WEBVTT - Talking (with Fran Lebowitz)

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<v Speaker 1>I'm Hillary Clinton, and this is you and me both.

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<v Speaker 1>I've said it here before that I'm a big admirer

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<v Speaker 1>of people who get things done well. My guest today

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<v Speaker 1>is someone who proudly claims she doesn't like to work.

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<v Speaker 1>She thinks she's pretty lazy, and she would have been

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<v Speaker 1>a good heiress.

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<v Speaker 2>Well, fran Lebowitz is not.

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<v Speaker 1>An heiress, but she is an icon and an institution

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<v Speaker 1>of New York City and American culture. As you'll hear,

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<v Speaker 1>she's whip, smart, funny, and full of opinions. Fran famously

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<v Speaker 1>wrote for Andy Warhol's Interview magazine, and she is the

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<v Speaker 1>author of two best selling collections of essays, but hasn't

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<v Speaker 1>written another book since the mid nineteen nineties. Instead, she

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<v Speaker 1>can be found talking in documentaries. She's done two with

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<v Speaker 1>Martin Scorsese, and the latest from twenty twenty one is

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<v Speaker 1>called Pretend It's a City, or on late night television,

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<v Speaker 1>or in her speaking tour across the United States and

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<v Speaker 1>around the world. Few voices out there are as original

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<v Speaker 1>and unapologetic as fran Leebwitz's. She's a truth teller and

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<v Speaker 1>a real breath of fresh air. I was so delighted

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<v Speaker 1>to have this chance to sit down and talk with her.

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<v Speaker 1>I cannot tell you how pleased I am to talk

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<v Speaker 1>with you today, friend, and I thank you. I feel

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<v Speaker 1>like I've got all of New York City, or at

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<v Speaker 1>least Manhattan, right here in this booth with me. And

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<v Speaker 1>I want to talk to you about your speaking tour,

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<v Speaker 1>your docuseries, and of course New York City. And I

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<v Speaker 1>was just asking you. You're heading to Brooklyn for a

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<v Speaker 1>live event. You've been to Brooklyn, right, yes, New Yorst times.

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<v Speaker 1>My grandparents lived in Brooklyn.

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<v Speaker 3>So when I was young, that's where grandparents lived, uh huh.

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<v Speaker 3>And then I got older, and then now it's where

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<v Speaker 3>kids live, by which I mean people in their twenties.

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<v Speaker 3>That's right. And I always say to them, you know,

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<v Speaker 3>when I was young, Brooklyn is a place where people.

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<v Speaker 3>The people live there were all the time eating talking

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<v Speaker 3>about food and watching TV or talking about TV. And

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<v Speaker 3>now it's a place where people are eating all the time,

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<v Speaker 3>talking about food, watching TV. Except they're seventy years younger,

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<v Speaker 3>you know, and they're not my mcgwen grandparents.

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<v Speaker 2>I love that.

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<v Speaker 1>Well, you're going to King Theater, which you haven't been

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<v Speaker 1>to before. I've been there for two events, and it's

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<v Speaker 1>an extraordinary renovation.

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<v Speaker 3>So Mashine photographs. It was a movie theater.

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<v Speaker 1>It was a movie theater in the old days, the

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<v Speaker 1>very old days, but they've done an amazing job bringing

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<v Speaker 1>it back and they have live events like what you're

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<v Speaker 1>going to be doing. You know, you have had one

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<v Speaker 1>of the more interesting, kind of one of a kind

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<v Speaker 1>careers that I know of, And.

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<v Speaker 3>Well, I would have to say I bowed to you

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<v Speaker 3>in that Missus Well maybe schecking.

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<v Speaker 2>Well, I think we're you know, we're kind of on

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<v Speaker 2>parallel tracks.

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<v Speaker 3>Yeah, we're exactly right, Astra Twins.

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<v Speaker 2>Part of it is.

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<v Speaker 1>You are a person of incredible gutsiness. And I admired

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<v Speaker 1>gutsiness a lot.

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<v Speaker 3>Yes, I could tell, because you have it.

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<v Speaker 2>You got to have it in today's world.

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<v Speaker 1>And I just wanted the listeners to get a feeling

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<v Speaker 1>for how you ended up in New York as a

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<v Speaker 1>very young woman, as I recall, like like nineteen twenty, very.

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<v Speaker 3>Young, nineteen twenty. No, I'm not fair, I was nineteen

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<v Speaker 3>or twenty. I actually can't remember, because I think, you know,

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<v Speaker 3>I think I was nineteen. I grew up in New Jersey,

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<v Speaker 3>so people who are not from around here say, oh,

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<v Speaker 3>it's the same thing. It's no, it's the same planet.

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<v Speaker 3>It make no difference being from like Iowa, you know.

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<v Speaker 3>But I really had a very happy childhood. And I

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<v Speaker 3>know that's against Sola, but it was really a nice

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<v Speaker 3>town to be a child in. But at a fairly

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<v Speaker 3>young age, we used to come to New York. I

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<v Speaker 3>always said, when I grew up in little of New

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<v Speaker 3>York and we used to always go. They would at

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<v Speaker 3>a certaindage, they said, where do you want to go

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<v Speaker 3>on your birthday? What do you want to do to

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<v Speaker 3>a birth that I want to go to New York? Where

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<v Speaker 3>do you want to go to? Museum Motorn Art. That's

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<v Speaker 3>the place I always wanted to go. And I think

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<v Speaker 3>that possibly, like the age of ten or eleven, I

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<v Speaker 3>imagine I would move to New York and live in

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<v Speaker 3>the Museum Modern Art. This has not happened, And so

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<v Speaker 3>you know, people say, well, how did you get to

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<v Speaker 3>New York? I would say, bus buss. Okay, if your

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<v Speaker 3>goal in life is to live in a certain place,

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<v Speaker 3>you achieved your goal easily. Yeah, you know, people set

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<v Speaker 3>the bar too high. My goal was I'm going to

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<v Speaker 3>live in New York.

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<v Speaker 1>I lived in New York and I mean you've driven

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<v Speaker 1>cabs in New York. You've been a housekeeper, not a housekeeper,

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<v Speaker 1>a cleaning lady. Cleaning lady, Oh my god, that's a

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<v Speaker 1>phrase from my past.

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<v Speaker 3>Yeah, but I mean, believe me, no one would hire

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<v Speaker 3>me to keep a house.

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<v Speaker 1>Okay, but you ended up in an incredible position of

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<v Speaker 1>actually starting to be a writer.

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<v Speaker 2>How did that go?

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<v Speaker 1>I mean, you went from cab driving, being a cleaning

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<v Speaker 1>lady and all of a sudden you're meeting Andy Warhol

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<v Speaker 1>and oh.

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<v Speaker 3>No, no, I was doing the same time. Because you I

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<v Speaker 3>didn't make enough money. No, I had those kind of

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<v Speaker 3>jobs until my first book came out, you know, So,

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<v Speaker 3>I mean I always had to have those kinds of jobs.

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<v Speaker 3>It wasn't that hard, you know. Partially there were all

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<v Speaker 3>these little magazines that we called underground newspapers. They weren't underground,

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<v Speaker 3>you know, it wasn't Russia. And all you had to

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<v Speaker 3>do is like ask because it wasn't that hard. Because

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<v Speaker 3>no one my age wanted to be a writer. That

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<v Speaker 3>was a good thing. I had almost no competition. Everyone

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<v Speaker 3>my age who wanted to be an artist wanted to

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<v Speaker 3>be a filmmaker or a musician.

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<v Speaker 1>Not.

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<v Speaker 3>Now everyone's a writer, even without being able to write,

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<v Speaker 3>and so it was not hard at all, you know,

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<v Speaker 3>to get these jobs. And they paid nothing, so it

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<v Speaker 3>was pretty easy.

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<v Speaker 1>You know.

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<v Speaker 3>New York was when people hear the rent I paid,

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<v Speaker 3>then they got that. You know, that's impossible.

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<v Speaker 2>Okay, what was the rent?

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<v Speaker 3>You're paid that apartment one hundred and twelve dollars and

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<v Speaker 3>seventy eight cents a month. When I first moved in,

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<v Speaker 3>like nine years later whatever it was, seven years later,

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<v Speaker 3>it had jumped to one hundred and twenty one dollars.

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<v Speaker 3>On the other hand, the minimum wage was a dollar

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<v Speaker 3>and a quarter an hour. Also, it was an incredibly

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<v Speaker 3>horrible apartment. No one would live in this now. The

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<v Speaker 3>other thing is that people my age, you know, then

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<v Speaker 3>we didn't really care where we live.

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<v Speaker 2>That's exactly right, you know.

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<v Speaker 3>I mean we expected to live in horrible places and

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<v Speaker 3>we were just never home. It didn't matter, you know,

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<v Speaker 3>I mean it never occurred to me, why don't I

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<v Speaker 3>have a nice apartment?

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<v Speaker 1>Yeah, yeah, No, I was thinking about the house I

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<v Speaker 1>lived in when I was in law school, which was

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<v Speaker 1>in the early seventies, and you know, the floors were

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<v Speaker 1>all tilted and the bathroom was so small, literally it

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<v Speaker 1>was just you know, as wide as a card table,

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<v Speaker 1>and every time you tried to lift the toilet seat

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<v Speaker 1>down or up, it would scrape against the bathtub.

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<v Speaker 2>I mean all of that. And I thought it was fine, That's.

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<v Speaker 3>What it was fine. I knew there were nicer apartments

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<v Speaker 3>in my believing. But when I first moved in, the

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<v Speaker 3>super of that building, that's the only time I ever

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<v Speaker 3>saw him. The super came in the apartment with me,

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<v Speaker 3>and I pointed out to him that there was no

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<v Speaker 3>ceiling in the bathroom. Adjust the beams from this building,

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<v Speaker 3>which was like a nineteenth century building built actually as

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<v Speaker 3>a sailor's roominghouse, so there were no kitchens. And I said, look,

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<v Speaker 3>there's no ceiling here. He said, yeah, I know, I'm

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<v Speaker 3>going to get to that. I moved out like eight

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<v Speaker 3>years later. There was still no a sailing So it

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<v Speaker 3>turns out you actually do not need a ceili in

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<v Speaker 3>a bathroom. You do not. No, you can live without it.

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<v Speaker 1>When did you publish your first book, because it was

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<v Speaker 1>a phenomenon, it was fantastic, nineteen seventy eight, And how.

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<v Speaker 2>Long did you work on it?

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<v Speaker 3>Well, you know, it was really kind of a fluke.

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<v Speaker 3>What happened. I was writing this column for Interview, which

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<v Speaker 3>no one read it or that was see Andrew Warhol magazine, right,

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<v Speaker 3>and very few people read it, but it was available

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<v Speaker 3>on newsstands in New York. And a woman who since

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<v Speaker 3>died named Laurie Colwin, who actually became pretty well known writer,

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<v Speaker 3>was a little junior editor at Dunton, which doesn't assist anymore.

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<v Speaker 3>And she was sick, she had a flu or something,

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<v Speaker 3>and she said to her boyfriend, I have nothing to read.

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<v Speaker 3>Go to then a stand by every magazine that I've

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<v Speaker 3>never heard of, and he did, and she read this

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<v Speaker 3>and then she read another one. And then she called

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<v Speaker 3>me up and said, would you like to write a book? Oh?

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<v Speaker 2>My god?

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<v Speaker 3>And I said no. I said no, I'm not ready

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<v Speaker 3>to write a book. She said, well, I'm an editor

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<v Speaker 3>at EP Dunton. Would you like to have lunch?

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<v Speaker 4>Yes?

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<v Speaker 3>Lunch?

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<v Speaker 2>It is great.

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<v Speaker 3>Yes, And so that's how it happened. Really, no one

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<v Speaker 3>had ever heard of me. I didn't know this, by

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<v Speaker 3>the way, because the places I hung out and everyone

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<v Speaker 3>read an interview. It was really a fluke. It was

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<v Speaker 3>also a fluke. Then Laurie got fired and usually like

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<v Speaker 3>a little first book like that they paid nothing for.

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<v Speaker 3>There gets fired, the book goes away. But luckily there

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<v Speaker 3>was a man, Henry Robbins, also dead, who had just

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<v Speaker 3>come to be the head of this publishing house, and

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<v Speaker 3>he was a very important editor. I made a big

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<v Speaker 3>deal in New York and I was hanging around in

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<v Speaker 3>his office. I didn't even know who he was. I

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<v Speaker 3>was hanging around this office because the heat. And so

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<v Speaker 3>when she left, she said, Henry wants your book, and

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<v Speaker 3>also another guy, lovely guy, and also Bill. And I said, well,

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<v Speaker 3>I like Bill, I know him more. She said, don't

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<v Speaker 3>be stupid. Henry's the head of the house. So he

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<v Speaker 3>became the editor. And then he did something that Laurie

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<v Speaker 3>never could have done. There was like a really really

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<v Speaker 3>important there's no such thing anymore, the most important book

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<v Speaker 3>critic on the country, John Leondard for the New York Times,

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<v Speaker 3>and he did the daily reviews. And Henry could call

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<v Speaker 3>John Leonard and he said, I think there's a book

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<v Speaker 3>you might like, and he took him to lunch. He

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<v Speaker 3>gave Hi the book that would never have happened with Laurie.

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<v Speaker 3>So it was very lucky for me that Laura got

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<v Speaker 3>fired and then there was also another review on the

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<v Speaker 3>Sunday Time the same week, and then there was no news.

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<v Speaker 3>So because there was no news where people paid attention

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<v Speaker 3>to this. You know, people never talk about luck in

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<v Speaker 3>this country. You know, luck is really probably the most

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<v Speaker 3>determinive factor in anyone's life. I agree with that, you know,

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<v Speaker 3>and no one talks about it. Everyone asks, like in

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<v Speaker 3>the United States, it all has to do with how

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<v Speaker 3>hard you work, and that is just not true. Okay.

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<v Speaker 3>The most important luck you first have is where are

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<v Speaker 3>you born?

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<v Speaker 2>Exactly?

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<v Speaker 3>Okay, who are your parents? Where are you born? What

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<v Speaker 3>are their circumstances?

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<v Speaker 2>And how healthy are you?

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<v Speaker 3>Yes? And that is ninety percent of your life. You

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<v Speaker 3>were kidding yourself, if you think, because they show you

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<v Speaker 3>these things they do they say, look at this person

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<v Speaker 3>born into total poverty, you know, with the thirteen year

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<v Speaker 3>old mother and you know she was not well, and

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<v Speaker 3>you know, yet he became this. Yeah, that's like really

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<v Speaker 3>an anecdote. But basically it's not true, you know, It's

0:10:05.800 --> 0:10:08.720
<v Speaker 3>just simply isn't true. And it's a very I think,

0:10:09.120 --> 0:10:10.240
<v Speaker 3>kind of destructive myth.

0:10:10.400 --> 0:10:13.559
<v Speaker 1>Well, people beat themselves up all the time and look

0:10:13.640 --> 0:10:16.120
<v Speaker 1>like why can't I do that? They have failed in something,

0:10:16.200 --> 0:10:19.400
<v Speaker 1>or they're ashamed. Yeah, I feel guilty, or they feel like,

0:10:19.559 --> 0:10:21.400
<v Speaker 1>you know, why can't I do that? It's just like

0:10:21.520 --> 0:10:21.960
<v Speaker 1>being old.

0:10:22.160 --> 0:10:24.199
<v Speaker 3>Okay. They're always showing you a ninety seven year old

0:10:24.200 --> 0:10:26.720
<v Speaker 3>man who finished a marathon. Okay, that's what they're showing.

0:10:26.800 --> 0:10:28.760
<v Speaker 3>Here's this ninety seven year old guy, he just ran

0:10:28.800 --> 0:10:31.840
<v Speaker 3>the New marathon. He's in perfect condition. Yes, there is

0:10:31.880 --> 0:10:35.040
<v Speaker 3>a guy like that. But the other ninety seven year olds,

0:10:35.400 --> 0:10:37.439
<v Speaker 3>you know, not in very good shame.

0:10:37.720 --> 0:10:40.199
<v Speaker 1>But I'd even go and say that when it comes

0:10:40.240 --> 0:10:44.080
<v Speaker 1>to the outlier, the person who was born in terrible circumstances,

0:10:44.280 --> 0:10:48.679
<v Speaker 1>if you really look at that person's life, somebody provided

0:10:48.800 --> 0:10:49.680
<v Speaker 1>a path forward.

0:10:49.800 --> 0:10:51.719
<v Speaker 2>Somebody handed that person.

0:10:51.520 --> 0:10:56.120
<v Speaker 1>An opportunity something because something happened, the serendipity of you

0:10:56.520 --> 0:11:00.800
<v Speaker 1>having an editor who's homesick reading your you know, your columns,

0:11:00.840 --> 0:11:03.240
<v Speaker 1>and then all of a sudden everything takes off from there.

0:11:03.400 --> 0:11:07.080
<v Speaker 1>Something happens, and that's luck. That's an intervening event.

0:11:07.720 --> 0:11:10.240
<v Speaker 3>I think it's really a disservice to the country for

0:11:10.320 --> 0:11:13.440
<v Speaker 3>someone not to say, you know, here's the truth. Yeah,

0:11:13.640 --> 0:11:15.480
<v Speaker 3>you know, you should work hard, you could, you know,

0:11:15.920 --> 0:11:17.280
<v Speaker 3>very often improve your leg.

0:11:17.280 --> 0:11:19.800
<v Speaker 1>And we could as a society do more to create

0:11:20.080 --> 0:11:21.000
<v Speaker 1>the opportunity or.

0:11:20.960 --> 0:11:23.920
<v Speaker 3>In fact anything, yeah, not just more, but in fact

0:11:24.080 --> 0:11:24.760
<v Speaker 3>maybe anything.

0:11:24.880 --> 0:11:25.120
<v Speaker 1>Yeah.

0:11:25.280 --> 0:11:39.360
<v Speaker 4>Yeah, we'll be back right after this quick break.

0:11:40.600 --> 0:11:42.200
<v Speaker 2>So what was Andy Warhol like?

0:11:42.720 --> 0:11:45.080
<v Speaker 3>Oh? You know, truthfully, I did not like Andy and

0:11:45.120 --> 0:11:47.640
<v Speaker 3>he did not like me. I know, now everyone loves Andy,

0:11:47.760 --> 0:11:50.680
<v Speaker 3>especially if you didn't know him, Loving him is much easier.

0:11:50.720 --> 0:11:52.760
<v Speaker 3>I think I didn't get along with them. And I

0:11:52.960 --> 0:11:55.439
<v Speaker 3>noticed most of the people around the factory because they

0:11:55.480 --> 0:11:57.600
<v Speaker 3>went there because they wanted to be around Andy. But

0:11:57.640 --> 0:11:59.120
<v Speaker 3>I just went there because there was a magazine.

0:11:59.280 --> 0:11:59.439
<v Speaker 1>Right.

0:11:59.640 --> 0:12:02.760
<v Speaker 3>But I don't like him. He don't like me because

0:12:02.800 --> 0:12:05.960
<v Speaker 3>I wouldn't talk to him, and you know, I talk

0:12:06.000 --> 0:12:09.400
<v Speaker 3>a lot. I didn't talk to him because he stole everything.

0:12:09.760 --> 0:12:12.520
<v Speaker 3>I could see that right away that he stole everything.

0:12:12.720 --> 0:12:15.000
<v Speaker 3>The reason he had these kids around him was maybe

0:12:15.000 --> 0:12:16.840
<v Speaker 3>this kid would come up with this thing or you know,

0:12:17.120 --> 0:12:20.000
<v Speaker 3>and so I had nothing else but that, right, and

0:12:20.080 --> 0:12:22.199
<v Speaker 3>I wasn't gonna let it go away. Now. I mean,

0:12:22.240 --> 0:12:24.520
<v Speaker 3>I have to say that after my second book came out,

0:12:24.559 --> 0:12:28.400
<v Speaker 3>I still worked interview and I only make money during

0:12:28.440 --> 0:12:32.960
<v Speaker 3>democratic presidencies, which means I only make money when taxes

0:12:33.000 --> 0:12:36.840
<v Speaker 3>are high. And when my first book came out, Carter

0:12:37.040 --> 0:12:40.800
<v Speaker 3>was president, and these top income tax bracket if you

0:12:40.800 --> 0:12:43.560
<v Speaker 3>were single. This is another unfair thing. Why do single

0:12:43.600 --> 0:12:45.920
<v Speaker 3>people pay more taxes than married people? They shouldn't. It's

0:12:45.960 --> 0:12:48.240
<v Speaker 3>totally unfair. You might be able to do something about it.

0:12:48.280 --> 0:12:51.200
<v Speaker 3>But however, I can't remember what it was. It was

0:12:51.200 --> 0:12:54.880
<v Speaker 3>like one hundred thousand dollars a year, seventy percent seven

0:12:55.160 --> 0:12:58.400
<v Speaker 3>zero percent. Before that, I paid no taxes because I

0:12:58.480 --> 0:13:01.559
<v Speaker 3>made three thousand dollars a year. I was completely shocked,

0:13:01.679 --> 0:13:03.760
<v Speaker 3>and so I thought money, which I always thought would

0:13:03.760 --> 0:13:07.400
<v Speaker 3>be like helpful, try out to be bad. So I said,

0:13:07.440 --> 0:13:09.520
<v Speaker 3>you know, to the edir of interview, don't pay me

0:13:10.120 --> 0:13:13.880
<v Speaker 3>money is terrible. I will take it in art. So

0:13:13.960 --> 0:13:17.600
<v Speaker 3>I had all these warholes. However, what also, when no

0:13:17.640 --> 0:13:22.160
<v Speaker 3>one remembers about Andy, is that before he died, his

0:13:22.240 --> 0:13:27.200
<v Speaker 3>reputation was very very low. Yes, and I needed money.

0:13:27.200 --> 0:13:30.680
<v Speaker 3>I couldn't pay my maintenance, and I sold all my

0:13:30.800 --> 0:13:36.000
<v Speaker 3>warholes all two weeks before he died for nothing, I

0:13:36.000 --> 0:13:37.800
<v Speaker 3>mean in order to All I did was pay the

0:13:37.840 --> 0:13:39.920
<v Speaker 3>maintenance of my apartment for one month, and I paid

0:13:39.920 --> 0:13:42.560
<v Speaker 3>a lawyer Okay, one of the lawyers I paid with

0:13:42.679 --> 0:13:44.520
<v Speaker 3>actually gave them a warholes. I'm sure, like you know,

0:13:44.559 --> 0:13:48.880
<v Speaker 3>it was a Tuscundy now, And I actually think that's

0:13:49.000 --> 0:13:53.880
<v Speaker 3>that's why he died, because he knew I had sold me, right,

0:13:54.600 --> 0:13:57.800
<v Speaker 3>That's why he died. But the prices, I knew that

0:13:57.840 --> 0:13:59.880
<v Speaker 3>we're going to go up, but no one would ever

0:14:00.320 --> 0:14:02.440
<v Speaker 3>what they are now. Yeah, I mean they are so

0:14:02.480 --> 0:14:05.400
<v Speaker 3>psychotic now that I really think if Andy knew they

0:14:05.559 --> 0:14:07.760
<v Speaker 3>go up that high, he would have died way before.

0:14:09.640 --> 0:14:12.839
<v Speaker 1>Well, you had these two very successful books, and then

0:14:13.040 --> 0:14:15.000
<v Speaker 1>you had a third.

0:14:14.760 --> 0:14:16.640
<v Speaker 3>Book, the children's book.

0:14:16.720 --> 0:14:19.360
<v Speaker 1>Yeah, but then you stop writing. And I've read where

0:14:19.440 --> 0:14:22.880
<v Speaker 1>you are very open about this. You tell interviewers, Yeah,

0:14:23.080 --> 0:14:26.000
<v Speaker 1>you've had writer's block and you haven't been able to write,

0:14:26.080 --> 0:14:28.880
<v Speaker 1>but you're sure doing a lot of great talking.

0:14:29.080 --> 0:14:30.400
<v Speaker 2>So is that the trade off?

0:14:30.880 --> 0:14:34.240
<v Speaker 1>You don't want to be like closeted away having to write,

0:14:34.280 --> 0:14:37.480
<v Speaker 1>which anybody who's ever tried knows is really hard when

0:14:37.480 --> 0:14:39.400
<v Speaker 1>you've got a lot to say, So you go out

0:14:39.440 --> 0:14:41.960
<v Speaker 1>and tell people across the country, in the world.

0:14:42.360 --> 0:14:44.840
<v Speaker 3>Yeah, Well, because talking is easy, I'm lazy? Is it

0:14:44.880 --> 0:14:48.120
<v Speaker 3>basically laziness? I mean, you never hear anyone say they're

0:14:48.160 --> 0:14:50.840
<v Speaker 3>lazy anymore, even though there's tons of lazy people, you know,

0:14:51.000 --> 0:14:54.520
<v Speaker 3>many of them are you know, Republicans or congress I mean,

0:14:54.800 --> 0:14:58.240
<v Speaker 3>so I was like, I'm lazy. Writing is really hard

0:14:58.280 --> 0:15:01.000
<v Speaker 3>for me. If it's not hard for you, I don't

0:15:01.000 --> 0:15:03.720
<v Speaker 3>mean you sparking to you. Yes, if it's it's not

0:15:03.800 --> 0:15:08.000
<v Speaker 3>hard for someone, you know, it's they're not doing it. Well,

0:15:08.280 --> 0:15:10.120
<v Speaker 3>it's a hard thing to do. Some people like to

0:15:10.160 --> 0:15:12.880
<v Speaker 3>work hard, but I don't. So talking is easy. I

0:15:12.880 --> 0:15:15.200
<v Speaker 3>don't even think about it. So I took these.

0:15:15.000 --> 0:15:18.200
<v Speaker 1>Away on well, but but you're touring now or the

0:15:18.240 --> 0:15:20.440
<v Speaker 1>traveling is horrible? The travel I was going to say,

0:15:20.480 --> 0:15:23.120
<v Speaker 1>I mean, that's not easy going from town to town,

0:15:23.280 --> 0:15:24.920
<v Speaker 1>venue to venue. What's that like for you?

0:15:25.040 --> 0:15:28.400
<v Speaker 3>It's horrible for me because the way that airlines are

0:15:28.440 --> 0:15:31.280
<v Speaker 3>running basically nice, you know. I mean, I know for

0:15:31.360 --> 0:15:33.000
<v Speaker 3>a fact, no matter where I am in the world,

0:15:33.040 --> 0:15:35.520
<v Speaker 3>I am the angriest person in the airport. And that

0:15:35.600 --> 0:15:37.960
<v Speaker 3>is because I don't have a phone. I finally figured

0:15:37.960 --> 0:15:40.040
<v Speaker 3>it out, like why should everyone else in a fury?

0:15:40.200 --> 0:15:42.640
<v Speaker 3>And it's because, except for me, everyone's looking at their phone.

0:15:42.920 --> 0:15:45.680
<v Speaker 3>So if you're looking at your phone, that's where you are.

0:15:46.280 --> 0:15:48.720
<v Speaker 3>It's a geographical thing. It's like, but I'm in the

0:15:48.720 --> 0:15:51.520
<v Speaker 3>airport where no one wants to be, and I'm always

0:15:51.520 --> 0:15:53.160
<v Speaker 3>at the counter, and I always have to say, I

0:15:53.280 --> 0:15:56.920
<v Speaker 3>know it's not your fault exactly, okay, but whoever's fault

0:15:56.920 --> 0:16:00.200
<v Speaker 3>it is? You know, they're never here, that's right, whoever are?

0:16:00.280 --> 0:16:01.600
<v Speaker 3>Where are they? I mean, you know who is in

0:16:01.760 --> 0:16:03.320
<v Speaker 3>seeing the people who run the airlines, and I would

0:16:03.320 --> 0:16:06.440
<v Speaker 3>say you realize, of course that no other businesses run

0:16:06.480 --> 0:16:08.920
<v Speaker 3>like this, none. And there's not a single person in

0:16:08.960 --> 0:16:10.840
<v Speaker 3>the airport who, if they did their work this way,

0:16:10.880 --> 0:16:15.240
<v Speaker 3>could afford to fly. Okay, who says you know we're

0:16:15.240 --> 0:16:18.800
<v Speaker 3>going to be leaving, We'll let you know, you know.

0:16:18.880 --> 0:16:20.960
<v Speaker 3>I mean if you go to a restaurant and they say, yes,

0:16:20.960 --> 0:16:23.320
<v Speaker 3>we're gonna open for dinner, but we're not.

0:16:23.280 --> 0:16:24.120
<v Speaker 2>Sure, we're not sure what.

0:16:24.640 --> 0:16:26.480
<v Speaker 3>Just hang around for two or three days and we'll

0:16:26.560 --> 0:16:29.000
<v Speaker 3>let you know, you know. So, yeah, the traveling is

0:16:29.040 --> 0:16:29.720
<v Speaker 3>really horrible.

0:16:29.800 --> 0:16:32.080
<v Speaker 2>But how do you prepare for that trip?

0:16:32.160 --> 0:16:35.120
<v Speaker 1>Because you are famously known not to have a cell phone,

0:16:35.880 --> 0:16:36.840
<v Speaker 1>not to have a computer.

0:16:37.600 --> 0:16:41.000
<v Speaker 2>So here you are, you do have I guess, like maybe.

0:16:40.800 --> 0:16:43.040
<v Speaker 1>A written list telling you you're going to you know,

0:16:43.240 --> 0:16:46.320
<v Speaker 1>Dubuke and Boise, and I have people go with me.

0:16:46.960 --> 0:16:49.920
<v Speaker 3>I have like like they with phones. You've got people

0:16:49.960 --> 0:16:52.440
<v Speaker 3>got a phone patrol, right, well, you know, they call

0:16:52.520 --> 0:16:54.760
<v Speaker 3>themselves to our managers. But a friend of mine calls

0:16:54.800 --> 0:16:58.160
<v Speaker 3>them your babysitters. So yeah, people have to go with

0:16:58.200 --> 0:16:59.600
<v Speaker 3>me because of course I can't do it. And I

0:16:59.840 --> 0:17:02.840
<v Speaker 3>I actually have almost no skills at all, you know.

0:17:03.000 --> 0:17:05.080
<v Speaker 3>I mean it's not just I can't travel like this.

0:17:06.080 --> 0:17:08.320
<v Speaker 3>You know, basically I can talk, I can write. When

0:17:08.359 --> 0:17:11.640
<v Speaker 3>I can write, I can read, and that's pretty much it.

0:17:11.760 --> 0:17:14.560
<v Speaker 3>And they actually like do everything, you know. And then

0:17:14.600 --> 0:17:16.520
<v Speaker 3>there's also people that you can hire at the airport.

0:17:16.800 --> 0:17:19.280
<v Speaker 3>They're called greaders. They reach you, they take you, They

0:17:19.280 --> 0:17:21.840
<v Speaker 3>put you in the car, They tell you take this out,

0:17:21.880 --> 0:17:23.919
<v Speaker 3>take the car down, takes the you know, do this,

0:17:23.960 --> 0:17:25.920
<v Speaker 3>take your shoes, you know whatever. I just do whatever

0:17:25.920 --> 0:17:29.040
<v Speaker 3>they say, and it works out because I get there.

0:17:29.359 --> 0:17:31.000
<v Speaker 1>You kind of, I know, you say you're angry at

0:17:31.000 --> 0:17:32.440
<v Speaker 1>the airport, but don't you have to kind of put

0:17:32.440 --> 0:17:35.800
<v Speaker 1>yourself into a bit of a zen like trance, like, Okay,

0:17:35.880 --> 0:17:37.840
<v Speaker 1>I go where they tell me to go, I do

0:17:37.880 --> 0:17:38.439
<v Speaker 1>what they well, I.

0:17:38.440 --> 0:17:40.320
<v Speaker 3>Do do that. But no, I'm angry. I mean, first

0:17:40.359 --> 0:17:43.479
<v Speaker 3>of all, I'm just generally angry. I try not to

0:17:43.520 --> 0:17:48.359
<v Speaker 3>be because I smoke cigarettes, which now is a terrible thing. Smoking.

0:17:48.480 --> 0:17:49.960
<v Speaker 3>I want it turned out now to be a wonderful

0:17:49.960 --> 0:17:52.840
<v Speaker 3>thing healthy, No one cares, but the smoking cigarettes are

0:17:52.920 --> 0:17:56.000
<v Speaker 3>very bad. And so you know, when you get really angry,

0:17:56.240 --> 0:17:58.439
<v Speaker 3>you want to smoke because it like leaves your tension.

0:17:58.720 --> 0:18:01.239
<v Speaker 3>So I try not to get the name. I had

0:18:01.280 --> 0:18:02.920
<v Speaker 3>to go to Australia about five years ago.

0:18:02.960 --> 0:18:04.680
<v Speaker 2>Oh man, that's a journey.

0:18:04.359 --> 0:18:07.280
<v Speaker 3>And I'm going again in a few months. And really

0:18:07.320 --> 0:18:10.000
<v Speaker 3>traveling to me is about smoking basically, because when you

0:18:10.040 --> 0:18:12.639
<v Speaker 3>could smoke on planes and airports, it didn't really bother me.

0:18:12.880 --> 0:18:13.000
<v Speaker 4>You know.

0:18:13.040 --> 0:18:15.080
<v Speaker 3>I look when I think, well they don't smoke. You know,

0:18:15.119 --> 0:18:16.720
<v Speaker 3>they're not thinking when am I going to get out?

0:18:16.840 --> 0:18:19.560
<v Speaker 3>I know exactly every single place United States? How long

0:18:19.560 --> 0:18:21.360
<v Speaker 3>would that a cigarette? And so when I was going

0:18:21.400 --> 0:18:24.680
<v Speaker 3>to Australia the first time, I said, no, I'm going

0:18:24.680 --> 0:18:27.919
<v Speaker 3>to be in a total calm state. I'm not going

0:18:28.000 --> 0:18:29.919
<v Speaker 3>to look at my watch, I'm not going to think

0:18:29.960 --> 0:18:31.399
<v Speaker 3>about it. I'm going to get a perfect book. I

0:18:31.400 --> 0:18:33.720
<v Speaker 3>asked someone, what is a book that will last twenty

0:18:33.720 --> 0:18:38.679
<v Speaker 3>one hours and that will be very engrossing. And someone

0:18:38.720 --> 0:18:41.919
<v Speaker 3>said to me, have you ever read The Master Builder

0:18:41.920 --> 0:18:44.320
<v Speaker 3>about Robert Moses power Broker?

0:18:44.359 --> 0:18:45.080
<v Speaker 2>Power Broker?

0:18:45.359 --> 0:18:47.960
<v Speaker 3>And I said no, So I did. It's like eight

0:18:48.000 --> 0:18:51.080
<v Speaker 3>million pages. I hadn't won bag. Every time someone met

0:18:51.119 --> 0:18:54.359
<v Speaker 3>me at airport and took my bag, it's a small bag.

0:18:54.480 --> 0:18:56.800
<v Speaker 3>The guy would go, what's in here? I would say

0:18:56.920 --> 0:18:59.119
<v Speaker 3>a book, a book, But it worked. The book worked.

0:19:00.160 --> 0:19:02.879
<v Speaker 3>But actually, that fact that I didn't kill anyone on

0:19:02.920 --> 0:19:04.800
<v Speaker 3>that flight is my greatest accomplishment.

0:19:04.880 --> 0:19:08.000
<v Speaker 1>I congratulated you, and I hope you keep that record

0:19:08.040 --> 0:19:10.159
<v Speaker 1>going when you go to I mean, like lots of

0:19:10.160 --> 0:19:12.760
<v Speaker 1>times when you read about people fighting on airplanes, I

0:19:12.840 --> 0:19:15.840
<v Speaker 1>always think they smoke, you know, I mean for sure

0:19:15.880 --> 0:19:18.320
<v Speaker 1>they drink, okay, so I don't drink, So like, that's

0:19:18.359 --> 0:19:19.920
<v Speaker 1>probably why I don't kill people on plays.

0:19:20.160 --> 0:19:22.760
<v Speaker 2>So you bring one big fat book with you when you're.

0:19:23.040 --> 0:19:26.560
<v Speaker 3>Just say that was just for that La to Melbourne trip.

0:19:26.640 --> 0:19:29.719
<v Speaker 3>Oh that's a long okay. No. I bring a lot

0:19:29.760 --> 0:19:32.679
<v Speaker 3>of books with me. Even though everyone says, you know,

0:19:32.720 --> 0:19:35.399
<v Speaker 3>if you had a computer, all the books could be

0:19:35.440 --> 0:19:35.919
<v Speaker 3>on the computer.

0:19:36.080 --> 0:19:38.159
<v Speaker 1>I can't do that, though, fran I have to have books.

0:19:38.240 --> 0:19:39.800
<v Speaker 1>I mean, people say the same thing to me. I

0:19:39.800 --> 0:19:41.560
<v Speaker 1>have a book bag on every flight I take.

0:19:42.080 --> 0:19:44.520
<v Speaker 3>But running out of books on a plane is really

0:19:44.880 --> 0:19:47.119
<v Speaker 3>a much bigger fear of mine than the plane's going

0:19:47.200 --> 0:19:49.200
<v Speaker 3>to crash. I'm not worried about the plane crashing, okay,

0:19:49.240 --> 0:19:51.800
<v Speaker 3>but I am worried, like because I once ran out

0:19:51.800 --> 0:19:53.840
<v Speaker 3>of books on a plane. And it was a long time.

0:19:53.840 --> 0:19:55.720
<v Speaker 3>It was so long ago. They had magazines on the planes,

0:19:55.760 --> 0:19:58.880
<v Speaker 3>and I remember and I ran out of books, and

0:19:59.440 --> 0:20:01.640
<v Speaker 3>I thought, well, what am I going to do? So

0:20:01.720 --> 0:20:04.840
<v Speaker 3>I asked you any magazines? Which just happened this one.

0:20:04.880 --> 0:20:07.960
<v Speaker 3>That's how I discovered there was a magazine called Golf Magazine,

0:20:08.080 --> 0:20:11.480
<v Speaker 3>which is a magazine about golf, okay, which is like, okay,

0:20:11.480 --> 0:20:14.760
<v Speaker 3>it's better than no magazine, but not much. And I

0:20:14.800 --> 0:20:17.119
<v Speaker 3>actually walk up in down the aisles asking people, do

0:20:17.160 --> 0:20:18.680
<v Speaker 3>you have a book you're not reading? Do you have

0:20:18.680 --> 0:20:20.920
<v Speaker 3>a book you might finish? You might have finished, you know,

0:20:21.160 --> 0:20:24.080
<v Speaker 3>because there are more people reading books on plas than

0:20:24.119 --> 0:20:24.480
<v Speaker 3>there or no.

0:20:24.920 --> 0:20:27.280
<v Speaker 2>I've been there, done that. I mean, yeah, I got

0:20:27.320 --> 0:20:27.960
<v Speaker 2>to have a book.

0:20:28.240 --> 0:20:32.520
<v Speaker 1>So now the way I understand your tour, you pick

0:20:32.600 --> 0:20:34.320
<v Speaker 1>somebody to interview you.

0:20:34.720 --> 0:20:34.920
<v Speaker 4>Yeah.

0:20:34.920 --> 0:20:36.640
<v Speaker 3>Well I don't always pick them. I mean I picked

0:20:36.640 --> 0:20:38.639
<v Speaker 3>them in places where I know people. Right, you know,

0:20:38.880 --> 0:20:40.600
<v Speaker 3>I'm going to fade I mean I did this already.

0:20:40.760 --> 0:20:42.560
<v Speaker 3>I was going to Fadeville, Arkansas.

0:20:42.680 --> 0:20:42.800
<v Speaker 1>Yea.

0:20:42.880 --> 0:20:44.840
<v Speaker 3>They said, who would you like to interview you? I said,

0:20:45.680 --> 0:20:48.560
<v Speaker 3>choose someone? Yeah, okay, I don't know anyone in favor

0:20:48.560 --> 0:20:53.080
<v Speaker 3>for Arkansas. So usually it's a journalist. You know. But

0:20:53.640 --> 0:20:56.600
<v Speaker 3>as I'm sure you know, many places there's no newspapers anymore,

0:20:56.840 --> 0:21:00.480
<v Speaker 3>so there are no local journalists, right. But usually journalists

0:21:00.720 --> 0:21:04.040
<v Speaker 3>that's usually a best choice because despite what most people think,

0:21:04.200 --> 0:21:07.240
<v Speaker 3>interviewing someone's a skill. It is, okay, like I don't

0:21:07.240 --> 0:21:10.199
<v Speaker 3>have them myself, So interview someone as a skill, and

0:21:10.240 --> 0:21:12.520
<v Speaker 3>they're the better people at it. Usually I do the

0:21:12.880 --> 0:21:16.560
<v Speaker 3>interview for half an hour, and then I that person

0:21:16.680 --> 0:21:19.399
<v Speaker 3>leaves the stage and I go to a podium and

0:21:19.400 --> 0:21:20.960
<v Speaker 3>I ask your questions for the audience for one hour.

0:21:21.359 --> 0:21:24.440
<v Speaker 3>This is my favorite activity on a planet Earth, other

0:21:24.480 --> 0:21:24.960
<v Speaker 3>than reading.

0:21:25.440 --> 0:21:26.240
<v Speaker 2>How's it set up?

0:21:26.320 --> 0:21:29.080
<v Speaker 3>Just I just stand in a podium, yeah, and house

0:21:29.160 --> 0:21:30.640
<v Speaker 3>lights go up and people raise their.

0:21:30.600 --> 0:21:33.080
<v Speaker 2>Hand and no microphone. They yell, they yell the question.

0:21:33.119 --> 0:21:35.119
<v Speaker 3>Well, I don't allow microphones in the audience. And this

0:21:35.320 --> 0:21:38.159
<v Speaker 3>is a constant fight between me and my agent, or

0:21:38.200 --> 0:21:40.240
<v Speaker 3>me and the venues, you know, because they say people

0:21:40.280 --> 0:21:43.080
<v Speaker 3>can't hear, and I say it doesn't matter. I sometimes

0:21:43.119 --> 0:21:45.919
<v Speaker 3>can't hear the people repeat the question somewhat, you know,

0:21:46.080 --> 0:21:48.280
<v Speaker 3>because if you have microphones in the audience, you don't

0:21:48.280 --> 0:21:51.200
<v Speaker 3>get questions from the audience. You get answers from the audience.

0:21:51.520 --> 0:21:53.800
<v Speaker 3>You know, they want to make speech, so go make

0:21:53.800 --> 0:21:56.520
<v Speaker 3>a speech, but not here. And that's why I don't

0:21:56.520 --> 0:21:57.359
<v Speaker 3>allow the microphone.

0:21:57.400 --> 0:21:59.639
<v Speaker 1>That's so interesting because you know, I'm teaching at Columbia now,

0:21:59.640 --> 0:22:04.760
<v Speaker 1>I'm teen teaching, and so we teach for seventy minutes

0:22:04.840 --> 0:22:06.680
<v Speaker 1>and then we do questions at the end for twenty minutes.

0:22:06.680 --> 0:22:08.480
<v Speaker 1>But we do we have a microphone in the center aisle,

0:22:08.960 --> 0:22:11.040
<v Speaker 1>and we you know, try to keep it moving along.

0:22:11.040 --> 0:22:13.479
<v Speaker 1>But there's always the risk somebody is going to like

0:22:13.920 --> 0:22:15.320
<v Speaker 1>hold the microphone hostage.

0:22:15.440 --> 0:22:17.840
<v Speaker 3>You know they're going to But you're teaching law, right.

0:22:18.080 --> 0:22:18.600
<v Speaker 2>No, we're teaching.

0:22:18.640 --> 0:22:22.359
<v Speaker 1>I'm teaching a course on foreign policy decision making called

0:22:22.600 --> 0:22:24.040
<v Speaker 1>inside the Situation Room.

0:22:24.200 --> 0:22:26.120
<v Speaker 3>Yeah you should be in Washington teaching this.

0:22:26.080 --> 0:22:31.040
<v Speaker 1>Yeah, well yeah, or somewhere, you know, honestly, So you've

0:22:31.080 --> 0:22:34.080
<v Speaker 1>done something recently, you know, within the last you know,

0:22:34.359 --> 0:22:38.200
<v Speaker 1>year two or three, which I think is pretty gutsy also,

0:22:38.320 --> 0:22:40.520
<v Speaker 1>and that was making a documentary and you made.

0:22:40.359 --> 0:22:43.520
<v Speaker 2>It with one of the greatest filmmakers.

0:22:42.560 --> 0:22:44.440
<v Speaker 3>In well, they didn't make it. Marty made it.

0:22:44.560 --> 0:22:48.159
<v Speaker 1>Marty Scorsese made it. But you were an active participant

0:22:48.200 --> 0:22:49.120
<v Speaker 1>because it was about you.

0:22:49.720 --> 0:22:52.399
<v Speaker 3>Yeah, well it was. You know, Marty made a movie

0:22:52.400 --> 0:22:56.920
<v Speaker 3>about me about ten years before for ESBO called public Speaking,

0:22:57.400 --> 0:22:59.520
<v Speaker 3>and when he said he wanted to do this, I

0:22:59.560 --> 0:23:02.679
<v Speaker 3>said no. I always said no to documentaries about me

0:23:03.040 --> 0:23:06.800
<v Speaker 3>because I don't want to follow me around. And so

0:23:06.920 --> 0:23:09.400
<v Speaker 3>but with Marty and I know Marty, I said, well,

0:23:09.560 --> 0:23:12.280
<v Speaker 3>it can't be about me, Marty about my life. I

0:23:12.359 --> 0:23:14.399
<v Speaker 3>just wanted to be about what I think. And so

0:23:14.440 --> 0:23:16.440
<v Speaker 3>that's what it was. But you could only do that,

0:23:16.520 --> 0:23:18.240
<v Speaker 3>first of all. First of all, and people say, what

0:23:18.400 --> 0:23:21.119
<v Speaker 3>was like to collaborate with Scorsese, I would have no idea.

0:23:21.359 --> 0:23:24.679
<v Speaker 3>I'm not a collaborator with the greatest living American filmmaker.

0:23:25.040 --> 0:23:28.040
<v Speaker 3>I don't know it all. But I have a great

0:23:28.119 --> 0:23:32.200
<v Speaker 3>rapport with Marty. So you know, basically that is mostly

0:23:33.000 --> 0:23:35.640
<v Speaker 3>just me talking to Marty. There's other stuff. I mean,

0:23:35.640 --> 0:23:38.400
<v Speaker 3>I think Tony Morris and there's other people, but it's

0:23:38.400 --> 0:23:41.119
<v Speaker 3>basically talking. And then he wanted to another one right

0:23:41.119 --> 0:23:44.280
<v Speaker 3>away and I said no. And then this thing with

0:23:44.359 --> 0:23:47.320
<v Speaker 3>Netflix came and I said, I could do it, but

0:23:47.440 --> 0:23:49.800
<v Speaker 3>let's just do it about New York. I'm just going

0:23:49.880 --> 0:23:52.000
<v Speaker 3>to walk around New York and talk about New York.

0:23:52.160 --> 0:23:54.760
<v Speaker 3>Marty goes quait, I'm going to walk with you. I said,

0:23:54.760 --> 0:23:58.280
<v Speaker 3>don't be ridiculous, because, as I'm sure you know, almost

0:23:58.280 --> 0:24:00.639
<v Speaker 3>all famous people said they to get back nice, but

0:24:00.640 --> 0:24:04.080
<v Speaker 3>they're all lying. But Marty hates it. He really hates it.

0:24:04.240 --> 0:24:06.240
<v Speaker 3>So I said, you cannot walk around with me, Marty,

0:24:06.520 --> 0:24:07.840
<v Speaker 3>I said, because we're not going to be able to

0:24:07.840 --> 0:24:10.800
<v Speaker 3>walk more than one step in New York. I mean, Martin,

0:24:11.160 --> 0:24:13.600
<v Speaker 3>you can't do it. So the one day that Marty

0:24:14.440 --> 0:24:17.320
<v Speaker 3>came was actually visible during the filming in the street.

0:24:17.640 --> 0:24:21.119
<v Speaker 3>Within two minutes, he's hiding inside of a building. So

0:24:21.160 --> 0:24:22.960
<v Speaker 3>I said, you can't do that, Marty. It's not going

0:24:23.040 --> 0:24:23.560
<v Speaker 3>to work out.

0:24:23.680 --> 0:24:26.880
<v Speaker 1>And you know, for again for our listeners, it's got

0:24:26.960 --> 0:24:29.160
<v Speaker 1>this really evocative title.

0:24:29.400 --> 0:24:31.080
<v Speaker 2>Pretend it's a city. Where did that come?

0:24:31.080 --> 0:24:33.320
<v Speaker 3>From that's my title. Okay, so I'm not I don't

0:24:33.320 --> 0:24:36.840
<v Speaker 3>make contributions to marty'scorsess, you know work, but that was

0:24:36.880 --> 0:24:38.919
<v Speaker 3>my title because you know, for I don't know how

0:24:38.960 --> 0:24:41.480
<v Speaker 3>many years, it's been like thirty or twenty five years

0:24:41.520 --> 0:24:43.840
<v Speaker 3>where there's been so many tourists in New York. You know,

0:24:44.640 --> 0:24:47.399
<v Speaker 3>the year before COVID, I see in the paper. You know,

0:24:47.600 --> 0:24:50.120
<v Speaker 3>last year, fifty eight million tours came to New York.

0:24:50.359 --> 0:24:53.600
<v Speaker 3>So there's already nine million people here. Yeah, okay, it's crowdy,

0:24:54.160 --> 0:24:57.520
<v Speaker 3>you know, don't come go somewhere else. And these tours

0:24:57.520 --> 0:25:00.360
<v Speaker 3>trive me crazy for numerous reasons, one of which is

0:25:00.840 --> 0:25:03.760
<v Speaker 3>that they have nowhere believe they have to go. Oh so,

0:25:03.800 --> 0:25:06.640
<v Speaker 3>what they don't realize is that in New York, walking

0:25:07.000 --> 0:25:09.320
<v Speaker 3>is a form of transportation. It is, Okay, that's how

0:25:09.359 --> 0:25:11.159
<v Speaker 3>we get a lot of places. Okay. It's also the

0:25:11.160 --> 0:25:14.439
<v Speaker 3>most reliable and also many times the fastest. So but

0:25:14.720 --> 0:25:17.359
<v Speaker 3>they don't do that. They first of all, there's a

0:25:17.400 --> 0:25:19.520
<v Speaker 3>lot of them together, you know, I mean there could

0:25:19.560 --> 0:25:22.159
<v Speaker 3>be like five people together, which you've never seen New

0:25:22.200 --> 0:25:24.680
<v Speaker 3>Yorkers do because that's too sociable. You got to get

0:25:24.680 --> 0:25:26.960
<v Speaker 3>somewhere and they stop. They just stand in the middle

0:25:26.960 --> 0:25:30.400
<v Speaker 3>of the sidewalk. And I am constantly getting in fights

0:25:30.440 --> 0:25:32.280
<v Speaker 3>with these people. By when it fights, I mean I

0:25:32.359 --> 0:25:35.440
<v Speaker 3>yell at them, you know, please move, please move nothing.

0:25:35.760 --> 0:25:38.920
<v Speaker 3>And so I started yelling like about ten years ago. Move.

0:25:39.160 --> 0:25:43.400
<v Speaker 3>Pretend it's a city. It's not your living room, it's

0:25:43.440 --> 0:25:46.560
<v Speaker 3>not your backyard. You know. People have to get some places.

0:25:46.600 --> 0:25:47.880
<v Speaker 3>That's where pretend to see if they came from.

0:25:47.960 --> 0:25:48.480
<v Speaker 2>That is great.

0:25:48.760 --> 0:25:54.160
<v Speaker 1>Well, you also mentioned Tony Morrison, such an extraordinary human

0:25:54.200 --> 0:25:56.720
<v Speaker 1>being as well as just a great writer.

0:25:57.200 --> 0:25:59.040
<v Speaker 2>How did you meet her? How did you become friends

0:25:59.080 --> 0:25:59.320
<v Speaker 2>with her?

0:25:59.440 --> 0:26:02.760
<v Speaker 3>You know? Actually people asked me a lot where did

0:26:02.800 --> 0:26:05.360
<v Speaker 3>you and Marty meet? And neither one of us know. Okay,

0:26:05.520 --> 0:26:08.560
<v Speaker 3>but Tony. I not only remember where, I remember exactly when,

0:26:09.600 --> 0:26:12.840
<v Speaker 3>because my experience with Tony is what happened. There used

0:26:12.880 --> 0:26:14.800
<v Speaker 3>to be, or perhaps still is, something called the American

0:26:15.320 --> 0:26:18.480
<v Speaker 3>Society of Poets, and they sent me a letter and

0:26:18.600 --> 0:26:20.399
<v Speaker 3>I said, you know, we have a reading series at

0:26:20.440 --> 0:26:22.719
<v Speaker 3>the McDonald library. Would you like to read in the series.

0:26:23.400 --> 0:26:25.399
<v Speaker 3>This is my name, here's my phone number. So I

0:26:25.440 --> 0:26:29.800
<v Speaker 3>called on the telephone the man and he said, would

0:26:29.800 --> 0:26:31.040
<v Speaker 3>you like to read in this I said, yes, I

0:26:31.040 --> 0:26:34.000
<v Speaker 3>would like to. He said, we always have two people

0:26:34.480 --> 0:26:37.439
<v Speaker 3>reading together. Do you know who Tony Marrison is. She

0:26:37.480 --> 0:26:40.040
<v Speaker 3>wasn't that well known then, so I said yes. He said,

0:26:40.040 --> 0:26:41.640
<v Speaker 3>do you like her work? I said, I love her work.

0:26:41.800 --> 0:26:43.719
<v Speaker 3>He said, would you like to read together with her?

0:26:43.880 --> 0:26:46.800
<v Speaker 3>I said no. He said why not? I said, it's

0:26:46.840 --> 0:26:50.760
<v Speaker 3>too weird. It's a bizarre combination. It doesn't make sense

0:26:50.800 --> 0:26:53.320
<v Speaker 3>to me as a combination. He said, do you object

0:26:53.320 --> 0:26:55.080
<v Speaker 3>to it? I said no, but he said, well, we

0:26:55.119 --> 0:26:58.359
<v Speaker 3>think it's a good combination. So we read together and

0:26:59.160 --> 0:27:01.239
<v Speaker 3>it was a great combination. I don't know why. As

0:27:01.240 --> 0:27:03.960
<v Speaker 3>soon it was over, Tony said, this is a great combination.

0:27:04.240 --> 0:27:06.560
<v Speaker 3>Let's go on the road. So we did not actually

0:27:06.600 --> 0:27:08.720
<v Speaker 3>go on the road, but I became friends with her

0:27:08.880 --> 0:27:12.480
<v Speaker 3>instantly in a way that that's not usually how friendship works.

0:27:12.520 --> 0:27:14.560
<v Speaker 3>That's like maybe like a love affair maybe, you know,

0:27:14.760 --> 0:27:17.879
<v Speaker 3>because you know, love affairs don't have the last and

0:27:19.200 --> 0:27:20.920
<v Speaker 3>so I know exactly what it was. It was nineteen

0:27:20.960 --> 0:27:25.000
<v Speaker 3>seventy eight. Oh god, I love that story, and yes

0:27:25.040 --> 0:27:26.919
<v Speaker 3>it's true. I mean, Tony was a great writer. Everyone

0:27:26.920 --> 0:27:29.439
<v Speaker 3>knows she was a great writer, but she was also,

0:27:30.280 --> 0:27:33.320
<v Speaker 3>I mean, I've known lots and lots of very smart people,

0:27:33.600 --> 0:27:35.960
<v Speaker 3>but she is the only wise person I've ever known.

0:27:36.359 --> 0:27:39.080
<v Speaker 3>So the lack of not just my life in the world,

0:27:39.400 --> 0:27:40.960
<v Speaker 3>you know. I mean, I know a lot of people died,

0:27:41.000 --> 0:27:42.639
<v Speaker 3>I miss a lot of people, but not like Tony.

0:27:42.800 --> 0:27:47.080
<v Speaker 1>Yeah, you know, for people who weren't privileged like you

0:27:47.119 --> 0:27:49.040
<v Speaker 1>and I were to have met her and like you

0:27:49.119 --> 0:27:52.960
<v Speaker 1>to be a friend of hers. Just google her and

0:27:53.160 --> 0:27:56.439
<v Speaker 1>look at that picture of that amazing face and the

0:27:56.480 --> 0:28:00.840
<v Speaker 1>way that she just had a presence. Anything you can

0:28:00.920 --> 0:28:04.400
<v Speaker 1>ever see of her speaking, giving any kind of address,

0:28:04.520 --> 0:28:06.560
<v Speaker 1>doing anything but read her books.

0:28:06.680 --> 0:28:09.240
<v Speaker 3>Read her books, yes, and read them an order. Okay,

0:28:09.240 --> 0:28:11.960
<v Speaker 3>if you've never points present point that's that you asked,

0:28:12.119 --> 0:28:14.440
<v Speaker 3>not that anyone has asked. But my advice to people

0:28:14.440 --> 0:28:16.879
<v Speaker 3>when they've never read a writer before, I mean a

0:28:16.920 --> 0:28:18.800
<v Speaker 3>good writer, or in the case of they're a great writer,

0:28:19.160 --> 0:28:21.560
<v Speaker 3>read the writer in order if you've never read them before,

0:28:21.680 --> 0:28:24.919
<v Speaker 3>because then you see how they change, you know. And

0:28:25.000 --> 0:28:27.400
<v Speaker 3>so I mean, I can't say I wish I'd never

0:28:27.400 --> 0:28:29.560
<v Speaker 3>read Honey, but it'd be a pretty thrilling thing to

0:28:29.600 --> 0:28:30.560
<v Speaker 3>come to it new.

0:28:30.680 --> 0:28:32.639
<v Speaker 2>Yes, it would be. And to start from the beginning

0:28:32.960 --> 0:28:33.520
<v Speaker 2>from the beginning.

0:28:33.920 --> 0:28:36.320
<v Speaker 1>Well, you know, when I think about pretend it's a city,

0:28:36.440 --> 0:28:41.320
<v Speaker 1>I think about how consistent you've been in really defending

0:28:42.280 --> 0:28:45.960
<v Speaker 1>the culture of the city, the.

0:28:45.000 --> 0:28:46.200
<v Speaker 2>Feeling of the city.

0:28:46.360 --> 0:28:49.600
<v Speaker 1>And you know, I've heard you speak with great regret

0:28:49.680 --> 0:28:51.520
<v Speaker 1>about what you think has happened to New York City

0:28:51.560 --> 0:28:54.960
<v Speaker 1>over time. And you know the role of so called

0:28:55.040 --> 0:28:59.440
<v Speaker 1>gentrification and pushing people out. If you had the proverbial

0:28:59.560 --> 0:29:05.000
<v Speaker 1>magic wand what would you tell or make you know, leaders,

0:29:05.080 --> 0:29:09.480
<v Speaker 1>you know, not just mayor's, governor's presidents, but also the

0:29:09.560 --> 0:29:12.520
<v Speaker 1>business leadership here in this what would you have them

0:29:12.640 --> 0:29:17.240
<v Speaker 1>do to try to restore the spirit of this city

0:29:17.280 --> 0:29:20.440
<v Speaker 1>that you love and deserves everybody's love and attention.

0:29:20.960 --> 0:29:24.920
<v Speaker 3>Pay your taxes, but which I mean is rich people

0:29:25.200 --> 0:29:28.960
<v Speaker 3>pay your taxes. Pay your taxes. You know this whole

0:29:29.000 --> 0:29:32.240
<v Speaker 3>thing about this kind of gigantic philanthropy, you know, giving

0:29:32.320 --> 0:29:34.240
<v Speaker 3>like a zillion dollars and you're going to name this

0:29:34.320 --> 0:29:36.760
<v Speaker 3>museum after me, And I get that. You know that

0:29:37.080 --> 0:29:41.240
<v Speaker 3>kind of philanthropy is unpaid taxes, That's all it is.

0:29:42.080 --> 0:29:44.840
<v Speaker 3>If you have a job, like a regular job where

0:29:44.840 --> 0:29:47.400
<v Speaker 3>you get paid every week or two weeks, whatever, the

0:29:47.440 --> 0:29:51.240
<v Speaker 3>taxes come out of your pay. So they pay their taxes. Okay,

0:29:51.600 --> 0:29:55.240
<v Speaker 3>they pay you know, a significant percentage of their incoming taxes.

0:29:55.560 --> 0:29:57.200
<v Speaker 3>And so I don't want to know, like you know,

0:29:57.320 --> 0:29:59.760
<v Speaker 3>when I hear some like you know, zillionaire say I

0:29:59.800 --> 0:30:03.240
<v Speaker 3>pay forty million dollars in taxes, not enough. It's not

0:30:03.240 --> 0:30:05.520
<v Speaker 3>a big enough percentage of the money that you made. Also,

0:30:05.680 --> 0:30:07.960
<v Speaker 3>not that anyone asked me. I didn't even know when

0:30:07.960 --> 0:30:10.840
<v Speaker 3>I was young that taxes were hired on earned income

0:30:11.320 --> 0:30:14.640
<v Speaker 3>than on a passive income. First of all, what is

0:30:14.640 --> 0:30:17.239
<v Speaker 3>passive income means? It means you're not doing anything right.

0:30:17.280 --> 0:30:18.280
<v Speaker 2>Your money is making money.

0:30:18.320 --> 0:30:22.040
<v Speaker 3>Yeah, your money's making money. And I'm out a communist.

0:30:22.200 --> 0:30:24.960
<v Speaker 3>I'm not saying we should have capitalism. I'm saying we

0:30:25.000 --> 0:30:29.960
<v Speaker 3>should have more fairness. It's really unfair. It is really unfair,

0:30:30.280 --> 0:30:31.760
<v Speaker 3>and it was solful a lot of problems when every

0:30:31.760 --> 0:30:33.880
<v Speaker 3>people say, well there aren't enough rich people, they're enough here.

0:30:34.480 --> 0:30:36.280
<v Speaker 3>I mean, one thing is that New York does not

0:30:36.360 --> 0:30:37.240
<v Speaker 3>lack for rich people.

0:30:40.800 --> 0:30:53.000
<v Speaker 1>We'll be right back. Where were you during COVID? Were

0:30:53.000 --> 0:30:53.840
<v Speaker 1>you in your apartment?

0:30:54.120 --> 0:30:56.480
<v Speaker 3>Yes? For entire year? For one year, yes, during which

0:30:56.600 --> 0:31:01.040
<v Speaker 3>time at zero income. So like no money. That my

0:31:01.120 --> 0:31:04.320
<v Speaker 3>government put twelve hundred dollars into my bank account, which

0:31:04.480 --> 0:31:09.960
<v Speaker 3>was nice, but huh. For a year, and I had

0:31:10.000 --> 0:31:11.880
<v Speaker 3>never I mean a lot most people, I guess didn't

0:31:11.920 --> 0:31:15.320
<v Speaker 3>know COVID was coming, but I had never thought about it.

0:31:15.640 --> 0:31:17.440
<v Speaker 3>I never thought, what if there's a plague.

0:31:17.880 --> 0:31:19.000
<v Speaker 2>Yeah, I mean it turned down.

0:31:19.200 --> 0:31:20.760
<v Speaker 3>That's what a lot of people had. Because there's a

0:31:20.760 --> 0:31:23.320
<v Speaker 3>lot of people read science fiction or they watched science fiction,

0:31:23.400 --> 0:31:26.640
<v Speaker 3>and it's apparently a common theme of science fiction. So

0:31:27.000 --> 0:31:29.040
<v Speaker 3>I couldn't think about it. I didn't know how to

0:31:29.080 --> 0:31:31.800
<v Speaker 3>think about it, and unfortunately now I do.

0:31:32.400 --> 0:31:34.520
<v Speaker 2>Well, you were home with your what ten thousand books?

0:31:34.560 --> 0:31:37.160
<v Speaker 3>I was home with my books. I mean. The worst

0:31:37.200 --> 0:31:39.040
<v Speaker 3>thing about COVID, I mean, for me, obviously, the worst

0:31:39.040 --> 0:31:41.880
<v Speaker 3>thing about covis people died or got really sick. But

0:31:41.920 --> 0:31:45.920
<v Speaker 3>the second worst thing is fran There were no bookstores open,

0:31:46.280 --> 0:31:48.520
<v Speaker 3>so I buy books by I go in a bookstore,

0:31:48.840 --> 0:31:51.200
<v Speaker 3>I opened a book, I read like a page or two,

0:31:51.440 --> 0:31:54.760
<v Speaker 3>or sometimes last night I go no or yes, sometimes

0:31:54.800 --> 0:31:57.920
<v Speaker 3>I'm wrong, but not usually. But because bookstores were closed,

0:31:58.200 --> 0:32:00.640
<v Speaker 3>I had to borrow a friend's am a on account

0:32:00.960 --> 0:32:03.400
<v Speaker 3>I paid her back. And the only way I knew

0:32:03.400 --> 0:32:06.920
<v Speaker 3>about books. What new books there were was either reviews

0:32:07.120 --> 0:32:09.680
<v Speaker 3>or people recommended them to me. This is a terrible way.

0:32:09.920 --> 0:32:11.920
<v Speaker 2>Yeah, you don't have that first hand experience.

0:32:11.680 --> 0:32:13.320
<v Speaker 3>Are you kidding? I now have about one hundred and

0:32:13.320 --> 0:32:15.840
<v Speaker 3>twenty books in my apartment that I never would have

0:32:15.840 --> 0:32:18.840
<v Speaker 3>bought in a million years. Well, you should give them away.

0:32:18.120 --> 0:32:20.800
<v Speaker 3>I've spent a lot of time thinking, it's like when

0:32:20.800 --> 0:32:22.880
<v Speaker 3>my father died. I always my father's in the last

0:32:22.880 --> 0:32:24.760
<v Speaker 3>generation of men. Who when he died you had one

0:32:24.800 --> 0:32:27.920
<v Speaker 3>hundred ties neckties? Yes, so I spent like a year

0:32:28.040 --> 0:32:30.480
<v Speaker 3>like thinking who should have this tie of my father's.

0:32:30.720 --> 0:32:33.800
<v Speaker 3>So now I'm spending like another year agoing who would

0:32:33.880 --> 0:32:36.400
<v Speaker 3>like this book? So my father had a lot nicer

0:32:36.440 --> 0:32:37.760
<v Speaker 3>ties that I have books that I want.

0:32:37.840 --> 0:32:41.720
<v Speaker 1>So, oh gosh, friand I am thrilled to have this

0:32:41.760 --> 0:32:42.480
<v Speaker 1>conversation with you.

0:32:42.520 --> 0:32:45.840
<v Speaker 2>I'm going to end with a future oriented question.

0:32:46.640 --> 0:32:48.880
<v Speaker 1>Is there anything you really want to do or something

0:32:48.920 --> 0:32:52.880
<v Speaker 1>that if it came across your path you'd jump on doing?

0:32:53.360 --> 0:32:55.240
<v Speaker 3>Well, I would like to be the mayor.

0:32:55.720 --> 0:32:56.640
<v Speaker 2>Well, why don't you run?

0:32:56.920 --> 0:32:59.880
<v Speaker 3>I couldn't win this room. I'm sure I couldn't win.

0:33:00.040 --> 0:33:02.400
<v Speaker 3>I would like to be the mayor because we have

0:33:02.480 --> 0:33:04.960
<v Speaker 3>horrible mayors, you know. I mean I've lived here for

0:33:04.960 --> 0:33:07.080
<v Speaker 3>fifty years. There's been two mayors that I felt were

0:33:07.120 --> 0:33:11.400
<v Speaker 3>good in fifty years. Is not enough? Not enough? All right?

0:33:11.520 --> 0:33:14.880
<v Speaker 3>So it's a really great job. And it's the second

0:33:14.920 --> 0:33:18.640
<v Speaker 3>hardest job in New York and in the country, no questions.

0:33:19.080 --> 0:33:21.200
<v Speaker 3>And the mayor of New York one thing, since I

0:33:21.280 --> 0:33:23.920
<v Speaker 3>just am our present mayor of someone I really don't like.

0:33:24.240 --> 0:33:25.480
<v Speaker 3>I don't know if you know this scene went last

0:33:25.520 --> 0:33:27.960
<v Speaker 3>week to Mexico City that if you're the mayor of

0:33:28.040 --> 0:33:31.600
<v Speaker 3>New York, do not leave New York until everything is

0:33:31.640 --> 0:33:34.240
<v Speaker 3>fine here, okay. And if you want to take a

0:33:34.240 --> 0:33:37.440
<v Speaker 3>tropical vacation, I don't want to pay for it. You know,

0:33:37.520 --> 0:33:39.600
<v Speaker 3>he went to see why people immigrate. You know what,

0:33:39.920 --> 0:33:42.840
<v Speaker 3>call me, I'll tell you why. Okay, get ten cents

0:33:42.880 --> 0:33:44.360
<v Speaker 3>or whatever it costs to make a phone call. Now

0:33:44.440 --> 0:33:46.080
<v Speaker 3>give me a call. I'm going to tell you. And

0:33:46.120 --> 0:33:49.240
<v Speaker 3>don't get on a plane and charge it to New Yorkers.

0:33:49.320 --> 0:33:51.880
<v Speaker 1>Yeah, I mean, the city deserves so much love and

0:33:51.960 --> 0:33:55.400
<v Speaker 1>attention and support and leadership and all the rest of it.

0:33:55.520 --> 0:33:57.440
<v Speaker 1>So you know, I've run for a few things. If

0:33:57.440 --> 0:33:58.680
<v Speaker 1>you decided to run give me a call.

0:33:58.800 --> 0:33:59.920
<v Speaker 3>I definitely wive a call.

0:34:00.560 --> 0:34:02.240
<v Speaker 2>Thank you, Fran, what a joy.

0:34:02.080 --> 0:34:04.320
<v Speaker 3>I rank you really was. It was a pleasure an

0:34:04.400 --> 0:34:05.880
<v Speaker 3>honor for me too. Thank you.

0:34:11.239 --> 0:34:14.360
<v Speaker 1>For information on where you can see Fran in person

0:34:14.480 --> 0:34:25.440
<v Speaker 1>while she's on her speaking tour, go to Franlibowitz dot com.

0:34:25.480 --> 0:34:29.520
<v Speaker 1>You and Me Both is brought to you by iHeartPodcasts.

0:34:30.200 --> 0:34:34.880
<v Speaker 1>We're produced by Julie Subren, Kathleen Russo and Rob Russo,

0:34:35.480 --> 0:34:41.719
<v Speaker 1>with help from Huma Abadeen, Oscar Flores, Lindsay Hoffman, Sarah Horowitz,

0:34:42.040 --> 0:34:48.120
<v Speaker 1>Laura Olin, Lona Valmro and Lily Weber. Our engineer is

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<v Speaker 1>Zach McNeice, and the original music is by Forrest Gray.

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0:34:59.000 --> 0:35:02.040
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0:35:08.640 --> 0:35:11.040
<v Speaker 2>Thanks for listening and I'll see you next week.