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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho, I'm Daniel Henderson,

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Speaker 1: and we're doing a film podcast for you today. What's well,

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Speaker 1: if you hear a low hum in the background, my

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Speaker 1: neighbors in the summer decide to mow their lawn pretty

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Speaker 1: much whenever we're recording. I've noticed, because we change our

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Speaker 1: days and everything, and it's whenever we're recording.

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Speaker 2: So if you hear a hum, it's my neighbor's lawnmower.

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Speaker 1: I was just about to apologize for the same thing.

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Speaker 2: How do they time this like this?

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Speaker 1: Well, I think in the summertime, especially around here, it's

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Speaker 1: just like the lawnmowers are going all day every day

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Speaker 1: because everyone needs to get their yard done. And I'm

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Speaker 1: just like, oh my god, so annoying.

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Speaker 2: Have you ever looked at there's one is definitely a

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Speaker 2: compilation video, but there are several separate videos of Kate

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Speaker 2: Blinchett talking about how much she hates leaf flowers.

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Speaker 1: Oh no, I didn't know that about her.

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Speaker 2: Very fucking funny. It is very fucking funny. Look it

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Speaker 2: up right now if you can. She is their biggest enemy.

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Speaker 1: Does she have that thing. What's that like syndrome where

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Speaker 1: you can't stand certain sounds? Oh, I don't know, doesn't

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Speaker 1: she never she never presents it like that. She always

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Speaker 1: presents it like what's the fucking point? Like, just use

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Speaker 1: a rake, just use a broom. It's just a gripe.

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Speaker 1: It's not it's not a disorder. It's a gripe.

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Speaker 2: Okay, speaking of gripes, how are you today?

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Speaker 1: I don't know, dude. I'm feeling like absolute ass.

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Speaker 2: What happened?

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Speaker 1: It's truly from eating, that's all of that. Like it's no,

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Speaker 1: I didn't have a wild night. I didn't drink, I

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Speaker 1: didn't do drugs, I didn't stay out late. I literally

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Speaker 1: just ate dinner and now you're like shit. The next day, came.

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Speaker 2: To the pod in a mood. So, yeah, I'm surprised

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Speaker 2: that it's just dinner. What did you have for dinner?

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Speaker 1: Okay? So, my one of my really good friends, Janine,

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Speaker 1: came to town. She lives in Asheville, North Carolina now,

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Speaker 1: but she's a Georgia girl, just like me. And I

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Speaker 1: find that this is pretty typical of my friends that

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Speaker 1: left when they come back to town. And I did

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Speaker 1: this too when I when I moved out out of Atlanta.

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Speaker 1: When you come home, you're like, I'm trying to get

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Speaker 1: all that Southern food, Like I need all of the

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Speaker 1: greasy meat and three rich decadent Southern food because you

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Speaker 1: just miss it when you're not in the South.

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Speaker 2: Right, So our.

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Speaker 1: Stupid asses decide to go to this like very old

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Speaker 1: school Southern place here in Atlanta. I won't mention it

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Speaker 1: by name.

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Speaker 2: The Colonnade. No Colonnade.

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Speaker 1: No, the Colonade is closed actually just for the day,

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Speaker 1: just for the note not go do not go crazy people.

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Speaker 1: It's just now. I think, like post COVID, they're only

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Speaker 1: open on certain days, which I think is the thing here,

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Speaker 1: like that that seems to have been a thing here.

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Speaker 1: A lot of businesses are like closed on weird like

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Speaker 1: Monday through Wednesday or something. But sort of in the

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Speaker 1: same vein as the colony, just a different a different

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Speaker 1: type of establishment that serves like kind of traditional Southern

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Speaker 1: meet and three, but like you know, the kind of

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Speaker 1: thing where it's like multiple courses and all the courses

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Speaker 1: are insane like and just certain very specific Southern foods

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Speaker 1: like pot liquor. I don't know if is pot lick

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Speaker 1: or a Southern thing. It feels like it is like

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Speaker 1: the it's like the juice from collared greens.

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Speaker 2: Man, wait, soup, you have to go so much slower.

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Speaker 2: What are you talking about? So like that is possibly

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Speaker 2: the most I've ever heard.

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Speaker 1: Yeah, so I think I'm gonna look it up because

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Speaker 1: I don't want to be wrong about this. Yeah, pot liquor.

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Speaker 1: I'm reading from a website pot Liquor, which is spelled

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Speaker 1: pot l I k K e R.

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Speaker 2: By the way, Oh I'm already so sus Yes.

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Speaker 1: It's basically after you boil like collards and beans and stuff,

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Speaker 1: it's just the liquid. It's just like the greens.

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Speaker 2: Juice left, and then you just drink it.

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Speaker 1: It's like a it's a soup essentially. You get used

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Speaker 1: it served as like a soup course and sometimes the

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Speaker 1: greens are in it. Sometimes you crumble a little corn

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Speaker 1: bread on top. But it's delicious.

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Speaker 2: It sounds it sounds like you're making it up on

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Speaker 2: the spot.

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Speaker 1: Yeah, no, no, no, it's it's and I believe it's it's

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Speaker 1: a Southern thing. It's very southern. It's kind of like

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Speaker 1: remember when we talked about divinity. What was that episode

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Speaker 1: where we talked about divinity and I was like that

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Speaker 1: is no very southern.

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Speaker 2: Yeah.

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Speaker 1: And after I said I was like no, no, no,

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Speaker 1: to divinity. I got like three people texting me, like

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Speaker 1: three of my friends that text me like, what's your

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Speaker 1: problem with divinity? And I'm like, it's just sugar, it's

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Speaker 1: just moray. I don't know, it's it's my problem with

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Speaker 1: divinity the dessert or divinity the Lord's plan for me

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Speaker 1: both because both are the same.

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Speaker 2: It's too much.

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Speaker 1: Yeah, but so but so, so we go to this

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Speaker 1: place and it's like so I had pot liquor to start.

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Speaker 1: Then I had god Man Bay like chicken with like

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Speaker 1: the dressing and the the It was basically like eating

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Speaker 1: a Thanksgiving dinner. All the soup FLEs like broccoli soufle,

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Speaker 1: sweet potato soufle, rolls, corn bread. I had peach cobbler

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Speaker 1: for dessert. I mean, it was like insane. And here's

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Speaker 1: the thing. So there was four of us at the table.

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Speaker 1: We all were eating in the same style and then

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Speaker 1: so one by one peeling off the table being like

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Speaker 1: I gotta go to the bathroom and be right. And

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Speaker 1: it started with it started with one of us, Like

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Speaker 1: I'm talking about like the minute the meal ended, one

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Speaker 1: of us was like, I'll be right back. It was

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Speaker 1: gone for quite a while, I'll say. And then she

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Speaker 1: came back and was like, y'all, what happened? And I'm like,

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Speaker 1: are you okay? And she just just like I don't

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Speaker 1: know if I could eat like this anymore? And I'm like,

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Speaker 1: too bad for you, bitch, ha ha, And then what happened?

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Speaker 2: A minute later?

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Speaker 1: I get home and I'm like, I got the bubble

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Speaker 1: guts and I don't know what happened. And then we

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Speaker 1: get you know, basically like we're on the text thread

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Speaker 1: from earlier, and everyone's like, is anybody else on the

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Speaker 1: toilet right now?

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Speaker 2: And we were like.

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Speaker 1: One half like what happened to our bodies?

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Speaker 2: At least you had some company. That's kind of sweet, yeah,

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Speaker 2: because you were gonna be there.

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Speaker 1: Part of me was like, did we get poisoned? But

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Speaker 1: I don't think that that's right. I think it's literally

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Speaker 1: just like four people in their mid to late forties

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Speaker 1: who just literally cannot eat rich southern food anymore.

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Speaker 2: That is truly one of those middle aged rollouts that

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Speaker 2: is so cruel. Yes, where you're just like you when

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Speaker 2: the middle aged rollout is when you're doing something that

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Speaker 2: you've done for actual decades, yeah, and suddenly your body

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Speaker 2: can't hang. And it could be exercise, it could be

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Speaker 2: what you're eating, it could be how you're sleeping, doing

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Speaker 2: it for thirty plus years and all of a sudden,

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Speaker 2: your body's like, we don't do this anymore.

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Speaker 1: Oh man, I'm so depressed by it. I'm sores so

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Speaker 1: like literally all night I'm sitting in bed like with

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Speaker 1: these like bubbly guts, you know, bad sleep. I was

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Speaker 1: supposed to get up and go to the gym this

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Speaker 1: morning at seven am. That shit didn't happen. I was like, yo,

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Speaker 1: I'm out. I got taken out by cornbread dressing and

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Speaker 1: you know, peach cobbler is insane. And I was so

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Speaker 1: depressed because like this is the thing, Like I love

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Speaker 1: Southern food. I think it's very interesting. I think it's delicious.

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Speaker 1: When we were at the place, the place is sort

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Speaker 1: of like where you would go with your granny, like

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Speaker 1: with your church or something. It's very it's a little

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Speaker 1: to do, you know. So at one point we noticed

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Speaker 1: that there's this big table full of like lots of

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Speaker 1: like multi generations of people, like a family and then

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Speaker 1: like at one point, I guess they one of them

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Speaker 1: was having a birthday party. One of the servers comes

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Speaker 1: over and literally belts out the most gospel version of

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Speaker 1: that like Stevie Wonder happy Birthday song.

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Speaker 2: He was like, Black, big birthday to you.

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Speaker 1: And it was like all conversations in the entire restaurants

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Speaker 1: stop while this guy was literally singing like he was

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Speaker 1: auditioning on American Idol.

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Speaker 2: Holy shit.

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Speaker 1: I was like wow, and I was like, only here

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Speaker 1: with this happened, This is so amazing.

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Speaker 2: Maybe he hit the brown note. Maybe that's what happened

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Speaker 2: to all y'all hit that brown note and you were

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Speaker 2: like this normally doesn't happen, and here comes gospel Gary

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Speaker 2: and now we're all shit in our pants. I feel

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Speaker 2: like the only way to figure this out is to

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Speaker 2: go and order the same exact meal to go at

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Speaker 2: home and eat it one by one, like eat the

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Speaker 2: pot liquor, which I'm still never gonna get I'm not

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Speaker 2: over it, but eat the pot liquor and then wait

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Speaker 2: a couple hours, eat the chicken, wait a couple hours,

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Speaker 2: eat the corn bread. I feel like you just have

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Speaker 2: to experiment to see if it's because I don't want

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Speaker 2: you to not eat Southern food. I mean ridiculous. Yeah,

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Speaker 2: but it also could have straight up been food poisoning.

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Speaker 2: So I'm glad we're not mentioning the name of this place.

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Speaker 1: Yeah, we can't mention the name of the place. But

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Speaker 1: it's like, yeah, I mean I've been eating Southern food

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Speaker 1: in my entire life, Like I've lived in the South

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Speaker 1: since I's five years old, so I should be used

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Speaker 1: to all of this by now. But I just think

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Speaker 1: over time, yeah, I think it's just hard to eat

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Speaker 1: like that, like in a very rich, decadent way, in

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Speaker 1: a Southern in a Southern cuisine style. And I didn't

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Speaker 1: even have like fried chicken or anything. I had like

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Speaker 1: baked chicken. It wasn't like I was eating a lot

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Speaker 1: of greasy food. I don't know. It was just so

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Speaker 1: bizarre that we all like we all got ill afterwards.

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Speaker 2: That does happen, though, I Mean I definitely like your

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Speaker 2: body has to acclimate to certain ways of eating, and

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Speaker 2: I eat, like, you know, I eat mostly plant based

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Speaker 2: and very healthy now because I eat at home like

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Speaker 2: every meal. Yeah, so it's very easy for me to

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Speaker 2: kind of control what I eat and how I feel

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Speaker 2: after I eat. So I'll go out sometimes to like

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Speaker 2: a restaurant or a lunch with a friend and be like, oh,

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Speaker 2: I don't do this anyway. I've never had I haven't

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Speaker 2: had this in months or years. Yeah, And it could

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Speaker 2: be something so simple like tacos, And then suddenly I'm like,

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Speaker 2: uh uh, the way I make my beans versus the

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Speaker 2: way they make their beans. Something ain't right. It could

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Speaker 2: be a different kind of oil, it could be whatever,

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Speaker 2: just simple things. Now I'm just I gotta be real vigilant.

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Speaker 1: Yeah. Yeah, it's sad honestly, because like, here's the other

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Speaker 1: thing too, Like I started trying to figure out like

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Speaker 1: what my favorite So like if I had to basically

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Speaker 1: be like, all right, you're gonna have to like limit

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Speaker 1: your southern food intake to like a few things, what

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Speaker 1: would that be? Like what are the things that I

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Speaker 1: can't go without?

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Speaker 2: Every right?

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Speaker 1: And because I started thinking about this too when I

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Speaker 1: was when I was living in La it was that

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Speaker 1: thing where I was like, the whole joke about there

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Speaker 1: not being sweet tea, you know, is obviously like a

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Speaker 1: joke that's been around forever. I personally am okay with

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Speaker 1: not having sweet tea because sweet tea is kind of

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Speaker 1: too sweet to be honest, like Southern sweet tea. I mean,

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Speaker 1: oh my god, it's like insane, So I always have

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Speaker 1: to cut it. I have to cut it with unsweet

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Speaker 1: water or something. I used to get up at arms

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Speaker 1: about there not being sweet tea anywhere but the South,

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Speaker 1: but now I'm like, you know what, whatever, like fuck it,

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Speaker 1: Like it's unemath specialty.

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Speaker 2: You gotta come here and get it.

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Speaker 1: Got to get that equal packet and just put in there.

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Speaker 2: Whatever.

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Speaker 1: It's no big deal. But I do think if I

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Speaker 1: had to come up with like maybe three things, three

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Speaker 1: Southern dishes that I need in my life no matter

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Speaker 1: where I'm at in the world, if I move to

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Speaker 1: fucking Russia, I'm gonna have to figure out a way

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Speaker 1: to import this stuff. One would be grits. Yeah, grits

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Speaker 1: are so good, goddamn good. I can't live with that.

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Speaker 1: And I don't eat with sugar like a lot of

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Speaker 1: people do around here, which I'm like, ew to me,

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Speaker 1: grits is like a non sweet food. Oh, totally savory

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Speaker 1: with some shrimp, like yeah, butter and cheese, never sugar.

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Speaker 1: So there's that.

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Speaker 2: Two.

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Speaker 1: I think I've gone on record with this many times

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Speaker 1: in this podcast. Boil peanuts a black boil peanuts are

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Speaker 1: so goddamn good, and I don't care. Some of these

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Speaker 1: people around here are like despair. The bold peanuts to

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Speaker 1: like it tastes like wet wallpaper. I don't care what

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Speaker 1: you say. They're so good and I will get them

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Speaker 1: from any place if it's like a fancy restaurant or

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Speaker 1: a goddamn gas station. I love Bowld peanuts so much.

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Speaker 1: And then I think the last one. I'm trying to

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Speaker 1: think of what it's. It's kind of between two things.

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Speaker 1: It's either got to be like fried green tomatoes. Have

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Speaker 1: you ever had a fried green tomato?

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Speaker 2: Yeah? Okay, but only in the South?

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Speaker 1: Okay, fried green tomato, or maybe deviled eggs. Do deviled

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Speaker 1: egg or doubled eggs a Southern thing?

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Speaker 2: No? Double ed eggs are everywhere. Huh. Look, you can

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Speaker 2: have deviled eggs whenever you want. They might have perfected

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Speaker 2: it in the South, but they're everywhere.

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Speaker 1: Yeah. Well yeah, maybe the Southern style, Mom's style, mommy

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Speaker 1: style who makes it from the South. Maybe that's the other.

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Speaker 1: Because I love a doubled eggs so much, I know

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Speaker 1: they're good, So you could go without corn bread. Well yeah,

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Speaker 1: I mean maybe not. Biscuits like Southern biscuits are incredible. Cornbread.

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Speaker 1: Here's the name of cornbread. It's kind of it can

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Speaker 1: kind of be hit or miss. Have you ever had

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Speaker 1: like a really dry crumbling.

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Speaker 2: Oh yeah, cornbread?

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Speaker 1: Gross?

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Speaker 2: I mean I grew up on the box Jiffy corn muffins.

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Speaker 1: Same, Oh my god.

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Speaker 2: And you've never met a dryer food. It is Sahara

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Speaker 2: dry no matter how you make it.

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Speaker 1: Yo, everyone's mom's had those Jiffy boxes back in the day,

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Speaker 1: those like baby blue Jiffy boxes.

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Speaker 2: And I feel like, I don't know if I if

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Speaker 2: I'm remembering this correctly, but I feel like the word

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Speaker 2: Jiffy was in quotation marks. What like, maybe I'm wrong

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Speaker 2: about there was something on the boxes in like quotations,

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Speaker 2: and I'm like, that doesn't that doesn't bode well.

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Speaker 1: Ah Jiffy meaning we're not telling you it's gonna be quick.

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Speaker 1: We're suggesting, don't sue us, please us. We saw what

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Speaker 1: happens with the McDonald's coffee lady, Like, we're not trying

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Speaker 1: to go down that road.

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Speaker 2: Have you ever heard the real story of the McDonald's coffee? No, Oh,

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Speaker 2: it's it's she should have sued like we've made it

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Speaker 2: a cultural joke, but she had like third degree fucking burns.

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Speaker 1: Wow, dude, it must have been the thing where that

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Speaker 1: coffee was probably sitting on that hot plate for so

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Speaker 1: long that it just became nuclear.

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Speaker 2: It's crazy. It is a crazy story. And I'm sure

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Speaker 2: there's a podcast about it or something, but yeah, and

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Speaker 2: I just looked it up and the word jiffy is

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Speaker 2: one in quotations.

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Speaker 1: Yeah, wow, why they put jiffy?

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Speaker 2: Why would they do that? A What they should have

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Speaker 2: put in quotation marks is mix or something to indicate dryness,

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Speaker 2: Like if there's any like moist word on there, they

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Speaker 2: should have put that in quotation marks. Because Jeffy's came

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Speaker 2: out of the oven no matter where you cooked them

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Speaker 2: for ten minutes, fifteen minutes, did not matter if you

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Speaker 2: adjusted the time. It's just so as they hit that heat,

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Speaker 2: it just turned into fucking dry, dry ass sand. You

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Speaker 2: can use it in a diorama to replicate a beach.

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Speaker 1: I think that's why some people take the corn red

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Speaker 1: crumble it in the pot liquor because it's too it's

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Speaker 1: too dry, and you got to like soup it up

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Speaker 1: a little bit. Yeah, I dry corn bread is just

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Speaker 1: unforgivable to me.

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Speaker 2: And if you if you have like a a had

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Speaker 2: like a Jiffy corn mix corn muffin mix hack, don't

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Speaker 2: send it to us because there's also kind of the like,

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Speaker 2: there are other better corn muffin recipes out there. Jiffy

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Speaker 2: is meant to be disappointing, so you don't have to

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Speaker 2: send us your your hacks. I'm never gonna hack a

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Speaker 2: Jiffy box of corn muffins. I'm just gonna expect it

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Speaker 2: to be dry as fuck because then it's a vehicle

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Speaker 2: for a shitload of butter.

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Speaker 1: Yeah. To me, I've made it when I when early

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Speaker 1: early days of lockdown, when I was living alone, we

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Speaker 1: were both living alone in LA I made a lot

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Speaker 1: of like pan corn bread, you know, like out of

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Speaker 1: the cast iron. And to me, my favorite corn bread

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Speaker 1: is when it's really moist and a tiny bit sweet. Yeah,

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Speaker 1: I like it when it's a tiny bit sweet. But yeah,

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Speaker 1: it was I made it from scratch. I didn't use

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Speaker 1: a box.

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Speaker 2: I just took the I didn't like it when it

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Speaker 2: has a little like a few pieces of actual corn

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Speaker 2: in it.

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Speaker 1: Yeah, that's not bad.

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Speaker 2: Not bad.

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Speaker 1: You know what they do do pretty well in La

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Speaker 1: A couple of places that I used to go to.

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Speaker 1: Jalapeno corn bread that's pretty good.

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Speaker 2: Oh yeah, it's pretty stuff.

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Speaker 1: But yeah, I it's funny because yeah, I don't know,

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Speaker 1: I'm rethinking my whole life now that I have gotten

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Speaker 1: rocked by this southern food.

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Speaker 2: You're really in it today.

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Speaker 1: I know. I'm just because it's basically like a turning

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Speaker 1: for me where I'm just like, Okay, well I'm not

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Speaker 1: gonna be able to go and do all that shit

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Speaker 1: like the way I used to. And yeah, well, I

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Speaker 1: don't know. I'm feeling physical effects right as we speak,

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Speaker 1: like I'm like, oh my mouth so dry.

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Speaker 2: Well, I know that you love to rush to the

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Speaker 2: worst possible outcome of any situation. I would say, since

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Speaker 2: it happened to all four of you, food poisoning is

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Speaker 2: on the menu.

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Speaker 1: Yeah, I mean, I'm trying to think of what the

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Speaker 1: common food that we ate was. Maybe it's the rolls,

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Speaker 1: I don't know, or maybe just every dish was tainted.

355
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Speaker 1: I don't know.

356
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Speaker 2: It couldn't like literally everything could have been like it

357
00:19:42,400 --> 00:19:44,439
Speaker 2: could have been a typhoid Mary, someone didn't wash their

358
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Speaker 2: hand situation. True, true, But since it happened to all

359
00:19:49,440 --> 00:19:52,240
Speaker 2: of you, I'm going food poisoning, which doesn't make the

360
00:19:52,320 --> 00:19:56,280
Speaker 2: experience any better. Yeah, I'm glad you had a communal

361
00:19:56,320 --> 00:19:59,640
Speaker 2: food poisoning experience, But I think you go right out

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00:20:00,320 --> 00:20:02,080
Speaker 2: in a day or two and eat some of your

363
00:20:02,080 --> 00:20:05,639
Speaker 2: favorite southern foods at a different place and see if

364
00:20:05,680 --> 00:20:06,560
Speaker 2: you have the same reaction.

365
00:20:07,800 --> 00:20:09,480
Speaker 1: Yeah, I think I have to go out and get

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Speaker 1: some hot chicken or something like it. Just really like

367
00:20:12,920 --> 00:20:16,360
Speaker 1: reset the whole experience and see what happens.

368
00:20:17,080 --> 00:20:22,160
Speaker 2: Just scorch through your guts. It's a hot chicken, drink

369
00:20:22,280 --> 00:20:23,639
Speaker 2: straight to Basco after.

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Speaker 1: It's kind of like, what did I tell you about

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Speaker 1: how when I did the Whole thirty back when I

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Speaker 1: was in Los Angeles, I did the Whole thirty, you know,

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Speaker 1: nailed it, like got everything right, didn't didn't, you know,

374
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Speaker 1: was really really precise about it. And then the first

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Speaker 1: meal that I ate was a cookie cake from the

376
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Speaker 1: mall Ah.

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00:20:51,600 --> 00:20:56,840
Speaker 2: A cookie cake has genuinely, aside from like certain meats,

378
00:20:56,880 --> 00:21:00,159
Speaker 2: it has everything the whole thirty does not have. The

379
00:21:00,160 --> 00:21:03,959
Speaker 2: whole third is like no gluten, no sugar, no this,

380
00:21:04,200 --> 00:21:06,359
Speaker 2: no process to anything, and You're like, I'm gonna go

381
00:21:06,400 --> 00:21:09,080
Speaker 2: and get the one thing I know has all of that.

382
00:21:10,280 --> 00:21:12,600
Speaker 1: So I had this joke with a friend of mine

383
00:21:12,600 --> 00:21:16,000
Speaker 1: after it was over, So I went to the mall

384
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Speaker 1: in Burbank. I can't remember the name of it now,

385
00:21:18,880 --> 00:21:22,360
Speaker 1: gotta went to the cookie place in the mall, had

386
00:21:22,400 --> 00:21:24,600
Speaker 1: them make a tiny or not. I don't even know

387
00:21:24,640 --> 00:21:26,400
Speaker 1: if it was tiny out. To be honest, it could

388
00:21:26,400 --> 00:21:28,720
Speaker 1: have been like a full sized cake. But I had

389
00:21:28,720 --> 00:21:31,720
Speaker 1: them make one and then had them right, here's to

390
00:21:31,840 --> 00:21:42,280
Speaker 1: your health on it, and then, oh god, literally like

391
00:21:43,000 --> 00:21:45,600
Speaker 1: zero hour of the whole thirty over. I just ate

392
00:21:45,600 --> 00:21:47,320
Speaker 1: a slice of it, and there's a picture of me.

393
00:21:47,359 --> 00:21:48,560
Speaker 1: I'll have to post it or something.

394
00:21:49,200 --> 00:21:49,880
Speaker 2: Amaze.

395
00:21:50,000 --> 00:21:53,040
Speaker 1: I never felt as bad as my life. Dude.

396
00:21:58,600 --> 00:22:02,960
Speaker 2: I'm glad I said the whole resetting everything in my

397
00:22:03,080 --> 00:22:09,720
Speaker 2: body just to tank it with one bite. That is

398
00:22:09,760 --> 00:22:12,639
Speaker 2: also like the most American thing I've ever heard. You

399
00:22:12,640 --> 00:22:14,520
Speaker 2: should have done it on July fourth.

400
00:22:14,560 --> 00:22:17,280
Speaker 1: I know, right, It's like being clean for thirty days

401
00:22:17,280 --> 00:22:20,159
Speaker 1: and then just immediately like getting a speedball dipped in

402
00:22:20,160 --> 00:22:24,439
Speaker 1: an LSD and being like congrats to me. It was

403
00:22:24,560 --> 00:22:29,880
Speaker 1: so bad. It was such a bad idea. A anyway.

404
00:22:30,080 --> 00:22:33,440
Speaker 1: So that's why you're wondering why I'm dragging ass right now,

405
00:22:33,480 --> 00:22:37,520
Speaker 1: It's because I might have been poisoned slash. I cannot

406
00:22:37,520 --> 00:22:42,760
Speaker 1: eat some food.

407
00:22:41,119 --> 00:22:43,320
Speaker 2: All night on the toilet, texting with my friends about

408
00:22:43,320 --> 00:22:47,280
Speaker 2: how we were all on the toilet. No, well you

409
00:22:47,359 --> 00:22:49,880
Speaker 2: better pick it up because our theme this week is fire.

410
00:22:50,320 --> 00:22:51,119
Speaker 2: Oh I know, I know.

411
00:22:51,200 --> 00:22:53,360
Speaker 1: I'm about to do a speedball right now, So let's go.

412
00:22:53,760 --> 00:22:55,399
Speaker 2: I depend it's an LSD. Let's do it.

413
00:23:00,400 --> 00:23:06,359
Speaker 1: Oh my god. Our theme is so fun. These movies

414
00:23:06,400 --> 00:23:08,320
Speaker 1: are so fucking fun.

415
00:23:10,119 --> 00:23:14,159
Speaker 2: I'm gonna tell them. Yeah, I love this. Our our

416
00:23:14,240 --> 00:23:18,280
Speaker 2: theme this week perfect perfectly timed. I also have to

417
00:23:18,280 --> 00:23:22,679
Speaker 2: say for the dog days of summer, is I feel

418
00:23:22,720 --> 00:23:28,439
Speaker 2: the need the need for air conditioning. These are popcorn movies,

419
00:23:28,520 --> 00:23:30,199
Speaker 2: things that you will sit in a theater just to

420
00:23:30,240 --> 00:23:33,600
Speaker 2: get some cold air on your face something. They might

421
00:23:33,640 --> 00:23:37,120
Speaker 2: be blockbusters in a certain way, but you the initial

422
00:23:37,160 --> 00:23:39,200
Speaker 2: push is just I gotta sit down and have a

423
00:23:39,240 --> 00:23:40,439
Speaker 2: good time and just see something.

424
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Speaker 1: Absolutely, I gotta tell you, I think that there's multiple

425
00:23:45,080 --> 00:23:48,480
Speaker 1: entry points for both these movies this week. So not

426
00:23:48,520 --> 00:23:51,359
Speaker 1: only are there great popcorn films for the summer, I

427
00:23:51,400 --> 00:23:55,120
Speaker 1: also think that they Maybe this is just me. Maybe

428
00:23:55,119 --> 00:24:02,080
Speaker 1: I'm projecting this on all of you misunderstood classics. Oh yeah, okay,

429
00:24:02,600 --> 00:24:06,480
Speaker 1: yeah that's what that's what I think, especially after watching them. Okay,

430
00:24:06,560 --> 00:24:08,639
Speaker 1: watching your movie again, we'll get into it, because I

431
00:24:08,640 --> 00:24:12,040
Speaker 1: swear to god, this is this is the the one

432
00:24:12,080 --> 00:24:15,800
Speaker 1: that launched my love for the Fast and the Furious franchise.

433
00:24:16,359 --> 00:24:18,040
Speaker 1: When I saw it again, I was like, let's go.

434
00:24:18,119 --> 00:24:21,680
Speaker 1: I'm doing them all. I'm gonna do them all. I

435
00:24:21,760 --> 00:24:23,639
Speaker 1: got the rest of them queued up as we speak,

436
00:24:24,720 --> 00:24:28,440
Speaker 1: So I'm extremely excited to be watched too. Have watched

437
00:24:28,440 --> 00:24:31,760
Speaker 1: that again now, I gotta be honest, never seen never

438
00:24:31,760 --> 00:24:32,800
Speaker 1: saw my movie before?

439
00:24:33,280 --> 00:24:33,760
Speaker 2: You didn't?

440
00:24:33,800 --> 00:24:34,960
Speaker 1: Why did you make it?

441
00:24:35,040 --> 00:24:35,879
Speaker 2: Because I wanted to?

442
00:24:36,440 --> 00:24:39,159
Speaker 1: Because we talk about it. Yes, I think that you

443
00:24:39,240 --> 00:24:41,520
Speaker 1: and Casey and I talked about this where I'd never

444
00:24:41,560 --> 00:24:45,200
Speaker 1: seen this movie despite being like the number one fan

445
00:24:45,280 --> 00:24:48,400
Speaker 1: of the director. Basically it's it was such a like

446
00:24:48,440 --> 00:24:52,439
Speaker 1: a really egregious miss for me that I hadn't seen it.

447
00:24:52,960 --> 00:24:54,200
Speaker 2: Yeah, what an oversight?

448
00:24:54,600 --> 00:24:57,600
Speaker 1: Yeah? And just more Yeah, I no, No, it's it's

449
00:24:57,600 --> 00:25:00,520
Speaker 1: gonna be really exciting because it's it's a movie that

450
00:25:00,600 --> 00:25:05,000
Speaker 1: I feel like also was misunderstood and now as a classic.

451
00:25:05,080 --> 00:25:08,359
Speaker 1: I feel like that's what that is. Though. What happened

452
00:25:08,400 --> 00:25:11,560
Speaker 1: with your film too? I feel like maybe people passed

453
00:25:11,560 --> 00:25:14,119
Speaker 1: it off as being simply a popcorn movie, but I

454
00:25:14,119 --> 00:25:18,040
Speaker 1: actually think it's better than that. Better.

455
00:25:19,680 --> 00:25:22,800
Speaker 2: Well, I am going first this week, let's go, and

456
00:25:22,880 --> 00:25:26,960
Speaker 2: I'm just gonna jump right on in. Yeah, because my

457
00:25:27,080 --> 00:25:32,600
Speaker 2: movie was written by Gary Scott Thompson, Eric Bergquist, and

458
00:25:32,960 --> 00:25:36,639
Speaker 2: David Ayer. It was directed by Rob Cohen. Released in

459
00:25:36,680 --> 00:25:40,800
Speaker 2: two thousand and one. My movie is The Fast and

460
00:25:40,840 --> 00:25:41,840
Speaker 2: the Furious.

461
00:25:42,320 --> 00:25:43,040
Speaker 1: What the hell is that?

462
00:25:43,160 --> 00:25:45,960
Speaker 2: All? A business deal that went sour? Plus I made

463
00:25:46,000 --> 00:25:49,800
Speaker 2: the mistake of sleeping with his sister this fucking movie.

464
00:25:49,880 --> 00:25:53,360
Speaker 2: So I am also going to be going through all

465
00:25:53,400 --> 00:25:57,320
Speaker 2: of them oh this summer, like starting this week. I

466
00:25:57,760 --> 00:26:00,000
Speaker 2: promised to do it before and I didn't wasn't able to.

467
00:26:00,560 --> 00:26:03,040
Speaker 2: I'm going to do it now. And I watched this

468
00:26:03,720 --> 00:26:07,520
Speaker 2: with my friend Tim a couple of weeks ago, and

469
00:26:08,760 --> 00:26:11,520
Speaker 2: we then went and watched all the trailers for the

470
00:26:11,560 --> 00:26:14,600
Speaker 2: other ones because he was like, well, maybe I'll watch

471
00:26:14,600 --> 00:26:16,200
Speaker 2: one or two, and I'm like, no, I'm a complete this.

472
00:26:16,280 --> 00:26:18,280
Speaker 2: We're watching all of them like people have Fast and

473
00:26:18,320 --> 00:26:21,840
Speaker 2: Furious Fridays. Get some pizza. That's what we're doing. But

474
00:26:21,920 --> 00:26:24,879
Speaker 2: we watched the trailers for the other one. I could

475
00:26:24,960 --> 00:26:32,560
Speaker 2: never have predicted how fast and how hugely this franchise

476
00:26:32,560 --> 00:26:36,239
Speaker 2: this would become a franchise that spun out into some

477
00:26:36,320 --> 00:26:39,720
Speaker 2: of the most unbelievable action scenes you've ever seen in

478
00:26:39,720 --> 00:26:43,600
Speaker 2: any film. Yeah, they are doing shit with these cars

479
00:26:43,600 --> 00:26:46,879
Speaker 2: in like five six eight, not like they're doing shit

480
00:26:47,000 --> 00:26:49,160
Speaker 2: that just blows me the fuck away.

481
00:26:49,520 --> 00:26:49,720
Speaker 1: Yeah.

482
00:26:49,720 --> 00:26:52,560
Speaker 2: Man, it just gets more. Just when you think they've

483
00:26:52,600 --> 00:26:56,280
Speaker 2: reached the height of absurdity, here comes another one.

484
00:26:56,720 --> 00:27:02,400
Speaker 1: Yeah, totally unreal. And listen, I predicted this a long

485
00:27:02,400 --> 00:27:06,800
Speaker 1: time ago because based on your reaction to like the

486
00:27:06,960 --> 00:27:11,080
Speaker 1: John Wick franchise, Like, to me, I think you and

487
00:27:11,119 --> 00:27:13,320
Speaker 1: I both share a love for like extremely over the

488
00:27:13,320 --> 00:27:17,399
Speaker 1: top action films. Yes, and this is this is like

489
00:27:17,480 --> 00:27:19,800
Speaker 1: part of that lineage. I mean, there's like a lot

490
00:27:19,840 --> 00:27:23,720
Speaker 1: of moving parts obviously, but it's also like, I don't know,

491
00:27:23,800 --> 00:27:26,160
Speaker 1: I always like the reason why I stand this franchise

492
00:27:26,240 --> 00:27:30,120
Speaker 1: is because there's a lot of like there's a lot

493
00:27:30,119 --> 00:27:32,600
Speaker 1: of action, a lot of car stuff, which to me

494
00:27:32,680 --> 00:27:35,800
Speaker 1: is fascinating. Hey, now that you're into motorcycles, I'm like,

495
00:27:35,840 --> 00:27:38,320
Speaker 1: come on, like, you should be into this stuff. Don't

496
00:27:38,320 --> 00:27:39,600
Speaker 1: you want to pop the hood of a car and

497
00:27:39,600 --> 00:27:42,760
Speaker 1: figure out like what nitrous oxide tanks are in there

498
00:27:42,760 --> 00:27:45,679
Speaker 1: and some shit like that, Like isn't that fascinating?

499
00:27:46,560 --> 00:27:50,399
Speaker 2: Okay, two things. One, I'm not into motorcycles. I just

500
00:27:50,640 --> 00:27:53,840
Speaker 2: like to ride on one motorcycle with one person.

501
00:27:54,760 --> 00:27:59,280
Speaker 1: You're the Michelle Rodriguez. Is that gonna Yeah, you're the

502
00:27:59,280 --> 00:28:03,479
Speaker 1: best sell Rodrie guess to whoever this mysterious bike rider

503
00:28:03,720 --> 00:28:04,920
Speaker 1: is vin Diesel.

504
00:28:06,400 --> 00:28:09,560
Speaker 2: But also also, every time I've had to pop the

505
00:28:09,600 --> 00:28:11,919
Speaker 2: hood of a car in my life, it's because I

506
00:28:11,960 --> 00:28:13,960
Speaker 2: was driving a piece of shit and I had to

507
00:28:13,960 --> 00:28:16,720
Speaker 2: figure out how to make it go. Yeah, so now

508
00:28:16,720 --> 00:28:19,080
Speaker 2: the cars are all computerized and crazy. I don't want

509
00:28:19,080 --> 00:28:20,560
Speaker 2: to know what's going on under there. I don't have

510
00:28:20,600 --> 00:28:22,359
Speaker 2: the degree for it. I don't have the patience for it.

511
00:28:22,359 --> 00:28:25,440
Speaker 2: It brings back trauma of like my car breaking down

512
00:28:25,480 --> 00:28:28,520
Speaker 2: on the side of the two o eight, trying to

513
00:28:28,520 --> 00:28:32,720
Speaker 2: get into the city with my fucking junker Chavette and

514
00:28:32,760 --> 00:28:35,440
Speaker 2: then it just overheating because I pressed the gas too hard.

515
00:28:36,119 --> 00:28:38,000
Speaker 1: I know, but I just think I like the information.

516
00:28:38,080 --> 00:28:39,560
Speaker 1: I don't know what the fuck is going on I

517
00:28:39,560 --> 00:28:42,000
Speaker 1: don't know anything about cars, but when you see like

518
00:28:42,040 --> 00:28:45,640
Speaker 1: people in a movie being like, pop, oh yeah, you

519
00:28:45,680 --> 00:28:50,520
Speaker 1: got like a little carburetor two for nine or tied

520
00:28:50,560 --> 00:28:55,400
Speaker 1: to the gas injection pump. Yeah, that's pretty cool. Like

521
00:28:55,440 --> 00:28:58,720
Speaker 1: when you see people like being very detailed about things

522
00:28:58,720 --> 00:29:00,560
Speaker 1: that you don't know about, isn't it fascinating?

523
00:29:00,560 --> 00:29:03,720
Speaker 2: I'm just like, yeah, that sounds great, dude, It's wild.

524
00:29:03,800 --> 00:29:06,400
Speaker 2: And also as a writer, I think to myself, like,

525
00:29:06,480 --> 00:29:09,400
Speaker 2: what kind of background in cars do these guys have

526
00:29:10,080 --> 00:29:12,040
Speaker 2: or what kind of research did they have to do

527
00:29:12,080 --> 00:29:15,080
Speaker 2: to be able to write these scenes where they're saying

528
00:29:15,320 --> 00:29:18,440
Speaker 2: things that people who do know about cars will absolutely

529
00:29:18,440 --> 00:29:19,000
Speaker 2: fact check.

530
00:29:19,440 --> 00:29:19,840
Speaker 1: Yeah.

531
00:29:20,800 --> 00:29:22,080
Speaker 2: Yeah, So that's fascinating to me.

532
00:29:22,360 --> 00:29:25,280
Speaker 1: It's so fascinating, And I just have to say so, like,

533
00:29:25,840 --> 00:29:29,280
Speaker 1: for many years I drove a Honda Civic. Okay, I've

534
00:29:29,320 --> 00:29:32,200
Speaker 1: always been a Honda gal. Sorry, I buy Japanese cars,

535
00:29:32,360 --> 00:29:37,520
Speaker 1: what about it? Okay. So the thing about these movies

536
00:29:38,080 --> 00:29:41,680
Speaker 1: is that they they're basically like, here's how to customize

537
00:29:41,680 --> 00:29:43,880
Speaker 1: a Honda Civic, Like, here's what you can do to

538
00:29:43,920 --> 00:29:47,320
Speaker 1: customize and make it a street car. And there was

539
00:29:47,360 --> 00:29:50,480
Speaker 1: a moment where I I did think when I drove

540
00:29:50,520 --> 00:29:55,120
Speaker 1: the Civic. I was like, should I like really trick

541
00:29:55,160 --> 00:29:56,920
Speaker 1: this out? Like what would I need to do? Could

542
00:29:56,960 --> 00:30:00,440
Speaker 1: I like go down this road of like cus a

543
00:30:00,600 --> 00:30:03,560
Speaker 1: car and making it like a street car? And I'm like,

544
00:30:04,640 --> 00:30:06,440
Speaker 1: I don't know, I don't know anything about it, but

545
00:30:06,480 --> 00:30:07,280
Speaker 1: it seemed fun.

546
00:30:07,480 --> 00:30:11,360
Speaker 2: I was like, that seems crazy to me because you're you.

547
00:30:11,360 --> 00:30:14,040
Speaker 2: You went a Honda Civic, a tricked out Honda Civic.

548
00:30:14,680 --> 00:30:17,000
Speaker 2: Would just be driving down the road on a regular

549
00:30:17,120 --> 00:30:19,920
Speaker 2: day going to like Trader Joe's, and somebody would try

550
00:30:19,960 --> 00:30:23,560
Speaker 2: to race you, like it is the bat signal for

551
00:30:23,720 --> 00:30:26,480
Speaker 2: like let go. If you have a tricked out car

552
00:30:26,600 --> 00:30:28,520
Speaker 2: like that, you can't drive it like a little granny.

553
00:30:28,920 --> 00:30:30,760
Speaker 1: Oh I know, And I'm so risk averse. I could

554
00:30:30,840 --> 00:30:34,880
Speaker 1: never race. I could never street race. It happens a

555
00:30:34,920 --> 00:30:37,600
Speaker 1: lot here too, did you know that? Like Atlanta really huge?

556
00:30:37,760 --> 00:30:40,800
Speaker 1: Oh my god? Like if you go to like I

557
00:30:40,800 --> 00:30:44,000
Speaker 1: mean like literally there was a joke actually like during

558
00:30:44,040 --> 00:30:47,920
Speaker 1: the pandemic, which we're still in, but early days of

559
00:30:47,920 --> 00:30:51,360
Speaker 1: the pandemic, where the joke was, if you like get

560
00:30:51,440 --> 00:30:53,520
Speaker 1: up on Monday morning to go to work or something,

561
00:30:54,240 --> 00:30:57,240
Speaker 1: you will drive down the freeway and see all these

562
00:30:57,440 --> 00:31:00,160
Speaker 1: trashed cars just ditch on the side of the road.

563
00:31:00,320 --> 00:31:04,600
Speaker 1: Is because they do the racing, like what on Sundays

564
00:31:05,840 --> 00:31:06,320
Speaker 1: and they just.

565
00:31:06,320 --> 00:31:08,400
Speaker 2: Leave the cars wild. I know.

566
00:31:08,880 --> 00:31:11,520
Speaker 1: I was kind of like, man, it's like a graveyard

567
00:31:11,560 --> 00:31:14,640
Speaker 1: of you know, cars that have been crashed to the

568
00:31:14,760 --> 00:31:18,120
Speaker 1: side of the medians and stuff from all the racing.

569
00:31:18,760 --> 00:31:20,880
Speaker 2: This movie also gave me a lot of stress. There's

570
00:31:20,880 --> 00:31:23,440
Speaker 2: not a single seat belt. They are driving so fast.

571
00:31:23,800 --> 00:31:25,760
Speaker 2: I know, I know, I feel like you have to

572
00:31:25,760 --> 00:31:28,160
Speaker 2: be a certain kind of person to feel like that

573
00:31:28,280 --> 00:31:32,240
Speaker 2: is exciting and not me who feels like, well, you

574
00:31:32,320 --> 00:31:37,960
Speaker 2: go above thirty, you're asking to die, which again is

575
00:31:38,000 --> 00:31:39,800
Speaker 2: why I know it is shocking to people that I

576
00:31:39,800 --> 00:31:41,840
Speaker 2: will happily hop on the back of a motorcycle any

577
00:31:41,920 --> 00:31:42,480
Speaker 2: day of the week.

578
00:31:42,720 --> 00:31:44,719
Speaker 1: Right, there's a disconnect there, Danielle.

579
00:31:45,360 --> 00:31:49,040
Speaker 2: You know the disconnect is is I'm not driving the motorcycle.

580
00:31:49,240 --> 00:31:50,680
Speaker 2: I'm with someone that I trust.

581
00:31:51,160 --> 00:31:53,360
Speaker 1: It's good that you trust them, because that's I think

582
00:31:53,600 --> 00:31:55,640
Speaker 1: that would be even more terrifying is to not have

583
00:31:55,680 --> 00:31:56,680
Speaker 1: the control.

584
00:31:56,800 --> 00:31:58,760
Speaker 2: But absolutely and they listen to me like, you know,

585
00:31:58,800 --> 00:32:02,000
Speaker 2: I'm like, all right, seventy two fast for me? Ooh,

586
00:32:02,480 --> 00:32:06,480
Speaker 2: seventy yeah, seventy is too fast for me. So we've

587
00:32:06,480 --> 00:32:08,480
Speaker 2: got like hand signals or I'll do a little tap

588
00:32:08,600 --> 00:32:13,440
Speaker 2: or something wow wow. And I don't like like turning

589
00:32:13,520 --> 00:32:16,000
Speaker 2: feels weird, Like there are certain sharp turns or big

590
00:32:16,040 --> 00:32:19,920
Speaker 2: turns that feel weird to me. So like he's got it. Yeah,

591
00:32:19,960 --> 00:32:22,360
Speaker 2: he doesn't want me to be freaked out. So yeah,

592
00:32:22,720 --> 00:32:24,640
Speaker 2: well that I trust. But in a car, you've got

593
00:32:24,680 --> 00:32:26,080
Speaker 2: to put that fucking seat belt on.

594
00:32:26,840 --> 00:32:30,600
Speaker 1: That's very true. So I I know I derailed the

595
00:32:30,600 --> 00:32:33,840
Speaker 1: the episode so far with a bunch of like asides

596
00:32:33,920 --> 00:32:38,040
Speaker 1: about this franchise, but like, so what was your take

597
00:32:38,160 --> 00:32:41,840
Speaker 1: on So your take was that it was you're gonna

598
00:32:42,320 --> 00:32:44,520
Speaker 1: do it to completion. You're gonna watch all of them

599
00:32:44,600 --> 00:32:46,720
Speaker 1: because I'm gonna watch it too, And I know we

600
00:32:46,720 --> 00:32:48,480
Speaker 1: talked about doing them together, but we should check in

601
00:32:48,560 --> 00:32:49,960
Speaker 1: with each other, Like.

602
00:32:49,920 --> 00:32:52,200
Speaker 2: I one hundred percent agree if we can do a

603
00:32:52,240 --> 00:32:54,480
Speaker 2: watch party, I'm down for that. Yeah, but we just

604
00:32:54,520 --> 00:32:55,920
Speaker 2: want to have a certain day of the week where

605
00:32:55,920 --> 00:32:58,600
Speaker 2: we check in, give updates on the pod whatever it is.

606
00:32:58,640 --> 00:33:00,440
Speaker 2: But I think by the end of the summer, I

607
00:33:00,440 --> 00:33:03,640
Speaker 2: want to have watched all of all ten plus Hobbs

608
00:33:03,680 --> 00:33:05,200
Speaker 2: Andshaw me too.

609
00:33:06,000 --> 00:33:09,240
Speaker 1: And I just I feel very strongly about certain components

610
00:33:09,280 --> 00:33:10,840
Speaker 1: of this film, but all the other films too.

611
00:33:10,920 --> 00:33:11,520
Speaker 2: So this is good.

612
00:33:11,560 --> 00:33:12,520
Speaker 1: We'll talk and this.

613
00:33:12,520 --> 00:33:15,720
Speaker 2: Is this seems like a good foundational film. Weirdly, like

614
00:33:15,760 --> 00:33:17,840
Speaker 2: I will talk about the ending, We're gonna talk about

615
00:33:17,840 --> 00:33:22,360
Speaker 2: this movie throughout. But it seems like a good foundational film.

616
00:33:22,400 --> 00:33:25,560
Speaker 2: I can understand how they were thinking franchise and how

617
00:33:25,560 --> 00:33:28,320
Speaker 2: it became a franchise. Yeah, a lot of plug and

618
00:33:28,360 --> 00:33:31,240
Speaker 2: play characters, a lot of like you can do crazy

619
00:33:31,240 --> 00:33:34,600
Speaker 2: shit with the cars. It did make me wonder which

620
00:33:34,600 --> 00:33:36,760
Speaker 2: came first, the chicken or the egg. Is it that

621
00:33:36,800 --> 00:33:40,120
Speaker 2: people see these movies and think I'm gonna do that

622
00:33:40,160 --> 00:33:43,040
Speaker 2: to my car, or is it that they see these

623
00:33:43,080 --> 00:33:46,640
Speaker 2: cars and think we're gonna put it in the movie. Hmm.

624
00:33:47,880 --> 00:33:49,880
Speaker 2: I will never know the answer to that, and that's

625
00:33:49,920 --> 00:33:52,960
Speaker 2: okay with me. But it made me think. So I'm

626
00:33:52,960 --> 00:33:57,640
Speaker 2: gonna give you my one sentence synopsis of The Fast

627
00:33:57,680 --> 00:34:00,640
Speaker 2: and the Furious. Also, before I give you one sentence,

628
00:34:00,680 --> 00:34:04,560
Speaker 2: I have to say in his new special, Kyle Kanane

629
00:34:04,600 --> 00:34:08,160
Speaker 2: has the funniest joke about the Fast and the Furious franchises.

630
00:34:08,600 --> 00:34:10,239
Speaker 2: And I'm not joking when I tell you it's at

631
00:34:10,320 --> 00:34:11,359
Speaker 2: least fifteen minutes long.

632
00:34:11,640 --> 00:34:12,839
Speaker 1: Ah amazing.

633
00:34:13,239 --> 00:34:15,439
Speaker 2: It is so fucking funny. So go watch the latest

634
00:34:15,520 --> 00:34:17,600
Speaker 2: Kyle Knane special if you want to hear that, and

635
00:34:17,719 --> 00:34:20,440
Speaker 2: you do, trust me, you do. So my one sentence

636
00:34:20,480 --> 00:34:24,360
Speaker 2: synopsis of The Fast and the Furious. It's an amped

637
00:34:24,440 --> 00:34:25,960
Speaker 2: up grease with brown people.

638
00:34:26,800 --> 00:34:28,399
Speaker 1: There we go, There we go.

639
00:34:29,040 --> 00:34:30,879
Speaker 2: I have another one just in case that doesn't hit

640
00:34:30,920 --> 00:34:33,560
Speaker 2: some people and they think, no, it's not even though

641
00:34:33,600 --> 00:34:38,160
Speaker 2: this movie is grease with brown people. Per Or we

642
00:34:38,200 --> 00:34:42,319
Speaker 2: could go with an undercover cop infiltrates a group of

643
00:34:42,320 --> 00:34:44,960
Speaker 2: thieves who love to race cars and he falls in

644
00:34:44,960 --> 00:34:45,799
Speaker 2: love with the game.

645
00:34:46,920 --> 00:34:50,320
Speaker 1: Absolutely. Can I suggest a one sentence for you? Perhaps?

646
00:34:50,520 --> 00:34:55,719
Speaker 2: Yes? Yes, this is point break with brown people. This

647
00:34:55,760 --> 00:35:01,040
Speaker 2: is also point break with brown people. Okay, what's up?

648
00:35:01,680 --> 00:35:02,239
Speaker 1: What's up?

649
00:35:03,000 --> 00:35:06,280
Speaker 2: Doesn't take much? Throw some of us in their fucking movie,

650
00:35:06,520 --> 00:35:09,960
Speaker 2: change it entirely, build a franchise that'll live forever. There

651
00:35:10,000 --> 00:35:13,680
Speaker 2: you go. It is a very like the southern California

652
00:35:14,120 --> 00:35:22,920
Speaker 2: thief is its own genre. Yeah, yeah, so I love this.

653
00:35:23,160 --> 00:35:26,360
Speaker 2: I love this movie. So it opens with a truck

654
00:35:26,520 --> 00:35:29,080
Speaker 2: getting jacked by a gang of street racers and they're

655
00:35:29,560 --> 00:35:31,840
Speaker 2: what are they stealing to? Indicate that it's two thousand

656
00:35:31,880 --> 00:35:37,160
Speaker 2: and one. They're stealing DVD players, and let me tell you,

657
00:35:37,200 --> 00:35:40,120
Speaker 2: they are serious about these DVD players. They've got harpoons,

658
00:35:40,480 --> 00:35:43,080
Speaker 2: they're wearing helmets, they've got a CDL license. One of

659
00:35:43,160 --> 00:35:47,480
Speaker 2: them actually starts driving the fucking truck. They also hide

660
00:35:47,520 --> 00:35:49,520
Speaker 2: one of the cars under the truck when the road

661
00:35:49,560 --> 00:35:51,600
Speaker 2: switches to one lane, like they do that move where

662
00:35:51,600 --> 00:35:54,640
Speaker 2: they're like, let make a sneak in here. Yeah, because

663
00:35:54,640 --> 00:35:56,719
Speaker 2: I'm aware of the height of the bed of the.

664
00:35:56,680 --> 00:35:58,360
Speaker 1: T that's in the first ten minutes of the movie.

665
00:35:58,400 --> 00:35:58,799
Speaker 1: That trick.

666
00:35:58,880 --> 00:36:02,000
Speaker 2: Oh yeah, fully sh minutes. This opens with all this

667
00:36:02,080 --> 00:36:05,839
Speaker 2: crazy street shit and then they jack the truck, they

668
00:36:05,880 --> 00:36:09,920
Speaker 2: get they get the DVD players. But now we're getting

669
00:36:10,360 --> 00:36:14,840
Speaker 2: a hot cut, just an instant cut to someone driving

670
00:36:14,840 --> 00:36:19,600
Speaker 2: a Neon green car with a huge flat spoiler And

671
00:36:19,640 --> 00:36:23,680
Speaker 2: who am I talking about? The one and only Paul Walker,

672
00:36:23,719 --> 00:36:28,960
Speaker 2: the fourth who's playing a character named Brian Brian. He's

673
00:36:29,000 --> 00:36:33,680
Speaker 2: introduced this Brian Earl Spilner, which eventually Vin Diesel says

674
00:36:33,800 --> 00:36:37,120
Speaker 2: is a very white boy name mm hmm. And when

675
00:36:37,160 --> 00:36:39,759
Speaker 2: we meet, when we see Paul Walker, because this was

676
00:36:39,840 --> 00:36:42,480
Speaker 2: his breakthrough role this film and I feel like I

677
00:36:42,520 --> 00:36:45,000
Speaker 2: should approach this the way you approach Titanic, which is

678
00:36:45,239 --> 00:36:47,239
Speaker 2: you all know more about this movie than I do.

679
00:36:47,320 --> 00:36:49,480
Speaker 2: So I'm not going to go into great detail. Sure,

680
00:36:50,440 --> 00:36:54,840
Speaker 2: but his eyes are so blue that they're fucking purple. Yeah,

681
00:36:55,400 --> 00:37:00,960
Speaker 2: Like looking at him is disarming. HM, even if he's

682
00:37:00,960 --> 00:37:05,799
Speaker 2: not your type whatever, his eyes are wild, and I

683
00:37:05,800 --> 00:37:09,239
Speaker 2: should say were because as we know, as most people know,

684
00:37:09,400 --> 00:37:15,360
Speaker 2: Paul Walker died unfortunately in a car accident. So in

685
00:37:15,400 --> 00:37:19,799
Speaker 2: twenty thirteen, he was driving to a charity event with

686
00:37:19,960 --> 00:37:23,919
Speaker 2: another person, and I did not know that he wasn't

687
00:37:24,000 --> 00:37:25,560
Speaker 2: driving the car when he died. It was a man

688
00:37:25,640 --> 00:37:27,839
Speaker 2: named Roger Rhodas who was driving the car when he died,

689
00:37:28,320 --> 00:37:30,560
Speaker 2: and they were traveling to a charity event, driving a

690
00:37:30,600 --> 00:37:34,760
Speaker 2: Porsche and lost control of the car and crashed into

691
00:37:35,360 --> 00:37:38,160
Speaker 2: like a lamppost in a couple of trees and the

692
00:37:38,200 --> 00:37:41,680
Speaker 2: car caught fire. I did not know that. It's a

693
00:37:41,800 --> 00:37:46,359
Speaker 2: really tragic, horrible, horrible death and a pure accident. Again,

694
00:37:46,360 --> 00:37:48,959
Speaker 2: there were no drugs involved. There's no alcohol involved. Both

695
00:37:49,000 --> 00:37:51,719
Speaker 2: men died. Roger Rhodis unfortunately died he was thirty eight.

696
00:37:51,760 --> 00:37:55,160
Speaker 2: Paul Walker died he was forty but it's really tragic.

697
00:37:55,200 --> 00:37:58,160
Speaker 2: It's one of those pure accidents that is just a

698
00:37:58,200 --> 00:38:02,720
Speaker 2: tragedy all around. So Paul Walker's eyes were so blue

699
00:38:02,920 --> 00:38:03,840
Speaker 2: they were almost purple.

700
00:38:04,760 --> 00:38:08,440
Speaker 1: Now can I just say something about Paul Yes, So

701
00:38:10,520 --> 00:38:13,440
Speaker 1: basically he is a god in the Philippines. So for

702
00:38:13,440 --> 00:38:16,040
Speaker 1: according to my mother, I think I've talked about this before.

703
00:38:16,280 --> 00:38:19,400
Speaker 1: Oh yeah, you have, you have because that charity event

704
00:38:19,520 --> 00:38:23,399
Speaker 1: that he was driving to was for the typhoons right

705
00:38:23,600 --> 00:38:26,560
Speaker 1: in the Philippines. To the point, and when I watched

706
00:38:26,600 --> 00:38:31,160
Speaker 1: this movie again, I was like, should I go get

707
00:38:31,200 --> 00:38:35,319
Speaker 1: like an airbrushed memorial Paul Walker T shirt? Like, go

708
00:38:35,440 --> 00:38:37,920
Speaker 1: online somewhere and find something, because I would do it.

709
00:38:37,960 --> 00:38:39,279
Speaker 1: I would wear that shit.

710
00:38:39,960 --> 00:38:41,759
Speaker 2: If you get one for yourself, you have to get

711
00:38:41,760 --> 00:38:44,160
Speaker 2: one for your whole family, including your Italian dad.

712
00:38:44,520 --> 00:38:48,680
Speaker 1: Oh of course. And I'm just like, to me, I

713
00:38:48,680 --> 00:38:51,000
Speaker 1: think that this is like a huge part of this franchise.

714
00:38:51,040 --> 00:38:53,040
Speaker 1: For me is the ways in which the ways of

715
00:38:53,080 --> 00:38:57,040
Speaker 1: which this franchise has affected and continues to be celebrated

716
00:38:57,080 --> 00:39:00,399
Speaker 1: by people of color. Like I'm just like, there's something

717
00:39:00,480 --> 00:39:03,279
Speaker 1: like magical about that. And I know that like these

718
00:39:03,280 --> 00:39:07,400
Speaker 1: types of movies end up becoming very popular in foreign countries.

719
00:39:07,440 --> 00:39:10,400
Speaker 1: Because action movies are popular in foreign countries, there's not

720
00:39:10,480 --> 00:39:14,080
Speaker 1: much of a language barrier, you know. I mean, that's

721
00:39:14,160 --> 00:39:17,359
Speaker 1: pretty simple cinema marketing, if you will.

722
00:39:17,719 --> 00:39:24,120
Speaker 2: So Old Blue Eyes, Brian is racing this green ass car,

723
00:39:25,280 --> 00:39:27,319
Speaker 2: so he gets super hungry and he goes to get

724
00:39:27,320 --> 00:39:32,280
Speaker 2: a tuna fish sandwich at Toretto's Market and Cafe, where

725
00:39:32,880 --> 00:39:35,200
Speaker 2: he's really just there to flirt with Rodanna Brewster, who

726
00:39:35,239 --> 00:39:40,160
Speaker 2: plays a character named Mia, and Vin Diesel is also there.

727
00:39:40,520 --> 00:39:44,239
Speaker 2: Dom Dom Toretto is also there, but he's like in

728
00:39:44,280 --> 00:39:48,440
Speaker 2: a cage in the back, like a like a loose tiger.

729
00:39:49,520 --> 00:39:52,160
Speaker 2: It's like a loose tiger doing an Excel spreadsheet with

730
00:39:52,440 --> 00:39:57,080
Speaker 2: unreal pitstains, like pitstains down to his knees, and you're like,

731
00:39:57,120 --> 00:39:59,000
Speaker 2: what is so dangerous about this man that they have

732
00:39:59,080 --> 00:40:03,359
Speaker 2: to lock him up in his his own business. And

733
00:40:03,400 --> 00:40:08,400
Speaker 2: he eventually comes out and we discover that Brian in

734
00:40:08,440 --> 00:40:12,440
Speaker 2: their conversation, we discover that Brian works at a place

735
00:40:12,480 --> 00:40:16,400
Speaker 2: called the Racer's Edge. It's an autopart store. And the

736
00:40:16,440 --> 00:40:18,680
Speaker 2: whole time he's talking to Dom, you're just like, are

737
00:40:18,680 --> 00:40:22,360
Speaker 2: you guys gonna kiss? It's a very romantic situation. Like

738
00:40:22,440 --> 00:40:24,439
Speaker 2: I don't know about anyone else, but I just spent

739
00:40:24,600 --> 00:40:27,719
Speaker 2: most of the movie thinking they should kiss each other eventually, right,

740
00:40:28,400 --> 00:40:33,360
Speaker 2: like it's gonna happen. And the movie is so hyper

741
00:40:33,600 --> 00:40:39,600
Speaker 2: aggressively hetero masculine that I know it's not gonna happen. Yeah,

742
00:40:39,760 --> 00:40:41,959
Speaker 2: but you know, if anyone's listening, most of us wish

743
00:40:41,960 --> 00:40:43,759
Speaker 2: they would. I mean, it's kind of.

744
00:40:43,719 --> 00:40:46,439
Speaker 1: The point break thing. It's the same thing where there's

745
00:40:46,440 --> 00:40:49,840
Speaker 1: this current. I mean maybe if a woman had directed

746
00:40:50,120 --> 00:40:52,239
Speaker 1: The Fast and the Furious, it would have maybe been

747
00:40:52,280 --> 00:40:55,160
Speaker 1: a little bit more suggested. But there is that like

748
00:40:55,800 --> 00:41:00,280
Speaker 1: male bonding. Will they are won't they moment throughout the.

749
00:41:00,080 --> 00:41:05,520
Speaker 2: Film throughout like up to the bitter end, and yeah,

750
00:41:06,160 --> 00:41:10,720
Speaker 2: I fully just expected it. Yeah, and it didn't. It doesn't.

751
00:41:10,760 --> 00:41:14,080
Speaker 2: Doesn't happen again, hyper masculine film that we're watching, But

752
00:41:14,239 --> 00:41:17,959
Speaker 2: you wish they would because they're both so cute. Yeah,

753
00:41:18,000 --> 00:41:20,600
Speaker 2: and Don Toretto, how do I explain Dom Touretto, Well,

754
00:41:20,640 --> 00:41:23,480
Speaker 2: he's Vin Diesel, so he looks like Vin Diesel. Jack's

755
00:41:23,680 --> 00:41:27,600
Speaker 2: surprise nerd, as Millie had revealed to me, if you

756
00:41:27,719 --> 00:41:32,080
Speaker 2: like a couple of years ago, best part about him. Yeah, surprise, nerd.

757
00:41:32,120 --> 00:41:34,560
Speaker 2: But he looks like he could break your skull open

758
00:41:34,600 --> 00:41:38,120
Speaker 2: with one hand, just squeezing a little too hard with

759
00:41:38,120 --> 00:41:40,600
Speaker 2: one hand, and he kind of threw out. The movie

760
00:41:40,800 --> 00:41:45,879
Speaker 2: talks like a borsch Belt comedian, like he thinks he's

761
00:41:46,040 --> 00:41:49,759
Speaker 2: very funny while he's trying to be threatening. Dom's an

762
00:41:49,760 --> 00:41:50,640
Speaker 2: interesting character.

763
00:41:51,200 --> 00:41:54,160
Speaker 1: He's kind of like a dad. He's like the dad. Yeah,

764
00:41:54,160 --> 00:41:57,120
Speaker 1: and the crew in the same way that dad makes

765
00:41:57,160 --> 00:41:59,200
Speaker 1: the bad jokes exactly.

766
00:42:00,120 --> 00:42:02,640
Speaker 2: Yeah, he really is, he really is. And his crew.

767
00:42:02,719 --> 00:42:04,359
Speaker 2: Let me tell you about this crew, because they pull

768
00:42:04,440 --> 00:42:09,200
Speaker 2: up and you've got Michelle Rodriguez who plays a character

769
00:42:09,280 --> 00:42:13,359
Speaker 2: named Letty who's dating Dom, and she steps out the

770
00:42:13,400 --> 00:42:18,200
Speaker 2: car with these like giant Doc Martin creepers with flames

771
00:42:18,239 --> 00:42:20,480
Speaker 2: printed on them, so you know she's like a badass.

772
00:42:20,840 --> 00:42:21,240
Speaker 1: Yes.

773
00:42:21,920 --> 00:42:24,799
Speaker 2: Then there's a character named Jesse, and Jesse is a

774
00:42:24,800 --> 00:42:27,279
Speaker 2: man who's wearing a knit hat in la on a

775
00:42:27,320 --> 00:42:30,960
Speaker 2: sunny day, so that's how you know he's wild. And

776
00:42:31,000 --> 00:42:34,560
Speaker 2: you eventually see him designing cars using a floppy disc

777
00:42:34,640 --> 00:42:39,160
Speaker 2: computer like we're in the Dark Ages. In this movie,

778
00:42:39,600 --> 00:42:42,839
Speaker 2: there's a guy named Vince who's just a tattooed guy

779
00:42:42,880 --> 00:42:44,799
Speaker 2: with leather wristbands, and he's kind of like, you know,

780
00:42:44,880 --> 00:42:47,040
Speaker 2: the tough guy. And then there's a guy named Leo

781
00:42:47,080 --> 00:42:50,279
Speaker 2: who just seems like a nice guy in a dnim vist. Yeah,

782
00:42:50,440 --> 00:42:51,920
Speaker 2: like he's just kind of there. He kind of just

783
00:42:52,000 --> 00:42:54,680
Speaker 2: likes cars. He just kind of rounds out the crew.

784
00:42:54,840 --> 00:42:57,280
Speaker 2: And every single one of these people is pissed off

785
00:42:58,000 --> 00:43:01,840
Speaker 2: that Torretto's Cafe has a customer that the customer is Brian, Like,

786
00:43:01,920 --> 00:43:03,960
Speaker 2: they are just mad that he's eating a sandwich. There

787
00:43:04,000 --> 00:43:06,719
Speaker 2: to the point where Vince and Brian getting a fist

788
00:43:06,760 --> 00:43:09,920
Speaker 2: fight in the street and Tom tries to get Brian

789
00:43:10,000 --> 00:43:14,080
Speaker 2: fired from his job. He's like, I'm gonna call your boss,

790
00:43:14,239 --> 00:43:17,640
Speaker 2: Brian at the Racer's Edge and you're not going to

791
00:43:17,680 --> 00:43:19,360
Speaker 2: work anymore because I'm so mad that you've got in

792
00:43:19,400 --> 00:43:22,319
Speaker 2: a fight that is also a dad move. Yeah, it's

793
00:43:22,360 --> 00:43:27,160
Speaker 2: a weird dad like punishing move. So Brian goes back

794
00:43:27,160 --> 00:43:30,160
Speaker 2: to the Racer's Edge while his boss is on the

795
00:43:30,320 --> 00:43:33,080
Speaker 2: phone with Dom and he's like, oh, yeah, man, I'm sorry,

796
00:43:33,080 --> 00:43:34,760
Speaker 2: but like you know, good workers are hard to find.

797
00:43:35,480 --> 00:43:38,520
Speaker 2: But there are several points in this movie where I

798
00:43:38,600 --> 00:43:41,840
Speaker 2: hear what I think are the weirdest and best sentences

799
00:43:41,840 --> 00:43:44,319
Speaker 2: they've ever heard on film, and I'm not being hyperbolic.

800
00:43:45,160 --> 00:43:49,319
Speaker 2: The first one being this. Brian's response to be having

801
00:43:49,400 --> 00:43:53,280
Speaker 2: a fight with this crew is that he needs NOS,

802
00:43:53,400 --> 00:43:57,560
Speaker 2: which is nitrous oxide, for his car, and so he's like,

803
00:43:57,600 --> 00:44:01,680
Speaker 2: I need some NOS and Brian says amateurs don't need

804
00:44:01,840 --> 00:44:07,279
Speaker 2: nitrous oxide. With the seriousness of Laurence Olivier delivering a

805
00:44:07,360 --> 00:44:13,799
Speaker 2: line from Kinglear, It's unreal. But then we get to

806
00:44:14,160 --> 00:44:16,040
Speaker 2: the how I'm gonna break down the rest of this

807
00:44:16,680 --> 00:44:18,880
Speaker 2: fucking movie because I'm gonna break it down. In scenes,

808
00:44:20,040 --> 00:44:22,680
Speaker 2: we get to the street race, and the street race

809
00:44:22,800 --> 00:44:25,800
Speaker 2: is a party. Segregation rules are in full effect.

810
00:44:26,200 --> 00:44:26,719
Speaker 1: Haha.

811
00:44:27,520 --> 00:44:30,160
Speaker 2: Racial segregation is in full effect at the street race

812
00:44:30,320 --> 00:44:32,759
Speaker 2: and Brian is at first just hanging out and he

813
00:44:32,800 --> 00:44:34,520
Speaker 2: meets a couple of guys. One of those guys is

814
00:44:34,560 --> 00:44:37,840
Speaker 2: named Hector and the other guy is jaw Rule, because

815
00:44:38,000 --> 00:44:42,600
Speaker 2: jaw Rule is there acting in this movie.

816
00:44:43,040 --> 00:44:45,759
Speaker 1: Also, I gotta say there's a song that he does

817
00:44:45,800 --> 00:44:49,279
Speaker 1: for the soundtrack that samples the song Strange Love by

818
00:44:49,320 --> 00:44:53,120
Speaker 1: Depeche Mode, and yes, fine is it.

819
00:44:53,120 --> 00:44:55,440
Speaker 2: One's like it's murder.

820
00:44:57,200 --> 00:44:59,480
Speaker 1: You're in the high jaw Rule era. It's two thousand

821
00:44:59,520 --> 00:45:00,040
Speaker 1: and one.

822
00:45:00,840 --> 00:45:04,880
Speaker 2: High Ja Rule Era and then Dom pulls up in.

823
00:45:05,239 --> 00:45:08,000
Speaker 2: You think he's gonna pull up in like a fucking

824
00:45:08,200 --> 00:45:11,240
Speaker 2: muscle car with like the big tires and the big rooms.

825
00:45:11,320 --> 00:45:13,920
Speaker 2: He basically pulls up in a Mazda Miata and I

826
00:45:13,920 --> 00:45:16,040
Speaker 2: don't know if it looks so small because vin Diesel

827
00:45:16,120 --> 00:45:18,080
Speaker 2: is so huge. But he pulls up in this little

828
00:45:18,120 --> 00:45:22,319
Speaker 2: red Corvette car, like this tiny little car, and is like,

829
00:45:23,320 --> 00:45:26,960
Speaker 2: I'm here to race. The buy in is two thousand dollars,

830
00:45:27,800 --> 00:45:30,120
Speaker 2: and Brian's like, I don't have two thousand dollars, but

831
00:45:30,160 --> 00:45:32,480
Speaker 2: I'll give you the pink slip to my car if

832
00:45:32,520 --> 00:45:34,480
Speaker 2: you win, because you know it's grease.

833
00:45:35,400 --> 00:45:36,040
Speaker 1: Yeah, this is a.

834
00:45:36,040 --> 00:45:41,560
Speaker 2: Remake of Green and all Brian wants if he wins

835
00:45:42,280 --> 00:45:44,760
Speaker 2: is he's gonna take the cash, and that he wants

836
00:45:44,800 --> 00:45:48,200
Speaker 2: the respect. He wants everyone's respect. So then they get

837
00:45:48,239 --> 00:45:50,279
Speaker 2: into their cars, and the inside of all of these

838
00:45:50,320 --> 00:45:53,239
Speaker 2: cars it's like Peebee's playhouse, Like they have screens and

839
00:45:53,400 --> 00:45:57,479
Speaker 2: laptops and nitrous and scanners and pinatas and all kinds

840
00:45:57,480 --> 00:46:03,880
Speaker 2: of Shitah, it's not amazing. When Brian completely loses and

841
00:46:03,920 --> 00:46:06,480
Speaker 2: he's going so fast his car is popping bolts and

842
00:46:06,480 --> 00:46:11,240
Speaker 2: the thing is practically on fire and he loses. Doesn't

843
00:46:11,239 --> 00:46:13,440
Speaker 2: have time to really revel in the loss because the

844
00:46:13,480 --> 00:46:16,960
Speaker 2: cops come instantly and everyone scatters in like the most

845
00:46:17,000 --> 00:46:21,520
Speaker 2: well choreographed way ever. Dom pulls into a garage to

846
00:46:21,560 --> 00:46:25,120
Speaker 2: evade the police, but then when he's walking on the street,

847
00:46:25,160 --> 00:46:27,920
Speaker 2: they recognize him, which seems dubious, like you can't arrest

848
00:46:27,920 --> 00:46:31,719
Speaker 2: someone for street racing if they're on their feet, But

849
00:46:31,840 --> 00:46:34,440
Speaker 2: these cops are like, maybe we'll try it. I don't know.

850
00:46:35,640 --> 00:46:38,319
Speaker 2: But he gets away because Brian gives him a ride.

851
00:46:38,400 --> 00:46:41,759
Speaker 2: Brian comes and zooms in and saves Himp, and it's

852
00:46:41,760 --> 00:46:45,719
Speaker 2: so impressive to Dom that he instantly busts into a

853
00:46:45,760 --> 00:46:48,080
Speaker 2: story about his past. He's like, I was in prison

854
00:46:48,120 --> 00:46:50,759
Speaker 2: for two years and I'm not going back. Then, on

855
00:46:50,800 --> 00:46:53,800
Speaker 2: the way home, they get pulled over by a rival

856
00:46:53,840 --> 00:46:57,520
Speaker 2: Asian gang for driving in the wrong hood. And one

857
00:46:57,560 --> 00:47:00,080
Speaker 2: of these guys, this character named Lance, is wearing a

858
00:47:00,080 --> 00:47:05,160
Speaker 2: pair of snake skin pants that is fighting for These

859
00:47:05,200 --> 00:47:08,720
Speaker 2: pants are fighting for their life on this man's body,

860
00:47:10,600 --> 00:47:12,480
Speaker 2: and they're like, you're in the wrong hood, and he's like,

861
00:47:12,520 --> 00:47:15,520
Speaker 2: I know, we got lost. I'm so sorry, and then

862
00:47:15,560 --> 00:47:18,160
Speaker 2: the guys the gang drives away, but then they come back.

863
00:47:18,760 --> 00:47:21,120
Speaker 2: They come back and they shoot up Brian's car and

864
00:47:21,160 --> 00:47:23,440
Speaker 2: it fucking does burst into flames because it's full of

865
00:47:23,520 --> 00:47:28,880
Speaker 2: nitrous oxide. I know, Oh, it's intense. So they bust

866
00:47:28,920 --> 00:47:32,080
Speaker 2: up his car. Then we get to he takes Dom

867
00:47:32,160 --> 00:47:34,120
Speaker 2: home and there's of course the house party going on,

868
00:47:35,280 --> 00:47:37,560
Speaker 2: and Vince is playing a guitar that I haven't seen

869
00:47:37,640 --> 00:47:40,480
Speaker 2: since like the rat videos of the nineteen eighties. It's

870
00:47:40,480 --> 00:47:46,040
Speaker 2: like the black and yellow spiral guitar. Yeah, and this

871
00:47:46,080 --> 00:47:48,680
Speaker 2: is one hundred percent a heterosexual man's idea of a party.

872
00:47:48,680 --> 00:47:51,280
Speaker 2: It's like two women making out in the corner, Michelle

873
00:47:51,360 --> 00:47:55,040
Speaker 2: Rodriguez in a leather miniskirt on the floor playing video games.

874
00:47:56,120 --> 00:47:58,960
Speaker 1: But it's although she at one point does she's like.

875
00:47:59,719 --> 00:48:02,439
Speaker 1: My favorite line of hers in the movie is when

876
00:48:02,719 --> 00:48:05,000
Speaker 1: she's like, you look really stressed out. Why don't you

877
00:48:05,040 --> 00:48:06,800
Speaker 1: go upstairs and give me a massage?

878
00:48:07,040 --> 00:48:12,440
Speaker 2: Yes? Yes, she has absolutely got the reins of this relationship.

879
00:48:12,520 --> 00:48:12,759
Speaker 3: Ah.

880
00:48:13,040 --> 00:48:14,480
Speaker 1: I was like, what a boss?

881
00:48:14,800 --> 00:48:19,120
Speaker 2: Hello? Her hondo fucking percent. She's a very interesting character

882
00:48:19,800 --> 00:48:22,120
Speaker 2: and she doesn't say a lot, but she is very

883
00:48:22,280 --> 00:48:27,439
Speaker 2: interesting in this relationship as well. And the real point

884
00:48:27,440 --> 00:48:29,600
Speaker 2: of the party is that you again figure out that

885
00:48:29,640 --> 00:48:33,160
Speaker 2: Letty is Tom's girlfriend and that Mia is Dom's sister,

886
00:48:33,719 --> 00:48:36,359
Speaker 2: and MIA's kind of got the hots for Brian, and

887
00:48:36,400 --> 00:48:40,880
Speaker 2: they start kind of, you know, flirting, but they also

888
00:48:41,000 --> 00:48:45,000
Speaker 2: rub it in Vince's face, and most of the movie

889
00:48:45,120 --> 00:48:48,000
Speaker 2: is Brian. Whenever they're in a scene together, Brian and Vince,

890
00:48:48,040 --> 00:48:51,640
Speaker 2: it's basically Vince practically losing his mind that Brian exists,

891
00:48:51,680 --> 00:48:55,120
Speaker 2: so they're really rubbing it in his face. Then we

892
00:48:55,239 --> 00:48:59,440
Speaker 2: realize that Brian is a cop and Brian's real name

893
00:48:59,480 --> 00:49:02,239
Speaker 2: is Brian O'Connor, and he gets pulled over so they

894
00:49:02,239 --> 00:49:03,759
Speaker 2: can make it look real so he can go talk

895
00:49:03,760 --> 00:49:07,359
Speaker 2: to his cop friends, including his sergeant who's Buffalo Bill

896
00:49:07,560 --> 00:49:11,920
Speaker 2: ted Levine, and their headquarters look like the type of

897
00:49:11,920 --> 00:49:14,520
Speaker 2: place that Johnny Carson would have lived in in the sixties,

898
00:49:14,640 --> 00:49:18,720
Speaker 2: like real ranch style, centered around the pool kind of place.

899
00:49:20,480 --> 00:49:24,280
Speaker 2: I will say in this scene that Brian is clearly

900
00:49:24,360 --> 00:49:27,520
Speaker 2: undercover and he's trying to bust the gang that is

901
00:49:27,640 --> 00:49:30,360
Speaker 2: jacking all these trucks like that those are his marching orders,

902
00:49:31,400 --> 00:49:34,440
Speaker 2: and they eventually identify that is that it is like

903
00:49:34,480 --> 00:49:38,600
Speaker 2: a gang related thing. From the tire marks. Okay, fine,

904
00:49:39,480 --> 00:49:42,680
Speaker 2: but what really pisses me off about this scene is

905
00:49:43,040 --> 00:49:48,799
Speaker 2: the sergeant asks for four iced cappuccinos. There is no

906
00:49:49,160 --> 00:49:52,080
Speaker 2: such fucking thing as an ice cappuccino. I am a

907
00:49:52,120 --> 00:49:54,880
Speaker 2: former barista. I've worked in plenty of fucking coffee shops.

908
00:49:54,960 --> 00:49:56,640
Speaker 2: I used to have fights about this with people all

909
00:49:56,680 --> 00:50:01,440
Speaker 2: the time. What you're getting is an iced latte. Okay, okay,

910
00:50:01,480 --> 00:50:05,160
Speaker 2: and ice cappuccino does not fucking exist because you cannot

911
00:50:05,239 --> 00:50:09,160
Speaker 2: put foam on top of ice with a little bit

912
00:50:09,160 --> 00:50:11,279
Speaker 2: of I mean you could, but it's a giant pain

913
00:50:11,360 --> 00:50:13,359
Speaker 2: in the ass and it's so hot it's gonna melt

914
00:50:13,400 --> 00:50:16,600
Speaker 2: your fucking ice and it's gonna turn into milk anyway.

915
00:50:20,080 --> 00:50:22,680
Speaker 1: It sounds an examt bone to pick with this film?

916
00:50:22,800 --> 00:50:25,080
Speaker 1: Is this I this fucking movie.

917
00:50:25,080 --> 00:50:27,640
Speaker 2: Nobody kisses that you want to kiss, and there's no

918
00:50:27,680 --> 00:50:32,279
Speaker 2: such thing as an ice cappuccina. Well fucking die on

919
00:50:32,360 --> 00:50:36,280
Speaker 2: that hill. But Dom's basically like, you know, he's getting

920
00:50:36,280 --> 00:50:38,319
Speaker 2: buddy buddy with Brian, and then he shows him his

921
00:50:38,400 --> 00:50:41,480
Speaker 2: garage and he's like, you know, Brian, you owe me

922
00:50:41,560 --> 00:50:44,560
Speaker 2: a ten second car, like you owe me a car,

923
00:50:44,680 --> 00:50:47,520
Speaker 2: So Brian has this real beat or delivered, and they're

924
00:50:47,560 --> 00:50:49,480
Speaker 2: kind of joking about how he can fix it up.

925
00:50:49,920 --> 00:50:52,640
Speaker 2: But the real point of this scene in Tom's garage

926
00:50:52,680 --> 00:50:55,560
Speaker 2: to me is that you learn of a racing show

927
00:50:55,760 --> 00:51:02,759
Speaker 2: in the desert that is called race Wars. Everyone says

928
00:51:02,800 --> 00:51:09,279
Speaker 2: it with a straight face, fucking race wars. And it's

929
00:51:09,320 --> 00:51:13,359
Speaker 2: not the race wars as we have traditionally known them,

930
00:51:13,560 --> 00:51:19,160
Speaker 2: which is a cataclysmic event where room actual races of

931
00:51:19,280 --> 00:51:23,080
Speaker 2: people are at war with each other car racing wars.

932
00:51:24,719 --> 00:51:27,319
Speaker 1: But I would argue, isn't it kind of a race

933
00:51:27,400 --> 00:51:29,040
Speaker 1: war because they're.

934
00:51:29,920 --> 00:51:32,920
Speaker 2: It kind of means because they're segregated into these weird gangs.

935
00:51:33,400 --> 00:51:36,640
Speaker 1: Well, and that's the thing I just forget another I'm

936
00:51:36,680 --> 00:51:38,960
Speaker 1: gonna keep fucking loving this movie, and I don't give

937
00:51:39,000 --> 00:51:42,600
Speaker 1: a shit what anybody says. You can't convince me otherwise.

938
00:51:43,080 --> 00:51:44,040
Speaker 2: But the.

939
00:51:45,600 --> 00:51:47,600
Speaker 1: What ends up happening is that you do see these

940
00:51:48,560 --> 00:51:53,560
Speaker 1: different gangs of people based on like ethnicity and racial

941
00:51:54,239 --> 00:51:59,640
Speaker 1: you know, identification, right, But then the gangs become very intermixed,

942
00:51:59,640 --> 00:52:03,480
Speaker 1: like they're they all work together basically, and it's that

943
00:52:03,560 --> 00:52:05,600
Speaker 1: feeling almost kind of like a Smokey and the Banded

944
00:52:05,640 --> 00:52:08,480
Speaker 1: feeling of like a where it's all us against the

945
00:52:08,480 --> 00:52:10,239
Speaker 1: cops or it's all you know what I mean, And

946
00:52:10,400 --> 00:52:11,480
Speaker 1: I love that.

947
00:52:11,920 --> 00:52:16,440
Speaker 2: I'm like, it's wild. It's wild that they with a

948
00:52:16,480 --> 00:52:19,080
Speaker 2: straight face call it race Wars when the whole point

949
00:52:19,080 --> 00:52:22,840
Speaker 2: of the movie is about all these segregated populations of

950
00:52:22,960 --> 00:52:26,640
Speaker 2: car racers coming together. That's true, it's kind of it's

951
00:52:26,719 --> 00:52:29,080
Speaker 2: very tongue in cheek, very hilarious. I'm going to give

952
00:52:29,080 --> 00:52:30,680
Speaker 2: it to the writers and say they knew what they

953
00:52:30,719 --> 00:52:35,040
Speaker 2: were doing. Yes, even it was an accident. It's very funny.

954
00:52:35,560 --> 00:52:39,520
Speaker 2: But then we get to dinner, and dinner is a

955
00:52:39,520 --> 00:52:42,600
Speaker 2: big old we're family event. Now, I thought, because I've

956
00:52:42,640 --> 00:52:45,640
Speaker 2: heard the joke about Tom saying well family, I thought

957
00:52:45,680 --> 00:52:47,759
Speaker 2: that came from the first movie. But it doesn't. It's

958
00:52:48,120 --> 00:52:50,000
Speaker 2: going to be in another movie that I discovered down

959
00:52:50,000 --> 00:52:50,880
Speaker 2: the line.

960
00:52:51,160 --> 00:52:53,600
Speaker 1: Yeah, I think it's this one.

961
00:52:53,480 --> 00:52:57,640
Speaker 2: Okay, But he's clearly the dad of this family of

962
00:52:57,719 --> 00:53:03,000
Speaker 2: misfit racers at this dinner, and again, the lines are

963
00:53:03,040 --> 00:53:05,960
Speaker 2: just unreal. At one point, he turns to Jesse and says,

964
00:53:06,080 --> 00:53:11,960
Speaker 2: because you reached for the chicken first, you say grace, Like, okay, Grandpa.

965
00:53:12,600 --> 00:53:14,480
Speaker 1: He's a man of rules, he has principles.

966
00:53:15,200 --> 00:53:17,279
Speaker 2: He is a man of rules and principles that come

967
00:53:17,320 --> 00:53:23,760
Speaker 2: straight from the nineteen forties. And Vince throws a hissy

968
00:53:23,760 --> 00:53:25,920
Speaker 2: fit when he sees Brian, but then he comes back

969
00:53:25,960 --> 00:53:30,080
Speaker 2: because he's hungry. So Vince's like, I don't want Brian

970
00:53:30,120 --> 00:53:33,359
Speaker 2: to be in our family. What the fuck? But then

971
00:53:33,400 --> 00:53:38,040
Speaker 2: we go to another party and Vince is kind of justified.

972
00:53:38,040 --> 00:53:42,279
Speaker 2: He's kind of justified, like he's he's redeemed because he

973
00:53:42,360 --> 00:53:45,680
Speaker 2: catches Brian sneaking around a garage and he's like, you

974
00:53:45,760 --> 00:53:52,400
Speaker 2: are a fucking cop now. Brian is one caught and

975
00:53:52,440 --> 00:53:56,960
Speaker 2: then Dom rolls out of the darkness like Dracula to

976
00:53:57,080 --> 00:54:00,640
Speaker 2: question him, like his face just up here, and he's like,

977
00:54:00,680 --> 00:54:04,360
Speaker 2: what's going on here? We think you're a cop. Brian

978
00:54:04,400 --> 00:54:06,839
Speaker 2: comes up with a pretty believable story about how he's

979
00:54:06,880 --> 00:54:10,480
Speaker 2: been checking out cars because he's planning for the race Wars,

980
00:54:12,480 --> 00:54:14,799
Speaker 2: and he's like, oh, you're gonna check every car? Cool,

981
00:54:14,880 --> 00:54:18,480
Speaker 2: Let's go to Johnny Tran's garage and check his cars

982
00:54:19,040 --> 00:54:20,879
Speaker 2: where they and they go and they see a man

983
00:54:21,000 --> 00:54:25,560
Speaker 2: being tortured with motor oil and they're like, all right,

984
00:54:25,600 --> 00:54:27,919
Speaker 2: maybe you're not a cop, but there's clearly something else

985
00:54:27,960 --> 00:54:29,479
Speaker 2: going on here. There's bigger fish to fry.

986
00:54:31,280 --> 00:54:31,640
Speaker 1: Now.

987
00:54:32,760 --> 00:54:35,520
Speaker 2: The next scene that is interesting to me is you

988
00:54:35,560 --> 00:54:38,040
Speaker 2: think Dom's got his little mos Demada. Even though he

989
00:54:38,080 --> 00:54:40,080
Speaker 2: seems like a guy who has a bunch of different cars,

990
00:54:40,280 --> 00:54:43,360
Speaker 2: he kind of stays true to the red one until

991
00:54:43,400 --> 00:54:47,360
Speaker 2: we go to the garage and see Dom's special car

992
00:54:47,680 --> 00:54:52,640
Speaker 2: because he has a second secret storage garage for this car.

993
00:54:53,080 --> 00:54:55,879
Speaker 2: And as it turns out, and it's his dad's car,

994
00:54:56,120 --> 00:55:00,680
Speaker 2: and it's a nineteen seventy Dodge Charger, and is scared

995
00:55:00,719 --> 00:55:04,880
Speaker 2: to drive this car because he watched his father burn

996
00:55:05,000 --> 00:55:07,760
Speaker 2: to death in a stock car race in this car.

997
00:55:09,400 --> 00:55:11,520
Speaker 2: Why does he have this haunted piece of shit in

998
00:55:11,600 --> 00:55:15,239
Speaker 2: his garage? It is wild, but this is part of

999
00:55:15,280 --> 00:55:20,000
Speaker 2: his whole backstory. Like, this is the Dom backstory. I

1000
00:55:20,040 --> 00:55:22,600
Speaker 2: watched my dad die in a stock car. And now

1001
00:55:22,640 --> 00:55:24,560
Speaker 2: I have the car, and I put one of those

1002
00:55:24,600 --> 00:55:26,799
Speaker 2: engines in it that stick out from the hood, Like

1003
00:55:26,840 --> 00:55:28,520
Speaker 2: I had to cut a square in the hood so

1004
00:55:28,560 --> 00:55:33,200
Speaker 2: I could pop the engine out. And I'm afraid to

1005
00:55:33,280 --> 00:55:35,000
Speaker 2: drive it, but I have it and I fixed it,

1006
00:55:35,040 --> 00:55:36,880
Speaker 2: and I'm like, all right, dude, that's a lot of

1007
00:55:36,920 --> 00:55:39,160
Speaker 2: work for a car that you don't want to drive

1008
00:55:39,200 --> 00:55:42,800
Speaker 2: because it's clearly haunted by your den burning father's bones.

1009
00:55:43,600 --> 00:55:45,040
Speaker 1: I love that, though.

1010
00:55:45,320 --> 00:55:47,319
Speaker 2: Who knows about this?

1011
00:55:48,000 --> 00:55:54,760
Speaker 1: I want listen. I am a Dom Toretto fan. Okay,

1012
00:55:54,960 --> 00:55:58,520
Speaker 1: he is exactly what I'm looking for in the world,

1013
00:56:00,200 --> 00:56:03,040
Speaker 1: a fucking older, older brother dad type that has a

1014
00:56:03,040 --> 00:56:08,399
Speaker 1: lot of like rules and creeds to live by. At

1015
00:56:08,440 --> 00:56:11,479
Speaker 1: one point this is literally, oh my god, I must

1016
00:56:11,600 --> 00:56:13,759
Speaker 1: I don't know what happened, but I got totally in

1017
00:56:13,760 --> 00:56:17,400
Speaker 1: my feelings about this. Where the Jordana Brewster character is

1018
00:56:17,400 --> 00:56:20,759
Speaker 1: trying to describe him to the Paul Walker character and

1019
00:56:20,800 --> 00:56:25,319
Speaker 1: she She's like, He's like gravity, yeah, And I was like,

1020
00:56:25,640 --> 00:56:29,200
Speaker 1: Dom is gravity. He pulls everybody into his orbit. And

1021
00:56:29,239 --> 00:56:33,319
Speaker 1: I was like, yo, that is profound as shit. And

1022
00:56:33,400 --> 00:56:35,160
Speaker 1: I might be emotional right now.

1023
00:56:35,480 --> 00:56:38,600
Speaker 2: I don't care that I might be emotional. It could

1024
00:56:38,640 --> 00:56:45,560
Speaker 2: be the pot liquor. But I'm having some feelings, man.

1025
00:56:46,360 --> 00:56:48,799
Speaker 1: But that's okay. I know that this part is set

1026
00:56:48,880 --> 00:56:51,600
Speaker 1: up to give you this backstory about Dom's character, being like,

1027
00:56:52,960 --> 00:56:55,400
Speaker 1: what's the reason for the passion? Why does he do

1028
00:56:55,440 --> 00:56:57,080
Speaker 1: what he does? How does he get up every day

1029
00:56:57,080 --> 00:56:59,200
Speaker 1: in the morning and be this guy it's because of this, right,

1030
00:56:59,239 --> 00:57:02,640
Speaker 1: it's because of this backstory. But I'm sorry, I was.

1031
00:57:02,920 --> 00:57:05,800
Speaker 1: I was like affected by it.

1032
00:57:05,800 --> 00:57:09,080
Speaker 2: Like Dom for Life, Well were you equally affected? When

1033
00:57:09,080 --> 00:57:12,560
Speaker 2: he says what to me is the best line of

1034
00:57:12,600 --> 00:57:17,040
Speaker 2: the movie, I live my life a quarter mile at

1035
00:57:17,040 --> 00:57:22,440
Speaker 2: a time, duh, because that's how he ends the story

1036
00:57:22,560 --> 00:57:26,200
Speaker 2: of his father burning to death. I live my life

1037
00:57:26,560 --> 00:57:29,040
Speaker 2: a quarter mile at a time. His whole life is

1038
00:57:29,080 --> 00:57:31,160
Speaker 2: just drag racing, a little bit, just a little bit

1039
00:57:31,240 --> 00:57:31,840
Speaker 2: drag racing.

1040
00:57:32,600 --> 00:57:37,240
Speaker 1: Look, in the modern context, people would say I'm present

1041
00:57:37,440 --> 00:57:40,840
Speaker 1: in the current moment, But in Dom's two thousand and

1042
00:57:40,840 --> 00:57:42,720
Speaker 1: one world it said he lives a quarter mile at

1043
00:57:42,720 --> 00:57:43,000
Speaker 1: a time.

1044
00:57:43,840 --> 00:57:48,040
Speaker 2: I fucking loved it. So everything again, everything in this

1045
00:57:48,120 --> 00:57:51,240
Speaker 2: film is delivered as seriously as possible.

1046
00:57:52,080 --> 00:57:52,680
Speaker 1: Love it.

1047
00:57:53,760 --> 00:57:59,880
Speaker 2: No smiles are cracked. It is just death, deadly serious,

1048
00:58:00,280 --> 00:58:05,720
Speaker 2: deadly serious. So there's a bust because you know, Brian's

1049
00:58:05,760 --> 00:58:08,200
Speaker 2: like I think as Johnny Tran's group that's clearly got

1050
00:58:08,280 --> 00:58:12,000
Speaker 2: the DVDs, the DVD players. So the cops move in

1051
00:58:12,040 --> 00:58:14,640
Speaker 2: and they bust Johnny Tran, and everyone who's in a

1052
00:58:14,680 --> 00:58:18,280
Speaker 2: relationship has sex, and the bus doesn't work because Johnny

1053
00:58:18,280 --> 00:58:20,080
Speaker 2: Tran is not the one that has the DVDs, and

1054
00:58:20,120 --> 00:58:22,640
Speaker 2: the cops get Brian thirty six hours to find the goods.

1055
00:58:22,760 --> 00:58:25,480
Speaker 1: I was like, Yo, the what do they think they

1056
00:58:25,520 --> 00:58:28,080
Speaker 1: are gonna find? These people know how to cover their tracks.

1057
00:58:28,320 --> 00:58:30,840
Speaker 1: Are you kidding me? You're talking about an Asian gang.

1058
00:58:31,320 --> 00:58:36,520
Speaker 1: You can't find shit on them, period, Everything's real clean.

1059
00:58:37,120 --> 00:58:39,920
Speaker 1: These are professional criminals. You think that they're just gonna

1060
00:58:40,200 --> 00:58:42,360
Speaker 1: like have all their fucking business out there.

1061
00:58:43,480 --> 00:58:45,680
Speaker 2: Oh, you think they're just selling DVD players in front

1062
00:58:45,720 --> 00:58:47,560
Speaker 2: of the store where they work.

1063
00:58:48,080 --> 00:58:50,960
Speaker 1: You don't think that this is an organized.

1064
00:58:50,600 --> 00:58:55,360
Speaker 2: Crime and possibly as is hinted by the trailers I

1065
00:58:55,360 --> 00:58:57,480
Speaker 2: saw in some of the other movies, which I don't

1066
00:58:57,520 --> 00:58:59,640
Speaker 2: think any of them are connected to each other. Also,

1067
00:59:00,520 --> 00:59:04,360
Speaker 2: but it's also possible we're talking about a bigger criminal

1068
00:59:04,480 --> 00:59:05,360
Speaker 2: organization here.

1069
00:59:05,840 --> 00:59:07,960
Speaker 1: Hell yeah, hell yeah.

1070
00:59:07,480 --> 00:59:11,640
Speaker 2: So there's that. Now. The thing about Brian is he

1071
00:59:11,760 --> 00:59:16,360
Speaker 2: is gonna try to crack this case at the race Wars,

1072
00:59:19,800 --> 00:59:22,160
Speaker 2: so everyone else is busy racing like Letty, you know,

1073
00:59:22,200 --> 00:59:25,360
Speaker 2: the Michelle Rodriguez character. She raises some Trump right away

1074
00:59:25,360 --> 00:59:30,680
Speaker 2: and wins. Jesse, however, races Johnny Tran for Pink slips

1075
00:59:30,680 --> 00:59:35,360
Speaker 2: and loses and hilariously just keeps on driving. He loses

1076
00:59:35,400 --> 00:59:38,280
Speaker 2: and just goes off into the day. He's just like

1077
00:59:38,760 --> 00:59:41,640
Speaker 2: see the Sultan Sea or wherever they are completely, He's

1078
00:59:41,680 --> 00:59:46,000
Speaker 2: just in the horizon, gone. And this is also where

1079
00:59:46,040 --> 00:59:49,320
Speaker 2: Brian decides to confess to Mia that he's a cop

1080
00:59:49,560 --> 00:59:52,480
Speaker 2: in an effort to save Dom from getting caught. And

1081
00:59:52,520 --> 00:59:56,479
Speaker 2: you know it's serious because they leave a desert rave

1082
00:59:56,720 --> 01:00:04,240
Speaker 2: at the Race Wars. Okay, but he's like, yo, if

1083
01:00:04,240 --> 01:00:06,600
Speaker 2: Dom's the one stealing all this shit, He's about to

1084
01:00:06,600 --> 01:00:09,320
Speaker 2: get caught and I'm a cop, but there's nothing I

1085
01:00:09,320 --> 01:00:12,600
Speaker 2: can do about it. And she's like my feelings, So

1086
01:00:13,240 --> 01:00:16,800
Speaker 2: Dom definitely has to do this job now. And it's

1087
01:00:16,840 --> 01:00:19,600
Speaker 2: basically the setup of like one last job. Let's get

1088
01:00:19,600 --> 01:00:21,720
Speaker 2: this one big payment and then we can quit for

1089
01:00:21,760 --> 01:00:25,440
Speaker 2: a while because there's too much heat. Nobody is happy

1090
01:00:25,440 --> 01:00:27,600
Speaker 2: about it. They all feel like this is a spooky

1091
01:00:27,640 --> 01:00:30,200
Speaker 2: situation that is not planned out well and it's going

1092
01:00:30,280 --> 01:00:33,919
Speaker 2: to go bad. Also, how did their robbery cars get there?

1093
01:00:34,040 --> 01:00:37,360
Speaker 2: Because their robbery cars are these three identical black cars

1094
01:00:37,360 --> 01:00:41,680
Speaker 2: with green neon things underneath, and they kind of drive

1095
01:00:41,920 --> 01:00:44,800
Speaker 2: their Race Wars cars to the robbery cars and I'm

1096
01:00:44,800 --> 01:00:46,880
Speaker 2: like who dropped off your robbery cars because they also

1097
01:00:46,920 --> 01:00:50,919
Speaker 2: have to be paid off. They're also in this that's

1098
01:00:50,960 --> 01:00:55,440
Speaker 2: not explained. Yeah, and I didn't appreciate it. I want

1099
01:00:55,480 --> 01:01:01,920
Speaker 2: the fucking details of how this group works. So they

1100
01:01:01,960 --> 01:01:04,120
Speaker 2: pull their job like they're planning all night, and then

1101
01:01:04,160 --> 01:01:06,440
Speaker 2: they pull the job when the sun rises, which again

1102
01:01:06,760 --> 01:01:11,480
Speaker 2: very romantic, but it's fucked up because the driver shoots

1103
01:01:11,560 --> 01:01:14,880
Speaker 2: Vince after he does his little harpoon move, and Dom

1104
01:01:15,040 --> 01:01:17,760
Speaker 2: is leading out of the driver's side of his car

1105
01:01:17,800 --> 01:01:20,080
Speaker 2: trying to grab Vince like one hundred miles an hour,

1106
01:01:20,920 --> 01:01:23,480
Speaker 2: and Vince is hanging by his arm, and then the

1107
01:01:23,520 --> 01:01:26,440
Speaker 2: tires get shot out of Dom's car and Letty flips

1108
01:01:26,480 --> 01:01:29,800
Speaker 2: over and here comes Brian and Mia just in time,

1109
01:01:30,640 --> 01:01:34,840
Speaker 2: and Brian saves Vince by punching the roof off of

1110
01:01:34,920 --> 01:01:40,800
Speaker 2: his car and letting Mia drive, and then he cuts

1111
01:01:40,800 --> 01:01:44,160
Speaker 2: the cord and the driver doesn't shoot Brian because Brian's

1112
01:01:44,160 --> 01:01:47,400
Speaker 2: eyes are too pretty. He's transfixed, just kidding, he's reloading,

1113
01:01:49,040 --> 01:01:52,600
Speaker 2: but Brian escapes the gunshots. Vince is saved, but he's

1114
01:01:52,600 --> 01:01:55,520
Speaker 2: super fucked up, and Brian then has to blow his

1115
01:01:55,640 --> 01:01:59,880
Speaker 2: cover to everybody to get a helicopter there to save Vince,

1116
01:02:00,120 --> 01:02:03,200
Speaker 2: that's right, which he does. But we're not done with

1117
01:02:03,240 --> 01:02:05,200
Speaker 2: the movie yet because we have to go back to

1118
01:02:05,320 --> 01:02:11,200
Speaker 2: Chekhov's Dead Dad Car. There's a showdown between Donald and Brian,

1119
01:02:11,960 --> 01:02:15,240
Speaker 2: so Dom has to find Jesse before Johnny Tran does,

1120
01:02:16,160 --> 01:02:18,080
Speaker 2: and it's a good thing that Jesse just rolls on

1121
01:02:18,200 --> 01:02:21,560
Speaker 2: up to the house, but then he gets shot immediately

1122
01:02:21,600 --> 01:02:25,000
Speaker 2: by Johnny Trannon Lance because they just love to shoot

1123
01:02:25,000 --> 01:02:27,320
Speaker 2: people on those motorcycles. It's what they do. It's part

1124
01:02:27,320 --> 01:02:30,600
Speaker 2: of their gang. So Brian goes after the killers, and

1125
01:02:30,640 --> 01:02:33,160
Speaker 2: then Dom hops in the Dead Dad Car, the nineteen

1126
01:02:33,200 --> 01:02:35,760
Speaker 2: seventy Dodge Charger. He hops in the Dead Dad Car,

1127
01:02:35,840 --> 01:02:38,560
Speaker 2: and they both take off after each of these dudes,

1128
01:02:38,880 --> 01:02:43,120
Speaker 2: and both do the end up dying. But don't worry,

1129
01:02:43,320 --> 01:02:48,840
Speaker 2: because Dom does end up side by side with Brian,

1130
01:02:49,400 --> 01:02:52,800
Speaker 2: each in their own cars after they kill these rival

1131
01:02:52,800 --> 01:02:56,000
Speaker 2: gang members, and he stops to tell a story about

1132
01:02:56,040 --> 01:02:59,320
Speaker 2: his high school drag racing days while they're looking at

1133
01:02:59,320 --> 01:03:02,640
Speaker 2: a train tracks in the distance that are what a

1134
01:03:02,720 --> 01:03:06,959
Speaker 2: quarter of a mile away, because that's how Dom lives

1135
01:03:06,960 --> 01:03:12,520
Speaker 2: his life, and they start racing and Dom beats a train.

1136
01:03:12,600 --> 01:03:15,880
Speaker 2: They both jump the tracks and Beat getting hit by

1137
01:03:15,920 --> 01:03:18,880
Speaker 2: a fucking train, only to have Dom get hit by

1138
01:03:18,880 --> 01:03:26,000
Speaker 2: a fucking semi truck, Like karma is instantaneous, So he

1139
01:03:26,040 --> 01:03:28,520
Speaker 2: gets hit by this truck. He's super fucked up. He's

1140
01:03:28,520 --> 01:03:30,680
Speaker 2: not wearing a seatbelt, but somehow he wasn't thrown from

1141
01:03:30,680 --> 01:03:35,720
Speaker 2: the car. And Brian lets Dom get away, and I

1142
01:03:35,760 --> 01:03:37,840
Speaker 2: think that's what's gonna roll us into the Fast and

1143
01:03:37,880 --> 01:03:42,760
Speaker 2: the Furious too electric boogaloo, because now Brian is he

1144
01:03:42,880 --> 01:03:46,400
Speaker 2: more robber than cop? Is he gonna still be a cop?

1145
01:03:46,800 --> 01:03:48,760
Speaker 2: Is he just gonna be in this gang? What's going

1146
01:03:48,760 --> 01:03:51,200
Speaker 2: on with him? And Mia? Is he ever gonna kiss Dom?

1147
01:03:51,520 --> 01:03:58,680
Speaker 2: What is happening? Job rules answer, it's murder. This movie

1148
01:03:58,720 --> 01:04:03,280
Speaker 2: is amazing. It's fucking high octane, it's hilarious, and apparently

1149
01:04:03,320 --> 01:04:05,720
Speaker 2: it's only gonna get more absurd and I cannot fucking wait.

1150
01:04:06,080 --> 01:04:08,640
Speaker 2: It is the perfect summer popcorn movie.

1151
01:04:08,920 --> 01:04:14,000
Speaker 1: Oh my god, fantastic selection this week. Honestly, like I've

1152
01:04:14,040 --> 01:04:18,880
Speaker 1: already I already showed my pash for this movie. At

1153
01:04:18,880 --> 01:04:23,520
Speaker 1: many points in this episode, I will say that Jordana Brewster,

1154
01:04:24,720 --> 01:04:27,800
Speaker 1: like her look in this movie is like my dream look.

1155
01:04:28,000 --> 01:04:31,760
Speaker 1: She's like golden at all times. I live to be

1156
01:04:31,840 --> 01:04:34,440
Speaker 1: as golden as her, Like, I like truly, like when

1157
01:04:34,440 --> 01:04:36,400
Speaker 1: I wake up in the morning and I like, you know,

1158
01:04:36,480 --> 01:04:39,160
Speaker 1: basically like put lotion on my face, I'm like, how

1159
01:04:39,200 --> 01:04:41,880
Speaker 1: do I get to be as golden as Jordana Brewster

1160
01:04:42,000 --> 01:04:44,240
Speaker 1: In the first Fast and Furious movie?

1161
01:04:44,640 --> 01:04:46,160
Speaker 2: She is she is genuinely glowing.

1162
01:04:46,520 --> 01:04:52,200
Speaker 1: Yeah, I need the bronzer, the tanned face, with like

1163
01:04:52,560 --> 01:04:57,600
Speaker 1: the highlighter, the jewelry, the dark features. I'm just like,

1164
01:04:57,760 --> 01:04:59,720
Speaker 1: she's so like I was like, oh my god, this

1165
01:04:59,760 --> 01:05:02,760
Speaker 1: looks And then of course I think I'm just like

1166
01:05:02,800 --> 01:05:05,760
Speaker 1: trapped in this nostalgia for this era too, because I'm

1167
01:05:05,840 --> 01:05:11,520
Speaker 1: just like all of these like fashions and I mean,

1168
01:05:11,520 --> 01:05:13,840
Speaker 1: this was a low point for feminism. We've talked about

1169
01:05:13,880 --> 01:05:18,440
Speaker 1: this many times. Absolutely this era was, uh, but also

1170
01:05:18,560 --> 01:05:22,520
Speaker 1: there was this like weird style about it now that

1171
01:05:22,560 --> 01:05:25,880
Speaker 1: I really appreciate. I love that this movie is ridiculous,

1172
01:05:25,920 --> 01:05:29,480
Speaker 1: but it's trying to also like be good.

1173
01:05:33,320 --> 01:05:37,360
Speaker 2: They definitely it looks like they definitely landed on just

1174
01:05:37,440 --> 01:05:40,880
Speaker 2: being ridiculous in the future. Sure sure, well sure maybe

1175
01:05:40,920 --> 01:05:41,960
Speaker 2: is it better to me?

1176
01:05:42,520 --> 01:05:44,480
Speaker 1: Yeah, But that's why I think it's a lot like

1177
01:05:44,520 --> 01:05:47,720
Speaker 1: Point Break Point Break is also ridiculous premise, but it

1178
01:05:47,840 --> 01:05:52,040
Speaker 1: tries to be better than the ridiculous premise. Like I'm

1179
01:05:52,040 --> 01:05:54,240
Speaker 1: not sure if it nails at one hundred percent of

1180
01:05:54,320 --> 01:05:58,400
Speaker 1: the time, but it's it's That's what I appreciate about

1181
01:05:58,400 --> 01:06:03,280
Speaker 1: this movie is that it's true. It's not absolutely ridiculous

1182
01:06:04,000 --> 01:06:06,600
Speaker 1: at every moment it's trying to. There's a couple of

1183
01:06:06,640 --> 01:06:09,760
Speaker 1: great shots, there's a lot of great conversations. Obviously, that

1184
01:06:09,800 --> 01:06:13,320
Speaker 1: whole like Dom is a gravity thing, really pulled me in,

1185
01:06:14,720 --> 01:06:18,800
Speaker 1: really rocked me. You know, Paul Walker's eyes are gonna

1186
01:06:19,280 --> 01:06:24,760
Speaker 1: bore holes in your chest, you know, like Dom is

1187
01:06:24,920 --> 01:06:26,840
Speaker 1: the King. I don't know, there's so many things I

1188
01:06:26,880 --> 01:06:30,000
Speaker 1: love about this movie. I'm just so glad you picked it.

1189
01:06:30,000 --> 01:06:34,040
Speaker 2: It's perfect. It's perfect for the theme, as is yours.

1190
01:06:38,600 --> 01:06:40,479
Speaker 1: We're gonna talk a little bit about this movie today.

1191
01:06:40,520 --> 01:06:45,840
Speaker 1: First time watched for me, but my film for the

1192
01:06:45,840 --> 01:06:49,800
Speaker 1: theme I feel the need. The need for air conditioning

1193
01:06:50,320 --> 01:06:55,920
Speaker 1: aka popcorn Movies is from nineteen ninety seven Baby. It

1194
01:06:56,240 --> 01:06:58,680
Speaker 1: was based on a book of the same name by

1195
01:06:58,840 --> 01:07:05,760
Speaker 1: Robert A. Heinlein. The screenplay is by Edward Numeier, directed

1196
01:07:05,760 --> 01:07:10,320
Speaker 1: by the Goat Paul Verhoven. It's called Star Ship Troopers.

1197
01:07:10,640 --> 01:07:13,440
Speaker 2: Everyone fights, no one quits, okay.

1198
01:07:13,600 --> 01:07:21,240
Speaker 1: One sentenced synopsis. This movie is like Top Gun, but

1199
01:07:21,360 --> 01:07:24,840
Speaker 1: in the future with giant bugs taking over the world,

1200
01:07:29,240 --> 01:07:32,120
Speaker 1: which is why the theme name this week is so apropos.

1201
01:07:32,600 --> 01:07:36,080
Speaker 1: I feel the need the need for air conditioning completely.

1202
01:07:37,320 --> 01:07:43,040
Speaker 1: But imagine that, imagine that Top Gun scenario about these

1203
01:07:43,160 --> 01:07:48,440
Speaker 1: like young plucking up star kids like going into the

1204
01:07:48,480 --> 01:07:51,919
Speaker 1: military and they're like in the school learning about the thing,

1205
01:07:52,080 --> 01:07:56,400
Speaker 1: and then you know they have to like basically like

1206
01:07:56,680 --> 01:08:00,520
Speaker 1: learn real life skills somehow. And there's romances and things

1207
01:08:00,520 --> 01:08:01,200
Speaker 1: of that nature.

1208
01:08:01,920 --> 01:08:03,680
Speaker 2: So many, so much romance.

1209
01:08:04,160 --> 01:08:09,520
Speaker 1: Right, So this is the first time watching me. I

1210
01:08:09,560 --> 01:08:14,400
Speaker 1: absolutely locked in minute one minute fucking one.

1211
01:08:14,920 --> 01:08:17,439
Speaker 2: Was it when they were talking about the unlimited supply

1212
01:08:17,560 --> 01:08:24,000
Speaker 2: of bug meteorites? Direct quote direct quote?

1213
01:08:24,479 --> 01:08:30,479
Speaker 1: Yeah, it kind of the thing much like RoboCop total recall.

1214
01:08:30,880 --> 01:08:33,280
Speaker 1: Like a lot of these like Verhoven movies, there's a

1215
01:08:33,280 --> 01:08:36,760
Speaker 1: lot of like fake kind of infrastructure about the movie,

1216
01:08:36,800 --> 01:08:39,680
Speaker 1: so like fake commercials, fake this and that, and a

1217
01:08:39,800 --> 01:08:43,000
Speaker 1: minute it's like the movie gets started, You're like, oh, yeah,

1218
01:08:43,000 --> 01:08:45,559
Speaker 1: this is a definite Paul Verhoven movie. Like it's already

1219
01:08:45,640 --> 01:08:49,519
Speaker 1: like the fake Internet of it, you know, which, again,

1220
01:08:49,880 --> 01:08:52,760
Speaker 1: that's something about Paul Verhoven that's amazing is that he's

1221
01:08:52,800 --> 01:08:56,320
Speaker 1: so like forward thinking about the tech, right, even though

1222
01:08:56,320 --> 01:08:59,160
Speaker 1: the tech is gross from our twenty twenty four brains,

1223
01:08:59,400 --> 01:09:02,000
Speaker 1: but like at the time he's out here like predict

1224
01:09:02,000 --> 01:09:06,160
Speaker 1: and FaceTime and you know, like all these different technologies

1225
01:09:06,200 --> 01:09:10,040
Speaker 1: the Internet everything. So he's a genius for that shit,

1226
01:09:10,080 --> 01:09:12,840
Speaker 1: and that plays in very heavily in this film. Is

1227
01:09:12,840 --> 01:09:17,040
Speaker 1: that kind of cut these cutaways to fake you know,

1228
01:09:17,120 --> 01:09:26,120
Speaker 1: basically advertising for what's essentially the military. So the infrastructure

1229
01:09:26,120 --> 01:09:29,200
Speaker 1: of this film is that it's like the twenty third century.

1230
01:09:30,040 --> 01:09:34,680
Speaker 1: Just imagine, okay, the world is essentially run by a

1231
01:09:34,720 --> 01:09:40,639
Speaker 1: global military, right, so every basically the rules are you're

1232
01:09:40,680 --> 01:09:44,320
Speaker 1: not a real citizen unless you like join the force.

1233
01:09:44,800 --> 01:09:47,200
Speaker 1: Here's the thing. So there's this group of kids. They're

1234
01:09:47,200 --> 01:09:49,800
Speaker 1: at a high school in Buain us Ares. I don't

1235
01:09:49,840 --> 01:09:53,320
Speaker 1: know why that happened, why it was placed there, but that.

1236
01:09:53,439 --> 01:09:57,360
Speaker 2: Is a real question because these are very white actors

1237
01:09:57,400 --> 01:10:03,280
Speaker 2: who have very not white names. Johnny Rico, Dizzy Flores,

1238
01:10:03,479 --> 01:10:04,960
Speaker 2: Carmen iban Is and I'm.

1239
01:10:04,840 --> 01:10:08,679
Speaker 1: Like, mm, yeah, Carmen iban has played by Denise Richards,

1240
01:10:08,720 --> 01:10:11,479
Speaker 1: which is like a little a little off. But even

1241
01:10:11,520 --> 01:10:15,479
Speaker 1: more egregious is the fact that Casper van Dean it

1242
01:10:15,520 --> 01:10:21,920
Speaker 1: plays a Argentinian man named Johnny Rico.

1243
01:10:23,600 --> 01:10:26,519
Speaker 2: Like that that name.

1244
01:10:26,560 --> 01:10:32,000
Speaker 1: It seems Germanic at best, Like it's not. I can't

1245
01:10:33,040 --> 01:10:34,439
Speaker 1: I don't know if this is the way it is

1246
01:10:34,479 --> 01:10:36,880
Speaker 1: originally the book. I did not look that up. Sorry, folks.

1247
01:10:36,880 --> 01:10:41,280
Speaker 1: You can use the internet just like I so no

1248
01:10:41,400 --> 01:10:43,679
Speaker 1: idea why it takes place in Buenos Aires. But anyway,

1249
01:10:44,600 --> 01:10:47,559
Speaker 1: this is it's very like I said, it's very top

1250
01:10:47,600 --> 01:10:50,080
Speaker 1: GUNI ish where everyone's kind of like it's like Top

1251
01:10:50,080 --> 01:10:53,720
Speaker 1: Gun meets like a high school kind of comic of

1252
01:10:53,760 --> 01:10:56,040
Speaker 1: age movie where everyone's like, hey, guys, like what are

1253
01:10:56,080 --> 01:10:58,720
Speaker 1: you doing Friday? Let's go to the game and the

1254
01:10:58,760 --> 01:11:01,920
Speaker 1: game is all like futurists and you know, it's like,

1255
01:11:02,080 --> 01:11:04,320
Speaker 1: what's football like in the twenty third century? I guess

1256
01:11:04,360 --> 01:11:09,120
Speaker 1: it's like people literally do an acrobatic stunts.

1257
01:11:10,560 --> 01:11:13,320
Speaker 2: Also, why do we still have football twenty third century?

1258
01:11:13,400 --> 01:11:13,639
Speaker 1: Y'all?

1259
01:11:13,800 --> 01:11:15,800
Speaker 2: No? For real? For real?

1260
01:11:16,160 --> 01:11:18,840
Speaker 1: I know, sorry, Casey, I know you're a big football fan,

1261
01:11:18,960 --> 01:11:22,160
Speaker 1: but yes, I wish that would have shed off like

1262
01:11:22,600 --> 01:11:27,000
Speaker 1: the vestigial tale in the twenty third century.

1263
01:11:27,080 --> 01:11:28,640
Speaker 2: But here's the bottom.

1264
01:11:28,280 --> 01:11:31,760
Speaker 1: Line is that these twenty nine year olds are playing

1265
01:11:31,840 --> 01:11:34,559
Speaker 1: high school kids again, Like, these are all older actors.

1266
01:11:34,560 --> 01:11:39,960
Speaker 1: Give me a break. So I was like, yo, they

1267
01:11:40,000 --> 01:11:42,840
Speaker 1: are too old to be in high school. But they're

1268
01:11:42,840 --> 01:11:44,679
Speaker 1: all trying to figure out, Okay, well are we gonna

1269
01:11:44,720 --> 01:11:47,519
Speaker 1: do this thing? Like Johnny Rico comes from this like,

1270
01:11:47,960 --> 01:11:49,880
Speaker 1: you know, well to do family. The parents are like,

1271
01:11:49,960 --> 01:11:52,200
Speaker 1: you ain't joyed in the fucking military or going to Harvard.

1272
01:11:52,439 --> 01:11:54,599
Speaker 1: I can't. I guess Harvard exists in the twenty.

1273
01:11:54,560 --> 01:11:58,120
Speaker 2: Also, Harvard still exists in this military space war that

1274
01:11:58,160 --> 01:11:59,439
Speaker 2: the whole world is participating in.

1275
01:11:59,520 --> 01:12:05,360
Speaker 1: Apparently it's space harbored apparently, But they don't want him

1276
01:12:05,360 --> 01:12:07,559
Speaker 1: to go into the forest. But you know, but guess

1277
01:12:07,560 --> 01:12:12,960
Speaker 1: what his girlfriend, Johnny Rico's girlfriend, Carmen again played by

1278
01:12:13,439 --> 01:12:19,080
Speaker 1: Dennis Richards, housewife of Beverly Hills, is like, well, I'm

1279
01:12:19,120 --> 01:12:21,719
Speaker 1: going to be a pilot, so that's what I'm doing.

1280
01:12:21,760 --> 01:12:23,479
Speaker 1: And he's like, I guess I'm going in the military

1281
01:12:23,520 --> 01:12:27,160
Speaker 1: because I gotta follow my hot girlfriend after high school. Okay,

1282
01:12:27,720 --> 01:12:31,320
Speaker 1: So he joins essentially what I think is supposed to be.

1283
01:12:32,200 --> 01:12:35,439
Speaker 1: I don't know, like the what's the special force is

1284
01:12:35,479 --> 01:12:41,920
Speaker 1: called the Navy Black Ops or he's joining essentially like

1285
01:12:42,000 --> 01:12:44,320
Speaker 1: the what he calls the Roughnecks, Like they're just sort

1286
01:12:44,360 --> 01:12:47,240
Speaker 1: of like the maybe the Marines or the Navy Seals

1287
01:12:47,360 --> 01:12:50,719
Speaker 1: or the yeah, the Black Ops, the zero dark thirty

1288
01:12:50,760 --> 01:12:54,960
Speaker 1: guys or whatever. And so basically they kind of venture

1289
01:12:55,000 --> 01:12:59,120
Speaker 1: off into different you know arenas after high school and

1290
01:12:59,640 --> 01:13:06,040
Speaker 1: she goes to the service alongside Johnny Rico's high school rival.

1291
01:13:07,880 --> 01:13:11,160
Speaker 1: Patrick Muldoon is the actor who plays. His name is Xander.

1292
01:13:11,600 --> 01:13:14,360
Speaker 1: Perfect name for Arrival, by the way, Xander.

1293
01:13:15,560 --> 01:13:17,840
Speaker 2: Also, it's kind of I don't know if you watched

1294
01:13:17,840 --> 01:13:20,160
Speaker 2: The Real Housewives of Beverly Hills, but I did to

1295
01:13:20,320 --> 01:13:24,400
Speaker 2: Beckon and at some point Patrick Muldoon shows up because

1296
01:13:24,439 --> 01:13:27,639
Speaker 2: he and Denise Richards are still friends in real life. Yes,

1297
01:13:28,680 --> 01:13:30,080
Speaker 2: it's fucking adorable.

1298
01:13:30,479 --> 01:13:33,879
Speaker 1: Well, any funny, here's the thing about this cast. Okay,

1299
01:13:34,200 --> 01:13:37,719
Speaker 1: So I was reading that when they cast these films,

1300
01:13:38,000 --> 01:13:42,040
Speaker 1: they they I mean, I think pointing this out is

1301
01:13:42,080 --> 01:13:44,599
Speaker 1: so stupid because isn't this what Hollywood does period? They

1302
01:13:44,640 --> 01:13:48,120
Speaker 1: wanted to find the hottest people possible for the film

1303
01:13:48,400 --> 01:13:51,599
Speaker 1: because they were trying to make that statement that it's like, oh,

1304
01:13:51,720 --> 01:13:54,360
Speaker 1: here's the future. Here's these extremely hot people in this

1305
01:13:54,479 --> 01:13:59,040
Speaker 1: like weird, militaristic future. Okay, so they basically cast people

1306
01:13:59,080 --> 01:14:03,000
Speaker 1: from like belrose Place and Beverly Hill's not too I

1307
01:14:03,120 --> 01:14:05,880
Speaker 1: have to say, because I've seen so much Saved by

1308
01:14:05,880 --> 01:14:08,719
Speaker 1: the Bell in my life. Patrick Muldoon and Deonise Richard's

1309
01:14:08,760 --> 01:14:12,639
Speaker 1: featured on Saved by the Bell, So I'm like, maybe

1310
01:14:12,640 --> 01:14:17,400
Speaker 1: that's where their friendship man. Yeah, as you know, Patrick

1311
01:14:17,439 --> 01:14:21,519
Speaker 1: Muldoon played Jeff, the evil college boyfriend that went out

1312
01:14:21,560 --> 01:14:24,479
Speaker 1: with Kelly Kapowski. That's why she dumbed. Zach Morris, get

1313
01:14:24,520 --> 01:14:25,360
Speaker 1: with the program?

1314
01:14:25,920 --> 01:14:27,479
Speaker 2: Can I reveal something to you?

1315
01:14:27,800 --> 01:14:29,240
Speaker 1: Are you about to tell me you've never seen Saved

1316
01:14:29,240 --> 01:14:29,599
Speaker 1: by the Bell.

1317
01:14:30,479 --> 01:14:33,360
Speaker 2: I loosely watched Saved by the Bill on a Saturday

1318
01:14:33,360 --> 01:14:34,240
Speaker 2: morning here or there.

1319
01:14:34,760 --> 01:14:35,400
Speaker 1: Uh huh.

1320
01:14:35,479 --> 01:14:38,200
Speaker 2: I have zero memory of it, the way that our

1321
01:14:39,680 --> 01:14:45,719
Speaker 2: generation has like a pinpoint accurate memory for every fucking

1322
01:14:45,760 --> 01:14:49,200
Speaker 2: episode of Saved by the Bell. I don't remember most

1323
01:14:49,240 --> 01:14:51,360
Speaker 2: of it, and I did watch it occasionally.

1324
01:14:51,600 --> 01:14:58,559
Speaker 1: Yeah. I love that you wrest more people in on

1325
01:14:58,600 --> 01:15:00,840
Speaker 1: this fucking grift. Trust me.

1326
01:15:01,320 --> 01:15:03,519
Speaker 2: What's weird is like it was of my time. It

1327
01:15:03,560 --> 01:15:06,479
Speaker 2: should have been like I was the target audience, and

1328
01:15:06,560 --> 01:15:11,200
Speaker 2: I'm like, how do you all remember these details? Yeah,

1329
01:15:11,280 --> 01:15:14,080
Speaker 2: unless you've gone back to watch it several times.

1330
01:15:14,560 --> 01:15:18,599
Speaker 1: Yeah, look, I don't know how. I I've thought about

1331
01:15:18,600 --> 01:15:21,639
Speaker 1: this many times do. I don't have any idea how

1332
01:15:21,640 --> 01:15:23,519
Speaker 1: I got into the show either. I guess it was

1333
01:15:23,560 --> 01:15:25,880
Speaker 1: just on TV and I just sat in front of

1334
01:15:25,880 --> 01:15:26,640
Speaker 1: it for so long.

1335
01:15:26,720 --> 01:15:29,480
Speaker 2: It was there was something going on, like an Osmosis

1336
01:15:29,479 --> 01:15:33,599
Speaker 2: style experiment or something. Yeah, I don't know, because there's

1337
01:15:33,600 --> 01:15:37,040
Speaker 2: another whole generation of people who are like, we know,

1338
01:15:37,360 --> 01:15:39,479
Speaker 2: we haven't seen it since the eighties, and we know

1339
01:15:39,640 --> 01:15:41,360
Speaker 2: every word and every detail.

1340
01:15:41,720 --> 01:15:45,559
Speaker 1: So yeah, So basically like Carmen and Xander go off

1341
01:15:45,600 --> 01:15:49,799
Speaker 1: to like whatever the Air Force version of this whatever,

1342
01:15:49,840 --> 01:15:53,800
Speaker 1: this military structure is like here in this world. So,

1343
01:15:53,840 --> 01:15:56,640
Speaker 1: but there's also this woman named Diz. We got to

1344
01:15:56,680 --> 01:16:06,120
Speaker 1: talk about Diz because Dizzy Flores again another Argentinian person

1345
01:16:06,680 --> 01:16:11,320
Speaker 1: that's not Oh my god, Dina Meyer is who plays this.

1346
01:16:11,479 --> 01:16:13,720
Speaker 1: When I looked at this actress, I was like, this

1347
01:16:13,880 --> 01:16:16,760
Speaker 1: bitch is a teacher. She's not in high school. What

1348
01:16:16,880 --> 01:16:22,720
Speaker 1: are we talking about? She looks like somebody's mom. I

1349
01:16:22,760 --> 01:16:24,800
Speaker 1: was just like, there's no way y'all are trying to

1350
01:16:24,800 --> 01:16:27,240
Speaker 1: pull the wool over our eyes on this shit.

1351
01:16:27,640 --> 01:16:30,920
Speaker 2: They did it with everyone except Neil Patrick Harris, who

1352
01:16:31,040 --> 01:16:35,920
Speaker 2: was the only like actual teenager and everyone else. I'm like,

1353
01:16:35,960 --> 01:16:41,120
Speaker 2: you are definitely someone who is well just well acquainted

1354
01:16:41,160 --> 01:16:42,400
Speaker 2: with tax laws.

1355
01:16:42,600 --> 01:16:46,960
Speaker 1: Yeah you are Johnny Rico's mother. You're not his girlfriend

1356
01:16:47,080 --> 01:16:49,640
Speaker 1: or whatever. Yeah, Neil Patrick Harris is also part of

1357
01:16:49,640 --> 01:16:50,599
Speaker 1: this high school crew.

1358
01:16:50,840 --> 01:16:51,720
Speaker 2: He's psychic.

1359
01:16:54,000 --> 01:16:57,320
Speaker 1: That's his contribution is that he's psychic. They kind of

1360
01:16:57,400 --> 01:16:59,559
Speaker 1: lose track of him for a while, which is so

1361
01:16:59,640 --> 01:17:00,479
Speaker 1: interesting to me.

1362
01:17:00,960 --> 01:17:03,080
Speaker 2: And then he comes back in like a commercial for

1363
01:17:03,160 --> 01:17:03,800
Speaker 2: the military.

1364
01:17:04,200 --> 01:17:07,200
Speaker 1: Yeah, and then he's dressed like one of the dolls

1365
01:17:07,760 --> 01:17:18,680
Speaker 1: from from like Puppetmaster. I'm like, yo, what's up with

1366
01:17:18,800 --> 01:17:22,000
Speaker 1: this trench? This deep black trench?

1367
01:17:23,040 --> 01:17:25,759
Speaker 2: Like let's send him away to do secret science stuff

1368
01:17:25,800 --> 01:17:26,760
Speaker 2: and then we'll bring him back.

1369
01:17:27,040 --> 01:17:31,719
Speaker 1: Yeah. God, it's isn't it? Isn't it so amazing watching

1370
01:17:32,280 --> 01:17:35,280
Speaker 1: Neil Patrick harrisy so straight in a lot of his

1371
01:17:35,400 --> 01:17:36,360
Speaker 1: early career.

1372
01:17:37,880 --> 01:17:39,040
Speaker 2: Like what do you watch actor.

1373
01:17:40,640 --> 01:17:43,400
Speaker 1: Harold and Kumar when you watch like, what's that show

1374
01:17:43,439 --> 01:17:44,080
Speaker 1: that he was on?

1375
01:17:44,360 --> 01:17:44,519
Speaker 2: Oh?

1376
01:17:44,560 --> 01:17:47,479
Speaker 1: How I Met your Mother? Yeah, I'm like, yeah, he

1377
01:17:48,000 --> 01:17:51,320
Speaker 1: had to act so straight in all these things. It's

1378
01:17:51,720 --> 01:17:52,880
Speaker 1: it's kind of amazing to.

1379
01:17:52,840 --> 01:17:56,120
Speaker 2: Watch, like not just straight, but like toxic masculinity street.

1380
01:17:56,320 --> 01:18:01,040
Speaker 1: Yes, exactly exactly. So so yeah, so this whole high

1381
01:18:01,040 --> 01:18:04,920
Speaker 1: school crew is now effectively in basic training slash boot camp.

1382
01:18:05,680 --> 01:18:08,840
Speaker 1: Johnny Rico's in boot camp, Diz follows him because listen,

1383
01:18:08,920 --> 01:18:13,439
Speaker 1: Dizz has a flame for Johnny. She she's been want

1384
01:18:13,520 --> 01:18:18,480
Speaker 1: to hit that guy since fucking high school. She's intense,

1385
01:18:18,960 --> 01:18:23,000
Speaker 1: she's capable, she's strong. She's basically just like, I'm following

1386
01:18:23,000 --> 01:18:25,120
Speaker 1: my man to the forest and I'm gonna try to

1387
01:18:25,120 --> 01:18:28,080
Speaker 1: hook up with him there at some point. And she

1388
01:18:28,200 --> 01:18:32,960
Speaker 1: kind of does guys period, like she gets her man

1389
01:18:33,080 --> 01:18:37,920
Speaker 1: eventually works, it works. Yeah, And like this, she shows

1390
01:18:37,960 --> 01:18:40,040
Speaker 1: up to basic training and she just starts like wailing

1391
01:18:40,120 --> 01:18:42,920
Speaker 1: on the fucking sergeant in charge. But I'm like, that's

1392
01:18:43,320 --> 01:18:44,400
Speaker 1: that's my girl right there.

1393
01:18:45,240 --> 01:18:48,080
Speaker 2: Like he looks at her and he's like, I don't know,

1394
01:18:48,160 --> 01:18:49,920
Speaker 2: this is kind of the toughest unit, and she's like,

1395
01:18:50,040 --> 01:18:52,880
Speaker 2: let's fucking box. Then she just takes her fucking.

1396
01:18:52,640 --> 01:18:56,160
Speaker 1: Jacking off and she's like let's go, and I'm like, yo,

1397
01:18:56,720 --> 01:18:59,800
Speaker 1: I love Diz. Let's let's focus on her.

1398
01:19:00,280 --> 01:19:03,000
Speaker 2: Who hasn't wanted to fistfight a boss in their life?

1399
01:19:03,520 --> 01:19:08,240
Speaker 1: I mean, who hasn't wanted to start wailing on Clancy

1400
01:19:08,360 --> 01:19:16,439
Speaker 1: Brown asap? Like I could take that guy. Yeah, yeah,

1401
01:19:16,520 --> 01:19:18,920
Speaker 1: that's another joy of this movie, by the way, or

1402
01:19:18,960 --> 01:19:22,920
Speaker 1: like the kind of guys in charge. Clancy Brown like

1403
01:19:23,760 --> 01:19:27,840
Speaker 1: absolutely legendary character actor. He's like one of their sergeants.

1404
01:19:28,200 --> 01:19:32,679
Speaker 1: But also in the high school, you got my fucking man,

1405
01:19:32,800 --> 01:19:36,800
Speaker 1: Michael Ironside, Yeah, as one of their teachers, and he

1406
01:19:36,880 --> 01:19:39,760
Speaker 1: shows up like later in the film too. But I'm like, yo,

1407
01:19:39,920 --> 01:19:44,000
Speaker 1: bring all these all these great character actors. Fucking Rue

1408
01:19:44,080 --> 01:19:48,519
Speaker 1: McClanahan is in this movie briefly. Also, that is.

1409
01:19:48,680 --> 01:19:51,160
Speaker 2: Such an amazing choice for her. I love this for her.

1410
01:19:51,439 --> 01:19:53,320
Speaker 1: I love this for her too. I God, I mean

1411
01:19:53,360 --> 01:19:57,200
Speaker 1: I was like, that is such a good move for her. Also,

1412
01:19:57,600 --> 01:20:00,920
Speaker 1: I would be remissive, but I didn't mention so one

1413
01:20:00,960 --> 01:20:04,680
Speaker 1: of one of Johnny and Dizz's kind of like teammates

1414
01:20:04,720 --> 01:20:10,000
Speaker 1: like in this you know basic training facility is fucking

1415
01:20:10,439 --> 01:20:13,759
Speaker 1: Jake Beaucy, And I think you know what I'm about

1416
01:20:13,800 --> 01:20:18,360
Speaker 1: to say, that is the son of Gary Busey. And

1417
01:20:18,520 --> 01:20:26,920
Speaker 1: they look exactly alike, exactly alike, like insane, how much

1418
01:20:26,960 --> 01:20:27,600
Speaker 1: they look like.

1419
01:20:30,040 --> 01:20:31,960
Speaker 2: Just walking around with his dad's face.

1420
01:20:32,640 --> 01:20:36,080
Speaker 1: I mean, I'm like, was there a mom involved? Because

1421
01:20:36,120 --> 01:20:38,840
Speaker 1: he got none of that look was exactly like his dad,

1422
01:20:38,920 --> 01:20:46,120
Speaker 1: like carbon copied. It's insane, insane. Oh good, well, and honestly,

1423
01:20:46,240 --> 01:20:49,519
Speaker 1: so this is the movie like like it's an action movie.

1424
01:20:49,760 --> 01:20:52,439
Speaker 1: There's a there's moving parts, but to be honest, there's

1425
01:20:52,520 --> 01:20:56,040
Speaker 1: just like long action sequences that are like very intense,

1426
01:20:56,520 --> 01:21:00,920
Speaker 1: very violent. Over time, Johnny Rico gets you know, you know,

1427
01:21:00,960 --> 01:21:05,760
Speaker 1: he's effectively followed. He's effectively followed his girlfriend, and then

1428
01:21:05,800 --> 01:21:07,519
Speaker 1: she breaks up with him because she's like, listen, I'm

1429
01:21:07,520 --> 01:21:10,200
Speaker 1: too busy and I got Patrick muldoon on my ass,

1430
01:21:10,200 --> 01:21:11,880
Speaker 1: so I don't know if we should be together.

1431
01:21:12,040 --> 01:21:15,599
Speaker 2: Which I respect. Yeah, oh yeah.

1432
01:21:15,640 --> 01:21:17,000
Speaker 1: I was like, this is a girl that knows what

1433
01:21:17,040 --> 01:21:19,120
Speaker 1: she wants. She doesn't want this boyfriend from high school.

1434
01:21:19,439 --> 01:21:21,640
Speaker 1: Totally get that. But then you know, he kind of

1435
01:21:21,680 --> 01:21:23,439
Speaker 1: spins out about it. He's like should I even be

1436
01:21:23,520 --> 01:21:27,880
Speaker 1: here anymore? But eventually he makes squad leader. Everything's going great,

1437
01:21:28,000 --> 01:21:30,880
Speaker 1: except that he accidentally gets one of his squad members

1438
01:21:30,960 --> 01:21:37,720
Speaker 1: killed in a routine training accident, and he's like fuck, it.

1439
01:21:37,760 --> 01:21:40,680
Speaker 1: I can't handle this pressure. I'm quitting. But then right

1440
01:21:40,720 --> 01:21:44,680
Speaker 1: as he's about to quit, bugs.

1441
01:21:44,840 --> 01:21:50,440
Speaker 2: The bugs come an unlimited supply of bug meteorites.

1442
01:21:50,840 --> 01:21:56,040
Speaker 1: Yeah, bug meteorites infest the planet and they are dropping everyone.

1443
01:21:56,280 --> 01:21:59,599
Speaker 1: They are fucking murking people left and right. There's like

1444
01:21:59,680 --> 01:22:03,759
Speaker 1: the new pops up and it's like, guess what, Buenos Aires.

1445
01:22:04,600 --> 01:22:08,719
Speaker 1: Your entire town has been fucking decimated. There's no gone

1446
01:22:09,040 --> 01:22:11,800
Speaker 1: all your parents are dead, like.

1447
01:22:12,040 --> 01:22:14,439
Speaker 2: And we somehow hit it first. Buenos Aires was the

1448
01:22:14,439 --> 01:22:15,519
Speaker 2: first place we wanted to hit.

1449
01:22:15,760 --> 01:22:18,479
Speaker 1: That's right, hundreds of thousands of people around the globe

1450
01:22:19,040 --> 01:22:23,679
Speaker 1: murdered by these giant bugs. Okay, so that activates Rico.

1451
01:22:23,760 --> 01:22:26,240
Speaker 1: He's like, well, I gotta get him. I gotta get

1452
01:22:26,240 --> 01:22:28,920
Speaker 1: these bugs because they killed my entire fucking family and

1453
01:22:29,000 --> 01:22:34,559
Speaker 1: I got nobody left. So and then, and this is

1454
01:22:34,600 --> 01:22:38,080
Speaker 1: the action sequence, is them trying to like kill this bugs.

1455
01:22:38,160 --> 01:22:42,080
Speaker 1: There's like this one super bug that sucks people's brains out.

1456
01:22:43,200 --> 01:22:48,120
Speaker 1: You know, they're like, we gotta get him or her.

1457
01:22:48,680 --> 01:22:49,200
Speaker 2: I don't know.

1458
01:22:50,160 --> 01:22:52,519
Speaker 1: We gotta study what what what this bug is about.

1459
01:22:52,520 --> 01:22:55,719
Speaker 1: But like, honestly, we keep finding giant holes in people's heads,

1460
01:22:55,760 --> 01:22:57,680
Speaker 1: and we got to figure out why that's happening.

1461
01:22:58,560 --> 01:23:02,240
Speaker 2: Right, like an ass thing that comes out of the bug.

1462
01:23:02,400 --> 01:23:05,040
Speaker 2: The bug is sucking people's brains up through its ass.

1463
01:23:05,320 --> 01:23:08,479
Speaker 1: Yeah. But like I was reading a lot about this

1464
01:23:08,600 --> 01:23:13,719
Speaker 1: movie because obviously this is one of those notorious box

1465
01:23:13,760 --> 01:23:16,559
Speaker 1: office bombs, Like I think, you know, if you go,

1466
01:23:16,680 --> 01:23:20,000
Speaker 1: there's plenty of articles about it online. I remember when

1467
01:23:20,040 --> 01:23:22,880
Speaker 1: this movie came out and I had heard from so

1468
01:23:22,920 --> 01:23:28,000
Speaker 1: many people. Was terrible. Not really knowing as much as

1469
01:23:28,000 --> 01:23:30,519
Speaker 1: I did about Paul Verhoven at the time, obviously because

1470
01:23:30,560 --> 01:23:32,559
Speaker 1: I think, I mean, this was ninety seven. I just

1471
01:23:32,600 --> 01:23:36,280
Speaker 1: turned eighteen, so I was, you know, I was just

1472
01:23:36,320 --> 01:23:39,880
Speaker 1: starting kind of film school and learning about people like him.

1473
01:23:40,320 --> 01:23:43,760
Speaker 1: But it was that kind of thing where I was like, oh, well,

1474
01:23:43,800 --> 01:23:46,360
Speaker 1: it's a popcorn movie. I probably wouldn't have seen it anyway,

1475
01:23:46,400 --> 01:23:49,439
Speaker 1: because I was like on my art cinema shit. But

1476
01:23:49,680 --> 01:23:51,880
Speaker 1: it's that thing where like it just panned like people

1477
01:23:51,880 --> 01:23:54,559
Speaker 1: thought it and like accused it of so many things.

1478
01:23:54,800 --> 01:23:57,160
Speaker 1: It was like, first of all, they said that it

1479
01:23:57,240 --> 01:24:03,160
Speaker 1: was promoting fascism, which is in like now it's well,

1480
01:24:03,200 --> 01:24:06,120
Speaker 1: but also it's like, what are you stupid? This is

1481
01:24:06,200 --> 01:24:12,360
Speaker 1: not promoting fascism, This is a satire of fascism, Like

1482
01:24:13,080 --> 01:24:15,479
Speaker 1: what the fuck are people still that dumb in ninety

1483
01:24:15,479 --> 01:24:18,639
Speaker 1: seven to be like this is a fascist movie? Good,

1484
01:24:19,240 --> 01:24:22,200
Speaker 1: Like can't you tell by the commercials that it's not

1485
01:24:22,280 --> 01:24:25,680
Speaker 1: promoting fast I don't know, people are wild, okay. But

1486
01:24:25,720 --> 01:24:27,599
Speaker 1: then that also that, like you know, they were like, oh,

1487
01:24:27,600 --> 01:24:30,040
Speaker 1: the acting sucks, all of these like actors are terrible,

1488
01:24:30,040 --> 01:24:33,559
Speaker 1: which I'm like, no, they're not. I mean in my brain,

1489
01:24:33,960 --> 01:24:37,920
Speaker 1: in my brain, I'm like no. But that also that

1490
01:24:37,960 --> 01:24:42,240
Speaker 1: it was too violent, and I gotta say, it goes hard,

1491
01:24:42,760 --> 01:24:47,479
Speaker 1: like they are sucking people's brains out of their goddamn bodies.

1492
01:24:47,720 --> 01:24:50,559
Speaker 2: They are genuinely there's one scene where somebody gets ripped

1493
01:24:50,560 --> 01:24:53,040
Speaker 2: in half and his torso just gets thrown at the

1494
01:24:53,080 --> 01:24:53,920
Speaker 2: feet of his friends.

1495
01:24:54,240 --> 01:24:59,320
Speaker 1: Yeah, yeah, yeah, oh yo. It is the dismemberment plan.

1496
01:24:59,360 --> 01:25:03,760
Speaker 3: Like they are they are ripping people's limbs left and right,

1497
01:25:03,800 --> 01:25:07,960
Speaker 3: and I'm kind of like, that's amazing, Like it looks great,

1498
01:25:08,040 --> 01:25:11,160
Speaker 3: like it looks like cinematically looks great, but it goes

1499
01:25:11,200 --> 01:25:13,639
Speaker 3: really hard, and I'm but I'm sort of.

1500
01:25:13,560 --> 01:25:17,519
Speaker 1: Like, listen, if this is the reason why this movie

1501
01:25:17,600 --> 01:25:21,719
Speaker 1: bombed back in the day, I gotta tell you. From

1502
01:25:21,720 --> 01:25:26,240
Speaker 1: my perspective, this is typical shit that's hoisted upon my

1503
01:25:26,560 --> 01:25:31,519
Speaker 1: misunderstood King Paul Verhoven, because guess what all his movies

1504
01:25:31,520 --> 01:25:36,200
Speaker 1: felt like that people fucking misunderstood his movies from day one,

1505
01:25:36,280 --> 01:25:39,160
Speaker 1: and then of course once they finally got what he

1506
01:25:39,240 --> 01:25:42,000
Speaker 1: was trying to do, that these are satires and that

1507
01:25:42,000 --> 01:25:44,400
Speaker 1: they're they're making statements about you know, these kind of

1508
01:25:44,400 --> 01:25:48,400
Speaker 1: big concepts, just like fucking robo cop, just like Showgirls,

1509
01:25:48,479 --> 01:25:52,000
Speaker 1: et cetera. I'm like, now, y'all like it, don't you?

1510
01:25:53,160 --> 01:25:55,600
Speaker 1: Now you think roble CoP's a fucking masterpiece?

1511
01:25:56,040 --> 01:25:58,640
Speaker 2: Mm hmm exactly.

1512
01:25:58,800 --> 01:26:02,680
Speaker 1: You didn't immediately jump to the conclusion the minute the

1513
01:26:02,720 --> 01:26:05,880
Speaker 1: fucking movie came out. You gave it time. You let

1514
01:26:05,920 --> 01:26:08,320
Speaker 1: it simmer for a little while, thought about it a

1515
01:26:08,320 --> 01:26:08,880
Speaker 1: little more.

1516
01:26:08,960 --> 01:26:11,320
Speaker 2: Give it time to find its audience, give it time

1517
01:26:11,439 --> 01:26:15,160
Speaker 2: to like, for you to get the message, to actually

1518
01:26:15,200 --> 01:26:17,720
Speaker 2: figure out what's being said, what's going on, or to

1519
01:26:17,840 --> 01:26:19,360
Speaker 2: just enjoy the absurdity of it.

1520
01:26:19,760 --> 01:26:22,880
Speaker 1: Yes, that's the other thing too, is that this much

1521
01:26:23,000 --> 01:26:25,920
Speaker 1: like his movies, so over the top.

1522
01:26:26,800 --> 01:26:29,840
Speaker 2: But people treat them so seriously. I think that is

1523
01:26:29,880 --> 01:26:33,280
Speaker 2: something that has definitely plagued his career is that they

1524
01:26:33,360 --> 01:26:36,760
Speaker 2: see this the presentation of of what looks like a

1525
01:26:36,840 --> 01:26:42,640
Speaker 2: dramatic film, and they cannot they then can't justify or

1526
01:26:42,680 --> 01:26:45,880
Speaker 2: rectify the comedy that is so inherent in all of

1527
01:26:45,920 --> 01:26:46,439
Speaker 2: his movies.

1528
01:26:46,880 --> 01:26:49,720
Speaker 1: Yeah, one hundred percent. And that's I mean, that is

1529
01:26:50,320 --> 01:26:52,880
Speaker 1: Showgirls in a nutshell. I mean that's like people like

1530
01:26:53,479 --> 01:26:57,400
Speaker 1: actively violently hate that movie. And I'm just sort of like,

1531
01:26:58,000 --> 01:27:00,559
Speaker 1: but don't you see, like what like this is an

1532
01:27:00,600 --> 01:27:06,480
Speaker 1: over the top masterpiece like this is These are big ideas,

1533
01:27:06,640 --> 01:27:11,880
Speaker 1: big spectacles that are kind of calling into question, like

1534
01:27:11,960 --> 01:27:15,800
Speaker 1: certain things about whatever the world, like whether or not

1535
01:27:15,880 --> 01:27:19,920
Speaker 1: it's like the military, the police, the policing of people,

1536
01:27:20,560 --> 01:27:25,679
Speaker 1: the you know whatever, sex work, or the show industry

1537
01:27:25,720 --> 01:27:27,160
Speaker 1: in Vegas, like whatever it is.

1538
01:27:27,520 --> 01:27:27,720
Speaker 2: You know.

1539
01:27:27,800 --> 01:27:31,080
Speaker 1: I'm just sort of like, I don't know, like he's

1540
01:27:31,160 --> 01:27:33,320
Speaker 1: just gonna have to live with being an misunderstood king

1541
01:27:33,320 --> 01:27:35,000
Speaker 1: for the rest of his life because apparently people don't

1542
01:27:35,040 --> 01:27:39,080
Speaker 1: understand when they first come out, like Starship Troopers six,

1543
01:27:39,479 --> 01:27:41,880
Speaker 1: like it's a masterpiece, y'all.

1544
01:27:42,439 --> 01:27:45,240
Speaker 2: And now I know, twenty years twenty years minimum for

1545
01:27:45,280 --> 01:27:49,040
Speaker 2: his movies to be understood or at least considered cult classics.

1546
01:27:49,240 --> 01:27:51,840
Speaker 1: Oh, I totally agree. And I mean, you know, like

1547
01:27:52,920 --> 01:27:57,559
Speaker 1: he's He's made a lot of really interesting films, you know,

1548
01:27:57,880 --> 01:28:01,000
Speaker 1: like most of them, if not all of them, I

1549
01:28:01,080 --> 01:28:04,400
Speaker 1: enjoy and I stand him as a director. I fucking

1550
01:28:04,439 --> 01:28:08,680
Speaker 1: love him. We did total recall genius fucking movie like

1551
01:28:10,320 --> 01:28:14,040
Speaker 1: we've done RoboCop. We haven't done Basic Instinct, have we?

1552
01:28:14,160 --> 01:28:17,920
Speaker 1: Or maybe that was yeah, But anyway, but having said that,

1553
01:28:18,560 --> 01:28:20,200
Speaker 1: the fact that I just saw this movie for the

1554
01:28:20,200 --> 01:28:24,840
Speaker 1: first time is just drive drives home that point even more.

1555
01:28:25,560 --> 01:28:28,479
Speaker 1: I'm just like, he's the He's the fucking best. And honestly,

1556
01:28:28,560 --> 01:28:32,560
Speaker 1: I loved this movie so much. My man does not miss.

1557
01:28:32,800 --> 01:28:35,919
Speaker 1: He does not miss. And he made this like totally

1558
01:28:36,360 --> 01:28:41,799
Speaker 1: epic summertime science fiction movie and it is so fun.

1559
01:28:41,920 --> 01:28:42,800
Speaker 1: It's just so fun.

1560
01:28:43,439 --> 01:28:48,559
Speaker 2: It really is very fun, very funny. Uh, Paul Verhoven, Man,

1561
01:28:48,840 --> 01:28:50,439
Speaker 2: I'll just watch anything that dude does.

1562
01:28:51,400 --> 01:28:54,920
Speaker 1: Me too, Me too. Maybe I will also get an

1563
01:28:54,920 --> 01:28:57,479
Speaker 1: Airbrush T shirt of Paul Verhoven. While I'm getting the

1564
01:28:57,479 --> 01:29:02,280
Speaker 1: Paul Walker one, Oh good flee I should do. I

1565
01:29:02,280 --> 01:29:04,240
Speaker 1: want to get like a real shitty one from Amazon,

1566
01:29:04,320 --> 01:29:09,719
Speaker 1: like just someone like some horrible Amazon sellar just making

1567
01:29:10,040 --> 01:29:12,479
Speaker 1: bad shirts. Maybe misspelled.

1568
01:29:13,600 --> 01:29:17,800
Speaker 2: I think you should go the opposite direction and get

1569
01:29:17,840 --> 01:29:23,080
Speaker 2: something that's like airbrushed on silk, oh silk, Like get

1570
01:29:23,120 --> 01:29:28,280
Speaker 2: the best possible, like Paul Verhoven with little floral lay

1571
01:29:28,600 --> 01:29:32,000
Speaker 2: of all of his characters, like here's no me, here's rubocup,

1572
01:29:32,080 --> 01:29:35,200
Speaker 2: here's the cast of Starship troopers just like are hanging

1573
01:29:35,200 --> 01:29:40,760
Speaker 2: around his neck like a little necklace, super detailed, like

1574
01:29:40,800 --> 01:29:43,400
Speaker 2: a big Starship trooper bug in the corner, next to

1575
01:29:43,439 --> 01:29:45,479
Speaker 2: a body that's been cut in half.

1576
01:29:46,439 --> 01:29:51,800
Speaker 1: Go the distance, yes, next to Sharon Stone, next to

1577
01:29:52,680 --> 01:29:55,120
Speaker 1: Sharon Stone in the in the iconic dress.

1578
01:29:57,000 --> 01:29:58,799
Speaker 2: Just get a little little necklace of characters.

1579
01:29:59,000 --> 01:30:04,960
Speaker 1: Hollow man's tat's you a man?

1580
01:30:05,600 --> 01:30:08,400
Speaker 2: Go the that's even better. Get a tattoo of this.

1581
01:30:08,680 --> 01:30:10,879
Speaker 2: Oh my god, this is your first tattoo.

1582
01:30:11,520 --> 01:30:15,360
Speaker 1: I should definitely put like the Paul Verhoven cinematic universe,

1583
01:30:15,479 --> 01:30:17,880
Speaker 1: like on my back. Just be like all these little

1584
01:30:18,160 --> 01:30:21,240
Speaker 1: these like little starbursts of characters, just like you said.

1585
01:30:21,439 --> 01:30:25,559
Speaker 2: The chess piece. Get a chess piece. Come on, have

1586
01:30:25,720 --> 01:30:27,920
Speaker 2: a little bug crawling up your neck. Have a little

1587
01:30:27,920 --> 01:30:33,840
Speaker 2: Sharon Stone flashing her choocha.

1588
01:30:32,120 --> 01:30:34,920
Speaker 1: In the middle, the woman from like the scene and

1589
01:30:35,120 --> 01:30:40,759
Speaker 1: total recall who's the face. Yeah, the face that turns

1590
01:30:40,800 --> 01:30:43,840
Speaker 1: into Arnold Man. I'm writing all this down.

1591
01:30:44,520 --> 01:30:47,519
Speaker 2: I'm taking good epic epic. Listen.

1592
01:30:47,560 --> 01:30:50,200
Speaker 1: Speaking of epic, this episode was epic. It was so fun.

1593
01:30:50,439 --> 01:30:53,840
Speaker 1: Y'all watch these movies if you haven't. They're such a

1594
01:30:53,880 --> 01:30:57,160
Speaker 1: blast and perfect for summer. So all right, if you

1595
01:30:57,160 --> 01:30:59,600
Speaker 1: want to email us, we're at I Saw she did

1596
01:30:59,640 --> 01:31:03,479
Speaker 1: Pottage email and uh, we need messages for bonus episodes.

1597
01:31:03,520 --> 01:31:05,960
Speaker 1: Of course, we also have a PO box and you

1598
01:31:06,000 --> 01:31:09,320
Speaker 1: can find that somewhere where you.

1599
01:31:09,240 --> 01:31:11,880
Speaker 2: Can find it on our social media. You can find

1600
01:31:11,880 --> 01:31:14,240
Speaker 2: our so all of our social media, we are at

1601
01:31:14,320 --> 01:31:18,479
Speaker 2: I Sawpod. That's Instagram, Blue Sky, Twitter, and you can

1602
01:31:18,520 --> 01:31:19,799
Speaker 2: also leave us a voicemail.

1603
01:31:19,840 --> 01:31:19,960
Speaker 3: Now.

1604
01:31:20,000 --> 01:31:21,720
Speaker 2: To play on the show, all you have to do

1605
01:31:21,760 --> 01:31:23,640
Speaker 2: is record a voice memo on your phone. Email it

1606
01:31:23,640 --> 01:31:25,639
Speaker 2: to I Saw what you did pot at gmail dot com.

1607
01:31:25,720 --> 01:31:28,080
Speaker 2: Make it sixty seconds or less and record it in

1608
01:31:28,160 --> 01:31:30,320
Speaker 2: a quiet space, or just send us something to our

1609
01:31:30,320 --> 01:31:31,720
Speaker 2: PO box. That's fine too.

1610
01:31:32,120 --> 01:31:35,680
Speaker 1: Yeah. Also, if you want merch, go to exactly right

1611
01:31:35,760 --> 01:31:38,679
Speaker 1: store dot com and you will find it there.

1612
01:31:39,560 --> 01:31:42,519
Speaker 2: And we have bonus episodes. Our new bonus episodes drop

1613
01:31:42,560 --> 01:31:47,760
Speaker 2: on the main feed every third Thursday of the month, MILLI, Yes,

1614
01:31:48,400 --> 01:31:50,160
Speaker 2: what are our movies for next week?

1615
01:31:50,680 --> 01:31:55,519
Speaker 1: Read Dawn from twenty twelve and Red Dawn from nineteen

1616
01:31:55,600 --> 01:31:59,880
Speaker 1: eighty four. What could it be? What could it be?

1617
01:32:00,360 --> 01:32:02,439
Speaker 2: Oh? Longtime listeners, you already know. You don't have to

1618
01:32:02,439 --> 01:32:02,960
Speaker 2: guess the theme.

1619
01:32:02,960 --> 01:32:04,519
Speaker 1: You already know, you already know.

1620
01:32:05,560 --> 01:32:05,800
Speaker 2: Uh.

1621
01:32:05,920 --> 01:32:10,400
Speaker 1: Danielle as always a fucking pleasure doing this podcast with you.

1622
01:32:10,520 --> 01:32:13,040
Speaker 1: I would love to be the Brian to your dom

1623
01:32:13,400 --> 01:32:13,880
Speaker 1: any day.

1624
01:32:14,240 --> 01:32:18,120
Speaker 2: We would have a long and fruitful relationship and friendship.

1625
01:32:18,439 --> 01:32:20,760
Speaker 1: I would love to be in the race war with you.

1626
01:32:21,080 --> 01:32:22,479
Speaker 2: I was gonna say, I just hope one day we

1627
01:32:22,560 --> 01:32:25,520
Speaker 2: get to be in the race wars together, side by side.

1628
01:32:26,680 --> 01:32:29,800
Speaker 2: Be it car or ethnicity, I'm down for either.

1629
01:32:32,720 --> 01:32:39,600
Speaker 1: Bye, everybody, Bye.

1630
01:32:41,840 --> 01:32:44,559
Speaker 2: This has been an exactly right production. Our senior producer

1631
01:32:44,600 --> 01:32:48,440
Speaker 2: is Casey O'Brien. Episode mixing and theme music by Tom Bryfogel,

1632
01:32:48,720 --> 01:32:52,439
Speaker 2: artwork by Garrett Ross. Our executive producers are Georgia Hertstart,

1633
01:32:52,520 --> 01:32:55,280
Speaker 2: Caring Kilgarriff and Daniel Kramer. You can follow us on

1634
01:32:55,320 --> 01:32:58,320
Speaker 2: Instagram and Twitter at I Saw Pod, and you can

1635
01:32:58,360 --> 01:33:00,639
Speaker 2: email us at I Saw What You Did Pod at

1636
01:33:00,640 --> 01:33:01,040
Speaker 2: Gmail