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Speaker 1: I've finally got like the little cover for my camera

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Speaker 1: on my computer.

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Speaker 2: Uh huh a webcam. You know you're supposed to keep

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Speaker 2: it covered.

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Speaker 1: People, Get's easy to like hack into your thing and

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Speaker 1: just be like watching.

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Speaker 3: Wait, so you're supposed to put like a little like.

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Speaker 2: A little there's like a little cover. I've ordered one

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Speaker 2: off of Etsy.

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Speaker 1: It's like a little butterfly or whatever, just and you

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Speaker 1: just put it on the thing and you can like

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Speaker 1: slide it over or whatever.

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Speaker 2: But yeah, yeah, I'm supposed to keep those things covered.

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Speaker 3: Dang. Well, now now I'm self conscious, even though.

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Speaker 1: You probably should stop scrolling the internet completely naked. So yeah, yeah,

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Speaker 1: I want to, Yeah, put on a part. I don't know,

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Speaker 1: I don't look. Hey, no shame, you know, do what

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Speaker 1: you want to do. I'm just letting you know that

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Speaker 1: it's an option.

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Speaker 3: I actually hate being completely naked like that. Like, are

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Speaker 3: you a never nude?

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Speaker 1: Are you a Tobias Funke from Arrested Development?

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Speaker 2: And you are a never nude?

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Speaker 1: Okay, you don't know what any of those ones just meant.

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Speaker 3: I know I have seen arrested Development.

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Speaker 1: Sorry, my god, everyone who has seen Arrested Development, so

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Speaker 1: so Tobias fu K. One of the one of the

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Speaker 1: characters is uh, he's a never nude, which means he

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Speaker 1: never likes to be fully nude, and so he wears

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Speaker 1: denim shorts even in the shower. It's a running gag

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Speaker 1: throughout the whole show that he is never nude. It's ridiculous.

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Speaker 1: But oh it's so great.

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Speaker 2: So now watch it now, now you have okay, he's

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Speaker 2: never watching it arrested development. No, you will love it.

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Speaker 3: I mean, it's he clipped.

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Speaker 1: But I've never sat down to watch this episode, down

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Speaker 1: and watch it. If I can sit and watch this

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Speaker 1: like episode after episode, you know, it's like that that

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Speaker 1: it will hold your attention because I have the attentions

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Speaker 1: out of a banat and it is hilarious. But and

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Speaker 1: you will then find out what uh.

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Speaker 2: What A never knew? I never nude.

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Speaker 3: I didn't know that was like a phrase a thing,

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Speaker 3: but I guess I was once they came up with it. Yes, okay,

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Speaker 3: so it's been adopted into the American lexicon. Yeah, yeah, yeah, yeah,

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Speaker 3: as a thing.

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Speaker 1: Oh, trust me when I when you when I say

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Speaker 1: never knew, there's a lot of people out there who

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Speaker 1: are like, I know exactly what you're talking about.

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Speaker 3: Yeah, I mean I don't. I mean, I'm nude in

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Speaker 3: the shower, but I don't like to I don't like

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Speaker 3: to go brawl. I never go brawless. Even when I sleep,

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Speaker 3: I have to be wearing some sort of like like

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Speaker 3: loose yoga bra or something like that, because I hate

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Speaker 3: the feeling of under boob on my but it touches

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Speaker 3: your your stomach. I mean, this is just a problem

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Speaker 3: for me because I'm old.

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Speaker 2: Hey, we all have with do they? Oh my god?

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Speaker 2: What have we done? What have we done?

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Speaker 3: We started the day well, you know, I just felt

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Speaker 3: like I needed to share with you that I am a.

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Speaker 2: Net he we get on this topic.

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Speaker 1: I don't even know how we're here. Someone we went

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Speaker 1: from starting the show to get underboo and we don't

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Speaker 1: know what happened. Oh, we went about the root of

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Speaker 1: never nudes and Tobias fume and arrested development.

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Speaker 3: Okay, on the topic, Why did I even bring that up? Then?

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Speaker 2: I don't like to be nude. I don't, Oh, because

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Speaker 2: we're going this is this is how we have to

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Speaker 2: dissect a conversation between the two of us. Is how

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Speaker 2: they help we get here. It's been three minutes and

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Speaker 2: we're like, I don't even know what just happened. That's great.

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Speaker 2: Oh it's so great. I have had the worst brain

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Speaker 2: fog this week, like Harry menopause so bad, it's compounded.

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Speaker 3: See, I went through menopause during the during the pandemic, because.

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Speaker 2: So every perfect.

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Speaker 1: So you were just anyway, you were like, I don't

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Speaker 1: like everything sucks and this is extra sucky, but I

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Speaker 1: don't have to interact with humans, so it's okay.

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Speaker 2: Right, it was.

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Speaker 3: Terrible, but yeah, maybe a blessing in disguise. So, yeah,

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Speaker 3: you're going through menopause. The world is falling apart like.

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Speaker 1: Nothing, and I don't know which to blame for what? Right,

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Speaker 1: you know, I'm like, oh, that's definitely black. Could be

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Speaker 1: either one.

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Speaker 3: I don't really you never know. You just always feel confused.

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Speaker 2: Yes, oh god, that was very very true.

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Speaker 1: Uh any uh, well, we have big I was gonna say,

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Speaker 1: any big weekend plans coming up, and then I was like,

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Speaker 1: what am I thinking?

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Speaker 2: You and I have big weekend plans coming up?

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Speaker 3: See rain two weekends, rainfow two weekends in a row.

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Speaker 3: I will see you in person, And I'm like, last

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Speaker 3: weekend I saw you at JP's that Pablo's screening of

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Speaker 3: before We Forget yep.

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Speaker 1: And then Saturday you didn't come to my show, and then.

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Speaker 3: You never let this go. You will never let this go.

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Speaker 1: We're gonna let it go because I know that you

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Speaker 1: think I actually care.

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Speaker 3: No, I don't. I don't like you. You know that

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Speaker 3: you would not drive out to La night.

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Speaker 1: No. I wouldn't drive out to their two nights in

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Speaker 1: a row. No, I didn't have to. If my friend

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Speaker 1: wasn't doing a show, you know, then I wouldn't pH gosh, oh.

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Speaker 3: See, I'm not even taking you seriously. I'm not don't

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Speaker 3: take you're taking me seriously?

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Speaker 2: Oh god, You're never no.

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Speaker 1: No, But yeah, I did get to see you last Friday,

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Speaker 1: which was really fun.

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Speaker 2: That was super Yeah it was. And then now late.

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Speaker 3: I stayed out till eleven fifteen.

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Speaker 2: M my, I'm like, I never do thoth of you. Wow,

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Speaker 2: you did stay late.

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Speaker 3: I was planning to leave when you left. We were

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Speaker 3: going to do our Irish goodbye.

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Speaker 2: Oh that's it. Yeah, I did an Irish goodbye together.

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Speaker 2: He and I just I was like, I'm going He's

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Speaker 2: like me too. Just walked to the car.

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Speaker 3: That's the best way That's the only way to get

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Speaker 3: out of anywhere with any sort of speed or efficiency

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Speaker 3: is just to irish.

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Speaker 1: There's more than four or five people that you know

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Speaker 1: and then and you're I'm.

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Speaker 2: Just like, uh, you know, I love you. I'll see

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Speaker 2: you later, yeah, exact.

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Speaker 3: Otherwise it's going to be forty five minutes before you

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Speaker 3: actually leave if you go around.

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Speaker 1: Bike cuse I know how I am, and I'll be like, oh, oh,

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Speaker 1: did I tell you? I'll pull a full Janus Sweeten

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Speaker 1: on it, you know what I mean, and say goodbye

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Speaker 1: seven times?

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Speaker 3: Right, Welcome back to how Rude tant Rito's I am

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Speaker 3: the never Nude Andrea Barber.

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Speaker 1: And I am Jody Sweeten. And I'm not gonna tell

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Speaker 1: you whether or not I'm dude right now. You'll have

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Speaker 1: to guess.

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Speaker 3: I have pictures. I have pictures. I'm not gonna talk about,

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Speaker 3: you know.

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Speaker 1: Okay, today we're just seing and now everyone's gonna be like, what, Yeah,

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Speaker 1: that's sorry, never mind.

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Speaker 3: I will never disclose. I will never that will never

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Speaker 3: see the light of day. We're just gonna say, okay.

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Speaker 3: Season five, Episode six, The Legend of Ranger Joe, It's here.

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Speaker 3: It's a ride.

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Speaker 1: Oh Boy, mister Woodchuck's debut Mister Woodchuck.

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Speaker 3: It originally aired on October twenty second, nineteen ninety one,

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Speaker 3: and it goes a little something like this. Ranger Roy

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Speaker 3: offers Joey a chance to be his successor as Ranger Joe. However,

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Speaker 3: Joey's over the top gratitude gives Ranger Roy second thought. Meanwhile,

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Speaker 3: Michelle becomes obsessed with tap dancing and Jesse brainstorms names

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Speaker 3: for the twins. This is our one hundredth episode. It

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Speaker 3: is flash Yes. This whole time, I've been thinking it

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Speaker 3: was the baby's birth that was the one hundredth episode.

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Speaker 3: I've been thinking that for thirty something years. But no,

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Speaker 3: this is the one hundredth episode. I counted Anna verified

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Speaker 3: with Jeff, Anna verified with like some fan ritos, Sokay,

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Speaker 3: this is the one hundredth episode. Great legend of Ranger Joe.

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Speaker 2: Legend of Ranger Joe. I had no idea.

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Speaker 3: It's a little anti climactic, like I was expecting some

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Speaker 3: sort of party or a dance or a stunt or

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Speaker 3: a you got a flash.

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Speaker 2: Back, you got a muppet, you got a mister wood check.

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Speaker 3: Okay, okay, that's that is celebration enough, you know, let's

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Speaker 3: take what we can get. It's a big milestone though,

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Speaker 3: because it is a big milestone.

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Speaker 2: Syndicated right with.

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Speaker 3: The syndication means that your show can run in perpetuity

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Speaker 3: in reruns and we get residual checks. So yes, thank

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Speaker 3: you fan Ritos.

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Speaker 1: Yeah, appreciate it anyway.

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Speaker 3: Well, yeah, hey, my last one was for forty two cents,

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Speaker 3: like it costs more to send me the show. Wow?

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Speaker 2: Able to check out for that much anymore?

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Speaker 3: Exactly? Back to the show. This episode was directed by

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Speaker 3: Joels Wick. It was written by Boyd Hale.

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Speaker 2: Yay, we love Boyd Hale.

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Speaker 3: And we have some wonderful guest stars. We have Barney

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Speaker 3: Martin as Ranger Roy. You'll know him as Morty Seinfeld

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Speaker 3: on Seinfeld. He also guest appeared on Happy Days, Punky Brewster,

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Speaker 3: Chips Benson, and he played Pete Peters in the nineteen

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Speaker 3: ninety three series Daddy Dearest starring Richard Lewis and John Rickles.

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Speaker 3: Oh yeah, so this is a great, great character actor.

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Speaker 3: This guy is, oh god, absolutely fantastic. Then we have

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Speaker 3: Colleen Morris as Linda the cable Girl.

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Speaker 2: I love that.

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Speaker 1: That's her Burday that was the prequel to Larry the

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Speaker 1: Cable Guy.

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Speaker 3: She's fantastic. She's most notable for playing the role of

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Speaker 3: Jennifer North in the nineteen ninety fourth television series Valley

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Speaker 3: of the Dolls.

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Speaker 2: Oh I remember, Okay, random full house connection.

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Speaker 3: Here we go.

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Speaker 1: There's a copy of the book Valley of the Dolls

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Speaker 1: in the alk cove on set.

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Speaker 2: Shut up.

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Speaker 1: And I remember it simply because it was a cover

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Speaker 1: that had like all these colorful pills like drawn on

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Speaker 1: the front of it, and it just always captured my attention.

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Speaker 2: It's like, oh, what's that? And I remember it.

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Speaker 1: The entire run of the show, being Valley of the Dolls,

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Speaker 1: and because I remember being like, oh, is that about?

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Speaker 2: You know, I was a kid, like what about?

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Speaker 1: And then I like started flipping through the book and

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Speaker 1: I was like, I don't think this is about.

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Speaker 2: That at all.

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Speaker 1: This is children's literature about like Stepford wives and yeah,

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Speaker 1: like you know, women popping bills and yeah.

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Speaker 2: But anyway, yeah, so that's a weird.

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Speaker 3: I can just picture you eight year old Jody sweet

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Speaker 3: and Board going through the set deck and just be like,

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Speaker 3: what's this.

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Speaker 1: Oh yeah, I also go through those books all Simony

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Speaker 1: alcove just randomly read stuff that is.

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Speaker 3: So, that is so you Moving along, we have Taj Mowery.

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Speaker 3: He is returning as Teddy. Oh my gosh this one scene,

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Speaker 3: but he's so freaking cute in that one scene. And

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Speaker 3: then we have Michael J. Shay as stage manager. Not

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Speaker 3: an actor, but he's a first d D.

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Speaker 2: I was gonna say, but he is a stage man.

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Speaker 3: He's this great stage manager. He has worked on How

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Speaker 3: How I Met Your Mother? How I Met Your Father?

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Speaker 3: And he was the stage manager on Home Improvement, Boy

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Speaker 3: Meets World and Married with Children, so he's very experienced

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Speaker 3: at stage managing and he was great. He was great

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Speaker 3: in this. He was lovely, yeah, role playing himself basically.

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Speaker 3: So we start with the teaser in stephan Michelle's room.

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Speaker 3: Stephanie is putting on tap shoes or she's putting tap

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Speaker 3: shoes on Michelle rather while emphasizing you are welcome to

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Speaker 3: play with my old tap shoes. But keep in mind

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Speaker 3: tap dancing is a skill that requires grace and rhythm.

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Speaker 3: I love this outfit you're wearing. You got this yellow

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Speaker 3: card in sweater thing.

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Speaker 1: Over the da One of my favorite outfits, the sweater

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Speaker 1: with the little like Onesie thing and then the cowboy boots.

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Speaker 1: Oh my god, I felt I felt like an adult.

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Speaker 1: I was like, I am twenty five, Like I just

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Speaker 1: I don't know why I.

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Speaker 2: Felt like that. I felt cool. I felt very cool.

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Speaker 3: Oh you looked adorable, like it's so much style, especially

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Speaker 3: for an eight year old.

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Speaker 2: It's adorable.

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Speaker 3: Yeah, it's I can tell you love this. I did

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Speaker 3: like stretton around and yeah, this was.

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Speaker 2: Yeah, very so.

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Speaker 3: Michelle shouts I've got grace and rhythm, and she begins

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00:11:32,920 --> 00:11:35,240
Speaker 3: to jump up and down on the practice floor to

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Speaker 3: prove her point. Once she's done, she asks, how is that,

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Speaker 3: and Stephanie is stone faced. Well, we know the taps were.

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Speaker 3: She takes her place on the practice floor and boasts,

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Speaker 3: watch your big sister and see how it's done. Stephanie

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Speaker 3: shows off an impressive tap performance as she sings out

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Speaker 3: tea or two and two for tea this, I can

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Speaker 3: just you were born for that. You were born to perform, Jody,

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Speaker 3: I should just picture you in tap class, Oh, Janna

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Speaker 3: Sweeten on the side.

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Speaker 1: First dances dance recital was A was a tap dance number.

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Speaker 2: I was a dancing duck.

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Speaker 1: Oh a tap dance and the dancing duck, I am,

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Speaker 1: and then you like tap your little foot. Yeah yeah,

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Speaker 1: when I remember I still have the duck costume somewhere.

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Speaker 2: Wow, that's that's you.

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Speaker 3: You hold on to things.

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Speaker 2: No, I don't. My mother does, oh jams. Yeah that

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00:12:27,360 --> 00:12:27,960
Speaker 2: makes more sense.

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Speaker 3: That makes a lot more sense.

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Speaker 2: But I actually am very glad.

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Speaker 1: I mean I have the little orange tights and my

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Speaker 1: old tap shoes and the little like like furry cape

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Speaker 1: that is like the little duck feathers and a little hat.

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Speaker 2: Yeah cute as that?

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Speaker 3: Do you never like b or any of the girls

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Speaker 3: in it growing up?

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Speaker 1: I mean it's a leotard from nineteen eighty five. I've

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Speaker 1: pulled on it. It would just explode into dust, you know,

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Speaker 1: just elastic one is like yeah.

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Speaker 3: So Michelle enthusiastically tries to copy Stephanie, but she can't

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Speaker 3: quite nail it as well as step still stuff encourages her,

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Speaker 3: telling her she's doing great, so Michelle doesn't stop. She

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Speaker 3: continues to breathlessly sing too for Tea as she stumbles

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Speaker 3: through these steps. That's when Steph glances at her with regret,

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Speaker 3: wondering what have I done?

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Speaker 2: Never give kids tap shoes?

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Speaker 3: What were you thinking?

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Speaker 1: Tap, shoes, horns, whistles, nothing loudstracting, Yeah.

285
00:13:26,720 --> 00:13:30,600
Speaker 3: Like this is this is rookie mistake here, rookie mistake.

286
00:13:30,960 --> 00:13:34,240
Speaker 3: But I do appreciate that the teaser tied into a storyline.

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Speaker 3: They're getting better about this the record.

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Speaker 2: They're probably gonna build a dance studio.

289
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Speaker 3: I would assume, well, yeah, like you know, just why not,

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Speaker 3: like right there in the girls room, just build a

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Speaker 3: whole studio a little bit perfect, easy, easy, and getting

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Speaker 3: the permits in San Francisco.

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Speaker 2: Easy done, be done in a week.

294
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Speaker 3: So next in the kitchen, Jesse is brainstorming baby names

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Speaker 3: with DJ. He admits, I sure hope the twins are

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Speaker 3: a boy and a girl, because I picked out the

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00:14:10,200 --> 00:14:15,240
Speaker 3: perfect names, Elvis and Priscilla. Can we still for a

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Speaker 3: moment and just acknowledge that he wants to name his

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Speaker 3: children after a married couple, like.

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Speaker 1: This is just yeah, I didn't think about it like that,

301
00:14:24,760 --> 00:14:25,520
Speaker 1: Like it's just.

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Speaker 3: This has gone too far, Like this has gone too far, Jesse,

303
00:14:29,200 --> 00:14:33,760
Speaker 3: Just take a seat. I didn't. I shouldn't be surprised

304
00:14:33,840 --> 00:14:37,480
Speaker 3: because this is this is Jesse. How many different ways

305
00:14:37,480 --> 00:14:39,920
Speaker 3: can we incorporate Elvis into our real lives? I don't know,

306
00:14:41,160 --> 00:14:46,200
Speaker 3: so DJ wonders, excuse me, DJ wonders, what if there

307
00:14:46,240 --> 00:14:51,240
Speaker 3: are two girls? And Jesse immediately answers, Priscilla and ELVISA

308
00:14:52,840 --> 00:14:53,600
Speaker 3: this is getting worse.

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00:14:53,600 --> 00:14:55,320
Speaker 2: There additional Greek name.

310
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Speaker 3: So DJ challenges him, if you get two boys, you're

311
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Speaker 3: gonna name them Elvis and Priscillo, and Jesse admits he

312
00:15:04,120 --> 00:15:07,080
Speaker 3: hadn't thought of that yet. But uh, he loves that idea,

313
00:15:07,240 --> 00:15:09,960
Speaker 3: He tells DJ. It's so important what you name your

314
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Speaker 3: kid because it can determine your their whole personality. You

315
00:15:14,200 --> 00:15:16,000
Speaker 3: think I have cool hair in a great band if

316
00:15:16,040 --> 00:15:19,400
Speaker 3: my name was Marvin Marvin and the Rippers, I don't

317
00:15:19,440 --> 00:15:19,800
Speaker 3: think so.

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Speaker 1: Marvin Gay just saying, I know you know this sometimes, don't.

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Speaker 3: Judge up with me.

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00:15:26,520 --> 00:15:29,440
Speaker 2: Let's me get it on by Marvin Gay. I don't

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Speaker 2: think anyone's questioning him. No, no, no, no.

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00:15:31,680 --> 00:15:35,560
Speaker 3: No, no, no, not at all. The DJ questions him,

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Speaker 3: why are you so obsessed over names? Jesse hesitates, I

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Speaker 3: don't want my kids going through what. I never mind,

325
00:15:43,240 --> 00:15:46,880
Speaker 3: and DJ presses him, never mind what? And he repeats,

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00:15:47,000 --> 00:15:50,800
Speaker 3: never mind. DJ shrugs, Okay, you have a secret. I'll

327
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Speaker 3: just go dig in through your past until Jesse cuts

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00:15:53,840 --> 00:15:58,040
Speaker 3: her off and tell you what, and she smirks, never mind, bye,

329
00:15:58,440 --> 00:16:01,280
Speaker 3: and she heads out the door in her cute little

330
00:16:01,280 --> 00:16:05,680
Speaker 3: red and gold plaid skirt. Right, yeah, very cute, so cute.

331
00:16:06,560 --> 00:16:08,880
Speaker 3: Then Joey walks in. He's wearing a robe and he

332
00:16:08,920 --> 00:16:13,880
Speaker 3: looks quite disheveled. Jesse sarcastically notes, you look good. How'd

333
00:16:13,880 --> 00:16:18,440
Speaker 3: your set go last night? Joey groans, I bombed. Those

334
00:16:18,480 --> 00:16:21,280
Speaker 3: foreign tourist groups are tough. I had to keep waiting

335
00:16:21,320 --> 00:16:25,080
Speaker 3: for the interpreter to translate my bullwinkle be sighs.

336
00:16:25,400 --> 00:16:26,640
Speaker 2: My life is going nowhere.

337
00:16:27,280 --> 00:16:29,240
Speaker 1: I was really, I was like, where are we going

338
00:16:29,280 --> 00:16:29,880
Speaker 1: with this joke?

339
00:16:30,320 --> 00:16:34,880
Speaker 2: Where? Yeah? Like is this gonna be? And I was like, okay,

340
00:16:34,880 --> 00:16:36,120
Speaker 2: we Germans were fine?

341
00:16:36,960 --> 00:16:41,480
Speaker 3: Well, and he sounded like the Charlie Brown teacher. Yeah

342
00:16:41,680 --> 00:16:41,960
Speaker 3: it was.

343
00:16:42,200 --> 00:16:47,720
Speaker 2: Yeah, it was overly offensive. But I would, uh, I would.

344
00:16:48,360 --> 00:16:51,520
Speaker 1: I think Joey should ask if it's the foreign tourist

345
00:16:51,520 --> 00:16:53,680
Speaker 1: groups and the translating or if it's the bullwinkle.

346
00:16:54,640 --> 00:16:57,480
Speaker 3: He's not ready for that level of self reflection, Like

347
00:16:57,800 --> 00:17:01,360
Speaker 3: he's still you know, he's still in Joey Land, which

348
00:17:01,400 --> 00:17:06,080
Speaker 3: is I'm sure a really fun place to be. But yeah,

349
00:17:06,560 --> 00:17:10,320
Speaker 3: so he sighs, my life is going nowhere, and Jesse

350
00:17:10,400 --> 00:17:12,600
Speaker 3: tries to cheer him up. What happened to the happy,

351
00:17:12,640 --> 00:17:16,919
Speaker 3: go lucky grinning Joey we all know and love. Joey

352
00:17:17,080 --> 00:17:21,320
Speaker 3: dreadfully responds, he's gone forever. Man. No matter what I do,

353
00:17:21,520 --> 00:17:25,760
Speaker 3: I can't catch a break. Jesse stays optimistic. Come on,

354
00:17:25,920 --> 00:17:29,919
Speaker 3: today's a brand new day, and Joey Flatley comments, yeah,

355
00:17:30,040 --> 00:17:34,040
Speaker 3: until I read my bad review in the paper. Jesse reveals,

356
00:17:34,160 --> 00:17:37,320
Speaker 3: no paper today, there's a strike. See that your luck

357
00:17:37,440 --> 00:17:40,920
Speaker 3: is already changing on cue the phone rings, Jesse picks

358
00:17:40,960 --> 00:17:42,760
Speaker 3: it up and answers, talk to me.

359
00:17:43,880 --> 00:17:44,520
Speaker 2: Is this our first?

360
00:17:44,520 --> 00:17:46,159
Speaker 3: Talk to me? I don't know that's heard. Talk to me.

361
00:17:46,280 --> 00:17:47,639
Speaker 2: I don't know we've heard talk to me.

362
00:17:47,920 --> 00:17:48,359
Speaker 3: Talk to me.

363
00:17:49,840 --> 00:17:50,280
Speaker 2: I don't know.

364
00:17:50,480 --> 00:17:53,600
Speaker 3: It's early. It's still early. Talk to me? If not

365
00:17:53,640 --> 00:17:56,800
Speaker 3: the very first, he says, it's k f LX radio.

366
00:17:58,240 --> 00:18:02,119
Speaker 3: And I love how the phone perfectly just the coffee cups.

367
00:18:02,160 --> 00:18:07,479
Speaker 1: Like the corn said, the blue phone is a key

368
00:18:07,520 --> 00:18:12,639
Speaker 1: piece of full House memorabilia. It's the exact same shade

369
00:18:12,640 --> 00:18:17,159
Speaker 1: of blue as the coffee cup. Yeah, it matches the curtains.

370
00:18:17,480 --> 00:18:20,000
Speaker 1: What you don't buy phones that match your curtains. AB,

371
00:18:20,359 --> 00:18:25,480
Speaker 1: come on, I haven't liked I haven't lived, you haven't lived. No,

372
00:18:25,880 --> 00:18:33,119
Speaker 1: I I feel like somewhere in my house at some

373
00:18:33,320 --> 00:18:36,359
Speaker 1: point growing up, there was probably a mob phone of

374
00:18:36,400 --> 00:18:40,239
Speaker 1: some sort, oh, you know, to match the Yeah, the

375
00:18:40,840 --> 00:18:42,680
Speaker 1: curtains and the carpeting and the yeah.

376
00:18:43,320 --> 00:18:44,080
Speaker 3: The couches.

377
00:18:44,400 --> 00:18:47,159
Speaker 2: Oh gosh, those were floral. Those were a lot of floral,

378
00:18:47,600 --> 00:18:50,160
Speaker 2: but with mov roses probably.

379
00:18:50,200 --> 00:18:54,439
Speaker 3: And that that just screams Jana Sweeten, absolutely and I

380
00:18:54,480 --> 00:18:57,240
Speaker 3: love it and I am here for it. So Jesse

381
00:18:57,359 --> 00:18:59,840
Speaker 3: tells the person on the other line of the blue phone.

382
00:19:00,160 --> 00:19:02,720
Speaker 3: Of the blue phone, no, I don't know how much.

383
00:19:02,840 --> 00:19:07,359
Speaker 3: Deputy Dog weighs. What am I an idiot? Joey yells,

384
00:19:07,400 --> 00:19:10,240
Speaker 3: don't hang up, and he lunges for the phone. He

385
00:19:10,320 --> 00:19:13,880
Speaker 3: repeats from memory without his gun and badge, Deputy Dog

386
00:19:14,000 --> 00:19:17,679
Speaker 3: weighs exactly forty three pounds. Shortly after he covers the

387
00:19:17,720 --> 00:19:20,720
Speaker 3: receiver and beams I just won two tickets to the

388
00:19:20,800 --> 00:19:25,560
Speaker 3: Donnie and Marie reunion. He hangs up, and then realization hits.

389
00:19:26,040 --> 00:19:28,800
Speaker 3: He tells Jesse, I almost forgot I gotta wait for

390
00:19:28,880 --> 00:19:31,840
Speaker 3: the cable guy. He's supposed to be here. Between nine

391
00:19:31,880 --> 00:19:32,359
Speaker 3: and six.

392
00:19:33,080 --> 00:19:34,879
Speaker 2: What time is the Donnie and Marie Show? Is it

393
00:19:34,880 --> 00:19:35,560
Speaker 2: a matinee?

394
00:19:36,160 --> 00:19:37,080
Speaker 3: Right? Well?

395
00:19:37,280 --> 00:19:41,400
Speaker 1: Yeah, well, well, I mean we can't say yeah because

396
00:19:41,400 --> 00:19:43,320
Speaker 1: they're old, because there's they're still around.

397
00:19:43,560 --> 00:19:46,280
Speaker 3: They're still right. They weren't old then and they're not

398
00:19:46,359 --> 00:19:49,919
Speaker 3: old now. You know, they're they're fabulous. But yeah, you'd

399
00:19:49,920 --> 00:19:52,639
Speaker 3: think the show would start at eight pm, so the

400
00:19:52,680 --> 00:19:54,760
Speaker 3: cable guy will be long gone. Plus that's a really

401
00:19:54,800 --> 00:19:56,240
Speaker 3: long window. I mean I.

402
00:19:56,320 --> 00:19:58,760
Speaker 2: Decided that's true. That yeah, that's why do that?

403
00:19:58,800 --> 00:19:58,919
Speaker 1: Why?

404
00:19:59,000 --> 00:20:00,960
Speaker 3: I mean anytime.

405
00:20:00,600 --> 00:20:02,960
Speaker 2: In the next seventeen hours like, oh great.

406
00:20:03,119 --> 00:20:04,840
Speaker 3: And then you're trapped. It's like, now you got to

407
00:20:04,840 --> 00:20:06,720
Speaker 3: take a day off work, You have to clear your schedule.

408
00:20:06,720 --> 00:20:08,440
Speaker 2: You can it always come in the last thirty minutes.

409
00:20:08,680 --> 00:20:12,280
Speaker 3: They do, they do. This is just universal, universal problem.

410
00:20:12,560 --> 00:20:16,360
Speaker 3: Way back in nineteen ninety one too. Just then there's

411
00:20:16,400 --> 00:20:19,480
Speaker 3: a knock at the door. Joey Grin's no way, I'm

412
00:20:19,480 --> 00:20:22,639
Speaker 3: not that lucky. Sure enough, he opens the door to

413
00:20:22,640 --> 00:20:25,720
Speaker 3: find Linda, the beautiful cable woman who's here to fix

414
00:20:25,760 --> 00:20:26,120
Speaker 3: the TV.

415
00:20:27,359 --> 00:20:28,920
Speaker 2: And why back door at the back door?

416
00:20:29,000 --> 00:20:29,119
Speaker 1: Right?

417
00:20:29,160 --> 00:20:32,399
Speaker 3: Why is why is the service provider walking through the

418
00:20:32,440 --> 00:20:33,880
Speaker 3: backyard and knocking all the back door.

419
00:20:33,920 --> 00:20:36,159
Speaker 1: She's already I mean, she's already done something in the

420
00:20:36,160 --> 00:20:37,640
Speaker 1: backyard which you kind of see in the next thing.

421
00:20:37,640 --> 00:20:38,800
Speaker 2: You're yeah, you know, I already did.

422
00:20:38,720 --> 00:20:39,000
Speaker 3: That for you.

423
00:20:39,160 --> 00:20:42,280
Speaker 1: So she's been rolling around the park in the backyard

424
00:20:42,320 --> 00:20:46,080
Speaker 1: for a while, you know, just you know, I was

425
00:20:46,119 --> 00:20:49,840
Speaker 1: setting up some satellites or something out there, some live cams.

426
00:20:49,880 --> 00:20:54,760
Speaker 3: I don't know, but yeah, this this again. There's we

427
00:20:54,800 --> 00:20:57,879
Speaker 3: could do a whole dissertation on entrances and exits and

428
00:20:58,080 --> 00:21:01,960
Speaker 3: visitors to the full house. So Joey blurts out, you're

429
00:21:02,040 --> 00:21:05,359
Speaker 3: the cable guy, and she nods. He pleads hold on,

430
00:21:05,680 --> 00:21:08,880
Speaker 3: don't move. He quickly shuts the door, fixes his hair,

431
00:21:09,119 --> 00:21:11,960
Speaker 3: and opens it again. He gives her a charming smile.

432
00:21:12,280 --> 00:21:14,320
Speaker 3: Come right in the TV's in the living room.

433
00:21:15,040 --> 00:21:16,240
Speaker 2: She asks, you're.

434
00:21:16,160 --> 00:21:19,639
Speaker 3: Joey Gladstone, right, I've seen your act. You're very funny.

435
00:21:20,160 --> 00:21:23,639
Speaker 3: He equips, you must have seen it in English. She

436
00:21:23,720 --> 00:21:26,560
Speaker 3: walks into the living room. Joey turns to Jesse and whispers,

437
00:21:26,920 --> 00:21:27,720
Speaker 3: I think she likes me.

438
00:21:28,000 --> 00:21:28,640
Speaker 2: How do I look?

439
00:21:29,520 --> 00:21:32,800
Speaker 3: Jesse quickly examines him, Well, you're rocking the Hugh Hefner

440
00:21:32,920 --> 00:21:36,000
Speaker 3: robe thing, but i'd buff up the Ninja turtle slippers.

441
00:21:36,880 --> 00:21:39,359
Speaker 3: Joey nods, I already buffed them once, but I'll buff

442
00:21:39,400 --> 00:21:43,240
Speaker 3: them again. He heads into the next room, quickly polishing

443
00:21:43,359 --> 00:21:46,240
Speaker 3: each slipper on the back of his legs, which was

444
00:21:46,280 --> 00:21:48,680
Speaker 3: a funny, like Dave commits, Man, he can make even

445
00:21:49,160 --> 00:21:51,080
Speaker 3: rubbing your feet on the back of your legs funny.

446
00:21:51,359 --> 00:21:57,119
Speaker 3: It's so great. In the living room, Linda quickly wraps

447
00:21:57,200 --> 00:21:59,320
Speaker 3: up her work, saying, she put a booster on the

448
00:21:59,400 --> 00:22:00,280
Speaker 3: cable out back.

449
00:22:00,720 --> 00:22:05,320
Speaker 2: That's what I'm saying. Three hours.

450
00:22:07,000 --> 00:22:09,000
Speaker 3: Yeah, yeah, well that you know this is She knows

451
00:22:09,080 --> 00:22:11,160
Speaker 3: what she's doing more than anybody else in the house.

452
00:22:11,920 --> 00:22:15,359
Speaker 3: She tells Joey everything is fixed. In fact, a monster

453
00:22:15,520 --> 00:22:19,440
Speaker 3: truck show is playing on the TV, and Joey marvels, wow,

454
00:22:19,920 --> 00:22:22,080
Speaker 3: we never got the truck and track or Pull network

455
00:22:22,160 --> 00:22:24,520
Speaker 3: before Linda gives him a little grin.

456
00:22:25,000 --> 00:22:26,840
Speaker 2: Let's just say that's our little secret.

457
00:22:27,520 --> 00:22:30,480
Speaker 3: He beams, thanks, this is really turning out to be

458
00:22:30,520 --> 00:22:34,720
Speaker 3: a great day, but she disagrees. Not for me. I

459
00:22:34,920 --> 00:22:37,200
Speaker 3: just tried to get Donnie and Marie tickets, but they're

460
00:22:37,320 --> 00:22:43,280
Speaker 3: sold out. Joey's eyes widen. That's amazing. I just won

461
00:22:43,359 --> 00:22:46,720
Speaker 3: two front row seats do you want to go? She

462
00:22:46,880 --> 00:22:50,040
Speaker 3: excitedly grabs a pen and paper. Sounds great, call me later,

463
00:22:50,520 --> 00:22:53,280
Speaker 3: and she hands over her phone number. Joey nods in

464
00:22:53,359 --> 00:22:58,080
Speaker 3: disbelief absolutely. As Linda heads out, she pauses and adds,

465
00:22:58,400 --> 00:23:01,280
Speaker 3: I love your slippers, and he jokes I'll wear them tonight.

466
00:23:02,680 --> 00:23:04,680
Speaker 3: He lets her out the door before announcing.

467
00:23:04,640 --> 00:23:06,200
Speaker 2: Jess, I got the date.

468
00:23:06,400 --> 00:23:10,040
Speaker 3: I'm on the roll of a lifetime. This is this

469
00:23:10,240 --> 00:23:12,879
Speaker 3: is all like the opening scene basically, you know, like

470
00:23:13,000 --> 00:23:15,760
Speaker 3: this all this has happened in the first.

471
00:23:16,280 --> 00:23:17,440
Speaker 2: Front load a sitcom.

472
00:23:17,560 --> 00:23:19,560
Speaker 1: You know what I mean? We got We've got ninety

473
00:23:19,640 --> 00:23:24,520
Speaker 1: seconds to load everything in everything, Yeah, everything they have

474
00:23:24,640 --> 00:23:26,920
Speaker 1: said up. We've got we got Linda, we got boosters,

475
00:23:26,960 --> 00:23:31,440
Speaker 1: we got we got monster trucks, we got the Turtle slippers,

476
00:23:31,720 --> 00:23:35,119
Speaker 1: we got Johnny, Marie, h Elvis and Priscillo. I mean,

477
00:23:35,200 --> 00:23:38,960
Speaker 1: there's there's a lot happening, like I have whiplashes and

478
00:23:39,160 --> 00:23:40,000
Speaker 1: we have a phone.

479
00:23:40,200 --> 00:23:42,280
Speaker 2: I mean, my god, what don't we have in this scene.

480
00:23:43,119 --> 00:23:45,919
Speaker 3: There's a lot happening, and it's I'm a little overwhelmed,

481
00:23:46,080 --> 00:23:50,000
Speaker 3: but hey, I'm here for this. So Jesse walks in

482
00:23:50,320 --> 00:23:54,080
Speaker 3: and congratulates Joey. See that that extra buffing paid off.

483
00:23:55,119 --> 00:23:57,120
Speaker 3: Then Jesse turns on the TV so they can tune

484
00:23:57,160 --> 00:24:00,560
Speaker 3: in to Wake Up San Francisco. Becky tell the viewers

485
00:24:00,920 --> 00:24:03,400
Speaker 3: we're back with a special guest who works right here

486
00:24:03,560 --> 00:24:07,200
Speaker 3: at Channel eight. Danny jumps in. I grew up watching

487
00:24:07,280 --> 00:24:09,320
Speaker 3: this man. He was like a father figure to me.

488
00:24:09,960 --> 00:24:12,119
Speaker 3: Not that I didn't have a great father, although my

489
00:24:12,240 --> 00:24:15,200
Speaker 3: dad did sometimes wear socks with his sandals, which got

490
00:24:15,280 --> 00:24:18,639
Speaker 3: kind of cheesy. But Becky gently places a hand on

491
00:24:18,720 --> 00:24:21,240
Speaker 3: his leg to remind him we're only a half hour show.

492
00:24:22,800 --> 00:24:25,680
Speaker 3: Wake Up San Francisco's only a half hour. It's a

493
00:24:25,760 --> 00:24:28,200
Speaker 3: morning talk show, right, shouldn't it be least an hour

494
00:24:28,560 --> 00:24:29,000
Speaker 3: or three?

495
00:24:29,840 --> 00:24:31,800
Speaker 2: It's San Francisco, all right.

496
00:24:31,960 --> 00:24:35,440
Speaker 1: Sometimes they have the show in the morning, sometimes they don't.

497
00:24:35,840 --> 00:24:39,960
Speaker 1: Sometimes it's thirty minutes, sometimes it's sixty. You know, it's

498
00:24:41,119 --> 00:24:43,600
Speaker 1: whatever the Tanners want to do. You know, it's kind

499
00:24:43,640 --> 00:24:46,800
Speaker 1: of based on whatever their schedule, whatever fits into their schedule,

500
00:24:46,960 --> 00:24:49,119
Speaker 1: and whatever of their family members they can get to

501
00:24:49,160 --> 00:24:50,200
Speaker 1: come on the show at the time.

502
00:24:50,320 --> 00:24:53,479
Speaker 3: Yes, yes, yeah, oh yes, I forgot. This is basically

503
00:24:53,560 --> 00:24:54,120
Speaker 3: Tanner Town.

504
00:24:55,200 --> 00:24:57,639
Speaker 1: No one else actually lives in San Francisco except for

505
00:24:57,760 --> 00:25:00,560
Speaker 1: like fifteen other people that randomly come in and out right.

506
00:25:00,520 --> 00:25:02,399
Speaker 3: The same the same background actress.

507
00:25:02,840 --> 00:25:05,480
Speaker 2: Right, it's just like it's the Truman Show.

508
00:25:07,480 --> 00:25:10,960
Speaker 1: Like the Tanners have no idea that they're living, that

509
00:25:11,640 --> 00:25:13,560
Speaker 1: everything is literally made.

510
00:25:13,480 --> 00:25:14,480
Speaker 2: To revolve around them.

511
00:25:14,760 --> 00:25:16,920
Speaker 1: Yeah, I have no idea, We have no idea. Weird

512
00:25:17,000 --> 00:25:19,520
Speaker 1: that we just wake up one day and there's a

513
00:25:19,600 --> 00:25:22,800
Speaker 1: studio in our house and yeah, there's.

514
00:25:22,640 --> 00:25:26,200
Speaker 3: Like this is amazing. Yeah, they're so just dang innocent.

515
00:25:26,359 --> 00:25:31,800
Speaker 3: Oh man, so Becky continues here. He is the host

516
00:25:31,920 --> 00:25:35,200
Speaker 3: of San Francisco's favorite cartoon kiddie show.

517
00:25:35,560 --> 00:25:36,680
Speaker 2: Ranger Roy.

518
00:25:37,720 --> 00:25:40,960
Speaker 3: Ranger Roy bounds onto the set and exclaims Audi ho

519
00:25:41,440 --> 00:25:45,119
Speaker 3: junior Rangers. Joey points at the TV. I used to

520
00:25:45,200 --> 00:25:48,240
Speaker 3: love that guy. I watched him every day as a kid.

521
00:25:49,119 --> 00:25:52,760
Speaker 3: On screen, Roy gets the audience involved, give yourselves an

522
00:25:52,800 --> 00:25:57,760
Speaker 3: official Ranger Roy bear huger, and he hugs himself lightly.

523
00:25:58,800 --> 00:26:02,840
Speaker 3: Joey immediately hugs himlf in response, and Jesse realizes you

524
00:26:03,000 --> 00:26:07,200
Speaker 3: got that date just in time. On the morning show,

525
00:26:07,320 --> 00:26:10,720
Speaker 3: Ranger Roy has a big announcement to make. After thirty years,

526
00:26:11,080 --> 00:26:16,720
Speaker 3: he's retiring and leaving the enchanted forest. He brings out

527
00:26:16,760 --> 00:26:22,040
Speaker 3: his squirrel puppet Merle to help deliver the news. Merle explains,

528
00:26:22,160 --> 00:26:26,000
Speaker 3: we're moving to Florida to an enchanted condo. That's not all,

529
00:26:26,480 --> 00:26:29,520
Speaker 3: Ranger Roy reveals, I'll be choosing a new ranger to

530
00:26:29,640 --> 00:26:32,960
Speaker 3: take my plates. Joey blurts out, I'd be perfect for

531
00:26:33,040 --> 00:26:33,480
Speaker 3: that job.

532
00:26:34,200 --> 00:26:36,960
Speaker 2: Lucky for you. I bet nobody else is even on listening.

533
00:26:37,320 --> 00:26:43,680
Speaker 3: Heay, the nepotism is strong right right this family. Danny

534
00:26:43,760 --> 00:26:46,000
Speaker 3: chimes in, you know what, my friend Joey would be

535
00:26:46,119 --> 00:26:51,600
Speaker 3: perfect for that job, and Joey's jaw drops. Ranger Roy responds, well,

536
00:26:51,600 --> 00:26:55,399
Speaker 3: I'm interviewing today. Bring Joey on to Jesse switches off

537
00:26:55,440 --> 00:26:57,040
Speaker 3: the TV and Joey turns to him.

538
00:26:57,359 --> 00:26:58,560
Speaker 2: This is a dream come true.

539
00:26:58,880 --> 00:27:02,160
Speaker 3: I can't believe it. It's my lucky day. He throws

540
00:27:02,200 --> 00:27:05,040
Speaker 3: his arms around Jesse for a bear hug and Jesse's scowls.

541
00:27:05,359 --> 00:27:08,080
Speaker 3: And if you want your luck to last, let go

542
00:27:10,359 --> 00:27:14,639
Speaker 3: and we're out. Nepotism trend continues.

543
00:27:14,880 --> 00:27:18,520
Speaker 2: Yes, oh, this is just I love this show.

544
00:27:19,920 --> 00:27:22,479
Speaker 3: Back in Stephan Michelle's room, Michelle is still doing her

545
00:27:22,520 --> 00:27:27,280
Speaker 3: tea for two tap routine at warp speed. The Holy

546
00:27:27,400 --> 00:27:28,879
Speaker 3: miss Aphonia like.

547
00:27:29,680 --> 00:27:32,760
Speaker 2: Yeah right, Luckily tap dancing isn't one of the things

548
00:27:32,800 --> 00:27:34,640
Speaker 2: that sets it off. I would have lost my mind.

549
00:27:34,720 --> 00:27:35,480
Speaker 2: Oh it was.

550
00:27:35,640 --> 00:27:37,639
Speaker 3: It was driving me crazy, and I was, you know,

551
00:27:37,920 --> 00:27:40,360
Speaker 3: watching it through a screen. I cannot imagine being there.

552
00:27:42,520 --> 00:27:45,560
Speaker 3: Michelle is not happy when she realizes Stephanie is not

553
00:27:46,000 --> 00:27:50,000
Speaker 3: watching her. Steph looks up from her homework wearing her

554
00:27:50,040 --> 00:27:52,320
Speaker 3: Wells wears Waldo glasses.

555
00:27:52,600 --> 00:27:56,840
Speaker 2: Mm hm oh yeah, and she was like, big, did

556
00:27:56,920 --> 00:27:58,719
Speaker 2: I what was popular?

557
00:27:58,960 --> 00:27:59,000
Speaker 1: Like?

558
00:27:59,200 --> 00:28:01,639
Speaker 2: Was that a style of was popular? I don't know.

559
00:28:01,680 --> 00:28:02,199
Speaker 3: There a lot of.

560
00:28:02,240 --> 00:28:04,639
Speaker 2: People wearing glasses that look like that. Why did I

561
00:28:04,720 --> 00:28:05,200
Speaker 2: pick those?

562
00:28:05,680 --> 00:28:10,639
Speaker 3: I don't know. They looked like special glasses that you

563
00:28:10,720 --> 00:28:14,000
Speaker 3: had to order for like some like disease, and like

564
00:28:14,760 --> 00:28:15,480
Speaker 3: what I.

565
00:28:18,640 --> 00:28:20,119
Speaker 1: Said, they didn't look cute and you're like, wow, you

566
00:28:20,160 --> 00:28:21,240
Speaker 1: look like your head's disease.

567
00:28:21,560 --> 00:28:25,400
Speaker 3: Yes. Basically, my mother, who had carroticonas, had to order

568
00:28:25,520 --> 00:28:28,560
Speaker 3: like special glasses that were so thick they should called

569
00:28:28,560 --> 00:28:31,240
Speaker 3: them like oak bottles because they were so thick. Because

570
00:28:31,240 --> 00:28:34,680
Speaker 3: she couldn't see because she had bad corneas. So this

571
00:28:35,040 --> 00:28:37,520
Speaker 3: was like the e coun Well, they're like the bad

572
00:28:37,600 --> 00:28:41,520
Speaker 3: cornea glasses. Sorry, had an issue. I thought it was

573
00:28:41,600 --> 00:28:44,160
Speaker 3: just an astigmatism. But here who knows her Cornea is.

574
00:28:47,760 --> 00:28:50,960
Speaker 1: Yeah, yeah, yeah, Carrott and Cones, Carrotten, Cones, card and

575
00:28:51,000 --> 00:28:54,800
Speaker 1: conas great, which looked adorable?

576
00:28:55,000 --> 00:28:56,120
Speaker 3: You looked adorable.

577
00:28:56,280 --> 00:28:59,080
Speaker 2: There's just you know, you know, for someone with the

578
00:28:59,640 --> 00:29:01,480
Speaker 2: with unfunctioning eyeballs.

579
00:29:01,640 --> 00:29:03,000
Speaker 3: Thank you, you look very healthy.

580
00:29:03,480 --> 00:29:05,960
Speaker 2: Yeah, you never know that those were your eyeballs.

581
00:29:08,080 --> 00:29:12,240
Speaker 3: Stephanie pleads, I watched all the way to school, I

582
00:29:12,440 --> 00:29:15,840
Speaker 3: watched during school, I watched all the way home from school.

583
00:29:16,040 --> 00:29:18,400
Speaker 2: I watched, and I watched, and I watched.

584
00:29:19,360 --> 00:29:24,080
Speaker 3: Michelle is completely unfazed. Good, now watch this. She launches

585
00:29:24,280 --> 00:29:26,960
Speaker 3: right back into her frantic tapping and chants the song

586
00:29:27,120 --> 00:29:29,960
Speaker 3: over and over and over again. Step shakes her head

587
00:29:30,000 --> 00:29:33,680
Speaker 3: at the nuisance she has created. Just then, Joey enters,

588
00:29:33,880 --> 00:29:37,840
Speaker 3: holding something behind his back. He says, hey, girls, I'd

589
00:29:37,920 --> 00:29:40,040
Speaker 3: like you to meet a very special friend of mine.

590
00:29:40,800 --> 00:29:43,440
Speaker 3: He reveals a familiar puppet up.

591
00:29:43,880 --> 00:29:48,920
Speaker 2: He came to the right room, pump. It's welcome, of course.

592
00:29:49,360 --> 00:29:52,040
Speaker 1: Just pick the right audience for this. Yeah, this is

593
00:29:52,200 --> 00:29:55,840
Speaker 1: very appropriate. Say hello to mister Woodchuck.

594
00:29:56,280 --> 00:30:00,560
Speaker 2: He's here, He is here, mister Woodchuck.

595
00:30:01,400 --> 00:30:04,520
Speaker 3: And I learned this from reading Jeff's book.

596
00:30:04,560 --> 00:30:05,280
Speaker 1: This was this.

597
00:30:05,560 --> 00:30:08,240
Speaker 3: This puppet cost twenty five thousand dollars.

598
00:30:08,360 --> 00:30:09,240
Speaker 2: I remembered that.

599
00:30:09,480 --> 00:30:13,600
Speaker 1: I remember hearing that because after Dave's dog ate the

600
00:30:13,800 --> 00:30:16,240
Speaker 1: face off of it twenty years later, he was like,

601
00:30:16,360 --> 00:30:16,960
Speaker 1: you have no idea.

602
00:30:17,400 --> 00:30:18,760
Speaker 2: I was like, okay, you get it. He was like, no,

603
00:30:18,880 --> 00:30:19,440
Speaker 2: you don't even know.

604
00:30:19,440 --> 00:30:20,120
Speaker 1: How it was.

605
00:30:20,320 --> 00:30:20,760
Speaker 2: You don't even know.

606
00:30:21,200 --> 00:30:24,000
Speaker 3: In nineteen ninety one, it was twenty five thousand dollars eight.

607
00:30:24,440 --> 00:30:27,280
Speaker 3: But it was built by the by the.

608
00:30:27,560 --> 00:30:30,760
Speaker 2: Henson Muppet Monster Workshop.

609
00:30:30,960 --> 00:30:33,240
Speaker 3: Yeah, the special fleece technology.

610
00:30:33,520 --> 00:30:35,240
Speaker 2: Yeah, they they have a.

611
00:30:35,280 --> 00:30:39,640
Speaker 1: Special little muppet fleecing that they use. And uh yeah,

612
00:30:40,280 --> 00:30:44,440
Speaker 1: so I got to touch a Henson Muppet Monster creation.

613
00:30:45,320 --> 00:30:48,440
Speaker 3: Even this is before you got your hot Dog muppet

614
00:30:48,520 --> 00:30:49,600
Speaker 3: of your own at.

615
00:30:49,520 --> 00:30:52,000
Speaker 2: The stint right over there there yet see it.

616
00:30:52,280 --> 00:30:52,959
Speaker 3: I can see him.

617
00:30:53,040 --> 00:30:55,160
Speaker 1: I literally I s pulled it out to show to

618
00:30:55,240 --> 00:30:57,400
Speaker 1: my kids and miscal and I was like, you guys,

619
00:30:57,480 --> 00:30:57,840
Speaker 1: look at it.

620
00:30:57,880 --> 00:31:01,840
Speaker 2: And they were just like, that's great, that's really great.

621
00:31:02,560 --> 00:31:04,800
Speaker 2: Oh yeah, They're like, okay, lady.

622
00:31:06,000 --> 00:31:10,640
Speaker 3: Oh I love this. So Michelle Brightly greets mister Woodchuck,

623
00:31:10,960 --> 00:31:14,560
Speaker 3: and mister Woodchuck responds say, I'm very hungry. Is that

624
00:31:14,760 --> 00:31:19,000
Speaker 3: tap board made of what Joey switches back to his

625
00:31:19,080 --> 00:31:22,600
Speaker 3: normal voice to explain, mister Woodchuck is going to audition

626
00:31:22,720 --> 00:31:25,560
Speaker 3: with me today at the Ranger Roy Show, and I

627
00:31:25,720 --> 00:31:27,680
Speaker 3: know I'm going to get it because today is my

628
00:31:27,880 --> 00:31:28,440
Speaker 3: lucky day.

629
00:31:28,880 --> 00:31:29,560
Speaker 2: I mean, yeah it is.

630
00:31:29,680 --> 00:31:31,800
Speaker 1: You just got a twenty five thousand dollars puppet made

631
00:31:31,840 --> 00:31:35,920
Speaker 1: in two hours, right, that's this is unbelievable. Pull a

632
00:31:36,000 --> 00:31:42,640
Speaker 1: puppet right out of your puppet show. Yeah, is that

633
00:31:42,680 --> 00:31:43,840
Speaker 1: a puppet to your carrying?

634
00:31:43,960 --> 00:31:44,400
Speaker 3: Or yeah?

635
00:31:44,520 --> 00:31:48,240
Speaker 2: Is that a hot coppet you're carrying? Are you're just

636
00:31:48,360 --> 00:31:49,520
Speaker 2: excited to see me? Okay?

637
00:31:49,720 --> 00:31:54,840
Speaker 3: The jokes rates themselves, So Joey pat's pockets and mutters, now,

638
00:31:54,920 --> 00:31:57,480
Speaker 3: if I could just remember where I put my party's.

639
00:31:58,040 --> 00:31:59,800
Speaker 3: He reaches into a pocket and pulls out a twenty

640
00:31:59,840 --> 00:32:03,160
Speaker 3: dollar bill. Then he checks his breast pocket and exclaims,

641
00:32:03,440 --> 00:32:05,920
Speaker 3: my lost banaka I can't miss.

642
00:32:07,000 --> 00:32:09,720
Speaker 2: Okay, I don't make any banocas around anymore.

643
00:32:10,000 --> 00:32:10,120
Speaker 1: Uh.

644
00:32:10,680 --> 00:32:16,200
Speaker 2: For those for the youth, banaka was basically a spray

645
00:32:16,520 --> 00:32:22,480
Speaker 2: of mint flavored gasoline that you that you sprayed into

646
00:32:22,600 --> 00:32:26,840
Speaker 2: your mouth to give you fresh breath, but really just

647
00:32:26,960 --> 00:32:31,120
Speaker 2: steered your taste buds off and uh and made you

648
00:32:31,280 --> 00:32:33,600
Speaker 2: not taste your breath anymore, so that nobody else around

649
00:32:33,640 --> 00:32:34,080
Speaker 2: you could either.

650
00:32:34,680 --> 00:32:39,840
Speaker 3: No, that stuff was so strong, My god, yes, bro,

651
00:32:40,000 --> 00:32:42,240
Speaker 3: it would make your eyes could make your eyesight.

652
00:32:43,120 --> 00:32:47,320
Speaker 2: We would have like like kids have banoka contests. This

653
00:32:47,520 --> 00:32:49,960
Speaker 2: is how we entertained ourselves in the early nineties. We

654
00:32:50,040 --> 00:32:52,720
Speaker 2: would see how much I remember, we'd be like, how

655
00:32:52,800 --> 00:32:55,800
Speaker 2: many banocas raised can? Because after somewhere after four.

656
00:32:55,720 --> 00:33:00,440
Speaker 3: You were like, oh, go closes up. I'm sure that

657
00:33:00,560 --> 00:33:02,800
Speaker 3: was hazardous on multiple levels, but yeah.

658
00:33:03,360 --> 00:33:08,600
Speaker 2: Sure, how many sprays? Yeah that was oh god, like

659
00:33:08,760 --> 00:33:10,200
Speaker 2: that was a flex back.

660
00:33:10,040 --> 00:33:12,320
Speaker 1: At night, right, and let me tell you it still

661
00:33:12,360 --> 00:33:15,960
Speaker 1: would be, you know, and that's yeah, And that's coming

662
00:33:16,040 --> 00:33:19,240
Speaker 1: from someone who has done a lot of things.

663
00:33:19,560 --> 00:33:21,760
Speaker 2: But you know, and that one hurts.

664
00:33:22,280 --> 00:33:24,200
Speaker 3: Yeah, that was a lot of the worst of all

665
00:33:24,320 --> 00:33:24,960
Speaker 3: of the things.

666
00:33:25,120 --> 00:33:28,600
Speaker 1: Yes, it probably discontinued it after some sort of lawsuit

667
00:33:28,680 --> 00:33:30,480
Speaker 1: that someone's trachy had got burned.

668
00:33:31,040 --> 00:33:31,880
Speaker 2: I'm sure it was right.

669
00:33:31,920 --> 00:33:35,760
Speaker 1: They were like, oh, like it actually just weird's away

670
00:33:36,040 --> 00:33:38,080
Speaker 1: your throat so you can't use it anymore.

671
00:33:38,320 --> 00:33:40,120
Speaker 3: Your esophag is just disintegrated.

672
00:33:40,120 --> 00:33:42,880
Speaker 2: But again, minty fresh, yeah.

673
00:33:43,920 --> 00:33:48,880
Speaker 1: Yeah, Hey, the halatosis bay, that's what helotosis actually isn't

674
00:33:48,920 --> 00:33:49,120
Speaker 1: a thing.

675
00:33:50,240 --> 00:33:54,200
Speaker 2: Wait, it's not no helotosis. Here's you're random fact.

676
00:33:54,040 --> 00:33:54,440
Speaker 1: For this day.

677
00:33:55,760 --> 00:33:58,520
Speaker 2: I don't know. I couldn't tell you, but I'm going

678
00:33:58,640 --> 00:33:59,040
Speaker 2: to tell you.

679
00:34:00,040 --> 00:34:03,800
Speaker 1: Toosis was a word and a fake disease made up

680
00:34:03,960 --> 00:34:09,799
Speaker 1: by uh lysol and listerine in order to sell mouthwash.

681
00:34:10,120 --> 00:34:13,840
Speaker 1: It is not an actual disease. Quote unquote. It's just

682
00:34:13,960 --> 00:34:16,879
Speaker 1: bad breath. It's just bad breath.

683
00:34:17,560 --> 00:34:20,080
Speaker 3: It's just so it's not like a condition, that's what

684
00:34:20,160 --> 00:34:22,879
Speaker 3: you're saying. No, but some people do have it worse

685
00:34:22,960 --> 00:34:24,279
Speaker 3: than others. But that's yeah, but.

686
00:34:24,320 --> 00:34:26,960
Speaker 1: That's just such a natural But that's dental hygiene, that's

687
00:34:27,040 --> 00:34:29,400
Speaker 1: your that's the tongue, that's not your coca.

688
00:34:31,880 --> 00:34:33,759
Speaker 2: It's a lot of everything. All I'm going to say

689
00:34:34,120 --> 00:34:36,759
Speaker 2: is that halatosis is not an actual thing.

690
00:34:37,160 --> 00:34:37,480
Speaker 3: Wow.

691
00:34:38,520 --> 00:34:41,480
Speaker 2: I mean, you might have bad breath, but the halatosis

692
00:34:41,560 --> 00:34:42,719
Speaker 2: as a disease is not.

693
00:34:43,160 --> 00:34:43,560
Speaker 3: No, it was.

694
00:34:43,760 --> 00:34:46,920
Speaker 1: It was simply made in order to tell people that

695
00:34:47,000 --> 00:34:48,839
Speaker 1: they had something wrong with them so that they could

696
00:34:49,400 --> 00:34:50,520
Speaker 1: buy the solution.

697
00:34:50,640 --> 00:34:52,800
Speaker 3: So they would buy they buy the banaka and the

698
00:34:52,880 --> 00:34:54,120
Speaker 3: listrine and all of you.

699
00:34:54,520 --> 00:34:57,440
Speaker 1: I think lustine, it was listening lysol, whatever it was.

700
00:34:58,360 --> 00:35:00,920
Speaker 1: This was in like the thirties or four or fifties,

701
00:35:01,080 --> 00:35:02,960
Speaker 1: like way way, this was a while back.

702
00:35:03,040 --> 00:35:05,640
Speaker 3: Yeah, wow, yeah, the things you didn't think you would

703
00:35:05,719 --> 00:35:08,759
Speaker 3: learn on this podcast today. You know, Joony Sweeten is

704
00:35:09,520 --> 00:35:13,080
Speaker 3: you're here to deliver. We are an educational podcast and

705
00:35:13,200 --> 00:35:18,279
Speaker 3: an entertainment podcast. I have no idea where I am? Okay,

706
00:35:19,080 --> 00:35:24,560
Speaker 3: joe Yeah right, bannockam okay. So Joey gives himself and

707
00:35:24,719 --> 00:35:27,600
Speaker 3: mister Woodchuck a spray of banoka before heading for the door.

708
00:35:27,800 --> 00:35:29,560
Speaker 2: You can hear it sizzle on the puppet.

709
00:35:30,080 --> 00:35:34,840
Speaker 3: It's a visceral experience. The scent, the taste, the sound,

710
00:35:35,520 --> 00:35:37,480
Speaker 3: like all of it, and then and then the feel

711
00:35:37,600 --> 00:35:40,279
Speaker 3: of it. It's it's really yeah, all five senses and

712
00:35:40,360 --> 00:35:41,160
Speaker 3: maybe a sixth too.

713
00:35:42,360 --> 00:35:45,080
Speaker 1: So Michelle turns, it's pretty strong. I it could rocket

714
00:35:45,120 --> 00:35:46,120
Speaker 1: you into a fourth dimension.

715
00:35:46,239 --> 00:35:47,919
Speaker 2: You know a lot.

716
00:35:49,440 --> 00:35:52,359
Speaker 3: It's for sure outlawed in forty eight states. Now, oh yeah,

717
00:35:53,080 --> 00:35:56,359
Speaker 3: Michelle turns to Stephanie. You want to see something amazing,

718
00:35:57,080 --> 00:36:01,200
Speaker 3: step size Sure, Michelle launches into the exact same tap

719
00:36:01,320 --> 00:36:05,040
Speaker 3: routine yet again, and Stephanie just rolls her eyes.

720
00:36:06,280 --> 00:36:07,400
Speaker 2: Have a sprayer with banaka?

721
00:36:07,800 --> 00:36:13,640
Speaker 3: That would that would have wing right, have disarmed her

722
00:36:13,719 --> 00:36:16,520
Speaker 3: completely for the next two weeks.

723
00:36:16,760 --> 00:36:19,399
Speaker 2: Right, it was just grabbing her eye get a chemical burn.

724
00:36:21,320 --> 00:36:23,600
Speaker 3: Next on the Ranger, Roy set Danny's at the.

725
00:36:23,560 --> 00:36:26,960
Speaker 2: Studio, telling it's just next door.

726
00:36:27,200 --> 00:36:29,200
Speaker 3: Right, yeah, well it's Channel eight. Yeah they all they

727
00:36:29,280 --> 00:36:30,280
Speaker 3: share studio space.

728
00:36:30,520 --> 00:36:31,160
Speaker 2: Yeah, yeah, yeah.

729
00:36:32,360 --> 00:36:35,359
Speaker 3: He tells ranger Roy, hey, thanks for meeting with Joey.

730
00:36:35,600 --> 00:36:37,000
Speaker 3: You're going to love him.

731
00:36:38,239 --> 00:36:39,560
Speaker 2: Have anybody else to audition?

732
00:36:39,840 --> 00:36:41,600
Speaker 3: So, you know, an audition for one?

733
00:36:41,800 --> 00:36:41,920
Speaker 1: Right?

734
00:36:42,080 --> 00:36:47,400
Speaker 3: Yeah, why not? Nanny extend extends his hand for a handshake,

735
00:36:47,560 --> 00:36:52,799
Speaker 3: but Roy freezes Danner. I never shake hands. Danny realizes, Oh,

736
00:36:52,920 --> 00:36:56,040
Speaker 3: of course you invented the Ranger, Roy bear hug lay

737
00:36:56,120 --> 00:36:59,120
Speaker 3: one on me. He reaches out, but Roy puts his

738
00:36:59,239 --> 00:37:03,480
Speaker 3: hands up and man's get away from me. Danny asks,

739
00:37:03,520 --> 00:37:07,520
Speaker 3: what's the matter, So Roy confesses, I suffer from acute

740
00:37:07,800 --> 00:37:09,200
Speaker 3: physical paranoia.

741
00:37:10,040 --> 00:37:12,600
Speaker 1: Oh, we got it's kind of like a like a

742
00:37:12,840 --> 00:37:14,399
Speaker 1: Howie Mandel thing. Doesn't like touching people.

743
00:37:14,560 --> 00:37:16,760
Speaker 3: Yeah, it doesn't like shaking hands or touching people.

744
00:37:16,920 --> 00:37:20,680
Speaker 2: I'd be fair after COVID. Yeah, I respect that.

745
00:37:21,280 --> 00:37:22,960
Speaker 3: I respect it. I kind of want to adopt it

746
00:37:23,080 --> 00:37:23,640
Speaker 3: as well, you.

747
00:37:23,680 --> 00:37:25,760
Speaker 2: Know, I know, I at least stop locking door handles.

748
00:37:25,800 --> 00:37:27,480
Speaker 2: So that's a step up.

749
00:37:27,560 --> 00:37:32,040
Speaker 3: Yeah. Yeah, So apparently human contact causes Ranger Roy to

750
00:37:32,160 --> 00:37:35,560
Speaker 3: hyperventilate and break out in hives, and that's why he

751
00:37:35,640 --> 00:37:39,200
Speaker 3: started the whole hug yourself thing. Kind of brilliant, right,

752
00:37:40,280 --> 00:37:42,560
Speaker 3: Then Joey strolls in with a pep in his step.

753
00:37:42,840 --> 00:37:47,279
Speaker 3: Howdy ho, Danny introduces his friend. This is Joey Gladstone,

754
00:37:47,640 --> 00:37:51,640
Speaker 3: commedy genius. Joey reaches out to shake Roy's hand, and

755
00:37:51,800 --> 00:37:55,680
Speaker 3: Danny quickly intercepts, whispering to Joey, you can't touch him.

756
00:37:56,600 --> 00:37:59,960
Speaker 3: Joey responds, nobody can touch him. He's a living life.

757
00:38:00,880 --> 00:38:03,480
Speaker 3: But if anyone's going to might as well be me.

758
00:38:04,600 --> 00:38:08,000
Speaker 3: He starts his routine, telling mister Woodchuck myrtle, the squirrel

759
00:38:08,280 --> 00:38:11,200
Speaker 3: lives in the enchanted treehouse. How would you like living here?

760
00:38:11,960 --> 00:38:14,920
Speaker 3: The puppet replies, well, I have been looking. I have

761
00:38:15,120 --> 00:38:20,040
Speaker 3: been looking to branch out. Puns keep coming that they they,

762
00:38:20,520 --> 00:38:24,719
Speaker 3: they just won't stop. Roy cracks a smile. Cute, what

763
00:38:24,880 --> 00:38:28,760
Speaker 3: else you got? Joey launches into a medley of cartoon

764
00:38:28,880 --> 00:38:34,839
Speaker 3: voices to show off his range, and Roy is extremely impressed, admitting, Gladstone,

765
00:38:35,040 --> 00:38:39,240
Speaker 3: you're the man. I've been looking for. Joey is stunned.

766
00:38:39,360 --> 00:38:42,759
Speaker 3: Really I got the job, and Roy nods mm hmm.

767
00:38:43,480 --> 00:38:43,839
Speaker 3: I don't.

768
00:38:44,200 --> 00:38:45,680
Speaker 2: Can you imagine if it was that easy to get

769
00:38:45,719 --> 00:38:46,520
Speaker 2: a job in this business?

770
00:38:46,760 --> 00:38:52,480
Speaker 3: Right like, there was no audition, got the job, waiting around,

771
00:38:53,080 --> 00:38:54,440
Speaker 3: no like callbacks.

772
00:38:54,640 --> 00:38:54,680
Speaker 1: No.

773
00:38:55,480 --> 00:38:55,680
Speaker 2: Yeah.

774
00:38:55,719 --> 00:38:57,759
Speaker 1: I like the way I like the way Ranger Roy

775
00:38:57,880 --> 00:39:00,840
Speaker 1: runs things that happen Chanted Forest.

776
00:39:01,120 --> 00:39:03,239
Speaker 3: Yeah, he does it well and it worked out great

777
00:39:03,280 --> 00:39:07,920
Speaker 3: for Joey. Joey blurts out, thank you, Ranger Roy, Sir,

778
00:39:08,239 --> 00:39:12,800
Speaker 3: your highness, your woodsiness, I love you, and then he

779
00:39:13,640 --> 00:39:18,280
Speaker 3: hugs him from the physical contact. Roy immediately starts gasping

780
00:39:18,400 --> 00:39:21,880
Speaker 3: for air. Janny quickly peels him off, but Joey is celebrating,

781
00:39:22,040 --> 00:39:25,880
Speaker 3: so he's completely unaware of his misstep. Joey tells the

782
00:39:25,960 --> 00:39:29,359
Speaker 3: hyperventilating TV host, you don't know how much this means

783
00:39:29,400 --> 00:39:29,560
Speaker 3: to me.

784
00:39:29,920 --> 00:39:30,720
Speaker 2: I'm just as.

785
00:39:30,640 --> 00:39:33,480
Speaker 3: Choked up as you are. He bolts for the door

786
00:39:33,520 --> 00:39:35,960
Speaker 3: and shouts, thank you so much for the job. I

787
00:39:36,040 --> 00:39:39,239
Speaker 3: gotta call my agent. This is the luckiest day of

788
00:39:39,440 --> 00:39:43,439
Speaker 3: my life. Roy is now blowing into a paper bag

789
00:39:43,680 --> 00:39:47,959
Speaker 3: trying to recover. Janny reassures him forgive Joey. He didn't

790
00:39:48,000 --> 00:39:50,160
Speaker 3: know what he was doing. You made a real smart

791
00:39:50,239 --> 00:39:55,680
Speaker 3: move by hiring him. Roy gasps between breaths. He's fire.

792
00:39:57,000 --> 00:39:57,960
Speaker 2: Feels a little unfair.

793
00:39:58,800 --> 00:40:01,719
Speaker 3: I mean, Joey didn't know it's Joy has warned. Yeah,

794
00:40:03,560 --> 00:40:05,680
Speaker 3: this guy's a TV host of a children's show, like

795
00:40:05,800 --> 00:40:08,560
Speaker 3: children are always all over you, Like, does this man

796
00:40:09,360 --> 00:40:10,959
Speaker 3: he might be in a long profession If he doesn't

797
00:40:11,000 --> 00:40:12,400
Speaker 3: like physical contact.

798
00:40:12,560 --> 00:40:15,120
Speaker 1: Well, maybe that's why he's retiring. He's like all these years,

799
00:40:15,680 --> 00:40:17,879
Speaker 1: these I just want to he wants to go. Yeah, yeah,

800
00:40:17,920 --> 00:40:22,280
Speaker 1: he can't wait to go move to you know, Florida.

801
00:40:23,040 --> 00:40:25,319
Speaker 3: Yeah, just get away, get away from all the kids.

802
00:40:25,400 --> 00:40:27,000
Speaker 3: He wants to hang out with the with the old

803
00:40:27,040 --> 00:40:29,800
Speaker 3: people in Florida. Yeah, it's it's a smart.

804
00:40:29,600 --> 00:40:30,120
Speaker 2: Move for Roy.

805
00:40:32,120 --> 00:40:34,840
Speaker 3: Over in the living room, Becky and Stephanie are glued

806
00:40:34,880 --> 00:40:38,760
Speaker 3: to the TV, shouting go, go go, and steph Grinn's

807
00:40:39,080 --> 00:40:41,120
Speaker 3: how did we ever live without the truck and tractor

808
00:40:41,200 --> 00:40:41,880
Speaker 3: pull channel?

809
00:40:42,800 --> 00:40:44,080
Speaker 2: How did we nice?

810
00:40:44,120 --> 00:40:47,839
Speaker 3: Callback? Though, Michelle storms in and shuts off the TV

811
00:40:48,000 --> 00:40:48,560
Speaker 3: without warning.

812
00:40:49,400 --> 00:40:51,360
Speaker 2: Somebody took my tap shoes.

813
00:40:52,440 --> 00:40:58,920
Speaker 3: She's absolutely in her demanding phase. He's just right. Stephanie

814
00:40:58,960 --> 00:41:01,879
Speaker 3: raises an eyebrow. Does that finger in my face, mean

815
00:41:01,960 --> 00:41:06,800
Speaker 3: you think it was me? Michelle fires back, duh, and

816
00:41:06,920 --> 00:41:10,279
Speaker 3: again the audience loves this. They are applauding for her.

817
00:41:11,000 --> 00:41:12,759
Speaker 3: This is now like a reoccurring bit her.

818
00:41:12,719 --> 00:41:13,879
Speaker 2: Little duffing yeah yeah.

819
00:41:15,120 --> 00:41:17,920
Speaker 3: Becky steps in and asks Stephanie, what do you know

820
00:41:17,960 --> 00:41:21,719
Speaker 3: about this? Stephanie shrugs, I'm as sad about this tap

821
00:41:21,800 --> 00:41:25,600
Speaker 3: shoe tragedy as Michelle. Michelle hits her with a classic

822
00:41:26,080 --> 00:41:30,640
Speaker 3: police and suddenly the front door swings open. Joey bertson,

823
00:41:31,040 --> 00:41:35,200
Speaker 3: howdi ho junior rangers? Guess who's the new ranger?

824
00:41:35,320 --> 00:41:35,520
Speaker 2: Roy?

825
00:41:36,280 --> 00:41:40,680
Speaker 3: The girl's cheer for this big accomplishment. Joey is still stunned.

826
00:41:41,000 --> 00:41:44,319
Speaker 3: Talk about a lucky day. First a newspaper strike saved

827
00:41:44,360 --> 00:41:46,440
Speaker 3: me from a bad review. Then I want tickets to

828
00:41:46,520 --> 00:41:49,840
Speaker 3: Donnie and Marie. Then a beautiful woman came over fixed

829
00:41:49,840 --> 00:41:52,160
Speaker 3: her cable, and now she's going out with me tonight.

830
00:41:52,640 --> 00:41:56,640
Speaker 3: I'd pinch myself, but I'd just probably just strike oil.

831
00:41:58,480 --> 00:42:00,279
Speaker 2: He said, he's on a run. He's han't been day.

832
00:42:00,920 --> 00:42:02,960
Speaker 3: This was an amazing recap of the first you know

833
00:42:03,040 --> 00:42:07,000
Speaker 3: five rights of the show. Incredible. Then DJ comes racing

834
00:42:07,080 --> 00:42:10,080
Speaker 3: down the stairs and says, you guys, are gonna love this.

835
00:42:10,640 --> 00:42:13,880
Speaker 3: I found out why Uncle Jesse's so obsessed with finding

836
00:42:14,040 --> 00:42:17,959
Speaker 3: cool names for the twins. I called Grandma and Uncle

837
00:42:18,040 --> 00:42:23,920
Speaker 3: Jesse's real name is Hermes. The family goes silent before echoing.

838
00:42:24,640 --> 00:42:26,960
Speaker 2: Hermes believes.

839
00:42:29,160 --> 00:42:29,600
Speaker 1: Just kidding.

840
00:42:30,120 --> 00:42:31,640
Speaker 2: Oh the company.

841
00:42:33,760 --> 00:42:35,080
Speaker 3: No, I knew what you remember, But at first I

842
00:42:35,200 --> 00:42:36,440
Speaker 3: was like, oh did I mispronounce it? No?

843
00:42:36,760 --> 00:42:39,759
Speaker 2: No, no, it's the wait. So what came no?

844
00:42:39,920 --> 00:42:43,560
Speaker 3: No, no, what came first? The designer? The designer, your men?

845
00:42:43,760 --> 00:42:45,320
Speaker 2: No, Hermes.

846
00:42:45,440 --> 00:42:49,880
Speaker 1: Hermis is a Greek god, right, and Mes and Mez

847
00:42:50,160 --> 00:42:53,960
Speaker 1: is a French design designer house, which I probably came

848
00:42:54,000 --> 00:42:57,000
Speaker 1: about sometime in the mid twentieth century.

849
00:42:57,320 --> 00:43:00,760
Speaker 3: Oh okay, so literal Greek god, the Greek.

850
00:43:00,520 --> 00:43:05,080
Speaker 2: Guy way before, way before. The company that makes really

851
00:43:05,120 --> 00:43:05,800
Speaker 2: expensive bags.

852
00:43:06,480 --> 00:43:08,600
Speaker 3: Good to know it's a chicken and chicken her egg moment.

853
00:43:08,680 --> 00:43:12,680
Speaker 3: Yeah yeah, yeah, okay. So Becky blinks I married to

854
00:43:12,760 --> 00:43:18,080
Speaker 3: Hermes and Michelle gasps. I got an uncle Hermes DJ

855
00:43:18,239 --> 00:43:21,160
Speaker 3: goes on. He was teased so much in kindergarten that

856
00:43:21,280 --> 00:43:23,239
Speaker 3: he begged to change his name.

857
00:43:23,800 --> 00:43:31,200
Speaker 2: I mean, I bet one letter away. Hermes changed that

858
00:43:31,400 --> 00:43:33,399
Speaker 2: M to a P. You know it's her piece.

859
00:43:34,440 --> 00:43:39,000
Speaker 3: I didn't even think that that's super unfortunate. This is

860
00:43:39,280 --> 00:43:41,799
Speaker 3: the most random storyline, Like where.

861
00:43:42,000 --> 00:43:46,320
Speaker 2: Will why he was? He would have been Hermes Cochrane?

862
00:43:46,520 --> 00:43:49,480
Speaker 3: Right, how many dimes does this guy change his name

863
00:43:49,560 --> 00:43:50,280
Speaker 3: in a lifetime.

864
00:43:50,400 --> 00:43:53,279
Speaker 2: I'm starting to question Jesse. Who Jesse really is?

865
00:43:53,760 --> 00:43:58,960
Speaker 1: Right? A. Cochrane is an exterminator nanny, he gets three

866
00:43:59,520 --> 00:44:01,319
Speaker 1: record deals, he goes on tour.

867
00:44:01,520 --> 00:44:03,879
Speaker 2: I'm beginning to think he might be a spy.

868
00:44:05,320 --> 00:44:08,160
Speaker 3: Whatever it is. He really needs to just pick a lane.

869
00:44:08,400 --> 00:44:11,960
Speaker 3: He's gone through nine lives practically already. Right, wow, but

870
00:44:12,160 --> 00:44:15,200
Speaker 3: this is just a super random okay, so certain random

871
00:44:15,280 --> 00:44:18,000
Speaker 3: be storyline. I don't know where they short on.

872
00:44:18,280 --> 00:44:21,839
Speaker 1: I mean, I definitely know people who have changed their name.

873
00:44:23,080 --> 00:44:24,759
Speaker 1: Uh that a lot of people don't know.

874
00:44:25,320 --> 00:44:27,000
Speaker 3: Wait really anyone I know?

875
00:44:27,600 --> 00:44:27,839
Speaker 2: Yeah?

876
00:44:28,719 --> 00:44:30,759
Speaker 3: Wait really can you say it on air?

877
00:44:31,520 --> 00:44:33,200
Speaker 2: I'm not gonna say it on air, but yeah, but

878
00:44:34,440 --> 00:44:36,400
Speaker 2: but yeah, definitely.

879
00:44:36,480 --> 00:44:38,480
Speaker 3: A mutual mutual friends.

880
00:44:38,280 --> 00:44:40,320
Speaker 2: No no, no, no, no, not a mutual friend, but

881
00:44:40,400 --> 00:44:42,400
Speaker 2: someone who if I said their name, we would both know.

882
00:44:43,080 --> 00:44:45,560
Speaker 2: You'd be like, oh, and I think you know this already.

883
00:44:46,320 --> 00:44:47,760
Speaker 2: I love being completely vague.

884
00:44:48,000 --> 00:44:49,799
Speaker 3: I know, well, and I'm like.

885
00:44:49,840 --> 00:44:51,600
Speaker 2: Stuck on this. I'm like, yeah, I gotta guess who

886
00:44:51,640 --> 00:44:51,840
Speaker 2: it is.

887
00:44:53,280 --> 00:44:58,200
Speaker 3: Oh, okay, that's not his real name. No, sweet changed

888
00:44:58,200 --> 00:44:59,759
Speaker 3: his first name and his last name.

889
00:45:00,280 --> 00:45:02,520
Speaker 2: Wow, but I didn't know that for ever.

890
00:45:02,760 --> 00:45:05,839
Speaker 3: I was like, what, Yeah, well, the things you learned later.

891
00:45:06,040 --> 00:45:17,160
Speaker 3: That was amazing, an amazing tangent. Comet comes trotting in

892
00:45:17,480 --> 00:45:19,279
Speaker 3: with Michelle's missing.

893
00:45:19,080 --> 00:45:21,880
Speaker 2: Tap shoes in his mouth. I wish she was wearing them.

894
00:45:23,440 --> 00:45:25,200
Speaker 3: That would be a special animal.

895
00:45:26,040 --> 00:45:28,600
Speaker 2: Yea, right, dog and tap shoes would be amazing. That

896
00:45:28,680 --> 00:45:29,600
Speaker 2: would be so cute.

897
00:45:29,640 --> 00:45:31,880
Speaker 3: It might sound even better than Michelle's little Tea for

898
00:45:31,960 --> 00:45:36,840
Speaker 3: two rendition. Right, But Michelle commands drop them, and the

899
00:45:36,920 --> 00:45:40,839
Speaker 3: dog obeys. Then Jesse walks in, asking you, guys, see

900
00:45:40,880 --> 00:45:46,160
Speaker 3: what comet dug up. Steph scrambles and says, smiling innocently, well,

901
00:45:46,680 --> 00:45:49,960
Speaker 3: you know how dogs like to bury things. Jesse narrows

902
00:45:50,000 --> 00:45:55,120
Speaker 3: his eyes in a plastic bag. Michelle spins to face Stephanie,

903
00:45:55,560 --> 00:45:59,880
Speaker 3: you should be ashamed of yourself. And she's really enjoying.

904
00:46:00,719 --> 00:46:03,360
Speaker 3: She's really letting you have it. Oh yeah, join letting

905
00:46:03,400 --> 00:46:07,200
Speaker 3: you have it. Steph confesses, all right, I did it,

906
00:46:07,640 --> 00:46:10,160
Speaker 3: and I'm glad all day long. It's been tea for

907
00:46:10,200 --> 00:46:12,520
Speaker 3: two tap tap tap tea for two tap tap tap.

908
00:46:12,719 --> 00:46:15,080
Speaker 3: I couldn't take it anymore. It was either get rid

909
00:46:15,120 --> 00:46:19,160
Speaker 3: of those shoes or lose my mind. She stomps upstairs,

910
00:46:19,280 --> 00:46:23,520
Speaker 3: still singing the song under her breath. This little mental

911
00:46:23,600 --> 00:46:27,840
Speaker 3: breakdown like this is fantastic. You're delivery of this was stuff,

912
00:46:28,000 --> 00:46:33,000
Speaker 3: just finally, anyone would go crazy after that much teeth

913
00:46:33,120 --> 00:46:36,080
Speaker 3: too tapping, you know so much. You're well within your

914
00:46:36,160 --> 00:46:39,440
Speaker 3: right that outburst. It was a great and I put

915
00:46:39,480 --> 00:46:41,080
Speaker 3: them in a plastic bag. It's not like I've ruined

916
00:46:41,080 --> 00:46:41,640
Speaker 3: the tap shoes.

917
00:46:41,840 --> 00:46:42,320
Speaker 2: It lesally.

918
00:46:43,360 --> 00:46:46,239
Speaker 3: I mean you were a thoughtful you were a thoughtful hider. Yeah,

919
00:46:46,320 --> 00:46:50,080
Speaker 3: I appreciate that. So Michelle turns to her uncle and

920
00:46:50,280 --> 00:46:55,320
Speaker 3: sweetly says, thanks, Uncle Hermes for finding my shoes. Jesse responds,

921
00:46:55,360 --> 00:46:57,960
Speaker 3: you're welcome, and then he stops dead in his tracks

922
00:46:57,960 --> 00:47:01,880
Speaker 3: and asks, wait, what did you call me? Michelle repeats,

923
00:47:02,200 --> 00:47:07,240
Speaker 3: Uncle Hermes, that's your name. Becky and dj burst out laughing.

924
00:47:07,840 --> 00:47:11,360
Speaker 3: Jesse glares, who told you my name was Hermes? And

925
00:47:11,520 --> 00:47:16,160
Speaker 3: dj answers. Grandma. He In says she's lying, but Becky

926
00:47:16,239 --> 00:47:19,759
Speaker 3: gives him a knowing look and he breaks it's Hermes

927
00:47:20,280 --> 00:47:24,760
Speaker 3: and the girls lose it all over again. Jesse defends

928
00:47:24,800 --> 00:47:29,560
Speaker 3: his namesake. Not only is Hermes the Greek god of swiftness,

929
00:47:30,120 --> 00:47:32,880
Speaker 3: it's also my great grandfather's name. I'll have you know.

930
00:47:33,000 --> 00:47:36,520
Speaker 3: He saved the entire town from destruction when he raced

931
00:47:36,600 --> 00:47:40,080
Speaker 3: barefoot down a volcano to warn everyone. Of course, no

932
00:47:40,120 --> 00:47:42,480
Speaker 3: one was in the town, because well, who could miss

933
00:47:42,560 --> 00:47:45,960
Speaker 3: a volcano erupting? But the point is the name Hermes

934
00:47:46,160 --> 00:47:50,440
Speaker 3: stands for strength, courage, and very hot feet. So now

935
00:47:50,840 --> 00:47:52,840
Speaker 3: who among you will make fun of a name so

936
00:47:53,080 --> 00:47:57,200
Speaker 3: bold and courageous as Hermes. Becky and DJ keep their

937
00:47:57,200 --> 00:48:01,840
Speaker 3: composure and say we're sorry. She'll ask Uncle Hermes, do

938
00:48:01,920 --> 00:48:05,200
Speaker 3: you want us to call you that now? And Jesse scoffs, No,

939
00:48:05,680 --> 00:48:07,120
Speaker 3: what am I some kind of geek?

940
00:48:09,280 --> 00:48:11,960
Speaker 2: So this makes me question, what is What's Pamela's real name?

941
00:48:12,400 --> 00:48:18,399
Speaker 2: Can't be Pamela. It's gotta be yeah, uh, Euripides or something,

942
00:48:18,440 --> 00:48:20,120
Speaker 2: you know, I don't know something, uh.

943
00:48:20,239 --> 00:48:22,239
Speaker 3: Yeah, something, something flamboyant.

944
00:48:22,280 --> 00:48:26,239
Speaker 2: I don't know this for Oh it's not it's not

945
00:48:26,480 --> 00:48:27,560
Speaker 2: pam it's Persephone.

946
00:48:29,440 --> 00:48:29,880
Speaker 1: I like that.

947
00:48:30,360 --> 00:48:33,279
Speaker 3: Yeah, so we're just renaming were renaming the Catopo lie

948
00:48:33,600 --> 00:48:34,200
Speaker 3: where they just.

949
00:48:34,320 --> 00:48:36,320
Speaker 2: Well if she's gonna be Greek. We gotta throw it

950
00:48:36,360 --> 00:48:37,000
Speaker 2: in there somehow.

951
00:48:39,440 --> 00:48:42,400
Speaker 3: This storyline, this was a lot of explaining. It was

952
00:48:42,520 --> 00:48:44,200
Speaker 3: resolved in one scene.

953
00:48:44,680 --> 00:48:46,640
Speaker 2: It was a sea storyline.

954
00:48:47,040 --> 00:48:47,440
Speaker 1: It was a C.

955
00:48:47,760 --> 00:48:50,000
Speaker 3: Yeah, it wasn't a B storyline. It was a C storyline.

956
00:48:50,719 --> 00:48:53,279
Speaker 3: And I just I don't know, didn't didn't totally hit

957
00:48:53,360 --> 00:48:57,839
Speaker 3: for me. But whatever, Uncle Hermes, He's a Greek. Now, yeah,

958
00:48:59,239 --> 00:49:00,000
Speaker 3: I believe Herms.

959
00:49:00,000 --> 00:49:01,320
Speaker 1: This is also the one like when you see the

960
00:49:01,360 --> 00:49:04,680
Speaker 1: little like Greek sandal with the like the wing on

961
00:49:04,800 --> 00:49:06,000
Speaker 1: the back of it, you know what I mean?

962
00:49:06,080 --> 00:49:07,719
Speaker 2: Oh yeah, I believe.

963
00:49:07,840 --> 00:49:12,280
Speaker 1: I forget what company that's a logo for, oh, but anyway,

964
00:49:12,360 --> 00:49:16,440
Speaker 1: I believe that is the like the for Hermes Swift.

965
00:49:16,200 --> 00:49:20,560
Speaker 3: Of foot stands for oh yes, Swift Swift Footwear. Yeah, okay,

966
00:49:20,920 --> 00:49:24,279
Speaker 3: this all it's I'm connecting the dots here. Yeah. So

967
00:49:24,400 --> 00:49:26,879
Speaker 3: next in the kitchen, Danny burst through the back door

968
00:49:26,960 --> 00:49:29,720
Speaker 3: and approaches Joey. I got to talk to you about something.

969
00:49:30,440 --> 00:49:33,800
Speaker 3: Joey responds, I know the newspaper strike is over and

970
00:49:33,880 --> 00:49:36,760
Speaker 3: I got a bad review, but who cares. I'm gonna

971
00:49:36,760 --> 00:49:41,320
Speaker 3: be ranger, Joe. They can't touch me. Danny tries to

972
00:49:41,320 --> 00:49:43,600
Speaker 3: get a word in, but then the phone rings and

973
00:49:43,719 --> 00:49:48,160
Speaker 3: Joey answers it. The person on the other end explains

974
00:49:48,200 --> 00:49:52,440
Speaker 3: that Joey's fourth cousin is a janitor at KFLX, and

975
00:49:52,600 --> 00:49:56,800
Speaker 3: all family members are disqualified from winning the contest, so

976
00:49:56,960 --> 00:50:01,799
Speaker 3: instead they're offering him a KFLX sweat and they.

977
00:50:01,800 --> 00:50:02,200
Speaker 2: Called it in.

978
00:50:03,520 --> 00:50:06,040
Speaker 3: Oh yeah, that's right, they called.

979
00:50:06,280 --> 00:50:06,800
Speaker 2: They called.

980
00:50:07,320 --> 00:50:11,760
Speaker 3: Jesse answered, that's weird what radio show calls people.

981
00:50:12,880 --> 00:50:15,279
Speaker 2: That is a big that's a big loophole that I.

982
00:50:15,719 --> 00:50:18,600
Speaker 1: Wasn't even what I'm saying. I think the uncle set

983
00:50:18,680 --> 00:50:21,640
Speaker 1: him up. Yeah, it was like no, no, called this number.

984
00:50:21,719 --> 00:50:25,840
Speaker 1: And then the uncle janitor took tickets and gave the

985
00:50:25,840 --> 00:50:26,560
Speaker 1: sweat band a Joey.

986
00:50:26,680 --> 00:50:30,480
Speaker 3: Oh, this was the boiled boiled again.

987
00:50:31,040 --> 00:50:33,240
Speaker 2: This is poor Joey.

988
00:50:33,640 --> 00:50:35,319
Speaker 3: Just when he was starting to get some good luck,

989
00:50:35,640 --> 00:50:39,800
Speaker 3: here we go. It's all going downhill. So Joey sighs

990
00:50:39,880 --> 00:50:43,399
Speaker 3: to Danny Boy of all the rotten luck, and Danny

991
00:50:43,400 --> 00:50:47,759
Speaker 3: Grimace's speaking of rotten luck. Just then someone knocks at

992
00:50:47,800 --> 00:50:50,879
Speaker 3: the door. Joey opens it to find Linda the cable girl.

993
00:50:51,480 --> 00:50:55,319
Speaker 3: She delivers the bad news, Joey, It's worse than you think,

994
00:50:56,000 --> 00:50:59,279
Speaker 3: and Joey space falls. Oh no, they're taking away my

995
00:50:59,360 --> 00:51:02,680
Speaker 3: truck and track for poll. Linda shakes her head. The

996
00:51:02,719 --> 00:51:06,279
Speaker 3: whole cable's out, but we're still on for that concert, right,

997
00:51:07,400 --> 00:51:10,520
Speaker 3: He stammers, well, I don't have the tickets anymore.

998
00:51:10,840 --> 00:51:11,680
Speaker 2: And she scoffs.

999
00:51:12,160 --> 00:51:16,399
Speaker 3: That's so typical. You were just using me and Joey

1000
00:51:16,480 --> 00:51:20,560
Speaker 3: protests No, I wasn't. I swear you want a KFLX sweatband.

1001
00:51:21,520 --> 00:51:26,000
Speaker 3: She raises an eyebrow, Sure where is it, and he admits, well,

1002
00:51:26,040 --> 00:51:28,960
Speaker 3: I don't have it right now. She rolls her eyes.

1003
00:51:29,280 --> 00:51:32,200
Speaker 3: Oh there's a shock, and she storms away.

1004
00:51:33,400 --> 00:51:34,759
Speaker 2: She's falling apart very quickly.

1005
00:51:35,080 --> 00:51:38,120
Speaker 3: She's a little bitter for this, like you know, like

1006
00:51:38,239 --> 00:51:41,560
Speaker 3: it's an innocent like he innocently Loanda the cable gal

1007
00:51:41,880 --> 00:51:42,760
Speaker 3: has been burned.

1008
00:51:42,800 --> 00:51:44,520
Speaker 2: Many of you know.

1009
00:51:44,880 --> 00:51:48,560
Speaker 1: She has given many people the tractor trailer poll channel,

1010
00:51:48,719 --> 00:51:50,920
Speaker 1: thinking that maybe it would get her somewhere, and it

1011
00:51:51,200 --> 00:51:53,840
Speaker 1: just keeps getting her nowhere soil again.

1012
00:51:54,120 --> 00:51:55,120
Speaker 2: Yes, she's very bitter.

1013
00:51:55,200 --> 00:51:57,520
Speaker 3: She's tired of these men trying to hit on her. Okay,

1014
00:51:57,560 --> 00:51:58,320
Speaker 3: this makes it exactly.

1015
00:51:58,600 --> 00:52:00,720
Speaker 1: She can go in the backyard and actually she actually

1016
00:52:00,800 --> 00:52:03,680
Speaker 1: cut their cable. Now, Oh, first she was like, oh no,

1017
00:52:03,760 --> 00:52:05,520
Speaker 1: it's out, and it was and now she's.

1018
00:52:05,360 --> 00:52:06,759
Speaker 2: Like, now I'm cutting.

1019
00:52:06,520 --> 00:52:10,479
Speaker 3: The cable and now they're never gonna get TV again again. Okay,

1020
00:52:11,040 --> 00:52:16,040
Speaker 3: it all makes sense now, so Joey mutters, boy, if

1021
00:52:16,080 --> 00:52:18,480
Speaker 3: this weren't my lucky day, I'd be a little blue

1022
00:52:18,719 --> 00:52:24,319
Speaker 3: right now. Finally, Danny delivers his bad news Ranger. Roy

1023
00:52:24,440 --> 00:52:28,040
Speaker 3: is having second thoughts about giving you the job. Joey's

1024
00:52:28,080 --> 00:52:28,840
Speaker 3: eyes widened.

1025
00:52:29,160 --> 00:52:29,799
Speaker 2: What did he say?

1026
00:52:30,760 --> 00:52:35,040
Speaker 3: Danny admits he said you were fired. Joey is in disbelief.

1027
00:52:35,160 --> 00:52:37,799
Speaker 3: What are you talking about? He loved me so much

1028
00:52:37,880 --> 00:52:42,280
Speaker 3: he was speechless, and Danny explains that explains Roy's condition,

1029
00:52:42,719 --> 00:52:45,680
Speaker 3: and Joey's face falls. I was on him like a

1030
00:52:45,800 --> 00:52:50,680
Speaker 3: piranha on a workshop. Then realization hits once again. Oh

1031
00:52:50,719 --> 00:52:53,759
Speaker 3: my god, I gotta stop that thank you telegram I

1032
00:52:53,920 --> 00:52:57,440
Speaker 3: sent him. Danny gives him a puzzled look. How can

1033
00:52:57,520 --> 00:53:03,800
Speaker 3: a telegram Hurtlanes? It's a hug agram, a guy dressed

1034
00:53:03,800 --> 00:53:06,520
Speaker 3: in a bear suit who hands you balloons and gives

1035
00:53:06,560 --> 00:53:10,160
Speaker 3: you a great, big bear hug. I even paid extra

1036
00:53:10,320 --> 00:53:11,520
Speaker 3: for the tummy rub.

1037
00:53:12,760 --> 00:53:17,200
Speaker 2: Wow, this is a service. Like Wow, that guy in

1038
00:53:17,280 --> 00:53:19,400
Speaker 2: the bearsuit should get a good tip.

1039
00:53:19,840 --> 00:53:24,000
Speaker 3: Right, Danny puts a hand on his shoulder. I'm no expert,

1040
00:53:24,239 --> 00:53:28,080
Speaker 3: but I'd say your lucky streak is over. Joey shakes

1041
00:53:28,120 --> 00:53:30,880
Speaker 3: his head. Maybe not, Maybe I can still get a

1042
00:53:30,880 --> 00:53:33,479
Speaker 3: second shot at that job. I gotta stop that bear,

1043
00:53:34,040 --> 00:53:40,440
Speaker 3: and he quickly races out the door for Joey. In

1044
00:53:40,680 --> 00:53:44,200
Speaker 3: Ranger Roy's studio, Roy is on stage ready to start

1045
00:53:44,280 --> 00:53:47,359
Speaker 3: his show. Then suddenly a man in a bear suit

1046
00:53:47,560 --> 00:53:52,000
Speaker 3: bursts in, carrying a bunch of balloons. Roy happily asks

1047
00:53:52,320 --> 00:53:55,799
Speaker 3: for me, and the bear nods a hug agram from

1048
00:53:55,920 --> 00:53:59,799
Speaker 3: Joey Gladstone. He wraps his arms around Ranger Roy before

1049
00:53:59,880 --> 00:54:04,640
Speaker 3: anyone can stop him. Joey rushes in, panicked. No, stop

1050
00:54:04,719 --> 00:54:08,000
Speaker 3: that bear, get off him. It's a mistake. This man

1051
00:54:08,160 --> 00:54:11,680
Speaker 3: can't stand to be touched. He yanks the bear off

1052
00:54:11,800 --> 00:54:14,719
Speaker 3: and tells him sorry about this. I know I still

1053
00:54:14,760 --> 00:54:18,960
Speaker 3: owe you for the tummy rub. Meanwhile, Roy stumbles off set,

1054
00:54:19,320 --> 00:54:21,600
Speaker 3: breathing into a paper bag.

1055
00:54:22,680 --> 00:54:23,720
Speaker 2: This one excellent.

1056
00:54:24,760 --> 00:54:30,440
Speaker 3: This went south really fast. Danny is with Michelle and

1057
00:54:30,520 --> 00:54:33,759
Speaker 3: Teddy when he spots the host and wins its. I

1058
00:54:33,840 --> 00:54:36,360
Speaker 3: guess you're guess you got your bear hug? Huh, and

1059
00:54:36,640 --> 00:54:40,439
Speaker 3: Roy just blaars. I gotta get my dog who's stuck

1060
00:54:40,520 --> 00:54:41,120
Speaker 3: under my test.

1061
00:54:42,200 --> 00:54:48,600
Speaker 1: No, I thought you were about to pull out. Uh

1062
00:54:49,280 --> 00:55:03,960
Speaker 1: murle the squirrel. Just Holly, Holly, the dollies Dolly, so

1063
00:55:04,080 --> 00:55:05,120
Speaker 1: she can get stuck.

1064
00:55:04,920 --> 00:55:05,759
Speaker 2: In that corner of the room.

1065
00:55:06,000 --> 00:55:08,120
Speaker 3: I know, right, I'm like, I've blocked off all of

1066
00:55:08,239 --> 00:55:10,359
Speaker 3: the various places she can get stuck, and she still

1067
00:55:10,360 --> 00:55:13,000
Speaker 3: finds a place to get stuck. That's okay. She's one

1068
00:55:13,080 --> 00:55:14,759
Speaker 3: hundred and ten years old and we forgive her.

1069
00:55:15,120 --> 00:55:15,680
Speaker 2: That's true.

1070
00:55:16,320 --> 00:55:19,160
Speaker 4: I was gonna say, though, the security on this stage

1071
00:55:19,600 --> 00:55:23,520
Speaker 4: is which is killer non existing Because a random guy

1072
00:55:23,560 --> 00:55:25,520
Speaker 4: in a bear suit coming up to hug your host

1073
00:55:25,760 --> 00:55:28,960
Speaker 4: with children there, the other guys coming in to attack

1074
00:55:29,080 --> 00:55:30,800
Speaker 4: that guy, no one to stop it.

1075
00:55:30,920 --> 00:55:31,719
Speaker 2: Danny shows up.

1076
00:55:31,680 --> 00:55:33,880
Speaker 3: With two extra kids, but one of them isn't even his.

1077
00:55:36,640 --> 00:55:38,160
Speaker 3: There's no background checks.

1078
00:55:37,960 --> 00:55:40,759
Speaker 2: There's no no. Well, it was the early nineties, you know,

1079
00:55:40,920 --> 00:55:42,520
Speaker 2: we didn't have all that stuff yet. You didn't have

1080
00:55:42,560 --> 00:55:44,560
Speaker 2: to take your shoes off at the airport, You walk

1081
00:55:44,560 --> 00:55:45,359
Speaker 2: your family to the gate.

1082
00:55:45,960 --> 00:55:48,759
Speaker 1: He wasn't nowhere seat belts. You don't have to worry

1083
00:55:48,800 --> 00:55:51,000
Speaker 1: about some madman in a bear costume trying to hug you.

1084
00:55:51,040 --> 00:55:51,800
Speaker 1: And rub your belly.

1085
00:55:54,000 --> 00:55:55,600
Speaker 2: Yeah that sounds so much.

1086
00:55:55,600 --> 00:55:56,840
Speaker 3: More sinister than it is.

1087
00:55:57,520 --> 00:56:01,000
Speaker 2: Oh, because it could as absolutely go there.

1088
00:56:01,120 --> 00:56:04,239
Speaker 1: And in my mind, this the story that I have

1089
00:56:04,440 --> 00:56:08,800
Speaker 1: created is it's great, Oh dear, along the lines of

1090
00:56:08,960 --> 00:56:11,040
Speaker 1: like Death to Smoochie, that that movie.

1091
00:56:11,360 --> 00:56:13,719
Speaker 2: Where about the like kids show hosts that and they're

1092
00:56:13,840 --> 00:56:17,879
Speaker 2: just all horrible? Oh geez, oh good, this is gonna

1093
00:56:17,880 --> 00:56:18,399
Speaker 2: be really dark.

1094
00:56:18,560 --> 00:56:23,200
Speaker 3: Yeah, it's really dark, full house after dark. Ugh. So

1095
00:56:23,600 --> 00:56:27,360
Speaker 3: the stage manager warrens, we're on in fifteen seconds. Danner

1096
00:56:27,680 --> 00:56:32,680
Speaker 3: cover for him. Yeah, you go for it, Just any anyone,

1097
00:56:32,920 --> 00:56:33,880
Speaker 3: just take his place.

1098
00:56:34,239 --> 00:56:34,520
Speaker 2: I would.

1099
00:56:34,640 --> 00:56:36,560
Speaker 1: I'm gonna I'm gonna say that.

1100
00:56:36,600 --> 00:56:39,800
Speaker 2: This stage manager isn't managing much on the stage.

1101
00:56:40,040 --> 00:56:42,200
Speaker 3: Well, he's not managing the bear, he's not managing the

1102
00:56:42,280 --> 00:56:45,960
Speaker 3: managing anything. No, And is this a live show? Is

1103
00:56:46,000 --> 00:56:49,000
Speaker 3: that what we're suating that the live children's.

1104
00:56:48,600 --> 00:56:51,239
Speaker 1: Television Everyone loves to do a live children's television show.

1105
00:56:52,600 --> 00:56:57,200
Speaker 3: This is getting worse by the minute. So Roy hands

1106
00:56:57,280 --> 00:57:00,480
Speaker 3: Merle to Danny, but Danny hesitates, I don't know anything

1107
00:57:00,480 --> 00:57:03,760
Speaker 3: about puppets except if you machine wash them, their eyes

1108
00:57:03,800 --> 00:57:07,879
Speaker 3: come off. The stage manager declares, that's good enough. You're

1109
00:57:07,920 --> 00:57:12,200
Speaker 3: on in five four, three two. Michael Shade did a

1110
00:57:12,280 --> 00:57:16,440
Speaker 3: great job with us. Perfect countdown. He's a fantastic The

1111
00:57:16,560 --> 00:57:19,320
Speaker 3: Ranger roy theme starts in. Danny waves Merle in the

1112
00:57:19,360 --> 00:57:23,280
Speaker 3: air while smiling. Danny greets the children seated around him

1113
00:57:23,320 --> 00:57:28,000
Speaker 3: on little tree stumps. Howdy ho, Junior Rangers. Michelle, who

1114
00:57:28,120 --> 00:57:33,959
Speaker 3: is seated amongst the kids, is howdy ho. Daddy Teddy

1115
00:57:34,000 --> 00:57:36,680
Speaker 3: pipes up, where's ranger boy.

1116
00:57:37,920 --> 00:57:38,560
Speaker 1: Suit? Cute?

1117
00:57:38,760 --> 00:57:39,200
Speaker 2: I doubt?

1118
00:57:39,760 --> 00:57:43,440
Speaker 3: Danny hesitates. Uh, he's taken a little breather, but that

1119
00:57:43,520 --> 00:57:48,280
Speaker 3: doesn't matter because I'm Ranger Dan. Teddy shoots back, where's

1120
00:57:48,280 --> 00:57:51,920
Speaker 3: your ranger uniform? Danny uses Merle to talk to him.

1121
00:57:52,440 --> 00:57:55,400
Speaker 3: That's a very good question, and uh, here's the answer.

1122
00:57:55,760 --> 00:58:00,320
Speaker 3: He's an undercover ranger. Danny smiles, thank you, Earle, and

1123
00:58:00,400 --> 00:58:02,280
Speaker 3: the puppet shouts it's Merle.

1124
00:58:03,680 --> 00:58:03,960
Speaker 2: Ranger.

1125
00:58:04,040 --> 00:58:08,600
Speaker 3: Dan quickly pivots to introduce his deputy Ranger, Joey Gladstone.

1126
00:58:09,400 --> 00:58:11,920
Speaker 3: He pulls a reluctant Joey onto the set, telling the

1127
00:58:12,040 --> 00:58:16,800
Speaker 3: kids say howdy hoe to Ranger Joe. Joey grumbles, no,

1128
00:58:16,920 --> 00:58:21,040
Speaker 3: thank you, Ranger Dan. Danny slyly reminds his friend what

1129
00:58:21,240 --> 00:58:24,200
Speaker 3: Ranger Joe doesn't realize is this could be his big

1130
00:58:24,440 --> 00:58:28,960
Speaker 3: chance to be somebody. Joey sighs, forget it, my luck

1131
00:58:29,000 --> 00:58:32,200
Speaker 3: has run out. Janny doesn't give up. There's a good

1132
00:58:32,280 --> 00:58:35,000
Speaker 3: lesson here. Boys and girls. You make your own luck

1133
00:58:35,200 --> 00:58:36,800
Speaker 3: in this crazy mixed.

1134
00:58:36,560 --> 00:58:40,240
Speaker 1: Up unless you're related to the Tanners, in which case

1135
00:58:40,320 --> 00:58:41,840
Speaker 1: luck kind of comes knocking on your door.

1136
00:58:42,160 --> 00:58:45,240
Speaker 3: It finds you, right, it finds you. Yeah, yeah, it's

1137
00:58:45,360 --> 00:58:46,560
Speaker 3: deliberately written that way.

1138
00:58:46,800 --> 00:58:47,000
Speaker 2: Yes.

1139
00:58:47,920 --> 00:58:51,200
Speaker 3: Uh. He pats Joey's head with merle and encourages go

1140
00:58:51,440 --> 00:58:54,680
Speaker 3: get him, buddy. Joey goes for it. He pulls back

1141
00:58:54,720 --> 00:58:57,600
Speaker 3: a curtain to reveal mister Woodchuck, and the kids cheer

1142
00:58:57,720 --> 00:59:01,960
Speaker 3: for the puppet. He kicks off his asking mister Woodchuck,

1143
00:59:02,400 --> 00:59:05,680
Speaker 3: how do you like living in the enchanted forest? Mister

1144
00:59:05,760 --> 00:59:10,120
Speaker 3: Woodchuck replies, well, it looks delicious. I've never seen so much.

1145
00:59:10,880 --> 00:59:16,600
Speaker 3: Would even Ranger Roy chuckles from the wings. Mister Woodchuck continues,

1146
00:59:17,080 --> 00:59:21,919
Speaker 3: kind of reminds me where I'm from, Oakland. Roy lets

1147
00:59:21,960 --> 00:59:24,960
Speaker 3: out a big belly laugh at this. Joey asks the

1148
00:59:25,080 --> 00:59:27,320
Speaker 3: kids want to hear a Woodchuck Joe and they all

1149
00:59:27,400 --> 00:59:31,720
Speaker 3: shout yeah. Mister Woodchuck starts knock knock, and the kids

1150
00:59:31,760 --> 00:59:39,600
Speaker 3: ask who's there? Isador? Isador? Who Isador made of wood? Finally,

1151
00:59:40,480 --> 00:59:42,640
Speaker 3: Roy jogs back onto the set with a howdie hope.

1152
00:59:43,480 --> 00:59:46,480
Speaker 3: Joey says, well, Junior Rangers, it looks like Ranger Roy

1153
00:59:46,640 --> 00:59:49,200
Speaker 3: is back in the enchanted forest, so I'll just take

1154
00:59:49,200 --> 00:59:53,560
Speaker 3: a height to the enchanted unemployment office. Roy declares, not

1155
00:59:53,680 --> 00:59:56,760
Speaker 3: so fast. This show is the last one for Merle

1156
00:59:56,840 --> 01:00:00,440
Speaker 3: and me. But the good news is Ranger joe is

1157
01:00:00,640 --> 01:00:06,400
Speaker 3: taking over. The kids cheer and Joey gasps, oh shucks, golly,

1158
01:00:06,880 --> 01:00:09,040
Speaker 3: you mean you really mean it, Ranger Roy.

1159
01:00:09,960 --> 01:00:10,640
Speaker 2: The man nods.

1160
01:00:11,280 --> 01:00:14,080
Speaker 3: The smiles on these faces show me I've made the

1161
01:00:14,240 --> 01:00:19,040
Speaker 3: right choice. So here's your official Ranger hat. Roy takes

1162
01:00:19,080 --> 01:00:22,360
Speaker 3: off his hat and hands it to his predecessor. Joey

1163
01:00:22,440 --> 01:00:23,000
Speaker 3: puts it on and.

1164
01:00:23,040 --> 01:00:29,080
Speaker 2: Exclaims, wait, wait, no, his successor. I was like, wait successor, Yeah, yeah,

1165
01:00:29,160 --> 01:00:29,800
Speaker 2: his successor.

1166
01:00:29,880 --> 01:00:33,520
Speaker 3: There we go. Joey puts on the hat and exclaims, wow,

1167
01:00:33,800 --> 01:00:37,680
Speaker 3: it fits in everything. Just the luckiest day of my life.

1168
01:00:38,760 --> 01:00:40,440
Speaker 3: But everything works out.

1169
01:00:40,480 --> 01:00:41,320
Speaker 2: Wow and all of it.

1170
01:00:41,440 --> 01:00:44,760
Speaker 1: Fifteen seconds into a live show and real Yeah, can

1171
01:00:44,800 --> 01:00:46,760
Speaker 1: you imagine being at home watching the show with your

1172
01:00:46,840 --> 01:00:49,800
Speaker 1: kids and being like, what is hating this is the

1173
01:00:49,880 --> 01:00:52,080
Speaker 1: most disorganized kids show.

1174
01:00:52,680 --> 01:00:56,120
Speaker 3: I mean going to the flipment office, right, Yeah, these

1175
01:00:56,200 --> 01:00:58,680
Speaker 3: kids are learning all sorts of things that so much.

1176
01:00:58,800 --> 01:00:59,600
Speaker 2: Yeah you even need to know.

1177
01:01:01,160 --> 01:01:04,400
Speaker 3: Roy tells the kids go give Ranger Joey a great

1178
01:01:04,720 --> 01:01:08,040
Speaker 3: big bear hug. All the kids pylon to Joey and

1179
01:01:08,240 --> 01:01:15,280
Speaker 3: Joey jokes. Okay, kids, cut it out, no no, no, no, hey,

1180
01:01:17,880 --> 01:01:21,360
Speaker 3: all right, Well there we go. Another Joey centric episode.

1181
01:01:21,680 --> 01:01:23,000
Speaker 2: Joey centric episode.

1182
01:01:23,520 --> 01:01:28,080
Speaker 3: Our hundredth episode, one hundredth episode, the debut of mister Woodchuck.

1183
01:01:29,920 --> 01:01:31,440
Speaker 2: I don't know what more can we ask for.

1184
01:01:32,040 --> 01:01:36,120
Speaker 3: I love I love watching Dave Shine, I love getting

1185
01:01:36,160 --> 01:01:39,200
Speaker 3: to see these episodes. But did we really need an

1186
01:01:39,240 --> 01:01:42,440
Speaker 3: episode all about Joey's bad luck? I mean, for five seasons,

1187
01:01:42,520 --> 01:01:45,760
Speaker 3: the guy has been unlucky in love, unlucky in his career,

1188
01:01:46,640 --> 01:01:48,400
Speaker 3: unlucky in a lot of things.

1189
01:01:48,440 --> 01:01:52,760
Speaker 2: It's true, so lucky and yet also the luckiest son

1190
01:01:52,800 --> 01:01:53,880
Speaker 2: of a gun in the world, you know what I mean?

1191
01:01:54,040 --> 01:01:58,280
Speaker 1: Like also liked be like Joey just wait ten minutes

1192
01:01:58,800 --> 01:02:01,120
Speaker 1: in the household where like it's gonna be fine.

1193
01:02:01,280 --> 01:02:04,640
Speaker 3: You know that's truey attractive woman will come through the

1194
01:02:04,720 --> 01:02:05,880
Speaker 3: door some minutes.

1195
01:02:06,080 --> 01:02:08,880
Speaker 1: Knock at your back door in a couple episodes, and

1196
01:02:09,000 --> 01:02:11,120
Speaker 1: it'll be fine. Someone will call you out of the

1197
01:02:11,160 --> 01:02:14,760
Speaker 1: blue with free tickets and give you something free.

1198
01:02:14,800 --> 01:02:18,960
Speaker 2: Don't worry. Yeah I do. In my head, I want

1199
01:02:19,040 --> 01:02:19,800
Speaker 2: to create.

1200
01:02:19,640 --> 01:02:22,800
Speaker 1: The world of where the Tanners are The Truman Show,

1201
01:02:22,880 --> 01:02:27,040
Speaker 1: The Tanner Show, The Tanner Show, and it's the entire

1202
01:02:27,920 --> 01:02:31,200
Speaker 1: everything just functions around them and they have no idea.

1203
01:02:31,160 --> 01:02:34,720
Speaker 3: No clue, no clue. That's very accurate because the world

1204
01:02:34,800 --> 01:02:35,400
Speaker 3: does revolve.

1205
01:02:35,640 --> 01:02:36,120
Speaker 1: And then they.

1206
01:02:38,200 --> 01:02:43,160
Speaker 3: Wait, haven't we seen those same people over and over?

1207
01:02:43,960 --> 01:02:44,520
Speaker 2: Those people?

1208
01:02:44,720 --> 01:02:44,919
Speaker 3: Yeah?

1209
01:02:46,440 --> 01:02:48,760
Speaker 2: Yeah, big is this backyard? And they just it's a

1210
01:02:48,800 --> 01:02:50,000
Speaker 2: backdrop like, oh my god.

1211
01:02:50,760 --> 01:02:55,280
Speaker 3: When they find what Oh hey, I would watch it.

1212
01:02:55,560 --> 01:02:56,760
Speaker 3: I'm here for it.

1213
01:02:56,880 --> 01:03:00,080
Speaker 1: The Tanner Show, Well, I'm gonna make a nighty that

1214
01:03:00,120 --> 01:03:00,840
Speaker 1: puppet show about it.

1215
01:03:00,920 --> 01:03:02,800
Speaker 2: So there we go.

1216
01:03:04,200 --> 01:03:06,880
Speaker 3: I gotta divvy up which puppets you're gonna play, and uh,

1217
01:03:07,280 --> 01:03:09,920
Speaker 3: which you're gonna I only got two arms, but I'm

1218
01:03:09,960 --> 01:03:10,800
Speaker 3: gonna have to learn how.

1219
01:03:10,720 --> 01:03:12,480
Speaker 2: To do puppets with my feet. That's all I say.

1220
01:03:14,520 --> 01:03:18,000
Speaker 2: Oh my gosh, we did that was that was our show?

1221
01:03:18,240 --> 01:03:19,080
Speaker 2: That was our show.

1222
01:03:19,240 --> 01:03:23,440
Speaker 3: Ranger Joe and how many everywhere you looks I have one?

1223
01:03:25,320 --> 01:03:25,840
Speaker 2: I don't.

1224
01:03:26,280 --> 01:03:28,040
Speaker 3: You don't, I don't think I.

1225
01:03:28,240 --> 01:03:29,720
Speaker 2: Oh, I didn't. I didn't write any down.

1226
01:03:30,040 --> 01:03:33,800
Speaker 3: Okay, well I have one in Stephanie's room.

1227
01:03:34,840 --> 01:03:35,560
Speaker 2: There's a poster.

1228
01:03:35,800 --> 01:03:39,120
Speaker 3: There's a smaller poster next to your Nelson poster. And

1229
01:03:39,240 --> 01:03:40,920
Speaker 3: it looks like Neil Patrick Harris.

1230
01:03:41,560 --> 01:03:44,800
Speaker 1: No, that was my, Oh, that was my everywhere you

1231
01:03:44,880 --> 01:03:47,720
Speaker 1: look because I went, oh, my gosh, Neil Patrick Harris

1232
01:03:48,000 --> 01:03:49,160
Speaker 1: on the wall as like a.

1233
01:03:49,200 --> 01:03:51,760
Speaker 2: Teenage crush, which is so funny.

1234
01:03:52,120 --> 01:03:53,880
Speaker 3: That's right, right, right?

1235
01:03:54,000 --> 01:03:55,200
Speaker 2: Yeah, are you kidding?

1236
01:03:56,520 --> 01:03:59,200
Speaker 3: Like a teen heart I don't remember him as a

1237
01:03:59,240 --> 01:03:59,960
Speaker 3: teen heartthrop.

1238
01:04:00,360 --> 01:04:02,960
Speaker 1: They made it and he was in teen Beat and

1239
01:04:03,080 --> 01:04:05,440
Speaker 1: Tiger b and although yeah they were, they pushed him

1240
01:04:05,480 --> 01:04:08,000
Speaker 1: as a as a like, you know, teen heart throb

1241
01:04:08,120 --> 01:04:08,640
Speaker 1: sort of moment.

1242
01:04:08,680 --> 01:04:09,400
Speaker 2: I'm sure he loved it.

1243
01:04:09,840 --> 01:04:13,440
Speaker 1: Oh, I'm sure he felt not at all conscious, right,

1244
01:04:13,560 --> 01:04:15,840
Speaker 1: I mean, like, I don't know, this is me? Yeah.

1245
01:04:16,480 --> 01:04:19,640
Speaker 3: So okay, so Stephanie's into Nelson and Doogie howser, right,

1246
01:04:20,080 --> 01:04:26,480
Speaker 3: this says a lot some news for her. Yeah.

1247
01:04:26,960 --> 01:04:27,440
Speaker 2: I love it.

1248
01:04:27,640 --> 01:04:28,000
Speaker 1: I love it.

1249
01:04:28,000 --> 01:04:30,960
Speaker 3: It's great, it was great, it was a very well,

1250
01:04:31,000 --> 01:04:33,800
Speaker 3: I mean, it's just he looks I don't know.

1251
01:04:38,200 --> 01:04:42,080
Speaker 2: It was actually obligated to put Neil Patrick Harris up

1252
01:04:42,080 --> 01:04:42,400
Speaker 2: in the back.

1253
01:04:42,880 --> 01:04:45,120
Speaker 3: That was it, because I remember meeting him at an

1254
01:04:45,120 --> 01:04:45,919
Speaker 3: ABC park.

1255
01:04:46,120 --> 01:04:47,400
Speaker 2: Yeah, yeah, we used to meet him.

1256
01:04:47,520 --> 01:04:47,680
Speaker 1: Yeah.

1257
01:04:47,680 --> 01:04:50,960
Speaker 2: He was always very sweet, and I bet it was.

1258
01:04:51,000 --> 01:04:54,760
Speaker 3: Either a contractual thing, right, there was just like grass promote.

1259
01:04:54,480 --> 01:04:58,200
Speaker 1: Yeah, exactly, subliminal cross promotion of doogie howser.

1260
01:04:59,040 --> 01:05:00,840
Speaker 2: That's ter I love it.

1261
01:05:00,960 --> 01:05:02,520
Speaker 3: Okay, well no, that's it's funny.

1262
01:05:02,520 --> 01:05:02,760
Speaker 1: It was.

1263
01:05:02,840 --> 01:05:05,040
Speaker 2: Yeah, that was I was like, wait, I thought I

1264
01:05:05,160 --> 01:05:05,680
Speaker 2: saw something.

1265
01:05:05,720 --> 01:05:11,360
Speaker 3: You're right. It was the house, the house or posters, amazing, amazing,

1266
01:05:11,440 --> 01:05:12,080
Speaker 3: everywhere you look.

1267
01:05:12,240 --> 01:05:12,560
Speaker 1: I love it.

1268
01:05:12,880 --> 01:05:14,600
Speaker 2: Yes, thank you, Thank you for reminding me of that.

1269
01:05:15,320 --> 01:05:17,880
Speaker 1: Well, everybody, thank you so much again for listening to

1270
01:05:17,960 --> 01:05:21,760
Speaker 1: another ridiculous episode of Howard Dannerto's We Love You guys.

1271
01:05:22,240 --> 01:05:25,080
Speaker 2: We're listening this far to the end. We know somewhere

1272
01:05:25,120 --> 01:05:27,680
Speaker 2: around forty minutes you probably were like, I should.

1273
01:05:27,520 --> 01:05:30,280
Speaker 1: Check out, but you didn't, or three minutes love you

1274
01:05:30,480 --> 01:05:32,600
Speaker 1: or three minutes yeah, and actually about three minutes you

1275
01:05:32,680 --> 01:05:33,920
Speaker 1: were like, oh boy, this is gonna be one.

1276
01:05:34,960 --> 01:05:35,880
Speaker 2: But we love you guys.

1277
01:05:36,040 --> 01:05:38,480
Speaker 1: Thank you for going on this ride with us. We

1278
01:05:38,640 --> 01:05:40,880
Speaker 1: we just we really do like I love breaking down

1279
01:05:40,920 --> 01:05:42,280
Speaker 1: these shows. It's so much fun.

1280
01:05:42,440 --> 01:05:43,360
Speaker 3: It's very satisfying.

1281
01:05:43,360 --> 01:05:46,360
Speaker 1: And I love talking about the ridiculousness of the luck

1282
01:05:46,400 --> 01:05:47,680
Speaker 1: of the Tanner family, all of it.

1283
01:05:47,760 --> 01:05:48,640
Speaker 2: It's just it's fun.

1284
01:05:49,840 --> 01:05:52,400
Speaker 1: Anyway, you guys, thanks for listening. Make sure that you

1285
01:05:52,480 --> 01:05:54,960
Speaker 1: are liking and subscribing to the podcast wherever you're listening

1286
01:05:55,040 --> 01:05:59,480
Speaker 1: to it. Check out our merch store Howard meerch dot com.

1287
01:06:00,200 --> 01:06:02,600
Speaker 1: And I feel like I forget oh follow us on

1288
01:06:02,720 --> 01:06:05,560
Speaker 1: Instagram at how Rude podcast or send us an email

1289
01:06:05,600 --> 01:06:09,560
Speaker 1: at how Rude Tannerto's at gmail dot com. Uh, if

1290
01:06:09,680 --> 01:06:12,200
Speaker 1: you have any everywhere you looks that maybe we've never noticed,

1291
01:06:12,280 --> 01:06:16,560
Speaker 1: or random things, send us whatever, pictures of Doogie Howser.

1292
01:06:16,600 --> 01:06:18,920
Speaker 2: I don't know, just you know whatever you feel.

1293
01:06:18,760 --> 01:06:21,640
Speaker 3: Like, did you have a poster Doogie Houser on your

1294
01:06:22,160 --> 01:06:23,600
Speaker 3: on your teenage bedroom wall?

1295
01:06:23,680 --> 01:06:25,320
Speaker 2: Like I need to know these things. No, I didn't

1296
01:06:25,360 --> 01:06:25,920
Speaker 2: have posters.

1297
01:06:26,120 --> 01:06:29,280
Speaker 3: I don't think I'm asking the fans. You were like,

1298
01:06:29,280 --> 01:06:30,760
Speaker 3: I don't care about you, sweet and I want to

1299
01:06:30,800 --> 01:06:30,960
Speaker 3: know that.

1300
01:06:31,120 --> 01:06:33,000
Speaker 1: Yeah, No, I do.

1301
01:06:33,200 --> 01:06:35,120
Speaker 2: Ye I liked you know. I'd like to know those

1302
01:06:35,320 --> 01:06:36,520
Speaker 2: people's walls for sure.

1303
01:06:36,640 --> 01:06:39,439
Speaker 3: Neil Patrick Harris, Yeah, okay to know because he wasn't

1304
01:06:39,480 --> 01:06:42,320
Speaker 3: on my wall. There's too much Joey McIntyre on my wall.

1305
01:06:42,480 --> 01:06:45,520
Speaker 2: There's no room, no room, no room.

1306
01:06:45,640 --> 01:06:47,400
Speaker 1: And they're you know, neither one of them are like

1307
01:06:47,560 --> 01:06:50,200
Speaker 1: large people, but not absolutely no room, just no no

1308
01:06:50,440 --> 01:06:50,840
Speaker 1: no room.

1309
01:06:51,640 --> 01:06:53,520
Speaker 2: Well, thank you everybody for listening. Again.

1310
01:06:53,720 --> 01:06:56,840
Speaker 1: We love you guys, and remember the world is small.

1311
01:06:57,640 --> 01:07:01,480
Speaker 1: The house is full of Neil Papa Caros. It's literally

1312
01:07:01,800 --> 01:07:05,800
Speaker 1: there's so many. It just he's multiplied and stuffed him

1313
01:07:05,840 --> 01:07:06,920
Speaker 1: into his house.

1314
01:07:06,960 --> 01:07:10,000
Speaker 3: And he's he is wonderful and he deserves it, he

1315
01:07:10,080 --> 01:07:10,480
Speaker 3: really does.

1316
01:07:10,600 --> 01:07:13,560
Speaker 1: He really, you know what, With enough doogie howsers, you

1317
01:07:13,640 --> 01:07:16,240
Speaker 1: could put on a fantastic Broadway performance.

1318
01:07:16,480 --> 01:07:19,240
Speaker 3: Oh oh god, I would pay a lot of money

1319
01:07:19,280 --> 01:07:19,640
Speaker 3: to see that.

1320
01:07:19,960 --> 01:07:23,360
Speaker 2: Right with him doing all the roles, he's going to

1321
01:07:23,400 --> 01:07:24,520
Speaker 2: teach Michelle how to tap dance.

1322
01:07:24,560 --> 01:07:27,640
Speaker 3: That's all I'm saying. Bye.