1 00:00:03,560 --> 00:00:15,040 Speaker 1: Motherfucking many years. So many years, motherfucking many years. So yep, yep, yep, 2 00:00:15,080 --> 00:00:18,280 Speaker 1: there it is. There it is. Ladies and gentlemen, welcome 3 00:00:18,720 --> 00:00:25,280 Speaker 1: to another episode. Phenomenal, motherfucking mini episode. And my mama 4 00:00:25,360 --> 00:00:29,200 Speaker 1: told me the podcast where we dive deep deep into 5 00:00:29,240 --> 00:00:32,800 Speaker 1: the pockets of black experiencing theories, and we finally worked 6 00:00:32,920 --> 00:00:36,480 Speaker 1: up rough the theories that you the listeners have at home. 7 00:00:36,600 --> 00:00:39,519 Speaker 1: You know the game, bitch, don't you sit there, you 8 00:00:39,760 --> 00:00:42,839 Speaker 1: dirty sleat and play koy like you don't know how 9 00:00:42,880 --> 00:00:46,839 Speaker 1: the funk this works. It's very simple. You submit. I 10 00:00:46,920 --> 00:00:50,000 Speaker 1: read them ships and then I talked about man get 11 00:00:50,040 --> 00:00:52,960 Speaker 1: a little research as well, but I mostly just read 12 00:00:53,000 --> 00:00:56,640 Speaker 1: and talk. That's that's the core of everything that I'm 13 00:00:56,680 --> 00:01:00,000 Speaker 1: doing here. And god damn, do we have an entry 14 00:01:00,120 --> 00:01:02,360 Speaker 1: sname one to day something I guess that I had 15 00:01:02,440 --> 00:01:06,640 Speaker 1: sort of like heard vaguely over the years, or at 16 00:01:06,680 --> 00:01:09,039 Speaker 1: least a a reference to something that I had a 17 00:01:09,120 --> 00:01:12,080 Speaker 1: vague understanding of, but that I was excited to dig 18 00:01:12,120 --> 00:01:16,280 Speaker 1: into further. This message, the message from the the listener 19 00:01:16,360 --> 00:01:18,839 Speaker 1: at home, came to a to me from a person 20 00:01:19,360 --> 00:01:22,399 Speaker 1: who calls themselves Alex. He said, Yo, LANX and you 21 00:01:22,440 --> 00:01:25,520 Speaker 1: can call me Alex. That's not my real name, but 22 00:01:25,560 --> 00:01:28,080 Speaker 1: I'm a black man in America, so use a fake name. 23 00:01:28,280 --> 00:01:30,840 Speaker 1: I don't know. I've been using my real name this 24 00:01:30,880 --> 00:01:34,720 Speaker 1: old time. So it makes me a little nervous that 25 00:01:34,720 --> 00:01:37,520 Speaker 1: that maybe I've made a mistake here, you know, Alex, 26 00:01:37,600 --> 00:01:40,800 Speaker 1: that that maybe I've embarrassed myself by by going on 27 00:01:40,840 --> 00:01:43,360 Speaker 1: these podcasts and accusing the white men of being the 28 00:01:43,400 --> 00:01:47,880 Speaker 1: devil with my my actual god given name. Maybe I 29 00:01:47,960 --> 00:01:50,800 Speaker 1: need to readthink some things. But neither here nor there, 30 00:01:50,840 --> 00:01:53,160 Speaker 1: because Alex said, I'm a big fan of the show, 31 00:01:53,520 --> 00:01:57,200 Speaker 1: which means I have two real, far out black conspiracy theories. 32 00:01:57,200 --> 00:01:59,280 Speaker 1: Now I'm only going to read one of the conspiracy 33 00:01:59,320 --> 00:02:03,440 Speaker 1: theories that al sent me because the time is it 34 00:02:03,800 --> 00:02:06,760 Speaker 1: might be a flat circle. But you know, I got 35 00:02:06,800 --> 00:02:08,839 Speaker 1: shipped to do so I can't. I can't handle both 36 00:02:08,880 --> 00:02:10,799 Speaker 1: of these. But Alex sent me a message where he's 37 00:02:10,960 --> 00:02:14,079 Speaker 1: number one. He says, this is more black fairy tales 38 00:02:14,680 --> 00:02:18,480 Speaker 1: or folklore. But my grandma told me about a man 39 00:02:18,600 --> 00:02:24,280 Speaker 1: named Shine. Sean was a supernatural Negro, a traveler and 40 00:02:24,400 --> 00:02:27,760 Speaker 1: fixer of sorts. Think Mary Poppins, but a black man 41 00:02:28,160 --> 00:02:31,600 Speaker 1: with a good helping of hobo mysticism the way she 42 00:02:31,760 --> 00:02:34,800 Speaker 1: told it to me, he was the first person to 43 00:02:34,880 --> 00:02:38,200 Speaker 1: make lemons out of lemonade patriarchy? Am I right? I'm 44 00:02:38,200 --> 00:02:40,320 Speaker 1: not sure how that relates to the patriarchy, but I'm 45 00:02:40,320 --> 00:02:44,440 Speaker 1: listening to Alex seriously. I would often hear something like 46 00:02:44,600 --> 00:02:47,480 Speaker 1: Shine didn't have a bowl, so he ate his cereal 47 00:02:47,600 --> 00:02:50,360 Speaker 1: out of cup. In these stories, it was also clear 48 00:02:50,400 --> 00:02:54,200 Speaker 1: that Sean was homeless. In retrospect, it just probably the 49 00:02:54,280 --> 00:02:57,200 Speaker 1: story of a poor black rural folks told to their 50 00:02:57,280 --> 00:03:00,720 Speaker 1: kids and hopes of helping them see that the value 51 00:03:00,800 --> 00:03:04,440 Speaker 1: of creative solutions. Maybe that's why Olivia Pope is the 52 00:03:04,480 --> 00:03:08,240 Speaker 1: best fixer we know and Beyonce literally can do no wrong. 53 00:03:08,320 --> 00:03:10,520 Speaker 1: I d k research him and get back to me. 54 00:03:10,680 --> 00:03:14,320 Speaker 1: You got it, Alex. I will research him, and I 55 00:03:14,400 --> 00:03:16,760 Speaker 1: don't agree that Beyonce can do no wrong. I can 56 00:03:16,760 --> 00:03:20,959 Speaker 1: list the number of wrongs that Beyonce has done. I'm 57 00:03:20,960 --> 00:03:22,960 Speaker 1: not gonna start because I don't need to burn any 58 00:03:23,000 --> 00:03:26,160 Speaker 1: more bridges. You've listened to enough episodes of me accusing 59 00:03:26,160 --> 00:03:30,840 Speaker 1: her of being an Italian who faked our pregnancy to know, Hey, 60 00:03:31,000 --> 00:03:34,960 Speaker 1: we we think Beyonce is corruptible, you know we we 61 00:03:35,320 --> 00:03:38,400 Speaker 1: we're not convinced that Beyonce is a superhero on this 62 00:03:38,440 --> 00:03:41,120 Speaker 1: side of the microphone, but that's neither here nor there. 63 00:03:41,400 --> 00:03:43,880 Speaker 1: I wanted to look up as much as I could 64 00:03:43,960 --> 00:03:46,520 Speaker 1: Alex about Shine because I do think this is a 65 00:03:47,040 --> 00:03:50,960 Speaker 1: an interesting figure and interesting sort of folklore that has 66 00:03:51,000 --> 00:03:55,480 Speaker 1: been passed down in Black oral history, and that is 67 00:03:55,640 --> 00:03:57,920 Speaker 1: that's a good place for us to start, because everything 68 00:03:57,960 --> 00:04:00,680 Speaker 1: that I've read said that there isn't at actually that 69 00:04:00,800 --> 00:04:07,040 Speaker 1: much literature written information about Shine, that Shine, this figure 70 00:04:07,360 --> 00:04:13,640 Speaker 1: mostly exists in oral traditions in Black history that like it. It. 71 00:04:13,800 --> 00:04:16,560 Speaker 1: He's a person who was sort of spoken about, but 72 00:04:16,640 --> 00:04:21,160 Speaker 1: nobody was just writing books and legend about him. They 73 00:04:21,160 --> 00:04:26,400 Speaker 1: weren't documenting shines actual existence until much later. In fact, 74 00:04:26,800 --> 00:04:30,719 Speaker 1: one of the first pieces that anybody can actually point 75 00:04:30,760 --> 00:04:35,640 Speaker 1: to that documents Shine actually comes from a song by 76 00:04:35,760 --> 00:04:39,800 Speaker 1: legendary blues folk singer Hoodie Leadbetter a k A. Lead 77 00:04:39,839 --> 00:04:43,040 Speaker 1: Belly y'all might know Lead Belly, and lead Belly sings 78 00:04:43,080 --> 00:04:45,960 Speaker 1: about Shine in a song. Now, before we get to 79 00:04:46,040 --> 00:04:49,039 Speaker 1: that song, it's let's talk a little bit about some 80 00:04:49,160 --> 00:04:52,120 Speaker 1: of this mysticism. That song doesn't come out until n 81 00:04:52,880 --> 00:04:56,240 Speaker 1: and part of the reason that song that song comes 82 00:04:56,279 --> 00:04:59,360 Speaker 1: out is because Shine a part of like all of 83 00:04:59,400 --> 00:05:02,280 Speaker 1: his magic. It in sort of mystery and all the 84 00:05:02,480 --> 00:05:04,880 Speaker 1: wonderful things that Shine is able to do. One of 85 00:05:04,920 --> 00:05:07,919 Speaker 1: the things that they point to is that Shine is 86 00:05:07,960 --> 00:05:11,240 Speaker 1: thought to be the only black man aboard the Titanic, 87 00:05:11,720 --> 00:05:15,520 Speaker 1: on which no negroes were allowed, So he was the 88 00:05:15,520 --> 00:05:18,760 Speaker 1: only black dude allowed to board the Titanic and be 89 00:05:18,920 --> 00:05:21,640 Speaker 1: on the Titanic. And there are legends that say that 90 00:05:21,720 --> 00:05:24,839 Speaker 1: Shine spent the entire time on the bottom of the 91 00:05:24,839 --> 00:05:28,719 Speaker 1: boat right that he he's basically uh, he's needing to 92 00:05:28,720 --> 00:05:32,480 Speaker 1: to help keep the ship moving forward by like putting 93 00:05:32,520 --> 00:05:35,640 Speaker 1: coals in the flame. And when the boat was starting 94 00:05:35,680 --> 00:05:38,159 Speaker 1: to take water, he was one of the first people 95 00:05:38,200 --> 00:05:41,239 Speaker 1: going to the captain and telling him, captain, the boat 96 00:05:41,360 --> 00:05:44,400 Speaker 1: is sinking, and the captain would not listen. The captain 97 00:05:44,440 --> 00:05:49,320 Speaker 1: ignored him. The captain called him a dirty, uh mud monkey. 98 00:05:49,440 --> 00:05:51,840 Speaker 1: I don't know what captain say to the guys that 99 00:05:51,920 --> 00:05:55,120 Speaker 1: load that load goal, but I bet he called him 100 00:05:55,120 --> 00:05:57,640 Speaker 1: a mud monkey of some sorts. And he called him 101 00:05:57,680 --> 00:05:59,800 Speaker 1: a mud monkey, and he told him go put the 102 00:06:00,000 --> 00:06:02,720 Speaker 1: holes back in there. And Shine Shane knew that that 103 00:06:02,760 --> 00:06:06,200 Speaker 1: boat was sinking, and when the time finally came for 104 00:06:06,360 --> 00:06:08,760 Speaker 1: the those who could escape to escape and for the 105 00:06:08,800 --> 00:06:11,000 Speaker 1: boat to make it, it's sort of like final way 106 00:06:11,080 --> 00:06:13,400 Speaker 1: before it went to the bottom of the ocean. There 107 00:06:13,440 --> 00:06:17,320 Speaker 1: were plenty of people begging Shine, all these other uh 108 00:06:17,440 --> 00:06:21,039 Speaker 1: other people on the ship begging Shine, various white people 109 00:06:21,080 --> 00:06:23,720 Speaker 1: begging him to help save them from the sinking ship, 110 00:06:23,800 --> 00:06:29,320 Speaker 1: and Shine refused, focusing instead on saving himself. That's that's 111 00:06:29,360 --> 00:06:32,000 Speaker 1: the legend that sort of comes out of the Titanic 112 00:06:32,040 --> 00:06:34,440 Speaker 1: in a lot of ways. That's the legend that often 113 00:06:35,000 --> 00:06:38,479 Speaker 1: is attached to Shine. It's these moments where he is 114 00:06:38,520 --> 00:06:41,760 Speaker 1: sort of like at the bottom of the de figurative 115 00:06:41,880 --> 00:06:44,640 Speaker 1: totem pole. I'm not even sure if that's an okay 116 00:06:44,960 --> 00:06:47,720 Speaker 1: statement anymore. I don't know if we still speak that way, 117 00:06:47,760 --> 00:06:50,400 Speaker 1: calling things that totem pole. That feels like maybe we're 118 00:06:50,800 --> 00:06:53,560 Speaker 1: we're misusing somebody else's culture in a way that we 119 00:06:53,600 --> 00:06:56,320 Speaker 1: probably shouldn't. But I said it anyway, and you'll correct 120 00:06:56,320 --> 00:06:58,760 Speaker 1: me if I made a terrible mistake. But Shine is 121 00:06:58,800 --> 00:07:02,560 Speaker 1: at the the bottom of all class, but he finds 122 00:07:02,640 --> 00:07:07,040 Speaker 1: a way always to work his way to the top, 123 00:07:07,200 --> 00:07:10,720 Speaker 1: or at least work his way somewhere out of where 124 00:07:10,920 --> 00:07:14,400 Speaker 1: white society told him that he belonged. He's sort of 125 00:07:14,440 --> 00:07:16,840 Speaker 1: like if the most interesting man in the world, you 126 00:07:16,880 --> 00:07:20,240 Speaker 1: remember those most Interesting man in the World commercials, the 127 00:07:20,320 --> 00:07:23,520 Speaker 1: beer for dosecks, and you know, the most interesting man 128 00:07:23,560 --> 00:07:25,400 Speaker 1: in the world if he were a black dude. But 129 00:07:25,480 --> 00:07:28,920 Speaker 1: instead of having sex with beautiful women on expensive balconies, 130 00:07:29,320 --> 00:07:32,600 Speaker 1: he's just eating at restaurants where all the customers wanted 131 00:07:32,600 --> 00:07:35,600 Speaker 1: to hang him. You know, he was he was meant 132 00:07:35,600 --> 00:07:38,520 Speaker 1: to be hanged, but instead he he just kind of 133 00:07:38,520 --> 00:07:41,600 Speaker 1: gets to finish his pie and Skippity do die about 134 00:07:41,600 --> 00:07:45,760 Speaker 1: its day. You know. One of the things that people 135 00:07:45,800 --> 00:07:50,160 Speaker 1: point to from this Shine story is that they believe 136 00:07:50,440 --> 00:07:54,480 Speaker 1: at least some of the Titanic relationship to Shine was 137 00:07:54,520 --> 00:07:58,360 Speaker 1: actually born from nineteen twelve. This is their sighting nineteen twelve. 138 00:07:58,400 --> 00:08:00,800 Speaker 1: And this is why it's important, because it is when 139 00:08:00,840 --> 00:08:05,000 Speaker 1: the Titanic, the staff of the Titanic refused to travel 140 00:08:05,400 --> 00:08:09,120 Speaker 1: the then world famous boxer Jack Johnson. They wouldn't let 141 00:08:09,160 --> 00:08:11,560 Speaker 1: Jack Johnson on the boat because he was black. The 142 00:08:11,680 --> 00:08:14,840 Speaker 1: captain in fact said we are not hauling no coal 143 00:08:15,360 --> 00:08:18,679 Speaker 1: in reference to Jack Johnson wanting to make the trip 144 00:08:18,720 --> 00:08:22,360 Speaker 1: and he was refused, and so Shine sort of was 145 00:08:22,600 --> 00:08:25,880 Speaker 1: or at least this iteration of Seine was born from 146 00:08:25,920 --> 00:08:29,760 Speaker 1: that story. Now Lead Belly then made a song about it. 147 00:08:29,840 --> 00:08:33,319 Speaker 1: He's sort of like saying about how stupid the captain 148 00:08:33,520 --> 00:08:36,080 Speaker 1: was and and how you know, Jack Johnson may not 149 00:08:36,160 --> 00:08:39,319 Speaker 1: have made it, but but Shine did, and Shine showed 150 00:08:39,400 --> 00:08:42,760 Speaker 1: those crackers. What's what That's that's more or less what 151 00:08:42,880 --> 00:08:46,360 Speaker 1: Lead Belly song is about. Similarly, there are a are 152 00:08:46,400 --> 00:08:49,040 Speaker 1: a number of articles that I read that referred to 153 00:08:49,160 --> 00:08:52,800 Speaker 1: Shine as a trickster. Right they call him a trickster 154 00:08:52,880 --> 00:08:56,600 Speaker 1: basically like Nigga Loki is the energy that's sort of 155 00:08:56,640 --> 00:08:59,200 Speaker 1: coming off of Shine and these various things that I read, 156 00:08:59,200 --> 00:09:02,800 Speaker 1: and someone who uh is he's basically someone who's able 157 00:09:02,840 --> 00:09:06,480 Speaker 1: to use his cunning to not only navigate his way 158 00:09:06,520 --> 00:09:11,560 Speaker 1: through into success, but also often navigating situations where even 159 00:09:11,600 --> 00:09:15,200 Speaker 1: the most powerful white men are defeated, right that Like, 160 00:09:15,840 --> 00:09:19,400 Speaker 1: especially using the Titanic as the example, this is the elite, 161 00:09:19,800 --> 00:09:24,080 Speaker 1: the best of the best whites, and Shine becomes a survivor, 162 00:09:24,440 --> 00:09:28,200 Speaker 1: whereas all these other white people freeze and drown and 163 00:09:28,520 --> 00:09:31,400 Speaker 1: have to to kiss their their sweet baby goodbye. Even 164 00:09:31,440 --> 00:09:33,520 Speaker 1: though there was there was room on that door for 165 00:09:33,600 --> 00:09:35,760 Speaker 1: both of them, but maybe the door would have sunk, 166 00:09:35,760 --> 00:09:38,440 Speaker 1: and maybe all these people who are doing all this 167 00:09:38,600 --> 00:09:42,959 Speaker 1: retroactive math about whether you know why Jack couldn't fit 168 00:09:43,000 --> 00:09:46,600 Speaker 1: on the door the fitch I didn't. I was cold. 169 00:09:46,640 --> 00:09:49,160 Speaker 1: I didn't have that much time to do the calculations. 170 00:09:49,240 --> 00:09:51,600 Speaker 1: I just I had to stay afloat, and Jack's heavy 171 00:09:51,600 --> 00:09:54,160 Speaker 1: ass was gonna make me sing. I get it. Rose, 172 00:09:54,440 --> 00:09:56,959 Speaker 1: you made a choice. You let the boy drowned, or 173 00:09:56,960 --> 00:09:58,920 Speaker 1: were you gonna bring him back to New York and 174 00:09:58,920 --> 00:10:01,839 Speaker 1: you guys were gonna build life together. This motherfucker was 175 00:10:01,880 --> 00:10:05,400 Speaker 1: a painter. You're a You're a goddamn debutante. You know 176 00:10:05,559 --> 00:10:07,800 Speaker 1: you're You're a woman of class. You can't afford to 177 00:10:08,080 --> 00:10:10,800 Speaker 1: let him survive. Let him sink. Let him sink and 178 00:10:10,800 --> 00:10:14,760 Speaker 1: and get a sweet kiss and whisper check check check 179 00:10:15,400 --> 00:10:17,640 Speaker 1: out into the water, and then blow your whistle. I 180 00:10:17,960 --> 00:10:20,240 Speaker 1: think you did the right thing, Rose. Let that motherfucker 181 00:10:20,360 --> 00:10:23,040 Speaker 1: think he didn't. He didn't offer anything but some sexy 182 00:10:23,040 --> 00:10:26,120 Speaker 1: pictures of French women. That's that's my stance on the 183 00:10:26,160 --> 00:10:28,800 Speaker 1: whole thing. And one of the more interesting things that 184 00:10:28,880 --> 00:10:33,360 Speaker 1: I read in relation to Shine sort of trickster energy 185 00:10:33,400 --> 00:10:38,400 Speaker 1: and and his his ability to navigate these these challenging 186 00:10:38,520 --> 00:10:41,200 Speaker 1: situations with white people. And one of the more interesting 187 00:10:41,240 --> 00:10:44,520 Speaker 1: things that I read pointed out that the trickster is 188 00:10:44,640 --> 00:10:48,320 Speaker 1: essential because blacks could not at the time risk a 189 00:10:48,400 --> 00:10:54,120 Speaker 1: direct attack on white society. We're talking slavery, we're talking reconstruction, 190 00:10:54,240 --> 00:10:57,760 Speaker 1: we're talking civil rights, all of these periods where black 191 00:10:57,760 --> 00:11:03,280 Speaker 1: people are not allowed to necessarily outright attack white people 192 00:11:03,440 --> 00:11:08,680 Speaker 1: or say something even remotely. I guess counter to the 193 00:11:08,720 --> 00:11:11,719 Speaker 1: way that white society moves. You can only defend yourself, 194 00:11:11,800 --> 00:11:16,240 Speaker 1: and so Shine this trickster allows a space where where 195 00:11:16,360 --> 00:11:19,839 Speaker 1: he is able to navigate these spaces not by being 196 00:11:19,960 --> 00:11:24,240 Speaker 1: rude or disrespectful, but by being cunning and and sort 197 00:11:24,280 --> 00:11:27,880 Speaker 1: of slide like a fox. Like a fox in black face. 198 00:11:28,080 --> 00:11:31,360 Speaker 1: That's that's shine for me. But it's not black face, 199 00:11:31,440 --> 00:11:34,640 Speaker 1: like hateful black face. It's like cool black face. Is 200 00:11:34,640 --> 00:11:36,840 Speaker 1: there a cool black face? We gotta bring black face 201 00:11:36,840 --> 00:11:39,120 Speaker 1: back and see if we can make it cool again. Drake, 202 00:11:39,400 --> 00:11:41,720 Speaker 1: I'm talking to you, baby, if anybody can do it, 203 00:11:41,800 --> 00:11:43,440 Speaker 1: you you're the one that loved it. You did it 204 00:11:43,520 --> 00:11:47,840 Speaker 1: not too long ago. Let's bring black face back anyway. Basically, 205 00:11:47,920 --> 00:11:50,160 Speaker 1: in reading all of these stories of Shine, one of 206 00:11:50,160 --> 00:11:53,400 Speaker 1: the things that I personally felt in the unfortunate quality 207 00:11:53,440 --> 00:11:56,760 Speaker 1: of Shine and this is this is very retroactive, right, 208 00:11:56,840 --> 00:12:00,400 Speaker 1: and Shine for the time that he existed, representing something 209 00:12:00,440 --> 00:12:03,920 Speaker 1: really important to inspire people to sort of like get 210 00:12:04,040 --> 00:12:07,200 Speaker 1: up out of the circumstances that they were in. Much 211 00:12:07,360 --> 00:12:09,320 Speaker 1: in the way that you were talking about Alex with 212 00:12:09,520 --> 00:12:12,440 Speaker 1: like these Southern folks making the best of what they have. 213 00:12:12,800 --> 00:12:15,880 Speaker 1: I think that is true of all of Shine in 214 00:12:16,000 --> 00:12:19,480 Speaker 1: his folklore. One of the unfortunate qualities that I felt 215 00:12:19,840 --> 00:12:25,000 Speaker 1: in reading about this though, is how deeply shines mysticism 216 00:12:25,240 --> 00:12:30,600 Speaker 1: is related to Black people's efforts towards equality. Right, that 217 00:12:30,600 --> 00:12:35,040 Speaker 1: that all of shines magic is connected to us just 218 00:12:35,280 --> 00:12:40,440 Speaker 1: trying to be free, and that is is at to 219 00:12:40,559 --> 00:12:45,120 Speaker 1: say the least unfortunate. He's not magical simply as a 220 00:12:45,200 --> 00:12:49,800 Speaker 1: magical person. He is merely magical as a survivor in 221 00:12:50,000 --> 00:12:54,479 Speaker 1: white society. And unfortunately, so many of our Black stories, 222 00:12:54,960 --> 00:12:58,200 Speaker 1: even to this day, seem to only exist based on 223 00:12:58,280 --> 00:13:02,640 Speaker 1: our relationship to white people rather than our ability to 224 00:13:02,920 --> 00:13:08,040 Speaker 1: just exist. Right, I want Shine to have magical nigga 225 00:13:08,080 --> 00:13:13,160 Speaker 1: powers because he has magical nigga powers, not just because 226 00:13:13,200 --> 00:13:17,320 Speaker 1: he has to have magical nigga powers to survive the 227 00:13:17,520 --> 00:13:22,760 Speaker 1: tumultuous relationship with his white oppressor. That's that's my dream 228 00:13:22,840 --> 00:13:25,720 Speaker 1: for Shine. And maybe that's a very contemporary dream. And 229 00:13:25,760 --> 00:13:29,640 Speaker 1: I I dare not make light of the fact that 230 00:13:29,679 --> 00:13:33,400 Speaker 1: Sean probably inspired a bunch of people to do better, 231 00:13:33,640 --> 00:13:36,679 Speaker 1: you know, to to really like strive for the best 232 00:13:36,720 --> 00:13:39,920 Speaker 1: of them. I have to imagine that that when Martin 233 00:13:40,000 --> 00:13:43,720 Speaker 1: Luther King was was writing about the mountaintops, he was 234 00:13:43,760 --> 00:13:47,480 Speaker 1: thinking of Shine. He was also thinking about some strange 235 00:13:47,679 --> 00:13:50,360 Speaker 1: you know, that man loved some strange, but he was 236 00:13:50,480 --> 00:13:54,120 Speaker 1: he was thinking about shine too, shine in some strange 237 00:13:54,440 --> 00:13:57,800 Speaker 1: That's that's the ways of Martin Luther King. As far 238 00:13:57,840 --> 00:14:03,000 Speaker 1: as I have, I have I said enough disrespectful things 239 00:14:03,040 --> 00:14:06,080 Speaker 1: that I can. I can end this now, I think. 240 00:14:06,160 --> 00:14:09,520 Speaker 1: So this was fun. Alex, thank you for sending this message, 241 00:14:09,520 --> 00:14:12,200 Speaker 1: and I hope that this is helpful to put in 242 00:14:12,360 --> 00:14:15,440 Speaker 1: context all of the things that your your grandparents said 243 00:14:15,480 --> 00:14:17,880 Speaker 1: to you. And and if you want to send me 244 00:14:18,200 --> 00:14:23,080 Speaker 1: your own theories about fictional black magical people, go ahead. 245 00:14:23,160 --> 00:14:26,120 Speaker 1: If you got some bagger Vents theories in your back 246 00:14:26,120 --> 00:14:29,000 Speaker 1: pocket send them to my mama pot at gmail dot com. 247 00:14:29,040 --> 00:14:31,400 Speaker 1: I would love to hear from you and and as 248 00:14:31,480 --> 00:14:35,320 Speaker 1: always subscribed like it. You can follow me at Lankston Kerman. 249 00:14:35,360 --> 00:14:38,240 Speaker 1: I'd like that. That that makes me hard as a rock, 250 00:14:38,400 --> 00:14:41,280 Speaker 1: that makes me, that makes me feel magical. If you 251 00:14:41,360 --> 00:14:44,360 Speaker 1: follow me on on Twitter or Instagram or both, do 252 00:14:44,480 --> 00:14:48,120 Speaker 1: both bucket fuck it, we'll do it live and we'll 253 00:14:48,160 --> 00:14:52,120 Speaker 1: do both. Huh. That's that's all the self promotion I 254 00:14:52,160 --> 00:14:54,440 Speaker 1: need to do. And I love you all very much. 255 00:14:54,480 --> 00:14:59,560 Speaker 1: And I hope, I hope you stay black. Huh. I 256 00:15:00,000 --> 00:15:05,680 Speaker 1: hope you stay black, you son of a bitch. Okay, bye, 257 00:15:06,280 --> 00:15:13,080 Speaker 1: motherfucking many years, so many episode motherfucking many years, so, 258 00:15:17,000 --> 00:15:23,760 Speaker 1: motherfucking miny years, so many episode motherfucking mini years. So