579
00:30:01,240 --> 00:30:04,120
Speaker 1: just having peace around you, in serenity and having let

580
00:30:04,200 --> 00:30:07,080
Speaker 1: all these things when the past go. And people were

581
00:30:07,120 --> 00:30:09,600
Speaker 1: shocked when they heard you say me and Sugar is cool,

582
00:30:10,040 --> 00:30:12,040
Speaker 1: you know, they like, how could you be cool after

583
00:30:12,160 --> 00:30:14,840
Speaker 1: everything that y'all went through? But you explained it very well.

584
00:30:15,080 --> 00:30:17,600
Speaker 1: I wasn't meant to clash with him. We came out together.

585
00:30:18,280 --> 00:30:20,560
Speaker 1: It's just it's like brothers. Like sometimes you and your brother,

586
00:30:20,680 --> 00:30:22,440
Speaker 1: your sister, y'all getting to it, and you'd be mad

587
00:30:22,520 --> 00:30:24,560
Speaker 1: for a little bit, but it's like, man, that's my brother. Man.

588
00:30:25,080 --> 00:30:26,920
Speaker 1: You know, even if you was wrong where he was wrong,

589
00:30:27,320 --> 00:30:29,080
Speaker 1: it becomes a place in your heart where you like,

590
00:30:29,560 --> 00:30:31,920
Speaker 1: I need to forgive him, and I need to forgive

591
00:30:32,040 --> 00:30:34,280
Speaker 1: myself even if I wasn't wrong. Now did you come

592
00:30:34,280 --> 00:30:35,800
Speaker 1: here that conclude you about forgiving this when you was

593
00:30:35,840 --> 00:30:38,120
Speaker 1: working on your gospel album. I think that helped me

594
00:30:38,320 --> 00:30:41,720
Speaker 1: like shape my vision and shape what I'm here for,

595
00:30:42,120 --> 00:30:44,040
Speaker 1: because the gospel worcord was something that just came to

596
00:30:44,160 --> 00:30:46,200
Speaker 1: me overnight, like my grandmother had passed her when I

597
00:30:46,320 --> 00:30:49,000
Speaker 1: was like, she always loved gospel music and she could

598
00:30:49,040 --> 00:30:50,840
Speaker 1: never listen to any of my songs. So I was like, man,

599
00:30:50,880 --> 00:30:53,600
Speaker 1: I feel bad. Then my grandmama got a famous grandson

600
00:30:53,680 --> 00:30:55,440
Speaker 1: and she can't quote none of my songs and none

601
00:30:55,480 --> 00:30:57,160
Speaker 1: of that, and I'm like, I got to do something

602
00:30:57,200 --> 00:30:59,200
Speaker 1: for her. So when I didd it like it tapped

603
00:30:59,240 --> 00:31:01,320
Speaker 1: into my whole love thing with like this is who

604
00:31:01,400 --> 00:31:04,320
Speaker 1: I am. Like I've always been cool and the life

605
00:31:04,360 --> 00:31:07,040
Speaker 1: of the party. And Snoop Dogg's like cool with everybody.

606
00:31:07,080 --> 00:31:09,000
Speaker 1: He ain't like, got no issues and if it is

607
00:31:09,040 --> 00:31:11,280
Speaker 1: an issue, you'll call me to end the issue. So

608
00:31:11,400 --> 00:31:12,920
Speaker 1: now I'm taking on the roll of this is what

609
00:31:12,960 --> 00:31:14,720
Speaker 1: I'm supposed to do all the time. I want to

610
00:31:14,760 --> 00:31:16,880
Speaker 1: thank me the twentieth album. When you said that in

611
00:31:16,880 --> 00:31:19,160
Speaker 1: your acceptance species, you know beforehand you was gonna name

612
00:31:19,200 --> 00:31:20,960
Speaker 1: your album. Nah, I didn't even know I was gonna

613
00:31:20,960 --> 00:31:23,280
Speaker 1: say that in the speech I was I had nothing

614
00:31:23,320 --> 00:31:26,920
Speaker 1: prepared Doctor dre Quincy Jones. When they spoke, it was

615
00:31:27,040 --> 00:31:28,720
Speaker 1: touching to me because it's like, I'm still a little

616
00:31:28,880 --> 00:31:30,880
Speaker 1: a kid inside. I'm still a fan of hip hop

617
00:31:31,000 --> 00:31:32,920
Speaker 1: and a fan of what I do, and I can't

618
00:31:32,960 --> 00:31:35,200
Speaker 1: believe I've done so much and to see them up

619
00:31:35,200 --> 00:31:37,440
Speaker 1: there speaking for me, so now it's my turn to speak.

620
00:31:37,800 --> 00:31:40,680
Speaker 1: I'm very unprepared, but I'm a great freestyleus so it's like,

621
00:31:40,760 --> 00:31:42,680
Speaker 1: you know what, I'm just gonna put them together from

622
00:31:42,720 --> 00:31:44,880
Speaker 1: my heart. And by the time I got to the end,

623
00:31:44,920 --> 00:31:47,120
Speaker 1: it was like I didn't think everybody in my life

624
00:31:47,200 --> 00:31:49,760
Speaker 1: except me like and I feel like I deserve some

625
00:31:49,800 --> 00:31:52,920
Speaker 1: of this credit to not being selfish, but being self

626
00:31:53,000 --> 00:31:56,120
Speaker 1: perspective of myself and loving myself and appreciating what I

627
00:31:56,200 --> 00:31:58,080
Speaker 1: do so that way I won't have a crisis of

628
00:31:58,200 --> 00:32:01,040
Speaker 1: be feeling like I need somebody's confirmation in order to

629
00:32:01,120 --> 00:32:03,240
Speaker 1: keep moving. So it was in that moment you realize,

630
00:32:03,240 --> 00:32:06,080
Speaker 1: I gotta start thinking myself. I think that's probably what happened,

631
00:32:06,120 --> 00:32:08,520
Speaker 1: because you know, when you when you're doing what you're doing,

632
00:32:08,600 --> 00:32:10,840
Speaker 1: you don't really never get caught up with what you're doing.

633
00:32:10,880 --> 00:32:12,680
Speaker 1: I was explaining this to one of my longers, he

634
00:32:12,800 --> 00:32:15,080
Speaker 1: was like, man, You've don't done this and done now.

635
00:32:15,080 --> 00:32:17,160
Speaker 1: I'm like, man, check it out, because how could I

636
00:32:17,240 --> 00:32:19,040
Speaker 1: watch my highlights when I got a game to play

637
00:32:19,080 --> 00:32:21,680
Speaker 1: them all? I don't know what I've done because I'm

638
00:32:21,680 --> 00:32:23,920
Speaker 1: so busy trying to do something else when I'm on

639
00:32:24,080 --> 00:32:26,280
Speaker 1: stage now, just to get y'all game, I gotta tele

640
00:32:26,360 --> 00:32:28,640
Speaker 1: prompt up there because I don't even remember having that.

641
00:32:28,720 --> 00:32:36,240
Speaker 1: I said, like a long time, I need help. I

642
00:32:36,280 --> 00:32:38,040
Speaker 1: don't want to be up there not knowing my words it.

643
00:32:38,280 --> 00:32:40,200
Speaker 1: So it's like I'm looking down him. Okay, there, I

644
00:32:40,280 --> 00:32:43,160
Speaker 1: got that line, like I'm on the news with it.

645
00:32:43,360 --> 00:32:46,040
Speaker 1: You know what I'm saying. Records, old records, old records.

646
00:32:46,120 --> 00:32:49,920
Speaker 1: Charlottagne know that, but it may be a record that

647
00:32:50,000 --> 00:32:51,680
Speaker 1: the fans want to hear that. I ain't say it

648
00:32:51,720 --> 00:32:54,040
Speaker 1: in like twenty two years. I'd be like, man, my

649
00:32:54,160 --> 00:32:57,160
Speaker 1: mind be like, hun, how about that pool when I

650
00:32:57,200 --> 00:32:59,000
Speaker 1: see it? Like any click on? So, Snoop, did you

651
00:32:59,040 --> 00:33:01,480
Speaker 1: see the conversation with Glasses? Malone was up here about

652
00:33:01,520 --> 00:33:03,800
Speaker 1: two pockets Snoop Doggs. He said. From ninety two to

653
00:33:04,000 --> 00:33:06,960
Speaker 1: ninety six, Snoop was the biggest start in pocket. It

654
00:33:07,080 --> 00:33:09,280
Speaker 1: wasn't even close. You gotta look at it like what

655
00:33:09,400 --> 00:33:11,280
Speaker 1: Tupac was at. He was on interscope and they really

656
00:33:11,360 --> 00:33:13,760
Speaker 1: wasn't pushing him and giving him that. His record was

657
00:33:13,800 --> 00:33:16,560
Speaker 1: always dope. He always had the best records to hidest songs.

658
00:33:16,800 --> 00:33:19,120
Speaker 1: But if his label wasn't giving him the attention and

659
00:33:19,240 --> 00:33:21,560
Speaker 1: the push that death Row had, he wasn't looked at

660
00:33:21,600 --> 00:33:23,120
Speaker 1: as big as me. But in my eyes he was

661
00:33:23,200 --> 00:33:25,320
Speaker 1: always bigg as me or bigger than me. He was

662
00:33:25,360 --> 00:33:29,600
Speaker 1: out before me. I actually got him two death Row records.

663
00:33:30,360 --> 00:33:33,120
Speaker 1: Shug go get cus. He need to be with us.

664
00:33:33,680 --> 00:33:36,320
Speaker 1: If he noticed the Source Awards when we performed that

665
00:33:36,480 --> 00:33:38,440
Speaker 1: that night, when Snoop said all that, and Sug said

666
00:33:38,440 --> 00:33:42,120
Speaker 1: all that, it was a mannequin or a poster of

667
00:33:42,200 --> 00:33:46,280
Speaker 1: Tupac in a sale. Everybody had a sale. Tupac was

668
00:33:46,360 --> 00:33:47,920
Speaker 1: in the sale, but he wasn't even on death row.

669
00:33:47,920 --> 00:33:49,560
Speaker 1: He wasn't even the thought of our being on death row.

670
00:33:49,600 --> 00:33:51,400
Speaker 1: That was me saying, I want to cut it be

671
00:33:51,440 --> 00:33:52,760
Speaker 1: with us. I'm in New York to see that. We

672
00:33:52,840 --> 00:33:55,360
Speaker 1: got cut back because we was hearing stories about things

673
00:33:55,440 --> 00:33:58,200
Speaker 1: that was happening to him in jail and we was like,

674
00:33:58,240 --> 00:34:01,320
Speaker 1: we couldn't do nothing to help him. So I'm telling Sugar, look,

675
00:34:01,360 --> 00:34:03,120
Speaker 1: we need to go put Cuss on our team. So

676
00:34:03,280 --> 00:34:05,200
Speaker 1: when Sugar gonna make the deal happen to get him

677
00:34:05,200 --> 00:34:08,000
Speaker 1: wood us, I step and play the back seat. Death

678
00:34:08,120 --> 00:34:10,719
Speaker 1: Roll was mine. I moved out the way, told my

679
00:34:10,760 --> 00:34:13,200
Speaker 1: little cousin dads her cousin up, give him all the

680
00:34:13,239 --> 00:34:15,960
Speaker 1: beat she was gonna give me, dre give him. California Love.

681
00:34:16,000 --> 00:34:19,120
Speaker 1: California Love was doctor Drey song. We catered the Cus

682
00:34:19,480 --> 00:34:22,200
Speaker 1: because we love him. We was friends with Tupac Sugar

683
00:34:22,239 --> 00:34:25,080
Speaker 1: and having a relationship with Tupac before death Row. He

684
00:34:25,239 --> 00:34:28,680
Speaker 1: was my friend. Wow, yeaht know that. Then they became

685
00:34:28,760 --> 00:34:31,239
Speaker 1: friends because Sugar was the Boston That's what Sugar do.

686
00:34:31,600 --> 00:34:34,520
Speaker 1: He treats you like a king. And he gave him

687
00:34:34,560 --> 00:34:36,200
Speaker 1: everything and he deserved it. He didn't get when he

688
00:34:36,239 --> 00:34:39,000
Speaker 1: was on interscope and then he's watching everything that I got.

689
00:34:39,200 --> 00:34:41,080
Speaker 1: I got a rolls Royce, I got a penhouse, I

690
00:34:41,080 --> 00:34:43,160
Speaker 1: got a big house. He's in the penitentiary. You don't

691
00:34:43,160 --> 00:34:45,160
Speaker 1: have none of this. So when he get out, me

692
00:34:45,239 --> 00:34:47,400
Speaker 1: and him bind and we becoming best of friends and

693
00:34:47,560 --> 00:34:50,359
Speaker 1: we even nobody's bigger than nobody. I'm going to move

694
00:34:50,400 --> 00:34:52,399
Speaker 1: out the way and let you come in and get

695
00:34:52,480 --> 00:34:54,400
Speaker 1: all the yours. I'm working on a doll father, but

696
00:34:54,520 --> 00:34:57,839
Speaker 1: dollfather can wait. If he looked good, we look good.

697
00:34:58,160 --> 00:35:00,000
Speaker 1: Some people say the best and worst thing to happen,

698
00:35:00,000 --> 00:35:03,160
Speaker 1: and the park was death Row. Though it was it

699
00:35:03,440 --> 00:35:06,760
Speaker 1: was because the influence. He didn't realize how much influence

700
00:35:06,800 --> 00:35:10,080
Speaker 1: he had, but he was very influenced by or almost

701
00:35:11,520 --> 00:35:13,399
Speaker 1: you're holding your hands up a little too much, player,

702
00:35:13,680 --> 00:35:15,759
Speaker 1: there you go. Or you want to give me some motion, Yeah,

703
00:35:16,760 --> 00:35:21,520
Speaker 1: I let you. Then you gave me the hole. Give

704
00:35:21,880 --> 00:35:25,879
Speaker 1: about him talking about me online. When you work hard,

705
00:35:25,960 --> 00:35:29,480
Speaker 1: your hands and as I never knew, they had nothing

706
00:35:29,480 --> 00:35:33,239
Speaker 1: to do with his hands didn't look like this. We

707
00:35:33,320 --> 00:35:35,040
Speaker 1: got more with Snoop. When we come back, don't move.

708
00:35:35,080 --> 00:35:37,600
Speaker 1: It's a breakfast club. Good morning morning, everybody. It's DJ

709
00:35:38,160 --> 00:35:41,640
Speaker 1: Envy Angela Yee Charloman the guy. We are the breakfast club.

710
00:35:41,760 --> 00:35:44,120
Speaker 1: We're still kicking it with Snoop char It had to

711
00:35:44,120 --> 00:35:46,320
Speaker 1: be tough to write one Blood though, one cause because

712
00:35:46,400 --> 00:35:48,640
Speaker 1: that was kind of about Nipto, right. It took me

713
00:35:48,680 --> 00:35:51,640
Speaker 1: a minute because I was still trying to translate his death,

714
00:35:51,800 --> 00:35:54,520
Speaker 1: like the massacre like that. It really broke my heart.

715
00:35:54,600 --> 00:35:55,920
Speaker 1: So it was like it was kind of hard trying

716
00:35:55,960 --> 00:35:57,480
Speaker 1: to go in and try to write something with a

717
00:35:57,520 --> 00:36:01,120
Speaker 1: spirit of you know, how do I celebrate him feeling

718
00:36:01,160 --> 00:36:04,239
Speaker 1: like I'm feeling. How to I represent him in the

719
00:36:04,360 --> 00:36:06,120
Speaker 1: light that's gonna make the most sense. So it was

720
00:36:06,160 --> 00:36:09,280
Speaker 1: like what he's still for was stopping the gang violence.

721
00:36:09,600 --> 00:36:11,120
Speaker 1: So I wanted to make a record first of all

722
00:36:11,200 --> 00:36:13,440
Speaker 1: giving him love and then showing what his spirit was about,

723
00:36:13,840 --> 00:36:16,120
Speaker 1: and then translating his spirit into a song that could

724
00:36:16,120 --> 00:36:18,719
Speaker 1: be the reason that we should do it in his

725
00:36:18,920 --> 00:36:20,960
Speaker 1: vein and is to not kill and not bang and

726
00:36:21,040 --> 00:36:23,200
Speaker 1: not riding each other. Because if you're doing it, you're

727
00:36:23,239 --> 00:36:25,480
Speaker 1: doing exactly what Nipsy don't want you to do. You

728
00:36:25,560 --> 00:36:28,800
Speaker 1: compare Nipsey to Jesus. Yeah, look at the impact that

729
00:36:28,880 --> 00:36:31,080
Speaker 1: he had, you know what I'm saying, like the same

730
00:36:31,160 --> 00:36:33,160
Speaker 1: impact that Jesus said, Like a lot of people didn't

731
00:36:33,160 --> 00:36:35,400
Speaker 1: know him, but they showed one to know about y

732
00:36:35,520 --> 00:36:38,120
Speaker 1: once he passed away, and then once they found out

733
00:36:38,160 --> 00:36:41,640
Speaker 1: about him, they understood what his legacy was about. Now

734
00:36:41,719 --> 00:36:45,480
Speaker 1: his legacy is living even bigger with him not being here.

735
00:36:45,680 --> 00:36:47,600
Speaker 1: It's only been about four months. Have you found any

736
00:36:47,920 --> 00:36:50,480
Speaker 1: purpose in his death? I don't really understand death, and

737
00:36:50,560 --> 00:36:53,800
Speaker 1: I never did. You don't become numb to it, but

738
00:36:53,880 --> 00:36:56,239
Speaker 1: it's like it's a feeling of okay, all right, I

739
00:36:56,320 --> 00:36:58,239
Speaker 1: guess it's what it's supposed to be. And you know,

740
00:36:58,320 --> 00:37:00,440
Speaker 1: you try to look at why were they here, what

741
00:37:00,560 --> 00:37:03,200
Speaker 1: did they do when they was here? And why did

742
00:37:03,280 --> 00:37:05,480
Speaker 1: I know them? And what am I supposed to take

743
00:37:05,560 --> 00:37:07,920
Speaker 1: from their death and their life? And that's what I do,

744
00:37:08,080 --> 00:37:11,600
Speaker 1: because like, how was I close to Tupoc? How was

745
00:37:11,640 --> 00:37:14,839
Speaker 1: Biggie my friend? How was Nipsey my friend? And they

746
00:37:14,920 --> 00:37:17,600
Speaker 1: all not hearing no more? And I share special moments

747
00:37:17,640 --> 00:37:21,479
Speaker 1: with them that I'll never speak about, some personal things

748
00:37:21,520 --> 00:37:24,319
Speaker 1: with us that may have been clashing, may have been loved,

749
00:37:24,680 --> 00:37:26,640
Speaker 1: but you'll never know about. And I feel like God

750
00:37:26,680 --> 00:37:29,279
Speaker 1: put them in my life for a reason because they

751
00:37:29,360 --> 00:37:32,360
Speaker 1: were impactful in hip hop, just like I'm impactful. I

752
00:37:32,440 --> 00:37:36,280
Speaker 1: feel like what I'm doing is what Biggie and Tupac

753
00:37:36,400 --> 00:37:38,840
Speaker 1: and Nipsey definitely would be doing if they were alive.

754
00:37:38,920 --> 00:37:40,480
Speaker 1: I want to ask you one more question about death,

755
00:37:40,520 --> 00:37:42,480
Speaker 1: because you haven't seen a lot of people around you

756
00:37:42,600 --> 00:37:44,960
Speaker 1: pass away and you know Nipsey alredyferred themselves as the

757
00:37:45,000 --> 00:37:47,640
Speaker 1: Tupocket of his generation. You knew both of them, so

758
00:37:47,840 --> 00:37:51,000
Speaker 1: that accurate comparison. I think it's very accurate because the

759
00:37:51,160 --> 00:37:53,880
Speaker 1: spirit that Nipsey had was a spirit Tupoc had as

760
00:37:53,920 --> 00:37:55,920
Speaker 1: far as like being up close and personal with the

761
00:37:56,040 --> 00:38:00,720
Speaker 1: people and just trying to give back. I think Nipsey

762
00:38:00,800 --> 00:38:03,120
Speaker 1: did what Tupac couldn't do. I think he was the extension,

763
00:38:03,160 --> 00:38:04,719
Speaker 1: like if you're running the four or forty really and

764
00:38:04,800 --> 00:38:07,640
Speaker 1: you passed the baton. I think the spirit of Tupac

765
00:38:08,520 --> 00:38:10,640
Speaker 1: was Nipsy, like the seed that he planted. I think

766
00:38:10,640 --> 00:38:12,719
Speaker 1: he said something about, I mean not changing the world,

767
00:38:12,760 --> 00:38:14,400
Speaker 1: but I'll sparked to see I'll plant to see that.

768
00:38:15,160 --> 00:38:18,160
Speaker 1: Somebody who is that quote right there is Nipsey. He's

769
00:38:18,200 --> 00:38:19,920
Speaker 1: a spark now. I also see you're gonna be on

770
00:38:20,000 --> 00:38:23,239
Speaker 1: Angie Martinez. This show the Untold Stories of Hip Hop? Yeah,

771
00:38:23,440 --> 00:38:25,760
Speaker 1: so do you have a whole lot of untold stories

772
00:38:25,800 --> 00:38:27,600
Speaker 1: that one day you feel like you might hold on?

773
00:38:27,640 --> 00:38:30,600
Speaker 1: Because Jarro with me today, you better tell those stories,

774
00:38:31,080 --> 00:38:35,120
Speaker 1: us said Eavy. The show is dope but snoop stories. Wow,

775
00:38:35,680 --> 00:38:37,719
Speaker 1: I wouldn't imagine what what well, we don't want to

776
00:38:37,760 --> 00:38:39,400
Speaker 1: give it up, but yes we do, all right, what

777
00:38:42,719 --> 00:38:45,919
Speaker 1: scams saying yes we do. I'm not telling y'all nothing.

778
00:38:46,000 --> 00:38:49,000
Speaker 1: Andree's my friend, y'all my friends. Shoot, So I'm not

779
00:38:49,040 --> 00:38:51,960
Speaker 1: gonna get in the middle of this mess. But is

780
00:38:52,000 --> 00:38:53,839
Speaker 1: there is there plans for you to tell a lot

781
00:38:53,880 --> 00:38:56,640
Speaker 1: of those untold stories at some point? Yeah? Yeah, with

782
00:38:56,719 --> 00:39:00,840
Speaker 1: a Snoop dog life story. Yeah. Yeah, from Vietnam to

783
00:39:00,920 --> 00:39:03,920
Speaker 1: death Row that's what's gonna be called. While from Vietnam

784
00:39:03,960 --> 00:39:06,640
Speaker 1: to death Row because my father was in Vietnam in

785
00:39:06,719 --> 00:39:09,399
Speaker 1: nineteen sixty eight and the life expectancy for a black

786
00:39:09,440 --> 00:39:12,439
Speaker 1: male was sixteen point four seconds and he actually made

787
00:39:12,440 --> 00:39:14,120
Speaker 1: it out of there and he got shot three times.

788
00:39:14,160 --> 00:39:16,279
Speaker 1: He's a purple heart VET. And I was born in

789
00:39:16,400 --> 00:39:20,080
Speaker 1: nineteen seventy one. So with that being said, I wasn't

790
00:39:20,120 --> 00:39:23,080
Speaker 1: supposed to get past Vietnam. Is that death Row movie

791
00:39:23,120 --> 00:39:25,120
Speaker 1: still happening? After Stay out of Content that kept saying

792
00:39:25,120 --> 00:39:27,840
Speaker 1: we're doing a death row movie next. I never had

793
00:39:27,880 --> 00:39:29,719
Speaker 1: nothing to do with that. As far as the death

794
00:39:29,840 --> 00:39:31,719
Speaker 1: Row movie, they couldn't do it without you, though, I

795
00:39:31,719 --> 00:39:34,919
Speaker 1: would imagine I'm worried about the Snoop blow life story

796
00:39:34,920 --> 00:39:36,839
Speaker 1: because there's too many versions that's been out there that's

797
00:39:36,880 --> 00:39:41,160
Speaker 1: been like almost right close to it. Similar, it's time

798
00:39:41,239 --> 00:39:43,719
Speaker 1: for somebody to tell the story from the perspective of

799
00:39:43,800 --> 00:39:46,160
Speaker 1: the eyes of the inside. Like even with Shugar Knight

800
00:39:46,320 --> 00:39:48,400
Speaker 1: side of it, Like they don't tell his story to

801
00:39:48,440 --> 00:39:50,080
Speaker 1: write way. They always just show the bad things that

802
00:39:50,160 --> 00:39:52,200
Speaker 1: he doing. That ain't cool, That ain't fair, you know

803
00:39:52,239 --> 00:39:53,960
Speaker 1: what I'm saying, Even though he was like a monster

804
00:39:54,040 --> 00:39:56,279
Speaker 1: at a certain point, but that's not fair. That's not

805
00:39:56,440 --> 00:39:58,600
Speaker 1: all what he was about. He was the one that

806
00:39:58,640 --> 00:40:00,759
Speaker 1: sport that Mother's Day thing and giving back to the

807
00:40:00,880 --> 00:40:05,000
Speaker 1: community and you know us getting active in the community.

808
00:40:05,040 --> 00:40:07,440
Speaker 1: He showed us that we didn't know how to do that.

809
00:40:07,880 --> 00:40:10,520
Speaker 1: And like I say, what the industry fails to realize.

810
00:40:10,560 --> 00:40:13,720
Speaker 1: If it wasn't for him have for you, rappers wouldn't

811
00:40:13,719 --> 00:40:15,839
Speaker 1: even have no label or have the control of y'all

812
00:40:15,840 --> 00:40:18,160
Speaker 1: guy right now, because it was a pamphole industry back

813
00:40:18,400 --> 00:40:21,000
Speaker 1: before he came out, and usually you'd be the whole

814
00:40:21,239 --> 00:40:23,120
Speaker 1: because he was the rapper and it happened to some

815
00:40:23,200 --> 00:40:25,320
Speaker 1: of the greatest rappers ever, some of the biggest rappers

816
00:40:25,400 --> 00:40:27,920
Speaker 1: at him. But when he came out. He helped shape

817
00:40:27,920 --> 00:40:29,799
Speaker 1: a different look to what he had to look at

818
00:40:30,160 --> 00:40:32,279
Speaker 1: a little bit differently, like, oh, we can't treat him

819
00:40:32,360 --> 00:40:34,880
Speaker 1: like that, and he may be like Huge Knight, or

820
00:40:34,920 --> 00:40:36,719
Speaker 1: he may be like when we don't want to rub

821
00:40:36,840 --> 00:40:38,759
Speaker 1: him wrong? Was he friends with Suge Knight? And then

822
00:40:38,800 --> 00:40:41,240
Speaker 1: they started giving up better deals and they started respecting

823
00:40:41,600 --> 00:40:45,120
Speaker 1: the craft of we have to respect him. We can't

824
00:40:45,200 --> 00:40:47,040
Speaker 1: just do them like we did the black artists in

825
00:40:47,040 --> 00:40:49,960
Speaker 1: the fifties and the sixties and the seventies and the eighties.

826
00:40:50,239 --> 00:40:53,400
Speaker 1: And that's that's facts. When you and Su spoke, did

827
00:40:53,440 --> 00:40:55,839
Speaker 1: he have him Morris for those times when you said

828
00:40:56,120 --> 00:40:57,879
Speaker 1: there was a period of time when things he did

829
00:40:58,040 --> 00:41:00,520
Speaker 1: was like a monster? Did he show him worse for that?

830
00:41:00,600 --> 00:41:02,759
Speaker 1: Did you guys having works for each other, for how

831
00:41:02,800 --> 00:41:04,799
Speaker 1: you treated each other. I don't think he ever said

832
00:41:04,840 --> 00:41:07,759
Speaker 1: I'm sorry, because that ain't in his nature, but I

833
00:41:07,920 --> 00:41:10,680
Speaker 1: know what he meant, like our conversation, let me know

834
00:41:10,760 --> 00:41:14,000
Speaker 1: we Greighty, like I'll share this with you. When we

835
00:41:14,160 --> 00:41:17,399
Speaker 1: spoke in the room one on one for the first time,

836
00:41:17,840 --> 00:41:20,360
Speaker 1: that was kind of like where did ya speak in

837
00:41:20,440 --> 00:41:23,520
Speaker 1: a hotel in Vegas? And it was spontaneous. It wasn't

838
00:41:23,560 --> 00:41:25,080
Speaker 1: no plan. It was just like he's seen me. I've

839
00:41:25,080 --> 00:41:27,080
Speaker 1: seen him. It's like, what's that? What's up? All right?

840
00:41:27,360 --> 00:41:29,439
Speaker 1: When we need to holler, Yeah, we do need to holler.

841
00:41:29,600 --> 00:41:31,279
Speaker 1: I'm leaving my security out. Didn't mean you can go

842
00:41:31,320 --> 00:41:32,719
Speaker 1: in the room and chop it up. We need to

843
00:41:32,760 --> 00:41:37,880
Speaker 1: figure this out. We gotta understanding. We exchanged numbers, started communicating,

844
00:41:38,200 --> 00:41:41,800
Speaker 1: then he got locked up. Still communicated with him, and

845
00:41:42,320 --> 00:41:45,040
Speaker 1: we wanted to just tape the conversation just because I

846
00:41:45,160 --> 00:41:46,719
Speaker 1: wanted to tape it. As soon as we get on

847
00:41:46,760 --> 00:41:51,200
Speaker 1: the phone. It's what he's saying, Oh, you working out now.

848
00:41:51,600 --> 00:41:53,520
Speaker 1: I tried to get you to work out years ago.

849
00:41:53,600 --> 00:41:55,520
Speaker 1: You what I saw? You know, I wouldn't listen to

850
00:41:55,600 --> 00:41:57,400
Speaker 1: you could I don't be listening to nobody telling me

851
00:41:57,480 --> 00:41:59,239
Speaker 1: how to work out. Look at him, look at let

852
00:41:59,280 --> 00:42:02,680
Speaker 1: listen to my tone. Mum, thank you buff now? Huh,

853
00:42:03,600 --> 00:42:05,640
Speaker 1: I ain't buffing. I'm just trying to live better now.

854
00:42:05,920 --> 00:42:09,080
Speaker 1: That's good. When I'm good. From Nary, we're going there.

855
00:42:09,480 --> 00:42:12,200
Speaker 1: His mother passed away, so I'm like, I'm sorry about

856
00:42:12,200 --> 00:42:14,040
Speaker 1: your mom, and he like, man that Laddy loves you.

857
00:42:14,719 --> 00:42:17,279
Speaker 1: I loved her too, Man, your mom was a special woman. Man.

858
00:42:17,840 --> 00:42:20,000
Speaker 1: She loves you. Man, she always so That to me

859
00:42:20,239 --> 00:42:23,239
Speaker 1: is like saying that we passed that. You don't have

860
00:42:23,280 --> 00:42:25,440
Speaker 1: to tell me you saw it. We're talking now. We

861
00:42:25,560 --> 00:42:27,560
Speaker 1: had a point that we could never get to, and

862
00:42:27,719 --> 00:42:30,880
Speaker 1: once we started communicating, we're gonna have more fun conversation.

863
00:42:31,080 --> 00:42:33,640
Speaker 1: I remember when we was hanging out, you did that,

864
00:42:34,120 --> 00:42:36,560
Speaker 1: mean when Park did this? And mean when you told

865
00:42:36,560 --> 00:42:39,840
Speaker 1: me to go get Park? Yeah, because remember dog, you

866
00:42:40,000 --> 00:42:42,200
Speaker 1: told me to go get him because I wasn't listening

867
00:42:42,239 --> 00:42:45,560
Speaker 1: to him and you took Why see, this is humbling

868
00:42:45,600 --> 00:42:48,200
Speaker 1: for me to hear him say this. I knew it,

869
00:42:48,600 --> 00:42:50,160
Speaker 1: but I never was gonna be like, well, I'm the

870
00:42:50,239 --> 00:42:54,240
Speaker 1: one that told him. No, you say it. Plus was understood.

871
00:42:54,239 --> 00:42:57,239
Speaker 1: Don't need to be saved between. I always wanted to.

872
00:42:57,600 --> 00:42:58,920
Speaker 1: You think him and Drey would ever come to an

873
00:42:59,000 --> 00:43:05,839
Speaker 1: understand ain't happen at all. Did say anything to you like, man,

874
00:43:05,880 --> 00:43:08,520
Speaker 1: why do you even care about forgiveness with this guy?

875
00:43:09,040 --> 00:43:11,040
Speaker 1: Dre know me? This is who I am. This is

876
00:43:11,040 --> 00:43:13,160
Speaker 1: a snoop dog. This is the snoop dogg. He knew

877
00:43:13,239 --> 00:43:15,600
Speaker 1: from day one, Like I'm for the people, man, I

878
00:43:15,600 --> 00:43:17,680
Speaker 1: ain't for that mess. I'm trying to make love and

879
00:43:17,800 --> 00:43:20,880
Speaker 1: make people happy. Like to me, what I'm doing is

880
00:43:20,880 --> 00:43:23,399
Speaker 1: gonna get them to the point that they can talk,

881
00:43:24,120 --> 00:43:26,160
Speaker 1: because you gotta be somebody got to take that first

882
00:43:26,160 --> 00:43:28,759
Speaker 1: step to be like, it ain't that bad. Come on, club,

883
00:43:29,160 --> 00:43:30,960
Speaker 1: it ain't that bad. All right, we got more with

884
00:43:31,000 --> 00:43:32,840
Speaker 1: Snoop when we come back. Let's get to a Snoop

885
00:43:32,840 --> 00:43:35,040
Speaker 1: Mini mix. It's the breakfast club. Good Morning. That was

886
00:43:35,120 --> 00:43:38,680
Speaker 1: a Snoop Dog Mini Mix. Morning. Everybody is DJ Envy

887
00:43:38,840 --> 00:43:41,480
Speaker 1: Angela Yee, Charlomagne, the guy we are the breakfast club.

888
00:43:41,560 --> 00:43:45,000
Speaker 1: Snoop Dogg is here. You're smoking every city, right, no

889
00:43:45,120 --> 00:43:47,160
Speaker 1: matter where you're at, no matter what town it is,

890
00:43:47,360 --> 00:43:50,920
Speaker 1: the continent, the studio. I ain't smoked up here yet,

891
00:43:52,320 --> 00:43:54,360
Speaker 1: so I can smoke right now. Look, she's trying to

892
00:43:54,360 --> 00:43:57,160
Speaker 1: stop me right now. We all got in trouble for

893
00:43:57,200 --> 00:44:00,880
Speaker 1: that means don't don't and we don't want to get

894
00:44:00,880 --> 00:44:03,359
Speaker 1: in trouble again. But before you came in here, they said,

895
00:44:03,360 --> 00:44:05,480
Speaker 1: who's gonna tell Snoop no if he decides he wants

896
00:44:05,520 --> 00:44:07,000
Speaker 1: to smoke. I don't know. We got into trouble to

897
00:44:07,239 --> 00:44:09,400
Speaker 1: just now and it was different. Now, y'all. I'm groom.

898
00:44:10,600 --> 00:44:12,400
Speaker 1: I'm not the little kid that you should come up

899
00:44:12,520 --> 00:44:15,879
Speaker 1: and being. I'm breaking the rules because I can't last

900
00:44:16,120 --> 00:44:18,000
Speaker 1: I think I was like, last, ye, I don't do that. Pin.

901
00:44:18,040 --> 00:44:20,560
Speaker 1: They don't do nothing for me, you know, they tease me.

902
00:44:22,080 --> 00:44:23,440
Speaker 1: So where do you get your smoke from? When you

903
00:44:23,480 --> 00:44:25,439
Speaker 1: go to you carry with you. You just have people,

904
00:44:25,480 --> 00:44:27,800
Speaker 1: And I can't tell you that I'm get in trouble

905
00:44:27,920 --> 00:44:30,800
Speaker 1: man the police. But I got my license and it

906
00:44:31,000 --> 00:44:33,120
Speaker 1: means that I could move anywhere and all the time

907
00:44:33,160 --> 00:44:35,839
Speaker 1: because I'm medical. You know, I'm sick. Man. I need

908
00:44:35,920 --> 00:44:44,040
Speaker 1: that new booty. What's that song about? Came in this

909
00:44:44,160 --> 00:44:50,680
Speaker 1: morning to life. He about men getting right. I say,

910
00:44:50,800 --> 00:44:52,040
Speaker 1: I didn't know who you was talking about, But I

911
00:44:52,160 --> 00:44:54,279
Speaker 1: was like, why did you want to write that? He

912
00:44:55,760 --> 00:44:57,840
Speaker 1: let me. Let me tell you that because it's a

913
00:44:57,920 --> 00:45:01,960
Speaker 1: real story that it is. But the terminology new booty

914
00:45:02,200 --> 00:45:07,239
Speaker 1: is a new square in jail, like somebody that's going

915
00:45:07,280 --> 00:45:10,399
Speaker 1: to jail for the first time and they've never been

916
00:45:10,440 --> 00:45:13,319
Speaker 1: in that environment and it's a new experience for them.

917
00:45:13,480 --> 00:45:15,400
Speaker 1: So it's like you're a new booty. Wasn't about me

918
00:45:15,480 --> 00:45:17,920
Speaker 1: taking the booty, but that is a part of the process.

919
00:45:18,040 --> 00:45:21,200
Speaker 1: If you coming there too hard, too tough, not knowing

920
00:45:21,239 --> 00:45:24,200
Speaker 1: the circumstances. There are men in there that are designed

921
00:45:24,239 --> 00:45:26,839
Speaker 1: to do that that ain't coming home. That they're looking

922
00:45:26,920 --> 00:45:30,640
Speaker 1: at you as their girlfriend. Please Johnson, Oh boy, boy

923
00:45:31,320 --> 00:45:34,720
Speaker 1: was more important than a drink of water. I like booty.

924
00:45:43,280 --> 00:45:45,920
Speaker 1: So that song is about somebody in particular. It's about

925
00:45:45,920 --> 00:45:48,640
Speaker 1: a lot of people in particular. It's about entertainers, it's

926
00:45:48,640 --> 00:45:53,040
Speaker 1: about athletes, it's about people who get successful and join

927
00:45:53,120 --> 00:45:55,919
Speaker 1: the game. So you heard stories about dudes getting tossed

928
00:45:55,960 --> 00:45:57,919
Speaker 1: up in jail like entertainer. But at the end, because

929
00:45:57,920 --> 00:45:59,680
Speaker 1: it's a guy screaming at the end of the record,

930
00:46:00,080 --> 00:46:04,480
Speaker 1: the homies gonna think about that. It can happen, man,

931
00:46:05,320 --> 00:46:08,760
Speaker 1: because they didn't it say sugar Booty Warriors, say sugar

932
00:46:09,040 --> 00:46:12,480
Speaker 1: dudes on deck that J said, yeah, I may man,

933
00:46:12,560 --> 00:46:14,520
Speaker 1: Look here, I'm talking about the great things he did.

934
00:46:14,560 --> 00:46:17,680
Speaker 1: I don't know about that, I told y'all, but I'm

935
00:46:17,760 --> 00:46:20,600
Speaker 1: not a part of the bad things. I stopped saying.

936
00:46:20,719 --> 00:46:26,239
Speaker 1: I used the word booty warriors. Boy. Ray J was

937
00:46:26,480 --> 00:46:28,319
Speaker 1: there for at the time when when I had left,

938
00:46:30,520 --> 00:46:32,719
Speaker 1: so I don't know what the hell was going on

939
00:46:33,120 --> 00:46:35,320
Speaker 1: when I was there. Was just shooting. Were just shooting

940
00:46:35,360 --> 00:46:39,960
Speaker 1: and slapping and kicking it. Time is up. Yeah, I

941
00:46:40,080 --> 00:46:46,279
Speaker 1: got your mom over head. Now we were talking to

942
00:46:47,440 --> 00:46:53,440
Speaker 1: man like what don't do it? It wasn't that bad.

943
00:46:53,600 --> 00:46:56,560
Speaker 1: What does coach Snoop think about the NFL and Jay

944
00:46:56,680 --> 00:46:59,759
Speaker 1: Z and Rack Nation? Well, coach Snoop don't know the

945
00:46:59,840 --> 00:47:02,120
Speaker 1: entry because see that. He don't know the dynamics to that.

946
00:47:02,280 --> 00:47:05,120
Speaker 1: But what I would have loved to have seen was

947
00:47:05,280 --> 00:47:09,319
Speaker 1: somebody really asking Roger Godell a question of why did

948
00:47:09,400 --> 00:47:13,440
Speaker 1: y'all black ball Colin Kaepernck. I didn't hear it. I

949
00:47:13,520 --> 00:47:16,440
Speaker 1: didn't hear it. That ain't good. What was his answer?

950
00:47:17,000 --> 00:47:19,520
Speaker 1: He said, were not blackballing Kaepernick. Any owner can sign

951
00:47:19,600 --> 00:47:21,359
Speaker 1: Kaepernick whenever they want to, and they ain't to ask.

952
00:47:21,520 --> 00:47:24,920
Speaker 1: I was looking forward use blackballing period. Ain't know in

953
00:47:25,000 --> 00:47:27,560
Speaker 1: betweens to that. They shut him down. That's why they settled.

954
00:47:27,560 --> 00:47:30,799
Speaker 1: Would him to me, I wouldn't have settled. I would

955
00:47:30,800 --> 00:47:32,640
Speaker 1: have won all the way to the wheels fall off

956
00:47:32,840 --> 00:47:34,000
Speaker 1: to what they would have had to get me a

957
00:47:34,080 --> 00:47:37,080
Speaker 1: billion dollars, then I would have settled. But other than that,

958
00:47:37,160 --> 00:47:38,799
Speaker 1: it wouldn't have been about the money. He'd been about

959
00:47:38,840 --> 00:47:41,520
Speaker 1: the calls in the stand for everything, and instead of

960
00:47:41,640 --> 00:47:44,600
Speaker 1: jay Z, he should have been there, like, let me

961
00:47:44,680 --> 00:47:47,120
Speaker 1: be the once someone want to pushing the calls, let

962
00:47:47,200 --> 00:47:49,640
Speaker 1: me actually be in the room with y'all to put

963
00:47:49,680 --> 00:47:51,319
Speaker 1: it in my input because I'm gonna want to start

964
00:47:51,360 --> 00:47:53,760
Speaker 1: it this awareness thing, not to try to get credit,

965
00:47:53,800 --> 00:47:55,759
Speaker 1: but just to give you my input on something that

966
00:47:55,920 --> 00:47:58,239
Speaker 1: I created. And I created the awareness. Did Stephen A.

967
00:47:58,320 --> 00:48:00,239
Speaker 1: Smith say some teams reached out to him try to

968
00:48:00,239 --> 00:48:02,240
Speaker 1: sign him. Yeah, he said he had a few offers

969
00:48:02,400 --> 00:48:05,919
Speaker 1: from like the Seahawks profit. Yeah, and then they said,

970
00:48:06,400 --> 00:48:08,320
Speaker 1: I know they did ask him to be on that council,

971
00:48:08,760 --> 00:48:10,799
Speaker 1: not the one, the same council that jay Z had.

972
00:48:10,840 --> 00:48:12,960
Speaker 1: Malcolm Jenklin started a couple of years ago. The impact

973
00:48:13,040 --> 00:48:15,040
Speaker 1: change and and now they clashing. You got you got

974
00:48:15,200 --> 00:48:17,200
Speaker 1: hurt the NFL players, that's clashing, but they don't like

975
00:48:17,320 --> 00:48:21,080
Speaker 1: what's going on because it's see, what people don't understand

976
00:48:21,200 --> 00:48:24,000
Speaker 1: is coming from hip hop, we don't have no commissioner,

977
00:48:24,080 --> 00:48:27,320
Speaker 1: we don't have no rules and regulations and structure. So

978
00:48:27,600 --> 00:48:30,360
Speaker 1: now you're bringing in somebody who's from hip hop and

979
00:48:30,600 --> 00:48:35,360
Speaker 1: the drug world into y'all structure, it's gonna be a

980
00:48:35,480 --> 00:48:39,120
Speaker 1: problem if he don't get control, because if he don't

981
00:48:39,160 --> 00:48:41,440
Speaker 1: get control, everybody's gonna store throwing rocks at jay Z

982
00:48:41,600 --> 00:48:43,560
Speaker 1: like I ain't do nothing, like they try to doing

983
00:48:43,600 --> 00:48:45,120
Speaker 1: them again, and like why y'all going at it? Me

984
00:48:45,200 --> 00:48:48,520
Speaker 1: trying to help. But if he do get control and

985
00:48:48,600 --> 00:48:50,480
Speaker 1: the NFL is over, because it's gonna be some real

986
00:48:50,600 --> 00:48:53,200
Speaker 1: black owners, that's right, because we're getting smart now. I

987
00:48:53,239 --> 00:48:55,920
Speaker 1: don't want to hear that minority ownership can own a

988
00:48:56,000 --> 00:48:59,680
Speaker 1: whole team. Because Floyd had the money, Oprah had the money.

989
00:49:00,040 --> 00:49:02,680
Speaker 1: They tried to buy the Clippers, they froze them. Who

990
00:49:02,719 --> 00:49:04,960
Speaker 1: talk about the Clippers, Floyd or Praul. There's a bunch

991
00:49:04,960 --> 00:49:07,600
Speaker 1: of started about the Clippers when that when the owner

992
00:49:07,680 --> 00:49:10,520
Speaker 1: went bad, Blacks got their money together, like we want

993
00:49:10,520 --> 00:49:13,400
Speaker 1: to buy this. I don't know, you don't, okay, how

994
00:49:13,480 --> 00:49:16,399
Speaker 1: much money y'all got, y'all not owning nothing. Even Michael Jordan,

995
00:49:16,440 --> 00:49:18,200
Speaker 1: he don't own that team. Only mean I think he

996
00:49:18,239 --> 00:49:20,920
Speaker 1: got that because it was a black owner previously, Bob Johnson,

997
00:49:21,600 --> 00:49:25,640
Speaker 1: what do he own it? He majority? What does that mean?

998
00:49:27,800 --> 00:49:32,080
Speaker 1: I don't like that majority minority? Checking yourself, these clothes

999
00:49:32,120 --> 00:49:36,439
Speaker 1: I got on, these mother's mind. You know what I'm saying,

1000
00:49:36,560 --> 00:49:39,640
Speaker 1: you know, minority majority? What did that mean? Jordan? He

1001
00:49:39,680 --> 00:49:41,480
Speaker 1: definitely on the on the podcast, him and who else?

1002
00:49:41,920 --> 00:49:44,280
Speaker 1: I don't know because I've seen nearly with the Rings

1003
00:49:44,320 --> 00:49:48,800
Speaker 1: and he was part of the owner I've seen. I

1004
00:49:48,920 --> 00:49:50,680
Speaker 1: want the Lakers. They still ain't gave me a goddamn

1005
00:49:50,719 --> 00:49:57,040
Speaker 1: ring and I've done way more. But I was understand

1006
00:49:57,040 --> 00:49:58,960
Speaker 1: why people choose the side. We should want jay Z

1007
00:49:59,320 --> 00:50:01,560
Speaker 1: to work, we should want Captain be on the team. Like,

1008
00:50:01,600 --> 00:50:03,920
Speaker 1: I don't see why people choose sides. But that's the

1009
00:50:04,000 --> 00:50:07,719
Speaker 1: mentality of williaem Lynch. He broke us mentally. With that

1010
00:50:07,840 --> 00:50:09,640
Speaker 1: mentality where you have to pick and choose, you can't

1011
00:50:09,640 --> 00:50:12,440
Speaker 1: be together. That's why we have to do things to

1012
00:50:12,600 --> 00:50:15,160
Speaker 1: break that mentality to be like, you know what, we're

1013
00:50:15,200 --> 00:50:18,040
Speaker 1: embracing jay Z and were embracing the NFL. Now what

1014
00:50:18,480 --> 00:50:21,360
Speaker 1: because it was someone that chased me around all day yesterday,

1015
00:50:21,880 --> 00:50:24,960
Speaker 1: little white dude with a little camera, Snoop, what do

1016
00:50:25,000 --> 00:50:29,080
Speaker 1: you feel about j Z and the NFL thing? I'm

1017
00:50:29,120 --> 00:50:31,200
Speaker 1: not asking and he I showed up somewhere else he

1018
00:50:31,360 --> 00:50:34,279
Speaker 1: could come again here, Snoop's going on? What you feel

1019
00:50:34,280 --> 00:50:37,759
Speaker 1: about Z? In the NFL them. You asked me that

1020
00:50:37,800 --> 00:50:39,120
Speaker 1: one more time. I'n we get your the head with

1021
00:50:39,160 --> 00:50:42,240
Speaker 1: a football from my face. That's why you need booty.

1022
00:50:46,080 --> 00:50:48,520
Speaker 1: We appreciate you for coming and join it on sixty

1023
00:50:48,560 --> 00:50:53,040
Speaker 1: seven percent at somebody hit you with that sixty That

1024
00:50:53,160 --> 00:50:56,520
Speaker 1: ain't enough. If that was you be hid them up.

1025
00:50:57,800 --> 00:51:01,440
Speaker 1: You gotta be at least eighty snoop. We appreciate you

1026
00:51:01,520 --> 00:51:04,000
Speaker 1: for joining us. And Charlotte Man gotta hit man. You

1027
00:51:04,080 --> 00:51:06,000
Speaker 1: got that black man, don't cheat man, you gotta hit

1028
00:51:06,080 --> 00:51:08,040
Speaker 1: the ball. Record what I'm saying, you own it to

1029
00:51:08,840 --> 00:51:11,000
Speaker 1: you make it go, You make it go. I appreciate

1030
00:51:11,239 --> 00:51:12,839
Speaker 1: Charlot mane what his rap name was when he first

1031
00:51:12,880 --> 00:51:15,200
Speaker 1: started rapping? What was your rap name when you first started?

1032
00:51:15,200 --> 00:51:21,200
Speaker 1: Dizzy Van Winkle and Win. That sounds like Rob van

1033
00:51:21,280 --> 00:51:25,600
Speaker 1: winker little Brother and Rob van Winkles Vanilla Ice. You

1034
00:51:25,640 --> 00:51:30,520
Speaker 1: feel about that concept, black men don't cheat? It's cool. No,

1035
00:51:30,680 --> 00:51:32,800
Speaker 1: I love it. I really embrace it. I love it.

1036
00:51:33,320 --> 00:51:35,200
Speaker 1: I love it. I love that concept because it's like

1037
00:51:35,760 --> 00:51:37,160
Speaker 1: somebody had to put it out there. You know what

1038
00:51:37,200 --> 00:51:40,360
Speaker 1: I'm saying. Tell the truth. Stop lying on us exactly,

1039
00:51:41,120 --> 00:51:44,160
Speaker 1: especially us married men. Yeah, stop lying on us put

1040
00:51:44,239 --> 00:51:46,400
Speaker 1: it out there, A little black boy's cheap, they do,

1041
00:51:46,560 --> 00:51:48,839
Speaker 1: but black men don't cheat. There you go. Now, when

1042
00:51:48,880 --> 00:51:57,680
Speaker 1: I was a boy, put snoop dog. It's the breakfast club.

1043
00:51:57,760 --> 00:52:00,480
Speaker 1: Good morning. Who's gonna be a dust right now? You Also,

1044
00:52:03,120 --> 00:52:05,239
Speaker 1: it's time for Donkey of the day. So if we

1045
00:52:05,320 --> 00:52:07,560
Speaker 1: ever threw, I need to be a donk man with

1046
00:52:07,680 --> 00:52:12,120
Speaker 1: the heat. Did she get the lease? I had become

1047
00:52:12,239 --> 00:52:19,440
Speaker 1: donkey bitch? Oh donkey to Dave goes to. The man

1048
00:52:19,920 --> 00:52:23,040
Speaker 1: known throughout the world is Wendy William's husband soon to

1049
00:52:23,080 --> 00:52:26,040
Speaker 1: be Wendy William's ex wife, Kelvin Hunter. His government name

1050
00:52:26,120 --> 00:52:28,480
Speaker 1: is Kelvin. They call him Kevin personally. I just thank

1051
00:52:28,520 --> 00:52:30,319
Speaker 1: god that I haven't had to call him in ten

1052
00:52:30,400 --> 00:52:32,480
Speaker 1: plus years. And I let the record show I love

1053
00:52:32,960 --> 00:52:35,520
Speaker 1: value and appreciate all black men out there. In fact,

1054
00:52:35,600 --> 00:52:37,719
Speaker 1: I love people, period. But it's only two people on

1055
00:52:37,840 --> 00:52:40,120
Speaker 1: this planet I don't give a damn about, and Kelvin

1056
00:52:40,200 --> 00:52:41,719
Speaker 1: Hunter is one of them. I don't have time to

1057
00:52:41,800 --> 00:52:43,640
Speaker 1: tell you all the backstory between me and that guy.

1058
00:52:43,760 --> 00:52:46,319
Speaker 1: You can go buy my New York Times bestselling book

1059
00:52:46,320 --> 00:52:49,120
Speaker 1: Black Privilege to get the origin story. In a nutshell,

1060
00:52:49,800 --> 00:52:52,279
Speaker 1: I worked with and sometimes lived with Kelvin Hunter and

1061
00:52:52,320 --> 00:52:54,560
Speaker 1: Wendy Williams. That period was about four years of my life,

1062
00:52:54,600 --> 00:52:56,840
Speaker 1: so I am very well versed on the subject of

1063
00:52:56,920 --> 00:52:58,640
Speaker 1: Kelvin Hunter. Now, if you want to know why I

1064
00:52:58,680 --> 00:53:01,279
Speaker 1: don't rock with Kelvin Hunting anymore, I have told you

1065
00:53:01,440 --> 00:53:04,280
Speaker 1: all that we stopped communicating in February of two thousand

1066
00:53:04,320 --> 00:53:06,719
Speaker 1: ten because he got upset that his mistress now baby

1067
00:53:06,800 --> 00:53:11,160
Speaker 1: Mama Sharina Hudson aka Nikki from Columbia, South Carolina drop

1068
00:53:11,280 --> 00:53:13,560
Speaker 1: on a clues bomb for the eight oh three. He

1069
00:53:13,680 --> 00:53:15,759
Speaker 1: got upset because he thought I was trying to hook

1070
00:53:15,800 --> 00:53:18,799
Speaker 1: his mistress up with my homeboy. Wax. Think about that big,

1071
00:53:18,880 --> 00:53:22,440
Speaker 1: grown ass married negro from Brownsville, Brooklyn. Supposed to be

1072
00:53:22,600 --> 00:53:24,879
Speaker 1: some thorough ass hood dude. Upset because he thinks I'm

1073
00:53:24,880 --> 00:53:27,200
Speaker 1: trying to hook his side check up with my homeboy.

1074
00:53:27,280 --> 00:53:29,480
Speaker 1: Does that not make him a grade a sucker, a

1075
00:53:29,640 --> 00:53:32,680
Speaker 1: clown of legendary proportions. Not. The reason I have never

1076
00:53:32,800 --> 00:53:35,160
Speaker 1: had no smoke for Wendy is number one. I feel

1077
00:53:35,239 --> 00:53:37,719
Speaker 1: sorry for her because she was an abused woman on

1078
00:53:37,880 --> 00:53:40,719
Speaker 1: various levels. And two, I know Kelvin didn't go to

1079
00:53:40,840 --> 00:53:43,840
Speaker 1: Wendy and said, yeah, we don't robrom Charlomagne anymore because

1080
00:53:43,840 --> 00:53:45,920
Speaker 1: he tried to hook his shot chick up with my homeboys.

1081
00:53:45,960 --> 00:53:47,799
Speaker 1: So he just chalked that up to the game keep

1082
00:53:47,840 --> 00:53:50,560
Speaker 1: it moving. So after February of two thousen I stopped

1083
00:53:50,560 --> 00:53:53,320
Speaker 1: communicating with him and continue to live my life like

1084
00:53:53,440 --> 00:53:56,160
Speaker 1: it was Golden. Never paid this dude any mind. But

1085
00:53:56,280 --> 00:53:58,200
Speaker 1: from the time I started doing the Breakfast Club, in

1086
00:53:58,320 --> 00:54:00,560
Speaker 1: various times over the past nine years, any chance he's

1087
00:54:00,600 --> 00:54:02,920
Speaker 1: gotten to take a shot at me or kick my back,

1088
00:54:03,000 --> 00:54:05,200
Speaker 1: you know, block a bag on an opportunity, Oh, he's

1089
00:54:05,239 --> 00:54:07,840
Speaker 1: took it, Envy. Do you remember when we first started

1090
00:54:07,880 --> 00:54:10,520
Speaker 1: the Breakfast Club nine years ago? Yes? Did Kevin Hunter

1091
00:54:10,719 --> 00:54:12,560
Speaker 1: not reach out to you? Yes? He did. What do

1092
00:54:12,600 --> 00:54:17,520
Speaker 1: you say? He said, you a fake, maxstabber, disloyal, a sucker,

1093
00:54:18,239 --> 00:54:24,000
Speaker 1: short and gay. Shut up. Why I knew you gonna

1094
00:54:24,000 --> 00:54:25,640
Speaker 1: add something. I just knew it. I told you what

1095
00:54:25,719 --> 00:54:27,680
Speaker 1: he said to me, right what he said. I ran

1096
00:54:27,719 --> 00:54:29,160
Speaker 1: into him in Wendy in an event and it was

1097
00:54:29,200 --> 00:54:31,200
Speaker 1: before I even knew we were doing a breakfast club. Okay,

1098
00:54:31,440 --> 00:54:33,480
Speaker 1: I never told you this story. I don't remember. And

1099
00:54:33,760 --> 00:54:35,480
Speaker 1: I ran into them and this was before we even

1100
00:54:35,520 --> 00:54:36,880
Speaker 1: had the breakfast club. This is when I had an

1101
00:54:36,920 --> 00:54:39,319
Speaker 1: offer to do a morning show in Philly and he said,

1102
00:54:39,360 --> 00:54:41,520
Speaker 1: I heard you got it an offer in Philly. They said,

1103
00:54:41,560 --> 00:54:43,759
Speaker 1: don't take that off away for New York. And then

1104
00:54:43,840 --> 00:54:47,160
Speaker 1: he said watch out for Charlemagne though, because he can't

1105
00:54:47,200 --> 00:54:51,200
Speaker 1: be trusted, and he is. What did they say? They

1106
00:54:51,280 --> 00:54:53,200
Speaker 1: said that you're all you care about is yourself and

1107
00:54:53,239 --> 00:54:56,800
Speaker 1: then he'll stab you in the back. Okay, okay, and

1108
00:54:56,920 --> 00:55:02,200
Speaker 1: that you're short and game shut up waited. I knew

1109
00:55:02,239 --> 00:55:07,560
Speaker 1: what was coming anyway. All that is true except for

1110
00:55:07,600 --> 00:55:10,439
Speaker 1: the gay part. And it was a producer who wanted

1111
00:55:10,440 --> 00:55:12,439
Speaker 1: to do a TV show with me once. He wanted

1112
00:55:12,480 --> 00:55:14,440
Speaker 1: to do it through Deathbo Mercury, which is the production

1113
00:55:14,480 --> 00:55:17,160
Speaker 1: company one of these daytime talk show and syndicated through

1114
00:55:17,239 --> 00:55:19,040
Speaker 1: keV blocked that, but I knew that was gonna happen.

1115
00:55:19,120 --> 00:55:21,160
Speaker 1: I remember once he called my cousin Dana's who's my

1116
00:55:21,200 --> 00:55:23,680
Speaker 1: cousin Dana to threaten me physically for no damn reason

1117
00:55:23,719 --> 00:55:25,520
Speaker 1: at all. What I'm trying to tell you is this

1118
00:55:25,680 --> 00:55:27,960
Speaker 1: man has actively tried to take my head off every

1119
00:55:28,040 --> 00:55:31,200
Speaker 1: chance he gets. But last year it got really bad.

1120
00:55:31,280 --> 00:55:33,399
Speaker 1: See if anyone wants to know why I really don't

1121
00:55:33,520 --> 00:55:36,280
Speaker 1: rock with Calvin Hunter, look no further than an interview

1122
00:55:36,400 --> 00:55:38,799
Speaker 1: his former artist who lived with him all last year

1123
00:55:39,160 --> 00:55:42,239
Speaker 1: named Avion Foster did with Tasha Kay. Now, if you

1124
00:55:42,239 --> 00:55:44,560
Speaker 1: don't know who Avion is, he's a singer who used

1125
00:55:44,560 --> 00:55:46,520
Speaker 1: to be signed to Kelvin and he claims he was

1126
00:55:46,680 --> 00:55:52,040
Speaker 1: sexually abused by Kelvin Hunter. His words, not mine. Let's listen.

1127
00:55:52,280 --> 00:55:54,719
Speaker 1: He came over and practically raped me. He came over

1128
00:55:54,840 --> 00:55:57,120
Speaker 1: three o'clock in the morning. I knew he was high,

1129
00:55:57,200 --> 00:56:00,880
Speaker 1: come over, like, pull back the covers. I sleep naked,

1130
00:56:01,000 --> 00:56:02,800
Speaker 1: and I just used to stay in the condo in Futley,

1131
00:56:02,880 --> 00:56:05,839
Speaker 1: New Jersey. Now, mind you, I just did the number two.

1132
00:56:06,080 --> 00:56:07,759
Speaker 1: I just didn't. But he didn't care about that. He

1133
00:56:07,960 --> 00:56:11,360
Speaker 1: ate me in me and didn't put his excuse me,

1134
00:56:12,040 --> 00:56:16,160
Speaker 1: excuse excuse me in less than thirty seconds, and while

1135
00:56:16,200 --> 00:56:21,160
Speaker 1: he was stroking, he was like, yeah, this is Brownsville. Yeah, now,

1136
00:56:21,920 --> 00:56:24,080
Speaker 1: I don't bring Brooklyn into this. Now. I don't know.

1137
00:56:25,080 --> 00:56:27,000
Speaker 1: I don't know if those allegations are true or not.

1138
00:56:27,160 --> 00:56:29,640
Speaker 1: But if they are, just no, Kelvin is really putting

1139
00:56:29,680 --> 00:56:32,399
Speaker 1: the brown in Brownsville. If it is and he doesn't

1140
00:56:32,480 --> 00:56:35,319
Speaker 1: last long at all. That's terrible. Listen, man, nothing puts

1141
00:56:35,360 --> 00:56:43,640
Speaker 1: the brown in Brownsville like a dudoo. Stay Danis, Now

1142
00:56:43,840 --> 00:56:47,520
Speaker 1: that's the foster. Remember remember last year, last summer, when

1143
00:56:47,520 --> 00:56:49,560
Speaker 1: the narrative was being created that I was a rapist,

1144
00:56:49,920 --> 00:56:52,480
Speaker 1: a sexual predator, all based off an old charge that

1145
00:56:52,560 --> 00:56:54,920
Speaker 1: I had in two thousand and one of criminal sexual conduct,

1146
00:56:54,960 --> 00:56:57,600
Speaker 1: which I've always spoken about, wrote about it in my book.

1147
00:56:57,880 --> 00:57:00,280
Speaker 1: You know, uh, you know, never hit it from any body,

1148
00:57:00,320 --> 00:57:02,200
Speaker 1: talked about this charge like I talked about all my

1149
00:57:02,280 --> 00:57:05,560
Speaker 1: other charges. Now, this charge was dismissed and expunge from

1150
00:57:05,600 --> 00:57:08,040
Speaker 1: my record simply because I took a DNA test and

1151
00:57:08,080 --> 00:57:10,120
Speaker 1: because the young woman didn't want to cooperate. If you

1152
00:57:10,239 --> 00:57:12,640
Speaker 1: take a DNA test and your DNA is not found

1153
00:57:12,680 --> 00:57:14,800
Speaker 1: in a woman's rape kid, then that's usually what happened.

1154
00:57:14,840 --> 00:57:17,320
Speaker 1: Your charges get dismissed. That was my case, But that

1155
00:57:17,360 --> 00:57:19,600
Speaker 1: didn't stop a narrative from being painted, especially when you

1156
00:57:19,680 --> 00:57:22,520
Speaker 1: couple that with old inappropriate jokes that I made when

1157
00:57:22,800 --> 00:57:25,600
Speaker 1: I was younger on the Breakfast Club and take conversations

1158
00:57:25,600 --> 00:57:27,720
Speaker 1: about rape culture that I had on my podcast out

1159
00:57:27,800 --> 00:57:29,800
Speaker 1: of contact. You put out of context. You put that

1160
00:57:29,840 --> 00:57:32,120
Speaker 1: with this young lady's side of the story, easy to

1161
00:57:32,160 --> 00:57:34,560
Speaker 1: paint the narrative that Charlomagne is a rapist, especially in

1162
00:57:34,640 --> 00:57:37,040
Speaker 1: this era and this times up Me Too movement. You

1163
00:57:37,120 --> 00:57:40,480
Speaker 1: can vandalize someone's perception, you can do some damage to

1164
00:57:40,600 --> 00:57:44,480
Speaker 1: their business. And that's exactly allegedly what Kelvin Hunt tried

1165
00:57:44,520 --> 00:57:46,840
Speaker 1: to do to me. I knew this, but Avion Foster,

1166
00:57:46,920 --> 00:57:49,800
Speaker 1: who lived with Kelvin last year, confirmed it with Tasha

1167
00:57:49,880 --> 00:57:52,200
Speaker 1: k Let's listen to that Kelly behind the whole thing

1168
00:57:52,480 --> 00:57:55,160
Speaker 1: because of some beast Nikky got with Charlomagne. Charlomagne. Don't

1169
00:57:55,160 --> 00:57:57,120
Speaker 1: even know what Nicky mad about. But when I was

1170
00:57:57,160 --> 00:57:59,880
Speaker 1: at Kevin's office sitting between sitting back and forth between them,

1171
00:58:00,200 --> 00:58:02,680
Speaker 1: just like this, Okay, I was like, why are you

1172
00:58:02,800 --> 00:58:04,720
Speaker 1: doing this? May he said, sometimes you're just going to

1173
00:58:04,760 --> 00:58:06,840
Speaker 1: do so for the family. Man. Now you're talking about

1174
00:58:06,920 --> 00:58:12,920
Speaker 1: the allegations involving Charlomagne reappeared yeah, via media okay of

1175
00:58:13,120 --> 00:58:17,080
Speaker 1: him supposedly raping. Okay, they didn't know that I was

1176
00:58:17,200 --> 00:58:20,720
Speaker 1: there when Phil was called. Bill is Kevi's assistant, somebody

1177
00:58:20,760 --> 00:58:22,760
Speaker 1: who works with kid. But I was. I was there

1178
00:58:22,840 --> 00:58:24,520
Speaker 1: when I was on tour, go on the windy tour.

1179
00:58:24,720 --> 00:58:26,480
Speaker 1: Kevin was right on the phone this girl and her

1180
00:58:26,560 --> 00:58:29,919
Speaker 1: people organizing the story. Now, my lawyer served Calvin Hunter

1181
00:58:30,000 --> 00:58:32,120
Speaker 1: last summer and his publicist Danny a story because I

1182
00:58:32,160 --> 00:58:34,919
Speaker 1: was getting calls from blogs and other radio stations telling

1183
00:58:34,960 --> 00:58:37,640
Speaker 1: me Danny a story. Who is their publicist was calling

1184
00:58:37,680 --> 00:58:39,880
Speaker 1: around on behalf of Calvin Hunter trying to set up

1185
00:58:39,920 --> 00:58:42,080
Speaker 1: interviews for the young woman accusing me a rape. Let

1186
00:58:42,120 --> 00:58:44,200
Speaker 1: me tell you how dumb Kelvin is. I served Danny

1187
00:58:44,240 --> 00:58:46,680
Speaker 1: a story at first, and the lawyer responded saying she

1188
00:58:46,800 --> 00:58:49,960
Speaker 1: represents Danny a story and Kelvin Hunter a hit dog

1189
00:58:50,040 --> 00:58:52,880
Speaker 1: will hallowey. Then Calvin's lawyer sent me a season desist

1190
00:58:52,920 --> 00:58:54,760
Speaker 1: telling me to stop talking about Kevin. I hadn't even

1191
00:58:54,800 --> 00:58:56,880
Speaker 1: started talking about him yet, but I am talking now.

1192
00:58:57,000 --> 00:58:59,760
Speaker 1: And salute to Philip Jordan as well aka phil Gates.

1193
00:59:00,080 --> 00:59:02,400
Speaker 1: Feel you allegedly with helping keV with this feelers like

1194
00:59:02,440 --> 00:59:05,440
Speaker 1: four hundred pounds. I think keV promised some gasper bypassed

1195
00:59:05,440 --> 00:59:07,720
Speaker 1: a light bulb or something, but in typical Kelvin fashion,

1196
00:59:07,760 --> 00:59:09,760
Speaker 1: he didn't keep his word on that. He'd rather spend

1197
00:59:09,840 --> 00:59:12,200
Speaker 1: that money on his side chick barter or Ferrari is

1198
00:59:12,240 --> 00:59:14,760
Speaker 1: a push president. But that car, according to The Daily Mail,

1199
00:59:15,040 --> 00:59:17,560
Speaker 1: got repossessed the day after Wendy announced the divorce. You

1200
00:59:17,600 --> 00:59:19,880
Speaker 1: know you can't afford those type of toys, keV all right,

1201
00:59:19,960 --> 00:59:21,640
Speaker 1: you could have gave that money to fail to have

1202
00:59:21,760 --> 00:59:24,720
Speaker 1: his surgery. Instead of the repot man taking the Ferrari away,

1203
00:59:24,840 --> 00:59:27,160
Speaker 1: the doctors could have taken phil stomach away. But that

1204
00:59:28,200 --> 00:59:29,680
Speaker 1: is why we are here today. We are here to

1205
00:59:29,760 --> 00:59:32,240
Speaker 1: talk about this restaurant called the Common Cafe, were there

1206
00:59:32,240 --> 00:59:34,800
Speaker 1: are no menus. You get served what you deserve, and

1207
00:59:34,920 --> 00:59:36,920
Speaker 1: kef you deserve everything that's happening to you right now

1208
00:59:37,120 --> 00:59:39,480
Speaker 1: because you do understand everything that you attempt to do

1209
00:59:39,560 --> 00:59:42,400
Speaker 1: to someone has already been done to you. Let me repeat,

1210
00:59:42,560 --> 00:59:45,160
Speaker 1: whatever negative you are trying to do to someone has

1211
00:59:45,200 --> 00:59:48,280
Speaker 1: already been done to you. You was so busy trying

1212
00:59:48,320 --> 00:59:51,600
Speaker 1: to get me fired, and look, according to People magazine,

1213
00:59:51,600 --> 00:59:54,880
Speaker 1: Wendy William's husband soon to be ex wife, Kelvin Hunt,

1214
00:59:55,040 --> 00:59:57,880
Speaker 1: is being fired as her manager and executive producer of

1215
00:59:58,000 --> 01:00:01,120
Speaker 1: the TV show Amid Just Divorce. Kelvin, You're so busy

1216
01:00:01,160 --> 01:00:03,320
Speaker 1: trying to cress others that you ended up cressing yourself.

1217
01:00:03,480 --> 01:00:05,600
Speaker 1: Did you really think you could go around treating people

1218
01:00:05,600 --> 01:00:07,760
Speaker 1: the way you treat them and not suffing any consequences

1219
01:00:07,800 --> 01:00:10,400
Speaker 1: from the universe all these years. The sad part is

1220
01:00:10,640 --> 01:00:13,960
Speaker 1: you treat everybody like Doodoo. But the one person you

1221
01:00:14,040 --> 01:00:16,400
Speaker 1: treat like Doodoo that you should never treat like Doodoo

1222
01:00:16,640 --> 01:00:19,280
Speaker 1: is your soon to be ex wife. Bro, you are

1223
01:00:19,400 --> 01:00:21,480
Speaker 1: nothing without her. I know it hurts from people walk

1224
01:00:21,560 --> 01:00:23,360
Speaker 1: up to y'all and say we love you Wendy Williams

1225
01:00:23,400 --> 01:00:25,400
Speaker 1: and you don't hear him say Wendy Williams hunters, but

1226
01:00:25,520 --> 01:00:28,920
Speaker 1: nobody cares about no damn hunters. Hunting season is over all, right,

1227
01:00:28,960 --> 01:00:30,680
Speaker 1: do you think people give a damn? If Wendy's last

1228
01:00:30,760 --> 01:00:33,760
Speaker 1: name is Hunter, you should have took the last name Williams.

1229
01:00:34,080 --> 01:00:36,200
Speaker 1: All right. If you think people didn't respect you when

1230
01:00:36,200 --> 01:00:39,080
Speaker 1: you was with Wendy, how do you think they're gonna

1231
01:00:39,080 --> 01:00:42,400
Speaker 1: feel about you now? Okay? All the more reason you

1232
01:00:42,440 --> 01:00:45,959
Speaker 1: should have been kissing Wendy's feet and not Sharena Hudson's ass. Okay.

1233
01:00:46,040 --> 01:00:49,200
Speaker 1: This is why from now on, Calvin Hunter from Brownsville

1234
01:00:49,440 --> 01:00:56,160
Speaker 1: will be known as Doodoo brown Listen, not because of

1235
01:00:56,240 --> 01:00:59,320
Speaker 1: the gay allegations. From Avion Foster. I don't weaponize gayness

1236
01:00:59,360 --> 01:01:02,440
Speaker 1: because gayness is not to be weaponized. If he's allegedly bisexual,

1237
01:01:02,480 --> 01:01:04,200
Speaker 1: that's his business. I don't give a damn. We call

1238
01:01:04,320 --> 01:01:07,400
Speaker 1: him Dudu Brown because he's always doing way too much.

1239
01:01:07,720 --> 01:01:09,520
Speaker 1: All right, I introduce you to Sharna Hutson back in

1240
01:01:09,560 --> 01:01:11,720
Speaker 1: the day. I don't remember the year, and in typical

1241
01:01:11,800 --> 01:01:14,360
Speaker 1: Kelvin Hunter fashion, he started doing too much, made Sharna

1242
01:01:14,400 --> 01:01:16,600
Speaker 1: twelve years of side chick, using his allowance that he

1243
01:01:16,600 --> 01:01:18,880
Speaker 1: gets from Wendy to help her live the lavish life,

1244
01:01:19,080 --> 01:01:21,280
Speaker 1: had a baby with her, and that ultimately cost you

1245
01:01:21,400 --> 01:01:24,520
Speaker 1: your marriage and every valuable, genuine relationship that you add

1246
01:01:24,560 --> 01:01:26,080
Speaker 1: in your life. He threw it all the way for

1247
01:01:26,200 --> 01:01:28,280
Speaker 1: a woman that wasn't your wife. If you are not

1248
01:01:28,360 --> 01:01:30,560
Speaker 1: the epitome of doing too much, I don't know what is.

1249
01:01:30,720 --> 01:01:33,160
Speaker 1: And it's only a matter of time before Sharena leaves you. Oh,

1250
01:01:33,200 --> 01:01:35,680
Speaker 1: don't think she's staying around Wendy, not taking care of

1251
01:01:35,760 --> 01:01:38,360
Speaker 1: y'all no more. Okay, whatever you get from Wendy, Sharena

1252
01:01:38,400 --> 01:01:40,080
Speaker 1: gonna get a bunch of that in child support. Oh

1253
01:01:40,200 --> 01:01:42,280
Speaker 1: wait for it, it's coming, all right, same thing you

1254
01:01:42,360 --> 01:01:45,440
Speaker 1: did to Wendy Sharina gonna do to you with another man, guaranteed.

1255
01:01:45,880 --> 01:01:48,040
Speaker 1: But I just want to say, Kelvin, I wish you

1256
01:01:48,120 --> 01:01:50,680
Speaker 1: the best. I really do. He's a hurt person, and

1257
01:01:50,880 --> 01:01:53,560
Speaker 1: hurt people hurt people. Kelvin needs healing, and we all

1258
01:01:53,680 --> 01:01:55,880
Speaker 1: know if you don't heal would hurt you. You'll bleed

1259
01:01:55,960 --> 01:01:58,400
Speaker 1: on people who didn't cut you. All you do is

1260
01:01:58,400 --> 01:02:00,880
Speaker 1: bleed on people who have never cut you. Wendy didn't

1261
01:02:00,920 --> 01:02:03,720
Speaker 1: cut you, You bled on her. Charlemagne didn't cut you,

1262
01:02:03,840 --> 01:02:08,120
Speaker 1: You bled on me. Avion. Well, if what he says,

1263
01:02:08,160 --> 01:02:10,600
Speaker 1: it's true, y'all cut each other and there probably was blood,

1264
01:02:10,600 --> 01:02:12,800
Speaker 1: but that's neither hitting nor there. I pray that you

1265
01:02:12,960 --> 01:02:15,440
Speaker 1: find some healing, and this is not the legacy you

1266
01:02:15,600 --> 01:02:17,920
Speaker 1: leave for your son or your daughter. Sir, get on

1267
01:02:18,000 --> 01:02:20,880
Speaker 1: your knees and repent for your sins. Get your soul right,

1268
01:02:21,000 --> 01:02:23,920
Speaker 1: nor to therapy. I saw your lame ass apology yesterday

1269
01:02:24,000 --> 01:02:26,840
Speaker 1: that you didn't write, but understand that the best apology

1270
01:02:26,880 --> 01:02:29,800
Speaker 1: will always be changed behavior, and I just don't see

1271
01:02:29,840 --> 01:02:31,680
Speaker 1: you changing. But I hope for the sake of your

1272
01:02:31,800 --> 01:02:35,040
Speaker 1: kids you do. My brothers out there, do right by

1273
01:02:35,120 --> 01:02:39,200
Speaker 1: your wives, especially when your wife is the primary bread winner. Guys,

1274
01:02:39,280 --> 01:02:41,560
Speaker 1: this is yet another example of no good coming to

1275
01:02:41,680 --> 01:02:44,440
Speaker 1: a man because he didn't do right by his wife.

1276
01:02:44,880 --> 01:02:47,720
Speaker 1: Black men don't cheat. And it's very important to note

1277
01:02:47,880 --> 01:02:51,080
Speaker 1: that Kelvin Hunter aka Doodo Brown was raised in Brownsville,

1278
01:02:51,240 --> 01:02:54,520
Speaker 1: but he was born in Canada. Okay. The moral of

1279
01:02:54,560 --> 01:02:58,960
Speaker 1: the story is, Kelvin never bite the hand that feeds

1280
01:02:59,000 --> 01:03:01,880
Speaker 1: your side. Chick. Please let rimmy give Calvin hunt to

1281
01:03:01,880 --> 01:03:05,919
Speaker 1: the biggest he haw he haw he Uh, you're stupid? Mother?

1282
01:03:06,280 --> 01:03:10,480
Speaker 1: Are you dumb? Breaking news too? But just justin wasn't

1283
01:03:10,520 --> 01:03:15,240
Speaker 1: extended dunk when it rangs it? Purse? What what what? Allegedly? Okay,

1284
01:03:15,720 --> 01:03:19,520
Speaker 1: the man accusing Calvin Huntter of sexual assault, Avion Foster,

1285
01:03:19,680 --> 01:03:21,200
Speaker 1: is pregnant. I don't know if you shut up, man,

1286
01:03:23,960 --> 01:03:25,720
Speaker 1: shut up. I don't know if just the truth. It

1287
01:03:25,760 --> 01:03:28,040
Speaker 1: just came across the water. You're stupid. He just came

1288
01:03:28,040 --> 01:03:33,680
Speaker 1: across the water. Originally, he's really born in Toronto, Black Canada. Okay,

1289
01:03:33,920 --> 01:03:36,280
Speaker 1: Canadian black men don't count. You're borning. I don't know

1290
01:03:36,320 --> 01:03:38,120
Speaker 1: if you want to try to just made that. I didn't.

1291
01:03:38,120 --> 01:03:40,320
Speaker 1: I saw that on somewhere the same source I got

1292
01:03:40,400 --> 01:03:44,120
Speaker 1: from Amon Foster to being pregnant stupid man by Calvin.

1293
01:03:44,640 --> 01:03:48,400
Speaker 1: He pulled out definitely one time for dude Brown. When

1294
01:03:48,400 --> 01:03:49,840
Speaker 1: you see him in the streets, say what's up, dud

1295
01:03:50,000 --> 01:03:58,320
Speaker 1: Brown from Brownsville. All right, keep it like. We have

1296
01:03:58,440 --> 01:04:03,520
Speaker 1: more coming up next. It's to breakfast Breakfast Club. Wanted.

1297
01:04:03,560 --> 01:04:07,360
Speaker 1: Everybody's DJ Envy and July Yee, Charlomagne the guy. We

1298
01:04:07,440 --> 01:04:09,120
Speaker 1: are to Breakfast Club. We got a special guests in

1299
01:04:09,160 --> 01:04:14,400
Speaker 1: the building. Monica. Why you got your ankle still hurt? Actually,

1300
01:04:14,480 --> 01:04:17,840
Speaker 1: my feet hurt a lot today. Okay, it's no joke,

1301
01:04:17,920 --> 01:04:20,320
Speaker 1: though I got three screws in one foot. Damn. I'm

1302
01:04:20,400 --> 01:04:22,520
Speaker 1: just coming out of the boot. Real good. I was in.

1303
01:04:22,800 --> 01:04:26,280
Speaker 1: I was in the hospital. Were eight days wow angle surgery. No,

1304
01:04:26,600 --> 01:04:29,000
Speaker 1: I had a double bunyon ectomy where they removed the

1305
01:04:29,040 --> 01:04:33,600
Speaker 1: bone out of both feet. Oh and it's hereditary, it's

1306
01:04:33,640 --> 01:04:35,880
Speaker 1: not elective. So you didn't fall, you didn't hurt it

1307
01:04:36,920 --> 01:04:39,280
Speaker 1: that I've been I've been trying to ignore that thing

1308
01:04:39,400 --> 01:04:41,120
Speaker 1: for the longest because it takes you out of work.

1309
01:04:41,480 --> 01:04:44,000
Speaker 1: You know, I'm not really with being taken out of work.

1310
01:04:44,360 --> 01:04:47,520
Speaker 1: That means no check and you're spending money because you're

1311
01:04:47,560 --> 01:04:50,640
Speaker 1: in the hospital. So, Nah, this wasn't something I could

1312
01:04:50,640 --> 01:04:52,360
Speaker 1: put off any longer. It was to the point where

1313
01:04:52,400 --> 01:04:54,440
Speaker 1: when I come off stage sometime they have to like

1314
01:04:54,640 --> 01:04:57,440
Speaker 1: have a seat there and bring me other shoes. And

1315
01:04:57,760 --> 01:04:59,720
Speaker 1: it was just getting to be ridiculous. I was gonna

1316
01:04:59,720 --> 01:05:03,920
Speaker 1: have my my corn surgically removed. But that didn't hurt.

1317
01:05:04,240 --> 01:05:05,880
Speaker 1: Yes it does, because they got to cut you open

1318
01:05:05,920 --> 01:05:08,080
Speaker 1: and shave the bone. What I'm saying, the coins they're

1319
01:05:08,120 --> 01:05:11,360
Speaker 1: just ugly. They don't they hurt because they rub against

1320
01:05:11,400 --> 01:05:13,720
Speaker 1: your shoe. Maybe get a bigger shoes side, man, even

1321
01:05:13,720 --> 01:05:16,240
Speaker 1: when you do that. I had a terrible cornback. Friction

1322
01:05:16,400 --> 01:05:18,640
Speaker 1: is never good, man. That that sounds like a fire.

1323
01:05:18,800 --> 01:05:21,320
Speaker 1: So I had them shaved off, so I was good. Okay, Yeah,

1324
01:05:21,360 --> 01:05:24,360
Speaker 1: see this is totally different. They take a piece out. Yeah,

1325
01:05:24,480 --> 01:05:27,040
Speaker 1: they take a piece out, and it's not something you

1326
01:05:27,120 --> 01:05:29,600
Speaker 1: can see from looking at the foot And you almost

1327
01:05:29,640 --> 01:05:32,080
Speaker 1: had a scroll during the surgery. No, that happened because

1328
01:05:32,120 --> 01:05:35,200
Speaker 1: I have hoigh blood pressure and so I haven't been

1329
01:05:35,320 --> 01:05:38,000
Speaker 1: maintaining it the way I was supposed to, and so

1330
01:05:38,280 --> 01:05:41,080
Speaker 1: when they put me under, that's when all of that

1331
01:05:41,160 --> 01:05:43,800
Speaker 1: started happened. Do you know your body responds differently once

1332
01:05:43,840 --> 01:05:46,320
Speaker 1: you sleep. So when they cut into the first foot,

1333
01:05:46,760 --> 01:05:49,280
Speaker 1: that's when my top numbers started rising. And that's what

1334
01:05:49,520 --> 01:05:52,280
Speaker 1: creates a stroke. You got blood pressure. Who getting one

1335
01:05:52,320 --> 01:05:54,120
Speaker 1: on the nerves? Moth where you want me to start,

1336
01:05:58,440 --> 01:06:00,760
Speaker 1: where you want me to start. But that's hereditary too.

1337
01:06:01,360 --> 01:06:04,480
Speaker 1: Everyone all four of my grandparents, both of my parents,

1338
01:06:04,600 --> 01:06:07,320
Speaker 1: Mama and Daddy. It's hereditary. People think if you're not

1339
01:06:07,400 --> 01:06:09,680
Speaker 1: three hundred pounds, it's not possible. They look at me

1340
01:06:09,760 --> 01:06:12,080
Speaker 1: and like, how you get that? Well, how you eat?

1341
01:06:12,920 --> 01:06:16,080
Speaker 1: In addition to the fact that it's hereditary. And then

1342
01:06:16,120 --> 01:06:19,000
Speaker 1: I still live in Georgia. In Georgia have to do

1343
01:06:19,080 --> 01:06:22,320
Speaker 1: it everything like dealing with like racism kind of to

1344
01:06:22,400 --> 01:06:25,160
Speaker 1: give you hop blood pressure. Oh the food, yes, oh

1345
01:06:25,280 --> 01:06:30,400
Speaker 1: yeah yeah. I was in Hawkinsville yesterday. It's that racism.

1346
01:06:30,760 --> 01:06:38,840
Speaker 1: I'm just like now, I just said outside you were smart. God,

1347
01:06:38,840 --> 01:06:40,720
Speaker 1: I'm tired. I just got back from Georgia yesterday. You know.

1348
01:06:40,760 --> 01:06:44,560
Speaker 1: They gave me for lunch fried chicken yes, macaronia, some

1349
01:06:44,760 --> 01:06:49,080
Speaker 1: dressing yes, and some thin bread toades. I was like,

1350
01:06:49,200 --> 01:06:53,360
Speaker 1: goddamn because it was somebody auntie. No, you wanted to

1351
01:06:53,400 --> 01:06:56,880
Speaker 1: eat it because it looked period I had to kind

1352
01:06:56,920 --> 01:07:01,960
Speaker 1: of like acclimate myself to just control. And then two

1353
01:07:02,040 --> 01:07:05,240
Speaker 1: I had to learn to I just started, um like

1354
01:07:05,440 --> 01:07:09,600
Speaker 1: having massages, facials, go somewhere by myself. This all just

1355
01:07:09,720 --> 01:07:13,640
Speaker 1: started over the last year. I never did that before ever. Really, No,

1356
01:07:14,800 --> 01:07:17,320
Speaker 1: he can't even believe I don't have a nanny. She

1357
01:07:18,240 --> 01:07:20,560
Speaker 1: got a bunch of kids. She traveled everywhere and go

1358
01:07:20,680 --> 01:07:22,480
Speaker 1: to the game. Take I'm like, you do boy yourself

1359
01:07:22,520 --> 01:07:25,280
Speaker 1: to take him to score. Though my kids are a

1360
01:07:25,320 --> 01:07:30,800
Speaker 1: little five is little. My daughter's five, and she's like

1361
01:07:30,960 --> 01:07:35,680
Speaker 1: it's Shannon's face, but she acts just like me. It's scary.

1362
01:07:35,800 --> 01:07:41,640
Speaker 1: I have a gun lightnse about twelve. Don't start turning

1363
01:07:41,760 --> 01:07:44,160
Speaker 1: in the morning, now you know. Now you know, you

1364
01:07:44,240 --> 01:07:47,320
Speaker 1: don't hike it down. What Monique Saint called you? Body

1365
01:07:47,360 --> 01:07:57,640
Speaker 1: first Leonard Leonard Leonard, not this morning, okay. But and

1366
01:07:57,760 --> 01:08:01,080
Speaker 1: then I have my fourteen year old Rocco is fourteen, um,

1367
01:08:01,440 --> 01:08:06,040
Speaker 1: and then my wild child he's eleven, starting tackle football

1368
01:08:06,160 --> 01:08:08,120
Speaker 1: and all this other stuff. He's the one that you

1369
01:08:08,320 --> 01:08:12,520
Speaker 1: have to keep both eyes on. Literally. Romello is the

1370
01:08:12,680 --> 01:08:16,559
Speaker 1: busiest he's but he is the one that enjoys trying

1371
01:08:16,760 --> 01:08:18,720
Speaker 1: all things new. You know what I'm saying, so I

1372
01:08:18,800 --> 01:08:20,479
Speaker 1: gotta you know, I just gotta do it. I gotta

1373
01:08:20,520 --> 01:08:22,160
Speaker 1: do My mom is a help. And when you grow

1374
01:08:22,240 --> 01:08:24,400
Speaker 1: up in the South, you see women do what I'm doing.

1375
01:08:24,800 --> 01:08:28,280
Speaker 1: That's a that's another learned behavior. Like my grandmother did

1376
01:08:28,400 --> 01:08:30,479
Speaker 1: everything for all of us. I don't think we have

1377
01:08:30,680 --> 01:08:33,720
Speaker 1: fast food until she was older, like sickly, you know,

1378
01:08:34,080 --> 01:08:37,040
Speaker 1: like we really grew up seeing it that way. So

1379
01:08:37,160 --> 01:08:39,200
Speaker 1: that's all I knew. You do too much that not

1380
01:08:39,320 --> 01:08:41,160
Speaker 1: only that, you got your own label now, so you

1381
01:08:41,160 --> 01:08:45,639
Speaker 1: gotta run your own label. Stress, yeah, because every day

1382
01:08:45,680 --> 01:08:49,160
Speaker 1: I'm getting these alerts where the funds are depleting as

1383
01:08:49,200 --> 01:08:53,720
Speaker 1: I pay for things, as we move around. You know what,

1384
01:08:53,800 --> 01:08:56,559
Speaker 1: I was on that one contract the whole time. Wow. Yeah,

1385
01:08:56,640 --> 01:08:59,400
Speaker 1: people thought it was like, you know, the labels were changing.

1386
01:08:59,600 --> 01:09:02,080
Speaker 1: So when you see it says Rowdy, then it says Arista,

1387
01:09:02,160 --> 01:09:05,080
Speaker 1: Dennis says Jay. People don't realize that still was all

1388
01:09:05,640 --> 01:09:08,720
Speaker 1: the transitions of the company, not me. You know, I

1389
01:09:08,880 --> 01:09:11,720
Speaker 1: wasn't leaving. I was there the whole time. So when

1390
01:09:11,760 --> 01:09:13,559
Speaker 1: it ran out, I just pretty much said, let's try

1391
01:09:13,600 --> 01:09:15,800
Speaker 1: something different. You know who gave me a lot of

1392
01:09:15,920 --> 01:09:18,400
Speaker 1: insight on what it would be like, and she lives

1393
01:09:18,439 --> 01:09:21,479
Speaker 1: an incredible life because of it. Is Anita Baker. Wow,

1394
01:09:21,760 --> 01:09:24,679
Speaker 1: she broke it down, numbers to the I'm talking about

1395
01:09:24,800 --> 01:09:28,400
Speaker 1: every bit of the science of being independent. And she's like,

1396
01:09:28,640 --> 01:09:30,600
Speaker 1: you know, they said what they want about me. I

1397
01:09:30,920 --> 01:09:33,920
Speaker 1: cleared these millions and go home. But there is a

1398
01:09:34,560 --> 01:09:37,599
Speaker 1: part of the stages of starting it that's completely different.

1399
01:09:37,960 --> 01:09:40,000
Speaker 1: You know, putting the record out. I was just like,

1400
01:09:40,160 --> 01:09:42,920
Speaker 1: what we pay for that? I thought that just was

1401
01:09:42,920 --> 01:09:45,320
Speaker 1: gonna do that because I've been around forever. No, you

1402
01:09:45,400 --> 01:09:47,479
Speaker 1: pay for every step of it, every stage of it,

1403
01:09:47,880 --> 01:09:52,400
Speaker 1: for videos, ads, radio, everything. People think it just happens.

1404
01:09:52,720 --> 01:09:55,320
Speaker 1: It does not just happen. And don't let's not get

1405
01:09:55,360 --> 01:09:59,880
Speaker 1: into features. But a lot of people people for free.

1406
01:10:00,040 --> 01:10:02,280
Speaker 1: You still gotta clear, okay, and if they're signing to

1407
01:10:02,360 --> 01:10:04,800
Speaker 1: somebody else, they have nothing to do with that. So

1408
01:10:05,000 --> 01:10:07,920
Speaker 1: you know, it's not fees. Nobody's like charging me fees

1409
01:10:08,000 --> 01:10:10,000
Speaker 1: or anything. But it's like when it's time to clear

1410
01:10:10,040 --> 01:10:11,880
Speaker 1: it and put it out, then when you shoot your video,

1411
01:10:11,920 --> 01:10:14,040
Speaker 1: you gotta take good care of them, you know the

1412
01:10:14,120 --> 01:10:18,080
Speaker 1: same thing I will require and makeup your clothes, your flights,

1413
01:10:18,360 --> 01:10:22,320
Speaker 1: your crew, your food, your rider, all that one single.

1414
01:10:23,120 --> 01:10:27,240
Speaker 1: Congratulations commitment, second week in a row. Wow, Yeah, how

1415
01:10:27,280 --> 01:10:28,880
Speaker 1: did you feel when you got that number one? As

1416
01:10:28,880 --> 01:10:32,880
Speaker 1: an independent artist? It was way different. It was. It

1417
01:10:33,080 --> 01:10:37,479
Speaker 1: was as huge to me as being thirteen years old

1418
01:10:37,560 --> 01:10:39,479
Speaker 1: and a record go number one, and you're coming from

1419
01:10:39,520 --> 01:10:42,400
Speaker 1: somewhere where they're telling you like, oh, that's impossible. You

1420
01:10:42,400 --> 01:10:44,479
Speaker 1: should do something else. You're not gonna make it doing that.

1421
01:10:44,960 --> 01:10:47,760
Speaker 1: You know, this feels like that. This feels like that

1422
01:10:47,920 --> 01:10:49,479
Speaker 1: all over again. All right, we get them more with

1423
01:10:49,600 --> 01:10:51,719
Speaker 1: Monica when we come back, don't move. It's to Breakfast

1424
01:10:51,760 --> 01:10:56,080
Speaker 1: Club morning. Everybody is DJ MV and July Yee, Charlemagne

1425
01:10:56,120 --> 01:10:57,840
Speaker 1: the guy. We are the Breakfast Club. We're still kicking

1426
01:10:57,840 --> 01:11:00,280
Speaker 1: it with Monica, and let's talk about commitment. Commitment is

1427
01:11:00,280 --> 01:11:06,160
Speaker 1: one of those records. Is a lot of feeling in commitment. Yes, yes, absolutely,

1428
01:11:06,240 --> 01:11:08,960
Speaker 1: I'm a girl that likes being committed. I enjoyed being

1429
01:11:09,040 --> 01:11:11,120
Speaker 1: with one person. You know what I'm saying. That's how

1430
01:11:11,160 --> 01:11:13,000
Speaker 1: I'm able to you know how some people are like,

1431
01:11:13,120 --> 01:11:17,400
Speaker 1: oh god, you again, that's not That's not me. I

1432
01:11:17,600 --> 01:11:19,800
Speaker 1: really enjoyed being with one person. I really don't have

1433
01:11:20,280 --> 01:11:22,800
Speaker 1: the patience for multiple people. That's what I was just

1434
01:11:22,880 --> 01:11:25,519
Speaker 1: telling this girl earlier, like, I don't know what Dayton

1435
01:11:25,600 --> 01:11:29,000
Speaker 1: even is because for real, for real, if I like somebody,

1436
01:11:29,800 --> 01:11:32,080
Speaker 1: they're really the only person that I want to interact with.

1437
01:11:32,479 --> 01:11:34,840
Speaker 1: I don't know how to, you know how some people

1438
01:11:34,880 --> 01:11:37,639
Speaker 1: say it's important that you get out and you mix

1439
01:11:37,800 --> 01:11:40,280
Speaker 1: with you know, several people see what you like. Listen.

1440
01:11:40,320 --> 01:11:42,280
Speaker 1: I already know what the hell I like, and I

1441
01:11:42,400 --> 01:11:44,560
Speaker 1: know when I don't like it, you know. So it's like,

1442
01:11:44,680 --> 01:11:47,720
Speaker 1: if it's somebody that I meet, I enjoy being committed

1443
01:11:48,160 --> 01:11:50,479
Speaker 1: to one person. And that's all the song was about.

1444
01:11:50,520 --> 01:11:53,000
Speaker 1: Because we were talking about in the studio, how now

1445
01:11:53,160 --> 01:11:56,120
Speaker 1: it's so casual, you know what I'm saying. How did

1446
01:11:56,680 --> 01:12:01,200
Speaker 1: Shannon Brown stop sat in the room a couple of times?

1447
01:12:01,240 --> 01:12:02,479
Speaker 1: I said, I don't know what he doing. He needed

1448
01:12:02,479 --> 01:12:04,160
Speaker 1: to be on his knees, began Monica to get back

1449
01:12:04,160 --> 01:12:06,479
Speaker 1: to him. Only because we look at you in that

1450
01:12:06,680 --> 01:12:10,800
Speaker 1: light like you're fly woman, Like well, I appreciate that.

1451
01:12:11,120 --> 01:12:14,880
Speaker 1: I mean, I feel like we were married were almost

1452
01:12:15,000 --> 01:12:18,760
Speaker 1: nine years, and I think life changes really got the

1453
01:12:18,880 --> 01:12:20,840
Speaker 1: best of both of us at times. You know, I

1454
01:12:20,920 --> 01:12:23,519
Speaker 1: take accountability for what my party is. I'm a very

1455
01:12:24,520 --> 01:12:29,600
Speaker 1: outspoken woman. You know, and I'm learning how to be

1456
01:12:29,800 --> 01:12:32,680
Speaker 1: more of a listener, you know, than just speaking what

1457
01:12:32,800 --> 01:12:34,920
Speaker 1: I feel. Because he also went through a lot of

1458
01:12:35,000 --> 01:12:38,200
Speaker 1: different life changes. You know, he survived a major car accident,

1459
01:12:38,800 --> 01:12:41,080
Speaker 1: but that also changed the course of you know, what's

1460
01:12:41,080 --> 01:12:44,280
Speaker 1: happening career wise, So he planned Big three doing other stuff.

1461
01:12:44,400 --> 01:12:48,000
Speaker 1: And I think that it took a toll because I

1462
01:12:48,160 --> 01:12:52,040
Speaker 1: probably didn't have enough around us to help us just

1463
01:12:52,200 --> 01:12:55,320
Speaker 1: facilitate what needed to happen. But you know, it is

1464
01:12:55,439 --> 01:12:57,840
Speaker 1: what it is. The voice is not being easy. But

1465
01:12:58,000 --> 01:13:00,599
Speaker 1: one thing about me, I'm gonna respect to the death.

1466
01:13:00,640 --> 01:13:03,160
Speaker 1: Though I don't hate him. I think there's a difference

1467
01:13:03,439 --> 01:13:06,439
Speaker 1: when you walk away from something and you're real mad,

1468
01:13:07,120 --> 01:13:08,560
Speaker 1: you know what I'm saying. I was, I mean, I

1469
01:13:08,640 --> 01:13:10,559
Speaker 1: know it wasn't knowing for delay because black men don't cheat,

1470
01:13:10,560 --> 01:13:12,599
Speaker 1: So I figured that. Damn, I don't even know why

1471
01:13:12,680 --> 01:13:16,439
Speaker 1: y'all keep this going. That's just foolish. What not the

1472
01:13:16,520 --> 01:13:19,200
Speaker 1: Shannon part, the black men don't cheat part, it's just foolish?

1473
01:13:20,800 --> 01:13:25,080
Speaker 1: What is him? Listen? Him and douvall both out of

1474
01:13:25,120 --> 01:13:28,000
Speaker 1: control of this old black men don't cheat thing we do.

1475
01:13:28,160 --> 01:13:30,920
Speaker 1: Because I've never dated no other race. So you really

1476
01:13:30,960 --> 01:13:32,439
Speaker 1: don't want me to get in on this black man

1477
01:13:32,520 --> 01:13:37,760
Speaker 1: little black boys. Oh so you're saying men don't. Oh

1478
01:13:37,840 --> 01:13:42,040
Speaker 1: that's a quick flip. You should, you should, You should

1479
01:13:42,160 --> 01:13:48,280
Speaker 1: definitely write song. You fixed that quick before my auntie

1480
01:13:48,439 --> 01:13:51,679
Speaker 1: neck and sht coming out. You fixed that real fast.

1481
01:13:54,240 --> 01:13:56,360
Speaker 1: Leaving the league? Did that affect when he got injured?

1482
01:13:56,400 --> 01:13:58,960
Speaker 1: Because if you do something since you were five years old,

1483
01:13:59,040 --> 01:14:01,479
Speaker 1: play basketball, Yeah, and now all of a sudden you can't.

1484
01:14:01,680 --> 01:14:03,559
Speaker 1: That had to have an effect on a relationship too.

1485
01:14:03,880 --> 01:14:06,680
Speaker 1: Oh absolutely, yeah. Any I mean you you got a

1486
01:14:06,760 --> 01:14:08,880
Speaker 1: factor all of that in you know what I'm saying.

1487
01:14:08,920 --> 01:14:12,000
Speaker 1: And then when you got children, we're not just working

1488
01:14:12,360 --> 01:14:15,360
Speaker 1: for ourselves, you know, he and I both are working

1489
01:14:15,439 --> 01:14:17,639
Speaker 1: to make sure that they have everything that they need,

1490
01:14:18,000 --> 01:14:20,800
Speaker 1: and you establish a lifestyle for them. You don't want

1491
01:14:20,840 --> 01:14:23,160
Speaker 1: that to ever have to change. So of course, how

1492
01:14:23,200 --> 01:14:24,800
Speaker 1: do you know when it's old? Because I'm thinking about

1493
01:14:24,800 --> 01:14:26,640
Speaker 1: it from the perspective I'm a married man, Like I

1494
01:14:26,720 --> 01:14:28,880
Speaker 1: didn't know when it's over, like you know what, Like

1495
01:14:28,920 --> 01:14:30,800
Speaker 1: we can't even just go into other room and then

1496
01:14:30,840 --> 01:14:33,800
Speaker 1: talk about this later like it's done done. I don't

1497
01:14:33,840 --> 01:14:36,400
Speaker 1: think you ever get to a point where you understand

1498
01:14:36,960 --> 01:14:40,439
Speaker 1: that that is the case. I think actions start to

1499
01:14:40,560 --> 01:14:43,880
Speaker 1: show that that has come to an end more than

1500
01:14:43,920 --> 01:14:47,880
Speaker 1: anything to me. But I do remember feeling like, why

1501
01:14:48,160 --> 01:14:52,360
Speaker 1: can't we get along, Why can't we figure this one

1502
01:14:52,479 --> 01:14:57,320
Speaker 1: situation in particular out? Why is that repetitively happening? That

1503
01:14:57,720 --> 01:14:59,920
Speaker 1: is what's stood out more to me than anything else,

1504
01:15:00,280 --> 01:15:04,120
Speaker 1: because I definitely feel like that will always be somebody

1505
01:15:04,240 --> 01:15:07,559
Speaker 1: that I love and see. To me, it's weird when

1506
01:15:07,600 --> 01:15:10,920
Speaker 1: I see people they spend all these years together and

1507
01:15:11,080 --> 01:15:13,920
Speaker 1: then when they're apart, everything that comes out of your

1508
01:15:13,960 --> 01:15:16,640
Speaker 1: mouth is negative. Yeah, I just don't feel like that

1509
01:15:16,720 --> 01:15:19,080
Speaker 1: about Shannon. I think people are waiting for this moment

1510
01:15:19,520 --> 01:15:22,000
Speaker 1: where what she gonna say, What's gonna happen? It was

1511
01:15:22,000 --> 01:15:24,320
Speaker 1: the same thing being on TV at the same time.

1512
01:15:24,560 --> 01:15:27,400
Speaker 1: I'm like, I honestly don't feel like that, you know,

1513
01:15:27,720 --> 01:15:31,080
Speaker 1: and I feel like we do our kids and injustice

1514
01:15:31,080 --> 01:15:34,040
Speaker 1: when you're running around talking about the person that is

1515
01:15:34,080 --> 01:15:36,280
Speaker 1: a part of them even walking the earth, Like that's

1516
01:15:36,360 --> 01:15:38,640
Speaker 1: crazy to me. So my whole way of looking at

1517
01:15:38,680 --> 01:15:40,840
Speaker 1: stuff is so different than most people. But I think

1518
01:15:40,880 --> 01:15:43,840
Speaker 1: what happens is when you realize you're not finding a

1519
01:15:43,920 --> 01:15:46,960
Speaker 1: way to work through things. That's more what happened than

1520
01:15:47,000 --> 01:15:49,320
Speaker 1: anything else. The hard of all I gotta be the

1521
01:15:49,600 --> 01:15:52,800
Speaker 1: five year old, your daughter, the co parenting, right, No,

1522
01:15:52,960 --> 01:15:55,240
Speaker 1: the hard part is with all three of them, he'd

1523
01:15:55,280 --> 01:15:57,719
Speaker 1: been in their lives since they were what three and five,

1524
01:15:58,600 --> 01:16:01,120
Speaker 1: if not younger than that, you know, so it's hard

1525
01:16:01,160 --> 01:16:04,080
Speaker 1: with every single one of them. There's no difference because

1526
01:16:04,160 --> 01:16:07,160
Speaker 1: biologically they aren't related to him. You've been in a

1527
01:16:07,240 --> 01:16:10,040
Speaker 1: home with this man nine years when they started picking

1528
01:16:10,120 --> 01:16:13,799
Speaker 1: up footballs and basketballs. He was teaching them that stuff.

1529
01:16:13,920 --> 01:16:16,280
Speaker 1: You know. They also have a father who plays a

1530
01:16:16,360 --> 01:16:18,439
Speaker 1: major part. But it's like, at the end of the day,

1531
01:16:18,520 --> 01:16:21,000
Speaker 1: every day they woke up, they woke up with this person.

1532
01:16:21,520 --> 01:16:24,599
Speaker 1: So it's difficult with all of them. There's no difference

1533
01:16:24,720 --> 01:16:27,519
Speaker 1: just because she's biologically his. And how how was that

1534
01:16:27,640 --> 01:16:29,720
Speaker 1: for you? You got a couple of young men that

1535
01:16:29,800 --> 01:16:33,800
Speaker 1: you're raising that I'm sure into girls now going out now,

1536
01:16:34,240 --> 01:16:38,040
Speaker 1: young black men who don't cheat. You know, they're bringing

1537
01:16:38,080 --> 01:16:40,280
Speaker 1: them young girls around the house and all that. As

1538
01:16:40,439 --> 01:16:45,120
Speaker 1: Monica pol Charlomne's Mica away from him. Now, how is that?

1539
01:16:45,960 --> 01:16:52,479
Speaker 1: It's been amazing? You know, it's been cool. I'll tell

1540
01:16:52,520 --> 01:16:55,360
Speaker 1: you what did. There have been a lot of positives

1541
01:16:55,400 --> 01:16:57,800
Speaker 1: in the negative. One thing it forced everybody to do

1542
01:16:58,200 --> 01:17:00,599
Speaker 1: is to talk. And what's dope is that my son's

1543
01:17:00,640 --> 01:17:05,200
Speaker 1: straight up been asking questions. They want to know about everything. Okay,

1544
01:17:05,400 --> 01:17:11,599
Speaker 1: so much sex. Well, I don't hide real life, streets, music, sex,

1545
01:17:11,880 --> 01:17:14,800
Speaker 1: nothing from my kids. I don't hide my kids from

1546
01:17:14,840 --> 01:17:16,880
Speaker 1: it in any way. I teach them. I tell them

1547
01:17:16,960 --> 01:17:19,439
Speaker 1: the truth. I use it as teachable moments. It's hard

1548
01:17:19,439 --> 01:17:21,240
Speaker 1: for fathers to have, Like I got three girls, it's

1549
01:17:21,240 --> 01:17:22,640
Speaker 1: hard for me to have them. Yeah, it's hard for

1550
01:17:22,680 --> 01:17:24,519
Speaker 1: me to have those conversations with Well, that's when I

1551
01:17:24,840 --> 01:17:28,840
Speaker 1: was a whole in the past life, when I was

1552
01:17:28,880 --> 01:17:31,479
Speaker 1: a black boy. God bless your wife, but black man

1553
01:17:32,080 --> 01:17:34,559
Speaker 1: that doesn't cheat. You know, those three girls, it's hard

1554
01:17:34,560 --> 01:17:37,120
Speaker 1: to have those conversations with them about like sex and

1555
01:17:37,120 --> 01:17:39,479
Speaker 1: stuff like my girls is eleven and three. You gotta

1556
01:17:39,520 --> 01:17:42,400
Speaker 1: teach about guys like you who who don't think guys

1557
01:17:42,439 --> 01:17:44,040
Speaker 1: like me as if you've been missed to clean your

1558
01:17:44,080 --> 01:17:46,920
Speaker 1: whole life, change you want to go. I've changed, Oh,

1559
01:17:47,000 --> 01:17:53,479
Speaker 1: please not Google. But because I know there creeps out there,

1560
01:17:53,560 --> 01:17:55,439
Speaker 1: I know I know what they do, So I try

1561
01:17:55,479 --> 01:17:57,560
Speaker 1: to show them who the bad guys are and what

1562
01:17:57,720 --> 01:17:59,400
Speaker 1: to look for. I try to do. I wasn't a

1563
01:17:59,439 --> 01:18:01,400
Speaker 1: bad guy just a moment. You all just meant we

1564
01:18:01,479 --> 01:18:04,720
Speaker 1: were dogs the crackhead bro I was selling Craig. That's

1565
01:18:07,920 --> 01:18:17,080
Speaker 1: nah nama nah because because because nah because nah nah

1566
01:18:17,280 --> 01:18:20,120
Speaker 1: because you know my history for real, for real and

1567
01:18:20,400 --> 01:18:24,880
Speaker 1: nah nah. I was a bartering and Onna was once

1568
01:18:25,040 --> 01:18:30,559
Speaker 1: maybe twice it was a bartering. Nah nah because yeah

1569
01:18:30,760 --> 01:18:35,439
Speaker 1: because nah nah No. All right, when we come back,

1570
01:18:35,479 --> 01:18:37,200
Speaker 1: we got more with Monica. But let's get into a

1571
01:18:37,280 --> 01:18:39,720
Speaker 1: Monica minie mix. It's the Breakfast Club the Morning, the

1572
01:18:39,880 --> 01:18:46,519
Speaker 1: Breakfast Club. You're kicking out the world's most Dangerous morning show.

1573
01:18:46,920 --> 01:18:51,000
Speaker 1: That was a Monica mini mix Morning. Everybody's DJ Envy

1574
01:18:51,200 --> 01:18:54,120
Speaker 1: angela Ye Shalomagne to God, and we're still kicking it

1575
01:18:54,200 --> 01:18:57,439
Speaker 1: with Monica Shalomagne. Do you think Monica uh gets the

1576
01:18:57,560 --> 01:19:01,000
Speaker 1: respect she deserves in the game. You know what I

1577
01:19:01,080 --> 01:19:05,080
Speaker 1: can appreciate when I'm present, I do, and that means

1578
01:19:05,160 --> 01:19:08,200
Speaker 1: more to me. People still treat me with a certain

1579
01:19:08,240 --> 01:19:11,400
Speaker 1: amount of respect that I can appreciate. When it comes

1580
01:19:11,439 --> 01:19:15,839
Speaker 1: to the music, absolutely not. I've always been an underdog

1581
01:19:15,920 --> 01:19:20,400
Speaker 1: in that sense. It is very easy for people to

1582
01:19:20,640 --> 01:19:24,320
Speaker 1: dismiss things that I did at twelve, thirteen, fourteen, fifteen.

1583
01:19:24,400 --> 01:19:26,000
Speaker 1: If you listen to why I Love You So Much?

1584
01:19:26,080 --> 01:19:30,200
Speaker 1: I sang that at twelve. What at twelve? If you

1585
01:19:30,320 --> 01:19:32,920
Speaker 1: can't respect that, I don't get it. You were twelve twelve,

1586
01:19:34,720 --> 01:19:38,080
Speaker 1: Damn well. I turned thirteen when just one of them

1587
01:19:38,160 --> 01:19:41,000
Speaker 1: days dropped, And by the time the album dropped, they

1588
01:19:41,040 --> 01:19:43,000
Speaker 1: had to pull just one of them days off the shelves.

1589
01:19:43,040 --> 01:19:45,280
Speaker 1: We were almost the three million singles, so you remember

1590
01:19:45,320 --> 01:19:48,719
Speaker 1: them days, but people had a cassette was the actual

1591
01:19:48,760 --> 01:19:51,439
Speaker 1: buy it, and so they had to pull it off

1592
01:19:51,479 --> 01:19:55,439
Speaker 1: the shelves because the concern with a rowdy and aristat

1593
01:19:55,439 --> 01:19:57,400
Speaker 1: at the time. You know, Dallas is the one that

1594
01:19:57,560 --> 01:20:01,519
Speaker 1: signed me, and it could have been anybody better to

1595
01:20:01,640 --> 01:20:04,400
Speaker 1: have signed me at that age because he treated me

1596
01:20:04,560 --> 01:20:08,439
Speaker 1: as his daughter. It was just he never made me

1597
01:20:08,640 --> 01:20:12,479
Speaker 1: feel like if she's not selling records, she not important.

1598
01:20:12,880 --> 01:20:15,840
Speaker 1: It was always about listening. Are you okay? Is this

1599
01:20:16,000 --> 01:20:19,080
Speaker 1: too much? You don't have to do this. Everything about

1600
01:20:19,080 --> 01:20:21,040
Speaker 1: who you are is great. Don't let them tell you different.

1601
01:20:21,040 --> 01:20:22,479
Speaker 1: If I'm not present to say it for you, you

1602
01:20:22,600 --> 01:20:26,360
Speaker 1: say it yourself. And so that outspokenness is actually why

1603
01:20:26,400 --> 01:20:29,000
Speaker 1: they titled the first album Miss Thing. So when he

1604
01:20:29,120 --> 01:20:31,200
Speaker 1: pulled a single off the shelves, it was because they

1605
01:20:31,240 --> 01:20:33,439
Speaker 1: were getting ready to release Miss Thing, and they didn't

1606
01:20:33,439 --> 01:20:35,360
Speaker 1: want people to just keep buying the single and not

1607
01:20:35,479 --> 01:20:39,440
Speaker 1: buy the album. So what happened was I turned fourteen

1608
01:20:40,080 --> 01:20:43,559
Speaker 1: right after the album dropped, but those songs were recorded

1609
01:20:43,600 --> 01:20:46,519
Speaker 1: when I was twelve thirteen years old. I gave up

1610
01:20:46,560 --> 01:20:49,360
Speaker 1: my whole childhood and never even complained about it. You've

1611
01:20:49,439 --> 01:20:51,760
Speaker 1: never heard me sit somewhere like if I could have

1612
01:20:51,840 --> 01:20:54,240
Speaker 1: just done this after a better person. No, I'm who

1613
01:20:54,280 --> 01:20:56,360
Speaker 1: I'm supposed to be because I did what I was

1614
01:20:56,360 --> 01:20:59,240
Speaker 1: supposed to do. And you ain't going crazy either. Thought

1615
01:20:59,280 --> 01:21:02,000
Speaker 1: that went crazy? Yeah, I didn't go crazy, and my

1616
01:21:02,120 --> 01:21:04,599
Speaker 1: personal life was crazy enough for me to have been great.

1617
01:21:05,240 --> 01:21:07,880
Speaker 1: But because of the people that were around me and

1618
01:21:07,960 --> 01:21:10,120
Speaker 1: the fact that I never saw the need to step

1619
01:21:10,240 --> 01:21:13,040
Speaker 1: outside of who I was to try and sell records.

1620
01:21:13,400 --> 01:21:16,880
Speaker 1: And I've just comfortably been in this position for ever,

1621
01:21:17,400 --> 01:21:20,960
Speaker 1: like because I know what I've done. But when they

1622
01:21:21,080 --> 01:21:22,640
Speaker 1: when I when I found out I was pregnant with

1623
01:21:22,720 --> 01:21:25,560
Speaker 1: my second son, they like, it's over now, you you

1624
01:21:26,080 --> 01:21:30,280
Speaker 1: you've done a great job. Y'all love you. Yeah, They're

1625
01:21:30,320 --> 01:21:34,080
Speaker 1: like yeah, And so I was just like quietly rocking

1626
01:21:34,160 --> 01:21:36,479
Speaker 1: my baby, thinking of what I wanted to do because

1627
01:21:36,840 --> 01:21:38,920
Speaker 1: I've always been told what I couldn't do and defied

1628
01:21:39,000 --> 01:21:41,800
Speaker 1: those odds. So it didn't break me. You know, I'm

1629
01:21:41,840 --> 01:21:43,840
Speaker 1: sure most people would have been in depression, but I

1630
01:21:44,000 --> 01:21:46,640
Speaker 1: was at home chilling, prepping still Standing, which ended up

1631
01:21:46,680 --> 01:21:48,800
Speaker 1: being a huge record for me. People gotta respect the

1632
01:21:48,880 --> 01:21:51,280
Speaker 1: music when they come to your shows, though, because it's

1633
01:21:51,280 --> 01:21:54,400
Speaker 1: like you gotta be at least twenty songs deep on

1634
01:21:54,520 --> 01:21:59,120
Speaker 1: the show. Easily, Yeah, easy, I do six. I love

1635
01:21:59,160 --> 01:22:02,920
Speaker 1: you so much and love mine. Don't take it, so gone,

1636
01:22:03,400 --> 01:22:06,560
Speaker 1: still standing, so gone everything to me for you. I

1637
01:22:06,680 --> 01:22:10,160
Speaker 1: will for you. I will. I've been doing for you.

1638
01:22:10,280 --> 01:22:13,200
Speaker 1: I will lately. For a while I was doing it

1639
01:22:13,280 --> 01:22:15,439
Speaker 1: for Nipsey and Lauren and we would just take a

1640
01:22:15,520 --> 01:22:17,880
Speaker 1: minute and just take like a quiet prayer break, put

1641
01:22:17,920 --> 01:22:20,320
Speaker 1: the lights up for a second. You know it just

1642
01:22:21,000 --> 01:22:24,080
Speaker 1: songs have marked times in my life, but now the

1643
01:22:24,200 --> 01:22:27,080
Speaker 1: lyrics all mean something different. Monica gotta go. Yeah, and

1644
01:22:27,160 --> 01:22:28,880
Speaker 1: we need to do a Monica mix this morning. We

1645
01:22:28,920 --> 01:22:31,800
Speaker 1: got and you and Zooval need to drop this black

1646
01:22:31,880 --> 01:22:35,080
Speaker 1: men don't cheat foolishness unless you're gonna hold seminars. We

1647
01:22:35,240 --> 01:22:37,519
Speaker 1: figure out who the men are, separate them for these

1648
01:22:37,640 --> 01:22:40,760
Speaker 1: women so that they know where to date, who to date,

1649
01:22:41,000 --> 01:22:43,400
Speaker 1: who to meet. Because right now, you guys are just

1650
01:22:43,560 --> 01:22:47,720
Speaker 1: aimlessly moving in your movement. You need some counsels, you

1651
01:22:47,840 --> 01:22:50,160
Speaker 1: need some boards set up. You know what I'm saying.

1652
01:22:50,200 --> 01:22:52,599
Speaker 1: We got the Faithful Black Men Association. It's just about

1653
01:22:52,680 --> 01:22:55,439
Speaker 1: changing the narrative. Look looking at you, we do. We

1654
01:22:55,479 --> 01:22:57,240
Speaker 1: have a Faithful Black Man Association. Want see my card?

1655
01:22:57,280 --> 01:23:00,400
Speaker 1: Let me show you my card. That car label was

1656
01:23:00,400 --> 01:23:03,679
Speaker 1: open on Sundays. It is with that card. Is Faithful

1657
01:23:03,760 --> 01:23:10,479
Speaker 1: Black Men Association Exclusive members card. Yes, Yes, this car

1658
01:23:10,680 --> 01:23:15,000
Speaker 1: represents current membership in the Congregation of Faithful Black Men. Yes,

1659
01:23:15,120 --> 01:23:18,960
Speaker 1: man servant, protecting and honoring Hu though all women. Why

1660
01:23:19,000 --> 01:23:21,960
Speaker 1: I don't say that. That's something that we know that's

1661
01:23:21,960 --> 01:23:24,640
Speaker 1: written in all not hell. No have to be on

1662
01:23:24,760 --> 01:23:26,560
Speaker 1: this car because the rest of this ain't even me

1663
01:23:26,600 --> 01:23:30,120
Speaker 1: in English. Well that's his ball cold No, this say,

1664
01:23:30,240 --> 01:23:34,920
Speaker 1: fittest katies, what is that that means faithful? And um

1665
01:23:35,040 --> 01:23:38,160
Speaker 1: whatever language that is, don't really do it do mean

1666
01:23:38,240 --> 01:23:40,920
Speaker 1: faith But you see that left too much room for

1667
01:23:41,040 --> 01:23:44,000
Speaker 1: your own interpretation. This is I'm gonna tell you and

1668
01:23:44,120 --> 01:23:48,559
Speaker 1: do viole this one time and one time organize. Yes,

1669
01:23:49,280 --> 01:23:54,000
Speaker 1: your administration. Yes, okay, I agree. First things first, get

1670
01:23:54,120 --> 01:23:58,559
Speaker 1: all the men men together. Yes, that that needs to happen.

1671
01:23:58,600 --> 01:24:03,320
Speaker 1: We meet up on Sundays where church church where it's

1672
01:24:03,360 --> 01:24:06,360
Speaker 1: the secret church. I can't I'm saying too much church

1673
01:24:06,479 --> 01:24:09,120
Speaker 1: like Cheetah Church. No, it ain't like Magic City Church.

1674
01:24:09,120 --> 01:24:12,240
Speaker 1: I ain't cheated in four years. Is that supposed to

1675
01:24:12,240 --> 01:24:16,280
Speaker 1: be a celebration. Yes, listen if I was, If I was,

1676
01:24:16,360 --> 01:24:20,160
Speaker 1: so wait how long have you been married? Though? Um? Listen,

1677
01:24:20,240 --> 01:24:24,680
Speaker 1: we're talking about particulars. Yeah, we're talking particularly but you

1678
01:24:24,800 --> 01:24:26,720
Speaker 1: see what happened. You see what happened. They want to

1679
01:24:26,760 --> 01:24:28,760
Speaker 1: talk particulars with me, but they don't want me to

1680
01:24:28,840 --> 01:24:31,439
Speaker 1: talk particulars with them. This is the problem right here.

1681
01:24:31,439 --> 01:24:33,120
Speaker 1: You take this damn part and you put it when

1682
01:24:33,160 --> 01:24:35,599
Speaker 1: the sun don't shine because you ain't figured out what's happening.

1683
01:24:35,640 --> 01:24:38,840
Speaker 1: It is administration. I've built my girl for twenty two years.

1684
01:24:39,680 --> 01:24:47,679
Speaker 1: We've been married. We've been married. I just died, been kids. Listen,

1685
01:24:47,720 --> 01:24:52,479
Speaker 1: I'm gonna say this to missus Charlotte man for you. Okay,

1686
01:24:53,200 --> 01:24:55,880
Speaker 1: I will take him out back right now for you.

1687
01:24:56,080 --> 01:24:58,800
Speaker 1: But she did her dirt too. Were grown together, you know,

1688
01:24:58,880 --> 01:25:00,160
Speaker 1: I just grew up a little lady. You know, men

1689
01:25:00,600 --> 01:25:03,840
Speaker 1: mature later than women. But now pay for black man.

1690
01:25:03,880 --> 01:25:05,800
Speaker 1: You wouldn't hear a story, wouldn't even think? Please? No,

1691
01:25:05,920 --> 01:25:08,240
Speaker 1: do you want to hear a story? Please tell? Please

1692
01:25:08,320 --> 01:25:10,680
Speaker 1: tell you ain't got no story? Please please tell me

1693
01:25:11,160 --> 01:25:14,080
Speaker 1: Here acting like he just bester cleaning, but I'm just

1694
01:25:15,560 --> 01:25:17,760
Speaker 1: don't cheat. Look, he said, he knows I want to

1695
01:25:17,800 --> 01:25:20,000
Speaker 1: be quiet. I don't want to be quiet. That's but

1696
01:25:20,600 --> 01:25:22,639
Speaker 1: you know what, that's that's key in a successful marriage.

1697
01:25:22,720 --> 01:25:27,519
Speaker 1: That is true sometimes yeah, sometimes being quiet? Wait, is

1698
01:25:27,560 --> 01:25:30,479
Speaker 1: there a winner and loser in an argument? Goddamn right. No,

1699
01:25:30,600 --> 01:25:34,000
Speaker 1: if you're trying to win a lose and you know

1700
01:25:34,080 --> 01:25:38,880
Speaker 1: you're yeah, if you're trying to win a lose conversation conversation.

1701
01:25:38,960 --> 01:25:42,360
Speaker 1: Conversations are good. And I'm gonna say this flat out, period,

1702
01:25:42,439 --> 01:25:45,080
Speaker 1: point blank. And no, we didn't go. Oh, I thought,

1703
01:25:45,080 --> 01:25:48,040
Speaker 1: my bad. I'm sorry, trying to keep my hands on myself.

1704
01:25:48,560 --> 01:25:54,840
Speaker 1: They listen. Counseling is good, Yes, go to counseling. Please.

1705
01:25:55,120 --> 01:25:57,439
Speaker 1: I went as a kid, and it was probably one

1706
01:25:57,439 --> 01:25:59,160
Speaker 1: of the best things that my mom could have ever

1707
01:25:59,320 --> 01:26:02,280
Speaker 1: done for us when when she divorced my dad, we

1708
01:26:02,400 --> 01:26:05,880
Speaker 1: went to counseling and it was it was the best

1709
01:26:05,920 --> 01:26:07,640
Speaker 1: thing that could have happened. I go to therapy once

1710
01:26:07,680 --> 01:26:12,360
Speaker 1: a week. You need to. But the gentleman Monica, we

1711
01:26:12,439 --> 01:26:14,840
Speaker 1: appreciate you joining us. You remember I had to call you.

1712
01:26:15,520 --> 01:26:20,479
Speaker 1: It's so inappropriate. His wife is a It wasn't no,

1713
01:26:20,600 --> 01:26:24,400
Speaker 1: damn teen years it was like six or seven. I

1714
01:26:24,520 --> 01:26:27,160
Speaker 1: called Lion, was like, hey, what CHARLOTMA ain't no, what

1715
01:26:27,200 --> 01:26:29,600
Speaker 1: did you say? I don't remember? Yeah, you do? He

1716
01:26:29,680 --> 01:26:33,759
Speaker 1: a liar? I am, yes, I don't want to relive

1717
01:26:33,800 --> 01:26:37,240
Speaker 1: that old me, like not gonna bring me back? There

1718
01:26:39,520 --> 01:26:42,400
Speaker 1: makes me? You know what? But what's scary is I

1719
01:26:42,640 --> 01:26:46,400
Speaker 1: actually love Charlemagne. It's so weird. Have I not grown?

1720
01:26:46,520 --> 01:26:49,760
Speaker 1: Come on now, no, Lord, No, I listened to you

1721
01:26:49,920 --> 01:26:52,080
Speaker 1: all the time. No, you have not tell you you've

1722
01:26:52,120 --> 01:26:55,519
Speaker 1: just grown more. What you've done is you've learned how

1723
01:26:55,600 --> 01:27:00,400
Speaker 1: to do it so swiftly that most people sitting in

1724
01:27:00,439 --> 01:27:01,960
Speaker 1: this chair, I don't know what happens to them. I

1725
01:27:02,040 --> 01:27:04,200
Speaker 1: just don't let you get past me. I came in

1726
01:27:04,280 --> 01:27:07,120
Speaker 1: here with my work boot song like yeah, yeah, I'm

1727
01:27:07,120 --> 01:27:09,479
Speaker 1: waiting on Charlotte b. Let me tell you one time

1728
01:27:09,520 --> 01:27:11,760
Speaker 1: I used to have a mattress. Shut up man, and

1729
01:27:11,880 --> 01:27:14,519
Speaker 1: it was my I was ten years ago. Okay, I'm

1730
01:27:14,520 --> 01:27:16,760
Speaker 1: about to tell my envy story. Then let's go. I

1731
01:27:16,840 --> 01:27:20,519
Speaker 1: got it, forget it. Tell you okay, and you ain't

1732
01:27:20,520 --> 01:27:22,680
Speaker 1: got a story back? Yes I do, all right? You right?

1733
01:27:22,800 --> 01:27:30,719
Speaker 1: Hear me out the Breakfast Club the morning Morning. Everybody

1734
01:27:30,880 --> 01:27:34,439
Speaker 1: is DJ Envy Angela Yee, Charlomagne, the guy. We are

1735
01:27:34,479 --> 01:27:37,000
Speaker 1: the Breakfast Club. Believe it's on the positive note. Listen

1736
01:27:37,040 --> 01:27:39,000
Speaker 1: to positive. Notice this man, If you find a path

1737
01:27:39,080 --> 01:27:44,040
Speaker 1: with no obstacles, it probably doesn't lead anywhere. Breakfast Club finishing, y'all.

1738
01:27:44,120 --> 01:27:44,320
Speaker 1: Dune