1 00:00:05,760 --> 00:00:10,720 Speaker 1: Ladies and gentlemen, Are you ready shots about to hit 2 00:00:10,800 --> 00:00:11,200 Speaker 1: the fan? 3 00:00:11,920 --> 00:00:18,239 Speaker 2: Welcome to on sanctioned Thursdays in wrestling with Friday. 4 00:00:19,520 --> 00:00:22,279 Speaker 1: Ladies and gentlemen. Welcome to the show you demanded because 5 00:00:22,320 --> 00:00:24,400 Speaker 1: our first show is not long enough and has too 6 00:00:24,400 --> 00:00:27,000 Speaker 1: many commercials. But they got to pass somehow. People say, 7 00:00:27,040 --> 00:00:30,360 Speaker 1: thanks for hanging in there. Welcome to unsanctioned Thursdays. I'm 8 00:00:30,360 --> 00:00:32,760 Speaker 1: here with mister Jeff Dye and our producer Alex. Let's 9 00:00:32,760 --> 00:00:39,120 Speaker 1: start the show, yeat starting with a yeat, all right, 10 00:00:39,680 --> 00:00:43,240 Speaker 1: transitioning from yet to somebody who I'm sure would hate 11 00:00:43,240 --> 00:00:47,240 Speaker 1: the yeat, which is John Moxley. Some post Dynamite footage 12 00:00:47,280 --> 00:00:51,400 Speaker 1: aired at the top of Collision Saturday show showing the 13 00:00:51,440 --> 00:00:55,280 Speaker 1: Death Writers with Daniel Garcia, Wheeler Yuda and Claudio Cassignolia 14 00:00:56,000 --> 00:01:00,000 Speaker 1: abducting Will Osprey carrying him out like the crucified one. 15 00:01:00,760 --> 00:01:06,760 Speaker 1: And uh now we cut to Collision and we're backstage. 16 00:01:06,800 --> 00:01:11,080 Speaker 1: We're in like concrete floors, concrete ceiling, concrete pillared room 17 00:01:11,160 --> 00:01:14,280 Speaker 1: with a couple of nice chairs and some steel chairs, 18 00:01:14,360 --> 00:01:17,560 Speaker 1: and we have the Death Writers in there, and we 19 00:01:17,600 --> 00:01:20,360 Speaker 1: have we have Osprey in there, we have Moxley sitting 20 00:01:20,440 --> 00:01:24,839 Speaker 1: across from each other, like like like the Godfather movie 21 00:01:25,000 --> 00:01:27,000 Speaker 1: where he's sitting across the desk from him and he's like, 22 00:01:27,160 --> 00:01:29,720 Speaker 1: I love a Medica. It's like that, right, except we're 23 00:01:29,720 --> 00:01:33,000 Speaker 1: in a two shot. We're not over either shoulder, and 24 00:01:33,040 --> 00:01:36,000 Speaker 1: it holds the two shot the entire the entire scene, 25 00:01:37,080 --> 00:01:41,600 Speaker 1: a very patient shot, I might add. So Marina Shaffir, 26 00:01:42,240 --> 00:01:44,720 Speaker 1: she wakes up Moxley, spray some water in his face, 27 00:01:44,760 --> 00:01:47,440 Speaker 1: cracks his neck cracks. She's the chiropractor. You guys didn't 28 00:01:47,480 --> 00:01:50,240 Speaker 1: know that. And Moxley's like, see she's good man, That's 29 00:01:50,240 --> 00:01:53,640 Speaker 1: why we keep her around. And then he starts this, uh, 30 00:01:54,160 --> 00:01:57,720 Speaker 1: this this monologue. We'll call it a monologue because this 31 00:01:57,800 --> 00:02:01,080 Speaker 1: was more cinematic than normal, so it won't be a promo. 32 00:02:01,640 --> 00:02:04,440 Speaker 1: And he talks to Ospray and this is the philosophy 33 00:02:04,560 --> 00:02:08,040 Speaker 1: Jeff and I talked about like two years ago, when 34 00:02:08,240 --> 00:02:11,280 Speaker 1: Moxley was running the house, had the title and was 35 00:02:11,320 --> 00:02:14,560 Speaker 1: beating everyone, and his philosophy was, I'm going to break 36 00:02:14,680 --> 00:02:19,640 Speaker 1: all of you down to your dust, your star dust, 37 00:02:20,120 --> 00:02:24,000 Speaker 1: and I'm going to rebuild you in my image, a tougher, harder, 38 00:02:24,520 --> 00:02:28,440 Speaker 1: more badass Darby Allen a tougher, harder, more badass hangman, 39 00:02:28,520 --> 00:02:31,760 Speaker 1: Adam Page, A tougher you guys, get the idea. So 40 00:02:32,040 --> 00:02:34,880 Speaker 1: he's breaking this philosophy down for the first time in 41 00:02:34,919 --> 00:02:40,960 Speaker 1: a very clear way to will Ospray and saying, look, man, like, 42 00:02:41,120 --> 00:02:45,799 Speaker 1: I'm your mentor. I'm a sick, demented mentor, but i'm 43 00:02:45,840 --> 00:02:48,840 Speaker 1: your mentor, and you're now the student, and you have 44 00:02:48,919 --> 00:02:51,399 Speaker 1: a choice to make. You have to decide what kind 45 00:02:51,400 --> 00:02:54,760 Speaker 1: of wrestler you want to be. And it's so either 46 00:02:54,800 --> 00:02:57,160 Speaker 1: one is okay with me. You it's your choice, but 47 00:02:57,280 --> 00:02:59,880 Speaker 1: you need to have all the information necessary to make 48 00:03:00,080 --> 00:03:02,800 Speaker 1: that choice. And he explains this in a very violent way, 49 00:03:02,919 --> 00:03:06,400 Speaker 1: in a very articulate way. The Moxley backstage promos are 50 00:03:06,400 --> 00:03:09,440 Speaker 1: better than the injuring ones. I prefer him backstage, and 51 00:03:09,480 --> 00:03:11,280 Speaker 1: he does a great job in here. And then at 52 00:03:11,280 --> 00:03:14,239 Speaker 1: the end of this promo he just lays down on 53 00:03:14,280 --> 00:03:15,919 Speaker 1: the floor and he's like, so make a choice, dude, 54 00:03:15,960 --> 00:03:18,280 Speaker 1: here's a steel chair. Go ahead and smash my fucking 55 00:03:18,320 --> 00:03:21,160 Speaker 1: brains in break my neck the way I broke your neck. 56 00:03:21,240 --> 00:03:24,480 Speaker 1: Do whatever you want to do or don't, and we 57 00:03:24,520 --> 00:03:26,840 Speaker 1: can talk and we can kind of see what's it's 58 00:03:26,840 --> 00:03:28,960 Speaker 1: almost like he's trying to recruit him to the Death Writers, 59 00:03:28,960 --> 00:03:31,200 Speaker 1: even though he's not. But it's more, I'm trying to 60 00:03:31,200 --> 00:03:33,040 Speaker 1: recruit you to a new way of thinking and a 61 00:03:33,080 --> 00:03:36,760 Speaker 1: new philosophy on wrestling. I thought this was great. Before 62 00:03:36,760 --> 00:03:39,640 Speaker 1: Osprey makes his decision, he gets super pissed and goes 63 00:03:39,680 --> 00:03:41,240 Speaker 1: to the camera and he's like, get that. Hef out 64 00:03:41,240 --> 00:03:43,640 Speaker 1: of here and f and the camera cuts and we 65 00:03:44,000 --> 00:03:45,640 Speaker 1: don't know. We don't know what he did to him. 66 00:03:45,640 --> 00:03:47,920 Speaker 1: We do because later the Death Writers come out. But anyway, 67 00:03:47,960 --> 00:03:51,520 Speaker 1: I digress. I loved this. I thought they did a 68 00:03:51,560 --> 00:03:56,000 Speaker 1: great job. It made the Monday Night Raw bloodline segment 69 00:03:56,160 --> 00:04:00,280 Speaker 1: pale in comparison, because I thought that this was such 70 00:04:00,280 --> 00:04:02,480 Speaker 1: a special piece that made me really want to see 71 00:04:02,480 --> 00:04:05,160 Speaker 1: where it goes. Jeff, I loved every second of it. 72 00:04:05,280 --> 00:04:05,840 Speaker 1: What about you? 73 00:04:07,280 --> 00:04:11,720 Speaker 2: If you're not watching aew, you're an idiot. I mean, 74 00:04:11,760 --> 00:04:15,200 Speaker 2: this is some of the best stuff I've seen in 75 00:04:15,240 --> 00:04:18,000 Speaker 2: wrestling in a long time. In fact, wwe could take 76 00:04:18,080 --> 00:04:22,520 Speaker 2: note on how to really frame up and tell a story. 77 00:04:22,640 --> 00:04:28,360 Speaker 2: This is really really quality, handcrafted quality shit we're talking here. 78 00:04:28,800 --> 00:04:34,000 Speaker 2: It's it's really really good storytelling, really fun stuff, and 79 00:04:34,040 --> 00:04:36,840 Speaker 2: it feels like it's a good timing. It's very good, 80 00:04:36,839 --> 00:04:39,520 Speaker 2: well paced. I don't if that makes sense. But they're 81 00:04:39,560 --> 00:04:42,960 Speaker 2: not forcing anything, they're not rushing anything. You can tell 82 00:04:42,960 --> 00:04:45,760 Speaker 2: they're not trying to shoehorn it, like make sure this 83 00:04:45,920 --> 00:04:49,320 Speaker 2: leads into summer Slam or leads into WrestleMania, or make 84 00:04:49,360 --> 00:04:52,640 Speaker 2: sure that this is perfect for you know whatever. They're 85 00:04:52,800 --> 00:04:56,480 Speaker 2: just telling a good story and it's and it's and 86 00:04:56,520 --> 00:04:58,920 Speaker 2: it's great. So if you've taken a break or you're 87 00:04:58,960 --> 00:05:01,960 Speaker 2: not watching a what's wrong with you? 88 00:05:02,960 --> 00:05:30,320 Speaker 1: Yeah, you're missing out, all right. Moving on to WWE, 89 00:05:30,760 --> 00:05:33,760 Speaker 1: and the news of the week was the releases. Some 90 00:05:33,839 --> 00:05:36,520 Speaker 1: I think we're probably more expected than a couple of others. 91 00:05:36,920 --> 00:05:39,599 Speaker 1: But Jeff, you had a good philosophy and a good 92 00:05:39,640 --> 00:05:42,000 Speaker 1: take on this off air, and I'd love for you 93 00:05:42,080 --> 00:05:44,839 Speaker 1: to reiterate it here and now, if you would be 94 00:05:44,880 --> 00:05:45,400 Speaker 1: so kind. 95 00:05:45,880 --> 00:05:50,159 Speaker 2: Yeah, I think you know. Obviously, nobody wants to lose 96 00:05:50,320 --> 00:05:55,200 Speaker 2: their job, and anyone listening, no one's happy when someone 97 00:05:55,279 --> 00:05:58,280 Speaker 2: loses their job, even if arresta loses their job for 98 00:05:58,400 --> 00:06:01,560 Speaker 2: some some sort of pun. They did something wrong and 99 00:06:01,600 --> 00:06:05,560 Speaker 2: they lose their job. It is unfortunate when someone loses 100 00:06:05,600 --> 00:06:10,120 Speaker 2: their job. That being said, a lot of wrestlers aren't 101 00:06:10,160 --> 00:06:13,120 Speaker 2: being used, and a lot of wrestlers are being misused, 102 00:06:13,480 --> 00:06:18,040 Speaker 2: and a lot of wrestlers are just wasting space, if 103 00:06:18,080 --> 00:06:21,479 Speaker 2: you will. This is a this is a very big business, 104 00:06:21,640 --> 00:06:25,680 Speaker 2: and we need more time for wrestling stories, and some 105 00:06:25,720 --> 00:06:29,400 Speaker 2: people are fighting for airtime. This can be a blessing 106 00:06:29,600 --> 00:06:32,680 Speaker 2: to be released, because now you can go find where 107 00:06:32,760 --> 00:06:35,320 Speaker 2: you belong. You can find where they're gonna use you, 108 00:06:35,320 --> 00:06:38,080 Speaker 2: you can find where they're gonna appreciate you. You can 109 00:06:38,160 --> 00:06:42,680 Speaker 2: be more valuable out somewhere else doing some other thing. 110 00:06:43,200 --> 00:06:43,320 Speaker 1: Uh. 111 00:06:43,480 --> 00:06:47,800 Speaker 2: You use the the example of Zach Ryder or Matt 112 00:06:47,880 --> 00:06:51,000 Speaker 2: Cordona as we know, like he was not being used. 113 00:06:52,120 --> 00:06:56,760 Speaker 2: I can't I know what Alistair Black or Malachi or 114 00:06:56,760 --> 00:06:59,800 Speaker 2: whatever like. He's so talented and so good, but we 115 00:06:59,880 --> 00:07:03,360 Speaker 2: have haven't found a place where he can really blossom 116 00:07:03,880 --> 00:07:08,120 Speaker 2: into showing everyone how incredible he is. And I think 117 00:07:08,160 --> 00:07:10,680 Speaker 2: that there's a lot of wrestlers that are just sitting 118 00:07:10,720 --> 00:07:14,160 Speaker 2: there on these things who need to be released. Get 119 00:07:14,200 --> 00:07:16,000 Speaker 2: them out there, get them out of there, get them 120 00:07:16,000 --> 00:07:18,880 Speaker 2: to go find their own place in the world where 121 00:07:18,880 --> 00:07:24,000 Speaker 2: they can shine. It's better than them sitting backstage. In Gorilla, 122 00:07:24,160 --> 00:07:28,080 Speaker 2: wondering when some writer who's been working for WB for 123 00:07:28,160 --> 00:07:32,200 Speaker 2: three months has some great idea where they could Hey, 124 00:07:32,200 --> 00:07:34,040 Speaker 2: maybe we'll shave their head, or maybe we could give 125 00:07:34,080 --> 00:07:36,480 Speaker 2: them a farting gimmick, or maybe we could make them 126 00:07:36,840 --> 00:07:41,400 Speaker 2: paired up with our truth mispronouncing people's names. Listen, these 127 00:07:42,360 --> 00:07:45,560 Speaker 2: layoffs and releases can be a good thing. 128 00:07:46,320 --> 00:07:48,560 Speaker 1: All right, let's go through some of the names that 129 00:07:48,600 --> 00:07:51,120 Speaker 1: were that were let go. One that I think caught 130 00:07:51,120 --> 00:07:54,600 Speaker 1: people off guard was probably Kyrie Sane because she was 131 00:07:54,640 --> 00:07:57,800 Speaker 1: in the middle of a storyline with Osca and eos 132 00:07:57,800 --> 00:08:02,800 Speaker 1: So that's kind of weird. Osca vaguely addressed it in 133 00:08:02,880 --> 00:08:06,080 Speaker 1: one sentence of her subtitled promo, but it was just 134 00:08:06,160 --> 00:08:09,040 Speaker 1: kind of weird and awkward. You brought up Alistair Black 135 00:08:09,080 --> 00:08:10,640 Speaker 1: and uh Zelina. 136 00:08:10,280 --> 00:08:12,480 Speaker 2: I want to talk about Kyrie, saying real quick, yeah 137 00:08:12,640 --> 00:08:17,280 Speaker 2: do it. Everyone's chanting bring back Kyrie. Everyone's doing the hashtag, 138 00:08:17,520 --> 00:08:22,480 Speaker 2: you know, bring back Kyrie. Listen. She was, Yes, she 139 00:08:22,600 --> 00:08:25,200 Speaker 2: was in a storyline with Osca and Neosky. She was 140 00:08:25,240 --> 00:08:29,160 Speaker 2: in the same storyline for the last two years. She's 141 00:08:29,360 --> 00:08:33,720 Speaker 2: just Osca's whipping girl and is being bossed around and 142 00:08:33,800 --> 00:08:36,560 Speaker 2: told to like follow her. It wasn't that she's in 143 00:08:36,600 --> 00:08:39,280 Speaker 2: the middle of a storyline. She was doing the same 144 00:08:39,679 --> 00:08:44,800 Speaker 2: thing week after week. Now that storyline's already tired. That 145 00:08:44,960 --> 00:08:47,719 Speaker 2: Osca and Neoski like, it's already a tired story with that. 146 00:08:47,920 --> 00:08:50,560 Speaker 2: I pushed back on all of this, like, but she 147 00:08:50,640 --> 00:08:52,760 Speaker 2: was in the middle of a thing we all are 148 00:08:52,760 --> 00:08:55,280 Speaker 2: going to miss, Kyrie saying because she's hot and cool 149 00:08:55,320 --> 00:08:58,240 Speaker 2: and really good at wrestling, the best elbow drop in 150 00:08:58,320 --> 00:09:01,960 Speaker 2: the business since Macho Man ran Savage, and she's she's 151 00:09:02,160 --> 00:09:04,520 Speaker 2: I guess, a delight in the in the locker room. 152 00:09:04,960 --> 00:09:08,760 Speaker 2: But let's not pretend like she had some pivotal storyline 153 00:09:09,120 --> 00:09:11,440 Speaker 2: that they've cut loose and that we are not going 154 00:09:11,480 --> 00:09:12,480 Speaker 2: to know where it's going. 155 00:09:13,280 --> 00:09:15,480 Speaker 1: You said misused earlier in the show. I think that's 156 00:09:15,520 --> 00:09:19,040 Speaker 1: the best the best bit of describer misuse talent. Next 157 00:09:19,120 --> 00:09:22,400 Speaker 1: was Alistair Black and Selena Vega. He was on TV 158 00:09:22,559 --> 00:09:26,240 Speaker 1: in the background, lurking and for most of his storyline. 159 00:09:26,240 --> 00:09:27,640 Speaker 1: I don't think they knew what to do with him 160 00:09:27,720 --> 00:09:31,400 Speaker 1: or just didn't I don't know, but they released him 161 00:09:31,400 --> 00:09:35,040 Speaker 1: and his wife, Selena. She talked about it on her stream. 162 00:09:35,120 --> 00:09:37,000 Speaker 1: You guys can watch that if you want to know 163 00:09:37,040 --> 00:09:41,720 Speaker 1: how she feels about it. The Wide Six not a surprise. 164 00:09:42,559 --> 00:09:47,240 Speaker 1: They had a great build up and then nothing, no, 165 00:09:47,240 --> 00:09:52,040 Speaker 1: no meaningful matches, not a single meaningful match. The tag 166 00:09:52,120 --> 00:09:55,760 Speaker 1: team titles the company doesn't care about, so that's not meaningful. 167 00:09:55,800 --> 00:09:58,520 Speaker 1: When they had the titles, they didn't build The two 168 00:09:58,800 --> 00:10:01,120 Speaker 1: gentlemen that won the tag t was Joe Gacy and 169 00:10:01,559 --> 00:10:04,679 Speaker 1: Dexter's Gunness. I believe, yeah, they didn't. They gave them 170 00:10:04,720 --> 00:10:07,800 Speaker 1: no time to develop. There are no opportunity to develop 171 00:10:07,840 --> 00:10:10,720 Speaker 1: their character outside of like matches, match work. I get 172 00:10:10,720 --> 00:10:13,040 Speaker 1: they were trying to protect the guys that aren't good talkers, 173 00:10:13,080 --> 00:10:15,520 Speaker 1: but you gotta you gotta help them develop somehow, man, 174 00:10:15,520 --> 00:10:18,640 Speaker 1: you gotta you gotta let them talk. Eventually, the belts 175 00:10:18,679 --> 00:10:21,480 Speaker 1: alone don't do it. That's not the nineteen eighties. So 176 00:10:21,600 --> 00:10:24,440 Speaker 1: this wasn't a big surprise. But again it's unfortunate. Sad 177 00:10:24,440 --> 00:10:26,800 Speaker 1: to hear. Everybody loved Bray, so there's that connection there. 178 00:10:26,840 --> 00:10:30,840 Speaker 1: So that's probably the saddest one. The MotorCity Machine Guns, 179 00:10:31,920 --> 00:10:34,120 Speaker 1: you know, they won the titles in their debut and 180 00:10:34,240 --> 00:10:37,760 Speaker 1: never had a storyline. They it was just you know, 181 00:10:37,920 --> 00:10:41,719 Speaker 1: they wasted their time they didn't give them anything to do. 182 00:10:42,160 --> 00:10:46,240 Speaker 1: And then finally Santos Escobar, who was in Triple A 183 00:10:46,400 --> 00:10:48,320 Speaker 1: doing some work, he ended up needing a surgery and 184 00:10:48,360 --> 00:10:50,920 Speaker 1: he got released while being injured, which is never a 185 00:10:50,920 --> 00:10:54,720 Speaker 1: good thing. But I think ae W is the spot 186 00:10:54,760 --> 00:10:57,120 Speaker 1: for him. I think he could actually do really well 187 00:10:57,160 --> 00:11:00,520 Speaker 1: there the way you kind of said it, like some 188 00:11:00,559 --> 00:11:03,480 Speaker 1: people are just kind of built for aew like Tomaso 189 00:11:03,559 --> 00:11:06,760 Speaker 1: Champa can do really really well there. I think Santos 190 00:11:06,760 --> 00:11:09,120 Speaker 1: can do really really well there too. Andrade does much 191 00:11:09,120 --> 00:11:11,559 Speaker 1: better there than he does. He has someone to speak 192 00:11:11,600 --> 00:11:14,520 Speaker 1: for him in don Kallis that is one of the 193 00:11:14,520 --> 00:11:18,439 Speaker 1: best right now and with the strongest shoe slash sunglasses 194 00:11:18,480 --> 00:11:20,840 Speaker 1: game in the in the game today. But yeah, so 195 00:11:20,840 --> 00:11:22,320 Speaker 1: I think he could do really well over there, and 196 00:11:22,360 --> 00:11:24,480 Speaker 1: that's pretty much that. There's others too, but those are 197 00:11:24,480 --> 00:11:26,600 Speaker 1: the main ones. A couple former guests of the show 198 00:11:27,400 --> 00:11:30,560 Speaker 1: and Zelina and Santos. So I'd love to you guys, 199 00:11:31,040 --> 00:11:33,200 Speaker 1: and I wish you guys the best man any any 200 00:11:33,240 --> 00:11:36,240 Speaker 1: closing thoughts, Jeffrey, I will say. 201 00:11:36,000 --> 00:11:38,679 Speaker 2: That these releases seem more interesting than they really are 202 00:11:38,720 --> 00:11:41,880 Speaker 2: because these are all really famous wrestlers. That's what it is. 203 00:11:41,960 --> 00:11:45,000 Speaker 2: These are all like really big names, you know, alistair Bags, 204 00:11:45,080 --> 00:11:49,120 Speaker 2: leneve All, the Wyatt six, MotorCity machine Guns, Kyrie saying 205 00:11:49,200 --> 00:11:52,839 Speaker 2: Santa Ascobar. They're all names. We know they're big wrestlers. 206 00:11:53,160 --> 00:11:56,000 Speaker 2: But every one of those wrestlers has the same thing 207 00:11:56,040 --> 00:12:01,080 Speaker 2: in common. They weren't being used. They weren't being fully 208 00:12:01,480 --> 00:12:06,200 Speaker 2: given their you know, their flowers, they weren't given opportunities 209 00:12:06,760 --> 00:12:08,720 Speaker 2: to really shine. So you can kind of make an 210 00:12:08,800 --> 00:12:13,160 Speaker 2: argument for both where it's like, yeah, of course release them, 211 00:12:13,200 --> 00:12:16,319 Speaker 2: they're not being used, and and shame on w B 212 00:12:16,480 --> 00:12:19,120 Speaker 2: for not finding a place for them to be used 213 00:12:19,160 --> 00:12:23,680 Speaker 2: and giving them good stories and letting them shine. But also, 214 00:12:23,880 --> 00:12:26,679 Speaker 2: of course they released them. They're not being used. So 215 00:12:26,760 --> 00:12:29,760 Speaker 2: it's kind of it kind of answers its own problem. Well, 216 00:12:30,000 --> 00:12:32,520 Speaker 2: I'm you know, I hope all those wrestlers I get 217 00:12:32,559 --> 00:12:34,880 Speaker 2: to see somewhere else or in another way, or maybe 218 00:12:34,920 --> 00:12:38,199 Speaker 2: they come back. But yeah, I think all of them 219 00:12:38,200 --> 00:12:42,160 Speaker 2: make total sense, even though they are all really good wrestlers. 220 00:12:43,000 --> 00:12:45,800 Speaker 1: That's Hip DII from Pretty Prince On behalf of our 221 00:12:45,840 --> 00:12:48,720 Speaker 1: producer Alex. You guys, have a great day, enjoy your 222 00:12:48,720 --> 00:12:50,599 Speaker 1: week of wrestling. We'll speak to you next week, and 223 00:12:50,679 --> 00:12:52,920 Speaker 1: pretty much every week we're out. 224 00:12:53,600 --> 00:12:59,920 Speaker 2: Yeah. 225 00:13:00,120 --> 00:13:00,320 Speaker 1: Yeah,