WEBVTT - HBO's The Last of Us Ep. 8

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<v Speaker 1>Warning this podcast could take spoilers for the Last of

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<v Speaker 1>Us episode eight, and potentially some minor spoilers from ant

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<v Speaker 1>Man in the Wasp Quantumnia in our nerd Out section,

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<v Speaker 1>so be warned. Hello, my name is Jason Concepcio and

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<v Speaker 1>on Rosey Night, and welcome to x ray Vision, the

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<v Speaker 1>Crooked Media podcast where we dived Dee been to your

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<v Speaker 1>favorite shows, movies, comics, and pop culture.

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<v Speaker 2>In this episode, hope you're hungry because in the.

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<v Speaker 3>Hello Dinners, Dennis some delicious venison in the lock we're

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<v Speaker 3>talking about the Lost of Us episode eight and in

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<v Speaker 3>nerd Out it's a theory on I'm Man in the

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<v Speaker 3>Wasp Quantumnia.

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<v Speaker 2>You might have heard of it.

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<v Speaker 1>If you want to jump around, as always, check the

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<v Speaker 1>show notes for the time stamps. Let's get into it.

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<v Speaker 1>Coming up next to the airlock, we're stepping out of

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<v Speaker 1>the airlock and into the restaurant for the Last of

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<v Speaker 1>Us episode eight, titled When We Are in Need, written

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<v Speaker 1>by Craig Mason and directed by Ali Abassi, and we

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<v Speaker 1>open with scenes of deep winter. We see a not

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<v Speaker 1>quite frozen lake somewhere in Colorado. We see a sign

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<v Speaker 1>for Silver Lake, Colorado, and over these wintry images, we

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<v Speaker 1>hear the voice of a man saying, behold, the Tabernacle

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<v Speaker 1>of God is with men. The preacher's name is David.

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<v Speaker 1>He is the leader of a small Christian fundamentalist group

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<v Speaker 1>whose motto is when we are in need, he shall provide.

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<v Speaker 1>And David is reading these lines with sadness. It seems,

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<v Speaker 1>you know, he's got this. He really projects this kind

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<v Speaker 1>of like humility, but almost like he's trying to project

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<v Speaker 1>this humility. He's so he's been, you know, he's been

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<v Speaker 1>weighted down with this responsibility, and he's all too familiar

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<v Speaker 1>with the sadness that that responsibility brings. There's a young

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<v Speaker 1>girl and a woman we assume to be her mother,

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<v Speaker 1>sitting close to the preacher. They look distraught. He then

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<v Speaker 1>asks the girl if she remembers what comes next. She doesn't,

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<v Speaker 1>so he finishes it for her, He says, and God

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<v Speaker 1>will wipe the tears from their eyes, and there will

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<v Speaker 1>be no more death, neither sorrow nor crying. The former

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<v Speaker 1>things are passed away. Do you know what that means?

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<v Speaker 1>And basically it means Heaven is pretty good now this

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<v Speaker 1>the daughter and the woman are the family of We

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<v Speaker 1>are soon to find out of the course of this episode,

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<v Speaker 1>the man who was killed in the previous episode when

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<v Speaker 1>the group of raiders attacked Joel and Ellie.

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<v Speaker 2>Yeah, it's definitely very interesting. I really like the choice

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<v Speaker 2>here to show us what happened, show that the raiders

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<v Speaker 2>were the aggressors, and then to have this kind of

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<v Speaker 2>opening where they want to flip that on its head.

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<v Speaker 2>But there's always this creepy edge to it, where we

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<v Speaker 2>know what really happened, we know what these people do

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<v Speaker 2>to survive, we know they will go out and kill people.

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<v Speaker 2>But here are the family, here's the fallout, and when

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<v Speaker 2>it's again it's that question of what will we do

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<v Speaker 2>to survive? But here we're not going to get an

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<v Speaker 2>empathetic version of that story. This is something, as you

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<v Speaker 2>will gain from the next line that David says, this

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<v Speaker 2>is something much darker.

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<v Speaker 1>Well, in the most empathetic reading of a situation like this,

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<v Speaker 1>you know, in the in the you do what you

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<v Speaker 1>have to do to survive formulation, right, you get killed

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<v Speaker 1>taking another people's stuff. That will just kick off this

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<v Speaker 1>cycle of retribution, you would imagine, And that's very much

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<v Speaker 1>what this, not just this episode, but this series is about.

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<v Speaker 1>On a certain level, and it really seems to no spoilers,

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<v Speaker 1>but to be pointing ahead towards the themes and content

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<v Speaker 1>of the sequel game too.

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<v Speaker 2>It really does. From Kathleen to here, we're really getting

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<v Speaker 2>a lot of hints towards what happens in the in

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<v Speaker 2>the second part of the game.

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<v Speaker 1>And it also like not to belabor it, but it

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<v Speaker 1>also you know, when when that's your dad, you don't

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<v Speaker 1>want to believe they do bad stuff, right, and he

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<v Speaker 1>died doing something good. They did, They died fighting.

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<v Speaker 2>He was a you know, I think that's really powerful

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<v Speaker 2>and I think that they did a great job with

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<v Speaker 2>this character. Is the young girl being your in character.

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<v Speaker 2>She is ignorant to what is really going on in

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<v Speaker 2>this colony, as we will find out, and also as

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<v Speaker 2>we lay alone. David is a mini pulator. He is

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<v Speaker 2>a groomer. He is he is a violent, horrible man.

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<v Speaker 2>You know, this is this is someone who who is

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<v Speaker 2>manipulating the people who follow him. And I love that

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<v Speaker 2>we do get this one moment of somebody who truly

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<v Speaker 2>believes that they have been wronged and they don't know

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<v Speaker 2>the context, and obviously to her it's just a shocking loss.

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<v Speaker 2>But like you said, I like that. It shows that

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<v Speaker 2>seed of retribution, and we'll see the young girl trying

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<v Speaker 2>to seek that out later.

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<v Speaker 1>To the girl asks if they can bury her dad,

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<v Speaker 1>and a look passes between David and a few picked

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<v Speaker 1>men here in the What we are soon to learn

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<v Speaker 1>is like the the restaurant of this former resort, and

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<v Speaker 1>David is like, nah, you know the ground is, it's frozen.

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<v Speaker 1>It's frozen solid folks until the springtime. Don't worry. Well, well,

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<v Speaker 1>let's put a pin.

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<v Speaker 2>In that, a burying thing.

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<v Speaker 1>Let's say March April. We'll come back to it.

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<v Speaker 2>Yeah, And as you will, if you've read The Road,

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<v Speaker 2>if you've watched The Walking Dead, you probably understand that

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<v Speaker 2>this point what is really going on in Silver Lake

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<v Speaker 2>because when when she asks that and David shoots a

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<v Speaker 2>look to his men, you know, including Troy Baker here

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<v Speaker 2>in a new role who played Joel in the game,

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<v Speaker 2>you know what's going on and it is creepy.

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<v Speaker 1>Yeah, yeah, yeah, you definitely feel it. And if you

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<v Speaker 1>don't know right here, you get you certainly you certainly

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<v Speaker 1>understand that something is a miss. Later on David business congregationbuye.

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<v Speaker 1>They head back to their homes and James, his lieutenant,

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<v Speaker 1>comes up. Uh this is the man that David exchanged

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<v Speaker 1>the glance with. And they start talking about the stores,

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<v Speaker 1>how much meat we've got left, Elk Venison all that stuff,

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<v Speaker 1>and Jay is like, you know, one or two weeks

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<v Speaker 1>some so somewhere thereabouts, uh we And and you learn

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<v Speaker 1>that David has groups scouring the surrounding area for supplies,

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<v Speaker 1>but there's really nothing to be found in in this

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<v Speaker 1>in this region. David then tells James that, you know,

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<v Speaker 1>I'm sensing some doubt here, and James's like, what no.

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<v Speaker 1>The congregation like obviously, like it's tough, people are hungry,

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<v Speaker 1>it's very very cold, but they they their faith remains unshaken.

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<v Speaker 1>And David's like, no, no, no, no, no, I'm talking about you, bro,

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<v Speaker 1>what about you? And James is like, no, I still

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<v Speaker 1>believe the less. And it's always when someone says I

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<v Speaker 1>still believe and then goes on to keep talking, you know,

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<v Speaker 1>like that off the bot right, it's like there's no

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<v Speaker 1>butt here, but it feels James. James says, I still

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<v Speaker 1>believe now, and then you know, the last six months

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<v Speaker 1>have been hard, but he insists that he's with David,

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<v Speaker 1>but again it seems like a pretty weak assurance. Back

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<v Speaker 1>with our friends Ellie and Joel, Ellie is checking on

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<v Speaker 1>Joel's wound. You know, it's certainly not bleeding anymore after

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<v Speaker 1>Ellie's kind of hasty and rough sewing up of the injury,

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<v Speaker 1>but you know, infection and the regular yeah, is certainly

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<v Speaker 1>a concern, and yeah, he and Joel is absolutely out

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<v Speaker 1>of it. There's this wonderful like maternal moment, you know,

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<v Speaker 1>with the rolls suddenly flipped, where Ellie choose some jerky,

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<v Speaker 1>you know, almost desperately, and then leaves it on Joel's

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<v Speaker 1>blanket for him to eat should he rouse himself and

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<v Speaker 1>need to need to eat, and then she slips away

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<v Speaker 1>to go hunt. She tries to tackle a rabbit, that

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<v Speaker 1>doesn't work. She and then soon after that she spots

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<v Speaker 1>a deer, takes aim, shoots it, but the animal it's

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<v Speaker 1>not a kill shot, so the animal kind of runs.

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<v Speaker 1>She has to go find it, and of course it

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<v Speaker 1>drops dead right at the feet of David and James,

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<v Speaker 1>who are in the area looking for forage, looking for supplies.

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<v Speaker 1>Ellie gets the drop on him. She's like, drop your rifles,

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<v Speaker 1>turn around, walk away. David goes right into preacher mode

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<v Speaker 1>and he's ready. He's ready, specifically, as we are going

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<v Speaker 1>to learn over the course of this episode. He sees

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<v Speaker 1>a young girl by herself, and David is like, oh shit,

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<v Speaker 1>here we go. Hey, you have ten seconds. Hey, just

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<v Speaker 1>before you before you shoe us off your dear, you

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<v Speaker 1>have ten seconds to talk about you know where you

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<v Speaker 1>are spiritually.

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<v Speaker 2>And you need to help us. We got all the people, women, children,

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<v Speaker 2>you know, he's got trip and he really wants Sally

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<v Speaker 2>to go back.

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<v Speaker 1>With him now, and and and he and he offers

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<v Speaker 1>a trade. He's like, maybe there's something we can help

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<v Speaker 1>you with. You give us half the deer, and you know,

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<v Speaker 1>we have stuff. And then before he can even like

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<v Speaker 1>list anything, she just puts out, do you have medicine?

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<v Speaker 1>And then David is like, aha, here is a vulnerability.

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<v Speaker 1>Here is the thing that I can I sense I

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<v Speaker 1>have leverage here. Uh. And David's like, oh yeah, we

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<v Speaker 1>got uh, we got lots of medicine. You come back

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<v Speaker 1>with us to where cabin Ellie's wisely, he's like no, no, thank.

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<v Speaker 2>God, I was worried for a moment, you know, like

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<v Speaker 2>she's not the most sensible person but for the first time,

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<v Speaker 2>you know, yeah, but I like that here she she

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<v Speaker 2>trusts that guy. That's that instinct that when you're a kid,

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<v Speaker 2>your parents are like, if you feel that, just follow that,

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<v Speaker 2>Like if somebody gives you a bad vibe, don't go.

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<v Speaker 2>And she does the right thing and she's like, I'm

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<v Speaker 2>not going back with you.

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<v Speaker 1>Then she does the slightly less unwise thing but still

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<v Speaker 1>unwise thing, which is she lets James go back to

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<v Speaker 1>get medicine. He goes. David is like, hey, go get

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<v Speaker 1>two bottles of penicillin from Howard and a syringe. James

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<v Speaker 1>is like he is speak in his eye like is

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<v Speaker 1>this cold?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah, And David is like, it's not code, James, just

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<v Speaker 1>do it now. When he says it's not code James,

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<v Speaker 1>that should have been Ellie's first clue that like, oh yeah,

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<v Speaker 1>that's right. Part of a group. I'm sending this guy back.

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<v Speaker 1>He might tell somebody, yeah, I need to be I

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<v Speaker 1>need to be on guard here.

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<v Speaker 2>But it's about Joel's survival. I think Ellie has that

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<v Speaker 2>tunnel vision this episode just about how can she help

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<v Speaker 2>the man that she cas so deeply about come through this?

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<v Speaker 2>How can she avoid being alone? Which you know she

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<v Speaker 2>said to Sam was her greatest fear.

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<v Speaker 1>Yeah. So David and Ellie end up in the ruins

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<v Speaker 1>of this house. They've built a fire and they're sitting

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<v Speaker 1>there with this deer carcass and Ellie's got her gun

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<v Speaker 1>on David the whole time, and David is continuing his pitch.

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<v Speaker 1>He's like, why don't you join us? Why don't you

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<v Speaker 1>join our group? Uh? And Ellie's like, it doesn't sound

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<v Speaker 1>that great, because you yourself said that you're starving. Yeah, yeah,

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<v Speaker 1>it doesn't sound like you're doing great. You're stealing my dear.

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<v Speaker 2>I'm a child and I killed idea and now you

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<v Speaker 2>are stealing it from me. I don't think it sounds

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<v Speaker 2>like a good trade.

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<v Speaker 1>And he's like, yeah, but I'm a decent guy and

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<v Speaker 1>I'm just trying to do uh right by the people

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<v Speaker 1>who rely on me. Uh. And she's like, okay, so

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<v Speaker 1>you're their leader and he's like yeah, but but they

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<v Speaker 1>chose that they wanted that to be the thing, and

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<v Speaker 1>Ellie and this is good, this is actually great. That

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<v Speaker 1>Ellie sniffs this out right away, like this is some

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<v Speaker 1>weird cult thing. Like she's very very much.

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<v Speaker 2>Yes, babe, Like one hundred yes.

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<v Speaker 1>And David does not give the most authoritative and sir.

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<v Speaker 1>When Ellie says, is this some weird cult thing? And

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<v Speaker 1>David's verbatim answer his actual answer is uh. He starts

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<v Speaker 1>with this very long uh, and he goes, ah, I'm

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<v Speaker 1>just your basic Yeah, just your basic preacher, Bible preacher.

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<v Speaker 1>That's it. What was the up, bro?

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<v Speaker 2>Everyone in this colony needs to have better prepared answers.

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<v Speaker 2>You're gonna see this at time and time again. I'm like, bro,

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<v Speaker 2>you could have just said no. If somebody asks you

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<v Speaker 2>if it's a cult, just say no. But then we

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<v Speaker 2>will run that for some reason throughout this episode, probably

0:13:37.920 --> 0:13:41.960
<v Speaker 2>his own delusional mind, but David sees something in Ellie

0:13:41.960 --> 0:13:44.319
<v Speaker 2>that he thinks is a kindred spirit. So I also

0:13:44.400 --> 0:13:46.880
<v Speaker 2>wonder if that's why he doesn't immediately lie to her.

0:13:48.160 --> 0:13:51.240
<v Speaker 2>Maybe maybe she likes you cults. I don't want to

0:13:51.240 --> 0:13:52.880
<v Speaker 2>deny it in case she's into it.

0:13:53.480 --> 0:13:55.319
<v Speaker 1>I wanted to talk about this when we get to that,

0:13:55.720 --> 0:13:59.240
<v Speaker 1>but let's talk about it now. I this is part

0:13:59.280 --> 0:14:04.400
<v Speaker 1>of David's hitch to Ellie. I took that to be

0:14:06.080 --> 0:14:11.200
<v Speaker 1>David's just a flat out is grooming he is, You're

0:14:11.240 --> 0:14:14.560
<v Speaker 1>so special, like you're You're the only one that understands me.

0:14:14.679 --> 0:14:17.040
<v Speaker 1>You know, all these people I'm with they don't get it.

0:14:17.080 --> 0:14:20.760
<v Speaker 1>They don't get it the way you understand. Yeah, Like

0:14:20.920 --> 0:14:24.000
<v Speaker 1>you really understand what's going on here, and I feel

0:14:24.000 --> 0:14:29.360
<v Speaker 1>like you're a kindred spit. Like I took that as Oh,

0:14:29.400 --> 0:14:32.800
<v Speaker 1>David's an even deeper scumbag than than than we could,

0:14:32.880 --> 0:14:35.520
<v Speaker 1>than we are than we know about right now.

0:14:35.560 --> 0:14:37.720
<v Speaker 2>He definitely is, and you see that in the way

0:14:37.720 --> 0:14:40.360
<v Speaker 2>that he approaches Ellie, Like the actor who brings him

0:14:40.400 --> 0:14:41.000
<v Speaker 2>to life is.

0:14:42.320 --> 0:14:45.720
<v Speaker 1>So terribly deeply unsettling role.

0:14:46.040 --> 0:14:49.840
<v Speaker 2>It's so quiet and at no point. What I really

0:14:49.840 --> 0:14:52.520
<v Speaker 2>love about this is they don't try and fake us out.

0:14:52.680 --> 0:14:55.960
<v Speaker 2>They understand that we know the genre enough that they

0:14:55.960 --> 0:14:58.160
<v Speaker 2>don't need to make us think, oh, maybe it is

0:14:58.200 --> 0:15:00.240
<v Speaker 2>a good place, because if you think about it, like

0:15:00.440 --> 0:15:03.680
<v Speaker 2>The Walking Dead, I think a lot about the Sanctuary storyline,

0:15:03.680 --> 0:15:05.640
<v Speaker 2>which was actually one of my favorite storylines, where they

0:15:05.680 --> 0:15:08.520
<v Speaker 2>seek out this place that's allegedly the safe place for survivors.

0:15:08.520 --> 0:15:10.800
<v Speaker 2>They get there, they get fed this delicious meal lo

0:15:10.920 --> 0:15:14.840
<v Speaker 2>and behold, oh, actually you're going to be dinner. Like

0:15:13.240 --> 0:15:17.480
<v Speaker 2>season five Walking Down or whenever that happens. But like,

0:15:17.960 --> 0:15:20.880
<v Speaker 2>I like here that from the outset, you are just

0:15:20.920 --> 0:15:26.280
<v Speaker 2>given clues constantly, atmosphere clues, tone clues, visual clues, vibe

0:15:26.280 --> 0:15:29.360
<v Speaker 2>clues that David is just bad news. And I think

0:15:29.400 --> 0:15:32.480
<v Speaker 2>that's a really good way of building the creepiness and

0:15:32.560 --> 0:15:35.120
<v Speaker 2>tension that kind of leads to this explosion of violence.

0:15:35.120 --> 0:15:35.720
<v Speaker 2>At the end of the.

0:15:35.680 --> 0:15:48.160
<v Speaker 1>Episode, X ray Vision will be back and we're back,

0:15:48.480 --> 0:15:51.600
<v Speaker 1>so we get some of David's backstory. He says that

0:15:52.560 --> 0:15:57.080
<v Speaker 1>he was just a math teacher, which again, bad vibes.

0:15:57.200 --> 0:16:00.960
<v Speaker 1>Here's a good yeah, the bad vibes can continue, like

0:16:01.040 --> 0:16:03.880
<v Speaker 1>this was a person working with young people. We should

0:16:03.920 --> 0:16:07.120
<v Speaker 1>assume and consider what we learn over the course of

0:16:07.160 --> 0:16:10.080
<v Speaker 1>this episode very troubling. And he says, you know, I

0:16:10.160 --> 0:16:13.120
<v Speaker 1>was not even religious until after the end of the world.

0:16:13.360 --> 0:16:15.560
<v Speaker 1>We learned that he was at the Pittsburgh QZ, which

0:16:15.560 --> 0:16:20.640
<v Speaker 1>fell due to ongoing battles between Fedra and the Fireflies,

0:16:20.680 --> 0:16:24.800
<v Speaker 1>and then he and some people started heading west and

0:16:25.440 --> 0:16:28.040
<v Speaker 1>they'd find a camp and that raiders would attack the

0:16:28.080 --> 0:16:30.440
<v Speaker 1>camp and then they'd have to move on and picking

0:16:30.520 --> 0:16:33.200
<v Speaker 1>up people along the way, and that's how they came

0:16:33.280 --> 0:16:37.520
<v Speaker 1>to be here in Colorado and He believes that all

0:16:37.560 --> 0:16:41.080
<v Speaker 1>of that, all of that constant kind of movement to

0:16:41.200 --> 0:16:46.960
<v Speaker 1>the west, attack, a search for peace, the death on

0:16:47.120 --> 0:16:50.960
<v Speaker 1>every side, all of that was as it should be,

0:16:50.960 --> 0:16:53.920
<v Speaker 1>because it's what brought them here. All of this happens

0:16:53.960 --> 0:16:57.520
<v Speaker 1>for a reason. Don't believe it. Check this out. And

0:16:57.560 --> 0:17:02.320
<v Speaker 1>then David tells Ellie recently, I sent out a forging

0:17:02.400 --> 0:17:05.080
<v Speaker 1>party of four and winter. It's been hard. Food's been scares,

0:17:05.119 --> 0:17:08.720
<v Speaker 1>people have been starving. Only three men came back. Now

0:17:08.760 --> 0:17:11.080
<v Speaker 1>the man who died was a father, and he was

0:17:11.160 --> 0:17:13.960
<v Speaker 1>killed by a crazy man traveling with a little girl.

0:17:14.000 --> 0:17:18.480
<v Speaker 1>And now Ellie's like, oh fuck, and she stiffens. But

0:17:18.640 --> 0:17:23.879
<v Speaker 1>before she can even think about pulling the trigger on

0:17:23.920 --> 0:17:29.000
<v Speaker 1>her rifle, David's saying, James, lower, you're going to realize

0:17:29.000 --> 0:17:33.199
<v Speaker 1>that they've already got to drop on her. James, for

0:17:33.280 --> 0:17:37.600
<v Speaker 1>his part, recognizes that Ellie was the girl who was

0:17:38.080 --> 0:17:41.399
<v Speaker 1>with the man who killed their companion and their friend.

0:17:42.760 --> 0:17:45.199
<v Speaker 1>And David is like, yeah, but forget all that. Just

0:17:45.200 --> 0:17:48.240
<v Speaker 1>give her the medicine. James is like what it's like, Yeah,

0:17:48.320 --> 0:17:51.800
<v Speaker 1>just give it to her. And then David again offers

0:17:51.840 --> 0:17:53.640
<v Speaker 1>to take Ellie and he's like, I can protect you

0:17:53.640 --> 0:17:55.639
<v Speaker 1>you know you're out here alone. This is no place.

0:17:55.760 --> 0:18:01.040
<v Speaker 1>You know, this world is not safe, or a young

0:18:01.040 --> 0:18:03.200
<v Speaker 1>girl alone. Ellie takes the medicine and runs off, and

0:18:03.280 --> 0:18:05.399
<v Speaker 1>James is like, I can't believe that you're just gonna

0:18:05.440 --> 0:18:09.040
<v Speaker 1>let her get away. But of course he's not going

0:18:09.119 --> 0:18:09.760
<v Speaker 1>to do that. Yeah.

0:18:09.760 --> 0:18:11.680
<v Speaker 2>I feel like this is a good sign as well

0:18:11.680 --> 0:18:14.520
<v Speaker 2>that David is clearly not like a very trusted leader.

0:18:14.680 --> 0:18:16.720
<v Speaker 2>Even though he has this power, he kind of rules

0:18:16.720 --> 0:18:19.840
<v Speaker 2>through this fear, as we'll find out in a couple

0:18:19.840 --> 0:18:22.680
<v Speaker 2>of scenes. And also I just find it very interesting

0:18:22.720 --> 0:18:26.840
<v Speaker 2>that that's James's first thought. It's not like, oh you oh,

0:18:26.880 --> 0:18:29.240
<v Speaker 2>obviously we're gonna follow her, or what's the plan next

0:18:29.280 --> 0:18:31.840
<v Speaker 2>that he just thinks like, oh, you saw a young

0:18:31.880 --> 0:18:33.840
<v Speaker 2>girl and you gave her what you wanted because you're

0:18:33.840 --> 0:18:36.600
<v Speaker 2>a creep. Like it's really interesting. They show you so

0:18:36.640 --> 0:18:39.080
<v Speaker 2>many dynamics in these small moments.

0:18:40.160 --> 0:18:42.840
<v Speaker 1>I think that that's right, and I think that it's

0:18:42.880 --> 0:18:45.280
<v Speaker 1>even more insidious than that, because it tells you that

0:18:45.480 --> 0:18:51.120
<v Speaker 1>David has, even from his followers, a secret side. Yes,

0:18:51.200 --> 0:18:56.520
<v Speaker 1>because James is like the fact that James doesn't understand

0:18:56.880 --> 0:18:59.119
<v Speaker 1>of course David's not gonna leave it here. This is

0:18:59.160 --> 0:19:01.240
<v Speaker 1>not the end of it. You think he's that was

0:19:01.359 --> 0:19:04.639
<v Speaker 1>just like largees, it was just generosity. Nor the fact

0:19:04.680 --> 0:19:08.560
<v Speaker 1>that James doesn't pick that up lets you know that

0:19:09.280 --> 0:19:13.840
<v Speaker 1>David has a deeper, more secret side from the people

0:19:13.920 --> 0:19:18.040
<v Speaker 1>who you know he's ostensibly in this like intimate leadership rule.

0:19:17.920 --> 0:19:21.080
<v Speaker 2>With I love that actually, because that is a great

0:19:21.160 --> 0:19:25.159
<v Speaker 2>read where it's like David's falsification of who he is

0:19:25.200 --> 0:19:28.680
<v Speaker 2>and this kind of kindness and generosity. He has actually

0:19:28.800 --> 0:19:31.800
<v Speaker 2>sold that to them so well that James could believe

0:19:31.880 --> 0:19:33.560
<v Speaker 2>that he would just give this away because he thinks

0:19:33.600 --> 0:19:35.840
<v Speaker 2>it's the right thing to do. And I love I

0:19:35.880 --> 0:19:38.320
<v Speaker 2>love that pickup that I almost kind of didn't even

0:19:38.400 --> 0:19:41.479
<v Speaker 2>realize when I was watching that he wasn't a preacher before.

0:19:41.960 --> 0:19:43.960
<v Speaker 2>When you read it in the context after a couple

0:19:43.960 --> 0:19:46.600
<v Speaker 2>of rewatches and then talking about it with you, that

0:19:46.800 --> 0:19:48.960
<v Speaker 2>is just so creepy because that is a man who

0:19:49.040 --> 0:19:52.040
<v Speaker 2>picked up the beliefs of others in order to become

0:19:52.080 --> 0:19:55.000
<v Speaker 2>a cult leader to make the most of a post

0:19:55.000 --> 0:19:59.640
<v Speaker 2>apocalyptic situation for himself. That's so horrifying. And I think

0:19:59.720 --> 0:20:04.160
<v Speaker 2>that I wrote about this ign this week about this episode.

0:20:04.280 --> 0:20:07.199
<v Speaker 2>I think that is the notion of why these kind

0:20:07.280 --> 0:20:10.119
<v Speaker 2>of characters are always presented as the scariest thing you

0:20:10.160 --> 0:20:13.440
<v Speaker 2>can come up against inever apocalypse. What if it wasn't

0:20:13.480 --> 0:20:15.399
<v Speaker 2>the best of us who thrived at the end of

0:20:15.440 --> 0:20:18.159
<v Speaker 2>the world, but the worst of us. Yeah, and David

0:20:18.240 --> 0:20:21.240
<v Speaker 2>is absolutely that a man who knew how to manipulate

0:20:21.520 --> 0:20:24.120
<v Speaker 2>the end of the world into a situation that now

0:20:24.480 --> 0:20:27.240
<v Speaker 2>he is incredibly happy with because he's surrounded by women

0:20:27.280 --> 0:20:31.280
<v Speaker 2>and children who he is in control of. Very scary stuff.

0:20:31.960 --> 0:20:34.040
<v Speaker 1>This is a great point now. In that opening scene

0:20:34.040 --> 0:20:37.480
<v Speaker 1>where you see David with his flock in that restaurant,

0:20:37.480 --> 0:20:44.520
<v Speaker 1>the first thing that struck me was one the women

0:20:44.680 --> 0:20:47.520
<v Speaker 1>and the men were separate. You saw a mother with

0:20:48.840 --> 0:20:51.360
<v Speaker 1>a young daughter, You saw another mother with a young

0:20:51.440 --> 0:20:55.719
<v Speaker 1>daughter who we didn't meet them too much. But then

0:20:56.040 --> 0:21:01.080
<v Speaker 1>all the men sit at their own tables and it's

0:21:01.160 --> 0:21:04.159
<v Speaker 1>really only David that addresses the women and.

0:21:04.600 --> 0:21:05.600
<v Speaker 2>Who walks among them.

0:21:05.640 --> 0:21:09.280
<v Speaker 1>I just feel, Yeah, immediately You're like, this is there's

0:21:09.280 --> 0:21:12.800
<v Speaker 1>something not right here. This is not good. Whatever is

0:21:12.840 --> 0:21:16.479
<v Speaker 1>going on here is not right now. It's just not

0:21:16.600 --> 0:21:18.280
<v Speaker 1>It's certainly it's awesome.

0:21:19.040 --> 0:21:25.840
<v Speaker 2>Very soon even more of that really nightmarish dynamic.

0:21:26.560 --> 0:21:29.320
<v Speaker 1>So Ellie returns to Joel. She just kind of guesses,

0:21:29.640 --> 0:21:34.400
<v Speaker 1>like where to inject the antibiotics. She does it right

0:21:34.400 --> 0:21:38.560
<v Speaker 1>into the wound, you know. Pad choice like good choice, Yeah,

0:21:38.600 --> 0:21:41.600
<v Speaker 1>good as good a choice as any. We go back

0:21:41.680 --> 0:21:46.440
<v Speaker 1>to silver Lake and the short dinner is getting cooked up.

0:21:47.160 --> 0:21:49.080
<v Speaker 1>It looks like very very red meat.

0:21:49.280 --> 0:21:51.840
<v Speaker 2>Yeah, it looks very fresh, seeing as well, they just

0:21:51.920 --> 0:21:54.320
<v Speaker 2>very very frunning out of meat that surely you would

0:21:54.320 --> 0:21:55.639
<v Speaker 2>have jerkied, etc.

0:21:56.880 --> 0:22:02.639
<v Speaker 1>We're putting this in tomato sauce that we have because

0:22:03.480 --> 0:22:05.640
<v Speaker 1>because that's what we have, but also like it'll help

0:22:05.720 --> 0:22:08.879
<v Speaker 1>cover up any kind of the redness.

0:22:09.440 --> 0:22:09.680
<v Speaker 2>Yeah.

0:22:09.840 --> 0:22:12.320
<v Speaker 1>Folks are kind of sitting around with their plates of

0:22:12.400 --> 0:22:19.280
<v Speaker 1>this meat and there's a great moment. So the moment

0:22:19.600 --> 0:22:24.479
<v Speaker 1>was being cooked up right where the woman who is

0:22:24.560 --> 0:22:28.200
<v Speaker 1>stirring all, you know, everything into the pot, uh, says

0:22:28.280 --> 0:22:32.200
<v Speaker 1>to the guy who brings this tray of meat, well

0:22:32.240 --> 0:22:36.080
<v Speaker 1>what is it? And he just goes, well, first there's

0:22:36.119 --> 0:22:39.120
<v Speaker 1>a long pause two to three, like a very very.

0:22:39.200 --> 0:22:42.560
<v Speaker 2>Long get a quicker on inside in your head, yeah.

0:22:42.359 --> 0:22:47.639
<v Speaker 1>And then he just goes venison. Its like it's a question.

0:22:47.720 --> 0:22:50.320
<v Speaker 2>Yeah, yeah, it has the little little ven.

0:22:54.040 --> 0:22:57.960
<v Speaker 1>So you know, everybody's h sitting around eating there or

0:22:58.040 --> 0:23:00.600
<v Speaker 1>getting ready to eat their plates of and you could

0:23:00.640 --> 0:23:04.640
<v Speaker 1>see there's a there's a really great, kind of very

0:23:04.720 --> 0:23:07.960
<v Speaker 1>very small moment here where you see various people eating.

0:23:08.280 --> 0:23:11.159
<v Speaker 1>Some of them are tearing into it, Others are like

0:23:12.240 --> 0:23:17.119
<v Speaker 1>just nibbling at it. Others seem wary of it, like

0:23:17.240 --> 0:23:20.399
<v Speaker 1>openly wary. And that is when David and James return

0:23:20.480 --> 0:23:25.040
<v Speaker 1>with this big deer that they took off Ellie and

0:23:25.600 --> 0:23:29.199
<v Speaker 1>David could not be happier to be bringing this meat in.

0:23:29.280 --> 0:23:33.000
<v Speaker 1>But then he sees that, oh, people are like, wait,

0:23:33.040 --> 0:23:33.919
<v Speaker 1>what are we eating?

0:23:34.080 --> 0:23:36.480
<v Speaker 2>Yeah? Everyone else is like you just showed up.

0:23:36.760 --> 0:23:40.240
<v Speaker 1>Yeah, you just showed up with the meat. What am

0:23:40.240 --> 0:23:42.760
<v Speaker 1>I eating right now? And David's like, hey listen, okay, wait,

0:23:42.760 --> 0:23:44.960
<v Speaker 1>wait wait wait. This is one of the great fake

0:23:45.000 --> 0:23:47.680
<v Speaker 1>outs in this episode too, where David and David says, okay,

0:23:47.680 --> 0:23:49.639
<v Speaker 1>hold on, let me I need to say something. I

0:23:49.680 --> 0:23:52.919
<v Speaker 1>know there are rumors going around the camp. Okay, and

0:23:52.960 --> 0:23:57.320
<v Speaker 1>they're true. I found the girl who was with the

0:23:57.400 --> 0:24:01.119
<v Speaker 1>guy who murdered what our friend. It's so good because

0:24:01.119 --> 0:24:05.400
<v Speaker 1>you're like, I really thought like he's about to say,

0:24:05.400 --> 0:24:09.720
<v Speaker 1>hey listen, yeah, we're starving.

0:24:09.400 --> 0:24:13.320
<v Speaker 2>This time we're eating some people. Yeah, I love I

0:24:13.359 --> 0:24:15.040
<v Speaker 2>love that note that you made as well, Like it's

0:24:15.119 --> 0:24:18.840
<v Speaker 2>so well done to see the way that some people

0:24:18.880 --> 0:24:21.439
<v Speaker 2>are just eating it so heartily. Some people are wary,

0:24:21.480 --> 0:24:23.919
<v Speaker 2>some people are nibbling because, like we can tell just

0:24:23.960 --> 0:24:26.800
<v Speaker 2>from the narrative storytelling of one episode that David is

0:24:26.800 --> 0:24:29.439
<v Speaker 2>off key, and that that glance he gave to James

0:24:29.440 --> 0:24:32.200
<v Speaker 2>meant her Dad's getting eaten. So of course the people

0:24:32.200 --> 0:24:34.000
<v Speaker 2>in the room would feel the same way. I like

0:24:34.119 --> 0:24:37.399
<v Speaker 2>that respect of the intelligence of the characters and the

0:24:37.440 --> 0:24:40.840
<v Speaker 2>intelligence of the audience to know that it's not realistic

0:24:40.880 --> 0:24:42.800
<v Speaker 2>that every single person in there would just be yamming

0:24:42.880 --> 0:24:45.160
<v Speaker 2>down the food, acting like it was completely normal. There's

0:24:45.160 --> 0:24:47.679
<v Speaker 2>gonna be people who are starting to cotton on to

0:24:47.840 --> 0:24:49.359
<v Speaker 2>what David and James are doing.

0:24:50.280 --> 0:24:56.359
<v Speaker 1>And here we see how David keeps control of these people.

0:24:56.520 --> 0:25:02.240
<v Speaker 1>He does it one through his generosity sharing this food communism.

0:25:02.400 --> 0:25:04.840
<v Speaker 1>It turns out it turns out to be you know

0:25:04.920 --> 0:25:11.440
<v Speaker 1>people spoiler two, by creating these external threats. He says, Hey,

0:25:11.640 --> 0:25:14.080
<v Speaker 1>I found the man, I found the girl. I know

0:25:14.119 --> 0:25:16.040
<v Speaker 1>where she is. We're gonna send a search party out

0:25:16.080 --> 0:25:19.560
<v Speaker 1>tomorrow and we're gonna get revenge. He's out there, We're

0:25:19.560 --> 0:25:23.880
<v Speaker 1>gonna get him. And then three through outright fear and violence,

0:25:24.280 --> 0:25:27.920
<v Speaker 1>the girl whose father was killed is like, I want

0:25:27.960 --> 0:25:30.840
<v Speaker 1>them both dead? Why not kill the girl too? Like,

0:25:30.920 --> 0:25:32.320
<v Speaker 1>why are you gonna bring her back here?

0:25:32.440 --> 0:25:35.600
<v Speaker 2>It seems like a good point. And also, like I

0:25:35.600 --> 0:25:37.680
<v Speaker 2>will say as well, I think this is another great

0:25:37.760 --> 0:25:42.160
<v Speaker 2>narrative choice, because surely that seems like what the leader

0:25:42.200 --> 0:25:43.920
<v Speaker 2>would want, and that would have been a great moment

0:25:43.960 --> 0:25:46.760
<v Speaker 2>for David to be like, you're right, my child, like

0:25:46.800 --> 0:25:49.400
<v Speaker 2>we will get justice and vengeance, just like an eye

0:25:49.400 --> 0:25:51.199
<v Speaker 2>for an eye in the Bible or whatever. But that

0:25:51.280 --> 0:25:53.399
<v Speaker 2>is not the way David reacts, and it tells us

0:25:53.480 --> 0:25:55.640
<v Speaker 2>so much about him and this colony.

0:25:56.640 --> 0:26:01.320
<v Speaker 1>He slaps this young girl to the floor. Yeah, like

0:26:01.400 --> 0:26:06.320
<v Speaker 1>off her chair, off her chair. Nobody moves, No, everybody,

0:26:06.560 --> 0:26:11.240
<v Speaker 1>everybody stays nailed to their seat. And he says, you know, basically,

0:26:11.760 --> 0:26:15.119
<v Speaker 1>I'm your father. Now you have to respect me, or

0:26:15.160 --> 0:26:18.040
<v Speaker 1>this is what happens. Now, let's say grace, uh and

0:26:19.240 --> 0:26:21.439
<v Speaker 1>eat dinner, which is probably your.

0:26:21.359 --> 0:26:25.040
<v Speaker 2>Dad sadly, like yeah, it's so creepy. He's like, you

0:26:25.080 --> 0:26:27.720
<v Speaker 2>think you've lost your father, but you still have a

0:26:27.840 --> 0:26:30.720
<v Speaker 2>father and he's oh, so creepy, and then he's like,

0:26:30.720 --> 0:26:32.480
<v Speaker 2>and now eat your father. There's lots of fun.

0:26:32.560 --> 0:26:34.960
<v Speaker 1>Now your father, he'll be part of you forever. Oh yeah.

0:26:35.000 --> 0:26:38.919
<v Speaker 1>The next The next day, Joel hard to tell if

0:26:38.920 --> 0:26:42.160
<v Speaker 1>he's getting better or not. Ellie goes outside to get

0:26:42.160 --> 0:26:44.399
<v Speaker 1>some air, and she sees a flock of crows go

0:26:44.520 --> 0:26:48.439
<v Speaker 1>up maybe half a mile away, very very close, and

0:26:48.480 --> 0:26:51.399
<v Speaker 1>she realizes that something is coming from that way. She

0:26:51.440 --> 0:26:53.400
<v Speaker 1>sneaks around and she spots them. This is five maybe

0:26:53.440 --> 0:26:57.120
<v Speaker 1>six men, including David and James, and of course they

0:26:57.119 --> 0:27:00.200
<v Speaker 1>are here to kill Joel if he isn't dead already,

0:27:00.880 --> 0:27:05.359
<v Speaker 1>and David orders them to bring Ellie back. She is

0:27:05.400 --> 0:27:09.960
<v Speaker 1>not to be harmed. James is like just another mouth

0:27:10.000 --> 0:27:13.280
<v Speaker 1>to feed. No, like, what do we have to Maybe

0:27:13.320 --> 0:27:16.760
<v Speaker 1>we'd let her stay here and die, or we kill her.

0:27:16.840 --> 0:27:20.359
<v Speaker 1>I don't know. Maybe that's God's will. Yeah, I and

0:27:20.480 --> 0:27:24.000
<v Speaker 1>David gives James the most chilling stare.

0:27:24.280 --> 0:27:26.480
<v Speaker 2>Yeah, it's so scary. And I also love this moment

0:27:26.520 --> 0:27:28.600
<v Speaker 2>because after watching it again, Look, I'm not trying to

0:27:28.600 --> 0:27:32.240
<v Speaker 2>make any justification for James's behavior, and Troy is so

0:27:32.320 --> 0:27:35.680
<v Speaker 2>great in this character, Like it's so believable. This kind

0:27:35.720 --> 0:27:39.840
<v Speaker 2>of weird like weakness, this like tweaky weakness of following David.

0:27:40.119 --> 0:27:42.240
<v Speaker 2>But I also wonder, like does he have an inkling,

0:27:42.680 --> 0:27:45.280
<v Speaker 2>Like do these men think Ellie would be better off

0:27:45.320 --> 0:27:47.200
<v Speaker 2>to just be shot in the street than to go

0:27:47.280 --> 0:27:49.879
<v Speaker 2>back and be with David like that? Maybe he doesn't

0:27:49.920 --> 0:27:54.000
<v Speaker 2>want to kill another person to actually feed them to

0:27:54.040 --> 0:27:56.119
<v Speaker 2>someone else, Like there's something here that I think is

0:27:56.160 --> 0:27:59.520
<v Speaker 2>actually more than this idea of a mouth to feed, Like,

0:27:59.560 --> 0:28:02.240
<v Speaker 2>I think that there is a deep down somewhere there

0:28:02.320 --> 0:28:04.720
<v Speaker 2>is a slight act of mercy as he sees it,

0:28:04.800 --> 0:28:07.320
<v Speaker 2>to just shoot her in the snow instead of taking

0:28:07.359 --> 0:28:07.840
<v Speaker 2>her back.

0:28:08.560 --> 0:28:12.200
<v Speaker 1>That's an interesting read as well. It's you know, certainly

0:28:12.640 --> 0:28:17.240
<v Speaker 1>that idea of well it's better this way, mingled with

0:28:18.760 --> 0:28:22.080
<v Speaker 1>the sincere vengeance that he's seeking. She certainly would make

0:28:22.359 --> 0:28:27.320
<v Speaker 1>doing the young girl a lot easier. Ellie tries to

0:28:27.680 --> 0:28:32.639
<v Speaker 1>rouse Joel no Bueno desperately. She puts her knife in

0:28:32.640 --> 0:28:34.720
<v Speaker 1>his hand and is like, listen, I'm gonna try and

0:28:34.760 --> 0:28:38.600
<v Speaker 1>lead them away. But if I can't, this is for

0:28:38.640 --> 0:28:41.440
<v Speaker 1>anybody that comes down here. Joel is like just barely

0:28:41.520 --> 0:28:43.720
<v Speaker 1>with it. He does not seem all the way conscious.

0:28:44.240 --> 0:28:46.440
<v Speaker 1>Ellie then seals up the house like puts a puts

0:28:46.480 --> 0:28:48.720
<v Speaker 1>a piece of furniture in front of the cellar door,

0:28:49.560 --> 0:28:53.240
<v Speaker 1>gets on the horse and goes galloping down the street.

0:28:53.800 --> 0:28:57.480
<v Speaker 1>She you know, runs up on the guys says, hey, motherfuckers.

0:28:57.520 --> 0:29:00.880
<v Speaker 1>She shot at them, and then rides off. Uh, And

0:29:00.920 --> 0:29:04.400
<v Speaker 1>they're ready to shoot her, but David is like, no, alive, alive, alive,

0:29:04.440 --> 0:29:08.600
<v Speaker 1>I want her alive. James then shoots Ellie's horse out

0:29:08.600 --> 0:29:12.360
<v Speaker 1>from under her. Rip horse. We didn't know your name,

0:29:12.360 --> 0:29:15.280
<v Speaker 1>but it was really sad to see you go. Ellie

0:29:15.520 --> 0:29:19.520
<v Speaker 1>is gets the first of several concussions that she will

0:29:19.520 --> 0:29:24.240
<v Speaker 1>get over the course of this episode. Oh man, I

0:29:24.280 --> 0:29:28.560
<v Speaker 1>mean she's like legitimately unconscious for like an hour, like

0:29:28.680 --> 0:29:33.560
<v Speaker 1>a long time. It's actually medically concerning. They capture her easily.

0:29:34.120 --> 0:29:36.880
<v Speaker 1>James is about to kill her when David shoots in

0:29:36.920 --> 0:29:39.840
<v Speaker 1>the air and is like no. Then he carries her

0:29:39.880 --> 0:29:43.920
<v Speaker 1>off himself, which is fucked up, and then it's like

0:29:44.040 --> 0:29:47.280
<v Speaker 1>you all, I'm gonna take I'll take her back by

0:29:47.360 --> 0:29:52.120
<v Speaker 1>myself to our camp. You stay here and you look

0:29:52.240 --> 0:29:52.640
<v Speaker 1>for Joel.

0:29:52.720 --> 0:29:55.120
<v Speaker 2>Yeah. He's like, if you venge get it that way,

0:29:56.200 --> 0:29:59.360
<v Speaker 2>get your hands here, and sorry to them. They don't

0:29:59.360 --> 0:30:03.160
<v Speaker 2>realize that essentially going up against the terminator, Like if

0:30:03.200 --> 0:30:05.360
<v Speaker 2>you take a kid from Joel, if you take a

0:30:05.360 --> 0:30:07.680
<v Speaker 2>little girl from Joel, if you take a baby from

0:30:07.720 --> 0:30:10.600
<v Speaker 2>Pedro Piscal as we know, you're gonna be in trouble.

0:30:10.680 --> 0:30:13.240
<v Speaker 2>So is not gonna go well for them, but good

0:30:13.360 --> 0:30:15.600
<v Speaker 2>good for them for trying to get their vengeance. Let's

0:30:15.600 --> 0:30:16.440
<v Speaker 2>see how that goes.

0:30:17.000 --> 0:30:20.320
<v Speaker 1>Yeah, absolutely, what follows is Joel Wick.

0:30:20.840 --> 0:30:24.600
<v Speaker 2>Joel Wick exactly instead of the little puppy.

0:30:25.240 --> 0:30:30.080
<v Speaker 1>He you know, the first victim sneaks into the house

0:30:30.160 --> 0:30:33.480
<v Speaker 1>that Joel is in, drags the obstacle away from the

0:30:33.480 --> 0:30:36.960
<v Speaker 1>cellar door, creeps down there, sees the bloodstained mattress. It's like,

0:30:37.040 --> 0:30:40.640
<v Speaker 1>who's down here? And then Joel stabs him in the

0:30:40.640 --> 0:30:46.960
<v Speaker 1>shoulder slash neck and in classic Joel fast squatsco is

0:30:47.000 --> 0:30:49.200
<v Speaker 1>like joking him out so you can't cry out, and

0:30:49.240 --> 0:30:55.240
<v Speaker 1>you get this really stark shot of the light going

0:30:55.280 --> 0:30:57.640
<v Speaker 1>out of this guy's eyes and you stare at it

0:30:57.680 --> 0:30:59.959
<v Speaker 1>for a long time, like you just see this man

0:31:00.120 --> 0:31:02.600
<v Speaker 1>the dead man's face, you watch him die.

0:31:02.680 --> 0:31:05.520
<v Speaker 2>They value life so much, the creators of this show,

0:31:05.520 --> 0:31:08.000
<v Speaker 2>and I think it's something that really makes this stand

0:31:08.000 --> 0:31:11.480
<v Speaker 2>out from pretty much any other post apocalyptic storytelling, even

0:31:11.520 --> 0:31:13.400
<v Speaker 2>the game. I think it's one of the smartest choices

0:31:13.440 --> 0:31:18.600
<v Speaker 2>they made in adapting it. You feel every death. Every

0:31:18.680 --> 0:31:23.480
<v Speaker 2>time somebody dies, it's horrific. It's it's terrible. Every time

0:31:23.520 --> 0:31:26.800
<v Speaker 2>someone is hurt, it's horrific, even if they've done something.

0:31:26.840 --> 0:31:29.480
<v Speaker 2>There is a cathartic nature to what Joel is doing.

0:31:29.960 --> 0:31:33.120
<v Speaker 2>But I like your john Wick reference because there's that moment.

0:31:33.240 --> 0:31:36.160
<v Speaker 2>You know, obviously love John Wick, like the stuntman movie

0:31:36.200 --> 0:31:39.000
<v Speaker 2>of all time, and I love Keanu and there's that

0:31:39.040 --> 0:31:41.800
<v Speaker 2>great moment where it's like he's like, yeah, I guess

0:31:41.880 --> 0:31:44.080
<v Speaker 2>you could say I was back, And this is definitely

0:31:44.160 --> 0:31:48.080
<v Speaker 2>like all Joel is back. This is that Joel that

0:31:48.120 --> 0:31:51.920
<v Speaker 2>we are about. This is that Joel. Everyone. Oh, Joel

0:31:51.960 --> 0:31:53.280
<v Speaker 2>did so many bad things.

0:31:53.280 --> 0:31:53.600
<v Speaker 1>Ellie.

0:31:53.640 --> 0:31:55.760
<v Speaker 2>You can't trust him, you can't. You don't know the

0:31:55.840 --> 0:31:59.000
<v Speaker 2>things that he did. We've seen reluctant Joel. We've seen

0:31:59.160 --> 0:32:03.680
<v Speaker 2>tired Joel. But this is assassin Joel. This is going

0:32:03.720 --> 0:32:07.240
<v Speaker 2>to kill you no matter what you tell him. Joel.

0:32:07.400 --> 0:32:09.720
<v Speaker 1>Where is the thing that I want? Yeah, tell me

0:32:09.800 --> 0:32:14.800
<v Speaker 1>where it is? And and we've we've spent the last

0:32:14.800 --> 0:32:20.240
<v Speaker 1>several episodes talking about Joel's lack of comfort with anything

0:32:20.480 --> 0:32:24.000
<v Speaker 1>that seems like peace or happiness, or the potential for

0:32:24.080 --> 0:32:27.360
<v Speaker 1>happiness or the potential to grow new bonds. It's the

0:32:27.400 --> 0:32:30.880
<v Speaker 1>hard ways, which Hardway's is like something to be taken from.

0:32:30.920 --> 0:32:33.160
<v Speaker 1>This is Joel in his element. This is Jewel doing

0:32:33.320 --> 0:32:38.400
<v Speaker 1>the thing that he is comfortable doing, and that's dealing

0:32:38.440 --> 0:32:43.760
<v Speaker 1>out pain to people, and it's not daring the cost himself,

0:32:43.800 --> 0:32:47.800
<v Speaker 1>bearing the cost on his own body. Ellie comes to

0:32:48.080 --> 0:32:50.320
<v Speaker 1>in a holding cell. David is there. He's been watching

0:32:50.320 --> 0:32:54.400
<v Speaker 1>her sleep and he's like, listen, I'm the only thing

0:32:54.480 --> 0:32:57.680
<v Speaker 1>keeping you from being torn apart by my followers. They

0:32:57.720 --> 0:33:00.840
<v Speaker 1>want to kill you. But I'm tears saying no, no, no,

0:33:00.920 --> 0:33:05.040
<v Speaker 1>let's give her a chance. Uh so, why don't you

0:33:05.080 --> 0:33:06.840
<v Speaker 1>just tell me your name? And she's like eat shit.

0:33:08.360 --> 0:33:11.520
<v Speaker 1>David really really wants Ellie to join up, and he

0:33:11.760 --> 0:33:14.560
<v Speaker 1>keeps on pitching this story about I can protect you.

0:33:14.640 --> 0:33:16.440
<v Speaker 1>He's offering her a new life. He's like, listen that

0:33:17.120 --> 0:33:19.960
<v Speaker 1>whatever you did before your life is before this day.

0:33:20.920 --> 0:33:24.680
<v Speaker 1>It's over. Your relationship with that man. That's done. It's

0:33:24.680 --> 0:33:26.080
<v Speaker 1>coming to an end. This is your new life at

0:33:26.120 --> 0:33:30.760
<v Speaker 1>starting right now. Back at the town, joel Is continues

0:33:30.800 --> 0:33:34.360
<v Speaker 1>to go full jowel Is. He takes out two more

0:33:34.400 --> 0:33:36.960
<v Speaker 1>of David's men. He takes some captive, drags him to

0:33:37.000 --> 0:33:41.840
<v Speaker 1>a house, and tortures them until they point out. One

0:33:41.880 --> 0:33:44.280
<v Speaker 1>of them points out where Ellie is on a map.

0:33:44.720 --> 0:33:47.160
<v Speaker 1>Then he kills that guy, and then he picks up

0:33:47.160 --> 0:33:50.360
<v Speaker 1>a pipe and he beats the fucking other guy's brains in.

0:33:50.480 --> 0:33:52.960
<v Speaker 2>Yeah, this is this is one of those moments where

0:33:52.960 --> 0:33:56.280
<v Speaker 2>I just think we're constantly blown away by Petra. He's

0:33:56.320 --> 0:33:58.960
<v Speaker 2>such a brilliant act a light. We've seen him. We've

0:33:58.960 --> 0:34:02.800
<v Speaker 2>seen how brilliant he is in The Mandlurian. We've seen

0:34:02.840 --> 0:34:09.560
<v Speaker 2>this kind of quiet, stoic, tortured man that he can

0:34:09.640 --> 0:34:12.880
<v Speaker 2>be in the Last of Us. He's also brilliant comic actor.

0:34:12.960 --> 0:34:15.080
<v Speaker 2>You know, we've seen so many brilliant sights to him.

0:34:15.680 --> 0:34:21.360
<v Speaker 2>But there is such a determination and violence in this sequence,

0:34:21.480 --> 0:34:23.480
<v Speaker 2>like he is going to pop a man's kneecap off

0:34:23.600 --> 0:34:24.200
<v Speaker 2>with his knife.

0:34:24.239 --> 0:34:28.520
<v Speaker 1>There's a comfort too that easy, specifically the way he

0:34:28.760 --> 0:34:31.560
<v Speaker 1>like when he jams that his knife into the into

0:34:31.600 --> 0:34:34.000
<v Speaker 1>the you know, right behind the guy's Kneecappin says I'm

0:34:34.040 --> 0:34:36.960
<v Speaker 1>just gonna pop it off. You understand in that moment

0:34:37.000 --> 0:34:41.120
<v Speaker 1>that Jewel's done all this before. So he's done this.

0:34:41.320 --> 0:34:44.359
<v Speaker 1>He's gotten people to tell them the thing that they

0:34:44.440 --> 0:34:45.799
<v Speaker 1>don't want to tell.

0:34:45.920 --> 0:34:49.680
<v Speaker 2>It's a routine, and it makes so much of the

0:34:49.960 --> 0:34:54.359
<v Speaker 2>earlier episodes makes sense. I mean, imagine how uncomfortable it

0:34:54.520 --> 0:34:59.280
<v Speaker 2>was for him to sit with Bill at the house

0:34:59.760 --> 0:35:02.520
<v Speaker 2>and pretend to be civil when he knew that what

0:35:02.600 --> 0:35:06.680
<v Speaker 2>he could really do was killed Bill and take what

0:35:06.719 --> 0:35:09.560
<v Speaker 2>he wanted. You know, this is the way that Joel

0:35:09.640 --> 0:35:12.319
<v Speaker 2>gets things, and to see him I thought it was

0:35:12.800 --> 0:35:18.120
<v Speaker 2>really one. As game players will know, this was needed

0:35:18.360 --> 0:35:20.879
<v Speaker 2>in the series to show what Joel could do because

0:35:20.960 --> 0:35:23.600
<v Speaker 2>Joel is not going to stop doing this and we

0:35:23.680 --> 0:35:26.000
<v Speaker 2>needed to understand that because we have not seen this

0:35:26.080 --> 0:35:29.839
<v Speaker 2>kind of explosion of violence from him in this way yet.

0:35:30.520 --> 0:35:34.239
<v Speaker 2>And that moment where the guy tells him, you know,

0:35:34.280 --> 0:35:36.520
<v Speaker 2>he's in agony. He points out the map and this

0:35:36.680 --> 0:35:39.720
<v Speaker 2>kind of with the knife on the blood on the knife,

0:35:39.960 --> 0:35:42.400
<v Speaker 2>Joel just kills him and that's when his friend realizes,

0:35:42.440 --> 0:35:44.560
<v Speaker 2>oh shit, I'm gonna die and he.

0:35:44.640 --> 0:35:46.040
<v Speaker 1>And the guy and the guy begs for his life.

0:35:46.080 --> 0:35:48.399
<v Speaker 1>He's like, why did you do that, Yeah, you.

0:35:48.320 --> 0:35:50.399
<v Speaker 2>Told it, but he did, yeah, And I think Joel

0:35:50.440 --> 0:35:53.560
<v Speaker 2>says something like he's like, don't worry, he did tell me.

0:35:53.640 --> 0:35:55.040
<v Speaker 2>And then he just beats his head in with a

0:35:55.040 --> 0:35:58.680
<v Speaker 2>pipe and it is just like this, something is flicked

0:35:58.680 --> 0:36:02.960
<v Speaker 2>a switch in his head. And Ellie is Sarah. Sarah

0:36:03.080 --> 0:36:04.520
<v Speaker 2>is Ellie. Ellie is his door.

0:36:05.239 --> 0:36:06.120
<v Speaker 1>Sarah is his door.

0:36:06.280 --> 0:36:10.280
<v Speaker 2>This is you fucked up, and there's no going back.

0:36:11.360 --> 0:36:23.120
<v Speaker 1>X ray vision will be back, and we're back. We

0:36:23.160 --> 0:36:26.200
<v Speaker 1>go back to Ellie. She's alone in the case. She's

0:36:26.200 --> 0:36:28.560
<v Speaker 1>trying her darnness to escape. She's trying to unscrew little

0:36:28.600 --> 0:36:34.160
<v Speaker 1>pieces of the fencing of the gate hardware itself. And

0:36:34.239 --> 0:36:37.439
<v Speaker 1>as she's doing that, she sees something across the room

0:36:37.480 --> 0:36:41.600
<v Speaker 1>that absolutely shakes her. She goes white. And that's when

0:36:41.680 --> 0:36:44.480
<v Speaker 1>David comes in with a tray of food. He slides

0:36:44.520 --> 0:36:48.400
<v Speaker 1>this food under the cage and then we see what

0:36:48.560 --> 0:36:50.960
<v Speaker 1>Ellie is terrified of. This is like this smear of

0:36:51.040 --> 0:36:55.759
<v Speaker 1>blood on the floor and a human ear. And David

0:36:56.080 --> 0:37:00.840
<v Speaker 1>realizes he's caught, you know, to a certain degree, you know,

0:37:00.880 --> 0:37:05.000
<v Speaker 1>for what it's worth, this is just dear meat, I swear, yeah, and.

0:37:04.960 --> 0:37:07.520
<v Speaker 2>Then he and then he switches tactics. This is how

0:37:07.640 --> 0:37:10.520
<v Speaker 2>which is this man is a master manipulator. He's like, now,

0:37:10.560 --> 0:37:12.160
<v Speaker 2>I'm just gonna kind of make a joke about it.

0:37:12.200 --> 0:37:14.640
<v Speaker 2>This is dear meat, like, I'm giving you the good stuff.

0:37:14.680 --> 0:37:15.240
<v Speaker 2>Don't worry.

0:37:15.280 --> 0:37:17.680
<v Speaker 1>This is when. This is when the true grooming really

0:37:17.680 --> 0:37:20.640
<v Speaker 1>takes place. He's like, hey, listen, I'm letting you in.

0:37:22.200 --> 0:37:25.240
<v Speaker 1>You're in the inner circle. Now only a few people know.

0:37:25.440 --> 0:37:27.400
<v Speaker 2>That we're eating pop and what is there?

0:37:28.239 --> 0:37:30.399
<v Speaker 1>Yeah, you join us and you're gonna be part of that.

0:37:30.440 --> 0:37:31.720
<v Speaker 1>You're gonna this is.

0:37:31.600 --> 0:37:35.360
<v Speaker 2>So scary because this is the ultimate first step of

0:37:35.440 --> 0:37:37.560
<v Speaker 2>any kind of grooming and any kind of behavior that

0:37:37.560 --> 0:37:39.200
<v Speaker 2>you don't want a kid to follow, which is an

0:37:39.239 --> 0:37:42.560
<v Speaker 2>adult telling a kid I know something secret and you

0:37:42.600 --> 0:37:45.719
<v Speaker 2>can't tell anyone. This will be our secret. So they

0:37:45.760 --> 0:37:48.840
<v Speaker 2>do this here, but they pose it as him telling

0:37:48.880 --> 0:37:52.120
<v Speaker 2>her about them being cannibals, but we know what it

0:37:52.200 --> 0:37:55.000
<v Speaker 2>really is. He's bringing her into his confidence. He wants

0:37:55.000 --> 0:37:57.040
<v Speaker 2>her to feel like she owes him. He wants her

0:37:57.080 --> 0:37:59.840
<v Speaker 2>to feel like there is something she knows that nobody

0:37:59.840 --> 0:38:02.600
<v Speaker 2>else knows. It's so creepy and so well done.

0:38:05.239 --> 0:38:08.239
<v Speaker 1>He says, listen, I'm not proud of the fact that

0:38:08.320 --> 0:38:13.440
<v Speaker 1>we're cannibals. But but you also get the sense that

0:38:15.040 --> 0:38:17.839
<v Speaker 1>he'll do anything to keep himself in control. Oh yeah,

0:38:17.920 --> 0:38:21.440
<v Speaker 1>of his group. That's what this is all. Really, it's

0:38:21.520 --> 0:38:24.920
<v Speaker 1>not about surviving this, it's just about control. It's about

0:38:24.960 --> 0:38:29.959
<v Speaker 1>maintaining his iron control over the people that fall under

0:38:29.960 --> 0:38:33.880
<v Speaker 1>his sway and using them to satisfy himself.

0:38:34.120 --> 0:38:37.680
<v Speaker 2>However, exactly, I also think it's really important to point out,

0:38:37.719 --> 0:38:41.560
<v Speaker 2>like one, eating you know, scientifically people know that eating

0:38:41.640 --> 0:38:44.000
<v Speaker 2>human meat makes people sick because you're not supposed to

0:38:44.040 --> 0:38:47.000
<v Speaker 2>do it. You can catch brain infections, things like kuu whatever.

0:38:47.480 --> 0:38:50.640
<v Speaker 2>So he's not really protecting people. And the bigger issue

0:38:50.719 --> 0:38:54.640
<v Speaker 2>here as we talk about grooming is consent. David admits

0:38:54.880 --> 0:38:57.279
<v Speaker 2>that most people who are eating the meat do not know.

0:38:57.719 --> 0:38:59.759
<v Speaker 2>He did not go out of his way to tell them.

0:38:59.760 --> 0:39:02.360
<v Speaker 2>He'd not pose this as some kind of democratic solution.

0:39:03.239 --> 0:39:05.240
<v Speaker 2>Let's be real, in a post apocalypse, you're.

0:39:05.719 --> 0:39:07.520
<v Speaker 1>Do what you have and also at least you do

0:39:07.719 --> 0:39:10.319
<v Speaker 1>bring it up exactly, hey, what do we think, what

0:39:10.320 --> 0:39:11.360
<v Speaker 1>do we think should.

0:39:11.160 --> 0:39:14.920
<v Speaker 2>We do this? And also as well, realistically in Cannibal,

0:39:15.640 --> 0:39:18.360
<v Speaker 2>in a post apocalyptic situation, there would actually probably be

0:39:18.400 --> 0:39:21.440
<v Speaker 2>many cannibals. There might even be a cannibal black market

0:39:21.480 --> 0:39:23.800
<v Speaker 2>of meat and jerky and all different kinds of things.

0:39:24.400 --> 0:39:27.120
<v Speaker 2>But David doesn't care. He doesn't want to democratize it,

0:39:27.200 --> 0:39:30.560
<v Speaker 2>doesn't want to have a conversation. It's about manipulating people.

0:39:30.640 --> 0:39:33.720
<v Speaker 2>It's about making people do something that is so taboo,

0:39:33.880 --> 0:39:37.520
<v Speaker 2>so horrific, and keeping it from them. This is all

0:39:37.600 --> 0:39:41.120
<v Speaker 2>part of his game. He enjoys. I mean, look, also,

0:39:41.200 --> 0:39:43.879
<v Speaker 2>let's be real, do we really think all the deer's gone.

0:39:43.920 --> 0:39:45.920
<v Speaker 2>I don't think so. Ellie found one so easily.

0:39:46.200 --> 0:39:47.160
<v Speaker 1>Yeah, you know, this is.

0:39:47.600 --> 0:39:50.200
<v Speaker 2>This is control. But this is something that he is

0:39:50.440 --> 0:39:53.920
<v Speaker 2>choosing to do because he enjoys it. And he kind

0:39:53.960 --> 0:39:55.919
<v Speaker 2>of gets into that as he as he keeps trying

0:39:55.920 --> 0:39:57.720
<v Speaker 2>to groom early, and.

0:39:57.600 --> 0:40:00.000
<v Speaker 1>He keeps saying, you know, you're you're a natural leader,

0:40:00.200 --> 0:40:04.600
<v Speaker 1>you're smart, you're loyal, And then he says, you know,

0:40:04.600 --> 0:40:06.759
<v Speaker 1>I've always had a violent heart. I struggled with it,

0:40:06.800 --> 0:40:09.120
<v Speaker 1>but then the world ended and I was shown the truth.

0:40:09.640 --> 0:40:14.319
<v Speaker 1>And here you you really get the sense that he's

0:40:14.360 --> 0:40:17.680
<v Speaker 1>actually coming clean on a certain level. He is actually

0:40:17.680 --> 0:40:19.479
<v Speaker 1>telling her a secret that the rest of the group

0:40:19.520 --> 0:40:22.600
<v Speaker 1>doesn't know. The rest of the group thinks, uh, you know,

0:40:22.719 --> 0:40:27.040
<v Speaker 1>after the fall of the world, David found God. No David,

0:40:27.360 --> 0:40:29.719
<v Speaker 1>but David's God is the cordysteps and he says, look

0:40:29.719 --> 0:40:32.520
<v Speaker 1>at look at the way. First of all, it's it won.

0:40:33.239 --> 0:40:35.600
<v Speaker 1>And look at the way it won. It's fruitful. It

0:40:35.680 --> 0:40:38.360
<v Speaker 1>multiplies all over the place. It protects itself, it protects

0:40:38.360 --> 0:40:42.000
<v Speaker 1>its children, and it secures its future through violence. Uh.

0:40:42.040 --> 0:40:43.839
<v Speaker 1>And Ellie's like, why are you telling me all this?

0:40:44.760 --> 0:40:47.799
<v Speaker 1>Because you can handle it the way the others can't

0:40:48.000 --> 0:40:51.239
<v Speaker 1>now and you know. He then tells her like, oh,

0:40:51.280 --> 0:40:53.680
<v Speaker 1>I see this an equal you know we're going to

0:40:53.719 --> 0:40:59.800
<v Speaker 1>be partners in this. Ellie asks about Joel, and David says,

0:41:00.400 --> 0:41:02.520
<v Speaker 1>you know, I can I can tell the others to

0:41:02.560 --> 0:41:04.480
<v Speaker 1>stop looking for him. They'd spare him. They do that.

0:41:04.760 --> 0:41:06.920
<v Speaker 1>I have that kind of poll I can do that.

0:41:07.360 --> 0:41:10.440
<v Speaker 1>He places his hand on the bars. Think of what

0:41:10.440 --> 0:41:13.000
<v Speaker 1>we could do together. We could make this place perfect,

0:41:13.000 --> 0:41:16.080
<v Speaker 1>and she moves towards him place. He places his hand

0:41:16.120 --> 0:41:21.480
<v Speaker 1>on hers. Imagine the life we could build. And Ellie says, whoa,

0:41:21.600 --> 0:41:25.359
<v Speaker 1>and then bends his finger back and breaks it. Yes,

0:41:26.000 --> 0:41:30.360
<v Speaker 1>he's stunned. She snaps it. There's a satisfying little pop

0:41:30.440 --> 0:41:33.839
<v Speaker 1>too in the in the in the in the sound mix.

0:41:34.239 --> 0:41:37.680
<v Speaker 1>And then she as he is stunned and kind of

0:41:37.719 --> 0:41:41.960
<v Speaker 1>dealing with this immediate pain, she is trying to grab

0:41:42.080 --> 0:41:48.239
<v Speaker 1>the keys off his belt. He grabs her, knocks her

0:41:48.280 --> 0:41:51.919
<v Speaker 1>head into the bar's concussion number two and she goes

0:41:51.960 --> 0:41:54.880
<v Speaker 1>down and he says, you, let's see what I go

0:41:54.960 --> 0:41:58.400
<v Speaker 1>tell the others. Now this petulant side, now the anger

0:41:58.480 --> 0:42:00.600
<v Speaker 1>coming out. And Ellie says, like, I'm you can tell

0:42:00.640 --> 0:42:03.800
<v Speaker 1>that I'm the little girl who broke your fucking finger. Meanwhile,

0:42:03.960 --> 0:42:09.960
<v Speaker 1>Joel one of the great performances through injury in the

0:42:10.000 --> 0:42:17.520
<v Speaker 1>history of of of sports and performance. He's like Michael

0:42:17.560 --> 0:42:21.680
<v Speaker 1>Jordan's flu game. He's got a gut full of penicillin,

0:42:22.239 --> 0:42:25.040
<v Speaker 1>a stab wound in his abdom but he's going for it, folks.

0:42:25.080 --> 0:42:27.320
<v Speaker 1>He manages to make it a silver lake. He breaks

0:42:27.360 --> 0:42:31.600
<v Speaker 1>into what turns out to be the storehouse that the

0:42:31.600 --> 0:42:33.840
<v Speaker 1>group is using, and he finds some of Ellie's stuff

0:42:34.120 --> 0:42:36.600
<v Speaker 1>and he knows that she's there, uh. And then he

0:42:36.640 --> 0:42:38.640
<v Speaker 1>looks in the other room he sees their horse, May

0:42:38.719 --> 0:42:41.959
<v Speaker 1>she rest in peace. And then he turns the corner

0:42:42.000 --> 0:42:44.520
<v Speaker 1>and sees some boats and then just pass the boats,

0:42:44.560 --> 0:42:47.200
<v Speaker 1>he sees a couple of headless corpses that are just

0:42:47.280 --> 0:42:53.120
<v Speaker 1>hanging waiting to be butchered. Oh shit. Meanwhile, David and

0:42:53.200 --> 0:42:56.160
<v Speaker 1>James drag ally out of their cage and they're about

0:42:56.160 --> 0:42:59.120
<v Speaker 1>to cut her up for real, like that, this is about.

0:42:58.920 --> 0:43:01.160
<v Speaker 2>To Yeah, this is we didn't talk about this yet either,

0:43:01.200 --> 0:43:03.120
<v Speaker 2>like one of my favorite things about this episode. So

0:43:03.160 --> 0:43:06.759
<v Speaker 2>they're in the steakhouse, right, this old restaurant, and they

0:43:06.760 --> 0:43:11.239
<v Speaker 2>actually it's this brilliant piece of production design that outside

0:43:11.280 --> 0:43:15.120
<v Speaker 2>Ellie's cage there's this huge wooden kind of butchering table

0:43:15.200 --> 0:43:19.360
<v Speaker 2>that's just covered in little bloody nicks and it's so horrific,

0:43:19.480 --> 0:43:21.960
<v Speaker 2>but it's so mundane in the context of being in

0:43:22.000 --> 0:43:25.320
<v Speaker 2>this butchering steakhouse until you realize what they've been butchering

0:43:25.360 --> 0:43:27.440
<v Speaker 2>on it and they're putting on her and I guess

0:43:27.560 --> 0:43:29.920
<v Speaker 2>she's fighting them, I think that, and that's when she

0:43:30.000 --> 0:43:34.239
<v Speaker 2>bites him, right, yes, he picks up the cleaver and

0:43:34.280 --> 0:43:36.720
<v Speaker 2>she bites him and she's fighting her life.

0:43:37.320 --> 0:43:39.600
<v Speaker 1>And as they are about to bring this cleaver down

0:43:40.000 --> 0:43:43.160
<v Speaker 1>and start cutting her up, she screams, I'm infected and

0:43:43.200 --> 0:43:45.320
<v Speaker 1>now so are you, and David looks at the bite, saying,

0:43:46.200 --> 0:43:47.920
<v Speaker 1>she's like, hey, roll up my sleeve, take a look

0:43:47.960 --> 0:43:51.520
<v Speaker 1>at this, and they see the trademark. Cordy steps looking

0:43:51.640 --> 0:43:54.439
<v Speaker 1>kind of scar but it's also it's weird, right, it's

0:43:54.480 --> 0:43:59.359
<v Speaker 1>clearly healed, and James is clearly absolutely fucking freaked out.

0:43:59.400 --> 0:44:02.080
<v Speaker 1>He's freaking out, and Dave is like, but yeah, but

0:44:02.120 --> 0:44:03.920
<v Speaker 1>this doesn't make sense. She hasn't turned. She would have

0:44:03.920 --> 0:44:08.520
<v Speaker 1>turned already. And then suddenly, in this moment of confusion,

0:44:08.600 --> 0:44:13.239
<v Speaker 1>it's this is really great. Like if this is just

0:44:13.280 --> 0:44:16.400
<v Speaker 1>a well paced scene where you don't know, like you know,

0:44:16.480 --> 0:44:19.520
<v Speaker 1>usually if something like this has not done well, the

0:44:19.600 --> 0:44:22.160
<v Speaker 1>distraction is very obvious. It seems like there's too much time.

0:44:22.440 --> 0:44:27.480
<v Speaker 1>Ellie just strikes and she grabs the cleaver boom right

0:44:27.480 --> 0:44:30.799
<v Speaker 1>into James's head. James is now dead, uh, and then

0:44:30.840 --> 0:44:34.040
<v Speaker 1>she flees as David is shooting at her. Ellie finds

0:44:34.040 --> 0:44:37.239
<v Speaker 1>herself in the restaurant of the old resort, and for

0:44:37.360 --> 0:44:41.040
<v Speaker 1>people who've played the game, they recognize this setting and

0:44:41.080 --> 0:44:45.560
<v Speaker 1>they recognize this boss battle. I think, for me, probably

0:44:45.600 --> 0:44:48.239
<v Speaker 1>the hardest, it's the hottest actual fight, and for me,

0:44:48.320 --> 0:44:51.080
<v Speaker 1>the hardest fight in the game. Just because I mean,

0:44:51.120 --> 0:44:55.040
<v Speaker 1>it was one very very scary and to that this

0:44:55.160 --> 0:45:00.480
<v Speaker 1>boss incongruously for what the game is just like had

0:45:01.480 --> 0:45:03.360
<v Speaker 1>like clicker level headpoints.

0:45:03.560 --> 0:45:06.640
<v Speaker 2>That's yea, even though he's just a human, just a guy.

0:45:08.520 --> 0:45:11.960
<v Speaker 1>So uh. Ellie now finds herself in the restaurant. She

0:45:12.120 --> 0:45:15.320
<v Speaker 1>arms herself with like a smoldering log. She throws it.

0:45:15.320 --> 0:45:17.520
<v Speaker 1>It lights the building on fire. Now it's starting to

0:45:17.600 --> 0:45:21.759
<v Speaker 1>go up. Uh. And meanwhile, David is completely unfazed by

0:45:21.800 --> 0:45:24.400
<v Speaker 1>the fact that his this place is burning down all

0:45:24.440 --> 0:45:26.720
<v Speaker 1>around him, and he is calling to her. He's talking

0:45:26.719 --> 0:45:29.960
<v Speaker 1>to her in this creepy way. He's just obsessed like Boston,

0:45:30.040 --> 0:45:32.400
<v Speaker 1>that this is just like the fight in the in

0:45:32.440 --> 0:45:35.279
<v Speaker 1>the video game. And he's saying, you know, you know,

0:45:35.320 --> 0:45:40.600
<v Speaker 1>he's like calling her name. The fire is spreading. Uh.

0:45:41.280 --> 0:45:43.040
<v Speaker 1>He's he tells her he's going to keep her, you know,

0:45:43.160 --> 0:45:45.239
<v Speaker 1>like now you know what, no one's gonna die. I

0:45:45.280 --> 0:45:46.799
<v Speaker 1>was gonna kill you, You're not going to die now

0:45:46.800 --> 0:45:48.439
<v Speaker 1>now I'm going to keep you. I'm going to teach you.

0:45:48.840 --> 0:45:51.640
<v Speaker 1>And he's saying all these really horrendous things to her.

0:45:52.680 --> 0:45:55.680
<v Speaker 1>She lunges. When his back is turned, he swings the cleaver.

0:45:55.840 --> 0:45:58.200
<v Speaker 1>She gets below it stabs him in the side. He

0:45:58.320 --> 0:46:02.240
<v Speaker 1>is leaking. He's really hurt now, but Ellie is also stunned.

0:46:02.680 --> 0:46:06.120
<v Speaker 1>This is her now her third concussion after being knocked

0:46:06.160 --> 0:46:08.320
<v Speaker 1>out for like, you know, an hour and a half

0:46:08.320 --> 0:46:11.919
<v Speaker 1>of something. He then climbs on top of her. He's

0:46:12.080 --> 0:46:15.839
<v Speaker 1>he's choking her. He's clearly going to assault her. He says, Oh,

0:46:15.840 --> 0:46:17.839
<v Speaker 1>I thought you already knew. The fighting is the part

0:46:17.920 --> 0:46:18.920
<v Speaker 1>I like the most.

0:46:19.040 --> 0:46:20.960
<v Speaker 2>And he's saying, really, He's like, you don't need to

0:46:21.000 --> 0:46:23.439
<v Speaker 2>be scared of my love, my love, it's love.

0:46:23.520 --> 0:46:26.000
<v Speaker 1>You don't need to be here a real guy, you know,

0:46:26.400 --> 0:46:29.760
<v Speaker 1>all the artifice, all the kind of like this good

0:46:30.160 --> 0:46:35.680
<v Speaker 1>warm smiles and Bible verses. Here is the real guy

0:46:35.960 --> 0:46:36.359
<v Speaker 1>he is.

0:46:36.880 --> 0:46:37.680
<v Speaker 2>This is who he wants.

0:46:38.560 --> 0:46:40.120
<v Speaker 1>He really is what he enjoys.

0:46:40.160 --> 0:46:41.799
<v Speaker 2>This is what he lives for. This is why he

0:46:41.840 --> 0:46:44.560
<v Speaker 2>thinks everything happens for a reason, because he's set himself

0:46:44.600 --> 0:46:46.840
<v Speaker 2>up in a society where he can do this again

0:46:46.920 --> 0:46:48.920
<v Speaker 2>and again and again, or so he thinks.

0:46:49.760 --> 0:46:53.440
<v Speaker 1>What's so insidious and evil about this guy is that

0:46:53.600 --> 0:46:58.359
<v Speaker 1>he knows that even in this fucked up world, the

0:46:58.400 --> 0:47:02.880
<v Speaker 1>things that he wants will not be accepted by people.

0:47:03.160 --> 0:47:07.960
<v Speaker 1>So he has to use the things that are accepted

0:47:07.960 --> 0:47:11.919
<v Speaker 1>by people to get control of them so he can

0:47:11.960 --> 0:47:15.000
<v Speaker 1>get the things that he wants. He understands this is

0:47:15.040 --> 0:47:17.279
<v Speaker 1>all put on to him so that he can get

0:47:17.360 --> 0:47:21.520
<v Speaker 1>to this moment where he's taking whatever he wants from whoever.

0:47:22.280 --> 0:47:27.040
<v Speaker 1>And then in that moment, Ellie just snaps. She grabs

0:47:27.040 --> 0:47:31.279
<v Speaker 1>a cleaver, stabs him with it, and then proceeds to

0:47:31.360 --> 0:47:34.360
<v Speaker 1>chop him up for like a solid five second like

0:47:34.360 --> 0:47:37.200
<v Speaker 1>at least she chopping him up.

0:47:37.320 --> 0:47:39.680
<v Speaker 2>This is like directly from the game too, like she

0:47:39.880 --> 0:47:43.040
<v Speaker 2>is chopping him to the feet from the game like pieces,

0:47:43.320 --> 0:47:47.040
<v Speaker 2>she's getting covered in blood again in the game. We

0:47:47.080 --> 0:47:51.600
<v Speaker 2>have seen Ellie more decisively murder people before this, but

0:47:51.800 --> 0:47:55.879
<v Speaker 2>this is a very smart choice to essentially have her

0:47:55.960 --> 0:48:02.120
<v Speaker 2>first real kill be this huge ex explosion of violence

0:48:02.200 --> 0:48:06.160
<v Speaker 2>that is vengeful, that is righteous, that is horrific.

0:48:06.080 --> 0:48:09.320
<v Speaker 1>It's absolutely right. You know what could be more righteous, yeah,

0:48:09.400 --> 0:48:12.520
<v Speaker 1>than defending your own life and body. And she's doing

0:48:12.560 --> 0:48:15.600
<v Speaker 1>it in this moment and in a state that you know,

0:48:15.640 --> 0:48:17.840
<v Speaker 1>you can imagine the adrenaline that's running through and not

0:48:17.960 --> 0:48:22.960
<v Speaker 1>to mention, as we you know, mentioned several times she's

0:48:23.000 --> 0:48:26.920
<v Speaker 1>she's had Yeah, she's not like, she's not okay, you know,

0:48:27.040 --> 0:48:30.439
<v Speaker 1>she's not fully with it. It is just truly fight

0:48:30.520 --> 0:48:33.000
<v Speaker 1>or flight, and she chooses fight and she chops the

0:48:33.000 --> 0:48:37.000
<v Speaker 1>ship out of this guy. She flees, goes outside the

0:48:37.000 --> 0:48:41.520
<v Speaker 1>burning restaurant and Joel finds her, grabs her from behind.

0:48:41.600 --> 0:48:44.919
<v Speaker 1>She's still in fight mode, but he says, look, it's

0:48:44.960 --> 0:48:46.800
<v Speaker 1>it's me. It's me, it's me, and then they embrace

0:48:46.840 --> 0:48:49.359
<v Speaker 1>and he says it's okay, baby girl. And you get

0:48:49.360 --> 0:48:55.520
<v Speaker 1>this the final like it feels like a stone in

0:48:55.560 --> 0:48:59.239
<v Speaker 1>this bridge between them. You know that it truly a

0:48:59.360 --> 0:49:03.360
<v Speaker 1>father and adder kind of relationship. Now the father she

0:49:03.520 --> 0:49:06.200
<v Speaker 1>never had, the daughter that he lost, and you feel

0:49:06.239 --> 0:49:11.200
<v Speaker 1>that like has been built now and through these horrible circumstances.

0:49:11.239 --> 0:49:17.160
<v Speaker 1>And then they head off together. What a terrifying and

0:49:17.640 --> 0:49:22.120
<v Speaker 1>really disconcerting and powerful, really powerful episode.

0:49:22.200 --> 0:49:24.280
<v Speaker 2>Definitely the most horrifying episode.

0:49:24.360 --> 0:49:30.160
<v Speaker 1>Yeah oh yeah yeah, and it really like, first of all,

0:49:30.480 --> 0:49:36.040
<v Speaker 1>an incredible performance by Scott Shepherds, where you really, you

0:49:36.080 --> 0:49:40.879
<v Speaker 1>know that feeling of if it's too good to be true,

0:49:40.960 --> 0:49:44.160
<v Speaker 1>it must be he the you know, the way he speaks,

0:49:44.840 --> 0:49:50.240
<v Speaker 1>his pattern, the way he would only show his rage

0:49:51.040 --> 0:49:54.440
<v Speaker 1>a few times, his secrecy, and yet like here he

0:49:54.640 --> 0:49:58.080
<v Speaker 1>is this, this man of God who's so secretive. This

0:49:58.560 --> 0:50:01.759
<v Speaker 1>is a great performance in a really, really eerie performance.

0:50:02.320 --> 0:50:06.480
<v Speaker 1>And I do like the way this show and series

0:50:06.520 --> 0:50:09.040
<v Speaker 1>has been structured, much like the game, where we go

0:50:09.120 --> 0:50:13.319
<v Speaker 1>to a place, you know, we vanquish it, we move on,

0:50:13.480 --> 0:50:15.759
<v Speaker 1>and then we never see these people again. But I

0:50:15.800 --> 0:50:18.880
<v Speaker 1>do I also wonder man it would have been. It

0:50:19.200 --> 0:50:22.399
<v Speaker 1>would be nice to have a villain, you know that

0:50:22.480 --> 0:50:27.320
<v Speaker 1>like pursues, but it is it's really created this interesting

0:50:27.480 --> 0:50:29.839
<v Speaker 1>tenor and tone and texture of this show where it's

0:50:29.920 --> 0:50:35.400
<v Speaker 1>like one horrifying existential obstacle after another.

0:50:35.800 --> 0:50:39.759
<v Speaker 2>Yeah. I also think there's such an interesting kind of

0:50:40.239 --> 0:50:45.680
<v Speaker 2>skill that the creative team have showcased here, which is,

0:50:45.680 --> 0:50:48.439
<v Speaker 2>you know, they created Kathleen as a new character, right,

0:50:49.280 --> 0:50:52.279
<v Speaker 2>and that is arguably our first big like, oh, the

0:50:52.280 --> 0:50:55.920
<v Speaker 2>most dangerous thing isn't the clickers, you know, it's the humans.

0:50:56.400 --> 0:51:00.600
<v Speaker 2>But it's such a different tone and tenor and story

0:51:01.040 --> 0:51:04.319
<v Speaker 2>to what we see with David, even though arguably you're

0:51:04.360 --> 0:51:07.040
<v Speaker 2>sending out the same message, and that to me, that

0:51:07.200 --> 0:51:11.440
<v Speaker 2>nuance between Kathleen still had a righteous vengeance of righteous

0:51:11.520 --> 0:51:15.440
<v Speaker 2>anger that she perceived and she knew she was lost

0:51:15.480 --> 0:51:18.080
<v Speaker 2>in it. There was a self awareness there that was

0:51:18.120 --> 0:51:20.560
<v Speaker 2>more of a tragic even though she was a horrific,

0:51:22.360 --> 0:51:26.120
<v Speaker 2>cold blooded killer in the end as we saw. It's

0:51:26.200 --> 0:51:28.879
<v Speaker 2>so interesting to me that you can do that storyline

0:51:29.160 --> 0:51:34.800
<v Speaker 2>and then three episodes later you can have another human antagonist,

0:51:34.880 --> 0:51:39.640
<v Speaker 2>but that is so different and so scary and so

0:51:39.880 --> 0:51:44.040
<v Speaker 2>completely evocative of a different kind of fear. And I

0:51:44.080 --> 0:51:46.319
<v Speaker 2>just think that is such a compliment to the way

0:51:46.320 --> 0:51:48.880
<v Speaker 2>they're telling these stories to be able to do that twice.

0:51:49.000 --> 0:51:50.480
<v Speaker 2>The Walking Dead would do that, but it would be

0:51:50.520 --> 0:51:51.520
<v Speaker 2>in different seasons.

0:51:51.920 --> 0:51:52.120
<v Speaker 1>You know.

0:51:52.200 --> 0:51:54.320
<v Speaker 2>This is one season where we go from someone like

0:51:54.400 --> 0:51:56.799
<v Speaker 2>Kathleen and then we meet David and we see a

0:51:56.880 --> 0:51:59.920
<v Speaker 2>completely different kind of person. And I think something that

0:52:00.160 --> 0:52:03.400
<v Speaker 2>I think you're totally right, Like the chapter narrative is

0:52:03.760 --> 0:52:06.759
<v Speaker 2>almost sequential in a way that you know, we talk

0:52:06.800 --> 0:52:09.160
<v Speaker 2>about that with Star Wars, like the story of a week.

0:52:09.400 --> 0:52:11.680
<v Speaker 2>Here it's the location of the week, which is very

0:52:11.719 --> 0:52:15.600
<v Speaker 2>much and then we move on exactly, and I it's

0:52:15.719 --> 0:52:20.160
<v Speaker 2>really interesting because definitely David is so scary and that

0:52:20.239 --> 0:52:25.279
<v Speaker 2>community is so horrifying, but so kind of interesting as

0:52:25.320 --> 0:52:28.040
<v Speaker 2>a psychological study. You could have had three or four

0:52:28.080 --> 0:52:31.439
<v Speaker 2>episodes there, you could have David be recurring, but that

0:52:32.239 --> 0:52:36.239
<v Speaker 2>narrative choice to just keep moving, to recognize that part

0:52:36.280 --> 0:52:38.960
<v Speaker 2>of the game where you kill someone, you leave, you

0:52:39.040 --> 0:52:40.719
<v Speaker 2>move on, you go to the next town. I think

0:52:40.760 --> 0:52:43.520
<v Speaker 2>it's quite a brave choice for prestige storytelling, and it

0:52:43.600 --> 0:52:49.200
<v Speaker 2>really is nice. I'm still every day surprised that they

0:52:49.280 --> 0:52:51.480
<v Speaker 2>chose to just do the game in nine episodes. And

0:52:51.520 --> 0:52:53.440
<v Speaker 2>it makes me so happy because you could have we

0:52:53.480 --> 0:52:56.759
<v Speaker 2>could have been just getting to Kathleen. They could have

0:52:56.760 --> 0:52:59.880
<v Speaker 2>milked it three seasons, you know, and I just I'm

0:53:00.040 --> 0:53:02.200
<v Speaker 2>always impressed by that choice, and I think it's really

0:53:02.920 --> 0:53:03.560
<v Speaker 2>paying off.

0:53:05.120 --> 0:53:10.160
<v Speaker 1>Yeah. I the other thing about this episode, you knew,

0:53:10.880 --> 0:53:13.960
<v Speaker 1>you know, I never asked myself where the fuck is everybody?

0:53:14.000 --> 0:53:18.400
<v Speaker 1>Else where the hell is? For one, the most of

0:53:18.760 --> 0:53:25.360
<v Speaker 1>David's like fighting men had been chewed up by this engagement,

0:53:25.520 --> 0:53:29.640
<v Speaker 1>you know, like had do you know, like Joel Cara. Yeah,

0:53:29.680 --> 0:53:33.080
<v Speaker 1>and then the rest of them, as we saw from James,

0:53:33.120 --> 0:53:39.440
<v Speaker 1>who was you know, in many ways David's closest confidant.

0:53:40.040 --> 0:53:46.160
<v Speaker 1>They were probably they were on some level waiting for

0:53:46.360 --> 0:53:49.440
<v Speaker 1>some sign that they don't have to do what this

0:53:49.520 --> 0:53:50.640
<v Speaker 1>guy is saying. Anymore.

0:53:50.719 --> 0:53:52.040
<v Speaker 2>Yeah, I can't.

0:53:51.840 --> 0:53:56.880
<v Speaker 1>Imagine that anybody coming. I think it was. It's actually

0:53:57.320 --> 0:54:01.080
<v Speaker 1>evocative of like his leadership style, that nobody is like

0:54:01.280 --> 0:54:04.399
<v Speaker 1>running towards this brain building to figure out like what's

0:54:04.480 --> 0:54:08.120
<v Speaker 1>gone wrong. Yeah, and I'm probably like, oh good, yeah,

0:54:08.320 --> 0:54:09.040
<v Speaker 1>And I know it's true.

0:54:09.080 --> 0:54:11.520
<v Speaker 2>And I think as well that for the women, the children,

0:54:11.640 --> 0:54:15.799
<v Speaker 2>the kind of the citizens, they're too scared. They don't

0:54:15.800 --> 0:54:18.120
<v Speaker 2>do anything unless he tells them to. And I actually

0:54:18.120 --> 0:54:20.360
<v Speaker 2>think that's really interesting, because you're right, it's evocative of

0:54:20.400 --> 0:54:24.640
<v Speaker 2>the leadership style. But also a lot of times when

0:54:24.719 --> 0:54:28.560
<v Speaker 2>men groom younger women and groom children groom teenagers, it's

0:54:28.600 --> 0:54:32.000
<v Speaker 2>because people their own age will not interact with them,

0:54:32.040 --> 0:54:36.000
<v Speaker 2>will not respect their behavior, their abusiveness. And I think

0:54:36.040 --> 0:54:40.759
<v Speaker 2>in that way as well, David knows that James doubts him,

0:54:40.800 --> 0:54:42.960
<v Speaker 2>he knows that these adult men are kind of turning

0:54:42.960 --> 0:54:45.600
<v Speaker 2>against him, so he's looking to Ellie. He's saying, we

0:54:45.680 --> 0:54:48.319
<v Speaker 2>can start something new. You can be my confidence. And

0:54:48.360 --> 0:54:50.840
<v Speaker 2>in that way it evokes that too. I thought the

0:54:50.880 --> 0:54:53.759
<v Speaker 2>writing on this was was so well done and so

0:54:53.960 --> 0:54:59.160
<v Speaker 2>kind of devastating and just horrific, but never in a

0:54:59.239 --> 0:55:03.319
<v Speaker 2>way that felt inauthentic. Like it felt true to who

0:55:03.560 --> 0:55:07.240
<v Speaker 2>David is in this show, and yeah, just wow and Bella,

0:55:07.360 --> 0:55:09.400
<v Speaker 2>Bella really going for that, Emmy. I feel like at

0:55:09.400 --> 0:55:12.560
<v Speaker 2>this point, once we get into like episode eight page obviously,

0:55:12.600 --> 0:55:14.640
<v Speaker 2>I mean, I feel like he's a shoeing after this.

0:55:18.239 --> 0:55:20.640
<v Speaker 1>Well up, next, let's go into nerd Out, and of

0:55:20.680 --> 0:55:23.080
<v Speaker 1>course we're going to continue our last of US coverage

0:55:24.320 --> 0:55:34.120
<v Speaker 1>right up until the finale. Stay tuned, yea.

0:55:34.880 --> 0:55:37.200
<v Speaker 2>In today's nerd Out, where you tell us what you

0:55:37.239 --> 0:55:40.040
<v Speaker 2>love and why, or share a theory that you're excited

0:55:40.040 --> 0:55:43.000
<v Speaker 2>about which you know we love theories, Seth offers an

0:55:43.040 --> 0:55:46.840
<v Speaker 2>intriguing Quantumania X Men crossover theory, which obviously we're incredibly

0:55:46.880 --> 0:55:49.120
<v Speaker 2>happy to share because we bloody love the X Men.

0:55:49.200 --> 0:55:51.920
<v Speaker 2>So Jason, I will allow you to do the honor.

0:55:54.480 --> 0:55:57.640
<v Speaker 1>Hello, Jason Rosie. Since watching ant Man in the Last Quantumedia,

0:55:57.680 --> 0:55:59.640
<v Speaker 1>I've been wondering about the rebels that we meet in

0:55:59.640 --> 0:56:01.160
<v Speaker 1>the quant Real. Is it just me or does it

0:56:01.200 --> 0:56:03.239
<v Speaker 1>feel like we have been introduced to the MC's version

0:56:03.239 --> 0:56:05.759
<v Speaker 1>of the X Men. Quaskads would be a code name

0:56:05.840 --> 0:56:09.439
<v Speaker 1>for Professor X. There's a Cyclops character who blasts energy

0:56:09.840 --> 0:56:12.440
<v Speaker 1>from his face, a character who uses blades and has

0:56:12.440 --> 0:56:15.520
<v Speaker 1>regeneration skills. And there's also a character that is a

0:56:15.600 --> 0:56:19.839
<v Speaker 1>blob Aka. I'm saying this not Seth. You know, I

0:56:19.840 --> 0:56:23.839
<v Speaker 1>immediately thought, oh, that's fucking glob hertman. Yeah. I would

0:56:23.880 --> 0:56:28.800
<v Speaker 1>love your thoughts, Seth. I think while I don't think

0:56:28.880 --> 0:56:31.200
<v Speaker 1>that those are the X men, I think you're onto

0:56:31.239 --> 0:56:36.600
<v Speaker 1>something in that the power set fuelks. Yeah, it did

0:56:36.640 --> 0:56:37.560
<v Speaker 1>feel very pointed.

0:56:37.880 --> 0:56:38.080
<v Speaker 2>Yeah.

0:56:38.280 --> 0:56:41.120
<v Speaker 1>Also, I mean when you in a Marvel context, when

0:56:41.120 --> 0:56:43.839
<v Speaker 1>you introduce a character who can read everybody's thoughts, like,

0:56:43.960 --> 0:56:45.640
<v Speaker 1>you know what, I think, you know what you're doing?

0:56:45.760 --> 0:56:47.720
<v Speaker 2>Yeah, And I think as well, something I was really

0:56:47.719 --> 0:56:50.160
<v Speaker 2>interested in. They talked a lot about this being a

0:56:50.239 --> 0:56:53.280
<v Speaker 2>kind of Wizard of Oz inspired story where they venture

0:56:53.320 --> 0:56:57.040
<v Speaker 2>into this alternate world, this kind of multiversel plane, you know,

0:56:57.120 --> 0:57:00.200
<v Speaker 2>the quantum realm being so in space and time. I

0:57:00.239 --> 0:57:03.279
<v Speaker 2>do wonder and I would love this, Seth. You inspired this.

0:57:03.280 --> 0:57:05.279
<v Speaker 2>I hadn't thought about this before, but maybe there's a

0:57:05.320 --> 0:57:09.440
<v Speaker 2>world where William Jackson Harper is our MCU Charles and

0:57:09.480 --> 0:57:12.279
<v Speaker 2>that was just an alternate universe version of him. You know,

0:57:12.360 --> 0:57:16.320
<v Speaker 2>in every universe he has the psychic powers. You know,

0:57:16.560 --> 0:57:19.000
<v Speaker 2>I think as well, I think it's really great that

0:57:19.080 --> 0:57:22.040
<v Speaker 2>you caught onto this, because the truth is they do

0:57:22.200 --> 0:57:25.320
<v Speaker 2>this for fans. They put these analogs in. They say, oh,

0:57:25.320 --> 0:57:27.960
<v Speaker 2>wouldn't it be fun if we had you know, Oh wait,

0:57:28.080 --> 0:57:31.480
<v Speaker 2>isn't this kind of like the Giant sized Crew? Like, oh,

0:57:31.480 --> 0:57:33.880
<v Speaker 2>what if we just added one more character? So I

0:57:34.000 --> 0:57:37.280
<v Speaker 2>love that. I don't necessarily think that those are going

0:57:37.360 --> 0:57:39.440
<v Speaker 2>to be the final versions, but I would love to

0:57:39.480 --> 0:57:42.880
<v Speaker 2>see a world where we get some kind of recognition

0:57:42.960 --> 0:57:46.520
<v Speaker 2>that perhaps this was some foreshadowing or seeding or some

0:57:46.640 --> 0:57:49.560
<v Speaker 2>multiversal plane. If not, I just want to see William

0:57:49.640 --> 0:57:51.640
<v Speaker 2>Jackson Harper come back again because I just think I

0:57:51.760 --> 0:57:54.040
<v Speaker 2>just put him in more stuff, and also him as Charles.

0:57:54.120 --> 0:57:57.080
<v Speaker 1>I would love to see it, actually, I think that

0:57:57.120 --> 0:57:59.840
<v Speaker 1>would be fantastic. Thank you so much, Seth. And of

0:57:59.840 --> 0:58:01.920
<v Speaker 1>course course, if you have any theories or passions you

0:58:01.920 --> 0:58:03.480
<v Speaker 1>want to share, hit us up at x ray at

0:58:03.480 --> 0:58:09.800
<v Speaker 1>crooked dot com instructions in the show notes. That's it

0:58:09.880 --> 0:58:12.320
<v Speaker 1>for us, Rosie any plugs plug blog blog, blub blub

0:58:12.320 --> 0:58:12.800
<v Speaker 1>blok blug.

0:58:12.840 --> 0:58:16.080
<v Speaker 2>You can read my last of US coverage at IGN.

0:58:16.680 --> 0:58:18.920
<v Speaker 2>I have some cool stuff coming up at Polygon. You

0:58:18.920 --> 0:58:20.960
<v Speaker 2>can check out my website Rosie Night dot com. Wait

0:58:21.000 --> 0:58:23.120
<v Speaker 2>can find all my work and read some cool comics.

0:58:24.440 --> 0:58:26.960
<v Speaker 2>I am Rosie Marx on a box and Instagram and

0:58:26.960 --> 0:58:28.720
<v Speaker 2>then obviously here twice a week.

0:58:31.480 --> 0:58:34.120
<v Speaker 1>Catch the next episode on Friday, March tenth for episode

0:58:34.160 --> 0:58:37.000
<v Speaker 1>two of The Mandalorian. And remember we are bringing you

0:58:37.040 --> 0:58:40.520
<v Speaker 1>to episodes a week every Wednesday and Friday on your

0:58:40.600 --> 0:58:45.560
<v Speaker 1>podcast deliverer of choice. That's where you can find us twice,

0:58:45.600 --> 0:58:49.720
<v Speaker 1>the Pedro Pascal twice, the babies twice, the Pedro escorting

0:58:49.840 --> 0:58:54.440
<v Speaker 1>children across a wasteland. Find us every Wednesday and Friday

0:58:54.560 --> 0:58:55.400
<v Speaker 1>in your ear.

0:58:55.240 --> 0:58:58.240
<v Speaker 2>Holes and if you want to see us with your

0:58:58.280 --> 0:59:01.560
<v Speaker 2>eyeballs as well as listen with your holes, you can

0:59:01.840 --> 0:59:06.000
<v Speaker 2>subscribe on YouTube. We have a very good amount of subscribers.

0:59:06.040 --> 0:59:08.760
<v Speaker 2>I'm very impressed as thanks to Jason and bringing that

0:59:09.160 --> 0:59:12.240
<v Speaker 2>channel over. So if you go there subscribe, you can

0:59:12.280 --> 0:59:15.120
<v Speaker 2>watch full episodes. Stiland does a great job with those.

0:59:15.760 --> 0:59:20.000
<v Speaker 2>Follow us at xrvpod on Twitter where we're always sharing

0:59:20.080 --> 0:59:22.480
<v Speaker 2>core stuff, retweeting a lot of Pedro Piscal love at

0:59:22.480 --> 0:59:25.720
<v Speaker 2>the moment, and check out a discord. You can meet

0:59:25.760 --> 0:59:28.160
<v Speaker 2>tons of amazing fans, all kinds of rad people there

0:59:28.160 --> 0:59:30.160
<v Speaker 2>talking about all kinds of rad stuff. Some of the

0:59:30.200 --> 0:59:32.160
<v Speaker 2>stuff is outside of the realm of X ray too,

0:59:32.200 --> 0:59:34.240
<v Speaker 2>So if you're a little bit of a newcomer to

0:59:34.280 --> 0:59:36.480
<v Speaker 2>the way we talk about, it's just a place to

0:59:36.520 --> 0:59:38.800
<v Speaker 2>hang out and there's all different kinds of conversations going

0:59:38.840 --> 0:59:40.920
<v Speaker 2>in there, and me and Jason are in there all

0:59:40.920 --> 0:59:43.200
<v Speaker 2>the time. It's linked to my letterbox, so there's a

0:59:43.200 --> 0:59:44.800
<v Speaker 2>whole channel where you can just laugh at all my

0:59:44.880 --> 0:59:46.800
<v Speaker 2>bad movies that I watch, which people have a lot

0:59:46.800 --> 0:59:52.240
<v Speaker 2>of fun doing. It's rather joyful. And of course, let's

0:59:52.520 --> 0:59:55.120
<v Speaker 2>not forget about the need for five star reviews.

0:59:55.640 --> 0:59:59.200
<v Speaker 1>Five star ratings, five star reviews. We gotta hell them,

0:59:59.280 --> 1:00:02.440
<v Speaker 1>we need them. We desperately plead for him. Every episode

1:00:02.440 --> 1:00:03.840
<v Speaker 1>you got to give him to us. Here's one from

1:00:03.920 --> 1:00:07.040
<v Speaker 1>jan Hart The Last of Us. I discovered your show

1:00:07.080 --> 1:00:09.120
<v Speaker 1>through Crooked Media and found the episode about the Last

1:00:09.120 --> 1:00:12.120
<v Speaker 1>of Us so good and informative. I watched the HBO episode,

1:00:12.320 --> 1:00:14.320
<v Speaker 1>then listen to your podcast, then go back and watch

1:00:14.320 --> 1:00:16.400
<v Speaker 1>the episode again with you guys. Five stars all around.

1:00:16.400 --> 1:00:17.240
<v Speaker 1>Thank you, Jay.

1:00:17.360 --> 1:00:18.440
<v Speaker 2>I watch Jacks.

1:00:19.640 --> 1:00:21.520
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:00:21.560 --> 1:00:23.280
<v Speaker 1>is produced by Chris Lord and Saul Rubin. The show

1:00:23.360 --> 1:00:26.320
<v Speaker 1>is executive produced by myself and Sandy Rhard are editing

1:00:26.320 --> 1:00:30.080
<v Speaker 1>in sound design, Who's by Vascillis Photopoulos. Dylon Villanueva and

1:00:30.120 --> 1:00:32.960
<v Speaker 1>Matt De Group provide video production support Alex Rella for

1:00:33.120 --> 1:00:36.160
<v Speaker 1>Handle social Media. Thank you Brian Vasquez for theme music.

1:00:36.960 --> 1:00:40.400
<v Speaker 3>See you next time for Bye