1 00:00:01,960 --> 00:00:07,520 Speaker 1: So you know, we're all locked in there and it's me, 2 00:00:08,119 --> 00:00:13,840 Speaker 1: it's Malcolm Gladwell, it's Bill Simmons, and we're having a 3 00:00:14,120 --> 00:00:18,400 Speaker 1: bad opinion contest and we're feeding our bad opinions into 4 00:00:18,440 --> 00:00:22,000 Speaker 1: the machine. Yeah, and just the more general and the 5 00:00:22,200 --> 00:00:25,400 Speaker 1: less evidence there is, you know, the better you do 6 00:00:25,440 --> 00:00:31,280 Speaker 1: in the contest. So an example might be, let me 7 00:00:31,360 --> 00:00:36,080 Speaker 1: just think of anything. So maybe you watch like a 8 00:00:36,280 --> 00:00:39,480 Speaker 1: trailer for a TV show that was on a couple 9 00:00:39,479 --> 00:00:43,880 Speaker 1: of years ago, and then you try to convince people 10 00:00:44,400 --> 00:00:51,400 Speaker 1: that now you understand how like sailing works right. 11 00:00:51,240 --> 00:00:54,160 Speaker 2: Better than anyone that people that so, like the people 12 00:00:54,200 --> 00:00:57,800 Speaker 2: that watch the movie Master and Commander are better qualified 13 00:00:58,080 --> 00:01:02,720 Speaker 2: to be a ship captain. Then somebody went to school 14 00:01:02,800 --> 00:01:04,600 Speaker 2: for it, exactly exactly. 15 00:01:04,680 --> 00:01:08,640 Speaker 1: They're the school guy is relying on all these like 16 00:01:09,080 --> 00:01:15,360 Speaker 1: outdated yeah, sort of coucify, you know. Unfortunately, these you know, 17 00:01:15,640 --> 00:01:20,160 Speaker 1: captain school people are actually barnacles on the side of 18 00:01:20,240 --> 00:01:24,280 Speaker 1: the sailing industry, and that people watch Master and Commander 19 00:01:24,319 --> 00:01:28,400 Speaker 1: are bringing raw instinct which makes up so much of it. Yeah, 20 00:01:28,440 --> 00:01:31,640 Speaker 1: and then and we've got obviously music opinions as well. 21 00:01:31,800 --> 00:01:40,720 Speaker 1: Sure our taste is so far off that the machine 22 00:01:40,760 --> 00:01:43,160 Speaker 1: is starting to shoot smoke out of it. And if 23 00:01:43,240 --> 00:01:45,160 Speaker 1: obviously we can blow up the machine, we can get 24 00:01:45,200 --> 00:01:50,600 Speaker 1: out of the room finally, but nothing is quite doing it, 25 00:01:50,720 --> 00:01:52,760 Speaker 1: nothing's quite getting us there. 26 00:01:53,280 --> 00:01:57,880 Speaker 2: There's like Muhammad Ali invented rap. I know we're getting 27 00:01:57,920 --> 00:02:00,880 Speaker 2: in there. Yeah, we've got we've got sports opinions. It 28 00:02:00,880 --> 00:02:03,440 Speaker 2: doesn't really seem to matter that much. It's all kind 29 00:02:03,440 --> 00:02:03,960 Speaker 2: of stupid. 30 00:02:05,920 --> 00:02:09,680 Speaker 1: But where we really and obviously we said the movies, 31 00:02:09,680 --> 00:02:12,560 Speaker 1: we said the sailing stuff, we said the music stuff. 32 00:02:13,520 --> 00:02:17,520 Speaker 1: But where we really started to break through was when 33 00:02:18,120 --> 00:02:23,600 Speaker 1: we talked about why people voted how they did, and 34 00:02:23,680 --> 00:02:27,840 Speaker 1: like we had figured it out. You know, us three 35 00:02:29,000 --> 00:02:40,680 Speaker 1: like kind of just rich guys who talk a lot, yeah, and. 36 00:02:39,080 --> 00:02:43,639 Speaker 2: Who right in an engaging way yeah yeah, fun to read. 37 00:02:43,880 --> 00:02:46,800 Speaker 1: Yes, who write in sort of a cool conversational style 38 00:02:46,919 --> 00:02:51,320 Speaker 1: that's easy to digest. And it just did you know, 39 00:02:51,400 --> 00:02:53,960 Speaker 1: the only rule for the contest was if there is 40 00:02:54,320 --> 00:02:57,160 Speaker 1: more than one piece of evidence to back up your opinion, 41 00:02:57,520 --> 00:03:01,760 Speaker 1: it's disqualified and it has to be just the slimmest shred. 42 00:03:02,080 --> 00:03:04,480 Speaker 1: And then you extrapolate that out and apply it to 43 00:03:04,520 --> 00:03:06,920 Speaker 1: something that it couldn't possibly fit. 44 00:03:07,120 --> 00:03:10,359 Speaker 2: Okay, So what I heard about the pity contest. The 45 00:03:10,360 --> 00:03:13,000 Speaker 2: stuff that got out those kind of persuasive about why 46 00:03:13,080 --> 00:03:15,639 Speaker 2: people voted the way they did is that we're going 47 00:03:15,720 --> 00:03:19,200 Speaker 2: off some of the tropes of professional wrestling, and so 48 00:03:19,480 --> 00:03:22,760 Speaker 2: like professional wrestling has broken out into society and now 49 00:03:22,800 --> 00:03:25,840 Speaker 2: we perceive everything because we're all like these huge wrestling 50 00:03:25,880 --> 00:03:29,880 Speaker 2: fans and now we perceive the. 51 00:03:29,280 --> 00:03:33,480 Speaker 1: Ultimate heal and we're here we are raised to sort 52 00:03:33,480 --> 00:03:34,760 Speaker 1: of root for these heels. 53 00:03:34,800 --> 00:03:39,400 Speaker 2: Yes, it's all k fabe now, and so to see 54 00:03:39,440 --> 00:03:42,440 Speaker 2: him up there just throwing the rules out the window 55 00:03:42,520 --> 00:03:47,320 Speaker 2: and openly insulting people with disabilities and stuff, that that 56 00:03:47,440 --> 00:03:50,440 Speaker 2: makes him such an appealing presence because he's the ultimate 57 00:03:50,480 --> 00:03:53,240 Speaker 2: heel and that's how most people vote. When Hogan joined 58 00:03:53,240 --> 00:03:57,120 Speaker 2: the nWo was the most important political event of the 59 00:03:57,400 --> 00:03:58,720 Speaker 2: of the last century. 60 00:03:58,880 --> 00:04:02,520 Speaker 1: It's totally that's totally true. And people forget about the 61 00:04:02,600 --> 00:04:10,440 Speaker 1: hardy boys. So so that sort of was all of 62 00:04:10,440 --> 00:04:13,440 Speaker 1: our opinion. And when we all agreed at the same time, 63 00:04:13,640 --> 00:04:17,320 Speaker 1: you teach that everyone. Yeah, we stopped sort of working 64 00:04:17,320 --> 00:04:20,440 Speaker 1: against each other and all decided to say in unison 65 00:04:20,880 --> 00:04:24,719 Speaker 1: that everyone must have voted. According to something I remember 66 00:04:24,800 --> 00:04:29,560 Speaker 1: about when I watched wrestling from when I was like eleven. Uh, 67 00:04:29,800 --> 00:04:32,040 Speaker 1: and that's why the countries on the path it is, 68 00:04:32,560 --> 00:04:34,359 Speaker 1: that is what actually blew up the machine. And I 69 00:04:34,400 --> 00:04:35,920 Speaker 1: was able to get out and get to the studio 70 00:04:35,920 --> 00:04:38,560 Speaker 1: on time to do this show. My good I'm getting tired. 71 00:04:38,600 --> 00:04:40,920 Speaker 1: I got to kick Abou drubein and reck carle it 72 00:04:41,320 --> 00:04:42,599 Speaker 1: Color Industry. 73 00:04:42,160 --> 00:04:45,839 Speaker 2: And welcome John. Hi, and it's John Bass. And you 74 00:04:45,880 --> 00:04:49,720 Speaker 2: were here with Alex handfinger before. And you guys are 75 00:04:49,839 --> 00:04:51,840 Speaker 2: mad at each other now and we don't have to 76 00:04:51,839 --> 00:04:55,760 Speaker 2: get into why you don't want to do the show together, 77 00:04:55,839 --> 00:04:56,520 Speaker 2: but let's do it. 78 00:04:56,600 --> 00:04:58,680 Speaker 3: Let's talk about it. Yeah, let's talk about it. He 79 00:04:59,240 --> 00:05:03,320 Speaker 3: uh did some stuff that I didn't like. First of all, 80 00:05:03,640 --> 00:05:07,720 Speaker 3: he went on a trip with my girlfriend. 81 00:05:07,320 --> 00:05:08,200 Speaker 1: Huh without me? 82 00:05:08,360 --> 00:05:08,760 Speaker 2: Mm hmm. 83 00:05:08,920 --> 00:05:10,279 Speaker 1: Yeah. It was weird. 84 00:05:10,520 --> 00:05:13,000 Speaker 3: They kept on sending pictures saying, hey, hey, was it 85 00:05:13,080 --> 00:05:14,120 Speaker 3: an acid trip? 86 00:05:15,240 --> 00:05:19,640 Speaker 1: Fucking drugs are so cool. They're so cool. They're nice 87 00:05:19,680 --> 00:05:21,960 Speaker 1: and they're cool. I didn't mean to interrupt, but yeah, 88 00:05:22,000 --> 00:05:23,800 Speaker 1: but go ahead. But it was like a food trip 89 00:05:23,839 --> 00:05:25,560 Speaker 1: to Italy. It was a food trip to Italy. 90 00:05:25,760 --> 00:05:28,440 Speaker 2: And they not as like a sexual thing, but like 91 00:05:28,520 --> 00:05:30,599 Speaker 2: just as a friend, but the like but like poking 92 00:05:30,640 --> 00:05:32,480 Speaker 2: me with it well, and they only had the one 93 00:05:32,520 --> 00:05:34,760 Speaker 2: scooter and so it does look like they're having sex 94 00:05:34,800 --> 00:05:37,720 Speaker 2: when they're when they're really tight together on the scooter 95 00:05:37,920 --> 00:05:40,039 Speaker 2: sort of driving to the pizza class, and he was 96 00:05:40,040 --> 00:05:42,200 Speaker 2: like making a joke like, well, I'm having sex with 97 00:05:42,240 --> 00:05:42,960 Speaker 2: your girlfriend. 98 00:05:43,120 --> 00:05:45,400 Speaker 1: Yeah, she doesn't love you anymore. And I'm like, uh, 99 00:05:45,440 --> 00:05:47,960 Speaker 1: this is weird. No, it is a And he's got 100 00:05:47,960 --> 00:05:49,960 Speaker 1: a dark sense of humor and it's part of what 101 00:05:50,200 --> 00:05:53,560 Speaker 1: attracted me to him initially. But it does get too 102 00:05:53,720 --> 00:05:56,760 Speaker 1: dark at times when he's saying, I'm having sex with 103 00:05:56,800 --> 00:05:59,640 Speaker 1: your girlfriend. She doesn't love you anymore, yea. And with 104 00:05:59,760 --> 00:06:02,240 Speaker 1: us it's not even a love thing, it's just physical. 105 00:06:02,360 --> 00:06:05,560 Speaker 1: But that's what helped her realize that she wasn't in love. 106 00:06:05,680 --> 00:06:07,440 Speaker 2: But the meanest aspect to me is when I think 107 00:06:07,440 --> 00:06:10,520 Speaker 2: of John, I think, oh, like, what do I associate 108 00:06:10,560 --> 00:06:13,320 Speaker 2: with John most And it's YOKEI. It's like, you're like 109 00:06:13,440 --> 00:06:16,800 Speaker 2: mister nyoki and now these guys are going to like 110 00:06:16,839 --> 00:06:18,000 Speaker 2: eat all this yoke And. 111 00:06:18,200 --> 00:06:19,960 Speaker 1: Remember we used to call you yoko ono. 112 00:06:20,800 --> 00:06:22,599 Speaker 3: Yeah, no, it was a good time. It was a 113 00:06:22,640 --> 00:06:23,839 Speaker 3: really good time that one time. 114 00:06:24,839 --> 00:06:27,240 Speaker 1: But Italy is like the place that I love to go. 115 00:06:28,360 --> 00:06:30,440 Speaker 3: You know, I love to like stop by Italy and 116 00:06:30,480 --> 00:06:33,640 Speaker 3: I go to my yoke guy and I go, hey, man, 117 00:06:34,720 --> 00:06:40,440 Speaker 3: hook me up with some palm yoke and some and 118 00:06:40,440 --> 00:06:43,080 Speaker 3: and he looks at me and he goes, dowie yoke. 119 00:06:44,160 --> 00:06:49,960 Speaker 1: Yeah, yeah, wait, what is that what you mean doe? 120 00:06:51,000 --> 00:06:53,720 Speaker 3: You know, like it's dowe because my body's dowie. And 121 00:06:53,760 --> 00:06:56,320 Speaker 3: then I'm also I love when they're when it's dowie noke. 122 00:06:56,720 --> 00:06:59,120 Speaker 1: Oh okay. I thought that was like a play like 123 00:06:59,120 --> 00:07:02,760 Speaker 1: a punk. I remember remember one time we were like, yeah, 124 00:07:02,760 --> 00:07:05,280 Speaker 1: we were going to Italy and we were like, I 125 00:07:05,360 --> 00:07:08,400 Speaker 1: was buying like fifteen different olive oils and then I 126 00:07:08,440 --> 00:07:11,480 Speaker 1: was like and I want to get anything. And then 127 00:07:11,680 --> 00:07:13,160 Speaker 1: I was like, do you want to eat anything? And 128 00:07:13,200 --> 00:07:15,760 Speaker 1: you went yeah, hey boo boo, And I was like, 129 00:07:15,800 --> 00:07:22,320 Speaker 1: oh and Yoki bear. Yeah yeah. So we obviously don't 130 00:07:22,360 --> 00:07:24,640 Speaker 1: have Alex and we don't miss him. Fuck that guy, 131 00:07:24,760 --> 00:07:28,720 Speaker 1: yeah forget it. Uh he did some pretty funny stuff 132 00:07:28,800 --> 00:07:29,360 Speaker 1: last episode. 133 00:07:29,360 --> 00:07:31,400 Speaker 2: I remember. Yeah, he was really good. No, he was good, 134 00:07:31,400 --> 00:07:33,440 Speaker 2: he was Okay, Yeah, this one's gonna be kind of. 135 00:07:33,400 --> 00:07:34,240 Speaker 1: Like the main guy. 136 00:07:34,480 --> 00:07:36,640 Speaker 3: He was the main guy in that. Yeah, No, for sure, 137 00:07:36,680 --> 00:07:38,080 Speaker 3: he was that one. He was the main guy for 138 00:07:38,120 --> 00:07:39,240 Speaker 3: that one. Not here anymore. 139 00:07:39,280 --> 00:07:42,920 Speaker 1: Let's stop talking about him, right, Yes, Yeah, and he 140 00:07:43,040 --> 00:07:46,440 Speaker 1: was very good. He was good. Yeah. And he was 141 00:07:46,440 --> 00:07:49,760 Speaker 1: so funny. He was funny. Yeah, but crack me up. 142 00:07:49,920 --> 00:07:52,960 Speaker 1: That was a fun today. It's John. Yeah. 143 00:07:53,120 --> 00:07:55,160 Speaker 2: And you have a lot of stuff that you want 144 00:07:55,160 --> 00:07:57,560 Speaker 2: to talk about. Since we saw you last time, you've 145 00:07:57,600 --> 00:08:01,520 Speaker 2: been doing all these big things. You and you did 146 00:08:01,560 --> 00:08:04,480 Speaker 2: bay Watch, and you did the bay Watch blooper reel, Yes, 147 00:08:04,600 --> 00:08:07,160 Speaker 2: And you did a promotional tour for and I did 148 00:08:07,320 --> 00:08:10,080 Speaker 2: bay Watch, Yes, and the bay Watch blooper reel uh huh. 149 00:08:09,960 --> 00:08:12,720 Speaker 1: And the blooper reel for bay Watch, Yes, which is 150 00:08:13,000 --> 00:08:15,720 Speaker 1: sort of what we want to talk about. Obviously, You've 151 00:08:15,720 --> 00:08:20,560 Speaker 1: been getting asked about it a lot, and we have 152 00:08:20,760 --> 00:08:23,680 Speaker 1: questions ourselves. I know you have questions. You know. 153 00:08:24,280 --> 00:08:26,679 Speaker 3: You know, Sean and I ran into each other at 154 00:08:26,720 --> 00:08:31,480 Speaker 3: the hot spot Sugarfish, Yeah, and you know we were 155 00:08:31,480 --> 00:08:32,360 Speaker 3: both sugar fishing. 156 00:08:32,640 --> 00:08:34,920 Speaker 1: Yeah. It was right after we had finished shopping at 157 00:08:34,960 --> 00:08:38,160 Speaker 1: Italy and it was time to sugarfish yep. 158 00:08:38,679 --> 00:08:40,960 Speaker 3: And I was just I was, you know, we were 159 00:08:41,000 --> 00:08:42,760 Speaker 3: just hanging out and he looks at me and he goes, 160 00:08:43,679 --> 00:08:47,000 Speaker 3: what about that Blooeberril And I said, what are you 161 00:08:47,040 --> 00:08:47,920 Speaker 3: talking about, Sean? 162 00:08:48,000 --> 00:08:48,960 Speaker 1: What are you talking about? 163 00:08:49,320 --> 00:08:51,360 Speaker 2: And he said, you didn't know about that? Well, I 164 00:08:51,360 --> 00:08:53,760 Speaker 2: didn't know that there was putting these in the movie. 165 00:08:53,960 --> 00:08:55,880 Speaker 1: Yeah, I mean it was crazy. 166 00:08:56,400 --> 00:08:58,840 Speaker 3: And so when he said let's get together, let's talk 167 00:08:58,880 --> 00:09:02,400 Speaker 3: about the boomper real and let's get into the deep dive, 168 00:09:02,480 --> 00:09:04,160 Speaker 3: I was like, let's do it, because there are some 169 00:09:04,240 --> 00:09:05,000 Speaker 3: things that I need to talk. 170 00:09:05,040 --> 00:09:09,400 Speaker 1: I said, come on my show, you know, defend yourself. Yeah, 171 00:09:09,520 --> 00:09:11,960 Speaker 1: talking about some of these bloopers. Yeah, because some of 172 00:09:12,000 --> 00:09:14,959 Speaker 1: these bloopers seem like mistakes. Do you want to get 173 00:09:14,960 --> 00:09:19,480 Speaker 1: into it? Yeah, let's play it? Code man? Can I 174 00:09:19,480 --> 00:09:24,040 Speaker 1: get the sound card? Ready? All? Right? Here? Wait? What 175 00:09:24,080 --> 00:09:26,640 Speaker 1: were you gonna do? What was the ready about? 176 00:09:27,240 --> 00:09:29,800 Speaker 2: Because I'm just worried that it's gonna happen later, Like 177 00:09:29,920 --> 00:09:31,719 Speaker 2: you wait, what was this is? 178 00:09:33,840 --> 00:09:37,000 Speaker 1: I know that wasn't about the sound cable? Yeah? Am 179 00:09:37,000 --> 00:09:37,440 Speaker 1: I right? That? 180 00:09:37,520 --> 00:09:39,720 Speaker 2: He when he was like ready, like he was about 181 00:09:39,760 --> 00:09:42,760 Speaker 2: to do a bit, he was about the sound cable 182 00:09:42,800 --> 00:09:43,800 Speaker 2: is over, he is going to do it. 183 00:09:43,880 --> 00:09:45,679 Speaker 1: So what was that thing? Let me just get this 184 00:09:45,720 --> 00:09:50,960 Speaker 1: thing here? Yeah, it's a phone. Mm hmm. Not that 185 00:09:50,960 --> 00:09:55,160 Speaker 1: that's another thing in here, hangled up, feel like I'm playing. 186 00:09:55,920 --> 00:10:00,960 Speaker 1: He's a bunch of wet tissues out of his pocket. Man, 187 00:10:01,360 --> 00:10:03,880 Speaker 1: it's not in your pockets. This is really oh, here 188 00:10:03,920 --> 00:10:07,040 Speaker 1: you go. He's got like God, Alex was really good episode, 189 00:10:07,120 --> 00:10:10,360 Speaker 1: so funny. Yeah, we didn't have this kind of dead 190 00:10:10,400 --> 00:10:15,199 Speaker 1: air in that one. So then yeah, go ahead and 191 00:10:15,240 --> 00:10:17,960 Speaker 1: plug that into the into the sort of headphone. 192 00:10:18,120 --> 00:10:22,000 Speaker 3: I don't have a headphone thing. It's right, it's the 193 00:10:22,040 --> 00:10:25,920 Speaker 3: new one. Okay, it's a kN iPhone seven. Well, we 194 00:10:25,920 --> 00:10:28,719 Speaker 3: can just hold it up to the mic. Okay, I 195 00:10:28,840 --> 00:10:29,760 Speaker 3: just hold it up to the mic. 196 00:10:30,040 --> 00:10:31,800 Speaker 1: No no, no, no no no no no no no no no. 197 00:10:32,280 --> 00:10:34,560 Speaker 1: Let me find I got one? I got one? Where 198 00:10:34,600 --> 00:10:38,280 Speaker 1: is that? Okay? And he's got so many different a 199 00:10:38,480 --> 00:10:41,480 Speaker 1: lot of pills you'd think that, yeah, none of them 200 00:10:41,520 --> 00:10:44,400 Speaker 1: have labels, and they're all huge. It is a bit. 201 00:10:44,520 --> 00:10:47,160 Speaker 1: This is not a bit. This is just poor management 202 00:10:47,520 --> 00:10:50,760 Speaker 1: and pills in an illuminum can. Look at all the 203 00:10:50,800 --> 00:10:54,240 Speaker 1: different kinds of gum he has. The pills are mixed 204 00:10:54,280 --> 00:10:56,000 Speaker 1: in with the gum and what seems like a kind 205 00:10:56,000 --> 00:10:58,360 Speaker 1: of you know, so he like choose up the pill 206 00:10:58,400 --> 00:11:00,800 Speaker 1: inead of the gum. And look at that. He's got 207 00:11:00,840 --> 00:11:07,760 Speaker 1: Hubba Bubba bubble Yum Bubbleicious, big league chew bubble tape. Yeah, 208 00:11:08,080 --> 00:11:12,840 Speaker 1: the sugary kind, all the children kind. It's weird. It's 209 00:11:12,840 --> 00:11:16,200 Speaker 1: a weird assortment. It's chill. The clips is for adults only, 210 00:11:17,640 --> 00:11:19,360 Speaker 1: Dante Ice, it would be weird. 211 00:11:20,880 --> 00:11:24,080 Speaker 3: A kid, he's the kid pulling out the clips. 212 00:11:25,200 --> 00:11:25,800 Speaker 1: Clips go. 213 00:11:27,960 --> 00:11:31,960 Speaker 2: Like kindergartener. It's just popping out of the clips. 214 00:11:34,320 --> 00:11:39,440 Speaker 1: For adults. That's for adults. Oh my god, I don't 215 00:11:39,480 --> 00:11:39,800 Speaker 1: have one. 216 00:11:44,480 --> 00:11:47,040 Speaker 2: Cody went outside to look for something and then he said, 217 00:11:47,080 --> 00:11:49,640 Speaker 2: I don't have one, and we don't know what. It's 218 00:11:49,640 --> 00:11:52,160 Speaker 2: a one of what we don't know? All right, are 219 00:11:52,160 --> 00:11:52,800 Speaker 2: you ready for this? 220 00:11:53,000 --> 00:11:56,240 Speaker 1: M all ready for this? So this is the blueber 221 00:11:56,320 --> 00:12:05,439 Speaker 1: real do you set the scene? Stop? 222 00:12:05,559 --> 00:12:11,800 Speaker 2: Stop stop stop stop undue sound all right, So let 223 00:12:11,800 --> 00:12:13,400 Speaker 2: me set up this scene for you guys. This is 224 00:12:13,800 --> 00:12:15,800 Speaker 2: in the context of the movie. Would be great. 225 00:12:17,400 --> 00:12:17,720 Speaker 1: Okay. 226 00:12:17,880 --> 00:12:23,000 Speaker 3: So his character, this is Ronnie Greenbaum, a jew. 227 00:12:24,520 --> 00:12:28,520 Speaker 1: At the beach, at the beach, a jew at the beach. Okay, 228 00:12:28,760 --> 00:12:30,120 Speaker 1: And is that allowed? 229 00:12:30,400 --> 00:12:32,920 Speaker 3: He's looking to get some you know, like you can 230 00:12:32,960 --> 00:12:36,160 Speaker 3: tell he's he's got a rock hard boner that just 231 00:12:36,240 --> 00:12:40,160 Speaker 3: is getting stuck in everything. And pretty much what happens 232 00:12:40,400 --> 00:12:47,200 Speaker 3: is this super hotty CJ, you know, comes up to him. 233 00:12:47,200 --> 00:12:49,040 Speaker 1: What are some of the things we're getting stuck in? 234 00:12:50,040 --> 00:12:54,160 Speaker 3: He gets it stuck in a beach chair. He there's 235 00:12:54,160 --> 00:12:56,160 Speaker 3: some edit, there were some things that were cut out. 236 00:12:56,200 --> 00:13:00,800 Speaker 3: He gets it stuck just in a seagull. He gets 237 00:13:00,840 --> 00:13:05,080 Speaker 3: it stuck in the waterleah, in a whales blowhole. He 238 00:13:05,120 --> 00:13:07,480 Speaker 3: gets it stuck in the engine of a jet ski. 239 00:13:08,040 --> 00:13:12,480 Speaker 3: He gets it stuck in a cup, in a water cup, 240 00:13:12,600 --> 00:13:13,640 Speaker 3: and in a drink cup. 241 00:13:13,720 --> 00:13:15,840 Speaker 2: I was gonna say, if he's at the beach, you know, 242 00:13:16,120 --> 00:13:17,880 Speaker 2: you gotta get stuck in a cup at some point. 243 00:13:18,960 --> 00:13:22,680 Speaker 3: He gets it stuck in a pie, a La American pie. 244 00:13:23,760 --> 00:13:27,079 Speaker 3: He gets it stuck in his mom. 245 00:13:27,320 --> 00:13:29,240 Speaker 1: He gets stuck in an umbrella. He gets stuck in 246 00:13:29,240 --> 00:13:32,720 Speaker 1: an umbrella, but go back to his mom. Yep, yeah. 247 00:13:33,080 --> 00:13:34,839 Speaker 1: And then he gets it stuck in a condom when 248 00:13:34,920 --> 00:13:38,000 Speaker 1: his mom's hair, Yeah, it was his mom's hair. 249 00:13:39,040 --> 00:13:41,959 Speaker 3: And then that was This is pretty much all the 250 00:13:42,000 --> 00:13:43,200 Speaker 3: things he gets it's stuck. 251 00:13:43,240 --> 00:13:47,920 Speaker 1: I think trying to remember, Oh yes, finger trap with 252 00:13:47,960 --> 00:13:49,960 Speaker 1: his finger on the other side and He's like, how 253 00:13:49,960 --> 00:13:51,320 Speaker 1: do I get out of this? It's a it's a 254 00:13:51,320 --> 00:13:52,280 Speaker 1: five minute scene. 255 00:13:52,480 --> 00:13:54,400 Speaker 3: The good thing is that the director really let us, 256 00:13:55,400 --> 00:13:57,640 Speaker 3: really let us go, like he just he would go, 257 00:13:57,720 --> 00:13:59,680 Speaker 3: let's just roll it, and this one's for you. Yeah, 258 00:14:00,120 --> 00:14:02,720 Speaker 3: and whatever it was stuck in at that time, I'd 259 00:14:02,720 --> 00:14:06,200 Speaker 3: really take the you know, the the moment to be like, 260 00:14:06,800 --> 00:14:09,960 Speaker 3: what am I stuck in? How do I uh really 261 00:14:10,400 --> 00:14:11,960 Speaker 3: trade trade this proofully? 262 00:14:13,480 --> 00:14:17,280 Speaker 1: And what's my truth in terms of having it stuck 263 00:14:17,320 --> 00:14:19,680 Speaker 1: in a Chinese finger trap? And what and how do 264 00:14:19,720 --> 00:14:22,560 Speaker 1: I feel about China? Yeah, you know, and why did 265 00:14:22,560 --> 00:14:27,960 Speaker 1: they make these nefarious traps? How did they? Well? Yeah, 266 00:14:28,200 --> 00:14:29,680 Speaker 1: how did they? And why did they? 267 00:14:30,400 --> 00:14:35,560 Speaker 2: Like it's still there? Yeah, oh yeah, no, we could 268 00:14:36,400 --> 00:14:37,280 Speaker 2: definitely see that. 269 00:14:37,560 --> 00:14:41,240 Speaker 1: Yeah, I almost feel like I'm watching part of the movie. 270 00:14:41,320 --> 00:14:44,520 Speaker 2: I don't know if you thought that it was like 271 00:14:44,520 --> 00:14:47,400 Speaker 2: like that, that you were covering it up pretty well, 272 00:14:47,560 --> 00:14:50,720 Speaker 2: but well, like we you know, you can tell that 273 00:14:50,800 --> 00:14:51,680 Speaker 2: it is still happening. 274 00:14:51,840 --> 00:14:55,880 Speaker 1: That's cool. So uh yeah, so talk about so the 275 00:14:56,120 --> 00:14:59,480 Speaker 1: So this Jewish character with his wien are stuck in everything. Yeah, 276 00:15:00,120 --> 00:15:03,320 Speaker 1: the beach and he's hanging out with c J, who 277 00:15:03,600 --> 00:15:07,520 Speaker 1: is attractive and she's played by. 278 00:15:06,600 --> 00:15:11,720 Speaker 3: My girl k Ror Yuh Kelly roorbach Uh, swimsuit model, 279 00:15:13,200 --> 00:15:18,040 Speaker 3: fantastic actress and just overall like I don't want to 280 00:15:18,080 --> 00:15:20,840 Speaker 3: say best friend, but like we do hang out on 281 00:15:20,880 --> 00:15:22,120 Speaker 3: the weekends. 282 00:15:21,920 --> 00:15:25,440 Speaker 1: And comedically kind of raise the bar for you. 283 00:15:25,800 --> 00:15:28,960 Speaker 3: Well, you know, I've done one through four, you know 284 00:15:29,040 --> 00:15:31,440 Speaker 3: what I mean, that's easy be talk fis one, one, 285 00:15:31,640 --> 00:15:33,120 Speaker 3: one four, you know what I'm saying, and. 286 00:15:33,200 --> 00:15:36,120 Speaker 1: Has second city training. Yeah second And I'm kind of 287 00:15:36,200 --> 00:15:38,800 Speaker 1: just naturally funny, just naturally you got your stuff, you know. 288 00:15:39,280 --> 00:15:41,240 Speaker 3: But like I went to Harvard, I mean I did 289 00:15:41,280 --> 00:15:45,000 Speaker 3: go to Okay, so like I you know, I got 290 00:15:45,080 --> 00:15:46,560 Speaker 3: into it and I like, did it right? 291 00:15:47,880 --> 00:15:59,720 Speaker 1: But John, Yep, I don't wow, I don't really went somewhere. 292 00:15:59,720 --> 00:16:00,520 Speaker 1: I don't want to. 293 00:16:02,680 --> 00:16:05,440 Speaker 3: Like say that she's the best that I've seen, but 294 00:16:06,440 --> 00:16:09,440 Speaker 3: she is by far one of the greatest comedians of 295 00:16:10,160 --> 00:16:11,360 Speaker 3: I think our generation. 296 00:16:12,320 --> 00:16:14,240 Speaker 1: So and for you to even put me in your 297 00:16:14,320 --> 00:16:17,360 Speaker 1: generation like that means so much to me. You're welcome, 298 00:16:17,440 --> 00:16:20,640 Speaker 1: that's huge. And so because you've worked with Alex who, 299 00:16:20,680 --> 00:16:22,600 Speaker 1: as we said, and not to bring him up again, 300 00:16:22,680 --> 00:16:24,120 Speaker 1: but he was here last time and he was really 301 00:16:24,200 --> 00:16:27,560 Speaker 1: funny on this and you weren't necessarily able to keep 302 00:16:27,640 --> 00:16:29,560 Speaker 1: up with some of his ship at that time. It 303 00:16:29,720 --> 00:16:32,920 Speaker 1: never would be. Yeah, and then she's sort of making 304 00:16:33,080 --> 00:16:37,400 Speaker 1: Alex look like some kind of garbage first, yes, some 305 00:16:37,600 --> 00:16:40,800 Speaker 1: sort of terrible human beings. So you're kind of yeah, yeah, 306 00:16:40,840 --> 00:16:42,040 Speaker 1: I'm you're mega fucked. 307 00:16:42,160 --> 00:16:44,440 Speaker 3: I know that I'm mega fucked. I'm looking at it 308 00:16:44,680 --> 00:16:47,280 Speaker 3: to be exposed, unlike mega megaphone fucked. 309 00:16:47,280 --> 00:16:50,200 Speaker 1: You know what I'm saying. Yeah, it's bad. No, those 310 00:16:50,240 --> 00:16:51,239 Speaker 1: are pretty wide. 311 00:16:52,520 --> 00:16:55,360 Speaker 3: So I uh I you know, it's it's just getting 312 00:16:55,440 --> 00:16:57,960 Speaker 3: to that place with like an actress of that caliber, 313 00:16:58,160 --> 00:17:08,520 Speaker 3: who who who who just really loves the art of 314 00:17:08,680 --> 00:17:12,200 Speaker 3: comedy and really throws herself into it. She wants to 315 00:17:12,280 --> 00:17:14,240 Speaker 3: look stupid, and she's like, let me look bad in 316 00:17:14,320 --> 00:17:17,560 Speaker 3: this scene. Don't put makeup on me, don't make my 317 00:17:17,840 --> 00:17:19,280 Speaker 3: tits look like they're about to pop. 318 00:17:19,400 --> 00:17:20,200 Speaker 1: Use me. Okay. 319 00:17:20,800 --> 00:17:22,560 Speaker 2: So this is something that we need to learn from, 320 00:17:22,720 --> 00:17:24,680 Speaker 2: is like how we're referring, because we'll get to this 321 00:17:24,720 --> 00:17:25,560 Speaker 2: stuff a little later. 322 00:17:26,040 --> 00:17:28,720 Speaker 1: Well you can say like buberinos or. 323 00:17:29,400 --> 00:17:37,760 Speaker 3: Well, front torpedoes is sort of frontal tortio, front of torstidos. Okay, 324 00:17:39,040 --> 00:17:43,040 Speaker 3: but boobs, yeah, sorry, Yeah, I don't want to use boobs. 325 00:17:43,040 --> 00:17:45,119 Speaker 3: I don't want to use tits. That's kind of crass 326 00:17:45,880 --> 00:17:48,480 Speaker 3: and it's disgusting. And if you think about it, like. 327 00:17:49,480 --> 00:17:52,080 Speaker 1: You know, I'm speaking of someone, I have a daughter, 328 00:17:53,320 --> 00:17:57,399 Speaker 1: So I think I really can understand that we I know, 329 00:17:57,560 --> 00:18:01,160 Speaker 1: you guys maybe just think it's okay to treat women 330 00:18:01,280 --> 00:18:03,600 Speaker 1: like shit. Yeah, And of course I did too, but 331 00:18:03,760 --> 00:18:06,560 Speaker 1: I have a daughter, yeah, and so now I am 332 00:18:06,840 --> 00:18:09,960 Speaker 1: actually qualified, and that is a reason that I have 333 00:18:10,119 --> 00:18:13,080 Speaker 1: found to not necessarily treat women like shit or talk 334 00:18:13,080 --> 00:18:17,040 Speaker 1: about them like they are sort of just like animals 335 00:18:17,200 --> 00:18:21,800 Speaker 1: or objects. Yeah, because of my daughter. Because prior to 336 00:18:21,880 --> 00:18:25,040 Speaker 1: my daughter, there's a pretty extensive record of me doing that, 337 00:18:26,800 --> 00:18:30,840 Speaker 1: which I, you know, won't apologize for because at the 338 00:18:30,880 --> 00:18:33,400 Speaker 1: time I did not have a daughter and I wasn't 339 00:18:33,440 --> 00:18:35,960 Speaker 1: in the room with someone who did. But now I do. 340 00:18:36,720 --> 00:18:39,520 Speaker 1: And so we're not gonna say tits. We're gonna say 341 00:18:39,880 --> 00:18:48,160 Speaker 1: frontal torpedoes, uh, frontal tostitos, frontal totinos and uh, maybe 342 00:18:48,240 --> 00:18:51,520 Speaker 1: one other one pringles okay, yep. And I have three 343 00:18:51,600 --> 00:18:55,000 Speaker 1: daughters and they're all packing as well. So oh, I 344 00:18:55,080 --> 00:19:00,399 Speaker 1: forgot to mention, Yeah, my daughter's pets stat Yeah, yeah, no, 345 00:19:00,560 --> 00:19:03,880 Speaker 1: they're talking about the yah yah head that's my those 346 00:19:03,920 --> 00:19:06,520 Speaker 1: are my I don't know. I honestly, I don't have 347 00:19:06,680 --> 00:19:10,280 Speaker 1: any daughters, but i've I've said and that comes through, yeah, 348 00:19:10,280 --> 00:19:12,480 Speaker 1: I know. And it's pretty obvious with the way that 349 00:19:12,560 --> 00:19:15,120 Speaker 1: you said the word tits and I do I say. 350 00:19:15,000 --> 00:19:16,639 Speaker 3: Like, I say this stuff that I shouldn't say, like 351 00:19:16,760 --> 00:19:19,560 Speaker 3: boobs and tits and that's like bad, that's like a 352 00:19:19,640 --> 00:19:21,879 Speaker 3: bad thing, and I need to treat them with more respect. 353 00:19:22,119 --> 00:19:26,639 Speaker 1: Do me a favor, say hey, I respect you, you 354 00:19:26,760 --> 00:19:28,560 Speaker 1: know what I mean, because that would mean a lot 355 00:19:28,640 --> 00:19:31,439 Speaker 1: to someone like my daughter who's got like she's packing 356 00:19:31,480 --> 00:19:32,400 Speaker 1: heat upstairs. 357 00:19:33,240 --> 00:19:36,320 Speaker 2: Uh, I respect your booburrinos would be really nice. Yeah, 358 00:19:36,400 --> 00:19:38,840 Speaker 2: of course, of course, I'm not looking to be like 359 00:19:39,080 --> 00:19:39,720 Speaker 2: an asshole. 360 00:19:39,800 --> 00:19:40,000 Speaker 1: You know. 361 00:19:40,240 --> 00:19:42,080 Speaker 3: I want to be the kind of guy who can 362 00:19:42,200 --> 00:19:46,680 Speaker 3: look at a woman and say, those frontal torpedoes are 363 00:19:46,720 --> 00:19:49,480 Speaker 3: getting me a rock hard and I and I don't 364 00:19:49,480 --> 00:19:52,080 Speaker 3: know what to do with this Chinese finger trap that's 365 00:19:52,160 --> 00:19:52,960 Speaker 3: popping out, you know. 366 00:19:53,760 --> 00:19:55,400 Speaker 1: I want that to be something that I can say. 367 00:19:55,440 --> 00:19:59,320 Speaker 1: It's like, what a nice goal to have and this 368 00:19:59,520 --> 00:20:04,159 Speaker 1: culture where, let's face it, our president doesn't necessarily always 369 00:20:04,200 --> 00:20:06,760 Speaker 1: have that much respect, yeah, you know, and isn't setting 370 00:20:06,800 --> 00:20:09,520 Speaker 1: a great example. And then for a guy like you, 371 00:20:10,040 --> 00:20:13,480 Speaker 1: and he has a daughter who is she's stacked. Oh god, 372 00:20:13,520 --> 00:20:17,359 Speaker 1: so he has no excuse. Yeah no, she's Yeah, she 373 00:20:17,600 --> 00:20:21,639 Speaker 1: got a slam in seat of frigging salmon upstairs. So 374 00:20:22,560 --> 00:20:26,159 Speaker 1: uh so it's like, how do you not? Yeah no, 375 00:20:26,359 --> 00:20:28,320 Speaker 1: you were able to talk like this. You would think 376 00:20:28,359 --> 00:20:30,680 Speaker 1: he would have learned by that. But it doesn't, you know, 377 00:20:30,880 --> 00:20:31,480 Speaker 1: it doesn't matter. 378 00:20:31,560 --> 00:20:36,320 Speaker 3: Look what matters is k or she does have those 379 00:20:37,720 --> 00:20:43,320 Speaker 3: you know, yeah, I guess, But beyond that, she's just 380 00:20:43,560 --> 00:20:46,600 Speaker 3: you know, she's gone through the class classes she was. 381 00:20:46,960 --> 00:20:53,440 Speaker 1: She was on so many Harald teams before she came, 382 00:20:53,560 --> 00:20:55,639 Speaker 1: and I we don't have to list them all here, 383 00:20:55,800 --> 00:21:02,159 Speaker 1: but we'll name it uh hop hop and stop. M 384 00:21:02,320 --> 00:21:08,679 Speaker 1: hmmm hmm. Twelve thousand dollars. Figure it out. The syndicate 385 00:21:11,320 --> 00:21:26,400 Speaker 1: h oh fuck uh monkey dick uh the fucking Kennedy's 386 00:21:27,600 --> 00:21:31,280 Speaker 1: tantrum bangs. 387 00:21:32,480 --> 00:21:35,560 Speaker 2: And of course my background is Second City, uh huh, 388 00:21:35,760 --> 00:21:39,280 Speaker 2: where we don't do the Harold, we do the the 389 00:21:39,920 --> 00:21:43,160 Speaker 2: Harold Ramis went here is what we call that kind 390 00:21:43,200 --> 00:21:47,320 Speaker 2: of sketch, which I think he might have yeah, and 391 00:21:47,400 --> 00:21:48,440 Speaker 2: then yeah it's possible. 392 00:21:49,200 --> 00:21:51,280 Speaker 1: Yeah, I mean, I'm you know, I know a lot 393 00:21:51,359 --> 00:21:54,160 Speaker 1: of guys from Harvard that did Second City stuff afterwards, 394 00:21:54,400 --> 00:21:57,959 Speaker 1: and uh yeah, it is really cool to see them 395 00:21:58,040 --> 00:22:00,399 Speaker 1: sort of learn and figure it out and become you know, 396 00:22:00,560 --> 00:22:01,760 Speaker 1: little mini k rors. 397 00:22:01,960 --> 00:22:04,560 Speaker 3: I'm not trying to you guys have been talking a 398 00:22:04,640 --> 00:22:06,440 Speaker 3: lot about Second City and Harvard. 399 00:22:06,880 --> 00:22:11,359 Speaker 1: Is there is there some sort of plug here or 400 00:22:11,840 --> 00:22:14,520 Speaker 1: is there some ULTERI We are doing ads. We do 401 00:22:14,680 --> 00:22:17,960 Speaker 1: ads for Second City and for hard and yeah, and 402 00:22:18,119 --> 00:22:20,359 Speaker 1: we do ads for college, which Harvard is basically the 403 00:22:20,440 --> 00:22:21,040 Speaker 1: main college. 404 00:22:21,320 --> 00:22:23,520 Speaker 3: It's basically the main college. So you guys are just 405 00:22:23,600 --> 00:22:27,160 Speaker 3: sort of snapping it in there just when you can, yes, 406 00:22:27,320 --> 00:22:28,080 Speaker 3: but also. 407 00:22:28,000 --> 00:22:30,760 Speaker 1: Doing the ads on top of the top. We do 408 00:22:30,840 --> 00:22:32,440 Speaker 1: all the ads, but we talk about the ads we're 409 00:22:32,440 --> 00:22:35,080 Speaker 1: gonna do during the show portion that's not the ads, Okay, 410 00:22:35,200 --> 00:22:37,560 Speaker 1: So it's like a it's like an ad portion of 411 00:22:37,720 --> 00:22:40,640 Speaker 1: the show to get into the ads. It's an inception 412 00:22:40,760 --> 00:22:43,760 Speaker 1: of ads. Yeah, it's just I mean, we talk about 413 00:22:43,760 --> 00:22:45,800 Speaker 1: our own experience if we happen to have had experience 414 00:22:45,880 --> 00:22:47,520 Speaker 1: with some of the stuff that's in the ads, Like, hey, 415 00:22:47,520 --> 00:22:50,680 Speaker 1: it's the Second City, it's hardly having been in Harvard 416 00:22:50,920 --> 00:22:54,280 Speaker 1: at the school, you know, those kind of things are 417 00:22:54,320 --> 00:22:58,119 Speaker 1: always fun to explore and talk about with friends like 418 00:22:58,240 --> 00:23:04,000 Speaker 1: John Bass. Now you did the Baywich Blooper. Yep. Yeah, 419 00:23:04,800 --> 00:23:09,159 Speaker 1: so so Kelly's school and you she's dunking on your 420 00:23:09,200 --> 00:23:12,680 Speaker 1: ass and making you look like some kind of fucking chump. 421 00:23:12,880 --> 00:23:15,480 Speaker 1: She was lapping you. I was sort of noticing in 422 00:23:15,560 --> 00:23:16,720 Speaker 1: a lot of these scenes. 423 00:23:17,040 --> 00:23:19,399 Speaker 2: She's beyond it's beyond racing out a head and you 424 00:23:19,880 --> 00:23:21,960 Speaker 2: like lose sight of her and then suddenly she's coming 425 00:23:22,040 --> 00:23:23,160 Speaker 2: up behind you again. 426 00:23:23,520 --> 00:23:23,720 Speaker 1: Yeah. 427 00:23:23,880 --> 00:23:26,040 Speaker 3: Well, it's just I want to say, because I do 428 00:23:26,160 --> 00:23:28,840 Speaker 3: think it's important to say, Like I was working with 429 00:23:28,920 --> 00:23:30,280 Speaker 3: the creme de la creme of. 430 00:23:30,480 --> 00:23:32,440 Speaker 1: The comedy world, right, mm hmm. 431 00:23:32,760 --> 00:23:38,359 Speaker 3: I've got DJ and Z who are just fucking monsters 432 00:23:38,400 --> 00:23:39,840 Speaker 3: when it comes to improv comedy. 433 00:23:41,240 --> 00:23:42,440 Speaker 1: Like you see them go at it. 434 00:23:42,600 --> 00:23:46,240 Speaker 3: And I remember the days back at Second City and 435 00:23:46,520 --> 00:23:49,480 Speaker 3: UCB where they would do their nighttime shows, you know, 436 00:23:49,960 --> 00:23:52,680 Speaker 3: midnight just fucking getting into. 437 00:23:52,840 --> 00:23:55,560 Speaker 1: Where they just yeah, where they literally get so raw 438 00:23:55,760 --> 00:23:59,360 Speaker 1: and so out there and it's not even for the audience. Yeah, 439 00:23:59,480 --> 00:24:03,000 Speaker 1: it's just like them exploring the kind of darkest crevices 440 00:24:03,040 --> 00:24:05,920 Speaker 1: of their mind. Yeah, and DJ doing some of the stuff. 441 00:24:05,920 --> 00:24:07,680 Speaker 1: And you see this in his Instagram stories where a 442 00:24:07,680 --> 00:24:10,040 Speaker 1: lot of times there's fans that have been waiting outside 443 00:24:10,080 --> 00:24:13,960 Speaker 1: set till three in the morning. Yeah, and he'll drive up, yes, 444 00:24:14,080 --> 00:24:16,040 Speaker 1: to say hi to the fans, but he'll also fuck 445 00:24:16,119 --> 00:24:19,680 Speaker 1: with them a little bit. Cool. He'll go, yeah, just 446 00:24:19,800 --> 00:24:22,480 Speaker 1: a little bit of a finger. Yeah, yeah, No, he's 447 00:24:22,600 --> 00:24:25,359 Speaker 1: just he's just sort of squeezing it in there real quick, 448 00:24:25,440 --> 00:24:28,440 Speaker 1: popping back out, just tickling a little bit more. Oh yeah, 449 00:24:28,760 --> 00:24:32,080 Speaker 1: tickling around the edge of it and just going like, okay, yeah, 450 00:24:32,160 --> 00:24:34,200 Speaker 1: these guys are out here. I'm gonna fuck with him 451 00:24:34,240 --> 00:24:36,680 Speaker 1: for a second. And then he'll swing by just be 452 00:24:36,880 --> 00:24:39,959 Speaker 1: like hey, guys, peace, see you later. And then they 453 00:24:40,000 --> 00:24:41,680 Speaker 1: think he's driving away, and then he'll drive back and 454 00:24:41,720 --> 00:24:44,360 Speaker 1: he'll sign an autograph or something. So it was really fun, 455 00:24:44,480 --> 00:24:46,880 Speaker 1: and him getting to fuck with me was a vest 456 00:24:47,000 --> 00:24:48,720 Speaker 1: like the things that he do he did to me 457 00:24:50,280 --> 00:24:53,160 Speaker 1: his Yes, I think his sense of humor, you're sort 458 00:24:53,160 --> 00:24:55,680 Speaker 1: of a ripe target for it. Yeah. The things that 459 00:24:55,760 --> 00:24:58,560 Speaker 1: he did to me were not right. Yeah. Yeah. And 460 00:24:58,760 --> 00:25:02,080 Speaker 1: his comedy is so wraw, you know, and so raunchy. No, no, no, 461 00:25:02,280 --> 00:25:05,959 Speaker 1: the things that he did to me, they were they 462 00:25:06,000 --> 00:25:11,000 Speaker 1: were not right. And Cody, you say, oh, hell no, I. 463 00:25:11,560 --> 00:25:17,440 Speaker 3: Have absolutely no fucking idea what any of you guys 464 00:25:17,520 --> 00:25:18,160 Speaker 3: are talking about. 465 00:25:19,800 --> 00:25:24,640 Speaker 1: Oh hell yeah, okay, I like that. So yeah, that's 466 00:25:24,760 --> 00:25:30,600 Speaker 1: that's sick. And then z Man obviously is also cracking 467 00:25:30,640 --> 00:25:32,520 Speaker 1: your whole ship up. He's cracking my whole ship up. 468 00:25:32,960 --> 00:25:35,960 Speaker 3: He's making the moves and I'm just trying to to 469 00:25:36,119 --> 00:25:38,159 Speaker 3: you know, copycat. 470 00:25:38,119 --> 00:25:39,960 Speaker 2: Tough for you, someone who's coming from sort of the 471 00:25:39,960 --> 00:25:43,359 Speaker 2: British method approach of having studied the script for weeks. 472 00:25:43,520 --> 00:25:45,960 Speaker 2: You've sort of gone into your little hole and sort 473 00:25:46,000 --> 00:25:49,480 Speaker 2: of planned out all of your facial moves and I'm 474 00:25:49,520 --> 00:25:52,680 Speaker 2: just so your whole physicality. Yeah, And then these guys 475 00:25:52,760 --> 00:25:54,760 Speaker 2: come in and it's basically I thought we had a 476 00:25:54,840 --> 00:25:55,280 Speaker 2: script we. 477 00:25:55,320 --> 00:25:56,240 Speaker 1: Were working with here. 478 00:25:56,720 --> 00:25:59,680 Speaker 3: I was like, you know, me and Dame Judy and 479 00:26:00,000 --> 00:26:03,560 Speaker 3: and Ian are just sort of like trying to do 480 00:26:03,680 --> 00:26:07,399 Speaker 3: our thing, Miquelia, and we're you know, we we spend 481 00:26:07,720 --> 00:26:12,359 Speaker 3: these months and years trying to like get into the craft. 482 00:26:12,480 --> 00:26:15,399 Speaker 3: I was trying to be the best fucking piece of 483 00:26:15,440 --> 00:26:17,520 Speaker 3: shit jew that I could who gets his dick stuck 484 00:26:17,600 --> 00:26:22,280 Speaker 3: and stuff. You know, that's like what I was preparing for, right, 485 00:26:22,280 --> 00:26:26,440 Speaker 3: and then getting into this moment where I'm like, okay, 486 00:26:26,440 --> 00:26:30,040 Speaker 3: and now I finally get to play this fucking idiot jew. 487 00:26:31,280 --> 00:26:35,040 Speaker 1: Who doesn't belong on the beach and who it's sort 488 00:26:35,080 --> 00:26:38,880 Speaker 1: of like in a humorous way, can't do jack shit. 489 00:26:39,640 --> 00:26:44,680 Speaker 1: And there's all these sort of like beautiful yeah, you know, gentile, 490 00:26:45,720 --> 00:26:46,760 Speaker 1: beautiful achievements, Like. 491 00:26:46,920 --> 00:26:48,879 Speaker 3: You look at them and you're like, oh, this is 492 00:26:49,000 --> 00:26:52,320 Speaker 3: what people are supposed to look like. Arian Nation maybe 493 00:26:52,560 --> 00:26:55,040 Speaker 3: is the thing that we should have really considered. Because 494 00:26:55,080 --> 00:26:56,280 Speaker 3: then I show up and you're like. 495 00:26:56,480 --> 00:26:59,520 Speaker 1: You get where the idea came from. Yeah, yeah, So 496 00:26:59,680 --> 00:27:02,639 Speaker 1: it's so that's sick. So it was sick, and it 497 00:27:02,760 --> 00:27:05,600 Speaker 1: was cool you and Ian and Dame Judy Ever just 498 00:27:05,680 --> 00:27:06,520 Speaker 1: go around where like. 499 00:27:06,760 --> 00:27:12,119 Speaker 2: You guys are workshopping together where he's Magneto and she 500 00:27:12,240 --> 00:27:15,080 Speaker 2: she's the queen. She's the queen, and you are Ronnie 501 00:27:15,080 --> 00:27:19,399 Speaker 2: Burnbaum and like Wayne Baumb Okay, sorry, I think and 502 00:27:19,520 --> 00:27:20,320 Speaker 2: what those. 503 00:27:20,200 --> 00:27:22,040 Speaker 1: Characters and that's a little on you if we don't 504 00:27:22,119 --> 00:27:26,640 Speaker 1: know that, you know, because we knew Magneto's name, yea, 505 00:27:27,520 --> 00:27:30,160 Speaker 1: what those characters are like together together. Yeah. 506 00:27:30,800 --> 00:27:33,480 Speaker 3: Yeah, I mean obviously you need to go around town, 507 00:27:33,560 --> 00:27:39,040 Speaker 3: you need to try it out. I'm a huge proponent of, uh, 508 00:27:39,520 --> 00:27:43,720 Speaker 3: you know, getting deep into it, getting deep into the character. 509 00:27:43,840 --> 00:27:46,320 Speaker 3: I imagine Magneto could help you get a staple out 510 00:27:46,320 --> 00:27:47,280 Speaker 3: of your dick, for example. 511 00:27:48,040 --> 00:27:52,240 Speaker 1: Well he because oh, because he has the technology to 512 00:27:52,359 --> 00:27:55,400 Speaker 1: do that. Oh that's technically okay, yeah, the power. Yeah, 513 00:27:55,920 --> 00:27:58,040 Speaker 1: there's an interesting thing because all those guys do know 514 00:27:58,160 --> 00:28:01,520 Speaker 1: each other, Like Eric is as friends with Xavier, right, 515 00:28:02,880 --> 00:28:07,399 Speaker 1: and then at some point they go, hey, sometimes you 516 00:28:07,520 --> 00:28:11,320 Speaker 1: gotta call me Magneto, Like, but he had magnet powers 517 00:28:11,320 --> 00:28:13,280 Speaker 1: when he met him. It's when I had There is 518 00:28:13,320 --> 00:28:16,280 Speaker 1: a conversation at some point where it's like sometimes you 519 00:28:16,359 --> 00:28:18,919 Speaker 1: have to call me Magneto and like and then or logan, 520 00:28:19,400 --> 00:28:21,760 Speaker 1: well you know, and it's like, hey, I kind of 521 00:28:21,800 --> 00:28:24,840 Speaker 1: have these storm powers, so like once in a while, 522 00:28:26,280 --> 00:28:29,920 Speaker 1: call me storm. But I but you met me and 523 00:28:30,000 --> 00:28:31,920 Speaker 1: I had a normal name. Like that's a that's a 524 00:28:32,000 --> 00:28:37,680 Speaker 1: strange transition to make with a friend. Yeah, an insane transition, 525 00:28:37,960 --> 00:28:40,320 Speaker 1: just like and then to pick which one am I 526 00:28:40,400 --> 00:28:44,160 Speaker 1: gonna use, you know, and at any given point, but 527 00:28:45,360 --> 00:28:46,960 Speaker 1: that's a yeah, that's a rabbit hole. 528 00:28:47,080 --> 00:28:48,400 Speaker 3: It's a rabbit hole we don't need to go into 529 00:28:48,480 --> 00:28:51,000 Speaker 3: right now. The important thing is me Ian and Dame 530 00:28:51,520 --> 00:28:56,000 Speaker 3: are just really you know, dealing with our characters. 531 00:28:56,920 --> 00:28:58,520 Speaker 1: We don't need to go down that either. But for 532 00:28:58,760 --> 00:29:01,640 Speaker 1: but for these but for this crew. That's sort of 533 00:29:01,680 --> 00:29:03,840 Speaker 1: making a Dame look like idiots because they have to 534 00:29:03,920 --> 00:29:08,000 Speaker 1: use the script. These you know, dj z Man and 535 00:29:08,200 --> 00:29:11,600 Speaker 1: k row Are were in there and we're saying, hey, 536 00:29:11,680 --> 00:29:15,240 Speaker 1: the script that was just a jumping off point. That 537 00:29:15,400 --> 00:29:17,920 Speaker 1: was a suggestion of something we might do, and by 538 00:29:17,960 --> 00:29:24,200 Speaker 1: the way, we won't. And you're left kind of eating dust. 539 00:29:24,400 --> 00:29:26,960 Speaker 3: Yeah, because I'm Shakespeare guy, you know, I'm doing the 540 00:29:27,000 --> 00:29:29,560 Speaker 3: real stuff. So it was like I was eating dust 541 00:29:29,680 --> 00:29:33,760 Speaker 3: Mester homework. I'm so glad that I was able to 542 00:29:33,800 --> 00:29:40,000 Speaker 3: come onto Hollywood Handbook and just destroy my career, just truly, 543 00:29:40,120 --> 00:29:42,880 Speaker 3: like take some moment of the one really. 544 00:29:42,800 --> 00:29:47,560 Speaker 1: Huge something of a Falstaffian move. I just don't make 545 00:29:47,640 --> 00:29:49,240 Speaker 1: a lot of movies anymore. 546 00:29:49,800 --> 00:29:51,800 Speaker 3: And you got to be in a huge I know, 547 00:29:52,080 --> 00:29:54,040 Speaker 3: I know, they really gave me a shot, and I 548 00:29:54,120 --> 00:29:57,560 Speaker 3: decided to come onto Hollywood Handbook and disparage everyone in 549 00:29:57,680 --> 00:29:58,080 Speaker 3: part of it. 550 00:29:58,360 --> 00:30:06,760 Speaker 1: Oh hell yeah, No, it is truly, truly fantastic. It's 551 00:30:06,840 --> 00:30:10,280 Speaker 1: too soon? Is it too soon? What do you guys think? 552 00:30:10,680 --> 00:30:12,520 Speaker 1: What are we gonna do when people have like stopped 553 00:30:12,560 --> 00:30:15,280 Speaker 1: talking about the movie? No, we have to do it now. 554 00:30:15,880 --> 00:30:21,400 Speaker 2: When people when people are when people about bay on 555 00:30:21,480 --> 00:30:22,360 Speaker 2: their planes. 556 00:30:22,080 --> 00:30:24,040 Speaker 1: And being like, do you want to watch bay Watch? 557 00:30:24,920 --> 00:30:27,160 Speaker 1: Do you want to watch Baywatch? We go watch it? No, 558 00:30:28,800 --> 00:30:33,600 Speaker 1: I'm gonna watch Uh yeah, Jack Reacher two seems good. 559 00:30:33,760 --> 00:30:37,960 Speaker 1: Never go back? I think I will this time. What's 560 00:30:38,040 --> 00:30:41,600 Speaker 1: that other one? The shape? The weird one? Anyway, you know, 561 00:30:41,680 --> 00:30:43,840 Speaker 1: the shape of water, the shape of water. But that 562 00:30:43,880 --> 00:30:45,280 Speaker 1: hasn't come out, That doesn't come out yet. 563 00:30:45,800 --> 00:30:48,800 Speaker 3: Uh, it will all watch it on a plane? No, 564 00:30:48,920 --> 00:30:51,000 Speaker 3: but yeah, it's fresh. People are people are ready to 565 00:30:51,040 --> 00:30:51,560 Speaker 3: get into it. 566 00:30:51,720 --> 00:30:55,280 Speaker 1: So okay, so we've sort of got an idea of 567 00:30:55,440 --> 00:30:59,320 Speaker 1: the context and what's happening on the you know, on 568 00:30:59,440 --> 00:31:03,280 Speaker 1: the set. So now we've got these blooper things that 569 00:31:03,400 --> 00:31:06,120 Speaker 1: have happened, and let's face it, you're involved in some 570 00:31:06,280 --> 00:31:10,160 Speaker 1: of them, and bloopers are errors. People laugh at these things, 571 00:31:10,520 --> 00:31:13,960 Speaker 1: but what you forget is this is a mistake that happened. 572 00:31:15,320 --> 00:31:18,120 Speaker 1: This was wrong, This was a wrong mess. It's a 573 00:31:18,200 --> 00:31:22,360 Speaker 1: teaching tool. H Okay, don't do this, and I think 574 00:31:22,480 --> 00:31:25,160 Speaker 1: we've got an example of one that you were in 575 00:31:26,320 --> 00:31:28,560 Speaker 1: that maybe we can discuss. All right, you guys are 576 00:31:28,560 --> 00:31:30,800 Speaker 1: ready for this. No, you have to set the scene. 577 00:31:30,920 --> 00:31:35,000 Speaker 1: Oh sorry, yeah, ok I'm ready for you to set 578 00:31:35,000 --> 00:31:35,560 Speaker 1: the scene. Yeah. 579 00:31:35,680 --> 00:31:38,160 Speaker 3: So this is the end of the movie. Me and 580 00:31:38,360 --> 00:31:41,120 Speaker 3: k Ror have finally gotten together. It's the thing that 581 00:31:41,360 --> 00:31:44,720 Speaker 3: everyone's been waiting for. They wanted to see this fat, 582 00:31:45,040 --> 00:31:48,960 Speaker 3: tubby jew finally get with this super hot arian chick. 583 00:31:49,520 --> 00:31:51,840 Speaker 1: It's what people came to see the movie for. And 584 00:31:52,040 --> 00:31:55,120 Speaker 1: so finally I get it. 585 00:31:55,560 --> 00:31:58,960 Speaker 3: I get this chick, and she's like and she's like 586 00:31:59,120 --> 00:32:03,200 Speaker 3: into it, but she's also you know, she's also like, 587 00:32:03,800 --> 00:32:05,200 Speaker 3: I just slept with a jew. 588 00:32:06,280 --> 00:32:08,600 Speaker 1: Well, she still kind of thinks your body, so Joe. 589 00:32:08,560 --> 00:32:11,160 Speaker 3: Yeah, she definitely thinks my body's a joke. So does 590 00:32:11,200 --> 00:32:13,880 Speaker 3: everyone on set, and so do I. Right, we're all 591 00:32:14,240 --> 00:32:16,600 Speaker 3: very much in on the joke that I got a tubby, 592 00:32:16,680 --> 00:32:17,960 Speaker 3: little piece of shit body. 593 00:32:18,240 --> 00:32:21,440 Speaker 1: Let's slap it around, right, Yes, it's a good idea 594 00:32:21,520 --> 00:32:22,040 Speaker 1: for a scene. 595 00:32:23,880 --> 00:32:26,000 Speaker 3: They take that muffin top and just really jiggle it 596 00:32:26,080 --> 00:32:28,880 Speaker 3: around for us, fat boy, you know, that's what That's 597 00:32:28,880 --> 00:32:29,480 Speaker 3: what they said to me. 598 00:32:29,600 --> 00:32:32,840 Speaker 1: That was the direction they gave me. So is Derek 599 00:32:32,880 --> 00:32:35,800 Speaker 1: Jeter in your eyeline as you're doing these scenes? Is 600 00:32:35,880 --> 00:32:39,760 Speaker 1: he in my eyeline watching me from uh oh village? 601 00:32:39,880 --> 00:32:43,400 Speaker 1: Because weren't they like they were? I think they dated 602 00:32:43,480 --> 00:32:44,640 Speaker 1: for girlfriends. 603 00:32:45,520 --> 00:32:48,080 Speaker 3: Derek was there. Derek was there, and he's threatening the 604 00:32:48,160 --> 00:32:51,000 Speaker 3: throw baseball. He was throwing baseballs at me. There were 605 00:32:51,160 --> 00:32:53,280 Speaker 3: he was pelting them at my body. 606 00:32:53,760 --> 00:32:55,320 Speaker 1: He was in on the joke too. We were all 607 00:32:55,360 --> 00:32:57,920 Speaker 1: in on the joke. He that's so fun. Yeah, everyone's 608 00:32:58,000 --> 00:33:00,640 Speaker 1: kind of on the same page about what the joke is. Yeah, exactly. 609 00:33:00,720 --> 00:33:02,520 Speaker 3: He was like, should I make a bulls eye on 610 00:33:02,760 --> 00:33:05,440 Speaker 3: his belly and then just like pelt him? And I 611 00:33:05,560 --> 00:33:07,160 Speaker 3: was like, Derek, You're so funny. 612 00:33:07,320 --> 00:33:07,960 Speaker 1: Let's do it. 613 00:33:08,560 --> 00:33:10,240 Speaker 2: And I wish it is such a night like I 614 00:33:10,680 --> 00:33:12,800 Speaker 2: dream of the day when there could be a movie 615 00:33:12,960 --> 00:33:16,960 Speaker 2: about my bad body, just like the Dire movie. 616 00:33:17,360 --> 00:33:19,800 Speaker 1: Yeah, and it is about my body is not very good. 617 00:33:19,920 --> 00:33:21,960 Speaker 3: Yeah, it's about how your body is not very good 618 00:33:22,120 --> 00:33:25,280 Speaker 3: and how you should and if you can be surrounded 619 00:33:25,320 --> 00:33:29,160 Speaker 3: by as many people with good bodies. Yes, and those 620 00:33:29,240 --> 00:33:31,760 Speaker 3: people keep on going, what's with this guy and his 621 00:33:32,040 --> 00:33:32,800 Speaker 3: bad body. 622 00:33:33,000 --> 00:33:36,040 Speaker 1: Yeah, or it's sort of like or there's sort of 623 00:33:36,120 --> 00:33:39,080 Speaker 1: a funny element where one of them is okay with 624 00:33:39,200 --> 00:33:41,600 Speaker 1: your body for a minute, just for a minute, and 625 00:33:41,680 --> 00:33:48,320 Speaker 1: then and that kind of lets the whole audience go, like, imagine. Okay, 626 00:33:48,400 --> 00:33:50,880 Speaker 1: So the scene, so you and CJ got together, We 627 00:33:51,000 --> 00:33:51,480 Speaker 1: got together. 628 00:33:51,560 --> 00:33:55,280 Speaker 3: It's the end of the movie, and we just fucked 629 00:33:55,720 --> 00:33:59,840 Speaker 3: and we're waking up in the morning and talking about. 630 00:34:00,480 --> 00:34:01,560 Speaker 1: Talking about our bodies. 631 00:34:01,800 --> 00:34:03,680 Speaker 3: Okay, because that's what you do the first time you 632 00:34:03,720 --> 00:34:05,200 Speaker 3: wake up when you're with the lady that you just 633 00:34:05,280 --> 00:34:07,320 Speaker 3: slept with, you talk about each other's body. 634 00:34:07,400 --> 00:34:10,239 Speaker 1: Well, hang on, she's talking about your body. And now 635 00:34:10,320 --> 00:34:12,439 Speaker 1: let's play the clip and we'll see maybe what went wrong. 636 00:34:16,320 --> 00:34:26,560 Speaker 1: I like like that. Okay, so I'll just give you 637 00:34:26,680 --> 00:34:28,279 Speaker 1: guys the what's going on. 638 00:34:28,440 --> 00:34:30,680 Speaker 2: So she's stroking better, by the way, Cody, than when 639 00:34:30,719 --> 00:34:32,799 Speaker 2: you are actually like trying to get it to sound good. 640 00:34:32,880 --> 00:34:37,320 Speaker 1: That was better. Oh thanks. She's stroking him and slaps 641 00:34:37,360 --> 00:34:40,520 Speaker 1: his chest and and it's sort of sensual. And then 642 00:34:40,800 --> 00:34:43,080 Speaker 1: John says, and I don't know what the fuck he 643 00:34:43,239 --> 00:34:46,520 Speaker 1: was thinking, but he says, I like your chest as 644 00:34:46,560 --> 00:34:52,400 Speaker 1: well to this woman. And then she says it doesn't 645 00:34:52,440 --> 00:34:56,480 Speaker 1: work when you say it to me and he goes, okay, 646 00:34:57,200 --> 00:34:59,280 Speaker 1: and that's Kelly saying that that's not CJ. 647 00:35:00,520 --> 00:35:03,960 Speaker 3: It was you know what, when you're sewing character, it 648 00:35:04,120 --> 00:35:07,000 Speaker 3: sort of gets mixed up. Sure who you are, but 649 00:35:07,200 --> 00:35:09,799 Speaker 3: I am, you know, I'm here to apologize. 650 00:35:10,520 --> 00:35:12,719 Speaker 1: Yeah, can I ask what you were responding to? 651 00:35:13,000 --> 00:35:14,759 Speaker 2: Like, I'm just trying to figure out, like what could 652 00:35:14,840 --> 00:35:16,759 Speaker 2: make you think that was something that was okay to 653 00:35:16,840 --> 00:35:20,680 Speaker 2: say in that movie? So had she said something that, 654 00:35:22,000 --> 00:35:23,279 Speaker 2: you know, it was just sort of like I like 655 00:35:23,360 --> 00:35:25,799 Speaker 2: your chest as well, like what is that coming off of. 656 00:35:26,160 --> 00:35:30,080 Speaker 1: You know, it's coming off of her frontal torpedoes her. 657 00:35:30,360 --> 00:35:33,879 Speaker 1: But she's stroking his chest, Okay, she's sort of doing 658 00:35:34,040 --> 00:35:37,480 Speaker 1: caressing his chest like this is something she enjoys, Like 659 00:35:37,680 --> 00:35:39,839 Speaker 1: I like your chest, John, is what she's saying through 660 00:35:39,880 --> 00:35:41,520 Speaker 1: body Like she doesn't have to she doesn't have to 661 00:35:41,600 --> 00:35:45,480 Speaker 1: use the words. It is not necessarily skilled enough to 662 00:35:46,320 --> 00:35:48,080 Speaker 1: tell that. And you thought that would be sound and 663 00:35:48,160 --> 00:35:50,280 Speaker 1: you thought that was like you being cool or something. 664 00:35:50,400 --> 00:35:52,120 Speaker 1: It was being cool, it was being like it was 665 00:35:52,160 --> 00:35:54,239 Speaker 1: being like sassy. You know, It's like it was like 666 00:35:54,520 --> 00:35:57,560 Speaker 1: a comment to be like you know what, Also, you 667 00:35:57,640 --> 00:36:00,600 Speaker 1: have a nice one too. My daughter going to listen 668 00:36:00,640 --> 00:36:03,040 Speaker 1: to this, so just tread light yeah as I'm sorry, 669 00:36:04,239 --> 00:36:07,120 Speaker 1: but she she, you know, she's standing there. You said 670 00:36:07,200 --> 00:36:09,080 Speaker 1: I like your chest as well, and that took me 671 00:36:09,200 --> 00:36:11,040 Speaker 1: out of the movie, and I thought, is anybody gonna 672 00:36:11,080 --> 00:36:15,640 Speaker 1: call this asshole? Out? Of course he likes it. And 673 00:36:15,760 --> 00:36:20,400 Speaker 1: then Kelly, you know, once again playing the hero, swoops 674 00:36:20,480 --> 00:36:24,759 Speaker 1: into the scene, you know, taps out uh CJ and 675 00:36:24,880 --> 00:36:26,719 Speaker 1: goes like, take a break for a minute. I got 676 00:36:26,800 --> 00:36:29,520 Speaker 1: this and goes, hey, John, it doesn't work when you 677 00:36:29,560 --> 00:36:32,919 Speaker 1: say it to me, everyone likes my chest. The joke 678 00:36:33,080 --> 00:36:36,040 Speaker 1: is I'm saying I like your chest, which no one would. 679 00:36:36,560 --> 00:36:38,560 Speaker 1: And the only thing you do that's right on this 680 00:36:38,800 --> 00:36:41,080 Speaker 1: is you sort of hang your head, look sad, and. 681 00:36:41,160 --> 00:36:44,480 Speaker 3: You go, okay, yeah, I want to make sure that 682 00:36:44,520 --> 00:36:48,279 Speaker 3: everyone knows if you want to uh you know, if 683 00:36:48,360 --> 00:36:50,680 Speaker 3: you want to see this, which you should, go onto 684 00:36:50,760 --> 00:36:56,160 Speaker 3: iTunes buy the movie for fourteen ninety nine. Okay, don't 685 00:36:56,280 --> 00:37:02,080 Speaker 3: watch the movie, go to the end one fifty one 686 00:37:03,560 --> 00:37:05,959 Speaker 3: twenty and then press play. 687 00:37:06,239 --> 00:37:07,160 Speaker 1: You will see this scene. 688 00:37:07,280 --> 00:37:10,719 Speaker 3: You will one hour and twenty minute, one hour and 689 00:37:10,880 --> 00:37:12,760 Speaker 3: fifty minutes in twenty one seconds. 690 00:37:13,680 --> 00:37:17,240 Speaker 1: It is a one hour and fifty minute movie. 691 00:37:19,920 --> 00:37:24,359 Speaker 3: There was enough material because they just like to get 692 00:37:24,600 --> 00:37:26,200 Speaker 3: two hours because they just let me go. 693 00:37:28,800 --> 00:37:32,000 Speaker 1: And uh so, so yes, let's play it again. You 694 00:37:32,080 --> 00:37:34,120 Speaker 1: want to play it again now that we really have 695 00:37:34,280 --> 00:37:36,359 Speaker 1: a sense of it, and now you know what you're hearing, 696 00:37:36,360 --> 00:37:39,120 Speaker 1: and you'll hear the chest, the chest laughing. Yeah, you'll 697 00:37:39,160 --> 00:37:39,600 Speaker 1: hear me go. 698 00:37:41,280 --> 00:37:44,000 Speaker 3: Uh and then uh and then yeah, just listen to 699 00:37:44,040 --> 00:37:46,000 Speaker 3: this dialogue. You got to really pay attention though. 700 00:37:46,200 --> 00:37:52,760 Speaker 1: Okay, so I like your chest. 701 00:37:55,880 --> 00:37:56,080 Speaker 2: Like that. 702 00:37:58,960 --> 00:38:00,839 Speaker 1: Nice. I've heard to laugh and and break the tension 703 00:38:00,880 --> 00:38:04,200 Speaker 1: because she is mad and she's ready to be mad. Yeah. 704 00:38:05,640 --> 00:38:07,839 Speaker 3: I wonder if it was you saying, well, all your 705 00:38:07,960 --> 00:38:12,160 Speaker 3: daughters at the movie when you saw it. Yeah, all 706 00:38:12,239 --> 00:38:15,200 Speaker 3: your daughters were there and you saw that part and 707 00:38:15,440 --> 00:38:16,160 Speaker 3: you all said. 708 00:38:16,640 --> 00:38:19,360 Speaker 1: I froze for a second and thought, oh no, Like, 709 00:38:19,520 --> 00:38:21,400 Speaker 1: I'm gonna have to have this serious talk with my 710 00:38:21,560 --> 00:38:24,959 Speaker 1: daughters about how inappropriate this choice was that he made. 711 00:38:25,120 --> 00:38:31,520 Speaker 1: And then Kelly, actually ever the teacher, was able to 712 00:38:32,280 --> 00:38:35,640 Speaker 1: save me from the awkwardness of explaining, of course he 713 00:38:35,840 --> 00:38:38,480 Speaker 1: likes her chest and it is nice that she laughs, 714 00:38:38,719 --> 00:38:42,720 Speaker 1: and I think it's somewhat genuine because it is funny 715 00:38:42,800 --> 00:38:45,640 Speaker 1: that John thought that he could say that, Yeah, it 716 00:38:45,760 --> 00:38:48,760 Speaker 1: isn't funny when you step back, it's not. It wouldn't 717 00:38:48,800 --> 00:38:50,320 Speaker 1: be funny to do it in the movie. But the 718 00:38:50,400 --> 00:38:52,840 Speaker 1: idea of someone thinking it was okay to do that 719 00:38:53,000 --> 00:38:55,560 Speaker 1: when they're improvising is funny. 720 00:38:55,640 --> 00:38:59,080 Speaker 3: Because I should have known that everyone would have thought 721 00:38:59,160 --> 00:39:02,799 Speaker 3: that Kelly's check is a good thing. 722 00:39:03,680 --> 00:39:06,360 Speaker 1: It's a it's a nice thing to look to. I 723 00:39:06,440 --> 00:39:10,120 Speaker 1: can feel you getting into this careful sorry. 724 00:39:10,280 --> 00:39:12,320 Speaker 2: So I wonder if it was like a kind of 725 00:39:12,360 --> 00:39:14,719 Speaker 2: at the end of production and you're hanging out with 726 00:39:14,800 --> 00:39:17,239 Speaker 2: all these people that have these like improv chops, and 727 00:39:17,640 --> 00:39:20,160 Speaker 2: you are sort of thinking, oh, I can do this 728 00:39:20,360 --> 00:39:23,160 Speaker 2: as well. I can maybe keep up with these guys. 729 00:39:23,280 --> 00:39:25,800 Speaker 2: Now I'm going to show them that I'm kind of 730 00:39:25,880 --> 00:39:28,279 Speaker 2: one of them. And maybe you were forgetting how bad 731 00:39:28,360 --> 00:39:32,799 Speaker 2: your body is in that moment and thinking that you could, uh, 732 00:39:33,200 --> 00:39:36,080 Speaker 2: you know, say something like like it was a it 733 00:39:36,200 --> 00:39:38,279 Speaker 2: was yeah, it was a if you had a good 734 00:39:38,320 --> 00:39:40,680 Speaker 2: body and that you could do comedy. 735 00:39:40,440 --> 00:39:42,759 Speaker 1: It was yeah, it was It was a moment of uh, 736 00:39:43,160 --> 00:39:46,240 Speaker 1: you know, it was just a mistake. It was a mistake, 737 00:39:46,320 --> 00:39:50,600 Speaker 1: and I just remember going ghost white during the first 738 00:39:50,640 --> 00:39:53,600 Speaker 1: half of this blooper and thinking why the fuck did 739 00:39:53,640 --> 00:39:56,440 Speaker 1: they put this in the fucking movie like they had 740 00:39:56,480 --> 00:39:56,839 Speaker 1: a lot. 741 00:39:56,840 --> 00:40:02,080 Speaker 2: Because because it's genuinely that's a genuinely, very tense moment. 742 00:40:02,320 --> 00:40:05,440 Speaker 1: Yes, and then going like, oh, to show us how 743 00:40:05,480 --> 00:40:09,279 Speaker 1: a true pro handles when somebody just takes a shit 744 00:40:09,360 --> 00:40:11,880 Speaker 1: in the middle of your scene and I'm the one taken. 745 00:40:12,040 --> 00:40:14,360 Speaker 1: I'm taking a huge jump in that scene and she 746 00:40:14,560 --> 00:40:16,920 Speaker 1: politely cleans it up and rubs your nose in it 747 00:40:17,040 --> 00:40:20,160 Speaker 1: for a second to go like, hey, not again. Yeah, 748 00:40:20,680 --> 00:40:26,560 Speaker 1: wo man, I'm sorry. I'm sorry. I want to apologize 749 00:40:26,880 --> 00:40:28,480 Speaker 1: to the Hollywood community. 750 00:40:28,640 --> 00:40:31,719 Speaker 2: Yeah, I want to apologize to you two, and I 751 00:40:31,800 --> 00:40:35,480 Speaker 2: want to apologize to my dead career and to my 752 00:40:35,719 --> 00:40:39,920 Speaker 2: daughter and to your daughters, Yes, to your your frontal 753 00:40:40,080 --> 00:40:41,240 Speaker 2: torpedo daughters. 754 00:40:41,320 --> 00:40:43,680 Speaker 1: This is a this is a it was a mistake 755 00:40:43,719 --> 00:40:47,279 Speaker 1: that I made. And maybe you're gonna stay away from 756 00:40:47,280 --> 00:40:50,239 Speaker 1: the beach for a little while, I think, so, does 757 00:40:50,320 --> 00:40:51,880 Speaker 1: it make you sad to go to the beach now 758 00:40:53,920 --> 00:40:54,360 Speaker 1: a little? 759 00:40:54,560 --> 00:40:56,680 Speaker 2: It's a little It's not a place you can enjoy 760 00:40:56,800 --> 00:40:58,600 Speaker 2: exactly the way that you could before. 761 00:40:59,200 --> 00:41:06,239 Speaker 1: It's got it's weird associations. Yeah, yeah. Yeah, well you know, 762 00:41:06,520 --> 00:41:09,320 Speaker 1: and I gotta say, John, I can see that you 763 00:41:09,400 --> 00:41:12,480 Speaker 1: feel a little uneasy about some of what we're saying here. No, 764 00:41:12,560 --> 00:41:14,719 Speaker 1: I think it's cool. Okay, I think it's nice and cool. 765 00:41:14,920 --> 00:41:18,719 Speaker 1: Just checking. Yeah, No, I think that's really nice and cool. 766 00:41:20,560 --> 00:41:30,920 Speaker 1: Bye bye. This has been an Earwolf production executive produced 767 00:41:30,920 --> 00:41:34,480 Speaker 1: by Scott Ackerman, Chris Bannon, and Colin Anderson. For more 768 00:41:34,520 --> 00:41:37,160 Speaker 1: information and content, visit earwolf dot com.