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Speaker 1: It's nine o G one with Jenny Garth and Tory Spelling.

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Speaker 2: Oh okay, you guys.

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Speaker 3: Hello, are you ready for this?

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Speaker 4: Are you ready for this?

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Speaker 2: In case you didn't know, it's nine or two on

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Speaker 2: OMG and we're very very happy you're here with us.

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Speaker 3: Thank you.

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Speaker 1: Mm.

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Speaker 2: We have another episode this week, imagine Matt. They just

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Speaker 2: keep coming.

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Speaker 1: They do amazing episode.

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Speaker 2: This one was called what was it Your Health?

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Speaker 1: It was a real caper, guys.

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Speaker 3: I know, no, no, okay, it's just.

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Speaker 2: You know, you can't tell because the reason I'm a

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Speaker 2: little sick today, so I sound a little, I sound

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Speaker 2: a little hazardous to my help.

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Speaker 3: When we are on zoom, so no one laking of

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Speaker 3: her health?

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Speaker 1: Did it lift both your spirits to watch this? This

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Speaker 1: Bond movie?

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Speaker 3: Nope?

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Speaker 4: Uh nope, you know what.

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Speaker 3: I gotta be honest. I don't like Bond esque movies

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Speaker 3: except for the Hot Chick. So I guess I liked

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Speaker 3: us in this, but that's it.

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Speaker 1: I'd love to see three.

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Speaker 2: Episode eighteen Hazardous to Your Health air January eighteenth, Weird, nineteen.

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Speaker 3: Ninety five, Synops, I'm still in Heads to Mexico and

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Speaker 3: recruits Valerie to help recover his millions. Kelly is starting

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Speaker 3: to turn on Brandon over her adoration for Professor Finley. Meanwhile,

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Speaker 3: Claire and David are clashing over what lands to book

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Speaker 3: at the peach Pit.

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Speaker 2: After Dark directed by James Whitmore, written by Larry Molin.

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Speaker 3: I love his name. Second, Larry, Wait.

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Speaker 4: You're saying you liked it.

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Speaker 1: I love it.

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Speaker 3: She loves every ringing episode.

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Speaker 2: Wait, no, I think there's only been one that Amy

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Speaker 2: has not like.

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Speaker 1: Oh, yeah, there was a There's been a couple. There's

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Speaker 1: a couple this one, though, I understand it's not nine

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Speaker 1: O two one. Oh, I get that. But Luke Perry

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Speaker 1: was so hot in this episode. He looked so good

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Speaker 1: riding on a horse and literally becoming a spy of

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Speaker 1: a Bond guy. The whole thing was so off the

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Speaker 1: wall that I just couldn't help but.

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Speaker 3: Like it the wall. I guess you could say that.

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Speaker 1: Like when did he even learn how to like beat

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Speaker 1: people up like that?

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Speaker 3: I guess he can do anything.

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Speaker 1: He's sword fight, not even nervous. There's a gun just

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Speaker 1: pointed out him. He's not the slightest bit.

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Speaker 3: Nervous, doesn't give enough. Nope, No, but that's why we

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Speaker 3: love him, right, oh, we love.

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Speaker 2: Wait, I just want to start it out by saying

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Speaker 2: that I'm feeling a little bit angry. I'm feeling a

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Speaker 2: little bit mad. Oh do tell hell us why why

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Speaker 2: did Luke Perry get to go to Mexico New York?

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Speaker 4: They're not just with Perry?

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Speaker 1: Did you an Tiffany and Suzanne and Kevin and Erica? Yeah,

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Speaker 1: a bunch of guest stars.

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Speaker 3: And cast It's not ever about them, though. You just

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Speaker 3: are mad that you never get to go anywhere. She

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Speaker 3: was locked in a warehouse, locked in for ten years.

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Speaker 3: I didn't leave you there, you did you? I was

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Speaker 3: right by your side for ten years.

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Speaker 4: Not for this episode. Yeah, you left me at one point.

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Speaker 2: I went to Hawaii, but we're not there yet.

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Speaker 1: Immediately, were you like there in my Mexico? You mean

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Speaker 1: my spirit, like basically just everything your life? Because I

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Speaker 1: immediately was like, yeah.

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Speaker 4: That's how I knew that obviously went.

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Speaker 1: But it was not a backlot pretending to be Paris.

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Speaker 1: Immediately I was like, oh wow, he's the.

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Speaker 3: Airport in I forgot to go to Paris.

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Speaker 4: And you know what, who else got to go?

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Speaker 3: Who?

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Speaker 2: Paul Wagner got to go? And Nanette Moore because I

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Speaker 2: saw them in the shot at the airport.

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Speaker 1: And wait, who is that?

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Speaker 2: Paul Wagner was our producer who never left his office

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Speaker 2: ever until to go to Mexico with Luke and also

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Speaker 2: my makeup artist who I guess they put picked to go.

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Speaker 2: She did Luke too, so yeah, and they had a

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Speaker 2: Louis went.

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Speaker 4: Did you notice Louis was in Mexico?

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Speaker 1: Wait? Did they all have cameos? Because we wouldn't know

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Speaker 1: who that was?

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Speaker 4: M Louis Nova. He was Parco.

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Speaker 2: Yeah, he welcomed them to the to the to the hotel.

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Speaker 2: No worked with us for years and years and years,

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Speaker 2: and he was one of our stand.

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Speaker 3: Ins, right and an eating dancer.

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Speaker 2: And a dancer, and I had a great actor. I

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Speaker 2: believed that this guy was named Marco. From wherever they

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Speaker 2: were see mm hmm, I felt like they were checking

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Speaker 2: into like.

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Speaker 3: Yeah, where was it? Like what's that Brava?

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Speaker 4: But what's that.

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Speaker 2: Hotel where the weird music and weird think Mike White show?

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Speaker 4: What's it called?

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Speaker 2: Oh Loadush whitead. I thought they were checking into that

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Speaker 2: hotel when Louie was like, welcome.

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Speaker 1: That was a nicer hotel than the pile that Jonesy

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Speaker 1: was in.

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Speaker 3: At first, Yes, that was rot.

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Speaker 1: You guys didn't love this.

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Speaker 2: I liked the scene with Jonesy when he was sleeping

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Speaker 2: in that. I really liked it, Like I liked watching it,

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Speaker 2: but I was like, wait, which show is this is

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Speaker 2: a small show?

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Speaker 1: Yes, yes it was not yea non a tonoi, but.

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Speaker 2: It was cool to watch. I mean, wings Houser was

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Speaker 2: great in this episode. I thought I didn't love that

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Speaker 2: angle on him in that scene, but it was like

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Speaker 2: kind of like another little up the butt shots. I'm

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Speaker 2: not really sure about that.

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Speaker 1: And then he was just so sort of like nakedy,

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Speaker 1: kind of like not naked, but like there was a

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Speaker 1: lot of like skin when he got up, and I

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Speaker 1: just was like, oh no.

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Speaker 2: Waiting for something to come out that you didn't want

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Speaker 2: to see.

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Speaker 1: Nope, I will say that Luke Berry slash Dylan McKay

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Speaker 1: would go from zero to one hundred in this episode

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Speaker 1: like he would be fine, and then he's like.

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Speaker 2: Yeah, he didn't like the Leonardo DiCaprio scream more than once.

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Speaker 2: You know you ever watched Leo in a movie, He

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Speaker 2: has to raise his voice like that at least one

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Speaker 2: time you put your money back? How about Luke went

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Speaker 2: there a few times.

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Speaker 3: Could look at either of them all day long. Any

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Speaker 3: movie show, true.

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Speaker 2: But then with with Jonesy and Dylan yelling at each

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Speaker 2: other all the time, I was like, okay, make it stop.

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Speaker 1: But how about in the very beginning, we're at the

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Speaker 1: airport and we see Dylan sort of looking at the

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Speaker 1: lady with one red.

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Speaker 2: Shoe as he can always spot a hot babe.

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Speaker 1: And if you're like, what is that where he is

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Speaker 1: one red shoe, then of course she's back. You know,

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Speaker 1: she becomes pivotal because she was supposed to be the

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Speaker 1: you know.

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Speaker 2: I loved that part, like that like storytelling without storytelling,

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Speaker 2: like just with the shoe reference.

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Speaker 4: I guess that was really cool.

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Speaker 3: That was good because you did.

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Speaker 2: She does never come back for her shoe, No, she

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Speaker 2: was just gone running to get away from him.

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Speaker 1: But we needed some reason to have to get Valerie there, right,

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Speaker 1: So it was because the woman with one red shoe

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Speaker 1: was mad at Jonesy and she was not going to

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Speaker 1: be a part of this shenanigans.

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Speaker 4: I mean it's bad like this, Yeah, it was bad enough.

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Speaker 2: The way Dylan talked to Valerie, you know, back in

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Speaker 2: Beverly Hills, like he treats her like crap and she

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Speaker 2: loves mind.

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Speaker 1: Yeah, but she's kind of weird to him. Like I

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Speaker 1: also get look, he should not be so sort of

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Speaker 1: how he is, but he's frustrated and it's like, you

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Speaker 1: know he's trying, and then you know she's so playing

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Speaker 1: him too and off with Steve and this and that

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Speaker 1: and always sort of using things against him.

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Speaker 3: I'm just say she's not innocent in it. So it's like

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Speaker 3: if both parties are kind of on board to treat

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Speaker 3: each other that way and take it, then you gotta

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Speaker 3: let him be. Are they together now?

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Speaker 1: For no?

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Speaker 2: No? So because he got out of rehab and he

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Speaker 2: was like, no, thank you?

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Speaker 3: I know, right, don't they? They like go back and

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Speaker 3: forth off and on for a long time.

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Speaker 1: First of all, he shouldn't be dating anyway fresh out

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Speaker 1: of rehab. That's like rules.

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Speaker 2: They're just like friends with benefits, or maybe like not

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Speaker 2: even friends, they're just benefits.

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Speaker 3: I mean, they'll both say they're not attached. They're both

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Speaker 3: semi attached to each other, but I don't.

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Speaker 2: Think Dylan's attached to her at all. Maybe after this,

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Speaker 2: maybe after she put herself on the line.

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Speaker 1: For him, right right, How's he feelings for her. How

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Speaker 1: cute was he in that beginning? And that linen blazer.

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Speaker 1: He's got that sort of linen shirt and the linen blazer,

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Speaker 1: and then he's got his Duffel. He's liked weird Duffel

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Speaker 1: when he was the oh when he's getting ready to

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Speaker 1: get off guy or the chauffeur. No, but he's getting

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Speaker 1: ready to go. And then he's on the horse with

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Speaker 1: that same linen shirt unbuttoned, because.

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Speaker 2: He always ride a horse with your shirt up button

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Speaker 2: in Mexico, first one does.

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Speaker 1: I did think it was a funny line though, when

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Speaker 1: he says he's being very mean to Valerie, but he says,

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Speaker 1: how many people are on this big re ro oute

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Speaker 1: this morning? And she's like, I brought you a muffin?

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Speaker 1: She really just barges in. Though she so barges in

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Speaker 1: and plops herself down. It's like, I don't know.

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Speaker 3: I like you guys know, I like it when the

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Speaker 3: two of them are together. I just do big fan

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Speaker 3: of those two together.

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Speaker 4: Well then you should have liked this episode.

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Speaker 3: Well, I like them together. I like watching him, I

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Speaker 3: like watching her with him. I did not like the story.

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Speaker 3: It's just you know, it's not you don't like it.

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Speaker 2: Is Jim Walsh really doesn't like Valerie.

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Speaker 1: Oh my gosh, that was aggressive.

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Speaker 3: Yeah, you're right, you know what, It's way more than

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Speaker 3: what meets the eye, Like deep down he he just

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Speaker 3: really because he's not like that to anyone, Like he

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Speaker 3: really doesn't like her.

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Speaker 1: No, she has no shame.

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Speaker 4: I don't know.

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Speaker 2: They never never explained why I like her.

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Speaker 3: I feel like, oh, can we make up some sick

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Speaker 3: thing right now?

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Speaker 1: You probably could in your mind, of course I could.

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Speaker 3: I keep it in there in my mind. Yeah, you know,

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Speaker 3: I can't. I feel like at some point there was

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Speaker 3: some interaction between Jim Walsh and Valerie Malone and something happened.

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Speaker 3: They inappropriately blurted with her. At some point.

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Speaker 1: You looked cool in that black outfit, right, Kenny Kelly?

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Speaker 1: What you looked cool? You all looked cool, but you

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Speaker 1: particularly looked cool in that black and it was almost

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Speaker 1: like you had like the black blazer over. That was

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Speaker 1: a good look, even though it was just a very

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Speaker 1: short scene. We never got to see anymore where y'all went.

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Speaker 3: But was something cut Yeah?

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Speaker 2: Was Ray Prue in this episode? And a song got

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Speaker 2: cut out?

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Speaker 4: Again?

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Speaker 3: I didn't see him can we ask someone about this?

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Speaker 1: Yeah, they say we're all a bunch of fools for

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Speaker 1: not watching it on the DVD or the original version

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Speaker 1: with the music.

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Speaker 3: Like, how is that part?

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Speaker 1: Well, I read it has spoken, I read it in

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Speaker 1: the comments.

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Speaker 3: What did the comments say?

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Speaker 1: Do tell y'all are a bunch of fools for not

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Speaker 1: watching it with the original music.

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Speaker 3: And then literally said, y'all are a bunch of fools?

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Speaker 2: Well, I think hya apostrophe LLL y'all paraphras?

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Speaker 3: Is that what it said? Asking for a friend? I

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Speaker 3: want to know for Jen.

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Speaker 1: I got sidetracked because they were definitely saying that. And

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Speaker 1: then they said I dressed like a sixties secretary, which

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Speaker 1: I thought was yeah, I know, I feel like I

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Speaker 1: dressed like somebody that's wearing their pajamas to work. I

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Speaker 1: don't know what that means.

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Speaker 3: Thank you.

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Speaker 2: You can only see like from here up?

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Speaker 4: How do they know what you're wearing?

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Speaker 1: That's why I try to be a little bit more

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Speaker 1: sassy today.

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Speaker 3: Do There's like, how many comments do you think we

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Speaker 3: get a week? Approximately? Hundreds hundreds. She always will reference

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Speaker 3: one negative thing about herself.

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Speaker 4: She's a newbie, that's why.

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Speaker 1: Yeah, but yes, they definitely say. They definitely say, we're

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Speaker 1: not doing ourselves a favor. And then then there's a

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Speaker 1: whole conversation like, well, how do I watch it with

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Speaker 1: the music? And then you know, because some people don't

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Speaker 1: have the DVDs, so it's a problem.

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Speaker 4: I have the DVDs.

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Speaker 2: I just don't know how to make them work because

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Speaker 2: you don't have the place.

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Speaker 1: I can't find it.

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Speaker 3: I can't find mine either. You guys were so generous

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Speaker 3: and goddess players, and there m I as come back.

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Speaker 1: To this episode. Sorry, okay, okay, but there's so much

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Speaker 1: to talk about with Kelly. But I feel like we're

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Speaker 1: not done with Dylan, like play that through.

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Speaker 2: Well, we all agree that he looks the horse so.

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Speaker 1: Amazing, and then there's just there's the antics, right we

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Speaker 1: have then yeah and Carl.

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Speaker 2: Wait, their names are Cabinache, Cabinash, Cabinache.

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Speaker 3: You're gone anch Cabinache. Can I watch?

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Speaker 1: The whole thing is just crazy, right, Like they're living

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Speaker 1: nice on the beach there in that house with all

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Speaker 1: their servants.

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Speaker 2: And their right anny's and the whole Erica though she

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Speaker 2: doesn't have any parents anymore.

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Speaker 1: But she does that is her mom, So technically all

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Speaker 1: I could think about is like, if he takes her,

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Speaker 1: he's kidnapping.

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Speaker 4: Yeah, totally kidnapping.

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Speaker 1: But I guess now that she's arrested, the mom's arrested.

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Speaker 1: I don't know. The whole thing is so like unhinged,

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Speaker 1: a little bit like, I'm not sure that's really how

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Speaker 1: you solve a crime.

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Speaker 3: Really, why are we solving crimes on nine or two?

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Speaker 3: And o oh good millions?

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Speaker 4: Millions? Yes?

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Speaker 1: And I love when he calls Valerie and he's like,

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Speaker 1: I really need you, okay, and then she's like I

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Speaker 1: didn't want to Ken and Hilly and then.

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Speaker 2: She shows up and gets off the airplane and goes

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Speaker 2: directly into character. It's like did he explain to her

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Speaker 2: the game plan or was this new information? And she

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Speaker 2: just was so good at it that she was like

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Speaker 2: Jonesy then starts kissing him.

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Speaker 3: It's just role play, like she loves it so iconic.

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Speaker 1: Can I make one important note?

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Speaker 3: Of course?

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Speaker 1: Before that, did you guys notice who Valerie said she

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Speaker 1: was on the phone with. No When she bails the

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Speaker 1: Jim and Cindy honoree, Jim's being honored and she's.

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Speaker 2: Like her old Tricksy or what's her name?

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Speaker 1: Ginger lo Monica. I'm on my friend with Ginger, on

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Speaker 1: the phone with my friend Ginger and she's in a

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Speaker 1: bad way. Wait is that Elisa Donovan. It's like our

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Speaker 1: pal who we love play. Oh god, Monica. So I

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Speaker 1: was happy that. You know, there might have been one

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Speaker 1: previous mention, but we definitely got a.

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Speaker 3: Strong horn name which writer wrote that it was what

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Speaker 3: I thought it.

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Speaker 1: When they're on the horse, and of course Jonesy's like,

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Speaker 1: let me get my binoculars so I can see up

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Speaker 1: in the you know, mansion.

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Speaker 2: They were very far away. I was a little concerned

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Speaker 2: they were going to be made.

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Speaker 4: You know, we've been made, they.

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Speaker 2: Is, We're like beed olden days made.

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Speaker 1: I've been made. Really, in all my ci A fantasies,

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Speaker 1: I don't want to be made because then you just

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Speaker 1: ruined your chances of catching them. About that, he was

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Speaker 1: so obvious when he was getting the glass, the mystery

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Speaker 1: sea glass that I loved. Also like a plot point, Jenny,

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Speaker 1: like the shoe, there's the glass. And then did you

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Speaker 1: see Valerie wink at her?

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Speaker 3: She's that good.

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Speaker 4: Yeah, she's a good winker. That's talent. That's it.

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Speaker 2: Are you a good winker?

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Speaker 4: Me?

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00:17:02,680 --> 00:17:05,040
Speaker 3: I've had botox for so many years. I can't you

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Speaker 3: think I can wink? Still, I'm trying right now. Do

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Speaker 3: you see me winking?

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Speaker 2: No?

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Speaker 3: Wait, let me try harder. No, is my face moving?

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Speaker 4: Can you close your eyes at all?

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Speaker 3: This is just me? This is of course I can

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Speaker 3: wink you guys, I'm making a joke. Everyone's gonna be

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Speaker 3: like you've had so much bowtox. Nope, let's see.

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Speaker 1: I want to see you guys do your wink.

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Speaker 3: Actor Jenny, you know I've never been a good winker.

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Speaker 3: Though she is.

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Speaker 4: I can't see you. But what.

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Speaker 3: Wait wait, put part of our clip because otherwise they

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Speaker 3: don't get to see this. Jenny, you can, Jenny can

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Speaker 3: do both eyes on mystery girls? What would we do?

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Speaker 3: Would you? Would we wink at each other?

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Speaker 1: Jenny? Let's see can you do it?

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Speaker 3: We'd be oh wait, good.

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Speaker 4: Wink both uys? Nice? Hey you're good?

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00:17:53,600 --> 00:17:53,879
Speaker 3: Wait?

356
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Speaker 1: Can you can you do the knowing wink? Like Valerie?

357
00:17:59,400 --> 00:18:03,960
Speaker 1: Like I like I need some acting in this action.

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Speaker 4: I can't do it. I can't like getting paid enough

359
00:18:07,680 --> 00:18:08,000
Speaker 4: to do that.

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Speaker 1: Oh god, I love everything about this episode. It's so ridiculous.

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Speaker 1: Also because Kevin slash Carl is just gonna First of all,

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Speaker 1: it was sort of the beginning of the Internet, Like

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Speaker 1: he's like the way to hide your money. I thought

364
00:18:24,480 --> 00:18:28,600
Speaker 1: he was gonna say cryptocurrency for a second, and then

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00:18:28,640 --> 00:18:30,879
Speaker 1: he just shows her his account, like let me just

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Speaker 1: pull up my account and like show it to you.

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Speaker 1: He is the worst criminal on the plan.

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Speaker 3: That's like a fake one, right, Like you got.

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Speaker 1: The money because that fool pulled his account up just

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Speaker 1: because she was a pretty girl.

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Speaker 2: Oh how gross was it the way Carl cabin Nature

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Speaker 2: was looking at Valerie. It was like disgusting and Susan

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Speaker 2: Kitty was not having it.

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Speaker 4: He didn't like it. Those gross. He is gross, you guys,

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00:19:05,080 --> 00:19:06,080
Speaker 4: I can gross.

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00:19:06,119 --> 00:19:07,480
Speaker 3: He's been gross from the beginning.

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00:19:07,560 --> 00:19:09,639
Speaker 4: I feel it's like about all time. Does he is

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Speaker 4: a set for him?

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Speaker 3: We never seen them amy he has been coming back.

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00:19:16,160 --> 00:19:18,760
Speaker 1: No, I think that I think they're kind of I

381
00:19:18,760 --> 00:19:19,720
Speaker 1: don't mind Kitty.

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Speaker 5: I liked that Kitty is the worst because she's the

383
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Speaker 5: mother and she's dragged her daughter into this crime spree

384
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Speaker 5: thereon Awful.

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00:19:31,560 --> 00:19:32,760
Speaker 2: It's awful.

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Speaker 1: I gotta say, I I do love me some Wingshouser though,

387
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Speaker 1: because he's so like just his first of all, he's

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00:19:40,040 --> 00:19:42,760
Speaker 1: so sort of sweaty and drunk, but then he gets

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Speaker 1: his like self together and I love He's like, sweetie pie,

390
00:19:47,280 --> 00:19:49,800
Speaker 1: this is major league bad. I'm gonna give her a

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Speaker 1: test really like all the lingo.

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Speaker 3: If this is a feature film, like that role would

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Speaker 3: have been cast with Bruce Willis.

394
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Speaker 2: It was, Yeah, he's so good though, like he's all

395
00:20:03,119 --> 00:20:03,720
Speaker 2: over the place.

396
00:20:03,720 --> 00:20:08,479
Speaker 1: Though it's so crazy. He's Colhauser's dad, like Yellowstones Cole Hauser.

397
00:20:08,640 --> 00:20:08,880
Speaker 3: Though.

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00:20:09,240 --> 00:20:11,400
Speaker 1: It was like all over TikTok for just being hot.

399
00:20:12,520 --> 00:20:15,320
Speaker 1: So I have another question. Did you guys notice when

400
00:20:15,320 --> 00:20:16,879
Speaker 1: they're going into the hotel and there's sort of a

401
00:20:17,000 --> 00:20:21,520
Speaker 1: ginormous chessboard outside by the ocean. Did you see the

402
00:20:21,560 --> 00:20:26,400
Speaker 1: frozen shirtless background actor And that was just like so frozen.

403
00:20:26,840 --> 00:20:27,960
Speaker 4: Was he on the chessboard?

404
00:20:28,680 --> 00:20:31,440
Speaker 1: Yep, he was on the edge of the chessboard shirtless.

405
00:20:31,680 --> 00:20:33,359
Speaker 1: It looked like he was pantiless, but I think it

406
00:20:33,400 --> 00:20:35,480
Speaker 1: was shorts. But he was sitting and he was He

407
00:20:35,600 --> 00:20:38,920
Speaker 1: just didn't move, and it was like, oh, yeah, what's happening.

408
00:20:40,000 --> 00:20:41,440
Speaker 4: It would have been really funny if he was.

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00:20:41,600 --> 00:20:42,960
Speaker 1: What resort was that.

410
00:20:47,160 --> 00:20:51,320
Speaker 3: It was not that that would make me more mad

411
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Speaker 3: that we want.

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Speaker 2: What about when he goes Yeah, what about when he

413
00:20:54,640 --> 00:20:59,720
Speaker 2: goes to into the town and he goes he finds.

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Speaker 4: Erica immediately I know, I mean, come in the town.

415
00:21:02,640 --> 00:21:04,960
Speaker 2: Like he knows exactly where she is and he goes

416
00:21:04,960 --> 00:21:07,960
Speaker 2: straight to her. Then he hides so terribly behind the

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00:21:08,000 --> 00:21:10,960
Speaker 2: corner behind and he's like, don't look at me, just

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00:21:11,000 --> 00:21:15,680
Speaker 2: look straight ahead. Meanwhile he's poking his little we font

419
00:21:15,720 --> 00:21:17,200
Speaker 2: hairdoo out to talk to her.

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Speaker 3: Would you want to do behind a plant?

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00:21:20,560 --> 00:21:22,080
Speaker 4: Yeah, a little bit.

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00:21:24,200 --> 00:21:26,000
Speaker 1: It was the one and only Polemia.

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00:21:27,200 --> 00:21:35,280
Speaker 4: Oh, shut your face, shut your really, you guys, why

424
00:21:35,480 --> 00:21:36,120
Speaker 4: he went to the.

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00:21:36,119 --> 00:21:38,160
Speaker 1: Nicest resort in all of Mexican?

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Speaker 3: What are you talking about right now? This is infuriating,

427
00:21:41,359 --> 00:21:42,520
Speaker 3: Like you don't understand.

428
00:21:43,200 --> 00:21:45,680
Speaker 1: It says this is a caper, but then it says

429
00:21:45,680 --> 00:21:49,040
Speaker 1: it was filmed at the one and Only Palma.

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00:21:48,800 --> 00:21:52,199
Speaker 2: Which is, oh my god, and my favorite hotel in

431
00:21:52,280 --> 00:21:53,280
Speaker 2: Mexico in Cabo.

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00:21:53,920 --> 00:21:56,199
Speaker 1: Yeah it's in San Jose del Cabo.

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00:21:57,560 --> 00:21:57,840
Speaker 2: Wow.

434
00:21:58,040 --> 00:22:00,199
Speaker 1: Wow Wow, or.

435
00:22:00,200 --> 00:22:00,760
Speaker 3: Even been there?

436
00:22:00,800 --> 00:22:03,680
Speaker 1: I mean, how did Luke Perry get that?

437
00:22:04,560 --> 00:22:07,600
Speaker 3: Because he's because Perry, Hello Perry.

438
00:22:08,600 --> 00:22:14,520
Speaker 1: How about the good spillage when Jonesy spills all over

439
00:22:15,440 --> 00:22:18,600
Speaker 1: Kitty good good spill acting.

440
00:22:18,680 --> 00:22:20,720
Speaker 2: Very good acting, very good acting.

441
00:22:21,600 --> 00:22:24,880
Speaker 1: A lot of extreme close ups in this sorry glurry too.

442
00:22:25,040 --> 00:22:28,399
Speaker 2: Did you notice where the folks I don't think they

443
00:22:28,400 --> 00:22:32,520
Speaker 2: took the focused guy to Mexico with them because nobody

444
00:22:32,560 --> 00:22:34,639
Speaker 2: was pulling Louis.

445
00:22:34,720 --> 00:22:37,760
Speaker 3: The stand in went and played Marco, but the focused

446
00:22:37,800 --> 00:22:40,280
Speaker 3: guy didn't know. You didn't go, wait, who is the

447
00:22:40,359 --> 00:22:41,040
Speaker 3: focused guy was?

448
00:22:41,200 --> 00:22:44,160
Speaker 4: Oh god, oh please remember.

449
00:22:45,480 --> 00:22:45,840
Speaker 2: I don't know.

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00:22:45,880 --> 00:22:47,440
Speaker 1: There was an actual focus job.

451
00:22:47,840 --> 00:22:49,520
Speaker 3: Wait, Jen, Jen, wait, what do you look like?

452
00:22:49,560 --> 00:22:51,280
Speaker 4: Can you just one was blonde and looked like a

453
00:22:51,280 --> 00:22:52,240
Speaker 4: surfer dude.

454
00:22:52,040 --> 00:22:54,760
Speaker 3: Okay, and he got a little Do you remember someone

455
00:22:54,840 --> 00:22:55,360
Speaker 3: dated him?

456
00:22:55,520 --> 00:22:58,080
Speaker 4: Yes, one of the Cat's members.

457
00:22:58,119 --> 00:23:02,720
Speaker 2: And yeah there was the other guy who was really nice,

458
00:23:02,800 --> 00:23:11,440
Speaker 2: had a wife and a kid, Jim we remember, yeah, right, Yeah,

459
00:23:11,520 --> 00:23:14,160
Speaker 2: he would get a little saucy if it was late though.

460
00:23:14,280 --> 00:23:15,399
Speaker 4: Yeah, he got a busy.

461
00:23:16,119 --> 00:23:18,160
Speaker 2: This was back in the day when when they were

462
00:23:18,280 --> 00:23:22,199
Speaker 2: usually like a real film camera and shooting like you know,

463
00:23:22,520 --> 00:23:25,200
Speaker 2: on those big They had to have a guy that

464
00:23:25,240 --> 00:23:27,359
Speaker 2: would come in and switch the giant rolls of film

465
00:23:27,480 --> 00:23:29,480
Speaker 2: like everybody had a different job. And we're talking about

466
00:23:29,480 --> 00:23:32,160
Speaker 2: the focus car who would sit right next to the

467
00:23:32,520 --> 00:23:35,480
Speaker 2: he would measure with this little measuring thing. He come

468
00:23:35,520 --> 00:23:37,680
Speaker 2: over and put the little measuring thing right to your eye,

469
00:23:38,320 --> 00:23:40,320
Speaker 2: right like wherever he needed to do it, and then

470
00:23:40,400 --> 00:23:42,919
Speaker 2: he would remember those measurements and write him down on

471
00:23:42,920 --> 00:23:44,960
Speaker 2: his little thing, and then he would have to pull

472
00:23:45,040 --> 00:23:47,959
Speaker 2: focus wherever the shot went, and he would do it

473
00:23:48,000 --> 00:23:50,359
Speaker 2: from like right next to the lens, so he was

474
00:23:50,440 --> 00:23:53,640
Speaker 2: always his face was always right next to the lens.

475
00:23:54,000 --> 00:23:56,160
Speaker 1: WHOA, I didn't even know this was a job.

476
00:23:57,440 --> 00:24:00,920
Speaker 3: It was intense. You see what happened. If it doesn't work,

477
00:24:00,960 --> 00:24:01,760
Speaker 3: it's like crucial.

478
00:24:02,240 --> 00:24:04,480
Speaker 2: Yeah, wow, but he was pretty good. If this isn't

479
00:24:04,600 --> 00:24:10,400
Speaker 2: only gup, then he's pretty good. But yeah, you got

480
00:24:10,440 --> 00:24:13,280
Speaker 2: really close with those guys because they were always with you.

481
00:24:14,480 --> 00:24:17,240
Speaker 3: Yeah, came you were off camera, like you had to

482
00:24:17,240 --> 00:24:19,600
Speaker 3: be right off camera. You were right next to them.

483
00:24:19,880 --> 00:24:21,840
Speaker 2: Basically, yeah, sitting on top of them.

484
00:24:22,240 --> 00:24:24,280
Speaker 1: Does anyone want to know the cringiest line in the

485
00:24:24,320 --> 00:24:25,879
Speaker 1: whole episode?

486
00:24:26,119 --> 00:24:26,359
Speaker 3: Yes?

487
00:24:26,480 --> 00:24:32,639
Speaker 1: Yes, I bet you guys know, come on, just hold me.

488
00:24:33,080 --> 00:24:34,920
Speaker 4: No, I was just gonna say that, Amy.

489
00:24:35,119 --> 00:24:37,879
Speaker 2: I was going to say, just hold me, because I

490
00:24:37,920 --> 00:24:40,639
Speaker 2: have herritten down here, just hold me. And then she

491
00:24:40,800 --> 00:24:46,320
Speaker 2: falls into the most awkward hold me position ever done, Like.

492
00:24:46,520 --> 00:24:49,280
Speaker 3: Wait, that was the most cringey, it wasn't she She

493
00:24:49,359 --> 00:24:52,320
Speaker 3: could lie like a rug and tease like a sleeze.

494
00:24:54,080 --> 00:24:56,320
Speaker 2: Yeah, she's got a point there, damn.

495
00:24:57,600 --> 00:24:59,640
Speaker 3: Oh whatever you guys think.

496
00:24:59,680 --> 00:25:01,679
Speaker 2: So the whole.

497
00:25:01,400 --> 00:25:05,480
Speaker 1: Thing was just like bananas, Like first of all, how

498
00:25:05,560 --> 00:25:08,840
Speaker 1: was he tapping into the other computer? Number one? Crazy?

499
00:25:09,240 --> 00:25:11,840
Speaker 1: Number two? He's like it's like Pong and pac Man,

500
00:25:12,359 --> 00:25:13,520
Speaker 1: Like I just got this.

501
00:25:13,920 --> 00:25:14,720
Speaker 4: And it's like.

502
00:25:17,520 --> 00:25:20,080
Speaker 1: It's like the evening doesn't the FBI account?

503
00:25:20,160 --> 00:25:22,240
Speaker 4: Like what cheap?

504
00:25:22,400 --> 00:25:26,440
Speaker 2: He bashes through the window, what guys? What?

505
00:25:27,119 --> 00:25:31,320
Speaker 1: Of course? Great dollars the best. It was so like

506
00:25:32,200 --> 00:25:34,480
Speaker 1: I didn't know what I was watching, Like six million

507
00:25:34,520 --> 00:25:36,560
Speaker 1: dollar man writer, I don't know.

508
00:25:36,640 --> 00:25:38,760
Speaker 2: That was like a big setup too, Like they had

509
00:25:38,800 --> 00:25:42,480
Speaker 2: to replace the real glass with the shattered glass, and

510
00:25:42,600 --> 00:25:45,520
Speaker 2: the hotel had to approve, you know, Paul me I

511
00:25:45,520 --> 00:25:46,840
Speaker 2: had to let him do that.

512
00:25:47,160 --> 00:25:49,680
Speaker 3: On the sword fights, why Paul Wagner had to be there,

513
00:25:49,760 --> 00:25:53,280
Speaker 3: you know, the guys were so pumped to do that.

514
00:25:53,520 --> 00:25:56,920
Speaker 4: Like this is a big A lot of fun for that, a.

515
00:25:56,880 --> 00:25:59,040
Speaker 3: Lot of testosterone.

516
00:25:59,240 --> 00:26:01,400
Speaker 1: Yeah, it was a movie like I was like, this

517
00:26:01,440 --> 00:26:05,000
Speaker 1: is I'm just watching die Hard? Like and then the

518
00:26:05,119 --> 00:26:07,760
Speaker 1: sword fight and suddenly Karl.

519
00:26:07,560 --> 00:26:10,320
Speaker 2: Walks in like they walk in because they know Dylan's there,

520
00:26:10,359 --> 00:26:13,840
Speaker 2: so they come with he come, Carl Itchy back or

521
00:26:13,880 --> 00:26:16,679
Speaker 2: whatever his name is, comes in with a gun and

522
00:26:16,720 --> 00:26:19,840
Speaker 2: he's like not a first like Jim pointing at everybody.

523
00:26:19,960 --> 00:26:23,320
Speaker 4: You'd like, it's so casual with a handgun in it.

524
00:26:23,400 --> 00:26:25,399
Speaker 1: Oh, and they just sent Erica to her room. Just

525
00:26:25,800 --> 00:26:28,000
Speaker 1: the child should just go to their room to avoid

526
00:26:28,040 --> 00:26:28,560
Speaker 1: the guns.

527
00:26:28,600 --> 00:26:31,960
Speaker 3: Sit in the naughty corner. Well, we take care of business.

528
00:26:32,840 --> 00:26:36,000
Speaker 1: It was so crazy and Valerie looked like she got

529
00:26:36,040 --> 00:26:39,199
Speaker 1: bopped in the eye. Was I to see that? It

530
00:26:39,240 --> 00:26:41,840
Speaker 1: looked like the hat her in the car and then

531
00:26:41,880 --> 00:26:44,440
Speaker 1: he cracked her one the gun comes out.

532
00:26:44,480 --> 00:26:45,240
Speaker 3: I want to see that.

533
00:26:46,359 --> 00:26:48,399
Speaker 1: And then she's like, I'm sorry. It was just the

534
00:26:48,440 --> 00:26:52,000
Speaker 1: whole thing was so crazy. I loved it. It's just

535
00:26:52,119 --> 00:26:53,119
Speaker 1: totally bananas.

536
00:26:53,560 --> 00:26:54,919
Speaker 3: It would have been cool if it was like me

537
00:26:54,960 --> 00:26:56,159
Speaker 3: and Jen doing this whole.

538
00:26:56,080 --> 00:26:57,800
Speaker 4: Thing, we would have liked it more.

539
00:26:58,119 --> 00:27:01,919
Speaker 3: Been fun. Smash through windows.

540
00:27:01,680 --> 00:27:02,520
Speaker 4: Oh, real good.

541
00:27:03,800 --> 00:27:06,520
Speaker 1: And just God bless Jonesy for coming back.

542
00:27:07,280 --> 00:27:08,000
Speaker 2: Yeah.

543
00:27:08,080 --> 00:27:10,840
Speaker 1: Oh and it was because they told him Eric Estrada

544
00:27:10,960 --> 00:27:11,600
Speaker 1: was in danger.

545
00:27:12,040 --> 00:27:13,160
Speaker 4: Oh yeah, that was funny.

546
00:27:13,480 --> 00:27:19,040
Speaker 1: Yeah, Like, oh my God, will never leave my last reference.

547
00:27:31,800 --> 00:27:35,120
Speaker 1: Should we switch to the I feel like if.

548
00:27:35,040 --> 00:27:36,000
Speaker 3: You're done yet, are you?

549
00:27:36,560 --> 00:27:38,280
Speaker 2: I feel like we might be done with that story.

550
00:27:38,480 --> 00:27:41,359
Speaker 2: I mean, I honestly enjoyed watching it, but again it

551
00:27:41,400 --> 00:27:42,440
Speaker 2: didn't feel like our show.

552
00:27:42,480 --> 00:27:44,120
Speaker 4: But I could have watched some more of it.

553
00:27:44,160 --> 00:27:45,960
Speaker 1: Probably me too. I was like, this is this.

554
00:27:46,040 --> 00:27:50,240
Speaker 2: Cake Jonesie's pretty engaging and Valerie was fun and she

555
00:27:50,359 --> 00:27:51,120
Speaker 2: looked cute.

556
00:27:51,240 --> 00:27:52,879
Speaker 1: She did look cute.

557
00:27:53,080 --> 00:27:54,800
Speaker 3: This is when nine O, two and O is going

558
00:27:54,880 --> 00:27:56,320
Speaker 3: to kind of become you guys, what.

559
00:27:57,040 --> 00:28:03,600
Speaker 6: Like so much drama capers and like, yeah, weird extreme

560
00:28:03,960 --> 00:28:06,440
Speaker 6: like distortion storyline.

561
00:28:06,600 --> 00:28:09,520
Speaker 3: I love it, like it's gonna happen, like babe, Yeah,

562
00:28:09,720 --> 00:28:10,680
Speaker 3: just wait for it.

563
00:28:11,280 --> 00:28:14,440
Speaker 1: Really quickly before we move on. Two things. The station

564
00:28:14,600 --> 00:28:20,479
Speaker 1: wagon cab driver was the worst driver. That was scary.

565
00:28:20,720 --> 00:28:24,520
Speaker 1: And the lady at the hotel just smoking and just

566
00:28:24,840 --> 00:28:29,159
Speaker 1: letting Dylan into the room, no problem, just go on in.

567
00:28:29,400 --> 00:28:31,520
Speaker 1: Like I was like, this is crazy.

568
00:28:32,400 --> 00:28:34,119
Speaker 4: It's set that, it set the tone.

569
00:28:34,840 --> 00:28:36,400
Speaker 3: Yeah, who directed this?

570
00:28:37,960 --> 00:28:38,720
Speaker 4: James Wentworth?

571
00:28:39,160 --> 00:28:42,040
Speaker 1: Yeah he did a great job.

572
00:28:43,240 --> 00:28:44,720
Speaker 3: He loved him.

573
00:28:44,840 --> 00:28:49,120
Speaker 2: Now to Kelly, to Beverly Hills, back to boring Beverly Hills.

574
00:28:49,120 --> 00:28:49,800
Speaker 1: Oh Kelly.

575
00:28:50,080 --> 00:28:52,479
Speaker 3: I never thought Beverly Hills would be so boring.

576
00:28:53,000 --> 00:28:58,840
Speaker 1: Okay, Kelly, Yeah, things are bad between you and Brandon

577
00:28:58,920 --> 00:28:59,800
Speaker 1: because you're.

578
00:29:02,760 --> 00:29:04,080
Speaker 4: Thing. They have this family.

579
00:29:04,680 --> 00:29:09,600
Speaker 2: Binley be a teacher at the school, so because Kelly

580
00:29:10,120 --> 00:29:14,400
Speaker 2: was in his class, right, right, and then well Brandon

581
00:29:14,600 --> 00:29:16,480
Speaker 2: goes and starts talking to the new dean.

582
00:29:16,960 --> 00:29:17,720
Speaker 4: I don't understand.

583
00:29:17,720 --> 00:29:21,320
Speaker 2: If they had these allegations, these kinds of allegations, why

584
00:29:21,360 --> 00:29:24,000
Speaker 2: would they then let this guy be teaching a course?

585
00:29:24,480 --> 00:29:27,880
Speaker 4: So weird, it made no sense, It made no sense, right.

586
00:29:27,920 --> 00:29:29,880
Speaker 1: The only thing he didn't get was tenure. It's like

587
00:29:29,920 --> 00:29:31,880
Speaker 1: what happy.

588
00:29:31,520 --> 00:29:34,120
Speaker 2: In jail if he would have these kind of allegations,

589
00:29:34,200 --> 00:29:37,960
Speaker 2: like or he would be whatever it is for a teacher,

590
00:29:38,000 --> 00:29:40,240
Speaker 2: but like disbarred for a teacher, whatever that is, takeingure.

591
00:29:40,520 --> 00:29:45,080
Speaker 1: Brandon Walsh has like a weird amount of power. It's

592
00:29:45,080 --> 00:29:51,120
Speaker 1: like very odd. Why is he like campus guy, He's

593
00:29:51,160 --> 00:29:53,080
Speaker 1: just going to the dean and then suddenly the dean's

594
00:29:53,080 --> 00:29:55,240
Speaker 1: going to reconsider, and then he's going to talk to

595
00:29:55,280 --> 00:29:56,840
Speaker 1: the teacher, like what.

596
00:29:57,920 --> 00:30:00,480
Speaker 2: And then the teacher is talking to him. He's the

597
00:30:00,560 --> 00:30:05,120
Speaker 2: student body president. Okay, that's what they do, power you guys,

598
00:30:05,280 --> 00:30:07,680
Speaker 2: That's right, they do.

599
00:30:08,720 --> 00:30:11,479
Speaker 1: It's your hair getting longer. I'm noticing you and Claire.

600
00:30:11,520 --> 00:30:17,520
Speaker 1: Your hair is getting longer. Whose hair yours? And Claire

601
00:30:17,560 --> 00:30:18,080
Speaker 1: going out?

602
00:30:18,920 --> 00:30:20,880
Speaker 4: But I think I cut it again, so don't worry.

603
00:30:21,040 --> 00:30:22,120
Speaker 3: I don't want to talk about this.

604
00:30:23,960 --> 00:30:24,240
Speaker 2: See.

605
00:30:25,560 --> 00:30:28,480
Speaker 3: So this is the point in the program when you're like,

606
00:30:28,520 --> 00:30:30,840
Speaker 3: you don't like my hair short. I loved it short.

607
00:30:31,080 --> 00:30:36,680
Speaker 3: I thought it looked great, and then you should it

608
00:30:36,760 --> 00:30:37,280
Speaker 3: was great.

609
00:30:38,600 --> 00:30:41,280
Speaker 4: You love my hair short? You never love my hair short.

610
00:30:41,400 --> 00:30:44,320
Speaker 3: That's not it. You always think I don't like your

611
00:30:44,320 --> 00:30:44,800
Speaker 3: hair short.

612
00:30:45,200 --> 00:30:48,040
Speaker 1: I said, I don't think it told me it.

613
00:30:48,760 --> 00:30:54,280
Speaker 3: I'm talking about the soccer mom time soon, and I'll

614
00:30:54,280 --> 00:30:56,120
Speaker 3: continue to tell you to your face. I never liked

615
00:30:56,160 --> 00:30:58,840
Speaker 3: that cut. It was the wrong move. But we haven't

616
00:30:58,840 --> 00:30:59,720
Speaker 3: gotten there yet.

617
00:31:00,080 --> 00:31:01,440
Speaker 4: But it ruined my career.

618
00:31:02,840 --> 00:31:04,080
Speaker 3: WHOA, that's extreme.

619
00:31:04,240 --> 00:31:06,480
Speaker 4: WHOA.

620
00:31:07,560 --> 00:31:07,880
Speaker 2: I don't know.

621
00:31:08,200 --> 00:31:09,840
Speaker 3: If anyone could pull it off, it would be you.

622
00:31:10,200 --> 00:31:12,680
Speaker 3: I personally wasn't a fan. And I've told her this

623
00:31:12,760 --> 00:31:13,720
Speaker 3: for thirty years.

624
00:31:14,040 --> 00:31:17,040
Speaker 2: Yeah she has, and it's going out.

625
00:31:17,480 --> 00:31:19,360
Speaker 3: Because it just hurts my soul.

626
00:31:19,560 --> 00:31:22,880
Speaker 2: What about you don't like the way it is now?

627
00:31:23,320 --> 00:31:24,800
Speaker 3: I do on the show.

628
00:31:25,320 --> 00:31:27,120
Speaker 4: Yes, it's like a long bob.

629
00:31:27,760 --> 00:31:28,760
Speaker 1: The long bob is.

630
00:31:28,760 --> 00:31:33,080
Speaker 3: Cool when you have to its wispy it still.

631
00:31:32,920 --> 00:31:35,160
Speaker 4: Looks like a goat. Shoot it a little like a little.

632
00:31:35,560 --> 00:31:39,320
Speaker 3: Like it's not that it's the one that comes next

633
00:31:39,760 --> 00:31:41,920
Speaker 3: that just took you down.

634
00:31:42,600 --> 00:31:44,400
Speaker 2: Okay, well I can't wait to see it.

635
00:31:44,760 --> 00:31:47,000
Speaker 1: I just like you on the floor with your boombox

636
00:31:47,040 --> 00:31:50,840
Speaker 1: sort of meditating to Finley's something or other, and then

637
00:31:51,280 --> 00:31:54,400
Speaker 1: then Brandon is kind of creepily staring. Then you're like,

638
00:31:54,400 --> 00:31:56,320
Speaker 1: why are you staring? And then he sort of says

639
00:31:56,320 --> 00:31:56,840
Speaker 1: something like.

640
00:31:56,800 --> 00:31:59,840
Speaker 3: I always liked you on the floor in weird positions.

641
00:32:00,360 --> 00:32:00,800
Speaker 4: Eh what?

642
00:32:01,840 --> 00:32:05,920
Speaker 3: I was just happy that, like, oh cool, like Brandon Walsh,

643
00:32:05,960 --> 00:32:08,800
Speaker 3: there's more than meets thy. Maybe he is a little kinky,

644
00:32:09,200 --> 00:32:11,240
Speaker 3: great never pegged him for that.

645
00:32:11,560 --> 00:32:15,840
Speaker 2: These two characters have been so not like connecting for

646
00:32:15,880 --> 00:32:20,160
Speaker 2: a while that way physically or emotionally. So, but this

647
00:32:20,240 --> 00:32:22,280
Speaker 2: is how those kind of things happen. I think these

648
00:32:22,360 --> 00:32:27,080
Speaker 2: like mind takeovers. I guess when somebody gets brainwashed, like.

649
00:32:28,240 --> 00:32:30,920
Speaker 1: And you said you even called him an extern.

650
00:32:31,040 --> 00:32:36,000
Speaker 2: A extern, which is like using Finley's language. Yeah, but

651
00:32:36,040 --> 00:32:38,440
Speaker 2: that's what happens when you go to these like courses

652
00:32:38,680 --> 00:32:42,200
Speaker 2: or when you go to these lectures or weekend seminars.

653
00:32:42,320 --> 00:32:45,240
Speaker 4: You I don't know.

654
00:32:45,240 --> 00:32:47,760
Speaker 2: If that's what's happening with Kelly, but it must be

655
00:32:47,760 --> 00:32:50,960
Speaker 2: because you do, you get brainwashed and you leave there

656
00:32:51,120 --> 00:32:57,920
Speaker 2: using their their terminology, and you I buy it that

657
00:32:58,040 --> 00:33:00,160
Speaker 2: she would be listening to totally.

658
00:33:01,200 --> 00:33:07,520
Speaker 3: Even if it's like an inspirational like self help meditation weekend,

659
00:33:07,640 --> 00:33:11,560
Speaker 3: you do start to kind of be like, yes, everything

660
00:33:11,640 --> 00:33:16,000
Speaker 3: they say somehow you respond to and you're like it's

661
00:33:16,040 --> 00:33:21,160
Speaker 3: like they're talking directly to you and everyone feels that way. Yeah,

662
00:33:21,320 --> 00:33:24,040
Speaker 3: and you're like it hits home on some level. They're

663
00:33:24,200 --> 00:33:25,040
Speaker 3: very good at this.

664
00:33:25,280 --> 00:33:28,280
Speaker 1: Well that's why Finley is so creepy. He's super good

665
00:33:28,360 --> 00:33:32,800
Speaker 1: at this creepy creepy, and she's fallen for it.

666
00:33:34,480 --> 00:33:35,520
Speaker 4: I mean, make us think about it.

667
00:33:35,560 --> 00:33:40,120
Speaker 2: She's never had any sort of like personal growth in

668
00:33:40,160 --> 00:33:45,280
Speaker 2: her life, I don't think, other than the growth that

669
00:33:45,320 --> 00:33:48,600
Speaker 2: she's done on her own through you know, the relationships

670
00:33:48,680 --> 00:33:49,320
Speaker 2: that she's had.

671
00:33:49,640 --> 00:33:52,200
Speaker 1: And it's causing a rift between her and Brandon, which

672
00:33:52,240 --> 00:33:54,320
Speaker 1: is exactly what.

673
00:33:54,560 --> 00:33:58,440
Speaker 3: Happens though, like they were getting stale. This can only help.

674
00:33:59,120 --> 00:34:02,840
Speaker 4: Oh, oh, I don't think so. I don't know. I

675
00:34:02,840 --> 00:34:04,840
Speaker 4: think that this is not going to end well.

676
00:34:04,800 --> 00:34:06,240
Speaker 3: Oh, I just remembered.

677
00:34:07,360 --> 00:34:14,040
Speaker 1: Oh, not good, I know, but it's good. And then

678
00:34:14,040 --> 00:34:17,080
Speaker 1: we just had a brief moment with Steve with his

679
00:34:17,680 --> 00:34:20,640
Speaker 1: like easy schedule, and we literally I think we only

680
00:34:20,719 --> 00:34:24,120
Speaker 1: had one scene with Claire and David and the Defender

681
00:34:24,840 --> 00:34:26,840
Speaker 1: because he wants it to be a hip hop club

682
00:34:27,400 --> 00:34:28,200
Speaker 1: and she doesn't.

683
00:34:28,719 --> 00:34:31,600
Speaker 3: I know, I feel bad, you know, you know, visually

684
00:34:31,640 --> 00:34:35,000
Speaker 3: I love watching her, but like their storyline and each

685
00:34:35,040 --> 00:34:37,920
Speaker 3: time I'm like, I just don't care about them running

686
00:34:37,920 --> 00:34:39,920
Speaker 3: the peach bit after dark and who they're booking.

687
00:34:40,320 --> 00:34:42,840
Speaker 1: This was like one of the most expensive episodes ever

688
00:34:43,000 --> 00:34:45,480
Speaker 1: a stunt action movie on location.

689
00:34:46,040 --> 00:34:48,520
Speaker 3: See that's when I start to be like, why put

690
00:34:48,520 --> 00:34:52,520
Speaker 3: the money there? I loved it, Yeah, but then put

691
00:34:52,600 --> 00:34:55,000
Speaker 3: our put more of the regulars and take.

692
00:34:55,000 --> 00:34:57,759
Speaker 1: Luke Perry was like a movie star in this episode.

693
00:34:58,480 --> 00:34:59,879
Speaker 3: He actually was a movie star.

694
00:35:00,520 --> 00:35:00,759
Speaker 4: Yeah.

695
00:35:00,800 --> 00:35:04,520
Speaker 2: I feel like they were really like putting, you know,

696
00:35:04,600 --> 00:35:09,120
Speaker 2: their focus on Luke at the at this current moment

697
00:35:09,280 --> 00:35:12,120
Speaker 2: in time, he was so.

698
00:35:12,040 --> 00:35:14,200
Speaker 1: Full and we haven't had a lot of Luke because

699
00:35:14,200 --> 00:35:17,160
Speaker 1: he was so drunky, unhinged drug addict. So now we're

700
00:35:17,239 --> 00:35:19,440
Speaker 1: kind of like he's all cleaned up and here's the movies,

701
00:35:19,560 --> 00:35:21,960
Speaker 1: Like we're getting him back. So Maybe that's why I

702
00:35:22,000 --> 00:35:23,960
Speaker 1: loved it so much, because it's like I kind of

703
00:35:24,160 --> 00:35:28,719
Speaker 1: been missing I've been missing the good version of him.

704
00:35:28,760 --> 00:35:32,319
Speaker 3: All leading men are broken somehow, then they always make

705
00:35:32,360 --> 00:35:32,960
Speaker 3: a comeback.

706
00:35:33,400 --> 00:35:35,400
Speaker 1: I'm seeing if Luke was working on a movie at

707
00:35:35,400 --> 00:35:36,080
Speaker 1: this time.

708
00:35:35,960 --> 00:35:40,520
Speaker 3: Yeah, he been and dating Madonna? Was this that point?

709
00:35:40,760 --> 00:35:44,320
Speaker 4: Wait? What Luke was dating Madonna?

710
00:35:44,800 --> 00:35:49,400
Speaker 3: I will never forget him pulling me into his dressing

711
00:35:49,480 --> 00:35:54,120
Speaker 3: room and being like telling me and I felt so

712
00:35:54,320 --> 00:35:57,640
Speaker 3: confided in like, oh my god, he's telling me about Madonna.

713
00:35:57,680 --> 00:36:02,040
Speaker 3: And then okay, remember there's like, oh wow, you're string machines,

714
00:36:02,080 --> 00:36:06,160
Speaker 3: you guys. He played me a message from her and

715
00:36:06,200 --> 00:36:09,560
Speaker 3: I was like, you're the coolest person in the whole world.

716
00:36:10,120 --> 00:36:14,359
Speaker 3: One because you're Luke Perry and two because Madonna wants.

717
00:36:14,080 --> 00:36:17,040
Speaker 1: You left you Hello, you're right.

718
00:36:18,800 --> 00:36:19,080
Speaker 3: Wow.

719
00:36:19,120 --> 00:36:22,600
Speaker 1: I did not remember that at all? Which part that

720
00:36:22,680 --> 00:36:24,080
Speaker 1: he dated Madonna a little bit?

721
00:36:24,080 --> 00:36:24,279
Speaker 4: Did?

722
00:36:25,280 --> 00:36:26,600
Speaker 1: He presented her an award?

723
00:36:26,719 --> 00:36:29,080
Speaker 3: And maybe that's so we kept these things from you,

724
00:36:31,480 --> 00:36:34,040
Speaker 3: like something that you would want to hear.

725
00:36:34,239 --> 00:36:38,320
Speaker 1: So oh seems short lived?

726
00:36:38,400 --> 00:36:42,279
Speaker 3: Maybe very I don't think, yeah, dating you know what,

727
00:36:44,960 --> 00:36:47,840
Speaker 3: there was something something going on. Wow.

728
00:37:00,440 --> 00:37:03,600
Speaker 1: So I love this whole episode. I mean I really did.

729
00:37:05,120 --> 00:37:08,840
Speaker 1: I was shocked by it, Like, this is so random,

730
00:37:08,960 --> 00:37:10,160
Speaker 1: but I'm into it.

731
00:37:10,320 --> 00:37:13,360
Speaker 4: What do you give it? What kind of grade school grade?

732
00:37:15,640 --> 00:37:19,040
Speaker 6: Nine point eight we start grading people, would you just

733
00:37:19,080 --> 00:37:20,839
Speaker 6: say nine point eight?

734
00:37:23,360 --> 00:37:25,400
Speaker 1: Maybe like a couple of points of deduction for just

735
00:37:25,440 --> 00:37:31,880
Speaker 1: sort of like ridonculousness, but otherwise, yeah, nine point eight.

736
00:37:33,600 --> 00:37:36,080
Speaker 2: I would have to say, if I detach myself from

737
00:37:36,120 --> 00:37:42,520
Speaker 2: my anger about not being in it, that I would say.

738
00:37:42,680 --> 00:37:43,760
Speaker 4: I would I give it.

739
00:37:43,600 --> 00:37:47,359
Speaker 2: Like a eight and a half nine yeah, because it

740
00:37:47,400 --> 00:37:48,160
Speaker 2: was fun to watch.

741
00:37:48,360 --> 00:37:49,240
Speaker 1: It was fun to watch.

742
00:37:50,080 --> 00:37:51,839
Speaker 2: It wasn't watching nine or two and oh but I

743
00:37:51,880 --> 00:37:52,680
Speaker 2: was watching something.

744
00:37:53,000 --> 00:37:56,040
Speaker 1: Yeah, you're watching like hard to heart, not.

745
00:37:55,920 --> 00:38:00,400
Speaker 3: Really hard hard in that I just want to be

746
00:38:00,440 --> 00:38:02,759
Speaker 3: in that. So, like I want to fast forward the

747
00:38:02,800 --> 00:38:06,320
Speaker 3: scenes in Beverly Hills only because I'm totally into the story.

748
00:38:07,080 --> 00:38:08,960
Speaker 3: But it's just like if you're going to do that,

749
00:38:09,040 --> 00:38:11,400
Speaker 3: and I know we can't do that, but that's like

750
00:38:11,560 --> 00:38:16,480
Speaker 3: it jars me each time you go back and forth. Okay, so,

751
00:38:16,840 --> 00:38:21,839
Speaker 3: just based on the hotness of Dylan slash Luke Luke

752
00:38:21,920 --> 00:38:31,240
Speaker 3: slash Dylan, I'm going to give it an wow.

753
00:38:31,360 --> 00:38:35,160
Speaker 2: Well, I think we all like gave it a respectable

754
00:38:35,160 --> 00:38:41,040
Speaker 2: score only Luke based on look, based on the cinematography

755
00:38:41,080 --> 00:38:44,319
Speaker 2: and the excitement of Mexico, the action seeing you know,

756
00:38:44,480 --> 00:38:45,880
Speaker 2: Paul Mia and everything.

757
00:38:47,040 --> 00:38:49,360
Speaker 1: So he could ride horses and motorcycles.

758
00:38:49,800 --> 00:38:53,600
Speaker 3: Yeah, he could do more than that. Wow, he could

759
00:38:53,600 --> 00:38:56,840
Speaker 3: do everything. And then he could even light his parts

760
00:38:56,880 --> 00:39:01,440
Speaker 3: on fire. Like the guy had talents like I'm talking,

761
00:39:01,680 --> 00:39:06,680
Speaker 3: and he was that guy that no matter what he did,

762
00:39:07,239 --> 00:39:09,279
Speaker 3: nothing was gross about him. Does that make sense?

763
00:39:09,360 --> 00:39:11,680
Speaker 4: That was gross? I'm sorry, but that was gross.

764
00:39:12,360 --> 00:39:13,120
Speaker 3: Hearts on fire.

765
00:39:14,280 --> 00:39:16,520
Speaker 4: It is not only gross, it's very dangerous.

766
00:39:16,840 --> 00:39:18,200
Speaker 1: Oh is that true? I don't know.

767
00:39:19,640 --> 00:39:22,399
Speaker 3: Don't do this at home, but Luke would, and he'd

768
00:39:22,440 --> 00:39:24,640
Speaker 3: make all of us giggle and laugh so hard we'd

769
00:39:24,680 --> 00:39:27,360
Speaker 3: be crying. And he would sit on the dressing on

770
00:39:27,400 --> 00:39:30,479
Speaker 3: your dressing room floor and he would light his fart

771
00:39:30,560 --> 00:39:34,640
Speaker 3: on fire, and I would laugh till the point I

772
00:39:34,680 --> 00:39:36,399
Speaker 3: was crying and peeing my pants. Yeah.

773
00:39:37,239 --> 00:39:39,280
Speaker 1: Oh, oh gosh.

774
00:39:39,400 --> 00:39:42,719
Speaker 3: No one did it like him anything like him?

775
00:39:43,120 --> 00:39:43,960
Speaker 4: Thank you for that much.

776
00:39:45,200 --> 00:39:49,399
Speaker 3: It's okay, Luke Perry.

777
00:39:50,120 --> 00:39:51,840
Speaker 4: He was well rounded, is what you're saying.

778
00:39:52,440 --> 00:39:56,879
Speaker 1: I could maybe watch this episode again, Like I kind

779
00:39:56,880 --> 00:39:58,520
Speaker 1: of think I might just watch it again.

780
00:39:59,440 --> 00:40:01,160
Speaker 3: Really, like in your free time.

781
00:40:01,920 --> 00:40:04,480
Speaker 1: Yeah, do I have? Are you I might?

782
00:40:05,040 --> 00:40:05,640
Speaker 3: What's next?

783
00:40:05,719 --> 00:40:08,680
Speaker 1: Little background when I'm doing some emails or some ironing,

784
00:40:09,000 --> 00:40:12,919
Speaker 1: and just see that shirtless horse shot? Pretty good?

785
00:40:13,320 --> 00:40:16,120
Speaker 3: Yeah, that is so funny. She said. Emails and ironing

786
00:40:16,239 --> 00:40:20,600
Speaker 3: two completely different eximes of you, like business and then just.

787
00:40:24,239 --> 00:40:25,080
Speaker 4: Those are the things.

788
00:40:25,360 --> 00:40:27,200
Speaker 1: I couldn't say vacuum because I wouldn't be able to

789
00:40:27,239 --> 00:40:31,400
Speaker 1: hear it enough. But like ironing. Yeah, Cory, I have

790
00:40:31,480 --> 00:40:34,840
Speaker 1: a little bit of bad news for you. Next week

791
00:40:35,160 --> 00:40:38,200
Speaker 1: your nemesis returns Ariel.

792
00:40:40,640 --> 00:40:43,319
Speaker 3: Why do you have to give me PTSD? Why do

793
00:40:43,360 --> 00:40:44,040
Speaker 3: you have to ride?

794
00:40:44,080 --> 00:40:46,080
Speaker 1: I just wanted you to know. I wanted you to know.

795
00:40:46,200 --> 00:40:48,520
Speaker 3: Being riled up my job.

796
00:40:48,360 --> 00:40:49,719
Speaker 1: To warn you of these things.

797
00:40:49,760 --> 00:40:51,200
Speaker 3: And Jonesy fire within.

798
00:40:51,680 --> 00:40:53,799
Speaker 1: Jones will be back. Jonesy will be back.

799
00:40:54,480 --> 00:40:55,840
Speaker 4: What about the Cavendishes.

800
00:40:55,960 --> 00:40:56,920
Speaker 1: I think they're gone.

801
00:40:57,600 --> 00:41:01,640
Speaker 3: Wait, Ariel's coming back. So now she's gonna up Claire's relationships.

802
00:41:01,640 --> 00:41:03,319
Speaker 3: So now she's gonna say a little.

803
00:41:03,480 --> 00:41:05,280
Speaker 1: You forget who's dating a musician.

804
00:41:06,120 --> 00:41:09,120
Speaker 3: No, she's gonna come and take another one of my men.

805
00:41:09,280 --> 00:41:10,399
Speaker 1: I'm not saying what's gonna happen.

806
00:41:11,680 --> 00:41:13,680
Speaker 4: I'm in shock right now. I think you don't remember

807
00:41:13,880 --> 00:41:14,200
Speaker 4: I don't.

808
00:41:16,200 --> 00:41:17,279
Speaker 1: I'm just saying.

809
00:41:17,440 --> 00:41:21,840
Speaker 3: Because I wasn't in love with Jamie Walters, like, so

810
00:41:22,080 --> 00:41:25,719
Speaker 3: there wasn't like a person whatever. I wasn't in love

811
00:41:25,719 --> 00:41:28,279
Speaker 3: with Brian at this time. But obviously you guys know

812
00:41:28,520 --> 00:41:30,800
Speaker 3: he was one of my first loves, like in real life,

813
00:41:31,400 --> 00:41:35,440
Speaker 3: so like it's a personal thing when it's David and Brian,

814
00:41:35,600 --> 00:41:37,879
Speaker 3: like Jamie and I were just friends. So I guess

815
00:41:37,920 --> 00:41:41,640
Speaker 3: I'm not too like riled up the Ariel is gonna

816
00:41:41,640 --> 00:41:44,680
Speaker 3: swoop in and take another man. Wait, who's she taken next?

817
00:41:44,880 --> 00:41:47,000
Speaker 4: I don't know if she's swooping into our next episode.

818
00:41:47,120 --> 00:41:50,880
Speaker 3: If she's I'm gonna be pissed just saying I.

819
00:41:50,880 --> 00:41:51,880
Speaker 4: Don't even know who that is.

820
00:41:51,920 --> 00:41:53,359
Speaker 3: But okay, I knew you were gonna say I don't

821
00:41:53,360 --> 00:41:54,799
Speaker 3: know who that is, so I was not to tell

822
00:41:54,800 --> 00:41:55,640
Speaker 3: you that's Vince.

823
00:41:56,800 --> 00:41:59,640
Speaker 2: Okay, I'm saying it now our next episode of season five,

824
00:41:59,640 --> 00:42:04,799
Speaker 2: episode nineteen, Little Monsters. That's your homework, everybody,