WEBVTT - The Goofy Ring

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<v Speaker 1>Family Secrets is a production of I Heart Radio. This

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<v Speaker 1>episode contains descriptions of sexual assault. Listener discretion as advised.

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<v Speaker 1>The morning after I confronted my grandfather, I was home

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<v Speaker 1>alone at my parents house, standing in the kitchen. Early

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<v Speaker 1>summer light streamed in through the window over the sink.

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<v Speaker 1>I could see the old tire swing, its rope now free,

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<v Speaker 1>and then starting to rap. The phone rang. There were

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<v Speaker 1>no words when I picked up, only his labor breathing.

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<v Speaker 1>He'd done this before, calling the house and just breathing

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<v Speaker 1>when he heard me pick up. Hello, I said hello.

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<v Speaker 1>I was ready to hang up, but this time he spoke.

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<v Speaker 1>I'm an old man, he said, I'm going to be

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<v Speaker 1>dead soon. I need your forgiveness to go to heaven.

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<v Speaker 1>Do you forgive me? I remember the phone ringing. I

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<v Speaker 1>remember the light through the window and the black plastic

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<v Speaker 1>receiver smooth in my palm. I remember the sound of

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<v Speaker 1>his voice wavery and grap and old, and the way

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<v Speaker 1>my skin pricked and my heart started to hear it.

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<v Speaker 1>I remember his question, I have no memory of how

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<v Speaker 1>I answered him. That's Alex Marzano Lesnovitch. They are a memorist,

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<v Speaker 1>author of the lambeda award winning the Fact of a

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<v Speaker 1>Body and assistant professor at Bowdon College. Alex's story is

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<v Speaker 1>a braided one, each strand weaving around the other to

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<v Speaker 1>make something stronger than its parts, a strength that comes

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<v Speaker 1>from looking closely, even when looking is scary, especially when

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<v Speaker 1>looking is scary. I'd call this a story that is

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<v Speaker 1>the triumph of spirit and intellect over silence and secrets.

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<v Speaker 1>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 1>that are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. I grew up

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<v Speaker 1>in New Jersey. It was a bedroom community for New York.

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<v Speaker 1>All around us there were these these markers of people

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<v Speaker 1>trying to make a new story over the one that

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<v Speaker 1>they had grown up in, over the one they had

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<v Speaker 1>left behind. So I remember when my parents brought home

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<v Speaker 1>matching cadillacs. We had this house that was kind of

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<v Speaker 1>falling down around us that they forever rebuilding. They had

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<v Speaker 1>bought it really cheaply when the family who had lived

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<v Speaker 1>in it prior had moved out, and they had moved

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<v Speaker 1>out because the rumor had it of an accompted murder.

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<v Speaker 1>We moved in and they sat about trying to remake it,

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<v Speaker 1>and interestingly, I think trying to remake it in ways

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<v Speaker 1>that sometimes looked older. So my father, for example, had

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<v Speaker 1>these Victorian flourishes added to the house, to the woodwork,

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<v Speaker 1>even though they weren't part of it originally. And so

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<v Speaker 1>it was this landscape of remaking, a reinvention of the

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<v Speaker 1>idea that it was possible to reinvent oneself and get

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<v Speaker 1>away from the past. And that was a really heavy

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<v Speaker 1>and beautiful idea as a kid, right like you're living

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<v Speaker 1>in some ways in a grand story. There were always

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<v Speaker 1>living in a mythology of like the big house and

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<v Speaker 1>the big family and the big parties, and there was

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<v Speaker 1>real beauty to that, and there was real complexity. Mm hmm.

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<v Speaker 1>I love the idea of these Victorian flourishes and the

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<v Speaker 1>idea of remaking a house but remaking it to look

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<v Speaker 1>older rather than classically remaking a house to modernize it.

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<v Speaker 1>It's almost like somehow that feels very metaphorical in terms

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<v Speaker 1>of your story itself, because it's like, I don't know,

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<v Speaker 1>somehow attaching pieces of history or I'm just sort of

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<v Speaker 1>picturing it like a Wes Anderson movie. I mean, I

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<v Speaker 1>gotta say it felt very left Anderson. And when I

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<v Speaker 1>look at it now and then remember when they were

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<v Speaker 1>redoing the hallway, for example, they had all us kids

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<v Speaker 1>pick out things that were important to us and place

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<v Speaker 1>them in the framework of the house, and then we

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<v Speaker 1>would work with boarded back up. So it was all

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<v Speaker 1>with this idea of we will live, and we will

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<v Speaker 1>live through history. We will be a story in the future.

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<v Speaker 1>There will be some family down the line that uncovers

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<v Speaker 1>us and wonders about who we are. If there is,

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<v Speaker 1>they may be a bit sad to discover my goofy

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<v Speaker 1>ring that was my prized possession of. Could there possibly

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<v Speaker 1>be a more apt and beautiful metaphor than a child's

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<v Speaker 1>goofy ring? A prized possession buried into the framework of

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<v Speaker 1>the house. Alex's family's home contains many secrets that are

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<v Speaker 1>quite the opposite of childhood innocence. Many years later, Alex

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<v Speaker 1>and their mother have a conversation when there's a good

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<v Speaker 1>chance the house is going to be raised torn down

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<v Speaker 1>to make way for a new development. Alex says they'd

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<v Speaker 1>like to drive the bulldozer, and their mother says, no,

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<v Speaker 1>I get to do that. Tell me about your mother,

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<v Speaker 1>the mother that you grew up with, not your mother today.

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<v Speaker 1>I mean, I have so much respect for everything she

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<v Speaker 1>pulls off. Her parents didn't want her to go to college.

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<v Speaker 1>They didn't feel a woman had to go to college,

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<v Speaker 1>so she would sneak out to go to college, even

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<v Speaker 1>though she was living with them. She went to college secretly.

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<v Speaker 1>They didn't even know until unmost she graduated. She'd almost

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<v Speaker 1>graduated when they found out. And she continued this kind

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<v Speaker 1>of determination. I think my my love of words and

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<v Speaker 1>my love of stories comes from her. She taught me

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<v Speaker 1>to read well before I went to kindergarten, you know,

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<v Speaker 1>well before we were learning to read a bit of

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<v Speaker 1>a I think we're both quite stubborn and so um.

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<v Speaker 1>I apparently didn't speak to her the first day of

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<v Speaker 1>kindergarten because I came home very upset that she had

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<v Speaker 1>never told me that there were capital letters. She only

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<v Speaker 1>taught me the lower case letters, and I was so upset.

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<v Speaker 1>Aar and I said, you never told me there were

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<v Speaker 1>big ones. But I think that way she made it fun,

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<v Speaker 1>you know, she made learning a real adventure for us,

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<v Speaker 1>and UM, I suspect she was quite bored at home

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<v Speaker 1>with us a bit. She loved it. But also when

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<v Speaker 1>I look back now, I sort of sense a mind

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<v Speaker 1>straining for like wanting to be out in the world

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<v Speaker 1>tackling things, because she did teach us so much and

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<v Speaker 1>also had some fun with her power as someone who

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<v Speaker 1>could teach us. So, for example, she taught us the

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<v Speaker 1>word candy meant as a matter of definition, bananas dipped

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<v Speaker 1>and playing yogurt, and so I vividly remember the first

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<v Speaker 1>time I went to like a classmates house and the

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<v Speaker 1>classmates mothers that, would you like some candy? And I

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<v Speaker 1>was like, no, not really, I don't really like candy,

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<v Speaker 1>and the expression on my classmates spaces, you know, and

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<v Speaker 1>then realizing, oh, but that was that was quite a

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<v Speaker 1>powerful moment because I realized, all right, like words or

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<v Speaker 1>what we say they are, this is all a system

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<v Speaker 1>of meaning that we are constantly making um. And then

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<v Speaker 1>when I was I think about twelve, maybe younger, she

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<v Speaker 1>went to law school and by that point there were

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<v Speaker 1>four of us kids at home, and she went full

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<v Speaker 1>time to law school during the day and brought us

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<v Speaker 1>with her sometimes, and so I kind of grew up,

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<v Speaker 1>you know, as a kid, the things that make impressions

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<v Speaker 1>on you are not what would seem right size to

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<v Speaker 1>an adult, but rather you know the things that that

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<v Speaker 1>stand out is like themb text in your world or

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<v Speaker 1>in your landscape, or shift your understanding of the world.

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<v Speaker 1>And for me, it was a couple of things. Being

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<v Speaker 1>at law school with her was the first time I

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<v Speaker 1>ever saw a woman in a suit and understood that

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<v Speaker 1>a woman could be a professor, that a woman could

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<v Speaker 1>teach her, the woman could have this session of authority.

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<v Speaker 1>It was also the first time I encountered macaroni and

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<v Speaker 1>cheese the way the rest of the world, as the

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<v Speaker 1>rest of the country makes it, and not the way

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<v Speaker 1>my family makes it, which is a very distinctive way.

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<v Speaker 1>And how's that after the banana dipped in yogurt? I

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<v Speaker 1>need to know? You know, the way we grew up

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<v Speaker 1>with mac and cheese was just like you make it

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<v Speaker 1>so that the pasta is like fresh off the stove,

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<v Speaker 1>and you dump it into a metal bowl, and my

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<v Speaker 1>mom would yell, stir, and all as kids would like

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<v Speaker 1>be positioned around the bowl, and one of us would

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<v Speaker 1>dump in a load of shredded cheese, and another world

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<v Speaker 1>would dump in some milk, and another would would would

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<v Speaker 1>dump in a little bit of I can't believe it's

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<v Speaker 1>not butter, and all you would do was just stir madly.

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<v Speaker 1>And then mostly it was cheese. It was like almost

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<v Speaker 1>equal parts macaroni and cheese. So it's just like a

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<v Speaker 1>melted cheese extravagant that it was like goodlier than pizza.

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<v Speaker 1>But it definitely wasn't that like creamy mac and cheese

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<v Speaker 1>sauce the people make. So we got to the cafeteria

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<v Speaker 1>and I just remember being stunned, just utterly done by

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<v Speaker 1>whatever the substance was. So those two and then sitting

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<v Speaker 1>in one of her law school classes and having a

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<v Speaker 1>professor talk about a hypothetical and call it that a hypothetical,

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<v Speaker 1>which is how law is taught, which is how you

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<v Speaker 1>know I was taught, well, eventually when I went to

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<v Speaker 1>law school, where you spin out a second alternate facts

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<v Speaker 1>and you talk about the way president in case law

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<v Speaker 1>could apply to those tacts. But I remember sitting in

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<v Speaker 1>that classroom and feeling like, you know, they just said

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<v Speaker 1>this fancy word, but I know what that is. That's

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<v Speaker 1>a story hypothetical as a story, And so it was

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<v Speaker 1>really the space of storytelling. And she would read to us,

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<v Speaker 1>She read to us every every night, so many stories,

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<v Speaker 1>and you know, gave me adult books the minute I

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<v Speaker 1>expressed interest in something with chapters. You know, I think she, uh,

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<v Speaker 1>she worked really hard to we make the word all

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<v Speaker 1>that she wanted to be in a world of ideas

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<v Speaker 1>and a world of words that she had been very

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<v Speaker 1>forcefully told was not to be hers when she was

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<v Speaker 1>a child and when she was a young adult. And

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<v Speaker 1>so I think she really made the world she wanted

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<v Speaker 1>to be in and made a world for herself to enter.

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<v Speaker 1>And what about your father. My dad was a man

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<v Speaker 1>of dreams. He wears his dreams on his sleeve. My

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<v Speaker 1>mother wears her dreams more privately. I didn't talk about them,

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<v Speaker 1>but my dad wears his dreams and his stories on

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<v Speaker 1>his sleeve. He is a very enthusiastic man. He's always

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<v Speaker 1>the life of the party, and um wants to be

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<v Speaker 1>the center of attention. And he's very much a story teller.

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<v Speaker 1>And um, he too was a lawyer, and he would

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<v Speaker 1>often tell us stories about his childhood, whereas my mother

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<v Speaker 1>never did. But he would always tell stories about his childhood,

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<v Speaker 1>and he was always falling in love with something new,

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<v Speaker 1>and very enthusiastic. I'm a very enthusiastic person. I would

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<v Speaker 1>probably trace that back to him. So when I was

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<v Speaker 1>a kid, you know, when he fell in love with opera,

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<v Speaker 1>it wasn't just that he fell in love with opera,

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<v Speaker 1>it was at suddenly he was periodically wearing a tux

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<v Speaker 1>and there was opera always playing through the house, and

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<v Speaker 1>there were posters about opera and whatnot. Then when he

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<v Speaker 1>fell in love with country music, there was Garth Brooks

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<v Speaker 1>all the time through the house, and he bought the

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<v Speaker 1>tractor for the backyard, and all of a sudden he

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<v Speaker 1>had big belt buckles and um, cowboy boots, even though

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<v Speaker 1>we lived in New Jersey. Then Cole Porter and so

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<v Speaker 1>literally a white dinner jacket, Cole Porter playing through the

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<v Speaker 1>house at all times. And of course the cuisine would shift,

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<v Speaker 1>the cuisine of the house would shift. Um. So I

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<v Speaker 1>think it's like ideay invention and of chasing maybe multiple

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<v Speaker 1>lives within a lifetime. We'll be right back within this

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<v Speaker 1>family life filled with books and words and music and magic.

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<v Speaker 1>Alex and their three siblings, the four of them form

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<v Speaker 1>a neat and tidy family. Everything fits together snugly, exactly right.

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<v Speaker 1>They sit around the dining room table, the six of them,

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<v Speaker 1>a table built for a family exactly this size, no more,

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<v Speaker 1>no fewer. But something shimmers in the air, something not

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<v Speaker 1>quite right. Alex can't put their finger on it. It's

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<v Speaker 1>just a feeling. But then one day, while they and

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<v Speaker 1>their twin brother Andy are outside playing, Alex is witnessed

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<v Speaker 1>to one of those indelible moments that shifts their understanding

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<v Speaker 1>of their family. I think in child could be often

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<v Speaker 1>remember those moments that shift our understanding of the world,

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<v Speaker 1>that opened up a new layer. And for me, one

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<v Speaker 1>of these moments was the house was built in such

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<v Speaker 1>a way that there was a window in my parents

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<v Speaker 1>bedroom that you could look out in their bedrooms in

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<v Speaker 1>the second floor, and you could look at that window

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<v Speaker 1>and you would see the whole landscape of the backyard.

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<v Speaker 1>And there was a tire swing back in the yard

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<v Speaker 1>hanging from this the old tree, and we would plan

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<v Speaker 1>on it all the time. But there was this day

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<v Speaker 1>when my brother flung himself through that tire swing and

0:13:28.120 --> 0:13:31.480
<v Speaker 1>his body went limp because he was playing. I mean

0:13:31.480 --> 0:13:34.040
<v Speaker 1>I was standing not far from him. I knew he

0:13:34.080 --> 0:13:35.960
<v Speaker 1>was playing. That's what we were doing. He was just

0:13:36.440 --> 0:13:41.360
<v Speaker 1>going to limp and play. But my mother came running

0:13:41.400 --> 0:13:45.080
<v Speaker 1>from the house barefoot, her bathroom trailing behind, you know,

0:13:45.280 --> 0:13:49.000
<v Speaker 1>the ties of her bathroom trailing behind her, just wailing,

0:13:50.559 --> 0:13:55.680
<v Speaker 1>and my dad caught her. He caught her and then

0:13:55.720 --> 0:14:00.240
<v Speaker 1>steadied her, and she kind of flung herself into his arms.

0:14:00.320 --> 0:14:03.880
<v Speaker 1>And it made such an impression for so many reasons. One,

0:14:05.559 --> 0:14:07.600
<v Speaker 1>I had really never seen my mother cry. My mother

0:14:07.679 --> 0:14:14.320
<v Speaker 1>was always very composed, very controlled, very polished. And my

0:14:14.400 --> 0:14:17.600
<v Speaker 1>father was the emotional one. I think now we would

0:14:17.600 --> 0:14:21.080
<v Speaker 1>say that he was suffering from a pretty profound depression

0:14:21.120 --> 0:14:24.160
<v Speaker 1>at the time, but he was the one who I

0:14:24.200 --> 0:14:26.200
<v Speaker 1>was used to seeing pride. I had never seen her

0:14:27.000 --> 0:14:30.000
<v Speaker 1>break apart that way. And of course there were things

0:14:30.040 --> 0:14:33.040
<v Speaker 1>that I barely remembered but must have retained sort of

0:14:33.040 --> 0:14:35.280
<v Speaker 1>an imprint on my memory of the fact that my

0:14:35.320 --> 0:14:37.600
<v Speaker 1>brother had been very sick when we were growing up.

0:14:38.280 --> 0:14:43.720
<v Speaker 1>He and I were born three months premature, and we

0:14:43.720 --> 0:14:47.280
<v Speaker 1>were triplets, and my sister had died when we were

0:14:47.360 --> 0:14:51.520
<v Speaker 1>several months old. And it was one of those things

0:14:51.520 --> 0:14:53.600
<v Speaker 1>that exists in the shadow of your mind as a child,

0:14:53.680 --> 0:14:55.400
<v Speaker 1>where sort of you know, but you don't know, but

0:14:55.480 --> 0:14:57.400
<v Speaker 1>you know, but you don't know. But certainly no one

0:14:57.520 --> 0:15:01.480
<v Speaker 1>ever ever ever spoke of it, nor did they speak

0:15:01.600 --> 0:15:04.680
<v Speaker 1>of how sick my brother had been as a kid.

0:15:04.720 --> 0:15:07.800
<v Speaker 1>He was in three commas before we were seven, And

0:15:07.880 --> 0:15:10.400
<v Speaker 1>I do because I look back and think about it.

0:15:11.000 --> 0:15:14.040
<v Speaker 1>There are all these moments where we would be sent

0:15:14.080 --> 0:15:16.480
<v Speaker 1>off to relatives or someone would appear at the house

0:15:16.480 --> 0:15:18.320
<v Speaker 1>to take care of us, and he would be off

0:15:18.320 --> 0:15:20.360
<v Speaker 1>in the hospital. Again. They kept a bad pack for

0:15:20.400 --> 0:15:24.920
<v Speaker 1>the hospital at all times, and there were just many

0:15:24.960 --> 0:15:29.640
<v Speaker 1>moments when he was near death. But in that way

0:15:29.680 --> 0:15:34.000
<v Speaker 1>that my family sort of approached anything difficult with always

0:15:34.080 --> 0:15:36.440
<v Speaker 1>we would just never again speak avail. We would pretend

0:15:36.440 --> 0:15:39.680
<v Speaker 1>that it never happened, so it would sort of all

0:15:39.680 --> 0:15:43.400
<v Speaker 1>those incidents would kind of get It's not that they disappeared,

0:15:43.960 --> 0:15:46.480
<v Speaker 1>but they sort of disappeared in the landscape of my memory,

0:15:46.560 --> 0:15:49.880
<v Speaker 1>like they retained like this shadowy presence. And that moment

0:15:50.960 --> 0:15:54.320
<v Speaker 1>when she came running, I think it's certainly looking back,

0:15:54.360 --> 0:15:57.720
<v Speaker 1>the first time that I can recall realizing that they

0:15:57.720 --> 0:16:00.640
<v Speaker 1>were grappling with grief. But on it was something that

0:16:00.680 --> 0:16:04.080
<v Speaker 1>we never spoke about again. We never acknowledged, you know,

0:16:04.120 --> 0:16:07.480
<v Speaker 1>what had just happened was weird, but you certainly couldn't

0:16:07.480 --> 0:16:10.200
<v Speaker 1>say anything about it. But I think when I look

0:16:10.240 --> 0:16:12.600
<v Speaker 1>back and I try to look for the traces of

0:16:13.320 --> 0:16:16.560
<v Speaker 1>what made us right the way that I think often

0:16:16.600 --> 0:16:18.800
<v Speaker 1>with memory are often telling a story about what made

0:16:18.880 --> 0:16:21.640
<v Speaker 1>us what promis here. That's one of the places I

0:16:21.800 --> 0:16:24.760
<v Speaker 1>see that trace of grief showing up. I see the

0:16:24.800 --> 0:16:29.080
<v Speaker 1>residue of grief channel. Yeah, I'm so. I'm so interested

0:16:29.200 --> 0:16:37.160
<v Speaker 1>in that liminal, shadowy place where the things that we

0:16:37.920 --> 0:16:44.240
<v Speaker 1>know but can't allow ourselves to think live. And it's

0:16:44.320 --> 0:16:48.800
<v Speaker 1>shortly after the moment where your mother comes running out

0:16:48.840 --> 0:16:53.360
<v Speaker 1>of the house wailing that she actually tells you this

0:16:53.600 --> 0:16:59.720
<v Speaker 1>one time about the third triplet, Jacqueline. It seems like

0:16:59.720 --> 0:17:02.920
<v Speaker 1>it's the first time that you're given a name. And

0:17:03.240 --> 0:17:05.159
<v Speaker 1>one of the things that really struck me is that

0:17:05.200 --> 0:17:08.840
<v Speaker 1>you're right. I already knew you know that there was

0:17:08.880 --> 0:17:14.120
<v Speaker 1>this strange chore feeling that someone was missing. And that

0:17:14.200 --> 0:17:18.840
<v Speaker 1>speaks so much too, the ways that your family and

0:17:18.960 --> 0:17:23.000
<v Speaker 1>so many families, in an attempt to just move on

0:17:23.560 --> 0:17:30.359
<v Speaker 1>or have things be fine or better, will just push

0:17:30.480 --> 0:17:33.320
<v Speaker 1>something into a corner or under the rug where it

0:17:33.359 --> 0:17:36.800
<v Speaker 1>inevitably does not remain. I mean, eventually it does not remain,

0:17:37.359 --> 0:17:41.240
<v Speaker 1>but that that moment really struck me that way, thank you. Yeah,

0:17:41.400 --> 0:17:45.000
<v Speaker 1>I think absolutely, it inevitably does not remain And I

0:17:45.000 --> 0:17:49.160
<v Speaker 1>I think about that so often in teaching. I constantly

0:17:49.160 --> 0:17:52.560
<v Speaker 1>tell my students to pay attention to what's emerging, to

0:17:52.680 --> 0:17:55.800
<v Speaker 1>what's showing up, to what's poking through, to what's trying

0:17:55.840 --> 0:17:58.760
<v Speaker 1>to materialize, trying to make it self known and bring

0:17:58.800 --> 0:18:02.399
<v Speaker 1>itself into language. And I think we live in a

0:18:02.520 --> 0:18:06.439
<v Speaker 1>society where that's also such a major aspect. You know,

0:18:06.640 --> 0:18:08.560
<v Speaker 1>what is showing up that we don't talk about, what

0:18:08.640 --> 0:18:10.760
<v Speaker 1>is showing up that we're trying to pretend isn't there,

0:18:11.640 --> 0:18:14.800
<v Speaker 1>what wants to make itself known, And so much of

0:18:14.840 --> 0:18:17.919
<v Speaker 1>life is negotiating what we're willing to acknowledge versus what

0:18:18.040 --> 0:18:21.199
<v Speaker 1>lies beneath the surface. Yeah, I mean the tagline for

0:18:21.240 --> 0:18:23.720
<v Speaker 1>this show is the secrets that are kept from us,

0:18:23.720 --> 0:18:25.720
<v Speaker 1>the secrets we keep from others, and the secrets we

0:18:25.840 --> 0:18:32.640
<v Speaker 1>keep from ourselves. Yes, well said, but there's another very

0:18:32.680 --> 0:18:36.080
<v Speaker 1>different kind of massive secret also buried within the walls

0:18:36.080 --> 0:18:41.879
<v Speaker 1>of the house. Alex's grandfather, their mother's father sexually molested

0:18:41.920 --> 0:18:44.879
<v Speaker 1>both of them and their sister from the time they

0:18:44.920 --> 0:18:49.200
<v Speaker 1>were three years old. You know, like so many families.

0:18:49.960 --> 0:18:53.040
<v Speaker 1>Mine had a lot of hidden abuse in it. My

0:18:53.160 --> 0:18:57.480
<v Speaker 1>earliest memory of my grandfather of using me, I think

0:18:57.640 --> 0:19:00.440
<v Speaker 1>explace at age three. That's about what we can figure

0:19:00.480 --> 0:19:04.359
<v Speaker 1>out from where I remember the objects in his house being.

0:19:05.080 --> 0:19:09.000
<v Speaker 1>And it continued on until I was age eight, when

0:19:09.040 --> 0:19:12.920
<v Speaker 1>my parents found out about it because my sister had something.

0:19:13.080 --> 0:19:16.280
<v Speaker 1>She had money that they asked her work came from,

0:19:16.359 --> 0:19:19.040
<v Speaker 1>and she said, oh, my grandpa gave it to me

0:19:19.080 --> 0:19:21.360
<v Speaker 1>for sitting on his lap. And they started asking questions

0:19:21.400 --> 0:19:25.879
<v Speaker 1>and realized that we were all being abused by him,

0:19:26.240 --> 0:19:29.120
<v Speaker 1>All the assigned female births people in my family were

0:19:29.119 --> 0:19:32.479
<v Speaker 1>being abused by him, public kids, but at every stage

0:19:32.520 --> 0:19:35.840
<v Speaker 1>it was hidden, you know, the kids who were being abused.

0:19:35.880 --> 0:19:39.000
<v Speaker 1>We didn't talk about it with each other. My sister

0:19:39.080 --> 0:19:44.320
<v Speaker 1>and I we shared a room, and we certainly we're

0:19:44.320 --> 0:19:46.200
<v Speaker 1>in the room when the other one was being abused,

0:19:46.280 --> 0:19:48.520
<v Speaker 1>and so we certainly knew about it, but we never

0:19:48.600 --> 0:19:50.960
<v Speaker 1>spoke about it, at least not that I recall. I

0:19:51.000 --> 0:19:54.720
<v Speaker 1>have pretty strong memories from that whole time period, and

0:19:54.960 --> 0:19:59.000
<v Speaker 1>I don't recall us ever speaking of it. And when

0:19:59.000 --> 0:20:03.159
<v Speaker 1>they found out about it, what they said was, you

0:20:03.160 --> 0:20:07.040
<v Speaker 1>can never talk about this, And I think they believed

0:20:07.040 --> 0:20:09.720
<v Speaker 1>that they were protecting us. I think they believed, you

0:20:09.760 --> 0:20:11.520
<v Speaker 1>know what they what they tell me now is that

0:20:11.600 --> 0:20:16.680
<v Speaker 1>they were told by a psychologist they consulted that maybe

0:20:16.720 --> 0:20:19.359
<v Speaker 1>if they pretended that it had happened, it would go

0:20:19.400 --> 0:20:23.520
<v Speaker 1>away for us. There's so much of that kind of

0:20:24.560 --> 0:20:33.040
<v Speaker 1>well meaning but unbelievably poor, psychologically damaging advice that parents

0:20:33.080 --> 0:20:36.960
<v Speaker 1>got from medical professionals at a certain time, and you know,

0:20:37.040 --> 0:20:40.639
<v Speaker 1>in history that's not really that long ago. Yeah, I

0:20:41.080 --> 0:20:45.080
<v Speaker 1>hear constantly how common that was. Um. I will say,

0:20:45.520 --> 0:20:48.040
<v Speaker 1>the first five months of my book without in the world,

0:20:48.359 --> 0:20:51.560
<v Speaker 1>I got at least three emails a day from people

0:20:51.560 --> 0:20:53.840
<v Speaker 1>who have been abused. And I have never done a

0:20:53.880 --> 0:20:58.359
<v Speaker 1>reading without having someone tell me their story afterwards. It's

0:20:58.520 --> 0:21:03.720
<v Speaker 1>so common. It's just so incredibly common for queer people

0:21:04.440 --> 0:21:08.440
<v Speaker 1>who had sometimes thought are targeted more, perhaps because they

0:21:08.760 --> 0:21:11.159
<v Speaker 1>maybe perceived a difference of children or what have you.

0:21:11.680 --> 0:21:16.160
<v Speaker 1>So it's just very very very common and very very

0:21:16.160 --> 0:21:18.760
<v Speaker 1>common to have it be covered up. And I think

0:21:18.800 --> 0:21:20.400
<v Speaker 1>that was one of the things that broke my heart

0:21:20.440 --> 0:21:23.639
<v Speaker 1>most working on the book, but then also in the

0:21:23.680 --> 0:21:28.800
<v Speaker 1>aftermath of its publication, was just how alone everyone feels

0:21:28.880 --> 0:21:33.399
<v Speaker 1>with their secret, and yet how incredibly not alone everyone is,

0:21:34.200 --> 0:21:37.639
<v Speaker 1>and that it's something that I deeply believe if we

0:21:37.720 --> 0:21:41.800
<v Speaker 1>spoke about it more, the prevalence might decrease, right. I

0:21:41.840 --> 0:21:45.040
<v Speaker 1>thinkfully believe that the only way to stop this inciety

0:21:45.119 --> 0:21:47.480
<v Speaker 1>is to actually start talking about it. And so the

0:21:47.560 --> 0:21:50.480
<v Speaker 1>secrecy hurts the people who've been through it, but also

0:21:50.520 --> 0:21:53.080
<v Speaker 1>sort of keeps it going. That's been one of the

0:21:53.080 --> 0:21:58.359
<v Speaker 1>big things I hold heavily in my heart. Alex is

0:21:58.359 --> 0:22:02.200
<v Speaker 1>an adult attending a big family party when they overhear

0:22:02.280 --> 0:22:06.800
<v Speaker 1>their father saying regarding their grandfather's abuse. Oh, Alex is

0:22:06.840 --> 0:22:11.520
<v Speaker 1>the only one who remembers that. It's essentially a kind

0:22:11.600 --> 0:22:14.400
<v Speaker 1>of gas lighting. Like if they're the only one who

0:22:14.400 --> 0:22:18.159
<v Speaker 1>remembers it, then did it really happen? When there is

0:22:18.200 --> 0:22:21.720
<v Speaker 1>no doubt that it happened. In fact, Alex has a

0:22:21.760 --> 0:22:25.360
<v Speaker 1>memory of their grandfather saying to them on Halloween, I'm

0:22:25.400 --> 0:22:32.400
<v Speaker 1>a witch and someday I'm gonna get you. There's so

0:22:32.480 --> 0:22:38.600
<v Speaker 1>much in your story about the negation of the abuse

0:22:39.000 --> 0:22:44.640
<v Speaker 1>and what it does to the memory. Part of why

0:22:44.760 --> 0:22:46.920
<v Speaker 1>that scene with my father at the party was so

0:22:46.960 --> 0:22:50.560
<v Speaker 1>striking was that no one had previously denied that the

0:22:50.600 --> 0:22:54.119
<v Speaker 1>abuse happened, and it was a shock to hear him

0:22:54.160 --> 0:22:58.040
<v Speaker 1>denying him. What was the timeline on that? How old

0:22:58.040 --> 0:23:00.239
<v Speaker 1>were you when when I was in my twenties when

0:23:00.280 --> 0:23:03.159
<v Speaker 1>that happened. So it went from silence and we're not

0:23:03.160 --> 0:23:05.679
<v Speaker 1>going to talk about this, and grandfather is still going

0:23:05.720 --> 0:23:07.640
<v Speaker 1>to be in our lives and we're going to kind

0:23:07.640 --> 0:23:13.480
<v Speaker 1>of pave it over two then a kind of hunting. Yes, yeah,

0:23:13.640 --> 0:23:16.280
<v Speaker 1>I mean, my family didn't deny that it happened. They

0:23:16.400 --> 0:23:19.280
<v Speaker 1>just denied that it should hurt that it happened. They

0:23:19.320 --> 0:23:22.639
<v Speaker 1>just denied that it should have any effect. Or it

0:23:22.800 --> 0:23:25.840
<v Speaker 1>was very much if this bothers you, that is your problem,

0:23:25.880 --> 0:23:31.040
<v Speaker 1>your fault. And so my father saying that the party

0:23:31.200 --> 0:23:35.120
<v Speaker 1>was such an escalation of the denial where it was like, wait,

0:23:35.200 --> 0:23:39.280
<v Speaker 1>now yours and either to even happened, how because he

0:23:39.320 --> 0:23:42.480
<v Speaker 1>had abused my sisters as well as myself and also

0:23:42.560 --> 0:23:44.560
<v Speaker 1>another cousin or I didn't know that at the time,

0:23:45.440 --> 0:23:48.120
<v Speaker 1>there was enough of a chorus of voices that none

0:23:48.119 --> 0:23:51.760
<v Speaker 1>of us had to doubt ourselves that it happened. And

0:23:52.080 --> 0:23:55.119
<v Speaker 1>when I finally did confront him, my grandfather, when I

0:23:55.160 --> 0:23:59.240
<v Speaker 1>was eighteen, he immediately acknowledged that he had abused me,

0:24:00.680 --> 0:24:04.000
<v Speaker 1>he just denied that it was a problem. Well, any

0:24:04.080 --> 0:24:07.080
<v Speaker 1>any quite a matter of factly says it happened to

0:24:07.119 --> 0:24:10.760
<v Speaker 1>me too. Yes, he did say that, yeah, And I

0:24:10.800 --> 0:24:15.520
<v Speaker 1>think that was my family style was more to say, yes,

0:24:15.560 --> 0:24:18.359
<v Speaker 1>it happened, but we don't need to talk about it,

0:24:18.359 --> 0:24:22.119
<v Speaker 1>because it shouldn't affect you. If it affects you, It's

0:24:22.160 --> 0:24:25.000
<v Speaker 1>essentially like this idea that to be affected by the

0:24:25.040 --> 0:24:29.000
<v Speaker 1>past is a kind of weakness, that one should just

0:24:29.040 --> 0:24:32.879
<v Speaker 1>be able to turn away from it and not be affected.

0:24:33.920 --> 0:24:37.280
<v Speaker 1>I think the belief that if we don't think about

0:24:37.320 --> 0:24:40.520
<v Speaker 1>the past, it will research itself, it will, it will

0:24:40.560 --> 0:24:43.439
<v Speaker 1>resurf it um is one that is important to me.

0:24:43.480 --> 0:24:46.520
<v Speaker 1>It's one that I grew up in trans and not

0:24:46.640 --> 0:24:50.920
<v Speaker 1>transplan binary and a message constantly given to me by

0:24:50.960 --> 0:24:53.200
<v Speaker 1>society is, oh my god, that's so new. How could

0:24:53.200 --> 0:24:55.560
<v Speaker 1>you how could you demand to be recognized that way?

0:24:55.600 --> 0:24:57.160
<v Speaker 1>How could you ask to be seen that way? That's

0:24:57.160 --> 0:25:00.679
<v Speaker 1>so incredibly new? And I am so and who finds

0:25:01.800 --> 0:25:04.560
<v Speaker 1>great solace in looking at history and being able to

0:25:04.600 --> 0:25:10.520
<v Speaker 1>say super not new? Isn't actually way more true and

0:25:10.720 --> 0:25:13.240
<v Speaker 1>way more real to have people have lived throughout time

0:25:13.760 --> 0:25:17.000
<v Speaker 1>than any pretense of a very strict binary and similarly,

0:25:17.560 --> 0:25:20.280
<v Speaker 1>the idea that if we turn away from whatever happened

0:25:20.280 --> 0:25:23.640
<v Speaker 1>in the past just shows up again. I think all

0:25:23.680 --> 0:25:27.200
<v Speaker 1>of my work is like this argument for complexity and

0:25:27.680 --> 0:25:31.960
<v Speaker 1>acknowledging complexity and living in complexity, and also sort of

0:25:32.000 --> 0:25:36.240
<v Speaker 1>continuity across time, that there really isn't a way to

0:25:36.359 --> 0:25:38.360
<v Speaker 1>just put a firm break on the past and never

0:25:38.440 --> 0:25:46.440
<v Speaker 1>talk about it. That our lives are continual stories. We'll

0:25:46.480 --> 0:25:58.840
<v Speaker 1>be back in a moment with more family secrets. When

0:25:58.880 --> 0:26:02.159
<v Speaker 1>Alex is a law student studying at Harvard, during a

0:26:02.160 --> 0:26:05.040
<v Speaker 1>summer internship at a law firm, they first come across

0:26:05.080 --> 0:26:08.600
<v Speaker 1>the case of a man named Ricky Langley, a murderer

0:26:08.640 --> 0:26:12.040
<v Speaker 1>and pedophile who is facing the death penalty for killing

0:26:12.359 --> 0:26:17.639
<v Speaker 1>a six year old boy named Jeremy Gilroy m So

0:26:17.800 --> 0:26:21.560
<v Speaker 1>Alex never works on Ricky's case, They've become consumed by

0:26:21.600 --> 0:26:24.639
<v Speaker 1>it because when they watched the video and read the reports,

0:26:25.200 --> 0:26:28.520
<v Speaker 1>they are shocked to realize that they, who are firmly

0:26:28.560 --> 0:26:33.639
<v Speaker 1>opposed to capital punishment, want Ricky dead. What this about?

0:26:34.640 --> 0:26:38.280
<v Speaker 1>Alex's journey to understand Rickie's history is part of the

0:26:38.359 --> 0:26:44.280
<v Speaker 1>braid I mentioned earlier. Buried in Ricky's history are questions

0:26:44.320 --> 0:26:48.960
<v Speaker 1>and answers to Alex's own. So was your decision to

0:26:48.960 --> 0:26:52.800
<v Speaker 1>go to law school born at your mother's feet when

0:26:52.840 --> 0:26:56.199
<v Speaker 1>you were twelve years old, sitting and watching her in

0:26:56.280 --> 0:27:00.359
<v Speaker 1>law school? I wrote my application essay for herr Boss

0:27:00.359 --> 0:27:04.320
<v Speaker 1>thing I didn't want to be a lawyer, and kudos

0:27:04.359 --> 0:27:08.080
<v Speaker 1>to them for letting me in despite that fact, because

0:27:08.200 --> 0:27:11.159
<v Speaker 1>what I wanted to do was understand. I wrote it

0:27:11.200 --> 0:27:14.560
<v Speaker 1>about wanting to understand why the definitalty was constitutional because

0:27:14.560 --> 0:27:17.200
<v Speaker 1>it felt to me, you know, I'd read everything that

0:27:17.280 --> 0:27:21.280
<v Speaker 1>I could at that age, and without more training, I

0:27:21.280 --> 0:27:23.240
<v Speaker 1>had read what I could find, and to me, it

0:27:23.280 --> 0:27:28.920
<v Speaker 1>seemed patently unconstitutional. And I was also didn't quite understand

0:27:28.920 --> 0:27:32.760
<v Speaker 1>why sex offender registration was constitutional. It seems like essentially

0:27:32.840 --> 0:27:35.600
<v Speaker 1>a second punishment, given that shaming as one of the

0:27:35.600 --> 0:27:38.720
<v Speaker 1>oldest punishments, and that might appear to be sort of

0:27:38.760 --> 0:27:42.320
<v Speaker 1>an odd thing for me to care about, given that

0:27:43.200 --> 0:27:46.040
<v Speaker 1>I was abused, and one would think perhaps that I

0:27:46.040 --> 0:27:48.920
<v Speaker 1>would just of course be in favor of sex offender

0:27:49.000 --> 0:27:53.840
<v Speaker 1>registration and whatnot. But I think I was pretty acutely

0:27:53.880 --> 0:27:58.280
<v Speaker 1>aware that so much of sexual abuse happens within families,

0:27:58.400 --> 0:28:03.040
<v Speaker 1>and that offender red stories tend to leave out family

0:28:03.480 --> 0:28:05.640
<v Speaker 1>driven abece, so it's more like an illusion of safety

0:28:05.880 --> 0:28:09.119
<v Speaker 1>than an actual public mechanism for safety. And I was

0:28:09.160 --> 0:28:14.400
<v Speaker 1>really curious why that was okay, why that was as okay?

0:28:14.680 --> 0:28:18.119
<v Speaker 1>And so I went to law school for those reasons,

0:28:18.200 --> 0:28:22.000
<v Speaker 1>but promptly also started taking writing classes at night, so

0:28:22.000 --> 0:28:24.239
<v Speaker 1>I would go to law school during the day, and

0:28:24.280 --> 0:28:26.360
<v Speaker 1>I was I was still closeted then as gay. So

0:28:26.840 --> 0:28:29.640
<v Speaker 1>I've go to law school during the day, and one

0:28:29.680 --> 0:28:32.159
<v Speaker 1>evening a week I would go to fiction classes, and

0:28:32.240 --> 0:28:35.840
<v Speaker 1>one evening a week I would go to a queer

0:28:36.400 --> 0:28:38.440
<v Speaker 1>meet up that was happening in Boston at the time.

0:28:38.960 --> 0:28:43.000
<v Speaker 1>And both of those other lives were totally secret, no

0:28:43.080 --> 0:28:46.040
<v Speaker 1>when I knew at law school knew about them. What

0:28:46.120 --> 0:28:48.240
<v Speaker 1>was that like during that time? I mean, what did

0:28:48.320 --> 0:28:51.760
<v Speaker 1>that feel like? That you were essentially dividing your life

0:28:51.760 --> 0:28:56.160
<v Speaker 1>into pieces on a pie chart and and keeping secrets.

0:28:57.360 --> 0:28:59.880
<v Speaker 1>That was the only way I knew, all right, I

0:29:00.000 --> 0:29:03.760
<v Speaker 1>had grown up in secrets. I'd kept secrets. I've known

0:29:03.800 --> 0:29:06.880
<v Speaker 1>I was trans since I was eight. You have a

0:29:07.000 --> 0:29:09.600
<v Speaker 1>very cute memory of when I realized that, and I

0:29:09.680 --> 0:29:13.000
<v Speaker 1>kept that secret hard back in law school. It actually

0:29:13.000 --> 0:29:15.760
<v Speaker 1>felt very natural because it was what I was used

0:29:15.760 --> 0:29:19.000
<v Speaker 1>to ill ta get a step. Further, I was really

0:29:19.200 --> 0:29:23.280
<v Speaker 1>politically liberal, wasn't I am really politically liberal? And yet

0:29:23.400 --> 0:29:26.680
<v Speaker 1>my first year I joined all the conservative organizations because

0:29:26.680 --> 0:29:29.280
<v Speaker 1>I was like, I don't understand any of this, and

0:29:29.360 --> 0:29:32.080
<v Speaker 1>so let me try to learn. So I was so closeted.

0:29:32.600 --> 0:29:35.120
<v Speaker 1>I was just very, very very closet. I had this

0:29:35.520 --> 0:29:38.080
<v Speaker 1>daytime life that was had nothing to do with who

0:29:38.120 --> 0:29:41.040
<v Speaker 1>I really was, and then I would have this evening

0:29:41.040 --> 0:29:44.239
<v Speaker 1>life that was where my heart laved and where I

0:29:44.280 --> 0:29:48.239
<v Speaker 1>was trying on the idea of living with myself. So

0:29:48.280 --> 0:29:51.320
<v Speaker 1>at what point when you're in law school do you

0:29:52.280 --> 0:29:57.000
<v Speaker 1>come across the case of Ricky Langley. My first summer

0:29:57.040 --> 0:30:01.720
<v Speaker 1>of law school, I took a internship helping to defend

0:30:02.480 --> 0:30:05.239
<v Speaker 1>men accused of murder, mostly meant all the clients from them,

0:30:05.960 --> 0:30:09.880
<v Speaker 1>and I came across the case on the third day

0:30:09.880 --> 0:30:12.720
<v Speaker 1>of that internship when I was shown his confession with

0:30:12.800 --> 0:30:18.200
<v Speaker 1>you tap in the interview for the job for the internship,

0:30:18.640 --> 0:30:22.080
<v Speaker 1>they had asked me, well could you help defendive head

0:30:22.120 --> 0:30:25.760
<v Speaker 1>of five? And I remember I was sitting in my

0:30:25.840 --> 0:30:30.040
<v Speaker 1>law school dorm room, and you know that quality of

0:30:30.560 --> 0:30:33.880
<v Speaker 1>where the air changes when it's one of those moments

0:30:33.960 --> 0:30:38.360
<v Speaker 1>in your life where things collide and the quality of

0:30:38.400 --> 0:30:42.800
<v Speaker 1>the air shifted. And I remember saying, yes, I can,

0:30:43.960 --> 0:30:47.680
<v Speaker 1>and I truly believed, you know, And I was pretty

0:30:47.760 --> 0:30:50.000
<v Speaker 1>intense person in my twenties, and I would say I

0:30:50.040 --> 0:30:53.320
<v Speaker 1>truly believed that if I really opposed the death penalty,

0:30:53.760 --> 0:30:56.280
<v Speaker 1>I had to be able to do this, that this

0:30:56.720 --> 0:31:00.840
<v Speaker 1>was the ultimate test because of my past. It would

0:31:00.920 --> 0:31:03.480
<v Speaker 1>it would sort of prove that I was so over

0:31:03.560 --> 0:31:06.040
<v Speaker 1>my past that I could remain committed to my ideals.

0:31:07.160 --> 0:31:10.000
<v Speaker 1>And so that was the first inkling. But then I

0:31:10.040 --> 0:31:15.480
<v Speaker 1>got to the internship and they showed us his confession

0:31:15.560 --> 0:31:22.120
<v Speaker 1>video tape, and I watched the video and he described

0:31:22.160 --> 0:31:25.840
<v Speaker 1>doing something to children that my grandfather had done to me,

0:31:25.920 --> 0:31:29.960
<v Speaker 1>like a very specific thing, and my body just totally

0:31:30.040 --> 0:31:33.120
<v Speaker 1>launched me back into the past. That was kind of

0:31:33.160 --> 0:31:36.440
<v Speaker 1>the moment where I realized that what I had believed

0:31:36.520 --> 0:31:39.080
<v Speaker 1>about how we could just turn away from the past,

0:31:39.080 --> 0:31:42.520
<v Speaker 1>how we could just deny it, was in fact not

0:31:42.560 --> 0:31:44.680
<v Speaker 1>going to be true, and that I was going to

0:31:44.800 --> 0:31:50.240
<v Speaker 1>have to find a different way through this story. My

0:31:50.320 --> 0:31:54.840
<v Speaker 1>body just totally launched me back into the past. Anyone

0:31:54.880 --> 0:31:59.840
<v Speaker 1>who has experienced trauma knows this feeling, expressed so beautifully

0:31:59.840 --> 0:32:03.320
<v Speaker 1>by a previous guest on this podcast, Dr Bessel vander Kolk,

0:32:03.800 --> 0:32:06.560
<v Speaker 1>author of the seminal book The Body Keeps the Score.

0:32:07.440 --> 0:32:11.360
<v Speaker 1>Trauma lives in the body, and we now use the

0:32:11.360 --> 0:32:14.760
<v Speaker 1>word trigger when we're triggered by something that stirs up

0:32:14.800 --> 0:32:18.360
<v Speaker 1>that trauma. It's like a game of shoots and ladders

0:32:18.880 --> 0:32:25.840
<v Speaker 1>were taken right back there. So you become deeply involved

0:32:26.240 --> 0:32:30.120
<v Speaker 1>in Ricky's story and in the story of Jeremy Gilroy,

0:32:30.280 --> 0:32:32.640
<v Speaker 1>the six year old boy that he that he killed.

0:32:33.680 --> 0:32:36.480
<v Speaker 1>Was that clear to you that the story has become

0:32:36.560 --> 0:32:46.000
<v Speaker 1>so intricately braided together psychologically, your story and Ricky's story

0:32:46.240 --> 0:32:50.440
<v Speaker 1>and Jeremy's story and the other people who are connected

0:32:50.480 --> 0:32:53.760
<v Speaker 1>to them. You know, there are some really breathtaking moments

0:32:53.840 --> 0:32:57.080
<v Speaker 1>where it all feels like it's kind of in a

0:32:57.120 --> 0:33:01.479
<v Speaker 1>concert somehow, that it's the way that you are coming

0:33:01.520 --> 0:33:05.960
<v Speaker 1>to understand everything that you need to know. I really

0:33:05.960 --> 0:33:09.040
<v Speaker 1>appreciate your word to us there, because he said in concert,

0:33:09.240 --> 0:33:11.400
<v Speaker 1>and I know you mean like together, but at the

0:33:11.440 --> 0:33:13.920
<v Speaker 1>same time that's sort of a musical metaphor, No, I

0:33:13.960 --> 0:33:17.720
<v Speaker 1>actually meant. I meant it as a musical metaphor. Okay, fantastic.

0:33:18.640 --> 0:33:22.200
<v Speaker 1>In terms of when I sort of got involved in

0:33:22.320 --> 0:33:24.960
<v Speaker 1>his case, I think it's really important to note that

0:33:25.120 --> 0:33:27.200
<v Speaker 1>I did not work on his case at all and

0:33:27.360 --> 0:33:29.680
<v Speaker 1>was not part of it at all while I was

0:33:29.720 --> 0:33:31.920
<v Speaker 1>doing the internship. Had I been involved in it, I

0:33:31.960 --> 0:33:35.239
<v Speaker 1>never could have written the book. So what happened was

0:33:35.320 --> 0:33:39.000
<v Speaker 1>that I was showing that video, not because I was

0:33:39.040 --> 0:33:41.120
<v Speaker 1>going to be working on his case. The second trial

0:33:41.160 --> 0:33:45.520
<v Speaker 1>had concluded by that point, and so I didn't have

0:33:45.680 --> 0:33:48.600
<v Speaker 1>any interaction with his case for the rest of that

0:33:48.640 --> 0:33:51.400
<v Speaker 1>summer until meeting him at the end of the summer,

0:33:51.440 --> 0:33:53.440
<v Speaker 1>which is a moment that's at the end of the book.

0:33:54.080 --> 0:33:56.760
<v Speaker 1>And this very curious thing happened in those years where

0:33:57.800 --> 0:34:01.920
<v Speaker 1>I actually couldn't remember the King needs met. For many years,

0:34:01.960 --> 0:34:04.240
<v Speaker 1>I could not remember it. In those years. It was

0:34:04.280 --> 0:34:07.560
<v Speaker 1>so intense that if I looked up the case online,

0:34:08.480 --> 0:34:11.080
<v Speaker 1>I could read all about it and I would walk away,

0:34:11.160 --> 0:34:13.680
<v Speaker 1>or I would put a print out or a paper down,

0:34:14.600 --> 0:34:17.799
<v Speaker 1>and I would not be able just a moment later

0:34:17.840 --> 0:34:21.080
<v Speaker 1>to tell you what the murderer's name was. I knew

0:34:21.080 --> 0:34:23.640
<v Speaker 1>everything else about the case. All the details are in

0:34:23.680 --> 0:34:27.800
<v Speaker 1>my mind, but I couldn't remember his name. A big

0:34:27.840 --> 0:34:30.840
<v Speaker 1>part of why Alex can't remember Rickie's name is like

0:34:30.960 --> 0:34:34.640
<v Speaker 1>that staticky reaction to trauma. As they read through eight

0:34:34.640 --> 0:34:38.239
<v Speaker 1>thousand pages of court records, they're haunted by the gruesome

0:34:38.239 --> 0:34:42.560
<v Speaker 1>details as a case, a six year old boy murdered

0:34:42.600 --> 0:34:45.640
<v Speaker 1>and stuck in a closet, wrapped in a blue blanket,

0:34:45.960 --> 0:34:50.240
<v Speaker 1>where he remained for days, a seaman stain on his shirt,

0:34:51.040 --> 0:34:55.120
<v Speaker 1>a single pubic hair on his lip, a sock stuffed

0:34:55.120 --> 0:35:01.600
<v Speaker 1>into his mouth, a videotaped confession. Over the course of

0:35:01.640 --> 0:35:05.640
<v Speaker 1>the years, Alex studies Ricky's history, moving back and forth

0:35:05.680 --> 0:35:09.399
<v Speaker 1>in time in order to understand, if not pinpoint where

0:35:09.440 --> 0:35:14.760
<v Speaker 1>the story begins, both Zair's and Ricky Langley's. It's understanding

0:35:14.800 --> 0:35:19.520
<v Speaker 1>thereafter not forgiveness. There is no place for the simple

0:35:19.560 --> 0:35:26.520
<v Speaker 1>platitude of forgiveness. As they write from the transcripts and

0:35:26.560 --> 0:35:29.160
<v Speaker 1>by visiting the places in Louisiana where events in the

0:35:29.200 --> 0:35:33.440
<v Speaker 1>man's life took place, I have imagined his mother, his sisters,

0:35:33.840 --> 0:35:37.040
<v Speaker 1>the little boy's mother, all the characters from the past,

0:35:38.120 --> 0:35:40.440
<v Speaker 1>and I have driven the long, lonely road from New

0:35:40.560 --> 0:35:45.040
<v Speaker 1>Orleans to the Louisiana State Penitentiary called Angola. I have

0:35:45.160 --> 0:35:48.960
<v Speaker 1>sat across from this man, the murderer, in a visiting booth,

0:35:49.440 --> 0:35:51.759
<v Speaker 1>and have looked into the same eyes that are on

0:35:51.840 --> 0:35:56.440
<v Speaker 1>this tape. This tape brought me to re examine everything

0:35:56.440 --> 0:36:00.880
<v Speaker 1>I believed, not only about the law, but my family

0:36:01.160 --> 0:36:07.960
<v Speaker 1>and my past. In both your family story and your

0:36:08.040 --> 0:36:13.400
<v Speaker 1>story and then Ricky Langley's story, there is this question

0:36:13.440 --> 0:36:16.279
<v Speaker 1>of how far do we have to trace back? Where

0:36:16.280 --> 0:36:21.040
<v Speaker 1>do we begin telling a story if we're really going

0:36:21.080 --> 0:36:25.880
<v Speaker 1>to be telling it from its beginnings, if that's even possible.

0:36:27.120 --> 0:36:29.640
<v Speaker 1>One of the things I'm really interested in is how

0:36:29.719 --> 0:36:32.640
<v Speaker 1>much where you start a story shapes what it's meaning is.

0:36:33.360 --> 0:36:36.040
<v Speaker 1>And that comes up in my family right like I

0:36:36.080 --> 0:36:41.080
<v Speaker 1>think you you interpret my family's actions and they're turning

0:36:41.080 --> 0:36:45.400
<v Speaker 1>away from the abuse differently. If I begin the story

0:36:45.880 --> 0:36:49.160
<v Speaker 1>shortly before the abuse, then sometimes it might be possible

0:36:49.200 --> 0:36:52.080
<v Speaker 1>to judge my parents quite harshly for that. But if

0:36:52.120 --> 0:36:54.719
<v Speaker 1>you tell a larger story about why they would feel

0:36:54.760 --> 0:36:57.360
<v Speaker 1>so compelled to turn away from the past, and you

0:36:57.360 --> 0:37:00.520
<v Speaker 1>start understanding that for them it was and st ordinary

0:37:00.560 --> 0:37:04.440
<v Speaker 1>and out of grief and fear, among my brother's illnesses

0:37:04.640 --> 0:37:07.680
<v Speaker 1>and the unknown nature of the future and the loss

0:37:07.719 --> 0:37:10.839
<v Speaker 1>of my sister. I think it's possible to have more

0:37:10.880 --> 0:37:14.600
<v Speaker 1>empathy for why it would be so important to them

0:37:14.800 --> 0:37:17.480
<v Speaker 1>to rewrite the story of the past and pretend the

0:37:17.520 --> 0:37:19.600
<v Speaker 1>past hadn't the harms of the past and the hearts

0:37:19.680 --> 0:37:23.720
<v Speaker 1>that past hadn't happened. And similarly in the Langley case,

0:37:23.880 --> 0:37:27.160
<v Speaker 1>I think we understand mack you Langley differently depending on

0:37:27.200 --> 0:37:31.080
<v Speaker 1>where we start his story, and that that power of

0:37:31.080 --> 0:37:35.080
<v Speaker 1>the storyteller to shape the story and what goes in

0:37:35.200 --> 0:37:37.880
<v Speaker 1>and what gets left out is also of course a

0:37:37.960 --> 0:37:43.759
<v Speaker 1>big thing in the the law. There's so much that ultimately

0:37:43.920 --> 0:37:48.839
<v Speaker 1>is threaded through um your story that has to do

0:37:49.480 --> 0:37:55.360
<v Speaker 1>with the question of forgiveness, the question of forgiveness in

0:37:55.560 --> 0:37:58.960
<v Speaker 1>your family, with your parents, you with your grandfather, the

0:37:59.080 --> 0:38:04.200
<v Speaker 1>question of this sort of extraordinary forgiveness that happens in

0:38:04.200 --> 0:38:08.319
<v Speaker 1>in Ricky Langley's case, where Jeremy's mother, the mother of

0:38:08.360 --> 0:38:11.719
<v Speaker 1>the boy that he murdered, is the one who appeals

0:38:12.239 --> 0:38:16.239
<v Speaker 1>to the court to spare him the death penalty. Talk

0:38:16.320 --> 0:38:18.920
<v Speaker 1>to me a little bit about what you learned about

0:38:19.120 --> 0:38:23.000
<v Speaker 1>that there can be actions that may seem like on

0:38:23.040 --> 0:38:26.080
<v Speaker 1>the surface that they would connote forgiveness, but that in

0:38:26.160 --> 0:38:30.200
<v Speaker 1>fact don't require forgiveness. Yeah, I think forgiveness it's such

0:38:30.200 --> 0:38:34.400
<v Speaker 1>a Oh, it's such a tricky idea. I really justlike

0:38:34.520 --> 0:38:37.520
<v Speaker 1>the way to use it culturally. I think we use

0:38:37.560 --> 0:38:40.320
<v Speaker 1>it to simplify. I think we use it to flatten.

0:38:40.520 --> 0:38:43.520
<v Speaker 1>I think we often use it to a race. We

0:38:43.640 --> 0:38:46.160
<v Speaker 1>often use it to shift the burden to the person

0:38:46.200 --> 0:38:49.000
<v Speaker 1>who has been harmed and to say, oh, well, that

0:38:49.040 --> 0:38:54.560
<v Speaker 1>person should just forgive. And I think it's really important

0:38:54.560 --> 0:38:56.839
<v Speaker 1>that we know that Laurel I did not forgive, that

0:38:56.840 --> 0:38:59.959
<v Speaker 1>that that her action she feels is not a matter

0:39:00.040 --> 0:39:03.520
<v Speaker 1>or a forgiveness, that her action really is about not

0:39:03.560 --> 0:39:05.480
<v Speaker 1>wanting him to die, but that that is not the

0:39:05.520 --> 0:39:10.160
<v Speaker 1>same thing. And that is a more complicated position than

0:39:10.280 --> 0:39:15.480
<v Speaker 1>we have cultural language for. And yet I personally believe

0:39:15.960 --> 0:39:19.200
<v Speaker 1>probably a more honest position than we have cultural language for,

0:39:20.080 --> 0:39:23.440
<v Speaker 1>and one that allows for recognition of the humanity of

0:39:23.480 --> 0:39:27.560
<v Speaker 1>the person who did the harm without erasing the harm

0:39:27.640 --> 0:39:30.520
<v Speaker 1>done to the person who was hurting. And we are

0:39:30.560 --> 0:39:34.200
<v Speaker 1>not very good at duality in this society, at holding dualities,

0:39:34.719 --> 0:39:37.880
<v Speaker 1>and that is one that I think is really important.

0:39:39.200 --> 0:39:44.320
<v Speaker 1>I hope someday we as a society learn a better relationship.

0:39:45.239 --> 0:39:50.480
<v Speaker 1>Two the harms of the past, one that makes more

0:39:50.560 --> 0:39:54.600
<v Speaker 1>space for reckoning and more space for accountability and more

0:39:54.640 --> 0:39:59.960
<v Speaker 1>space for complexity, and stops rushing to a simplified idea.

0:40:00.120 --> 0:40:03.799
<v Speaker 1>Forgiveness that could have quite a lot of power, and

0:40:03.880 --> 0:40:08.440
<v Speaker 1>could be quite beautiful, and could make space for everyone's

0:40:08.520 --> 0:40:13.040
<v Speaker 1>humanity and reconciliation and whatnot, is instead now used as

0:40:13.040 --> 0:40:17.719
<v Speaker 1>a weapon or a band aid. And that is kind

0:40:17.760 --> 0:40:21.480
<v Speaker 1>of why I am so resistant to engaging with it.

0:40:25.600 --> 0:40:29.000
<v Speaker 1>Let's close with a few more words from Alex. Here

0:40:29.560 --> 0:40:33.040
<v Speaker 1>they stand at the cemetery where their grandparents are buried.

0:40:35.000 --> 0:40:39.359
<v Speaker 1>My grandmother is buried next to a secret. My grandfather died,

0:40:39.400 --> 0:40:43.080
<v Speaker 1>but the fact of who he was. I can't say

0:40:43.120 --> 0:40:47.400
<v Speaker 1>that I forgive them, only that forgiveness is too simple

0:40:47.440 --> 0:40:54.400
<v Speaker 1>a word. They helped make me. They did such harm.

0:40:54.440 --> 0:40:58.640
<v Speaker 1>I have to go now. My voice sounds strange, tremulous

0:40:58.640 --> 0:41:01.880
<v Speaker 1>in the quiet. I have always found the dead in

0:41:01.920 --> 0:41:05.400
<v Speaker 1>the stories they leave behind, not in the stone cold

0:41:05.440 --> 0:41:08.759
<v Speaker 1>fact of the grave. But I never got to say

0:41:08.800 --> 0:41:11.880
<v Speaker 1>goodbye all my grandparents were alive, because every goodbye I

0:41:12.000 --> 0:41:14.560
<v Speaker 1>ever said it was really just words that stood in

0:41:14.600 --> 0:41:18.480
<v Speaker 1>place of all I couldn't say. I'm going to go

0:41:18.600 --> 0:41:26.279
<v Speaker 1>finished telling the story there Now they know I am

0:41:26.320 --> 0:41:31.239
<v Speaker 1>telling this story. I mean those words to be my

0:41:31.360 --> 0:41:35.399
<v Speaker 1>last to them. But where there was silence, there will

0:41:35.440 --> 0:41:39.680
<v Speaker 1>be speech that where there were secrets, I will make

0:41:39.760 --> 0:41:55.280
<v Speaker 1>way for the complicated truth. Family Secret is a production

0:41:55.320 --> 0:41:59.319
<v Speaker 1>of My Heart Media. Dylan Fagin and Bethman Macaluso are

0:41:59.360 --> 0:42:04.120
<v Speaker 1>the executive producers. Andrew Howard is our audio editor. If

0:42:04.160 --> 0:42:06.440
<v Speaker 1>you have a secret you'd like to share, leave us

0:42:06.440 --> 0:42:10.000
<v Speaker 1>a voicemail and your story could appear on an upcoming

0:42:10.040 --> 0:42:17.320
<v Speaker 1>bonus episode. Our number is one Secret zero. That's secret

0:42:17.520 --> 0:42:20.839
<v Speaker 1>and then the number zero. You can also find us

0:42:20.840 --> 0:42:26.160
<v Speaker 1>on Instagram at Danny Writer, Facebook at facebook dot com

0:42:26.160 --> 0:42:30.040
<v Speaker 1>slash Family Secrets Pod, and Twitter at Fami Secret Spot.

0:42:30.800 --> 0:42:32.840
<v Speaker 1>And if you want to know about my family Secret

0:42:33.000 --> 0:42:36.640
<v Speaker 1>that inspired this podcast, check out my New York Times

0:42:36.680 --> 0:43:00.400
<v Speaker 1>best selling memoir Inheritance. For more podcast asked for my

0:43:00.440 --> 0:43:03.400
<v Speaker 1>Heart Radio, visit the I Heart Radio app, Apple podcast,

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<v Speaker 1>or wherever you listen to your favorite shows.