1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,560 --> 00:00:16,280 Speaker 2: Oh that's you. 3 00:00:17,720 --> 00:00:21,919 Speaker 3: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, an 4 00:00:21,920 --> 00:00:23,720 Speaker 3: iHeartRadio podcast. 5 00:00:24,360 --> 00:00:27,280 Speaker 1: We are back for Kilmore Girls Gazette and if you 6 00:00:27,320 --> 00:00:29,800 Speaker 1: remember last episode, we were talking about a video that 7 00:00:29,880 --> 00:00:31,280 Speaker 1: got taken down from Instagram. 8 00:00:31,720 --> 00:00:36,000 Speaker 2: I know, and this is like a controversial topic because 9 00:00:37,240 --> 00:00:38,879 Speaker 2: and this is why I want to talk about it. 10 00:00:39,000 --> 00:00:43,920 Speaker 2: Half the people liked the concept of it, right, and 11 00:00:43,960 --> 00:00:47,080 Speaker 2: they enjoyed it, and the other half are so anti 12 00:00:47,200 --> 00:00:51,840 Speaker 2: AI and what it you know? Us names likeness using 13 00:00:51,920 --> 00:00:55,040 Speaker 2: their clips from the show, which we'll find out because 14 00:00:55,040 --> 00:00:56,400 Speaker 2: we're going to talk to her. 15 00:00:56,520 --> 00:00:58,600 Speaker 1: What were you going to say to bring everyone up 16 00:00:58,640 --> 00:01:02,480 Speaker 1: to speed? This is the More Girls, the early years. AI. 17 00:01:03,680 --> 00:01:08,320 Speaker 2: Yeah, this creator creator using quotes, don't get don't come 18 00:01:08,319 --> 00:01:11,800 Speaker 2: for us because we are just having the conversation, made 19 00:01:11,880 --> 00:01:15,360 Speaker 2: a video which we'll find out exactly how she did it. 20 00:01:16,680 --> 00:01:21,360 Speaker 2: That was her vision of the prequel, right, but she 21 00:01:21,520 --> 00:01:24,440 Speaker 2: did it using clips from the Gilmore Girls, which I'm 22 00:01:24,480 --> 00:01:26,120 Speaker 2: sure that's why she had to take it down, but 23 00:01:26,160 --> 00:01:31,800 Speaker 2: we'll find out. And AI, So I think two things 24 00:01:31,800 --> 00:01:35,400 Speaker 2: can be true. One, you can dislike the use of 25 00:01:35,440 --> 00:01:39,720 Speaker 2: their name image likenesses using the clips and using AI 26 00:01:40,040 --> 00:01:44,560 Speaker 2: well simultaneously still wanting a prequel also and liking her 27 00:01:44,640 --> 00:01:45,600 Speaker 2: vision of what it was. 28 00:01:45,959 --> 00:01:48,160 Speaker 1: Right, I mean telling you one name before we bring 29 00:01:48,200 --> 00:01:48,400 Speaker 1: her in. 30 00:01:48,640 --> 00:01:49,360 Speaker 2: What's her name again? 31 00:01:49,360 --> 00:01:51,800 Speaker 1: What's her name, Rhann? But I want to make sure 32 00:01:51,800 --> 00:01:58,320 Speaker 1: I'm pronouncing that correctly, ray Ann. The I hate to 33 00:01:58,320 --> 00:02:00,160 Speaker 1: be this person that says I did love it. I 34 00:02:00,160 --> 00:02:02,680 Speaker 1: thought it was really eat too intrigging, and I was 35 00:02:02,720 --> 00:02:06,080 Speaker 1: hooked to the only thing that really jarred me was 36 00:02:06,520 --> 00:02:09,320 Speaker 1: the Richard stuff because he's no longer here. 37 00:02:09,760 --> 00:02:13,320 Speaker 2: Oh, I see, it's just like fair. I mean, also 38 00:02:13,440 --> 00:02:16,040 Speaker 2: like they don't look like they themselves, but that would 39 00:02:16,080 --> 00:02:17,639 Speaker 2: be the case in the prequel. Why don't we bring 40 00:02:17,639 --> 00:02:20,840 Speaker 2: her in? Yeah, everybody, before you get mad and flip out, 41 00:02:21,520 --> 00:02:25,480 Speaker 2: let's just have the conversation and see what we think. 42 00:02:25,880 --> 00:02:28,200 Speaker 1: Like, I agree, let's bring her in. 43 00:02:31,880 --> 00:02:34,040 Speaker 2: Look, we'll rip the band aid off in that. What 44 00:02:34,280 --> 00:02:37,040 Speaker 2: our take is that two things can be true, right, 45 00:02:37,480 --> 00:02:39,080 Speaker 2: and we want to ask you all about it. One 46 00:02:39,160 --> 00:02:43,840 Speaker 2: is that we really liked the video. I enjoyed watching 47 00:02:43,919 --> 00:02:47,760 Speaker 2: it because I sort of wanted to see what your 48 00:02:47,840 --> 00:02:52,400 Speaker 2: creative ideas were for for what could potentially be a prequel, right, 49 00:02:52,680 --> 00:02:55,680 Speaker 2: may never happen in real life, but it was creatively. 50 00:02:55,760 --> 00:02:59,320 Speaker 2: I sort of love the idea of a prequel, right, 51 00:02:59,400 --> 00:03:03,640 Speaker 2: Why I wouldn't we while simultaneously two things can be true. 52 00:03:03,680 --> 00:03:05,640 Speaker 2: Is what I just said. That people can be mad 53 00:03:06,120 --> 00:03:10,480 Speaker 2: about the use of AI, which look, AI music we 54 00:03:10,520 --> 00:03:13,160 Speaker 2: talk about all the time because it's so bad, and 55 00:03:13,160 --> 00:03:14,560 Speaker 2: then at the same time you're like, that's kind of 56 00:03:14,600 --> 00:03:17,880 Speaker 2: a nice song. And then it's also like there's no 57 00:03:18,000 --> 00:03:20,800 Speaker 2: method to the madness, right, because the Puerto Rico song 58 00:03:20,919 --> 00:03:24,440 Speaker 2: was okay, well while some other AI song wasn't, so 59 00:03:24,480 --> 00:03:28,880 Speaker 2: people were upset about that. Fair. Yes, my gut feeling 60 00:03:28,919 --> 00:03:30,280 Speaker 2: is the reason you had to take it down was 61 00:03:30,280 --> 00:03:32,840 Speaker 2: because you use the clips from the Gilmore Girls. 62 00:03:33,160 --> 00:03:33,920 Speaker 1: But you tell. 63 00:03:33,800 --> 00:03:36,960 Speaker 3: Us so, yeah, we actually didn't use any clips from 64 00:03:37,080 --> 00:03:41,120 Speaker 3: Gilmore Girls. Everything was Everything was written from the beginning 65 00:03:41,320 --> 00:03:43,800 Speaker 3: and generated audio clips. 66 00:03:43,840 --> 00:03:45,800 Speaker 2: Though it sounded like their real voices. 67 00:03:46,040 --> 00:03:50,480 Speaker 3: Yeah, so their voices, we cloned them into being younger 68 00:03:50,520 --> 00:03:51,080 Speaker 3: than they were. 69 00:03:52,400 --> 00:03:55,000 Speaker 1: I noticed that with Rory and Jazz they sounded a lot. 70 00:03:55,200 --> 00:03:57,200 Speaker 3: Because it would be weird if a six year old 71 00:03:57,280 --> 00:04:01,560 Speaker 3: sounded like she was right sure, So yeah, so nothing 72 00:04:01,720 --> 00:04:04,720 Speaker 3: was like actually, like no actual footage was taken. It 73 00:04:04,760 --> 00:04:06,640 Speaker 3: was just the images and sounds were taken. 74 00:04:06,720 --> 00:04:10,200 Speaker 2: And yeah, I felt like the audio was from the show. 75 00:04:11,040 --> 00:04:13,760 Speaker 3: Yeah, I mean the songs. The songs were okay. 76 00:04:13,760 --> 00:04:17,680 Speaker 2: So first of all, how many people viewed it it? 77 00:04:18,279 --> 00:04:21,840 Speaker 3: Over all social media was over a million. In Instagram 78 00:04:21,839 --> 00:04:23,400 Speaker 3: it was almost nine hundred thousand. 79 00:04:23,480 --> 00:04:26,680 Speaker 2: Wow, right, it was going viral and people because, like 80 00:04:26,720 --> 00:04:29,720 Speaker 2: I said, there were things about it that were enjoyable 81 00:04:30,000 --> 00:04:33,720 Speaker 2: and creative. What happened that made you have to take 82 00:04:33,760 --> 00:04:34,200 Speaker 2: it down? 83 00:04:35,040 --> 00:04:37,800 Speaker 3: So we we didn't take it down. Instagram took it 84 00:04:37,839 --> 00:04:41,400 Speaker 3: down and Warner Brothers asked Instagram to take it down. 85 00:04:41,440 --> 00:04:44,120 Speaker 3: So I don't I don't have all the details. I 86 00:04:44,200 --> 00:04:46,600 Speaker 3: just know that it was gone and it just said 87 00:04:46,640 --> 00:04:48,680 Speaker 3: it was a copyright violation. 88 00:04:48,440 --> 00:04:50,640 Speaker 2: Yeah, which I I don't think it was the AI. 89 00:04:51,279 --> 00:04:54,120 Speaker 2: It was the the clips sounded like they were taken 90 00:04:54,120 --> 00:04:56,640 Speaker 2: from the show. That was what My take was that 91 00:04:56,720 --> 00:05:00,360 Speaker 2: it was like coffee, coffee, coffee, and that you worked 92 00:05:00,360 --> 00:05:04,800 Speaker 2: that into your creative But let's go back forget about 93 00:05:04,800 --> 00:05:08,360 Speaker 2: like all the drama part for now and tell us, 94 00:05:08,400 --> 00:05:12,080 Speaker 2: like what is your relationship to the Gilmore girls, what 95 00:05:12,240 --> 00:05:14,200 Speaker 2: makes you love it so much? And what made you 96 00:05:14,320 --> 00:05:19,040 Speaker 2: create this pre cool. Yeah, I'd love to hear your 97 00:05:19,080 --> 00:05:21,880 Speaker 2: story and who are you? Like, how did you do 98 00:05:21,920 --> 00:05:23,000 Speaker 2: all this? Right? 99 00:05:23,120 --> 00:05:26,200 Speaker 3: So, I'm a traditional filmmaker. I've been in this space 100 00:05:26,240 --> 00:05:28,919 Speaker 3: for over twenty years. I'm an actor, screenwriter, producer. My 101 00:05:29,320 --> 00:05:32,000 Speaker 3: collaborator that made this with me. He's also a traditional 102 00:05:32,040 --> 00:05:37,680 Speaker 3: screenwriter showrunner. He's written for bel Air, for The brother Sons. 103 00:05:37,839 --> 00:05:42,480 Speaker 3: I graduated from UCLA's Graduate Television School and screenwriting. So 104 00:05:42,560 --> 00:05:44,719 Speaker 3: we have only been in this AI space for less 105 00:05:44,760 --> 00:05:48,240 Speaker 3: than a year. We're traditional filmmakers. I'm still working traditionally 106 00:05:48,279 --> 00:05:51,839 Speaker 3: in film and yeah, we just I'm a I've watched 107 00:05:51,839 --> 00:05:55,000 Speaker 3: Go More Girls when it was airing. It has truly 108 00:05:55,080 --> 00:05:58,880 Speaker 3: been my absolute favorite show. People that know me are like, 109 00:05:58,920 --> 00:05:59,880 Speaker 3: do you watch anything? 110 00:06:00,200 --> 00:06:01,320 Speaker 1: It's like, what I mean to do. 111 00:06:01,680 --> 00:06:05,280 Speaker 3: You know about any other things out there? So, you know, 112 00:06:05,360 --> 00:06:08,279 Speaker 3: he just we were brainstorming on just trying, you know, 113 00:06:08,360 --> 00:06:11,719 Speaker 3: a new project, and he's like, if you could make anything, 114 00:06:11,720 --> 00:06:13,080 Speaker 3: what would you make And I was like, well, I 115 00:06:13,120 --> 00:06:15,720 Speaker 3: would do Gilmore Girls, but yeah it's done, you know, 116 00:06:15,880 --> 00:06:18,680 Speaker 3: like it's over. And he wanted to make something in 117 00:06:18,680 --> 00:06:21,120 Speaker 3: the nineties and so then I was like, what if 118 00:06:21,160 --> 00:06:24,839 Speaker 3: we like rewrite interesting ten years and experimented with that. 119 00:06:25,120 --> 00:06:29,279 Speaker 3: So yeah, so that's how the idea was born. But yeah, 120 00:06:29,279 --> 00:06:31,200 Speaker 3: it was just like a fan tribute, you know. 121 00:06:31,240 --> 00:06:31,479 Speaker 4: It was. 122 00:06:31,560 --> 00:06:34,800 Speaker 3: I always wanted to make something that would be a 123 00:06:34,839 --> 00:06:37,400 Speaker 3: fan tribute. I've been to all the like holidays made 124 00:06:37,480 --> 00:06:39,160 Speaker 3: here at their. 125 00:06:39,160 --> 00:06:42,120 Speaker 2: Best, Like it's amazing, it's the best I have. I 126 00:06:42,160 --> 00:06:43,000 Speaker 2: mean incredible. 127 00:06:43,320 --> 00:06:45,400 Speaker 3: I have a Luke Smug coffee mug that I drink 128 00:06:45,440 --> 00:06:48,120 Speaker 3: coffee free every morning, the same we probably have the 129 00:06:48,120 --> 00:06:48,520 Speaker 3: same one. 130 00:06:48,680 --> 00:06:51,760 Speaker 2: I haven't, So that's that's why. I mean. I don't 131 00:06:51,800 --> 00:06:53,479 Speaker 2: know if you looked at the comments, but I did, 132 00:06:53,520 --> 00:06:56,960 Speaker 2: and they were split, right. It was very divisive, which 133 00:06:57,000 --> 00:06:59,200 Speaker 2: I understand, but there were a lot of people that 134 00:06:59,279 --> 00:07:02,880 Speaker 2: sort of under stood your love for the show and 135 00:07:02,960 --> 00:07:06,920 Speaker 2: just wanting to create more. So again we'll get into 136 00:07:07,000 --> 00:07:10,560 Speaker 2: the art they didn't like so much, but creatively, like, 137 00:07:10,720 --> 00:07:14,640 Speaker 2: what would your vision be for a prequel? 138 00:07:15,160 --> 00:07:17,920 Speaker 3: Yeah, I mean, so when I when we made this, 139 00:07:18,000 --> 00:07:19,400 Speaker 3: he wrote it and then I went through and I 140 00:07:19,440 --> 00:07:24,400 Speaker 3: did a pass because I know every fact, but basically 141 00:07:24,480 --> 00:07:28,040 Speaker 3: every scene was taken from information that Amy Sherman Paladino 142 00:07:28,120 --> 00:07:31,400 Speaker 3: wrote in the original series, and I wanted to stick 143 00:07:31,600 --> 00:07:33,920 Speaker 3: very true to what the series is, because it's it's 144 00:07:33,920 --> 00:07:35,720 Speaker 3: already there that you know, this wasn't hours that say 145 00:07:35,800 --> 00:07:38,000 Speaker 3: something that has been there for a long time. I 146 00:07:38,120 --> 00:07:41,000 Speaker 3: just wanted to serve the writing and the story. So 147 00:07:41,240 --> 00:07:43,240 Speaker 3: if I were to do it, you know, I would 148 00:07:43,320 --> 00:07:46,679 Speaker 3: go through the entire series and literally just take every 149 00:07:46,720 --> 00:07:50,680 Speaker 3: note of every little tidbit they give us and recreate 150 00:07:50,720 --> 00:07:53,160 Speaker 3: that because they gave they give us so much, you know, 151 00:07:53,240 --> 00:07:55,680 Speaker 3: in the series, So I would bounce off of that. 152 00:07:55,720 --> 00:07:56,760 Speaker 3: So everything say. 153 00:07:58,440 --> 00:08:01,400 Speaker 1: Like the shed, like I saw that you yes, and 154 00:08:01,640 --> 00:08:06,160 Speaker 1: and I love how you know you that just part 155 00:08:06,200 --> 00:08:08,520 Speaker 1: of that trailer where they were you know, Rory and 156 00:08:08,560 --> 00:08:11,960 Speaker 1: Lorelai were in the shed and and Rory said something 157 00:08:12,000 --> 00:08:15,040 Speaker 1: along the lines of Lane's house is. 158 00:08:16,520 --> 00:08:19,880 Speaker 4: Or is bigger than Lane. Lane's living room is bigger 159 00:08:19,880 --> 00:08:20,880 Speaker 4: than our than our house. 160 00:08:21,200 --> 00:08:24,360 Speaker 2: Right, I thought they were living in your in your 161 00:08:24,600 --> 00:08:27,280 Speaker 2: creation of it at the inn. Still, did I get 162 00:08:27,280 --> 00:08:27,760 Speaker 2: that wrong? 163 00:08:28,280 --> 00:08:30,280 Speaker 3: It's the potting shed that's at the end. 164 00:08:30,640 --> 00:08:33,440 Speaker 1: Okay, yeah, yeah, okay, because remember in the series, Yeah, 165 00:08:33,600 --> 00:08:36,199 Speaker 1: they lived in the shed. 166 00:08:35,960 --> 00:08:37,920 Speaker 3: For a while, they lived it. So I went back 167 00:08:37,960 --> 00:08:41,640 Speaker 3: to that episode where she walks her grandmother through and 168 00:08:41,800 --> 00:08:45,400 Speaker 3: she explains where everything is the bed was here, so 169 00:08:45,760 --> 00:08:48,520 Speaker 3: it was created with the floor plan that she described 170 00:08:48,600 --> 00:08:49,559 Speaker 3: in the original series. 171 00:08:49,840 --> 00:08:52,840 Speaker 1: I literally have chills. I just I think it's so cool. 172 00:08:53,240 --> 00:08:55,640 Speaker 2: Well, it is such a good idea. I mean, I 173 00:08:55,679 --> 00:08:59,360 Speaker 2: don't think any Gilmore Girl's fan would be mad about 174 00:08:59,360 --> 00:09:00,679 Speaker 2: a pre coel series. 175 00:09:01,320 --> 00:09:01,720 Speaker 1: Yeayeah. 176 00:09:01,880 --> 00:09:04,520 Speaker 3: It's amazing how many people said this, I'm okay with 177 00:09:04,640 --> 00:09:06,720 Speaker 3: this kind of AI, or this is the right use 178 00:09:06,760 --> 00:09:07,719 Speaker 3: for AI, or this. 179 00:09:07,720 --> 00:09:10,959 Speaker 2: Is the liked it. Some people were like AI il 180 00:09:11,400 --> 00:09:14,320 Speaker 2: and then some people were like, wait, no, this is 181 00:09:14,400 --> 00:09:19,040 Speaker 2: kind of cool, but also this like, there's no reason 182 00:09:19,080 --> 00:09:23,280 Speaker 2: why it would have to be AI if they exactly them. 183 00:09:23,600 --> 00:09:28,040 Speaker 2: Whoever created a prequel show, Absolutely I think that what 184 00:09:28,080 --> 00:09:29,480 Speaker 2: you were doing, and again I don't want to speak 185 00:09:29,480 --> 00:09:31,840 Speaker 2: for you, was like showing what the potential could be. 186 00:09:32,080 --> 00:09:33,000 Speaker 3: One hundred percent. 187 00:09:33,160 --> 00:09:33,360 Speaker 2: Yeah. 188 00:09:33,360 --> 00:09:36,200 Speaker 3: I mean, if I if I could have anything, i'd 189 00:09:36,200 --> 00:09:39,320 Speaker 3: really rebuild Star, follow out Warner Brothers, bring in every 190 00:09:39,320 --> 00:09:42,760 Speaker 3: single original actor, have them act out, and the only 191 00:09:42,800 --> 00:09:45,280 Speaker 3: AI we would use is like to make Rory sex 192 00:09:45,640 --> 00:09:46,439 Speaker 3: or to make you know. 193 00:09:47,160 --> 00:09:49,560 Speaker 2: You see what I would do you Okay, so this 194 00:09:49,600 --> 00:09:52,120 Speaker 2: is the conversation. What I would do is what they 195 00:09:52,120 --> 00:09:58,320 Speaker 2: did for the Dexter prequel. They found actors that really 196 00:09:58,520 --> 00:10:03,480 Speaker 2: truly resemble the actors that are play the roles in 197 00:10:03,600 --> 00:10:08,720 Speaker 2: the main series of Dexter, right, and they my assumption 198 00:10:09,080 --> 00:10:12,400 Speaker 2: is that they studied their mannerisms, right, So it's not AI. 199 00:10:13,040 --> 00:10:15,800 Speaker 2: It's a it's a show with the ants. 200 00:10:16,000 --> 00:10:18,320 Speaker 1: We saw that in Gilmore Girls, with the flashbacks they had. 201 00:10:20,120 --> 00:10:21,240 Speaker 1: They were not that good. They were. 202 00:10:22,920 --> 00:10:25,120 Speaker 2: Correct. You could do way better. And I think Dexter 203 00:10:25,240 --> 00:10:27,520 Speaker 2: is an amazing example because there are times when I'm 204 00:10:27,520 --> 00:10:30,199 Speaker 2: watching that Dexter prequel that I'm like, oh my god, 205 00:10:30,280 --> 00:10:32,400 Speaker 2: is this the same person? And it's not. But they 206 00:10:32,480 --> 00:10:36,960 Speaker 2: just found very, very very talented actors that are portraying 207 00:10:37,160 --> 00:10:44,040 Speaker 2: like the Luke needs to be without mimicking the way 208 00:10:44,120 --> 00:10:49,920 Speaker 2: Scott Patterson played plays Luke. And so I don't know 209 00:10:50,000 --> 00:10:52,680 Speaker 2: that it has to be like so much of the 210 00:10:52,720 --> 00:10:57,200 Speaker 2: AI conversation, because yeah, you're creating what you were creating. 211 00:10:58,840 --> 00:11:01,720 Speaker 2: Being clever about it. That showing them in the you know, 212 00:11:01,800 --> 00:11:03,440 Speaker 2: living in the shed at the end, and this and 213 00:11:03,480 --> 00:11:06,680 Speaker 2: that and this is what the creation is. 214 00:11:06,679 --> 00:11:10,640 Speaker 3: Right exactly. It's it's the story. It's the story that matters, 215 00:11:10,920 --> 00:11:11,120 Speaker 3: you know. 216 00:11:11,200 --> 00:11:14,920 Speaker 1: But I've always when we talk about more Gilmore Girls stuff. 217 00:11:15,000 --> 00:11:18,720 Speaker 1: I've always talked like, I think a what do you 218 00:11:18,880 --> 00:11:21,040 Speaker 1: if it's a prequel, a post, a post. 219 00:11:20,800 --> 00:11:23,679 Speaker 2: A sequel. I guess you could call it a continuation, 220 00:11:23,920 --> 00:11:24,720 Speaker 2: the continuation. 221 00:11:25,080 --> 00:11:27,480 Speaker 1: I've always been like, I want to see Rory's baby, 222 00:11:27,559 --> 00:11:29,640 Speaker 1: like I want to know what that baby is. Now 223 00:11:29,840 --> 00:11:34,440 Speaker 1: you know, absolutely Dexter and I loved it. 224 00:11:34,800 --> 00:11:37,000 Speaker 2: I don't mean to keeping like pro Dexter. I'm not 225 00:11:37,080 --> 00:11:40,240 Speaker 2: like I don't want the Dexter. But they are simultaneously 226 00:11:40,320 --> 00:11:45,600 Speaker 2: airing a prequel version and a continuation, all on showtime 227 00:11:45,679 --> 00:11:48,360 Speaker 2: or whatever you call it. Maybe it's called Paramount plus, 228 00:11:48,600 --> 00:11:52,440 Speaker 2: but you could do all of the things. I think 229 00:11:53,000 --> 00:11:56,280 Speaker 2: what you want, and I think people want is more 230 00:11:56,360 --> 00:11:58,520 Speaker 2: Gilmore Girls. And I think this is what Scott has 231 00:11:58,559 --> 00:12:04,040 Speaker 2: always understood, is that this fandom just wants more. They 232 00:12:04,080 --> 00:12:07,640 Speaker 2: want the podcast, not just ours, but all the podcasts. 233 00:12:07,760 --> 00:12:10,400 Speaker 2: They want holidays made here, they want more movies, they 234 00:12:10,440 --> 00:12:14,680 Speaker 2: want a prequel, they want. 235 00:12:12,679 --> 00:12:15,640 Speaker 3: They live in the world. Yeah, they want the world. 236 00:12:15,720 --> 00:12:27,760 Speaker 3: They want the merge, all of it. So were you sad? 237 00:12:28,400 --> 00:12:32,480 Speaker 2: What feelings did you feel when it went down? 238 00:12:34,760 --> 00:12:36,520 Speaker 3: I mean I think I was just like, oh, I wonder, 239 00:12:36,559 --> 00:12:37,360 Speaker 3: what's going to happen. 240 00:12:37,400 --> 00:12:42,160 Speaker 2: Now what am I getting a certified letter in the. 241 00:12:42,280 --> 00:12:44,880 Speaker 3: Exactly exactly, which you know, we kind of thought that 242 00:12:45,040 --> 00:12:47,760 Speaker 3: when it when we saw it go viral, we didn't 243 00:12:47,760 --> 00:12:49,800 Speaker 3: think it was going to go viral. I mean, all 244 00:12:49,920 --> 00:12:54,160 Speaker 3: kinds of stuff out there. So now I think it 245 00:12:54,360 --> 00:12:57,960 Speaker 3: just made me go. I just reflected on all the comments. 246 00:12:58,040 --> 00:13:01,520 Speaker 3: I mean, there were more wonder full comments than anything 247 00:13:01,559 --> 00:13:03,720 Speaker 3: of people that were just like I needed this, you know, 248 00:13:03,880 --> 00:13:05,800 Speaker 3: or this helped me through my day, And it was 249 00:13:05,840 --> 00:13:08,120 Speaker 3: that kind of stuff that made me go, gosh, we 250 00:13:08,160 --> 00:13:10,120 Speaker 3: got to we got to make stuff like this, you know, 251 00:13:10,160 --> 00:13:13,680 Speaker 3: because it really does that the story that all those 252 00:13:13,760 --> 00:13:18,320 Speaker 3: actors and the Palladinos created together, it really it helps 253 00:13:18,400 --> 00:13:21,640 Speaker 3: people and people want to be in Star Hollow. And 254 00:13:21,679 --> 00:13:24,200 Speaker 3: I know it. I've been you know, two decades of 255 00:13:24,240 --> 00:13:26,680 Speaker 3: watching watching this that I go back to it. So 256 00:13:26,840 --> 00:13:30,000 Speaker 3: I think it's something that you know, people just really 257 00:13:30,040 --> 00:13:32,400 Speaker 3: they want it because it actually does something very positive 258 00:13:32,440 --> 00:13:36,160 Speaker 3: for them emotionally, and it made me just think that, gosh, 259 00:13:36,200 --> 00:13:38,800 Speaker 3: this is this is something that should still live on 260 00:13:39,000 --> 00:13:41,680 Speaker 3: like it is. It's a live still and people would 261 00:13:41,720 --> 00:13:43,280 Speaker 3: love it if they could see more of it. 262 00:13:43,880 --> 00:13:46,120 Speaker 1: Yeah, I agree, yeah. 263 00:13:46,320 --> 00:13:48,439 Speaker 2: I mean, I I think your intent and again I 264 00:13:48,440 --> 00:13:49,760 Speaker 2: don't want to speak for you, but this is just 265 00:13:49,800 --> 00:13:53,520 Speaker 2: from our conversation. I think your intentions were pure. But life, 266 00:13:53,840 --> 00:13:58,800 Speaker 2: life is complicated, especially in tech, right. 267 00:13:58,840 --> 00:14:01,560 Speaker 3: I mean you're going especially you're gonna you're gonna get it. 268 00:14:01,600 --> 00:14:03,920 Speaker 3: I mean, you know, that's just that's expected with any 269 00:14:03,960 --> 00:14:06,880 Speaker 3: new technology. So I mean I feel like I feel 270 00:14:06,920 --> 00:14:09,400 Speaker 3: like my parents right now, like when you know computers 271 00:14:09,440 --> 00:14:10,280 Speaker 3: came out or remember. 272 00:14:10,240 --> 00:14:11,400 Speaker 2: Ganparents or something. 273 00:14:12,320 --> 00:14:13,719 Speaker 1: What is this computer? 274 00:14:13,920 --> 00:14:17,320 Speaker 3: Right? Exactly? I'm not banking online. Someone will steal my money, 275 00:14:17,520 --> 00:14:21,760 Speaker 3: you know. So it's totally you're just just like even. 276 00:14:21,800 --> 00:14:23,760 Speaker 2: Still won't go to the ATM. She's like, I don't 277 00:14:23,840 --> 00:14:24,280 Speaker 2: like that thing. 278 00:14:25,280 --> 00:14:27,840 Speaker 3: Yeah, mine writes Chucks And I'm like, okay, you know 279 00:14:28,080 --> 00:14:31,160 Speaker 3: whatever it's comfortable with or even it's just kind of 280 00:14:31,200 --> 00:14:33,560 Speaker 3: like I always make the example. It's like GPS, right, 281 00:14:33,640 --> 00:14:35,000 Speaker 3: Like we all get in our cars when we plug 282 00:14:35,000 --> 00:14:37,720 Speaker 3: in where we're going, Nobody's like, oh my gosh, like 283 00:14:37,880 --> 00:14:40,320 Speaker 3: take out the Thomas Guide. You know, you're cheating, like 284 00:14:40,360 --> 00:14:43,320 Speaker 3: you can't. You can't use GPS. So I think it's 285 00:14:43,440 --> 00:14:46,800 Speaker 3: just it's just tech evolving, and that's you know, people. 286 00:14:46,600 --> 00:14:49,120 Speaker 2: Getting used to it. Right, Like when I started in radio, 287 00:14:49,280 --> 00:14:53,040 Speaker 2: we were using the commercials were played on what you 288 00:14:53,080 --> 00:14:55,520 Speaker 2: would call an eight track, right like I don't even 289 00:14:55,560 --> 00:14:58,080 Speaker 2: know if you guys know what, but they were carts 290 00:14:58,160 --> 00:15:00,160 Speaker 2: and you had to put them into this machine and 291 00:15:00,200 --> 00:15:03,080 Speaker 2: I had to load one commercial at a time. And 292 00:15:03,160 --> 00:15:05,040 Speaker 2: let me tell you, I messed it up. I was like, 293 00:15:05,040 --> 00:15:06,840 Speaker 2: oh my god, I ran the four o'clock spots at 294 00:15:06,880 --> 00:15:12,600 Speaker 2: three o'clock. Wow. And you know, I can remember Ryan 295 00:15:12,680 --> 00:15:16,000 Speaker 2: Seacrest or Rick D's some of these people editing like 296 00:15:16,520 --> 00:15:19,600 Speaker 2: with a like a razor blade practically like and then 297 00:15:20,480 --> 00:15:23,880 Speaker 2: gluing like cassette tape together basically I don't even know 298 00:15:23,880 --> 00:15:26,920 Speaker 2: how they did it. Yeah, and then technology goes, goes, goes. 299 00:15:27,000 --> 00:15:30,120 Speaker 2: So there will be things about AI that are great, 300 00:15:30,200 --> 00:15:33,200 Speaker 2: but there are also things that are like cringe. 301 00:15:32,760 --> 00:15:35,200 Speaker 3: Absolutely, and they just had they have to place laws 302 00:15:35,240 --> 00:15:37,440 Speaker 3: in and they have to find protection for people, and 303 00:15:37,480 --> 00:15:39,560 Speaker 3: there's you know, there's a lot that has to evolve, 304 00:15:40,360 --> 00:15:42,800 Speaker 3: I think when any new technology comes up, and we're 305 00:15:42,800 --> 00:15:45,840 Speaker 3: in that place unfortunately of there's not a lot of 306 00:15:45,920 --> 00:15:46,360 Speaker 3: laws yet. 307 00:15:46,400 --> 00:15:49,720 Speaker 2: And also like, look, I have a huge respect for 308 00:15:49,800 --> 00:15:53,880 Speaker 2: people and their IP right because that is Warner Brothers 309 00:15:54,680 --> 00:15:58,560 Speaker 2: one hundred percent tent and a bunch of other people. 310 00:15:58,640 --> 00:16:03,920 Speaker 2: So I understand, and while simultaneously understanding, like how fun 311 00:16:03,960 --> 00:16:06,560 Speaker 2: to create something and what a great idea to do 312 00:16:06,600 --> 00:16:09,440 Speaker 2: this prequel with some of the ideas you had in 313 00:16:09,480 --> 00:16:10,080 Speaker 2: your video. 314 00:16:11,400 --> 00:16:12,840 Speaker 1: Yeah, I agree. 315 00:16:13,160 --> 00:16:19,240 Speaker 2: Well, like life, it's good and bad. But we're happy 316 00:16:19,280 --> 00:16:22,200 Speaker 2: to talk to you. And I hope that you were 317 00:16:23,800 --> 00:16:26,840 Speaker 2: sad and happy at the same time, disappointed and excited 318 00:16:26,840 --> 00:16:28,840 Speaker 2: at the same time. It's probably like a lot of you. 319 00:16:28,880 --> 00:16:31,080 Speaker 1: Now just need to call Adian Mentality now and Warner 320 00:16:31,120 --> 00:16:33,560 Speaker 1: Brothers and be like, hey, let's do this for real. 321 00:16:33,640 --> 00:16:37,640 Speaker 3: Then I know'stly that's I mean. People keep asking like 322 00:16:37,680 --> 00:16:39,520 Speaker 3: make stuff, you know, make stuff post it, and I 323 00:16:39,560 --> 00:16:44,040 Speaker 3: was like, well, not without their permission, right right, But yeah, 324 00:16:44,240 --> 00:16:46,160 Speaker 3: I mean I think it would be amazing. 325 00:16:46,520 --> 00:16:48,280 Speaker 1: Let's do this exactly. 326 00:16:48,480 --> 00:16:50,640 Speaker 3: People would love it. I think I don't see a 327 00:16:50,680 --> 00:16:53,360 Speaker 3: lot of bad coming out of it if everybody came 328 00:16:53,400 --> 00:16:54,680 Speaker 3: together and wanted it made. 329 00:16:55,520 --> 00:16:58,680 Speaker 1: Oh I love it, well, thank you and going fans. 330 00:16:58,720 --> 00:17:03,000 Speaker 2: I think can like I said, love the idea of 331 00:17:03,040 --> 00:17:06,560 Speaker 2: it while simultaneously still respecting the IP and the people 332 00:17:06,560 --> 00:17:11,199 Speaker 2: that created it and the actors and the good and 333 00:17:11,240 --> 00:17:13,840 Speaker 2: the bad of AI. But anyways, it's very fascinating to 334 00:17:13,880 --> 00:17:16,560 Speaker 2: talk to you, and like I said, it shook us. 335 00:17:16,640 --> 00:17:20,439 Speaker 2: We were like, whoa, this is cool. And then you know, 336 00:17:20,720 --> 00:17:25,199 Speaker 2: having people respond, I mean a million people's like keep creating. 337 00:17:25,280 --> 00:17:26,840 Speaker 1: Yeah, good life. 338 00:17:26,880 --> 00:17:29,679 Speaker 3: Yeah, you know, we're making all kinds of yeah stuff. 339 00:17:29,720 --> 00:17:33,040 Speaker 3: I mean I prefer hybrid, like we we mostly shoot hybrid, 340 00:17:33,160 --> 00:17:35,520 Speaker 3: so we actually shoot actors like on a stage or 341 00:17:35,720 --> 00:17:38,480 Speaker 3: led and then we you know, we use technology for 342 00:17:38,560 --> 00:17:40,679 Speaker 3: what we need that we wouldn't be able to do otherwise. 343 00:17:42,240 --> 00:17:45,840 Speaker 3: But yeah, we have like five different projects going on 344 00:17:45,960 --> 00:17:46,360 Speaker 3: right now. 345 00:17:47,000 --> 00:17:49,159 Speaker 2: How can people find you if they want to like 346 00:17:49,800 --> 00:17:51,000 Speaker 2: see your work? 347 00:17:51,160 --> 00:17:54,040 Speaker 3: But we're making yes, So I mean I'm on Instagram. 348 00:17:54,080 --> 00:17:58,080 Speaker 3: Obviously a lot of people found me there. Alchai Productions 349 00:17:58,359 --> 00:18:00,639 Speaker 3: is what my company is called, We May I mean 350 00:18:00,640 --> 00:18:02,920 Speaker 3: I've had it for twenty years. I've made all kinds 351 00:18:02,960 --> 00:18:07,320 Speaker 3: of stuff under them. Chaos Pharmacy is my partner justin 352 00:18:07,400 --> 00:18:11,800 Speaker 3: kaylen Chin's company, So our stuff is out there, and yeah, 353 00:18:11,840 --> 00:18:12,640 Speaker 3: I just continue, Well. 354 00:18:12,600 --> 00:18:15,280 Speaker 2: I appreciate you like taking the time and being open 355 00:18:15,320 --> 00:18:18,760 Speaker 2: to the criticism while simultaneously being happy about the praise, 356 00:18:18,800 --> 00:18:20,440 Speaker 2: because I think you really got Thank. 357 00:18:20,240 --> 00:18:23,600 Speaker 3: You, thank you for having us and for sharing it too. 358 00:18:23,760 --> 00:18:25,560 Speaker 3: That was that was really exciting. 359 00:18:26,040 --> 00:18:28,080 Speaker 2: Yeah, no, I mean like that's the thing we also 360 00:18:28,440 --> 00:18:33,320 Speaker 2: for you know, anyone listening. We want to talk about 361 00:18:33,359 --> 00:18:36,600 Speaker 2: everything Gilmour, right, yeah, and that means things people like, things, 362 00:18:36,600 --> 00:18:39,199 Speaker 2: people don't like, things, we like, things we don't like. 363 00:18:39,359 --> 00:18:42,480 Speaker 2: You know, anything in that realm is what makes a 364 00:18:42,520 --> 00:18:48,280 Speaker 2: conversation great. It's like people's critique of season seven, you know, 365 00:18:48,560 --> 00:18:52,320 Speaker 2: like I know there's things to love about season seven, 366 00:18:52,359 --> 00:18:53,400 Speaker 2: and then there's also like. 367 00:18:53,400 --> 00:18:56,640 Speaker 1: Well things love but yes, it's it's. 368 00:18:56,520 --> 00:18:58,399 Speaker 2: Nice to have you, and thanks for thanks for being 369 00:18:58,480 --> 00:18:58,920 Speaker 2: open to. 370 00:18:58,920 --> 00:19:01,600 Speaker 3: The Thank you, Thank you guys so much for having me. 371 00:19:01,640 --> 00:19:02,520 Speaker 3: I appreciate it. 372 00:19:02,920 --> 00:19:03,280 Speaker 1: Thank you. 373 00:19:03,359 --> 00:19:04,720 Speaker 2: Hopefully we'll get our prequel. 374 00:19:05,080 --> 00:19:09,280 Speaker 3: Okay, I know we can hope, all right, thank you. 375 00:19:18,080 --> 00:19:21,000 Speaker 2: So, Danielle, I'm seeing this picture of my low with 376 00:19:21,040 --> 00:19:24,399 Speaker 2: a bunch of Honkys. Was nice. Yeah, I get it, 377 00:19:24,440 --> 00:19:28,399 Speaker 2: Like it's I get it. The comments are gonna be 378 00:19:28,440 --> 00:19:31,560 Speaker 2: split for us. How dare you have her on? I 379 00:19:31,640 --> 00:19:32,520 Speaker 2: like that you had her on. 380 00:19:32,680 --> 00:19:33,240 Speaker 1: I liked it. 381 00:19:33,359 --> 00:19:36,480 Speaker 2: I hated it, and that's fair. That's what makes things interesting. 382 00:19:36,760 --> 00:19:38,600 Speaker 1: No one's gonna be mad about what you're talking about 383 00:19:38,640 --> 00:19:38,960 Speaker 1: right now? 384 00:19:39,440 --> 00:19:42,000 Speaker 2: Well, no, because first of all, I have the funniest 385 00:19:42,000 --> 00:19:44,359 Speaker 2: story about Milo. I mean not like I bumped into it, 386 00:19:44,400 --> 00:19:47,119 Speaker 2: but it's funny story. But you'll tell you saying, what 387 00:19:47,200 --> 00:19:49,000 Speaker 2: is this picture of Milo with all these firefighters? This 388 00:19:49,080 --> 00:19:50,720 Speaker 2: was obviously during the Palisades fire. 389 00:19:51,080 --> 00:19:55,160 Speaker 1: So what happened is Tara? You guys know Tara on 390 00:19:55,200 --> 00:19:59,639 Speaker 1: our team one of her friends. Uh, somebody's going have 391 00:19:59,680 --> 00:20:02,520 Speaker 1: to tell me with dating what app it was? It 392 00:20:02,560 --> 00:20:07,320 Speaker 1: was like a bumble or hinge, one of those guy 393 00:20:07,800 --> 00:20:10,560 Speaker 1: dating app on hinge. Okay, comes across. 394 00:20:10,200 --> 00:20:14,480 Speaker 4: A guy on Instagram or on a hinge and one 395 00:20:14,520 --> 00:20:16,399 Speaker 4: of his photos is this photo? 396 00:20:16,480 --> 00:20:18,800 Speaker 2: Now is he the fireman or the random guy in 397 00:20:18,840 --> 00:20:21,399 Speaker 2: the black T shirt? Or my lad? It's obviously not. 398 00:20:21,480 --> 00:20:24,560 Speaker 1: That's a great question. I wonder know which of them 399 00:20:24,680 --> 00:20:28,840 Speaker 1: the days, but it was obviously from the Palaisiads fire. 400 00:20:29,040 --> 00:20:33,480 Speaker 2: First of all, if it's the firefighter, date the firefighter. 401 00:20:33,040 --> 00:20:35,800 Speaker 1: You don't need a picture of Miloa to help tell you. 402 00:20:35,840 --> 00:20:42,320 Speaker 2: Just that yellow firefighter gear exactly exact fireman like just 403 00:20:42,640 --> 00:20:45,680 Speaker 2: hello fireman. Okay. So I'll tell you this mylow story. 404 00:20:45,680 --> 00:20:49,680 Speaker 2: It's funny. So my nieces. My I have five nieces. 405 00:20:50,600 --> 00:20:55,440 Speaker 2: So Chelsea the second oldest. Yes, we were in Tahoe 406 00:20:55,720 --> 00:20:57,960 Speaker 2: with her friends and she's like, I'm gonna watch I 407 00:20:58,040 --> 00:21:03,359 Speaker 2: Will Find You because she had already watched it through 408 00:21:03,359 --> 00:21:05,080 Speaker 2: but her friends hadn't seen it and she loved it, 409 00:21:05,080 --> 00:21:07,199 Speaker 2: so she's like, let's watch I Will Find You. So, 410 00:21:07,359 --> 00:21:11,280 Speaker 2: first of all, not joking, they started it at eight 411 00:21:11,320 --> 00:21:13,720 Speaker 2: o'clock and we're still up at three am, like they 412 00:21:13,760 --> 00:21:18,359 Speaker 2: watched every single episode in one night. But she's like, 413 00:21:18,400 --> 00:21:20,119 Speaker 2: I want to watch I Will Find You, and I 414 00:21:20,160 --> 00:21:22,320 Speaker 2: go yeah with my lo vent Amilia, and she's like, 415 00:21:22,359 --> 00:21:23,560 Speaker 2: I don't know who that is. Like she's like, I 416 00:21:23,560 --> 00:21:27,960 Speaker 2: don't know what that means. Oh, Jess, it's Jess from 417 00:21:28,040 --> 00:21:32,439 Speaker 2: Gilmore Girls. Yeah, she totally knows gilmorl. She goes like 418 00:21:32,560 --> 00:21:35,439 Speaker 2: she basically was like that's Jess, Like she's like, he 419 00:21:35,520 --> 00:21:39,479 Speaker 2: looks so old. Oh I but this is you have 420 00:21:39,520 --> 00:21:43,960 Speaker 2: to imagine for teenagers, right, they've watched Gilmore Girls just now. 421 00:21:44,720 --> 00:21:47,560 Speaker 1: Right, So it's like, I mean, obviously. 422 00:21:47,119 --> 00:21:51,360 Speaker 2: They're teenagers, they know, they understand, but they're like it's 423 00:21:51,359 --> 00:21:54,639 Speaker 2: such a time jump because simultaneously they're watching two things 424 00:21:54,640 --> 00:21:57,560 Speaker 2: with the same actor, right, and they streaming from streaming, 425 00:21:57,600 --> 00:22:00,159 Speaker 2: so they're not like googling what year was gil More 426 00:22:00,240 --> 00:22:02,000 Speaker 2: Girls made? They're just like, this is the cool show. 427 00:22:02,080 --> 00:22:04,120 Speaker 2: This is the cool show. And so they're like, why 428 00:22:04,200 --> 00:22:08,040 Speaker 2: is just so old all of us? You know, it 429 00:22:08,080 --> 00:22:09,720 Speaker 2: was twenty five of the day ago. 430 00:22:10,240 --> 00:22:12,240 Speaker 1: Milo looks better now than he did back then. 431 00:22:13,400 --> 00:22:16,520 Speaker 2: Yeah, I kind of take right. You could see old 432 00:22:16,560 --> 00:22:19,000 Speaker 2: aging like a twenty year old and aging like a 433 00:22:19,040 --> 00:22:21,240 Speaker 2: fine wine. 434 00:22:22,200 --> 00:22:26,359 Speaker 1: Did you see the sun Foster she's doing? 435 00:22:28,560 --> 00:22:31,960 Speaker 2: Where is cann First of all, I have spent a 436 00:22:32,119 --> 00:22:38,280 Speaker 2: lot of time analyzing Sutton Foster's career moves because they're 437 00:22:38,320 --> 00:22:45,840 Speaker 2: so fascinating workouts. A genius. I don't know. Here's my question. 438 00:22:45,920 --> 00:22:48,360 Speaker 2: Where is Canyon Ranch? I thought it was like in Arizona. 439 00:22:49,320 --> 00:22:53,320 Speaker 1: It is in Lennox, Massachusetts, the famous canyon are there? 440 00:22:53,359 --> 00:22:55,920 Speaker 2: Is there more than one? Oh? 441 00:22:56,000 --> 00:22:56,560 Speaker 1: I do not know. 442 00:22:56,640 --> 00:22:59,000 Speaker 2: The I watched the whole thing. I watched the testimonials. 443 00:22:59,040 --> 00:23:03,000 Speaker 2: I watched the ladies who went previously talking about how 444 00:23:03,040 --> 00:23:05,639 Speaker 2: life changing and amazing it was. I'm like, but this 445 00:23:05,760 --> 00:23:07,919 Speaker 2: was the one that was expensive, right, I think this 446 00:23:08,000 --> 00:23:09,600 Speaker 2: was the one that was like five thousand. 447 00:23:09,280 --> 00:23:14,439 Speaker 1: Dollars, so so much said that it starts starting at 448 00:23:14,440 --> 00:23:18,800 Speaker 1: twenty three hundred. Oh my god. So part of the retreat. 449 00:23:18,840 --> 00:23:21,119 Speaker 1: This is the part that like made me a giggle. 450 00:23:21,200 --> 00:23:24,679 Speaker 2: They were the retreat Please said they watch bun Nuts Please. 451 00:23:26,240 --> 00:23:30,120 Speaker 1: They take an excursion to Tinglewood to experience Jack Hugh 452 00:23:30,200 --> 00:23:32,000 Speaker 1: Jackman performing with the Boston Pop. 453 00:23:32,119 --> 00:23:34,360 Speaker 2: I saw this. I saw this first of all. Remember 454 00:23:34,400 --> 00:23:36,679 Speaker 2: my dad said what Sutton Foster did was like the 455 00:23:36,680 --> 00:23:40,560 Speaker 2: Boston was the pup. So it's like, yeah, I get it. 456 00:23:40,800 --> 00:23:45,760 Speaker 2: First of all. That part sounds cool fun. Also, I 457 00:23:45,800 --> 00:23:48,199 Speaker 2: love that she's not like hiding it. She's not like, 458 00:23:48,200 --> 00:23:50,560 Speaker 2: oh no, don't am I dating or not? And my 459 00:23:50,600 --> 00:23:54,000 Speaker 2: danying you're not. They're just like we know that together. 460 00:23:54,359 --> 00:23:56,960 Speaker 2: And here come the paparazzi. 461 00:23:56,880 --> 00:23:59,080 Speaker 1: And here comes the scheduled paparazzi. 462 00:23:59,200 --> 00:24:03,800 Speaker 2: Totally here the People magazine photographer we booked. 463 00:24:04,560 --> 00:24:06,200 Speaker 1: For our People magazine. 464 00:24:06,440 --> 00:24:10,600 Speaker 2: I think I would if it was not in Lenox, Massachusetts. 465 00:24:09,880 --> 00:24:14,280 Speaker 1: Or what'd you say, Lenox, Massachusetts? You make it? 466 00:24:12,640 --> 00:24:19,920 Speaker 2: If it was, I would be like, Sutton, girl, here's 467 00:24:19,960 --> 00:24:22,040 Speaker 2: what's gonna happen. I'm gonna pay the twenty three hundred. 468 00:24:23,200 --> 00:24:25,919 Speaker 2: It's a pretty penny. You're charging me. I'm gonna come 469 00:24:25,960 --> 00:24:27,879 Speaker 2: to the things I want. I don't want to be 470 00:24:28,119 --> 00:24:30,560 Speaker 2: so like, don't you tell me I have to get 471 00:24:30,640 --> 00:24:33,160 Speaker 2: up at eight am for like yoga. I'm not doing 472 00:24:33,160 --> 00:24:36,800 Speaker 2: that part, Sutton, but like by eleven for tea time 473 00:24:37,119 --> 00:24:39,640 Speaker 2: and like doing that part. I'm not doing that part. 474 00:24:39,720 --> 00:24:42,440 Speaker 2: And I'm not surrendering my phone. That's the other thing 475 00:24:42,480 --> 00:24:45,480 Speaker 2: when they're like, yo, so this retreat where we all 476 00:24:45,520 --> 00:24:47,840 Speaker 2: butter ourselves. We lock our phones in this you know, 477 00:24:47,960 --> 00:24:48,639 Speaker 2: metal box. 478 00:24:48,680 --> 00:24:51,399 Speaker 1: I'm like, no access to the outside world. 479 00:24:51,560 --> 00:24:55,320 Speaker 2: I'm like lately not doing that. I will have my 480 00:24:55,400 --> 00:24:59,320 Speaker 2: two phones, my iPad and my laptop in my room, 481 00:24:59,400 --> 00:25:01,280 Speaker 2: and I will bring my phone everywhere I go. But 482 00:25:01,359 --> 00:25:04,640 Speaker 2: I'll listen to your talks. I'll do a nice Q 483 00:25:04,800 --> 00:25:08,200 Speaker 2: and A with cream cheese cucumber sandwiches. 484 00:25:09,280 --> 00:25:11,800 Speaker 1: That is so your vibe. I you know. 485 00:25:12,359 --> 00:25:14,439 Speaker 2: Oh my god, I don't eat cream cheese now, but 486 00:25:14,520 --> 00:25:18,520 Speaker 2: I love those cumb I might eat some. We're having 487 00:25:18,520 --> 00:25:22,560 Speaker 2: a pickleball tournament in Tahoe next week and one of 488 00:25:22,600 --> 00:25:24,680 Speaker 2: the things was cucumber sandwiches, and I might just take 489 00:25:24,680 --> 00:25:26,560 Speaker 2: the diarrhea. I might just be like, take it. 490 00:25:26,560 --> 00:25:28,639 Speaker 1: It's worth it. Once a year take the diarrhea. 491 00:25:28,640 --> 00:25:32,920 Speaker 2: I me tell you. Oh, though I had to think 492 00:25:33,040 --> 00:25:35,040 Speaker 2: Tahoe food is not the best. I'm not going to 493 00:25:35,119 --> 00:25:39,560 Speaker 2: name the restaurants I don't like. I am so particular 494 00:25:39,720 --> 00:25:42,960 Speaker 2: about my French fries. Now it's gotten weird. 495 00:25:43,440 --> 00:25:45,760 Speaker 1: I like in and out French fries, or do you yep. 496 00:25:45,600 --> 00:25:48,760 Speaker 2: In and out thumbs up. There's something where they fry 497 00:25:48,800 --> 00:25:53,080 Speaker 2: them into certain grease or fat or something that is 498 00:25:53,160 --> 00:25:54,919 Speaker 2: like a no for me and makes me sick. I 499 00:25:54,920 --> 00:25:59,680 Speaker 2: think I might be allergic, but certain fries yep. 500 00:26:00,080 --> 00:26:02,720 Speaker 1: Yeah, you see. For me, it's more of the texture 501 00:26:02,760 --> 00:26:05,080 Speaker 1: of the fry. Like I do not like a steak fry. 502 00:26:05,119 --> 00:26:06,320 Speaker 1: I do not like thick. 503 00:26:06,480 --> 00:26:10,120 Speaker 2: I like I like it thick if it's not made 504 00:26:10,280 --> 00:26:13,520 Speaker 2: in that grease. There's some sort of grease or fry 505 00:26:14,040 --> 00:26:17,840 Speaker 2: fried whatever they it's great oil. I think about it 506 00:26:17,880 --> 00:26:20,280 Speaker 2: right now, I'll throw up. Like I literally have to 507 00:26:20,560 --> 00:26:23,560 Speaker 2: order the fries, look at them and go pause or 508 00:26:24,320 --> 00:26:28,600 Speaker 2: in in and out. This is so weird. But like 509 00:26:29,240 --> 00:26:31,399 Speaker 2: I don't want to sound bougie. I'm not bougie, but 510 00:26:31,480 --> 00:26:35,439 Speaker 2: there's two country clubs in my neighborhood. Ones fries are 511 00:26:35,440 --> 00:26:42,200 Speaker 2: disgusting and the other fries are delicious. That's just the facts. Mann, 512 00:26:42,359 --> 00:26:47,960 Speaker 2: that's just I wanted to would you rather eat? Okay, 513 00:26:47,960 --> 00:26:51,200 Speaker 2: I'm gonna give you like the best game ever. Okay, ruffles, 514 00:26:51,200 --> 00:26:54,399 Speaker 2: potato chips or whatever potato chips you like the best, 515 00:26:54,440 --> 00:26:57,480 Speaker 2: Like if it's the cape cod whatever. Your favorite potato 516 00:26:57,840 --> 00:27:01,639 Speaker 2: chip is, tater top or in and out fries. 517 00:27:02,160 --> 00:27:04,480 Speaker 1: Oh man, you had me and tater tots and in 518 00:27:04,520 --> 00:27:05,280 Speaker 1: and out fries. 519 00:27:05,440 --> 00:27:07,200 Speaker 2: I'm immediately out on the tater tots. 520 00:27:07,200 --> 00:27:13,080 Speaker 1: I don't like cater tots. I love tater tots, so 521 00:27:13,160 --> 00:27:15,200 Speaker 1: I love in and out fries. They're my favorite fries. 522 00:27:15,240 --> 00:27:16,960 Speaker 2: So in and out is good. But I might go 523 00:27:17,000 --> 00:27:22,840 Speaker 2: over the ruffles. What yeah, I like potato chips, potato. 524 00:27:23,880 --> 00:27:25,760 Speaker 2: I know we're gone back on a couple more stories, 525 00:27:25,760 --> 00:27:27,639 Speaker 2: but this just makes me think about the other night 526 00:27:27,640 --> 00:27:29,679 Speaker 2: at the Swim Meat and like, look, I don't pretend 527 00:27:29,680 --> 00:27:33,120 Speaker 2: that swim Meets are going to have like the Four 528 00:27:33,160 --> 00:27:36,600 Speaker 2: Seasons buffet, Okay, but listen to what the menu was 529 00:27:37,400 --> 00:27:42,560 Speaker 2: pasta mm hmm, egg rolls, chicken finger. 530 00:27:43,880 --> 00:27:47,880 Speaker 1: We are dipping into all all types of cuisine here. 531 00:27:49,640 --> 00:27:55,280 Speaker 2: The star the well, and I was starving and it's 532 00:27:55,280 --> 00:27:57,080 Speaker 2: like a swim meet. You're there for like six hours. 533 00:27:57,080 --> 00:27:59,159 Speaker 2: It's hot. It's just like I don't know how to 534 00:27:59,280 --> 00:28:05,080 Speaker 2: for anyone who partakes in swim team activities buckle up. 535 00:28:05,440 --> 00:28:11,760 Speaker 2: But the illness and bloating I had after eating just 536 00:28:11,800 --> 00:28:13,760 Speaker 2: an egg girl and like a bite of one of 537 00:28:13,800 --> 00:28:17,920 Speaker 2: the other. Oh my god, that is food combining not good. 538 00:28:18,640 --> 00:28:20,840 Speaker 2: That makes me think of Michelle Obama and Kevin. 539 00:28:20,640 --> 00:28:23,000 Speaker 1: Hart with an explosive. 540 00:28:23,200 --> 00:28:27,000 Speaker 2: Seen that clip. Oh my god, so good. What is 541 00:28:27,040 --> 00:28:29,480 Speaker 2: going on with the Hamster? He's got the last story 542 00:28:29,520 --> 00:28:29,880 Speaker 2: of the day. 543 00:28:30,000 --> 00:28:33,840 Speaker 1: The Hamster came came back into I just does not 544 00:28:33,960 --> 00:28:35,240 Speaker 1: think not disappeared. 545 00:28:35,520 --> 00:28:42,080 Speaker 2: John is like he's the James Marsden and the Wonder Timmoth, 546 00:28:42,160 --> 00:28:45,760 Speaker 2: the Alliphant of because Timothy Oliphants and like every single 547 00:28:45,800 --> 00:28:47,959 Speaker 2: show we got to talk about him during listen if 548 00:28:47,960 --> 00:28:50,400 Speaker 2: you want to, because I finished five Star Weekend. 549 00:28:50,920 --> 00:28:55,800 Speaker 1: Oh I watched Wase mouths ra Isabelle. We'll talk ut later, 550 00:28:56,320 --> 00:28:59,959 Speaker 1: we'll talk by later. But anyways, just his soups hot. 551 00:29:00,160 --> 00:29:01,320 Speaker 2: If anyone's wondering. 552 00:29:01,040 --> 00:29:02,600 Speaker 1: I need to google him. I want to college with 553 00:29:02,680 --> 00:29:04,120 Speaker 1: his brother not registering. 554 00:29:04,560 --> 00:29:08,560 Speaker 2: So the Hams Timothy Oliphant, I know, like you can't 555 00:29:08,640 --> 00:29:11,680 Speaker 2: even think Josh Deamel looks so much like Josh Deamel. 556 00:29:12,120 --> 00:29:14,200 Speaker 2: Think of the person that you think is Josh Deamel. 557 00:29:14,280 --> 00:29:16,160 Speaker 2: But then you're like, is that Josh Deamel? That's Timothy 558 00:29:16,200 --> 00:29:21,400 Speaker 2: Alfon Okay of research and I went to college with 559 00:29:21,480 --> 00:29:21,840 Speaker 2: his brother. 560 00:29:22,720 --> 00:29:29,120 Speaker 1: The Hamster is starring an American Hostage anthology series two 561 00:29:29,560 --> 00:29:31,920 Speaker 1: that will premiere at the Toronto Film Festival. 562 00:29:31,960 --> 00:29:32,560 Speaker 2: What does that mean? 563 00:29:33,200 --> 00:29:38,680 Speaker 1: American Hostage is MGM's upcoming thriller anthology series. Anthology series. 564 00:29:38,720 --> 00:29:40,240 Speaker 1: I need a definition and look up for that. 565 00:29:41,480 --> 00:29:43,600 Speaker 2: Well, it's like all the Ryan Murphy stuff are like 566 00:29:43,680 --> 00:29:44,680 Speaker 2: anthology series. 567 00:29:44,960 --> 00:29:48,640 Speaker 1: It is set and then the psychological thriller tells the 568 00:29:48,760 --> 00:29:53,840 Speaker 1: harrowing true story of Fred Heckman, a beloved Indianapolis radio 569 00:29:53,960 --> 00:29:57,800 Speaker 1: reporter who is thrust into a middle into the middle 570 00:29:57,880 --> 00:30:00,840 Speaker 1: of a life or death crisis when hostage take her. 571 00:30:01,000 --> 00:30:03,280 Speaker 2: You know what's unfortunate about what you're reading right now. 572 00:30:04,240 --> 00:30:05,480 Speaker 1: And when you're at the other. 573 00:30:07,320 --> 00:30:09,680 Speaker 2: One hundred percent, this is what you might as well 574 00:30:09,720 --> 00:30:13,840 Speaker 2: be saying. It's like they write, these dear TV people, 575 00:30:15,520 --> 00:30:17,000 Speaker 2: you're trying to sell me on your show. 576 00:30:18,120 --> 00:30:19,160 Speaker 1: You don't write that crap. 577 00:30:19,680 --> 00:30:21,520 Speaker 2: That was just so many words just. 578 00:30:21,560 --> 00:30:26,120 Speaker 1: To give me the GISTs, big words, harroing the salad 579 00:30:26,440 --> 00:30:28,120 Speaker 1: logical hostage. 580 00:30:28,160 --> 00:30:30,880 Speaker 2: It's like, what is the show? The show is a 581 00:30:31,000 --> 00:30:33,680 Speaker 2: real life story about a hostage crisis, and John Hamm 582 00:30:33,720 --> 00:30:36,840 Speaker 2: plays a radio host giving the play by play yep, 583 00:30:37,400 --> 00:30:43,640 Speaker 2: boom boom, like all that bleep you just poop. You 584 00:30:43,800 --> 00:30:46,000 Speaker 2: just said give it again? I didn't even It's like 585 00:30:46,040 --> 00:30:51,000 Speaker 2: the Charlie, You're like struggling to read it, and even 586 00:30:51,040 --> 00:30:53,120 Speaker 2: if you read it right, it still would be like, 587 00:30:53,280 --> 00:30:55,520 Speaker 2: what give it to me again? Just for the people? Oh, 588 00:30:55,560 --> 00:30:58,280 Speaker 2: first of all, I just realized Christopher palahas in it. 589 00:31:01,000 --> 00:31:02,200 Speaker 1: You want me to again? 590 00:31:03,160 --> 00:31:07,840 Speaker 2: Yes, But guys, that dude is so hot. He is 591 00:31:07,960 --> 00:31:10,880 Speaker 2: hotter John ham he is. First of all, I've never 592 00:31:10,960 --> 00:31:14,040 Speaker 2: gotten over that show. Remember that CW show. I don't 593 00:31:14,040 --> 00:31:19,680 Speaker 2: remember you all the time anytime. Like I'm always like, 594 00:31:19,920 --> 00:31:22,880 Speaker 2: he's welcome, He's welcome because that guy is so hot 595 00:31:23,240 --> 00:31:25,280 Speaker 2: and my friend carries friends with him and says he's 596 00:31:25,400 --> 00:31:28,960 Speaker 2: so nice. Anyway, Literally, I'm like, I'll watch that for 597 00:31:29,080 --> 00:31:32,920 Speaker 2: Christopher Palaha instead of just John ham Whatever, life unexpected, 598 00:31:32,960 --> 00:31:34,160 Speaker 2: Thank you. I was going to say it had a 599 00:31:34,280 --> 00:31:37,160 Speaker 2: bad title. That wasn't a great title. But that show 600 00:31:37,320 --> 00:31:39,120 Speaker 2: was so good. I was so bummed when I got 601 00:31:39,200 --> 00:31:40,960 Speaker 2: canceled or like ended or whatever. 602 00:31:41,880 --> 00:31:44,200 Speaker 1: I don't really want to read this thing again more times. 603 00:31:44,240 --> 00:31:46,320 Speaker 2: It's just real week, just one more time so we 604 00:31:46,400 --> 00:31:48,160 Speaker 2: can just make fun of it one more time, Okay, 605 00:31:48,160 --> 00:31:49,680 Speaker 2: because we're all going to watch this show. 606 00:31:50,280 --> 00:31:53,160 Speaker 1: So in the nineteen seventies, The Psychological Thriller tells the 607 00:31:53,280 --> 00:31:57,400 Speaker 1: harrowing story of Fred Heckman, a beloved Indianapolis radio reporter 608 00:31:57,480 --> 00:31:59,680 Speaker 1: who is thrust into the middle of a life or 609 00:31:59,760 --> 00:32:04,760 Speaker 1: death crisis when hostage taker Tony Chrisis means to be 610 00:32:04,840 --> 00:32:07,520 Speaker 1: interviewed on his popular radio news program. 611 00:32:08,360 --> 00:32:11,160 Speaker 2: The Man in the Middle, Like the Hostage Taker, It's like, 612 00:32:11,400 --> 00:32:14,480 Speaker 2: it's this too many words, I don't understand, but whatever, 613 00:32:14,760 --> 00:32:16,840 Speaker 2: Sean Ryan did it. That means I'm gonna watch it. 614 00:32:17,520 --> 00:32:19,600 Speaker 2: And I love the cast and I'm gonna watch it. 615 00:32:19,680 --> 00:32:22,920 Speaker 2: But tell it to me like this. John ham plays 616 00:32:23,520 --> 00:32:25,640 Speaker 2: a radio host and in the middle of his live 617 00:32:25,760 --> 00:32:30,160 Speaker 2: radio show there's a hostage crisis and the kidnapper calls in, 618 00:32:31,120 --> 00:32:34,000 Speaker 2: and this is the show about it. And it stars 619 00:32:34,880 --> 00:32:40,520 Speaker 2: John Hamm, the Hunkiest Man Alive, Christopher Polah, Muriel Enos 620 00:32:41,280 --> 00:32:48,640 Speaker 2: and Giovanni Ribisi. Yes, tune in people. Our conversion was 621 00:32:48,760 --> 00:32:51,240 Speaker 2: so much, you do. He's the he's the father of 622 00:32:51,320 --> 00:32:59,080 Speaker 2: the triplets Phoebe carried. That's Phoebe's brother. How would you 623 00:32:59,200 --> 00:32:59,920 Speaker 2: not know Phoebe. 624 00:33:00,600 --> 00:33:01,560 Speaker 1: I've watched Friends. 625 00:33:03,200 --> 00:33:08,360 Speaker 4: I sorry what I've seen episodes, But you've never watched 626 00:33:08,360 --> 00:33:12,840 Speaker 4: the series? Yeah, are you the I was too busy 627 00:33:12,920 --> 00:33:16,440 Speaker 4: watching the gonna beat. You cannot question anything in my 628 00:33:16,840 --> 00:33:18,600 Speaker 4: early two thousands, late nineties. 629 00:33:18,720 --> 00:33:21,640 Speaker 2: I don't care if you don't want friends now, like 630 00:33:21,800 --> 00:33:23,760 Speaker 2: I'm not like. I don't like when I'm scrolling and 631 00:33:23,840 --> 00:33:25,960 Speaker 2: I hit the TBS and the TNT and there's like 632 00:33:26,040 --> 00:33:29,160 Speaker 2: three friends in a row. I'm not I'm sliding by right, 633 00:33:30,440 --> 00:33:31,840 Speaker 2: but I have seen every episode. 634 00:33:32,200 --> 00:33:35,200 Speaker 1: Three years too young for he's gonna say middle of 635 00:33:35,240 --> 00:33:35,560 Speaker 1: the year. 636 00:33:35,960 --> 00:33:37,080 Speaker 2: What year were you born? 637 00:33:37,560 --> 00:33:42,360 Speaker 1: Ninety? Oh? So like when it's height, I missed it 638 00:33:42,560 --> 00:33:43,320 Speaker 1: by this much. 639 00:33:44,080 --> 00:33:44,320 Speaker 4: You know what? 640 00:33:44,400 --> 00:33:48,120 Speaker 2: I did a deep, an aggressive deep dive on I 641 00:33:48,200 --> 00:33:50,560 Speaker 2: did a deep dive on night Rider. I mean, uh, 642 00:33:51,000 --> 00:33:54,880 Speaker 2: deep dive because here's what happened. I stumbled upon and 643 00:33:54,960 --> 00:33:57,080 Speaker 2: again this is listen if you want to so for 644 00:33:57,560 --> 00:34:01,880 Speaker 2: joy like this, tune in tomorrow. But I saw a 645 00:34:02,000 --> 00:34:06,960 Speaker 2: clip of different Strokes Crossover with night Writer, and I 646 00:34:07,000 --> 00:34:10,080 Speaker 2: thought to myself, when in the world did that happen? 647 00:34:10,160 --> 00:34:13,200 Speaker 2: And how do I have no memory of it? It's 648 00:34:13,239 --> 00:34:16,879 Speaker 2: coming back to me. But the night Writer in the car, 649 00:34:17,640 --> 00:34:19,560 Speaker 2: you know, mister Feenie is the voice of the car. 650 00:34:20,320 --> 00:34:20,800 Speaker 2: Did you know that? 651 00:34:21,200 --> 00:34:21,600 Speaker 1: I did not? 652 00:34:22,320 --> 00:34:23,279 Speaker 2: So did I just blow your mind? 653 00:34:23,320 --> 00:34:24,719 Speaker 1: I Nightrider? Are You're gonna hate me? 654 00:34:25,000 --> 00:34:25,040 Speaker 3: No? 655 00:34:25,160 --> 00:34:28,400 Speaker 2: I'm not. But did I just make your head explode? 656 00:34:28,760 --> 00:34:30,520 Speaker 2: That the you know the night Rider car? 657 00:34:30,719 --> 00:34:30,799 Speaker 3: Right? 658 00:34:30,880 --> 00:34:31,880 Speaker 2: You know that black trans am? 659 00:34:32,239 --> 00:34:35,560 Speaker 1: What you don't know this? We've talked about night Writer 660 00:34:35,719 --> 00:34:37,880 Speaker 1: report and again I missed it. 661 00:34:38,080 --> 00:34:40,000 Speaker 2: So I said to you, what is the car a 662 00:34:40,120 --> 00:34:42,960 Speaker 2: night Writer? You don't know who is the star of 663 00:34:43,040 --> 00:34:43,399 Speaker 2: night Writer? 664 00:34:43,600 --> 00:34:45,480 Speaker 1: Do you know that? I cannot tell you one thing 665 00:34:45,520 --> 00:34:49,320 Speaker 1: about night Writer? Not one negatively. 666 00:34:49,400 --> 00:34:52,359 Speaker 2: They know that David Hasselhoff had a career. 667 00:34:52,200 --> 00:34:55,560 Speaker 1: Before, they have not picked David Hasseloff. 668 00:34:55,920 --> 00:34:59,560 Speaker 2: Oh that was I Look, this was the era where 669 00:34:59,600 --> 00:35:03,400 Speaker 2: I was like, I think I love David Hasselhoff by Baywatch. 670 00:35:03,440 --> 00:35:06,040 Speaker 2: I was way over it, don't get me wrong. But 671 00:35:06,360 --> 00:35:10,200 Speaker 2: night Rider was so awesome. And he had this black 672 00:35:10,239 --> 00:35:12,920 Speaker 2: trans am and it had this like red light and 673 00:35:13,040 --> 00:35:16,600 Speaker 2: the car talked. It was basically AI speaking of AI 674 00:35:16,800 --> 00:35:19,920 Speaker 2: was like a robot car. It was a robot but 675 00:35:20,080 --> 00:35:22,880 Speaker 2: like it interacted, so it was AI before it was 676 00:35:22,920 --> 00:35:25,200 Speaker 2: ahead of its time. Let me tell you that the 677 00:35:25,440 --> 00:35:32,400 Speaker 2: voice of the car was mister Feenie aka William Daniels. 678 00:35:32,760 --> 00:35:33,879 Speaker 1: That's awesome. I love him. 679 00:35:34,840 --> 00:35:37,480 Speaker 2: Correct. So anyway, there, I'll just end on this. We 680 00:35:37,560 --> 00:35:39,800 Speaker 2: won't talk about night Writer and listen if you want to. 681 00:35:39,840 --> 00:35:43,880 Speaker 2: Tomorrow there was an episode of Different Strokes where Dudley 682 00:35:44,840 --> 00:35:49,640 Speaker 2: and Arnold did something they almost got heard at Universal Studios, 683 00:35:49,760 --> 00:35:54,920 Speaker 2: and David Hasselhoff sort of was playing himself but also 684 00:35:55,080 --> 00:35:56,640 Speaker 2: kind of was Michael Knight because the car was in 685 00:35:56,719 --> 00:35:58,160 Speaker 2: it and the voice, but I don't think that was 686 00:35:58,200 --> 00:36:01,080 Speaker 2: actually William Daniel's voice in that particular thing anyway, So 687 00:36:01,160 --> 00:36:04,719 Speaker 2: I'm like, what in the world deep dive. I spent 688 00:36:04,800 --> 00:36:08,359 Speaker 2: an hour watching clips of night Writer, justnight Writer, Writer, 689 00:36:08,680 --> 00:36:13,520 Speaker 2: You Writer, more night Writer when they got buried by 690 00:36:14,480 --> 00:36:16,239 Speaker 2: rocks and how did they get out? And then there 691 00:36:16,320 --> 00:36:18,239 Speaker 2: was the bad night Writer, and then there was the 692 00:36:18,400 --> 00:36:22,040 Speaker 2: truck night Writer, like the turbo boost, the this the 693 00:36:22,239 --> 00:36:24,799 Speaker 2: that the first time he hears Kit talking to him. 694 00:36:24,800 --> 00:36:26,840 Speaker 2: I mean, I was like, I think I'm gonna have 695 00:36:26,880 --> 00:36:27,960 Speaker 2: to just watch it all again. 696 00:36:30,080 --> 00:36:30,759 Speaker 4: Do we need it? Oh? 697 00:36:30,840 --> 00:36:32,279 Speaker 1: I was gonna say, do we need to do a night. 698 00:36:32,920 --> 00:36:38,480 Speaker 2: No, it'll have a listenership one. Just me. I'll be like, 699 00:36:39,760 --> 00:36:45,800 Speaker 2: because it's good, but it's not great. But it was 700 00:36:46,040 --> 00:36:49,920 Speaker 2: at the time day I can remember dukes of hazard, 701 00:36:50,320 --> 00:36:53,719 Speaker 2: the Brady Brides. Tell me that wasn't my dream come true? 702 00:36:53,800 --> 00:36:56,680 Speaker 2: Marsha and jan getting married. Come on, I've been doing 703 00:36:56,719 --> 00:36:59,200 Speaker 2: a deep dive on Brady stuff. I really want to 704 00:36:59,200 --> 00:37:01,719 Speaker 2: do a Brady bunch of I want to go back 705 00:37:01,760 --> 00:37:02,280 Speaker 2: to that house. 706 00:37:02,360 --> 00:37:05,040 Speaker 1: Are you bored? Should we go? Are you in your bed? 707 00:37:05,360 --> 00:37:06,319 Speaker 2: Are you in your bed? 708 00:37:07,000 --> 00:37:10,840 Speaker 1: I've been in my bed this whole time because I 709 00:37:10,960 --> 00:37:13,120 Speaker 1: told you I was gonna do this from inside my house, 710 00:37:13,200 --> 00:37:15,759 Speaker 1: and I'm quarantined to my room because the rest of 711 00:37:15,800 --> 00:37:18,000 Speaker 1: my house has fairal children running around it. 712 00:37:18,080 --> 00:37:20,440 Speaker 2: Okay, I just realize you're in your bed. First of all, 713 00:37:20,560 --> 00:37:23,279 Speaker 2: I'm hoping yesterday. Have you ever had that swallow where 714 00:37:23,320 --> 00:37:26,480 Speaker 2: you swallow and you're like, oh no, oh no, why 715 00:37:26,560 --> 00:37:30,200 Speaker 2: was that swat? Why did I feel that swallow where 716 00:37:30,200 --> 00:37:35,160 Speaker 2: You're like, am I getting some sort of something going 717 00:37:35,200 --> 00:37:35,719 Speaker 2: on in there? 718 00:37:36,520 --> 00:37:41,319 Speaker 1: And I'm immediately of something, something, something something. 719 00:37:41,360 --> 00:37:43,880 Speaker 2: I immediately was like, this isn't happening. I'm gonna take 720 00:37:43,880 --> 00:37:45,919 Speaker 2: two advil. I'm gonna goggle the salt water. I'm gonna 721 00:37:45,920 --> 00:37:48,400 Speaker 2: get in the shower. I'm gonna I'm gonna fight this. 722 00:37:49,160 --> 00:37:49,319 Speaker 4: Ah. 723 00:37:49,719 --> 00:37:51,840 Speaker 2: This morning, I woke up with a little but I 724 00:37:51,880 --> 00:37:55,360 Speaker 2: think I'm gonna I think it's good now now i'm cruising. 725 00:37:56,719 --> 00:37:57,719 Speaker 2: I think I'm gonna fight it. 726 00:37:58,280 --> 00:37:59,879 Speaker 1: Keep drinking your lemon water. That will help. 727 00:38:00,239 --> 00:38:03,400 Speaker 2: That's what I'm doing. I feel like you need a nappy? 728 00:38:03,560 --> 00:38:07,319 Speaker 2: Are you gonna take a little nappy now? How? 729 00:38:09,040 --> 00:38:09,360 Speaker 1: Okay? 730 00:38:14,080 --> 00:38:19,480 Speaker 2: What do I want to? 731 00:38:19,840 --> 00:38:20,040 Speaker 4: Yes? 732 00:38:20,800 --> 00:38:24,200 Speaker 2: Could you if you could, could you immediately fall asleep, 733 00:38:24,320 --> 00:38:26,280 Speaker 2: like right now, like if you just leaned back. 734 00:38:26,160 --> 00:38:35,319 Speaker 1: Immediately immedly, immediately, we gotta go bye bye? 735 00:38:35,560 --> 00:38:36,000 Speaker 2: Is it over? 736 00:38:37,520 --> 00:38:38,359 Speaker 1: And that's the news? 737 00:39:07,480 --> 00:39:10,480 Speaker 4: Hey, everybody, and don't forget Follow us on Instagram at 738 00:39:10,840 --> 00:39:14,799 Speaker 4: I Am all In podcast and email us at Gilmore 739 00:39:15,000 --> 00:39:17,239 Speaker 4: at iHeartRadio dot com.