WEBVTT - Ruth Lyons: TV Pioneer

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<v Speaker 1>Welcome to Stuff you should know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's Chuck,

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<v Speaker 2>and this is stuff you should know. Hats off, tribute,

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<v Speaker 2>even white gloves off, tribute to a true unsung I

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<v Speaker 2>would say, pioneer in a lot of ways, certainly sung

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<v Speaker 2>in certain areas and certain age groups, but as far

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<v Speaker 2>as history is concerned, I'm going to go ahead and

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<v Speaker 2>say that Ruth Lyons is an unsung pioneer in the

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<v Speaker 2>history of television.

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<v Speaker 1>Agreed, And this is good a listener recommendation from I

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<v Speaker 1>think I've been sitting on this one for a while. Yes, So,

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<v Speaker 1>for all I know, Nick Bauer gave up on the

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<v Speaker 1>show and won't even hear this.

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<v Speaker 2>It's possible it happens.

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<v Speaker 1>I also should mention that my dogs are over here

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<v Speaker 1>today and they usually are put away, but they can't

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<v Speaker 1>be because of work people, So they're laying down now

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<v Speaker 1>and they're being quiet.

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<v Speaker 2>Okay, but we'll see what happens. Hey, Momos appeared on

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<v Speaker 2>the show at least once, so I can feel your pain.

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<v Speaker 2>It's all right.

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<v Speaker 1>I think we should have a policy moving forward that

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<v Speaker 1>anytime Moe speaks in the background, Jerry just leaves that in.

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<v Speaker 2>Okay, I'm fine with that as long as Yeah, I'm

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<v Speaker 2>fine with that, no qualifiers needed.

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<v Speaker 1>It makes you like a real person like Ruth Lyons

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<v Speaker 1>strove to be.

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<v Speaker 2>Oh, I don't like that, then I strive to do

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<v Speaker 2>the opposite and seem robottish and wouldn't.

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<v Speaker 1>No, but I'm glad you introduced this as an unsung

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<v Speaker 1>hero story because I had never heard of Ruth Lyons.

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<v Speaker 1>But as it turns out, Ruth Lyons was quite a pioneer,

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<v Speaker 1>and in fact, I mean, unless somebody corrects us, I

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<v Speaker 1>would be pretty I feel pretty good about saying that

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<v Speaker 1>Ruth Lyons invented the format of the TV talk.

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<v Speaker 2>Show yeah, which really flies in the face of essentially

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<v Speaker 2>everything you will find in research which credits Joe Franklin,

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<v Speaker 2>who hosted The Joe Franklin Show, as not only being

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<v Speaker 2>the first daytime television host talk show host, but having

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<v Speaker 2>also invented the format. Yeah, and his show is on

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<v Speaker 2>from nineteen fifty one, get this till nineteen ninety three. Serious,

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<v Speaker 2>I am dead serious. He recorded twenty eight thousand plus

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<v Speaker 2>episodes and he never missed.

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<v Speaker 1>A show, So no shaded Joe Franklin.

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<v Speaker 2>No, not at all, not at all. But you will

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<v Speaker 2>not find if you look up who invented the daytime

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<v Speaker 2>talk show, it's Joe Franklin across the board. But we

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<v Speaker 2>have clear evidence here that our hero of the story,

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<v Speaker 2>Ruth Lyons, definitely invented the talk show at least two

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<v Speaker 2>years before Joe Franklin. So yeah, let's get into this,

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<v Speaker 2>shall we, Because even aside from that that, whether she

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<v Speaker 2>invented it or not, she was clearly an early pioneer

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<v Speaker 2>in daytime talk and TV in general. It was also

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<v Speaker 2>a pretty interesting person.

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<v Speaker 1>Yeah, Like everything I read about her, it was just

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<v Speaker 1>like could she get any better? Like every time I

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<v Speaker 1>read a new thing, it was like she was a

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<v Speaker 1>super rad lady through and through. But she, like you said,

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<v Speaker 1>she arrived at the beginnings of TV, because as we'll see,

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<v Speaker 1>she started on radio and then transferred to TV, but

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<v Speaker 1>it was, you know, there were no you know, she

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<v Speaker 1>kind of invented the formula because there were no formulas

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<v Speaker 1>to follow, and she was like, I mean, not only

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<v Speaker 1>a pioneer and just sort of being the first to

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<v Speaker 1>do things and certainly the first woman to do these things,

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<v Speaker 1>but just all these great ideas like every time she

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<v Speaker 1>had a new idea for something for the show, it

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<v Speaker 1>was just like a super cool idea.

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<v Speaker 2>Yeah, for sure. And she not only was a TV pioneer,

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<v Speaker 2>she was at the onset essentially of radio, So she

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<v Speaker 2>was there for the proliferation of radio as a mass

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<v Speaker 2>medium and the same for TV too, So just that

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<v Speaker 2>in and of itself is pretty remarkable. But yeah, the fact

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<v Speaker 2>that she was doing this as a woman. And then

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<v Speaker 2>also not like I'll go out there and host all

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<v Speaker 2>male colleagues tell me what to do, like she was

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<v Speaker 2>calling the shots, h and she did it by building

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<v Speaker 2>up her professional career just by being reliable, trustworthy, charming, interesting,

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<v Speaker 2>but also like this is kind of how it's going

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<v Speaker 2>to be. Although I never saw anything so she was

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<v Speaker 2>described as brash here there, I never got the impression

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<v Speaker 2>that she was one of those people who was just

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<v Speaker 2>pushy and like this is the way it is, and

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<v Speaker 2>never got that impression. And then similarly, she talks a lot.

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<v Speaker 2>I read her well, skimmed her memoirs, highly readable, by

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<v Speaker 2>the way, and she talks a lot about herself. It's

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<v Speaker 2>her memoir but she never quite crosses the line into

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<v Speaker 2>like boasting, So it's really that's a tough like a

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<v Speaker 2>tough tightrope to walk, and she manages to do it.

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<v Speaker 2>So yeah, she's just pretty great all across the board.

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<v Speaker 1>Yeah, and I think brash is a word that was

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<v Speaker 1>used and it's still used to describe women in the

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<v Speaker 1>workplace who you know, call their own shots and behave

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<v Speaker 1>essentially like men might. Yeah. Yeah, take no mcguffins, take

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<v Speaker 1>no mcguffins. Oh man, why do you have to say

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<v Speaker 1>that word again? So Ruth was born Ruth Reeves in

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<v Speaker 1>nineteen oh five and Cincinnata, and as you will see,

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<v Speaker 1>this is a very Cincinnati centric story, as along with

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<v Speaker 1>some other markets in the area, but that was really

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<v Speaker 1>her home. And as you will see, she was a

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<v Speaker 1>big Reds fan. Yeah, even to the point of like

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<v Speaker 1>getting people to stuff the ballot box for the Reds

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<v Speaker 1>on the All Star team, which is pretty cool.

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<v Speaker 2>Yeah. And we should also say one more thing, the

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<v Speaker 2>pioneer thing. I noticed some things I certainly wouldn't call

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<v Speaker 2>us pioneers in podcasting that people have been doing it

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<v Speaker 2>before us, but we were there at generally like the

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<v Speaker 2>beginning of it kind of and certainly the spread and

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<v Speaker 2>proliferation of it becoming a popular form of media. So

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<v Speaker 2>I kind of can commiserate here or there with some

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<v Speaker 2>of the points throughout her career too. I thought that

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<v Speaker 2>was kind of neat. Oh yeah, yeah, I'll point them

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<v Speaker 2>out as we go along. How about that? All right?

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<v Speaker 1>So she was born in Cincinnati, She had a sister.

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<v Speaker 1>Her parents were you know, you know, seemed like sort

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<v Speaker 1>of middle class family. Her dad was a railroad clerk

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<v Speaker 1>and her mother was a homemaker. Had a very close family.

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<v Speaker 1>It seems like she was probably influenced some by her

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<v Speaker 1>paternal grandmother, who was involved in the women's Christian Temperance Union.

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<v Speaker 1>Because Ruth would never drink alcohol throughout her whole life.

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<v Speaker 1>But even from a kid, she was, you know, she

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<v Speaker 1>was like little Eddie Murphy. She was always putting on

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<v Speaker 1>a show for the family. And if she like got

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<v Speaker 1>on stage and did something and messed up, like, she

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<v Speaker 1>wasn't the kind of kid to run off stage crying.

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<v Speaker 1>She just kind of rolled with it. And that seems

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<v Speaker 1>to be sort of a formative thing for her throughout

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<v Speaker 1>her career.

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<v Speaker 2>Yeah, And speaking of formative, her like how she was

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<v Speaker 2>during her formative age kind of set the stage for

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<v Speaker 2>the rest of her life where she was a feminist

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<v Speaker 2>in many many ways, but at the same time, she

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<v Speaker 2>was also totally comfortable with fulfilling traditional women's roles. What's

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<v Speaker 2>cool is they don't seem to have ever particularly contradicted

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<v Speaker 2>each other in.

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<v Speaker 1>Her Yeah, and it also seems like it certainly wasn't stick,

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<v Speaker 1>but it seems like something that she was like, Hey,

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<v Speaker 1>I'm just like you. You know, she was an every

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<v Speaker 1>woman and she even sort of poo pooed sometimes, like

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<v Speaker 1>you know, the movie stars with their fur coats and

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<v Speaker 1>like they're basically unrelatable and she I don't think she

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<v Speaker 1>wanted to be relatable. I think she just was relatable.

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<v Speaker 2>Yeah, I think that's well put. Man. So getting back

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<v Speaker 2>to her bio, she started dating a guy named Johnny

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<v Speaker 2>Lyons who lived down the street. Knew the way, do

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<v Speaker 2>you really is this the same guy?

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<v Speaker 1>I knew him a long time ago, but when I

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<v Speaker 1>read that, I was like, oh, yeah, Johnny Lyons, whatever

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<v Speaker 1>happened to that dude.

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<v Speaker 2>It's a good name, good solid name. He lived down

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<v Speaker 2>the street and they ended up getting married about eight

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<v Speaker 2>years after high school, and as we'll see, it didn't

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<v Speaker 2>last very long. But in the meantime, she went to

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<v Speaker 2>the University of Cincinnati. I think the Bearcats go Bearcatscats, Bearcats, Bearcats,

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<v Speaker 2>thank you. And she was just there for one year.

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<v Speaker 2>She's made it quite a splash while she was there.

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<v Speaker 2>The first year, she's the humor editor for the yearbook,

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<v Speaker 2>and she wrote music for the school musical and I

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<v Speaker 2>think she became a tri delt even she was the

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<v Speaker 2>one who coined the phrase delta Delta delta, Can I

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<v Speaker 2>help you, help you? Help you?

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<v Speaker 1>I saw that coming a mile away.

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<v Speaker 2>So but she stopped. She dropped out after the first year.

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<v Speaker 2>Her father became ill. He apparently lost a decent amount

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<v Speaker 2>of money in the depression, and so her family was

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<v Speaker 2>kind of hard up. And she's like, I'm really like,

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<v Speaker 2>nothing I'm doing here is actually going to further my

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<v Speaker 2>career down the road. I might as well drop out

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<v Speaker 2>and go find work and help support the family rather

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<v Speaker 2>than being a drain on the family finances.

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<v Speaker 1>Yeah, for sure. She was also a musician and a songwriter,

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<v Speaker 1>something she did kind of throughout her career, even though

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<v Speaker 1>that was definitely like a side gig that like clearly

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<v Speaker 1>something she loved doing. But when she was young, right

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<v Speaker 1>after she dropped out of school, she got a job

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<v Speaker 1>playing sheet music at the Willis Music Company, which was

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<v Speaker 1>downtown Cincinnati, and she kind of got hipped to the

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<v Speaker 1>the local music scene, in the radio scene and did

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<v Speaker 1>other side jobs along the way, obviously to make some money.

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<v Speaker 1>But she was writing songs this whole time, and in

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<v Speaker 1>fact wrote song that I wouldn't call it a hit,

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<v Speaker 1>but her most popular song in nineteen forty six was

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<v Speaker 1>called Let's Light the Christmas Tree. So she wrote a

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<v Speaker 1>you know, probably in the area, as well as sort

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<v Speaker 1>of a classic Christmas song.

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<v Speaker 2>I g I mean, she took every thing in the kitchen,

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<v Speaker 2>including the sink that's even remotely Christmas. Eve threw it

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<v Speaker 2>at that one. There's bells that are peeling along with

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<v Speaker 2>with a choir. There's children's parts. All of the lyrics

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<v Speaker 2>are real schmaltzy, like Christmas ey stuff. It's a I mean,

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<v Speaker 2>it's a Christmas song through and through. It's not great,

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<v Speaker 2>but it is a Christmas song.

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<v Speaker 1>Josh's review, it's a Christmas song, yeah, period. So Ruth

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<v Speaker 1>Reeves got on the radio for the first time in

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<v Speaker 1>nineteen twenty five, just playing piano along with the singer.

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<v Speaker 1>But then in nineteen twenty nine, Fate came a knocking

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<v Speaker 1>and she got a full time gig at WKRC in Cincinnati, Cincinnati,

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<v Speaker 1>and she was assistant to the musical director there, and

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<v Speaker 1>she was basically, you know, she organized the music, she

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<v Speaker 1>played piano whenever they needed someone live in studio. And

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<v Speaker 1>then another faithful thing would happen when the host of

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<v Speaker 1>a show called The Woman's Hour got sick, she filled

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<v Speaker 1>in and started ad libbing kind of right away, kind

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<v Speaker 1>of Robin Williams style, a Good Morning Vietnam. She threw

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<v Speaker 1>the script out the window, did her own thing, and

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<v Speaker 1>afterward got called into the manager's office where it is

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<v Speaker 1>like something out of a movie. She thought she was

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<v Speaker 1>going to get in trouble and they were like, yeah,

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<v Speaker 1>a hit.

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<v Speaker 2>That's right. And sadly so as apparently this woman she

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<v Speaker 2>replaced her filled in for, was out for one day

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<v Speaker 2>and she came back in and lost her job the

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<v Speaker 2>next day because Ruth had made such a splash. So

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<v Speaker 2>she inadvertently took this poor woman's job and went on

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<v Speaker 2>to not only host Woman's Hour, she added another one

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<v Speaker 2>called Open House, and then another one, so she's hosting

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<v Speaker 2>three different radio programs. Third one's called The Woman's View

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<v Speaker 2>on the news, and she was not only hosting those,

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<v Speaker 2>she was also still working with the musical director, and

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<v Speaker 2>very like quickly made a name for herself. And again

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<v Speaker 2>this is where Johnny Lyons comes back in and exits

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<v Speaker 2>almost as quickly, because they got married in nineteen thirty two,

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<v Speaker 2>and shortly after that, Johnny was transferred to Cleveland, and

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<v Speaker 2>Ruth's like, I'm just starting my career here and it's

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<v Speaker 2>going really well. I'm gonna stay in Cincinnati. Let's try

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<v Speaker 2>this long distance. And anyone who's familiar with Ohio geography,

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<v Speaker 2>the drive from Cincinnati to Cleveland is not a short drive.

0:12:48.600 --> 0:12:51.079
<v Speaker 2>It's just long enough to be like a long drive,

0:12:51.200 --> 0:12:54.720
<v Speaker 2>you know, So I can imagine in the nineteen thirties

0:12:54.760 --> 0:12:58.079
<v Speaker 2>it was even harder, and it said to say it

0:12:58.120 --> 0:13:00.880
<v Speaker 2>didn't quite work out, and they ended up staying married

0:13:00.960 --> 0:13:04.079
<v Speaker 2>for about seven years, but I have the distinct impression

0:13:04.120 --> 0:13:08.679
<v Speaker 2>that they were basically consciously uncoupled long before then.

0:13:09.120 --> 0:13:13.319
<v Speaker 1>Yeah, it seems like it. Very sadly, she kept that name. Obviously,

0:13:13.400 --> 0:13:16.559
<v Speaker 1>Ruth Lyons was the name she started her radio career with,

0:13:17.240 --> 0:13:19.720
<v Speaker 1>so I think she kept it for name recognition from

0:13:19.720 --> 0:13:23.000
<v Speaker 1>that point forward, even after getting remarried, as we'll see later.

0:13:23.800 --> 0:13:25.959
<v Speaker 1>And she didn't really talk about that first marriage a lot.

0:13:26.480 --> 0:13:31.280
<v Speaker 1>It's not at her memoir. She did say in you know,

0:13:31.280 --> 0:13:32.920
<v Speaker 1>when she was talking about her second marriage, I think

0:13:32.920 --> 0:13:36.040
<v Speaker 1>in interviews later on, that she didn't think she would

0:13:36.040 --> 0:13:38.800
<v Speaker 1>ever marry because she thought men would hate her success.

0:13:39.480 --> 0:13:41.280
<v Speaker 1>So I don't know if that had anything to do

0:13:41.679 --> 0:13:43.240
<v Speaker 1>with their marriage or if it was just the long

0:13:43.240 --> 0:13:46.760
<v Speaker 1>distance thing, but at any rate, they got divorced, and

0:13:47.320 --> 0:13:50.000
<v Speaker 1>maybe that is a decent time for a break.

0:13:51.679 --> 0:13:53.240
<v Speaker 2>I'd say Ruth Lyons would approve.

0:13:53.480 --> 0:13:55.280
<v Speaker 3>All right, we'll be right back with more on Ruth

0:13:55.360 --> 0:14:12.760
<v Speaker 3>Lyons learn.

0:14:12.600 --> 0:14:21.040
<v Speaker 2>And stuff with Joshua John stuff fu shin up. Okay, Chuck,

0:14:21.080 --> 0:14:24.960
<v Speaker 2>So we're back. We held the seance in the break,

0:14:25.160 --> 0:14:27.480
<v Speaker 2>and maybe we did verify that. Ruth Lyons thought it

0:14:27.520 --> 0:14:29.320
<v Speaker 2>was a great time for us to take a break.

0:14:29.480 --> 0:14:32.160
<v Speaker 2>So that was great. Yeah, And I said that she

0:14:32.280 --> 0:14:35.360
<v Speaker 2>had made a name for herself pretty quickly on Cincinnati

0:14:35.440 --> 0:14:38.560
<v Speaker 2>radio and one of the things that came along that

0:14:38.600 --> 0:14:41.800
<v Speaker 2>really helps her with that, which I guess if you

0:14:41.800 --> 0:14:44.240
<v Speaker 2>can ever be helped by a flood, she was. There

0:14:44.320 --> 0:14:47.080
<v Speaker 2>was a huge flood in nineteen thirty seven. I saw

0:14:47.120 --> 0:14:49.400
<v Speaker 2>that it was described as up to the street lights,

0:14:49.600 --> 0:14:52.520
<v Speaker 2>which is a pretty decent sized flood, and it was

0:14:52.600 --> 0:14:56.880
<v Speaker 2>a catastrophe for Cincinnati. And at the time, again, radio

0:14:56.960 --> 0:14:59.400
<v Speaker 2>was like really just kind of starting out, and this

0:14:59.440 --> 0:15:01.360
<v Speaker 2>is one of the ways that it proved itself as

0:15:01.840 --> 0:15:05.280
<v Speaker 2>a medium where you could help people thoroughly. She stayed

0:15:05.320 --> 0:15:11.720
<v Speaker 2>on the air essentially for forty eight hours, reading bulletins

0:15:11.760 --> 0:15:14.960
<v Speaker 2>I think from the local authorities on where to go

0:15:15.080 --> 0:15:17.280
<v Speaker 2>for help, or how to donate to the Red Cross,

0:15:17.360 --> 0:15:19.600
<v Speaker 2>or where to go get sandbags, that kind of stuff.

0:15:20.120 --> 0:15:24.040
<v Speaker 2>And just that right there kind of showed Cincinnati that

0:15:24.080 --> 0:15:26.720
<v Speaker 2>she was a trustworthy voice to be listened to.

0:15:27.320 --> 0:15:28.720
<v Speaker 1>Yeah, And I don't know if it was that or

0:15:28.840 --> 0:15:31.880
<v Speaker 1>just her overall butt kicking at the job, but she

0:15:32.640 --> 0:15:35.920
<v Speaker 1>got a promotion. She got promoted to program director. This

0:15:36.040 --> 0:15:39.400
<v Speaker 1>is a woman in the nineteen thirty so she's already

0:15:39.560 --> 0:15:42.000
<v Speaker 1>sort of you know, breaking new ground and breaking glass

0:15:42.040 --> 0:15:43.280
<v Speaker 1>ceilings all over the place.

0:15:43.720 --> 0:15:45.840
<v Speaker 2>Yeah, just to point out, she had by this time,

0:15:45.920 --> 0:15:50.800
<v Speaker 2>Venus Fly Traps job, Johnny Fever's job, and Andy's job

0:15:50.840 --> 0:15:51.280
<v Speaker 2>as well.

0:15:52.000 --> 0:15:57.200
<v Speaker 1>That's right, So she was she didn't have Lennie Anderson's job.

0:15:57.480 --> 0:16:01.000
<v Speaker 2>That's the key there, right, she Hadnie Anderson in about

0:16:01.040 --> 0:16:03.200
<v Speaker 2>seventeen other people working for her.

0:16:03.440 --> 0:16:05.640
<v Speaker 1>That's right. One of the other great things she did

0:16:05.840 --> 0:16:08.960
<v Speaker 1>was worked with kids. She started a Christmas song. It

0:16:09.000 --> 0:16:10.880
<v Speaker 1>was kind of like a sort of an early version

0:16:10.920 --> 0:16:13.840
<v Speaker 1>of Toys for Tots. I was in nineteen thirty nine.

0:16:14.000 --> 0:16:17.000
<v Speaker 1>She put on a show at Cincinnati Children's Hospital and

0:16:17.160 --> 0:16:19.960
<v Speaker 1>was like, these kids need more than this, and so

0:16:20.000 --> 0:16:22.440
<v Speaker 1>she found out what was called the Christmas Fund and

0:16:22.880 --> 0:16:25.480
<v Speaker 1>raised about a thousand bucks from listeners in that first year.

0:16:25.920 --> 0:16:28.080
<v Speaker 1>And that is a fun that is still going strong

0:16:28.120 --> 0:16:31.440
<v Speaker 1>today long after she has passed, and I think they

0:16:32.480 --> 0:16:34.720
<v Speaker 1>do it every year on her birthday. They started up

0:16:34.720 --> 0:16:37.080
<v Speaker 1>on October fourth, Yeah.

0:16:36.880 --> 0:16:38.680
<v Speaker 2>And that was something she had a talent for, was

0:16:38.760 --> 0:16:41.400
<v Speaker 2>getting people that donate money to causes that she felt

0:16:41.440 --> 0:16:44.840
<v Speaker 2>were important. You said they raised one thousand dollars that

0:16:44.880 --> 0:16:47.520
<v Speaker 2>first year in nineteen thirty nine. Four years later they

0:16:47.560 --> 0:16:50.240
<v Speaker 2>were up to raising fifty four thousand dollars and this

0:16:50.320 --> 0:16:53.720
<v Speaker 2>is nineteen forty's money, so it was pretty substantial to help.

0:16:54.000 --> 0:16:57.440
<v Speaker 2>They spread out very quickly after that to include children's

0:16:57.440 --> 0:17:00.680
<v Speaker 2>homes and other hospitals and other area is that the

0:17:00.800 --> 0:17:04.080
<v Speaker 2>broadcast reached, like as far as I think Indianapolis. So

0:17:04.920 --> 0:17:07.240
<v Speaker 2>it was a big deal right off of the bat.

0:17:07.920 --> 0:17:11.159
<v Speaker 2>And she so, I think nineteen forty two. She's been

0:17:11.200 --> 0:17:14.720
<v Speaker 2>doing this for about ten years, a little less, no,

0:17:14.800 --> 0:17:17.199
<v Speaker 2>about ten years, and she made a move to a

0:17:17.240 --> 0:17:22.080
<v Speaker 2>different radio station. They offered the plum can't turn it

0:17:22.160 --> 0:17:25.560
<v Speaker 2>down deal of an extra ten dollars a week over

0:17:25.640 --> 0:17:28.560
<v Speaker 2>what she was making at her original station, and she

0:17:28.680 --> 0:17:30.240
<v Speaker 2>said sold. Yeah.

0:17:30.280 --> 0:17:32.879
<v Speaker 1>I think this had more to do with getting out

0:17:32.920 --> 0:17:38.479
<v Speaker 1>to more voices because Crossley Broadcasting was broadcast in several

0:17:38.480 --> 0:17:42.280
<v Speaker 1>more markets than just local Cincinnati radio. So the station

0:17:43.040 --> 0:17:47.160
<v Speaker 1>definitely like publicized on her notoriety at that point. And

0:17:47.280 --> 0:17:50.960
<v Speaker 1>they said, let's have a contest where we have listeners

0:17:51.000 --> 0:17:54.359
<v Speaker 1>right in to name her new show. The name wasn't great.

0:17:54.400 --> 0:17:58.040
<v Speaker 1>They came back the winning one was a Petticoat party line.

0:17:59.200 --> 0:18:01.880
<v Speaker 1>She added more show that because that's what Ruth Lyons does.

0:18:01.920 --> 0:18:05.680
<v Speaker 1>She added a morning show called the WLW Consumers Foundation,

0:18:06.240 --> 0:18:09.000
<v Speaker 1>And this one was like gangbusters with the company because

0:18:09.040 --> 0:18:12.080
<v Speaker 1>it was great for advertisers and that they had a

0:18:12.119 --> 0:18:15.840
<v Speaker 1>couple of hundred women test out products and then come

0:18:15.880 --> 0:18:18.160
<v Speaker 1>back on the air and report what they found out.

0:18:18.640 --> 0:18:22.840
<v Speaker 1>So advertisers always loved her. They kind of gussied it up.

0:18:22.920 --> 0:18:25.800
<v Speaker 1>She added music and then games and eventually changed that

0:18:25.960 --> 0:18:29.520
<v Speaker 1>terrible name to Morning Mattinee, much much better name, and

0:18:29.640 --> 0:18:33.160
<v Speaker 1>also had a game show called Collect Calls from Lowenthal's,

0:18:33.160 --> 0:18:34.320
<v Speaker 1>which was a first.

0:18:34.080 --> 0:18:37.040
<v Speaker 2>Store, right, and if you kind of go back and

0:18:37.080 --> 0:18:40.400
<v Speaker 2>look at the Morning Matinee in addition to you know,

0:18:40.880 --> 0:18:43.800
<v Speaker 2>having women test products and then come in and say like, well,

0:18:43.840 --> 0:18:46.800
<v Speaker 2>this is what I thought of this, adding music and

0:18:46.880 --> 0:18:49.200
<v Speaker 2>games that kind of stuff, like all of a sudden,

0:18:49.240 --> 0:18:52.400
<v Speaker 2>it's starting to take like a morning show format. Yeah,

0:18:52.440 --> 0:18:54.600
<v Speaker 2>for sure, you can start to see the contours of

0:18:54.640 --> 0:18:57.560
<v Speaker 2>it just kind of coming into view here or there.

0:18:58.960 --> 0:19:02.320
<v Speaker 2>And she one of the things she did was she

0:19:02.880 --> 0:19:05.520
<v Speaker 2>we'll talk about this a little more later, but she

0:19:05.720 --> 0:19:11.440
<v Speaker 2>was really good at just understanding that you need ad

0:19:11.480 --> 0:19:16.960
<v Speaker 2>revenue to survive and that you're going to make more

0:19:16.960 --> 0:19:22.200
<v Speaker 2>ad revenue and also keep your viewership if you are

0:19:22.400 --> 0:19:25.399
<v Speaker 2>forthright and honest about your advertisers. And so one of

0:19:25.440 --> 0:19:27.920
<v Speaker 2>the things she did was she would turn down. She

0:19:28.480 --> 0:19:31.520
<v Speaker 2>negotiated the ability to say Nope, not them, I don't

0:19:31.520 --> 0:19:35.560
<v Speaker 2>believe in their product, because, like her ads were all endorsement.

0:19:36.119 --> 0:19:40.440
<v Speaker 2>So for her as a very ethical person. She didn't

0:19:40.800 --> 0:19:45.040
<v Speaker 2>do any endorsements that she didn't personally believe in, which

0:19:45.080 --> 0:19:48.200
<v Speaker 2>was a big deal, especially at the time, and also

0:19:48.760 --> 0:19:52.119
<v Speaker 2>led her to tons of disagreements and headbutting with the

0:19:52.160 --> 0:19:56.400
<v Speaker 2>ad sales department, but she would typically win because that's

0:19:56.400 --> 0:19:59.679
<v Speaker 2>how powerful she had become again as a woman in

0:19:59.720 --> 0:20:01.440
<v Speaker 2>broad casting it in the forties.

0:20:01.720 --> 0:20:05.000
<v Speaker 1>Yeah, absolutely, she, you know, I mentioned earlier, she got

0:20:05.000 --> 0:20:07.800
<v Speaker 1>married again. She married a guy named Herman Newman this

0:20:07.840 --> 0:20:11.639
<v Speaker 1>time who was a semantics professor, and he was a

0:20:11.680 --> 0:20:15.720
<v Speaker 1>big liberal guy, progressive guy, which meant that he didn't

0:20:15.720 --> 0:20:17.680
<v Speaker 1>mind her having a lot of career success. He was

0:20:17.800 --> 0:20:21.679
<v Speaker 1>very supportive of her and which was awesome and I

0:20:21.720 --> 0:20:24.200
<v Speaker 1>think aligned with her political values as well as we'll see,

0:20:24.320 --> 0:20:25.800
<v Speaker 1>you know, with some of the things that she did.

0:20:26.840 --> 0:20:31.480
<v Speaker 1>They had one kid in nineteen forty four. It was

0:20:31.520 --> 0:20:33.960
<v Speaker 1>a little bit of an unusual situation and that they

0:20:34.119 --> 0:20:37.600
<v Speaker 1>announced the birth of young Candace, who they called Candy.

0:20:38.640 --> 0:20:43.320
<v Speaker 1>Later on people found out that she very sadly suffered

0:20:43.320 --> 0:20:47.360
<v Speaker 1>a still birth at six months and adopted an orphan newborn.

0:20:48.119 --> 0:20:51.359
<v Speaker 1>At the time that she had lost her her own baby,

0:20:51.480 --> 0:20:54.840
<v Speaker 1>So she didn't, you know, she didn't cover it over

0:20:54.880 --> 0:20:57.280
<v Speaker 1>or anything, but she didn't come right out and say it.

0:20:57.320 --> 0:21:00.280
<v Speaker 1>But everyone knew the timeline of her pregnancy, so you know,

0:21:01.200 --> 0:21:03.040
<v Speaker 1>you could probably figure it out if you were paying

0:21:03.080 --> 0:21:06.120
<v Speaker 1>attention right right.

0:21:06.920 --> 0:21:10.919
<v Speaker 2>So, Yes, and Kandy became their beloved child like like

0:21:11.040 --> 0:21:14.800
<v Speaker 2>she was just that. Her parents absolutely adored her, and

0:21:14.840 --> 0:21:16.760
<v Speaker 2>she would go on to kind of make appearances here

0:21:16.800 --> 0:21:19.320
<v Speaker 2>or there on the radio show and then later on

0:21:19.359 --> 0:21:21.440
<v Speaker 2>the TV show. And I guess she made her first

0:21:21.480 --> 0:21:27.160
<v Speaker 2>appearance at six weeks old on the MICYK for Morning Mattinee. Yeah,

0:21:27.280 --> 0:21:31.600
<v Speaker 2>her quote was you. So she came up with another program,

0:21:31.720 --> 0:21:34.640
<v Speaker 2>Ruth did. She said, Hey, guys, I got a great idea.

0:21:35.359 --> 0:21:37.200
<v Speaker 2>There is a there are a lot of women out

0:21:37.200 --> 0:21:40.119
<v Speaker 2>there who haven't and may never have the chance to

0:21:40.119 --> 0:21:43.760
<v Speaker 2>have a really fancy luncheon at a nice hotel downtown.

0:21:44.240 --> 0:21:47.000
<v Speaker 2>So we're not only going to give them that opportunity,

0:21:47.359 --> 0:21:50.399
<v Speaker 2>we're going to make a show out of it. And

0:21:50.440 --> 0:21:52.680
<v Speaker 2>she called this the fifty Club because there was room

0:21:52.760 --> 0:21:55.679
<v Speaker 2>for fifty paying customers. You paid a dollar each was

0:21:55.720 --> 0:21:59.119
<v Speaker 2>about eighteen dollars to day to have a smashing lunch

0:21:59.600 --> 0:22:05.200
<v Speaker 2>at the Gibson Hotel and after lunch you were treated

0:22:05.240 --> 0:22:08.480
<v Speaker 2>to her radio show, you were part of the studio audience,

0:22:08.480 --> 0:22:11.520
<v Speaker 2>and it was a smash hit right out of the gate.

0:22:11.560 --> 0:22:13.840
<v Speaker 2>They ended up selling tickets to the thing. They would

0:22:13.880 --> 0:22:16.400
<v Speaker 2>sell them in three and four year chunks at a time.

0:22:17.000 --> 0:22:18.919
<v Speaker 1>Yeah, and so big that they had to double the

0:22:18.960 --> 0:22:21.359
<v Speaker 1>audience and get a new venue. And so that's why

0:22:21.520 --> 0:22:23.639
<v Speaker 1>her show ended up being called the fifty to fifty Club.

0:22:24.560 --> 0:22:27.159
<v Speaker 1>Pretty smart to keep that fifty in there instead of

0:22:27.160 --> 0:22:30.000
<v Speaker 1>calling it the one hundred club or the seven or

0:22:30.040 --> 0:22:30.359
<v Speaker 1>the club.

0:22:30.920 --> 0:22:33.640
<v Speaker 2>That's right, that's a lot of studio audience.

0:22:34.240 --> 0:22:37.880
<v Speaker 1>Yeah, So in nineteen forty nine, they said, you know what,

0:22:38.000 --> 0:22:41.280
<v Speaker 1>the fifty club is going great. Fifty fifty clubs even better.

0:22:41.320 --> 0:22:44.399
<v Speaker 1>So let's make this thing a TV show, because that

0:22:44.520 --> 0:22:48.800
<v Speaker 1>radio station also had a TV counterpart. And she was like,

0:22:49.320 --> 0:22:52.240
<v Speaker 1>I don't know about this, Like I'm a radio person.

0:22:52.400 --> 0:22:54.639
<v Speaker 1>I don't like these studio lights. They get really hot.

0:22:55.080 --> 0:22:56.960
<v Speaker 1>I don't like, you know, I feel like I could

0:22:56.960 --> 0:23:00.000
<v Speaker 1>be more myself without this camera in my face, especially

0:23:00.119 --> 0:23:03.320
<v Speaker 1>with these interviews I'm doing with people. And you know,

0:23:03.440 --> 0:23:06.360
<v Speaker 1>she was flying off, you know, flying by the seat

0:23:06.359 --> 0:23:07.840
<v Speaker 1>of her pants and sort of off the cuff on

0:23:07.880 --> 0:23:10.520
<v Speaker 1>the radio and wanted to do that on TV, but

0:23:10.560 --> 0:23:13.199
<v Speaker 1>that's a bigger problem for TV because of lighting and

0:23:13.240 --> 0:23:15.840
<v Speaker 1>blocking and stuff like that. So it was all a

0:23:15.880 --> 0:23:19.400
<v Speaker 1>bit of a challenge. But you know, she got on TV,

0:23:19.800 --> 0:23:22.920
<v Speaker 1>and of course immediately executives started saying, like, you need

0:23:22.920 --> 0:23:23.919
<v Speaker 1>to lose weight, lady.

0:23:25.400 --> 0:23:28.080
<v Speaker 2>She said in her memoirs that she had gained a

0:23:28.119 --> 0:23:30.760
<v Speaker 2>bunch of weight from all the delicious pies and cakes

0:23:30.760 --> 0:23:35.119
<v Speaker 2>she ate at lunch at the Gibson every day. Sure so, yeah,

0:23:35.200 --> 0:23:37.000
<v Speaker 2>So there was one other thing that she had a

0:23:37.080 --> 0:23:41.040
<v Speaker 2>complaint about with being on television. She said that the

0:23:41.160 --> 0:23:44.240
<v Speaker 2>engineers are in complete control, which was a reversal of

0:23:44.280 --> 0:23:47.600
<v Speaker 2>what she was used to in the radio studio. She said,

0:23:47.640 --> 0:23:51.240
<v Speaker 2>one even wore a beret with an exclamation point and everything.

0:23:52.200 --> 0:23:55.600
<v Speaker 1>So she ends up because she's an overachiever. Clearly, we've

0:23:55.680 --> 0:23:59.120
<v Speaker 1>established this at this point. She was program director at

0:23:59.280 --> 0:24:03.080
<v Speaker 1>w LW, and so all of a sudden she has

0:24:03.160 --> 0:24:06.080
<v Speaker 1>authority on television as well, after she had already sort

0:24:06.119 --> 0:24:08.920
<v Speaker 1>of asserted herself on the radio for you know, quite

0:24:08.920 --> 0:24:12.480
<v Speaker 1>a while at this point. But you know, like I

0:24:12.480 --> 0:24:15.400
<v Speaker 1>said earlier, she was inventing the model. She couldn't look

0:24:15.400 --> 0:24:18.080
<v Speaker 1>to other shows to see what people were doing. Also,

0:24:18.320 --> 0:24:20.040
<v Speaker 1>not a lot of people were watching This was a

0:24:20.600 --> 0:24:23.040
<v Speaker 1>you know, very early in the days of TV. I

0:24:23.080 --> 0:24:26.199
<v Speaker 1>think the whole station in nineteen forty six was a

0:24:26.240 --> 0:24:29.040
<v Speaker 1>bit of an experiment. So not a lot of families

0:24:29.040 --> 0:24:31.919
<v Speaker 1>had TV sets in the early nineteen fifties, which was

0:24:32.040 --> 0:24:33.480
<v Speaker 1>kind of good. It was kind of like us in

0:24:33.520 --> 0:24:36.640
<v Speaker 1>a way starting out with podcasting, Like we weren't very

0:24:36.640 --> 0:24:38.840
<v Speaker 1>good for a while, but not a lot of people

0:24:38.880 --> 0:24:41.520
<v Speaker 1>were listening to podcasts, so you had a lot of

0:24:41.600 --> 0:24:43.919
<v Speaker 1>room to sort of grow and learn the craft, just

0:24:43.960 --> 0:24:45.680
<v Speaker 1>like she did exactly.

0:24:45.720 --> 0:24:47.520
<v Speaker 2>That was definitely one of the things that came up

0:24:47.560 --> 0:24:51.000
<v Speaker 2>that I was like, yeah, I can totally identify with that.

0:24:51.000 --> 0:24:53.639
<v Speaker 2>That's certainly how we managed to kind of get along

0:24:53.680 --> 0:24:54.560
<v Speaker 2>at the beginning, right.

0:24:54.800 --> 0:24:55.600
<v Speaker 1>Yeah.

0:24:55.720 --> 0:24:58.280
<v Speaker 2>One other thing I noticed at the time TVs were

0:24:58.320 --> 0:25:00.639
<v Speaker 2>so new, this is the early fIF fifties that she

0:25:00.920 --> 0:25:05.359
<v Speaker 2>was making these TV shows, that a lot of people

0:25:05.400 --> 0:25:09.320
<v Speaker 2>had to stand around often outside furniture stores, just like

0:25:09.359 --> 0:25:11.680
<v Speaker 2>you see in movies to watch a TV show from

0:25:11.680 --> 0:25:14.920
<v Speaker 2>one of the models on display in the front window.

0:25:15.000 --> 0:25:18.760
<v Speaker 2>And that's just like podcasting. People used to stand outside

0:25:18.800 --> 0:25:21.719
<v Speaker 2>of furniture stores to listen to podcasts. You can make

0:25:21.720 --> 0:25:24.080
<v Speaker 2>a really good case that Rooms to Go is at

0:25:24.160 --> 0:25:28.000
<v Speaker 2>least as important as in podcasting as Apple is.

0:25:28.280 --> 0:25:32.560
<v Speaker 1>So she's crushing it on regional TV now, so much

0:25:32.600 --> 0:25:35.880
<v Speaker 1>so that NBC is like, hey, we want to take

0:25:35.920 --> 0:25:39.360
<v Speaker 1>you national. It would be the first national daytime talk

0:25:39.359 --> 0:25:42.160
<v Speaker 1>show hosted by a woman, obviously, because it's nineteen fifty

0:25:42.160 --> 0:25:44.920
<v Speaker 1>one at this point. And they did. They put it.

0:25:44.920 --> 0:25:46.679
<v Speaker 1>It was literally less than a year. They put it

0:25:46.720 --> 0:25:49.760
<v Speaker 1>on the across the country for eleven months, I think,

0:25:50.400 --> 0:25:52.880
<v Speaker 1>and it seems like it basically stopped because she didn't

0:25:52.880 --> 0:25:54.280
<v Speaker 1>want to move to New York. They said, hey, why

0:25:54.280 --> 0:25:56.439
<v Speaker 1>don't you come to New York give it more of

0:25:56.440 --> 0:25:59.800
<v Speaker 1>a sort of a national appeal because you're there in Cincinnati.

0:26:00.080 --> 0:26:02.920
<v Speaker 1>Nobody cares in nineteen fifty one about the show out

0:26:02.920 --> 0:26:07.359
<v Speaker 1>of Cincinnati across the country. So they said, she said no,

0:26:07.480 --> 0:26:10.040
<v Speaker 1>She said, I want to stay here, and so she

0:26:10.160 --> 0:26:15.159
<v Speaker 1>went back to the Crossley market, which was I think Indianapolis, Columbus, Dayton,

0:26:15.280 --> 0:26:16.520
<v Speaker 1>and of course Cincinnati.

0:26:17.359 --> 0:26:20.479
<v Speaker 2>Yes, and so there's something really important to know about that.

0:26:20.600 --> 0:26:23.679
<v Speaker 2>So she stayed true to her roots. But she didn't say, like,

0:26:23.960 --> 0:26:26.119
<v Speaker 2>I don't really want to make it big time. I

0:26:26.200 --> 0:26:29.080
<v Speaker 2>just want to go stay in Cincinnati, New York scares me.

0:26:29.760 --> 0:26:34.920
<v Speaker 2>Despite going back to being a local or regional talk show,

0:26:35.160 --> 0:26:38.919
<v Speaker 2>she was. She had the highest rated daytime program in

0:26:39.000 --> 0:26:43.840
<v Speaker 2>the country right from nineteen fifty two to nineteen sixty four.

0:26:44.200 --> 0:26:48.320
<v Speaker 2>Even national, nationally broadcast talk shows could not beat her

0:26:48.440 --> 0:26:51.359
<v Speaker 2>ratings in basically four markets.

0:26:51.600 --> 0:26:54.719
<v Speaker 1>Yeah, I mean, she had seven million viewers over that

0:26:54.800 --> 0:26:58.840
<v Speaker 1>time span. That's an incredible amount, like in the early

0:26:58.920 --> 0:27:01.560
<v Speaker 1>days of TV especially, I mean, that's a lot now.

0:27:02.960 --> 0:27:04.760
<v Speaker 1>But you know, her audience was growing because it was

0:27:04.800 --> 0:27:07.199
<v Speaker 1>also broadcast on the radio, so she had even more

0:27:07.240 --> 0:27:10.320
<v Speaker 1>people listening there, and they were reaching sort of across

0:27:10.359 --> 0:27:13.359
<v Speaker 1>the Midwest with the radio by that point. And she was,

0:27:13.440 --> 0:27:15.000
<v Speaker 1>like I said, she was always a sort of a

0:27:15.040 --> 0:27:19.359
<v Speaker 1>beloved figure for advertisers, so she was making a ton

0:27:19.400 --> 0:27:22.560
<v Speaker 1>of money for the company, and tickets were selling out

0:27:22.600 --> 0:27:26.840
<v Speaker 1>four years in advance to come to the studio audience, right.

0:27:26.960 --> 0:27:30.480
<v Speaker 2>Yeah. One other thing I saw is that she mentioned

0:27:30.480 --> 0:27:33.960
<v Speaker 2>that it was kind of common for school kids to

0:27:34.000 --> 0:27:36.399
<v Speaker 2>go home during lunch and watch the show with their

0:27:36.600 --> 0:27:39.720
<v Speaker 2>mother in the middle of the day. And it turns

0:27:39.760 --> 0:27:42.760
<v Speaker 2>out one of those little kids and this is totally genuine.

0:27:42.800 --> 0:27:45.680
<v Speaker 2>I'm not making a joke. Here was David Letterman who

0:27:45.760 --> 0:27:49.679
<v Speaker 2>credits Ruth Lyons as intracing him to the entire concept

0:27:49.840 --> 0:27:53.480
<v Speaker 2>of a talk show, and yeah, she was one of

0:27:53.480 --> 0:27:54.520
<v Speaker 2>his inspirations.

0:27:54.880 --> 0:27:55.439
<v Speaker 1>That's awesome.

0:27:56.320 --> 0:27:56.760
<v Speaker 2>So too.

0:27:57.000 --> 0:27:58.960
<v Speaker 1>She also inspired a lot of people to get color

0:27:59.000 --> 0:28:02.080
<v Speaker 1>TVs because in nineteen fifty seven, it was one of

0:28:02.119 --> 0:28:05.359
<v Speaker 1>the first shows in the region to air in color,

0:28:05.760 --> 0:28:08.080
<v Speaker 1>and people wanted to see everything in color. They want

0:28:08.119 --> 0:28:10.679
<v Speaker 1>to see Ruth lines in color, so they bought up

0:28:10.720 --> 0:28:14.160
<v Speaker 1>so many color TV sets in Cincinnati that it became

0:28:14.240 --> 0:28:18.160
<v Speaker 1>known as Colortown USA for a while. And she didn't

0:28:18.200 --> 0:28:20.520
<v Speaker 1>love to switch to color. They hired a makeup artists

0:28:20.520 --> 0:28:23.600
<v Speaker 1>to you know, kind of help her through that transition,

0:28:24.200 --> 0:28:26.360
<v Speaker 1>and she didn't like that. She didn't like the foundation

0:28:26.440 --> 0:28:29.800
<v Speaker 1>they put on her. So in a very Ruth Lion's way,

0:28:30.080 --> 0:28:33.600
<v Speaker 1>she turned that into a bit and had the artists

0:28:33.600 --> 0:28:36.440
<v Speaker 1>do makeover for her, like in front of the audience

0:28:36.760 --> 0:28:39.160
<v Speaker 1>and then have the audience vote about, like which look

0:28:39.240 --> 0:28:39.960
<v Speaker 1>they liked better.

0:28:40.680 --> 0:28:45.240
<v Speaker 2>Yeah, and they sided with her, of course. So let's

0:28:45.240 --> 0:28:47.560
<v Speaker 2>talk a little bit about the show format you want.

0:28:47.400 --> 0:28:50.000
<v Speaker 1>To Yeah, I mean, it was a straight up talk show.

0:28:51.320 --> 0:28:53.880
<v Speaker 2>It was. There were some So again this is not

0:28:53.920 --> 0:28:55.600
<v Speaker 2>like she's like I want to be I want to

0:28:55.640 --> 0:28:58.080
<v Speaker 2>do what Kathy Lee and Hoe to do, or I

0:28:58.120 --> 0:29:01.440
<v Speaker 2>want to do what Kathy Lee in Regis did. She

0:29:01.680 --> 0:29:04.000
<v Speaker 2>they based their stuff on her. So one of the

0:29:04.040 --> 0:29:08.000
<v Speaker 2>things that she did that definitely became a thing, especially

0:29:08.320 --> 0:29:12.600
<v Speaker 2>in the next couple decades seventies eighties. The studio, the

0:29:12.680 --> 0:29:14.760
<v Speaker 2>set looked like a living room. It was meant to

0:29:14.760 --> 0:29:17.320
<v Speaker 2>be comfortable, like she was inviting the viewers and the

0:29:17.360 --> 0:29:20.640
<v Speaker 2>people she was interviewing into her home, just to kind

0:29:20.680 --> 0:29:23.440
<v Speaker 2>of make it that much more casual and laid back. Right.

0:29:25.120 --> 0:29:28.600
<v Speaker 2>And she also this is different that never got picked up.

0:29:28.640 --> 0:29:31.880
<v Speaker 2>But her interview seat, in the seat she normally sat in,

0:29:32.320 --> 0:29:35.520
<v Speaker 2>was a love seat that was also a rocking chair.

0:29:36.640 --> 0:29:40.280
<v Speaker 2>Love those rockers a rocker loves seat. Though you don't

0:29:40.280 --> 0:29:42.680
<v Speaker 2>see that very often, even Rooms to Go only has

0:29:42.720 --> 0:29:43.520
<v Speaker 2>a few of them.

0:29:43.880 --> 0:29:47.440
<v Speaker 1>We have outdoor versions of those that are called gliders.

0:29:48.000 --> 0:29:51.200
<v Speaker 2>Okay, yes, sure, maybe that's why I was having trouble

0:29:51.240 --> 0:29:53.000
<v Speaker 2>conceiving of what it was. It's a glider.

0:29:53.360 --> 0:29:55.760
<v Speaker 1>Yeah, I love those gliders. But if you've ever seen

0:29:55.760 --> 0:29:58.800
<v Speaker 1>a picture of Ruth, you know there's not a ton

0:29:58.800 --> 0:30:01.280
<v Speaker 1>of stuff out there, sadly, but a lot of times

0:30:01.320 --> 0:30:04.040
<v Speaker 1>you might see her holding on stage a bouquet of

0:30:04.080 --> 0:30:07.000
<v Speaker 1>flowers and with a guest, and you I think, well,

0:30:07.040 --> 0:30:08.640
<v Speaker 1>that's an odd thing to do, or maybe she's just

0:30:08.680 --> 0:30:11.920
<v Speaker 1>giving flowers. She actually had her microphone inside the bouquet

0:30:11.960 --> 0:30:14.360
<v Speaker 1>of flowers. That was her thing, which I think is

0:30:14.400 --> 0:30:16.720
<v Speaker 1>just a very sort of lovely thing to have on television.

0:30:17.160 --> 0:30:20.400
<v Speaker 2>It is, It's pretty cool. I actually did see some

0:30:20.440 --> 0:30:22.280
<v Speaker 2>pictures of her, and there's one from I think she

0:30:22.400 --> 0:30:25.880
<v Speaker 2>was about thirty years of age, something like that, and

0:30:25.960 --> 0:30:29.720
<v Speaker 2>she is the spitting image of a cross between nineteen

0:30:29.760 --> 0:30:35.280
<v Speaker 2>eighties peak cute Meg Ryan and the bride from the

0:30:35.320 --> 0:30:38.440
<v Speaker 2>New Maggie Jillenhall movie, but without the ink blot on

0:30:38.520 --> 0:30:42.160
<v Speaker 2>her face. Oh okay, I mean just per like if

0:30:42.200 --> 0:30:45.000
<v Speaker 2>you put those two together fifty fifty percent, you would

0:30:45.040 --> 0:30:46.479
<v Speaker 2>have Ruth Lines at age thirty.

0:30:46.840 --> 0:30:53.000
<v Speaker 1>All right, we'll let the public decide, okay. So she stayed,

0:30:53.160 --> 0:30:55.080
<v Speaker 1>you know, with her sort of off the cuff thing.

0:30:55.160 --> 0:30:58.280
<v Speaker 1>That was just what she was known for in her career.

0:30:58.880 --> 0:31:01.680
<v Speaker 1>And you know, she played it very loose, which for

0:31:01.800 --> 0:31:05.160
<v Speaker 1>TV now would be sort of a nightmare. But at

0:31:05.160 --> 0:31:07.520
<v Speaker 1>the time, like you said, no one knew what they

0:31:07.560 --> 0:31:09.400
<v Speaker 1>were really doing, so they just kind of rolled with it,

0:31:09.440 --> 0:31:13.560
<v Speaker 1>but they would put, you know, various male sidekicks alongside her.

0:31:13.600 --> 0:31:16.680
<v Speaker 1>Over the years. Was always her show, though, and she

0:31:16.760 --> 0:31:19.320
<v Speaker 1>had some real heavy hitters. That was even though it

0:31:19.320 --> 0:31:21.320
<v Speaker 1>was regional. Like we said, she had a ton of viewers.

0:31:21.320 --> 0:31:24.080
<v Speaker 1>So I mean, she had Sammy on the show. She

0:31:24.200 --> 0:31:28.520
<v Speaker 1>had Duke Ellington, Bob Hope, Phyllis Diller, the Smothers Brothers,

0:31:29.280 --> 0:31:31.280
<v Speaker 1>Carol Channing, she had a horse on stage. She had

0:31:31.360 --> 0:31:33.240
<v Speaker 1>Ry Rogers and Trigger at one.

0:31:33.080 --> 0:31:38.040
<v Speaker 2>Point, Yeah, Peter Paul and get this Mary Yeah came

0:31:38.080 --> 0:31:42.920
<v Speaker 2>and performed Clara Bell the Clown from Howdy Doody. Who

0:31:42.960 --> 0:31:44.840
<v Speaker 2>I didn't know this, but the first person who played

0:31:44.840 --> 0:31:47.480
<v Speaker 2>Clara Bell the Count was Captain Kangaroo.

0:31:48.200 --> 0:31:50.280
<v Speaker 1>Yeah.

0:31:50.320 --> 0:31:52.520
<v Speaker 2>So yes, that's just like a slight list of it.

0:31:52.560 --> 0:31:55.120
<v Speaker 2>If you read her memoirs, like the entire middle part

0:31:55.200 --> 0:31:58.720
<v Speaker 2>is just story after story about the different like celebrities

0:31:58.760 --> 0:32:00.960
<v Speaker 2>she met and like interview and what they were like.

0:32:01.120 --> 0:32:05.600
<v Speaker 2>And she's got some pretty pretty interesting stories. I would

0:32:05.640 --> 0:32:09.160
<v Speaker 2>encourage anybody to go read her memoir Remember with Me

0:32:09.800 --> 0:32:12.240
<v Speaker 2>from nineteen sixty nine and on the cover it's got

0:32:12.400 --> 0:32:16.000
<v Speaker 2>a cute little like a bouquet with a microphone sticking

0:32:16.040 --> 0:32:18.640
<v Speaker 2>out of it. So we're not going to get into

0:32:18.640 --> 0:32:22.240
<v Speaker 2>that much. I would just say, read the read the book, okay.

0:32:22.520 --> 0:32:24.880
<v Speaker 1>Yeah, get out there. I think you can just get

0:32:24.920 --> 0:32:25.920
<v Speaker 1>it online, right you can.

0:32:27.600 --> 0:32:30.440
<v Speaker 2>Yes, there's like a PDF out there of scan I mean,

0:32:30.560 --> 0:32:33.600
<v Speaker 2>I don't know who does this. People who literally change

0:32:33.640 --> 0:32:37.200
<v Speaker 2>page after page and scan entire books. And you can

0:32:37.200 --> 0:32:39.280
<v Speaker 2>tell it's a person too, because every like third or

0:32:39.280 --> 0:32:42.320
<v Speaker 2>fourth page is like kind of diagonal because there wasn't

0:32:42.360 --> 0:32:46.400
<v Speaker 2>flat enough for the scanner. So God bless people who do.

0:32:46.280 --> 0:32:50.360
<v Speaker 1>That, oh for sure. So you know, we talked about

0:32:50.360 --> 0:32:54.160
<v Speaker 1>her show being financially successful because of the advertisers, but

0:32:54.600 --> 0:32:56.840
<v Speaker 1>she had an odd way of dealing with advertisers that

0:32:57.200 --> 0:32:59.880
<v Speaker 1>people seem to love. She didn't love just regular sort

0:32:59.880 --> 0:33:02.160
<v Speaker 1>of boring ad copy. She liked to kind of make

0:33:02.200 --> 0:33:05.360
<v Speaker 1>things up and ad live and I don't know, I mean,

0:33:05.400 --> 0:33:08.080
<v Speaker 1>the sponsors kept coming back, even though at times she

0:33:08.160 --> 0:33:11.440
<v Speaker 1>was even bagging on the sponsors, so it must have

0:33:11.560 --> 0:33:14.920
<v Speaker 1>worked just to get attention. There was one example where

0:33:15.680 --> 0:33:17.920
<v Speaker 1>she was talking about a food product that they said

0:33:18.000 --> 0:33:22.480
<v Speaker 1>was big brownie, bold and brave. It would make kids

0:33:22.520 --> 0:33:25.520
<v Speaker 1>big brownie bold and brave. And she said, yeah, the

0:33:25.600 --> 0:33:28.520
<v Speaker 1>next V word that comes to mind is baloney. So

0:33:28.560 --> 0:33:30.520
<v Speaker 1>she would definitely give guff to like the people that

0:33:30.560 --> 0:33:31.360
<v Speaker 1>were paying her money.

0:33:31.400 --> 0:33:36.440
<v Speaker 2>Which is interesting, sure, yeah, a lot, like some podcasts

0:33:37.160 --> 0:33:38.600
<v Speaker 2>read their stuff today.

0:33:39.600 --> 0:33:42.880
<v Speaker 1>Yeah, other shows do that. We've been told we can't

0:33:42.920 --> 0:33:43.120
<v Speaker 1>do that.

0:33:44.200 --> 0:33:46.040
<v Speaker 2>No, No, it's interesting though.

0:33:46.080 --> 0:33:47.360
<v Speaker 1>I hear it all the time. I'm like, well, how

0:33:47.360 --> 0:33:47.840
<v Speaker 1>do they do it?

0:33:47.880 --> 0:33:50.120
<v Speaker 2>But whatever, Yeah, it's it's kind of a thing where

0:33:50.120 --> 0:33:52.040
<v Speaker 2>one of the rare ones that don't do it like that.

0:33:52.400 --> 0:33:53.320
<v Speaker 1>Yeah, all right.

0:33:54.120 --> 0:33:56.800
<v Speaker 2>There's another great anecdote about the cloud that she had.

0:33:56.880 --> 0:34:01.280
<v Speaker 2>As far as advertisers go, there was a a can

0:34:01.520 --> 0:34:04.280
<v Speaker 2>or a brand of canned vegetables that bought a ten

0:34:04.360 --> 0:34:07.880
<v Speaker 2>week add by on her show and from number seven

0:34:08.280 --> 0:34:11.880
<v Speaker 2>to number one. And I looked into the brand. It

0:34:11.960 --> 0:34:16.879
<v Speaker 2>was Black Brand canned broccoli clouds and Bachulin Squeezings. I mean,

0:34:17.000 --> 0:34:19.080
<v Speaker 2>she took that from number seven to number one.

0:34:19.360 --> 0:34:22.399
<v Speaker 1>It's crazy. I think, well, it's time for a late

0:34:22.440 --> 0:34:24.680
<v Speaker 1>break and then we'll come back and finish up with

0:34:24.760 --> 0:34:55.600
<v Speaker 1>Ruth Lions.

0:34:40.800 --> 0:34:46.440
<v Speaker 2>Learn and stuff with Joshua John Stuff fu shin up.

0:34:49.600 --> 0:34:53.160
<v Speaker 1>All right, So finishing up with Ruth Lyons, you know,

0:34:53.600 --> 0:34:55.920
<v Speaker 1>we talked about the fact that she always said that,

0:34:56.480 --> 0:34:58.680
<v Speaker 1>you know, in her words, she was just a housewife

0:34:58.760 --> 0:35:01.880
<v Speaker 1>with a radio program, all in an effort to be

0:35:02.320 --> 0:35:06.200
<v Speaker 1>relatable to people that were watching her. The audience called

0:35:06.200 --> 0:35:09.680
<v Speaker 1>her mother, her staff, and everyone there called her mother,

0:35:09.719 --> 0:35:12.640
<v Speaker 1>which I think is like super kind of cool. And

0:35:12.760 --> 0:35:14.160
<v Speaker 1>she would, you know, she would get on the air

0:35:14.160 --> 0:35:17.000
<v Speaker 1>and talk about housekeeping and stuff like that, which sponsors

0:35:17.000 --> 0:35:20.479
<v Speaker 1>obviously loved, and then sometimes she would turn that into

0:35:20.520 --> 0:35:23.840
<v Speaker 1>a bit like when her housekeeper quit, she brought in

0:35:23.880 --> 0:35:27.759
<v Speaker 1>her husband's laundry and had an ironing contest for the audience,

0:35:28.520 --> 0:35:32.239
<v Speaker 1>which of course incorporated spray starch as an advertiser.

0:35:32.840 --> 0:35:36.760
<v Speaker 2>Yeah, she did what you would call integrated advertising today,

0:35:36.840 --> 0:35:39.520
<v Speaker 2>like where people just suddenly you realize they're talking about

0:35:39.520 --> 0:35:41.720
<v Speaker 2>a product and it's not actually part of the show.

0:35:42.360 --> 0:35:45.040
<v Speaker 2>She kind of did stuff like that which we don't do.

0:35:46.200 --> 0:35:49.319
<v Speaker 1>No, I mean people, I think people accused us of that.

0:35:49.320 --> 0:35:51.799
<v Speaker 1>When I talked about KFC recently, I was like, I

0:35:51.880 --> 0:35:53.200
<v Speaker 1>just like KFC.

0:35:53.280 --> 0:35:56.080
<v Speaker 2>Or the whole pepsi ad that we did that we

0:35:56.120 --> 0:35:58.239
<v Speaker 2>said at the beginning was an ad seemed to have

0:35:58.280 --> 0:36:01.160
<v Speaker 2>confused people a lot too, So we still don't do

0:36:01.280 --> 0:36:03.719
<v Speaker 2>integrated advertising everybody.

0:36:03.360 --> 0:36:08.240
<v Speaker 1>That's right. So she wasn't without her detractors, of course,

0:36:08.280 --> 0:36:13.680
<v Speaker 1>because she was a woman on the air. Just like today,

0:36:13.760 --> 0:36:15.239
<v Speaker 1>you're going to have people that are going to be

0:36:15.280 --> 0:36:19.400
<v Speaker 1>picking apart her appearance in nineteen sixty Ladies Home Journal

0:36:19.440 --> 0:36:22.560
<v Speaker 1>of all places, there was a reporter named Betty Hannah

0:36:22.640 --> 0:36:25.400
<v Speaker 1>Hoffman who said that she has a bad slouch and

0:36:25.440 --> 0:36:29.239
<v Speaker 1>a sandpaper voice. And someone from that story, it was

0:36:29.280 --> 0:36:32.200
<v Speaker 1>an anonymous source, said she was a very dominating kind

0:36:32.239 --> 0:36:35.360
<v Speaker 1>of woman. She needles and browbeats the men on her program,

0:36:35.400 --> 0:36:39.359
<v Speaker 1>and this delights the housewives. You know, again, I think

0:36:39.400 --> 0:36:42.560
<v Speaker 1>this is all just coded language for somebody having fun

0:36:42.600 --> 0:36:44.960
<v Speaker 1>on the air. And maybe if she was poking fun

0:36:45.000 --> 0:36:47.400
<v Speaker 1>of men on the air to the delight of housewives,

0:36:48.920 --> 0:36:50.560
<v Speaker 1>you know, I'm sure that was the thing she did,

0:36:50.680 --> 0:36:52.160
<v Speaker 1>because that's funny, it's comedy.

0:36:52.880 --> 0:36:55.279
<v Speaker 2>Sure, Yeah, I think that's kind of what I was

0:36:55.280 --> 0:36:57.239
<v Speaker 2>talking about at the beginning. That some people were like,

0:36:57.280 --> 0:36:59.440
<v Speaker 2>she's a little brash or whatever, but they didn't know

0:36:59.440 --> 0:37:02.120
<v Speaker 2>what they were talking talking about. They were just being Cattie,

0:37:03.000 --> 0:37:05.719
<v Speaker 2>that's right, And you had said earlier too, that she

0:37:05.840 --> 0:37:07.399
<v Speaker 2>was one of those people where the more you found

0:37:07.440 --> 0:37:09.759
<v Speaker 2>out about her, the better she kept go getting. And

0:37:09.800 --> 0:37:11.440
<v Speaker 2>I'm sure that this is one of the things that

0:37:11.520 --> 0:37:14.359
<v Speaker 2>struck you because it did me as well. But I

0:37:14.360 --> 0:37:20.360
<v Speaker 2>think in nineteen fifty two, she had a singer on,

0:37:20.440 --> 0:37:22.800
<v Speaker 2>a black singer named Arthur Lee Simpkins, who was performing

0:37:22.800 --> 0:37:24.640
<v Speaker 2>in town. She'd seen him perform the night before with

0:37:24.680 --> 0:37:28.520
<v Speaker 2>her husband, and she invited him to be on the

0:37:28.560 --> 0:37:31.080
<v Speaker 2>show the next day, and she noticed that while he

0:37:31.200 --> 0:37:34.480
<v Speaker 2>was singing his first number that he looked very nervous.

0:37:34.800 --> 0:37:37.359
<v Speaker 2>So she went over to him and started dancing with him,

0:37:37.800 --> 0:37:39.839
<v Speaker 2>and they danced for a couple of minutes, and then

0:37:39.880 --> 0:37:42.760
<v Speaker 2>he did some more performances and loosened up and everything

0:37:42.840 --> 0:37:46.000
<v Speaker 2>was great. Well, that caused quite a scandal because a

0:37:46.040 --> 0:37:50.040
<v Speaker 2>white woman danced on television with a black man. And

0:37:50.080 --> 0:37:53.840
<v Speaker 2>this again was nineteen fifty two, And apparently while she

0:37:53.920 --> 0:37:55.640
<v Speaker 2>was doing this, it didn't even occur to her that

0:37:55.719 --> 0:37:57.359
<v Speaker 2>this was going to be a thing that was kind

0:37:57.400 --> 0:37:59.719
<v Speaker 2>of how she was as a person. But she got

0:37:59.760 --> 0:38:03.200
<v Speaker 2>a lot of pushback about it, and then simultaneously she

0:38:03.239 --> 0:38:06.319
<v Speaker 2>got a lot of like kudos and thanks for just

0:38:06.360 --> 0:38:10.800
<v Speaker 2>basically I saw one woman wrote that that she demonstrated

0:38:10.880 --> 0:38:13.879
<v Speaker 2>heartfelt love for another human being without being hampered one

0:38:13.920 --> 0:38:17.120
<v Speaker 2>bit by the color of his skin. And she didn't

0:38:17.200 --> 0:38:19.719
<v Speaker 2>shrink from that controversy at all, Chuck. She came on

0:38:19.760 --> 0:38:21.920
<v Speaker 2>the next day and spent fifteen minutes talking about how

0:38:21.920 --> 0:38:24.040
<v Speaker 2>there was nothing wrong with what she had done.

0:38:24.280 --> 0:38:27.040
<v Speaker 1>Yeah, it was pretty great, like very publicly. She was

0:38:27.080 --> 0:38:30.160
<v Speaker 1>also very supportive and tried to advance to the careers

0:38:30.200 --> 0:38:33.600
<v Speaker 1>of other women on her staff. And we definitely should

0:38:33.640 --> 0:38:37.680
<v Speaker 1>mention Elsa Sewele, who was the executive director for her

0:38:37.719 --> 0:38:41.120
<v Speaker 1>show from nineteen forty four until she retired from the show.

0:38:41.200 --> 0:38:43.480
<v Speaker 1>So it was one of those things where she was

0:38:43.760 --> 0:38:46.239
<v Speaker 1>sort of like our Jerry. She wasn't on camera, but

0:38:46.960 --> 0:38:49.359
<v Speaker 1>she talked to her off camera, so everyone knew who

0:38:49.440 --> 0:38:52.880
<v Speaker 1>Elsa was, and you know, she ran the contest. She

0:38:53.320 --> 0:38:55.200
<v Speaker 1>even wrote some of the songs, some of the charity

0:38:55.280 --> 0:39:00.279
<v Speaker 1>songs that Ruth Lyons performed, and she kept working there

0:39:00.320 --> 0:39:04.160
<v Speaker 1>after Lyon's retired. She worked as associate producer for The

0:39:04.200 --> 0:39:07.560
<v Speaker 1>Bob Bron Show because Bob Bron would take over. He

0:39:07.600 --> 0:39:09.560
<v Speaker 1>was one of the sort of sidekicks that they used

0:39:09.680 --> 0:39:11.960
<v Speaker 1>he would take over after she retired.

0:39:12.760 --> 0:39:14.759
<v Speaker 2>Yeah, and one more thing about her, she sho's pro

0:39:14.920 --> 0:39:15.640
<v Speaker 2>union too.

0:39:15.600 --> 0:39:19.520
<v Speaker 1>Right, Yeah. She you know, the musicians went on strike

0:39:19.520 --> 0:39:21.359
<v Speaker 1>at a certain point, and she was like, oh, wait

0:39:21.360 --> 0:39:24.080
<v Speaker 1>a minute, I'm a musician. I've always thought of myself

0:39:24.120 --> 0:39:26.120
<v Speaker 1>as a musician as well, so I'm going to go

0:39:26.200 --> 0:39:29.680
<v Speaker 1>on strike with these people. And the station immediately pulled

0:39:29.680 --> 0:39:31.359
<v Speaker 1>back and was like, oh, oh, oh, well, we can't

0:39:31.400 --> 0:39:31.680
<v Speaker 1>have that.

0:39:31.800 --> 0:39:35.919
<v Speaker 2>So they gave in, right, all right, So you said

0:39:35.920 --> 0:39:39.799
<v Speaker 2>that she retired. She ended up retiring I think in

0:39:39.920 --> 0:39:44.200
<v Speaker 2>nineteen sixty seven, but that was after a few really

0:39:44.280 --> 0:39:47.600
<v Speaker 2>hard years that began in nineteen sixty four, starting with

0:39:47.719 --> 0:39:51.520
<v Speaker 2>the death of her sister, Rose Reeves Lupton, who also

0:39:51.600 --> 0:39:55.719
<v Speaker 2>who was a coworker of hers, also a WLWT, and

0:39:55.800 --> 0:39:58.080
<v Speaker 2>she had been living with cancer for ten years and

0:39:58.520 --> 0:40:01.600
<v Speaker 2>succumbed to it eventually again in nineteen sixty four, and

0:40:01.640 --> 0:40:03.680
<v Speaker 2>that was kind of the beginning of a bunch of

0:40:03.680 --> 0:40:05.040
<v Speaker 2>hardships that she faced.

0:40:05.480 --> 0:40:08.440
<v Speaker 1>Yeah, it was it was really tough. She had a

0:40:08.480 --> 0:40:11.399
<v Speaker 1>stroke herself, a very minor stroke, but it was enough

0:40:11.440 --> 0:40:13.040
<v Speaker 1>that she felt like she needed to take a break

0:40:13.080 --> 0:40:16.440
<v Speaker 1>for a little while, just a few weeks after that

0:40:16.960 --> 0:40:21.120
<v Speaker 1>and this is just brutal. Her daughter, Candy, at twenty

0:40:21.239 --> 0:40:25.239
<v Speaker 1>years old, was diagnosed with breast cancer, had a mastectomy,

0:40:25.680 --> 0:40:28.680
<v Speaker 1>and she thought about retiring. At the time Ruth Lyons did.

0:40:28.719 --> 0:40:30.080
<v Speaker 1>She was like, I just don't you know, this is

0:40:30.239 --> 0:40:33.239
<v Speaker 1>just too much. But Candy wouldn't have it. She was like, no,

0:40:33.360 --> 0:40:36.400
<v Speaker 1>you got to keep doing the show. This is your life.

0:40:36.440 --> 0:40:39.000
<v Speaker 1>She started coming in more and more on the show

0:40:39.600 --> 0:40:42.960
<v Speaker 1>as a regular guest, and as she got worse, it

0:40:43.040 --> 0:40:45.239
<v Speaker 1>was pretty clear that she, you know, it was a

0:40:45.320 --> 0:40:49.520
<v Speaker 1>terminal case. So in nineteen sixty six, they took a trip,

0:40:49.600 --> 0:40:52.239
<v Speaker 1>a family trip to Italy, and that was sort of,

0:40:52.440 --> 0:40:54.080
<v Speaker 1>you know, the last trip they would take. I think

0:40:54.120 --> 0:40:57.040
<v Speaker 1>they knew that going in and very sadly, Candy passed

0:40:57.040 --> 0:41:00.239
<v Speaker 1>away just at twenty one years old in June of

0:41:00.239 --> 0:41:00.600
<v Speaker 1>that year.

0:41:01.160 --> 0:41:03.480
<v Speaker 2>Yeah, on the trip on the ship they were taking,

0:41:04.400 --> 0:41:06.759
<v Speaker 2>and it was very sad, and the public grieved with

0:41:06.800 --> 0:41:09.600
<v Speaker 2>her because, you know, just like other parts of her life,

0:41:09.640 --> 0:41:13.520
<v Speaker 2>she shared that whole tragedy with Candy with them as

0:41:13.640 --> 0:41:18.240
<v Speaker 2>as it played out, and that was that was pretty

0:41:18.320 --> 0:41:21.560
<v Speaker 2>much it. Like she came back and she was she

0:41:21.640 --> 0:41:23.960
<v Speaker 2>tried to kind of keep going, but she'd miss a

0:41:23.960 --> 0:41:26.279
<v Speaker 2>lot of shows, and when she was there, she had

0:41:26.320 --> 0:41:30.200
<v Speaker 2>trouble just doing what. She wasn't herself any longer after

0:41:30.280 --> 0:41:32.480
<v Speaker 2>Candy died, and so the writing was on the wall

0:41:32.480 --> 0:41:36.279
<v Speaker 2>to her, and she retired officially the next year after

0:41:36.320 --> 0:41:38.319
<v Speaker 2>Candy died. She was sixty. She had been doing this

0:41:38.360 --> 0:41:42.160
<v Speaker 2>for decades by then, and she couldn't bring herself to

0:41:42.239 --> 0:41:45.600
<v Speaker 2>tell the public that she was retiring, so she had

0:41:45.600 --> 0:41:49.239
<v Speaker 2>the station's vice president announce it, and apparently even the

0:41:49.280 --> 0:41:51.960
<v Speaker 2>crew hadn't hadn't been informed before then.

0:41:52.520 --> 0:41:55.520
<v Speaker 1>Yeah, super super sad for the for the audience, for sure.

0:41:56.480 --> 0:41:59.360
<v Speaker 1>But she wrote that book that you talked about. She

0:41:59.400 --> 0:42:02.320
<v Speaker 1>also wrote a song book called Sing a Song in

0:42:02.400 --> 0:42:05.680
<v Speaker 1>nineteen sixty nine. But she never got on TV again.

0:42:05.719 --> 0:42:08.760
<v Speaker 1>She was asked a lot, of course, everyone one wanted

0:42:08.800 --> 0:42:10.560
<v Speaker 1>her to come on TV and be on their show,

0:42:11.000 --> 0:42:14.680
<v Speaker 1>but she never did it again. She was the honorary

0:42:14.760 --> 0:42:18.240
<v Speaker 1>chairman in nineteen seventy two for the Save the Terminal campaign,

0:42:18.800 --> 0:42:22.600
<v Speaker 1>which rescued the Art Deco the beautiful Art Deco Union

0:42:22.680 --> 0:42:25.880
<v Speaker 1>Terminal in Cincinnati because they're going to tear that down.

0:42:26.360 --> 0:42:30.280
<v Speaker 1>So that was kind of one of her big public

0:42:30.360 --> 0:42:32.239
<v Speaker 1>final acts. But she would go on to live for

0:42:32.280 --> 0:42:34.319
<v Speaker 1>a while. She passed away at the age of eighty

0:42:34.360 --> 0:42:35.359
<v Speaker 1>one and nineteen eighty eight.

0:42:35.880 --> 0:42:39.879
<v Speaker 2>Yeah, and one last footnote. The nineteen fifty seven Major

0:42:39.960 --> 0:42:44.120
<v Speaker 2>League Baseball All Star Game heavily stacked with Cincinnati Reds

0:42:44.160 --> 0:42:47.600
<v Speaker 2>players who were outmatched by plenty of other players around

0:42:47.600 --> 0:42:50.000
<v Speaker 2>the league, but they had gotten more votes because this

0:42:50.040 --> 0:42:52.160
<v Speaker 2>is when the public voted, i think for the first time,

0:42:52.480 --> 0:42:55.239
<v Speaker 2>and that was because, like you said, Ruth Lyons had

0:42:55.320 --> 0:42:58.560
<v Speaker 2>led a stuff the ballot box drive to get as

0:42:58.560 --> 0:43:00.560
<v Speaker 2>many Reds players on the All Star Our team as

0:43:00.560 --> 0:43:02.120
<v Speaker 2>possible because she was a huge fan.

0:43:02.680 --> 0:43:04.760
<v Speaker 1>That's right, Go Reds. I've always liked the Reds.

0:43:05.200 --> 0:43:10.680
<v Speaker 2>Sure. Remember Eric Davis, he was awesome. Yeah yeah, Okay,

0:43:10.840 --> 0:43:14.840
<v Speaker 2>Well that's it for Ruth Lyons again, hats off to you.

0:43:14.960 --> 0:43:18.080
<v Speaker 2>White gloves off and I think, Chuck, it's time for

0:43:18.120 --> 0:43:22.120
<v Speaker 2>listener mayw. Yeah.

0:43:22.120 --> 0:43:24.840
<v Speaker 1>This is one of those cool things that happen sometimes

0:43:24.840 --> 0:43:27.920
<v Speaker 1>where somebody we reference on the show, maybe someone who's

0:43:27.920 --> 0:43:30.839
<v Speaker 1>written a book or something, writes in because they heard

0:43:30.840 --> 0:43:33.760
<v Speaker 1>it and this is great. This is from Stephen Kursey,

0:43:33.840 --> 0:43:37.799
<v Speaker 1>who wrote the nonfiction book The Quiet Zone, and he

0:43:37.880 --> 0:43:40.319
<v Speaker 1>listened to our episode on the National Radio Quiet Zone

0:43:40.360 --> 0:43:45.360
<v Speaker 1>and had a correction. He said, the National Security Agency

0:43:45.520 --> 0:43:48.719
<v Speaker 1>remains very much active at Sugar Growth station, guys, which

0:43:48.760 --> 0:43:52.240
<v Speaker 1>means the NSA Defense Department remains a major unseen force

0:43:52.760 --> 0:43:56.680
<v Speaker 1>and influence behind the National Radio Quiet Zone. You guys

0:43:56.719 --> 0:43:59.600
<v Speaker 1>cited an old news story about Sugar Grow being partly

0:43:59.640 --> 0:44:03.160
<v Speaker 1>sold off, which is accurate. The US Navy had ended

0:44:03.200 --> 0:44:05.920
<v Speaker 1>most of but not all, of its operations in sugar

0:44:05.960 --> 0:44:08.719
<v Speaker 1>Grove and much of the military housing community was put

0:44:08.800 --> 0:44:11.719
<v Speaker 1>up for auction in twenty sixteen, but I don't know

0:44:11.719 --> 0:44:14.560
<v Speaker 1>if it actually sold. In any case, the government retained

0:44:14.600 --> 0:44:18.600
<v Speaker 1>ownership and usage of the highly secretive classified radio antennas

0:44:19.000 --> 0:44:22.400
<v Speaker 1>at Sugar Grove, which are up a guarded mountain holler

0:44:22.719 --> 0:44:25.239
<v Speaker 1>that is out of public view. However, you can see

0:44:25.239 --> 0:44:27.799
<v Speaker 1>the facility if you go up another mountain road, as

0:44:27.840 --> 0:44:31.799
<v Speaker 1>I've done. That's Stephen talking. You can also see the

0:44:31.800 --> 0:44:35.239
<v Speaker 1>facility and it's half dozen antennas on Google Maps. The

0:44:35.360 --> 0:44:38.640
<v Speaker 1>Intercept did an excellent piece on Sugar Grove in twenty seventeen.

0:44:40.120 --> 0:44:43.520
<v Speaker 1>I still have contacts at the Green Bank Observatory, and

0:44:43.680 --> 0:44:45.680
<v Speaker 1>they'd know if the NSA was no longer active in

0:44:45.760 --> 0:44:48.640
<v Speaker 1>Sugar Grove, and nobody has said they're not. So hope

0:44:48.640 --> 0:44:51.080
<v Speaker 1>this has shed some light on this for you guys.

0:44:51.520 --> 0:44:54.480
<v Speaker 1>And that again is from Stephen Cursey, author of The

0:44:54.600 --> 0:44:55.920
<v Speaker 1>Quiet Zone.

0:44:56.200 --> 0:44:58.600
<v Speaker 2>Very cool. I wrote them back too and said it's

0:44:58.600 --> 0:45:01.440
<v Speaker 2>always neat to hear from the per who literally wrote

0:45:01.440 --> 0:45:03.719
<v Speaker 2>the book on whatever it is we're talking about, you know.

0:45:04.200 --> 0:45:04.799
<v Speaker 1>Always great.

0:45:05.480 --> 0:45:07.680
<v Speaker 2>Thanks a lot, Steven. I'm not sure how how we

0:45:07.719 --> 0:45:10.640
<v Speaker 2>missed that that the NSA actually hadn't cleared out, although

0:45:10.680 --> 0:45:14.279
<v Speaker 2>down I think about it, it's probably easy to do. Yeah,

0:45:14.360 --> 0:45:18.279
<v Speaker 2>I think we were manipulated by the NSA. Probably. If

0:45:18.280 --> 0:45:20.520
<v Speaker 2>you want to be like Stephen Kurzy and write to us,

0:45:20.600 --> 0:45:22.759
<v Speaker 2>you don't have to be an expert, that's okay. You

0:45:22.800 --> 0:45:29.680
<v Speaker 2>can send your email to stuff podcast at iHeartRadio dot com.

0:45:29.840 --> 0:45:32.719
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:45:32.800 --> 0:45:37.000
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:45:37.080 --> 0:45:38.920
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