WEBVTT - Luke Perry Was Dating Whoooooo???

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<v Speaker 1>It's nine o G one with Jenny Garth and Tory Spelling.

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<v Speaker 2>Oh okay, you guys.

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<v Speaker 3>Hello, are you ready for this?

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<v Speaker 4>Are you ready for this?

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<v Speaker 2>In case you didn't know, it's nine or two on

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<v Speaker 2>OMG and we're very very happy you're here with us.

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<v Speaker 3>Thank you.

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<v Speaker 1>Mm.

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<v Speaker 2>We have another episode this week, imagine Matt. They just

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<v Speaker 2>keep coming.

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<v Speaker 1>They do amazing episode.

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<v Speaker 2>This one was called what was it Your Health?

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<v Speaker 1>It was a real caper, guys.

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<v Speaker 3>I know, no, no, okay, it's just.

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<v Speaker 2>You know, you can't tell because the reason I'm a

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<v Speaker 2>little sick today, so I sound a little, I sound

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<v Speaker 2>a little hazardous to my help.

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<v Speaker 3>When we are on zoom, so no one laking of

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<v Speaker 3>her health?

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<v Speaker 1>Did it lift both your spirits to watch this? This

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<v Speaker 1>Bond movie?

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<v Speaker 3>Nope?

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<v Speaker 4>Uh nope, you know what.

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<v Speaker 3>I gotta be honest. I don't like Bond esque movies

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<v Speaker 3>except for the Hot Chick. So I guess I liked

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<v Speaker 3>us in this, but that's it.

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<v Speaker 1>I'd love to see three.

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<v Speaker 2>Episode eighteen Hazardous to Your Health air January eighteenth, Weird, nineteen.

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<v Speaker 3>Ninety five, Synops, I'm still in Heads to Mexico and

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<v Speaker 3>recruits Valerie to help recover his millions. Kelly is starting

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<v Speaker 3>to turn on Brandon over her adoration for Professor Finley. Meanwhile,

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<v Speaker 3>Claire and David are clashing over what lands to book

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<v Speaker 3>at the peach Pit.

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<v Speaker 2>After Dark directed by James Whitmore, written by Larry Molin.

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<v Speaker 3>I love his name. Second, Larry, Wait.

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<v Speaker 4>You're saying you liked it.

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<v Speaker 1>I love it.

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<v Speaker 3>She loves every ringing episode.

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<v Speaker 2>Wait, no, I think there's only been one that Amy

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<v Speaker 2>has not like.

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<v Speaker 1>Oh, yeah, there was a There's been a couple. There's

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<v Speaker 1>a couple this one, though, I understand it's not nine

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<v Speaker 1>O two one. Oh, I get that. But Luke Perry

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<v Speaker 1>was so hot in this episode. He looked so good

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<v Speaker 1>riding on a horse and literally becoming a spy of

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<v Speaker 1>a Bond guy. The whole thing was so off the

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<v Speaker 1>wall that I just couldn't help but.

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<v Speaker 3>Like it the wall. I guess you could say that.

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<v Speaker 1>Like when did he even learn how to like beat

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<v Speaker 1>people up like that?

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<v Speaker 3>I guess he can do anything.

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<v Speaker 1>He's sword fight, not even nervous. There's a gun just

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<v Speaker 1>pointed out him. He's not the slightest bit.

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<v Speaker 3>Nervous, doesn't give enough. Nope, No, but that's why we

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<v Speaker 3>love him, right, oh, we love.

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<v Speaker 2>Wait, I just want to start it out by saying

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<v Speaker 2>that I'm feeling a little bit angry. I'm feeling a

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<v Speaker 2>little bit mad. Oh do tell hell us why why

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<v Speaker 2>did Luke Perry get to go to Mexico New York?

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<v Speaker 4>They're not just with Perry?

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<v Speaker 1>Did you an Tiffany and Suzanne and Kevin and Erica? Yeah,

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<v Speaker 1>a bunch of guest stars.

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<v Speaker 3>And cast It's not ever about them, though. You just

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<v Speaker 3>are mad that you never get to go anywhere. She

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<v Speaker 3>was locked in a warehouse, locked in for ten years.

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<v Speaker 3>I didn't leave you there, you did you? I was

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<v Speaker 3>right by your side for ten years.

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<v Speaker 4>Not for this episode. Yeah, you left me at one point.

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<v Speaker 2>I went to Hawaii, but we're not there yet.

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<v Speaker 1>Immediately, were you like there in my Mexico? You mean

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<v Speaker 1>my spirit, like basically just everything your life? Because I

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<v Speaker 1>immediately was like, yeah.

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<v Speaker 4>That's how I knew that obviously went.

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<v Speaker 1>But it was not a backlot pretending to be Paris.

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<v Speaker 1>Immediately I was like, oh wow, he's the.

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<v Speaker 3>Airport in I forgot to go to Paris.

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<v Speaker 4>And you know what, who else got to go?

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<v Speaker 3>Who?

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<v Speaker 2>Paul Wagner got to go? And Nanette Moore because I

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<v Speaker 2>saw them in the shot at the airport.

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<v Speaker 1>And wait, who is that?

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<v Speaker 2>Paul Wagner was our producer who never left his office

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<v Speaker 2>ever until to go to Mexico with Luke and also

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<v Speaker 2>my makeup artist who I guess they put picked to go.

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<v Speaker 2>She did Luke too, so yeah, and they had a

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<v Speaker 2>Louis went.

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<v Speaker 4>Did you notice Louis was in Mexico?

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<v Speaker 1>Wait? Did they all have cameos? Because we wouldn't know

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<v Speaker 1>who that was?

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<v Speaker 4>M Louis Nova. He was Parco.

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<v Speaker 2>Yeah, he welcomed them to the to the to the hotel.

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<v Speaker 2>No worked with us for years and years and years,

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<v Speaker 2>and he was one of our stand.

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<v Speaker 3>Ins, right and an eating dancer.

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<v Speaker 2>And a dancer, and I had a great actor. I

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<v Speaker 2>believed that this guy was named Marco. From wherever they

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<v Speaker 2>were see mm hmm, I felt like they were checking

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<v Speaker 2>into like.

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<v Speaker 3>Yeah, where was it? Like what's that Brava?

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<v Speaker 4>But what's that.

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<v Speaker 2>Hotel where the weird music and weird think Mike White show?

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<v Speaker 4>What's it called?

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<v Speaker 2>Oh Loadush whitead. I thought they were checking into that

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<v Speaker 2>hotel when Louie was like, welcome.

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<v Speaker 1>That was a nicer hotel than the pile that Jonesy

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<v Speaker 1>was in.

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<v Speaker 3>At first, Yes, that was rot.

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<v Speaker 1>You guys didn't love this.

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<v Speaker 2>I liked the scene with Jonesy when he was sleeping

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<v Speaker 2>in that. I really liked it, Like I liked watching it,

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<v Speaker 2>but I was like, wait, which show is this is

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<v Speaker 2>a small show?

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<v Speaker 1>Yes, yes it was not yea non a tonoi, but.

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<v Speaker 2>It was cool to watch. I mean, wings Houser was

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<v Speaker 2>great in this episode. I thought I didn't love that

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<v Speaker 2>angle on him in that scene, but it was like

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<v Speaker 2>kind of like another little up the butt shots. I'm

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<v Speaker 2>not really sure about that.

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<v Speaker 1>And then he was just so sort of like nakedy,

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<v Speaker 1>kind of like not naked, but like there was a

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<v Speaker 1>lot of like skin when he got up, and I

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<v Speaker 1>just was like, oh no.

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<v Speaker 2>Waiting for something to come out that you didn't want

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<v Speaker 2>to see.

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<v Speaker 1>Nope, I will say that Luke Berry slash Dylan McKay

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<v Speaker 1>would go from zero to one hundred in this episode

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<v Speaker 1>like he would be fine, and then he's like.

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<v Speaker 2>Yeah, he didn't like the Leonardo DiCaprio scream more than once.

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<v Speaker 2>You know you ever watched Leo in a movie, He

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<v Speaker 2>has to raise his voice like that at least one

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<v Speaker 2>time you put your money back? How about Luke went

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<v Speaker 2>there a few times.

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<v Speaker 3>Could look at either of them all day long. Any

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<v Speaker 3>movie show, true.

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<v Speaker 2>But then with with Jonesy and Dylan yelling at each

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<v Speaker 2>other all the time, I was like, okay, make it stop.

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<v Speaker 1>But how about in the very beginning, we're at the

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<v Speaker 1>airport and we see Dylan sort of looking at the

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<v Speaker 1>lady with one red.

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<v Speaker 2>Shoe as he can always spot a hot babe.

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<v Speaker 1>And if you're like, what is that where he is

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<v Speaker 1>one red shoe, then of course she's back. You know,

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<v Speaker 1>she becomes pivotal because she was supposed to be the

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<v Speaker 1>you know.

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<v Speaker 2>I loved that part, like that like storytelling without storytelling,

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<v Speaker 2>like just with the shoe reference.

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<v Speaker 4>I guess that was really cool.

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<v Speaker 3>That was good because you did.

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<v Speaker 2>She does never come back for her shoe, No, she

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<v Speaker 2>was just gone running to get away from him.

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<v Speaker 1>But we needed some reason to have to get Valerie there, right,

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<v Speaker 1>So it was because the woman with one red shoe

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<v Speaker 1>was mad at Jonesy and she was not going to

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<v Speaker 1>be a part of this shenanigans.

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<v Speaker 4>I mean it's bad like this, Yeah, it was bad enough.

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<v Speaker 2>The way Dylan talked to Valerie, you know, back in

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<v Speaker 2>Beverly Hills, like he treats her like crap and she

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<v Speaker 2>loves mind.

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<v Speaker 1>Yeah, but she's kind of weird to him. Like I

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<v Speaker 1>also get look, he should not be so sort of

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<v Speaker 1>how he is, but he's frustrated and it's like, you

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<v Speaker 1>know he's trying, and then you know she's so playing

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<v Speaker 1>him too and off with Steve and this and that

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<v Speaker 1>and always sort of using things against him.

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<v Speaker 3>I'm just say she's not innocent in it. So it's like

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<v Speaker 3>if both parties are kind of on board to treat

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<v Speaker 3>each other that way and take it, then you gotta

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<v Speaker 3>let him be. Are they together now?

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<v Speaker 1>For no?

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<v Speaker 2>No? So because he got out of rehab and he

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<v Speaker 2>was like, no, thank you?

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<v Speaker 3>I know, right, don't they? They like go back and

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<v Speaker 3>forth off and on for a long time.

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<v Speaker 1>First of all, he shouldn't be dating anyway fresh out

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<v Speaker 1>of rehab. That's like rules.

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<v Speaker 2>They're just like friends with benefits, or maybe like not

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<v Speaker 2>even friends, they're just benefits.

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<v Speaker 3>I mean, they'll both say they're not attached. They're both

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<v Speaker 3>semi attached to each other, but I don't.

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<v Speaker 2>Think Dylan's attached to her at all. Maybe after this,

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<v Speaker 2>maybe after she put herself on the line.

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<v Speaker 1>For him, right right, How's he feelings for her. How

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<v Speaker 1>cute was he in that beginning? And that linen blazer.

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<v Speaker 1>He's got that sort of linen shirt and the linen blazer,

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<v Speaker 1>and then he's got his Duffel. He's liked weird Duffel

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<v Speaker 1>when he was the oh when he's getting ready to

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<v Speaker 1>get off guy or the chauffeur. No, but he's getting

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<v Speaker 1>ready to go. And then he's on the horse with

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<v Speaker 1>that same linen shirt unbuttoned, because.

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<v Speaker 2>He always ride a horse with your shirt up button

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<v Speaker 2>in Mexico, first one does.

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<v Speaker 1>I did think it was a funny line though, when

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<v Speaker 1>he says he's being very mean to Valerie, but he says,

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<v Speaker 1>how many people are on this big re ro oute

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<v Speaker 1>this morning? And she's like, I brought you a muffin?

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<v Speaker 1>She really just barges in. Though she so barges in

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<v Speaker 1>and plops herself down. It's like, I don't know.

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<v Speaker 3>I like you guys know, I like it when the

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<v Speaker 3>two of them are together. I just do big fan

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<v Speaker 3>of those two together.

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<v Speaker 4>Well then you should have liked this episode.

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<v Speaker 3>Well, I like them together. I like watching him, I

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<v Speaker 3>like watching her with him. I did not like the story.

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<v Speaker 3>It's just you know, it's not you don't like it.

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<v Speaker 2>Is Jim Walsh really doesn't like Valerie.

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<v Speaker 1>Oh my gosh, that was aggressive.

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<v Speaker 3>Yeah, you're right, you know what, It's way more than

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<v Speaker 3>what meets the eye, Like deep down he he just

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<v Speaker 3>really because he's not like that to anyone, Like he

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<v Speaker 3>really doesn't like her.

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<v Speaker 1>No, she has no shame.

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<v Speaker 4>I don't know.

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<v Speaker 2>They never never explained why I like her.

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<v Speaker 3>I feel like, oh, can we make up some sick

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<v Speaker 3>thing right now?

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<v Speaker 1>You probably could in your mind, of course I could.

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<v Speaker 3>I keep it in there in my mind. Yeah, you know,

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<v Speaker 3>I can't. I feel like at some point there was

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<v Speaker 3>some interaction between Jim Walsh and Valerie Malone and something happened.

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<v Speaker 3>They inappropriately blurted with her. At some point.

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<v Speaker 1>You looked cool in that black outfit, right, Kenny Kelly?

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<v Speaker 1>What you looked cool? You all looked cool, but you

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<v Speaker 1>particularly looked cool in that black and it was almost

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<v Speaker 1>like you had like the black blazer over. That was

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<v Speaker 1>a good look, even though it was just a very

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<v Speaker 1>short scene. We never got to see anymore where y'all went.

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<v Speaker 3>But was something cut Yeah?

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<v Speaker 2>Was Ray Prue in this episode? And a song got

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<v Speaker 2>cut out?

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<v Speaker 4>Again?

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<v Speaker 3>I didn't see him can we ask someone about this?

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<v Speaker 1>Yeah, they say we're all a bunch of fools for

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<v Speaker 1>not watching it on the DVD or the original version

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<v Speaker 1>with the music.

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<v Speaker 3>Like, how is that part?

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<v Speaker 1>Well, I read it has spoken, I read it in

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<v Speaker 1>the comments.

0:12:11.280 --> 0:12:12.320
<v Speaker 3>What did the comments say?

0:12:12.400 --> 0:12:14.360
<v Speaker 1>Do tell y'all are a bunch of fools for not

0:12:14.440 --> 0:12:15.959
<v Speaker 1>watching it with the original music.

0:12:16.360 --> 0:12:20.040
<v Speaker 3>And then literally said, y'all are a bunch of fools?

0:12:20.080 --> 0:12:24.720
<v Speaker 2>Well, I think hya apostrophe LLL y'all paraphras?

0:12:25.000 --> 0:12:28.080
<v Speaker 3>Is that what it said? Asking for a friend? I

0:12:28.120 --> 0:12:29.040
<v Speaker 3>want to know for Jen.

0:12:30.320 --> 0:12:32.720
<v Speaker 1>I got sidetracked because they were definitely saying that. And

0:12:32.760 --> 0:12:36.120
<v Speaker 1>then they said I dressed like a sixties secretary, which

0:12:36.160 --> 0:12:38.040
<v Speaker 1>I thought was yeah, I know, I feel like I

0:12:38.120 --> 0:12:40.480
<v Speaker 1>dressed like somebody that's wearing their pajamas to work. I

0:12:40.520 --> 0:12:41.800
<v Speaker 1>don't know what that means.

0:12:42.280 --> 0:12:42.559
<v Speaker 3>Thank you.

0:12:42.920 --> 0:12:45.280
<v Speaker 2>You can only see like from here up?

0:12:45.480 --> 0:12:46.800
<v Speaker 4>How do they know what you're wearing?

0:12:47.120 --> 0:12:48.640
<v Speaker 1>That's why I try to be a little bit more

0:12:48.960 --> 0:12:49.760
<v Speaker 1>sassy today.

0:12:49.840 --> 0:12:51.680
<v Speaker 3>Do There's like, how many comments do you think we

0:12:51.720 --> 0:12:56.840
<v Speaker 3>get a week? Approximately? Hundreds hundreds. She always will reference

0:12:56.960 --> 0:12:58.480
<v Speaker 3>one negative thing about herself.

0:12:59.120 --> 0:13:00.520
<v Speaker 4>She's a newbie, that's why.

0:13:00.679 --> 0:13:06.160
<v Speaker 1>Yeah, but yes, they definitely say. They definitely say, we're

0:13:06.960 --> 0:13:10.120
<v Speaker 1>not doing ourselves a favor. And then then there's a

0:13:10.120 --> 0:13:11.920
<v Speaker 1>whole conversation like, well, how do I watch it with

0:13:11.960 --> 0:13:14.440
<v Speaker 1>the music? And then you know, because some people don't

0:13:14.440 --> 0:13:17.320
<v Speaker 1>have the DVDs, so it's a problem.

0:13:17.640 --> 0:13:18.760
<v Speaker 4>I have the DVDs.

0:13:18.800 --> 0:13:21.160
<v Speaker 2>I just don't know how to make them work because

0:13:21.160 --> 0:13:22.720
<v Speaker 2>you don't have the place.

0:13:23.559 --> 0:13:24.520
<v Speaker 1>I can't find it.

0:13:24.880 --> 0:13:27.680
<v Speaker 3>I can't find mine either. You guys were so generous

0:13:27.720 --> 0:13:43.520
<v Speaker 3>and goddess players, and there m I as come back.

0:13:43.320 --> 0:13:46.680
<v Speaker 1>To this episode. Sorry, okay, okay, but there's so much

0:13:46.679 --> 0:13:49.040
<v Speaker 1>to talk about with Kelly. But I feel like we're

0:13:49.080 --> 0:13:51.800
<v Speaker 1>not done with Dylan, like play that through.

0:13:52.600 --> 0:13:55.079
<v Speaker 2>Well, we all agree that he looks the horse so.

0:13:55.240 --> 0:13:59.160
<v Speaker 1>Amazing, and then there's just there's the antics, right we

0:13:59.280 --> 0:14:01.600
<v Speaker 1>have then yeah and Carl.

0:14:01.920 --> 0:14:08.760
<v Speaker 2>Wait, their names are Cabinache, Cabinash, Cabinache.

0:14:09.960 --> 0:14:13.720
<v Speaker 3>You're gone anch Cabinache. Can I watch?

0:14:14.040 --> 0:14:18.160
<v Speaker 1>The whole thing is just crazy, right, Like they're living

0:14:18.240 --> 0:14:20.480
<v Speaker 1>nice on the beach there in that house with all

0:14:20.520 --> 0:14:22.120
<v Speaker 1>their servants.

0:14:21.560 --> 0:14:26.440
<v Speaker 2>And their right anny's and the whole Erica though she

0:14:26.480 --> 0:14:28.560
<v Speaker 2>doesn't have any parents anymore.

0:14:28.880 --> 0:14:31.640
<v Speaker 1>But she does that is her mom, So technically all

0:14:31.680 --> 0:14:33.760
<v Speaker 1>I could think about is like, if he takes her,

0:14:33.920 --> 0:14:34.880
<v Speaker 1>he's kidnapping.

0:14:35.240 --> 0:14:36.440
<v Speaker 4>Yeah, totally kidnapping.

0:14:37.000 --> 0:14:39.880
<v Speaker 1>But I guess now that she's arrested, the mom's arrested.

0:14:39.960 --> 0:14:42.640
<v Speaker 1>I don't know. The whole thing is so like unhinged,

0:14:42.680 --> 0:14:45.440
<v Speaker 1>a little bit like, I'm not sure that's really how

0:14:45.480 --> 0:14:46.320
<v Speaker 1>you solve a crime.

0:14:47.560 --> 0:14:50.000
<v Speaker 3>Really, why are we solving crimes on nine or two?

0:14:50.000 --> 0:14:52.240
<v Speaker 3>And o oh good millions?

0:14:52.720 --> 0:14:54.200
<v Speaker 4>Millions? Yes?

0:14:54.800 --> 0:14:57.120
<v Speaker 1>And I love when he calls Valerie and he's like,

0:14:57.160 --> 0:15:00.080
<v Speaker 1>I really need you, okay, and then she's like I

0:15:00.120 --> 0:15:02.640
<v Speaker 1>didn't want to Ken and Hilly and then.

0:15:02.560 --> 0:15:05.800
<v Speaker 2>She shows up and gets off the airplane and goes

0:15:05.840 --> 0:15:09.200
<v Speaker 2>directly into character. It's like did he explain to her

0:15:09.400 --> 0:15:11.880
<v Speaker 2>the game plan or was this new information? And she

0:15:12.040 --> 0:15:14.200
<v Speaker 2>just was so good at it that she was like

0:15:14.640 --> 0:15:16.400
<v Speaker 2>Jonesy then starts kissing him.

0:15:16.680 --> 0:15:20.920
<v Speaker 3>It's just role play, like she loves it so iconic.

0:15:21.680 --> 0:15:23.200
<v Speaker 1>Can I make one important note?

0:15:23.480 --> 0:15:24.120
<v Speaker 3>Of course?

0:15:24.320 --> 0:15:28.240
<v Speaker 1>Before that, did you guys notice who Valerie said she

0:15:28.360 --> 0:15:31.760
<v Speaker 1>was on the phone with. No When she bails the

0:15:32.880 --> 0:15:37.120
<v Speaker 1>Jim and Cindy honoree, Jim's being honored and she's.

0:15:36.680 --> 0:15:38.880
<v Speaker 2>Like her old Tricksy or what's her name?

0:15:39.240 --> 0:15:43.200
<v Speaker 1>Ginger lo Monica. I'm on my friend with Ginger, on

0:15:43.240 --> 0:15:45.480
<v Speaker 1>the phone with my friend Ginger and she's in a

0:15:45.520 --> 0:15:51.040
<v Speaker 1>bad way. Wait is that Elisa Donovan. It's like our

0:15:51.200 --> 0:15:55.160
<v Speaker 1>pal who we love play. Oh god, Monica. So I

0:15:55.200 --> 0:15:57.760
<v Speaker 1>was happy that. You know, there might have been one

0:15:57.800 --> 0:15:59.520
<v Speaker 1>previous mention, but we definitely got a.

0:15:59.480 --> 0:16:03.600
<v Speaker 3>Strong horn name which writer wrote that it was what

0:16:03.720 --> 0:16:05.000
<v Speaker 3>I thought it.

0:16:05.240 --> 0:16:08.000
<v Speaker 1>When they're on the horse, and of course Jonesy's like,

0:16:08.200 --> 0:16:12.800
<v Speaker 1>let me get my binoculars so I can see up

0:16:12.800 --> 0:16:15.640
<v Speaker 1>in the you know, mansion.

0:16:15.560 --> 0:16:18.000
<v Speaker 2>They were very far away. I was a little concerned

0:16:18.040 --> 0:16:18.960
<v Speaker 2>they were going to be made.

0:16:19.400 --> 0:16:21.240
<v Speaker 4>You know, we've been made, they.

0:16:21.440 --> 0:16:27.800
<v Speaker 2>Is, We're like beed olden days made.

0:16:27.920 --> 0:16:32.240
<v Speaker 1>I've been made. Really, in all my ci A fantasies,

0:16:32.280 --> 0:16:33.800
<v Speaker 1>I don't want to be made because then you just

0:16:34.480 --> 0:16:39.320
<v Speaker 1>ruined your chances of catching them. About that, he was

0:16:39.400 --> 0:16:43.000
<v Speaker 1>so obvious when he was getting the glass, the mystery

0:16:43.120 --> 0:16:47.040
<v Speaker 1>sea glass that I loved. Also like a plot point, Jenny,

0:16:47.280 --> 0:16:50.320
<v Speaker 1>like the shoe, there's the glass. And then did you

0:16:50.320 --> 0:16:51.920
<v Speaker 1>see Valerie wink at her?

0:16:52.360 --> 0:16:55.720
<v Speaker 3>She's that good.

0:16:56.360 --> 0:16:59.240
<v Speaker 4>Yeah, she's a good winker. That's talent. That's it.

0:16:59.440 --> 0:17:01.200
<v Speaker 2>Are you a good winker?

0:17:02.240 --> 0:17:02.280
<v Speaker 4>Me?

0:17:02.680 --> 0:17:05.040
<v Speaker 3>I've had botox for so many years. I can't you

0:17:05.040 --> 0:17:07.440
<v Speaker 3>think I can wink? Still, I'm trying right now. Do

0:17:07.480 --> 0:17:08.240
<v Speaker 3>you see me winking?

0:17:08.880 --> 0:17:08.960
<v Speaker 2>No?

0:17:09.119 --> 0:17:12.280
<v Speaker 3>Wait, let me try harder. No, is my face moving?

0:17:12.600 --> 0:17:13.960
<v Speaker 4>Can you close your eyes at all?

0:17:14.320 --> 0:17:17.200
<v Speaker 3>This is just me? This is of course I can

0:17:17.440 --> 0:17:19.600
<v Speaker 3>wink you guys, I'm making a joke. Everyone's gonna be

0:17:19.600 --> 0:17:23.360
<v Speaker 3>like you've had so much bowtox. Nope, let's see.

0:17:23.480 --> 0:17:24.920
<v Speaker 1>I want to see you guys do your wink.

0:17:24.920 --> 0:17:27.639
<v Speaker 3>Actor Jenny, you know I've never been a good winker.

0:17:27.680 --> 0:17:28.399
<v Speaker 3>Though she is.

0:17:28.560 --> 0:17:31.520
<v Speaker 4>I can't see you. But what.

0:17:33.320 --> 0:17:36.960
<v Speaker 3>Wait wait, put part of our clip because otherwise they

0:17:36.960 --> 0:17:40.439
<v Speaker 3>don't get to see this. Jenny, you can, Jenny can

0:17:40.480 --> 0:17:43.119
<v Speaker 3>do both eyes on mystery girls? What would we do?

0:17:43.200 --> 0:17:44.880
<v Speaker 3>Would you? Would we wink at each other?

0:17:45.160 --> 0:17:46.960
<v Speaker 1>Jenny? Let's see can you do it?

0:17:47.000 --> 0:17:49.280
<v Speaker 3>We'd be oh wait, good.

0:17:49.560 --> 0:17:53.359
<v Speaker 4>Wink both uys? Nice? Hey you're good?

0:17:53.600 --> 0:17:53.879
<v Speaker 3>Wait?

0:17:55.520 --> 0:17:59.280
<v Speaker 1>Can you can you do the knowing wink? Like Valerie?

0:17:59.400 --> 0:18:03.960
<v Speaker 1>Like I like I need some acting in this action.

0:18:04.800 --> 0:18:07.640
<v Speaker 4>I can't do it. I can't like getting paid enough

0:18:07.680 --> 0:18:08.000
<v Speaker 4>to do that.

0:18:09.560 --> 0:18:14.639
<v Speaker 1>Oh god, I love everything about this episode. It's so ridiculous.

0:18:14.680 --> 0:18:18.919
<v Speaker 1>Also because Kevin slash Carl is just gonna First of all,

0:18:18.960 --> 0:18:20.879
<v Speaker 1>it was sort of the beginning of the Internet, Like

0:18:20.920 --> 0:18:24.440
<v Speaker 1>he's like the way to hide your money. I thought

0:18:24.480 --> 0:18:28.600
<v Speaker 1>he was gonna say cryptocurrency for a second, and then

0:18:28.640 --> 0:18:30.879
<v Speaker 1>he just shows her his account, like let me just

0:18:30.920 --> 0:18:34.400
<v Speaker 1>pull up my account and like show it to you.

0:18:34.960 --> 0:18:37.040
<v Speaker 1>He is the worst criminal on the plan.

0:18:37.280 --> 0:18:40.840
<v Speaker 3>That's like a fake one, right, Like you got.

0:18:40.520 --> 0:18:45.119
<v Speaker 1>The money because that fool pulled his account up just

0:18:45.119 --> 0:18:46.359
<v Speaker 1>because she was a pretty girl.

0:18:46.800 --> 0:18:49.919
<v Speaker 2>Oh how gross was it the way Carl cabin Nature

0:18:50.160 --> 0:18:56.240
<v Speaker 2>was looking at Valerie. It was like disgusting and Susan

0:18:56.359 --> 0:18:58.199
<v Speaker 2>Kitty was not having it.

0:18:58.680 --> 0:19:05.040
<v Speaker 4>He didn't like it. Those gross. He is gross, you guys,

0:19:05.080 --> 0:19:06.080
<v Speaker 4>I can gross.

0:19:06.119 --> 0:19:07.480
<v Speaker 3>He's been gross from the beginning.

0:19:07.560 --> 0:19:09.639
<v Speaker 4>I feel it's like about all time. Does he is

0:19:09.640 --> 0:19:10.240
<v Speaker 4>a set for him?

0:19:11.280 --> 0:19:15.879
<v Speaker 3>We never seen them amy he has been coming back.

0:19:16.160 --> 0:19:18.760
<v Speaker 1>No, I think that I think they're kind of I

0:19:18.760 --> 0:19:19.720
<v Speaker 1>don't mind Kitty.

0:19:19.840 --> 0:19:24.040
<v Speaker 5>I liked that Kitty is the worst because she's the

0:19:24.080 --> 0:19:29.040
<v Speaker 5>mother and she's dragged her daughter into this crime spree

0:19:29.160 --> 0:19:30.480
<v Speaker 5>thereon Awful.

0:19:31.560 --> 0:19:32.760
<v Speaker 2>It's awful.

0:19:33.520 --> 0:19:37.120
<v Speaker 1>I gotta say, I I do love me some Wingshouser though,

0:19:37.200 --> 0:19:40.040
<v Speaker 1>because he's so like just his first of all, he's

0:19:40.040 --> 0:19:42.760
<v Speaker 1>so sort of sweaty and drunk, but then he gets

0:19:42.760 --> 0:19:47.240
<v Speaker 1>his like self together and I love He's like, sweetie pie,

0:19:47.280 --> 0:19:49.800
<v Speaker 1>this is major league bad. I'm gonna give her a

0:19:49.880 --> 0:19:51.479
<v Speaker 1>test really like all the lingo.

0:19:52.240 --> 0:19:55.840
<v Speaker 3>If this is a feature film, like that role would

0:19:55.840 --> 0:19:57.919
<v Speaker 3>have been cast with Bruce Willis.

0:19:58.680 --> 0:20:03.080
<v Speaker 2>It was, Yeah, he's so good though, like he's all

0:20:03.119 --> 0:20:03.720
<v Speaker 2>over the place.

0:20:03.720 --> 0:20:08.479
<v Speaker 1>Though it's so crazy. He's Colhauser's dad, like Yellowstones Cole Hauser.

0:20:08.640 --> 0:20:08.880
<v Speaker 3>Though.

0:20:09.240 --> 0:20:11.400
<v Speaker 1>It was like all over TikTok for just being hot.

0:20:12.520 --> 0:20:15.320
<v Speaker 1>So I have another question. Did you guys notice when

0:20:15.320 --> 0:20:16.879
<v Speaker 1>they're going into the hotel and there's sort of a

0:20:17.000 --> 0:20:21.520
<v Speaker 1>ginormous chessboard outside by the ocean. Did you see the

0:20:21.560 --> 0:20:26.400
<v Speaker 1>frozen shirtless background actor And that was just like so frozen.

0:20:26.840 --> 0:20:27.960
<v Speaker 4>Was he on the chessboard?

0:20:28.680 --> 0:20:31.440
<v Speaker 1>Yep, he was on the edge of the chessboard shirtless.

0:20:31.680 --> 0:20:33.359
<v Speaker 1>It looked like he was pantiless, but I think it

0:20:33.400 --> 0:20:35.480
<v Speaker 1>was shorts. But he was sitting and he was He

0:20:35.600 --> 0:20:38.920
<v Speaker 1>just didn't move, and it was like, oh, yeah, what's happening.

0:20:40.000 --> 0:20:41.440
<v Speaker 4>It would have been really funny if he was.

0:20:41.600 --> 0:20:42.960
<v Speaker 1>What resort was that.

0:20:47.160 --> 0:20:51.320
<v Speaker 3>It was not that that would make me more mad

0:20:51.400 --> 0:20:51.960
<v Speaker 3>that we want.

0:20:51.920 --> 0:20:54.520
<v Speaker 2>What about when he goes Yeah, what about when he

0:20:54.640 --> 0:20:59.720
<v Speaker 2>goes to into the town and he goes he finds.

0:20:59.520 --> 0:21:02.640
<v Speaker 4>Erica immediately I know, I mean, come in the town.

0:21:02.640 --> 0:21:04.960
<v Speaker 2>Like he knows exactly where she is and he goes

0:21:04.960 --> 0:21:07.960
<v Speaker 2>straight to her. Then he hides so terribly behind the

0:21:08.000 --> 0:21:10.960
<v Speaker 2>corner behind and he's like, don't look at me, just

0:21:11.000 --> 0:21:15.680
<v Speaker 2>look straight ahead. Meanwhile he's poking his little we font

0:21:15.720 --> 0:21:17.200
<v Speaker 2>hairdoo out to talk to her.

0:21:17.680 --> 0:21:19.800
<v Speaker 3>Would you want to do behind a plant?

0:21:20.560 --> 0:21:22.080
<v Speaker 4>Yeah, a little bit.

0:21:24.200 --> 0:21:26.000
<v Speaker 1>It was the one and only Polemia.

0:21:27.200 --> 0:21:35.280
<v Speaker 4>Oh, shut your face, shut your really, you guys, why

0:21:35.480 --> 0:21:36.120
<v Speaker 4>he went to the.

0:21:36.119 --> 0:21:38.160
<v Speaker 1>Nicest resort in all of Mexican?

0:21:38.240 --> 0:21:41.160
<v Speaker 3>What are you talking about right now? This is infuriating,

0:21:41.359 --> 0:21:42.520
<v Speaker 3>Like you don't understand.

0:21:43.200 --> 0:21:45.680
<v Speaker 1>It says this is a caper, but then it says

0:21:45.680 --> 0:21:49.040
<v Speaker 1>it was filmed at the one and Only Palma.

0:21:48.800 --> 0:21:52.199
<v Speaker 2>Which is, oh my god, and my favorite hotel in

0:21:52.280 --> 0:21:53.280
<v Speaker 2>Mexico in Cabo.

0:21:53.920 --> 0:21:56.199
<v Speaker 1>Yeah it's in San Jose del Cabo.

0:21:57.560 --> 0:21:57.840
<v Speaker 2>Wow.

0:21:58.040 --> 0:22:00.199
<v Speaker 1>Wow Wow, or.

0:22:00.200 --> 0:22:00.760
<v Speaker 3>Even been there?

0:22:00.800 --> 0:22:03.680
<v Speaker 1>I mean, how did Luke Perry get that?

0:22:04.560 --> 0:22:07.600
<v Speaker 3>Because he's because Perry, Hello Perry.

0:22:08.600 --> 0:22:14.520
<v Speaker 1>How about the good spillage when Jonesy spills all over

0:22:15.440 --> 0:22:18.600
<v Speaker 1>Kitty good good spill acting.

0:22:18.680 --> 0:22:20.720
<v Speaker 2>Very good acting, very good acting.

0:22:21.600 --> 0:22:24.880
<v Speaker 1>A lot of extreme close ups in this sorry glurry too.

0:22:25.040 --> 0:22:28.399
<v Speaker 2>Did you notice where the folks I don't think they

0:22:28.400 --> 0:22:32.520
<v Speaker 2>took the focused guy to Mexico with them because nobody

0:22:32.560 --> 0:22:34.639
<v Speaker 2>was pulling Louis.

0:22:34.720 --> 0:22:37.760
<v Speaker 3>The stand in went and played Marco, but the focused

0:22:37.800 --> 0:22:40.280
<v Speaker 3>guy didn't know. You didn't go, wait, who is the

0:22:40.359 --> 0:22:41.040
<v Speaker 3>focused guy was?

0:22:41.200 --> 0:22:44.160
<v Speaker 4>Oh god, oh please remember.

0:22:45.480 --> 0:22:45.840
<v Speaker 2>I don't know.

0:22:45.880 --> 0:22:47.440
<v Speaker 1>There was an actual focus job.

0:22:47.840 --> 0:22:49.520
<v Speaker 3>Wait, Jen, Jen, wait, what do you look like?

0:22:49.560 --> 0:22:51.280
<v Speaker 4>Can you just one was blonde and looked like a

0:22:51.280 --> 0:22:52.240
<v Speaker 4>surfer dude.

0:22:52.040 --> 0:22:54.760
<v Speaker 3>Okay, and he got a little Do you remember someone

0:22:54.840 --> 0:22:55.360
<v Speaker 3>dated him?

0:22:55.520 --> 0:22:58.080
<v Speaker 4>Yes, one of the Cat's members.

0:22:58.119 --> 0:23:02.720
<v Speaker 2>And yeah there was the other guy who was really nice,

0:23:02.800 --> 0:23:11.440
<v Speaker 2>had a wife and a kid, Jim we remember, yeah, right, Yeah,

0:23:11.520 --> 0:23:14.160
<v Speaker 2>he would get a little saucy if it was late though.

0:23:14.280 --> 0:23:15.399
<v Speaker 4>Yeah, he got a busy.

0:23:16.119 --> 0:23:18.160
<v Speaker 2>This was back in the day when when they were

0:23:18.280 --> 0:23:22.199
<v Speaker 2>usually like a real film camera and shooting like you know,

0:23:22.520 --> 0:23:25.200
<v Speaker 2>on those big They had to have a guy that

0:23:25.240 --> 0:23:27.359
<v Speaker 2>would come in and switch the giant rolls of film

0:23:27.480 --> 0:23:29.480
<v Speaker 2>like everybody had a different job. And we're talking about

0:23:29.480 --> 0:23:32.160
<v Speaker 2>the focus car who would sit right next to the

0:23:32.520 --> 0:23:35.480
<v Speaker 2>he would measure with this little measuring thing. He come

0:23:35.520 --> 0:23:37.680
<v Speaker 2>over and put the little measuring thing right to your eye,

0:23:38.320 --> 0:23:40.320
<v Speaker 2>right like wherever he needed to do it, and then

0:23:40.400 --> 0:23:42.919
<v Speaker 2>he would remember those measurements and write him down on

0:23:42.920 --> 0:23:44.960
<v Speaker 2>his little thing, and then he would have to pull

0:23:45.040 --> 0:23:47.959
<v Speaker 2>focus wherever the shot went, and he would do it

0:23:48.000 --> 0:23:50.359
<v Speaker 2>from like right next to the lens, so he was

0:23:50.440 --> 0:23:53.640
<v Speaker 2>always his face was always right next to the lens.

0:23:54.000 --> 0:23:56.160
<v Speaker 1>WHOA, I didn't even know this was a job.

0:23:57.440 --> 0:24:00.920
<v Speaker 3>It was intense. You see what happened. If it doesn't work,

0:24:00.960 --> 0:24:01.760
<v Speaker 3>it's like crucial.

0:24:02.240 --> 0:24:04.480
<v Speaker 2>Yeah, wow, but he was pretty good. If this isn't

0:24:04.600 --> 0:24:10.400
<v Speaker 2>only gup, then he's pretty good. But yeah, you got

0:24:10.440 --> 0:24:13.280
<v Speaker 2>really close with those guys because they were always with you.

0:24:14.480 --> 0:24:17.240
<v Speaker 3>Yeah, came you were off camera, like you had to

0:24:17.240 --> 0:24:19.600
<v Speaker 3>be right off camera. You were right next to them.

0:24:19.880 --> 0:24:21.840
<v Speaker 2>Basically, yeah, sitting on top of them.

0:24:22.240 --> 0:24:24.280
<v Speaker 1>Does anyone want to know the cringiest line in the

0:24:24.320 --> 0:24:25.879
<v Speaker 1>whole episode?

0:24:26.119 --> 0:24:26.359
<v Speaker 3>Yes?

0:24:26.480 --> 0:24:32.639
<v Speaker 1>Yes, I bet you guys know, come on, just hold me.

0:24:33.080 --> 0:24:34.920
<v Speaker 4>No, I was just gonna say that, Amy.

0:24:35.119 --> 0:24:37.879
<v Speaker 2>I was going to say, just hold me, because I

0:24:37.920 --> 0:24:40.639
<v Speaker 2>have herritten down here, just hold me. And then she

0:24:40.800 --> 0:24:46.320
<v Speaker 2>falls into the most awkward hold me position ever done, Like.

0:24:46.520 --> 0:24:49.280
<v Speaker 3>Wait, that was the most cringey, it wasn't she She

0:24:49.359 --> 0:24:52.320
<v Speaker 3>could lie like a rug and tease like a sleeze.

0:24:54.080 --> 0:24:56.320
<v Speaker 2>Yeah, she's got a point there, damn.

0:24:57.600 --> 0:24:59.640
<v Speaker 3>Oh whatever you guys think.

0:24:59.680 --> 0:25:01.679
<v Speaker 2>So the whole.

0:25:01.400 --> 0:25:05.480
<v Speaker 1>Thing was just like bananas, Like first of all, how

0:25:05.560 --> 0:25:08.840
<v Speaker 1>was he tapping into the other computer? Number one? Crazy?

0:25:09.240 --> 0:25:11.840
<v Speaker 1>Number two? He's like it's like Pong and pac Man,

0:25:12.359 --> 0:25:13.520
<v Speaker 1>Like I just got this.

0:25:13.920 --> 0:25:14.720
<v Speaker 4>And it's like.

0:25:17.520 --> 0:25:20.080
<v Speaker 1>It's like the evening doesn't the FBI account?

0:25:20.160 --> 0:25:22.240
<v Speaker 4>Like what cheap?

0:25:22.400 --> 0:25:26.440
<v Speaker 2>He bashes through the window, what guys? What?

0:25:27.119 --> 0:25:31.320
<v Speaker 1>Of course? Great dollars the best. It was so like

0:25:32.200 --> 0:25:34.480
<v Speaker 1>I didn't know what I was watching, Like six million

0:25:34.520 --> 0:25:36.560
<v Speaker 1>dollar man writer, I don't know.

0:25:36.640 --> 0:25:38.760
<v Speaker 2>That was like a big setup too, Like they had

0:25:38.800 --> 0:25:42.480
<v Speaker 2>to replace the real glass with the shattered glass, and

0:25:42.600 --> 0:25:45.520
<v Speaker 2>the hotel had to approve, you know, Paul me I

0:25:45.520 --> 0:25:46.840
<v Speaker 2>had to let him do that.

0:25:47.160 --> 0:25:49.680
<v Speaker 3>On the sword fights, why Paul Wagner had to be there,

0:25:49.760 --> 0:25:53.280
<v Speaker 3>you know, the guys were so pumped to do that.

0:25:53.520 --> 0:25:56.920
<v Speaker 4>Like this is a big A lot of fun for that, a.

0:25:56.880 --> 0:25:59.040
<v Speaker 3>Lot of testosterone.

0:25:59.240 --> 0:26:01.400
<v Speaker 1>Yeah, it was a movie like I was like, this

0:26:01.440 --> 0:26:05.000
<v Speaker 1>is I'm just watching die Hard? Like and then the

0:26:05.119 --> 0:26:07.760
<v Speaker 1>sword fight and suddenly Karl.

0:26:07.560 --> 0:26:10.320
<v Speaker 2>Walks in like they walk in because they know Dylan's there,

0:26:10.359 --> 0:26:13.840
<v Speaker 2>so they come with he come, Carl Itchy back or

0:26:13.880 --> 0:26:16.679
<v Speaker 2>whatever his name is, comes in with a gun and

0:26:16.720 --> 0:26:19.840
<v Speaker 2>he's like not a first like Jim pointing at everybody.

0:26:19.960 --> 0:26:23.320
<v Speaker 4>You'd like, it's so casual with a handgun in it.

0:26:23.400 --> 0:26:25.399
<v Speaker 1>Oh, and they just sent Erica to her room. Just

0:26:25.800 --> 0:26:28.000
<v Speaker 1>the child should just go to their room to avoid

0:26:28.040 --> 0:26:28.560
<v Speaker 1>the guns.

0:26:28.600 --> 0:26:31.960
<v Speaker 3>Sit in the naughty corner. Well, we take care of business.

0:26:32.840 --> 0:26:36.000
<v Speaker 1>It was so crazy and Valerie looked like she got

0:26:36.040 --> 0:26:39.199
<v Speaker 1>bopped in the eye. Was I to see that? It

0:26:39.240 --> 0:26:41.840
<v Speaker 1>looked like the hat her in the car and then

0:26:41.880 --> 0:26:44.440
<v Speaker 1>he cracked her one the gun comes out.

0:26:44.480 --> 0:26:45.240
<v Speaker 3>I want to see that.

0:26:46.359 --> 0:26:48.399
<v Speaker 1>And then she's like, I'm sorry. It was just the

0:26:48.440 --> 0:26:52.000
<v Speaker 1>whole thing was so crazy. I loved it. It's just

0:26:52.119 --> 0:26:53.119
<v Speaker 1>totally bananas.

0:26:53.560 --> 0:26:54.919
<v Speaker 3>It would have been cool if it was like me

0:26:54.960 --> 0:26:56.159
<v Speaker 3>and Jen doing this whole.

0:26:56.080 --> 0:26:57.800
<v Speaker 4>Thing, we would have liked it more.

0:26:58.119 --> 0:27:01.919
<v Speaker 3>Been fun. Smash through windows.

0:27:01.680 --> 0:27:02.520
<v Speaker 4>Oh, real good.

0:27:03.800 --> 0:27:06.520
<v Speaker 1>And just God bless Jonesy for coming back.

0:27:07.280 --> 0:27:08.000
<v Speaker 2>Yeah.

0:27:08.080 --> 0:27:10.840
<v Speaker 1>Oh and it was because they told him Eric Estrada

0:27:10.960 --> 0:27:11.600
<v Speaker 1>was in danger.

0:27:12.040 --> 0:27:13.160
<v Speaker 4>Oh yeah, that was funny.

0:27:13.480 --> 0:27:19.040
<v Speaker 1>Yeah, Like, oh my God, will never leave my last reference.

0:27:31.800 --> 0:27:35.120
<v Speaker 1>Should we switch to the I feel like if.

0:27:35.040 --> 0:27:36.000
<v Speaker 3>You're done yet, are you?

0:27:36.560 --> 0:27:38.280
<v Speaker 2>I feel like we might be done with that story.

0:27:38.480 --> 0:27:41.359
<v Speaker 2>I mean, I honestly enjoyed watching it, but again it

0:27:41.400 --> 0:27:42.440
<v Speaker 2>didn't feel like our show.

0:27:42.480 --> 0:27:44.120
<v Speaker 4>But I could have watched some more of it.

0:27:44.160 --> 0:27:45.960
<v Speaker 1>Probably me too. I was like, this is this.

0:27:46.040 --> 0:27:50.240
<v Speaker 2>Cake Jonesie's pretty engaging and Valerie was fun and she

0:27:50.359 --> 0:27:51.120
<v Speaker 2>looked cute.

0:27:51.240 --> 0:27:52.879
<v Speaker 1>She did look cute.

0:27:53.080 --> 0:27:54.800
<v Speaker 3>This is when nine O, two and O is going

0:27:54.880 --> 0:27:56.320
<v Speaker 3>to kind of become you guys, what.

0:27:57.040 --> 0:28:03.600
<v Speaker 6>Like so much drama capers and like, yeah, weird extreme

0:28:03.960 --> 0:28:06.440
<v Speaker 6>like distortion storyline.

0:28:06.600 --> 0:28:09.520
<v Speaker 3>I love it, like it's gonna happen, like babe, Yeah,

0:28:09.720 --> 0:28:10.680
<v Speaker 3>just wait for it.

0:28:11.280 --> 0:28:14.440
<v Speaker 1>Really quickly before we move on. Two things. The station

0:28:14.600 --> 0:28:20.479
<v Speaker 1>wagon cab driver was the worst driver. That was scary.

0:28:20.720 --> 0:28:24.520
<v Speaker 1>And the lady at the hotel just smoking and just

0:28:24.840 --> 0:28:29.159
<v Speaker 1>letting Dylan into the room, no problem, just go on in.

0:28:29.400 --> 0:28:31.520
<v Speaker 1>Like I was like, this is crazy.

0:28:32.400 --> 0:28:34.119
<v Speaker 4>It's set that, it set the tone.

0:28:34.840 --> 0:28:36.400
<v Speaker 3>Yeah, who directed this?

0:28:37.960 --> 0:28:38.720
<v Speaker 4>James Wentworth?

0:28:39.160 --> 0:28:42.040
<v Speaker 1>Yeah he did a great job.

0:28:43.240 --> 0:28:44.720
<v Speaker 3>He loved him.

0:28:44.840 --> 0:28:49.120
<v Speaker 2>Now to Kelly, to Beverly Hills, back to boring Beverly Hills.

0:28:49.120 --> 0:28:49.800
<v Speaker 1>Oh Kelly.

0:28:50.080 --> 0:28:52.479
<v Speaker 3>I never thought Beverly Hills would be so boring.

0:28:53.000 --> 0:28:58.840
<v Speaker 1>Okay, Kelly, Yeah, things are bad between you and Brandon

0:28:58.920 --> 0:28:59.800
<v Speaker 1>because you're.

0:29:02.760 --> 0:29:04.080
<v Speaker 4>Thing. They have this family.

0:29:04.680 --> 0:29:09.600
<v Speaker 2>Binley be a teacher at the school, so because Kelly

0:29:10.120 --> 0:29:14.400
<v Speaker 2>was in his class, right, right, and then well Brandon

0:29:14.600 --> 0:29:16.480
<v Speaker 2>goes and starts talking to the new dean.

0:29:16.960 --> 0:29:17.720
<v Speaker 4>I don't understand.

0:29:17.720 --> 0:29:21.320
<v Speaker 2>If they had these allegations, these kinds of allegations, why

0:29:21.360 --> 0:29:24.000
<v Speaker 2>would they then let this guy be teaching a course?

0:29:24.480 --> 0:29:27.880
<v Speaker 4>So weird, it made no sense, It made no sense, right.

0:29:27.920 --> 0:29:29.880
<v Speaker 1>The only thing he didn't get was tenure. It's like

0:29:29.920 --> 0:29:31.880
<v Speaker 1>what happy.

0:29:31.520 --> 0:29:34.120
<v Speaker 2>In jail if he would have these kind of allegations,

0:29:34.200 --> 0:29:37.960
<v Speaker 2>like or he would be whatever it is for a teacher,

0:29:38.000 --> 0:29:40.240
<v Speaker 2>but like disbarred for a teacher, whatever that is, takeingure.

0:29:40.520 --> 0:29:45.080
<v Speaker 1>Brandon Walsh has like a weird amount of power. It's

0:29:45.080 --> 0:29:51.120
<v Speaker 1>like very odd. Why is he like campus guy, He's

0:29:51.160 --> 0:29:53.080
<v Speaker 1>just going to the dean and then suddenly the dean's

0:29:53.080 --> 0:29:55.240
<v Speaker 1>going to reconsider, and then he's going to talk to

0:29:55.280 --> 0:29:56.840
<v Speaker 1>the teacher, like what.

0:29:57.920 --> 0:30:00.480
<v Speaker 2>And then the teacher is talking to him. He's the

0:30:00.560 --> 0:30:05.120
<v Speaker 2>student body president. Okay, that's what they do, power you guys,

0:30:05.280 --> 0:30:07.680
<v Speaker 2>That's right, they do.

0:30:08.720 --> 0:30:11.479
<v Speaker 1>It's your hair getting longer. I'm noticing you and Claire.

0:30:11.520 --> 0:30:17.520
<v Speaker 1>Your hair is getting longer. Whose hair yours? And Claire

0:30:17.560 --> 0:30:18.080
<v Speaker 1>going out?

0:30:18.920 --> 0:30:20.880
<v Speaker 4>But I think I cut it again, so don't worry.

0:30:21.040 --> 0:30:22.120
<v Speaker 3>I don't want to talk about this.

0:30:23.960 --> 0:30:24.240
<v Speaker 2>See.

0:30:25.560 --> 0:30:28.480
<v Speaker 3>So this is the point in the program when you're like,

0:30:28.520 --> 0:30:30.840
<v Speaker 3>you don't like my hair short. I loved it short.

0:30:31.080 --> 0:30:36.680
<v Speaker 3>I thought it looked great, and then you should it

0:30:36.760 --> 0:30:37.280
<v Speaker 3>was great.

0:30:38.600 --> 0:30:41.280
<v Speaker 4>You love my hair short? You never love my hair short.

0:30:41.400 --> 0:30:44.320
<v Speaker 3>That's not it. You always think I don't like your

0:30:44.320 --> 0:30:44.800
<v Speaker 3>hair short.

0:30:45.200 --> 0:30:48.040
<v Speaker 1>I said, I don't think it told me it.

0:30:48.760 --> 0:30:54.280
<v Speaker 3>I'm talking about the soccer mom time soon, and I'll

0:30:54.280 --> 0:30:56.120
<v Speaker 3>continue to tell you to your face. I never liked

0:30:56.160 --> 0:30:58.840
<v Speaker 3>that cut. It was the wrong move. But we haven't

0:30:58.840 --> 0:30:59.720
<v Speaker 3>gotten there yet.

0:31:00.080 --> 0:31:01.440
<v Speaker 4>But it ruined my career.

0:31:02.840 --> 0:31:04.080
<v Speaker 3>WHOA, that's extreme.

0:31:04.240 --> 0:31:06.480
<v Speaker 4>WHOA.

0:31:07.560 --> 0:31:07.880
<v Speaker 2>I don't know.

0:31:08.200 --> 0:31:09.840
<v Speaker 3>If anyone could pull it off, it would be you.

0:31:10.200 --> 0:31:12.680
<v Speaker 3>I personally wasn't a fan. And I've told her this

0:31:12.760 --> 0:31:13.720
<v Speaker 3>for thirty years.

0:31:14.040 --> 0:31:17.040
<v Speaker 2>Yeah she has, and it's going out.

0:31:17.480 --> 0:31:19.360
<v Speaker 3>Because it just hurts my soul.

0:31:19.560 --> 0:31:22.880
<v Speaker 2>What about you don't like the way it is now?

0:31:23.320 --> 0:31:24.800
<v Speaker 3>I do on the show.

0:31:25.320 --> 0:31:27.120
<v Speaker 4>Yes, it's like a long bob.

0:31:27.760 --> 0:31:28.760
<v Speaker 1>The long bob is.

0:31:28.760 --> 0:31:33.080
<v Speaker 3>Cool when you have to its wispy it still.

0:31:32.920 --> 0:31:35.160
<v Speaker 4>Looks like a goat. Shoot it a little like a little.

0:31:35.560 --> 0:31:39.320
<v Speaker 3>Like it's not that it's the one that comes next

0:31:39.760 --> 0:31:41.920
<v Speaker 3>that just took you down.

0:31:42.600 --> 0:31:44.400
<v Speaker 2>Okay, well I can't wait to see it.

0:31:44.760 --> 0:31:47.000
<v Speaker 1>I just like you on the floor with your boombox

0:31:47.040 --> 0:31:50.840
<v Speaker 1>sort of meditating to Finley's something or other, and then

0:31:51.280 --> 0:31:54.400
<v Speaker 1>then Brandon is kind of creepily staring. Then you're like,

0:31:54.400 --> 0:31:56.320
<v Speaker 1>why are you staring? And then he sort of says

0:31:56.320 --> 0:31:56.840
<v Speaker 1>something like.

0:31:56.800 --> 0:31:59.840
<v Speaker 3>I always liked you on the floor in weird positions.

0:32:00.360 --> 0:32:00.800
<v Speaker 4>Eh what?

0:32:01.840 --> 0:32:05.920
<v Speaker 3>I was just happy that, like, oh cool, like Brandon Walsh,

0:32:05.960 --> 0:32:08.800
<v Speaker 3>there's more than meets thy. Maybe he is a little kinky,

0:32:09.200 --> 0:32:11.240
<v Speaker 3>great never pegged him for that.

0:32:11.560 --> 0:32:15.840
<v Speaker 2>These two characters have been so not like connecting for

0:32:15.880 --> 0:32:20.160
<v Speaker 2>a while that way physically or emotionally. So, but this

0:32:20.240 --> 0:32:22.280
<v Speaker 2>is how those kind of things happen. I think these

0:32:22.360 --> 0:32:27.080
<v Speaker 2>like mind takeovers. I guess when somebody gets brainwashed, like.

0:32:28.240 --> 0:32:30.920
<v Speaker 1>And you said you even called him an extern.

0:32:31.040 --> 0:32:36.000
<v Speaker 2>A extern, which is like using Finley's language. Yeah, but

0:32:36.040 --> 0:32:38.440
<v Speaker 2>that's what happens when you go to these like courses

0:32:38.680 --> 0:32:42.200
<v Speaker 2>or when you go to these lectures or weekend seminars.

0:32:42.320 --> 0:32:45.240
<v Speaker 4>You I don't know.

0:32:45.240 --> 0:32:47.760
<v Speaker 2>If that's what's happening with Kelly, but it must be

0:32:47.760 --> 0:32:50.960
<v Speaker 2>because you do, you get brainwashed and you leave there

0:32:51.120 --> 0:32:57.920
<v Speaker 2>using their their terminology, and you I buy it that

0:32:58.040 --> 0:33:00.160
<v Speaker 2>she would be listening to totally.

0:33:01.200 --> 0:33:07.520
<v Speaker 3>Even if it's like an inspirational like self help meditation weekend,

0:33:07.640 --> 0:33:11.560
<v Speaker 3>you do start to kind of be like, yes, everything

0:33:11.640 --> 0:33:16.000
<v Speaker 3>they say somehow you respond to and you're like it's

0:33:16.040 --> 0:33:21.160
<v Speaker 3>like they're talking directly to you and everyone feels that way. Yeah,

0:33:21.320 --> 0:33:24.040
<v Speaker 3>and you're like it hits home on some level. They're

0:33:24.200 --> 0:33:25.040
<v Speaker 3>very good at this.

0:33:25.280 --> 0:33:28.280
<v Speaker 1>Well that's why Finley is so creepy. He's super good

0:33:28.360 --> 0:33:32.800
<v Speaker 1>at this creepy creepy, and she's fallen for it.

0:33:34.480 --> 0:33:35.520
<v Speaker 4>I mean, make us think about it.

0:33:35.560 --> 0:33:40.120
<v Speaker 2>She's never had any sort of like personal growth in

0:33:40.160 --> 0:33:45.280
<v Speaker 2>her life, I don't think, other than the growth that

0:33:45.320 --> 0:33:48.600
<v Speaker 2>she's done on her own through you know, the relationships

0:33:48.680 --> 0:33:49.320
<v Speaker 2>that she's had.

0:33:49.640 --> 0:33:52.200
<v Speaker 1>And it's causing a rift between her and Brandon, which

0:33:52.240 --> 0:33:54.320
<v Speaker 1>is exactly what.

0:33:54.560 --> 0:33:58.440
<v Speaker 3>Happens though, like they were getting stale. This can only help.

0:33:59.120 --> 0:34:02.840
<v Speaker 4>Oh, oh, I don't think so. I don't know. I

0:34:02.840 --> 0:34:04.840
<v Speaker 4>think that this is not going to end well.

0:34:04.800 --> 0:34:06.240
<v Speaker 3>Oh, I just remembered.

0:34:07.360 --> 0:34:14.040
<v Speaker 1>Oh, not good, I know, but it's good. And then

0:34:14.040 --> 0:34:17.080
<v Speaker 1>we just had a brief moment with Steve with his

0:34:17.680 --> 0:34:20.640
<v Speaker 1>like easy schedule, and we literally I think we only

0:34:20.719 --> 0:34:24.120
<v Speaker 1>had one scene with Claire and David and the Defender

0:34:24.840 --> 0:34:26.840
<v Speaker 1>because he wants it to be a hip hop club

0:34:27.400 --> 0:34:28.200
<v Speaker 1>and she doesn't.

0:34:28.719 --> 0:34:31.600
<v Speaker 3>I know, I feel bad, you know, you know, visually

0:34:31.640 --> 0:34:35.000
<v Speaker 3>I love watching her, but like their storyline and each

0:34:35.040 --> 0:34:37.920
<v Speaker 3>time I'm like, I just don't care about them running

0:34:37.920 --> 0:34:39.920
<v Speaker 3>the peach bit after dark and who they're booking.

0:34:40.320 --> 0:34:42.840
<v Speaker 1>This was like one of the most expensive episodes ever

0:34:43.000 --> 0:34:45.480
<v Speaker 1>a stunt action movie on location.

0:34:46.040 --> 0:34:48.520
<v Speaker 3>See that's when I start to be like, why put

0:34:48.520 --> 0:34:52.520
<v Speaker 3>the money there? I loved it, Yeah, but then put

0:34:52.600 --> 0:34:55.000
<v Speaker 3>our put more of the regulars and take.

0:34:55.000 --> 0:34:57.759
<v Speaker 1>Luke Perry was like a movie star in this episode.

0:34:58.480 --> 0:34:59.879
<v Speaker 3>He actually was a movie star.

0:35:00.520 --> 0:35:00.759
<v Speaker 4>Yeah.

0:35:00.800 --> 0:35:04.520
<v Speaker 2>I feel like they were really like putting, you know,

0:35:04.600 --> 0:35:09.120
<v Speaker 2>their focus on Luke at the at this current moment

0:35:09.280 --> 0:35:12.120
<v Speaker 2>in time, he was so.

0:35:12.040 --> 0:35:14.200
<v Speaker 1>Full and we haven't had a lot of Luke because

0:35:14.200 --> 0:35:17.160
<v Speaker 1>he was so drunky, unhinged drug addict. So now we're

0:35:17.239 --> 0:35:19.440
<v Speaker 1>kind of like he's all cleaned up and here's the movies,

0:35:19.560 --> 0:35:21.960
<v Speaker 1>Like we're getting him back. So Maybe that's why I

0:35:22.000 --> 0:35:23.960
<v Speaker 1>loved it so much, because it's like I kind of

0:35:24.160 --> 0:35:28.719
<v Speaker 1>been missing I've been missing the good version of him.

0:35:28.760 --> 0:35:32.319
<v Speaker 3>All leading men are broken somehow, then they always make

0:35:32.360 --> 0:35:32.960
<v Speaker 3>a comeback.

0:35:33.400 --> 0:35:35.400
<v Speaker 1>I'm seeing if Luke was working on a movie at

0:35:35.400 --> 0:35:36.080
<v Speaker 1>this time.

0:35:35.960 --> 0:35:40.520
<v Speaker 3>Yeah, he been and dating Madonna? Was this that point?

0:35:40.760 --> 0:35:44.320
<v Speaker 4>Wait? What Luke was dating Madonna?

0:35:44.800 --> 0:35:49.400
<v Speaker 3>I will never forget him pulling me into his dressing

0:35:49.480 --> 0:35:54.120
<v Speaker 3>room and being like telling me and I felt so

0:35:54.320 --> 0:35:57.640
<v Speaker 3>confided in like, oh my god, he's telling me about Madonna.

0:35:57.680 --> 0:36:02.040
<v Speaker 3>And then okay, remember there's like, oh wow, you're string machines,

0:36:02.080 --> 0:36:06.160
<v Speaker 3>you guys. He played me a message from her and

0:36:06.200 --> 0:36:09.560
<v Speaker 3>I was like, you're the coolest person in the whole world.

0:36:10.120 --> 0:36:14.359
<v Speaker 3>One because you're Luke Perry and two because Madonna wants.

0:36:14.080 --> 0:36:17.040
<v Speaker 1>You left you Hello, you're right.

0:36:18.800 --> 0:36:19.080
<v Speaker 3>Wow.

0:36:19.120 --> 0:36:22.600
<v Speaker 1>I did not remember that at all? Which part that

0:36:22.680 --> 0:36:24.080
<v Speaker 1>he dated Madonna a little bit?

0:36:24.080 --> 0:36:24.279
<v Speaker 4>Did?

0:36:25.280 --> 0:36:26.600
<v Speaker 1>He presented her an award?

0:36:26.719 --> 0:36:29.080
<v Speaker 3>And maybe that's so we kept these things from you,

0:36:31.480 --> 0:36:34.040
<v Speaker 3>like something that you would want to hear.

0:36:34.239 --> 0:36:38.320
<v Speaker 1>So oh seems short lived?

0:36:38.400 --> 0:36:42.279
<v Speaker 3>Maybe very I don't think, yeah, dating you know what,

0:36:44.960 --> 0:36:47.840
<v Speaker 3>there was something something going on. Wow.

0:37:00.440 --> 0:37:03.600
<v Speaker 1>So I love this whole episode. I mean I really did.

0:37:05.120 --> 0:37:08.840
<v Speaker 1>I was shocked by it, Like, this is so random,

0:37:08.960 --> 0:37:10.160
<v Speaker 1>but I'm into it.

0:37:10.320 --> 0:37:13.360
<v Speaker 4>What do you give it? What kind of grade school grade?

0:37:15.640 --> 0:37:19.040
<v Speaker 6>Nine point eight we start grading people, would you just

0:37:19.080 --> 0:37:20.839
<v Speaker 6>say nine point eight?

0:37:23.360 --> 0:37:25.400
<v Speaker 1>Maybe like a couple of points of deduction for just

0:37:25.440 --> 0:37:31.880
<v Speaker 1>sort of like ridonculousness, but otherwise, yeah, nine point eight.

0:37:33.600 --> 0:37:36.080
<v Speaker 2>I would have to say, if I detach myself from

0:37:36.120 --> 0:37:42.520
<v Speaker 2>my anger about not being in it, that I would say.

0:37:42.680 --> 0:37:43.760
<v Speaker 4>I would I give it.

0:37:43.600 --> 0:37:47.359
<v Speaker 2>Like a eight and a half nine yeah, because it

0:37:47.400 --> 0:37:48.160
<v Speaker 2>was fun to watch.

0:37:48.360 --> 0:37:49.240
<v Speaker 1>It was fun to watch.

0:37:50.080 --> 0:37:51.839
<v Speaker 2>It wasn't watching nine or two and oh but I

0:37:51.880 --> 0:37:52.680
<v Speaker 2>was watching something.

0:37:53.000 --> 0:37:56.040
<v Speaker 1>Yeah, you're watching like hard to heart, not.

0:37:55.920 --> 0:38:00.400
<v Speaker 3>Really hard hard in that I just want to be

0:38:00.440 --> 0:38:02.759
<v Speaker 3>in that. So, like I want to fast forward the

0:38:02.800 --> 0:38:06.320
<v Speaker 3>scenes in Beverly Hills only because I'm totally into the story.

0:38:07.080 --> 0:38:08.960
<v Speaker 3>But it's just like if you're going to do that,

0:38:09.040 --> 0:38:11.400
<v Speaker 3>and I know we can't do that, but that's like

0:38:11.560 --> 0:38:16.480
<v Speaker 3>it jars me each time you go back and forth. Okay, so,

0:38:16.840 --> 0:38:21.839
<v Speaker 3>just based on the hotness of Dylan slash Luke Luke

0:38:21.920 --> 0:38:31.240
<v Speaker 3>slash Dylan, I'm going to give it an wow.

0:38:31.360 --> 0:38:35.160
<v Speaker 2>Well, I think we all like gave it a respectable

0:38:35.160 --> 0:38:41.040
<v Speaker 2>score only Luke based on look, based on the cinematography

0:38:41.080 --> 0:38:44.319
<v Speaker 2>and the excitement of Mexico, the action seeing you know,

0:38:44.480 --> 0:38:45.880
<v Speaker 2>Paul Mia and everything.

0:38:47.040 --> 0:38:49.360
<v Speaker 1>So he could ride horses and motorcycles.

0:38:49.800 --> 0:38:53.600
<v Speaker 3>Yeah, he could do more than that. Wow, he could

0:38:53.600 --> 0:38:56.840
<v Speaker 3>do everything. And then he could even light his parts

0:38:56.880 --> 0:39:01.440
<v Speaker 3>on fire. Like the guy had talents like I'm talking,

0:39:01.680 --> 0:39:06.680
<v Speaker 3>and he was that guy that no matter what he did,

0:39:07.239 --> 0:39:09.279
<v Speaker 3>nothing was gross about him. Does that make sense?

0:39:09.360 --> 0:39:11.680
<v Speaker 4>That was gross? I'm sorry, but that was gross.

0:39:12.360 --> 0:39:13.120
<v Speaker 3>Hearts on fire.

0:39:14.280 --> 0:39:16.520
<v Speaker 4>It is not only gross, it's very dangerous.

0:39:16.840 --> 0:39:18.200
<v Speaker 1>Oh is that true? I don't know.

0:39:19.640 --> 0:39:22.399
<v Speaker 3>Don't do this at home, but Luke would, and he'd

0:39:22.440 --> 0:39:24.640
<v Speaker 3>make all of us giggle and laugh so hard we'd

0:39:24.680 --> 0:39:27.360
<v Speaker 3>be crying. And he would sit on the dressing on

0:39:27.400 --> 0:39:30.479
<v Speaker 3>your dressing room floor and he would light his fart

0:39:30.560 --> 0:39:34.640
<v Speaker 3>on fire, and I would laugh till the point I

0:39:34.680 --> 0:39:36.399
<v Speaker 3>was crying and peeing my pants. Yeah.

0:39:37.239 --> 0:39:39.280
<v Speaker 1>Oh, oh gosh.

0:39:39.400 --> 0:39:42.719
<v Speaker 3>No one did it like him anything like him?

0:39:43.120 --> 0:39:43.960
<v Speaker 4>Thank you for that much.

0:39:45.200 --> 0:39:49.399
<v Speaker 3>It's okay, Luke Perry.

0:39:50.120 --> 0:39:51.840
<v Speaker 4>He was well rounded, is what you're saying.

0:39:52.440 --> 0:39:56.879
<v Speaker 1>I could maybe watch this episode again, Like I kind

0:39:56.880 --> 0:39:58.520
<v Speaker 1>of think I might just watch it again.

0:39:59.440 --> 0:40:01.160
<v Speaker 3>Really, like in your free time.

0:40:01.920 --> 0:40:04.480
<v Speaker 1>Yeah, do I have? Are you I might?

0:40:05.040 --> 0:40:05.640
<v Speaker 3>What's next?

0:40:05.719 --> 0:40:08.680
<v Speaker 1>Little background when I'm doing some emails or some ironing,

0:40:09.000 --> 0:40:12.919
<v Speaker 1>and just see that shirtless horse shot? Pretty good?

0:40:13.320 --> 0:40:16.120
<v Speaker 3>Yeah, that is so funny. She said. Emails and ironing

0:40:16.239 --> 0:40:20.600
<v Speaker 3>two completely different eximes of you, like business and then just.

0:40:24.239 --> 0:40:25.080
<v Speaker 4>Those are the things.

0:40:25.360 --> 0:40:27.200
<v Speaker 1>I couldn't say vacuum because I wouldn't be able to

0:40:27.239 --> 0:40:31.400
<v Speaker 1>hear it enough. But like ironing. Yeah, Cory, I have

0:40:31.480 --> 0:40:34.840
<v Speaker 1>a little bit of bad news for you. Next week

0:40:35.160 --> 0:40:38.200
<v Speaker 1>your nemesis returns Ariel.

0:40:40.640 --> 0:40:43.319
<v Speaker 3>Why do you have to give me PTSD? Why do

0:40:43.360 --> 0:40:44.040
<v Speaker 3>you have to ride?

0:40:44.080 --> 0:40:46.080
<v Speaker 1>I just wanted you to know. I wanted you to know.

0:40:46.200 --> 0:40:48.520
<v Speaker 3>Being riled up my job.

0:40:48.360 --> 0:40:49.719
<v Speaker 1>To warn you of these things.

0:40:49.760 --> 0:40:51.200
<v Speaker 3>And Jonesy fire within.

0:40:51.680 --> 0:40:53.799
<v Speaker 1>Jones will be back. Jonesy will be back.

0:40:54.480 --> 0:40:55.840
<v Speaker 4>What about the Cavendishes.

0:40:55.960 --> 0:40:56.920
<v Speaker 1>I think they're gone.

0:40:57.600 --> 0:41:01.640
<v Speaker 3>Wait, Ariel's coming back. So now she's gonna up Claire's relationships.

0:41:01.640 --> 0:41:03.319
<v Speaker 3>So now she's gonna say a little.

0:41:03.480 --> 0:41:05.280
<v Speaker 1>You forget who's dating a musician.

0:41:06.120 --> 0:41:09.120
<v Speaker 3>No, she's gonna come and take another one of my men.

0:41:09.280 --> 0:41:10.399
<v Speaker 1>I'm not saying what's gonna happen.

0:41:11.680 --> 0:41:13.680
<v Speaker 4>I'm in shock right now. I think you don't remember

0:41:13.880 --> 0:41:14.200
<v Speaker 4>I don't.

0:41:16.200 --> 0:41:17.279
<v Speaker 1>I'm just saying.

0:41:17.440 --> 0:41:21.840
<v Speaker 3>Because I wasn't in love with Jamie Walters, like, so

0:41:22.080 --> 0:41:25.719
<v Speaker 3>there wasn't like a person whatever. I wasn't in love

0:41:25.719 --> 0:41:28.279
<v Speaker 3>with Brian at this time. But obviously you guys know

0:41:28.520 --> 0:41:30.800
<v Speaker 3>he was one of my first loves, like in real life,

0:41:31.400 --> 0:41:35.440
<v Speaker 3>so like it's a personal thing when it's David and Brian,

0:41:35.600 --> 0:41:37.879
<v Speaker 3>like Jamie and I were just friends. So I guess

0:41:37.920 --> 0:41:41.640
<v Speaker 3>I'm not too like riled up the Ariel is gonna

0:41:41.640 --> 0:41:44.680
<v Speaker 3>swoop in and take another man. Wait, who's she taken next?

0:41:44.880 --> 0:41:47.000
<v Speaker 4>I don't know if she's swooping into our next episode.

0:41:47.120 --> 0:41:50.880
<v Speaker 3>If she's I'm gonna be pissed just saying I.

0:41:50.880 --> 0:41:51.880
<v Speaker 4>Don't even know who that is.

0:41:51.920 --> 0:41:53.359
<v Speaker 3>But okay, I knew you were gonna say I don't

0:41:53.360 --> 0:41:54.799
<v Speaker 3>know who that is, so I was not to tell

0:41:54.800 --> 0:41:55.640
<v Speaker 3>you that's Vince.

0:41:56.800 --> 0:41:59.640
<v Speaker 2>Okay, I'm saying it now our next episode of season five,

0:41:59.640 --> 0:42:04.799
<v Speaker 2>episode nineteen, Little Monsters. That's your homework, everybody,