WEBVTT - Escape from Universe 25

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from How Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb. My name is Julie Douglas. Julie,

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<v Speaker 1>you have an announcement you want to make for everybody.

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<v Speaker 1>It is so hot in Atlanta. It really, oh my gosh,

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<v Speaker 1>nine degrees today. It's brutal. It is brutal. That's yeah,

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<v Speaker 1>that's not really what I was gonna say, though, Well,

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<v Speaker 1>I mean everyone needs to be up on the weather

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<v Speaker 1>that we are experiencing. I know it's a diversionary tactic

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<v Speaker 1>for really, because this is my last episode on Stuff

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<v Speaker 1>to Blow Your Mind, and I am leaving the podcast

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<v Speaker 1>work on a couple of projects for How Stuff Works.

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<v Speaker 1>So I just wanted to let you guys know, not

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<v Speaker 1>going very far, but in the meantime, I am leaving

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<v Speaker 1>you guys in the very capable hands of Christian Seger

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<v Speaker 1>and Joe McCormick, who have been filling in for me

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<v Speaker 1>over the last month, and they have been turning in

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<v Speaker 1>some really fine work. And I'm sure you guys have

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<v Speaker 1>all had a chance to meet them by now. They

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<v Speaker 1>are great guys. So yeah, indeed, for those who have

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<v Speaker 1>been asking, you know, what's what's going on there? You

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<v Speaker 1>have it and again, Julie's uh still very much part

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<v Speaker 1>of the house stuff works team is gonna You're gonna

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<v Speaker 1>see a lot of exciting stuff coming out. And uh

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<v Speaker 1>and indeed, thank you for sharing the journey with me

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<v Speaker 1>thus far and helping to to develop stuff to blow

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<v Speaker 1>your mind as we know it today. Yeah. Thanks thanks

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<v Speaker 1>for making it so much fun. I can't believe that

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<v Speaker 1>it's been three years I think now three and a

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<v Speaker 1>half years or so that we first sat down with

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<v Speaker 1>a spreadsheet and we tried to figure out all these

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<v Speaker 1>different topics that we wanted to cover. Um, so it's

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<v Speaker 1>been an absolute pleasure. And um uh you know, I

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<v Speaker 1>can't say we'll always have Paris, but we will always

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<v Speaker 1>have Cloeca. I mean, if you want. I mean that

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<v Speaker 1>sounds weird, We will always have Cloeka. You will, all right, Uh,

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<v Speaker 1>enough of this stuff here, let's get to the topic

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<v Speaker 1>at hand today. Yes, we're telling talking about Utopia. But

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<v Speaker 1>as as as with any discussion of Utopia, we're gonna

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<v Speaker 1>get into some pretty dark territory, right, I mean, because

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<v Speaker 1>this is just the beauty of this You cannot have

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<v Speaker 1>utopia without dystopia, right, you wouldn't even know what it

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<v Speaker 1>was without the negative side of that coin. And we're

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<v Speaker 1>just gonna take you bits into a time capsule here.

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<v Speaker 1>So just imagine that it's the sixties. You're scientists with

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<v Speaker 1>just cads, a very fine rodents at your disposal, yes,

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<v Speaker 1>top shelf, the best you can kind of rodents, and

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<v Speaker 1>you have this desire to play out the drama of overpopulation.

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<v Speaker 1>In fact, in the Proceedings of the Royal Society of

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<v Speaker 1>Medicine in nineteen seventy three, you describe the outset of

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<v Speaker 1>your quest thusly quote, I shall largely speak of mice,

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<v Speaker 1>but my thoughts are on man, on healing, on life

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<v Speaker 1>and evolution. And then you go on to name check

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<v Speaker 1>the four horsemen of the apocalypse before you get onto

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<v Speaker 1>the details of your overpopulation experiment. You are John B. Calhoun, Yes,

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<v Speaker 1>who's a very very interesting individual. Um born in nineteen

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<v Speaker 1>seventeen died in the American Animal Behaviorist. And he was

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<v Speaker 1>actually born in Tennessee, specifically Elkton, Tennessee, just the next

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<v Speaker 1>county over uh from Lincoln County where I went to

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<v Speaker 1>high school. Uh. He went to high school and Nashville.

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<v Speaker 1>He went on to earn his undergraduate degree at the

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<v Speaker 1>University of Virginia and earned a doctorate in zoology from

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<v Speaker 1>Northwestern University in nineteen forty three, and from there he

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<v Speaker 1>embarked on a forty year career mostly at the National

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<v Speaker 1>Institute of Mental Health or NIM, where he organized the

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<v Speaker 1>Unit for Research on Behavioral Systems at the Laboratory of Brain,

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<v Speaker 1>Evolution and Behavior. Now he's best remembered for work that

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<v Speaker 1>focused on the troubling effects of overpopulation on rats and mice,

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<v Speaker 1>effects that miss might just paint a very bleak picture

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<v Speaker 1>of humanity's future in an overcrowded world, right, and he

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<v Speaker 1>goes on to create something called Universe twenty five, which

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<v Speaker 1>we'll talk about, but at about the same time that

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<v Speaker 1>his paper is published as a paper is called death squared,

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<v Speaker 1>the explosive growth into mind of a mouse population. There's

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<v Speaker 1>a bunch of stuff going on in society. In fact,

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<v Speaker 1>there's a kind of a zite iced about overpopulation playing out. Yeah,

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<v Speaker 1>this is the post war period where everything is just

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<v Speaker 1>getting built up. The populations coming back, people are are

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<v Speaker 1>are booming, technology is booming, the cities are growing, swelling

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<v Speaker 1>even and there are some growing pains associated with that. Yeah,

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<v Speaker 1>And you even have bits of media that are being

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<v Speaker 1>consumed fictional that are reflecting this. For instance, something called

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<v Speaker 1>Soilent Green, which was this movie that depicted a future

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<v Speaker 1>of an overcrowded world where the pulation could only survive

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<v Speaker 1>on soyland Green, a food handout from the government which

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<v Speaker 1>turns out to be made from human corpses. Yes, or

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<v Speaker 1>you know, pretty good supply. That was fueling people's imaginations

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<v Speaker 1>and their fears. Yeah, and a lot of those fears

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<v Speaker 1>were related to resources. Right, there are this many people

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<v Speaker 1>and we keep reading how are we going to feed everybody?

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<v Speaker 1>How are are we going to have enough to maintain?

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<v Speaker 1>So in the meantime, you've got John Calhoun who has

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<v Speaker 1>been working with rodents for a number of years and

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<v Speaker 1>has been preoccupied with this question of overpopulation, and he

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<v Speaker 1>does turn to these rats because they're easy to observe, right,

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<v Speaker 1>They quickly have successive generations, and there are similarities to humans.

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<v Speaker 1>They're they're clever little beings, and they're highly social. Yeah.

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<v Speaker 1>As we discussed in our recent episode on on rats specifically,

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<v Speaker 1>um rodents searches say a very handy reference point for

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<v Speaker 1>any kind of scientific exploration of human psychology or human anatomy.

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<v Speaker 1>So Calhoun, who first becomes obsessed with this idea, creates

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<v Speaker 1>something called rat City on a quarter acre of land

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<v Speaker 1>adjacent to his home in Tows in Maryland in ninety seven,

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<v Speaker 1>and he sees that the population in this pen peaks

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<v Speaker 1>at two hundred and he's kind of confused by it

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<v Speaker 1>because he knows that they could far exceed that, and

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<v Speaker 1>in fact he begins to see the delectarious effects of

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<v Speaker 1>overpopulation at just eighty. So for three decades he at

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<v Speaker 1>the National Institute of Mental Health, he creates iterations of this,

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<v Speaker 1>and in fact, you could say these are twenty four

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<v Speaker 1>iterations of what is now known as universe. Yes, so

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<v Speaker 1>I will I'll describe Universe twenty five for you, and

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<v Speaker 1>this will give you a good idea of the various

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<v Speaker 1>iterations that came before as well. So essentially you're talking

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<v Speaker 1>about a large, industrial looking square tank. Uh, imagine in

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<v Speaker 1>a miniature building designed by hr Gear for some set designs.

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<v Speaker 1>You know, it looks kind of like a medieval fortress too. Yeah,

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<v Speaker 1>it doesn't not Yeah, it doesn't look cozy at all.

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<v Speaker 1>It's it's it's quite intimidating, especially in some of the

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<v Speaker 1>pictures we're looking at that are a little little grainy,

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<v Speaker 1>a little dark, right. Um, the square tank was a

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<v Speaker 1>hundred and one inches square or two point six meter square,

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<v Speaker 1>enclosed by fifty four inch high or one point four

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<v Speaker 1>meter high walls. Now, the first thirty seven inches of

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<v Speaker 1>that that wall, from from bottom towards the top, those

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<v Speaker 1>are designed so that the mice can scale it willy nilly.

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<v Speaker 1>But above this the remaining seventeen inches or bare wall

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<v Speaker 1>that they can't scramble up. Um. So you can think

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<v Speaker 1>of it as a walled city again, but with no

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<v Speaker 1>access to the battlements. I mean, it's essentially more like

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<v Speaker 1>a prison, I guess. Um. In addition, you have sixteen

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<v Speaker 1>vertical mesh tunnels or stairwells that are soldered to each wall.

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<v Speaker 1>Four horizontal corridors lead off of each stairwell, and each

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<v Speaker 1>of these lead to four nesting boxes. And in total,

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<v Speaker 1>we're looking at two hundred and fifty six boxes, each

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<v Speaker 1>sizeable enough for about fifteen rodents to live inside. And

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<v Speaker 1>that's one of the things that Calhoun found out quickly

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<v Speaker 1>when he did this other iterations, is that that the

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<v Speaker 1>mice would typically not go over twelve within each group.

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<v Speaker 1>So he did create an apartment to house up to

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<v Speaker 1>fifteen mice because he knew that was part of their behavior,

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<v Speaker 1>so he did try to mirror some of the things

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<v Speaker 1>that he saw in those uh, those different versions. Now this, uh,

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<v Speaker 1>this universe does uh does have quite a few amenities.

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<v Speaker 1>There is no infinity pool, um, but there's a lot

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<v Speaker 1>of abundant clean food and water and nesting materials which

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<v Speaker 1>would be really important. The universe was cleaned every four

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<v Speaker 1>to eight weeks, and of course there were no predators,

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<v Speaker 1>and the temperature was kept at a steady sixty eight

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<v Speaker 1>degrees fahrenheit. So all in all, if you had to

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<v Speaker 1>create a utopia for rodents, this might be what it

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<v Speaker 1>looks like without really knowing intimately what rodents want. Yeah,

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<v Speaker 1>seemingly it provides the necessary space, the necessary resources to

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<v Speaker 1>both feed yourself and to carry out your basic genetic mission. Right, yes,

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<v Speaker 1>sounds good, right Alright, So moving day arrives. Uh. He

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<v Speaker 1>kicks off with just four breeding pairs of mice uh,

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<v Speaker 1>and they are moved in on day one, and these

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<v Speaker 1>again are disease free, top shelf just elegant mice. So

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<v Speaker 1>eate mice total, and these are the individuals that are

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<v Speaker 1>going to reproduce and populate this little city, this little

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<v Speaker 1>universe with all their furry offspring. And this is ideal.

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<v Speaker 1>As we mentioned, mice or small short generation time accelerated

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<v Speaker 1>lifespan that we can study. One mouse year equals about

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<v Speaker 1>thirty human years. Each mouse lives about two to five years.

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<v Speaker 1>The gestation period and female mice is less than a month,

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<v Speaker 1>and the female mouse has an average litter size of

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<v Speaker 1>about six baby mice and breeding onset is about fifty days.

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<v Speaker 1>So yeah, now imagine these four breeding pair um the

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<v Speaker 1>top shelf, as you say, entering this enclosure, and what

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<v Speaker 1>do they do. Well, if you've ever moved into a

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<v Speaker 1>new house as a little kid, then you know probably

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<v Speaker 1>what this looks like. They would go into that enclosure

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<v Speaker 1>and go into the apartments and they were trying to

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<v Speaker 1>find every single food source and really just get a

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<v Speaker 1>feel for that environment, right, which would make sense. They

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<v Speaker 1>didn't care about breeding or eating mainly at first because

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<v Speaker 1>they just want to get the lay of the land.

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<v Speaker 1>And individual mice were kept track of with color markings

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<v Speaker 1>and therefore, which was true of successive generations as well. Yeah.

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<v Speaker 1>So this first phase is the strive phase. That's the

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<v Speaker 1>term Calhoun used for it. Um first a hundred and

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<v Speaker 1>four days, where the mice are just getting accustomed to

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<v Speaker 1>the new environment. They're establishing their territories, they're creating their nests,

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<v Speaker 1>just moving in business as usual, nothing out of the ordinary.

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<v Speaker 1>It's it's kind of it's kind of like the utopia

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<v Speaker 1>set up in any film, and like having a Utopia

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<v Speaker 1>in your your fiction. It's kind of like bringing a

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<v Speaker 1>cannon on the stage, Right, you bring a cannon on

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<v Speaker 1>the stage, you have to fire it. You introduce Utopia

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<v Speaker 1>into your fiction. That Utopia has to fall into chaos

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<v Speaker 1>and madness. This is the period in which you just

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<v Speaker 1>have Utopia business as usual, with no concerns about the

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<v Speaker 1>resources or predators. Yeah, I'm just imagining the kind of whimsical,

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<v Speaker 1>flowing music that usually accompanies these scenes of utopia. Really,

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<v Speaker 1>any scene that's being set up is like, oh, this

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<v Speaker 1>is wonderful, life is great. And then you hear the

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<v Speaker 1>minor piano key like bearer, and that would be the

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<v Speaker 1>exploit phase kicking in. Now. This phase lasted about two

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<v Speaker 1>hundred and fifty days in the population of the mice

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<v Speaker 1>doubled every sixty days. And even though there was identical

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<v Speaker 1>allotments of food and space throughout universe, twenty five, food

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<v Speaker 1>was being consumed more in certain areas. That's because the

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<v Speaker 1>mice began to associate eating and drinking with being with others,

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<v Speaker 1>and the population started to gravitate towards certain compartments where

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<v Speaker 1>all of the eating took place. And this made some

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<v Speaker 1>apartments and compartments crowded well beyond their capacity, while other

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<v Speaker 1>apartments remained completely empty. And now you can hear those

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<v Speaker 1>other minor chords coming into play, right, Yeah, things are

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<v Speaker 1>starting to seem a little bit, a little bit weird.

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<v Speaker 1>But but then we enter a phase the Calhoun called

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<v Speaker 1>the equilibrium phase, which sounds great, right, things are going

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<v Speaker 1>to even out. Things are, But the equilibrium in question

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<v Speaker 1>here is that the population number, which means that the

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<v Speaker 1>the population is evening out. Uh. And he also referred

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<v Speaker 1>to this as the stagnation phase. Um, why is population

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<v Speaker 1>evening out? Because there's less reproduction going on. There's less

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<v Speaker 1>successful reproduction going on, and there is a lot of

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<v Speaker 1>violence that flares up. And we're gonna get into the

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<v Speaker 1>details of that violence. Uh. Here in a bit but

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<v Speaker 1>essentially you see a divide between the sexes and you

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<v Speaker 1>see some rather graphic displays of violence on both sides. Yeah,

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<v Speaker 1>pretty spectacular displays of it, particularly when you get into

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<v Speaker 1>the next phase, which is the die phase, and the

0:13:11.559 --> 0:13:17.640
<v Speaker 1>population begins to decline at hundred, even though universe could

0:13:17.679 --> 0:13:21.800
<v Speaker 1>accommodate up to three thousand mice, and Calhoun notices that

0:13:21.920 --> 0:13:26.080
<v Speaker 1>animals become a lot less aware of each other, even

0:13:26.160 --> 0:13:28.640
<v Speaker 1>though they're enclosure contact than before, I mean their side

0:13:28.640 --> 0:13:31.320
<v Speaker 1>by side, stacked in with each other. And by day

0:13:31.400 --> 0:13:36.560
<v Speaker 1>five sixty, the population increase plunges next to nothing, and

0:13:36.720 --> 0:13:40.079
<v Speaker 1>a few mice survived passed winning until day six hundred.

0:13:40.280 --> 0:13:43.640
<v Speaker 1>After that, there's a few pregnancies that don't come to

0:13:43.679 --> 0:13:48.880
<v Speaker 1>fruition and there are no surviving young, which seems odd

0:13:49.000 --> 0:13:52.400
<v Speaker 1>because you would think that as the population decreases and

0:13:52.640 --> 0:13:56.040
<v Speaker 1>territories are regained, that there would be some sort of

0:13:56.120 --> 0:13:58.640
<v Speaker 1>stasis enacted, right, Like there would be some sort of

0:13:58.640 --> 0:14:01.840
<v Speaker 1>return to normal activity. He's like mating, Yeah, yeah, I

0:14:01.840 --> 0:14:04.880
<v Speaker 1>mean you'd think that after this equilibrium period where all

0:14:04.960 --> 0:14:07.840
<v Speaker 1>this bad stuff goes on, and you see the birthrate

0:14:07.880 --> 0:14:11.640
<v Speaker 1>plummeting and infant mortality rates reaching in some areas that

0:14:12.559 --> 0:14:14.280
<v Speaker 1>some reason would restore it. So if it's kind of

0:14:14.320 --> 0:14:16.160
<v Speaker 1>like we you know, we see in the various ups

0:14:16.160 --> 0:14:18.800
<v Speaker 1>and downs throughout history, things get bad but then things

0:14:18.840 --> 0:14:22.560
<v Speaker 1>even out, but not so in the universe, right, and

0:14:22.640 --> 0:14:26.480
<v Speaker 1>this becomes something known as the behavioral sink. All Right,

0:14:26.480 --> 0:14:28.280
<v Speaker 1>we're gonna take a quick break, and when we come back,

0:14:28.280 --> 0:14:30.800
<v Speaker 1>we will define behavioral sink. We will talk about the

0:14:30.840 --> 0:14:35.040
<v Speaker 1>details of the violent downfall of universe, and not to

0:14:35.040 --> 0:14:48.520
<v Speaker 1>mention the beautiful ones. All right, we're back. So behavioral

0:14:48.560 --> 0:14:52.760
<v Speaker 1>sink this is Calhoun's name for the point past which

0:14:52.800 --> 0:14:57.800
<v Speaker 1>the slide into breakdown becomes irreversible. Uh referred to it

0:14:57.800 --> 0:15:01.200
<v Speaker 1>as a para pathology of shared business. And I like

0:15:01.240 --> 0:15:03.440
<v Speaker 1>to think of it in terms of of a black hole. Right,

0:15:04.000 --> 0:15:08.080
<v Speaker 1>It's a black hole of pathological behavior. It forms out

0:15:08.080 --> 0:15:11.320
<v Speaker 1>of the collapsing mass of an overpopulated society. It's the

0:15:11.640 --> 0:15:14.560
<v Speaker 1>it's the event horizon. You know that once you you

0:15:14.600 --> 0:15:18.480
<v Speaker 1>pass that event horizon, there's no escaping the mass of

0:15:18.520 --> 0:15:20.160
<v Speaker 1>the black hole. And this is the point of no

0:15:20.320 --> 0:15:24.440
<v Speaker 1>return for civilizational downfall, at least with the rodents, if

0:15:24.440 --> 0:15:27.120
<v Speaker 1>not with humans. Yeah, and John Calhoun called it the

0:15:27.160 --> 0:15:30.880
<v Speaker 1>first death. UM. He said, that's it's sort of akin

0:15:30.960 --> 0:15:33.800
<v Speaker 1>to like the death of the mind in the soul

0:15:34.080 --> 0:15:36.920
<v Speaker 1>of the creature, not really implying that they have a soul,

0:15:37.120 --> 0:15:39.360
<v Speaker 1>but basically saying there are two types of death here.

0:15:39.360 --> 0:15:41.960
<v Speaker 1>There's a body death which eventually happens, but the sort

0:15:42.000 --> 0:15:46.520
<v Speaker 1>of like non striving, not not living for anything, not mating,

0:15:46.600 --> 0:15:51.880
<v Speaker 1>not really caring about your environment. And so you can

0:15:51.960 --> 0:15:56.880
<v Speaker 1>see how this behavioral sank and this um the second

0:15:56.960 --> 0:15:59.840
<v Speaker 1>death and first death, all these terms are being thrown around,

0:16:00.000 --> 0:16:01.640
<v Speaker 1>and you could see how they would have a really

0:16:01.680 --> 0:16:07.240
<v Speaker 1>big impact with people who are cluing in on his paper. Yeah, yeah,

0:16:07.280 --> 0:16:11.520
<v Speaker 1>I mean we're talking about the existential apocalypse u A,

0:16:11.640 --> 0:16:16.800
<v Speaker 1>theeleological apocalypse. So that kind of leads to this whole

0:16:16.800 --> 0:16:21.160
<v Speaker 1>other aspect of Universe twenty five that really came to

0:16:21.280 --> 0:16:25.520
<v Speaker 1>define what happened and why it happened, and that is

0:16:26.080 --> 0:16:28.520
<v Speaker 1>this aggression that came out of it. And this was

0:16:28.640 --> 0:16:32.640
<v Speaker 1>largely because of the overcrowding and certain areas, particularly the

0:16:32.720 --> 0:16:37.000
<v Speaker 1>feeding areas. It meant that the newer generations born into universe,

0:16:37.560 --> 0:16:40.680
<v Speaker 1>the chaotic version, they didn't have the kind of social

0:16:40.680 --> 0:16:45.040
<v Speaker 1>conditioning that would allow them to form bonds. Uh. So,

0:16:45.160 --> 0:16:48.840
<v Speaker 1>in addition, you have the constant stimulation, the screring for

0:16:48.880 --> 0:16:52.320
<v Speaker 1>food and space, and this means that some of the

0:16:52.360 --> 0:16:57.760
<v Speaker 1>rodents became exceedingly aggressive, and this spiraled off into different

0:16:57.920 --> 0:17:02.960
<v Speaker 1>factions of behavior for other rodents. So the reaction to

0:17:03.040 --> 0:17:06.159
<v Speaker 1>that sort of aggression is that you had some rats

0:17:06.200 --> 0:17:08.919
<v Speaker 1>who are excuse me, mice who retreated, and then you

0:17:08.960 --> 0:17:11.239
<v Speaker 1>had those who try to retreat, but then they were

0:17:11.280 --> 0:17:13.760
<v Speaker 1>sought after to actually be attacked over and over again.

0:17:14.240 --> 0:17:17.320
<v Speaker 1>And then those who were attacked a lot then became attackers,

0:17:17.880 --> 0:17:21.680
<v Speaker 1>and then you had what I call the super bullies. Yes,

0:17:21.960 --> 0:17:26.880
<v Speaker 1>the outcast, Yes, the the outcasts. Uh. This and this

0:17:26.920 --> 0:17:29.520
<v Speaker 1>is very much in line with with any any kind

0:17:29.520 --> 0:17:32.359
<v Speaker 1>of like Mad Max post apocalyptic scenario where you have

0:17:32.400 --> 0:17:35.520
<v Speaker 1>these warlords that rise out of the disorder and they're

0:17:35.560 --> 0:17:39.040
<v Speaker 1>they're just the most awful, heinous people possible that just

0:17:39.160 --> 0:17:42.879
<v Speaker 1>ruled by sheer brutality. And that's what we see popping

0:17:42.960 --> 0:17:46.360
<v Speaker 1>up in the universe five. After about day three fifteen,

0:17:46.880 --> 0:17:50.320
<v Speaker 1>male mice without social roles stop trying to defend territory,

0:17:50.480 --> 0:17:53.240
<v Speaker 1>or they stopped trying to breed. Instead, they just end

0:17:53.320 --> 0:17:56.280
<v Speaker 1>up wandering congregating in the middle of the universe with

0:17:56.280 --> 0:17:59.880
<v Speaker 1>other loaners. And it's here that you see particularly dominant,

0:18:00.000 --> 0:18:04.359
<v Speaker 1>paricularly aggressive males rising to the top through just sheer

0:18:04.400 --> 0:18:09.920
<v Speaker 1>brutality attacking their fellow mice. Uh, just roaming around, assaulting,

0:18:10.320 --> 0:18:15.040
<v Speaker 1>raping other members of the universe and asserting their dominance. Yeah.

0:18:15.080 --> 0:18:17.360
<v Speaker 1>And I love this mad Max analogy that you make

0:18:17.400 --> 0:18:22.040
<v Speaker 1>because it really helps you to understand why the breeding stopped,

0:18:22.440 --> 0:18:26.840
<v Speaker 1>because within this environment, you don't have a couples saying, oh,

0:18:26.960 --> 0:18:30.399
<v Speaker 1>let's mate, let's do this, let's let's um, let's really

0:18:30.440 --> 0:18:34.760
<v Speaker 1>spend an ordent amount of time caring for young. You

0:18:34.800 --> 0:18:38.080
<v Speaker 1>don't have those kind of resources available if you're worried

0:18:38.119 --> 0:18:41.040
<v Speaker 1>that you can't survive. Right. So that's what you're seeing

0:18:41.119 --> 0:18:44.879
<v Speaker 1>in terms of the kind of reaction or fallout from

0:18:45.280 --> 0:18:50.240
<v Speaker 1>from the outcasts as Calhoun talks about them. But you're

0:18:50.320 --> 0:18:57.320
<v Speaker 1>also seeing another subset emerged from this, and the die

0:18:57.400 --> 0:19:01.360
<v Speaker 1>phase sees this new subset at a new generation of

0:19:01.400 --> 0:19:04.200
<v Speaker 1>mice emerge that had never been subjected again to any

0:19:04.200 --> 0:19:08.440
<v Speaker 1>sort of normal conditioning, and they showed absolutely no interest

0:19:08.680 --> 0:19:13.240
<v Speaker 1>in fighting, courtship, mating, raising young, or really anything that

0:19:13.280 --> 0:19:15.880
<v Speaker 1>had to do with one another. Um, they did all

0:19:15.960 --> 0:19:19.840
<v Speaker 1>group together, and one of the things that they did

0:19:20.040 --> 0:19:26.280
<v Speaker 1>the most was groom, So they were constantly preening themselves

0:19:26.440 --> 0:19:30.479
<v Speaker 1>and eating. Just just imagine these sort of you know,

0:19:30.960 --> 0:19:35.440
<v Speaker 1>fat mice with these beautiful coats, and as Kyle Hun describes,

0:19:35.480 --> 0:19:40.359
<v Speaker 1>some alert eyes in their ivory towers, the chaos and

0:19:40.800 --> 0:19:45.439
<v Speaker 1>apocalyptic warfare going on. Yes, that's that's beautifully described. That

0:19:45.680 --> 0:19:50.919
<v Speaker 1>is what he termed the beautiful ones who occupied this

0:19:51.000 --> 0:19:55.560
<v Speaker 1>ivory tower of space. And while they were together, none

0:19:55.560 --> 0:19:58.520
<v Speaker 1>of them would actually interact with one another. And of

0:19:58.520 --> 0:20:01.400
<v Speaker 1>course they had no interest in MA And so Calhoun

0:20:01.440 --> 0:20:04.359
<v Speaker 1>and the researchers thought, well, what if we were removed

0:20:04.359 --> 0:20:07.080
<v Speaker 1>them from universe and we put them in an enclosure

0:20:07.119 --> 0:20:09.399
<v Speaker 1>that has all of the benefits of universe twenty five.

0:20:09.440 --> 0:20:11.720
<v Speaker 1>In other words, um, you know, all the food that

0:20:11.760 --> 0:20:15.840
<v Speaker 1>they wanted, Um, you know, cages that were cleaned, so

0:20:15.920 --> 0:20:19.520
<v Speaker 1>on and so forth. They would probably return to normal, Right,

0:20:19.680 --> 0:20:24.120
<v Speaker 1>that was the idea with these alert eyed mice. They

0:20:24.160 --> 0:20:27.679
<v Speaker 1>did that, and of course the beautiful ones just continued

0:20:27.800 --> 0:20:31.080
<v Speaker 1>to groom themselves and eat and had absolutely no interest.

0:20:31.520 --> 0:20:34.399
<v Speaker 1>And that was very surprising for the researchers, and it

0:20:34.480 --> 0:20:37.879
<v Speaker 1>further underscored that there was a kind of behavioral sink

0:20:38.640 --> 0:20:41.679
<v Speaker 1>that happened. Is that that first death right. So they

0:20:41.680 --> 0:20:46.280
<v Speaker 1>were already just existentially dead inside, right, It didn't matter

0:20:46.400 --> 0:20:49.920
<v Speaker 1>that they had changed geography. They were who they were now.

0:20:50.040 --> 0:20:52.800
<v Speaker 1>And so of course all of this taken together, you

0:20:52.840 --> 0:20:56.720
<v Speaker 1>can see how the public would take the details of

0:20:56.800 --> 0:21:00.040
<v Speaker 1>this is sort of like pan sexualism, this cannibal of

0:21:00.119 --> 0:21:04.800
<v Speaker 1>him that it would occur, um this extreme violence, and

0:21:04.840 --> 0:21:07.760
<v Speaker 1>then began to try to make these apples to apples

0:21:07.800 --> 0:21:10.920
<v Speaker 1>comparisons with human populations. Yeah, I mean, well, we we

0:21:10.960 --> 0:21:13.240
<v Speaker 1>couldn't help. Even as we were going over notes before

0:21:13.240 --> 0:21:17.720
<v Speaker 1>the episode, I've mentioned that I couldn't help, but think

0:21:17.760 --> 0:21:21.119
<v Speaker 1>of wells, the time machine and the more Locks, the

0:21:21.240 --> 0:21:24.480
<v Speaker 1>horrible Morelocks had had lived underground and in the beautiful

0:21:24.560 --> 0:21:26.920
<v Speaker 1>surface dwellers who just kind of wandered around and it

0:21:27.040 --> 0:21:29.160
<v Speaker 1>drugged out haze on the surface. And then of course

0:21:29.160 --> 0:21:34.640
<v Speaker 1>you brought up Kardashians. I did, I said, Unfortunately, when

0:21:34.760 --> 0:21:36.720
<v Speaker 1>when I read about the beautiful ones, I thought, oh,

0:21:36.760 --> 0:21:41.639
<v Speaker 1>there's the Kardashians. I get it, with their beautifully quaffed hair. Um,

0:21:41.960 --> 0:21:44.399
<v Speaker 1>maybe you took them out of their environment and you

0:21:44.440 --> 0:21:47.719
<v Speaker 1>put them on a desert island. What would happen? They

0:21:47.760 --> 0:21:50.480
<v Speaker 1>would continue to groom themselves. I'm pretty sure of it.

0:21:50.880 --> 0:21:54.320
<v Speaker 1>Perhaps that's an unfair assessment however, Um, But one of

0:21:54.359 --> 0:21:57.760
<v Speaker 1>the things that I think is really striking about this experiment,

0:21:57.960 --> 0:21:59.960
<v Speaker 1>and we kind of touched on it at the beginning,

0:22:00.320 --> 0:22:03.720
<v Speaker 1>is the way that Calhoun paints the picture for his

0:22:03.840 --> 0:22:08.280
<v Speaker 1>reading audience. Yeah. So often with scientific papers and studies,

0:22:08.600 --> 0:22:11.359
<v Speaker 1>you uh, and anyone who's ever read through one of

0:22:11.359 --> 0:22:14.040
<v Speaker 1>these can can certainly certainly know what I'm talking about,

0:22:14.359 --> 0:22:17.320
<v Speaker 1>is that, you know, oftentimes everything is very clinical and straightforward,

0:22:17.359 --> 0:22:19.600
<v Speaker 1>and it's not un till the the conclusions at the

0:22:19.720 --> 0:22:23.000
<v Speaker 1>end and the or maybe the suggestions where they start

0:22:23.080 --> 0:22:26.879
<v Speaker 1>making comparisons to humans and start looking into the future

0:22:26.960 --> 0:22:30.359
<v Speaker 1>for for our own development and in our own progress.

0:22:30.400 --> 0:22:33.000
<v Speaker 1>But with with Calhoun's work, it's there from from the

0:22:33.040 --> 0:22:36.440
<v Speaker 1>get go. It's in the very fabric of the paper. Uh,

0:22:36.440 --> 0:22:38.240
<v Speaker 1>He's just right off the bat. He's referring to the

0:22:38.320 --> 0:22:42.280
<v Speaker 1>dwelling places as tower blocks and walk up apartments. Easy again,

0:22:42.320 --> 0:22:44.480
<v Speaker 1>he's talking about the beautiful ones, the juvenile to link

0:22:44.560 --> 0:22:49.840
<v Speaker 1>what's the dropout? So everything's very just heavily anthropomorphic. Um

0:22:50.520 --> 0:22:53.240
<v Speaker 1>and uh. And it's in all this language meshes perfectly

0:22:53.320 --> 0:22:55.800
<v Speaker 1>as we discussed with the cultural fears that are out

0:22:55.840 --> 0:22:58.080
<v Speaker 1>there in the six season and the seventies to follow,

0:22:58.320 --> 0:23:02.800
<v Speaker 1>you know, full of fictionalman propolises and degenerate societies, the

0:23:02.840 --> 0:23:07.800
<v Speaker 1>world of solid green, of clockwork, orange, um taxi driver

0:23:07.960 --> 0:23:09.960
<v Speaker 1>air in New York City, you know where we just

0:23:10.000 --> 0:23:14.320
<v Speaker 1>see the modern city is just this. Ah, this is

0:23:14.440 --> 0:23:18.720
<v Speaker 1>uh the sewer of of of the link win activity. Yeah.

0:23:18.760 --> 0:23:20.560
<v Speaker 1>And you have a lot of authors at that time

0:23:20.600 --> 0:23:24.320
<v Speaker 1>who are specifically looking at New York City and looking down,

0:23:24.440 --> 0:23:27.439
<v Speaker 1>you know, from the heights of their building from you know,

0:23:27.480 --> 0:23:32.240
<v Speaker 1>the people below and um, and describing them like rats.

0:23:32.840 --> 0:23:37.560
<v Speaker 1>Right Like there's that's not a coincidence. A lot of um,

0:23:37.800 --> 0:23:41.119
<v Speaker 1>what Calhoun is looking at is starting to really steep

0:23:41.160 --> 0:23:46.920
<v Speaker 1>out into popular culture. Now. Post Calhoun, of course, people

0:23:46.960 --> 0:23:48.800
<v Speaker 1>kind of sort of straighten themselves up a little bit

0:23:49.000 --> 0:23:53.040
<v Speaker 1>and look at it a little bit more dispassionately, and

0:23:53.080 --> 0:23:55.480
<v Speaker 1>they began to say, Okay, this is not an apple

0:23:55.520 --> 0:23:58.280
<v Speaker 1>to apple situation. Um, you can't say that the humans

0:23:58.560 --> 0:24:01.919
<v Speaker 1>in New York City are rats in the enclosure of universe,

0:24:02.640 --> 0:24:05.960
<v Speaker 1>because first of all, humans have agency, meaning that we don't,

0:24:06.440 --> 0:24:08.760
<v Speaker 1>as far as we know, have this giant hand who

0:24:08.880 --> 0:24:12.520
<v Speaker 1>is like picking us up and putting us into places

0:24:12.600 --> 0:24:16.119
<v Speaker 1>and feeding us and giving this us an endless supply

0:24:16.280 --> 0:24:19.600
<v Speaker 1>of resources, which is of course the second problem of

0:24:19.640 --> 0:24:23.960
<v Speaker 1>this experiment. This is um about a utopia with everything

0:24:24.000 --> 0:24:27.639
<v Speaker 1>that you would need, whereas in human life we do

0:24:27.680 --> 0:24:31.280
<v Speaker 1>not have the resources always at our disposal. We have

0:24:31.400 --> 0:24:38.080
<v Speaker 1>to strive for them. Uh. Moreover, you have psychologist Jonathan

0:24:38.119 --> 0:24:42.760
<v Speaker 1>Friedman who tries to create as as well as he

0:24:42.800 --> 0:24:46.600
<v Speaker 1>can universe humans, but within the limits of law, of course,

0:24:46.920 --> 0:24:49.800
<v Speaker 1>and having some sort of integrity. He tries to recreate

0:24:49.880 --> 0:24:54.040
<v Speaker 1>this among high school and university students, and he finds

0:24:54.119 --> 0:24:57.920
<v Speaker 1>that the population density is not creating this sort of

0:24:58.080 --> 0:25:01.520
<v Speaker 1>aggression that you would expect, and he does a series

0:25:01.560 --> 0:25:07.560
<v Speaker 1>of these experiments. He measures their stress, their discomfort, aggression, competitiveness,

0:25:07.600 --> 0:25:12.200
<v Speaker 1>and just their general unpleasantness, and he finds that individuals

0:25:12.200 --> 0:25:16.840
<v Speaker 1>employed to carry out tasks under varying conditions of density,

0:25:16.880 --> 0:25:21.000
<v Speaker 1>they display very few pathologies. So it's not this kind

0:25:21.040 --> 0:25:25.280
<v Speaker 1>of situation that yields a clue that, oh, yes, humans,

0:25:25.760 --> 0:25:30.040
<v Speaker 1>humans could uh. Befall the same sort of tragedies if

0:25:30.160 --> 0:25:35.000
<v Speaker 1>overpopulation happens in earnest. Yeah. Freeman ends up suggesting that

0:25:35.000 --> 0:25:38.000
<v Speaker 1>the moral decay that you see in the universe twenty

0:25:38.000 --> 0:25:41.920
<v Speaker 1>five wasn't the result of population density itself, but more

0:25:42.000 --> 0:25:46.920
<v Speaker 1>about excessive social interaction, because they hadn't all gone crazy,

0:25:46.960 --> 0:25:50.680
<v Speaker 1>they didn't all turn into uh, you know, insane warlords.

0:25:50.800 --> 0:25:53.359
<v Speaker 1>Are the ones who managed to control their own space

0:25:53.760 --> 0:25:58.600
<v Speaker 1>actually led normal rodent lives, uh, you know, amid the madness.

0:25:58.640 --> 0:26:01.159
<v Speaker 1>So it's all about the the balance, right though, the

0:26:02.240 --> 0:26:07.320
<v Speaker 1>appropriate levels of privacy and community, um, but unwanted and

0:26:07.480 --> 0:26:12.280
<v Speaker 1>unavoidable social interaction that's what Friedman believes lead to all

0:26:12.520 --> 0:26:17.199
<v Speaker 1>the horror. Yeah. And there's also something called contra freeloading

0:26:17.200 --> 0:26:20.240
<v Speaker 1>which we should consider within the whole context of this. Now,

0:26:20.240 --> 0:26:23.400
<v Speaker 1>this is from Dan Ariali, who is a behavioral economist,

0:26:23.560 --> 0:26:26.479
<v Speaker 1>and he said that it is a tendency for animals

0:26:26.560 --> 0:26:29.600
<v Speaker 1>to prefer earned food rather than free food. So this

0:26:29.640 --> 0:26:33.520
<v Speaker 1>is again part of that resources question. And for instance,

0:26:33.880 --> 0:26:37.879
<v Speaker 1>a really's parrot was described as having a propensity to

0:26:37.960 --> 0:26:41.000
<v Speaker 1>self mutilate if it was just kept in a cage

0:26:41.000 --> 0:26:43.560
<v Speaker 1>and fed without keeping its mind engaged. So that's why

0:26:43.640 --> 0:26:44.960
<v Speaker 1>when you go to a zoo and you see a

0:26:44.960 --> 0:26:49.080
<v Speaker 1>polar bear eating fish, that polar bear actually had to

0:26:49.640 --> 0:26:52.120
<v Speaker 1>make its way through a block of ice in order

0:26:52.160 --> 0:26:54.000
<v Speaker 1>to get to the fish. There was some sort of

0:26:54.440 --> 0:26:57.679
<v Speaker 1>challenge for obstacle there. Yeah. I mean the organism has

0:26:57.760 --> 0:27:00.800
<v Speaker 1>evolved with a purpose and a design line, and if

0:27:00.880 --> 0:27:04.479
<v Speaker 1>you just give it the resources that its whole system

0:27:04.560 --> 0:27:08.040
<v Speaker 1>is game to achieve naturally and with a struggle, Uh,

0:27:08.240 --> 0:27:10.800
<v Speaker 1>there's going to be a disconnect. Yeah, And now to

0:27:10.880 --> 0:27:14.439
<v Speaker 1>go back to your point though about how um within

0:27:14.560 --> 0:27:18.120
<v Speaker 1>the Universe twenty community there were some mice there were

0:27:18.160 --> 0:27:23.879
<v Speaker 1>actually fearing. Okay, this is something that is underplayed, right

0:27:23.880 --> 0:27:25.800
<v Speaker 1>because you hear about all the terrible things going on,

0:27:25.880 --> 0:27:27.840
<v Speaker 1>but you don't hear a lot about the actual I

0:27:27.880 --> 0:27:30.680
<v Speaker 1>guess you could call it creativity and innovation that was happening,

0:27:30.920 --> 0:27:33.520
<v Speaker 1>which is kind of kind of crazy because you know,

0:27:33.600 --> 0:27:37.600
<v Speaker 1>we love the idea of an apocalypse and clearly everyone

0:27:38.000 --> 0:27:40.600
<v Speaker 1>absorbing this study like it's easy to just focus on

0:27:40.720 --> 0:27:43.000
<v Speaker 1>the doom aspect of it. But you look at any

0:27:43.119 --> 0:27:46.480
<v Speaker 1>bit of post apocalyptic media, be the you know, the

0:27:46.520 --> 0:27:49.359
<v Speaker 1>Walking Dead or Mad Max, like the heroes are the

0:27:49.400 --> 0:27:53.679
<v Speaker 1>individuals that more or less are able to thrive in

0:27:53.720 --> 0:27:57.640
<v Speaker 1>this environment, you know. Yeah, and I think that speaks

0:27:57.680 --> 0:27:59.719
<v Speaker 1>to us because we want to learn how to do

0:27:59.760 --> 0:28:02.120
<v Speaker 1>this thing right, right, Like that's why it's so compelling,

0:28:02.119 --> 0:28:04.679
<v Speaker 1>because like, how are you surviving? What sort of grit

0:28:04.680 --> 0:28:08.600
<v Speaker 1>do you have? What sort of creativity? Yeah? So, of

0:28:08.640 --> 0:28:12.400
<v Speaker 1>Calhoun found that animals that were better able to handle

0:28:12.840 --> 0:28:15.439
<v Speaker 1>high numbers of social interactions, which is key because we

0:28:15.480 --> 0:28:18.680
<v Speaker 1>just discussed like that it's about all that unwanted social interaction.

0:28:19.200 --> 0:28:21.639
<v Speaker 1>He found that the rodents who could handle all of

0:28:21.680 --> 0:28:25.720
<v Speaker 1>that unwanted social interaction UM, actually did pretty well. And

0:28:25.760 --> 0:28:29.439
<v Speaker 1>he dubbed them high social velocity mice, which I like

0:28:29.520 --> 0:28:32.440
<v Speaker 1>to think of as the you know, the real extroverts

0:28:32.440 --> 0:28:34.760
<v Speaker 1>of the of the mouse population, you know, the kind

0:28:34.800 --> 0:28:36.960
<v Speaker 1>of the kind of mouse who goes home in the

0:28:37.040 --> 0:28:39.360
<v Speaker 1>evening and then really has to get back out there

0:28:39.360 --> 0:28:42.800
<v Speaker 1>and socialize at the like the nearest pub or or

0:28:42.880 --> 0:28:47.480
<v Speaker 1>hang out right in conversation. UM. And I think about

0:28:47.520 --> 0:28:50.000
<v Speaker 1>this in the context of how stuff works, like, if

0:28:50.040 --> 0:28:53.840
<v Speaker 1>we were all mice high velocity mice, UM, Holly Fry

0:28:53.880 --> 0:28:56.600
<v Speaker 1>would be our leader. Yes, she is definitely a high

0:28:56.680 --> 0:28:59.840
<v Speaker 1>velocity mouse that. Yeah, she would survive, right, Um, and

0:29:00.000 --> 0:29:02.400
<v Speaker 1>and she would still manage to sew something or have

0:29:02.520 --> 0:29:05.040
<v Speaker 1>some sort of project that she's working on the side. Yeah,

0:29:05.120 --> 0:29:07.160
<v Speaker 1>I mean, as long as she can stay away from

0:29:07.200 --> 0:29:10.720
<v Speaker 1>the warlord Ben Bolan and his roving band. Well that

0:29:10.920 --> 0:29:13.640
<v Speaker 1>is true today, Like, that's not hypothetical when you say that,

0:29:14.360 --> 0:29:16.840
<v Speaker 1>we're actually talking about that right now. Yeah, he needs

0:29:16.840 --> 0:29:20.640
<v Speaker 1>to stop wearing those skull shoulder pads around. Those are intimidating. Well.

0:29:20.680 --> 0:29:23.800
<v Speaker 1>And also I think that eventually they're going to lose

0:29:24.240 --> 0:29:26.840
<v Speaker 1>some of their impact, right, especially when he keeps putting

0:29:26.840 --> 0:29:30.560
<v Speaker 1>his googly eyes on them. Um. Here's the thing about

0:29:30.600 --> 0:29:35.840
<v Speaker 1>Calhoun and his paper Death Squared. He was really dismayed

0:29:35.880 --> 0:29:38.840
<v Speaker 1>at the direction that all of this took, that his

0:29:38.920 --> 0:29:43.320
<v Speaker 1>findings took, because he might have been a little bit

0:29:43.360 --> 0:29:46.680
<v Speaker 1>immune to all of his findings and that three decades

0:29:46.720 --> 0:29:48.680
<v Speaker 1>he'd been doing this right like that, the violence and

0:29:48.680 --> 0:29:51.240
<v Speaker 1>this so one and so forth. He was more concerned

0:29:51.280 --> 0:29:55.040
<v Speaker 1>with the actual creativity and innovation, and he thought he

0:29:55.080 --> 0:29:59.480
<v Speaker 1>thought Universe was like this really good model or could

0:29:59.520 --> 0:30:02.760
<v Speaker 1>potentially be a good model of how cities could actually

0:30:02.800 --> 0:30:07.840
<v Speaker 1>become competent and creative and avoid this kind of violence

0:30:07.840 --> 0:30:10.480
<v Speaker 1>and aggression, and he actually went on to make one

0:30:10.560 --> 0:30:14.800
<v Speaker 1>hundred more versions of Universe twenty five to try to

0:30:14.840 --> 0:30:18.120
<v Speaker 1>take all those negatives and turn them into positives and

0:30:18.160 --> 0:30:21.720
<v Speaker 1>have the rodents work in a way that was creative

0:30:21.760 --> 0:30:24.080
<v Speaker 1>and innovative. Yeah. I mean, he wasn't just saying, Hey,

0:30:24.160 --> 0:30:26.520
<v Speaker 1>the apocalypse is coming, let's market on our calendars. He

0:30:26.720 --> 0:30:29.440
<v Speaker 1>was he was ultimately all about, let's let's figure out

0:30:29.440 --> 0:30:32.320
<v Speaker 1>how to reschedule the apocalypse or just postponent and definitely

0:30:32.360 --> 0:30:37.680
<v Speaker 1>find ways to correct course and actually live effectively in

0:30:37.720 --> 0:30:43.320
<v Speaker 1>these large, high population, high population density environments. Um. One

0:30:43.400 --> 0:30:48.280
<v Speaker 1>of the other positive things that came out of Universe inadvertently,

0:30:48.480 --> 0:30:51.800
<v Speaker 1>I guess you could say, is Mrs Frisbee in The

0:30:51.880 --> 0:30:54.800
<v Speaker 1>Rats of NIM. Oh Yes, yeah, children's book that later

0:30:55.000 --> 0:30:59.720
<v Speaker 1>became the Secret of NIM the nine two film, and NIM,

0:30:59.760 --> 0:31:02.800
<v Speaker 1>of course, is the acronym for National Institute of Mental Health,

0:31:03.440 --> 0:31:05.440
<v Speaker 1>and the plotline of the story, at least one of

0:31:05.440 --> 0:31:09.440
<v Speaker 1>the plotlines, is that they're see super intelligent rats that

0:31:09.720 --> 0:31:14.960
<v Speaker 1>escape from NIM. Yeah. I never read the book, but

0:31:15.040 --> 0:31:18.080
<v Speaker 1>I fondly remember the film. Seen the film many times

0:31:18.120 --> 0:31:21.560
<v Speaker 1>as a child. It's a beautifully darkly animated Don Blue

0:31:21.680 --> 0:31:25.400
<v Speaker 1>film with a whole host of various voice actors that

0:31:25.560 --> 0:31:27.520
<v Speaker 1>really bring it to life. I will say to you,

0:31:27.640 --> 0:31:30.520
<v Speaker 1>the scariest and most intense part is, of course in

0:31:30.560 --> 0:31:35.160
<v Speaker 1>the lab when you see the rodents being preyed upon.

0:31:35.960 --> 0:31:38.720
<v Speaker 1>I say preyed upon because you know it's depicted in

0:31:38.720 --> 0:31:40.640
<v Speaker 1>that way, and of course you've got these syringes that

0:31:40.640 --> 0:31:43.800
<v Speaker 1>they're being injected with. Uh. And it is kind of dark,

0:31:44.440 --> 0:31:47.240
<v Speaker 1>but it's a it's a lovely film, yeah, And in

0:31:47.280 --> 0:31:49.920
<v Speaker 1>a way it really harkens back to the source study, right.

0:31:49.960 --> 0:31:51.920
<v Speaker 1>I mean, there's a lot of darkness in it, but

0:31:52.240 --> 0:31:55.120
<v Speaker 1>ultimately his aim was to say, hey, how can we

0:31:55.240 --> 0:31:57.680
<v Speaker 1>how can we grow around this? How can we how

0:31:57.800 --> 0:32:03.480
<v Speaker 1>can we achieve where the where the rodents of universe failed? Right?

0:32:03.560 --> 0:32:06.440
<v Speaker 1>Maybe we don't have to be super intelligent rats that

0:32:06.480 --> 0:32:10.320
<v Speaker 1>have to escape them, but maybe we could approach the

0:32:10.360 --> 0:32:13.120
<v Speaker 1>way that we design our environments in a way that

0:32:13.320 --> 0:32:17.720
<v Speaker 1>actually helps us to interact better and to deal with

0:32:18.720 --> 0:32:21.880
<v Speaker 1>what are actually some real consequences of overpopulation. Now we're

0:32:21.880 --> 0:32:24.400
<v Speaker 1>not trying to discount out at all. Um. I did

0:32:24.480 --> 0:32:27.560
<v Speaker 1>have to say, though, I think that this topic, like

0:32:27.640 --> 0:32:32.600
<v Speaker 1>all others, all roads lead to singularity, to the singularity.

0:32:32.720 --> 0:32:36.400
<v Speaker 1>Because we've talked about this before, there's this idea that

0:32:36.480 --> 0:32:42.160
<v Speaker 1>the future will be so automated that well will maybe

0:32:42.240 --> 0:32:44.800
<v Speaker 1>create our own sort of universe twenty five where it's

0:32:44.840 --> 0:32:48.880
<v Speaker 1>always sixty eight degrees fahrenheit and there's always food available

0:32:48.960 --> 0:32:52.640
<v Speaker 1>and you know, everything is being done for us well.

0:32:52.680 --> 0:32:54.920
<v Speaker 1>And in that I think the hope is that our

0:32:55.600 --> 0:32:58.760
<v Speaker 1>AI masters will will have to figure out ways to

0:32:58.880 --> 0:33:01.720
<v Speaker 1>make sure everything remains arresting for us. And hey, maybe

0:33:01.760 --> 0:33:04.840
<v Speaker 1>they already have. Maybe we're already living in a simulation right,

0:33:05.160 --> 0:33:07.200
<v Speaker 1>all of the matrix. Yeah, and this is all just

0:33:07.280 --> 0:33:09.640
<v Speaker 1>all the struggles in our life are just there because

0:33:09.680 --> 0:33:13.200
<v Speaker 1>our computer overlord said they're not really handling this utopia

0:33:13.280 --> 0:33:15.840
<v Speaker 1>thing all that. Well, make them think that this is

0:33:16.000 --> 0:33:18.880
<v Speaker 1>uh five hundred a thousand years ago, and then they

0:33:19.040 --> 0:33:21.000
<v Speaker 1>they they'll have a decent struggle. You know, the next

0:33:21.000 --> 0:33:22.880
<v Speaker 1>time I miss a deadline, I'm going to use that.

0:33:23.200 --> 0:33:25.560
<v Speaker 1>I'm gonna say, you know, we're inside of the matrix

0:33:25.640 --> 0:33:28.040
<v Speaker 1>right now, it's just one of the obstacles to keep

0:33:28.040 --> 0:33:31.360
<v Speaker 1>it interesting. I think it should be a vout excuse, right,

0:33:31.360 --> 0:33:33.920
<v Speaker 1>this is my ice block guys, thanks for let me

0:33:34.000 --> 0:33:36.480
<v Speaker 1>hang out in your ear holes for the last couple

0:33:36.480 --> 0:33:38.800
<v Speaker 1>of years. I've really enjoyed it and I've loved hearing

0:33:38.840 --> 0:33:42.640
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0:33:43.040 --> 0:33:46.360
<v Speaker 1>and just your thoughts on you know, an array of

0:33:46.440 --> 0:33:48.840
<v Speaker 1>topics have really helped to define what Stuff to Plow

0:33:48.880 --> 0:33:52.960
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0:33:53.000 --> 0:33:55.040
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0:33:55.120 --> 0:33:58.320
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0:33:58.360 --> 0:34:01.160
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