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Speaker 1: How does it feel to know that you could take

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Speaker 1: any guy's wife in the world, Like, what is that

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Speaker 1: feeling like, Jess, I don't think about it like that.

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Speaker 1: You have to.

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Speaker 2: I mean, what if y'artist is Joe Crack the Dawn?

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Speaker 1: Know what it is?

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Speaker 3: Your boy, Jada? This is the Joe and Jadas show,

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Speaker 3: every show legendary, every show iconic, and he's still on course,

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Speaker 3: big just in the game, biggest in the game. Ladies

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Speaker 3: and gentleman. Makes some noise for our guests today. Great actor,

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Speaker 3: excellent actor, excellent Broadway player, excellent activist, excellent human being,

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Speaker 3: just a great person. Jesse Williams makes some doll what out.

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Speaker 2: Thanks for having me listen.

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Speaker 1: We got women. I don't know if you know. I

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Speaker 1: said it's in the Rock Nation Building, but we have

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Speaker 1: women from every different floor. I'm looking at all of y'all,

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Speaker 1: so they don't really work on this floor, and they're

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Speaker 1: all here independence today my style.

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Speaker 4: You got anyone that so you don't necessary that the

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Speaker 4: busy Connor us in the seventh floor, she's up.

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Speaker 2: They all escaped, was like, yes, they getting in here.

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Speaker 2: I see people that know.

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Speaker 3: Every one that sit in on the episode today and

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Speaker 3: mysteriously is extra female headed?

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Speaker 1: Did it? How does it feel to know that you

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Speaker 1: could take any guy's wife in the world, Like what

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Speaker 1: is that feeling?

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Speaker 5: Like, Jess, I don't think about it like that. I mean,

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Speaker 5: you know, knowing is enough. Sometimes they don't mean you

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Speaker 5: got to do it, no doubt, you know what I mean.

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Speaker 1: See, I never knew that, Like I know, I'm not ugly,

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Speaker 1: but I never knew like I never knew enough, Like

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Speaker 1: you know what I'm saying, Like, like you know I

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Speaker 1: had to chase my wife for week. Yeah you know,

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Speaker 1: I mean you just wanted them like yo, I got.

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Speaker 2: You just go like this. I took the mom brothers.

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Speaker 3: Growing up in Chicago, yes, I was that.

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Speaker 2: She was rough. I mean that was the eighties crack

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Speaker 2: era of Chicago.

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Speaker 5: I mean I left in junior high because she was

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Speaker 5: It was wild and my mom wanted to me to

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Speaker 5: survive it. But but it was real. I mean, I'm

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Speaker 5: so grateful for it I had. I had an incredible childhood.

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Speaker 5: It was just it was eighties.

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Speaker 2: You moved.

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Speaker 5: I moved from Chicago to Massachusetts. I moved, I became

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Speaker 5: a neighbor real. That was my parents got divorced. My

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Speaker 5: mom we moved to a different art school and I

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Speaker 5: got a whole lot of family.

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Speaker 2: In New England. I think she just wanted to be

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Speaker 2: closer to the family because we were kind of isolated.

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Speaker 5: Are you like Kate Verdians. Uh No, there's Matt Kate Verdians,

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Speaker 5: Kate very everybody thought I was Ky Verdian. I mean

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Speaker 5: everywhere think I'm them, Puerto Rican thinking Puerto Rican, Brazilians

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Speaker 5: think I'm Brazilian. You know what I mean, Like you're

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Speaker 5: bled in everywhere person of me. I'm not seeinging Spanish.

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Speaker 1: A fucking uh jabaja on and going Dubai and be

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Speaker 1: a Dubai guy.

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Speaker 2: I'm saying, I that's next. That might be the next.

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Speaker 2: Everything the uh you.

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Speaker 5: Went to Temple to you went to Temple University. Yeah,

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Speaker 5: Temple was dope. That was a good That was a

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Speaker 5: good time too, because it was I was. I was

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Speaker 5: a Temple right when like the roots were taking off.

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Speaker 5: Erica Jazzy Fat Nasti's common black star. Everybody was there,

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Speaker 5: everybody was I was there for all that Solfuarians D'Angelo like,

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Speaker 5: there was just like this Renaissance free shows everywhere every night.

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Speaker 5: Jazzy Fat Nasti's five spot. Like you notice that you

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Speaker 5: would just see real music, ill hip hop all the time. Uh,

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Speaker 5: you know, shout out to like you know the electric Yeah, studies,

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Speaker 5: Jill Scott fell love of it, just Scott there like,

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Speaker 5: and we had our basketball team was nice too. That's

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Speaker 5: when we had like Pepe Santas, Quincy Wadley. We played

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Speaker 5: lamar odom a u r I. We played them like

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Speaker 5: we made like the Elite eight live on TV. Coach

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Speaker 5: It's our motto is tu motherfuckers. So that didn't really

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Speaker 5: work well for ESPN. It was like Live on ESPN.

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Speaker 5: They never came back. But we had Coach Chaney, no doubt.

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Speaker 5: We had Coach Chaney. Yeah.

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Speaker 2: That was a good years. And I taught high school

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Speaker 2: in Philly for a few years. Uh what was like?

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Speaker 2: That was dope.

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Speaker 5: That was another the best job I ever had, you know.

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Speaker 5: I taught high school in the hood.

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Speaker 1: Explain that to us just for the love of the kids.

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Speaker 2: Yeah, for the love of the kids.

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Speaker 5: For how importy it was, like, Yo, there were some

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Speaker 5: bad ass kids there too, but.

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Speaker 1: It was detected in the fucking from first to sixth grade.

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Speaker 2: We had that too.

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Speaker 5: I had I had two kids with a loaded gun

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Speaker 5: in my class. Like, that's a high school. I looked

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Speaker 5: like I was in high school. I was in my

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Speaker 5: early twenties. They had guns.

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Speaker 2: We had a daycare center. They had baby He's like,

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Speaker 2: you know.

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Speaker 1: Kids in the school had babies.

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Speaker 5: Oh yeah, we had a daycare center. Like it was

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Speaker 5: a lot of girls were pregnant. It was real. Ship

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Speaker 5: is where we came from. So it was like we

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Speaker 5: were I was that bad ass kid like it was.

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Speaker 5: I've been definitely had my life turned in the right

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Speaker 5: direction by great teachers before.

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Speaker 2: And I was trying to do that. Like it was.

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Speaker 5: It was beautiful work. It was important. I had really

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Speaker 5: great students. I taught, like you know, I turned every class.

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Speaker 5: I was a sub, long term sub at first, and

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Speaker 5: I would have turned everything into African history find and

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Speaker 5: it was.

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Speaker 2: It was beautiful. It's just changed.

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Speaker 6: But it's such a lack of that right because right

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Speaker 6: now I just saw, uh, they have a museum right

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Speaker 6: now when they're trying to like erase African American history. Yeah,

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Speaker 6: basically making kids got the gun that killed Emmit Till.

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Speaker 6: The person who found it is also the guy who

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Speaker 6: wrote the book about Emmett Till and he says, there

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Speaker 6: is no mention of Emmett Till in no history book

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Speaker 6: in the whole school system throughout the Civil.

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Speaker 1: Rights era or nothing like that. So it's it's so

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Speaker 1: important to teach African American history to the youth because

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Speaker 1: we don't know, Like you know, I argue with these foundations,

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Speaker 1: Like you know, sometimes I'm in the car and and

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Speaker 1: somebody says something, do you know the traffic stop was yeah,

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Speaker 1: the traffic yeah, person, yeah, do you know the plasma

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Speaker 1: was charls None of this if they know that what

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Speaker 1: we created, like the whole hustle of this society and

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Speaker 1: white supremacy, the con doesn't work if you actually understand

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Speaker 1: the role the contributions that black votes that work, and

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Speaker 1: this ship don't start with slavery. If you learn where

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Speaker 1: Greece actually study, where Rome actually studied, where they what

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Speaker 1: they learned in Africa, where institutions and mathematics and all

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Speaker 1: these things came from. It's not just like to feel good,

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Speaker 1: it's the actual history is the foundational of all this

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Speaker 1: ship empires, rise and fall, you know what I mean,

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Speaker 1: Like we're in one that's going to fall and hope

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Speaker 1: and while I'm here yeah, but my kids, I'm being

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Speaker 1: able to by to fall, being able to well the

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Speaker 1: empire falls, yep. Like so you know how we feel

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Speaker 1: like this is America and can nobody come blow us up?

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Speaker 1: We safe this That's bullshit. It happened at every empire

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Speaker 1: in the past, you know. And what's crazy is I

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Speaker 1: just came back on a flight from Dubai with a

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Speaker 1: couple that went to Egypt.

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Speaker 2: It's one place I've never been to that I always

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Speaker 2: want to go to.

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Speaker 1: And I was talking to them and they were like, yo,

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Speaker 1: you know King Tut, Like I find this confusing.

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Speaker 2: They was like, King Tut is still in the tomb

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Speaker 2: right there.

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Speaker 1: You could see them, And I'm like, how could you

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Speaker 1: see King cut didn't he died like ten thousand years ago,

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Speaker 1: don't like disintegrated and all that. But the main thing

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Speaker 1: about it was they were explaining that the pyramids were

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Speaker 1: made so that if there's an earthquake that sways with

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Speaker 1: the earthquake, you can't blow them buildings. Them buildings won't fall.

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Speaker 1: And I've seen they had ac you know how it

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Speaker 1: is the fucking Egypt, them, the Pharaohs, and on that

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Speaker 1: a c they figured out how to make a c

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Speaker 1: all these years ago with the water system and all that.

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Speaker 1: These guys were brilliant. I'm not lying Google. Oh my god,

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Speaker 1: he threw a flag on the plane our house.

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Speaker 3: Still I ain't see it don't work sometimes, I yeah,

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Speaker 3: ac always.

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Speaker 5: And they had a air shafts. I'm talking keeping a shaded.

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Speaker 5: You could say, keeping a shade. How many things are

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Speaker 5: temples connected to start the constellation?

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Speaker 1: Laying it the right way?

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Speaker 7: Yeah, you made a seat like they got, situated like

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Speaker 7: we got. They just plunged that shit in jaw one

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Speaker 7: hundred and forty degrees outside. There's a way for you

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Speaker 7: to make it cool. I got that adapter th guys.

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Speaker 1: Was the point is there's been extra extraordinary intelligence with

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Speaker 1: with Africans, African Americans. Did they don't teach them so

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Speaker 1: because teaching Philly.

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Speaker 5: Yeah, and you're teaching the kids that absolutely every chance,

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Speaker 5: every every chance you get. I mean, I'm teaching them

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Speaker 5: showing them, you know, figures in African history, including chem

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Speaker 5: it black as they are with corn roads that are

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Speaker 5: the leading irrigators, astronomers, architects, city planners, physicians, surgeons, all

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Speaker 5: these things. Well before you came out of the dark

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Speaker 5: ages and you just watch your students just like I

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Speaker 5: did when my dad was teaching this to me. Posture change,

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Speaker 5: lifting up, like asking questions, now involved like it includes me.

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Speaker 5: It's the only element of school that includes you. And

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Speaker 5: it's telling you that you've already been here, you already had.

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Speaker 5: You didn't come from the Mud, you ain't come from slavery.

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Speaker 5: Edit at the beginning and nothing. That's the end of something.

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Speaker 5: And UH are confidence And it's not just for us.

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Speaker 5: You think, you know if white kids and everybody else

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Speaker 5: also had to learn that we invented. You can't walk

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Speaker 5: through the this country without touching ten things at an

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Speaker 5: African invented, invent that affects you.

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Speaker 1: Why don't we mention something that come to mind just

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Speaker 1: so for the kids? Just watch them right now.

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Speaker 2: Elevator, refrigeration, early cell phone technology. Would you say you said,

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Speaker 2: traffic flighter, a big light, Lewis Latimer and the light

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Speaker 2: bulb the actual work with Edison when live light all

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Speaker 2: of London.

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Speaker 5: You don't know that, right, Joe slider Man FRS.

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Speaker 1: You did a life for medicine. Truth done Edison. What

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Speaker 1: I'm saying to you is, and I was thinking the

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Speaker 1: other day, I said man. You know, Tupac to Biggie

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Speaker 1: were young kids, right and.

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Speaker 2: Twenty six and whatever twenty five, Yeah, but whatever came

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Speaker 2: to their mind.

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Speaker 1: Like Tupac was talking about real shit that happens right now,

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Speaker 1: and Big too and so back in that day, right,

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Speaker 1: because I was trying to think, like, other than his

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Speaker 1: family being black panthers and stuff like that, I was

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Speaker 1: like trying to think of him and Biggie.

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Speaker 2: They was talking about issues that was happening at the time.

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Speaker 1: And then I thought about it, said, well, you know

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Speaker 1: that we was coming right off of Karis One Public Enemy,

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Speaker 1: Queen Latifah War's all that conscious movement. So they were

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Speaker 1: more like the lyricists, but they were including consciousness in

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Speaker 1: the music. I see a lack of that, unless I

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Speaker 1: don't know with the youth today, like I see a

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Speaker 1: lack of that. You know, at least we caught that

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Speaker 1: in our era, you know, talking about like he made

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Speaker 1: a song like why, but why it comes from you know,

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Speaker 1: from people in front of them, and so it's very

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Speaker 1: important that we teach our history.

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Speaker 5: No, why do you think through why do you think that?

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Speaker 5: Do you think we can get that level of musicality back?

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Speaker 5: That level of songwriting where it's about just love and

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Speaker 5: real ship in our community.

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Speaker 2: From that that entire era.

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Speaker 8: I would say, we have to go the way you

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Speaker 8: went about teaching your class, Like when when we're amongst

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Speaker 8: each other, you make it sound interesting, interesting and they

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Speaker 8: want to learn.

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Speaker 3: Then the posture change, then the music would change.

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Speaker 5: Right, So leading by example, maybe a couple O g's

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Speaker 5: need to do something just to see that it is

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Speaker 5: cool that there is I.

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Speaker 1: Also believe that's in our culture.

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Speaker 2: That's how you start to yeah, spread some of you

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Speaker 2: got lean.

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Speaker 5: Yeah.

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Speaker 1: What I believe is cool is I don't want to

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Speaker 1: You can't be about money, okay, because the world the

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Speaker 1: way hip hop is fucked up?

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Speaker 2: Is it just it.

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Speaker 1: Went from an art form that was created by poor

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Speaker 1: people in the Bronx don't know. Hey, I'm from the box.

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Speaker 1: Maybe we invented this ship. We want to have these

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Speaker 1: couches in this motherfucker without the Bronx. But wasn't for

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Speaker 1: the Bronx to scrap ship? Don't do that. But what

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Speaker 1: you know, I trying to pluck it every time. But

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Speaker 1: the truth is it came from an art form where

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Speaker 1: these people, unfortunately, our pioneers who started this they never

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Speaker 1: got their money, or they just do because they did

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Speaker 1: it out of love. And if they would do it

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Speaker 1: ten times again, a hundred times again, they would go

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Speaker 1: in the party for free again. And so this conscious

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Speaker 1: movement of this time right now can't be currency based

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Speaker 1: because now people is all thinking about let me get

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Speaker 1: one hit and I'm gonna make my money. It's a

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Speaker 1: bag as a lick. They're not preserving the culture. They're

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Speaker 1: not so much about teaching the youth for whatever. So

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Speaker 1: it got to be a group of people. A group

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Speaker 1: of people, a collective decisions money and you can make money.

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Speaker 2: You don't want to make it.

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Speaker 5: You make money, but us it makes good money.

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Speaker 1: Job to fund that it might be our job or

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Speaker 1: find it at y'all, we're gonna donate. We make a

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Speaker 1: lot of money, let's donate some money towards those guys

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Speaker 1: are trying to give the positive message and ain't making

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Speaker 1: no money.

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Speaker 2: It's not even about the money.

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Speaker 3: Like you said, you have to show them firsthand that

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Speaker 3: is cool and then in it, well I think what

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Speaker 3: about it?

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Speaker 5: Also we have to remember make it on anti blackness

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Speaker 5: has got to be uncool. It's like there's how many

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Speaker 5: niggas you can destroy us just killing each other and

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Speaker 5: inviscerating each other. And I think it was a young

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Speaker 5: brilliant brother, you know, Vince Staples. He said in an interview.

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Speaker 5: It was good to hear from a young a young

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Speaker 5: artist's mouth. Like the MCS used to rap about having

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Speaker 5: a sling crack, right, having to be alchemists and create

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Speaker 5: something out of nothing, having having a pushdough.

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Speaker 2: And now it's the drug users.

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Speaker 5: Now it's the drug addicts making making music about being

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Speaker 5: addicted to drugs and using drugs. And that's a that's

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Speaker 5: a shift because we're all listening, we're absorbing it. Those

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Speaker 5: high school kids are wrapping it. We memorize. You can't

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Speaker 5: memorize your time stables or the history, but you might.

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Speaker 2: But you know that.

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Speaker 1: But you know, to Soli, they had a kid out

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Speaker 1: of Philly, brilliant only wrapped about positive beautiful brother gave

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Speaker 1: him two blocks in Philly and three blocks.

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Speaker 2: Yeah, yeah, you.

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Speaker 1: Know, but that would that that right there touched me

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Speaker 1: because uh, this kid he was he was doing that

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Speaker 1: one of the you doing the conscious movement han't enough though,

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Speaker 1: it wasn't enough behind it, It wasn't.

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Speaker 2: And he was the he was alone.

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Speaker 3: He was the he was the under you know, it's

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Speaker 3: more of the negativity than him.

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Speaker 2: He was the outcast men in it. Know what is

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Speaker 2: your boy?

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Speaker 1: Kids? Joe crack check get out.

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Speaker 2: We got a Patreon. You can get exclusive clips, you can.

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Speaker 3: Get early access to the episodes, a lot of surprises.

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Speaker 2: Oh it is subscribed party. You know that right now.

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Speaker 3: Because it's free, you're giving you the first one of

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Speaker 3: preer that that is going to be a little difficult

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Speaker 3: over there right now, Joe and Javien Patreon.

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Speaker 2: Let's get wild wild West.

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Speaker 3: You your first breakthrough came through New York Actors Showcase.

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Speaker 2: What was that addition that was? You know, I had

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Speaker 2: just started again. I didn't start. I was teaching up

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Speaker 2: and I didn't start.

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Speaker 5: Really acting till I was in my late twenties and

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Speaker 5: I got this.

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Speaker 2: Uh. I was working at a law I was working

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Speaker 2: at law firms in New York.

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Speaker 5: And I hit up an old agent, an old commercial agency,

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Speaker 5: if you could put me on just to try to

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Speaker 5: really act. And I got a small agency and they

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Speaker 5: sent me to this. ABC did a like a diversity showcase.

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Speaker 5: They make a little spot where they'll let non white

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Speaker 5: actors get to get a shot. So we do a little,

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Speaker 5: We do a little, you know, like a littleis your

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Speaker 5: little area. You get to do your thing, and you

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Speaker 5: get to do a scene from a play and managers

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Speaker 5: and agents will come and watch. And I've made a

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Speaker 5: lot of lifelong friends from that showcase. There was like

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Speaker 5: twelve of us, wow black actors, black and brown actors

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Speaker 5: that came up. And and then ABC would bring you

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Speaker 5: to auditions like just just fuck up auditions. I was

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Speaker 5: just doing horrible and auditions. It pulled me aside, like Yo,

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Speaker 5: what are you doing? Why are you looking over there?

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Speaker 2: Do that?

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Speaker 5: Cause I didn't go to acting school and never took

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Speaker 5: an acting class, and everyone wanted to be an actor,

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Speaker 5: like I didn't have any training. So they were a

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Speaker 5: beautiful place that I could kind of just you know,

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Speaker 5: like help me make my mistakes there and gave me.

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Speaker 2: Shots and shots and shots.

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Speaker 5: And then eventually years later I got a show on

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Speaker 5: ABC from l a different office, but still like that

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Speaker 5: was I really appreciate it.

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Speaker 2: They really gave me a big I mean, New York

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Speaker 2: gave me. That was where I I you know, you know,

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Speaker 2: yeah cut my teeth, yeah.

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Speaker 3: They say, you know, you say you did some rolls

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Speaker 3: as thugs and criminals to pay rent.

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Speaker 2: Well, it was.

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Speaker 5: It was funny because my first my first like seven

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Speaker 5: auditions were like robbing white people in like New York

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Speaker 5: shows And it was me as.

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Speaker 2: I watched my brothers my heart. So I actually work

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Speaker 2: every year.

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Speaker 5: Far less options than obviously I get all the privileges

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Speaker 5: you could possibly get as a black person, Like do

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Speaker 5: I love the way they prioritize the way I look,

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Speaker 5: which got nothing to do with me. And I was

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Speaker 5: still like corn rows, like robbing some white person on

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Speaker 5: a train, like it's posted up outside the spot like

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Speaker 5: and it was like, damn y'all, like this is the

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Speaker 5: only way in my life.

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Speaker 2: I begged them to be a school bus driver or something.

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Speaker 1: They always make me a gang leader, fucking mafia, a robber,

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Speaker 1: Like I've never been a nice guy in the world.

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Speaker 5: I wonder if you're the only person drank conductor, you're

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Speaker 5: a train conductor and something.

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Speaker 2: You know.

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Speaker 1: I was looking at this ship. I think it was

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Speaker 1: the Cardi b episode. You know, sometimes he's you know,

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Speaker 1: he's a real clever and witty guy. Sometimes it takes

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Speaker 1: me to look at the video. They can't figure out

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Speaker 1: the ship he's doing right. But you said, Okay, this

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Speaker 1: guy's a funny dude. He said that they put you

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Speaker 1: on a TV. They made you wrestling modes.

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Speaker 2: Shit, made me wrestling in the mud. What is Queen

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Speaker 2: Clean episode? Queen?

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Speaker 3: Yeah, the Queen show that no remember the show Queen

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Speaker 3: Ease and Brandy Yeah, yeah, yeah, yeah yeah. They had

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Speaker 3: a muscle fighting, the gun fell, the wrestling the mud.

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Speaker 3: It was freezing and raining.

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Speaker 2: Oh so you been really scrapping and ended up in

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Speaker 2: You weren't like in a ring with like geens that

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Speaker 2: outside of the mud.

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Speaker 1: So what's brought me? That's a good question, broke me.

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Speaker 1: What won't you do acting? Because it's acting? But what

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Speaker 1: w't you do? What role would you be? Like?

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Speaker 5: Yo, I'm not I ass on rolls all the time.

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Speaker 5: I mean, but it's not you won't you gotta be fortunate?

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Speaker 1: I mean, I don't know.

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Speaker 5: You know, my job is also my job is to

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Speaker 5: not be me, and my job is embodied in somebody

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Speaker 5: else's life. So I'm open to, you know, doing scary

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Speaker 5: ship that I wouldn't otherwise do, but it's definitely like

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Speaker 5: you know that I'm not doing it. There's detrimental to

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Speaker 5: my people. You know what I mean, like that was

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Speaker 5: that's the ship I don't do. Many times I've had

399
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Speaker 5: to tell agents and producers like that just racist. Not

400
00:20:00,840 --> 00:20:02,520
Speaker 5: only might doing not doing it, but take it out.

401
00:20:02,760 --> 00:20:04,880
Speaker 5: By the way, he's over here telling me nothing.

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Speaker 3: You know, pleasey gentlemen at home watching this, He telling me,

403
00:20:08,560 --> 00:20:11,640
Speaker 3: let the man talk. I'm trying to conduct the real

404
00:20:11,680 --> 00:20:13,760
Speaker 3: interview only yo.

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Speaker 1: Talk. Why you got something in mind? You because I

406
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Speaker 1: love this. I want to say, it's eating hawk right.

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Speaker 2: It's a great actor.

408
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Speaker 1: But I loved him well. He played a predator, a

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Speaker 1: child predator one time, and I never liked him again.

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Speaker 5: I see what you need, I see what it bothered me.

411
00:20:32,760 --> 00:20:35,000
Speaker 5: But that means he did a great job. That's just

412
00:20:35,040 --> 00:20:38,800
Speaker 5: so there is there is sometimes playing like dirty motherfuckers.

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00:20:38,840 --> 00:20:41,240
Speaker 5: They planning some people, especially as like a parent, like

414
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Speaker 5: something that looks like real evil.

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Speaker 2: But dude, like that.

416
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Speaker 1: Guy who played all with tin Attorney's smacking a how

417
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Speaker 1: could you ever like him?

418
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Speaker 2: If you get mad at him? That meaning that means

419
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Speaker 2: there was effective.

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Speaker 5: And also by portraying that person, you're bringing light to

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Speaker 5: what it looked like so that you can have more

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00:20:59,080 --> 00:21:01,320
Speaker 5: like attentiveness to that character in your life, like it

423
00:21:01,440 --> 00:21:02,600
Speaker 5: actually could be like a warning.

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Speaker 2: You know, who's the guy?

425
00:21:04,320 --> 00:21:07,520
Speaker 1: Who's the guy played in Training Day? We we that

426
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Speaker 1: was been ak with them? He fucked me off, did

427
00:21:10,240 --> 00:21:13,480
Speaker 1: a movie. Yeah, credit up. I never liked him, but

428
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Speaker 1: get yeah to this day when I see him, he

429
00:21:16,160 --> 00:21:18,240
Speaker 1: pops up. I'm like, yo, I don't know, Like I

430
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Speaker 1: don't fuck with this guy, but you giving me a

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Speaker 1: good perspective.

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Speaker 2: You saying he actually nailed the part.

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Speaker 5: Yeah, he did an amazing such an amazing job that

434
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Speaker 5: it made it real for you.

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00:21:28,119 --> 00:21:30,119
Speaker 2: And it's like, it's like who we just lost?

436
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Speaker 9: Who would have knew that you got acting credit with

437
00:21:36,240 --> 00:21:40,840
Speaker 9: the Ris for the whole Frank Lucas right then when

438
00:21:40,840 --> 00:21:43,080
Speaker 9: they went to the screen, and he's like, you didn't

439
00:21:43,119 --> 00:21:46,680
Speaker 9: speak to me for months, told the nigga he was police.

440
00:21:46,720 --> 00:21:50,280
Speaker 2: I was Frank Lucas. I couldn't. Yeah, so he's staying

441
00:21:50,480 --> 00:21:52,879
Speaker 2: character to the whole movies over there.

442
00:21:53,400 --> 00:21:56,160
Speaker 1: Let me ask this one question, right, because I actually

443
00:21:56,200 --> 00:22:01,480
Speaker 1: did some research with you, right, don't do that, but no, no,

444
00:22:01,560 --> 00:22:03,480
Speaker 1: I just want to go I want to make sure

445
00:22:03,520 --> 00:22:10,360
Speaker 1: the man. But in researching you, I researched, Yes, some

446
00:22:10,440 --> 00:22:14,920
Speaker 1: other fucking African American history. Okay, this woman Shonda Rhyan

447
00:22:15,240 --> 00:22:19,400
Speaker 1: yeahell me about Shonda Rhyans. She's I mean she got

448
00:22:19,480 --> 00:22:23,680
Speaker 1: Great's anatomy, Yeah, scandal, she created a huge shows, she's

449
00:22:23,680 --> 00:22:24,800
Speaker 1: still creating a huge shows.

450
00:22:24,800 --> 00:22:32,440
Speaker 2: She's she's no, no in order because I just want

451
00:22:32,520 --> 00:22:34,840
Speaker 2: to keep it lnologically, he was the.

452
00:22:35,560 --> 00:22:42,880
Speaker 3: Ship are we doing this small graphically sing an ready

453
00:22:43,560 --> 00:22:45,520
Speaker 3: this morning?

454
00:22:44,720 --> 00:22:45,800
Speaker 1: Oh yo?

455
00:22:45,920 --> 00:22:48,520
Speaker 2: This guy said rose after it.

456
00:22:48,760 --> 00:22:50,960
Speaker 1: You know they allowed him to message I want to

457
00:22:51,000 --> 00:22:53,760
Speaker 1: miss say about the woman in landy great.

458
00:22:53,760 --> 00:22:56,119
Speaker 2: Didn't he can tell us about YEP. I landed as

459
00:22:56,160 --> 00:22:57,520
Speaker 2: soon as I came to this came.

460
00:22:57,640 --> 00:22:59,840
Speaker 5: I moved from Brooklyn to l a and and got

461
00:22:59,840 --> 00:23:01,679
Speaker 5: that got that gig that's supposed to be.

462
00:23:01,680 --> 00:23:03,760
Speaker 2: Like two episodes. I ended up doing ten years on

463
00:23:03,800 --> 00:23:04,760
Speaker 2: that show. Wow.

464
00:23:05,280 --> 00:23:09,120
Speaker 5: And to have such an intelligent person as a as

465
00:23:09,440 --> 00:23:11,280
Speaker 5: the creator, as somebody you can look up to and

466
00:23:11,320 --> 00:23:11,639
Speaker 5: talk to.

467
00:23:12,880 --> 00:23:14,000
Speaker 2: And she looked out for me too.

468
00:23:14,000 --> 00:23:15,960
Speaker 5: You know when I gave that bet speech, everybody was

469
00:23:16,000 --> 00:23:18,119
Speaker 5: trying to take my job, sign petitions and all this,

470
00:23:18,600 --> 00:23:19,840
Speaker 5: all this bullshit crying.

471
00:23:20,440 --> 00:23:23,480
Speaker 2: I was in my life, threatened my kids like I'd

472
00:23:23,520 --> 00:23:24,240
Speaker 2: have I'd have.

473
00:23:24,160 --> 00:23:26,119
Speaker 5: Twenty four hour like armed guards and shit, they were

474
00:23:26,200 --> 00:23:27,919
Speaker 5: threatening to kill me and all this stuff, and they

475
00:23:27,960 --> 00:23:29,399
Speaker 5: were trying to get her to fire me.

476
00:23:29,520 --> 00:23:31,960
Speaker 2: She was she like posted like hell no, that's not happening.

477
00:23:32,080 --> 00:23:35,320
Speaker 5: Like having a black boss is very valuable in moments

478
00:23:35,320 --> 00:23:38,680
Speaker 5: like that, but more importantly, like yeah, a wise, smart

479
00:23:39,160 --> 00:23:42,760
Speaker 5: person with some vision, but she's incredible and she created

480
00:23:42,760 --> 00:23:43,800
Speaker 5: a show that's incredible.

481
00:23:43,920 --> 00:23:45,480
Speaker 2: Is still on twenty some years.

482
00:23:46,119 --> 00:23:50,000
Speaker 5: But I think like thirty thirty nine percent of women

483
00:23:50,080 --> 00:23:52,879
Speaker 5: in medical school credit raised Anatomy with inspiring them to

484
00:23:53,359 --> 00:23:54,000
Speaker 5: message got.

485
00:23:54,000 --> 00:23:57,800
Speaker 1: To be in the textbook now in high school.

486
00:23:57,800 --> 00:24:00,280
Speaker 5: And speaking of which people put in black people were

487
00:24:00,359 --> 00:24:03,960
Speaker 5: in high ranking in roles without it being about race,

488
00:24:04,560 --> 00:24:08,159
Speaker 5: like just putting babies eyes the Washington Jim Pickens, you

489
00:24:08,200 --> 00:24:11,199
Speaker 5: know the character Bailey Schandra Wilson that had like been

490
00:24:11,280 --> 00:24:16,440
Speaker 5: powerful positions, highly intelligent, cerebral people that it's not about

491
00:24:16,760 --> 00:24:19,600
Speaker 5: them neck drive in demonstrating some bullshit, like because we

492
00:24:19,680 --> 00:24:21,160
Speaker 5: always stereotype.

493
00:24:20,600 --> 00:24:24,680
Speaker 2: Version of black show. Comedy show is huge for that.

494
00:24:24,680 --> 00:24:27,879
Speaker 1: The error was great that that error on TV. But

495
00:24:27,920 --> 00:24:31,320
Speaker 1: then you came in a little more serious error. Yeah

496
00:24:31,359 --> 00:24:33,520
Speaker 1: that was a drama and that was a comedy. Yeah,

497
00:24:33,600 --> 00:24:35,000
Speaker 1: you need them both. I mean we need everything.

498
00:24:35,200 --> 00:24:37,000
Speaker 2: That's the same. We need them, We need everything. I mean,

499
00:24:37,040 --> 00:24:37,800
Speaker 2: there's a lot of pressure.

500
00:24:37,840 --> 00:24:40,639
Speaker 5: I remember remember pressure back in the upn days WB

501
00:24:41,119 --> 00:24:43,880
Speaker 5: those networks it was just comedies, comedies, comedies, comedies, and

502
00:24:43,960 --> 00:24:45,959
Speaker 5: they got a lot of shit for Coonan and all that,

503
00:24:46,000 --> 00:24:47,680
Speaker 5: and it was like, but that was the only place

504
00:24:47,680 --> 00:24:50,119
Speaker 5: black people who work. Yeah, and they're comedians, that's what

505
00:24:50,119 --> 00:24:52,080
Speaker 5: they're don't work. But when you only when you have

506
00:24:52,160 --> 00:24:54,040
Speaker 5: white folks got one hundred and seventy channels, so they

507
00:24:54,080 --> 00:24:55,840
Speaker 5: can do everything and they can shoot up a school

508
00:24:55,880 --> 00:24:59,040
Speaker 5: or bomb something. It doesn't affect their day in terms

509
00:24:59,040 --> 00:25:01,920
Speaker 5: of but we like, you know, one little channel, it

510
00:25:01,960 --> 00:25:03,639
Speaker 5: can it can stereotype your whole people.

511
00:25:03,640 --> 00:25:05,120
Speaker 2: So it's a different level of pressure.

512
00:25:04,800 --> 00:25:06,520
Speaker 1: You know. Can I ask me?

513
00:25:08,400 --> 00:25:09,719
Speaker 2: They asked more questions in the row.

514
00:25:10,600 --> 00:25:14,200
Speaker 1: Come on, he became the library in the day keeping

515
00:25:14,240 --> 00:25:20,200
Speaker 1: it in or you gotta skip, skip, get the funk

516
00:25:20,240 --> 00:25:26,720
Speaker 1: out of here with all the questions you got to do.

517
00:25:27,240 --> 00:25:30,399
Speaker 1: You don't show up to.

518
00:25:30,480 --> 00:25:32,600
Speaker 2: Be a guy. Don't shoot you up. I'm ready.

519
00:25:32,800 --> 00:25:35,760
Speaker 1: These flags were created for me because every time I

520
00:25:35,800 --> 00:25:38,200
Speaker 1: go crazy, they throw a flag at me. They're like, yo,

521
00:25:38,320 --> 00:25:39,240
Speaker 1: come back to earth.

522
00:25:40,320 --> 00:25:40,760
Speaker 2: What you got.

523
00:25:41,880 --> 00:25:43,760
Speaker 1: I don't know. I just forgot what I was about

524
00:25:43,800 --> 00:25:46,840
Speaker 1: to fuck this sacon you want do you want to

525
00:25:46,880 --> 00:25:48,080
Speaker 1: take my smart board?

526
00:25:48,200 --> 00:25:50,200
Speaker 2: No?

527
00:25:51,000 --> 00:25:53,359
Speaker 1: My thing is I was there when you gave the

528
00:25:53,400 --> 00:25:55,920
Speaker 1: speech a BT you were, Yes, I was in the

529
00:25:56,200 --> 00:26:00,720
Speaker 1: audience and pause you blew my mind and I was

530
00:26:00,840 --> 00:26:01,920
Speaker 1: just like I didn't know you.

531
00:26:02,080 --> 00:26:05,440
Speaker 2: No. Funny people still say pauls that's.

532
00:26:05,320 --> 00:26:10,280
Speaker 1: Therefore these guys they're the pause police, so they if

533
00:26:10,320 --> 00:26:13,240
Speaker 1: I step on ship like you know, I mean, there's

534
00:26:13,280 --> 00:26:16,119
Speaker 1: some episodes like paus pause, pausaw put this guy hides

535
00:26:16,160 --> 00:26:19,159
Speaker 1: under the table because, like you know, I'll say some

536
00:26:19,280 --> 00:26:23,800
Speaker 1: ship right like I'm a fuck up. But listen you

537
00:26:23,920 --> 00:26:27,639
Speaker 1: out there, you're giving this speech. I just realized, because

538
00:26:27,640 --> 00:26:29,520
Speaker 1: you know, we're not in your life. You got to

539
00:26:29,560 --> 00:26:31,399
Speaker 1: live your life every day. He lives his life. I

540
00:26:31,400 --> 00:26:35,879
Speaker 1: live my life. But I realize, in the level of

541
00:26:37,000 --> 00:26:42,240
Speaker 1: acting you're in, it's not like you're making TV flicks

542
00:26:42,320 --> 00:26:45,000
Speaker 1: for b E T like you're with white people all

543
00:26:45,080 --> 00:26:47,440
Speaker 1: day grades in the academy. So for you to come

544
00:26:47,480 --> 00:26:52,160
Speaker 1: on the front line and make this beautiful speech activism,

545
00:26:52,480 --> 00:26:54,800
Speaker 1: that that takes even more courage for you.

546
00:26:55,840 --> 00:26:59,720
Speaker 5: Because I'm not siloed away from the power that you you.

547
00:26:59,760 --> 00:27:02,000
Speaker 1: Act, actually stood up for your people, and then you

548
00:27:02,040 --> 00:27:03,480
Speaker 1: went back to work on Monday.

549
00:27:04,240 --> 00:27:06,240
Speaker 5: By then people in my life knew what it was,

550
00:27:06,320 --> 00:27:07,840
Speaker 5: you know what I mean, Like, that's how I was

551
00:27:08,040 --> 00:27:09,640
Speaker 5: at that At that time, I was on the news

552
00:27:09,680 --> 00:27:11,719
Speaker 5: a lot. I was in Ferguson, I was in Florida.

553
00:27:12,119 --> 00:27:13,840
Speaker 5: We were losing a lot of a lot of young

554
00:27:13,920 --> 00:27:16,160
Speaker 5: brothers and sisters, like at the hands of the police.

555
00:27:16,160 --> 00:27:18,440
Speaker 5: So I was on the news a lot popping that ship.

556
00:27:18,600 --> 00:27:20,840
Speaker 5: So like it wasn't a total surprise for people who

557
00:27:20,920 --> 00:27:23,919
Speaker 5: knew me the larger world, who maybe only saw me

558
00:27:23,960 --> 00:27:26,800
Speaker 5: play a character, that was what kind of shook shook

559
00:27:26,840 --> 00:27:29,560
Speaker 5: them up. But that's all the more reason why I

560
00:27:29,640 --> 00:27:32,520
Speaker 5: care so much is because you know, I'm in many

561
00:27:32,600 --> 00:27:37,359
Speaker 5: ways being biracial, and I'm the invisible man I see,

562
00:27:37,400 --> 00:27:39,800
Speaker 5: I know, and you know what else it is. It's

563
00:27:39,840 --> 00:27:43,200
Speaker 5: like being around white society and the way it works,

564
00:27:43,200 --> 00:27:44,919
Speaker 5: and I have been a pivotal points in my life.

565
00:27:45,640 --> 00:27:48,480
Speaker 5: It's a real civil thing. I'm not scared of white people,

566
00:27:49,240 --> 00:27:51,439
Speaker 5: and so many of us are terrified of white folks

567
00:27:52,280 --> 00:27:54,720
Speaker 5: at the real core of it, because it's it's a scary,

568
00:27:54,840 --> 00:27:58,160
Speaker 5: powerful hammer that can flatten you and make you disappear

569
00:27:58,160 --> 00:27:59,560
Speaker 5: in two seconds and then blame you.

570
00:28:00,080 --> 00:28:01,440
Speaker 2: We see it happen all day, every day.

571
00:28:01,760 --> 00:28:04,280
Speaker 1: I got some friends that are white. I got some

572
00:28:04,280 --> 00:28:06,879
Speaker 1: friends that are Jewish that I love to death. I

573
00:28:06,920 --> 00:28:09,680
Speaker 1: got friends that are Muslims I love to death. I'm

574
00:28:09,720 --> 00:28:13,120
Speaker 1: all about the principal. I'm all about if you're good

575
00:28:13,119 --> 00:28:15,240
Speaker 1: for me and I love you. I love you no

576
00:28:15,280 --> 00:28:18,919
Speaker 1: matter what color, no matter what. I'm not gonna stand

577
00:28:18,960 --> 00:28:21,000
Speaker 1: there and tell you I'm scared of some guy because

578
00:28:21,000 --> 00:28:24,399
Speaker 1: he's white, or he's this, he's that. That's not me. Like,

579
00:28:24,480 --> 00:28:27,359
Speaker 1: I'm not running for that. I don't care. I'll go

580
00:28:27,440 --> 00:28:29,520
Speaker 1: back and for chicken wings and French fries. I don't

581
00:28:29,560 --> 00:28:33,000
Speaker 1: give a fuck. It's sad to feel that way, but

582
00:28:33,040 --> 00:28:35,399
Speaker 1: that's who I am. I don't give a fuck like me.

583
00:28:35,800 --> 00:28:38,440
Speaker 1: You can't scan me with position, you can't scam me

584
00:28:38,480 --> 00:28:41,080
Speaker 1: with money, you can't scan me with none of that shit.

585
00:28:41,280 --> 00:28:43,239
Speaker 1: Like me. I'm just like yo, it is what it is.

586
00:28:43,680 --> 00:28:43,800
Speaker 2: Like.

587
00:28:43,880 --> 00:28:47,200
Speaker 1: I grew up so fucking poor. I'm not scared of

588
00:28:47,200 --> 00:28:47,720
Speaker 1: being poor.

589
00:28:47,760 --> 00:28:50,800
Speaker 2: Guy. You already been there. I know people don't understand that.

590
00:28:50,840 --> 00:28:52,880
Speaker 2: We already been saying you are half white, you grew

591
00:28:52,960 --> 00:28:53,680
Speaker 2: up half white.

592
00:28:54,560 --> 00:28:59,240
Speaker 1: You don't want to be poor. Right now, I'm gonna

593
00:28:59,240 --> 00:29:01,560
Speaker 1: actually say this. The first time you threw that flag

594
00:29:01,560 --> 00:29:08,880
Speaker 1: and you all right too, I told that, just telling everybody,

595
00:29:08,880 --> 00:29:10,800
Speaker 1: I was like, Yo, we're so fucking blessed man.

596
00:29:10,920 --> 00:29:11,160
Speaker 2: Yeah.

597
00:29:12,040 --> 00:29:16,080
Speaker 1: Wow, it didn't really pissed them off of that. Yourich.

598
00:29:16,120 --> 00:29:19,320
Speaker 1: You're saying that I don't want to be poor now,

599
00:29:19,440 --> 00:29:19,920
Speaker 1: I know that.

600
00:29:20,080 --> 00:29:22,440
Speaker 2: I just say, the last person in the world that

601
00:29:22,600 --> 00:29:25,040
Speaker 2: wants to be. But it's not a mystery. You've been there.

602
00:29:25,080 --> 00:29:26,720
Speaker 2: You know what it's like, so it can't scare you.

603
00:29:26,760 --> 00:29:27,040
Speaker 2: It doesn't.

604
00:29:27,080 --> 00:29:29,560
Speaker 5: It doesn't threaten you in that way as some like

605
00:29:29,760 --> 00:29:32,520
Speaker 5: some terrorisome monster that you haven't actually seen before. I

606
00:29:32,520 --> 00:29:35,320
Speaker 5: feel you, I feel you, but I take I take

607
00:29:35,320 --> 00:29:35,720
Speaker 5: your point.

608
00:29:35,760 --> 00:29:36,480
Speaker 2: You know what I was saying.

609
00:29:36,520 --> 00:29:38,080
Speaker 5: It was like there's a large there's a fear, because

610
00:29:38,080 --> 00:29:40,000
Speaker 5: you were talking about a fear and like a bravery.

611
00:29:40,360 --> 00:29:42,280
Speaker 5: And I said I didn't think about it that way

612
00:29:42,280 --> 00:29:45,000
Speaker 5: because I was so familiar already and made myself clear.

613
00:29:45,400 --> 00:29:46,959
Speaker 2: I started acting. I was a grown ass man.

614
00:29:46,960 --> 00:29:49,520
Speaker 5: I had a many jobs from here, from Chicago, from Philly,

615
00:29:49,520 --> 00:29:51,840
Speaker 5: everywhere else. I just happened to have a mic. Now,

616
00:29:52,280 --> 00:29:54,360
Speaker 5: So I didn't. I just didn't change who I was

617
00:29:54,400 --> 00:29:56,520
Speaker 5: because you put a camera on me. It was I

618
00:29:56,560 --> 00:29:59,040
Speaker 5: wasn't running from nothing or changing anything. And I think

619
00:29:59,040 --> 00:30:02,320
Speaker 5: that just surprise folks. And it's also just how I

620
00:30:02,320 --> 00:30:05,240
Speaker 5: grew up. I grew up in this acting came later.

621
00:30:05,360 --> 00:30:08,000
Speaker 5: So I think that was just an unorthodox way and

622
00:30:08,040 --> 00:30:09,760
Speaker 5: wish to make your way onto you.

623
00:30:09,840 --> 00:30:11,920
Speaker 2: Surely love your.

624
00:30:11,600 --> 00:30:15,240
Speaker 1: Family tree or however we tracked you from LA to

625
00:30:15,400 --> 00:30:16,959
Speaker 1: Massachusetts Philly.

626
00:30:17,240 --> 00:30:19,000
Speaker 2: Yeah, I mean you was journey with you.

627
00:30:19,120 --> 00:30:21,600
Speaker 1: Was you was in that ship?

628
00:30:21,880 --> 00:30:22,880
Speaker 2: Yeah, you know what I'm saying.

629
00:30:22,920 --> 00:30:26,360
Speaker 5: So, yeah, picked up a lot very lucky, you know

630
00:30:26,360 --> 00:30:26,920
Speaker 5: what I'm saying.

631
00:30:30,160 --> 00:30:33,400
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662
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664
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668
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669
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670
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Speaker 3: gambling in Florida called one eight eight admitted in Indiana

671
00:32:51,640 --> 00:32:54,520
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672
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673
00:32:57,840 --> 00:33:02,960
Speaker 3: problem called one eight hundred games. That's in Arizona, Colorado, Illinois,

674
00:33:03,080 --> 00:33:05,880
Speaker 3: New Jersey, Ohio, Tennessee, and Virginia.

675
00:33:09,160 --> 00:33:11,240
Speaker 2: Like a lot of times, we go through hard or

676
00:33:11,240 --> 00:33:12,240
Speaker 2: we're gonna do it toast.

677
00:33:13,240 --> 00:33:15,960
Speaker 3: Let's tell us we gotta do a toast to what

678
00:33:16,160 --> 00:33:18,120
Speaker 3: he could take anybody's new show man.

679
00:33:19,480 --> 00:33:22,000
Speaker 2: Show. We got the new show. He's gonna tell us dangerous.

680
00:33:22,280 --> 00:33:24,920
Speaker 2: This guy's a fucking trot. You want me talking about

681
00:33:24,960 --> 00:33:28,120
Speaker 2: taking people's wives? Were over here? Promoting the new show

682
00:33:28,320 --> 00:33:29,200
Speaker 2: Man This.

683
00:33:29,360 --> 00:33:32,320
Speaker 1: Girls over here, I'm not seen before out here. Man,

684
00:33:33,400 --> 00:33:35,560
Speaker 1: the fuck are you talking about? Miss over there? Look,

685
00:33:35,720 --> 00:33:37,160
Speaker 1: she ain't never been out here.

686
00:33:37,240 --> 00:33:37,360
Speaker 8: Man.

687
00:33:37,360 --> 00:33:38,480
Speaker 2: They don't even work here.

688
00:33:38,880 --> 00:33:42,640
Speaker 1: They don't even work here. They snucking fucking the glasses

689
00:33:42,840 --> 00:33:45,280
Speaker 1: you wanted to We got the frosted glasses.

690
00:33:45,480 --> 00:33:48,040
Speaker 2: You want to actually say what they said? Guys eat

691
00:33:48,400 --> 00:33:53,240
Speaker 2: look at the glassows, Danny crack, Danny, you're we did

692
00:33:53,400 --> 00:33:54,280
Speaker 2: many and toast.

693
00:33:55,320 --> 00:33:57,480
Speaker 1: They didn't have any game. You don't the way they.

694
00:33:57,400 --> 00:34:00,360
Speaker 5: Gave the jim glasses to jail the past only the

695
00:34:00,360 --> 00:34:02,200
Speaker 5: best just said, just said, he don't want to be

696
00:34:02,200 --> 00:34:04,600
Speaker 5: broken no more, so we gotta act like it.

697
00:34:04,720 --> 00:34:06,440
Speaker 1: No, I definitely don't want to be broke.

698
00:34:08,440 --> 00:34:11,120
Speaker 3: We on need do a spin a sus spade toast

699
00:34:11,480 --> 00:34:14,759
Speaker 3: for major events and major things. So you know what

700
00:34:14,800 --> 00:34:17,120
Speaker 3: I mean, We're gonna pull him first and then we're

701
00:34:17,120 --> 00:34:20,040
Speaker 3: gonna let y'all know what's going on while we're doing this.

702
00:34:20,080 --> 00:34:22,879
Speaker 2: So there you go. Let's no teamwork, make the dream

703
00:34:22,920 --> 00:34:25,080
Speaker 2: work work, water and final, make the steam work.

704
00:34:25,960 --> 00:34:28,640
Speaker 1: You know what I mean, He's I forgot, he's a rapper,

705
00:34:29,360 --> 00:34:30,920
Speaker 1: top five dead or a lot.

706
00:34:32,920 --> 00:34:35,160
Speaker 2: Yo toasted and Jada.

707
00:34:35,239 --> 00:34:38,040
Speaker 1: Joe and Jada, and also to your new shows.

708
00:34:37,760 --> 00:34:42,719
Speaker 2: Hotel There we got, Yeah, there we go. Yeah, Hey

709
00:34:43,880 --> 00:34:44,720
Speaker 2: that's Italian.

710
00:34:44,840 --> 00:34:49,799
Speaker 5: We got that Jennys Italian Siana. We might need we

711
00:34:49,840 --> 00:34:55,359
Speaker 5: might need to Season two, Season two, Baby Cheers tell

712
00:34:55,440 --> 00:34:58,080
Speaker 5: us about this hole sel Coast together very well, so

713
00:34:58,400 --> 00:35:01,160
Speaker 5: tell look at you know, speaking all this, all this

714
00:35:01,200 --> 00:35:03,440
Speaker 5: shit were talking about a lot of my life is

715
00:35:03,480 --> 00:35:05,799
Speaker 5: real serious, got so stressed, a lot of things going on.

716
00:35:05,840 --> 00:35:07,759
Speaker 2: I wanted to make something light. I wanted to get

717
00:35:07,760 --> 00:35:10,239
Speaker 2: out the country. It's a big world out there.

718
00:35:10,280 --> 00:35:12,040
Speaker 5: We get trapped in his bubble thinking it needs to

719
00:35:12,080 --> 00:35:14,200
Speaker 5: be this is the big There's a big, big, beautiful

720
00:35:14,200 --> 00:35:16,400
Speaker 5: world out there. I wanted to go make something somewhere

721
00:35:16,400 --> 00:35:19,520
Speaker 5: else and make something light and easy. So much of

722
00:35:19,560 --> 00:35:23,360
Speaker 5: my shit is you know, dead serious, focus, urgent, important,

723
00:35:23,360 --> 00:35:25,320
Speaker 5: and that's valuable. But I wanted to make something that

724
00:35:25,400 --> 00:35:27,080
Speaker 5: just kind of like grown up as a kid, that

725
00:35:27,239 --> 00:35:30,280
Speaker 5: like action movies, right, run around kicking some ass, beautiful places,

726
00:35:30,520 --> 00:35:32,000
Speaker 5: eighties nineties shows.

727
00:35:32,120 --> 00:35:33,960
Speaker 2: So it is about this guy.

728
00:35:34,040 --> 00:35:37,600
Speaker 5: Daniel DeLuca is a former marine Italian born Italian, but

729
00:35:37,640 --> 00:35:41,240
Speaker 5: grew up in the US. Black white Italian American, a street,

730
00:35:41,320 --> 00:35:43,359
Speaker 5: a hood, kid in Naples as a kid. But then

731
00:35:43,600 --> 00:35:46,880
Speaker 5: now he's in the military twenty years and he got

732
00:35:46,960 --> 00:35:49,240
Speaker 5: kicked out, and now he's just trying.

733
00:35:49,080 --> 00:35:50,640
Speaker 2: To like figure out what to do with his life.

734
00:35:50,840 --> 00:35:53,239
Speaker 5: Don't have no family, don't have nothing, goes back to

735
00:35:53,320 --> 00:35:55,560
Speaker 5: where he was born and just kind of like as

736
00:35:55,560 --> 00:35:57,320
Speaker 5: they say, like licking his wounds, just trying to figure

737
00:35:57,320 --> 00:35:58,960
Speaker 5: out what to do next. Takes a job at a

738
00:35:59,000 --> 00:36:02,400
Speaker 5: luxury hotel, just handling business, fixing ships for people, rich people,

739
00:36:02,440 --> 00:36:05,120
Speaker 5: make sure people are good. And then the hotel owner's

740
00:36:05,200 --> 00:36:09,200
Speaker 5: daughter was missing, so he's hired the finder. So he's

741
00:36:09,239 --> 00:36:13,560
Speaker 5: like solving cases and this beautiful Mulfi coast and he

742
00:36:13,600 --> 00:36:15,480
Speaker 5: speaks Italian. I speak Italian in the show. I'm the

743
00:36:15,480 --> 00:36:20,960
Speaker 5: only American in the show. We got Italian, Spanish, English, French, Libyan, like,

744
00:36:21,239 --> 00:36:23,799
Speaker 5: you know, a whole cast of characters. And he's just

745
00:36:23,880 --> 00:36:26,040
Speaker 5: honest adventure trying to save the missing girl but also

746
00:36:26,080 --> 00:36:27,240
Speaker 5: solve cases for guests.

747
00:36:27,640 --> 00:36:28,520
Speaker 2: And it's just easy.

748
00:36:28,560 --> 00:36:32,399
Speaker 5: Beautiful whipping speed boats, motorcyclesais you know what I mean,

749
00:36:32,640 --> 00:36:34,200
Speaker 5: just like you the whipping.

750
00:36:36,560 --> 00:36:44,360
Speaker 3: Change, bonding with the twist, port with diver. Yeah, fired.

751
00:36:44,440 --> 00:36:45,319
Speaker 2: The last job.

752
00:36:46,280 --> 00:36:48,160
Speaker 1: I don't know about him. But I'll say the truth.

753
00:36:48,600 --> 00:36:51,920
Speaker 1: I'll say my I don't know about him, huh, but

754
00:36:52,280 --> 00:36:55,480
Speaker 1: I have taken uh the fact that we travel for

755
00:36:55,560 --> 00:37:00,480
Speaker 1: granted or because I don't like flying, and we got

756
00:37:00,480 --> 00:37:02,960
Speaker 1: to talk about that right now, about going to Mongolia.

757
00:37:03,520 --> 00:37:06,000
Speaker 1: So I don't like flying my biggest fee on Earth.

758
00:37:06,080 --> 00:37:07,680
Speaker 1: I just told you I ain't scared of no pay,

759
00:37:08,080 --> 00:37:10,200
Speaker 1: fucking terrified. The minute that shit.

760
00:37:10,000 --> 00:37:13,160
Speaker 2: Goes like this, I'm like hugging the next person praying.

761
00:37:13,880 --> 00:37:16,640
Speaker 1: No one gives more prayers than me on the plane

762
00:37:16,960 --> 00:37:19,520
Speaker 1: and the body I am t d Jakeson.

763
00:37:19,760 --> 00:37:21,560
Speaker 2: So you take a sleeping pill and just pass out.

764
00:37:21,600 --> 00:37:25,960
Speaker 1: I don't. I don't because I'm it, okay, So I

765
00:37:26,120 --> 00:37:28,880
Speaker 1: just just shucked it out. God, thank you for facing

766
00:37:28,920 --> 00:37:29,399
Speaker 1: my fear.

767
00:37:30,120 --> 00:37:30,400
Speaker 2: God.

768
00:37:30,520 --> 00:37:31,520
Speaker 1: I love you.

769
00:37:31,600 --> 00:37:31,880
Speaker 2: God.

770
00:37:31,960 --> 00:37:36,239
Speaker 1: Look at this little baby. Please, God, if you're if

771
00:37:36,680 --> 00:37:40,200
Speaker 1: you know, I'm Jesus Christ. But let's obey the Jewish

772
00:37:40,280 --> 00:37:43,239
Speaker 1: guy praying over there, like I want for everybody to

773
00:37:43,280 --> 00:37:46,319
Speaker 1: get there. Right. My thing is I'm preaching. I'm Joe

774
00:37:46,400 --> 00:37:52,520
Speaker 1: losting on them sofa. But my point is I went

775
00:37:52,560 --> 00:37:57,600
Speaker 1: to jail for four months, right, and I complained about

776
00:37:57,640 --> 00:38:00,720
Speaker 1: going to euro Up. I complained about going on these places.

777
00:38:00,760 --> 00:38:02,799
Speaker 1: But when I would sit up in my bunk and

778
00:38:02,840 --> 00:38:05,920
Speaker 1: look out the little window, I would just think about

779
00:38:05,920 --> 00:38:09,960
Speaker 1: how beautiful the streets was in Italy or the streets

780
00:38:09,960 --> 00:38:13,200
Speaker 1: in Germany. And one of the only things I really

781
00:38:13,280 --> 00:38:18,160
Speaker 1: missed was being abroad in these places that I used

782
00:38:18,200 --> 00:38:20,720
Speaker 1: to be like, fuck shit, I hate it. They smoke

783
00:38:20,800 --> 00:38:23,120
Speaker 1: too many cigarettes. I used to have nothing but complaints.

784
00:38:23,560 --> 00:38:26,760
Speaker 1: But in that four months, I just would think about

785
00:38:26,840 --> 00:38:30,600
Speaker 1: just walking down the street in Italy or room or

786
00:38:30,640 --> 00:38:33,520
Speaker 1: something and be like, damn, that ship was so fly,

787
00:38:34,360 --> 00:38:37,480
Speaker 1: and so you get to do a TV show over

788
00:38:37,520 --> 00:38:39,600
Speaker 1: there pretty quick. And the fruit was amazing.

789
00:38:39,960 --> 00:38:40,720
Speaker 2: Food was amazing.

790
00:38:40,800 --> 00:38:43,040
Speaker 5: Food was not only amazing, but like I was even

791
00:38:43,080 --> 00:38:45,560
Speaker 5: posta and bread and all I show all day lost

792
00:38:45,560 --> 00:38:48,360
Speaker 5: thirteen pounds. Yeah, because it's real, the wigs, because the

793
00:38:48,400 --> 00:38:49,440
Speaker 5: real food really is.

794
00:38:49,640 --> 00:38:51,239
Speaker 2: All I ain't hit is it humped to it? All

795
00:38:51,320 --> 00:38:52,200
Speaker 2: this and the ridge, and.

796
00:38:53,880 --> 00:38:56,560
Speaker 5: So many of them said that when when they come

797
00:38:56,600 --> 00:38:59,239
Speaker 5: to America, they get they get sick, they get fat,

798
00:38:59,480 --> 00:39:01,600
Speaker 5: even if they're on to Well, when we go there,

799
00:39:01,760 --> 00:39:04,160
Speaker 5: you eat like crazy and you and you're fine.

800
00:39:04,600 --> 00:39:07,360
Speaker 1: It suggests I walk glasses on purpose because I didn't

801
00:39:07,360 --> 00:39:10,200
Speaker 1: want you to feel bad about being the only person

802
00:39:10,239 --> 00:39:11,200
Speaker 1: with green eyes too.

803
00:39:11,360 --> 00:39:12,000
Speaker 2: Yes, I got it.

804
00:39:13,480 --> 00:39:15,919
Speaker 1: Show were show we green eyes?

805
00:39:17,239 --> 00:39:21,239
Speaker 2: Come yo, this yo, this ship coming from more Yo.

806
00:39:21,320 --> 00:39:24,360
Speaker 1: What what shameless fog?

807
00:39:24,520 --> 00:39:25,120
Speaker 2: Baby?

808
00:39:25,480 --> 00:39:29,439
Speaker 1: I got the green got my Sunday like Yo, damn Dad,

809
00:39:29,440 --> 00:39:30,799
Speaker 1: Why you ain't give me the green eyes?

810
00:39:30,880 --> 00:39:33,160
Speaker 2: Let's say yo, I it wasn't my choice.

811
00:39:33,840 --> 00:39:34,239
Speaker 1: My point.

812
00:39:34,320 --> 00:39:36,480
Speaker 2: We got to go back to the today. I just

813
00:39:36,560 --> 00:39:40,759
Speaker 2: came back from Mongo. Yeah, talk about and Mongol? Why

814
00:39:40,760 --> 00:39:42,399
Speaker 2: were you and Mongol beautiful people?

815
00:39:42,440 --> 00:39:44,319
Speaker 1: I had a concert of hip hop.

816
00:39:44,920 --> 00:39:46,800
Speaker 2: These people were incredible people.

817
00:39:47,360 --> 00:39:50,600
Speaker 1: Anybody who could have the distance on the plane, it's

818
00:39:50,640 --> 00:39:51,000
Speaker 1: worth it.

819
00:39:51,040 --> 00:39:51,680
Speaker 2: Go to mon.

820
00:39:52,000 --> 00:39:56,680
Speaker 1: Beautiful beautiful people, shout Mongolian people. They love hip hop.

821
00:39:56,760 --> 00:39:59,080
Speaker 1: They love you guys. They asked about you the shure.

822
00:39:59,120 --> 00:40:01,200
Speaker 1: You know, everybody thinks I got this guy in the hire. Yeah,

823
00:40:01,680 --> 00:40:03,759
Speaker 1: Joe and Jay, they think I bring the guy in

824
00:40:03,800 --> 00:40:07,200
Speaker 1: my back back business. You might higher fact, Joe, they

825
00:40:07,239 --> 00:40:10,640
Speaker 1: think I got him in the back send me. But

826
00:40:10,840 --> 00:40:13,839
Speaker 1: the point is I have one friend that I think of.

827
00:40:15,160 --> 00:40:19,279
Speaker 1: He's dumb right, No, no, no, no, he's one of my

828
00:40:19,360 --> 00:40:26,000
Speaker 1: best friends. No no, no, no, no you joke. Come on,

829
00:40:27,640 --> 00:40:30,520
Speaker 1: I didn't know where you're No, no, no, no, you

830
00:40:30,560 --> 00:40:34,239
Speaker 1: don't what harried about the most lowyal, most best guy

831
00:40:34,280 --> 00:40:36,799
Speaker 1: in the world. But he's not that bright, got it?

832
00:40:37,280 --> 00:40:44,239
Speaker 1: And then sometimes I'm jealous of him because ignorance. Sometimes

833
00:40:44,280 --> 00:40:48,000
Speaker 1: when you dumb, you don't even know the danger. Now

834
00:40:48,520 --> 00:40:51,560
Speaker 1: I fly to Mongolia, where you gotta go. I went

835
00:40:52,160 --> 00:40:54,520
Speaker 1: because I like breaking up the trips. So I go

836
00:40:54,600 --> 00:40:56,440
Speaker 1: to Dubai chill one day.

837
00:40:56,520 --> 00:40:58,400
Speaker 2: You like to get as many flights in as possible

838
00:40:58,440 --> 00:40:59,280
Speaker 2: because you love flying.

839
00:41:00,080 --> 00:41:02,640
Speaker 1: Break that ship that eighteen hours I ain't doing. So

840
00:41:02,680 --> 00:41:06,640
Speaker 1: I go to Dupai thirteen hours, five hours to Turkey,

841
00:41:06,719 --> 00:41:10,600
Speaker 1: where everybody got their hair shit going on everybody in

842
00:41:10,680 --> 00:41:14,280
Speaker 1: the who listen, Turkey got the best airport in the world.

843
00:41:14,560 --> 00:41:16,680
Speaker 1: But it's so weird when you at the food court

844
00:41:17,160 --> 00:41:20,919
Speaker 1: and every guy got like a line, then blood coming.

845
00:41:21,080 --> 00:41:24,839
Speaker 1: Everybody's going over there to fix their hair. That's a spot, yes,

846
00:41:25,960 --> 00:41:28,680
Speaker 1: but it's like so normal. I guess it's like going

847
00:41:28,719 --> 00:41:29,360
Speaker 1: to Columbia.

848
00:41:29,480 --> 00:41:29,719
Speaker 2: Girl.

849
00:41:29,880 --> 00:41:31,400
Speaker 1: You know every girl's in the airport.

850
00:41:31,440 --> 00:41:32,000
Speaker 2: Beat me out.

851
00:41:32,160 --> 00:41:35,759
Speaker 1: Now, like Turkey, all the guys are going to get

852
00:41:35,800 --> 00:41:39,000
Speaker 1: their hair done over there. So you eating fucking Popey's

853
00:41:39,040 --> 00:41:41,240
Speaker 1: and the guys in front of you got the fucking

854
00:41:41,520 --> 00:41:44,440
Speaker 1: everybody walking through. I'm like, Yo, this shit is great.

855
00:41:45,239 --> 00:41:48,359
Speaker 2: But you didn't think about it while you were there.

856
00:41:48,400 --> 00:41:51,319
Speaker 1: If I had the air right now, first of all,

857
00:41:51,320 --> 00:41:53,319
Speaker 1: my name wouldn't be fat Joe. My name would be

858
00:41:53,440 --> 00:41:59,040
Speaker 1: adultful and myvy like shit shit the part right here

859
00:41:59,080 --> 00:42:01,640
Speaker 1: with the if I I could grow air, it be

860
00:42:01,719 --> 00:42:06,440
Speaker 1: so sex fact. Now I ain't going to do for

861
00:42:06,480 --> 00:42:09,120
Speaker 1: the fact, Joe, don't you don't even look right. But

862
00:42:09,239 --> 00:42:12,760
Speaker 1: the point is I go to Dubai. The bag was legend,

863
00:42:13,280 --> 00:42:16,839
Speaker 1: so not a bag was legend. Guys were going shopping. Later,

864
00:42:16,920 --> 00:42:19,360
Speaker 1: the wife is ready to go shopping. She's tuned and

865
00:42:19,480 --> 00:42:22,080
Speaker 1: she's staring at the window. He's coming. He got the

866
00:42:22,200 --> 00:42:25,720
Speaker 1: bag right. It ain't no lie, I forgot. My brothers

867
00:42:25,760 --> 00:42:28,480
Speaker 1: just told me. Yeah, they hate They say I blow

868
00:42:28,520 --> 00:42:32,960
Speaker 1: too much money. But listen, I go Emirates, my favorite airline.

869
00:42:33,280 --> 00:42:38,560
Speaker 1: Right then I got Turkey Airlines. So Turkey Airlines one

870
00:42:38,600 --> 00:42:41,600
Speaker 1: of the best of that food was amazing. So I'm

871
00:42:41,640 --> 00:42:44,200
Speaker 1: comfortable no matter where I'm going. I'm going Mongolie, I

872
00:42:44,200 --> 00:42:46,520
Speaker 1: could go to some Mali, but wherever I go, if

873
00:42:46,520 --> 00:42:49,440
Speaker 1: I'm in the credible airlines, it at least helps.

874
00:42:49,520 --> 00:42:51,600
Speaker 2: After back absolutely absolutely.

875
00:42:51,680 --> 00:42:55,000
Speaker 1: We do Mongolia. They feed us. By the way, Mongolian

876
00:42:55,040 --> 00:42:57,160
Speaker 1: beef is a myth. They don't have that over there.

877
00:42:57,640 --> 00:43:00,799
Speaker 1: The Mongolian beef. We eating the Chinese place here we

878
00:43:00,840 --> 00:43:02,279
Speaker 1: went on. It's not even my goal.

879
00:43:02,360 --> 00:43:06,759
Speaker 2: It's like general pizza being fake.

880
00:43:06,840 --> 00:43:09,879
Speaker 1: You get the Italy that realized they don't got pizza.

881
00:43:10,040 --> 00:43:12,879
Speaker 1: We landed. Everybody had the same idea, Yo, we want

882
00:43:12,880 --> 00:43:15,040
Speaker 1: Mongolian beef. They was like, yo, that ship ain't that.

883
00:43:15,239 --> 00:43:15,920
Speaker 2: It don't happen.

884
00:43:16,760 --> 00:43:20,640
Speaker 1: You want a Ribi, you want a New York No

885
00:43:20,760 --> 00:43:24,880
Speaker 1: Mongolian chief when you go to the ghetto Chinese worldwide,

886
00:43:24,920 --> 00:43:27,640
Speaker 1: there's no such thing as Mongolian beef. That's what I learned.

887
00:43:27,960 --> 00:43:30,640
Speaker 1: Number two is so we go, we do the show.

888
00:43:30,680 --> 00:43:33,000
Speaker 1: These people treat me like a million dollars. I don't

889
00:43:33,000 --> 00:43:35,239
Speaker 1: know how they tell you. Mongolian people some of the

890
00:43:35,360 --> 00:43:37,440
Speaker 1: nicest people in the world. The next morning we go

891
00:43:37,520 --> 00:43:40,400
Speaker 1: to the airport. We got to greet up. We in

892
00:43:40,400 --> 00:43:44,480
Speaker 1: the lounge, and then I realized, I'm like, and they're like, yo,

893
00:43:44,560 --> 00:43:46,600
Speaker 1: Joe was wrong, and my face is off. You could

894
00:43:46,640 --> 00:43:49,279
Speaker 1: you could read me when I'm saying, They're like, I

895
00:43:49,400 --> 00:43:56,080
Speaker 1: realized we're flying back to do buying Mongolian airlines.

896
00:43:55,920 --> 00:43:56,840
Speaker 2: What you had never heard of.

897
00:43:56,960 --> 00:44:00,680
Speaker 1: And if you're watching that side of the world, it's

898
00:44:00,680 --> 00:44:03,640
Speaker 1: the Asian planes that keep speaking in the middle and

899
00:44:03,719 --> 00:44:05,800
Speaker 1: missing ship. That's why I tell.

900
00:44:05,640 --> 00:44:08,280
Speaker 2: You, bliss where the racial profiling comes.

901
00:44:08,360 --> 00:44:13,719
Speaker 1: Yeah, plane racing, it's the amazing planes going down out there,

902
00:44:13,800 --> 00:44:15,399
Speaker 1: like the biggest ships they go there.

903
00:44:15,719 --> 00:44:16,680
Speaker 8: I don't know what it.

904
00:44:16,560 --> 00:44:20,719
Speaker 2: Is, but at that point I'm like, damn, they fucked me. Man.

905
00:44:20,880 --> 00:44:23,880
Speaker 2: I thought I was going back Turkish year. You know

906
00:44:23,880 --> 00:44:28,239
Speaker 2: what I mean. I'm in the Asian ship. I said, Yo.

907
00:44:28,320 --> 00:44:30,600
Speaker 1: Everybody's like, yo, what's wrong. I'm just like nah, Nah,

908
00:44:30,680 --> 00:44:32,359
Speaker 1: y'all don't want to know what's wrong. They're like, yo,

909
00:44:32,400 --> 00:44:32,879
Speaker 1: but what's wrong?

910
00:44:32,880 --> 00:44:33,200
Speaker 2: I said?

911
00:44:33,239 --> 00:44:36,759
Speaker 1: You know these the ships that go down, the ships, right,

912
00:44:37,680 --> 00:44:41,520
Speaker 1: But listen, I'm just saying to us. So I get

913
00:44:41,520 --> 00:44:45,040
Speaker 1: on the plate. Thank God, great food, smooth flight. But

914
00:44:45,120 --> 00:44:49,800
Speaker 1: I was terrible. That's would like to be English. Niggah

915
00:44:50,320 --> 00:44:59,640
Speaker 1: ignorance is bliss because I know nobody say niggers is blessingsus.

916
00:44:56,880 --> 00:45:05,080
Speaker 10: Bliz throw that out if you Yeah, cigarettes, Yeah, but

917
00:45:05,760 --> 00:45:07,560
Speaker 10: that single that's pretty crazy.

918
00:45:08,280 --> 00:45:12,080
Speaker 1: Yeah, that's fucking crazy. But the point is, oh we

919
00:45:12,200 --> 00:45:14,640
Speaker 1: made it back. Yeah, but you know it's my biggest

920
00:45:14,680 --> 00:45:18,040
Speaker 1: fear man. But you know, uh, shout out to Mongolia, Mints,

921
00:45:18,440 --> 00:45:21,360
Speaker 1: phenomenal Broke. I'm telling you it's.

922
00:45:21,239 --> 00:45:23,920
Speaker 2: Thirty degrees that plane was going down, but we made it.

923
00:45:23,960 --> 00:45:26,719
Speaker 1: You know, it's the coldest. It's the coldest place in

924
00:45:27,200 --> 00:45:28,440
Speaker 1: it's in between Russia.

925
00:45:28,680 --> 00:45:29,839
Speaker 2: Oh yeah, China.

926
00:45:29,920 --> 00:45:32,440
Speaker 1: So when you see the Asians that got the fur hats,

927
00:45:32,440 --> 00:45:34,800
Speaker 1: so that shade, that's their.

928
00:45:34,719 --> 00:45:40,359
Speaker 2: Winters fifty degrees under. Yeah, so you know, yeah, I'm

929
00:45:40,360 --> 00:45:44,200
Speaker 2: sorry about we listened. We short on time. Listen, brother, what.

930
00:45:44,160 --> 00:45:47,759
Speaker 3: Advice would you give a young biracial American trying to

931
00:45:47,840 --> 00:45:49,800
Speaker 3: find a place in that voice?

932
00:45:50,800 --> 00:45:52,839
Speaker 2: Depends on what voice you want to find. Spend time

933
00:45:52,840 --> 00:45:57,279
Speaker 2: with black folks, no doubt, ladies, entity you know, just

934
00:45:57,520 --> 00:46:00,239
Speaker 2: you can't go wrong. Just get get get with your people.

935
00:46:01,960 --> 00:46:03,759
Speaker 1: I've seen this and I don't want to talk like that.

936
00:46:04,040 --> 00:46:05,759
Speaker 1: These are my friends and I love them to death.

937
00:46:05,760 --> 00:46:08,239
Speaker 1: And I'm not talking about nobody, but when when the

938
00:46:08,280 --> 00:46:13,200
Speaker 1: black lives matter. I got a niece, I'll call her niece,

939
00:46:13,560 --> 00:46:17,640
Speaker 1: and she's half black, half white, and I've seen her

940
00:46:17,719 --> 00:46:22,960
Speaker 1: going through like understanding where she comes from. And they

941
00:46:23,040 --> 00:46:25,399
Speaker 1: had a hard time, Like you know what I mean,

942
00:46:25,400 --> 00:46:29,400
Speaker 1: this girl's beyond love, but she was trying to find herself.

943
00:46:28,960 --> 00:46:31,600
Speaker 2: In where where she fits.

944
00:46:31,880 --> 00:46:35,120
Speaker 1: And this is a beautiful girl, she's smart, college now everything,

945
00:46:35,160 --> 00:46:38,520
Speaker 1: but I've seen her go through it like questioning and

946
00:46:38,640 --> 00:46:39,240
Speaker 1: like I think.

947
00:46:39,120 --> 00:46:41,640
Speaker 5: People fall for like the false dichotomy. And it ain't

948
00:46:41,719 --> 00:46:44,200
Speaker 5: us verse them. It's not everything the news used to

949
00:46:44,239 --> 00:46:48,040
Speaker 5: be the news. Now it's just idiots talking and sharing

950
00:46:48,080 --> 00:46:50,120
Speaker 5: opinions they feel and trying to make it us verst them,

951
00:46:50,200 --> 00:46:53,279
Speaker 5: bad versus good, White versus black. Ain't about all that, man,

952
00:46:53,400 --> 00:46:57,640
Speaker 5: people people trying to demonstrate that they might matter. It's

953
00:46:57,640 --> 00:46:59,720
Speaker 5: because they love themselves and they're trying to say, maybe

954
00:46:59,719 --> 00:47:02,839
Speaker 5: don't squash me for no reason, like that got nothing

955
00:47:02,840 --> 00:47:05,080
Speaker 5: to do with disliking white people.

956
00:47:05,120 --> 00:47:06,000
Speaker 2: It's got nothing to do with it.

957
00:47:06,080 --> 00:47:08,680
Speaker 5: It's kind of it's not about like this kind of

958
00:47:08,680 --> 00:47:13,319
Speaker 5: invented battle going and so like we it's just spreading love,

959
00:47:13,480 --> 00:47:15,000
Speaker 5: loving yourself enough to demand respect.

960
00:47:15,000 --> 00:47:16,200
Speaker 2: There's no people in the history of the world that

961
00:47:16,200 --> 00:47:17,000
Speaker 2: they have a gotten respect.

962
00:47:17,040 --> 00:47:20,400
Speaker 5: They don't respect themselves and don't demonstrate it like that's

963
00:47:20,440 --> 00:47:23,120
Speaker 5: that's that's what it comes down to. Everybody struggles with identity.

964
00:47:23,120 --> 00:47:25,320
Speaker 5: I don't care what race you are. You're thirteen fifteen,

965
00:47:25,360 --> 00:47:27,399
Speaker 5: You're trying to figure out who you are. You want

966
00:47:27,400 --> 00:47:29,120
Speaker 5: to listen to that new album. You want to be different,

967
00:47:29,120 --> 00:47:30,879
Speaker 5: but you also want to be the same. You want

968
00:47:30,920 --> 00:47:32,360
Speaker 5: to you don't want to be isolated out, but you

969
00:47:32,360 --> 00:47:34,319
Speaker 5: want to isolate yourself out and wear that cool thing

970
00:47:34,360 --> 00:47:36,760
Speaker 5: and wear that cool shirt. People are trying to find themselves.

971
00:47:36,800 --> 00:47:38,840
Speaker 5: Adults are trying to find themselves now. I mean, we

972
00:47:38,880 --> 00:47:40,879
Speaker 5: don't know what we're doing. We're trying to figure it out.

973
00:47:40,960 --> 00:47:43,440
Speaker 5: So just don't let I would just say to her,

974
00:47:43,480 --> 00:47:45,120
Speaker 5: I would just not not let the media try to

975
00:47:45,120 --> 00:47:49,120
Speaker 5: convince you that just because somebody, you know, freedom ain't pie.

976
00:47:49,239 --> 00:47:50,880
Speaker 5: If I get a piece, I'm taking a piece from you.

977
00:47:51,280 --> 00:47:54,200
Speaker 5: It's not something locked in. Just giving other people access

978
00:47:54,239 --> 00:47:56,560
Speaker 5: to the freedom, life, liberty that this country is so

979
00:47:56,600 --> 00:47:59,640
Speaker 5: proud of doesn't mean they're taking something from you. Letting

980
00:48:00,120 --> 00:48:02,799
Speaker 5: gay folks have rights don't mean it's taken your go ahead,

981
00:48:02,840 --> 00:48:04,279
Speaker 5: get married, be like they got none to do it.

982
00:48:04,320 --> 00:48:06,640
Speaker 5: It's nothing to do with you. Nobody's taking anything from you.

983
00:48:06,680 --> 00:48:11,520
Speaker 5: There's always the people in power always exaggerate and pretend

984
00:48:11,560 --> 00:48:14,120
Speaker 5: to play victim. And if you need somebody to be

985
00:48:14,200 --> 00:48:16,040
Speaker 5: quiet and shut the fuck up in order for you

986
00:48:16,280 --> 00:48:18,200
Speaker 5: to do what you're doing, then you're probably doing something foul.

987
00:48:18,920 --> 00:48:24,719
Speaker 2: With that being said, that was pretty damn good Hotel Coast.

988
00:48:27,040 --> 00:48:28,239
Speaker 2: We didn't got that much time, but.

989
00:48:28,320 --> 00:48:30,200
Speaker 1: I got two minutes he could. What you got to

990
00:48:30,200 --> 00:48:32,479
Speaker 1: do it what you got? I got The Cosmy Show

991
00:48:32,520 --> 00:48:33,320
Speaker 1: a good times.

992
00:48:34,280 --> 00:48:36,480
Speaker 5: I mean, my era I grew up on The Cosmy

993
00:48:36,480 --> 00:48:38,480
Speaker 5: Show is one of the greatest sitcoms ever.

994
00:48:39,120 --> 00:48:42,600
Speaker 2: You take Costy, you take, I didn't.

995
00:48:43,320 --> 00:48:48,400
Speaker 5: I've seen other episode that was yet sharp was in

996
00:48:48,480 --> 00:48:49,719
Speaker 5: your was in your living room?

997
00:48:50,800 --> 00:48:56,279
Speaker 1: Good George, Jeff George, Yeah, yeah, yeah, No, no, no, Joe,

998
00:48:56,760 --> 00:49:00,280
Speaker 1: no Joe.

999
00:49:00,560 --> 00:49:02,240
Speaker 2: That's moving on up to the east Side.

1000
00:49:02,960 --> 00:49:06,000
Speaker 1: I'm gonna say san Franin's son or the waynes Wethers

1001
00:49:06,200 --> 00:49:09,200
Speaker 1: Sanford son. Yo, that boy was the best. That's Red Fox.

1002
00:49:09,520 --> 00:49:14,680
Speaker 2: Yeah, that's right, it is. That's Red Fox. Sherman Helmsley, Sherman.

1003
00:49:15,560 --> 00:49:19,080
Speaker 1: He's never getting I'm still trying to be Sherman helms Sherman.

1004
00:49:19,080 --> 00:49:21,720
Speaker 11: Hamley was a g You see how he walked up walking?

1005
00:49:21,920 --> 00:49:27,560
Speaker 11: Give me that, James Brown, Yeah, walking, you're shore. You're

1006
00:49:27,560 --> 00:49:30,200
Speaker 11: gonna stop working. I want a baggy ship.

1007
00:49:32,920 --> 00:49:40,319
Speaker 1: That Yeah, that's Stanky leg Ahead. Oh got you too,

1008
00:49:41,760 --> 00:49:44,120
Speaker 1: Different Strokes, Fresh Prince.

1009
00:49:44,840 --> 00:49:46,520
Speaker 2: I mean again, you gave me with the generational shit.

1010
00:49:46,520 --> 00:49:48,239
Speaker 2: I didn't watch Different Strokes. I'm not that old.

1011
00:49:48,680 --> 00:49:52,040
Speaker 5: It was, it was on, it was on, but I

1012
00:49:52,080 --> 00:49:54,840
Speaker 5: wasn't like it wasn't like I wasn't thirteen years.

1013
00:49:54,719 --> 00:49:56,920
Speaker 2: Old, like like, uh, what do you say?

1014
00:49:57,040 --> 00:49:57,520
Speaker 1: Was the other one?

1015
00:49:58,239 --> 00:50:00,759
Speaker 5: Fresh Fresh Prince was my adolescent? It's like that was

1016
00:50:01,160 --> 00:50:03,320
Speaker 5: I could see it eye to eye. Different show. I

1017
00:50:03,400 --> 00:50:04,680
Speaker 5: gotta catch reruns, you know what I mean?

1018
00:50:05,320 --> 00:50:07,239
Speaker 2: Yeah? Oh what you want to say?

1019
00:50:07,280 --> 00:50:11,799
Speaker 1: Brother? Because you've been running this I've been looking for

1020
00:50:11,840 --> 00:50:12,960
Speaker 1: you life.

1021
00:50:13,000 --> 00:50:14,279
Speaker 2: Hold on, I've been looking for you.

1022
00:50:15,239 --> 00:50:17,000
Speaker 1: That's my ship. Rewinded Tent.

1023
00:50:17,520 --> 00:50:18,439
Speaker 2: What's that?

1024
00:50:18,440 --> 00:50:20,759
Speaker 1: That's the time. Yeah, while you could rewind the time,

1025
00:50:20,800 --> 00:50:22,560
Speaker 1: I want to put you on the box. I own

1026
00:50:22,640 --> 00:50:26,200
Speaker 1: this company. Rewinded Tent. It's Kelsey dj CA. You ain't

1027
00:50:26,200 --> 00:50:31,000
Speaker 1: win no bumps, Nikki jam Heston breakforst Legend. Yeah, who

1028
00:50:31,000 --> 00:50:32,040
Speaker 1: do I talk to?

1029
00:50:32,680 --> 00:50:33,400
Speaker 5: What is do?

1030
00:50:33,480 --> 00:50:34,000
Speaker 2: Is? Just like this.

1031
00:50:35,440 --> 00:50:36,000
Speaker 1: Lead?

1032
00:50:36,280 --> 00:50:36,960
Speaker 2: Okay?

1033
00:50:37,880 --> 00:50:39,160
Speaker 1: I like that Knox money.

1034
00:50:39,200 --> 00:50:41,000
Speaker 2: You have my curiosity. Now you got my attention.

1035
00:50:41,080 --> 00:50:42,399
Speaker 1: You know what I'm saying because I see you leave

1036
00:50:42,440 --> 00:50:44,680
Speaker 1: a couple of whites over there, yo, Jada, hold on.

1037
00:50:44,800 --> 00:50:45,560
Speaker 2: I got a lot of white.

1038
00:50:45,640 --> 00:50:48,319
Speaker 1: I ain't get it. Why don't they that's the half white,

1039
00:50:48,320 --> 00:50:50,879
Speaker 1: that's the half white. Yeah, forty three when you could

1040
00:50:50,880 --> 00:50:53,759
Speaker 1: be thirty two. Why look thirty two when you be

1041
00:50:53,920 --> 00:50:56,840
Speaker 1: twenty two. I fight the time while you could rewind

1042
00:50:56,880 --> 00:50:57,279
Speaker 1: the top.

1043
00:50:57,360 --> 00:51:00,520
Speaker 5: I'm gonna do some research. I'm gonna do some re urge.

1044
00:51:00,719 --> 00:51:03,279
Speaker 5: It's a strong pitch. It's a very strong pitch.

1045
00:51:03,360 --> 00:51:07,359
Speaker 1: We killing up cvs, sutlease, stop and shot. Okay, now

1046
00:51:07,360 --> 00:51:09,239
Speaker 1: you're Jada. I need him on the box. Jada want

1047
00:51:09,239 --> 00:51:11,400
Speaker 1: to be on the box. So he's trying to push

1048
00:51:11,440 --> 00:51:12,840
Speaker 1: you out.

1049
00:51:13,120 --> 00:51:14,520
Speaker 2: He needed that one to boxing.

1050
00:51:14,680 --> 00:51:17,120
Speaker 1: Anybody need to be on the Joe. This ain't that,

1051
00:51:17,400 --> 00:51:18,040
Speaker 1: that ain't this.

1052
00:51:18,800 --> 00:51:21,160
Speaker 2: It's cracking. Kiss I guess.

1053
00:51:21,320 --> 00:51:24,640
Speaker 3: Jesse Williams Hotel Costiera on Prime.

1054
00:51:26,920 --> 00:51:28,759
Speaker 1: Thanks some doing. I'm going away as

1055
00:51:30,200 --> 00:51:32,000
Speaker 2: Thank you, appreciate