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Speaker 1: So since we have this time, I want to make

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Speaker 1: sure that the three of us then Kevin, I said, three,

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Speaker 1: come here, up here, just stop moving around, that all

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Speaker 1: three of us have our details straight.

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Speaker 2: I'd like to I'd like, yeah, united. We was gonna

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Speaker 2: say unified. Do you want to pick now? I mean,

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Speaker 2: this is part of it, right, whether we're gonna say

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Speaker 2: unified or united like unified united.

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Speaker 1: I was gonna say, same.

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Speaker 2: Are you here front a unified front? A united front?

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Speaker 2: We present the same we.

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Speaker 3: Present the same front? Is what same front? So we

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Speaker 3: can present a same front? So I gotta say, that's

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Speaker 3: got a ring.

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Speaker 1: I like it too. I like it too.

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Speaker 2: So just this is feeling better than basically every other.

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Speaker 1: Already we had some time ahead of him arriving.

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Speaker 2: He has a tendency to sort of divide and conquer,

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Speaker 2: doesn't he.

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Speaker 1: It's a bit of a tendency to do that. And

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Speaker 1: I mean this newest development I had not considered to

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Speaker 1: be part of his character until now.

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Speaker 2: I sort of thought he was the devil. I knew, yes,

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Speaker 2: he was a scamp, he was mischievous, he was a

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Speaker 2: toxic person. But to actually be this destructive and malicious,

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Speaker 2: this a moral underhanded to become really trick, dastardly.

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Speaker 1: This is this is an all time low actually, and Kevin,

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Speaker 1: please don't do a riff guitar riffs around so this guy. Okay,

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Speaker 1: here's my recollection of it. We have been planning a

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Speaker 1: tour for quite some time. We haven't been on a

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Speaker 1: tour in a while years.

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Speaker 2: We haven't even done a live show. We used to

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Speaker 2: do these live shows at Dynasty, even we haven't done that,

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Speaker 2: have done that. Let's keep the powder dry because we

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Speaker 2: really want to get a live experience that we can

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Speaker 2: bring on tour that's going to rock the house. And

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Speaker 2: we had been in touch with venues and arranging travel,

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Speaker 2: and the schedule was not public no, you know, for

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Speaker 2: the most part.

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Speaker 1: As far as I know, the only people who knew

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Speaker 1: were Kevin and we had spoken to Tom Sharpling because

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Speaker 1: we have done live shows with him in the past.

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Speaker 2: We thought he could be a potential guest for one

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Speaker 2: of the stops.

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Speaker 1: And he's always saying like, let's get the band back together.

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Speaker 2: I know, like the number of times in a given

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Speaker 2: two shows week that he will hit me uh and say,

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Speaker 2: when is the band gonna start playing music together again?

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Speaker 1: With the Oasis stuff.

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Speaker 2: He's like, hey, yeah, Noel here or Liam. I can

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Speaker 2: be Liam if you want, or you can be Liam

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Speaker 2: and I'll be nol.

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Speaker 1: The way he says Noel too, it's like, okay, we

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Speaker 1: get that it looks like Noel and like you say it,

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Speaker 1: but even.

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Speaker 2: The way you say this kind of a music guy,

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Speaker 2: it's too much Noel.

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Speaker 1: The way yeah he says it.

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Speaker 4: No, No, it's okay.

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Speaker 2: It's gets like weighed down in his throat. Nol so,

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Speaker 2: but he yeah, the entire Oasis to her. Basically every show,

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Speaker 2: he would send me multiple clips of the two brothers

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Speaker 2: on stage, saying, this could be us, but you playing,

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Speaker 2: which I wasn't, or I was playing on in the

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Speaker 2: sense that the show is played for the show is

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Speaker 2: the show we're supposed to be playing.

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Speaker 1: Can it be this even on stage? This could be

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Speaker 1: us and you play.

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Speaker 2: Yes, they could be. Can we have going to be

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Speaker 2: this is them and they're playing and.

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Speaker 1: They could do that? We could also be playing.

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Speaker 2: We should try that too. Yeah, but I but we

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Speaker 2: said to Tom, would you like to do one one

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Speaker 2: of the shows, maybe two? And he said, send me,

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Speaker 2: send me all the days, everything, every option. Yes, I

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Speaker 2: could possibly engage with.

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Speaker 1: And we we sent so we sent him there's a show. Well,

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Speaker 1: will you remind us of the dates that we chose? Yeah,

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Speaker 1: what days and what ve and the venues.

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Speaker 2: Yes, we chose October eleventh at the Bellhouse.

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Speaker 1: Yeah, two shows at the Bellhouse, October twelfth at the bell.

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Speaker 2: October twelfth, Bellouse, our.

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Speaker 1: Old stomping course. I mean we had we had an

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Speaker 1: incredible show there.

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Speaker 2: No, that was so good. We met Jeremy and rajat

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Speaker 2: at that show.

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Speaker 1: Wow.

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Speaker 2: And Jeremy was so offended by an innocent comment I

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Speaker 2: made that I remember that that he decided never to

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Speaker 2: reference us as like an influence or something he's a

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Speaker 2: fan of in any article for the rest of his life.

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Speaker 2: And he's Meanwhile, Beck and Kyle can we talk about this? Yes?

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Speaker 2: Not and Kyle bet the way.

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Speaker 1: It's always like Beck and Kyle, Well Beck.

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Speaker 2: So, Beck, who you know, was doing it long before

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Speaker 2: we were doing anything like this. When he gets asked

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Speaker 2: what podcasts he likes, the list was and I'll give

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Speaker 2: you the I'll give you the top two right off

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Speaker 2: the bat. SmartLess might have been ironic. Hollywood Handbook number

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Speaker 2: two Dope Boys was around, like I think twelve or

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Speaker 2: thirteen in the list of names that he said.

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Speaker 1: But he really ran through him. And what impresses me

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Speaker 1: most about that is, I don't think he actually does

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Speaker 1: listen to the show.

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Speaker 2: I don't think he's heard any of these shows.

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Speaker 1: So that, to me is so much more impressive than that.

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Speaker 1: If he actually did listen to it.

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Speaker 2: In shows, that was really amazing. But anyway, he's he

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Speaker 2: out there, you know, big celebrity, you know, banging the

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Speaker 2: drum for us. Jeremy got a little taste. We're going

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Speaker 2: to interview these guys a big interview. What what can

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Speaker 2: I possibly do to like really like establish myself and like,

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Speaker 2: you know, shore up this career long term. In the interview,

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Speaker 2: I know, Burn the single biggest influence on my comedy

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Speaker 2: that has ever existed, because innocent comment outside a bell

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Speaker 2: House show.

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Speaker 1: It's it's nice when you have the opportunity to elevate

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Speaker 1: other voices, is to pick some that are older than you, Yeah, yeah,

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Speaker 1: to pick some that have.

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Speaker 2: Pushed the ladder up ahead of push the latter up.

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Speaker 1: Ahead of it. There's people up there.

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Speaker 2: There's people who are on the ladder who have been

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Speaker 2: stuck on some rotting out under their feet.

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Speaker 1: Is hard for them physically to climb there. So if

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Speaker 1: you would actually actually push it up a little shoves

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Speaker 1: so they can, they'll be higher without having to actually

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Speaker 1: climb it themselves, which is hard for them.

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Speaker 2: Now, it's really really difficult for older gentlemen to be

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Speaker 2: safe on the ladder and the service that you provide.

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Speaker 2: These young people that you're talking about behind you and

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Speaker 2: I don't know what they were behind you, Brad and

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Speaker 2: Nick and stuff like, you know, like, uh, it's all

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Speaker 2: kind of but these young peoples sort of hanging out

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Speaker 2: next you and stuff, playing on the trampoline, not even

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Speaker 2: on a ladder. That's how you guys get up high

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Speaker 2: with kids. They their bodies are such that.

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Speaker 3: They're going to be able to climb the ladd They're

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Speaker 3: like a shrimp be.

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Speaker 2: Able to climb the ladder. Us on the ladder is

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Speaker 2: very scary for us.

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Speaker 1: Mm hmm, that's very scary. The only thing that makes

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Speaker 1: it a little less scary is that we're not that high.

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Speaker 2: No, that's true.

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Speaker 5: So look, well we will be okay, we will survive

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Speaker 5: the fall.

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Speaker 2: And there are people going like just jump, just step off,

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Speaker 2: just put your foot here. I'm going I can't. I can't.

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Speaker 2: It's too high. It's not too high. You're fine, bring

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Speaker 2: like a put a mattress down, something soft. We don't.

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Speaker 1: There's no room to get that under your ear foot

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Speaker 1: and your feet are too dirty. We don't want to

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Speaker 1: do that to the mattress.

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Speaker 2: Any cushion that we could bring that would provide any

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Speaker 2: sort of support do You won't fit under where you are,

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Speaker 2: So just step down. You'll be off and you can

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Speaker 2: go live your life, do something anything else anyway.

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Speaker 1: And Jeremy has now been saying with this Kimmel stuff,

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Speaker 1: Jeremy is like just posting very cryptically like this happened

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Speaker 1: to me and I and I preach forgiveness. I was

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Speaker 1: able to forgive, which is like, okay, I don't. I

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Speaker 1: don't remember that happening.

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Speaker 2: Yeah, that's not something I So.

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Speaker 1: He says, mister Trump, have I totally understand? Yeah, I

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Speaker 1: had been there. M H. Unbelievable.

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Speaker 2: So he said, mister Trump, two wrongs don't make a right.

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Speaker 1: Incredible let he that's unbelievable.

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Speaker 2: And it's a picture of two hands holding that's crazy.

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Speaker 2: And one of them is really small. That's supposed to

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Speaker 2: be Marco Rubio.

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Speaker 1: I don't know what. I don't get it. So Tom,

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Speaker 1: we send him the dates. Two dates at UH that

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Speaker 1: play spell House Union Transfer in Philly, October thirteenth, Log

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Speaker 1: Room at the fifteenth.

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Speaker 2: Ye never performed there, never performed there.

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Speaker 1: But we've been talking about it, but we were I

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Speaker 1: didn't know this is what we were because the Bellhouse, like,

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Speaker 1: we've done that.

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Speaker 2: That was just to kick it off in a way

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Speaker 2: that's comfortable. Everyone's familiar with. They've seen us there, we've

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Speaker 2: been there. And then we were gonna go wild and

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Speaker 2: sea from the Lodge Room.

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Speaker 1: And go back to Chicago. Our triumphant return to Chicago. Yeah, yeah,

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Speaker 1: where we did a show with Tom went on an

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Speaker 1: architecture tour with him on a boat.

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Speaker 2: Yeah, he never was on a It was the boat

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Speaker 2: that Dave Matthews dumped his waist on from mm hmm

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Speaker 2: from his was it a plane or a bus? A

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Speaker 2: bus from his bus his bus off the side of

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Speaker 2: the bridge. So there was the same boat.

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Speaker 1: And they put some loosite a looseight cube over some

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Speaker 1: of the waist.

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Speaker 2: So that you could experience the magic of Dave Matthews's

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Speaker 2: band mates, which Tom kept bringing up because he was

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Speaker 2: like that band never even broke apart. He said, our

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Speaker 2: band should stay together like that band.

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Speaker 1: Yes, uh the And so finally we go back and forth.

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Speaker 1: We send him the dates where like can you do

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Speaker 1: any of these? And he's like, I'm just like we're

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Speaker 1: figuring it out. We're figuring it out. It's like, okay,

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Speaker 1: there's no we goodness for you, there's no We're figuring

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Speaker 1: it out. It's like, can you do this or not?

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Speaker 1: And then I see him announce that he is doing

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Speaker 1: a tour all those dates exactly exactly the way we

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Speaker 1: had planned it.

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Speaker 2: Literally every single date the same, every single time, the same,

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Speaker 2: every single city obviously the same. And mysteriously, all of

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Speaker 2: the venues that we had had a deal in place

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Speaker 2: with start to exercise this unique contingency that was in

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Speaker 2: the contract where they are allowed to cancel on us,

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Speaker 2: cancel our shows with no penalty, and.

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Speaker 1: Put a nude picture of us on a website of

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Speaker 1: their choosing any site, which.

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Speaker 2: I was like, when we sign these things, we go listen,

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Speaker 2: gonna come up, and now you know, my Google alerts

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Speaker 2: are on overdrive.

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Speaker 1: It's on MSN dot com. Yeah, which for a lot

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Speaker 1: of people is the first thing that shows up.

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Speaker 2: That's the homes.

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Speaker 1: That's the home.

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Speaker 5: Remember going to home room in school? You started home

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Speaker 5: room And I don't appreciate. So there's a little butterfly

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Speaker 5: on the MSN dot com. I don't appreciate that the

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Speaker 5: butterfly flies down and flies next to my parts for

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Speaker 5: like a size comparison.

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Speaker 1: Yeah, that I didn't need that.

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Speaker 2: That part was not a contract putting it on the website. Okay,

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Speaker 2: but then the website having a little butterfly fly down

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Speaker 2: and be next to my parts for a size comparison.

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Speaker 1: And it's clear from the way it flies that it's

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Speaker 1: one of those little butterflies, you know what I mean,

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Speaker 1: the ones that like it's not like a monarch. No,

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Speaker 1: it's one of those little like.

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Speaker 2: Ye yes, I think it might be a moth. I

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Speaker 2: think it might be a damn sweater moth.

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Speaker 1: So we say, we call, we say, hey, what happened here?

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Speaker 1: Can we just lets can we just go over what

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Speaker 1: happens here? One?

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Speaker 2: You wanted to do shows in these manuesoad, we we

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Speaker 2: can do them all. You know, we had offered you

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Speaker 2: any date you want.

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Speaker 1: Let's do them all. And apparently they he's gone, Okay,

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Speaker 1: Hi Tom, Hi Tom, Hey, Tom, Hey have it? Uh,

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Speaker 1: why don't you have a seat? No? Just over here,

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Speaker 1: not next to.

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Speaker 2: Kevin, not next to Kevin behind the desk. Why don't

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Speaker 2: you go ahead and get her?

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Speaker 1: Do you? Can you get you anything?

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Speaker 2: Crackle, crackle, bar Neslie crackle, No, mister, goodbar.

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Speaker 4: I'm allergic to all of that stuff. Okay, sorry?

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Speaker 2: Lone peanut, single peanut?

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Speaker 4: Oh?

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Speaker 1: I like that in the well?

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Speaker 4: Isn't half and half?

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Speaker 1: Maybe one of them is alone peanut inside the bar? Right?

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Speaker 1: Or alone? Al men? Sometimes? So what is it that

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Speaker 1: you're allergic to?

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Speaker 2: Exactly what the ingredient? Because we want to make sure

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Speaker 2: that we're like the peanut is okay.

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Speaker 4: Peanuts are fine, chocolate's okay, okay. Nougat is what I'm allergic.

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Speaker 2: Okay, So I don't think in Niclie. I think I

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Speaker 2: don't believe miss either trace elmets. I guess it's made

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Speaker 2: in a factory where.

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Speaker 4: Is That's the that's the problem these guys, And I mean, look,

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Speaker 4: they're working hard, but you know they just get the

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Speaker 4: stuff on their hands.

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Speaker 1: And do you think their hands are covered in nugats?

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Speaker 2: Interesting? You think only guys can make candy bars, but.

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Speaker 1: They can't is what we're wearing. That's they said, it's

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Speaker 1: only guys, and that's.

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Speaker 4: The only guys right now. Look, they that's how they

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Speaker 4: do it. If I was running a candy bar factory,

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Speaker 4: it would be open for everybody.

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Speaker 1: Do you think everyone would? You would let everyone come

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Speaker 1: in and if.

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Speaker 4: They wanted candy, if they wanted hmm.

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Speaker 2: That's interesting. You're sort of a reverse Willy Wonka and

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Speaker 2: you're said, only maybe what five kids are allowed to

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Speaker 2: come in.

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Speaker 4: I would pass out tickets that those five kids weren't

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Speaker 4: allowed to.

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Speaker 2: Come in everyone but them.

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Speaker 4: Yes, there'd be five golden tickets, and it would mean

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Speaker 4: you're never allowed in my chocolate factory.

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Speaker 2: Oh wow, so there's five cold thing that you opened

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Speaker 2: that your bandone else.

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Speaker 1: Can come in forever. And you're thinking, is that the

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Speaker 1: average person, or almost anyone other than who currently works there,

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Speaker 1: would be able to make the candy bars better than

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Speaker 1: who who does it.

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Speaker 4: We'd find out uh huh. You know, it's like a

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Speaker 4: it's like a color of me mine, or a place

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Speaker 4: where you just see what you're capable of.

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Speaker 2: Well, I mean, and those are synonymous. Of course, you

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Speaker 2: want to find out what you're made of.

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Speaker 4: You want to tell your metal head on down to

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Speaker 4: color my mind.

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Speaker 2: Get inside of color me mind.

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Speaker 4: Yeah.

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Speaker 1: Well, I'm glad to see you're doing so well turning

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Speaker 1: down food.

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Speaker 4: Yeah, these days food just flows like water for me.

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Speaker 2: That Yeah, there was certainly a time where we didn't

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Speaker 2: have to offer you a candy bar when you came in,

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Speaker 2: or any kind of food. You would you would already

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Speaker 2: have hit the kitchen and you'd be carrying a huge satchel.

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Speaker 2: It was overflowing with all of a Headgumb's property.

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Speaker 1: Yeah.

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Speaker 4: Usually I would have like a baby beorn. I would

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Speaker 4: just fill up with candy and then kind of graze

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Speaker 4: through the show.

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Speaker 1: And I wonder if this has something to do with

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Speaker 1: something we were discussing before you got here, and we

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Speaker 1: did want to get the details right so we can

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Speaker 1: have the same front when it comes to what we're

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Speaker 1: presenting here. Thanks good.

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Speaker 2: Did you like that coming good?

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Speaker 1: So of course we had reached out to you about

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00:18:13,240 --> 00:18:19,399
Speaker 1: out here. Oh yeah, they really like when we do this. Uh,

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Speaker 1: we had reached out to you. We had been planning

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Speaker 1: a tour for several months, Yeah, and we chose our

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Speaker 1: dates and we reach out to you because you had been.

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Speaker 2: You've been guests hit live shows of ours in the past,

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Speaker 2: couple of times, beloved, you know, show some of people's

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Speaker 2: favorite shows.

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Speaker 4: This is my third time doing the show, I think, right.

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Speaker 2: Yeah, And honestly I'm not a big numbers guy, but

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Speaker 2: it feels right to me. And so you you've been

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Speaker 2: a guest in the past, and we said to you, Hey, Tom,

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Speaker 2: you know, basically, here are the city? Is here the

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Speaker 2: use here of the day.

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Speaker 1: Because you had said for so long, let's get the

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Speaker 1: band back together.

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Speaker 4: Let's do it.

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00:19:05,080 --> 00:19:06,960
Speaker 1: Guys when Oasis got.

335
00:19:06,800 --> 00:19:10,600
Speaker 2: That talk about the video, said that you would be who.

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Speaker 4: I sent Sean so many Oasis videos. Yeah, and it

337
00:19:17,760 --> 00:19:22,159
Speaker 4: was just the song cigarettes and Alcohol.

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00:19:23,080 --> 00:19:24,640
Speaker 1: Yeah, different videos of that.

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00:19:24,960 --> 00:19:31,480
Speaker 4: Yeah, is it my imagine a shee on and uh?

340
00:19:31,680 --> 00:19:32,760
Speaker 1: And who are the brothers?

341
00:19:33,600 --> 00:19:39,600
Speaker 4: I'm not sure, Okay, okay, I'm more into Bonehead And

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00:19:39,640 --> 00:19:41,440
Speaker 4: that's kind of what I was there for to see

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00:19:41,480 --> 00:19:49,719
Speaker 4: Bonehead playing rhythm guitar, glays back in the fold.

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Speaker 1: Even walking into my traps and bones well, and there

345
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Speaker 1: was so cleverly obs. I don't know.

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Speaker 2: I don't know if the same front was divided and

347
00:19:59,680 --> 00:20:01,879
Speaker 2: Kevin somehow tipped them off to what we'd be asking

348
00:20:02,480 --> 00:20:05,800
Speaker 2: all these questions are so evasive. I'm sorry, all these

349
00:20:05,800 --> 00:20:06,960
Speaker 2: answers are so evasive.

350
00:20:07,119 --> 00:20:09,400
Speaker 4: Kevin did clue me into a few things.

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Speaker 2: Well, basically, we were very excited about our tour. We

352
00:20:14,680 --> 00:20:17,280
Speaker 2: were on the verge of announcing it. And when we

353
00:20:17,320 --> 00:20:21,000
Speaker 2: asked you to be a guest, you asked for a

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00:20:21,040 --> 00:20:25,200
Speaker 2: list of options of shows that you know you could

355
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Speaker 2: possibly join us at. And the next thing we knew

356
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Speaker 2: our tour was stolen off from undress.

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Speaker 1: Every single day, every single day, we had planned every

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Speaker 1: single venue, every detail the same, up.

359
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Speaker 2: To and including calling it. I believe you're calling yours TOURASM.

360
00:20:43,720 --> 00:20:47,440
Speaker 4: Yes, yeah, well I mean I do have Robert Kelly

361
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Speaker 4: on board.

362
00:20:48,960 --> 00:20:51,200
Speaker 1: Well, this is what I want to ask, like who

363
00:20:51,240 --> 00:20:54,160
Speaker 1: exactly you booked for your shows or how you got

364
00:20:54,160 --> 00:20:58,000
Speaker 1: it in there, because when I spoke to the venues,

365
00:20:58,680 --> 00:21:03,399
Speaker 1: they seem to think that someone named Benson Boom is

366
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Speaker 1: going to be playing there, Benson.

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00:21:07,520 --> 00:21:09,720
Speaker 2: Boom in backflip Boom.

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00:21:09,800 --> 00:21:10,000
Speaker 4: Yeah.

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00:21:10,119 --> 00:21:14,159
Speaker 1: And when it when they showed me the application that

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Speaker 1: the online form that was filled out.

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Speaker 4: Yeah, as one does before they play a show.

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Speaker 1: It seems it seems like you were trying to impersonate

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Speaker 1: the artist Benson boom.

374
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Speaker 4: But boone or boom.

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Speaker 1: Well it said boom on the form.

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Speaker 2: So here's so what I saw was some sort of porn.

377
00:21:35,840 --> 00:21:39,320
Speaker 1: It was Benson boom but the area.

378
00:21:39,680 --> 00:21:43,160
Speaker 4: Okay, look that's where I've been for the last three years. Guys.

379
00:21:44,640 --> 00:21:48,480
Speaker 1: The boom was spelled with two zeros instead of o's.

380
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Speaker 1: So that led me to believe that that's what you thought.

381
00:21:51,240 --> 00:21:54,200
Speaker 1: That's what the loophole was supposed to be. Mm hmm.

382
00:21:54,760 --> 00:21:57,639
Speaker 2: It was in disguis and that that just he just

383
00:21:57,760 --> 00:21:59,520
Speaker 2: thought the name instead of the end.

384
00:21:59,680 --> 00:22:02,160
Speaker 1: Was not realize that that was a mistake.

385
00:22:02,440 --> 00:22:03,800
Speaker 2: Sure zeros.

386
00:22:04,520 --> 00:22:08,120
Speaker 1: Oh, we're supposed to be the camouflage.

387
00:22:08,160 --> 00:22:14,600
Speaker 4: You're supposed to have bad eyes like your glasses not

388
00:22:14,760 --> 00:22:18,920
Speaker 4: allowed when I write something supposed to be kind.

389
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Speaker 2: Of is Benson boom b b eight?

390
00:22:27,359 --> 00:22:35,000
Speaker 1: Wow? Because he did and he did didn't at minimum solid.

391
00:22:34,680 --> 00:22:37,160
Speaker 4: Eight that makes sense.

392
00:22:38,119 --> 00:22:45,040
Speaker 1: He clears he did it, and so what like, what

393
00:22:45,040 --> 00:22:46,600
Speaker 1: what is this going to be? Tom?

394
00:22:46,800 --> 00:22:46,879
Speaker 4: Like?

395
00:22:46,960 --> 00:22:50,080
Speaker 1: What is the show? Okay, we understand you have Robert Kelly.

396
00:22:50,240 --> 00:22:56,080
Speaker 4: Bobby Kelly's on board. Gary Golman is not available.

397
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Speaker 1: Okay, is it gonna be all? Stand up?

398
00:23:00,400 --> 00:23:02,320
Speaker 4: It's really going to be a little bit of a

399
00:23:04,680 --> 00:23:06,520
Speaker 4: I guess what I'm doing now. It's kind of like

400
00:23:06,560 --> 00:23:10,080
Speaker 4: a showcase for stand up, a showcase for like new

401
00:23:10,160 --> 00:23:10,879
Speaker 4: stand ups.

402
00:23:11,640 --> 00:23:12,760
Speaker 1: Okay, oh wow.

403
00:23:13,080 --> 00:23:15,800
Speaker 4: I mean basically, people show up, if they want to

404
00:23:15,840 --> 00:23:18,679
Speaker 4: be in the show, they show up backstage. They're at

405
00:23:18,720 --> 00:23:19,800
Speaker 4: their name on a piece of paper.

406
00:23:20,760 --> 00:23:24,960
Speaker 2: Bucket candy factory. What's that that? Everyone is allowed to cut?

407
00:23:24,960 --> 00:23:27,399
Speaker 4: Everyone's allowed, but not everybody gets up on the thing

408
00:23:27,440 --> 00:23:29,520
Speaker 4: because we do like what we call a bucket pull.

409
00:23:30,520 --> 00:23:32,639
Speaker 4: And then it's like, if your name is pulled, you

410
00:23:32,680 --> 00:23:35,360
Speaker 4: have to come up and do a minute.

411
00:23:35,720 --> 00:23:38,919
Speaker 1: That's the show. People come, they put their name in

412
00:23:38,960 --> 00:23:43,639
Speaker 1: a bucket and yeah, you pull their names out and

413
00:23:43,640 --> 00:23:45,800
Speaker 1: they get to do one minute.

414
00:23:45,600 --> 00:23:47,960
Speaker 4: One minute of stand up and then and then me

415
00:23:48,080 --> 00:23:52,639
Speaker 4: and my panel kind of humiliate them beyond belief until

416
00:23:52,720 --> 00:24:00,639
Speaker 4: they are destroyed in every possible way, and we'm onizes it.

417
00:24:01,119 --> 00:24:04,400
Speaker 4: And they leave with nothing. They live with less than

418
00:24:04,440 --> 00:24:07,480
Speaker 4: they came in with. They came in with nothing, they

419
00:24:07,560 --> 00:24:08,600
Speaker 4: leave with even less.

420
00:24:08,760 --> 00:24:13,280
Speaker 1: And just to like maybe just to dangle the possibility

421
00:24:13,320 --> 00:24:16,560
Speaker 1: of success, you have like one or two people who

422
00:24:18,000 --> 00:24:21,160
Speaker 1: you like kind of bring on, oh yeah, your crew.

423
00:24:21,359 --> 00:24:24,720
Speaker 1: We had a couple their reputations in the tank also

424
00:24:25,680 --> 00:24:30,920
Speaker 1: destroyed becomes unclear, like whether success or failure is is preferable?

425
00:24:33,240 --> 00:24:36,600
Speaker 4: Yeah, I mean success and failure. What's that mean when

426
00:24:36,640 --> 00:24:37,320
Speaker 4: you think about it?

427
00:24:37,400 --> 00:24:42,240
Speaker 2: Right, Well, before this show began and now it's become

428
00:24:42,320 --> 00:24:43,040
Speaker 2: much murkier.

429
00:24:43,240 --> 00:24:46,359
Speaker 4: Yeah, it's like the Kink said, success goes hand in

430
00:24:46,440 --> 00:24:49,920
Speaker 4: hand with failure when you're walking down Hollywood Boulevard.

431
00:24:50,920 --> 00:24:52,840
Speaker 2: Let's see, this is a music.

432
00:24:53,280 --> 00:24:55,199
Speaker 1: Yeah, but yeah, he doesn't know who the brothers are.

433
00:24:55,240 --> 00:24:57,399
Speaker 2: He says, doesn't know what brothers are, but he knows.

434
00:24:58,200 --> 00:25:00,399
Speaker 1: Haven't told him that? He says the name funny.

435
00:25:00,480 --> 00:25:01,639
Speaker 4: Well, no, see I go deep.

436
00:25:01,960 --> 00:25:06,080
Speaker 2: And by the way, you know what Thomas Kink said, yeah,

437
00:25:06,400 --> 00:25:12,160
Speaker 2: Benson Boom. Yeah, when he said four and oh yeah,

438
00:25:13,200 --> 00:25:14,960
Speaker 2: that's what he's been doing. And then he said the

439
00:25:15,119 --> 00:25:21,680
Speaker 2: Kinks and his Kinks and what it said Benson Boom

440
00:25:22,720 --> 00:25:23,879
Speaker 2: in the search bar.

441
00:25:23,920 --> 00:25:27,240
Speaker 4: I gave you all the clues, mister police.

442
00:25:30,560 --> 00:25:34,280
Speaker 1: Okay, so the show and everyone pays to go to.

443
00:25:34,240 --> 00:25:35,760
Speaker 4: This everyone pays.

444
00:25:36,000 --> 00:25:38,119
Speaker 1: I pay? Did you pay?

445
00:25:38,440 --> 00:25:43,040
Speaker 4: I pay to get in? Actually? Yeah? If the show

446
00:25:43,119 --> 00:25:44,960
Speaker 4: sold out and I didn't buy a ticket, then I

447
00:25:44,960 --> 00:25:47,520
Speaker 4: guess we're all in trouble. Unless they don't like me,

448
00:25:47,840 --> 00:25:50,560
Speaker 4: then it's probably the best show you could go to,

449
00:25:51,000 --> 00:25:53,399
Speaker 4: no pun intended best show.

450
00:25:55,600 --> 00:26:02,480
Speaker 2: Oh man, so he's even plugging that here, sour. Yeah,

451
00:26:03,600 --> 00:26:07,760
Speaker 2: he's doing something that sounds to me a little negative.

452
00:26:08,560 --> 00:26:12,480
Speaker 2: Mm hmmm, as I mean in his podcast on my

453
00:26:12,640 --> 00:26:22,720
Speaker 2: show unreal and denying everything, denying all those all those

454
00:26:22,760 --> 00:26:25,680
Speaker 2: cigarettes and alcoholic that you said, that said this can

455
00:26:25,720 --> 00:26:26,200
Speaker 2: be us.

456
00:26:26,080 --> 00:26:30,120
Speaker 4: And I was just like, here they are in Brazil.

457
00:26:32,200 --> 00:26:34,879
Speaker 4: Here's another. Here's another one film from the back of

458
00:26:34,920 --> 00:26:37,920
Speaker 4: the football stadium in Brazil.

459
00:26:39,240 --> 00:26:40,479
Speaker 2: That was really moving.

460
00:26:40,680 --> 00:26:43,280
Speaker 1: Here's why it's always them, just like talking about very

461
00:26:43,359 --> 00:26:49,080
Speaker 1: normal stuff, like when they're like how they make coffee

462
00:26:49,080 --> 00:26:51,879
Speaker 1: and things like that. These videos I see everywhere and

463
00:26:51,960 --> 00:26:56,439
Speaker 1: everyone's like, this is me. It's like, yeah, it sounds

464
00:26:56,480 --> 00:27:02,120
Speaker 1: like it sounds like everyone it's me too.

465
00:27:04,240 --> 00:27:11,920
Speaker 2: Yeah, Tom, Yeah, Look you came in here shot out

466
00:27:11,920 --> 00:27:12,399
Speaker 2: of a cannon.

467
00:27:12,880 --> 00:27:15,160
Speaker 4: I'm just rolling hard.

468
00:27:15,200 --> 00:27:18,200
Speaker 1: And we didn't have some stuff we want to.

469
00:27:18,119 --> 00:27:21,120
Speaker 4: Get, okay, all right, when we pull it together, then

470
00:27:21,720 --> 00:27:23,240
Speaker 4: back to business, we.

471
00:27:23,240 --> 00:27:27,159
Speaker 1: Put in that you didn't even tell us that, like,

472
00:27:28,040 --> 00:27:31,520
Speaker 1: because if we knew what the format was that we

473
00:27:31,520 --> 00:27:33,399
Speaker 1: could we could put our names in.

474
00:27:33,640 --> 00:27:36,880
Speaker 4: Oh, this is what I'll do for both of you.

475
00:27:36,880 --> 00:27:41,240
Speaker 4: You get free the paper, freeze the paper. You get

476
00:27:41,760 --> 00:27:46,360
Speaker 4: just like the eighty five draft when the stole.

477
00:27:46,320 --> 00:27:49,000
Speaker 1: Patrick from put the paper in a freezer.

478
00:27:49,160 --> 00:27:52,800
Speaker 4: Yeah, who is he stolen from? From? All the other

479
00:27:52,840 --> 00:27:54,080
Speaker 4: teams they.

480
00:27:53,880 --> 00:27:55,800
Speaker 1: Were supposed to go to one of these other teams,

481
00:27:56,160 --> 00:27:57,040
Speaker 1: all the other ones.

482
00:27:57,160 --> 00:27:59,800
Speaker 4: He reached in and felt the cold unvelope. And you

483
00:27:59,840 --> 00:28:01,680
Speaker 4: can even see when you watch the eighty five drafts,

484
00:28:01,680 --> 00:28:04,880
Speaker 4: you see David Stern reach in, he goes, he shivers

485
00:28:04,920 --> 00:28:09,959
Speaker 4: a little bit. He's like, no, no, no, Patrick, jingle bells.

486
00:28:10,280 --> 00:28:13,639
Speaker 2: Yeah, you see him, Yeah, you see him. Then just

487
00:28:13,720 --> 00:28:16,880
Speaker 2: quietly turn and open one of those little hot pocket

488
00:28:16,920 --> 00:28:18,720
Speaker 2: things that skiers have inside there.

489
00:28:20,359 --> 00:28:22,280
Speaker 4: Yeah, warm, just like.

490
00:28:23,040 --> 00:28:23,840
Speaker 2: I'm gonna need this.

491
00:28:24,040 --> 00:28:30,280
Speaker 4: Yeah, he's reached a little obvious during the draft.

492
00:28:30,359 --> 00:28:32,080
Speaker 2: This is this is being filmed.

493
00:28:32,240 --> 00:28:34,320
Speaker 4: It stuck to his tongue and he's singing the San

494
00:28:34,320 --> 00:28:39,520
Speaker 4: Diego Clippers get the not that one, Okay, this one.

495
00:28:41,040 --> 00:28:43,080
Speaker 2: So it's the player's name on the thing that he's

496
00:28:43,120 --> 00:28:43,640
Speaker 2: pulayed out.

497
00:28:46,760 --> 00:28:51,120
Speaker 1: Clippers get these this guy, and then it's every basketball

498
00:28:51,120 --> 00:28:52,360
Speaker 1: player in the world.

499
00:28:52,480 --> 00:28:59,080
Speaker 4: He literally, yeah, they prefigured who's going where? Wow? Is

500
00:28:59,080 --> 00:29:02,360
Speaker 4: that how the draft worked back then, yeah, players, And.

501
00:29:02,360 --> 00:29:05,800
Speaker 2: I don't know why we why did we drop that system?

502
00:29:06,200 --> 00:29:07,760
Speaker 4: I don't know. I liked it when they were just

503
00:29:07,880 --> 00:29:10,960
Speaker 4: so the thing out and it would just be like, oh,

504
00:29:11,080 --> 00:29:13,800
Speaker 4: Michael Jordan is going to the Chicago Boy.

505
00:29:13,880 --> 00:29:16,080
Speaker 1: That was really lucky that the people talk about how

506
00:29:16,160 --> 00:29:19,400
Speaker 1: he went third. Yeah, and like that's so late for

507
00:29:19,480 --> 00:29:22,080
Speaker 1: Michael Jordan, but like it could have been so much

508
00:29:22,160 --> 00:29:24,720
Speaker 1: later every where.

509
00:29:24,720 --> 00:29:27,480
Speaker 4: It's just all the names of the play because that

510
00:29:27,600 --> 00:29:30,720
Speaker 4: year was a Keem.

511
00:29:31,040 --> 00:29:35,320
Speaker 1: Yeah, then this is like the nole thing dark Old.

512
00:29:35,600 --> 00:29:39,560
Speaker 1: It's actually on second actually a Keem.

513
00:29:38,520 --> 00:29:41,320
Speaker 4: And then Jordan. They picked Darko instead of Jordan, A

514
00:29:41,400 --> 00:29:43,600
Speaker 4: big wow. They could have kept winning.

515
00:29:44,600 --> 00:29:53,160
Speaker 1: Mm hmmm, yeah, you're okay, So you're gonna You're gonna.

516
00:29:52,560 --> 00:29:55,880
Speaker 2: Okay, And then so I would get up, So just

517
00:29:55,960 --> 00:29:58,200
Speaker 2: then let's play this out because I guess this could

518
00:29:58,240 --> 00:30:01,200
Speaker 2: be a good advertisement or the tour, which I don't

519
00:30:01,240 --> 00:30:04,040
Speaker 2: know why I'm plugging it. It really had a negative

520
00:30:04,080 --> 00:30:07,480
Speaker 2: impact on us, But so what would it look like?

521
00:30:07,520 --> 00:30:09,760
Speaker 2: So then I get a minute to just do anything,

522
00:30:10,000 --> 00:30:12,200
Speaker 2: and is there a topic given to me or it's

523
00:30:12,240 --> 00:30:14,840
Speaker 2: just like I just walk up? Is there a theme?

524
00:30:15,000 --> 00:30:17,560
Speaker 4: No? No, no, this is not this is not improv

525
00:30:17,720 --> 00:30:20,640
Speaker 4: where we need to suggestion or whatever. This is your time.

526
00:30:20,760 --> 00:30:23,320
Speaker 2: You do just I just come up and I do prepare,

527
00:30:24,000 --> 00:30:26,640
Speaker 2: prepare everyone. So I need to have one minute of.

528
00:30:26,600 --> 00:30:29,200
Speaker 4: Materials one minute of material Yeah.

529
00:30:29,360 --> 00:30:36,240
Speaker 2: Okay, it's and it it's can it could be song lyric?

530
00:30:36,360 --> 00:30:37,120
Speaker 2: Stand up right?

531
00:30:37,760 --> 00:30:41,120
Speaker 1: It could do you have anyone doing that like and

532
00:30:41,200 --> 00:30:42,040
Speaker 1: doing it actually?

533
00:30:42,160 --> 00:30:48,479
Speaker 4: Well do it well now okay, but that could be

534
00:30:48,520 --> 00:30:50,360
Speaker 4: a that could be an option for you.

535
00:30:50,480 --> 00:30:53,080
Speaker 1: And then what's it like like? And then you charter

536
00:30:53,240 --> 00:30:57,720
Speaker 1: the bust to the next show and everyone gets on

537
00:30:58,840 --> 00:31:06,280
Speaker 1: and goes together, and you, yeah, make you're like renting

538
00:31:06,320 --> 00:31:10,120
Speaker 1: the bus. Charge on the rent the seats on the bus.

539
00:31:10,520 --> 00:31:14,400
Speaker 4: Yes, you can get on the bus for free, but

540
00:31:14,520 --> 00:31:17,360
Speaker 4: you have to go on the rack up above. And

541
00:31:17,400 --> 00:31:18,720
Speaker 4: those racks suck.

542
00:31:19,360 --> 00:31:23,960
Speaker 2: It's not even good racks, and they suck on the buses.

543
00:31:24,080 --> 00:31:27,240
Speaker 2: They suckeh. So I guess like.

544
00:31:27,920 --> 00:31:31,640
Speaker 1: They're trying to like up charge you. I think with

545
00:31:31,760 --> 00:31:35,000
Speaker 1: how shitty the racks have gotten, you know, we.

546
00:31:34,880 --> 00:31:37,840
Speaker 4: Do things to the racks between bus strips to make

547
00:31:37,880 --> 00:31:40,200
Speaker 4: them just less appealing.

548
00:31:41,320 --> 00:31:45,920
Speaker 2: Yeah, the racks get replaced with worse racks, Yeah, which

549
00:31:46,000 --> 00:31:49,280
Speaker 2: feels like so much more work. That feels that it's

550
00:31:49,360 --> 00:31:52,720
Speaker 2: really just so what. They're already bad? Why are we

551
00:31:53,280 --> 00:31:57,960
Speaker 2: so desperate to make them even worse? Weird all Yankovic?

552
00:31:59,240 --> 00:32:01,120
Speaker 1: Okay, and so then you drive.

553
00:32:02,560 --> 00:32:03,200
Speaker 2: Even worse?

554
00:32:03,280 --> 00:32:05,000
Speaker 4: Right, See, I'm not that much Intomber.

555
00:32:05,640 --> 00:32:09,120
Speaker 2: Remember Michael Jackson had bad album, but see the thing

556
00:32:09,200 --> 00:32:10,000
Speaker 2: is weird.

557
00:32:10,000 --> 00:32:11,680
Speaker 4: Al I don't even pay attention to him when I say,

558
00:32:11,680 --> 00:32:17,120
Speaker 4: I pay attention to like Jonathan Bermuda Schwartz in his band,

559
00:32:17,240 --> 00:32:18,680
Speaker 4: Like that's who I'm there to see.

560
00:32:18,640 --> 00:32:25,160
Speaker 2: Right, you're there for bone Head, You're there for Jonathan. Yeah, okay, yeah,

561
00:32:25,320 --> 00:32:32,080
Speaker 2: but the guys did Jonathan. So then so then when

562
00:32:32,120 --> 00:32:33,960
Speaker 2: I say even worse, you know what I'm talking about?

563
00:32:34,040 --> 00:32:36,760
Speaker 4: Oh I knew exactly what you're talking speaking the same language.

564
00:32:37,200 --> 00:32:40,280
Speaker 2: Yeah, that's interesting if you did song lyrics stand up

565
00:32:40,320 --> 00:32:45,480
Speaker 2: with a weird alse Is anyone ever actually sat down

566
00:32:45,520 --> 00:32:47,720
Speaker 2: and listened to the words of this thing?

567
00:32:48,520 --> 00:32:49,719
Speaker 1: It's too much food.

568
00:32:53,560 --> 00:32:55,040
Speaker 2: You wouldn't want to eat that much.

569
00:32:56,840 --> 00:33:02,360
Speaker 4: Tom Yeah has zoned doubt for a second. I was

570
00:33:02,360 --> 00:33:04,080
Speaker 4: looking at all the cables on the floor.

571
00:33:09,600 --> 00:33:13,000
Speaker 2: Are you gonna want to do this whole tour? I mean,

572
00:33:13,080 --> 00:33:15,240
Speaker 2: should we spilit it.

573
00:33:15,480 --> 00:33:18,720
Speaker 1: Maybe it's all that, all that time on the road

574
00:33:19,560 --> 00:33:25,560
Speaker 1: because he's got this like your sleep, Tom, your sleep schedule. Yeah,

575
00:33:26,800 --> 00:33:29,800
Speaker 1: and the TV show. Talk about the TV show.

576
00:33:29,680 --> 00:33:37,680
Speaker 4: Well, Natasha lyon raw, Yeah, that's am I wrong kind

577
00:33:37,720 --> 00:33:42,640
Speaker 4: of okay. Yeah, No, I'm working on a TV show now.

578
00:33:43,320 --> 00:33:48,600
Speaker 2: Bang bang the damn dude killing him thing, Mike drop

579
00:33:48,640 --> 00:33:52,800
Speaker 2: here on, come on, crom it'll drop on its own.

580
00:33:54,080 --> 00:33:59,440
Speaker 2: I don't give a fuck. My fucking ship dude, who No,

581
00:34:00,520 --> 00:34:06,200
Speaker 2: my head goes Mike. People, people won't be able to

582
00:34:06,240 --> 00:34:07,760
Speaker 2: hear you give a.

583
00:34:09,920 --> 00:34:12,200
Speaker 1: I worry Tim that you're gonna come back from this

584
00:34:13,040 --> 00:34:15,879
Speaker 1: just so depleted. W't just gonna know where you won't.

585
00:34:16,680 --> 00:34:22,200
Speaker 1: Best case scenario, you come back and in time that

586
00:34:22,239 --> 00:34:25,840
Speaker 1: you should be taking to recover, you're gonna be jumping

587
00:34:25,920 --> 00:34:28,920
Speaker 1: right into the next thing, giving even more of yourself time.

588
00:34:28,960 --> 00:34:31,200
Speaker 2: You can't keep this pace up. I mean, you're already

589
00:34:31,200 --> 00:34:32,000
Speaker 2: in tour mode.

590
00:34:32,400 --> 00:34:35,680
Speaker 4: Already in tour mode. I can't.

591
00:34:36,520 --> 00:34:40,279
Speaker 2: There's no way by the time those shows then you

592
00:34:40,320 --> 00:34:42,799
Speaker 2: gotta go make this show, this other show that goes

593
00:34:42,800 --> 00:34:46,560
Speaker 2: on TV. It's too much. And I also I just

594
00:34:46,600 --> 00:34:48,520
Speaker 2: want to warn you, Tom.

595
00:34:48,840 --> 00:34:51,440
Speaker 4: I'm warning you that who is that?

596
00:34:51,520 --> 00:34:55,600
Speaker 1: Who's that Howard? Howard?

597
00:34:55,719 --> 00:35:01,880
Speaker 4: Okay, no, do you have those sound effects?

598
00:35:02,480 --> 00:35:05,080
Speaker 1: I don't think he does it with a closed fist

599
00:35:05,200 --> 00:35:05,480
Speaker 1: like that.

600
00:35:05,640 --> 00:35:07,400
Speaker 4: Does he will hit your mic.

601
00:35:09,280 --> 00:35:09,919
Speaker 2: Break the mic?

602
00:35:13,480 --> 00:35:14,160
Speaker 4: Remember when he would.

603
00:35:16,320 --> 00:35:17,240
Speaker 1: I don't think he does.

604
00:35:20,320 --> 00:35:22,960
Speaker 4: Like that, but he would do on somebody's battle. He'd be.

605
00:35:25,080 --> 00:35:27,799
Speaker 2: Oh yeah, so disturbing.

606
00:35:28,640 --> 00:35:37,120
Speaker 4: It was three defective guys in a tool shed and

607
00:35:37,200 --> 00:35:37,920
Speaker 4: just let him go.

608
00:35:38,120 --> 00:35:41,560
Speaker 2: Yeah, just get him in there. There are no rules.

609
00:35:41,920 --> 00:35:46,160
Speaker 2: Any tool can be used any other person's head and face.

610
00:35:46,440 --> 00:35:50,480
Speaker 1: And that was at the time. It was like relatable comedy.

611
00:35:51,760 --> 00:35:54,560
Speaker 1: It wasn't like heightened at all. It was like those

612
00:35:54,560 --> 00:35:56,640
Speaker 1: were guys you knew from out in the world.

613
00:35:57,200 --> 00:35:59,719
Speaker 2: That was just that. I mean everyone was how many

614
00:35:59,760 --> 00:36:03,160
Speaker 2: doesn't work unless people see themselves reflected in it, and

615
00:36:03,239 --> 00:36:05,719
Speaker 2: so yeah, it was just you and your You and

616
00:36:05,760 --> 00:36:07,480
Speaker 2: your homies were just getting the toolshit.

617
00:36:07,760 --> 00:36:12,040
Speaker 1: Just just that was like the equivalent of brothers.

618
00:36:12,400 --> 00:36:17,280
Speaker 4: It really they they were the duplas brothers of their time. Yeah,

619
00:36:18,760 --> 00:36:22,160
Speaker 4: and the one thing you learn not to say is hey,

620
00:36:22,200 --> 00:36:24,960
Speaker 4: you can't do that to him.

621
00:36:25,120 --> 00:36:27,719
Speaker 2: No, you find out real you get it, Yeah, well

622
00:36:27,800 --> 00:36:31,200
Speaker 2: then I'll do it to you instead. This was really

623
00:36:31,200 --> 00:36:32,920
Speaker 2: the response. And by the way, they didn't say it

624
00:36:32,960 --> 00:36:35,120
Speaker 2: because that would be a warning. What they would do

625
00:36:35,200 --> 00:36:38,600
Speaker 2: is start doing it. Yeah, and if it was something

626
00:36:38,600 --> 00:36:40,680
Speaker 2: that you didn't want to be done to him, you

627
00:36:40,800 --> 00:36:43,880
Speaker 2: certainly didn't want it done to you now and it

628
00:36:43,880 --> 00:36:47,840
Speaker 2: would be getting poked, tweaked, bonked.

629
00:36:48,520 --> 00:36:51,000
Speaker 4: Right yep, all the above.

630
00:36:52,280 --> 00:36:55,440
Speaker 1: Can you just heed my warning? Please? That the warning

631
00:36:55,480 --> 00:36:58,759
Speaker 1: I was trying to issue leaning into this, Okay. I

632
00:36:58,760 --> 00:37:02,160
Speaker 1: don't know if you saw that Adam Conover was on

633
00:37:02,280 --> 00:37:06,840
Speaker 1: desmir as a one billion out of ten kisser.

634
00:37:06,960 --> 00:37:12,440
Speaker 2: Yes, I wish he hadn't, so he was, so he

635
00:37:12,600 --> 00:37:13,200
Speaker 2: was on there.

636
00:37:13,520 --> 00:37:16,200
Speaker 1: He's coming off tour, Tom. I just want to let

637
00:37:16,200 --> 00:37:20,440
Speaker 1: you know, like the harvest has been completed, the fields

638
00:37:20,520 --> 00:37:23,560
Speaker 1: have been your goal.

639
00:37:24,320 --> 00:37:28,640
Speaker 2: You are traveling in the wake of a one billion

640
00:37:28,640 --> 00:37:31,879
Speaker 2: out of ten kisser. If your little brain can even

641
00:37:31,920 --> 00:37:36,160
Speaker 2: try to, yeah, encapsulate what that would mean. And so

642
00:37:36,280 --> 00:37:39,000
Speaker 2: then I know you're thinking you're gonna go out there

643
00:37:39,000 --> 00:37:42,240
Speaker 2: and really impress people with some kisses in these different

644
00:37:42,280 --> 00:37:49,399
Speaker 2: cities La sharpling kiss Yeah, feels like the lawn has

645
00:37:49,440 --> 00:37:49,960
Speaker 2: been mode.

646
00:37:50,040 --> 00:37:56,040
Speaker 1: My friend, they're gonna be so my shooting for two

647
00:37:56,120 --> 00:37:58,919
Speaker 1: billion out of ten is that the goal.

648
00:37:59,040 --> 00:38:04,560
Speaker 2: Now, yeah, you're yeah, you're to have a Yeah.

649
00:38:04,400 --> 00:38:09,440
Speaker 4: You're right. That's what it's like. When Adam Connor was like, actually.

650
00:38:10,520 --> 00:38:15,759
Speaker 1: Tom, what you're gonna go out. You're gonna kiss everybody.

651
00:38:15,840 --> 00:38:19,880
Speaker 1: You're gonna do all five dates of this tour, no help,

652
00:38:20,000 --> 00:38:21,720
Speaker 1: just you up there with Bobby.

653
00:38:22,120 --> 00:38:27,120
Speaker 4: Just me and Bobby Kelly, Gary Goleman is not available.

654
00:38:26,920 --> 00:38:30,640
Speaker 1: Mowing everyone down on stage, then after the show, mowing

655
00:38:30,680 --> 00:38:31,960
Speaker 1: everyone out off stage.

656
00:38:32,040 --> 00:38:35,160
Speaker 4: Yeah, well we'll do things. We're gonna play like football, and.

657
00:38:35,800 --> 00:38:39,440
Speaker 1: You're gonna play football, carts, your kid, all sorts of

658
00:38:39,560 --> 00:38:42,880
Speaker 1: activities just for the tour doc for the Black and

659
00:38:42,880 --> 00:38:44,160
Speaker 1: White Tour documentary.

660
00:38:44,280 --> 00:38:48,680
Speaker 4: One thing I'm looking forward to is if Bobby is

661
00:38:48,719 --> 00:38:51,799
Speaker 4: on the bus and I see he's doing I think

662
00:38:51,840 --> 00:38:55,520
Speaker 4: he's doing his taxes. I'm gonna take those freaking taxes,

663
00:38:56,760 --> 00:38:59,759
Speaker 4: pour a milkshake all over them, a go. This is

664
00:39:00,280 --> 00:39:02,320
Speaker 4: as im not tax scasm.

665
00:39:02,920 --> 00:39:05,680
Speaker 2: Boom, don't do your taxes on the tour bus.

666
00:39:06,160 --> 00:39:12,680
Speaker 1: Rule number one, bro code flavorless milkshake unsweetened because you're

667
00:39:12,719 --> 00:39:15,640
Speaker 1: not using it like drink. You're not gonna waste money.

668
00:39:15,560 --> 00:39:20,880
Speaker 2: And you wave your but wipe your butt with the papers.

669
00:39:21,360 --> 00:39:22,320
Speaker 1: But it's got milkshake.

670
00:39:23,200 --> 00:39:23,920
Speaker 4: That's cold.

671
00:39:25,320 --> 00:39:27,640
Speaker 2: Oh, that's cold inside of my.

672
00:39:27,680 --> 00:39:34,640
Speaker 4: But David Stern felt with the frozen, frozen envelope that's

673
00:39:34,840 --> 00:39:36,879
Speaker 4: Patrick inside of it on his.

674
00:39:37,320 --> 00:39:39,480
Speaker 2: Butt, unbelievable.

675
00:39:39,640 --> 00:39:42,279
Speaker 1: And they're going back for the doc. But and then

676
00:39:42,320 --> 00:39:45,759
Speaker 1: going back and like telling Natasha that you actually have

677
00:39:45,880 --> 00:39:47,120
Speaker 1: something left in the tank.

678
00:39:48,480 --> 00:39:51,640
Speaker 2: Yeah, I'm gonna give I'm gonna bring my all.

679
00:39:51,520 --> 00:39:55,360
Speaker 1: To this thing. And she's gonna sniff you, right missus

680
00:39:55,520 --> 00:39:59,640
Speaker 1: lion Oh yes, talking in the Lion's den.

681
00:39:59,719 --> 00:40:01,600
Speaker 2: Brother, she's gonna be.

682
00:40:01,880 --> 00:40:03,799
Speaker 1: You hear him? Are you listening to him?

683
00:40:04,120 --> 00:40:08,520
Speaker 4: Not really, she's gonna be Oh no, I'm listening to

684
00:40:08,520 --> 00:40:08,799
Speaker 4: you now.

685
00:40:08,880 --> 00:40:10,520
Speaker 2: I don't like it chomping on you.

686
00:40:10,719 --> 00:40:13,040
Speaker 1: Oh yeah, oh yeah. She picked up nothing about how

687
00:40:13,080 --> 00:40:17,239
Speaker 1: to apex predator about how to read tells she didn't

688
00:40:17,280 --> 00:40:20,000
Speaker 1: pick up a single thing, zero experience.

689
00:40:20,280 --> 00:40:23,239
Speaker 2: No, no, no, it's just like talking to anyone else. Just

690
00:40:23,280 --> 00:40:27,080
Speaker 2: spending years of your life being poker face has no

691
00:40:27,160 --> 00:40:31,960
Speaker 2: impact on the way that you interpret other people's body language.

692
00:40:32,120 --> 00:40:37,680
Speaker 2: Vocal tells you know, I just don't want you to

693
00:40:37,760 --> 00:40:39,719
Speaker 2: walk into the lions Den like that.

694
00:40:39,920 --> 00:40:42,399
Speaker 1: I have a pitch for the name of your show. Yeah,

695
00:40:42,440 --> 00:40:45,839
Speaker 1: what's that the show you're working out with Natasha? Yes,

696
00:40:47,680 --> 00:40:54,200
Speaker 1: Tosh pointo, I like it. I actually should be taught

697
00:40:54,239 --> 00:40:55,680
Speaker 1: should be something higher.

698
00:40:56,880 --> 00:41:00,279
Speaker 2: Tosh tosh point to point oh one.

699
00:41:00,800 --> 00:41:05,359
Speaker 1: Yeah, at least at least we maybe eventually can even

700
00:41:05,400 --> 00:41:06,279
Speaker 1: go higher than that.

701
00:41:06,560 --> 00:41:09,480
Speaker 4: And I think it's even better, which is the opposite.

702
00:41:09,000 --> 00:41:11,960
Speaker 2: Of even worse.

703
00:41:12,360 --> 00:41:17,200
Speaker 1: Could be confusing when you when you're talking about that,

704
00:41:17,360 --> 00:41:20,160
Speaker 1: when you're posting about the show, I know you like

705
00:41:20,239 --> 00:41:22,960
Speaker 1: to reference the episodes by saying like s O one

706
00:41:23,120 --> 00:41:23,520
Speaker 1: E O.

707
00:41:23,719 --> 00:41:31,880
Speaker 4: Four I love and I say Golden Rod, second salmon.

708
00:41:33,360 --> 00:41:37,000
Speaker 1: Which which is the code for like what draft of

709
00:41:37,880 --> 00:41:40,600
Speaker 1: script it is or whatever wouldn't seem to apply to

710
00:41:40,760 --> 00:41:42,360
Speaker 1: a to an aired show.

711
00:41:44,920 --> 00:41:47,560
Speaker 4: Well, I'd like to let people see behind the curtain

712
00:41:47,600 --> 00:41:49,560
Speaker 4: a little bit that you know, Hey, you know we

713
00:41:51,560 --> 00:41:55,040
Speaker 4: write these scripts and we use different colored paper to

714
00:41:55,080 --> 00:41:57,799
Speaker 4: say where in the where in the process we are?

715
00:41:57,960 --> 00:42:02,279
Speaker 2: And will you be throwing any room techniques you acquired

716
00:42:03,239 --> 00:42:07,399
Speaker 2: on the staff of Crepopolis for the new venture that

717
00:42:07,480 --> 00:42:08,440
Speaker 2: you're going into.

718
00:42:08,520 --> 00:42:11,800
Speaker 4: Yes, I'm planning on utilizing all the tools I learned

719
00:42:11,800 --> 00:42:13,120
Speaker 4: on Crapopolis.

720
00:42:14,080 --> 00:42:17,960
Speaker 2: We do collect these little tricks, we bring them with

721
00:42:19,239 --> 00:42:22,160
Speaker 2: you always add an era museum everywhere you go.

722
00:42:22,480 --> 00:42:25,319
Speaker 4: Yeah. One of the tricks I plan on utilizing is

723
00:42:26,239 --> 00:42:29,480
Speaker 4: being on Zoom for a full year and watching the

724
00:42:29,480 --> 00:42:32,600
Speaker 4: first round of the NBA Playoffs on a TV that

725
00:42:32,760 --> 00:42:36,759
Speaker 4: was ninety degrees off to the side.

726
00:42:37,560 --> 00:42:41,040
Speaker 1: Just having the changing light dancing off the side of

727
00:42:41,080 --> 00:42:43,640
Speaker 1: your head lightning.

728
00:42:45,640 --> 00:42:51,400
Speaker 4: I'm like, oh, the.

729
00:42:48,400 --> 00:42:51,560
Speaker 1: One I has naturally migrated.

730
00:42:51,960 --> 00:43:01,920
Speaker 4: Yeah, the lawn sprinkler. I'm like, Okay, Jason Tatum talk tonight.

731
00:43:01,440 --> 00:43:07,160
Speaker 1: All that gets into the show that pitch?

732
00:43:08,600 --> 00:43:12,359
Speaker 4: Yeah, hey, what if? Yeah, I got it. What if

733
00:43:13,239 --> 00:43:18,120
Speaker 4: here's a picture of the thing. What if one of the.

734
00:43:16,680 --> 00:43:27,160
Speaker 1: Characters you don't know Eddio single like you you're gambling,

735
00:43:27,520 --> 00:43:30,239
Speaker 1: you're gambling that it even has characters, Like.

736
00:43:30,200 --> 00:43:33,880
Speaker 4: What if one of one of our beloved characters is

737
00:43:34,800 --> 00:43:41,439
Speaker 4: it's just has the hot hand, it's just just cannot miss,

738
00:43:41,880 --> 00:43:45,360
Speaker 4: cannot miss. But then they're doing the they're doing like

739
00:43:45,400 --> 00:43:46,040
Speaker 4: a heat check.

740
00:43:47,239 --> 00:43:52,839
Speaker 2: Yeah, one too many right off the back iron. All right,

741
00:43:52,920 --> 00:43:54,200
Speaker 2: I found our limit.

742
00:43:54,600 --> 00:44:03,040
Speaker 1: Two shows at the bell you're doing those? There were

743
00:44:03,160 --> 00:44:09,080
Speaker 1: both both, Okay, we've got that's the eleventh and twelfth, Yes, it.

744
00:44:09,040 --> 00:44:11,840
Speaker 4: Is October eleventh, October twelfth. That will be at the

745
00:44:11,840 --> 00:44:16,880
Speaker 4: Bell House, Fun Surprises galore, folks.

746
00:44:19,120 --> 00:44:23,080
Speaker 1: Hey, okay, so all right, so I guess I'll say

747
00:44:23,120 --> 00:44:23,960
Speaker 1: the one after that.

748
00:44:24,239 --> 00:44:29,160
Speaker 2: Would we be yeah, would we be eligible to be

749
00:44:29,200 --> 00:44:30,080
Speaker 2: a fun surprise?

750
00:44:32,440 --> 00:44:32,760
Speaker 1: Hmmm?

751
00:44:35,640 --> 00:44:35,839
Speaker 4: Yeah.

752
00:44:35,920 --> 00:44:38,120
Speaker 1: I had my tickets already for one of them, So

753
00:44:38,280 --> 00:44:44,160
Speaker 1: in the process of complaining about getting booked out of here,

754
00:44:44,200 --> 00:44:46,239
Speaker 1: I ended up accidentally buying ticket.

755
00:44:46,239 --> 00:44:49,800
Speaker 2: It seemed like I was going on the website seeing

756
00:44:49,920 --> 00:44:53,920
Speaker 2: like how this could have happened to me, and somehow

757
00:44:53,920 --> 00:44:56,080
Speaker 2: I accidentally added tickets to the cart.

758
00:44:56,000 --> 00:44:58,640
Speaker 4: Well a few of them. It's something we kind of

759
00:44:59,400 --> 00:45:04,719
Speaker 4: set up on our end. It's kind of like persuasive technology.

760
00:45:05,000 --> 00:45:09,160
Speaker 1: So maybe this maybe people buy tickets to the Lodge

761
00:45:09,239 --> 00:45:11,959
Speaker 1: Room show. Yeah, maybe we can get our own little

762
00:45:12,000 --> 00:45:13,960
Speaker 1: show going in the back, you know what I mean.

763
00:45:14,200 --> 00:45:17,520
Speaker 1: Any of the cool kids can have their own show

764
00:45:18,960 --> 00:45:20,920
Speaker 1: in the back of the room. You know what I mean.

765
00:45:21,239 --> 00:45:25,880
Speaker 4: Oh, well, the Dorks are on the main stage.

766
00:45:25,920 --> 00:45:31,760
Speaker 2: Oh yeah, up there, yeah, teacher exactly, I'm at school.

767
00:45:32,719 --> 00:45:35,600
Speaker 1: And then there's one in Philadelphia. In between, we'll be

768
00:45:35,719 --> 00:45:37,160
Speaker 1: doing one in Philadelphia.

769
00:45:37,400 --> 00:45:43,080
Speaker 4: Yes, we're doing Bellhouse. And then we go right to

770
00:45:43,120 --> 00:45:48,440
Speaker 4: Philadelphia for the thirteenth of October. Union Transfer Union transfer,

771
00:45:48,480 --> 00:45:50,680
Speaker 4: then we fly back and do a show in the

772
00:45:51,040 --> 00:45:54,040
Speaker 4: fifteenth in the lodge room. And the way you're putting

773
00:45:54,719 --> 00:45:58,800
Speaker 4: on a plane seems so much less.

774
00:45:59,280 --> 00:46:01,439
Speaker 1: We rented this. He's on the bus, but like.

775
00:46:01,480 --> 00:46:03,080
Speaker 4: It's like the movie Swordfish.

776
00:46:03,560 --> 00:46:07,560
Speaker 2: It is like that, Yeah, yeah, you said that. Actually

777
00:46:09,120 --> 00:46:10,359
Speaker 2: you said that before.

778
00:46:10,080 --> 00:46:15,160
Speaker 4: And you said actually, which is a reference to Smoocher,

779
00:46:17,000 --> 00:46:21,759
Speaker 4: the show called a smooth the show strike Smoocher. You

780
00:46:21,760 --> 00:46:25,040
Speaker 4: don't stay on his sign now, right? What imagine the

781
00:46:25,160 --> 00:46:26,520
Speaker 4: jokes he's gonna write on his sign.

782
00:46:26,640 --> 00:46:29,600
Speaker 2: Oh my god, he's holding a sign we're on strike

783
00:46:29,800 --> 00:46:32,359
Speaker 2: and this and the billion out of ten kisser has

784
00:46:32,440 --> 00:46:33,000
Speaker 2: a sign.

785
00:46:33,719 --> 00:46:36,120
Speaker 4: But you know it'll be some sort of like no

786
00:46:36,280 --> 00:46:38,880
Speaker 4: smooches until we get what we.

787
00:46:38,800 --> 00:46:40,360
Speaker 1: Want to kiss.

788
00:46:40,880 --> 00:46:45,959
Speaker 2: Yeah, sorry, David's oslov you're gonna be the one doing

789
00:46:46,000 --> 00:46:52,040
Speaker 2: the billion out of ten kissing on my ass. Bye bye,