WEBVTT - Civic Cipher 040222 How Viral Fight Videos Reflect on Us (Part 2)

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<v Speaker 1>And now go my mic back.

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<v Speaker 2>You're like that.

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<v Speaker 3>Strike waters from headquarters behind him.

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<v Speaker 1>And if you're just tuning into civics, ie aro, I'm

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<v Speaker 1>your host, Ramsay's joh I go by the name q Ward. Yes, indeed,

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<v Speaker 1>and be sure to stick around because we are knee

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<v Speaker 1>deep in our entertainment episode. We still got a lot

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<v Speaker 1>more to talk about, not the least of which is

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<v Speaker 1>rap beef m I come from hip hop radio, so

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<v Speaker 1>I got some thoughts on that. Also, we're going to

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<v Speaker 1>be talking about Hattie McDaniel far away, Black history fact.

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<v Speaker 1>She's the first African American to win an Oscar. She

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<v Speaker 1>has two stars on the Hollywood Walk of Fame and

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<v Speaker 1>she was her only Her dying wish was to be

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<v Speaker 1>buried in the Hollywood Cemetery and it was denied to

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<v Speaker 1>her because she was not a white woman, and a

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<v Speaker 1>lot more cool things about her. Obviously, she's long, so

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<v Speaker 1>hence our way black history fact. But yeah, our entertainment

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<v Speaker 1>episode is in full swing. First and foremost, let's talk

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<v Speaker 1>about the NFL.

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<v Speaker 4>In a good way finally, right, that's surprising, but go

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<v Speaker 4>for it, all right, So for our Baba segment, becoming

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<v Speaker 4>a better ally, I pulled this from ESPN.

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<v Speaker 1>All Right, so it says, first off, let me just

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<v Speaker 1>preface this, I don't know anything about sports. Q always

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<v Speaker 1>laughs at me. I'm a music guy. I always been,

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<v Speaker 1>never been a sports guy. Actually I played football in

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<v Speaker 1>high school, but I forgot it all. Yeah, anyway tells

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<v Speaker 1>me that too. So it is the one thing I did.

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<v Speaker 1>I used to play basketball a little bit, but I'm

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<v Speaker 1>it's long on. Anyways, I'm gonna read this if I don't

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<v Speaker 1>sound like the most articulate sports person. That's why. All

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<v Speaker 1>thirty two NFL teams will hire a minority offensive assistant

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<v Speaker 1>coach for the twenty twenty two season, part of a

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<v Speaker 1>series of policy enhancements announced Monday to address the league's

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<v Speaker 1>ongoing diversity efforts. The coach can be quote a female

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<v Speaker 1>or member of an ethnic or racial minority and quote

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<v Speaker 1>according to the policy adopted by NFL owners during their

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<v Speaker 1>annual meeting, and will be paid from a league wide fund.

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<v Speaker 1>The coach must work closely with the head coach and

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<v Speaker 1>the offensive staff with the goal of increasing minority participation

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<v Speaker 1>in the pool of offensive coaches that eventually produces the

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<v Speaker 1>most sought after candidates for head coaching positions. Quote. It's

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<v Speaker 1>a recognition that at the moment when you look at

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<v Speaker 1>stepping stones for a head coach, they are the coordinator positions.

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<v Speaker 1>End quote. Said Pittsburgh Steelers' owner Art Rooney the second,

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<v Speaker 1>the chairman of the NFL Diversity, Equity and Inclusion Committee. Quote.

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<v Speaker 1>We clearly have a trend where coaches are coming from

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<v Speaker 1>the offensive side of the ball in recent years, and

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<v Speaker 1>we clearly do not have as many minorities in the

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<v Speaker 1>offensive coordinator position. Now, the NFL wasn't hiring some guy

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<v Speaker 1>because they were just pretending to interview him. I forget

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<v Speaker 1>the guy's name, but he was special, Brian Florence. That's

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<v Speaker 1>why we keep you around. And then the NFL came

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<v Speaker 1>back and did this, so we know our beef is

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<v Speaker 1>not eternal.

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<v Speaker 2>Here.

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<v Speaker 1>We all got to learn, even black folks, we got

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<v Speaker 1>to learn to We're just trying to be better brothers

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<v Speaker 1>and sisters to each other. So shout out the NFL

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<v Speaker 1>for becoming a better ally. Now, I feel like we

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<v Speaker 1>still have a couple more levels, a couple more things

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<v Speaker 1>to address with this Will Smith and Chris Rock situation.

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<v Speaker 2>I agree wholeheartedly, but.

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<v Speaker 1>I think I can make a point that further illustrates

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<v Speaker 1>my issue with it and why there's a weight of

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<v Speaker 1>gravity to it that other people may not experience. And

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<v Speaker 1>the reason we're telling the reason I'm telling you this

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<v Speaker 1>is because that weight comes from you, not you the individual,

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<v Speaker 1>but you, society, you as a group in mass, right,

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<v Speaker 1>because those prejudices, those stereotypes, those are the things that

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<v Speaker 1>crush me under their weight. Those are the things that say, Okay,

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<v Speaker 1>I have to be perfect to be good enough. I

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<v Speaker 1>have to be twice as good to be good enough, right,

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<v Speaker 1>And that's not fair, right, because there's a lot of

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<v Speaker 1>people who are good enough that will never be considered

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<v Speaker 1>because they're not twice as good, you understand. And that's

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<v Speaker 1>not the same when you cross over into a different race,

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<v Speaker 1>because you can just be good enough. If you're a

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<v Speaker 1>different race, it's a different reality. I want to further

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<v Speaker 1>illustrate how this weight feels right now. This is not

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<v Speaker 1>your fault, society, but it is. We'll call it our problem.

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<v Speaker 1>And if it's our collective problem, then we have to

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<v Speaker 1>challenge our prejudices and stereotypes with respect to these things.

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<v Speaker 1>We have to do it together. I'm not putting it

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<v Speaker 1>on you, it's us Okay. The first thing I want

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<v Speaker 1>to talk about is those videos that go viral about

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<v Speaker 1>people fighting. When the people are black and they are

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<v Speaker 1>fighting after school, after a club, whatever the video is.

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<v Speaker 1>I cringe because to me, I'm like, h white folks

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<v Speaker 1>could see this video. They will see this video and

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<v Speaker 1>they will think, look, I knew it. That's exactly how

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<v Speaker 1>they behave and they paint with broad strokes. It's not

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<v Speaker 1>if you're white. I'm not picking on you. It's not

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<v Speaker 1>your fault. It's human nature to categorize things. This is

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<v Speaker 1>how we make sense of the world. Right. We categorize

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<v Speaker 1>lots of things. Right. It's not your fault. But again,

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<v Speaker 1>it is our problem to fix right. So we have

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<v Speaker 1>to challenge ourselves not to say that's how they act.

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<v Speaker 1>We have to challenge ourselves to say that's how these

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<v Speaker 1>specific individuals are acting. Right, and not all people are

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<v Speaker 1>prone to this type of behavior. Similar to with to

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<v Speaker 1>Will Smith and to Chris Rock, right, those two individuals

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<v Speaker 1>are having this moment. This is not all black folks, right,

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<v Speaker 1>because there's tons of black people in the audience got

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<v Speaker 1>the whole night went off without a hitch quest Love

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<v Speaker 1>God as Award, and Zelle was sitting there giving great advice.

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<v Speaker 1>Lupito was you know what I mean, nobody, no one

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<v Speaker 1>has any issues, right, But when you see those videos

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<v Speaker 1>to know that, Okay, this is an individual group of

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<v Speaker 1>people that are behaving in this way and it's not

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<v Speaker 1>fair to paint with broad strokes. And you listening to

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<v Speaker 1>this show, you might actually do that. But when I

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<v Speaker 1>when I'm talking, I'm saying society. Society doesn't often do that, right.

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<v Speaker 1>These things tend to subtly reinforce stereotypes, right that black

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<v Speaker 1>people are violent or we like to fight or something

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<v Speaker 1>like that. But there's just as many videos of non

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<v Speaker 1>black people get invites.

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<v Speaker 2>I'm sure there's more, you know what. I just based

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<v Speaker 2>on the top, based on the populators.

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<v Speaker 1>Absolutely, and again, white folks don't wear those videos the

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<v Speaker 1>same way I do. White folks don't look at those

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<v Speaker 1>videos and cringe, be like, oh man, they see Black

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<v Speaker 1>people are going to look at this and think white

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<v Speaker 1>people all, you know, do this thing, you know what

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<v Speaker 1>I mean. Part of the reason that they don't cringe, however,

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<v Speaker 1>is that the lack of societal power to create a

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<v Speaker 1>society's outlook on them by black people, even if all

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<v Speaker 1>black people felt that way, society at large would just

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<v Speaker 1>as we pointed out about by the disparity in numbers

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<v Speaker 1>and the lack of an infrastructure in place to flex

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<v Speaker 1>any type of.

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<v Speaker 2>Deprivation based on those ideas. Even if all black people

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<v Speaker 2>saw those videos and said, look, that's how white people act,

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<v Speaker 2>it would not affect white people's lives at all.

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<v Speaker 1>Sure ever, yeah, it would just be an opinion based

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<v Speaker 1>that a group of people have. You're absolutely right, right,

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<v Speaker 1>There is something else to be said there though, as

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<v Speaker 1>I mentioned in my in the in the first half

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<v Speaker 1>of the show, I mentioned, you know, a monologue that

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<v Speaker 1>I had on my other program, White people or other

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<v Speaker 1>people don't tend to be defined by their outliers, their

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<v Speaker 1>cultural or behavioral outliers to the degree that black people are. Right,

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<v Speaker 1>So if you see, you know, some white folks in

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<v Speaker 1>a viral video fighting at a trailer park or something

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<v Speaker 1>like that, right, there's just some individuals in your mind

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<v Speaker 1>and in our minds, some individuals fighting at a trailer park.

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<v Speaker 1>Those are the cultural outliers. You yourself may not live

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<v Speaker 1>in a trailer park. You yourself may have all your teeth,

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<v Speaker 1>You yourself may not drink during the day, you yourself, may

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<v Speaker 1>not have a cousin who's also your sister or whatever,

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<v Speaker 1>some weird you know whatever, whatever's going on in this

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<v Speaker 1>imaginary viral video. Right, And we would not look at that,

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<v Speaker 1>nor would you look at this video and say, see

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<v Speaker 1>this is how they act. We would look at the

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<v Speaker 1>video as would you, and say, look at these individuals

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<v Speaker 1>acting crazy. Right, But again go back to remember Sharkisha.

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<v Speaker 1>Remember that video. Qu You might not remember Sharkisha, but

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<v Speaker 1>that Sharkisha video came out, don't google this, but it

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<v Speaker 1>was basically a fight, you know, some black girls fighting.

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<v Speaker 2>Children, by the way, Yeah, and.

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<v Speaker 1>That went like ultra like super viral, you know, some

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<v Speaker 1>years back. And perhaps because of the name Sharkisha, that's

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<v Speaker 1>that's a heavy name.

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<v Speaker 2>That'll do it.

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<v Speaker 1>That'll definitely, that'll definitely flow down, that'll float down the

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<v Speaker 1>river a little bit. But also it.

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<v Speaker 2>Just was uh.

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<v Speaker 1>And and again I'm talking about the weight that we carry, like,

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<v Speaker 1>oh god, okay, we're trying to get forward. The last

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<v Speaker 1>thing we need is these people looking at videos like

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<v Speaker 1>this saying, see they don't even know how to act.

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<v Speaker 1>Who is they? Are you saying they those two individuals

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<v Speaker 1>in the video, Are you saying they in general, and

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<v Speaker 1>this is the weight that we carry because oftentimes we

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<v Speaker 1>realize that that is largely true. It was taking the

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<v Speaker 1>bus one time. This was in high school. This was

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<v Speaker 1>in the nineties, right, the culture was a little different,

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<v Speaker 1>but it was changing.

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<v Speaker 4>Right.

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<v Speaker 1>I had, I think a soda or something, or a

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<v Speaker 1>bag of chips or some sort of snack.

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<v Speaker 2>Right.

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<v Speaker 1>I don't drink soda, so and I didn't drink soda

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<v Speaker 1>in high school, laiter. But you know what I'm saying.

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<v Speaker 1>And I'm getting off of the city bus Valley Metro

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<v Speaker 1>and Phoenix, Arizona man. And I was with my brother,

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<v Speaker 1>the og O, Kevin Rivers, you know, my guy, and

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<v Speaker 1>I left my whatever it was. It was like garbage,

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<v Speaker 1>left it there on the bus. You know my mind,

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<v Speaker 1>someone's going to clean They clean the bus, you know

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<v Speaker 1>what I mean. So I just leave it right here.

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<v Speaker 1>I'm not throwing it outside. It's fine. And he pulls

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<v Speaker 1>me aside and he says something that I knew to

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<v Speaker 1>be true, because I was conflicted when I left it.

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<v Speaker 1>But I just I think I had my hands full

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<v Speaker 1>backpack and I was carrying something else or whatever, and

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<v Speaker 1>we had to go somewhere whatever. He pulled me aside.

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<v Speaker 1>He's like, hey, man, you know you can't. You can't

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<v Speaker 1>leave that there. It's white people on this bus looking

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<v Speaker 1>at you. And he was right. And I had to

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<v Speaker 1>pick that up, and I had to stuff it in

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<v Speaker 1>my pocket or whatever.

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<v Speaker 3>I do.

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<v Speaker 1>You know, it was many years ago. I was a child.

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<v Speaker 1>But this is the reality for us. We cannot embarrass

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<v Speaker 1>our people in front of the people with the power,

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<v Speaker 1>because the people with the power will keep us subjugated

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<v Speaker 1>because they have a cognitive bias. They see things that

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<v Speaker 1>help confirm their reality. You were perhaps taught to fear

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<v Speaker 1>black people. You were perhaps taught to think that black

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<v Speaker 1>people are whatever. I knew a lady one time. She

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<v Speaker 1>loved me so older white lady. Name was Betty Van Winkles.

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<v Speaker 1>She's passed away long long ago. She'll take care of me.

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<v Speaker 1>When I was little, she said that when she was

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<v Speaker 1>growing up, she said that she was taught that black

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<v Speaker 1>people had a natural odor to them, that we naturally smelled,

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<v Speaker 1>and no matter how much we bathed, we could not

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<v Speaker 1>get rid of that smell.

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<v Speaker 4>She said.

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<v Speaker 1>She grew up, she probably learned that that wasn't true.

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<v Speaker 1>When she was in her mid thirties, right, this really happened.

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<v Speaker 1>I knew this lady. I knew she used to take

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<v Speaker 1>care of me and my sisters and my brother when

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<v Speaker 1>we were little. She told me that when I was little.

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<v Speaker 1>I might have been twelve or thirteen when I heard that.

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<v Speaker 1>So these are the sorts of things that make these

0:13:00.880 --> 0:13:04.960
<v Speaker 1>incidents feel heavy. Now. I do want to take a

0:13:05.000 --> 0:13:11.520
<v Speaker 1>moment here to shout out Hip Hop Weekly Magazine. These

0:13:11.600 --> 0:13:17.240
<v Speaker 1>videos that we're talking about, I believe to a large extent,

0:13:17.280 --> 0:13:21.480
<v Speaker 1>were popularized by a site called world Star hip Hop.

0:13:23.000 --> 0:13:26.640
<v Speaker 1>Not mad at world Star, but I do recognize that

0:13:27.320 --> 0:13:31.120
<v Speaker 1>though sharing those fight videos and having them go viral

0:13:31.240 --> 0:13:36.319
<v Speaker 1>before you know, the infrastructure was in place for things

0:13:36.320 --> 0:13:40.920
<v Speaker 1>to go viral almost and on every social media site.

0:13:41.520 --> 0:13:43.840
<v Speaker 1>World Star was the first, and one of the things

0:13:43.840 --> 0:13:47.000
<v Speaker 1>that really got them there was these fight videos, and

0:13:47.040 --> 0:13:50.200
<v Speaker 1>they unfortunately became synonymous with fight videos that people would

0:13:50.200 --> 0:13:53.960
<v Speaker 1>get into fits and yell out world Star and anticipation

0:13:54.120 --> 0:14:00.200
<v Speaker 1>for making it on the site exactly. So, I'm not

0:14:00.280 --> 0:14:03.320
<v Speaker 1>mad at world Star, but I really wish that that

0:14:03.559 --> 0:14:06.240
<v Speaker 1>didn't happen in that way. I wish there was another

0:14:06.280 --> 0:14:10.120
<v Speaker 1>way that we didn't have to be like Mandingo Warriors

0:14:10.160 --> 0:14:13.000
<v Speaker 1>in order to make money or to get the sort

0:14:13.000 --> 0:14:16.440
<v Speaker 1>of social media or viral cloud or whatever it was.

0:14:16.520 --> 0:14:16.680
<v Speaker 2>You know.

0:14:16.679 --> 0:14:18.839
<v Speaker 1>I mean, there were more options available to us that

0:14:18.920 --> 0:14:22.360
<v Speaker 1>we had a little bit more dignity in them. But

0:14:22.400 --> 0:14:24.280
<v Speaker 1>I do want to shout out Hip Hop Weekly Magazine

0:14:24.320 --> 0:14:30.320
<v Speaker 1>because my understanding is that they have a philosophy about

0:14:30.360 --> 0:14:39.760
<v Speaker 1>them that is decidedly more dignified and does not rely

0:14:40.080 --> 0:14:44.240
<v Speaker 1>on the lowest common denominator. Plus, they sponsored the show,

0:14:44.720 --> 0:14:45.600
<v Speaker 1>so big shout.

0:14:45.440 --> 0:14:48.280
<v Speaker 2>Out to HIPPI for Hip Hop Weekly Magazine.

0:14:48.600 --> 0:15:00.920
<v Speaker 1>Now rap beef. You and I both come from hip

0:15:00.920 --> 0:15:05.280
<v Speaker 1>hop radio. There's a good chance if you're listening to

0:15:05.360 --> 0:15:07.680
<v Speaker 1>us that you're listening to a hip hop radio station.

0:15:09.800 --> 0:15:11.720
<v Speaker 1>And we didn't always do this show. Now this is

0:15:11.840 --> 0:15:15.240
<v Speaker 1>primarily what we do, but we're both DJs. We both

0:15:15.280 --> 0:15:19.520
<v Speaker 1>grew up loving hip hop. Is a part of our lives,

0:15:19.560 --> 0:15:28.160
<v Speaker 1>part of our everything, you know, and beef in hip

0:15:28.200 --> 0:15:35.640
<v Speaker 1>hop has been sort of a part of what comes

0:15:35.640 --> 0:15:36.200
<v Speaker 1>with hip hop.

0:15:36.240 --> 0:15:36.400
<v Speaker 3>You know.

0:15:36.640 --> 0:15:39.840
<v Speaker 1>It started up more as like battling who can rap better,

0:15:39.880 --> 0:15:42.480
<v Speaker 1>who can insult the other person better? You know, on

0:15:42.600 --> 0:15:48.840
<v Speaker 1>and on, and then you know, as drugs and gang

0:15:48.880 --> 0:15:51.960
<v Speaker 1>culture kind of took center stage and there's reasons for that.

0:15:52.640 --> 0:15:57.440
<v Speaker 1>We've talked about it at length on the show The CIA.

0:15:57.840 --> 0:16:00.160
<v Speaker 1>That's all I'm gonna say. But I don't have time

0:16:00.200 --> 0:16:06.760
<v Speaker 1>to tell that story. But through hip hop music, drugs

0:16:06.800 --> 0:16:08.440
<v Speaker 1>and gangs and that sort of stuff, or at least

0:16:08.480 --> 0:16:13.080
<v Speaker 1>that culture kind of permeated hip hop culture, and the

0:16:13.160 --> 0:16:19.480
<v Speaker 1>machismo that came along with this gang mentality also took

0:16:19.600 --> 0:16:20.520
<v Speaker 1>center stage.

0:16:20.600 --> 0:16:25.760
<v Speaker 2>And then adding excessive popularity and wealth and ego and testosterone,

0:16:26.360 --> 0:16:28.800
<v Speaker 2>and you get a very very toxic cocktail.

0:16:29.560 --> 0:16:36.200
<v Speaker 1>Right now, all the stories about rat beef and the

0:16:36.240 --> 0:16:39.520
<v Speaker 1>stories about who got in what fight, and what a

0:16:39.560 --> 0:16:42.400
<v Speaker 1>word show or what nightclub and who threw a bottle

0:16:42.440 --> 0:16:45.320
<v Speaker 1>and all this and whatever videos and that sort of stuff,

0:16:45.360 --> 0:16:49.480
<v Speaker 1>all that stuff kind of is what it is, right

0:16:50.000 --> 0:16:59.760
<v Speaker 1>But I want to make sure that I say that

0:17:00.000 --> 0:17:02.240
<v Speaker 1>it's no different from the other things that we're talking

0:17:02.240 --> 0:17:09.880
<v Speaker 1>about here insofar as I'm concerned. You know, I if

0:17:10.640 --> 0:17:20.639
<v Speaker 1>people can see you and they are not culturally competent,

0:17:21.119 --> 0:17:25.280
<v Speaker 1>they don't understand the culture right to them, it looks

0:17:25.359 --> 0:17:28.480
<v Speaker 1>like chaos, It looks like insanity, It looks like violence,

0:17:28.480 --> 0:17:32.840
<v Speaker 1>and it is in some cases, but it looks way

0:17:32.880 --> 0:17:37.480
<v Speaker 1>more sinister and because they don't have a cultural context,

0:17:37.520 --> 0:17:41.560
<v Speaker 1>it's more difficult to process. It has a lingering effect,

0:17:42.000 --> 0:17:45.160
<v Speaker 1>and they have a tendency to paint with broader strokes

0:17:45.800 --> 0:17:50.560
<v Speaker 1>right In other words, paint all of these people, all

0:17:50.640 --> 0:17:53.480
<v Speaker 1>of this music, all of this culture. If you dress

0:17:53.600 --> 0:17:55.680
<v Speaker 1>like this, then you are this type of person. If

0:17:55.680 --> 0:17:58.639
<v Speaker 1>you sound like this, then you are this type of person.

0:17:58.720 --> 0:18:00.320
<v Speaker 1>You know what I mean, You're going to break into

0:18:00.359 --> 0:18:04.320
<v Speaker 1>my home and do awful things with my daughter, that

0:18:04.480 --> 0:18:06.919
<v Speaker 1>sort of thing, you know what I mean. And so

0:18:07.280 --> 0:18:12.479
<v Speaker 1>over the years, rap beef and you know, what is

0:18:12.520 --> 0:18:15.560
<v Speaker 1>born out of it in some instances has been another

0:18:15.680 --> 0:18:20.879
<v Speaker 1>thing where that's a weight that at least me, I

0:18:21.040 --> 0:18:23.000
<v Speaker 1>carry it a bit differently, you know what I mean.

0:18:23.040 --> 0:18:26.000
<v Speaker 1>I'm not talking about machine gun Kelly beefing with eminem,

0:18:26.800 --> 0:18:28.400
<v Speaker 1>you know what I mean, because that's not the same

0:18:29.200 --> 0:18:38.360
<v Speaker 1>I'm talking about, you know, doctor dre and Easy when

0:18:38.400 --> 0:18:41.280
<v Speaker 1>Easy was alive. You know, that was something that happened

0:18:41.280 --> 0:18:44.879
<v Speaker 1>when I was like, you know, I'm from Compton, California,

0:18:44.960 --> 0:18:48.080
<v Speaker 1>so that gang environment is something that I was born into.

0:18:48.920 --> 0:18:50.800
<v Speaker 1>You know, my family was born into that, you know

0:18:50.800 --> 0:18:53.440
<v Speaker 1>what I mean. So I knew that that was real.

0:18:53.920 --> 0:18:56.680
<v Speaker 1>You know, Tupac getting shot, Biggie getting shot, you know,

0:18:56.720 --> 0:18:59.359
<v Speaker 1>all that sort of stuff, and other people on the

0:18:59.359 --> 0:19:02.439
<v Speaker 1>outside look in and saying, oh my god. Now I

0:19:02.480 --> 0:19:06.480
<v Speaker 1>will say this after thirty years, however long. It's been

0:19:06.680 --> 0:19:10.200
<v Speaker 1>almost thirty years, give or take. You know, these stories

0:19:10.240 --> 0:19:13.000
<v Speaker 1>are a part of our society. So the biggies in

0:19:13.000 --> 0:19:15.000
<v Speaker 1>the Tupax and I stuff, it's not as scary anymore.

0:19:15.000 --> 0:19:17.800
<v Speaker 1>It's you know, there's a million years ago right. In fact,

0:19:17.920 --> 0:19:20.600
<v Speaker 1>I was taking a walk today and I saw a

0:19:20.680 --> 0:19:25.359
<v Speaker 1>woman wealthy, woman clearly wealthy, with her husband. And you know,

0:19:25.440 --> 0:19:28.600
<v Speaker 1>with the neighborhood where we take walks, they're all mansions.

0:19:28.680 --> 0:19:33.000
<v Speaker 1>Everyone there is wealthy. She was wearing a Biggie shirt

0:19:33.200 --> 0:19:35.760
<v Speaker 1>and ready to Die, you know, the first album cover,

0:19:35.840 --> 0:19:37.560
<v Speaker 1>and then on the top of the shirt it said Notorious.

0:19:37.560 --> 0:19:38.360
<v Speaker 2>You know what I mean. Wow.

0:19:38.880 --> 0:19:40.760
<v Speaker 1>So I get that we've come a long way. But

0:19:41.040 --> 0:19:44.320
<v Speaker 1>the point I'm trying to impress upon you is that again,

0:19:44.440 --> 0:19:50.280
<v Speaker 1>we carry that differently, and carrying it differently is not fair.

0:19:50.320 --> 0:19:52.679
<v Speaker 1>And and if there's anything that we can do to

0:19:52.720 --> 0:20:00.879
<v Speaker 1>fix that, it's collectively us here and us black people

0:20:01.640 --> 0:20:04.720
<v Speaker 1>and you listening, who may or may not be black,

0:20:04.840 --> 0:20:09.119
<v Speaker 1>we all need to make sure that we are checking

0:20:09.160 --> 0:20:11.560
<v Speaker 1>our stereotypes and not painting with broad strokes. And if

0:20:11.600 --> 0:20:14.880
<v Speaker 1>people have an issue, it's those people, it's not everyone.

0:20:15.040 --> 0:20:18.040
<v Speaker 1>And it's okay to make patterns and make connections. That's

0:20:18.080 --> 0:20:20.040
<v Speaker 1>human nature. I'm not mad at you for that, but

0:20:20.080 --> 0:20:22.600
<v Speaker 1>we can't let it go too far and define a

0:20:22.640 --> 0:20:26.919
<v Speaker 1>reality for us that doesn't really exist right now. I

0:20:26.960 --> 0:20:29.200
<v Speaker 1>know I've been talking a lot, so I do want

0:20:29.200 --> 0:20:31.000
<v Speaker 1>to hear your thoughts on, of course, the Brat beef,

0:20:31.280 --> 0:20:34.960
<v Speaker 1>the viral videos. I know we talked about, you know,

0:20:35.040 --> 0:20:37.320
<v Speaker 1>hip Hop Weekly versus World Star hip Hop, all that

0:20:37.400 --> 0:20:37.959
<v Speaker 1>sort of stuff.

0:20:38.359 --> 0:20:41.560
<v Speaker 2>So I think we have to be careful not to

0:20:43.200 --> 0:20:47.760
<v Speaker 2>confuse causality and correlation. Okay, I think in general we

0:20:47.800 --> 0:20:51.080
<v Speaker 2>do that a lot. Because this happened, and this happened,

0:20:51.640 --> 0:20:55.320
<v Speaker 2>then this must have happened because this happened. And when

0:20:55.359 --> 0:20:58.080
<v Speaker 2>it comes to painting with broad strokes and the conclusions

0:20:58.119 --> 0:21:00.840
<v Speaker 2>that we reach with regards to black people, our culture,

0:21:00.920 --> 0:21:04.479
<v Speaker 2>our hair, our way of dress, our music, the cities

0:21:04.520 --> 0:21:08.160
<v Speaker 2>that we come from, the fear that is caused by

0:21:08.200 --> 0:21:12.000
<v Speaker 2>the perpetuation of those stereotypes, we have to be careful

0:21:12.800 --> 0:21:16.520
<v Speaker 2>with the dots that we connect, because sometimes those connections

0:21:16.560 --> 0:21:22.560
<v Speaker 2>don't exist, we just put them there. Sure, coming from Detroit,

0:21:22.600 --> 0:21:28.840
<v Speaker 2>Michigan and Compton, California, respectively, you know, you've seen our

0:21:28.920 --> 0:21:32.080
<v Speaker 2>cities on the news for reasons that are not things

0:21:32.119 --> 0:21:36.960
<v Speaker 2>that we're proud of. To be our age, to be

0:21:37.000 --> 0:21:38.880
<v Speaker 2>in the space that we're in and coming from where

0:21:38.880 --> 0:21:40.920
<v Speaker 2>we came from, it's something that we're both very, very

0:21:40.960 --> 0:21:44.000
<v Speaker 2>proud of. So you know that there's another side to it.

0:21:44.240 --> 0:21:47.359
<v Speaker 2>Of course, those things exist, the games, the drug that

0:21:47.640 --> 0:21:52.000
<v Speaker 2>we're not blameless, violence, all that stuff actually happened. It's

0:21:52.160 --> 0:21:55.439
<v Speaker 2>just not the only thing that happened singular or a

0:21:55.440 --> 0:21:59.240
<v Speaker 2>monolith with regards to that. So it's very very complex

0:21:59.280 --> 0:22:02.479
<v Speaker 2>to be from where we're from and be intellectual and

0:22:02.560 --> 0:22:06.280
<v Speaker 2>be kind and be and not be tough guys, and

0:22:06.359 --> 0:22:08.480
<v Speaker 2>to not have chosen the other path that people that

0:22:08.520 --> 0:22:12.080
<v Speaker 2>we grew up with did. It wasn't easy to take

0:22:12.119 --> 0:22:14.240
<v Speaker 2>the path that we took, but that other path isn't

0:22:14.240 --> 0:22:18.240
<v Speaker 2>easy either, and sometimes it's circumstantial.

0:22:17.680 --> 0:22:21.520
<v Speaker 1>And almost almost of the time it's born into those

0:22:21.560 --> 0:22:24.320
<v Speaker 1>decisions you don't really have a choice sometimes, so you know,

0:22:24.480 --> 0:22:27.240
<v Speaker 1>let's just have a bit more grace with each other.

0:22:28.800 --> 0:22:33.760
<v Speaker 2>Final thoughts. Shout out to Hip Hop Weekly Magazine, You

0:22:33.840 --> 0:22:35.199
<v Speaker 2>shout out to the culture in general.

0:22:35.320 --> 0:22:39.840
<v Speaker 1>Hip hop, we love you. I want to say this too,

0:22:40.520 --> 0:22:47.160
<v Speaker 1>Chris Rock, we love you. And Will Smith, we love

0:22:47.160 --> 0:22:50.040
<v Speaker 1>you too. It doesn't mean that doesn't mean.

0:22:49.920 --> 0:22:53.800
<v Speaker 2>You shouldn't do better.

0:22:56.240 --> 0:23:01.520
<v Speaker 1>But I moved this way. You know this about me,

0:23:01.600 --> 0:23:03.800
<v Speaker 1>Q and you're about to learn this if you're listening.

0:23:04.600 --> 0:23:09.040
<v Speaker 1>Nobody is simply the worst thing they've ever done. That's

0:23:09.080 --> 0:23:11.959
<v Speaker 1>not fair for anyone. Once upon a time, when I

0:23:12.000 --> 0:23:18.399
<v Speaker 1>was five years old, I remember this. I stole, for

0:23:18.440 --> 0:23:22.600
<v Speaker 1>all intents and purposes, a Ninja Turtles coloring book out

0:23:22.640 --> 0:23:25.400
<v Speaker 1>of Toys r Us. This is in California. I had

0:23:25.400 --> 0:23:26.879
<v Speaker 1>a nickel. That's how much it costs.

0:23:27.040 --> 0:23:27.359
<v Speaker 2>Dang.

0:23:29.600 --> 0:23:32.080
<v Speaker 1>I had a nickel, But I had two coloring books.

0:23:32.359 --> 0:23:35.440
<v Speaker 1>One was inside of the other one, and I paid

0:23:35.480 --> 0:23:37.680
<v Speaker 1>for the one and I had two of them. And

0:23:37.760 --> 0:23:39.360
<v Speaker 1>then when I got outside, I was like, oh my god,

0:23:39.359 --> 0:23:42.400
<v Speaker 1>there's two and I just didn't take the other one back.

0:23:42.480 --> 0:23:44.159
<v Speaker 1>I was like, let me hurry up and go home

0:23:44.200 --> 0:23:47.560
<v Speaker 1>because I got two coloring books. That was me stealing, right,

0:23:48.600 --> 0:23:51.199
<v Speaker 1>I guess I kind of knew that was wrong. But

0:23:51.320 --> 0:23:54.959
<v Speaker 1>I didn't know who I was yet I didn't I

0:23:55.040 --> 0:23:57.479
<v Speaker 1>wasn't old enough to make a conscious choice of the

0:23:57.520 --> 0:23:59.840
<v Speaker 1>type of person I wanted to be. Sounds like a

0:24:00.000 --> 0:24:01.639
<v Speaker 1>get excuses for myself, which I don't want to do.

0:24:02.160 --> 0:24:05.840
<v Speaker 1>But I am not a thief. If someone were to

0:24:05.840 --> 0:24:08.160
<v Speaker 1>call me that, they would be absolutely wrong. In fact,

0:24:08.280 --> 0:24:10.560
<v Speaker 1>if that toys rust still existed, I would go and

0:24:10.600 --> 0:24:13.480
<v Speaker 1>give them their other nickel, you know, to make it right.

0:24:13.800 --> 0:24:16.200
<v Speaker 2>But just whatever the inflation would be because.

0:24:16.000 --> 0:24:19.000
<v Speaker 1>I give them a dollar doesn't matter me. But that's

0:24:19.040 --> 0:24:21.280
<v Speaker 1>not fair to say that somebody is the worst thing

0:24:21.320 --> 0:24:23.240
<v Speaker 1>that they are, simply so. I don't want to abandon

0:24:23.359 --> 0:24:25.879
<v Speaker 1>Will Smith either. I just wanted to impress upon you

0:24:25.960 --> 0:24:30.160
<v Speaker 1>the weight that we often carry as black people.

0:24:30.200 --> 0:24:33.720
<v Speaker 2>Now it's before we move on, I'm gonna leave you

0:24:33.760 --> 0:24:37.480
<v Speaker 2>guys with a question. If Will Smith got out of

0:24:37.520 --> 0:24:42.840
<v Speaker 2>his seat, walked on stage and slapped Jimmy Kimmel, do

0:24:42.960 --> 0:24:45.639
<v Speaker 2>you guys think he gets to walk back to his chair,

0:24:46.240 --> 0:24:49.480
<v Speaker 2>sit down, watch the rest of the Oscars, and then

0:24:49.560 --> 0:24:51.320
<v Speaker 2>win Best Actor and give a speech.

0:24:52.480 --> 0:24:53.240
<v Speaker 1>I don't think so.

0:24:55.320 --> 0:24:57.280
<v Speaker 2>I'll let you guys figure out why I asked that

0:24:57.400 --> 0:24:59.960
<v Speaker 2>question and why I think the result was different.

0:25:00.359 --> 0:25:01.920
<v Speaker 1>That's a good question, all right.

0:25:02.440 --> 0:25:02.680
<v Speaker 2>Way.

0:25:02.720 --> 0:25:07.879
<v Speaker 1>Black history fact Hattie McDaniel June tenth, eighteen ninety three

0:25:08.400 --> 0:25:12.600
<v Speaker 1>to October twenty sixth, nineteen fifty two. This comes from Wikipedia.

0:25:12.920 --> 0:25:16.000
<v Speaker 1>She was an American actress, singer, songwriter, and comedian. For

0:25:16.040 --> 0:25:19.199
<v Speaker 1>her role as Mammy and Gone with the Wind nineteen

0:25:19.240 --> 0:25:22.720
<v Speaker 1>thirty nine, she won the Academy Award for Best Supporting Actress,

0:25:22.720 --> 0:25:25.720
<v Speaker 1>becoming the first African American to win an Oscar. She

0:25:25.800 --> 0:25:28.080
<v Speaker 1>has two stars on the Hollywood Walk of Fame. Was

0:25:28.119 --> 0:25:30.560
<v Speaker 1>inducted into the Black Filmmaker's Hall of Fame in nineteen

0:25:30.600 --> 0:25:32.960
<v Speaker 1>seventy five, and in two thousand and six, she became

0:25:33.000 --> 0:25:36.720
<v Speaker 1>the first black Oscar winner honored with the US Posters Stamp.

0:25:37.400 --> 0:25:39.760
<v Speaker 1>In twenty ten, she was inducted into the Colorado Women's

0:25:39.760 --> 0:25:42.720
<v Speaker 1>Hall of Fame. In addition to acting, McDaniel, recording sixteen

0:25:42.720 --> 0:25:45.840
<v Speaker 1>blue sides between nineteen twenty six and twenty nine, was

0:25:45.880 --> 0:25:49.200
<v Speaker 1>a radio performer and television personality. She was the first

0:25:49.240 --> 0:25:52.879
<v Speaker 1>black woman to sing on radio in the United States.

0:25:53.680 --> 0:25:55.959
<v Speaker 1>Although she appeared in more than three hundred films, she

0:25:56.040 --> 0:26:01.440
<v Speaker 1>received on screen credits for only eighty three McDaniel experienced

0:26:01.520 --> 0:26:06.000
<v Speaker 1>racism and racism and racial segregation throughout her career, and

0:26:06.119 --> 0:26:08.919
<v Speaker 1>was notably unable to attend the premiere of Gone with

0:26:09.000 --> 0:26:11.480
<v Speaker 1>the Wind in Atlanta because it was held at a

0:26:11.480 --> 0:26:15.240
<v Speaker 1>whites only theater. At the Oscar Ceremony in Los Angeles,

0:26:15.320 --> 0:26:17.879
<v Speaker 1>she sat at a segregated table at the side of

0:26:17.880 --> 0:26:20.720
<v Speaker 1>the room. In nineteen fifty two, McDaniel died due to

0:26:20.720 --> 0:26:23.600
<v Speaker 1>breast cancer. Her final wish to be buried in Hollywood

0:26:24.160 --> 0:26:28.119
<v Speaker 1>Cemetery was denied due to the graveyard being restricted to

0:26:28.240 --> 0:26:32.879
<v Speaker 1>whites only at the time. Nineteen thirty one, McDaniel moved

0:26:32.920 --> 0:26:35.119
<v Speaker 1>to Los Angeles to join her brother Sam and sisters

0:26:35.240 --> 0:26:37.280
<v Speaker 1>Eda and Orlina. When she could not get film work,

0:26:37.480 --> 0:26:40.119
<v Speaker 1>she took jobs as a maid or cook. Sam was

0:26:40.160 --> 0:26:44.000
<v Speaker 1>working on a KNX radio program, The Optimistic Don Hour,

0:26:44.680 --> 0:26:47.000
<v Speaker 1>and was able to get a sister a spot. She

0:26:47.080 --> 0:26:50.880
<v Speaker 1>performed on radio as High Hat Hattie, a bossi maid

0:26:50.920 --> 0:26:54.639
<v Speaker 1>who often forgets her place. Her show became popular, but

0:26:54.640 --> 0:26:56.280
<v Speaker 1>her salary was so low that she had to keep

0:26:56.320 --> 0:26:59.640
<v Speaker 1>working as a maid. She made her first appearance in

0:26:59.680 --> 0:27:02.120
<v Speaker 1>the Old and West in nineteen thirty two, in which

0:27:02.160 --> 0:27:05.000
<v Speaker 1>she played a maid. Her second appearance came in the

0:27:05.119 --> 0:27:08.719
<v Speaker 1>highly successful May West film I'm No Angel in nineteen

0:27:08.800 --> 0:27:11.200
<v Speaker 1>thirty three, in which she played one of the maids

0:27:11.240 --> 0:27:18.119
<v Speaker 1>with whom West camped Oh, sorry, camped camped it up backstage,

0:27:19.040 --> 0:27:20.840
<v Speaker 1>written strangely, but I guess that's how they called it.

0:27:20.920 --> 0:27:24.120
<v Speaker 1>Sorry about that. She received several other uncredited film roles

0:27:24.119 --> 0:27:26.879
<v Speaker 1>in the early nineteen thirties, often singing in choruses. In

0:27:26.920 --> 0:27:29.800
<v Speaker 1>nineteen thirty four, McDaniel joined the Screen Actors Guilds. She

0:27:29.840 --> 0:27:33.920
<v Speaker 1>began to attract the attention and landed larger film roles,

0:27:33.920 --> 0:27:38.280
<v Speaker 1>which began to win her on screen credits. Fox Film

0:27:38.320 --> 0:27:41.359
<v Speaker 1>Corporation put her under contract will appear in The Little

0:27:41.400 --> 0:27:46.000
<v Speaker 1>Colonel with Shirley Temple, Bill Bojangles Robinson and Lionel Barrymore.

0:27:47.640 --> 0:27:49.920
<v Speaker 1>The competition to win the part of Mammy and Gone

0:27:50.000 --> 0:27:52.879
<v Speaker 1>with the Wind was almost as fierce as that for

0:27:52.960 --> 0:27:56.639
<v Speaker 1>Scarlett O'Hara. First Lady Eleanor Roosevelt wrote to film producer

0:27:56.720 --> 0:28:02.320
<v Speaker 1>David O. Seals Nick to ask her to ask that

0:28:02.400 --> 0:28:06.160
<v Speaker 1>her own maid, Elizabeth McDuffie, be given the part. McDaniel

0:28:06.200 --> 0:28:08.000
<v Speaker 1>did not think she would be chosen because she had

0:28:08.040 --> 0:28:12.479
<v Speaker 1>earned her reputation as a comedic actress. A comedic actress sorry.

0:28:13.040 --> 0:28:15.280
<v Speaker 1>One source claim that Clark Gable recommended that the role

0:28:15.320 --> 0:28:17.040
<v Speaker 1>be given to McDaniel. In any case, she went to

0:28:17.040 --> 0:28:19.520
<v Speaker 1>our audition dressed in an authentic maid's uniform. Had won

0:28:19.560 --> 0:28:23.480
<v Speaker 1>the part. Upon hearing of the planned film adaptation, the

0:28:23.560 --> 0:28:27.399
<v Speaker 1>National Association for the Advancement of Colored People that's CNAACP,

0:28:27.640 --> 0:28:30.720
<v Speaker 1>the ones that gave me my award for being a

0:28:30.880 --> 0:28:35.240
<v Speaker 1>media trailblazer. Media activist Trailblazer shout out to the NAACP.

0:28:35.920 --> 0:28:38.479
<v Speaker 1>They fought hard to require the film's producer and director

0:28:38.480 --> 0:28:42.320
<v Speaker 1>to delete racial epithets from the film, in particular the

0:28:42.360 --> 0:28:49.120
<v Speaker 1>offensive slur nigger, and to alter scenes that might be

0:28:50.000 --> 0:28:53.800
<v Speaker 1>incendiary and that, in their view, were historically inaccurate. A

0:28:53.840 --> 0:28:56.040
<v Speaker 1>particular concern was a scene from the novel in which

0:28:56.080 --> 0:28:58.239
<v Speaker 1>black men attacked scrl ot Olehira, after which the Ku

0:28:58.320 --> 0:29:00.960
<v Speaker 1>Klux Klan, with this long history of provoking terror on

0:29:01.000 --> 0:29:04.600
<v Speaker 1>black communities, is presented as a savior. Throughout the South,

0:29:04.680 --> 0:29:07.920
<v Speaker 1>black men were being lynched based upon false allegations they

0:29:07.960 --> 0:29:11.760
<v Speaker 1>had harmed white women. The attack scene was altered and

0:29:11.840 --> 0:29:17.800
<v Speaker 1>some offensive language was modified, but another epithet Darky remained

0:29:17.800 --> 0:29:20.920
<v Speaker 1>in the film. The film's message with respect to slavery

0:29:20.920 --> 0:29:23.400
<v Speaker 1>remained essentially the same, consistent with the book. The film

0:29:23.520 --> 0:29:27.000
<v Speaker 1>screenplay also referred to poor whites as white trash, and

0:29:27.040 --> 0:29:31.000
<v Speaker 1>it ascribed these words equally to characters white and black.

0:29:32.360 --> 0:29:35.040
<v Speaker 1>Lowe's Grand Theater on Peachtree Street and Atlanta, Georgia, was

0:29:35.080 --> 0:29:37.280
<v Speaker 1>selected by the studio as a site for the Friday,

0:29:37.320 --> 0:29:40.240
<v Speaker 1>December fifteenth, nineteen thirty nine premiere Have Gone with the Wind.

0:29:40.560 --> 0:29:46.240
<v Speaker 1>Studio head David O'selznik asked that McDaniel be permitted to attend,

0:29:46.320 --> 0:29:49.720
<v Speaker 1>but MGM advised him not to because Georgies because of

0:29:49.800 --> 0:29:53.800
<v Speaker 1>Georgia's segregation loss. Clark Gable threatened to boycott the Atlanta

0:29:53.880 --> 0:29:58.120
<v Speaker 1>premiere unless McDaniel was allowed to attend, but McDaniel convinced

0:29:58.200 --> 0:30:00.280
<v Speaker 1>him to attend anyway. You know, shout out to Clark Gable.

0:30:00.320 --> 0:30:03.840
<v Speaker 1>I never knew that about him. Most of Atlanta's three

0:30:03.960 --> 0:30:07.160
<v Speaker 1>hundred thousand citizens crowded the route between the route of

0:30:07.200 --> 0:30:10.640
<v Speaker 1>the seven mile Shout Out to seven motorcade that carried

0:30:10.680 --> 0:30:13.440
<v Speaker 1>the film's other stars and executives from the airport to

0:30:13.520 --> 0:30:16.480
<v Speaker 1>the Georgian Terrace Hotel, where they stayed while Jim Crow

0:30:16.520 --> 0:30:19.920
<v Speaker 1>laws kept McDaniel from the Atlanta premiere. She did attend

0:30:20.000 --> 0:30:23.160
<v Speaker 1>the film's Hollywood debut on December twenty eighth, nineteen thirty nine,

0:30:23.520 --> 0:30:27.959
<v Speaker 1>upon Selznick's insistence. Her picture was also featured prominently in

0:30:28.000 --> 0:30:30.600
<v Speaker 1>the program, So shout out to Sealsnick as well for

0:30:30.680 --> 0:30:34.040
<v Speaker 1>her performance as the house servant who reportedly scolds her

0:30:34.080 --> 0:30:39.240
<v Speaker 1>own daughter Scarlett O'Hara Vivian Leigh and scoffs at rhet

0:30:39.360 --> 0:30:42.800
<v Speaker 1>Butler Clark Gable. McDaniel won the nineteen thirty nine Academy

0:30:42.840 --> 0:30:45.240
<v Speaker 1>Award for Best Supporting Actress, the first black actor to

0:30:45.280 --> 0:30:48.920
<v Speaker 1>have been nominated and win. An oscar I loved Mammy,

0:30:49.040 --> 0:30:51.760
<v Speaker 1>McDaniel said, when speaking to the White press about the character.

0:30:52.160 --> 0:30:55.680
<v Speaker 1>I think I understood her because my own grandmother worked

0:30:55.720 --> 0:31:01.080
<v Speaker 1>on a plantation, not unlike Tara. Now, this is the

0:31:01.120 --> 0:31:06.360
<v Speaker 1>woman that played all of those made roles her and

0:31:06.360 --> 0:31:09.320
<v Speaker 1>women like her. She played all those made roles that

0:31:12.040 --> 0:31:14.720
<v Speaker 1>you remember when Star Trek came out, and oh man,

0:31:14.760 --> 0:31:20.520
<v Speaker 1>I forget her name. She played Lieutenant O'Hara. I don't

0:31:20.520 --> 0:31:21.800
<v Speaker 1>know how I know the character's name and not the

0:31:21.840 --> 0:31:26.560
<v Speaker 1>actress's name, but the original Star Trek, the original series

0:31:26.600 --> 0:31:31.000
<v Speaker 1>with Captain Kirk and mister Spock and all that was it,

0:31:31.080 --> 0:31:34.240
<v Speaker 1>Diane Carroll, I don't think so. I know there was

0:31:34.240 --> 0:31:38.440
<v Speaker 1>a black actress, forgive me, I should know her name,

0:31:39.040 --> 0:31:44.640
<v Speaker 1>but she was the woman that WHOOPI Goldberg said, that's

0:31:44.680 --> 0:31:49.720
<v Speaker 1>the first woman I saw not playing a servant, first

0:31:49.760 --> 0:31:52.080
<v Speaker 1>black woman I saw not playing the servant on television.

0:31:52.840 --> 0:31:56.040
<v Speaker 1>And so this kind of shows the lineage and the

0:31:56.160 --> 0:32:00.880
<v Speaker 1>legacy of black folks getting from you know where we started,

0:32:00.920 --> 0:32:07.480
<v Speaker 1>which was nowhere blackface essentially too. You know, Nachelle Nichols,

0:32:07.560 --> 0:32:12.120
<v Speaker 1>we're the actress who portray There you go, Lieutenant Nyotahura.

0:32:12.240 --> 0:32:14.400
<v Speaker 1>There we go on Star Trek. Thank you for that

0:32:14.480 --> 0:32:18.840
<v Speaker 1>ce save me there. But that's that's it for us

0:32:19.000 --> 0:32:22.680
<v Speaker 1>and our entertainment episodes. So thank you for tuning in

0:32:22.720 --> 0:32:24.480
<v Speaker 1>once again. I'm your host, rams' jah.

0:32:24.560 --> 0:32:27.120
<v Speaker 2>I'll go by the name q Ward. Keep y'all's eyes

0:32:27.160 --> 0:32:30.280
<v Speaker 2>and ears open. We might do some online only content

0:32:30.400 --> 0:32:33.120
<v Speaker 2>extras in the near future about this topic, because I

0:32:33.120 --> 0:32:35.080
<v Speaker 2>think we both had a lot more to say, sure

0:32:35.160 --> 0:32:37.280
<v Speaker 2>than we could fit in a single episode.

0:32:37.480 --> 0:32:40.040
<v Speaker 1>Uh And in the meantime, ghet the website download this

0:32:40.080 --> 0:32:42.840
<v Speaker 1>in previous episodes. Send us your questions on the topic

0:32:42.880 --> 0:32:45.800
<v Speaker 1>you wants to cover. Also, please make a donation. The

0:32:45.880 --> 0:32:50.680
<v Speaker 1>show is growing with your donations. That Civic cipher dot

0:32:50.680 --> 0:32:53.240
<v Speaker 1>com and follow us on all social media that's at

0:32:53.400 --> 0:32:57.920
<v Speaker 1>Civic Cipher And until next week, y'all pace We had

0:32:58.720 --> 0:32:59.480
<v Speaker 1>he wasn't the.

0:32:59.440 --> 0:33:02.560
<v Speaker 3>Fact that Ti Lady showing you where vomb travel. This

0:33:02.960 --> 0:33:06.760
<v Speaker 3>word spa tones from sunlight to move busting on stage

0:33:06.840 --> 0:33:10.400
<v Speaker 3>like gonna fights the b roll my mic back. You're

0:33:10.560 --> 0:33:13.680
<v Speaker 3>like that journalists with journalists too, we can strike back

0:33:13.760 --> 0:33:16.840
<v Speaker 3>hard horb borders with orders from head borders behind in

0:33:16.960 --> 0:33:19.640
<v Speaker 3>the beline side step and the borders the press pass.

0:33:19.920 --> 0:33:21.120
<v Speaker 1>We bring it to you as.

0:33:20.960 --> 0:33:24.080
<v Speaker 3>It happens the streets love popping from music and rapping

0:33:24.360 --> 0:33:27.520
<v Speaker 3>the street compared the slash peek expander. You're gonna fight

0:33:27.560 --> 0:33:29.400
<v Speaker 3>the slander with the proper propaganda.

0:33:29.560 --> 0:33:30.160
<v Speaker 1>What's happening?

0:33:30.200 --> 0:33:32.280
<v Speaker 3>It's how you got a question to ask if the

0:33:32.360 --> 0:33:35.160
<v Speaker 3>news is just a TV show you're passing and this

0:33:35.360 --> 0:33:39.320
<v Speaker 3>from a white wartime journalists headlines wake up Phis and

0:33:39.440 --> 0:33:45.640
<v Speaker 3>recess like this like what like this? Like we get

0:33:45.680 --> 0:33:50.040
<v Speaker 3>finance action the sports sports politics, new fashion, and warver

0:33:50.200 --> 0:33:54.040
<v Speaker 3>Bots entertainment. When we come to perform, watch and kill us.

0:33:54.080 --> 0:33:56.800
<v Speaker 3>When the man in the watch clu